dunedin. friday, three, afternoon.
set from home under a blue sky
with full& prepared pack,
a somewhat empty stomach,
and a necessity to get away from the city.
hiking boots tread asphalt down to the depot,
where, in thirty-seven minutes punctuated
by plastic seats grafted to a wall
and a mildly disjunct group of small or
big-time travellers, the naked bus
pulled in, a hematite centipede
crawling into the lot. it was a bus,
no complaints. all others' bags
stowed, twenty seven bucks outta pocket
and swung into the front-right-window seat,
bid a farewell to the beat-down
pub across the road and onto the one-way
merging into a highway and outta
town the dark bug skittered, on
schedule or something resembling it.
behind the driver, the sun came through
around the beam in the window. warm patterns
laid on skin, the countryside's broad expanse:

cylindrical bales of hay scattered about
paddocks, dark late-autumn florets of flax
on roadsides, plumes of white smoke from
bonfires in townships as small as a thumbnail,
hedgelines of eucalyptus, pine; russet streaks
through bark of single gum trees stood
off-centre in fields. sticky-wooded hillsides
punctured by fire breaks roll almost forever
and back. the rushing sound of passing cars
through the 3/4-golden ratio of the driver's
ajar window; twenty-first century mansions
verging on out-of-place. saplings emerging,
bracketed, through verdant grass patches.
museum abbatoirs. toitoi like hen's plumage
lining drainage ditches. another Elizabeth st-
(how many could be counted out by now?) tidy
front yards and milton liquorland through this
small town. an everpresent tilting sun. fields
of flowered nettle. s-bends through pancake layers
of hills. a delapidated gravel quarry at stony
creek. deer farms, sheep farms, bovine farms, alpaca
farms (favourite); another bonfire seen down a
long gulley; a power substation, all organized
tangles. a two-four 300m before the bridge into

balclutha. 4.40pm.
across the road into the i-site
two friendly ladies circle locations
to make (got a car) or try to make (on foot),
offering a ride in half an hour,
leave it to chance.
across another road, drifter's emporium
(that's the name, no joke) got a knife
to open up cans- bought no cans, brought
no cans, still nice to have one anyway.
down the road, 200ml from unichem, waste
no time, turn ninety degrees, cross a
railway, then outta town in a sec. first
photo: half highway, half clutha river. fine
shot. sit down, watch the water couple mins,
head down the road. red-black ferns radiate
under willows down the riverbank. metal
bumper-bars keep legs on, the road rolls
gentle turns, diverges from the river. stick
to the former, faster that way. no intentions
of hitching. just wanna walk. and walk. and
walk. guy yells out a car window. envy,
likely. who cares. apple tree hangs over
a dry ditch. pick a small one, gone in
a minute. probably ain't sprayed. been
eating ice-cream dinners more often'n
not the last coupla weeks- isn't much
the stomach won't or can't handle anymore,
anyway.

odours of decay from the freezing works.
seagulls sound out nearby.
typical.

down the road, the reek of death fades
out. back to grass. sit in some of the
tall stuff, under a spindly tree. put down
some ink, a handful of asst. nuts. 'bout
thirteen fingers of daylight left. no idea
if the coast is further than that. little
care. down the road the land flattens out,
decent sign. the junction was a fair bit
past reckoned, though. flipped a chunk
of bark (too lazy to get a coin out) to
figure whether the coast was worth it. bark
said no, went out anyway. gotta see the sea,
keeps you sane. past a lush native
acre or two- some lucky ******'s front lawn-
changed mentality, slung out a thumb (first
time). beginner's luck, kid straight outta
seventh form pulls over in a mustard-yellow
*******' kinda beach-van. was headin' out
to the coast, funnily enough. had been up
in raglan (surf central, nz), back down with
the 'rents now, though. out kaka point, only
one of his age, he reckoned, no schoolhouse
there, just olds. was going to surf academy,
pretty apt. little envious.

the plains spread out and out, ocean just
rose up out of a field. there's nothing
more perfect. gentle waves stroke the sands,
houses stare intently out at the mingling of
blues. one cloud hovers so far away it doesn't
even exist. down the other end of kaka point,
back on solid ground, walking into a gorge, laments
about not choosing the coastal route. but owaka
is the new destination, bout 11ks, give or take
(5ks later, sign says another 15.. some give). nothing
coulda beat that sight anyway, stepping outta
a van onto that pristine beach.

entry: gorge route to owaka. seven.
late light painted the tops of hills absolute
gold. thought maybe this way ain't so bad. beside a
converging valley, phone got enough reception
for dad to get through. said in balclutha coulda
got a room with a colleague. too far out now. lost
him in the middle of a sentence about camera film.
surprised to have even got that far. road wound
troughlike through the bottom of the gorge, became
parallel to a cute little stream. climbed down chickenwire
holding the road in place, ****** in it (had to).
clambered back up, continued walking as the occasional
campervan rolled on by. took a photo of the sun perched
on a hilltop, sent it to mel. dunno why. anxieties
over the perfect sunrise picture came frequently,
a goal become turmoil. the gorge flattened out,
and soon in countryside my fears allayed. round
a corner in picturesque nowhere, found my shot.
sat in long grass. stole it. sighed. ate a handful
of nuts. moved on. {about eight}

dark consumed the surrounding gentle-rolling hills,
nowhere near owaka, which was probably the tiny bundle
of lights nestling a little below the foot of a
mountain in the distance (not too far off, in
reality). near the turnoff to surat bay (was heading
there, plans change) a ute honks. taken as friendly.
a right turn instead of a left, farmsteads lit
up in fireplace tones, the sound cows make at
dusk. it got colder. would one jersey be sufficient?
hoepfully. stars began pinpricking the royal blues of the
night sky in its opening hues. eight-fourty-ish slugged
back about 3/4 of the syrup, along with half of a box
of fruit medley (so **** delicious), in light of dull
calf aches becoming increasingly apparent. needed
to walk a helluva lot more. ain't one for lettin'
nothing get in the way of that. lights in the distance
became the entry sign for a camp-site. no interest,
head on. past another farmhouse, stars came out in
packs. three cows upon a slight hilltop. next junction
pulled left a good eighty degrees and was on the
straight to owaka. less than two minutes later,
a dog-ute pulled to a halt and offers up a ride down
most of the stretch. didn't say no.

still stable, as two pig-hunters tell
of their drive back from picking up a couple
pig-dogs somewhere north. they were heading
out bush to shoot, thought they'd seen
another guy they'd picked up a couple weeks
ago, who'd taken 'em out somewhere they
couldn't remember. paranoia grips, but
the lads are fairly innocuous. they say it's
dangerous out here, gotta be ballsy walking
middle of the night, no gun, no dog,
all by yourself. wasn't worried, got nothing
to lose anyway (still, this sets helluva
mood). by a turnoff a k outta owaka, dropped
off. said probably all that'll be open there
is a pub, if that. bid luck and set their way.
above, the whole sky is covered with shining
glitter. down a dip and turn, **** in the
middle of the road. an ominous sign indicating
the outskirts of

owaka. approximately 9.40pm

my head loosens as i approach. the lights
form across a small valley i can't verify
exists or not between dog barks i mistake
for the yells of drunkards and lights
pirouetting from cars behind me. i slow
down i don't want to do this.

owaka is terrifying. plastic.

the street corners thud like cardboard. i
walk past a garden of teapots, a computer
screen inside the house glares through the
window pane bending breathing outward. there
is nobody here, still there is a feeling
like there's people everywhere, flocking
in shadows. a silhouette moving in a
distant cafe doorway. the sound of teeth,
of darkness fallen. thick russian tones
sound from a shelf of a motel. eyes
everywhere, mostly mine. i stop only round
a bend and down near a police station, yet
feeling no more safe, sitting in a gutter to
send mel my plans, to tell myself my plans.
i want to be nowhere again. i am soon nowhere.

out of breath, out the other end of owaka,
the sick streetlights fade into comforting
dark nestled between bunches of indistinct
treelines. the feeling of safety lasts but
twenty minutes, where another dip in the
road leads through a patch of bush, in which
gunshots ring periodically and laughter and
barking rings through. breaking down, it takes
five minutes to resolve and keep going. ain't
got nothing to lose, anyway. boots squeak like
diseased hinges all down the road. hadn't
noticed beforehand, the only thing noticed
now. an impending doom hangs thick like fog,
the thought of being strung up like an
underweight hog. walking faster and
not much quieter, the other side of the
bush couldn't have come sooner. the fear
lasts until the gunshots are distant nothing.
still alive, still out of breath, still
fairly ****** up, there's no comfort like the
sound of nothing but the occasional insect's
chirp. vestiges of still water came around
a corner and just kept coming as the golden
moon sung serenity all over. finally, a peace
came to rest over the landscape. sitting by
the road with a clear view of the moon's light
sheathed in the waters, the stars above wreath
a cirrus eye to watch over the marshland
plants leading into the placid waters of

catlins lake, west. ten fifty-one.
crossing a one-way bridge over a river winding
its way into the lake, another turning point
decision arose: continue down the highway
along the river, or head straight out and
toward the coast again. having resolved to
make it to a waterfall by dawn, and the latter
offering a possibility of this, the decision
made itself. turning back around the other side
of the lake, the road wound a couple times
up a gentle ***** out and up from the valley
at the tail of the lake, and into a slightly
more elevated valley. the country roads ran
easily and smooth, paved roughly but solid.
not a car came by for kilometers at a time.
lay on the road past a turnoff for quarter
of an hour letting serenity wash over, the
hills miniscule in comparison to home, the
sky motionless, massive thin halo about the
moon. walking on, night-birds called from
time to time (no moreporks, though. not until
dawn), figuring out how to whistle them back.
a turnoff to purakaunui bay strongly
considered and ultimately ignored; retrospectively
a great call, considering the size of the detour.
hedgerows of macrocarpa, limbs clearly cut
haphazard where once they'd hung over the
road. occasional 4wd passing, always a 4wd,
be it flash new or trusty old. you'd need
one out here. have no fun, otherwise.
monolithic pine-ish hedge bushes, squatting
giants. once, a glimmering in the sky, a
plane from queenstown (assumedly) almost
way too far to make out. the colossus of
the one human-shaped shadow cast down
from the moon to my boots. how small
a thing in this place. swamped out by
the beauty of this neverending valley.
breathless.

the road turned, not quite a hairpin,
but not entirely bluntly, a welcome
break from the straight or gentle
sway, and five minutes turned to dirt.
had to lay down again- legs screaming
by this point for rest. still, they
had nothing against pressing on. dad
taught me to just keep going. that's
the thing about walking. stop for a
little bit and you're good to go
again. pushing for the fall was probably
overkill, but no worry now. dirt road
felt so right after a good 20+ks of
asphalt, only infrequently punctuated
by roadside moss or thin grass. it
was as if beginning again (well,
kinda, if only with as much energy).
having downed only a litre of water
(leaving only half a litre more), a
litre of fruit juice and about 100
grams of assorted nuts since more
than twelve hours ago by this point,
it should have been a shock to
still be going by this point. don't
really need that much anyway, though.
gone on less for longer. hydration,
anyway, was the least of all worries,
the air being thick with water, ground
fog having been laid down hours ago.

up the dirt track, more cows. they make strange
sounds at night. didn't know anything yet,
though. that's still to come. a ute swang past
going the other way, indiscriminate hollers
from the passenger-side window. waved back
cheerily. so far from anything to be anything
but upbeat now. not even the heavy shroud of
tiredness could touch that, yet. the track wound
on forever. was stopping every half-kilometer
to stand and stretch, warding off the oncoming
aches. the onset was unwieldy, though. didn't
have long. past a B&B;, wondered whether anyone
actually ever stayed there (surely would, who'd
not revisit this place over and over once they'd
discovered it?)- certainly would've, having the
cash (apparently parts of "lion, witch and the
wardrobe" were filmed here. huh). further on, the
road turned back to seal, unfortunately, but
with small promise- surely, at least fairly
close by this point. turning a corner, a small
and infinitely beautiful indent against the bush,
a small paddock bunched up against it, stream
wound against the bases of trees, all lit by
the clear tones of a now unswathed moon, sat
aside the road. it was distilled perfection.
it was too much, just had to keep goin' or
risk shattering that image. next turn was
a set of DOC toilets, an excellent sign. must be
basically sitting on the path entry now. searched
all 'round the back for it, up the road, nothing.
not entirely despondent but bewildered, moved
forward and found a signpost. the falls were now
behind? turned around and searched even more
thoroughly, quiet hope turning to desperation
by the silent light of the moon. finally,
straight across the road from the toilets,
was the green and gold sign, cloaked in
darkness under clustering trees, professing
a ten-minute bushwalk to the

purakaunui falls. saturday. 1.32 am.**
venturing into the bush by the dull light
of a screen of a dying phone, the breeze
made small movements through the canopy. it
couldn't have been any more tranquil. edging
way through the winding cliffish track through
dense brush, the sound of a trickling stream
engorged into a lush symphony of water. crossing
a single-sided bridge across an unseeable chasm,
twinkling from the ferns behind became apparent.
turning off the dull light, the tiny neon bulbs of
glow-worms littered the dirt wall risen up about
half a metre, where the track had been cut out.
my heart soared. all heights of beauty come
together. continuing down the path, glow-worms
litter the surroundings and the rushing of
water comes to a roar. at a look-out platform
above the falls, nothing can be seen save a
slight glisten. down perilous steps (wouldn't
be too bad if you could actually see 'em) the
final viewing platform lay at level with the
bottom of the falls. they stood like a statue
in the dark, winding trails of thin white wash
through the shadows hung under trees. left
speechless from something hardly made out, turned
around and back up the stairs to where the
glowing dots seemed their most concentrated.
into the ferns above, clambered through and
around moss-painted tree trunks and came to rest
a couple hundred metres from the trail, under
a fern, under a rata. packed everything but
a blanket from nan into the bag, laid it out
on curled leaf litter and folded up into it,
feet too sore to remove 'em from boots, curling
knees up into the blanket and tucking a hand
between 'em to keep it warm. only face and
ankles exposed, watched the moon's light trickle
through canopy layers for a few hours, readjusting
tendons in legs as they came to ache. sleep (or
something resembling it) set in, somewhere
around four.

some time slightly before six, the realisation
that my legs had extended and become so cold that
they'd started cramping all the way through hit,
coupled with the sounds coming through the bush.

Being a girl in my day and age,
you get used to all the horn honks,
the wolf whistles,
and the "hey baby's",
and the guys saying "you're too pretty not to smile",
as though not having a smile on my face at all times is a sin.
But why should I smile when harassment becomes normal,
when a girl can't report it because even the police thinks she should be flattered,
but why should I be flattered that a guy wants to see up my dress so much that he 'accidentally' pushes it up,
why should I be flattered when a guy can't even use words so he whistles at me like I'm a dog.
But I am not a *****,
I cannot be won over by a whistle and sweet words,
no scratch behind my ears in the form of some misogynistic pick up line,
will give you a chance.
And if I laugh at your poor attempt,
it is not consent,
just because my lips curl into a smile,
does not mean you can come curl up with me.
My self worth does not exist on how fuckable I am in your perverted eyes,
it is not existent on if you want to 'hit that',
if you were to hit anything it should be your mindset that that is okay,
right out of your head.
Because I am not an object for your pleasure,
and I object to you treating me like I am.
I AM!
I AM!
I AM!
A WOMAN!
Built from all the things a man could never be.
And don't you ever ******* forget it.

I’m not allergic to bee stings – I never have been, I probably never will be – but I am more afraid of bees than anything else. More afraid than heights, than fire, than opening up to others, than death by drowning. I have been stung more times than I will ever be able to count. My skin has since grown thicker, but I remember when it was soft, and I was small. I used up the entire allowance of pain I was given for life in less than four minutes.
Perhaps I should specify that it’s not bees that I am afraid of, but wasps.
When I was nine years old, much younger than I am now, I stepped on a yellow jacket nest. My bare foot went into the hole and came out covered in their little striped bodies. There was this buzzing noise that at the time I’d thought was normal, but I now know that it was the sound of the wasps that were in my ears. They had been trying to crawl down my ear canals. I wonder if they had mistaken my canals for their burrows, and had been trying to get back to their queen, but were disappointed to find my ear drums, instead.
My sister – the same age – covered in wasps alongside me, screamed and screamed, but I made no noise. By the time I even thought to cry, I had been stung so many times it would have been pointless to weep for my swollen, red toes. I remember being unable to feel the wasps’ venom running through my veins because I couldn’t even feel my veins. If I would have cried for anything, it would have been for fear that, being unable to feel them, I might have lost track of my tiny feet. They could have walked away without my body and I wouldn’t have known. They could have walked to school and back without me.
Of course, my feet could barely walk. After my initial disgust, I watched my sister run away from where we had been standing and I knew that I should run, too. I could still feel the wasps crawling, clamoring, on my skin, in my clothes, in my hair. I remember the feeling of these bees crawling around among the roots of my hair, making themselves well-acquainted with the tender skin of my scalp. I remember being unable to get them all out of my hair before I walked into the house.
I knew that I should run, and so, balanced precariously on my numbed feet, clambered after her.
I followed my screaming sister down to our farmhouse, past my stepmother who was also screaming, even louder than my sister. I don’t remember where my father was that day.
We ran down the dirt road that led from the barns to our house, removing our shirts as we went and stopping to strip down to our underwear on the front porch. I remember the honks from cars as they passed by. I remember not knowing why they were honking, but knowing that I was angry with them for honking, for ogling, rather than stopping to help. I remember not knowing how they would help, just knowing that I needed help, desperately.
The irony of our stings is that my sister, a year later, was cast in our school’s operetta, and ended up playing the part of a yellow jacket, a sort of elementary-school-gangster, part of a group of them, who wore – you guessed it – yellow jackets and stole other bugs’ lunch money. I would say that, if the wasps that attacked me had been human, they would definitely have been after the money I used to buy Little Debbie Oatmeal Crème Pies in the lunchroom.
If I had been stung even three years later, I would have been big enough to know that one doesn’t run around in untrimmed grass with no shoes on their feet for precisely this reason. If I had been stung three years earlier, I would have been too small, and dead. So I am grateful for even the smallest of coincidences, the tiny droplet of fate that had given me those stings on that day, at that age.


I would like to talk about pain transference. In your body, nerves often run between parts of yourself you never thought would be connected. If something hurts in your elbow, it wouldn’t shock you to find that your fingers hurt as well, but if your elbow hurt and so did your lower spine? You’d be a little confused.
This is pain transference.
It’s a form of generalized pain; you can locate the pain, it’s just not coming from any one place. You can feel the pain in more than one part of your body, though there’s no reason for anything other than your elbow to ache. This is also your body’s way of protecting you from pain. It’s not that this pain is more manageable, but that it is easier to understand. Your elbow might be more hurt than the ache lets on, but you can’t tell, because your lower back is throbbing.
Now imagine your body as a hive of wasps. Imagine each of these wasps as a nerve inside of said hive-body. Imagine the queen as this hive-body’s brain. What is your body’s goal? To protect the brain. What is a hive’s goal? To protect the queen. Each wasp is born with an instinctual dedication to the queen. They must protect this individual at all costs. Your body, on the other hand, does everything it possibly can to protect the part of you that makes you so unbearably you.
Yellow jackets are social creatures. Each wasp has its own purpose in the hive, and the three different ranks within this hierarchy are the queen, the drones, and the workers. The queen (who is the only member of the colony equipped by evolution to survive the winter; every other wasp is dispensable) lays eggs and fertilizes them using stored ***** from the spermatheca. Her only purpose is to reproduce. Occasionally the queen will leave an egg unfertilized, and this egg will develop into a male drone whose only purpose is also reproduction. The female workers are arguably the most important part of the hive. They build and defend the nest.
Only female yellow jackets are capable of stinging, and wasps will only sting if their colony is disturbed. This fact is new and interesting to me. I remember thinking that it would make so much sense if the only wasps in the colony who could sting were the females. Females have a motherly, nurturing nature about them, but they are protective and willing to make sacrifices as well. Lo and behold.
The females are the nerves. They transfer the pain from the queen to themselves (and then, if disturbed, to the third-party individual who has disturbed them).
Psychics view pain transference as the transferring of pain between bodies rather than the transferring of pain between separate parts of the same body, but it works in a very similar way. Different types of energy vibrate at different frequencies; loving energy vibrates at a higher frequency than dark energy, therefore they transfer between people at different rates. Pain is simply dark energy that holds a fatalistic power over us.
According to psychics, energy can be transferred through the mind, the body, and the spirit, but pain is mostly transferred through physical touch. To transfer pain to another human being, you must touch them in a way that is not beneficial to their own or your spiritual growth.


I would like to talk about smallness. I was nine when I was stung by these yellow jackets. I was nine and the first time I’d ever been stung was at a friend’s birthday party at maybe the age of seven, behind the knee, and it’d swelled up so large I couldn’t bend my knee for two days. I knew the dangers of disturbing wasp nests; I’d watched my friends all through elementary school getting stung on the wooden playground on the premises. I, myself, stuck to swing-sets and splinters.
I was always so careful. I never went near trees if I saw a nest in its branches. My teachers had told me that I should stay away from the part of our playground made up of tires, because the hornets liked to nest in the rubber. I was terrified of being stung again after that first time because all the mud in the world didn’t seem to make a difference. The wasp’s venom, even after drying up pile after pile of soft, wet dirt, made my limb stiff and sore. I was always so careful; it seems appropriate that the one time I’d been careless, I’d been stung enough times to make up for all the times I had avoided wasps as if my life had depended on it. Maybe it had.
I was small enough when I was nine. If I had been stung at six, or three, I would have been in a lot more trouble. I would have been in a lot more pain. At nine, my stings required calamine lotion and mud for the venom, and ice baths for the swelling. At six, they might have required a trip to the hospital. At three, they would have been much more alarming, considering I had never been stung by a bee by that age.
I was careless. It was summer and I was old enough to wear denim shorts and I had kicked off my flip flops so I could feel the grass under my feet and I was careless and I was punished for it. Now I watch my cousins and my niece play outside and I have to hold my tongue, remember that I am not responsible, that I cannot prevent their being stung, their stings, no matter how badly I want to.
I would like to talk about fate. I would like to talk about how, if I hadn’t been running barefoot, I wouldn’t have gotten stung so badly. I would like to talk about how if my father had been around to tell me not to run barefoot, at least my feet would have been safe. How, if I hadn’t been too stubborn to listen to my stepmom, too, I probably would have had shoes on. How, regardless of all of these things, I probably would have been stung no matter what.
In a world where people are stung by hornets every day – where people are stung by as many as I was, at once – I would like to say that I know now that this experience is not as unique as I had previously thought it to be. I know more people than I thought I did whose trauma involves insects smaller than their pinky finger but together cover their whole body, and venom. I know people who, when I tell them I was stung by hundreds of yellow jackets at the age of nine, shrug and say nonchalantly, “Hey, me too.”
I would like to talk about smallness, and fate. I would like to talk about not only physical smallness, but the smallness one feels when they are in pain.
Belittled might be the word I am looking for. My pain wasn’t belittled, per se, but my pain belittled me.
My pain made me feel small. My pain made me feel small when I was stripping my clothes off on my front porch, cars racing by on the state highway that ran past my house. When I was running my fingers through my hair under the faucet in my kitchen sink because my sister was older and always got first dibs on the shower. As these wasps that hadn’t suffocated under my hair stung my fingers, too, until they were as swollen as my toes. My pain made me feel small when it made me pity myself.


I would like to talk about standing up for yourself as an act of causing pain.
Honeybees, when they sting, are defending themselves and their queen, but they don’t know that when they sting, it will become lodged underneath the skin of whomever they sting and it will pull them apart and they will die.
I imagine the first time a wasp stings to be a sort of power trip. Female wasps can – and will – sting repeatedly to protect the colony. I also imagine they don’t know that their relative the honeybee dies after it stings, but it must be strange for them, nonetheless.
Have you ever seen a video of a woman protecting herself and those she loves? She’s vicious. She won’t stop until the perpetrator has retreated.
When a woman stands up for herself, though, it’s as if she’s tearing herself in half.
A woman standing up for herself is a dangerous thing, both dangerous for her and for those around her. It is an act of bravery and defiance and saving grace all in one.
A few weeks ago, I overheard someone equate being female with being terminally ill, as if we have no place to go but down. As if we are dying creatures, on our last leg of life, with no will to fight for what we want.
As if the pain of the world is being transferred into us all at once.
I would like to argue that it is the exact opposite. There is nothing more alive and breathing than femaleness.I am inseparable from my femaleness. I am inseparable from the that leaks from me when I think of all of the times I have been harmed But I am not inseparable from the pain that I have caused others. I cannot forget that.


I like to imagine sometimes what my stings would have been like if I had gotten them ten years later, as well. I am much bigger. I am much stronger. I am much more capable of handling pain than my nine-year-old counterpart.
I wish I could have been the one to have to handle that pain. I wish my nine-year-old self had known better than to let her foot fall into a yellow jacket nest. I think it’s unfair that, at such an early age, I had to deal with something so terrifying and painful and traumatic. My extremities were swollen for over a week. I couldn’t write, I could close the zipper on my backpack, I couldn’t turn the pages of a book. I couldn’t go to school, and I couldn’t read in bed, so it might be enough to say that the week I was kept out of school to elevate my legs and let the swelling go down was the most boring week of my entire life.
Sometimes I look at my ankles, swollen from blood flow, from standing too long or from sitting too long or from doing anything except elevating them, and I’m reminded of this time when my ankles were much thinner and I watched them on the end of the couch, my toes pointing toward the ceiling. I remember how terrified my mom was. I imagine that phone call must have been harrowing for her – Hi, Michelle, Em’s been hurt. No, she’s fine. Just a few bee stings is all. – and for her to see me for the first time, red and splotchy and itching myself like mad must have been even more so.
I think about my father’s reaction, how I hadn’t been around to see it, but how he must have been heartbroken at knowing he wasn’t there to protect me, to prevent the bees from attacking me. I believe, however, that there was no protecting me, that there was no preventing these wasps from defending their home against me, an infiltrator. I had stepped inside of their burrow and was instantly seen as a threat. Anything I see as a threat to myself, I instantly want to rid myself of.
This is the way of the world: we see something, we determine it to be good or bad, and we either bring it into our lives or defend ourselves from it depending upon which it turns out to be. I happened to be the ultimate evil in these wasps’ lives. They were simply protecting their queen, without whom their hive would no longer exist. I was dark energy, vibrating in a way that spoke to them as threatening. I was transferring pain to them when my foot stepped into the hole, and they were transferring it back to me when they stung me. I transferred energy into the ground as my feet thumped against it. Water transferred energy into me as it helped me rinse wasps out of my hair.
From pain to protection to pity, back to pain. From bee stings to womanhood to sadness and back again. One shouldn’t be afraid to introduce the things they’ve lost to the things they’ve loved, or the things they love to the things they’re afraid of. And I am afraid of wasps. Petrified, even. The other day, driving in my car, I rolled the window down and in, immediately, flew a yellow jacket. I watched as it she flew past me and then around the back of my head. I heard her and was immediately transported back in time. I wondered what she was doing in my car, so far from her queen. I wondered what was in my car that she possibly could have wanted. But I knew that she wasn’t there to hurt me, because I hadn’t invaded her home. I hadn’t made an attack on her queen. I knew there was no sense in panicking, so I didn’t. I didn’t panic.
I am afraid of things even though they won’t **** me, but I have watched myself face these fears. I have stumbled onto a Ferris wheel and then walked confidently off. I have left candles lit without standing to check on them after every episode of The Office I watch. I have loved people I never thought I would, and I have seen the other side.

The city sounds of ordered chaos, the constant wave of people crossing back and forth like a human tide. Strangers cut in and out of their tiny groups and barely miss colliding. Honks and bleats hasten the crowds pace as they race to cross the road. Some people stare at their phones, others watch the road but no one looks directly at another human being. Somewhere, near here and in-between there just off to the side a stranger sits mumbling, barely coherent.

“Watch me.”

The age lines run so deep into his skin that they might as well be built in. White stubble paints a drawn slightly sunburnt face. Deep dark blue eyes scan the city life for some unknown relief.
A red line catches his eyes, followed by a childlike voice singing playfully. “Watch me mommy.”

Tiny matchbox cars race around a shallow hole. The little cars cross dips and dirt ramps increasing the young boy’s excitement, as he mimics his favorite show. They crash into a partially exposed root. “Brrckkkeeech bccccch.”A fake explosion sounds. Dusk begins to fall as the cars settle into their makeshift cereal box garage. Smiling and dusty the boy crosses the small road, then the tiny parking lot, and comes home.

Long ***** white hair falls messily across the man’s worn face. All but a few awkwardly placed teeth are gone. Some are yellow while others are darker and rotting. His breath reeks. The emaciated figure feels the cramps of hunger pains. A brown speckled haze clouds his vision, followed by a slight coldness and dizziness creeping over his body.

“Watch me.”

Cardboard swords clash in a titanic battle of good versus evil.  Until the young victor jumps upon his sawhorse stead. A yowl of pain sounds as his tiny sac is smashed. The pain jolts upwards and inwards causing temporary paralysis. Thin legs scrape the wooden brace dragging chips of paint down with him as he falls off his fake saddle. The victor is defeated by pain. A few seconds later the internal pain passes and he is up and at it again, running straight for a large tree. At the last second he swerves barely avoiding a painful collision. In his mind a red cape swooshes behind him as he flies off to save metropolis.

The summer heat draws pit stains on the old man ***** orange tee. The neckline is stretched and has an almost circular pattern of moisture. Barely able to move, his sick stench draws the attention of flies. Bugs buzz by almost as frequently as strangers walking by.

“Watch me.”

Tears fall from the tiny child eyes, as he stumbles in pain. A deep **** runs red with lines of falling blood. His mother picks him up and carries him to the neighbor’s car. She whispers soft word of reassurance. The tears eventually stop.

The man clenches his chest. Pain permeates his being. His breath is lost. He stumbles falling harshly against the cold grey cement sidewalk. Tears fall. He reaches for strangers pleading weakly for their assistance. A foot smashes against his left side, causing more pain to flame up; while forcing him to edge of the sidewalk. The crowd keeps moving.
A stranger snarls “get out of the way you ***.”

“Watch me.” The old man whispers as he recalls his mother’s warmth. Soft kisses planted on his forehead. Sitting in the dark living room safely snuggled next to his mother as a scary storm rages violently against a small house.

“Watch me.” He cries. His voice, obscured by the city, fades and is forgotten.

Dear daughter of mine
Let’s spend time down by
the lake, and watch the frogs
hop from place to place, and
giggle at the geese as they
make their noisy honks and
eeks. And know that I will
always love you.

Small daughter of mine
Let’s crawl through our fort, and
afterwards eat popcorn. But only
if you have finished your homework.
I know you hate it. But how else
are you going to learn?

Little daughter of mine
Don’t fear my wrath from that C in
math. We’ll figure this out, and
you did your best. I won’t deal
onto you what was dealt onto me.
And please bear with me as I try
to explain why you have begun to
bleed.

Lovely daughter of mine
Coming home drunk and muddy
from prom. Sure, I’m not happy,
but I know the song and dance.
I still love you, but go wash
your ******* pants.

Superb daughter of mine
I’m letting you go so you
can claim a new place as
your own. But don’t be afraid.
They are all strangers before
they are friends. And please
behave and leave heavy drinking
to be my forte.

Wonderful daughter of mine
You’re all on your own now, yet when
you visit home you tell me of how he
touched you wrong. I hold you tight
and we both cry. Someone touched me
that way too, and I promise together
we’ll make it through. And I still love you.

Terrific daughter of mine
Your career is on the rise.
And that great guy you have
met seems rather nice. I hope
that fate keeps her eyes on
you and gives you good fortune
in all you go through.

Amazing daughter of mine
Thanks for sharing your pain.
I‘ve been just the same, and I
know suicide more than most and
more than you’ll ever realize.
Don’t take your own life. I will
stay on the phone with you
through the night. I love you.

Beautiful daughter of mine
You said yes, didn’t you?
Hold my hands and let us
have this dance. Twirl around
the room as we ought to do.
I know you know I love you.
And I know that *******
blonde-haired ******* loves
you too.

Stupendous daughter of mine
Now you are all grown. We’ve
sown the seeds for you to be
happy and to keep your peace
of mind. Keep doing what you
do well. I am so proud of you,
and I know your mother would
have been proud too.

Daughter of mine
I’m no longer around. My reckless
self-disregard caught up with me
and brought me to the ground, and
you’ve laid me to rest. But you
don’t have to cry. Just keep the
sweet memories of me as your sweet
daddy deep in your brain. And please
keep an open heart. I love you, I
love you, I love you. Tell all your
children the same.

Dear daughter of mine
We spent time down by the lake, and
watched the frogs hop from place
to place, and giggled at the geese
as they made their noisy honks and
eeks. And all I hope is that you
knew that I would always love you.


-
by Aleksander Mielnikow

I bet the sounds inside my head were noisier than the sounds of cars that jammed in the middle of traffic in Surabaya.
Especially when it comes to rush hour.
I often caught myself were slowly dying.
And I'm not even sure who the hell I am.
But I'm always like this, isn't it?
Isn't it a tragedy?
For being someone who watches me with misery.
That's why I made this poetry.
But someone out there is despising this part of me.
I wrote this because my capability with words that I put and I spend to think are well composed than the words that I never been able to say out loud.
So please, honks by all means.
So I wouldn't hear the sound inside my head was talking about.

I stand here on a street corner,
daisy dukes and fish nets,
my favorite Metallica crop top
floating up on moonlit skin.

Monster truck inching close,
breath pacing through the city streets,
I walk to the edge of his dark lair
to bite any hesitation.
With curt words and close heads
I smell the whiskey in his breathe.
Pulling into the alley's grip,
I let him lead and grit my teeth.

"Shhhh, I won't get busted again."
the whiskey whispers against my ear,
"Don't make a peep."
Then I'm not sure if it's man or whiskey
who turns me around in callused hands.
He spits first,
entering with a grunt,
and my hands slide down the window with each ******.

5 minutes.
I horn honks in the distance, long and mad,
as whiskey man unloads on my back,
along with his long, satisfied growl.
That's it, with a reluctant 20 bucks,
and I'm back biting the wind.

The rattle is shaken and life becomes unfixed
Torrential rains cascades downwards on ancient bricks
These stunning moments have been rediscovered
In wonder all is flustered in awe as the state of silence honks
Love creeps out of tune in time, the unsureness of cold feet
The voice fades, the toned whispers continually erased
Stormed and soaked, stilled and stalked by a heart that stole my dream
Drenched in uncertainty, non-favouring multitudes won't let me be
These flutters flattens and deflated, I stroll and I will not run
The floating fun fares vanishes, the morning bird furnishes
The time capsule evaporated, unstripped and frozen

Ohh, how I wished to plant and harvest inspiration
Wake up with a renewed breath of air, the flowing river
Of the days when the gloom masked, I hated what life had become
How could humanity be so self centred and selfish?
I looked for silence and the banging never ceased
The masses rushed, never to let me be, they snatched my freedom
I inhaled the hope of the freeness and longed for the racing momentums

How so?
That over time the weather collapsed to coldness, the darkness marbled
A nag of the songbirds, as I escaped in the ****** ozone layer
A disconnect of the mind, body and soul; when I saw my spirit sail
A snail sailing on its own course and journey slowly but steady
Reflections and visions of the timeline of growth and fertility
A heart of one, the soul of all, the mind of many, a tongue in sums
The chandelier hanged on a ceiling, high, holding the flickering bulbs
A condense of energy, the modelled nature of a prognostic intervention
A laughter and synergy rests in the symphony of the unsung melodies

If god were real
When he’d appear

It would be out of nowhere
In mysterious ways

God would be dressed as a clown
His front top teeth are missing
And he slurs like a drunk
Sometimes you can’t understand him

He does this on purpose
God was never cryptic
He just had trouble enunciating

DON’T BE MEAN TO PEOPLE
JESUS CHRIST

You have trouble looking at his face
It is hard to take the message of a clown seriously

So you look down at the globes of the tip of his shoes
Red shiny bulbs

Inside the reflection
You are ant sized
You feel small in that moment

God says something but you are busy looking down
You see other ant sized people walking behind you
Towards work
To get food
To go to school

God makes you a halo
Out of balloons
It is white because he ran out of yellow

Before he puts it on your head
Turned sideways
It looks like dangling handcuffs

He makes you a sword and belt too

You have just been turned into an angel
A human angel armed with the necessary tools to fight on his behalf

You don’t feel strong in that moment
You still feel like an ant
God gives you a holy water balloon
Just in case things get hairy

You decide you might be able to surprise baptize someone with it

Then god walks a way
But you totally feel better because he just gave you a halo and a sword

You cry that night
Because you have never felt so small and helpless in your entire life

You never felt so silly
Wielding you faith as firm as a balloon sword
Wearing your blow up halo as a badge

So you throw them away

Not your faith

Just the balloons

DON’T HURT ANYBODY
God says
His tongue pressed to his gums to prevent lisps

Then he begins to pump up another balloon
He honks his horn
And you are so confused

What would be like
to be
100%
safe?

I mean
to be that perfect combination
of visible
and invisible.

I mean
to be
left alone
while walking the streets.

I mean
to be
respected.

I mean to be a
white
straight
man.

-

I have to drill it into my head
that I love myself
as I am –
queer, ace, woman-read, brown, crazy, femme –
because if I didn’t
I’d never be able to leave the house.

I have to say
that to be otherwise
would be boring
so that maybe one day
I'll actually believe it.

But I cannot say
I have never wanted to be
100%
safe.

-

Today
I put on a short dress
I have never felt pretty enough to wear,
and walked to and from a café,
knowing what would come.

I kept track –
four honks, one leer, one whistle,
told myself:
                   you knew this would happen,
                     this is nothing,
                     you’re lucky,
                     it could be
                     so
                     much
                     worse.

It still hurt.

I practiced the motion
of flipping off the bird
as I walked,
tried to get it
as reflexive
as a cop with a loaded gun,
knowing
that it would make no difference.

-

To dare to be feminine in public
is to perfect
the art of looking straight ahead
the art of being hard of hearing
the art of fast, fast, fast walking
[just in case].

So often
we have to weaponize femininity
because that’s all we’ve got.

A pair of crows streaks the skyline. I watch their graceful flight above bare treetops, concrete, and steel constructions, on a backdrop of exhaust fumes.

One crow alights after the other; their claws grip the bars of the signal tower a few feet away from where I wait for the next bus home. I wonder if they built their nest on that giant, manmade constellation of angles . . . From there they would have an exceptional view of the surrounding area, and few predators would dare to go up there.

"I found a dead crow, tangled in a wrought iron gate, once." His voice taps inside the nerve hollows of my mind, and I am unsure if the loud, clicking noises coming from the crows, and the perfectly synchronised squeaking of the bus' brakes, amplify or dampen his tone.

The bus driver greets with his usual, "Hello, Sweetie." I want him to be the bus driver, instead. He would never be late, he said. He wouldn't make me wait for what sometimes seems like an eternity. I mumble an almost-civil reply, biting back tears as I stumble forward against the pull of the engine to flop down on the nearest seat. I avoid eye contact with the other commuters; my gaze fixed to their reflections on the windowpane -- doppelgängers obscuring my vision -- a zeitgeist of movements . . . "Don't look at the window, look through it, silly . . . and don't miss me, I am just far away . . ." I always miss him more when he says that.

The coral trees are in full bloom, adding robust warmth to the faint copper glow of the winter sunset. Are their flowers the same vermilion colour as the 'fire tree' in his garden? Above the coral trees, I spot a pair of magnificent wings: a sacred ibis . . .

Fly south with me, Sacred Ibis. You are a goddess. White wings, neatly trimmed with a pearly black hem . . . when will you come down again, so I can show him what Isis really looks like? I won't be able to capture your image in flight, although he would love to see you like this -- spread-eagle . . .

The Ibis remains within view until we reach the nature reserve at the foot of the mountain. Here, the road forks into choices; I have but one -- keep left. The driver has a heavy foot and the next stop is mine. I get up from my seat and stumble down the narrow aisle towards the nearest exit, my hand tightening around a canary-yellow handlebar as I brace myself for the ****.

The hydraulic hiss of the opened doors spit at my heels. I leap from the bus, onto the pavement; my feet meet the concrete -- a long, silver-grey slab, slapped onto dry, red clay -- with a thud, dust settles on my coat in a whirlwind of the bus' departure.

Pigeons. Too many to count. They line the flat roofs of smog-stained, one- and two-storey buildings. Could they be soldiers? "No, my Love. Doves and pigeons are peacekeepers . . . and there is war in the Gaza Strip . . ." Yes, but what about the buildings? I walk on, thinking about the mourning dove he nursed; the one that followed his smoke rings . . .

We found an abandoned laughing dove squab last summer -- he, or she, made it. Sam was hand-reared, survived, and flew away on one of those bright summer's afternoons . . .

At the corner, I wait for the dust to settle further and the traffic light to turn green -- there are always those who don't need saving.

Turn right.

The Chinese maples are bare. Their deep-red autumn leaves have returned to the earth for redemption.

An Egyptian goose honks, calling his mate from the top of the church tower on the other side of the road. Perhaps, after so many chance encounters, he recognises me while he spreads his wings, flapping them slowly, without rising from his position, in what I imagine is a display of empathy.

I notice that I'm standing on the same patch of lawn where I found the barn owl's feather, months ago. Owl feathers ought to be kept in the dark, away from the day birds'. . . In the distance; I see the grove of pagoda trees that lead the way home -- beacons, providers and protectors. I follow. 

An assortment of feathers, haphazardly stuck into the wooden frame of the French doors, welcomes us home; fragments of unlocking and entering are placed on the dining table where we do everything.

Textbooks, dictionaries, software manuals, bird guides, the salt- and peppershakers -- guano has lost its value; it's all pink, organic Himalayan crystal salt, now. My children's empty cereal bowls were left on the table in the morning rush; they remind me of the years we have to catch up to -- I dissolve gunpowder pillulets under my tongue: Homeopathic medicine for this virus.

Balance -- like the flamingo, or the blue crane in the bird-guide-photos. On one leg, I reach for the light switch . . .

He glows in the weak ambiance -- electric bulbs cast a sepia vignette that invokes the scent of burning rose petals -- something akin to the gestalt of Rama, or a Buddha in blue . . .

Supper is a bland affair; I think of the Krishna temple I haven't visited in over a decade. How do they do it? Serve such exquisite meals on donations (feed the masses and the masses will feed you) . . .

Dishwater drips from my hands and runs down the inside of my arms as I absent-mindedly reach for the crow's feather, hidden in between the wrought iron candleholders on top of the grocery cupboard -- a gift or a donation?
 
I have donated my life to causes and movements, as a bird gifts its feathers to the earth, and to feather collectors, but will it be enough to sustain our future?

 

Aug/Sept 2014

Cool kid euphoria with our pastel colored pants and our Raybans on is what we all are in the basement of the 50’s house.
Our phones blowing up while we sip whiskey and wine.
Trying to get the attention of the cars on the main road
By handstanding and flashing and cheersing our beers
And we receive our victorious honks.

Guitar clock radio with numbers around the fretboard and Sir Paul smiling and crooked, acid-trippin’ guitarist/violinist/celloist looking product of orange and gold look down upon as our patron saints.
Swingin’ low, Sweet Chariot words stares up at me from the 70’s floral carpet.
Ralph Stanley and Eric Clapton singing solos and duets in my head keep me company as the boys play and figure out key changes.

Painted screen hiding the Etta James microphone stands forgotten in the corner—
As I take in the teals and roses and golds.
Give me a heart shaped box where I can store my love
I fly so high in the world above
I’ll come back down eventually.

Lava lamped water stain engulfs the ceiling. As fingers go up frets
And they go down frets
And they go up frets
And they go down frets.
As you don’t enunciate when you sing.
We all mourn  our fallen brethren, the base of the telecaster with no strings and no head and it weeps silently from its place on the water pipes, hearing his cousins WAAAIIIIILLLLLL.

As Cool kid euphoria is created with our pastel colored pants and our Raybans on in the basement of the 50’s house.

We work all day so we can drink all night
Getting high off the drug that is each other
Chain-smoking Pall Malls like it’s our job
Listening to oldies as we shoot the eight ball in the corner pocket.
Garden tools and Lawn Mower parts as a sweet, creepy décor in the dank basement
As we breathe in mold and dust and cigarette smoke.

We are gloriously young.
So *******.
We still think we can change the world.
Not through politics or through fear or by means of war
But by doing just enough to get by and loving everybody for who they are, even the parts or religions or particular ways of life we don’t like,
Because people aren’t what they do or what they believe
They’re who they are.
We still think we can change the world
And Maybe one day, we will

But for now
We’ll just be here,
In the basement of the 50’s house with our pastel colored pants and our Raybans on.

listen
to
the
orchestrated
and
syncopated
clickety clack
clankety, clonk
clickety clack
honks air
through
their
snouts
the sound
that horses
make
when they
trot plop gallop
with their
horseshoed feet
upon
the
resonant
red cobblestone streets
brings
sweet music
to
the
blacksmith's ears

(not a poem i guess but eh)


–

Space keeps falling to the sides. I try to concentrate, - I mean, I make a token effort every now and again,- but concentration, fixation is always in terms of something external, something I'm not sure I can deal with.  I roll over and go back to sleep.

–

'Where's the flour?'
'Where you left it.'
'Which is where?'
'On the table. What you want it for anyway?'
'Which table?'
'Haha. The generic maple with the ugly-*** spandrels. What are you making?'
'You think we could afford that? Nah, it's like, faux-pine or some ****. And like muffins.'
'Oh good, there's banan's that need using up'
'No no, like, other muffins. Crumpets and such. Got any golden syrup?'
'I think there's some maple.'
'No, it's like, ply, I swear.'

–

I haven't moved in days. I need to. He'll come eventually and I don't want him to see me like this. Plus, I need to locate that smell. I can't have guests over with it here. I'm just not sure where it is though. I  feel like it's on my left arm when I’m in the middle of the room, but off to the right everywhere else. It's.. acerbic, but fermenting, like vegetables on the onset of rot but not quite there yet. Not that I know; I haven't moved in days. I don't want to smell it again. Also garlic, definitely garlic.

–

We visited the inland sea the other day. The hundred years since last time hadn't changed it one bit. The beached clay was brittle under the midday sun, and the cracking footsteps fragmented it into a hundred hexagons.
               'I hear a strain of the pathogen is airborne. It's only a matter of time now'
A group of tourists park up by the shore. A child holds out their arms and runs in small circles.

–

The corridor keeps flashing. And maybe spinning. It's hard to tell, the colour change starts at a different point each time and there's no discernible rhythm to it. You keep pacing up and down. I feel self conscious that you want to leave, but then again, you did show up unannounced. You shake the snowglobe disinterestedly. The fragments burn like molten static.
'Stop that. I feel like I’m vomiting spiders.'
'You're being dramatic.'
'None the less.'
'Don't worry; you'll get through it. The world is transitioning, and this is just motion sickness.'
'I know that, I didn't say I was worried, I said I wanted it to stop.'

'sorry'

–

We'd always go for a walk at night if we felt we needed to talk. It was an unwritten rule. The veil of amber filter let our more timid thoughts breath in the nebulous darkness. Stark daylight was always too suffocatingly real, and that was the one thing we were never allowed to be; real. You'd always talk superficially if we discussed personal matters. That day you did a one-third spin clockwise and faced my side, and talked grandeloquently, hammed up like on a stage. You gave an embarrassed smile and blew a kiss for the invisible audience. I always felt jealous of those nothings, those non-existent beings, that got to figure into your world.

–

'Christ it's warm today. I can't think.'
'so don't bother.'
I spin in the chair. Whooosh. Whooosh.

–

It's the end of a 6 hour shift. A customer, a mother in her odd thirties, was angry that a sale item was out of stock, like sale items always are: She'd only gone out of her way to shop at this store because of the advertised deal, and we had taken time out of her busy schedule under false pretence. Her child stared at the ground intensely, his eyes watering. I tried to imagine the situation through his eyes, to try and ground myself; to remain both present, but stable. She insisted on speaking to the manager. It's a relief really; He's a skeevy ****, but he at least knows when the customers are just there to start ****, and responds accordingly. He comes over, asks what the problem is. It turns out I entered the code wrong and the item was still available after all. He gets one from out the back, handles the transaction, says have a nice day and apologises for me and everything, and I just stand there blankly; I’d had the graveyard shift the night before and honestly I’m beyond feeling right now, but when she mutters 'dumb *****' as she turns away a tight feeling still twists in my gut anyway.
I come home and leave the door hanging open framed in the setting sun and just drop my bags in the hallway. You're in the kitchen, hunched over a workbench eating out of a mug.
'Whatcha having?'
'Cornflakes.'
'….Cornflakes?'
'Yep.' you pivot as I approach. 'corn..flakes.' you hold out the packet.
'coooornfllllakkkkkkkeeeessssss' I start laughing.
'coooornfllllaaaaaaaaaaaaaaaaaaaakes'
we chorus the term in groaning monotone, and I grab the packet out your hand and throw it down and violently stomp it into the ground with every non-energy I have left. You just laugh and egg me on, repeating 'cornflakes! Cornflakes!' in crescendo, ostinato. The satisfaction of each crunch gives me the drive to smash them further, and corn dust spills out of the pulverised cardboard and gets everywhere. In the end I’m panting, my face is a mess of tears, and I collapse over onto it and just roll, bathing in the glorious fragments of reconstituted mulch.

–

'They say another ice age is coming.'
'They also say we'll be swallowed by the sun'
'well, it's true.'
'Yeah, but which'll happen first? I need to know to dress accordingly.'
'Tunnel's up ahead'
'I know, I see it.'
I deliberately swerve to the side and speed up, changing back at the last moment.
'You know I hate it when you do that.'
'What, don't you wanna die together with me? Here and now? Immortalised, as if our existences actually meant something?'
'like Diana and the nameless chauffeur?'
'******* exactly.'
We step out onto the hill, frozen **** tufts breaking underfoot. It's cold as hell but the skies glittering. You get out the telescope you borrowed off your rich *** sister.
'I think that's Jupiter over there.'
'Pfft, Jupiter.'
'What?'
'What's the blankest space you can find?'
'Hmm.. that way?'
You point it in that direction. 'Look'
I stare into it, but it's hard to keep focus while shaking from the cold. You keep adjusting and asking ,’See anything?', eventually some hazy distortion comes into view.
'See, no matter where you look, there's always something there.' You're trying to sound eloquent. 'Even when it seems like you're drowning in nothing.'
I stand back. 'That's terrifying. I feel sick.' I try to breathe but it's shaky and shallow. I stare into the ground, but I can still feel it; the blaze of the myriad innumerable heavens burn into me. Their judging gaze pierces through me and tears me to shreds.  

–

'You know, I think I read that Spinoza thought that consciousness is manifest in the ability of finite beings to continue persisting in and of their own will over time.'
'Doesn't that make a toaster more conscious than us?'
'Yeah, you don't say.'

–

We were twelve and at the department store. It was strange. I'd never taken the bus by myself to just hang out in town before. I always feel disorientated and light-headed in crowds so it had a strangeness; waves of apprehension cushioned by the homogeneity of it. one can be truly alone in a crowd; floating in a sea of otherness, where each gaze is no longer a signification of anything, but a warm static. We were among the aisles of a department store, in the toys and tacky house ornament section. Like, the junk you buy children and grandparents for their birthday. **** that you'd only attribute to people whom have no discernible qualities of their own. We were looking at snow globes. We kept trying to shake them violently enough so that the scene framed within would become entirely lost to the fog; it always felt so disappointing when clarity returned and things re-became what they were. I remember saying, 'I wonder if it tastes like real snow', I don't remember, It was stupid, I don't know why I said it, it sounded cool in my head. But you responded, that I remember, by taking the thing and smashing it against the concrete floor, and pouring out all the fragments into our hands. We tried them together and coughed and choked in laugher. It tasted awful, entirely unsurprisingly. On a rush you stuck one in your pocket, grabbed my hand, and we promptly left the store, and my heart was palpitating, it felt like all the rules, all the natural laws that had prefigured my world were crumbling, and I was terrified, trapped in the gaze of my mothers look of disappointment when we'd be inevitably caught, somehow watching me from its potential future, and I'd no longer be allowed to visit you but it was okay because I was here with you now in this moment and we were alone in this faceless mechanical place crumbling around us, and when we left, and no sirens buzzed, I felt sick with excitement at the unbounded possibility present in everything in every second. I cringe thinking back on it, and feel ashamed at finding such meaning, feeling such unabashed wholesale virtue in indiscriminate destruction, but sometimes, sometimes I still shake that snowglobe as hard as I can, till everything determinate is lost in haze, and I still feel a wave of comfort wash over me.

–

‘We’ve been walking for ages. you know where we’re going, right?’
‘It’s just up ahead. I swear’
‘You swear?’

‘I mean, I’ve only been there once before myself.’
‘****. This way?’
‘Wait-‘
‘What?’
‘Huh. Nothing. Sorry, I thought I heard a car coming.’
…
…
‘I think that’s the ocean?’
‘But.. aren’t we heading inland?’
‘You sure?’
‘Yeah, I swear.’

–

We're in your room. Your reading on your bed and I'm in the swivelly chair by the desk, pretending to work, but really we're just chatting, talking about.. something. Whatever. It was probably stupid, laughing at our own jokes, as always, catchphrases repeated till they loose all meaning. It's been a long day and honestly we're both too tired for coherence by this point, but the lack of effort lends the air an easy comfortability. But then suddenly.. Suddenly you stare into my eyes as if you're looking at me and it's somehow different, an intense gaze that I can't escape, as if you somehow found something located there, something fixed in those abyssal pupils. The feeling is overwhelming and terrifying. I am grounded, ripped into the prison of being and frozen static like a dumb animal transfixed in headlights: I am outside myself facing in, and I’m falling away. I pull you in and kiss you to escape; now, it is your touch that is fixed, your smell, your taste, and I breath a sigh of reprieve. You hold my back as I fall into you. I lace my fingers through the buttons in your shirt and feel the faint pulse of your flickering heartbeat. At once an ever-changing epiphenomena, and a calming rhythmic certainty. I vacantly tug at the buttons and your expression changes, gone is the feeling of suffocating questioning, but one of transfixed observation. Your touch is not a reaching out into something, but a continuation of yourself; I am an instrument of your lust, an extension. Holding me in your arm, you nervously run your hand down from my nape and trace my bra from the strap over the line of my breast. The lightness of your touch is a painful tickling and I push myself into you further, my thighs wrapping around yours. Your touch shoots a burning into me, not painful, but like glowing kindling, or the warmth of a blanket; an immanence, a retreat. I let my mind go blank and we continue; you fumble with my bra as I fumble with your belt. We're both shaking but too far gone to notice, too distant to care. The dry freeze of the night air contrasts your damp heat. You clasp me as you trace your hand under my skirt and I feel your arm brush my thigh. I tremble slightly at the sharp coldness of the damp cotton coming unstuck. After a stretching moment of awkward liminality, I feel you pass into me. It's a burning smoothness, distilled liquor. The rubber is an alien feeling, and for some reason I imagine myself as a giant balloon; a malleable featureless surface, filled with emptiness. I feel myself through the threshold of your presence and I am afraid; I am a boundary which encompasses nothing, and by your passing through I fear that I will be pierced; I will burst and out will flow an obsidian wind that will wither you to nothing, but it will keep coming, an endless torrent that will subsume the world and turn everything to desert, and the only way to save you is to keep it bound up as tight as I possibly can till my heart feels like burning metal, and I feel my tears land on my hand tightly clasping your shoulder. You ask through wavering breaths if I want to stop, but I shake my head; if you left now I would be caught and torn open; no, instead I subsume your undulations into myself; till the rhythm is as oceanic noise; a surface rolling located miles above a lightless motionless centre.

–

The pale green lamplight flickers. A nausea, tepid, but understated. The sentience of moss; an almost motionless drone, but the sense of unfolding. The corridor seems larger than it once was. Blank reflections harrowing accusations, mechanically indifferent but piercing; an alarm clocks wail. I lie still, I lie still. The buzzing repeats. I lie still. I am flowing, seeping through floorboards into the pores of the earth, into colonies of worms and I am lost and free, a motion, a multiplicity, pure form without the anxious drudgery of parts; pure alimentary canal, pure Elysium absolution. The flickering quickens and gets brighter. A pulsating light, a strobe, a beat frequency wavering behind vision. The liquid earth, saturated by light, hardens and dissolves. And 'I' am lost among the ruins, a vague memory of a sentiment. A nostalgic grief, an asphyxiated longing. I reach out to you desperately in the drag of the undertow, but you are the chalk of faded bones; cast to the winds centuries prior. A thousand years pass of blanket darkness, and a unitary bell rings. The flotsam batters against the temple gates. Debris collects in cracks, and my pieces are among them. I cling to retention, and return. I am cold sweat outlining the floorboards, the feeling of clenching before vomiting, repeated endlessly.

–

A few weeks after, turning off an avenue onto the main road, I see you. You're crossing, coming this way. It was bound to happen eventually. I bite back the moisture forming in my eyes and try to remain faceless. You suddenly change your trajectory, and hit the side of a car. It honks at you and you dodge around it. I allow a bitter smile to myself; the fact I can cause you such disorientating discomfit indicates I still mean something to you. Even if it's just a discomforting anxiousness, something beyond the boundary to be avoided, I have causal powers, extension; I can see my flicker of presence in you even now, even if I cannot for the life of me find it within myself. You run around and I walk straight. It's empowering; I can remain fixed, even if the torrent of the world flows around me. At that moment, I feel the indubitable strength to persevere. I am stronger than this world; I am stronger than you. But then, just as suddenly, the feeling folds upon itself and is gone. I felt solidified, just now, by the fact that I was the one that remained in this random encounter. I won, you lost. but Won how? With the ability to pretend that I can exist alone, in a world that means nothing to me? The ability to maintain a solid spectral façade, when underneath, scratching away under the skin, I contain nothing? To continue terrifies me. Knowing that I have the strength to continue terrifies me. That last thing I ever intended was to outlive you. I feel the world drain away from me, and yet I remain, left standing, alone, in a of realm of perpetual nothing.  

–

I feel sick

a hundred years pass in the cavity of the desert. Merchants make trade off raided materials and makeshift weapons. A library is burned. A soldier, wanders freely. An insect buzzes around his face. He darts about the place in annoyance, but it remains. He can't shake it. He closes his eyes. It's still there

I feel sick

the sun burns bright arrhythmic  clicking.  A late twenties couple go clothes shopping, however the child is hungry and will have none of it. Lunch is suggested. They are jocular about the decision, but feel an uneasiness about the indulgence. The air is saturated and dries

The headlights blaze,
a horn honks,
I look at the traffic light, I wait,
at a signal, in a traffic jam,
stuck.
Soldiers storm a university,
in a book a dog dies,
a girl fights tumors in her *******,
the world turns,
and in a traffic jam, I remain
stuck.
Later in the night,
in my bed, I lie scrolling
Instagram stories follow one another,
a quick progression:
outrage on an atrocity turns and
becomes 40% Sale on a fashion brand, turns and
becomes the best biryani in town, turns and
becomes a friend at a pub, turns and
becomes my office desk, turns and
becomes an empty page, turns and
becomes a traffic jam, turns and
does not become anything, and I remain
stuck.

I'm a middle aged man with a menopause d mind,
striving hard to make the ends meet,
struggling to set myself straight,
against the raising concerns from
my boss for not thinking out of box,
dearest wife, that I no longer love her the way it was,
my junior that I don't spare him time for a online game,
One or other almost everyone around had a concern or a claim,

On a thoughtful evening browsing some motivational videos on net,
I discover my mantra "Sweetheart Relax" from a famous Art of living guru,

Determined to surprise all, I keep it  a secret,

In no time, I adopted it and started using it here and there, left and right,
Struck in traffic badly and there is no cop to clear it for a long ! "Sweetheart Relax",
The Driver behind you honks too loud, despite the fact that it is a long traffic jam! Sweet heart Relax!
On site team calls for a talk late in the evening for which you to skip your dinner date with wife,Sweetheart Relax!

The newly wed tenant couple fights it out all the night and it did not let you catch some sleep, Sweetheart Relax!

It started working good, even in dreams I started murmuring "Sweetheart Relax"

week went on, finally weekend has arrived!

In the middle of night on Sunday!

My wife wakes me up with kids in front,
takes my hand and placing on my little angles head says,

Swear by the Kid! that you would tell us the truth
how long is this going on?
who is this Sweetheart? why should she relax?

Guess what ?

I said "Sweetheart Relax"!

we were drinking wine out of mason jars
and spinning records on the floor.

getting kicked out of our basement bedrooms for burning memories and starting fires.

we were young and leave each other every other week. you and i, we pass each other on the street.

you're in the car that almost hits me and honks instead of apologizing, but you get out and kiss
me after.

we stop traffic you know.
 as time progresses for everyone else but loops around and pauses for the two of us.

if the stars were to say we're a fatal combination
i'd say, **** the stars,

nobody speaks for the dead except the people speaking for God and what right did they have?

what cult do i have to join to get to heaven?

where do i sign my body away?

when i signed the papers to become an ***** donor my mother asked me if i was okay with somebody taking my eyes,

nobody sees with their eyes it is beneath them, they can take them.

you, you take what you need.

you put your hand in the cookie jar expecting to bite so you never know sugar but honey.

i am here.

in your waiting room

in your bookshelf

in your breath.

you’re dreaming of a better place.

i'm never leaving before you wake up.

i was behind the wheel and you were sitting on the passenger seat. your hair was knotted in a tangled mess and your favorite korean music was blaring over the speakers for the umpteenth time. i watched you as you tilted your head back and closed your eyes, letting the murmurs of the engine and breeze of the night cloud your thoughts. you held my hand and started to hum the lyrics of your favorite song and in that moment we've never felt so much more complete, we were more than invincible. the tenebrific night swirled into a blur of headlights, and car honks, and whispered wishes and stolen kisses, nevertheless, we didn't care, because we were in love, and nothing else mattered.

The rooftop setting is all I could ever ask for
It is way more romantic than the sunsets in the shore
You can both watch the stars twinkle and the city lights glow
While you can hear busy chats of the people as the car honks from below

The breeze that makes your body quiver,
Has also caused your dear lips to wither,
Which gave him a hint to wrap you around his arms,
And to carefully kiss you with no possible harm

Merry go-rounds
Twirl around the sky
Shut down ice-cream posts and
Repressed flower petals
Crisscrossed hands and
Popsicle sticks
Loitering the salt-stained pavement
Glints of late-night squares in
Skyscrapers which brush the clouds
The crunch of diseased leaves and the
Distant honks and whistles
In chaotic, zig-zag traffic
Snow falls silently
Its fingertips landing on
Windbreakers and cotton mittens
Of children
With red cheeks and
Exasperated smiles
Chasing after frozen-pond ducks
With tongues extended and catch
Soft white water
Winter dampens the sidewalk cracks
And chills the abandoned earmuffs
But winter will not
And can not
Dampen or
Freeze or
Abandon the spirits

Veins, veins,
length and breadth,
intertwined

beats to freedom
or desolation;
a terminus

lost on a circular.
An ebbing destination,
unchartered targets,

Follow the signs.
We are a one way street,
follow the signs

on software maps.
Stumped
by sequential lights

and us, caught
in a dragnet
within steely fish,

gasping for air,
choking on smoke,
bilious coughs,

hacking sputum,
gobbing phlegm globs
in interval gaps

within gridlocks;
nose to **** to
nose to ****.

The rage, the stares
the shouts, the finger,
the Grrr’s, the Rrrr’s,

the honks, the blares,
the bumper to bumper
expletive shares.

The rolling down,
the alighting,
the threats,

the fighting.
The falling down,
the separation,

reseating,
the rolling,
the thunder,

the trudge,
the stops, the starts.
Follow the signs,

follow the signs.
Robotic conveyors
for humans,

mechanical
fossil fueled
chariots,

grumbling, grunting,
wheee-ing and
screeching,

and screaming
and spewing
and chuffing

and guffing
black plumes,
air tarred,

veins, veins
clogged and bogged,
viscous, molasses,

liquid black blob.
Road fogged,
numbers logged.

Veins, veins,
follow the signs,
slow crawl.

Veins, veins,
follow the signs,
follow the signs,

sprawl.

Copyright Marc Hawkins 2017

when a train honks its horn.
on a calm quiet night.
the sound is less like sound waves.
but sounds more like light.
it sends a wave of ruckus.
that bounces here and there.
then somehow switches on so brightly.
it illuminates the air.
it fades just light a sunset.
so loud and then so soft.
and when its gone the insects play.
in darkness as you loft.
a firefly of some sort.
the train now passes on.
to bring with it a light so bright.
i had to write a song.

The only thing I can compare to is that time we fed those geese hallucinogens.

Those fowl quickly transformed into black and white lawn darts, exploding into catastrophic fluffy clouds of plumage.

The kamikaze honks they made forever pierced my soul that day.

I still shudder every time I pass by an outdoor wedding.

Just jumping in.
Everything comes to a halt.
The first few moments don't seem as bad.
Depending on length.
The line of cars.
In a sea of metal
Something wow happens.
Metal crashes into metal.
Causally passing by.
Everyone is okay.
Making sure to see what happened
They drop speed.
The police attempt to make it through to the scene.
Little to no debris.
No never-mind to the expensive cars brought to a halt.
The Mercedes Benz, the Porsche out of place slow moving along.
A Black Nissan Sentra with two kids playing in the backseat.
The other side is free to go as they please.
Compared to most places this is nothing.
Try New York. Atlanta. Texas to name a few.
You just jump in, moving from point A to B.
Life is admittedly too short to walk a great distance.
A two car pileup a few miles ahead.
Bumper to bumper no one gives space to breathe.
A Cadillac honks in frustration.
The Black Nissan honks back in attempt to get over.
Inching closer to maneuver it's way in front.
After everyone takes a glance at the pileup.
Traffic is back to normal.
The two kids continue to play like nothings happened

Rain-slicked reflections of
the sun's last offerings
disperse within the por-
ous asphalt, inducing

a faint chorus of tire-
spun splashes fading-in
and out behind impa-
tient honks, like waves against

a cargo ship announc-
ing itself to the docks,
"I have arrived! I have
arrived!" The workers, their

jackets waxing iri-
descent limes and oranges,
wave in the freight, crane up
the containers and shout

down the lines through the bay
mist inscribed by currents
of blustering winds, top-
lit by a swarm of head-

lamps, crane lights and high beams
careening through the in-
dustrial din of space,
ensuring no foot fal-

ters and no hand misses
a hold, and the cargo
slowly, but surely, moves
on toward its final des-

tination, and like great
migrations of butter-
flies, birds and whales, that place
is always home, sweet home.

Startled!
You were sleep talking
I wrap my arms around you
The fan spins above us
The sun is peeking from behind the curtains
Chirping birds welcome the evening
A passing car honks
But my warmth comforts you
I lay a silent kiss on you
Whew!
You are sleeping again
My little busy bee gets some more rest

My fists hurt, they sting
From overuse on that
Little ******* who dared
Call you a *****
With all his little *******
Friends, who now lie
With him on the floor
All covered with blood
Bruises already purpling
All over their ******* bodies

I feel my mobile vibrate
I start in surprise
Most people have given up
On my technological habits
By now, they don't bother
A smile overtakes my face
When I see her name
But a car honks and
I barely step out of its
Way. The phone goes inside
My pocket, forgotten again

I wished she'd look me
In the eyes and just hold me
Even if just for the night
Though I can't ever stay
After every run,
I would return to her,
Her arms, her scent,
The sound of her heart

But she never does tell me
Those little worthless boxes
That we call cell phones
Might be revered but
They don't compensate
For the times when she
She's in-front of me, her eyes
Looking straight into mine
Her smile burning, in my vision

If she stood like that,
And just told me
I would run, run, run

But every night, when suspicious
Sounds can be heard outside
I would come in through her window
Take the extra pillow
Accept her heart,
Engulf her within my arms
Simply stay for the night
Just hold her and be still
Protect her, comfort her
If only for that night

I'd pray for subsequent nights
But that would be the only time
The only person, I'd ever, ever
Stay for, if only for a few hours
Every day.

Above the treading commuters, surveying,
you giggle.

Tiny flurries hopping rod to bar to antenna
making sure to be heard

among bus honks and train squeaks,
calling high.

Trilling like typewriters in the satellite dishes
that quiver undertalon,

tapping and flitting around brothers and sisters
of feathered energy.

I don’t know what you are but shades of beak,
blurs of tail,

fluid shards of chatter bursting skyward.
It rains, but you stay and laugh.

Two lovebirds snuggle
in the shade of a weeping willow,
oblivious to chastising honks
of Canadian geese.

Blushing buds begin to bloom,
swollen with anticipation
as the solstice draws near
and blood boils beneath the skin.

Weathered voyeurs train watchful eyes
on the short-lived marriage of the flesh,
scoffing at the consummation of seasons,
knowing the fickle nature of the sun.

When the geese fly south, so will he.

You drive in
circles and circles and circles
in a stuffy car
constantly searching
for the best possible space.
Stopped and waiting
for person after person
who clearly find it acceptable
to walk in
the
middle
of
the
street
Gritted teeth
Fingers gripped, indenting the
cushioning of your steering wheel
You imagine your
parking angels laughing
at your ridiculous prayers
playing harps to
accompany your misery.
You felt as if you haven't
taken a breath in
quite some time
as your sweat-drenched collar
seems to be tightening.
Frustration is digging ulcers
as if you're ready to just
crash your car right
into the front of the store
and,

Finally

you just settle
for the space in the way back.
Nothing to exactly brag about
at your next dinner party.
Settling is a part of life you suppose.
The door slams and you lock it.
A few paces in
and
well,
you find yourself
surprisingly
enjoying
the long walk,
this scenic route.
You remember how nice it is
to actually be outdoors
and to see some clouds
and birds and empty
noiseless air.
You laugh a little to yourself
You slow your steps and breathe.
A car honks at you for standing
in the middle of the street.

Outside in the **** stained hall,
A ******* leans on a ***** wall.
Inside I rest my head,
On a ***** mattress I call a bed.
***** clothes out to the door,
Empty bottles on the floor.

In the streets a car honks it's horn,
Down the hall a baby is born.
In the bar people drown their sorrow,
Got no hope for tomorrow.
Rain coming down from the sky,
Falling hard, like the tears I cry.

I had dreams once, like the rest,
Worked real hard, did my best.
Been so long, I forgot those dreams,
Sometimes life is what it seems.

My friends are the people of the streets,
Hustling hard for their daily eats.
Most people walk and pass us by,
Never stop to wonder why.
Living breathing human beings,
Sometimes life is what it seems.

2009.

Walking through the pages of an empty notebook,
the surprises are few and far between.
Listening to the honks on Market Street and
I remember when life was like back in 2009.

The room was spinning around and
liquor bottles hung from the ceiling.
The hideous growl of a thousand broken promises.
Chasing after a drunk ghost,
through a maze of street signs and snowflakes.

The night sky sends down shadow monsters,
destined to return your soul.
I refuse to accept that this is reality.
My creative spirit has fallen into discontent.
Oh Lord,
please save me from these bright lights.

I am going down 157.
Waiting for the clock to strike
any hour it pleases.
Listening to the broken trees whisper their anger.
Splintered from the weight of the crows,
they fall.
This will not end well.
The problem with every story is that there is a beginning and
an end.  

Forgive me Father for I have sinned,
my last confession was...
when the Crown Royal was still a peasant.
The victory seemed like a defeat and
the birds flew south for the winter.

Do not be afraid.

This story ends with structure, responsibility, and order.
The trees have regrown,
hiding my secrets.
My mind begins to wonder.
Everything begins to swerve.
Is this what happens
when good men do nothing?
Or when bad men fly?

The first ones they killed were the poets.
They crowned themselves, the sterile
And sexless acorns who fell from the felled
And split the air, writing with bark,
Would have us not desire experience
But describing trees.  To the naked kings
The word is a wonder, a tool to be used
Like any other.  With a forge, they called
An altar, they pitted heaven and made miners
Of the Gods.  In high places they read
Their grounded works, sogged with rain
Water from a red wheelbarrow, they list
And bludgeon us with their hammered similes,
Scribe their poems, they are the painters of one
Colour and high priests of alchemy, turning
Salon into echelon.  When the falcon stoops
They name him hawk.  Standing ****, flat-footed,
In bumpy skin, their honks go unanswered,
For they are no kin to the swan that glides
And sometimes they remember that,

The first ones they killed were the poets,
When the sky is etherized, prose made
Verse and their subjects yawn the great
Slaving maw.  Steeped in stale erudition,
They man-scaped the garden, pulled out
The weeds and by their words, they decreed
That only grass should grow, in strident
Chorus they are ringing in the sheaves.
But their poems are only like poems.
The naked kings are clothed in word only.

In the thirsty kingdom, water spills
Stagnant from the stein and the droplets
Echo, "there's no there  .  .  . there."
Incestuously they christened
Each other, one hundred years of virgins
Making love with a dead word
They know not of— Poet!  Asters
Among the daisies, yet on the fields
Of praise, they shall deflower
Themselves and though they strut
And prance as stallions and mares,
You will know them by their brays.

And know that these streets are irresponsible,
and that you are too. And that no matter
how bright your eyes and headlamps may be
you will always find something you didn’t
see before. Life will always be throwing at you
curveballs. And car insurance. And the ungainly heft
of police officers leering in lustily at the watch on your
wrist and the hollowed, hungry eyes of your companion.

Do not answer them, I beg of you, when they ask
you too for your name and your father's,
for they truly care not to hear
its sound. They only want to add to the noise -
continue living beneath its dins. Not after money but the
fear, the control that from you stem. Now, yes
I may be over-exaggerating (after all, it was but one
slight dent in the bumper of the car, but

there is no exaggeration to the voicelessness of they
who queued before me, no companions guiding them,
no voices shouting for them.) He, they, there, by the streets,
only has in his hands a car horn. And so he honks.
And so the siren wails. And so the chaos reigns.
And so do they - officers - living silently beneath it all,
urging us onward to yelling and screaming and shouting.
And yet we can’t. And we don’t. And we won’t.
And yet they, for all their damages, do not - scratch,
refuse not - to do so.

They only can look down at the pavement,
dotted yellow, black and white dashed.