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"framing" poems
For Al, who left us With each passing poem, The degree of difficulty of diving ever higher, Bar incrementally niched, inched, raised, Domain, the association of words, ever lesser, Repetition verboten, crime against pride. Al, You ask me when the words come: With each passing year, In the wee hours of Ever diminishing time snatches, The hours between midnight and rising, Shrinkage, once six, now four hours, Meant for body restoration, Transpositional for poetic creation, Only one body notes the new mark, The digital, numerical clock of Trillion hour sleep deficit, most taxing. Al, you ask me from where do the words come: Each of the five senses compete, Pick me, Pick me, they shout, The eyes see the tall grasses Framing the ferry's to and fro life. Waving bye bye to the End of day harbor activities, Putting your babies to sleep. The ears hear the boat horns Deep voiced, demanding pay attention, I am now docking, I am important, The sound lingers, long after They are no longer important. The tongue tastes the cooling Italian prosecco merging victoriously With its ally, the modestly warming rays Of a September setting sun, finally declaring, without stuttering, Peace on Earth. The odoriferous bay breezes, A new for that second only smell, But yet, very old bartender's recipe, Salt, cooking oil, barbecue sauce, gasoline And the winning new ingredient, freshly minted, Stacked in ascending circumference order, onion rings. These four senses all recombinant, On the cheek, on the tongue, Wafting, tickling, blasting, visioning Merging into a single touch That my pointer finger, by force majeure, Declares, here, poem aborning! Contract with this moment, now satisfied! Al, what you did not ask was this: With each passing poem, I am lessened within, expurgated, In a sense part of me, expunged, Part of me, passing too, Every poems birth diminishes me. _________________________________ (this poem more than most, for its birth celebrates my loss, your loss, which cannot be exonerated 8/7/18) _________________________________ written at 4:38 AM September 8th, 2012 Greenport Harbor, Long Island
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May 21, 2013
May 21, 2013 at 7:07 AM UTC
2013: With Each Passing Poem
For Al, who left us With each passing poem, The degree of difficulty of diving ever higher, Bar incrementally niched, inched, raised, Domain, the association of words, ever lesser, Repetition verboten, crime against pride. Al, You ask me when the words come: With each passing year, In the wee hours of Ever diminishing time snatches, The hours between midnight and rising, Shrinkage, once six, now four hours, Meant for body restoration, Transpositional for poetic creation, Only one body notes the new mark, The digital, numerical clock of Trillion hour sleep deficit, most taxing. Al, you ask me from where do the words come: Each of the five senses compete, Pick me, Pick me, they shout, The eyes see the tall grasses Framing the ferry's to and fro life. Waving bye bye to the End of day harbor activities, Putting your babies to sleep. The ears hear the boat horns Deep voiced, demanding pay attention, I am now docking, I am important, The sound lingers, long after They are no longer important. The tongue tastes the cooling Italian prosecco merging victoriously With its ally, the modestly warming rays Of a September setting sun, finally declaring, without stuttering, Peace on Earth. The odoriferous bay breezes, A new for that second only smell, But yet, very old bartender's recipe, Salt, cooking oil, barbecue sauce, gasoline And the winning new ingredient, freshly minted, Stacked in ascending circumference order, onion rings. These four senses all recombinant, On the cheek, on the tongue, Wafting, tickling, blasting, visioning Merging into a single touch That my pointer finger, by force majeure, Declares, here, poem aborning! Contract with this moment, now satisfied! Al, what you did not ask was this: With each passing poem, I am lessened within, expurgated, In a sense part of me, expunged, Part of me, passing too, Every poems birth diminishes me. _________________________________ (this poem more than most, for its birth celebrates my loss, your loss, which cannot be exonerated 8/7/18) _________________________________ written at 4:38 AM September 8th, 2012 Greenport Harbor, Long Island
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67
This smile that makes your day... This undaunted smile that seem to say. Show me yours too so we both could play, On a plane where everything is fine... Everything's okay... This smile that reaches out to you... With nothing but invisible arms. Caresses your eyes and draws you in. Entices you with the sweetest charms. Whispers you tales of a brightly lit future; Where we're trapped in dance with each other... Supporting... Leading... Lifting and, Seducing one another... Let the music ring clear,. Over the thumping of our heartbeats... Aggressively segmenting, framing the dance into seconds that would elapse. Like two duelists entranced into committing tender jousts and retreats. But know that... This smile screams only lies. For it is but a routine mask. So well worn and adequately rehearsed... You'd never see the need to ask. Instead you'd just allow yourself be taken, To a place where the tide gently beats... Upon the shore our two ailing hearts. A place where earth and sky would meet. When in fact, It hides the turmoil and agitation. Guarding the storm that brews incessantly. Continuously threatening To breach this shared sanctity with me. A haven would've then be erected. That very instant we allowed... This dance of smiles From time of first contact to the time we bowed. This smile... Only took a second To paint a peaceful picture upon my face. Free from the pressures building behind my pursed lips. Just take this smile so that in that second, We could get lost in the promise of a heavenly place...
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Mar 9, 2015
Mar 9, 2015 at 12:36 PM UTC
This Smile
This smile that makes your day... This undaunted smile that seem to say. Show me yours too so we both could play, On a plane where everything is fine... Everything's okay... This smile that reaches out to you... With nothing but invisible arms. Caresses your eyes and draws you in. Entices you with the sweetest charms. Whispers you tales of a brightly lit future; Where we're trapped in dance with each other... Supporting... Leading... Lifting and, Seducing one another... Let the music ring clear,. Over the thumping of our heartbeats... Aggressively segmenting, framing the dance into seconds that would elapse. Like two duelists entranced into committing tender jousts and retreats. But know that... This smile screams only lies. For it is but a routine mask. So well worn and adequately rehearsed... You'd never see the need to ask. Instead you'd just allow yourself be taken, To a place where the tide gently beats... Upon the shore our two ailing hearts. A place where earth and sky would meet. When in fact, It hides the turmoil and agitation. Guarding the storm that brews incessantly. Continuously threatening To breach this shared sanctity with me. A haven would've then be erected. That very instant we allowed... This dance of smiles From time of first contact to the time we bowed. This smile... Only took a second To paint a peaceful picture upon my face. Free from the pressures building behind my pursed lips. Just take this smile so that in that second, We could get lost in the promise of a heavenly place...
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42
The Sight of Black Stockings on Pale white Legs Framing and showing off the Thigh, That Begs Softly to be touched, in gentle Admiration Women in Silk, Lace, and  Satin for Excitation Camisoles of Lace, Garters and Penoirs Corsets Laced up, and Short Babydolls *Lace Demi Cup Bras, with ******* Adorned* Without the Pleasure of this, life is Forlorn *There is a Certain ****** Passion* For these Fine Lingerie Fashions Lust and Loved for Centuries *It Brings forth ***** Sensuality* Curve and Crevices tease the Eyes Releasing ever Passionete Sighs Until Entwined they Finally Find The unyeildings of Motions Devine All the Work here is licensed under the Name ®SilverSilkenTongue and the © Property of J.Flack
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Mar 18, 2015
Mar 18, 2015 at 7:00 PM UTC
.....Lingerie Lust
Here you are - frozen in time. Here i have captured The warmth of your smile Lines speak experience, Framing ageless eyes. Your infectious radiance Tells me no lies. No joy is contained, No emotion forced. There is no need for restraint - No need for remorse. This moment will survive, Unspoiled by time and wear. Even after death arrives, You'll always be there.
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Aug 31, 2018
Aug 31, 2018 at 7:56 PM UTC
Photograph
It was very hot. The day had gone just past its noon. I'd stretched out on a couch to take a nap. One of the window-shutters was open, one was closed. The light was like you'd see deep in the woods, or like the glow of dusk when Phoebus leaves the sky, or when night pales, and day has not yet dawned, - a perfect light for girls with too much modesty, where anxious Shame can hope to hide away. When, look! here comes Corinna in a loose ungirded gown, her parted hair framing her gleaming throat, like lovely Semiramis entering her boudoir, or fabled Lais, loved by many men. I tore her gown off - not that it mattered, being so sheer, and yet she fought to keep that sheer gown on; but since she fought with no great wish for victory, she lost, betraying herself to the enemy. And as she stood before me, her garment all thrown off, I saw a body perfect in every inch: What shoulders, what fine arms I looked on - and embraced! What lovely ******* begging to be caressed! How smooth and flat a belly under a compact waist! And the side view - what a long and youthful thigh! But why go into details? Each point deserved its praise. I clasped her naked body close to mine. You can fill in the rest. We both lay there, worn out. May all my afternoons turn out this well.
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5.4k
Love in the afternoon
II Blue base and pink hues, black lining, framing the face saw once in dreams, a face with a name that began with the letter M. The other painting – a hazy black, red lips, no eyes – is a man’s face. Flying across shadowed, spiralling stairs, I encountered exits blocked by chairs – all these impressionist paintings hanging along the corridor, where a painter was explaining to his students the woman he met in his dream… they all called to me as a dream factory, dream logic – where everything was bound and unburdened, and we were told to identify faces in these coffin paintings. All day we tried matching, mouth stuttering half-formed names, lost faces, amputated body parts, strangers’ fragmented memory. Then the old lady I was working with let out a wail. She bolted, I followed, and there we saw creatures known as man and woman – to the woman on the right, she greeted with the M-lettered name, and to the man on the left she pointed at the eyeless painting, said, stranger, this is you– and they wept together.
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Apr 21, 2021
Apr 21, 2021 at 11:29 AM UTC
Dream Logic II
~ Dreaming past snow drifts Framing the distance Starlight reflections Closer than tomorrow Touching my skin                                                      ~                               Through soft woolen mittens                               Ski jacket hugs, turtleneck wishes                               Snow angel dreams and icicle kisses                               Slipping my heart inside of your pocket                               Where it is warm, safe and secure                                                       ~ Calling in echoes Across the white valley Listen to the wind Feel the wintry whispers Touching your skin
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Nov 12, 2014
Nov 12, 2014 at 5:33 PM UTC
Touching
Murva fashion collection introduced at Eco Fashion Week has been a life long process for Ivana Knezovic, Creative Director / Designer. This was not only the 29 year old Croatian designer's first collection, but also her first international performance. She debuted her eco-friendly collection titled Rust & Flow on the runway at Eco Fashion Week in Vancouver, Canada. Her pieces are all made from eco-friendly wool flannel. Ivana Knezovic made interesting use of symmetrical lines, and I admired the draping from the shoulders framing a dress low-cut in back. One dress had several parallel vertical cut lines on the backside. Many of her tops had capes, hang from one shoulder or both, paired with slim pants or a skirt. A nice touch of dramatic flare as the models moved down the runaway. “Fashion design was always in me,” say Ivana Knezovic. Having resided in New York, Toronto, and Switzerland, designing was something she always wanted to do. "Murva is the name of a tree in my village. My company represents a return to my roots, to who I am at my core." "I like structure. I like hiding the body behind some kind of a structure," said the designer who makes all her own clothes and cosmetics. "Eco is a product of maturity and of wholeness that you can only achieve when you really and truly grow up." As a designer, she told me that she strives for “pure minimalism,” yet her eco-fashion designs are made for a sophisticated, minimalistic, and determined woman. Exactly what the eco-fashion movement needs.Read more here:www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/formal-dresses-2015
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Apr 30, 2015
Apr 30, 2015 at 10:59 PM UTC
Sophisticated eco fashion by Murva
Murva fashion collection introduced at Eco Fashion Week has been a life long process for Ivana Knezovic, Creative Director / Designer. This was not only the 29 year old Croatian designer's first collection, but also her first international performance. She debuted her eco-friendly collection titled Rust & Flow on the runway at Eco Fashion Week in Vancouver, Canada. Her pieces are all made from eco-friendly wool flannel. Ivana Knezovic made interesting use of symmetrical lines, and I admired the draping from the shoulders framing a dress low-cut in back. One dress had several parallel vertical cut lines on the backside. Many of her tops had capes, hang from one shoulder or both, paired with slim pants or a skirt. A nice touch of dramatic flare as the models moved down the runaway. “Fashion design was always in me,” say Ivana Knezovic. Having resided in New York, Toronto, and Switzerland, designing was something she always wanted to do. "Murva is the name of a tree in my village. My company represents a return to my roots, to who I am at my core." "I like structure. I like hiding the body behind some kind of a structure," said the designer who makes all her own clothes and cosmetics. "Eco is a product of maturity and of wholeness that you can only achieve when you really and truly grow up." As a designer, she told me that she strives for “pure minimalism,” yet her eco-fashion designs are made for a sophisticated, minimalistic, and determined woman. Exactly what the eco-fashion movement needs.Read more here:www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/formal-dresses-2015
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8
*Wind Chimes A story of lasting love by Jude Kyrie At the end of a hard day’s work in our garden. Now exhausted and resting in my chair. Feeling the need to see your smile again I quietly call your name. There is no answer of course you have been in heaven for so long. The onset of confusion clouds my memory. Just the jingles of the breeze on the wind chimes answer my call. By your chair an open book and your glasses still remain as if you may return. My need to see you is now overwhelming. I seek to find you everywhere in the house. Then I see you stood under the large flowering rose arbor. A basket of flowers cut from the beds hangs from your arm. The fading sunlight of evening now a halo about your long hair. My eyes mist at the vision. So sweet so astoundingly beautiful. So cool like the mist of summer rain You smile at me. The wind chimes ****** once again. You tell me the sweet woodruff is taking over. The hollyhocks need thinning. And the wisteria has become overgrown. You tell me all of these things. But all I see is your sweet heart of purest gold. The rose arbor framing the light of my life Glowing as the sun at the centre of my small universe. I long to kneel before you to pay homage to you. to say to you I love you darling. but you fade into the sparkling remnants of the melting sunlight. As the wind chimes lilt in the evening air over the blossoming perfumes of our gardens bounty.*
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Jan 22, 2016
Jan 22, 2016 at 7:15 AM UTC
Windchimes
At the end of a hard day’s work in our garden Now exhausted and resting in my chair I quietly call your name, you have been gone for so long. but in my older age confusion fills my head and I do not remember your loss. Feeling the need to see your smile again There is no answer of course Just the jingles of the summer breeze on the wind chimes by the window. By your chair an open book and your reading glasses. I still have not removed them. The need to see you is now overwhelming I seek everywhere to find you almost in a panic. then I see you. Stood under the arched flowering rose arbor. A basket of flowers cut from the beds hangs from your arm. The fading sunlight of evening glows A halo about your long hair. My eyes mist. So sweet so astoundingly beautiful, So cool like the mist of summer rain. You smile at me. The wind chimes jingle softly once again You tell me the sweet woodruff is taking over. The hollyhocks need thinning. And the wisteria has become overgrown. You tell me all of these things. But all I see is your sweet heart of purest gold. The flowering rose arbor framing the light of my life. Glowing as the sun at the Centre of my small universe. I long to kneel before you to pay homage. to tell you of my love for you. but you fade into the ether of my minds confusions. A light evening breeze kisses my cheek As the wind chimes softly lilt over the blossoming perfumes of our gardens bounty
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Aug 26, 2015
Aug 26, 2015 at 7:06 AM UTC
Windchimes
liminality; barely there ask if it matters care if you dare believe in impossibility mind framing liminal spaces places of liminal mind-frames filaments between contexts capturing subtleties as moths liminally reaching inwards map of a shady threshold twilight netherworld border between now & everywhen cusp of crisp discovery intangible as of late liminal during daylight; stars, fireflies, lanterns night itself being liminal colors need brightness shadow for textures whispering worlds peripheral vision vibes and feltsense inner underworlds embracing hell reversing it
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Oct 20, 2013
Oct 20, 2013 at 6:19 PM UTC
shades of liminality, liminal flavors
hold still, my love! let me freeze in time that elusive essence of all that you are! let me pan from head to toe all those fleeting memories that envelope you like a halo! --that heady mix of honey and cinnamon as you say into the phone “hello!” --that dainty dimple and the happy curl of your ruby lips. is it my breath that sways those curls framing your cheeks? for years have we shared, for ages have we walked the long road together, stopping, but for mere moments, to fight our little fights and talk our little talks, to press our hands together and smile at things small and beautiful, at some rare memory. hold still, don’t breathe! don’t sway those delicious mountains and valleys where often our rivulets joined in a torrent of frenzy! where in the labyrinth of time and space did we first meet? do you remember? you are my memory and I am yours. but memories are ephemeral and fleeting and deceptive. so let me freeze them in time before you and I fade away. click!
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Mar 23, 2010
Mar 23, 2010 at 5:35 PM UTC
camera
*Windchimes In my advancing years Clarity eludes me now and then. I sit quietly in the gazebo. Your book and glasses not yet removed from your seat. Drifting into sleep I awaken suddenly. with confusion reigning again. I quietly call your name The need to see you is overwhelming. I search the gardens for you Panic setting in to my heart. Then in the cool evening summer breeze. The gentle chiming of the windchimes Calm my panic as your soft words once did. Then under the blooming arches of the rose arbor I see you. A basket of flowers hang from your arm. The fading light from the evening sun. Frames a halo about your long hair. My eyes mist So sweet so astoundingly beautiful As calm as the mist on a summer's morn. You smile at me The windchimes ****** softly in the air. You tell me the sweet wudruff is taking over The hollyhocks need trimming And the roses need pruning You tell me all of these things. But all I see is your sweet heart of purest gold. The rose arbor framing the light of my life. Glowing as the sun at the Centre of my small universe. I fall to my knees to pay homage. As you fade into the evening shadows. Just the lilt of the windchimes Dance over the perfumed bounty Of our flowering gardens*
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Dec 23, 2015
Dec 23, 2015 at 1:01 PM UTC
Windchimes
*Windchimes A story of lasting love by Jude Kyrie At the end of a hard day’s work in our garden. Now exhausted and resting in my chair. Feeling the need to see your smile again I quietly call your name. There is no answer of course you have been in heaven for so long. The onset of confusion clouds my memory. Just the jingles of the breeze on the wind chimes answer my call. By your chair an open book and your glasses still remain as if you may return. My need to see you is now overwhelming. I seek to find you everywhere in the house. Then I see you stood under the large flowering rose arbor. A basket of flowers cut from the beds hangs from your arm. The fading sunlight of evening now a halo about your long hair. My eyes mist at the vision. So sweet so astoundingly beautiful. So cool like the mist of summer rain You smile at me. The wind chimes ****** once again. You tell me the sweet woodruff is taking over. The hollyhocks need thinning. And the wisteria has become overgrown. You tell me all of these things. But all I see is your sweet heart of purest gold. The rose arbor framing the light of my life Glowing as the sun at the centre of my small universe. I long to kneel before you to pay homage to you. to say to you I love you darling. but you fade into the sparkling remnants of the melting sunlight. As the wind chimes lilt in the evening air over the blossoming perfumes of our gardens bounty*
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Aug 15, 2016
Aug 15, 2016 at 4:11 PM UTC
Windchimes ...a story of a love that cannot die
The hearts and minds of our future selves weld, And Melt into the *** It seems hopeless to try, But I can't seem to stop. Until Father time says; "My clock will tic but not tock," Sorry Doc you can' cure my ailments, I'm killing myself for you, But I still feel selfish. Only if I can hide within myself like a shellfish, Maybe I wouldn't be so hellbent on understanding this Paradox. I saw our future before I knew your name. It pains me to say its presently driving me insane I try to fight the feeling Though I can't seem to tame it Steady holding the gun to your heart But I can't seem to aim it Praying for something different Though I can't seem to change it I can't seem to change us Like Love is the game, And Someone is playing us Framing us, For murdering "What could be" I don't know If its what should be Though I have no problem seeing If what would be perfect. Could really be perfect. I may be delusional Tho, I don't care because I know your worth it Hallucinations of spending my time With only you on this Earth. I can't say if its a blessing or a curse. At times its the best but, Most of the time its the worst. Trying my best to appease you Until I leave this Earth.
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Jun 22, 2014
Jun 22, 2014 at 7:18 PM UTC
Welding Hearts
Your brittle calcium coated voice slides down my throat like water, little blue gods of poetry. Nothing to do but **** and fight. There’s a run on sentence in my veins whole flowers framing my bruises. My bone quiet bruises wait five miles from your medical voice, english coastline of veins covering my anatomy like large bodies of water. **** yesterday’s fist fight you left your apologies in poetry. My alcoholic poetry a blood orange coated in bruises a history of last night’s pillow fight catching religion in your voice. The swallows splash in water quiet in my dessicate veins. Fields of goldenrod veins make my honorary poetry a theory of cursive water. Leave aching vegetarian bruises on my calloused voice from tearing open the sun to fight. A polaroid water fight rolls around in my open veins a punctuation of your raspy voice, hospitalized my skin in poetry. A reckless consumption of bruises with a mint leaf in a glass water. Soft echoes burn across the water silver scissors in a domestic fight running away from bruises and mountains of veins. My second language is poetry giving my fingertips a muffled voice. Empty water pleads with your broken voice, makes me fight against pleated poetry and pomegranate bruises tighten in my veins.
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Feb 18, 2014
Feb 18, 2014 at 12:17 AM UTC
Sestina 3 - Salt toffee
I sat across from a man made of millions. From his shiny black patent shoes to his dolphin patterned socks, and his slicked back gray blonde hair, a color so elusive Midas himself would find fault with designating blame, I saw treachery. If character were based on dress I would assign worth every time. But people don't work that way: you must listen to what they say. When he mentioned God and fate in the same breath as commissions and unlimited potential financially, I went back to the socks. Imagining the dolphins desperately trying to find someone else's socks, someone less driven by green pieces of paper easily set aflame by a deranged individual, someone like me, who would not be so ludicrous, but entertained the notion, would have more idealistic pure thought framing. While the world runs in bounding strides to freedom from debt, from loans, from taxes, and money....stuff, so that every "thing" materializes as a personal possession and retirement happens at the unseemly age of 35, but who will provide a home for the dolphins? I would not throw my socks away as soon as the threads began to bare. I would find some cerulean blue thread and weave in the ocean.
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Jun 27, 2014
Jun 27, 2014 at 1:35 PM UTC
a message from the dolphins
✿⊰✲⊱✿ "She's finally here!" Sue claps as we all rise from our seats and walk to the Ballroom. There they are, atop the marble steps! Queen Donna and Dean of proud Vesian, both dressed in bright red. The couple faces each other with loving smiles as the cacophony of cheers and claps echoes through the great Luciuscemi Palace. ✿⊰✲⊱✿ From afar, I study Donna's beautiful gown; the shade of wine, made of velvet, her sleeves long and puffed. Her bodice embrodiery is extraordinary; patterned with red Rose of Vesian, but since her marriage, she added a white one. The embrodiery comes alive under the light of chandelier; glittering with intricately cut rubies and agates and sunstones for Donna's red roses, emeralds and peridots for the coiling stems and thorns, quartz and white opals and moonstones for the white roses. ✿⊰✲⊱✿ Her hair in a curly updo, ringlets framing her wise and kind face with a simple white diamond tiara resting upon her head; a simple rose chain and earrings to complete her look. In contrast, King Dean wears a deep crimson coat of red and white roses brocade that falls past his knees and above his ankles; slits on the sides  and on the back as well, I imagine. I can see the black lining underneath that fine coat.
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Aug 27, 2018
Aug 27, 2018 at 6:10 PM UTC
❀❁ тнє gαlα IX (I of IV) ❁❀
an assembly or better named a clump of multifarious flotsam presenting its untidy self on a recent passing streetcorner.. a hesitating photo records a drifting pinecone centering a stained and shredding newspaper a broken sharp stick red rocks of scales and shadings flecking dried green leaves.. order imposed by framing and shaping of the sidewalk corner.. might other forms emerge with a focused patience? a partial headline reads ...sound without the wires.. news of expanding connections outside a material realm? headline seemed embedded in thick advertising bulk announcing a continuing culture of material weight.. much else of red and green.. the centering pinecone occasional pineal symbol of higher dimension entry.. somehow rightly here in the dark center of this mess this a brief experiment not yet for most an answer a question now of mining finding patterned varieties in large nature's trove.. patient visions residing in gathered fragments if gathered they be.. expectations of more in what persists of this and that in time...  :)
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Jun 13, 2012
Jun 13, 2012 at 11:03 PM UTC
chaos
Save for the yellow ring framing his pupils he has the bluest eyes Wrinkles that date back to 15 but at 27 they've never been so defined The smile he gives, he gives it away like it is nothing He smiles at everyone even though he knows his smile is busted Twice lost and held together with a metal post one discolored tooth is proof that he can fight and win if hurt by someone too close He sees monsters in mirrors and makes mountains out of his fear He was barely even 12 when he first asked "why am I here?" He knows everything is in his head but the noise is loud and always there He's scared to get too close to anything and worries it comes off like he doesn't care They say he is handsome, intelligent and kind but he has no idea why They're looking at me but never make it past my eyes Most people only see sunflowers in a blue sky
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Nov 18, 2013
Nov 18, 2013 at 3:43 PM UTC
sunflowers in a blue sky
*Windchimes A story of advancing years And loss By Jude kyrie In my advancing years Clarity eludes me now and then I sit quietly in the gazebo. Your book and glasses not yet removed from your seat. Drifting into sleep I awaken suddenly. with confusion reigning again. I quietly call your name The need to see you is overwhelming. I search the gardens for you Panic setting in to my confused heart. Then in the cool evening summer breeze. The gentle chiming of the windchimes Calm my panic as your soft gentle words once did. Then under the fragrant blooming arches of the rose arbor I see you. A basket of cut flowers hang from your arm. The fading light from the evening sun. Frames a halo about your long hair. My eyes mist So sweet so astoundingly beautiful. As calm as the mist on a summer's morn. You smile at me The windchimes chime softly in the still air. You tell me the sweet wudruff is taking over The hollyhocks need trimming And the roses need pruning You tell me all of these things. But all I see is your sweet heart of purest gold. The rose arbor framing the light of my life. Glowing as the sun at the Centre of my small universe. I fall to my knees to pay homage to you. As you fade away into the evening shadows. Just the lilt of the windchimes Dance softlly over the perfumed bounty of our flowering gardens*
0
Oct 16, 2016
Oct 16, 2016 at 9:20 AM UTC
Windchimes
The Israelites (/ˈɪzriəlaɪts/; Hebrew: בני ישראל‎ Bnei Yisra'el) were a confederation of Iron Age Semitic-speaking tribes of the ancient Near East inhabiting parts of Canaan during the tribal &    monarchic periods; Modern archaeology has largely discarded the historicity of the Jewish religious narrative; re-framing it as constituting an inspired national myth: The Israelites & their culture according to modern archaeological accounts,          did not overtake the region by force, instead branching out from the indigenous         [Canaanite peoples long inhabiting the Southern Levant, Syria, ancient Israel, and the Trans-Jordan region] through the development of a distinct                  _monolatristic_— [_Monolatry_ (Greek: μόνος (monos) = single, and λατρεία (latreia) = worship) is the belief in the existence of many gods    but with the consistent worship of the one deity; the term       "monolatry" was perhaps first used              by Julius Wellhausen; Modern scholars of Israel's religion have become much more circumspect in how they use the Old Testament;     not least because many have concluded      the Bible is not a reliable witness to the true religion of ancient Israel and Judah;     representing the beliefs of only a small segment of the ancient community                                          _centered in Jerusalem_              & devoted to the exclusive worship              of the god "Yahweh": Monolatry is              distinct from monotheism,   which asserts the existence of only one god; and henotheism,  a religious system in which the believer worships one god w/out denying that others may worship different gods with equal validity]; later cementing as a monotheistic religion centered on Yahweh, one of the Ancient Canaanite deities; the outgrowth of Yahweh-centric beliefs along with a number of cult practices gradually gave rise to a distinct Israelite ethnic group setting them apart                        from the other Canaanites
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Jul 21, 2018
Jul 21, 2018 at 4:28 PM UTC
The Israelites (/ˈɪzriəlaɪts/; Hebrew: בני ישראל Bnei Yisra'el)
The Israelites (/ˈɪzriəlaɪts/; Hebrew: בני ישראל‎ Bnei Yisra'el) were a confederation of Iron Age Semitic-speaking tribes of the ancient Near East inhabiting parts of Canaan during the tribal &    monarchic periods; Modern archaeology has largely discarded the historicity of the Jewish religious narrative; re-framing it as constituting an inspired national myth: The Israelites & their culture according to modern archaeological accounts,          did not overtake the region by force, instead branching out from the indigenous         [Canaanite peoples long inhabiting the Southern Levant, Syria, ancient Israel, and the Trans-Jordan region] through the development of a distinct                  _monolatristic_— [_Monolatry_ (Greek: μόνος (monos) = single, and λατρεία (latreia) = worship) is the belief in the existence of many gods    but with the consistent worship of the one deity; the term       "monolatry" was perhaps first used              by Julius Wellhausen; Modern scholars of Israel's religion have become much more circumspect in how they use the Old Testament;     not least because many have concluded      the Bible is not a reliable witness to the true religion of ancient Israel and Judah;     representing the beliefs of only a small segment of the ancient community                                          _centered in Jerusalem_              & devoted to the exclusive worship              of the god "Yahweh": Monolatry is              distinct from monotheism,   which asserts the existence of only one god; and henotheism,  a religious system in which the believer worships one god w/out denying that others may worship different gods with equal validity]; later cementing as a monotheistic religion centered on Yahweh, one of the Ancient Canaanite deities; the outgrowth of Yahweh-centric beliefs along with a number of cult practices gradually gave rise to a distinct Israelite ethnic group setting them apart                        from the other Canaanites
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I need to write I need  To write I Need to write Right right Know No, I dont need to It like there's buzzing in my hands Its like there's buzzing in my body Like my head's rocking backwads and forewards I see the open window  And I want to hang out of it With my weight on my hips Just like. Rocking rocking And. Air I always need it now And the way the letters look when I type Just fast enough Like theres movement Like i'm busy When i'm only sitting down Its like the colours have gone inverse around my eyes Like negative colours swirling Framing everything i see Like its a tunnnel But i'm not moving through it because the end is big and clear And im already there I can't have faith that's it (But there is no certainty though in those words i just spoke) How many times i've wished i might be That squirrel up in a tree Free free free free But he'll never go far I tried to make art yesterday I found paper, tape, pens and magazine A cocktail stick It looked like ******* I crumpled the paper with oil pastelled hands I stabbed a cocktail stick through the lines Wound the tape, wound the tape. I poured my tea over it Poured the tea And it bled red  From the marks of a red pen  But no now is today Nonoooo  why did I go back? Now is shaking. Flies on the glass, But they ruin the dream But they made a new one But they never knew.  Sofa sofa and cardboard boxes Like im in a coat again Where am I going I'm not there yet  I want to fly I was scared to admit it before Or I wasnt sure But i'd like to fly Fly fly Shaking legs My eyes aren't right not right My eyes are dragging too much Its like the weight's on the bottom Like a hammock but no swinging noo Why are there sparkles on the floor? Who thought of the teapot plant *** outside? I can see it coz it's white Everything else is black But the giant teapot is white there  in the night garden out of the window Who thought of it? Who designed it? How was it made? Where are they now? I hope they stilll make things Never stop making I'd like to be someone who never stops making And creating But i'd like to be someone who starts making Spiders think they own their house, Coz they built their web On these walls we built And this house that we made Hahaha Haha Hahhhhh But we built our house on somebody's floor,  (Or someone's wall Whatever direction they walk in?) And we built this town on somebody's floor But I didnt build it No Labels White sticky labels Only found them again when I no  longer needed them Lets all just live in the world okay Or even no Live where you like 2 rules: Be kind. Make people happy, In the very least Try. But I dont make the rules Nononono Forget the rules I can't make rules I can't close it No closing Everything just be Everything Spill over Spill over Open.
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Dec 9, 2014
Dec 9, 2014 at 6:06 PM UTC
Night garden teapot
I need to write I need  To write I Need to write Right right Know No, I dont need to It like there's buzzing in my hands Its like there's buzzing in my body Like my head's rocking backwads and forewards I see the open window  And I want to hang out of it With my weight on my hips Just like. Rocking rocking And. Air I always need it now And the way the letters look when I type Just fast enough Like theres movement Like i'm busy When i'm only sitting down Its like the colours have gone inverse around my eyes Like negative colours swirling Framing everything i see Like its a tunnnel But i'm not moving through it because the end is big and clear And im already there I can't have faith that's it (But there is no certainty though in those words i just spoke) How many times i've wished i might be That squirrel up in a tree Free free free free But he'll never go far I tried to make art yesterday I found paper, tape, pens and magazine A cocktail stick It looked like ******* I crumpled the paper with oil pastelled hands I stabbed a cocktail stick through the lines Wound the tape, wound the tape. I poured my tea over it Poured the tea And it bled red  From the marks of a red pen  But no now is today Nonoooo  why did I go back? Now is shaking. Flies on the glass, But they ruin the dream But they made a new one But they never knew.  Sofa sofa and cardboard boxes Like im in a coat again Where am I going I'm not there yet  I want to fly I was scared to admit it before Or I wasnt sure But i'd like to fly Fly fly Shaking legs My eyes aren't right not right My eyes are dragging too much Its like the weight's on the bottom Like a hammock but no swinging noo Why are there sparkles on the floor? Who thought of the teapot plant *** outside? I can see it coz it's white Everything else is black But the giant teapot is white there  in the night garden out of the window Who thought of it? Who designed it? How was it made? Where are they now? I hope they stilll make things Never stop making I'd like to be someone who never stops making And creating But i'd like to be someone who starts making Spiders think they own their house, Coz they built their web On these walls we built And this house that we made Hahaha Haha Hahhhhh But we built our house on somebody's floor,  (Or someone's wall Whatever direction they walk in?) And we built this town on somebody's floor But I didnt build it No Labels White sticky labels Only found them again when I no  longer needed them Lets all just live in the world okay Or even no Live where you like 2 rules: Be kind. Make people happy, In the very least Try. But I dont make the rules Nononono Forget the rules I can't make rules I can't close it No closing Everything just be Everything Spill over Spill over Open.
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One glossy raven perched, stately, atop a snowy hill, Unearthly Long flowing wings, hanging down the slope, framing the hill on the face of which, were interposed two glacial ponds of blue. Between these pools ran a simple strip of sloped marble, But at the base of this was the most gentle depression in the snow. In disbelief I observed two rows of strawberries, blossoming, heavy laden with the richest red. Each gentle bite of these more delicious than the last. I continued my survey, down to a long narrow hill of the freshest snow. Here I came upon a wide expanse, a plain, two long, slender berms extended at opposite sides. But this was no true plain, and all the better for that, For two equal mounds of snow enchanted the landscape. The setting sun cast a pink light at the peak of each pale globe, So beautiful I wept. As I passed between their valley the snowy distance continued. I observed an infinitesimal sloping on the Western and Eastern edges. This expanse, perfect of any true blemish, was punctuated by the shallowest little empty pond at its narrowest width; which only served to enhance the beauty. The length of this snowed plain was far greater than its width, the edges slowly creeping into the narrowest part before flaring out to a wide expanse. And there in the lowlands was The Delta, to the side of which extended two of the longest and most shapely tapering ridges I had ever observed; each ending with graceful peaks. But that Delta! Though snowy, the darkest , shortest scrub had capped its mound. At the apex of The Delta was a precipice, on its face a cavern, pink walls glistening with wetness, at the caverns base, a cave. Its tunnel, with walls ribbed, was warm and humid despite the landscape of snow. This is the landscape I cherish most.
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May 28, 2018
May 28, 2018 at 9:50 PM UTC
Landscape of My Love
One glossy raven perched, stately, atop a snowy hill, Unearthly Long flowing wings, hanging down the slope, framing the hill on the face of which, were interposed two glacial ponds of blue. Between these pools ran a simple strip of sloped marble, But at the base of this was the most gentle depression in the snow. In disbelief I observed two rows of strawberries, blossoming, heavy laden with the richest red. Each gentle bite of these more delicious than the last. I continued my survey, down to a long narrow hill of the freshest snow. Here I came upon a wide expanse, a plain, two long, slender berms extended at opposite sides. But this was no true plain, and all the better for that, For two equal mounds of snow enchanted the landscape. The setting sun cast a pink light at the peak of each pale globe, So beautiful I wept. As I passed between their valley the snowy distance continued. I observed an infinitesimal sloping on the Western and Eastern edges. This expanse, perfect of any true blemish, was punctuated by the shallowest little empty pond at its narrowest width; which only served to enhance the beauty. The length of this snowed plain was far greater than its width, the edges slowly creeping into the narrowest part before flaring out to a wide expanse. And there in the lowlands was The Delta, to the side of which extended two of the longest and most shapely tapering ridges I had ever observed; each ending with graceful peaks. But that Delta! Though snowy, the darkest , shortest scrub had capped its mound. At the apex of The Delta was a precipice, on its face a cavern, pink walls glistening with wetness, at the caverns base, a cave. Its tunnel, with walls ribbed, was warm and humid despite the landscape of snow. This is the landscape I cherish most.
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DRESSMAKERS to the stars J’Aton have turned designer detectives after one of their most valuable couture gowns was stolen from a bride’s home last week. The one-of-a-kind gown, which was stolen from Leanne Bartucca’s Greenvale residence along with other valuables, is estimated to be worth more than $40,000. It weighs more than 18kg, and features intricate 100-year-old vintage French lace that has been carved and sculpted onto leather and layered tulle. J’Aton designers Anthony Pittorino and Jacob Luppino, who also made the wedding gowns of Rebecca Judd, Nadia Bartel, Jodi Gordon and Yvette Prieto, wife of Michael Jordan, are appealing to the public in the hope that if it goes for sale online, someone will recognise the distinctive dress. “We are so devastated for our dear friend Leanne; that dress has a special place in our hearts and is so sentimental to us all,” the pair said. “It’s a dress that we created especially for Leanne, it has her and her husband’s initials embroidered into the train and we just hope that if anyone recognises the distinguishable design for sale on websites or social media, that they ­report it to the police.” Ms Bartucca, who wore the dress in March, 2014, says she has been devastated by its theft. “It’s such a sentimental thing; my family and the J’Aton boys have been checking the internet daily in the hopes that we will see it for sale,” she said. “I had dreams of using the fabric from it for my children’s christening gowns, and even framing a section of the fabric for our home. “[The thieves] definitely knew what they were doing. As a former fashion buyer, I was surprised how much they knew — what they left behind was just as telling as what they took. “They could tell the difference between real and fake jewellery, they left certain shoe brands behind and obviously went straight for the J’Aton dress, which was covered in tissue paper and in a white box at the top of the wardrobe.” Police said they were investigating whether the burglary was in relation to another in the same area.Read more at:http://www.marieaustralia.com/white-formal-dresses | www.marieaustralia.com/black-formal-dresses
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Jun 8, 2016
Jun 8, 2016 at 12:12 AM UTC
J’Aton wedding dress stolen from couple’s Greenvale home
DRESSMAKERS to the stars J’Aton have turned designer detectives after one of their most valuable couture gowns was stolen from a bride’s home last week. The one-of-a-kind gown, which was stolen from Leanne Bartucca’s Greenvale residence along with other valuables, is estimated to be worth more than $40,000. It weighs more than 18kg, and features intricate 100-year-old vintage French lace that has been carved and sculpted onto leather and layered tulle. J’Aton designers Anthony Pittorino and Jacob Luppino, who also made the wedding gowns of Rebecca Judd, Nadia Bartel, Jodi Gordon and Yvette Prieto, wife of Michael Jordan, are appealing to the public in the hope that if it goes for sale online, someone will recognise the distinctive dress. “We are so devastated for our dear friend Leanne; that dress has a special place in our hearts and is so sentimental to us all,” the pair said. “It’s a dress that we created especially for Leanne, it has her and her husband’s initials embroidered into the train and we just hope that if anyone recognises the distinguishable design for sale on websites or social media, that they ­report it to the police.” Ms Bartucca, who wore the dress in March, 2014, says she has been devastated by its theft. “It’s such a sentimental thing; my family and the J’Aton boys have been checking the internet daily in the hopes that we will see it for sale,” she said. “I had dreams of using the fabric from it for my children’s christening gowns, and even framing a section of the fabric for our home. “[The thieves] definitely knew what they were doing. As a former fashion buyer, I was surprised how much they knew — what they left behind was just as telling as what they took. “They could tell the difference between real and fake jewellery, they left certain shoe brands behind and obviously went straight for the J’Aton dress, which was covered in tissue paper and in a white box at the top of the wardrobe.” Police said they were investigating whether the burglary was in relation to another in the same area.Read more at:http://www.marieaustralia.com/white-formal-dresses | www.marieaustralia.com/black-formal-dresses
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