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"graveyards" poems
the flesh covers the bone and they put a mind in there and sometimes a soul, and the women break vases against the walls and the men drink too much and nobody finds the one but keep looking crawling in and out of beds. flesh covers the bone and the flesh searches for more than flesh. there's no chance at all: we are all trapped by a singular fate. nobody ever finds the one. the city dumps fill the junkyards fill the madhouses fill the hospitals fill the graveyards fill nothing else fills.
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71.8k
Alone With Everybody
ugly men burning their bay leaves in pots of static gardens underneath all this cement your past is looking at you indecently so change the words around you you can shift their meaning its all a game and no-one's winning your tired emotions accent your poetry umbrellas are scars that carry symphonies in their hearts you held my hand as we welcomed god back into our skylines her face is as familiar as the stars we originated from with ulcers open in quiet hurting your youth are wordless and distrustful of angst ridden authority in unsuspecting situations love’s vacation is ending her wedding gown got quite ***** since she literally spent her entire honeymoon wandering idly into banks of muddy water humanity is worthy of justice and sweaty romance i breathe your flesh into my bottle and we take boundless walks upon the clouds that straddle mountains, graveyards and cemeteries fresh from wading in the rice fields i peeled you a ripe banana under pressure your sweater came off and revealed a perfect metric for us to emulate your eye sockets are two umbilical chords and your voice is a curved sword that cuts through fear like the moon slices through the sky i have held all of this inside for far too long and now it comes shattering forth spilling itself over every page every letter an escapade almost as long as an Eskimo's pilgrimage to safety
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Feb 26, 2018
Feb 26, 2018 at 11:36 PM UTC
A perfect metric
Enrique, Emilio, Lorenzo, the three of them frozen: Enrique by the world of beds; Emilio by the world of eyes and wounded hands; Lorenzo by the world of roofless universities. Lorenzo, Emilio, Enrique, the three of them burned: Lorenzo by the world of leaves and billiard ***** Emilio by the world of blood and white pins; Enrique by the world of the dead and abandoned newspapers. Lorenzo, Emilio, Enrique, the three of them buried: Lorenzo in one of Flora's ******* Emilio in the dead gin forgotten in the glass; Enrique in the ant, the sea, and the empty eyes of birds. Lorenzo, Emilio, Enrique, the three in my hands were three Chinese mountains, three shadows of a horse, three landscapes of snow and a cabin of white lilies by the pigeon coops where the moon lies flat under the rooster. One and one and one, the three of them mummified, with the flies of winter, with the inkwells the dog ****** and the thistle despises, with the breeze that freezes theh eart of all the mothers, by the white ruins of Jupiter where drunks snack on death. Three and two and one, I saw them disappear, crying and singing into a hen's egg, into the night that showed its skeleton of tobacco, into my sorrow full of faces and piercing bone splinters of moon, into my happiness of whips and notched wheels, into my breast troubled by pigeons, into my deserted death with one mistaken wanderer. I had killed the fifth moon and the fans and the applause drank water from the fountains. Hidden away, the warm milk of newborn girls, shook the roses with a long white sorrow. Enrique, Emilio, Lorenzo, Diana is hard, but somtimes she has ******* of clouds. The white stone can beat in the blood of a deer and the deer can dream through the eyes of a horse. When the pure forms sank under the cri cri of daisies I understood they had murdered me. They searched the cafés and the graveyards and churches, they opened the wine casks and wardrobes, they destroyed three skeletons to pull out their gold teeth. Still they couldn't fine me. They couldn't? No. They couldn't. But they learned the sixth moon fled against the torrent, and the sea remembered, suddenly, the names of all her drowned.
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20.5k
Fable and Round of the Three Friends
Enrique, Emilio, Lorenzo, the three of them frozen: Enrique by the world of beds; Emilio by the world of eyes and wounded hands; Lorenzo by the world of roofless universities. Lorenzo, Emilio, Enrique, the three of them burned: Lorenzo by the world of leaves and billiard ***** Emilio by the world of blood and white pins; Enrique by the world of the dead and abandoned newspapers. Lorenzo, Emilio, Enrique, the three of them buried: Lorenzo in one of Flora's ******* Emilio in the dead gin forgotten in the glass; Enrique in the ant, the sea, and the empty eyes of birds. Lorenzo, Emilio, Enrique, the three in my hands were three Chinese mountains, three shadows of a horse, three landscapes of snow and a cabin of white lilies by the pigeon coops where the moon lies flat under the rooster. One and one and one, the three of them mummified, with the flies of winter, with the inkwells the dog ****** and the thistle despises, with the breeze that freezes theh eart of all the mothers, by the white ruins of Jupiter where drunks snack on death. Three and two and one, I saw them disappear, crying and singing into a hen's egg, into the night that showed its skeleton of tobacco, into my sorrow full of faces and piercing bone splinters of moon, into my happiness of whips and notched wheels, into my breast troubled by pigeons, into my deserted death with one mistaken wanderer. I had killed the fifth moon and the fans and the applause drank water from the fountains. Hidden away, the warm milk of newborn girls, shook the roses with a long white sorrow. Enrique, Emilio, Lorenzo, Diana is hard, but somtimes she has ******* of clouds. The white stone can beat in the blood of a deer and the deer can dream through the eyes of a horse. When the pure forms sank under the cri cri of daisies I understood they had murdered me. They searched the cafés and the graveyards and churches, they opened the wine casks and wardrobes, they destroyed three skeletons to pull out their gold teeth. Still they couldn't fine me. They couldn't? No. They couldn't. But they learned the sixth moon fled against the torrent, and the sea remembered, suddenly, the names of all her drowned.
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70
Down in the bayou where the mangroves grow There's talk of black voodoo, like Marie Leveau The Swamp Witch, is legend, she has magic so black That those who have seen her, have never come back There;s tales of the noises that come from the dark Of werewolves and zombies as rough as the bark The mangroves are sentinels, to where the magic resides Where even a longboat has no room to glide Bodies go missing from the graveyards most nights And there's always a fog shading the fireflies lights The Swamp Witch is ruler and Queen of this world Where souls are all taken and spines can be curled They say that she came here from Canadian lands She was a metis they say, from the Western Tar Sands A mystic by nature, a dark witch by blood She lives deep in the swamp, protected by gators and mud The gators respect her, they do as she bids They keep watch on the waters, they're her reptillian kids She keeps zombies as gendarmes, collecting bodies to turn Just how black is her magic, no one can discern The Swamp Witch is legend, she is as old as all time The air in the bayou is as thick as the slime The cajuns say voodoo is the core of her heart They avoid fishing where the mangrove trees start The Swamp Witch, a legend ? or is she truly the Queen She's the Louisiana Witch, no one survives once she's seen.....
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May 1, 2013
May 1, 2013 at 11:33 PM UTC
Swamp Witch
A yellow fever burns with anger. Mothers fill with a sense of danger. As towns die and graveyards grow, A carpenter’s child waits for snow. Many lives this fever will take. While others say this horror is fake. This carpenters child is the only smart one. For this fever only strikes on a hot days sun. When winter comes and cools the air the fever’s anger will disappear. In the winter it hibernates. So, dear child please wait. In a land they is free Yellow Fever struck in 1793.
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Dec 9, 2012
Dec 9, 2012 at 11:03 AM UTC
Yellow fever 1793
Where have all the flowers gone, long time passing? Where have all the flowers gone, long time ago? Where have all the flowers gone? Young girls have picked them everyone. Oh, when will they ever learn? Oh, when will they ever learn? Where have all the young girls gone, long time passing? Where have all the young girls gone, long time ago? Where have all the young girls gone? Gone for husbands everyone. Oh, when will they ever learn? Oh, when will they ever learn? Where have all the husbands gone, long time passing? Where have all the husbands gone, long time ago? Where have all the husbands gone? Gone for soldiers everyone Oh, when will they ever learn? Oh, when will they ever learn? Where have all the soldiers gone, long time passing? Where have all the soldiers gone, long time ago? Where have all the soldiers gone? Gone to graveyards, everyone. Oh, when will they ever learn? Oh, when will they ever learn? Where have all the graveyards gone, long time passing? Where have all the graveyards gone, long time ago? Where have all the graveyards gone? Gone to flowers, everyone. Oh, when will they ever learn? Oh, when will they ever learn? Where have all the flowers gone, long time passing? Where have all the flowers gone, long time ago? Where have all the flowers gone? Young girls have picked them everyone. Oh, when will they ever learn? Oh, when will they ever learn?
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Jul 27, 2015
Jul 27, 2015 at 4:08 PM UTC
Where have all the flowers gone? ( peter paul and mary lyrics) love this song.. Beautiful dark truth on war...
There once was beauty beyond belief In far north Queensland’s barrier reef Beneath the surface of the sea There lay a world of fantasy Amid the shallows of the deep Countless crustaceans crawled and creeped A place so different from the land Until it was touched by humans hand Now polluted by plastic sedimentary and decay Has our only solution been washed away Once a wondrous landmark to behold Gone in a heart beat, the oceans tale, told Although there a politicians that still deny A warming ozone will bid the coral colours goodbye Littered white graveyards accomplished the sin If only we had thrown our ******* in the bin A tremendous story of ecological distress Hopefully we can learn from this disastrous mess /gt
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Oct 31, 2018
Oct 31, 2018 at 8:18 AM UTC
Coral Bleaching.
*pain knocks on weathered doors fastened ever tightly cryptic access is denied it camouflages in the shadows stealthily it watches hypervigilance enhancing catastrophe awaiting it strikes in latent graveyards the gale begins to form and unleashes its fierce torrent the latch shattered and torn there’s now an open entrance creeping in it slithers engulfing to encompass digging up emotions buried underground there hovering and foggy tho’ murky does not smother but fleshes out the psyche entombed and cobweb covered it crawls along the edges and peers in secret ledges seeps into sequesters like dust settled in feathers it slides through every feeling and when it’s at its blackest it carves the darkness out and let’s in sunlight’s presence © 2016janetaylor
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May 1, 2016
May 1, 2016 at 12:42 PM UTC
hidden places
there comes a point in life when you feel nothing you can smoke a pack of cigarettes in one setting and not even get sick you can cut yourself ten times over and never feel the ***** you could walk through a thousand graveyards and not even be afraid there comes a point in life when you feel nothing there comes a point in life when you feel nothing and it looks like you've given in and given up and nobody understands this is how it goes because when you scream and shout what you feel deep in your pitiful soul still nobody knows there comes a point in life when you feel nothing to be numb is not to be weak to be numb is not to belittle the being to be numb is not misunderstanding to be numb is not to abandon the self there just comes a point in life when you feel nothing
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Mar 25, 2014
Mar 25, 2014 at 6:56 PM UTC
numb
Rugby town, of landlocked streets, of wasted field and barefaced retreat; I miss you now, in absence of a friend, I miss you now, in the verse that I lend. Suburb grove, of sleepy mist, oh, battered housewife, oh blastocyst; you will remain in place forevermore, and forevermore, you'll become a bore. Holding cell, of sporting fame, you stole my dreams but gave me my name; I think of you: a multi-storey view, of happy faces, of which there is few. Still, my town, in debt's nightgown, the shop-fronts vacate, we're feeling down; these streets are poisoned with names of the past, each memoir to teach: nothing's built to last Rugby town, of weary folk, the private school is a private joke; I miss you now, as I sleep through the day, I miss the old walks, and all that you'd say. Old market town, the aftermath, of British summer, suicide bath; of open mics and closing the shutters, of waking graveyards, sleeping in gutters. Hopeless climbs, of dreary times, of childhood state and nursery rhymes; each time that I come home, I know you less, becoming a stranger in my redress. Clock tower, chiming, chiming loud, singing for history long and proud; of Rupert Brooke and the question: “what if?” What if I was born to some lover's tiff? To some large and friendless town, to some body of land, which I drown; to some active place of pain unknown, to some place that I'll not gauge that I've grown, oh Rugby dear, stay with me, let me live on the periphery; and although this town seems terribly dull, it could be worse – I could live in Hull.
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Mar 14, 2014
Mar 14, 2014 at 7:18 PM UTC
Rugby, Warwickshire
Rugby town, of landlocked streets, of wasted field and barefaced retreat; I miss you now, in absence of a friend, I miss you now, in the verse that I lend. Suburb grove, of sleepy mist, oh, battered housewife, oh blastocyst; you will remain in place forevermore, and forevermore, you'll become a bore. Holding cell, of sporting fame, you stole my dreams but gave me my name; I think of you: a multi-storey view, of happy faces, of which there is few. Still, my town, in debt's nightgown, the shop-fronts vacate, we're feeling down; these streets are poisoned with names of the past, each memoir to teach: nothing's built to last Rugby town, of weary folk, the private school is a private joke; I miss you now, as I sleep through the day, I miss the old walks, and all that you'd say. Old market town, the aftermath, of British summer, suicide bath; of open mics and closing the shutters, of waking graveyards, sleeping in gutters. Hopeless climbs, of dreary times, of childhood state and nursery rhymes; each time that I come home, I know you less, becoming a stranger in my redress. Clock tower, chiming, chiming loud, singing for history long and proud; of Rupert Brooke and the question: “what if?” What if I was born to some lover's tiff? To some large and friendless town, to some body of land, which I drown; to some active place of pain unknown, to some place that I'll not gauge that I've grown, oh Rugby dear, stay with me, let me live on the periphery; and although this town seems terribly dull, it could be worse – I could live in Hull.
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40
Oh they pleaded, women, men young and old, 'let us pass through that sea' to a place where we could start all over', yet their voices fall into deaf ears of their brothers and sisters from another mother land, hopeless they remain drifted in the treacherous sea feeling unwanted, unloved forever rejected, by the policies of the modern migration... the unworthy sea-going boat, becomes their coffin and the sea and the seafloor become their graveyards, the common fate of boat people - the asylum seekers.
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Aug 14, 2015
Aug 14, 2015 at 1:44 AM UTC
Boat People
We just drove through a small town It was fascinating Fascinatingly morbid Morbidly surreal There were probably 10+ plots that were haphazardly converted into graveyards 'Ratchet' as my generation would think but not say because that would be 'disrespectful to the dead' In each of the graveyard were hundreds of graves And it was strange Strange how such 'ratchet, disrespected and haphazard' graveYARDS Contained such Beautiful and ornate gravestones As if to say that nothing could lessen the glory of their death They would leave behind an impression of beauty Even in death (Even though they never chose their gravestones. But don't say that because it would be 'disrespectful to the dead' in their blissful abyss) It makes one think That in a town of less than 1000 There was easily more than 2000 gravestones It shows how life goes on How, even in a small town, we are insignificant
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Apr 1, 2015
Apr 1, 2015 at 12:45 AM UTC
small town
They say lots of things about love, They make it seem it is the ultimate desire, Wanton and wilder than the known universe, An cataclysmic explosion of two personalities, Born separate, reborn together, And yet... I have loved worse men, And lost better women than I deserve, And now my convex chest is as vast and devastated as abbey ruins, sanctuary, sacred, crooked, ruined, beautiful, still here, After hundreds of years. Maybe I will live on in my memories, For there are graveyards in my bones, Eulogies imprinted on my arteries, Long lost love letters scarred on my very marrow For those that I drowned, And those I saved. My faith is a moorland hillside war memorial, An obelisk to reach the very gods, Your love is but a squall, My hope is a trickle, a stream, a reservoir, in the deepest steepest canyon and Valley, Your love is but a rain drop, My clarity is at the bottom of a whiskey bottle, Your love is but an ice cube. Do not ask me brazenly to die for you, When ******* me is your finest hour, And I am but a pleasure boat ride for your masculinity to take a trip in, We are not divine here; My expectations are as low as your esteem: A water you paddle in, a toe dipped perhaps, but you wouldn't swim through, dare to at least, And yet, I am a rushing beautiful rainbow of a waterfall on a sunburn induced day, The haze in the corner of your eye, When you begin to question, "is this too good to be true?". Yes. We are all but fallacies. Dip your fingers and cross yourself, As you wish for clemency. But still, Be still, And know, That, I am, God. Am I? Or am I just divine on your tongue?
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Apr 23, 2018
Apr 23, 2018 at 4:24 PM UTC
The divinity of Desire
They say lots of things about love, They make it seem it is the ultimate desire, Wanton and wilder than the known universe, An cataclysmic explosion of two personalities, Born separate, reborn together, And yet... I have loved worse men, And lost better women than I deserve, And now my convex chest is as vast and devastated as abbey ruins, sanctuary, sacred, crooked, ruined, beautiful, still here, After hundreds of years. Maybe I will live on in my memories, For there are graveyards in my bones, Eulogies imprinted on my arteries, Long lost love letters scarred on my very marrow For those that I drowned, And those I saved. My faith is a moorland hillside war memorial, An obelisk to reach the very gods, Your love is but a squall, My hope is a trickle, a stream, a reservoir, in the deepest steepest canyon and Valley, Your love is but a rain drop, My clarity is at the bottom of a whiskey bottle, Your love is but an ice cube. Do not ask me brazenly to die for you, When ******* me is your finest hour, And I am but a pleasure boat ride for your masculinity to take a trip in, We are not divine here; My expectations are as low as your esteem: A water you paddle in, a toe dipped perhaps, but you wouldn't swim through, dare to at least, And yet, I am a rushing beautiful rainbow of a waterfall on a sunburn induced day, The haze in the corner of your eye, When you begin to question, "is this too good to be true?". Yes. We are all but fallacies. Dip your fingers and cross yourself, As you wish for clemency. But still, Be still, And know, That, I am, God. Am I? Or am I just divine on your tongue?
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53
After a great while the paper elephants march In their sparse herd they lumber along One by one, their thick legs slam into the earth Like pennies on a timpani Leaving slight imprints in the dust No one is quite sure where they come from All we know is they just are there Some raise their children before witnessing the elephants A lucky few will even see them a second time at the end of their lives It is not uncommon for generations to pass without the paper elephants Sometime the periods between their journeys are so long the elephants are dissolved into folktale The paper elephants are bestowed an almost supernatural quality The stories are birthed in secrecy between the lights of candles In the ears of the men in the corner From the hushed lips whispered in acquiescence. Every story is different Every story has the same ending Every story has the same moral You do not touch the paper elephants Perhaps the stories have some truth If anyone knows the validity they have been dead for quite some time No matter, man’s superstitious nature will see to the protection of the elephants The paper elephants are called “paper elephants” because it describes them quite nicely From a distance they look just like normal elephants Lumbering over from side to side But their skin is like paper Their essence is like paper They travel together Even the old and young When it rains the young hide under the larger elephants Lest they get wet and melt into the earth It is not uncommon to find the soaked remains of an elder elephant Crumpled by a sad consequence It always serves as a reminder The old exist to protect the young Most likely the elephants can be found roaming through our graveyards Here their pace noticeably slows down Often enough, they can be found sitting next to a tombstone Resting their trunks over the epitaphs Strange things happen when the elephants are in the graveyards Sometimes laughter can be heard Sometimes sobbing As the elephants rest the blue mist rises from the graves The blue is the most reassuring shade The misty fog rises and fills the entire yard Until it is absorbed by the paper elephants With a long sigh the elephants continue their journey After many such stops The elephants arrive at the tree Gnarled and ancient, it welcomes the elephants with silence As it has for years and years past It is here the elephants have yearned to arrive Under the knobs and strikes of its branches They bend the knee The young watch to learn The adults look up to the sky And release all that they carry The hopes, dream, and memories of those long gone Ascend to the heavens The paper elephants collapse exhausted but content And look upon their children one last time They weep before leaving this world Not for their children’s sorrow But because there are no paper elephants to carry them to the next world
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Jan 16, 2012
Jan 16, 2012 at 3:37 AM UTC
The Paper Elephants
After a great while the paper elephants march In their sparse herd they lumber along One by one, their thick legs slam into the earth Like pennies on a timpani Leaving slight imprints in the dust No one is quite sure where they come from All we know is they just are there Some raise their children before witnessing the elephants A lucky few will even see them a second time at the end of their lives It is not uncommon for generations to pass without the paper elephants Sometime the periods between their journeys are so long the elephants are dissolved into folktale The paper elephants are bestowed an almost supernatural quality The stories are birthed in secrecy between the lights of candles In the ears of the men in the corner From the hushed lips whispered in acquiescence. Every story is different Every story has the same ending Every story has the same moral You do not touch the paper elephants Perhaps the stories have some truth If anyone knows the validity they have been dead for quite some time No matter, man’s superstitious nature will see to the protection of the elephants The paper elephants are called “paper elephants” because it describes them quite nicely From a distance they look just like normal elephants Lumbering over from side to side But their skin is like paper Their essence is like paper They travel together Even the old and young When it rains the young hide under the larger elephants Lest they get wet and melt into the earth It is not uncommon to find the soaked remains of an elder elephant Crumpled by a sad consequence It always serves as a reminder The old exist to protect the young Most likely the elephants can be found roaming through our graveyards Here their pace noticeably slows down Often enough, they can be found sitting next to a tombstone Resting their trunks over the epitaphs Strange things happen when the elephants are in the graveyards Sometimes laughter can be heard Sometimes sobbing As the elephants rest the blue mist rises from the graves The blue is the most reassuring shade The misty fog rises and fills the entire yard Until it is absorbed by the paper elephants With a long sigh the elephants continue their journey After many such stops The elephants arrive at the tree Gnarled and ancient, it welcomes the elephants with silence As it has for years and years past It is here the elephants have yearned to arrive Under the knobs and strikes of its branches They bend the knee The young watch to learn The adults look up to the sky And release all that they carry The hopes, dream, and memories of those long gone Ascend to the heavens The paper elephants collapse exhausted but content And look upon their children one last time They weep before leaving this world Not for their children’s sorrow But because there are no paper elephants to carry them to the next world
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64
Is she still your reflection? Because I look in the mirror and only see decay I see her dancing in your eyes I know her figure is projected onto your eyelids while you sleep An hourglass full of grains of 'yesterdays' That you shatter just to fall asleep Changing behind screens as to not expose your secrets By tomorrow I will be nothing but an outline in the sand Left by children too young to know better or understand Too naïve to have seen the storm clouds rolling their way I might have been looking for a needle in a stack of hay And like a magpie you found it and hid it in your back pocket Taking my hand, distracting it from what it yearned for Using the other to pull my heart out Only now am I starting to mind the bleeding I frantically smear my insides on to my chest In the hope that I have a chance of saving myself You can try your hardest to forget me But I wont let you do so Easily I'll plague you when I finally fall in love again I'll haunt you when you stay round her house, my friend Your soup will taste like my mouth And I swear it will defeat you like poison Your skin eaten away like cotton by a moth You'll find me hidden in graveyards A twisted reminder of what we once had I am not quite driftwood yet but when I am I hope to float your way
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Jun 7, 2014
Jun 7, 2014 at 8:38 AM UTC
Sweet-bitter, Bitter-sweet
They are silent and beautiful, gorgeous in in the white halo, cemented in a beautiful terrazzo, baring the names of fallen soldiers, the European soldiers that fell in Wars; second and first and the heinous silent wars, i hope this is why they have a proverb; white sepulchre, only baring the white dead, only chiefs but no dead Indian. Common wealth graveyards are all over in Africa, in India , panama , Latin America and europe, the active fronts in which the allies fought ****** they are beautifully placed in silently posh areas, in langata when in Nairobi, in Mbaraki when in Mombasa, in Matisi when in Kenya, In Namusungui when in Lodwar, They bear horizontal silence with white names engraved on their beautiful face shouting the glory of European empires, which provoked the evil sense in the heart of the king's horseman in Kenya, in the city of Nairobi, to steal the graveyard lands, he made them his urban home with an uppish courtyard, for him the dead white neighbours are better than in-corruption. I walk around the commonwealth graveyards, in the all quarters of erstwhile British empire, looking for the names of African soldiers , who died in thousands fighting for the queen the royal bloodied woman of England;Elizabeth, Looking for the sons of Ethiopia who stood with the second duce Benito son of Mussolini, fighting for Hitler,for Shintos in the European war, i have seen no name of any African, I have not seen Wandabwa wa masibo, who was conscripted into the first world war, Along with his father Biket wa Khayongo, Biket back after seven years in 1918, carrying Wandabwa's Belt, Wandabwa died in the field, Where was he buried, he is nowhere Not anywhere among the soldiers in cemeteries, I have not seen Nasong'o wa Khayongo, who was conscripted in 1940, to fight against ****** he was conscripted on his nuptial evening, even before he had had the first *** with his new wife, he went away crying, he never came back, his name is nowhere in the graves the commonwealth graves that bare names of the fallen, Fallen soldiers, but they all bare white names in the black world. you come to Africa, Kenya, Nigeria, Malagasy,Egypt, whatever the geographies of Africa, and you keep keen, you hear someone is called Mr. Keya, or Madam Keya, or you come to Bungoma county of Kenya, you meet a man that is of the circumcision age group, Known as Bakikwameti Keya, Bakinyikewi Musolini, Keya is subverted sound for Kings african rivals; KAR the African sound for KAR is Keya, in reference to mass conscription of Africans into the KAR, to fight ****** A child born during that time is Keya, A man circumcised during the time is in the age group of Keya, A simple lesson in regard to our people, taken away to fight the colonial power and left to died and rot away in the bush with a simple courtesy for ceremonial burial, that come along with the death of soldiers, who passed away in the battle field.
0
Sep 1, 2014
Sep 1, 2014 at 4:13 AM UTC
Commonwealth War Graveyards
They are silent and beautiful, gorgeous in in the white halo, cemented in a beautiful terrazzo, baring the names of fallen soldiers, the European soldiers that fell in Wars; second and first and the heinous silent wars, i hope this is why they have a proverb; white sepulchre, only baring the white dead, only chiefs but no dead Indian. Common wealth graveyards are all over in Africa, in India , panama , Latin America and europe, the active fronts in which the allies fought ****** they are beautifully placed in silently posh areas, in langata when in Nairobi, in Mbaraki when in Mombasa, in Matisi when in Kenya, In Namusungui when in Lodwar, They bear horizontal silence with white names engraved on their beautiful face shouting the glory of European empires, which provoked the evil sense in the heart of the king's horseman in Kenya, in the city of Nairobi, to steal the graveyard lands, he made them his urban home with an uppish courtyard, for him the dead white neighbours are better than in-corruption. I walk around the commonwealth graveyards, in the all quarters of erstwhile British empire, looking for the names of African soldiers , who died in thousands fighting for the queen the royal bloodied woman of England;Elizabeth, Looking for the sons of Ethiopia who stood with the second duce Benito son of Mussolini, fighting for Hitler,for Shintos in the European war, i have seen no name of any African, I have not seen Wandabwa wa masibo, who was conscripted into the first world war, Along with his father Biket wa Khayongo, Biket back after seven years in 1918, carrying Wandabwa's Belt, Wandabwa died in the field, Where was he buried, he is nowhere Not anywhere among the soldiers in cemeteries, I have not seen Nasong'o wa Khayongo, who was conscripted in 1940, to fight against ****** he was conscripted on his nuptial evening, even before he had had the first *** with his new wife, he went away crying, he never came back, his name is nowhere in the graves the commonwealth graves that bare names of the fallen, Fallen soldiers, but they all bare white names in the black world. you come to Africa, Kenya, Nigeria, Malagasy,Egypt, whatever the geographies of Africa, and you keep keen, you hear someone is called Mr. Keya, or Madam Keya, or you come to Bungoma county of Kenya, you meet a man that is of the circumcision age group, Known as Bakikwameti Keya, Bakinyikewi Musolini, Keya is subverted sound for Kings african rivals; KAR the African sound for KAR is Keya, in reference to mass conscription of Africans into the KAR, to fight ****** A child born during that time is Keya, A man circumcised during the time is in the age group of Keya, A simple lesson in regard to our people, taken away to fight the colonial power and left to died and rot away in the bush with a simple courtesy for ceremonial burial, that come along with the death of soldiers, who passed away in the battle field.
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65
Went to the grave this past Memorial Day and saw it was covered with mud. With but a dish rag, maintenance didn't exactly leave a shine behind them, walking away as they massaged their own aching backs. Otherwise they could, I don't know, massage the backs that are already broken. "Don't graveyards have maintenance-people for that?" They are humble. They like not to be known.
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Jun 1, 2014
Jun 1, 2014 at 11:26 PM UTC
Grave Danger
Sitting in a bar. A beer with perspiration. Its raining outside. Hear the shuffleboard shuffle. Intoxicated poetics. Sober state of mind. Stools shrouded in mystery. Double doors leading in. Bartender’s creations. (chemical concoctions) Saloon of slumlords and hipsters Open mic night. Hippie Howls. Don’t worry we got this under control. Malboro reds, cowboy killers. Don’t spend you life wishing, Spend it living. Better yet, spend it drinking. Liquid courage. (men becoming beasts) Awkward rages. The best is coming. Shielding secret shame in this scene. Hidden in a pint of pilsner. Free thinkers in a haze of hops. Lets get drunk. Make shift graveyards on the walls. Honoring the dead. Rest in peace. Nothing less, nothing more. Old Heidelberg. Before my time. The stalls scrawled with graffiti. For a good time call. Scratched onto the stall. “Spread love like butter on a hot bun” Sherlock and Watson. Bromance. This is a bar of friends. What is this bar? Drunk off this atmosphere. Window panes with neon signs. Disillusioned. Concealed. Unfinished. The moves fast and goes right by. Springing forward without a shadow of a doubt. Members of the Great Unwashed. The signs of our time. I think we’re going to split. Can I get another drink? One for the road. Don’t cut me off quite yet.
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Dec 19, 2012
Dec 19, 2012 at 1:26 PM UTC
Drunken Memories
Tell me all the things I want to hear, Lie to me so I may rest easy. I'll tell you you're the only one, Than laugh about you when you're gone. I push away your adoration and affection Just to feel some power over my fickle heart. Colorful creature, show me how to move My envy drips from fingertips When I watch you dance It makes me laugh. And you got such a pretty face, The kind that could make angels cry. Your eyes keep me up at night, Thinking about how lovely it would be If I was the one dancing behind them. Baby do you think of me as much as I think of you? The night captures my attention When the sun forgets to shine. We must learn to dance in graveyards, To spin and twirl to the music of our madness. Insanity so beautiful and easy, So listen to your voices And expel all your demons
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Mar 10, 2014
Mar 10, 2014 at 7:47 PM UTC
Pretty boy
He lives his life holding a superstitious breath And his mania is of other people’s or his death If ever he encounters a funeral any day He dives over a wall till it’s passed by his way. He’ll wander round graveyards and look at the stones And tell you the nature of the owner of the bones For if flowers were growing he’ll tell you for free The bones of a good person lay down underneath. But if weeds there are growing they’d died in disgrace For flowers could never take root in this place He saw a white moth once fly into his home So straight-away he said that to him death would come And he totally refuses to call at his best friend’s flat For he’s driven me crackers and I've bought a black cat! ©Joe Wilson – His weird mania 2014
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Jul 10, 2014
Jul 10, 2014 at 7:08 PM UTC
His weird mania
The little kids we used to be, still play like the kids we were, but now it’s graveyards instead of a playground. Instead of dress-up costumes, it’s makeup lathered to our faces, we must be like those perfect pictures in magazines. We play boyfriends and girlfriends instead of hopscotch, anorexia instead of basketball. Instead of storybooks, it’s facebook posts telling us we don’t deserve to live. We used to wear those colorful sillybandz, and trade them with each other, but now it’s scars from a razor we wish we could take off. It was always begging for seconds of ice cream, but now it’s sneaking away to throw up the little amount of food they make you eat. Instead of staring at a summer campfire waiting to roast marshmallows, we stare at the fire waiting to burn ourselves. Instead of angry first graders getting into a fistfight, the anger now directs the punch to ourselves. We used to sneak Halloween candy, trying to stuff ourselves, but now you sneak pills, trying to overdose and hoping for death. We used to play so freely, we thought it’d always be like that. But now we run among graveyards, the bones of the ones we left behind clutter the passages. And we’re still children playing games with the worlds, but the stakes are higher, we wonder if we’ll make it. It’s just a roll of the dice on this graveyard playground.
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Oct 14, 2013
Oct 14, 2013 at 4:30 PM UTC
Graveyard Playground
The glistening sun sets, leaving a silhouette of hanging trees, a decoration on pink faded walls. Humming cicadas and chirping crickets, play in a symphony of the night. Bike rides and park games in darkness, softball games in the bright field lights. Each crack of the ball and bat create a chaos of teammate screams. Lost every game, but won each time. A refreshing water runs on slippery rocks, swimming among fish and ducks, Soaking bodies run home, Baggy shirts, gym shorts, Adults and children mix in a weekly party, Beer bottle caps and soda cans clink to the ground. Love and laughter surrounds a crackling open fire, Warming bodies and hearts. Little feet race to where the sidewalk ends, the grass grows thick. It is here where teams are picked and knees are scarred. 12am games are played, cans are kicked, ghosts roam graveyards, and flags are captured. Waiting to go home, hours and hours of waiting Hours of talking of all different ages, Country music and guitar melodies play throughout the street, a lullaby of our childhood. Television reruns at 2am entertain tired minds, Couch and floor beds of blanket forts, Carried up to bed to sleep in comfort at 4am, the chirping birds, already wishing a good morning to most, but goodnight to this home. The raccoons rattle and the woodpeckers poke in a serenade to sleep, In a neighborhood of blaring nights and silent mornings. Each week, the time flew by.
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May 28, 2017
May 28, 2017 at 9:19 PM UTC
A Poem of my Childhood
I build my new life over graveyards swollen, each journey stolen on paths walked before; the oak church door, the adolescent postures, first breath of **** first taste of flight amongst grounded freedom, amongst polluted nights. I trade eyes with women over numbered tables, contriving fables from coffee cups, loose-tongued gospels for manufactured apostles, remnants of mistreated advice; last pocket of **** last drink of the night, I have learned when to swallow, I have learned when to fight. I found myself in the ground-zero wreckage, last vestige of meaning and useful obsession, those drunk-dial confessions, aftermath of silence; first smoke of the day, last image of starlight, I have forgiven my failings, I have kept them in sight.
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Mar 22, 2015
Mar 22, 2015 at 10:44 AM UTC
Rugby #1
I don't recall the moment responsibility grew arms hugging with gnarled fingers, while burdened skies wrap like a promise, with its soft tenor of lies and seduction. Disowned, I remember the drunk old lady who hung over my shoulders puking responsibility, as if to discharge toxic waste on a pre-mature baby struggling in labor, while death chokes the innocent, lost in love's knowledge. She could have warned me, even better, ridiculed me rather than put my head on a bludgeoned block allowing me to become a scapegoat for all the past, present and future mistakes: Some, of which was manufactured in threads of innuendo by off-loaders. These bones of mine are exposed in the twilight of their naked prejudice, and 'I swear I could hear clouds' curse my name, chanting wrath, creating chaos through veins of pride, before darkness fell feasting off my flames. There is nothing like hollow skeletons of the dead rustling around in graveyards alone. I stopped to think despite efforts of going solo; how I miss the stony silence of that skull, bent with anger seeking solace from my venomous touch. It would be a blessing to retreat into silent reveries where I am alone, I am alive, the dead are no more, to wrestle ghosts with words spoken into the heavens asking, "is there enough forgiveness left for me?" I don't want to remember her dead face, how it looked when her neck snapped while life drained from her stiffened eyes. I want the abstracts of my life to fit. So, I howl upon her bitter pill - release me... 7/11/2012
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Nov 6, 2012
Nov 6, 2012 at 3:46 PM UTC
Beautiful Imperfections
I don't recall the moment responsibility grew arms hugging with gnarled fingers, while burdened skies wrap like a promise, with its soft tenor of lies and seduction. Disowned, I remember the drunk old lady who hung over my shoulders puking responsibility, as if to discharge toxic waste on a pre-mature baby struggling in labor, while death chokes the innocent, lost in love's knowledge. She could have warned me, even better, ridiculed me rather than put my head on a bludgeoned block allowing me to become a scapegoat for all the past, present and future mistakes: Some, of which was manufactured in threads of innuendo by off-loaders. These bones of mine are exposed in the twilight of their naked prejudice, and 'I swear I could hear clouds' curse my name, chanting wrath, creating chaos through veins of pride, before darkness fell feasting off my flames. There is nothing like hollow skeletons of the dead rustling around in graveyards alone. I stopped to think despite efforts of going solo; how I miss the stony silence of that skull, bent with anger seeking solace from my venomous touch. It would be a blessing to retreat into silent reveries where I am alone, I am alive, the dead are no more, to wrestle ghosts with words spoken into the heavens asking, "is there enough forgiveness left for me?" I don't want to remember her dead face, how it looked when her neck snapped while life drained from her stiffened eyes. I want the abstracts of my life to fit. So, I howl upon her bitter pill - release me... 7/11/2012
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