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"fares" poems
Now since I advised you this Sentiment Try to apply your Fares with her Mother And if you win, which is one Compliment That you use to connect with her Brother This is just some Counsel from Ben Nevis' View Hassled to ensure you did the Right Thing For justly understand this ardent Crew Is no excuse for Procrastinating In private this Agent is unaware For him to barrage out of Deep Respect Yet keep watch for Feathers dancing in the Air They turn to Anvils; And hit your Retrospect. Listen you Two. This is why you will Learn That Family's knots tied is Best you earn.
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Mar 11, 2013
Mar 11, 2013 at 2:17 AM UTC
SONNET TRIBUTE SUNDRY - THIRTY-FOUR - TOM DALEY
Love has earth to which she clings With hills and circling arms about— Wall within wall to shut fear out. But Thought has need of no such things, For Thought has a pair of dauntless wings. On snow and sand and turn, I see Where Love has left a printed trace With straining in the world’s embrace. And such is Love and glad to be But Thought has shaken his ankles free. Thought cleaves the interstellar gloom And sits in Sirius’ disc all night, Till day makes him retrace his flight With smell of burning on every plume, Back past the sun to an earthly room. His gains in heaven are what they are. Yet some say Love by being thrall And simply staying possesses all In several beauty that Thought fares far To find fused in another star.
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3.5k
Bond And Free
The Pedicab drivers of Gotham all say You should ignore a "Whale Hail" because it just doesn't pay. The city is hilly and to pedal gets tough when your passengers are, shall we say, overstuffed. Two tubby tourists out on the town between them they weighed about Eight Hundred Pounds. They had wiped out the Sushi at an all you can eat. Much too lazy to walk on their overstressed feet. They hailed for a Pedicab of which there's a multitude Thats the sole explanation for accepting their pulchritude. Their ride started slowly, but pleasant enough. But then came a hill and the going got rough. He groaned and he struggled as he trucked up the road, but not even juiced Armstrong could handle this load. With two tubby tourists ensconced in the back. He slowed to a crawl then stalled in his tracks. Something had to give with those two in the rear The cab then turned turtle chucking him in the air. The two tubby tourist were down on their backs Their driver unconscious and two tires flat. An Ambulance came and gave him first aide The two tourists rolled off and he never got paid. If we banned too large colas and sixty ounce beers could we hope that these land whales might,one day, disappear? Until then its risky to pick such fares up unless in a limo or a truck thats Ram tough
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Jun 14, 2012
Jun 14, 2012 at 10:38 PM UTC
The tale of the Two Tubby Tourists
People scatter the beaches street, Like seagulls hunting their scrumptious prey, Engulfing the happenings of mainstream life, While ordinarity and friction stray. Their blindful stares, And mindful glares, Induce a sense of Frightful fares. Children play, While adults delay, Their naive beliefs, From ambiguous thieves. Day after day, Continuity stays, Defending us all, From genuine praise.
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Apr 27, 2013
Apr 27, 2013 at 5:34 AM UTC
Dysfunctioning Personality
Thy summer voice, Musketaquit, Repeats the music of the rain; But sweeter rivers pulsing flit Through thee, as thou through the Concord Plain. Thou in thy narrow banks art pent: The stream I love unbounded goes Through flood and sea and firmament; Through light, through life, it forward flows. I see the inundation sweet, I hear the spending of the steam Through years, through men, through Nature fleet, Through love and thought, through power and dream. Musketaquit, a goblin strong, Of shard and flint makes jewels gay; They lose their grief who hear his song, And where he winds is the day of day. So forth and brighter fares my stream,-- Who drink it shall not thirst again; No darkness taints its equal gleam, And ages drop in it like rain.
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3k
Two Rivers
The rattle is shaken and life becomes unfixed Torrential rains cascades downwards on ancient bricks These stunning moments have been rediscovered In wonder all is flustered in awe as the state of silence honks Love creeps out of tune in time, the unsureness of cold feet The voice fades, the toned whispers continually erased Stormed and soaked, stilled and stalked by a heart that stole my dream Drenched in uncertainty, non-favouring multitudes won't let me be These flutters flattens and deflated, I stroll and I will not run The floating fun fares vanishes, the morning bird furnishes The time capsule evaporated, unstripped and frozen Ohh, how I wished to plant and harvest inspiration Wake up with a renewed breath of air, the flowing river Of the days when the gloom masked, I hated what life had become How could humanity be so self centred and selfish? I looked for silence and the banging never ceased The masses rushed, never to let me be, they snatched my freedom I inhaled the hope of the freeness and longed for the racing momentums How so? That over time the weather collapsed to coldness, the darkness marbled A nag of the songbirds, as I escaped in the ****** ozone layer A disconnect of the mind, body and soul; when I saw my spirit sail A snail sailing on its own course and journey slowly but steady Reflections and visions of the timeline of growth and fertility A heart of one, the soul of all, the mind of many, a tongue in sums The chandelier hanged on a ceiling, high, holding the flickering bulbs A condense of energy, the modelled nature of a prognostic intervention A laughter and synergy rests in the symphony of the unsung melodies
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Apr 30, 2016
Apr 30, 2016 at 6:24 PM UTC
A Nag of a Songbird (300 Darkened Marbles)
The rattle is shaken and life becomes unfixed Torrential rains cascades downwards on ancient bricks These stunning moments have been rediscovered In wonder all is flustered in awe as the state of silence honks Love creeps out of tune in time, the unsureness of cold feet The voice fades, the toned whispers continually erased Stormed and soaked, stilled and stalked by a heart that stole my dream Drenched in uncertainty, non-favouring multitudes won't let me be These flutters flattens and deflated, I stroll and I will not run The floating fun fares vanishes, the morning bird furnishes The time capsule evaporated, unstripped and frozen Ohh, how I wished to plant and harvest inspiration Wake up with a renewed breath of air, the flowing river Of the days when the gloom masked, I hated what life had become How could humanity be so self centred and selfish? I looked for silence and the banging never ceased The masses rushed, never to let me be, they snatched my freedom I inhaled the hope of the freeness and longed for the racing momentums How so? That over time the weather collapsed to coldness, the darkness marbled A nag of the songbirds, as I escaped in the ****** ozone layer A disconnect of the mind, body and soul; when I saw my spirit sail A snail sailing on its own course and journey slowly but steady Reflections and visions of the timeline of growth and fertility A heart of one, the soul of all, the mind of many, a tongue in sums The chandelier hanged on a ceiling, high, holding the flickering bulbs A condense of energy, the modelled nature of a prognostic intervention A laughter and synergy rests in the symphony of the unsung melodies
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28
In haste... Behind Our footprints Were the scattered emptiness Of the memories Of them On the shores She left the three parties of us Me, Samantha And our traveler friend They were play things for sunset fares, She said. Just yesterday They were happy to be here The young flowers now scattered about This beach shore Too young to be plucked Happy to grow up into one party of laughter! That's how we remember they were here That's how to plant graveside flowers For the dead They were play things for sunset fares They were not soldiers They were unprotected, unfed, afraid children and women. They were not warriors That's how to plant graveside flowers That's how we have kept them forever In our hearts.. You are not forgotten
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Jul 6, 2016
Jul 6, 2016 at 11:53 AM UTC
They where playthings for sunset fares
Love in her Sunny Eyes does basking play; Love walks the pleasant Mazes of her Hair; Love does on both her Lips for ever stray; And sows and reaps a thousand kisses there. In all her outward parts Love ’s always seen; But, oh, He never went within. Within Love’s foes, his greatest foes abide, Malice, Inconstancy, and Pride. So the Earths face, Trees, Herbs, and Flowers do dress, With other beauties numberless: But at the Center, Darkness is, and Hell; There wicked Spirits, and there the ****** dwell. With me alas, quite contrary it fares; Darkness and Death lies in my weeping eyes, Despair and Paleness in my face appears, And Grief, and Fear, Love’s greatest Enemies; But, like the Persian-Tyrant, Love within Keeps his proud Court, and ne’re is seen. Oh take my Heart, and by that means you’ll prove Within too stor’d enough of Love: Give me but Yours, I’ll by that change so thrive, That Love in all my parts shall live. So powerful is this change, it render can, My outside Woman, and your inside Man.
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2.3k
The Change
trolling through midnight streets braking to avert inflicted pedestrians crawling to and from pedestrian afflictions I hope become fares I am the vehicle to next destinations the portage to an evenings ravenous end Music Selection: Ides of March Vehicle 10/15/14 Oakland jbm
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Oct 15, 2014
Oct 15, 2014 at 3:54 PM UTC
vehicle
Judge a woman by her lovers just another one after others Wouldn't do that to a man welcome to bed who he can   Judge a woman by her clothes her material and fabric throws Criticised for what she wears doesnt matter still gets stares Judge a woman by her hair try it different if she dare It shows now, nerve reveals surely you know how she feels I Judge a woman by if she cares deals with life and how she fares In what she has a sense of pride and the feelings she has inside Judge a woman how dare you exam her and what she do It does more harm can't you see to look at her so judgementally © One man
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Nov 16, 2017
Nov 16, 2017 at 4:19 AM UTC
..Wo man..
Cabana, cheese and mustard sauce Do grace the tablecloth, White puffy clouds and warm south breeze And joy in chilled beer's froth. Hot sun doth bake these stony walls Sweet mandolins do play, And the pigeons peck at breadcrumbs caste. And all fares well today. Young darting men on Vespa's Ply their arrogant good looks, And those stunning senoritas Strut their stuff while momma cooks. Monsignors in scarlet robes Do scurry through the town Dispensing Catholic action To any soul who is around. Madonna's guard the roadside shrines Where hot seal winds aloft Toward the craggy mountain pass And pastured alpine croft. The peasant woman bends her spine Trudging forth with strain, Wood ******* piled upon her back, Up hillward bound with pain. Old men sit and ruminate And watch the young girls pass, Whilst nursing dark retsina In an opaque thimble glass. The olive trees look stately In their crooked ancient way, And cast a darkened shadow Where the roosting chicken's lay. And out across the mounded hills The patchwork quilt of farm And out beyond that deep azure Of Italian coastal charm. Seaward to horizon The aqua blue intense Extends as far as eye can see Mediterranean immense. Marshalg @theBach Mangere Bridge 23 January 2010
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Jan 23, 2010
Jan 23, 2010 at 2:30 AM UTC
Mediterranean
See her / right there She pulling / her hair She's stressed / and scared She screams / they stare But they / don't care Her skin / she tears This pain / she fares Too much / to bare She climbs / the stairs The ledge / she dares Suspended / in air Escaping / the lair Of scars / to spare Her heart / she shared They dipped / in despair She's gone / but now They say / "I cared"
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Jul 12, 2014
Jul 12, 2014 at 8:00 PM UTC
I Cared
Forbidden night, with your sheltered hours. How I long to paint you in broad strokes, adding water to the brush, That you may spread and extend your precious mercies beyond the borders of your designation, up and out into the wicked day. May the sun forgive me for bankrupting its grand offering in favor of the always-waning dark, when it’s easier to walk between worlds without touching. Daylight brings out the conquerers and also the conquered, creating a vacuum that devours the air between gaps in the dimensions, the grind and squeeze of many lungs contracting at once. And although every period of light and compression is followed by a period of darkness and grasping strangeness, I am never unsurprised by the strength of my enduring love nor less enchanted by the singularity of our shadowy and permissive embrace. I have traveled great lengths to con my own rhythms into abandoning  their posts. Oh night, I hold on to you like a new bride at a military wedding, resolute in the knowledge that you will only return once you’ve already gone. No sooner do you pull from my arms do I finally rest, too early and too late for a gentle landing onto the unforgiving surface of the sunrise.   the hourglass breaks and so appears Morpheus, great and ancient, to call down black night upon the wretched world. For it was agreed that once per cycle, the world must lose itself in necessary madness, and thus rests the cosmic balance upon which fares the day
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Dec 13, 2021
Dec 13, 2021 at 3:08 AM UTC
Necessary madness
Tonight my love is sleeping cold Where none may see and none shall pass. The daisies quicken in the mold, And richer fares the meadow grass. The warding cypress pleads the skies, The mound goes level in the rain. My love all cold and silent lies-- Pray God it will not rise again!
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1.7k
Requiescat
I walk across to Hannah's flat in Arrol House and knock at the door Mrs Scott opens the door and stands there she's a short thin woman with a face of granite with a slit where her mouth is whit is it? she says her Scottish accent rough as stone is Hannah home? I ask I dunnae kinn she replies HANNAH she bellows over her shoulder Benedcit is haur fur ye she adds scowling at me jist coming Hannah replies from back in the flat yoo'll hae tae bide Mrs Scott says and walks back inside leaving me on the red tiled step I look into the interior of the flat and smell breakfast having been cooked I look back into the Square kids are playing near by on the pram sheds and over by the wall girls are doing handstands their feet against the wall dresses falling over their heads showing underwear sorry about Mum she has a mouth on her Hannah says where we going? she asks thought we'd go to the South Bank see the Thames and boats and have ice cream I say do I need money? she asks just about 2/- I say for bus fares and ice cream I'll ask Mum for a handout but wait for the answer Mum have you 2/- I can have? Hannah asks fa dae ye hink Ah am Rockerfeller? nae Ah huvnae her mother replies no problem I say to Hannah I'll have enough for us both are you sure? yes don't aggravate your mother more than you have to so Hannah gets her coat and we walk off through the Square she's like that sometimes Hannah says she's as tight as a wing nut we walk down the slope and up Meadow Row I ask her how her father is she says he's Ok but in the doghouse more often as not with Mum but he's a softy to Mum's hardness but Mum says he's soft in the heed but he's lovely really Hannah says -I know her old man he's English and a bit simple after helping to empty out Belsen camp in 1945 where some he told me were more dead as alive- we wait at the bus stop she with her dark hair pony tailed with a tartan skirt and white blouse and me in blue jeans and white shirt and quiff of brown hair and hazel eyes she with a budding beauty with her mother's touch of tongue who if roused could give words full lung.
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May 26, 2015
May 26, 2015 at 3:25 PM UTC
MEETING WITH HANNAH 1960.
I walk across to Hannah's flat in Arrol House and knock at the door Mrs Scott opens the door and stands there she's a short thin woman with a face of granite with a slit where her mouth is whit is it? she says her Scottish accent rough as stone is Hannah home? I ask I dunnae kinn she replies HANNAH she bellows over her shoulder Benedcit is haur fur ye she adds scowling at me jist coming Hannah replies from back in the flat yoo'll hae tae bide Mrs Scott says and walks back inside leaving me on the red tiled step I look into the interior of the flat and smell breakfast having been cooked I look back into the Square kids are playing near by on the pram sheds and over by the wall girls are doing handstands their feet against the wall dresses falling over their heads showing underwear sorry about Mum she has a mouth on her Hannah says where we going? she asks thought we'd go to the South Bank see the Thames and boats and have ice cream I say do I need money? she asks just about 2/- I say for bus fares and ice cream I'll ask Mum for a handout but wait for the answer Mum have you 2/- I can have? Hannah asks fa dae ye hink Ah am Rockerfeller? nae Ah huvnae her mother replies no problem I say to Hannah I'll have enough for us both are you sure? yes don't aggravate your mother more than you have to so Hannah gets her coat and we walk off through the Square she's like that sometimes Hannah says she's as tight as a wing nut we walk down the slope and up Meadow Row I ask her how her father is she says he's Ok but in the doghouse more often as not with Mum but he's a softy to Mum's hardness but Mum says he's soft in the heed but he's lovely really Hannah says -I know her old man he's English and a bit simple after helping to empty out Belsen camp in 1945 where some he told me were more dead as alive- we wait at the bus stop she with her dark hair pony tailed with a tartan skirt and white blouse and me in blue jeans and white shirt and quiff of brown hair and hazel eyes she with a budding beauty with her mother's touch of tongue who if roused could give words full lung.
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124
This world has a lot to take in. It turns and turns stopping for no one While I just sit and take it all in, Take turns, take turns. Waiting for the next one. No, this first-grade paradigm That controls how I think and see what's fair Doesn't really apply this time. Cause first-grade knowledge isn't for just anywhere. It's for the classroom, The safe room. The place where I sit and wait room. I'm dying just to break through. But I can't. See they hate you. They take what they think is theirs. Never waiting for the rule of turns. Never thinking how the world fares. When every bridge they cross burns. What about the rest of us? How are we supposed to move forward? When none but the "very best" of us Move on past our story's fore-word? It's horrible and grueling. Cause the "special ones" are ruling. They ask, "Who you fooling?" You'll always be a normal. Why can't we all be special ones? Why can't we all have that privilege? Why must we all be the fretful ones, Always worried about our image? Worried that we won't look right. Or that we won't be up to ***** Cause when we take off our makeup each night We no longer feel like enough. No, it's too much. Our minds are filled with thus and such. But thus and such are just a crutch. When we aren't enough. At least, that's what they tell us. Make us think we have to be gods. Cause honestly that's the best way to sell us. It doesn't matter if they're frauds. See Humanity longs to be sufficient. Able to satisfy itself. So we do what we can with vision. But leave our skills up on the shelf. It doesn't matter or make sense. To make some sort of recompense When we never lost our innocence Except by failing ourselves. See, we fail to see our potential. That special thing that makes us us. But in the end it's the most essential. It's the only thing we can trust. Whether it's our brain, or our brawn, Our very will to survive. It's the very thing that let's us press on The only think that makes us alive. We have talents, our gifts. But our spirits they need lifts That come through paradigm shifts From what's fair to what's real. It's a hard disparity to master. But in the end it's always alright. Cause it's only part of growing up. Seeing the changes that came overnight.
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Feb 21, 2015
Feb 21, 2015 at 9:57 AM UTC
Class Dismissed, Pack Your Bags
This world has a lot to take in. It turns and turns stopping for no one While I just sit and take it all in, Take turns, take turns. Waiting for the next one. No, this first-grade paradigm That controls how I think and see what's fair Doesn't really apply this time. Cause first-grade knowledge isn't for just anywhere. It's for the classroom, The safe room. The place where I sit and wait room. I'm dying just to break through. But I can't. See they hate you. They take what they think is theirs. Never waiting for the rule of turns. Never thinking how the world fares. When every bridge they cross burns. What about the rest of us? How are we supposed to move forward? When none but the "very best" of us Move on past our story's fore-word? It's horrible and grueling. Cause the "special ones" are ruling. They ask, "Who you fooling?" You'll always be a normal. Why can't we all be special ones? Why can't we all have that privilege? Why must we all be the fretful ones, Always worried about our image? Worried that we won't look right. Or that we won't be up to ***** Cause when we take off our makeup each night We no longer feel like enough. No, it's too much. Our minds are filled with thus and such. But thus and such are just a crutch. When we aren't enough. At least, that's what they tell us. Make us think we have to be gods. Cause honestly that's the best way to sell us. It doesn't matter if they're frauds. See Humanity longs to be sufficient. Able to satisfy itself. So we do what we can with vision. But leave our skills up on the shelf. It doesn't matter or make sense. To make some sort of recompense When we never lost our innocence Except by failing ourselves. See, we fail to see our potential. That special thing that makes us us. But in the end it's the most essential. It's the only thing we can trust. Whether it's our brain, or our brawn, Our very will to survive. It's the very thing that let's us press on The only think that makes us alive. We have talents, our gifts. But our spirits they need lifts That come through paradigm shifts From what's fair to what's real. It's a hard disparity to master. But in the end it's always alright. Cause it's only part of growing up. Seeing the changes that came overnight.
Continue reading...
65
There is something so calming About the spiders spinning web. Something so comforting, A song sung by the dead. Hear it wallow in the distance Like an unforgiven tune. Sung by the rivers daughter, The beauteous sunset muse. Bask in the moonlit waters Barely but blessed by shining sun. Hold to your heavn'ly quarters, The likes of which shall come undone. For if you catch the spider spindle You are likely to be safe. In other wares, their finer fares In absence, stay awake. I speak not for the Titan, Or God nor Goddess alike. I speak not for the tongue Of the mumbling friars might. For Alas my hearers hear this plea, Beware the nymph of sophistry
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May 20, 2019
May 20, 2019 at 10:41 AM UTC
The Nymph of Sophistry
Needless, pose a question: Miracles save themselves... Long in the tooth, looking for a blessing Worlds to weigh, with the voice of what delves? Minus the stone The rue of visits and cares... To awaken in the arms of harmony History to a dare, to lend the kindness of what fares? Special... And doted upon, like a dream can feed...? The spareness of speed in the eye, of what will To sakes aled, and meant, to be the end of all in heed... The pout of summation, to which we will know intimation? Praises be, cares see, the coming order to a least... At worthy faces, in a common hope, to live the life of sin? Like a weary lover was, the only force of decency to cease... Of a silent offer, of season and risk... To these calls of opportunity, the mated chance Of cause curious, and questioning the weight of a reason's wish Paced with the passion of deliberateness, is a wish a saving, romance?
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Feb 3, 2023
Feb 3, 2023 at 4:00 PM UTC
Pure Ol' Vanilla, Set To Rhymes And Nary Done...
Where is my Pharaoh, which fares me so well? Over that hill, sitting on his throne? Wanting... As the chair next to him wilts... Shall I sit? Or shall I wait? Well, A Queen is never late.
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Oct 29, 2013
Oct 29, 2013 at 1:43 PM UTC
The Pharaoh and The Queen (Act I)
By: Cedric McClester Beyond the Eisenhower context We still have to guard against The military industrial complex Which requires in every respect That our government be checked As we’re forced to question, what is this? It’s reminiscent of Guerin’s book Fascism and Big Business We can clearly see a certain confluence So we must guard against The acquisition of unwarranted influence When surrounded by generals and billionaires It can directly impact how the populous fares Because these are un-chartered waters And didn’t the Nazis claim to be Just following orders In Germany, then a democratic state Neumann said that the Nazi’s sole ambition Was to uproot what existed there Until they could come into position And we need not forget As we look at the current cabinet History frequently repeats itself So we are to blame and no one else When the great leader is surrounded by acolytes Who defend his positions Whether wrong or right It gives us many sleepless nights And the media gets, a thousand sound bites Comprised from their various talking points Out of the mouths of those he anoints Cedric McClester, Copyright © 2017.  All rights reserved.
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Mar 19, 2017
Mar 19, 2017 at 5:41 PM UTC
THE MILITARY INDUSTRIAL COMPLEX
We were very tired, we were very merry— We had gone back and forth all night on the ferry. It was bare and bright, and smelled like a stable— But we looked into a fire, we leaned across a table, We lay on a hill-top underneath the moon; And the whistles kept blowing, and the dawn came soon. We were very tired, we were very merry— We had gone back and forth all night on the ferry; And you ate an apple, and I ate a pear, From a dozen of each we had bought somewhere; And the sky went wan, and the wind came cold, And the sun rose dripping, a bucketful of gold. We were very tired, we were very merry, We had gone back and forth all night on the ferry. We hailed, “Good morrow, mother!” to a shawl-covered head, And bought a morning paper, which neither of us read; And she wept, “God bless you!” for the apples and pears, And we gave her all our money but our subway fares.
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1.3k
Recuerdo
The floor is cracked and faded, The map is nearly gone. The stained glass roof has shattered Now, fifty years gone down. The fountains at the Unisphere, spray glowing in the dark. Remembering the Flushing fair in Flushing meadow park. In the Vatican Pavilion The Pieta was on display. In the Carousel of Progress The automatons sang and played. I had a plastic brontosaur From Sinclair, I recall. Puppets used to dance and sing “It’s a small world after all.” The displays and the pavilions Now are, mostly, gone. Just the Stainless Unisphere recalls that hopeful dawn. We walked Tomorrow’s though fares Whose horrors weren’t shown. Then I was but a little child- Now fifty years gone down.
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Oct 27, 2013
Oct 27, 2013 at 10:12 PM UTC
At the Fair
How fares it with the happy dead? For here the man is more and more; But he forgets the days before God shut the doorways of his head. The days have vanish'd, tone and tint, And yet perhaps the hoarding sense Gives out at times (he knows not whence) A little flash, a mystic hint; And in the long harmonious years (If Death so taste Lethean springs), May some dim touch of earthly things Surprise thee ranging with thy peers. If such a dreamy touch should fall, O turn thee round, resolve the doubt; My guardian angel will speak out In that high place, and tell thee all.
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1.2k
In Memoriam A. H. H. OBIIT MDCCCXXXIII: 44
Weight back, son, back -- now! Pivoting in air, I felt wood crack and sent one screaming over first. My three mates whirled around the sacks and fierce joy burst past, or through... First inning, Father. Bags full. And all for you, who, miles off, listened hard beneath a static sky. The radio crowed: "Grand slam!" -- and "You'll be next to die." Once, you showed me something about the stance, how the weight came through, and how the dance of foot in dirt was beautiful and clean -- I don't recall the point -- not now, I mean. But I still can see your hands, the coiled way they worked the wood, and how your wrists turned, mirrored snakes, twin roots, and how the simple day was shaken by... what was it?... by all I'd never learned? Your fingers were stubby, grimed with grease, coarse hairs tangled over bulge of blood. My youth still fares its way from lost to lost. I move my dancing feet to match the steps you traced with yours -- and life's complete. Yet as I gape and gasp in desperate dark, a voice returns, riding warm winds from that park. These forty years, I've been turning into you. I have your hands, your heart -- and these will fail me too.
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Jun 16, 2011
Jun 16, 2011 at 12:57 PM UTC
Hitting the Curve