***** Cant Call People *****
***** Quarrel with other *****
***** are barinless
they are undecisive
but they smell good
***** ruin your day
from night to the next day
***** lead you on
***** break hearts
I will know as long as i live to not trust
these stupid ***** who continue to break fragile hearts

**** is not a bad word.
****** is no longer a burden.
Refuse to be ashamed of your anatomy.
We are beautiful and powerful womym.
The source of our power,
Is our *****.
That which we've been told to hide,
To protect,
Never to speak of.
That which we grow from,
And develop.
Where we bear children,
And shed our wombs by the moon.
That which we are made to fear;
To worry about;
To shave or not?
Does it smell?
Is it weird?
Does it look right?
From our beginning,
Our ***** are mysterious.
It is we who must reclaim them.
Gain control over them,
Learn to love,
Rather than shy away from.
****
****
Our ***** will be our saviours.

****** in-law *****
sent the ******' Pinkertons
shitheel *******

[A] is for
An
Archer with
An
Arrow through his
Adams
Apple, very
Applicable, to the
Ample
Amounts of
Amiable
Attitude,
Adorning his heart, in
After
Action
Attributes, that impart, the
Admiration, of
*******, in this
Acting out of
Arrogance bit. he is,
Astute, in his
Allure, and
Aloof, in the
Air, of
Aspiration, in which, he was
Alienated in the
Agony, of
Asking
Assassins, the
Aforementioned. lights, camera,
Action. recipe of the
Ancient
Admirals of
Avian
Aliens, that
Attacked, with the
Arms and fists, of
Arachnids, now
Aching to be
Activated in sudden
Allegiance to the
Answers, of the truth.
Accumulating wealth for
Anarchy's of
Abating
Angels in
Atrophied,
Alchemical
Academies of the ever
After life .. . of silence.
****** strengthens in these
Accolades of violence, in
Alliance to
Appliances
Appearing in the
Arson of
Apathy, happily, to
Anguish in the
Amputation of my
Abdomen, if it meant i'm a real
American, even, when, only
Ash, remains.
Acclimating in its remains
Attained, the
Articles of my pain, in
Affluent shame, next time ..
Aim... oak
[A]?

[B] is for the
Bah of
Black sheep, and
Big
Bit¢hes, fat cats,
Bombarded in the
Blasted,
Bastion of
Blackened
Benevolent
Blokes,
Berating the
Blasphemous,
Be-seech, of
Brains, to feel
Bad, about the
Blotching of
Binary codes, erroding, the
Blanked out
Books, of
Belittled
Bureaucrats,
Bowling
Back the
Bank rolls of
Betterment, from the
Back of the
Blackened
Bus, as i'm
Busting guts, in the
Bubbling
Butts, of *****
Benched, but
Beautiful, in the
Battle, in the
Bane, of existence.
Baffled, in the strain of
Belligerence, in
Beating the
Beaming
Butchery into
Billy's
Broken
Brains, in
Bouts, of
Battering
Bobby's for
Bags of
*******
Before, affording to
Build
Bombs, is just
Beyond
Breaking
Beer
Bottles on the
*******
Benefactors of
Boulder
Bashing with the
Beaks, of
Birds, with no
Bees. just a
Being, trying to
[B]


[C] is for the
*****
Courting the
Choreography, in
Computerized
Curtains,
Circumventing the
Cultured,
Contrivance of
Chromatic
Cellars,
Calibrating, to the
Contours of
Calamities,
Celebrating the
Cyclical,
Cylinders of
Cyphered
Calenders,
Correcting the
Calculations, of
Crooks
Coughing, in
Courageous
Coffins of
Canadians,
Collecting
Cobble stones, from
Catacombs, in the lands of the
Conquered,
Capturing the
Claps of thieves, sneaky
Cats, of greed. its
Comedy. oh
Comely, to my
Cling of
Cleanliness, and for your self
[C]

[D] is for the
Dip *****, as they
Delve
Deeper in the
Deliverance, of
Deviant
Deities,
Dying to
Demand
Dinner
Delivered in the throws of
Death,
Deceiving
Defiance of
Darkened
Dreams,
Demeaning that which
Deems the
Dormant of the
Dominant, to be
Demons of
Deviled
Devilry,
Dooming us for
Destruction.
Deploy the,
Damsels in
Duress.
Defiled and
Distressed,
Detestable and
Dead. in the thump of
Drums,
Dumbing down the
Debts of,
Dire regrets.
Dissect the
Daisies of,
Disillusion, in the current
Days,
Diluting night into
Dawn,
Disconnecting the
Dots of the
Dichotomy, and arming me, in the
Diabolatry, of,
Demonology, as i watch me
Dwindle away, the
[D]

[E] is for
Everything in nothing,
Eating the
Euphoric
Enigmas of
Enlightened
Elitists,
Exceeding in the
Extravagant
Essence of
Esoteric
Euphemisms,
Escaping the
Elegance of the
Elements in the
Eccentricity of
Eclectic
Ecstasy,
Exhaling, the
Exostential blessings, of inner
Entities, and renouncing the
Enemies of my
Ease,
Easily to appease
Extraterestrial
Empires,
Extracting the lost
Embers of
Enlightenment, in
Excited delight, but to later
Entice, the fight, and
Escape, like a thief into the night of
Everywhere,
Entering the
Exits of
Elevators leading no where, to
Elevate, this useless place,
Encased in malware in the
Errant
Errors of
Every man,
Enslaved, of flesh and
Entrails,
Enveloping the core of
Everything, that matters,
Enduring, the chatter, of
Evermore,
Ever present in
Everybody
Ever made to take
[E]

Funk the
Ferocity of
Foolish
Fandangos, with
Fanged
Fanatics,
Fooled in the
Fiasco of
Fumbled
Fantasies,
Falling through the
Farms of
Freely
Found
Fans,
Flying in the
Fame of
Fortune.
Fornicating on the
Fallen
Fears of
Fat
Fish getting their
Fillet of
Fills.
Feel me in the
Frills

Granted with
Generosity.
Giblets of
Gratitude and
Greed,
Greeting the
Goop and
Gobbled
Gore,
Gleaned from the
Glamour of
Ghouls in
Gillie suits,
Getting what they
Got
Going, in the
Gratuitous
Gallows of a
Game
Gaffed by
Giants.

Hello to the
Horizon of
Hellish
Hilarity, in
Hope of
Happy, to
Heave from
Heifers, to
Help the
Hemp
Harshened
Hobos in
Heightened
Horror, to
Honor the
Habitats of
Hapless
Habituals,
Herbalising the work
Horse, named
Have Not, in the
Haughtily
Hardened
Houses of
Happenstance.

Ignore the
Ignorant
Idiots, too
Illiterate to
Indicate the
Indicative
Instances of
Idiom in the
Irrelevant
Inaccuracy of
I,
In the
Intellect of
Idle
Individuals,
Irritated with the
Irate
Illusion of
Idols
Illustrated upon the
Iris,
In the
Illumination of
I.

******* the
Jobless
Jokers, and
Jimmy the
Jerkins from their
Jammie's, in
Justified,
Jousting off the
Jumps, in
Jokes, and
Jukes of
Just
Jailers,
Jesting for
Jammed
Jury's to
****
Judgment from the
Jitter
Juiced
Jeans of
Jesus.

**** the
Keep of
Khaki-ed
Kool aid men,
Kept in the
Kilometers of
Kits,
Kin-less
Kinetics,
Knifing the
Knights of
Kneeling
Kinsmanship,
Keeling over the
Keys of
Kaine, with the
Karmic
Karate
Kick of a
Kangaroo.

Love the
Levity, in the
Luxurious
Laments of
Loveliness,
Lovingly
Levitating in
Level,
Lucidly.
Living in
Laps, of
Lapses,
Looping, but
Lacking the
Loom of the
Latches
Locked with
Leeches of the
Lonely
Lit
Leering of
Lightly
Limbs, that
Lash at the
Lessers in
Loot of
Lost letters,
Lest we
Learned in the
Lessons of
Liars.

Marooned in
Maniacal
Masterpieces,
Masqueraded as
Malignant
Memorization's of
Motionless
Mantras, but
Merrily
Masking
Mikha'el the
Mundane, who is
Musically
Mused of
Monsters,
Mangling the
Monitor, but
Maybe just a
Moniker of
Marauders.

Never to
Navigate the
Nautical
Nether of
Never
Nears.
Not to
Nit pic the
Naivety of
Nicety.
Notions
Neither take
Note
Nor
Name the
Noise of
Nats in the
Nights of
Neanderthals
Napping in the
Nets of
Ninjas

Ominous in the
Obvious
Omnipotence of
Oblivious
Obligatory
Opulence,
Of
Other
Oddly
Orchards
Of
Offices,
Ordaining
Orifices in
Offers of
Ordinary
Ordinances in
Option-less
Optics,
Optionally an
On-call Oracle, in
Optimal,
Overture.

Perusing the
Pestilent
Pedestals of
Personal,
Parameters,
Pursuing the
Petty
Plumes of
Piety with the
Patience of a
Pharaoh,
******* on the
People with the
Penal
Pianos of
Port-less
Portals, in the
Paperless
Points in the
Palpal
Pats of
Pettiness.
Poor, but
Prideful.

Quick to
Qualify the
Quitter for a
Quick
Quill in
Queer
Quivering of
Quickened
Questioning,
Queried in the
Quakiest of
Quandaries.
Quarantined to a
Quadrant, of
Quagmires.
Questing the
Quizzing of
Quotable
Quartets.

Relax in the
Relapse of
Realizations, and
React with
Racks of
Rolling
Rock to
Rate the
Rep of the
Rain-less.
Roar in
Rapturous
Rendering of the
Random
Readiness in the
Ravenous,
Rallying, of the
Retinal
Refracting of
Reality.
Realigning, the
Righteous
Rearing of the
Realm, and
Retrying.

Steer the
Serenity in
Sustainability, and
Slither through the
Seams of
Slumbered
Scenes.
Secrete the
Solo
Sobriety of
Sapped
Sassys,
Salivating upon a
Slew of
Stupidity,
Steadily
Supplied in
Stream,
Suitably
Slain in the
Steam of
Sanity.
Sadly, i
Still
Seem,
Salvagable.

Topple
The
Titans in
Tightened
Terror.
Torn
Territories
Turn
Turbulent in
The
Teething of
Totality.
The
Telemetry of
Time,
Tortured of
Torrent
Theories,
Told in
Turrets of
Transpiring
Terribleness, from
Tumultuous
Tikes unto
Teens,
Trading
Toys for
Tea.
Thrice
Thrusted upon by the
Tyranny of
Tanks.

Unanimous is the
Ugliness in the
Undertones of
Undreamed
Ulteriors
Undergoing the
Unclean in the
***** of
Utterly
Upset
Users,
Uplifting the
Unfitting
Ushers in
Underwear-less,
Ulcers,
Undergoing the
Ultra of
Uberness.

Venial in
Vindictive
Viciousness of
Vindicated
Venom,
Venomously
Vilifying the
Vials of
Villainy in the
Veins of
Vampires,
Validity of
Valuable
Violence, is
Valiant in the
Vaporous
Vacationing of
Vagrant
Vices.

Why
Whelp in the
Weather
When you can
Wave to the
Whirling
Wisps,
Whipping Where the
Whimsical Were
Way back in the
Wellness of
Whip its,
Wrangling my
World,
With
Waterless
Worms, as
War shouts are
Wasted in the
Wackiest
Walks of
Waking
Wonder.

Xenophobic
Xenogogue, of
Xenomorphic
Xeons, turn
Xyphoid, in the
Xenomenia of my
X, my
Xenolalia of
X, to
***. im lost in the
Xenobiotic zen of
Xerces, on a
Xebec to the
X on the map.
Xenogenesis, in the
Xesturgy of my
Xyston
Xd

Yelling
Yearned from
Yelping.
Yard
Yachts
Yielding, to the
Yodel of
Yeah
Yeahs, to the
Yapping of
******
Yuppie
Yoga
Yanks, over
Yonder.
Yucking it up with the
Yawn of a
Yocal.

Zapped from a
Zone i
Zoomed with
Zeal in the
Zig and
Zag of my
Zapping
Zimming
Zest, upon a
Zombie-less
Zeplin.
Zealot,
Zionist, or
Zoologists,
Zeros or ones, just
Zip your
Zip locked. and
Zzzzz
Zzzz
Zzz
Zz
Z
Zero

Our old uncle, Daedalus,
     he'd grin when he spoke to us
His mouth was missing teeth
and so his wisdom flowed out free
He always smelled of cheap cigars
     alleyways and corner bars
He'd tell us he had seen the world
     and this was his decree:

     "Don't fly too high, you little *****.
       You just might live to pay for it.
       The Sun is always hot,
       the ground gets harder every day."

"But, Daedalus," we would complain,
"You are old and we would fain
see the sights you saw before
          we sleep beneath the clay."

And dear old Uncle Daedalus
     he'd laugh and spit and swear at us
"You ******* little ***** had better
heed the tale I tell.
This life is one big ******* maze
with twists and turns and tricks to play.
The kings control the monsters,
who make Earth a living Hell."

We'd try to listen, try to thank
him for the words, but his breath stank
and, anyway, we thought that he
               had prob'ly **** himself

But dear old Uncle Daedalus
hung Death from lips that spoke to us
and ****** if he weren't right
about the things he always said:
"Inventiveness works, by and by
with daring, you may taunt the sky
                                   like I did
                                  but the fall is long--
my dreams and son are dead."

He always smelled of cheap cigars
     alleyways and corner bars
"You ******* little ***** had better
heed the tale I tell..."

"Don't fly too high, you little *****.
You just might live to pay for it.
The kings control the monsters,
who make Earth a living Hell."

Cliché ***** and revolutionary retards.
We cannot use an image of a stone heart in every poem.
Nor compare every woman to a summer's eve.
But neither can I stand an emoticon in place of vocabulary.
A hash tag description should not be the only ******* indication as to what the poet was feeling in the poem's creation.
Poets will not start out strong.
But they should stick to what they've been taught.
Express progress in ideas
Not in virtual images.

I walked on the banks of the tincan banana dock and
     sat down under the huge shade of a Southern
     Pacific locomotive to look at the sunset over the
     box house hills and cry.
Jack Kerouac sat beside me on a busted rusty iron
     pole, companion, we thought the same thoughts
     of the soul, bleak and blue and sad-eyed, sur-
     rounded by the gnarled steel roots of trees of
     machinery.
The oily water on the river mirrored the red sky, sun
     sank on top of final Frisco peaks, no fish in that
     stream, no hermit in those mounts, just our-
     selves rheumy-eyed and hungover like old bums
     on the riverbank, tired and wily.
Look at the Sunflower, he said, there was a dead gray
     shadow against the sky, big as a man, sitting
     dry on top of a pile of ancient sawdust--
--I rushed up enchanted--it was my first sunflower,
     memories of Blake--my visions--Harlem
and Hells of the Eastern rivers, bridges clanking Joes
     Greasy Sandwiches, dead baby carriages, black
     treadless tires forgotten and unretreaded, the
     poem of the riverbank, condoms & pots, steel
     knives, nothing stainless, only the dank muck
     and the razor-sharp artifacts passing into the
     past--
and the gray Sunflower poised against the sunset,
     crackly bleak and dusty with the **** and smog
     and smoke of olden locomotives in its eye--
corolla of bleary spikes pushed down and broken like
     a battered crown, seeds fallen out of its face,
     soon-to-be-toothless mouth of sunny air, sun-
     rays obliterated on its hairy head like a dried
     wire spiderweb,
leaves stuck out like arms out of the stem, gestures
     from the sawdust root, broke pieces of plaster
     fallen out of the black twigs, a dead fly in its ear,
Unholy battered old thing you were, my sunflower O
     my soul, I loved you then!
The grime was no man's grime but death and human
     locomotives,
all that dress of dust, that veil of darkened railroad
     skin, that smog of cheek, that eyelid of black
     mis'ry, that sooty hand or phallus or protuber-
     ance of artificial worse-than-dirt--industrial--
     modern--all that civilization spotting your
     crazy golden crown--
and those blear thoughts of death and dusty loveless
     eyes and ends and withered roots below, in the
     home-pile of sand and sawdust, rubber dollar
     bills, skin of machinery, the guts and innards
     of the weeping coughing car, the empty lonely
     tincans with their rusty tongues alack, what
     more could I name, the smoked ashes of some
     **** cigar, the ***** of wheelbarrows and the
     milky ******* of cars, wornout ***** out of chairs
     & sphincters of dynamos--all these
entangled in your mummied roots--and you there
     standing before me in the sunset, all your glory
     in your form!
A perfect beauty of a sunflower! a perfect excellent
     lovely sunflower existence! a sweet natural eye
     to the new hip moon, woke up alive and excited
     grasping in the sunset shadow sunrise golden
     monthly breeze!
How many flies buzzed round you innocent of your
     grime, while you cursed the heavens of the rail-
     road and your flower soul?
Poor dead flower? when did you forget you were a
     flower? when did you look at your skin and
     decide you were an impotent ***** old locomo-
     tive? the ghost of a locomotive? the specter and
     shade of a once powerful mad American locomo-
     tive?
You were never no locomotive, Sunflower, you were a
     sunflower!
And you Locomotive, you are a locomotive, forget me
     not!
So I grabbed up the skeleton thick sunflower and stuck
     it at my side like a scepter,
and deliver my sermon to my soul, and Jack's soul
     too, and anyone who'll listen,
--We're not our skin of grime, we're not our dread
     bleak dusty imageless locomotive, we're all
     beautiful golden sunflowers inside, we're bles-
     sed by our own seed & golden hairy naked ac-
     complishment-bodies growing into mad black
     formal sunflowers in the sunset, spied on by our
     eyes under the shadow of the mad locomotive
     riverbank sunset Frisco hilly tincan evening sit-
     down vision.

                              Berkeley, 1955

Id love a big fat ****
Or a wrinkled up *******
An ugly looking hag
Who wants a ******* ****

If I had a big fat *****, with a big fat bucket
I'd lay between her fleshy thighs, and definitely **** it
My thrusting **** inside her ****, is where I'd like to tuck it
Spunking up would be sublime, when I lick and **** it

When your about to **** the fat, it takes a certain knack
Stuffed up fishy **** *****, or **** ******* round the back
A nice piece of chunky ****, with a big long sweaty crack
Fatty *** holes make you hard ,my **** would not be slack

I would ride a big large Gal, just like a waterbed
Bathroom ******* would be fun, as well as in the shed
Spunking up between her legs, cream cheese would then be spread
When both holes are full of ***, she can **** my **** instead

And after I have finished, with all of those fat *******
Something different I would want, maybe some old wrinkled witches
All wearing apple gatherers, and big large ******* britches
Older ***** long overdue, scratching long lost itches

A lot of fun I could have, in an old folks place
Disrobed willing grannies *****, stuffed right in my face
At least eight bits of gristle ******, a display of my disgrace
With each granny ****** in turn, if they can stand the pace

As I lift their skirts up their knickers I would sniff
I'm hoping that old fannies good, and they don't smell or whiff
The smell of old used granny ****, is probably just a myth
But I won't let it bother me, as long as I get stiff

I wouldn't even care, if they wore crap NHS glasses
As long as I could **** and ***, inside there wrinkled arses
I would **** them old ****** , all from different classes
Some of them in wheelchairs and some with heart bypasses.

It's irrelevant how fat you are, I really do not mind
As long as you are willing, and your *****'s wet and kind
And if you like it up the ****, then I'm that way inclined
******* ***** is quite fine, so is ******* from behind

So come on girls fat or old, all slags are a possibility
Your sexuality can flood out, there's no need for negativity
I'm willing to **** who comes along, to the best of my ability
Just make sure that I stay stiff, and maintain my agility

It's weird to have friends who are *****
You know they're not good people
But they're your friends
Your best friends
And they're not really cunty towards you
They're actually really nice
And they make you laugh
But there's this thing in the back of your mind
That wonders
Constantly, almost
If they're talking about you
If they're being cunty towards you
Behind your back
Because even though they are your friends
They're nothing more than *****
Who only really know how to be *****
Not friends

When you opened my mind
Alongside my knees
I thought I was a book of kinds
Some volume you would read
Perhaps even thoroughly
Unhurriedly
Or intimately
But ultimately
It came to seem
That referencing is all you need
Searching for a flair or look
A certain way of speaking
Honestly, in my book
It's merely vain traits you're seeking
A written list for your esteem
Or footnotes for or your story
Because surely
You know how sorely
Paper cuts
Come from paper *****
Tight and gory

Part I


the plateau. the truest of them all. coast line. night spells and even controlled by the dream of meeting again. the ribbon of darker than light in your crown. No region overlooked. Third picnic table to the drive at Half Moon Bay, meet me there, decant my speech there. the table by the restroom block. While the tide is in show me your oyster garden, 3:00p.m. at half-light here in the evilest torments that have been shed.---------------door locked.  The moors. Cow herds and lymph nodes, rancorous afternoon West light and bending roads, the cliffs, a sister, the need to jump. There is nothing as serious as this. There is nothing nor no one that could ever, or would ever on this side come between. Who needs sleep or jokes or snow or rivers or bombs or to turn or be a rat or a fly or ceiling fan or a gurney or a cadaver or piece of cloth or a bed spread or a couch or a game or the flint of a lighter or the bell of a dress; the bell of your dress, yes, perhaps. Having been crushed like orange cigarette light in a pool of Spanish tongues. I feel the heave, the pull; not a yawn but a wired, thread-like twist about my core. Up around the neck it makes the first cut, through the eyes out and into the nostrils down over the left arm, on the inside of the bicep, contorting my length, feigning sleep, and then cutting over my stomach, around and around multiples of times- pulled at the hips and under the groin, across each leg and in-between each nerve, capillary, artery, hair, dot, dimple, muscle, to the toes and in-between them. Wiry dream-like and nervous nightmarish, hellacious plateaus of leapers. Penguin heads and more penguin heads. Startling torment. The evilest of the vile mind. The dance of despair: if feet contorted and bound could move. The beach off Belmont. The hills and the reasons I stared. Caveat after caveat at the heads of letters, on the heads of crowns, and the wrists, and on the palms. Being pulled and signed, and moved away so greatly and so heavily at once in a moment, that even if it were a year or a set of many months it would always be a moment too taking away to be considered an expanse, and it would be too hellacious to be presumptuous. It could only be a shadow over my right shoulder as I write the letters over and again. One after another. Internally I ask if I would even grant a convo with Keats or Yeats or Plath or Hughes? Does mine come close? Does it matter the bellies reddish and cerise giving of pain? Does it have to have many names?


"This is the only Earth," I would say with the bouquet of lilies spread out on the table. Are lilies only for funerals, I would never make or risk or wish this metaphor, even play it like the drawn out notes of a melody unwritten and un-played: my black box and latched, corner of the room saxophone. Top-floor, end of the hall two-room never-ending story, I'm the left side of the bed Chicago and I see pink walls, bathrooms, the two masonite paintings, the Chanel books, the bookshelves, the white desk, the white dresser, you on the left side of the bed in such sentimental woe, **** carpet and tilted blinds, and still the moors and the whispering in the driver's seat in afternoon pasture. Sunset, sunrise, nighttime and bike room writing in other places, apartments, rooms where I inked out fingertips, blights, and moods; nothing ever being so bleak, so eerily woe-like or stoic. Nothing has ever made me so serious.

Put it on the rib, in a t-shirt. Make it a hand and guide it up a set of two skinny legs under a short-sheeted bed in small room and literary Belmont, address included. Trash cans set out morning and night, deck-readied cigarette smoking. Sliding glass door and kitchen fright. Low-lit living room white couch, kaleidoscope, and zoetrope. Spin me right round baby right round. I am my own revenge of toxic night. Attack the skin, the soul, the eyes, the mind, and the lids. The finger lids and their tips. Rot it out. Blearing wild and deafening blow after blow: left side of the bed the both of us, whilst stirs the intrepid hate and ousts each ******* tongue I can bellow and blow.

Last resort lake note in snow bank and my river speak and forest walk. Wrapped in blocks and boxes, Christmas packaging and giant over-sized red ribbons and bows. Shall I mention the bassinet, the stroller, the yard, several rings of gold and silver, several necklaces of black and thread? I draw dagger from box, jagged ended and paper-wrapped in white and amber: lit in candle light and black room shadow-kept and sleeping partisan unforgettable forever. Do I mention Hawaii, my mother dying, invisible ligatures and the unveiling of the sweat and horror? Villainous and frightening, the breath as a bleat or heart-beat and matchstick stirring slightly every friends' woe and tantrum of their spirit.

Lobster-legged, waiting, sifting through the sea shore at the sea line, the bright tyrannosaurs in mahogany, in maple, and in twine over throw rose meadow over-looks, honey-brimming and warehouse built terrariums in the underbelly of the ravine, twist and turn: road bending, hollowing, in and out and in and out, forever, the everlasting and too fastidious driving towards; and it's but what .2 miles? I sign my name but I'll never get out. I am mocked and musing at tortoise speed. Headless while improvising. Purring at any example of continue or extremity or coolness of mind, meddling, or temptation. I rock, bellowing. Talk, sending shivers up my spine. I'm cramped, and one thousand fore-words and after words that split like a million large chunks of spit, grime, and *****; **** and more ****. I might even be standing now. I could be a candle, in England, a kingdom, in Palo Alto, a rook in St. Petersburg. Mottled by giants or sleepless nights, I could be the Eiffel Tower or the Statue of Liberty, a heated marble flower or the figure dying to be carved out. I'm veering off highways, I'm belittling myself: this heathen of the unforgettable, the bog man and bow-tied vagrant of dross falsification and dross despair. I am at the sea shore, tide-righted and tongue-tide, bilingual, and multi-inhibited by sweat, spit, quaffs of sea salt, lake water, and the like. Rotten wergild ridden- stitched of a poor man's ringworm and his tattered top hat and knee-holed trousers. I'm at the sea shore, with the cucumbers dying, the rain coming in sideways, the drifts and the sandbars twisting and turning. I'm at the sea shore with the light house bruise-bending the sweet ships of victory out backwards into the backwaters of a mislead moonlight; guitars playing, beeps disappearing, pianos swept like black coffees on green walled night clubs, arenose and eroding, grainy and distraught, bleeding and well, just bleeding.






I'm at the sea shore, the coastline calling. I've got rocks in my pockets, ******* and two lines left in the letter. I’m at the sea shore, my mouth is a ghost. I've seen nothing but darkness. I'm at the seashore, second picnic table, bench facing the squat and gobble, the tin roof and riled weir near the roadside. .2 and I'm still here with my bouquet wading and waiting. I'm at the sea shore and there's nobody here. My inches are growing shorter by the second, cold, whet by the sunset, its moon men, their heavy claws and bi-laws overthrowing and throwing me out. The thorns stick. The tyrannosaurs scream. I'm at the sea shore, plateau, left bedside to write three more letters. Sign my name and there's nobody here.

I'm at the sea shore: here are my lips, my palms (both of them facing up), here are my legs (twine and all), my torso, and my head shooting sideways. I'm at the seashore and this is my grave, this is my purposeful calotype, my hide and go seek, my show and tell, my forever. .2 and forever and never ending. I was just one dream away come and keep me. I'm at the sea shore come and see me and seam me. I'm without nothing, the sky has drifted, the sea is leaving, my seat is a matchbox and I'm all wound up. The snow settling, the ice box and its glory taken for granted. I'm at the sea shore and there's nobody here. The room with its white sets of furniture, the lilies, the Chanel, the masonite paintings, the bed, your ribbon of darker on light, the throw rug **** carpet, pink walled sister's room, and the couch at the top of the stairs. I'm at the sea shore, my windows opened wide, my skin thrown with threat, rhinoceri, reddish bruises bent of cerise staled sunsets. I'm at the sea shore and there's nobody here. I'm at the plateau and there isn't a single ship. There are the rocks below and I'm counting. My caveats all implored and my goodbyes written. I'm in my bed and the sleep never set in. I'm name dropping God and there's nobody there. I'm in a chair with my hands on a keyboard, listening to Danish throb-rock, horse-riding into candle light on a wicked wedding of wild words and teary-eyed gazes and gazers. Bent by the rocking and the torment, the wild and the weird, the horror and everything horrifying. There is this shadow looking over my shoulder. I'm all alone but I feel like you're here.



Part II




I wake up in Panama. The axe there. Sleeping on the floors in the guest bedroom, the floor of the garden shed, the choir closet, the rut of dirt at the end of the flower bed; just a towel, grayish-blue, alone, lawnmower at my side, and sky blue setting all around. I was a family man. No I just taste bits of dirt watching a quiet and contrary feeling of cool limestone wrap over and about my arms and my legs. Lungs battered by snapping tongues, and ancient conversations; I think it was the Malaysian Express. Mom quieted. Sister quieted. Father wept. And is still weeping. Never have I heard such horrifying and un-kindly words.-----------------------It's going to take giant steel cavernous explorations of the nose, brain cell after brain cell quartered, giant ******* quaffs of alcohol, harboring false lanterns and even worse chemicals. Inhalations and more inhalations. I'm going to need to leap, flight, drop into bodies of waters from air planes and swallow capsules of psychotropics, sedatives beyond recalcitrance. I'm requiring shock treatments and shock values. Periodic elements and galvanized steel drums. Malevolence and more malevolence. Forest walks, and why am I still in Panama. I don't want to talk, to sleep, to dream, to play stale-mating games of chess, checkers, Monopoly, or anything Risk involving. I can't sleep, eat, treaty or retreat. I'm wickeded by temptations of grandeur and threats of anomaly, widening only in proverb and swept only by opposing endeavors. Horrified, enveloped, pictured and persuaded by the evilest of haunts, spirits, and match head weeping women. I can't even open my mouth without hearing voices anymore. The colors are beginning to be enormous and I still can't swim. I couldn't drown with my ears open if I kept my nose dry and my mouth full of a plane ticket and first class beanstalk to elysian fields. It's pervasive and I'm purveyed. It's unquantifiable. It's the epitomizing and the epitome. I have my epaulets set for turbulent battles though I still can't fend off night. Speak and I might remember. Hear and it's second rite. Sea attacks, oceans roaring, lakes swallowing me whole. Grand bodies of waters and faces and arms appendages, crowns and more crowns and more crowns and more crowns and more crowns and I'm still shaking, and I'm still just a button. And I still can't sleep. And I'm still waiting.

It is night. The moon ripening, peeling back his face. Writhing. Seamed by the beauty of the nocturne, his ways made by sun, sky, and stars. Rolled and rampant. Moved across the plateau of the air, and its even and coolly majestic wanton shades of twilight. It heads off mountains, is swept as the plains of beauty, their faces in wild and feral growths. Bent and bolded, indelible and facing off Roman Empires too gladly well in inked and whet tips of bolder hands to soothe them forth.-----------Here in their grand and grandiose furnaces of the heart, whipped tails and tall fables fettered and tarnished in gold’s and lime. Here with their mothers' doting. Here with their Jimi Hendrix and poor poetry and stand-up downtrodden wergild and retardation. I don't give a ****. I could weep for the ***** if they even had hair half as fine as my own. I am real now. Limited by nothing. Served by no worship or warship. My flotilla serves tostadas at full-price. So now we have a game going.-----------------------------------------------------------­------------------------  My cowlick is not Sinatra's and it certainly doesn't beat women. As a matter of factotum and of writ and bylaw. I'm running down words more quickly than the stanza's of Longfellow. I'm moving subtexts like Eliot. I'm rampant and gaining speed. Methamphetamine and five star meats. Alfalfa and pea tendrils. Loves and the lovers I fall over and apart on. Heroes and my fortune over told and ever telling. Moving in arc light and keeping a warm glow.

the fish line caves. the shimmy and the shake. Bluegrass music and big wafting bell tones. snakes and the river, hands on the heads, through the hair; I look straight at the Pacific. I hate plastic flowers, those inanimate stems and machine-processed flesh tones. Waltzing the state divide. I am hooked on the intrepid doom of startling ego. I let it rake into my spine. It's hooves are heavy and singe and bind like manacles all over me. My first, my last, my favorite lover. I'm stalemating in the bathtub. Harnessing Crystal Lite and making rose gardens out of CD inserts and leaf covers. I'm fascinated by magic and gods. Guns and hunters. Thieving and mold, and laundry, and stereotypes, and great stereos, and boom-boxes, and the hi-fi nightlife of Chicago, roasting on a pith and meaty flame, built like a horror story five feet tall and laced with ruggedness and small needles. My skin is a chromium orchid and the grizzly subtext of a Nick Cave tune. I've allowed myself to be over-amplified, to mistake in falsetto and vice versa. To writhe on the heavy metallic reverberations of an altercated palpitation. The heart is the lonely hunted. First the waterproof matchsticks, then the water, the bowie knife, crass grasses and hard-necked pitch-hitters and phony friends; for doing lunch in the park on a frozen pond, I play like I invented blonde and really none of my **** even smells like gold.--------------------- There are the tales of false worship. I heard a street vendor sell a story about Ovid that was worse than local politics. As far as intermittent and esoteric histories go I'm the king of the present, second stage act in the shadow of the sideshow. Tonight I'm greeting the characters with Vaseline. For their love of music and their love of philosophy. For their twilight choirs and their skinny women who wear black antler masks and PVC and polyurethane body suits standing in inner-city gardens chanting. For their chanting. The pacific. For the fish line caves. For the buzzing and the kazoos. For the alfalfa and the three fathers of blue, red, and yellow. For the state of the nation. But still mostly working for the state of equality, more than a room for one’s own.-------------------------------------------------------------­------"Rice milk for all of you." " Kensington and whittled spirits."
(Doppelganger enters stage left)MAN: Prism state, flash of the golden arc. Beastly flowers and teeming woodlands. Heir to the throes and heir to the throng.----------------------------------------------------------­--------------- The sheep meadow press in the house of affection. The terns on my hem or the hide in my beak; all across the steel girder and whipping ******* the windows facing out. The mystery gaze that seers the diplopic eye. Still its opening shunned. I put a cage over it and carry it like a child through Haight-Ashbury. At times I hint that I'm bored, but there is no letting of blood or rattle of hope. When you live with a risk you begin at times to identify with the routes. Above the regional converse, the two on two or the two on four. At times for reasons of sadness but usually its just exhaustion. At times before the come and go gets to you, but usually that is wrong and they get to you first. Lathering up in a small cerulean piece of sky at the end turnabout of a dirt road

When the first words out of his mouth was
"Sup *****"
I knew a certain few things

1. He was not getting laid tonight.

2. None of us in this room know why he's the party leader,
All glancing at each other in awe
nodding like a hive mind chanting
yes, this man is in fact an *******,
no, i don't know how he rose to power
yes, he did just call us *****.

3. I could think of a million one liners that would earn me way more respect up front than that.

I don't know what I was expecting
walking into this basement

Maybe some small fame
The same small fame I get from getting on a stage for slam poetry
or being cast in a reality T.v. show
Or singing kareoke at my local bar.

Maybe for the free pizza
We've all been there.

And yes, maybe it was for the revenge.
the campaign slogan you stamped
recruitment posters with.
Join the evil league of evil!
Launch revenge against the modern heroes of today!

But when I sit down in this small fold up metal lawn chair,
in what is presumably his moms basement
Behind a projecter  (also probablly his moms)
Next to captain nose bleed
And princess *******.

I already don't have a whole lot of faith in his agenda

So when his opening line
Was "Sup *****"
Like that is some sort of impressive villanous monolouge peared down into one and a half words.
I lost any ounce of faith I had in this cult.
And decided to Usurp this "Party Leader".

Now you might be asking:
Why?
Why would you want to be the head of the evil league of evil?
Founded in this pre pubescent boys moms basement
Whos only followers so far seem to be captain nosebleed,
and princess *******.

Well
clearly
You don't understand.
Captain nosebleed is already under the thumb of princess *******.
I mean lets be real without princess *******
We're three dudes in a basement
Pretending to be super villans.

And you've been known to be pretty charming.

But in your friends evil lair.
Sorry
Moms basement.

You start to evaluate your situation
Gotta make a descision.

Are you fighting for Revenge,
or the small fame?

I don't care who said crying was overrated, who gave you the ******* right to control the tear ducts of another human .

A human shows emotion through tears , laughter , smiles. The human face has 24 different emotions yet the water stains on her cheeks was never stated as one .

The stains of mascara running down her cheeks , dripping on to neck , her nose sniffling up the excess embarrassment .

I told her to stop trying to be brave , she had to embrace each feeling as it came , I saw her chest heave up and down in a rapid movement so fast I couldn't keep count.

Her mouth was open , no sound came out , she looked like a fish out of water and person screaming but no sound .

Her hands started to shake her body soon followed next I held her close put her head in between the crook of my face and neck .

I felt the water dripping down my neck to my top I never said a word , never told her to stop.

Even though I just changed my sheets that day I never told her to man up because crying is a source of speech when words are not enough .

She had so much emotion and all she could do was mutter incoherent words ,I think it was " I'm sorry" .

Sorry for what I will never know , she never once asked me to let go and I never did .

For once in her life I gave her an embrace even though she refused because if she didn't feel my comfort I'm not sure what she would do .

I did it because when I need that embrace they all refused to give it , they told me to " **** it up" " be ******* brave" , I soon  found comfort in smashing my fist against my bathroom mirror and throwing my mothers jewellery box outside in the rain .

I stopped and I jumped in the mud that had formed and that was when I promised myself , if another person needs my embrace no matter who it was , I sure as ******* hell will give it because crying alone is just no good.

It's no good that others can't see your pain , I encourage you to throw a fit and call names , call them all ******* ***** tell them how worthless they are that when you needed comfort he would rather go sit in the car .

I want you to scream , yell and shout with the tears streaming down your face , show them what expressing yourself is all about.

Darling don't ever hold your tears in , wearing mascara or not ,just always keep a tissue tucked in your sleeve, and wipe your eyes till they are raw with the courage that they need.

Ah wuz lookin oot o' mah winder and ah saw this lad
wi' a barry wee lassie gaun' up the hill.
-Wair the **** d'ye think you're gaun tae? ah yells oot.
But the daft ***** didnae answer at aww,
must've been oot o' thir ****** heids wi' E's or summat,
d'ye ken what ah'm tellin' ye,ye daft radge?
-Wair ye're ******* going? ah yells a couple mair times
and finally the gadge yells back to ays,
-Up the ******* hill tae fetch a pail o' ******* watter,
me Ma's hud her ******' taps turned oaf by the ******' Corporation,
which is a ******* pain in the erse ah had ter agree.
I realised ah knew the wee **** Jack but,
eh wuz an auld classmate of ays and eh's hung oot wi' ma brar n me,
when we wuz bairns oan the Scheme,eh?

-That's a bonny wee lassie ye've goat wi' ye, there Jack, ah yelled,
thinking ah'd nae kick her oot o' mah scratcher
withoot gi'ing her a guid ride.
Ah huvtae sey ah recognised hir as a wee ****
called Jill from the Scheme, a right tidy wee ride
in mah opinion wi' a guid little ***** on hir, as ah recall.
-Mind ye're own ******' business, the **** yells back at ays,
takin' the pail in yin hand and the ****'s wee hand in the other yin.

Ah can tell ye ah totally pished meself wi' laughter
when the pair o' they wide ***** fell doon,
Jack breakin' his ******' croon n the groond,
ah'm sure he nivver meant it tae happen,
'n eh mustae squashed his ******* bawws
as eh fell doon n aww from the wey he screamed oot,
but the wee lassie cam tumbling doon the ****** hill n aww,
heid n **** oor her ******' erse
'n ah could see she wasnae wearin' any ****** *******
'n her ***** was on display under her skirt.
Ah wouldnae expect anything else from a wee ****,eh?

-Dinnae worry, ah'll com and help ye, ah called oot,
but when ah goat thir, both o them wis deid,
ah thoat o' gittin mah hole wi' the deid lassie n aww,
but you shouldnae dae that, it's no respectful tae wimmin,
'n eywis, the polis might trace me through the DNA,
those ***** are clivvir 'n aw, ye ken.
So ah contented mesel' wi' rummidging through the poakits
o' the lad's jaykit tae see if eh hud ehs payment from the Joab Centre,
but the daft **** mustae spent it aww on a boatil or two o Grants,
ah ken ah'd hae done the same mahsel'.
And there wasnae a penny in the lassie's purse,
so ah thoat ah'd jus' **** oaf doon the ******
'n ask some **** tae call the hoaspital and the ****** polis.
Eh?

Oh Annette Tidy, I would love to lick your ****
Show me that you like it, you **** loving ****
******* pulled beyond your hole, while kneeling like a mutt
Legs apart so far and wide, I don't want your ******* shut

Spread you cheeks across my face and open your hole wide
Pelvic thrusting on my tongue, while I'm slipping it inside
The taste of it is magical, when tongue and *** collide
I can lick your ***** too , but I'll let you decide

It's okay if your a *****, when it's ***** and bums to pluck
A Furry ***** is alright, it's still so good to ****
Soiled ******* I don't mind, they make my cockerel cluck
A touch of romance is quite fine, but so is a good ****

Oh Annette Tidy let me knock on your back door
You can show me your intentions, you filthy ******* *****
I doesn't matter that we're strangers, because our *** is raw
If your like the phone box says, then what are you waiting for?

So come on now get naked, and I will do the same
let me have your **** hole and a **** ******* game
According to the writings your a filthy kind of dame
I've read that your an **** ****, so your be glad I came

Oh Annette Tidy, I am on a real *** hunt
I would be so happy, if your proper ***** ****
Whether your a posh girl, or just a ******* munt
You need to get your knickers off, and I'll give it a punt

I'll be grabbing onto your ****, and It would be devine
Vigorous ******* may result, in hearing your **** whine
If your a cheater that's okay, it really is quite fine
As long as your cheating with me, and you are ******* mine

So push your **** upon me, let my **** slide in
I'd **** without a rubber sheaf, it's better on bare skin
I'm sure that you'll enjoy it, when your sitting on my pin
And **** old Dennis Richmond, cos I don't give a **** about him

Oh Annette Tidy, I fancy a real good ****
I am really hoping, your a ***** ******* ****
It doesn't matter if your good looking, or a dried up hag
***** lips are free to flutter, when I **** your fleshy flag

**** ******* is so good, what a fantastic feeling
The tightness squeezing on my rod, that's what I find appealing
Doing **** would be great, bent over or just kneeling
An ******* that is spread wide, is really quite revealing

So when my **** is hard enough I would stuff it in your ***
Fingers up your ***** and your ******* under thumb
A frigging is in order, because I want to feel your ***
******* in your tight hole, I would really give it some

Oh Annette tidy, let us have some ****** fun
Let me see you naked, and I will ***** your hot cross bun
I also like a wet ****, but these things must be done
For you squirt me with your juice, just like a Capri Sun

I hope that you like big *****, cos I have a nine inch ****
Because I'm not hung like those fellows, who are in Hong Kong
So I won't put it all in, in case it is too long
But if you want the whole lot, I'll make sure that it says strong

Are you such an **** *****, well I don't really know
You could be a real ***** ****, or just an average joe
If your not that kind of girl, then somewhere else I'll go
Because I'm looking to get ******, and a **** and blow

You maybe such a nice girl, and you get home by ten
So you might not be interested, in ridding my big ben
I'm sure there's **** ladies, who'd like playing in my pen
A **** time they can have, if I went round to their den

Are writings on walls true, you don't have to sit there idly
If you want an arrangement, I could ******* every Friday
Unless you are a nice girl, and your a bit like Heidi
And your up in the mountains thinking . . . . Oh Annette Tidy!

I knew they'd be more sightings, it looks like I was right
The day has arrived once again, where things have come to light
Shinning armour is absent, and there is no gallant knight
Oh Annette, there's only Den, and your chastity's not tight

It seems Miss Tidy has returned, she's covered a long span
**** escapades displayed again, written by a big **** fan
***** heifers filled Cow Pies, diving in like Desperate Dan
I wouldn't mind a go myself, because I am a man

Bus stops and phone boxes, seem to be your mainstream media
Your depicted as a ****, and your appetite gets greedier
Every time that you appear, your antics are more seedier
Be careful of your infamy, you'll end up on Wikipedia

What the hell is going on, you've resurfaced once again
There's no accounting for good taste, with ******* different men
I don't know if it's better ***, than your getting from old Den
Oh Annette if you get judged, it'll be a Ten from ***

Bus shelters are the place, to read about your ***
Showing intimate parts of your life, like the local multiplex
Written words like **** and ****, are nothing to perplex
It's obvious what's going on, its hardly that complex

If **** *** is preferable, if it's not just a passing whim
You can lick my exposed ****, and I'll give yours a rim
A tight *** is just as good, as a nice warm ****
Oh Annette untidy your legs, and we'll go out on a limb

**** *** excites me, but there's just one small detail
Is your *** completely free, or is your **** for sale
If you use lubrication, then it never will get stale
Naked flesh I really like, that's probably cos I'm male

If telephone boxes we're obsolete, if bus stops did not exist
Where would Annette's news be then, from the *** obsessed artist
Would he try a public lavatory, would he have a different twist
Oh Annette If writings ceased, *** stories would be missed

George Formby leaned on lampposts, but I'm not sure I'm a strummer
Unless you count a *******, and you are a heavy ******
I'll wait until you come by, for one hell of a good ******
Outside in the night light, so much better in the summer

Could you be a lovely girl, or are you an ugly *****
**** ***** and ***** *****, are just the local lingo
Oh Annette if you want ***, don't wait too long in limbo
I can do it on all fours, as well as legs akimbo

Softer holes are better wet, **** positions don't much matter
Whether it is *******, or laying a bit flatter
Certain parties can be fun, if your naked on a platter
A very happy unbirthday treat, I'd share with the Mad Hatter

Do you bite as well as ****, be rough and rarely gentle
let passion take control of you, cos I'm not temperamental
You seem to be the kind of girl, to be experimental
It makes no difference if your a ****, it isn't accidental

There's nothing wrong with ***** *****, if they are never shut
Open all hours is quite fun, when you're an **** ****
I hope you have "**** Handles", that are looming round your ****
So Annette relight my fire, I don't want my long wick cut

Come on now be daring, because you seem like an old friend
I hope your ****** preferences, are not just a passing trend
So much is known about you, with all that has been penned
If your into *** ***, then give your **** a lend

Just how many blokes you've had, well I don't have a clue
There's Den of course but now and then, you try someone new
It doesn't really bother me, if you've had quite a few
You could be in fetish films, if your backdoor is blue

Perhaps I have misjudged you, and you are a teachers pet
And everything that has been said, is something you regret
But If the rumours are all true, then I would not forget
To stuff my ***** up your ****, and I'd say oh Annette !

Are you wanking in your stockings in the halls.
It's time that us guys **** and squeeze our *****
We will ride an ugly old old dear
It's their ***** we want to slay
We'd love to ******* silly for the day

[Chorus:]
So here it is merry **** time
Everybody show your ***,
look at our arseholes now
We really need to ***.

Are you waiting for the fat slags to arrive?
I'm sure their big ***** have plenty room inside
The old ***** always tell you
That their ***** are the best
And their ***** are better than the rest

[Chorus:]
So here it is, Merry **** time
Everybody show your ***
Look at our hairy *****
We really need to ***

Who are you going to do
When your mother has her bit of a *****
Oooh oo oooh oohh

Are you wanking in your stockings in the halls
We'll **** your old fat mother when she calls
We will **** her on the hillside
That's where she will get laid
We'll *** deep inside her
When her legs are splayed

[Chorus:]
So here it is. Merry **** time
Everybody show your ***
Look at our **** holes now
We really want to ***

So here it is, Merry **** time
Everybody show your ***
Look at *** holes now
We really need to ***

So here it is, Merry **** time
Everybody wants a ***
Take your knickers down
We always need to ***

So here it is, Merry **** time
Everybody wants a ***
(It's **** time!)
Get up her ******* now
We really need to ***

I met Neal Cassady last night in a waking dream sitting across from me with his back turned to the noise; the bar was loud. He repeatedly leaned forward and asking if I wanted a smoke.
        He looked just like Neal, talked like him. I hated and admired him just like I would the real Neal Cassady. His mind was incredible; beyond the worries of mortality, no thoughts or pains of hubris. He had the candor that I lacked only because I hadn't the nerve to jump first. When I asked him if he truly was the great Cassady, he stared at me from across the table with a wry smile; patted his breast pocket down, leaned back and said as he turned with precision out of his chair,
        "Let's go for a smoke".
        Such practiced determination, he was already outside before I had put on my coat. Of course I had no cigarettes of my own, he had expected me to bring one for the both of us. But I for one expected him to procure an entire carton by the time I was outside; one bent cigarette from every Saintly being at the bar.
        And what a bar! Great young gone gals; dressed in short skirts and long autumn coats; wool scarves around their necks and under chins beneath cold steel eyes. Ahh, forever young the white dresses and mistresses of the college bar.
        By the time I had opened the door and exhaled my first breath of the crisp night air, Neal was playing the part of locomotive engine with a German couple who were smoking and pretending to be Parisian. The three of them were standing in formation of a triangle on the edge of a stone staircase with a railing leading down into a steep lawn with Neal’s back facing the moon. It was all arranged in a perfect geometric mandala of overlapping Platonic solids.
        As I approached the cloud, Neal was recounting the tale of a nurse he had lain in the backseat of her father's station wagon in Nebraska in the heat of the afternoon sun. The German man was stocky and ill-dressed for the weather. He told me later that his name was Heinrich, but I did not believe him even though I knew he had nothing to hide. The woman whom I believed to be only his girlfriend told me, with a thick German accent, that her name was Deline. I believed her. She was well-dressed for the weather and smoking heavily; style is everything.
        "They've graciously offered to roll us a dozen", Neal expelled between great gusts of smoke, a boyish grin smeared on his face by the thousand red lips and wet ***** of passed consequence. Even in the light of a single lamppost coming through the haze that billowed forth from the three talking chimneys, I could still see a sheen in Neal's eye. The sort of sheen that implied hooliganisms. The sort of sheen you see before a person flies off the handle. The exact sheen you see before you wake up tomorrow in the late light of the afternoon, wondering who the Hell took your hand last night and jumped into total darkness with you. That is, if there was somebody around to take your hand.
        I liked Neal.
                He had a style about him that reminded me of a dark velvet curtain. Once you had passed through that curtain in your business casual attire, you witnessed the burgundy coloured stain of truth. There was no backpedaling after that; your chains would knot up and you would fall off the ride if you tried.
        The German couple looked around at their surroundings and the both of us with a degree of boredom. I had seen them earlier in the bar, they looked bored then too. Neither had spoken to the other once and I was beginning to feel like we were exasperating them.
        “Who cares? They offered to roll us a dozen” I thought. What did it matter how Neal got them to do it, they've offered twelve cigarettes and now they belong to us.
        Deline handed Neal and I six cigarettes each; they were magnificently rolled.
        “Goodbye, then! Thank you for your business”, Neal said and slid down the railing to the lawn below, lighting his cigarette mid-slide. I had just lit mine and started after him down the staircase. I turned around and spoke clumsily with a cigarette bobbing at the corner of my mouth,                      
        “Yes… thanks”, and left without another word.

        Neal walked with sporadic intensity; arms often stabbing out into the blanket of night; legs that would walk straight and stiff but then bent and fast with sudden changes as if he was preparing to spring off into the evening of speckled lampposts and smoke. His head bobbed West to East, North to South, and all Axis’ between X, Y and Z. The more I stared at this character whom I called Neal the more I thought of him as an illusion of my own delusions. When I had finished that thought, Neal had spun around and laughed a good hearty and honest laugh; he seemed to have read my mind and proceeded to flick the space between by eyebrows with his thumb and *******. The pain was real enough. This Neal must be real, unless I had gone full mad with lunacy. We blasted off down the avenue which connected the college bar to the dormitories and the library after that.
        Beyond the avenue laid the cozy valley of goodnight downtown with all it’s lights of sodium pearls below and us upon the hill top looking down with eager intensity. Neal gave another rounded laugh and stared with mad eyes above my head and pointed straight up into the sky at Sirius.
        “Tonight, yes yes, we go out. Not just out, my dear friend, but up. Yes yes, to the great up-and-over. Beyond the next stop we absolutely must climb.”

         I don’t know what mad beast had possessed me that evening but I followed this ghost; this great memory of romantic America into the heart of the infinite night.
        “Good gal Deline”, said Neal

        “Who?” I replied
        “Nimble fingers, strong hands for the German working class” he said, “Great gone gal. Good gal. Fine gal by all standards of beauty and sleek german ingenuity”
        “Hmm”, I responded inhaling my cigarette deeply. The Germans were just fine at rolling, but the tobacco was all American. It was harder and harder for me to physically keep up with Neal. He kept speeding off sporadically twenty feet in front of me, sometimes stopping and spouting at young folks asking for cigarettes. 

        “But you’ve already got one” They would say

        “Yes yes, but it’s for when I’m not smoking one is why I want one”, Neal would answer as he trailed off further and further down the road. They thought he was mad, but they all smiled nonetheless.

        My curiosity was brimming. Who was this mad man? Who was this loon impersonator of the American night? I could not stand by my idle silence and unquestioning.
        “What’s the plan tonight?”, I asked

        “What plan? No good plan. Only great plan and great plain rising higher and higher and we will be up all night but on top of the world for we must climb up and up forever until we can climb no more, and then after we can climb no more then we must climb a little further for life itself is nothing more than an infinite climb ever higher and why not get there faster than all the rest?”

        I had stopped walking and Neal’s voice echoed and vibrated the walls of the stairs between the library and the meal hall. His voice was like that of mountain that had slid beneath the ground reborn into an endless peak above.
“Jailbird Cassidy. Great bellowing Cassidy all energy and no direction, but getting there in no time just the same Cassidy”, I thought to myself.
“I trust you Neal”, I had said out loud.
“Not yet! First great big night time breakfast for you and me, for one can not climb without a good energy and good rounded stomach digested of food and stories.”

There always seems to be plenty ladies of the night
Some of them are black girls and some of them are white
A few of them will kiss you a few of them may bite
There are ones that **** you those ones are quite alright
All of them will ******* their ***** are not that tight
A lot are quite good looking but lots look ******* *****

All have well used *****'s but that's just what you'd expect
But it doesn't really matter as long as your *****
You may be into **** their ***** you don't neglect
A request to use a rubber their wishes you respect.
Enough cash is needed both holes you can inject
But the price for extra services is higher I suspect

You have to be quite wary there are some well used pro's.
They've been around for years, ***** worn from lots of goes
Their naked body's have been seen in lots of pervy shows.
Just how many ***** they've ******, no one really knows.
So many fellows gobbled off ***** ****** and ***** blows
Some are old and past it but their just ***** hoes

There was one such lady back in my home town.
Her salty ****** was waiting beneath her smelly gown
The guys that she's been ******* had a disconcerting frown
This is why that ugly ***** was always ****** facedown.
Deep inside her crusty **** their ***** would surely drown.
Especially now her **** juices have turned to a dark brown

Why **** a **** that's manky with such a smelly pong.
It isn't good if that filthy stench smells so ****** strong
Stupid fellows ****** that hole using their desperate ****
But Surely ******* that ugly hag must have been so wrong.
I guess it was a testament for her being a ***** so long
And that's why all the locals are singing her this song

And...
Ten-Bob-Annie
Had a manky *****
But still the wankers paid
She was an ugly ***,
Should have just said no
So desperate to get laid.
She didn't charge much,
For her smelly crotch.
It was definitely decayed.
Never used a rubber,
Just a ***** scrubber.
If your willing to downgrade.
She lived down Abbey road
Smells like a commode
A wonder anybody stayed.
Just so that you know,
Her name is Audrey stowe
And she didn't make the grade

When her grandchildren went to school they got teased and ragged.
Because of all the ***** men that Audrey ****** and shagged.
***** got stuck with stickiness some got caught and snagged
That ***** smelly **** of hers should be bound and gagged.
The usage needs preventing it could be sealed and bagged
OR her disgusting antics monitored and electronically tagged

Ten-Bob-Annie was painted on the wall above of Audrey's door
I don't know why she got so upset because it attracted more.
Stupid guys just wanting *** at least there where three or four
Take my advice and steer clear of that worn out ******* *****.
Her daughter Debbie was the same they'll make your shaft so sore
Those two infested well used ***** are nothing to adore

Now Audrey's daughter Debbie she was just as bad.
She ****** just as many men as her ***** mother had.
They wasn't really bothered they would have any lad
Just a couple of fat slags they'd even **** your dad.
But they never got there hands on me of that I was so glad
If I had even gone there well I would have been quite mad

Let’s make vulgarity beautiful
for a couple seconds.
Dwell on the ******* gimmicks of language,
the shock value of mixing syllables together,
the stupidity of poetic “terms”.
I’ll tell you about my hate for
******* clichés,
****** overused poetic devices and word pairings
that ruin the fun for all of us.
I’ll lay down some ground work here:
too many minutes of my life spent
trying to count syllables ,
rhyme words,
analyze and alliterate annoying argumentative articulations.

You know what?
**** alliteration, assonance and consonance,
bastardisations of the brilliance of poetry.
Destroying all appreciation of something so fine
at such early age,
with red pens,
poor introductions,
and misconceptions falling out of every ******* mouth.
Reused and recycled clichés
trivializing the beauty of rain,
that stomach hiccup when you see someone you like
the actual emotions that fundamentally make us human.
The over-judgemental *****
who can’t write for ****,
think they’re high and mighty,
overusing these feelings with the vocabulary of an eight year old,
giving us poets a bad reputation.
**** those *******
with their dark souls
empty hearts and
broken dreams
**** them over cups of cold coffee
in vintage mugs
snapping in a low-lit jazz café.
Sonnets, haikus and ballads aren’t the only forms of poetry,
nothing has to rhyme,
I shouldn’t be graded on my ability to be a thesaurus.
******* teachers narrow-mindedly give us
“creative writing” homework
that's not creative,
like the colour green.
I don’t see how they can judge poetry,
perhaps how it flows and word choice,
but I have an extra syllable
and purple doesn’t rhyme with anything,
**** me right?
Because purple is the only word which
accurately portrays what I mean,
excuse me if I pronounce this differently
rendering my iambic pentameter to ****.
I didn’t deserve a B.
*****.
Poetry isn’t something you can confine to four walls,
it can’t be truly ugly,
it can be the sort of ugly where your mum doesn’t want to put it on the fridge
but she keeps it until you’re satisfied,
and then she trashes it,
but it’s not ugly.
Remember that poetry is supposed to be beautiful,
*******.
Forget about that *****-*****-***** who ******* you over,
that ******* who didn’t say thank you or
that ****-faced ***** who should go digest a bag of *****
and write something worth reading.
Something that will makes eyes wander back to revisit phrases,
admiring the careful craftsmanship
that translates into something universally beautiful.

The moral here is that
poetry is an art to be mastered and
no one has yet to master it.
Some have come close,
and not all of them have used alliteration,
similes about the heart,
metaphors for love,
binding syllable limits
or rhyme schemes.
Whoever told you otherwise is a raging *******
who doesn’t deserve even the lowest paid *******.
Don’t be afraid to use taboo words;
it's your writing and anyone who doesn’t like it can *******.
Despite the irony,
vulgarity can be beautiful.

Some days it feels like I'm still there.
Lost in the ridiculousness we called us.
Listening to the ocean breeze crescendo over here,
I barely remember what was all the fuss.

Something about what I said or did I'm sure.
Always messing up; what I did best.
Was making me your ***** the cure?
Felt like it, say what you want to the rest.

Why did I think you were worth it?
Manipulate me more, baby, you know you want it.
Put down the glass of ice water and sit.
Exhausted with all of your childish fits.