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THE PROLOGUE.

Our Hoste saw well that the brighte sun
Th' arc of his artificial day had run
The fourthe part, and half an houre more;
And, though he were not deep expert in lore,
He wist it was the eight-and-twenty day
Of April, that is messenger to May;
And saw well that the shadow of every tree
Was in its length of the same quantity
That was the body ***** that caused it;
And therefore by the shadow he took his wit,                 *knowledge
That Phoebus, which that shone so clear and bright,
Degrees was five-and-forty clomb on height;
And for that day, as in that latitude,
It was ten of the clock, he gan conclude;
And suddenly he plight
his horse about.                     pulled

"Lordings," quoth he, "I warn you all this rout
,               company
The fourthe partie of this day is gone.
Now for the love of God and of Saint John
Lose no time, as farforth as ye may.
Lordings, the time wasteth night and day,
And steals from us, what privily sleeping,
And what through negligence in our waking,
As doth the stream, that turneth never again,
Descending from the mountain to the plain.
Well might Senec, and many a philosopher,
Bewaile time more than gold in coffer.
For loss of chattels may recover'd be,
But loss of time shendeth
us, quoth he.                       destroys

It will not come again, withoute dread,

No more than will Malkin's maidenhead,
When she hath lost it in her wantonness.
Let us not moulde thus in idleness.
"Sir Man of Law," quoth he, "so have ye bliss,
Tell us a tale anon, as forword* is.                        the bargain
Ye be submitted through your free assent
To stand in this case at my judgement.
Acquit you now, and *holde your behest
;             keep your promise
Then have ye done your devoir* at the least."                      duty
"Hoste," quoth he, "de par dieux jeo asente;
To breake forword is not mine intent.
Behest is debt, and I would hold it fain,
All my behest; I can no better sayn.
For such law as a man gives another wight,
He should himselfe usen it by right.
Thus will our text: but natheless certain
I can right now no thrifty
tale sayn,                           worthy
But Chaucer (though he *can but lewedly
         knows but imperfectly
On metres and on rhyming craftily)
Hath said them, in such English as he can,
Of olde time, as knoweth many a man.
And if he have not said them, leve* brother,                       dear
In one book, he hath said them in another
For he hath told of lovers up and down,
More than Ovide made of mentioun
In his Epistolae, that be full old.
Why should I telle them, since they he told?
In youth he made of Ceyx and Alcyon,
And since then he hath spoke of every one
These noble wives, and these lovers eke.
Whoso that will his large volume seek
Called the Saintes' Legend of Cupid:
There may he see the large woundes wide
Of Lucrece, and of Babylon Thisbe;
The sword of Dido for the false Enee;
The tree of Phillis for her Demophon;
The plaint of Diane, and of Hermion,
Of Ariadne, and Hypsipile;
The barren isle standing in the sea;
The drown'd Leander for his fair Hero;
The teares of Helene, and eke the woe
Of Briseis, and Laodamia;
The cruelty of thee, Queen Medea,
Thy little children hanging by the halse
,                         neck
For thy Jason, that was of love so false.
Hypermnestra, Penelop', Alcest',
Your wifehood he commendeth with the best.
But certainly no worde writeth he
Of *thilke wick'
example of Canace,                       that wicked
That loved her own brother sinfully;
(Of all such cursed stories I say, Fy),
Or else of Tyrius Apollonius,
How that the cursed king Antiochus
Bereft his daughter of her maidenhead;
That is so horrible a tale to read,
When he her threw upon the pavement.
And therefore he, of full avisement,         deliberately, advisedly
Would never write in none of his sermons
Of such unkind* abominations;                                 unnatural
Nor I will none rehearse, if that I may.
But of my tale how shall I do this day?
Me were loth to be liken'd doubteless
To Muses, that men call Pierides
(Metamorphoseos  wot what I mean),
But natheless I recke not a bean,
Though I come after him with hawebake
;                        lout
I speak in prose, and let him rhymes make."
And with that word, he with a sober cheer
Began his tale, and said as ye shall hear.

Notes to the Prologue to The Man of Law's Tale

1. Plight: pulled; the word is an obsolete past tense from
"pluck."

2. No more than will Malkin's maidenhead: a proverbial saying;
which, however, had obtained fresh point from the Reeve's
Tale, to which the host doubtless refers.

3. De par dieux jeo asente: "by God, I agree".  It is
characteristic that the somewhat pompous Sergeant of Law
should couch his assent in the semi-barbarous French, then
familiar in law procedure.

4. Ceyx and Alcyon: Chaucer treats of these in the introduction
to the poem called "The Book of the Duchess."  It relates to the
death of Blanche, wife of John of Gaunt, Duke of Lancaster, the
poet's patron, and afterwards his connexion by marriage.

5. The Saintes Legend of Cupid: Now called "The Legend of
Good Women". The names of eight ladies mentioned here are
not in the "Legend" as it has come down to us; while those of
two ladies in the "legend" -- Cleopatra and Philomela -- are her
omitted.

6. Not the Muses, who had their surname from the place near
Mount Olympus where the Thracians first worshipped them; but
the nine daughters of Pierus, king of Macedonia, whom he
called the nine Muses, and who, being conquered in a contest
with the genuine sisterhood, were changed into birds.

7. Metamorphoseos:  Ovid's.

8. Hawebake: hawbuck, country lout; the common proverbial
phrase, "to put a rogue above a gentleman," may throw light on
the reading here, which is difficult.

THE TALE.

O scatheful harm, condition of poverty,
With thirst, with cold, with hunger so confounded;
To aske help thee shameth in thine hearte;
If thou none ask, so sore art thou y-wounded,
That very need unwrappeth all thy wound hid.
Maugre thine head thou must for indigence
Or steal, or beg, or borrow thy dispence
.                      expense

Thou blamest Christ, and sayst full bitterly,
He misdeparteth
riches temporal;                          allots amiss
Thy neighebour thou witest
sinfully,                           blamest
And sayst, thou hast too little, and he hath all:
"Parfay (sayst thou) sometime he reckon shall,
When that his tail shall *brennen in the glede
,      burn in the fire
For he not help'd the needful in their need."

Hearken what is the sentence of the wise:
Better to die than to have indigence.
Thy selve neighebour will thee despise,                    that same
If thou be poor, farewell thy reverence.
Yet of the wise man take this sentence,
Alle the days of poore men be wick',                      wicked, evil
Beware therefore ere thou come to that *****.                    point

If thou be poor, thy brother hateth thee,
And all thy friendes flee from thee, alas!
O riche merchants, full of wealth be ye,
O noble, prudent folk, as in this case,
Your bagges be not fill'd with ambes ace,                   two aces
But with six-cinque, that runneth for your chance;       six-five
At Christenmass well merry may ye dance.

Ye seeke land and sea for your winnings,
As wise folk ye knowen all th' estate
Of regnes;  ye be fathers of tidings,                         *kingdoms
And tales, both of peace and of debate
:                contention, war
I were right now of tales desolate
,                     barren, empty.
But that a merchant, gone in many a year,
Me taught a tale, which ye shall after hear.

In Syria whilom dwelt a company
Of chapmen rich, and thereto sad
and true,            grave, steadfast
Clothes of gold, and satins rich of hue.
That widewhere
sent their spicery,                    to distant parts
Their chaffare
was so thriftly* and so new,      wares advantageous
That every wight had dainty* to chaffare
              pleasure deal
With them, and eke to selle them their ware.

Now fell it, that the masters of that sort
Have *shapen them
to Rome for to wend,           determined, prepared
Were it for chapmanhood* or for disport,                        trading
None other message would they thither send,
But come themselves to Rome, this is the end:
And in such place as thought them a vantage
For their intent, they took their herbergage.
                  lodging

Sojourned have these merchants in that town
A certain time as fell to their pleasance:
And so befell, that th' excellent renown
Of th' emperore's daughter, Dame Constance,
Reported was, with every circumstance,
Unto these Syrian merchants in such wise,
From day to day, as I shall you devise
                          relate

This was the common voice of every man
"Our emperor of Rome, God him see
,                 look on with favour
A daughter hath, that since the the world began,
To reckon as well her goodness and beauty,
Was never such another as is she:
I pray to God in honour her sustene
,                           sustain
And would she were of all Europe the queen.

"In her is highe beauty without pride,
And youth withoute greenhood
or folly:        childishness, immaturity
To all her workes virtue is her guide;
Humbless hath slain in her all tyranny:
She is the mirror of all courtesy,
Her heart a very chamber of holiness,
Her hand minister of freedom for almess
."                   almsgiving

And all this voice was sooth, as God is true;
But now to purpose
let us turn again.                     our tale
These merchants have done freight their shippes new,
And when they have this blissful maiden seen,
Home to Syria then they went full fain,
And did their needes
, as they have done yore,     *business *formerly
And liv'd in weal; I can you say no more.                   *prosperity

Now fell it, that these merchants stood in grace
                favour
Of him that was the Soudan
of Syrie:                            Sultan
For when they came from any strange place
He would of his benigne courtesy
Make them good cheer, and busily espy
                          inquire
Tidings of sundry regnes
, for to lear
                 realms learn
The wonders that they mighte see or hear.

Amonges other thinges, specially
These merchants have him told of Dame Constance
So great nobless, in earnest so royally,
That this Soudan hath caught so great pleasance
               pleasure
To have her figure in his remembrance,
That all his lust
, and all his busy cure
,            pleasure *care
Was for to love her while his life may dure.

Paraventure in thilke* large book,                                 that
Which that men call the heaven, y-written was
With starres, when that he his birthe took,
That he for love should have his death, alas!
For in the starres, clearer than is glass,
Is written, God wot, whoso could it read,
The death of every man withoute dread.
                           doubt

In starres many a winter therebeforn
Was writ the death of Hector, Achilles,
Of Pompey, Julius, ere they were born;
The strife of Thebes; and of Hercules,
Of Samson, Turnus, and of Socrates
The death; but mennes wittes be so dull,
That no wight can well read it at the full.

This Soudan for his privy council sent,
And, *shortly of this matter for to pace
,          to pass briefly by
He hath to them declared his intent,
And told them certain, but* he might have grace             &
Runaway Joe Aug 2012
Love?
Oh, love!
Love is great.

My heart bleeds for that special someone, dontcha know
Cupid shot an arrow
God, that kid's an *******

Romantic fog rolls in
The birds chirp Barry White
Our eyes lock

My pulse quickens and I giggle like a stoner
But person doesn't get the joke
Cupid shot an arrow
Budget Cupid
shot one arrow
Mateuš Conrad Nov 2016
this will make sense in the end, or at least along the way... a modern version of the Ruben's judgement of Paris, although if you watch the debate, the mediator already insinuates the "confusion": to my left or to my right, ha ha, left to right, right to left, 1st 3rd 2nd... that's putting it mildly, if i were Paris i'd have given the apple of knowing to Hera, queen of the goddesses... naomi wolf... beauty is in the eye of the beholder... and your phallus in the hand of... mhmm... softer than the flesh of an oyster at the end of the day... they did say once in times just after Pericles: make my inner as beautiful as my outer, and my outer as beautiful as my inner... then take art as not representing images: or the "shallow" arguments... any man would have given the apple to the intellectual Aphrodite (karen straughan)... we all know that antigone darling is Athena: who speaks so little you start to equate wisdom to be a distant synonym of needing courage to engage with a plebiscite crowd... oh don't give that prize to her: she'll probably tongue-tie herself and will never be able to speak into a microphone, the intellectual Aphrodite knows all too well the conundrum... it's the cougar attired in crimson that fuels the whole debate... she doesn't need to have inner beauty, you phallus is already shouting 'sir! yes sir!' at the drill sergeant anyways... you take Aphrodite as a paradoxical beauty, namely that of long conversations and not long interludes of ******* and baking cookies... you'll leave Aphrodite confused... i once heard an English motto: don't take for a wife a woman that's too attractive... that wasn't intended to be within the bias of intellect, i mean a beautiful woman within the bias of being able to manage a harem of 72 male virgins... well **** yeah, artists leave clues, whether knowing or unknowing... they're working from triangles, poets end up writing from Δ, they obscure textures and antonyms of what appears to be monochromatic, we say: red, crimson, burgundy in x-ray confines... the point being: there's no intellectual debate to be had with someone representative metaphorically or not of Hera... you can't have a Parisian fashion week catwalk where you find dehydrated beauty on the outside and an anorexic ego on the inside... what you find in Hera is a volume (voluptuousness) on the inside, within which there's a leech libido that transgresses all demands for intellect... unless it's pistons-well-oiled orientated... please, read some Marquis... if you get an ******* having read a few of his works: you're qualified - or as i like to call it: neo-classical *******... ever masturbated over Bronzino's Venus, Cupid, Folly and Time? well, if you haven't i guess **** ******* and gang-banging is your outlet: mine are pictures of Aria Giovanni and Chloe Vevraire (googlewhack no. 3!): Chloe Vevrier... but if you're never done the Odysseus pokes fun at Polyphemus... yep: the ghost hand: nobody!


you know, you can cram a lot into a 30 hour "day",
which results in the complete erosion
for the capacity to dream afterwards,
to actually work from the unconscious and create
a subconscious medium vector that connects
to points of consciousness: 30+ hours awake,
however many hours asleep, and then awake again
for another 30+ "day" to digest...
the classical definition of the subconscious, in theory,
is that you get plenty of sleep,
and it's a bit like that schematic A x B (algebraic)
A knows x     and B knows x...
   something mutual acknowledgment
via the same schematic but
A knows x, B knows x,
A knows that B knows x,
A knows that B knows that A knows x,
   which is all very Aristotelian to be frank,
it's this hyperlogic of having to acquire
great technological feats and reduce such
complexities to cat-videos on the internet as
the Egyptian partake in the genius that actually
made it possible... the slogan goes
Moses, you fool! said Nefertiti...
    so B knows x and knows that A knows x
and knows that A knows that B knows x
and B knows it's not necessarily anywhere
alphabetically less, even though the French said
a, b, c... which was very imperial of them,
that's the imperial version of what the mathematical
imperialism proved with the English inches, miles
and furlongs... but in this French case of imperialism
it wasn't a e i o u, b c d f g h j...
            that's what 30 hours awake does to you,
you wouldn't think of alcohol as a party drink,
a social barrier deconstruct... after 30 hours
you're hoping to meet Vladimir Klitschko on your
way to bed... aye pleasing Cossack, give us a
smacker goodnight... one glove it filled with
whiskey, the other with naproxen and amitriptyline...
boom! k.o. snooze, baby:
you gotta love buddhist honesty...
at least you get to see the bright side of life...
  and if people start thinking that Kant was the harbinger
of ill fate... you obviously haven't met a necromancer...
it was only von Kleist for ****'s sake!
       and he had the American option of a suicide
pact with a terminally ill woman and a bullet from
a pistol in a ditch... you can't get more romantic than that...
and there i was, mid-afternoon, having done a few of
the household chores: the washing, the ironing and
cooking a two-course meal while my mother did
the taxes (seems only mothers understand their sons
these days... women my age?
   ever see David Attenborough describe Emperor
penguins? money was invented for women,
because it brokered the end of the brotherhood of man,
we became famished by feminine needs
and have reduced inherent sports in us (hunting)
to sledgehammer bashing entertainment...
i'm the "drunk" that would rather watch ten hours
worth of ping-pong that tennis...
    i don't know why they resurrect the Olympics
every four years, have a **** coverage of it anyway
and then go back to that Glaswegian diet
of deep-fried pizza and haggis... and i hope to never know,
maybe Sepp Blatter knows...
but that's 30 hours of being awake, and only not
able to relax, by writing...
                 you wouldn't see this sort of "abuse" of
alcohol anywhere in the world...
the Soviet sleep experiment is actually not that silly...
too much sleep can also make you feel the minutes
upon your wake as if you've been stung by a bee...
three of my all time favourite songs?
the stone roses'* i wanna be adored,
    chromatics' cherry,
and finally: i can be forgiven for having missed this,
i got into them seriously with the album aufheben
and didn't really move anywhere else,
the dandy warhol effect got me...
but this song out of obscurity, 20th century technology
translated into mp3 and then onto c.d. and then
back into mp3... a song from an album that doesn't
even appear on their discography...
the brian jonestown massacre's pol ***'s pleasure penthouse,
the song in question? fingertips.
so there's that three...
      but **** on me, i half expected android (2015)
to be like ex_machina (whatever year that was)...
same topic... what the difference between android
cyborg and robot?
                                  aren't robots the proper a.i.?
as in: in production, the thing that's not hand-crafted
is artificially crafted, because it is crafted to a large yield
of a product? isn't that so? i can't distinguish (as of yet)
the difference between android and cyborg, i guess
as a Latin man (a - z user) i have to condescend the Grecian
pompousness of demeaning Hebrews (original anti-semitism
originated in Greece, not Rome, the Romans gave
the Jews not elaborate architectural schemes to abide by
in honour of Octavian, but the supposed pride in Greek
thought, undermined what later science would provide
a Latin man with, given the translation of יחֵוָחֵ,
indeed variables... i once wrote a piece about
the two Adams... namely how אָ (alef)
and עַ (ayin) are prominent letters among consonants,
but no vowel kindred of Eve is equal...
or how Eve is covered in both mainstream Islam
and orthodox Judaism... and Christianity is
a Rastafarian dream for more jerky reggae reggae...
they never sing down with Rome, judgement upon
Rome... they always sing about Babylon...
well, polytheistic or poly-schismatic,
it's all Hindu from hereon in - apart from that
here's a very tiny heresy... is that yod he vav he
or is it yod he vav het?
         there is a difference, afterall:
he (ה)        and het (חֵ) obviously differ... oh!
xet!                   god this garden is a mess,
               i guess the fruit of knowing good from evil
was intended to say: till the land, deforest,
learn agriculture... that's good, the **** you do to each
other... well: that's hardly a tonne of grain...
but they so alike though, even when you apply a noun
to these two symbols!
  could have said he xet but instead it's known as he het:
no wonder the Hittites came along for a curious look...
mind you, had not a prominent Roman, a centurion,
asked for help... we'd be prudish in runic from the northern
invaders... so thankfully no one within the Roman confines
of encoding sounds didn't have the bright spark idea
of looking at the very tiny little island of Israel and that
four lettered word and how it became known
to say o = omicron, ε = epsilon and γ = gamma,
   and cutting those things apart leaving only letter
having done plastic surgery on the noun that denotes the
letter that's denoted by the symbol, rearranged it
and got the idea of εγo: ****** marvellous!
- this is not brian pallenberg's story about the pleasure
penthouse album...
but you know what really got me in those 30 hours:
day, night, day, night: a NHLF debate between
naomi wolf, karen straughan & antigone darling,
the part where karen makes the point that
once upon a time men who beat their wives
in Scotland were publicly whipped (dhaal,
straugan), and if they were beaten-up instead by
their wives, a plebiscite of good-wishers would turn up
at the house and apply the Freudian theory of
a castration to the man, bang pots and pans,
and then in public display him having to ride on a
donkey backwards, having to hold the donkey's tail
for stability...
     see that woman in red in that debate? a true political
man-eating beast of ***** readied in atom bomb
explosions... the one next to her isn't wearing any tights...
unconsciously you're thinking: i like her french freestyle
of not having shaved her legs... the smart one is wearing
jeans and she looks oh so desperate to get out...
    the discussion doesn't even enter the realm of ideas...
hen-picking is discussed... all poetry ascribed to language
is gone... is it politically correct to ascribe the sexuality
of female chickens with the word hen to women?
behind me in Blackpool stag-dos (dos? no does...
there isn't even a ******* spelling for that phrase...
hen-nights and the inflatable Juan)...
well obviously your mind is working out why you'd
**** the middle 'un right away... she doesn't say divorcee
which is so "unsexy" but say she's a mum twice,
a mum, a single mum... polly wants a *******...
her address is new york city? ******! i'm heading there,
right now! can a white guy use urban colloquial
in the suburbs on a piece of pixel paper, which he claims
is mere the cartesian extension of his thought
and disinterest in rhetorical skills? i hope so...
it's not like herr adolf wrote a disclaimer saying:
read this or a thousand volts up your ****!
that really was a constipated debate, plus the red was all
provocateur and peppered with "you know",
   and "i know absolutely nothing": there were no ideas
in the debate! whenever there was a chance to debate
ideas, the debate turned into a debated about words,
and what words to use: to simply brush aside any clinching
to a idea-debate... perhaps because feminism is
an ideology without any coherency of ideas, as stated
from the debate: a coherency of wording: and that better
be hen = an asexual chicken, rooster = an asexual chicken...
it's still a chicken kiev at the end of the day.
now? i might squeeze in another poem...
     but it would still be great to get any kind of analysis
comparing the movie android and ex_machina...
the only problem would be: both creators are men...
so that's gender-stereotyping already...
but hell! she gets to build a buggie that she directs with
a laser pen... so that's nice...
but i'd love a discussion on these two films,
given that the music in both films is very oomph!
thriller genre always had better music than horror...
horror music is too romantic... thriller music?
***** back-stabbing you whenever you think you're
going to get a comfortable 10 minute slot...
but it's there... aside from both robotic creators being male...
woman: ex_machina - out of the machinery of man
          ergo? deus, or woman as...
i actually have a problem with the word android...
the woman is a factor of playing the two men against
each other... the android actually find a mechanical
part of himself in the way the "human" talks to the woman,
while the "android" is prejudiced against the rigidity
of his ****** movement: unlike the "human" having
an intellectual rigidity... the woman plays the two against
each other... well, 30 hours no sleep...
  i'm doing the helter-skelter trying to throw ideas
by way of remembering the actual plot of the film...
this obviously adds nothing to the discussion:
meaning i probably gave away a "spoiler" -
but more the point, i need a refill and some fresh air
to breath, having farted into a leather chair for the past
hour.
Rustle McBride Jan 2017
Dear Mr. Cupid,

I hope you are well. Please forgive this letter’s intrusion. I know you are busy, preparing your bow, and planning this season’s collusions. I’ll remind you though Sir, of the issue I had with the last year’s arrow consignment. Your aim was amiss, and I’d be remiss if I failed to seek your reassignment. I’d like somebody new to deliver my true - love for which I have been waiting. For it has been so long since my wife ran along, and everyone says that I should be dating. So please, if you would send somebody good to shoot Love's arrow at me. Thank you in advance for forgoing this dance.

Sincerely,
Mr. Oso Lonely
mark jarrad Jun 2015
Hey Cupid are you Stupid ?
I wanted someone nice !
Not someone cold , to have and hold
Not someone made of ice !!

Hey Cupid ...f@kin Stupid !!!
Your'e not really qualified
To find a girl that's right for me ?
In fact you f
@kin lied !!!
You done me up a bad one
She's crazy !!...yes it's true
But i'm gonna get some justice done
And fix her up with you !!!
Day Jan 2014
We were painted faces
on the memorial of
hearts, that were
crushed to rocky
shambles.

Innocent and alive
and infactuated
with the chase
and the thought of being
in love.

There was no regard for
forgotten lovers or
broken-winged doves
because, with your face in mine,
we only saw each other.

We were the sweetest
taste
in the darkest
brew,
drunk and young
and impressionable and
dependant.
We were the bullets
shot from the
same barrel,
whose handler's name was
Cupid,
and whose imprit read
'Love'.

I am the one who
hit the ground
first.
One day, a decade ago, I came home from school,
And instead of starting my homework,
I showed my grandmother the picture I drew,
And my grandmother Edna said to me,
"Bran, you have one big imagination."
I grinned and shrugged, replying
"Sorry Grandma, I can't help it"

She knows who she is....
And I think everyone knows where I'm coming from...


Like all naive lovers, I imagined a happily ever after,
But Aphrodite discovered that i'm a functional disaster
Sort of like what happened when Wendy met Casper?
Silly, I know,
Well at least I tried to capture a little laughter.

I imagine her name as the name of a virtuoso band.
I listen enthusiastically to the band play,
"Eat your heart out, eat your heart out."
Yes, she's a band-aid.

I've imagined attending the salmon church with her,
Even though I don't believe.
Still I would do that for my Desdemona,
"I will deny thee nothing."

I imagined us getting married at an altar,
The honeymoon would be on the moon weeping honey.
Three years later, we have Harmony, our daughter.

My imagination is wild,
Maybe it's too far out there,
Where the wild things are.

Isn't it true that before you make something happen
You have to imagine it happening first?
Something like a self-fulfilled prophecy,

In time we'll see.

One day I came home from Mount Olympus,
And instead of professing agape,
I showed Cupid this poem I wrote,
And Cupid said to me, "You have one wild imagination."
I shrugged, replying, " I can't help it."
Cupid smiled and said, "You have a romantic one also."

Originally written 5/17/11
Revised 10/24/14

(c) 2014 Brandon Antonio Smith
Styles May 2014
You show me unconditional love,
I will show you unbearable pain.
Every body thinking its a game,
In all reality; its such a shame,
Broken hearts; what's the gain?
Love is Love we are all the same.
Thanks to Cupid; wish he had better aim.
Guess I have my self to blame
A illuminating sparkle in the air,
Oh ! the looks that show all the care.
the rhythmic beats of the Heart,Speaking the language of love, like a work of art.

The power of love, the touch so tender,
Oh ! Being in love is a emotional blender.
A moment's chuckle, a moment's sneer,
there is nothing to lose or fear.

Captivated with mystic beauty around, piercing the arrows through the heart
Cupid stuck me off the ground !

© Mrunalini.D.Nimbalkar
Love stories #cupid # emotion#25.02.2019
Terry Jordan Oct 2015
Facing an empty nest
my son said don't be stupid
use your apple laptop
to go on ok cupid

So i struggled with my profile
uploaded a picture or two
then waited for my soulmate
while stalkers came to view

One said he disliked people
the next, just casual ***...
seeking christy brinkley's
firmed up **** & pecs

Once i was a **** buddy
i swear i never knew it
until he said "meet melody"
that's how i learned i blew it

I'm not greedy, not too needy
so i'll say this right out loud
when it comes to playful ***...
for me 3 is a crowd!

Should i call on carrie bradshaw?
to explain *** in the city?
when samantha found her mr. wright
it ended not so pretty

Once a young man pursued me mightily
with passionate hysteria
until he asked for plane fare
to fly him from nigeria

Who IS that who winked at me?
what does it really mean
a sea of faces scrolling down
a modern mating machine

I digress, most do agree
that our lives flow like a river
but wait...what do i see?
my dream man in my quiver?
True story-a lesson learned!
Dylan Jones Aug 2017
Cupid hit me, cupid hit me with precision, eye
Wonder if you look both ways
When you cross my mind
Lay down with me,
Wrap me in your arm,
Hold me tight,
Protect me from all harm.

Replace my pillow with your chest,
Your heartbeat begins to accelerate.
Reminding me of my feelings,
I received on our first date.

Looking up into your eyes,
Yours locking on mine.
You kiss my forehead.
And I float up onto cloud nine.

You say I’m beautiful,
I say I’ve fallen,
But you’ve already caught me,
Laid my heart out, now it’s stolen.

Came to my rescue,
Saved me from any other guy.
Played my superman,
Helped me learn to fly.

Gently taking my face in your hands,
Placing upon my lips a kiss,
My heart skips a beat,
You’re just too hard to resist.

Wasn’t even looking,
When I stumbled upon your frame.
Falling in love,
And Cupid, you’re to blame.
PoserPersona Jun 2018
Garments stripped from worn bones and weary mind
Feet dragged on tile; hands grasp plastic veil
Stepping into a tub; near swoon divine
A pure, naked self emancipation,
before the squeaking running metalware  
that erases the daily equation.
Dancing, singing tunes of own devices:
Cupid, Shooting Star, Sister Golden Hair
Rocky Mountain High, American Pie
****** bosses gonna kiss ***** here
Astronauts, cowboys, and rockstars meet here
Best yet, the individual is here

Although merely hidden by a curtain,
all for your view is but a damp shadow.
The Forest May 2013
picky
teaser
lota
pizza
flamingo
burnin'
gerhkin
wordin'
processi­ng
pro
gramme
lots
a
purple
tan
tanging
tongue
tear
stupid
deer
c­roissant
croissant
croissant


(are you here?)

rich
and
faming
silly
daydream
little
cupid
castle
cooped­
chicken
kickin'
malicious
software

(are we there?)

yet
cooky
suki
mikky
mopy
skiing
slopy
tear
out
control
­shout
doubt
pout
trouble
double
choc
tim
tam
ginge
sortafairy
tai­l
of
a
bat
rat
smack


(should we pack?)

and
CRACK
goes
ankle
blowing
soccer
flowin'
talk
tak
no
s­illy
silly
silly

all these
years

(should I be crying these tears?)


hello
again
a
pen?
why
thanks
some
lunch
punch
crunch
an
ankle
swollen­
ready
all

flail
fall


(?)
Lucky Queue Feb 2013
Cupid's known as the love god
(Eros in the greek)
Shooting arrows of attraction
Towards those unwary
Arrows tipped with a love potion
Laced with aphrodisiac
Feathered with rose petals
Bow strung with rainbows
And infused with sweetness
These are the tools of his trade
Or so they tell us

But I like to think differently
Maybe he's a mischievious deity
Arrows tipped with complexity
Laced with anxiety
Feathered with the red of blushes
Bow strung with false courage
And infused with unsure passions
Maybe these are also his tools
Perhaps a mix of the two?

I think the gods get a little too bored
So they play with our lives
Like a child with a nest of ants
I'm not really sure how this poem came from this title idea...
I've given up the desire to make you
mine
I'll try to just be
fine
It's time for me to play the cupid
I've had enough looking so stupid

I guess it'll be alright
If it means I'll see you smile so bright
Watched a new series anime and got an inspiration from that... :)
As the heat breaks drops of sweat,
Fumes collide and combine to their fullest,
You run your lips all over my warm skin so wet,
That was when the stars flew to the heights of the highest,

I spread your legs amidst the robe,
Amidst the warmth of burning fire,
We make love to eachother as a new form of hope,
Arises throughout the sensual desires,

That is when I crave for your skin to hold mine,
As you take over my mind,
Your skin stings of cupid's power,
And with that power i was always dewowered...
Haley Valentine Feb 2011
Shot and bleeding I was found lying on the pavement
As I watched his ****** footprints walk away
Pinned to the ground by Cupid's deadly arrow
Blood pooling faster with every breath

I laid in this state for quite a while
Swollen eyes searching, ****** hands grasping
For a heart that was not bleeding
For a hand that was not shaking

Quietly you laid down beside me
Pointed to the worn arrow in your chest
Your eyes searched for a way to save me
My eyes cast shadows of doubt

It must have been when I looked away
My backstabbing hands took out your knife
Or your idealistic hands painted over the wound
And suddenly you were healed

I looked down to my own arrow
Irregularly spitting blood, still throbbing
And let out a sigh of self pity
Why could I fix him, and not he me?

As I realized a heart too battered
Incapable and not ready to love
Fluttered weakly in my chest
I reached again for my bow and quiver

With tearful eyes you watched me get to my feet
Lined up in my sights, you whispered "Why?"
I closed my eyes, let out the arrow and a sigh
And heard you fall

Clutching my bleeding heart, I walked away
Tried not to hear you gasp and call my name
My ****** footprints left you behind
And I let the cycle begin again
Written 5/4/2009
Kaycee33 Aug 2012
Colonial mansion, in an ocean of grass,
windows aglow as I walk past.
funeral service now used of verandah,
but I hear music, not mournful stanza.
french doors open to a reminisce,
with boyhood heart, of vitreous.

Footfalls on parquet floors,
tux and gown past crown moulded doors.
captured ambiance of a setting sun,
shown from chandeliers highly hung,
day I was born, born the day of prom,
I smiled cordially, and my date fawned.

Girls betrothed by corsage on wrist,
rare french curls--a lunar eclipse.
bedraggled boys now dapper and genteel,
vest and bow-tie, a knightly feel.
chapperesses smiling at maidenly gait,
happy drowse in  mansion estate.

Cuff-links, silk gloves, nail polish of gloss,
beheld tonics and sweets, carefully aloft.
opening cord, an arrow from cupid's bow,
striking coquettes to their tippy toes.
they sprang to dance,I stepped back,
invisible in shadow with tux of black.

Shoulders, lake ripples easing to shore,
hips, gentle waves, right before they pour.
boys stiff, as if waists beheld sabers,
legs, sweeping brooms of on shore waiters.
"your too handsome to stay here unseen,"
said rivaling chaperess, past semblance of queen.

"You should dance ,"said glittered lips of pink,
bent like sparrow wings, during teacup drink.
privy to why in shadow I hid my blush,
her class my crush, that crushed me so much.

She strained me, even the shadows she gave,
black silk, stretching,--convex and concave.
crude metal and wood classroom seat,
clasped her waist of slender physique.
she was guarded by a window in curtain mail,
and tended to by servants of light and gale.
light loved her skin of Mediterranean sand,
and wind enthralled by each and every brown strand.

Light penetrated strands, blondly hot,
wind would blow, cooling pony tail off.
her shadow curtsied under my desk,
long legs danced in irritableness.
mourning class is abuzz with scent of prom,
flower not frost, rules the school's dawn.

I gave my consent, to an earlier invite,
then on, suitor blinded me with light.
and Great Gatsy, and looming prom night,
subjects of sparrow wings pressed tight.
" show of hands, who do not have a date?"
slender wrist arises, from an arm curvate.

alone, she shown that no one asked her,
this stone of Rome amongst boys of plaster.
hand fell with boy of teachers match,
wind shrouded her,from the window sash
rays gave discomfort,to gaze her way,
but I looked through burning ray--

To see a trace of a tear,in eyes ovate,
a goddess unsought, with sadful face.
I, poor, fatherless, could not possibly go,
to prom with princess of arched portico?
I could not interweave my hands to dance,
or know where I could place my glance.

Wind blew a scrap from her desk, indiscreet,
it was pierced by light at my feet.
"will" and "with" were dotted with a heart,
"prom" and "me" before most painful part.
my name in her beautiful free hand,
the color red from hearts inkstand.

(Class bell rings) I travel over star lit lawn,
the music gets louder as I return to prom,
eyes turn to cotton, in shadow as I ponder,
as pain was forgotten, I came upon her.
invisible hands, lifted my chin to a red shape,
our eyes met, her's smiling, mine agape.

Only a glass-maker could imagine my sight,
seeing hot curves form in dance floor light.
only a wax-wing could have rivaled her eyes,
waves gently broke to gown down her thighs.
"will you dance with me,"she softly entreated,
" I don't know how,"a coward repeated.

A princess which tournaments were held,
for which every timber of mansion were felled.
not for Rome the mansion's Corinthian column--
--for her--from quarry prom did befall them.
I could not tarnish this feminine form,
with my lineage in crown she adorned.

I turned from beauty, to dark acres tread,
under willow, I play the last thing she said--
my name--as I shunned from last chance,
now back under willow, cane marks my stance.
I have preserved her forever, shying fate,
even if it was with my own heart-break.

I still see her--in the most beautiful prom poses--
--still--as lights flicker out and a coffin closes.
Logan Robertson Apr 2017
My little deer
Is that you
peeking between the trees
peering at the stag
but your heart's
still not at ease
... time ago
a short time
a stray cupid's arrow
shot the night air
splitting your spirit in two
frightened you took off
from the foreboding
hiding in a lea
there was sun
and cloudless skies
but not really
as your insides
raged
in a storm
in a hourglass
with sand pebbles fighting
to heal
for the best
now as you peer
between the trees
of salvation
do you hear
birds singing near a brook
... songs sung
so beautiful
in concerto
with the chipmunks, *****, crickets
then, as you take
that step forward
so lion hearted
peering
between those
branches
of redemption
my little deer
are there rays
of sunshine
peeking back

LR-4/23/17
This poem I write with passion, mainly because the deer personifies all the women in my life that walked away.
zebra Apr 2017
"Claim me,"
she whispers in a plea
"claim my soul as I wilt"
Crimson lips parted,
head thrown back
in ecstatic ache
jugular bared
she needs to feel
that sharp -edged love,
skin and barriers broken
as she melts into
the underworld
of a new grace
a magenta cry into
the inky sky
sacred silence penetrated
as only gasps are heard
milky ******* decorated
with red liquid ribbon,
his nourishment,
her demise
******* pierced with
beads of her sunset life flow
as he ***** and bites...
and howling
into heaven's delicious gate,
she writhes
Her soul dissolving
into his night
and as his spirit
absorbs her vermilion soul
their power rises,
black as coal
…………….
your lips
stick black  
sanguine smile
tremulous murmurs
oh happy blood blossom of deaths surrender
sacrificial lamb
cats sparrow entranced
thighs on fire
sobbing from a thousand needled kisses
******* tearing blood
each wound a weeping mouth licking
milky white alter of cold stone
saturated alizarin rust
legs wide
feet and ******* trussed
in chains and drenched rags
for cruelties arrow
o crimson queen,
pomegranate half eaten
mouth smudge black
agape
snake tongue dancing
through cherry lips twisted
darkened eyes of fire and blood
a wash in devils incense
beloved veiled
in evils cradle
bind not the demons kiss
then face down my love upon the crypt of mist
black heavens gate
pupa
vampires bate
a blood moon shaking
a scourge you are now
goddess of pleasures wretched
in the Tuileries of the abyss
consort
your every piercing fang
duck tail ****
a boiling cauldron
desire
spills out

dark cupid witch
legs tied to throat
devil ***** twitch
******* in a mote
ive got the itch
feet scorched in rope
hot ******* *****
hells dark pope

vampiress *****
dark girl feeding
the sun is no more
loves the bleeding
****** horror
RAJ NANDY Jun 2016
Dear Friends, I had composed this poem in 2008 after reading an
article by a Lady Doctor who was a Biologist, and had initially posted it on 'Poemhunter.com'. Hope you will like it! Thanks, - Raj

PHYSICS AND CHEMISTRY OF LOVE !
Love’s physics and chemistry, has forever
remained a mystery!
There are no permanent equations to resolve,
Love's unseen wave like force!
It travels through three dimensional space,
At frequencies higher than electromagnetic
waves!
It remains unhindered by barriers of cast, creed,
or clime,
Giving two beating hearts a feel of the divine!
It generates a magnetic force field, making
two hearts in unison beat!
Yet Biologists claim that a chemical called
(PEA) Phenylethylamine, -
Triggers loves molecules in the human mind!
Chocolates are rich in this PEA content they say,
And is a perfect gift on the Valentine’s Day!
The chemical Dopamine makes the lovers to
glow and feel fine,
When they live on love and fresh air and may
even forget to dine!
While Norepinephrine, which stimulates our
adrenaline production,
Makes the lovers world go round in a joyous
motion!
But Oxytoxin that 'cuddling chemical',  requires
constant contact for its effects to prevail!
Cupid’s arrows may be dipped in its pail,
Before those arrows on lovers begin to hail!
Creating unbearable attraction leading to infatuation,
Making two hearts beat as one with love’s magic
potion!
But such feelings remain for a limited duration,
Varying with people with different emotions!
In a 'mercurial type' loves ecstasy gets mixed, -
And they frequently require a PEA fix!
But those who stick to a single mate,
Are said to be rich in Vasopressin content!
And finally when infatuation gradually subsides,
Chemicals triggered by Endorphine slowly overtakes,
When calmness and stability with loving bond
prevails!
This Endorphine is reputed to be rather addictive,
And firmly binds those forces released by PEA, -
which are rather seductive!
(All Copyrights with Raj Nandy of New Delhi)
The chemicals mentioned in the poem have been verified by Medical Science.
Susan O'Reilly Apr 2013
Cupid’s arrow snook up on me

darted my heart gleefully

he could have given a part-time thrill

but no he went for the ****

pierced me for eternity

paved the path for matrimony

I’d love to give him a big kiss

and hope your heart he hasn’t missed
Michael R Burch Feb 2020
Athena takes me
sometimes by the hand

and we go levitating
through strange Dreamlands

where Apollo sleeps
in his dark forgetting

and Passion seems
like a wise bloodletting

and all I remember
,upon awaking,

is: to Love sometimes
is like forsaking

one’s Being—to drift
heroically beyond thought,

forsaking the here
for the There and the Not.



O, finally to Burn,
gravity beyond escaping!

To plummet is Bliss
when the blisters breaking

rain down red scabs
on the earth’s mudpuddle ...

Feathers and wax
and the watchers huddle ...

Flocculent sheep,
O, and innocent lambs!,

I will rock me to sleep
on the waves’ iambs.



To Sleep, that is Bliss
in Love’s recursive Dream,

for the Night has Wings
pallid as moonbeams—

they will flit me to Life;
like a huge-eyed Phoenix

fluttering off
to quarry the Sphinx.



Riddlemethis,
riddlemethat,

Rynosseross,
throw out the Welcome Mat.

Quixotic, I seek Love
amid the tarnished

rusted-out steel
when to live is varnish.

To Dream—that’s the thing!
Aye, that Genie I’ll rub,

soak by the candle,
aflame in the tub.



Riddlemethis,
riddlemethat,

Rynosseross,
throw out the Welcome Mat.

Somewhither, somewhither
aglitter and strange,

we must moult off all knowledge
or perish caged.

*

I am reconciled to Life
somewhere beyond thought—

I’ll Live in the There,
I’ll Dream of the Naught.

Methinks it no journey;
to tarry’s a waste,

so fatten the oxen;
make a nice baste.

I’m coming, Fool Tom,
we have Somewhere to Go,

though we injure noone,
ourselves wildaglow.

This odd poem invokes and merges with the anonymous medieval poem “Tom O’Bedlam” and W. H. Auden’s modernist poem “Musee des Beaux Arts,” which in turn refers to Pieter Breughel’s painting “The Fall of Icarus.” In the first stanza Icarus levitates with the help of Athena, the goddess of wisdom, through “strange dreamlands” while Apollo, the sun god, lies sleeping at night. In the second stanza, Apollo predictably wakes up and Icarus plummets to earth, or back to mundane reality, as in Breughel’s painting and Auden’s poem. In the third stanza the grounded Icarus can still fly, but only in flights of imagination through dreams of love. In the fourth and fifth stanzas Icarus joins Tom Rynosseross of the Bedlam poem in embracing madness by deserting “knowledge” and its cages (ivory towers, learning, etc.). In the final stanza Icarus, the former high flier, agrees with Tom that it is “no journey” to wherever they’re going together and also agrees with Tom that they will injure no one on the way, no matter how intensely they glow and radiate.

Keywords/Tags: Icarus, Tom O’Bedlam, bedlam, bedlamite, beggar, mad song, Apollo, welkin, Rynosseros, limerick meter, ballad, hag, goblin, maudlin, chains, whips, dame, maid, afraid, dotage, conquest, cupid, owl, marrow, drake, crow, gypsies, Snap, Pedro, comradoes, punk, cutpurse, panther, fancies, commander, spear, horse, wilderness, knight, tourney, world’s end, journey, Phoenix, Sphinx, Genie, Don Quixote, Quixote, quixotic, cage, prison, glitter, strange, molt, knowledge, oxen, baste, Auden, Musee des Beaux Arts, Breughel, Fall of Icarus
Kayla Kaml May 2013
Arrow enters flesh
piercing, and then lodging
refusing to pass through
refusing to flee the crime scene
and because of its loitering
the holes created are also plugged
and its presence is not noted.
Then the hunter, catching up to the victim
grabs hold of the arrow
and pulls
the poor beast screams in pain
as blood flows from the now apparent wound.
The hunter speaks soothing words, holding out a hand
but the creature turns heel and flees
angry at the arrow
angry at the hunter
'tis a vain flight
behind it lies a brilliant trail of blood
and the hunter pursues.
Ah Cupid! Relinquish your quarry
and end your cruel prusuit
allow the red flow to ebb and cease
permit the scabs to turn to scars
and the animal to live on.
Julie Grenness Sep 2019
Here is my famous recipe,
Ingredients for love, you see,
You need to slake your thirst,
Here are the elements: First,
Bring your patience kind,
Sense of humor springs to mind,
Laugh together through the years,
Sometimes there are days of tears,
But Cupid ever strings his bow,
Healing hands on his arrow,
Yes, this is Cupid's recipe,
Naughty little chap is he!
Feedback welcome.
Rowan Carrick Feb 2011
Cupid’s ***** must be candy hearts and colored cards
His rough night must end in heaving twisted over the toilet bowl, boxes of chocolates and caramels dumping into its porcelain chamber
Naked, he probably limps into his canopied room
Pulling shut the purple curtains, climbing heavily into his bed of roses
Head throbbing, beautiful blonde curls drenched in sweat
Waking up soaked in fallen tears; flower petals
Chaos first was a primordial deity.

And I'm Ralph Wiggum on Valentine's Day.
Even if every girl in class gave me a card.
I still go home feeling less like Romeo.
Lying awake trying to make sense of
why their sugar just didn't taste so sweet .

Lying in bed like a nebula
waiting for all my stars to form.

Chaos
--the nothingness from which all else sprang
headfirst and heartfelt,
half-naked and handsome,
hook, line, and
halibut.

All of this.
Every measurable aspect of
every particle that makes up
every object set forth in motion
sprang from a void so harmoniously
as if the absence of everything was kissed
sudden
by the presence of something.

Often depicted with wings,
a bow, and a quiver of arrows--
Cupid
son of Venus--goddess of love
son of Mercury--god of trade
his story
almost identical in Greek and Roman
mythology.
His story about a couple of gods
so inherently human by nature
jolted by jealousy
dumbstruck by beauty
hellbent on immortality.

His story has been hallmarked
as red hot velvet rose petal fine wine
and symmetrical hearts
wrapped in tin foil red ribbons
bitter-sweetly sugarcoated
dipped in thin layer of chocolate
taste-tested and lover approved.

Remember that scene in Hook
where Tinkerbell leaves her footprints on Peter's chest?
Well that's you and that's me--
touch me where my heart beats
because I don't ever wanna be a lost boy.
I wanna grow up like a good bedtime story
with morals
and purpose.
I wanna have meaning.

You might say that Cupid found himself.
You might say that Psyche found her soul.
You might say that Tinkerbell was just faking it--
with the clapping.
Truth is
we can never know the whole story.
Problem is
we think we can
and act like we do.
So the only time we mean what we say
is the first time we say it.
Every utterance thereafter is just an attempt
at recreation.

I love you
is a paraphrase
that deserves three separate ellipses
because there's a lot left unsaid.

I (distinctively remember shadow-boxing with)
love (against a star-dotted sky anchored to a
moonlight so vibrant it can only be compared to)
you (and your tidal waves).

And that's where I fell
headfirst and handsome.

I (was punched-drunk by a kiss so breathless
that it spiked my dopamine to a volume
that can only be described as) love
(in that every time my nerve endings feel) you
(they spin themselves dizzy and dance to your science).

There was a moment
in the absence of everything
when I was kissed silent
by the presence of something.

Hold me to your breastplate.

I don't ever wanna go back to the void.



[2/09/10 - Revised 2/14/14]
Connie Buchan Oct 2013
You came along all bathed in light
Loaded bow with which to smite
Your aim was true, I took the pierce
I fell but hard and landed fierce.

The love you sent was welcomed free
By my treasured and by me.
We soon were joined, two hearts as one
Only to have it all undone.

You changed your haloed ring of gold
To a jester's crown, I am now told.
Far are we from wedded bliss
I remember not the last time we kissed.

Your dart was true, now the poison gone
For now I stand here all alone.
But if I knew then what I know by now
Would I have killed this sacred cow?

I would not have flinched or walked away.
I could not have dodged your hit that day.
I would not stand the one I am
But another's life I'd live a sham.

One cannot say what holds the heart
But to take a chance for love to start
Is the greatest gift known to man
And for that I'll gladly take my stand.

A chance to love and find your heart
To have it struck by Cupid's dart.
To risk a chance to be made a fool
Is all to real and all so cruel.

But to have life soar to endless bounds
That is why we take the rounds.
For to be one's love for ever more
That would end life's final score.
Casey Dec 2013
The spark is back
Or is that in my head
You'll always be that temptation
There always be that hope

The arrow broke
Did it leave a piece behind
Is there still love in my blood
Am I the only one hit.
Did the arrow miss you

******* cupid the god of love
Is that hard to aim from above
Do you plan the out comes
Or do you just know that no matter what
You'll be stuck with that thought

What if
What now
How.
Where do we go
Who will we be
Will we be if so forever?
catashtrophe Jun 2014
Someone spontaneous
2. Someone who can read my smiles
3. Someone who will laugh at my indecisiveness
4. Someone who knows the difference between 'then' and 'than'
5. Someone who will hold me tight without holding me back
6. Someone whose soul, if converted into writing, would read 'humanity'
7. Someone whose laugh sounds like the echoes of smitten giggles between mountains
8. Someone who tastes like drinking wine while the sun is going down and the moon is coming up
8. Are those stars burning through my couch or are those your eyes?
8. Did I drink too much wine?
8. "There's no such thing as 'too much wine', darling"
9. Someone to love with a soul set on fire
10. (Cupid, please don't ***** this up)
Tommy Johnson Apr 2014
Winnie the Pooh is trying to think
As are Plato and Socrates
While The Little Rascals get rambunctious
And The Marx Brothers cause calamities
Jim Jones stirs the Kool-Aid
And Georgie Porgie makes his move
Bo Peep and Miss Muffett start to blush
Red Ridding hood just swoons
The Muffin Man does a deal
With Johnny Apple seed
These beings and people our real
In our Surreal Reality

******* lets the paint splatter
And Moses parts the sea
Belushi buys an eight-ball
Bruce is on trial for obscenity
Rorschach is on the case
Right behind Sherlock Holmes
John the baptist goes for a swim
Along with Brian Jones
Jack and Jill meet Hansel and Gretel
They're hungry, they're thirsty
These figments of imagination do exist
In our Surreal Reality

Rasputin was so evil
As bad as Captain Hook
Now was it ** Chi Minh or Nixon
Who said "I am not a crook?"
Mao Zedong looked at Stalin
With a shared murderous grin
Booth stormed the Ford theater
And shot President Lincoln
Kennedy and King we're both casualties
Of the process of the deciphering
Of our Surreal  Reality

Zeus said to Aphrodite
"Wow, you look real good tonight"
And Handel says "Hallelujah!"
As the Wright Brothers take flight
Baby Face Nelson
Teams up with Dillinger
Moe, Larry and Curly
Mengele, Mussolini and Adolf ******
Three bears, three little pigs
Along with three blind mice
Sit together, while Maurice Sendack
Cooks them chicken soup with rice
Charlie Bucket had a buy out
Wonka gave up his factory
Fiction or nonfiction it's all a apart
Of our Surreal Reality

Chicken Little tried his best
To warm The Little Red Hen
Of the sly trickster
They call Rumpelstiltskin
Rimbaud applauds Leonidas
And his 300's final stand
Da vinci  paved the way
For both Newton and Edison
Folklore and war heroes
And those with intellectual mentality
Are all just pieces
Of our Surreal Reality

Wee Willie Winkie's scream
Wakes up Rip Van Winkle
But not Sleeping Beauty who's been asleep for thirty years
But has no acquired a single wrinkle
Caligula has lost his mind
And Nero's lost his fiddle
What does Beethoven's hearing aid
Have to do the March Hare's riddle?
Abbie Hoffman fights for civil rights
Thomas Jefferson for democracy
Products of the conceptual
In our Surreal Reality

Berryman writes an ode
To Washington's wooden teeth
Manson speaks of Helter Skelter
Neruda damns the fruit company
Charles Schultz frames the story
And Seuss gives it rhyme
Some where far, far away
Taking place once upon a time
And the villagers all had omelettes
Thanks to clumsy Humpty Dumpty
It's all food for thought
In our Surreal Reality

Santa brings us presents
And Cupid bring us love
But we can never get back
The members of the 27 Club
Warhol makes his movies
And Buddha meditates
Joseph Smith reads the golden plates
Mohammed and Jesus save
Theses figures bring people hope
In life's dualities
Trusting faith
And our Surreal Reality


Han Solo is in carbon freeze
Don Juan's preoccupied
Sinbad sets his sails
Simple Simon didn't get his pie
Caesar looked at Brutus
Brutus looked at Saddam Hussein
Hussein looked at L. Ron Hubbard
Who prayed to Eloheim  
Dionysus can out drink us all
We cringe at Achilles fatality  
As Ra soars through the skies
Of our Surreal Reality

Aristotle says to Shakespeare
"Well Billy you old bard"
Frodo trades the ring of power
To Fidel Castro for a Babe Ruth Baseball card
Biggie and Tupac write their lyrics on paper
Ted Bundy is put in jail
They're making another skyscraper
For King Kong to scale
Hemingway is too far gone
Kant's take on morality
Einstein says it's all relative
In our Surreal Reality

Churchill said victory
John Lennon said peace
Judas gave back the silver
Then hung himself in a tree
Tojo and Kim Jong-il
Wanna be as cool as Brando and Dean
George Carlin warned us all
Now Hermes leaves the scene
So do the butcher, the baker and the candle stick maker
Followed by Old King Cole and his Fiddlers Three
As they make their way to find
A sense or Surreal Reality

Odysseus pines for Ithaca
Paul Bunyan chops the trees
The Jersey Devil has not been found
Noah herds the animals by twos not threes
Anubis wraps the mummies
And Augustus leads Rome
Bugs Bunny laughs with Pryor
All at the expense of Job
So what can we all make of this
Is this all actuality?
Symbolism or nonsense?
Realistic Surrealism or Surreal Realty?
Emily Madeira Aug 2010
Strong, young and stupid
I got hit by Cupid
A boy of a small physique
His eyes were so unique
Led down a drunken path
The love and kisses could never last
I tried to slip under the spell
Turned out to be a gift from hell
A boy so cute and so sweet
I wish we didn't ever meet
martin Jun 2012
Cupid puts his arrows
     like his targets
       in a quiver
Michael R Burch Apr 2020
Enheduanna, the daughter of the famous King Sargon the Great of Akkad, is the first ancient writer whose name remains known today. Her bio appears after her poems, and it is a fascinating bio...



Temple Hymn 42: an Excerpt

to the Eresh Temple of Nisaba
by Enheduanna (circa 2285-2250 BCE)
loose translation/interpretation by Michael R. Burch

O, house of brilliant stars
bright with lapis stones,
you illuminate all lands!

...

The person who put this tablet together
is Enheduanna.
My king: something never created before,
did she not give birth to it?



Temple Hymn 15
to the Gishbanda Temple of Ningishzida
by Enheduanna
loose translation by Michael R. Burch

Most ancient and terrible shrine,
set deep in the mountain,
dark like a mother's womb...

Dark shrine,
like a mother's wounded breast,
blood-red and terrifying...

Though approaching through a safe-seeming field,
our hair stands on end as we near you!

Gishbanda,
like a neck-stock,
like a fine-eyed fish net,
like a foot-shackled prisoner's manacles...
your ramparts are massive,
like a trap!

But once we’re inside,
as the sun rises,
you yield widespread abundance!

Your prince
is the pure-handed priest of Inanna, heaven's Holy One,
Lord Ningishzida!

Oh, see how his thick, lustrous hair
cascades down his back!

Oh Gishbanda,
he has built this beautiful temple to house your radiance!
He has placed his throne upon your dais!



Temple Hymn 7: an Excerpt
to the Kesh Temple of Ninhursag
by Enheduanna
loose translation by Michael R. Burch

O, high-situated Kesh,
form-shifting summit,
inspiring fear like a venomous viper!

O, Lady of the Mountains,
Ninhursag’s house was constructed on a terrifying site!

O, Kesh, like holy Aratta: your womb dark and deep,
your walls high-towering and imposing!

O, great lion of the wildlands stalking the high plains!...



Temple Hymn 17: an Excerpt
to the Badtibira Temple of Dumuzi
by Enheduanna
loose translation by Michael R. Burch

O, house of jeweled lapis illuminating the radiant bed
in the peace-inducing palace of our Lady of the Steppe!



Temple Hymn 22: an Excerpt
to the Sirara Temple of Nanshe
by Enheduanna
loose translation by Michael R. Burch

O, house, you wild cow!
Made to conjure signs of the Divine!
You arise, beautiful to behold,
bedecked for your Mistress!



Temple Hymn 26: an Excerpt
to the Zabalam Temple of Inanna
by Enheduanna
loose translation by Michael R. Burch

O house illuminated by beams of bright light,
dressed in shimmering stone jewels,
awakening the world to awe!



Temple Hymn 42: an Excerpt
to the Eresh Temple of Nisaba
by Enheduanna
loose translation by Michael R. Burch

O, house of brilliant stars
bright with lapis stones,
you illuminate all lands!

...

The person who put this tablet together
is Enheduanna.
My king: something never created before,
did she not give birth to it?



Lament to the Spirit of War
by Enheduanna (circa 2285-2250 BCE)
loose translation/interpretation by Michael R. Burch

You hack down everything you see, War God!

Rising on fearsome wings
you rush to destroy our land:
raging like thunderstorms,
howling like hurricanes,
screaming like tempests,
thundering, raging, ranting, drumming,
whiplashing whirlwinds!

Men falter at your approaching footsteps.

Tortured dirges scream on your lyre of despair.

Like a fiery Salamander you poison the land:
growling over the earth like thunder,
vegetation collapsing before you,
blood gushing down mountainsides.

Spirit of hatred, greed and vengeance!

******* of heaven and earth!

Your ferocious fire consumes our land.

Whipping your stallion
with furious commands,
you impose our fates.

You triumph over all human rites and prayers.

Who can explain your tirade,
why you carry on so?



The Exaltation of Inanna: Opening Lines and Excerpts
by Enheduanna, the daughter of Sargon I of Akkad and the high priestess of the Goddess Inanna
loose translation/interpretation by Michael R. Burch

Lady of all divine powers!
Lady of the resplendent light!
Righteous Lady adorned in heavenly radiance!

Beloved Lady of An and Uraš!
Hierodule of An, sun-adorned and bejeweled!
Heaven’s Mistress with the holy diadem,
Who loves the beautiful headdress befitting the office of her own high priestess!

Powerful Mistress, seizer of the seven divine powers!
My Heavenly Lady, guardian of the seven divine powers!
You have seized the seven divine powers!
You hold the divine powers in your hand!
You have gathered together the seven divine powers!
You have clasped the divine powers to your breast!

You have flooded the valleys with venom, like a viper;
all vegetation vanishes when you thunder like Iškur!
You have caused the mountains to flood the valleys!
When you roar like that, nothing on earth can withstand you!

Like a flood descending on floodplains, O Powerful One, you will teach foreigners to fear Inanna!

You have given wings to the storm, O Beloved of Enlil!
The storms do your bidding, blasting the unbelievers!

Foreign cities cower at the chaos You cause!
Entire countries cower in dread of Your deadly South Wind!
Men cower before you in their anguished implications,
raising their pitiful outcries,
weeping and wailing, beseeching Your benevolence with many wild lamentations!

But in the van of battle, everything falls before You, O Mighty Queen!

My Queen,
You are all-conquering, all-devouring!
You continue Your attacks like relentless storms!
You howl louder than the howling storms!
You thunder louder than Iškur!
You moan louder than the mournful winds!
Your feet never tire from trampling Your enemies!
You produce much wailing on the lyres of lamentations!

My Queen,
all the Anunna, the mightiest Gods,
fled before Your approach like fluttering bats!
They could not stand in Your awesome Presence
nor behold Your awesome Visage!

Who can soothe Your infuriated heart?
Your baleful heart is beyond being soothed!

Uncontrollable Wild Cow, elder daughter of Sin,
O Majestic Queen, greater than An,
who has ever paid You enough homage?

O Life-Giving Goddess, possessor of all powers,
Inanna the Exalted!

Merciful, Live-Giving Mother!
Inanna, the Radiant of Heart!
I have exalted You in accordance with Your power!
I have bowed before You in my holy garb,
I the En, I Enheduanna!

Carrying my masab-basket, I once entered and uttered my joyous chants ...

But now I no longer dwell in Your sanctuary.
The sun rose and scorched me.
Night fell and the South Wind overwhelmed me.
My laughter was stilled and my honey-sweet voice grew strident.
My joy became dust.

O Sin, King of Heaven, how bitter my fate!

To An, I declared: An will deliver me!
I declared it to An: He will deliver me!

But now the kingship of heaven has been seized by Inanna,
at Whose feet the floodplains lie.

Inanna the Exalted,
who has made me tremble together with all Ur!

Stay Her anger, or let Her heart be soothed by my supplications!
I, Enheduanna will offer my supplications to Inanna,
my tears flowing like sweet intoxicants!
Yes, I will proffer my tears and my prayers to the Holy Inanna,
I will greet Her in peace ...

O My Queen, I have exalted You,
Who alone are worthy to be exalted!
O My Queen, Beloved of An,
I have laid out Your daises,
set fire to the coals,
conducted the rites,
prepared Your nuptial chamber.
Now may Your heart embrace me!

These are my innovations,
O Mighty Queen, that I made for You!
What I composed for You by the dark of night,
The cantor will chant by day.

Now Inanna’s heart has been restored,
and the day became favorable to Her.
Clothed in beauty, radiant with joy,
she carried herself like the elegant moonlight.

Now to the Noble Hierodule,
to the Wrecker of foreign lands
presented by An with the seven divine powers,
and to my Queen garbed in the radiance of heaven ...

O Inanna, praise!



Enheduanna, the daughter of the famous King Sargon the Great of Akkad, is the first ancient writer whose name remains known today. She appears to be the first named poet in human history and the first known author of prayers and hymns. Enheduanna, who lived circa 2285-2250 BCE, is also one of the first women we know by name. She was the entu (high priestess) of the goddess Inanna (Ishtar/Astarte/Aphrodite) and the moon god Nanna (Sin) in the Sumerian city-state of Ur. Enheduanna's composition Nin-me-šara ("The Exaltation of Inanna") details her expulsion from Ur, located in southern Iraq, along with her prayerful request to the goddess for reinstatement. Enheduanna also composed 42 liturgical hymns addressed to temples across Sumer and Akkad. And she was the first editor of a poetry anthology, hymnal or songbook. Now known as the Sumerian Temple Hymns, this was the first collection of its kind; indeed, Enheduanna so claimed at the end of the final hymn: "My king, something has been created that no one had created before." And poems and songs are still being assembled today via the model she established over 4,000 years ago! Enheduanna may also have been the first feminist, as she made Inanna the supreme deity. Keywords/Tags: Enheduanna, translation, Akkad, Sumer, Nanna, Inanna, Ur, Sumerian temple hymns, Gishbanda, Ningishzida



The Love Song Of Shu-Sin
(the earth's oldest love poem, Sumerian, circa 2,000 BC)
loose translation/interpretation by Michael R. Burch

Darling of my heart, my belovéd,
your enticements are sweet, far sweeter than honey.
Darling of my heart, my belovéd,
your enticements are sweet, far sweeter than honey.

You have captivated me; I stand trembling before you.
Darling, lead me swiftly into the bedroom!
You have captivated me; I stand trembling before you.
Darling, lead me swiftly into the bedroom!

Sweetheart, let me do the sweetest things to you!
My precocious caress is far sweeter than honey!
In the bedchamber, dripping love's honey,
let us enjoy life's sweetest thing.
Sweetheart, let me do the sweetest things to you!
My precocious caress is far sweeter than honey!

Bridegroom, you will have your pleasure with me!
Speak to my mother and she will reward you;
speak to my father and he will award you gifts.
I know how to give your body pleasure—
then sleep, my darling, till the sun rises.

To prove that you love me,
give me your caresses,
my Lord God, my guardian Angel and protector,
my Shu-Sin, who gladdens Enlil's heart,
give me your caresses!
My place like sticky honey, touch it with your hand!
Place your hand over it like a honey-*** lid!
Cup your hand over it like a honey cup!

This is a balbale-song of Inanna.

This may be earth's oldest love poem. It may have been written around 2000 BC, long before the Bible's "Song of Solomon, " which had been considered to be the oldest extant love poem by some experts. The poem was discovered when the archaeologist Austen Henry Layard began excavations at Kalhu in 1845, assisted by Hormuzd Rassam. Layard's account of the excavations, published in 1849 CE, was titled Nineveh and its Remains. Due to Nineveh's fame (from the Bible) , the book became a best seller. But it turned out that the excavated site was not Nineveh, after all, as Layard later discovered when he excavated the real Nineveh.

As a surrogate for Inanna, the bride's mother would be either Ninlil or possibly Ningal, both goddesses.

As a surrogate for Inanna, the bride's father would be either Enlil or possibly Suen, both gods.

Shu-Sin was a Mesopotamian king who ruled over the land of Sumer close to four thousand years ago. The poem seems to be part of a rite, probably performed each year, known as the "sacred marriage" or "divine marriage, " in which the king would symbolically marry the goddess Inanna, mate with her, and so ensure fertility and prosperity for the coming year. The king would accomplish this amazing feat by marrying and/or having *** with a priestess or votary of Inanna, the Sumerian goddess of love, fertility and war. Her Akkadian name was Istar/Ishtar, and she was also known as Astarte. Whichever her name, she was the most prominent Mesopotamian female goddess. Inanna's primary temple was the Eanna, located in Uruk. But there were many other temples dedicated to her worship. The high priestess would choose a young man who represented the shepherd Dumuzid, the consort of Inanna, in a hieros gamos or sacred marriage, celebrated during the annual Akitu (New Year)ceremony, at the spring Equinox. The name Inanna derives from the Sumerian words for "Lady of Heaven." She was associated with the lion-a symbol of power-and was frequently depicted standing on the backs of two lionesses. Her symbol was an eight-pointed star or a rosette. Like other female love and fertility goddesses, she was associated with the planet Venus. The Enlil mentioned was Inanna's father, the Sumerian storm god, who controlled the wind and rain. (According to some god/goddess genealogies, Enlil was her grandfather.)In an often-parched land, the rain god would be ultra-important, and it appears that one of the objects of the "divine marriage" was to please Enlil and encourage him to send rain rather than destructive storms! Enlil was similar to the Bible's Jehovah, in that he was the supreme deity, and sometimes sent rain and plenty, but at other times sent war and destruction. Certain passages of the Bible appear to have been "borrowed" by the ancient Hebrews from much older Sumerian texts such as the Epic of Gilgamesh. Such accounts include the creation myth, the Garden of Eden myth, and the myth of the Great Flood and a mankind-saving ark. However, the Hebrew scribes modified the accounts to suit their theology, so in the Bible there is only one "god" who controls everything, and thus behaves like an angel at times and like a demon at others. And that is understandable if one posits that one god controls the weather, since earth's weather is unpredictable and at times seems like a blessing and at other times like a curse.



Untitled Heresies: The ur Poems

& GAUD said, “Let there be LIGHT VERSE
to illuminate the ‘nature’ of my Curse!”
—michael r. burch

reverse the Curse
with LIGHT VERSE!
recant the cant
with an illuminating chant
,etc.
—michael r. burch

Can the darkness of Christianity with its “eternal hell” be repealed via humor? It’s time to recant the cant, please pardon the puns.

if ur GAUD
is good,
half the Bible
is libel.
—michael r. burch

Christianity replaces Santa Claus with Jesus, so swell,
and coal, ashes and soot with an “eternal hell.”
—Michael R. Burch



day eight of the Divine Plan
by michael r. burch

the earth’s a-stir
with a GAUDLY whirr...

the L(AWE)D’s been creatin’!

com(men)ce t’ matin’!

hatch lotsa babies
he’ll infect with rabies
then ban from college
for seekin’ knowledge
like curious eve!

dear chilluns, don’t grieve,
be(lie)ve the Deceiver!

(never ask why ur Cupid
wanted eve stupid,
animalistic, and naked.)

ah-men!

Keywords/Tags: Enheduanna, Poetess, Sumer, Sumerian, Akkad, Akkadian, Saragon, Ur, High Priestess, Hymn, Hymns, Hymnist, Psalm, Psalms, Psalmist, Prayer, Prayers, Lament, Lamentations, Goddess, Nanna, Inanna, Ishtar, Astarte, Aphrodite, Sauska, Ornament of Heaven, mrbtr, mrbtran, mrbhymn
GuiseOfALoner Aug 2015
If love is a crime
then the most heinous
is to play cupid
because these arrows
may offer dreams for two
but my suicide daily.

To be near you
at least feeds
my longing heart;
but to see you
'neath those stars
with someone
kills my very soul.
playing cupid that results into love triangle. unrequited love for someone who is impossible to get.
I listened to the rain
And its pitter patter refrain
On the roof top
From a feathered pillow
Below,
Comforted by cashmere,
Chopsticks, Chinese take-out
And the memories of love made
And discarded
Like the red, white and blue wrapping
On my favorite snack,
*******-jacks...

Memories stuck between
Lust and commitment
Unflossed;

Leaving cavities of remorse
In the core of my cupid compulsion;

And I am reminded of the fabled lion
Whose toothless roar
Triggers not fright
But laughter
From his prey...

He savors and dreams of death....

There are no dentures
For toothless kings
And carnivores.

~ P
(#mycupidcompulsion)
(11/22/2013)

— The End —