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"gab" poems
Sa irarum ku kanimong matam-is na pagrukot naintindihan ko kung uno ibig sabihon ku pagkapot mo ku kanakong kamot, ku mga text **** malang siram ulit-ulitong basahon, ku magrani ka mga labi mo sa labi ko, guru-gab-i ko nababayad a magayon **** mga mata, maganting talaga a mga bituon, pigdara ko kanimo ku panahon na nauuda ako, diri kabisado a lugar nag tangad sana ako tapos tig sundan paiyan kanimo. Kaiba ko ika sa irarum ko mga bituon, nakatangad sana kita tapos pigsisilngan su bulan na malakabilog, nag ayat sa pabor na sana... sana... bayaan na su nangyari ku kadto, mig puon sa panibago, gibohon na sanang ekpersyensya su dating nangyari ku kanatong mga deperensya. Utro, puon sa uno, nguwan diri ko na tutugotan na mabayad ta ulit su puro. Isi mo dawa kadakol na buwan su naglipas diri nagbago su tiwala ko kanimo. Lang siram na payabaon ka, Ika sana, uda na iba. Kanakong Prinsesa na diri mig uban magiging Reyna.
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Nov 23, 2017
Nov 23, 2017 at 11:34 PM UTC
Pagbayadan ta ulit
Nagpabilin nga mamingaw an mga kagab-ihon Madampog an langit ngan waray bisan usa nga bituon Maalinsuog an hangin nga nadukot ha akon panit Pero ano man nga tigda nala tumaghom han nawara ka na ha akon sapit? Hain ka na? Pakiana nga baga’t ruba nga plaka An imo ngaran an akon inuguman tikang hiton gab-i kutob ngadto’t aga An akon pagkakaturog in pirme man gud masaklap Kay baga ako hin nahigda ha salog nga waray balon nga taklap. Aadi pa ha akon mga kamot inin mga panyo nga minad-an Han mga luha nga nagpapas nala tungod han kagul-anan Gin mimingaw na gad ako han imo matam-is nga tingog Sige man iton akon guliat pero dire ka man nakakdungog. Hain ka na? mamingaw na an aton mga sonata Hain na? hain na an aton gin-uungara nga istorya? Waray naman gud rumabong an aton natindog nga relasyon Waray kadiligi hin maupay asya tigda napuo an pundasyon. Yana an huring nala han hangin an akon nababatian Waray na bisan guliat o kurahab man la nga nadudunggan Waray na gihap wantas inin uran, waray na ada plano pag-huraw Sugad han aton gugma, nagpapabilin nga mamingaw. - Caryl
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Aug 14, 2021
Aug 14, 2021 at 8:19 AM UTC
MAMINGAW
Huna ko ba nga may ada mo iyayakan? Ano man nga bagat na dire ka nga akon iton masabtan? Waray ka na gad pag-tapod ha akon? Pirmi naman la masulub-on iton imo bayhon. Kumusta ka na? Bangin amo la gihap An aton kahimtang sugad hin lasaw nga dire mo matarap Kay kuno nalikay ka na ha akon Ano ba itun basehan nga imo man ako pagbabasulon? Mamingaw naman an mga gab-i nga marisaw Napuno na hin kahagkot, kasakit ngan kahidlaw Hain na an mga pahaliday nga imo ginhatag Adton gugma nga waray mo ginsandag. Madagmit man gud la an karida han panahon Nga ha akon paghimangno dire ka na ngay-an akon Aadto ka na man liwat ha iba Aadto ka kay durudamo man it iya kwarta. Waray ko na kababatii an imo tingog Asya nga an akon adlaw pirmi nala maluntog Pero aadi la gihapon ha akon huna-huna inin pakiana Paglaom nga usa ka adlaw mabalik ka pa. - Caryl
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Aug 14, 2021
Aug 14, 2021 at 8:22 AM UTC
Pakiana, Paglaom
Pirang gab-ī na kitang arog kadi Nag-aanap sa kin uno a pwede Mainâ-ināan man basaŋ a kakundian Arog ka upos na diri mo ma-anapan Sadtō palan luwas nag-aanap nanaman sa kin uno man a pwedeng ma-unas A problema ko ŋanî, dirî makaluwas bawal kūnu, agko na batas pirāng aldəw pa 'kō migəlat gusto ko naman magluwas baka maənawan mo ako naman a nag-uunas
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Mar 21, 2020
Mar 21, 2020 at 11:51 AM UTC
Upos (Paraunas)
Du gabst ihr dein Herz, doch sie gab dir Ihres nicht. Also gab ich dir meins, doch du hattest keins für mich. Jetzt hast du mein Herz und in mir ist ein dunkles klaffendes Loch.
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Feb 5, 2015
Feb 5, 2015 at 8:03 AM UTC
Es dürstet mich nur nach dir.
The bus rumbles on, it is an over crowded one - not an unusual sight - she stands in the space reserved for women, there's hardly any room to breathe. The broadcaster on radio shows off her gift of the gab, a popular film song follows; a gush of wind through the window brings along smoke, dust and other such components of 'city-air'. She looks out to see impressive malls, entrances to which, witness beggars pursuing well dressed gentry, in the hope of a penny or two; billboards advertise latest discount offers appealing to her consumerist instincts; constant honking of vehicles, music blaring from an auto nearby - these are common sounds she is accustomed to. The bus halts with a jolt, she steps down, tries to make her way, through the crowd avoiding hawkers lunging at her from every side, eager to make sales; the smell of pakodas fills the air, autos carrying seven or eight passengers limp away, surreptitiously, at the sight of khaki clad men. Out of the blue, an elbow knocks into her chest, she turns to look at the lout - lecherous eyes mock at her impotent fury - she mouths standard abuses, walks away as if unruffled. For this was not the first instance, "Won't be the last either.", she thinks at the back of her mind, her heart chooses not to agree though. She moves on, pushing, shoving, cursing her way through 'Battleground India'.
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Oct 25, 2012
Oct 25, 2012 at 3:08 AM UTC
Life in a Metro
By: Cedric McClester From the streets Of the windy city In a cold world that Showed him no pity He used his gift of gab To sell their kitty And it wasn’t done By committee Iceberg Slim I know you heard of him He was a **** a playa A consummate lady slayer Who knew the game So what’s his name Iceberg Slim I know you heard of him He had no shame Or second thoughts He was true to the game Followed the dots He ducked the law Sidestepped their plots Paid his dues And carried knots Iceberg Slim I know you heard of him He was a **** a playa A consummate lady slayer Who knew the game So what’s his name Iceberg Slim I know you heard of him Iceberg Slim was A legend True to the game And his profession Handled his business With discretion Then wrote a book A true confession He tired of the **** life In the end He couldn’t go through the motions And just pretend He started feeling like He might have been condemned And he didn’t like What that might portend Iceberg Slim I know you heard of him He was a **** a playa A consummate lady slayer Who knew the game So what’s his name Iceberg Slim I know you heard of him Cedric McClester, Copyright (c) 2016. All rights reserved.
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Feb 21, 2016
Feb 21, 2016 at 3:28 AM UTC
ICEBERG SLIM
Mungojerrie and Rumpelteazer were a very notorious couple of cats. As knockabout clown, quick-change comedians, tight-rope walkers and acrobats They had extensive reputation. They made their home in Victoria Grove— That was merely their centre of operation, for they were incurably given to rove. They were very well know in Cornwall Gardens, in Launceston Place and in Kensington Square— They had really a little more reputation than a couple of cats can very well bear. If the area window was found ajar And the basement looked like a field of war, If a tile or two came loose on the roof, Which presently ceased to be waterproof, If the drawers were pulled out from the bedroom chests, And you couldn’t find one of your winter vests, Or after supper one of the girls Suddenly missed her Woolworth pearls: Then the family would say: “It’s that horrible cat! It was Mungojerrie—or Rumpelteazer!”— And most of the time they left it at that. Mungojerrie and Rumpelteazer had a very unusual gift of the gab. They were highly efficient cat-burglars as well, and remarkably smart at smash-and-grab. They made their home in Victoria Grove. They had no regular occupation. They were plausible fellows, and liked to engage a friendly policeman in conversation. When the family assembled for Sunday dinner, With their minds made up that they wouldn’t get thinner On Argentine joint, potatoes and greens, And the cook would appear from behind the scenes And say in a voice that was broken with sorrow: “I’m afraid you must wait and have dinner tomorrow! For the joint has gone from the oven-like that!” Then the family would say: “It’s that horrible cat! It was Mungojerrie—or Rumpelteazer!”— And most of the time they left it at that. Mungojerrie and Rumpelteazer had a wonderful way of working together. And some of the time you would say it was luck, and some of the time you would say it was weather. They would go through the house like a hurricane, and no sober person could take his oath Was it Mungojerrie—or Rumpelteazer? or could you have sworn that it mightn’t be both? And when you heard a dining-room smash Or up from the pantry there came a loud crash Or down from the library came a loud ping From a vase which was commonly said to be Ming— Then the family would say: “Now which was which cat? It was Mungojerrie! AND Rumpelteazer!”— And there’s nothing at all to be done about that!
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Mungojerrie And Rumpelteazer
Mungojerrie and Rumpelteazer were a very notorious couple of cats. As knockabout clown, quick-change comedians, tight-rope walkers and acrobats They had extensive reputation. They made their home in Victoria Grove— That was merely their centre of operation, for they were incurably given to rove. They were very well know in Cornwall Gardens, in Launceston Place and in Kensington Square— They had really a little more reputation than a couple of cats can very well bear. If the area window was found ajar And the basement looked like a field of war, If a tile or two came loose on the roof, Which presently ceased to be waterproof, If the drawers were pulled out from the bedroom chests, And you couldn’t find one of your winter vests, Or after supper one of the girls Suddenly missed her Woolworth pearls: Then the family would say: “It’s that horrible cat! It was Mungojerrie—or Rumpelteazer!”— And most of the time they left it at that. Mungojerrie and Rumpelteazer had a very unusual gift of the gab. They were highly efficient cat-burglars as well, and remarkably smart at smash-and-grab. They made their home in Victoria Grove. They had no regular occupation. They were plausible fellows, and liked to engage a friendly policeman in conversation. When the family assembled for Sunday dinner, With their minds made up that they wouldn’t get thinner On Argentine joint, potatoes and greens, And the cook would appear from behind the scenes And say in a voice that was broken with sorrow: “I’m afraid you must wait and have dinner tomorrow! For the joint has gone from the oven-like that!” Then the family would say: “It’s that horrible cat! It was Mungojerrie—or Rumpelteazer!”— And most of the time they left it at that. Mungojerrie and Rumpelteazer had a wonderful way of working together. And some of the time you would say it was luck, and some of the time you would say it was weather. They would go through the house like a hurricane, and no sober person could take his oath Was it Mungojerrie—or Rumpelteazer? or could you have sworn that it mightn’t be both? And when you heard a dining-room smash Or up from the pantry there came a loud crash Or down from the library came a loud ping From a vase which was commonly said to be Ming— Then the family would say: “Now which was which cat? It was Mungojerrie! AND Rumpelteazer!”— And there’s nothing at all to be done about that!
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56
Oh Papa Francisco, Supremo ng Simbahan Ang iya pagtambong daw ano ka bulahan Siya naghatag kalipay sa aton duog Matapos ang makakulugmat nga bagyo kg linog Gani sa una nga adlaw sg iya pagbisita Bisan gab-i don madamo guihapon nakita Nga mga Pilipino nga nagdulog sa iya alagyan Agud siya sugaton kg amligan Sa ikaduha nga adlaw sg iya pag-abot Iya gin-akigan mga pulitiko nga kurakot Iya ginpahanumdom ang pagtatap sa mga karnero Iya ginlaygayan ang mga pamilya nga Pilipino Sa ikatatlo nga adlaw niya sa pungsod Iya ginpahagan-hagan ang mga nagakalisod Iya ginbendisyunan mga biktima sg kalamidad Iya ginhatagan puloy-an mga imol sa komunidad Sa ikaapat nga adlaw niya diri sa aton nasyon Iya ginpakigkita mga lideres sg iban nga relihiyon Iya gin-ulu-ulo mga kabataaan nga nagpa-utwas Iya ginpangamuyuan ang bilog nga Pilipinas Gani sa ulihi nga adlaw sg iya pagkari Madamo sa guihapon nagbantay sa iya diri Sin-o bala ang magakalipat sa isa ka Santo Papa Nga bisan may bagyo sa guihapon nagbisita Bisan iban nga relihiyon sa iya nagsaludo Kay iya ginpamatud-an nga siya para sa tawo Matuod guid nga kay Hesukristo siya tiglawas Salamat Papa Francisco sa kabalaka sa Pilipinas! -01/21/2015 (Dumarao) *Pope Francis Fever Collection
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Sep 21, 2019
Sep 21, 2019 at 9:45 PM UTC
Legasiya ni Papa Francisco sa Pilipinas
Makahiridlaw an at' pahuwayan nga natukod, Asay sinirungan kun an adlaw hapit na matunod Pagsipat han im' bayhon, nawawara't kagul-anan Duyog han panhuni'n gangis, panhapun han katamsihan. Ngan kun nadangat na an kagabihon At' gintatan-aw an bulan ngan mga bituon, Panuro han tun-og ha panit man humarumhom Kamataghom han gab-i dire nat' aabaton. Salit ginkalasan ak pagsalidsid han adlaw Nga ha ak' pagpukrat, waray ka na man ngahaw Nagtikang panuro an makusog nga uran Nabungkag an gintukod nga pahuwayan. Yana hain man magtitikang? Hain mapahuway kun gingugul-an? Hain man masarig, hin-o't uulian? Kun waray na'n im' kasing-kasing nga ak' puruyanan.
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Jul 29, 2023
Jul 29, 2023 at 10:12 AM UTC
PURUYANAN
The southern belle , her spicy drawl , gift of gab and traditions ..... Gentle ways with a soft look , master of culinary skills , jams , mint teas and cobblers , prowess in garden , she is truly a magnolia with the scent of gardenia blossom .....
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Sep 18, 2015
Sep 18, 2015 at 10:24 AM UTC
Georgia Peaches
He has this nervous tick. When a person is lying he will open his mouth. Sometimes his jaw will hit the floor. Sometimes words will come out. And sometimes there are consequences, if not only a sore jaw. He is an affable man. Many would say he's a good sport and in good nature, even though he's not athletic and has severe allergies. Handshakes are important to him. And he understands the appeal of a thumbs-up. Hugs are reserved for holidays, and tears were only had at funerals. Sunglasses optional, but the only pair he owns he keeps in the jacket of his black suit. Any man that has a tendency to speak too freely, or too much, will have to learn to talk their way out of a potentially harmful situation. The "Gift of Gab"did not die with the smock. It evolved with the suit. It became five words said in three. It is in relation to political correctness. It's knowing that government is not ******** but many representatives are mentally challenged. He tries to stay ahead of his mannerisms. Raised eyebrow. Twitching eye. Clenched teeth. But some things cannot be hid. Like the vein in his forehead. And of course his verbal diarrhea. But he would rather expell insight and opinion rather than hold it in only to force it out later in privacy. People involved in Fine Art are shot on site. Possession of a canvas brings a life sentence. The art departments are born from advertising. False pretense is considered flexible. When the program used is for the sole purpose of manipulation you aren't expected to become angry. Government turns the clocks back, stretching time and truth, with knowledge of a man who has done the same, and was considered a master. Metaphysics and a mustache, he changed the world with a canvas, and with an open mouth he expelled truth and injustice to a contemporary audience. He applied his paint with a poetic eye. Soon he learned that you don't need to start a fire to melt a clock. All you need is a brush, and sometimes a barren tree.
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Nov 9, 2013
Nov 9, 2013 at 11:00 AM UTC
Dali
He has this nervous tick. When a person is lying he will open his mouth. Sometimes his jaw will hit the floor. Sometimes words will come out. And sometimes there are consequences, if not only a sore jaw. He is an affable man. Many would say he's a good sport and in good nature, even though he's not athletic and has severe allergies. Handshakes are important to him. And he understands the appeal of a thumbs-up. Hugs are reserved for holidays, and tears were only had at funerals. Sunglasses optional, but the only pair he owns he keeps in the jacket of his black suit. Any man that has a tendency to speak too freely, or too much, will have to learn to talk their way out of a potentially harmful situation. The "Gift of Gab"did not die with the smock. It evolved with the suit. It became five words said in three. It is in relation to political correctness. It's knowing that government is not ******** but many representatives are mentally challenged. He tries to stay ahead of his mannerisms. Raised eyebrow. Twitching eye. Clenched teeth. But some things cannot be hid. Like the vein in his forehead. And of course his verbal diarrhea. But he would rather expell insight and opinion rather than hold it in only to force it out later in privacy. People involved in Fine Art are shot on site. Possession of a canvas brings a life sentence. The art departments are born from advertising. False pretense is considered flexible. When the program used is for the sole purpose of manipulation you aren't expected to become angry. Government turns the clocks back, stretching time and truth, with knowledge of a man who has done the same, and was considered a master. Metaphysics and a mustache, he changed the world with a canvas, and with an open mouth he expelled truth and injustice to a contemporary audience. He applied his paint with a poetic eye. Soon he learned that you don't need to start a fire to melt a clock. All you need is a brush, and sometimes a barren tree.
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52
met my maker *not for the first time, two acquaintances periodical, two boon craftsmen, artisansals, bs-gab-talking about who is surely the better poet, glinting, side-splitting, raucous laughter in our dueling self-mockery* *neither takes the other too serious, but of each other, we take endless, never satisfied, insufficient, each needier for the rapper inside and repartee, adoring our jiving unique camaraderie, all-the-while, knowing our balance unequal, but not caring* *for as equals we meet, to revel and reflect, revealing things of each other that only we know, meant not for sharing ever, for these webbed strands binding, at same time, release, permitting a tough honesty tally, truth not a concept, unnecessary, for how could we ever hide our love mutuel* *we sitting bestride and beside, in ye old, weather-beat-down chairs Adirondack, having come hewn from trees centuries old, now overlooking the Bay, we eyeing a solitary fisherman whom, we both knowingly aware, metaphor for that day that will come to collect me away to a new locale, where we will yet still needle each other, with mercy unforgiving, not for our misdeeds, for never* is forgivenessasked for or given, not taboo, but holy unnecessary for such is the way the between the designer and the artifact, the poet and the poem, the craft and the object, gardener and her fruits, a cellular understanding that comprehends the interlocking necessity of our natures, that our shared endings, are a duelity, both finale and gateway to our next poem!  https://hellopoetry.com/poem/462537/how-i-observed-the-day-of-atonement/
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Jun 30, 2023
Jun 30, 2023 at 7:46 AM UTC
Met My Maker (you have too!)
met my maker *not for the first time, two acquaintances periodical, two boon craftsmen, artisansals, bs-gab-talking about who is surely the better poet, glinting, side-splitting, raucous laughter in our dueling self-mockery* *neither takes the other too serious, but of each other, we take endless, never satisfied, insufficient, each needier for the rapper inside and repartee, adoring our jiving unique camaraderie, all-the-while, knowing our balance unequal, but not caring* *for as equals we meet, to revel and reflect, revealing things of each other that only we know, meant not for sharing ever, for these webbed strands binding, at same time, release, permitting a tough honesty tally, truth not a concept, unnecessary, for how could we ever hide our love mutuel* *we sitting bestride and beside, in ye old, weather-beat-down chairs Adirondack, having come hewn from trees centuries old, now overlooking the Bay, we eyeing a solitary fisherman whom, we both knowingly aware, metaphor for that day that will come to collect me away to a new locale, where we will yet still needle each other, with mercy unforgiving, not for our misdeeds, for never* is forgivenessasked for or given, not taboo, but holy unnecessary for such is the way the between the designer and the artifact, the poet and the poem, the craft and the object, gardener and her fruits, a cellular understanding that comprehends the interlocking necessity of our natures, that our shared endings, are a duelity, both finale and gateway to our next poem!  https://hellopoetry.com/poem/462537/how-i-observed-the-day-of-atonement/
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32
Why does it always feel Like I am drifting away Silent Slow decay Seems like a steep price to pay For seeing the crowd And choosing another way My soul fades Like letters in the sand With each crashing wave Struggling To meet my own demands How can I use this gift of gab To string words together like strands And stop hearts From always feeling sad A pen A pad Mixed with the best memories I have ever had Maybe I find a rhyme That properly pieces together your peace of mind And helps recall times when you didn’t feel like cryin’ When you weren’t dyin’ inside See there’s nothing wrong with driftn’ But listen Give yourself permission To find all the things you feel are missin’
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Dec 29, 2020
Dec 29, 2020 at 7:20 PM UTC
Drift Away
No one has a monopoly on God. When you hear them say that they do, Make a dash for it! Don't wait around For them to impose their merciless coup.   No group has a monopoly on truth. Of those who say they "know" be skeptical. If their "knowledge" can't stand up to questioning, Their mind isn't more than an empty receptacle.   Terror and fear make desperate converts. Truth and wisdom transcend petty goals. Some will try to sell you a bill Of goods that's full of vagaries and holes.   Beware of those with the gift of gab Who promise to guide you down a path Of slick salvation and tempting allurements, Though one false step incurs God's wrath.   Beware of those who say they know The mind of God both inside and out And curse your attempts at inquiry When with an open mind you doubt. No one has the right to judge you And tell you that you're going to hell. Watch out for the crazed fanatic And the sanctimonious ne'r-do-well.   Put everything into perspective. Love and compassion should be your course. Belief should be all about choice And definitely not a product of force. - by Bob B
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Oct 28, 2016
Oct 28, 2016 at 9:17 AM UTC
No One Has a Monopoly on God
Sweet and charming she may be, What you see is not meant to be. Lovely nymph born with the gift of gab, Emotional vampire fills the gap. Manipulative mind behind those lovely eyes, Entrenching her prey in her web of lies. Loving her man as deeply as illusion permits, Keeping her man as lonely as a hermit. Come the day the illusion dies, Her man's love for her revitalise. Black Widow continued to act, Lest her man violently react. Tears and mucus drenched her face, She wiped it off without a trace. Cold and heartless are her traits, For she reigns supreme in the straits.
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Jun 28, 2012
Jun 28, 2012 at 11:24 AM UTC
Black Widow
She gives the gift of gab! When her love snapped onto my back, like a rucksack to be worn The old me died, a rambling man was born. My words are playing a twisted game of Temple Run The monkeys are her eyebrows, cocked like pistols, and we're playing Russian Roulette. My words are emptiness and hot air and imagined shapes, yet not nearly as two-dimensional as constellations. She's a phrase I just learned, and will incorrectly overuse. She's a worm in my ear, impossible to lose. She feels like two cups of tea at three in the morning. She feels like assembling an RC car without reading the instruction manual. And by God, those eyebrows. I need her like rocks need water and snow needs the sun. I want her like turtles want to fly and eagles want to run. She's that feeling when rain comes down on an empty highway. She's half a bottle of Elmer's glue I just dribbled onto my hands. I miss her like broken bowls miss Cheerios and holey socks miss feet. I miss her like diarrhea misses constipation. I miss her like NBC misses viewers who have turned to online news sources. I miss her like journalists miss exposés. I miss her like polar bears miss ice caps. I miss her like avalanches miss snowy peaks. I miss her like Hiroshima survivors miss World War One. I miss her like cities miss silence. Mostly, I just miss the silence.
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May 22, 2014
May 22, 2014 at 5:34 AM UTC
Gift of Gab
They must be A couple Of right ******* To ill threat The young man so; One blonde, One brunette, Thinking themselves, No doubt, God’s gift, Gift of the gab More like, Strutting their Henhouse tracks With feathers Prim and proper They like to think. Smell the perfume stink, The eyelids painted, Nails clipped And primed, Tongues wagging, Like tails of ******* On full heat. Karma has its way Of making things Right in the end. Sufficient lies To hang themselves Given time, enough Tall tales to drown in Like plump frogs Caught out In the last fast Downpour. Like snakes They spit their Joined venom; Like snakes They prefer The long grass; How each of them Moves like a hippo To the waterhole, Each with their Swaying fat ***
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May 5, 2013
May 5, 2013 at 9:50 AM UTC
RIGHT *******
Uns, geht alles gut. Deine Augen, die hübschesten. Dein Gesicht, das schönste. Dein Lächeln, das hellste. Dein Lachen, der glücklichste. Dein Geruch, der beruhigende. (Alles geht mir gut) Dein Umarmung Trost. Deine Stimme Ruhe. Dein Kuss Freiheit. (Alles geht mir gut) Meine Anerkennung deiner Liebe Deine Anerkennung meiner Liebe (Alles geht uns gut) Aber dann gab es die Zeit, Veränderung. Unsicherheit. Beklommenheit. (Alles geht mir fremd) Mein Misverständnis deiner Liebe Mein Misverständnis deiner Anerkennung Aber ich verstehe. Verstehe ich gut. Die Anerkennung ist nicht so. Die Anerkennung gab es nicht mehr. Die Anerkennung wird der Verlust Der Verlust des Trostes Der Verlust der Ruhe Der Verlust der Freiheit Der Verlust der Liebe.
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Jan 17, 2013
Jan 17, 2013 at 5:13 AM UTC
Die Anerkennung
The door is shut. She leaves the curtained office, And down the grey-walled stairs comes trembling slowly Towards the dazzling street. Her withered hand clings tightly to the railing. The long stairs rise and fall beneath her feet. Here in the brilliant sun we jostle, waiting To tear her secret out . . . We laugh, we hurry, We go our way, revolving, sinister, slow. She blinks in the sun, and then steps faintly downward. We whirl her away, we shout, we spin, we flow. Where have you been, old lady? We know your secret!-- Voices jangle about her, jeers, and laughter. . . . She trembles, tries to hurry, averts her eyes. Tell us the truth, old lady! where have you been? She turns and turns, her brain grows dark with cries. Look at the old fool tremble! She's been paying,-- Paying good money, too,--to talk to spirits. . . . She thinks she's heard a message from one dead! What did he tell you? Is he well and happy? Don't lie to us--we all know what he said. He said the one he murdered once still loves him; He said the wheels in wheels of time are broken; And dust and storm forgotten; and all forgiven. . . . But what you asked he wouldn't tell you, though,-- Ha ha! there's one thing you will never know! That's what you get for meddling so with heaven! Where have you been, old lady? Where are you going? We know, we know! She's been to gab with spirits. Look at the old fool! getting ready to cry! What have you got in an envelope, old lady? A lock of hair? An eyelash from his eye? How do you know the medium didn't fool you? Perhaps he had no spirit--perhaps he killed it. Here she comes! the old fool's lost her son. What did he have--blue eyes and golden hair? We know your secret! what's done is done. Look out, you'll fall--and fall, if you're not careful, Right into an open grave. . . but what's the hurry? You don't think you will find him when you're dead? Cry! Cry! Look at her mouth all twisted,-- Look at her eyes all red! We know you--know your name and all about you, All you remember and think, and all you scheme for. We tear your secret out, we leave you, go Laughingly down the street. . . Die, if you want to! Die, then, if you're in such a hurry to know!-- . . . She falls. We lift her head. The wasted body Weighs nothing in our hands. Does no one know her? Was no one with her when she fell? . . . We eddy about her, move away in silence. We hear slow tollings of a bell.
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The House Of Dust: Part 04: 02: Death: And A Derisive Chorus
The door is shut. She leaves the curtained office, And down the grey-walled stairs comes trembling slowly Towards the dazzling street. Her withered hand clings tightly to the railing. The long stairs rise and fall beneath her feet. Here in the brilliant sun we jostle, waiting To tear her secret out . . . We laugh, we hurry, We go our way, revolving, sinister, slow. She blinks in the sun, and then steps faintly downward. We whirl her away, we shout, we spin, we flow. Where have you been, old lady? We know your secret!-- Voices jangle about her, jeers, and laughter. . . . She trembles, tries to hurry, averts her eyes. Tell us the truth, old lady! where have you been? She turns and turns, her brain grows dark with cries. Look at the old fool tremble! She's been paying,-- Paying good money, too,--to talk to spirits. . . . She thinks she's heard a message from one dead! What did he tell you? Is he well and happy? Don't lie to us--we all know what he said. He said the one he murdered once still loves him; He said the wheels in wheels of time are broken; And dust and storm forgotten; and all forgiven. . . . But what you asked he wouldn't tell you, though,-- Ha ha! there's one thing you will never know! That's what you get for meddling so with heaven! Where have you been, old lady? Where are you going? We know, we know! She's been to gab with spirits. Look at the old fool! getting ready to cry! What have you got in an envelope, old lady? A lock of hair? An eyelash from his eye? How do you know the medium didn't fool you? Perhaps he had no spirit--perhaps he killed it. Here she comes! the old fool's lost her son. What did he have--blue eyes and golden hair? We know your secret! what's done is done. Look out, you'll fall--and fall, if you're not careful, Right into an open grave. . . but what's the hurry? You don't think you will find him when you're dead? Cry! Cry! Look at her mouth all twisted,-- Look at her eyes all red! We know you--know your name and all about you, All you remember and think, and all you scheme for. We tear your secret out, we leave you, go Laughingly down the street. . . Die, if you want to! Die, then, if you're in such a hurry to know!-- . . . She falls. We lift her head. The wasted body Weighs nothing in our hands. Does no one know her? Was no one with her when she fell? . . . We eddy about her, move away in silence. We hear slow tollings of a bell.
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On no work of words now for three lean months in the ****** Belly of the rich year and the big purse of my body I bitterly take to task my poverty and craft: To take to give is all, return what is hungrily given Puffing the pounds of manna up through the dew to heaven, The lovely gift of the gab bangs back on a blind shaft. To lift to leave from treasures of man is pleasing death That will rake at last all currencies of the marked breath And count the taken, forsaken mysteries in a bad dark. To surrender now is to pay the expensive ogre twice. Ancient woods of my blood, dash down to the nut of the seas If I take to burn or return this world which is each man's work.
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On No Work Of Words
Discombobulated... "Bob! You late Again!?" Its not A statement You can make To make her change The date again Happy Belated Birthday celebrations Embracing Her forgiveness As the cure For your forgets Forged Your signature style Across the lines Of her smile As you kiss With the intent To signal her bliss And ignorance What's in store For her Is distortion This portion of life Fused with confusion Contortionist Twisting The body Of lies With the a prose That matches Her pose Unjustified margins Never Crossing the red line But riding it Writing with a wit That could Split her brain In half You call it The gift a gab Emotions versus Logic The verse is Littered with poetry Personified As a woman Mixed feelings Remixed And mastered To produce A new product For you to accept Instead You neglect Her Collected thoughts !Implode! She gathers The pieces To gain recollection Of what happened To her To you To love She battles Herself To win the war With you Tie the knot For christ sake! Or undue "To hell With you!" She yells Her voice fails To really reach you It takes Two To tangle Not to tango To tango Is to dance And you'd Miss your step Every chance You get She feels Obligated To feel For her first love Inoculated By the drug That leaves her Discombobulated...
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Sep 30, 2010
Sep 30, 2010 at 12:17 AM UTC
Discombobulated
My Dad built a whoopee room in the basement of our house, that's what we called it back in the fifties, basically it was a free barroom; he worked tirelessly, tiled the floor, knotty-pined the walls, built a Formica-topped bar, with foot rail, and a pool table center stage. At one end, he pasted and framed with the utmost care, a life-like mural, a bucolic scene of mountains, pines trees, some guy canoeing across a deep blue lake, right underneath an eight foot, padded bench to sit, toss a beer, gab Red Sox, Pats, Bruins, Celts. The guy could make anything, fix anything in his neat as a pin workshop, totally in control, competent, a rack of tools, his innate ability to figure out, you name it, he’d fix it, in hands-on kingdom this man did it right, measured twice, cut once. In the Mr. Fix-it realm my father welcomed me, drew me in, shared his man in the know ways, I fetched his tools a quick study daughter, I observed knew ahead of time, like an operating room nurse ready to assist the famous surgeon at his work. But then without prior notice he’d grow silent, retreat, drink copious whiskey shots, get mean, angry, tried to outrun the never good enough farm boy he once was, this love starved kid would engulf my honest, hardworking, overly sensitive, insecure father, then we all suffered his childhood trauma all over again.
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Oct 30, 2012
Oct 30, 2012 at 11:18 PM UTC
Too Soon Oldt, Too Late Schmart