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Ayesha Jul 2021
I never learn, I never learn
Keep mourning your ashes in the golden urn
You were the dawning sun opened wide
A purity I slaughtered for the god inside

I never fade, vague as fog, I never fade
Into the scarlet waters, I wade
Dusk weeps and deserted I wait
Wait, I wait, O timeless Patroclus, I wait

A thousand ships, all united, set sail
To free their heavenly queen and her veil
A thousand ships I could’ve let burn
Into the wretched battle had you not run

Rambles, rambles on this silent sea
Your extinguished heart will hear not a plea
You took all the humans in me along
This bleak divinity, worth not a single song

Never not do I hope, never not
I hope, I hope, in this despaired hope I rot
You lurk a painful past in my unseeing gaze
As rows upon rows of men I raze

In the halls of living, I search for your name
Your love-licked body I surrendered to my flame
I hear your starlit lips yell at me to stay
Achilles, Achilles, live, you ****** sun, they say

All my charismatic promises I forget
This wish, sweet moon, you shall not get
I tear then my heart in search of you
A river red as doom, and a stillness blue

I am here, Patroclus, now spare me this lone
My frenzied ghost screams soundless on
Our ashes kiss and kiss in the golden urn
I never learn, alas, I never learn
Props to Madeline Miller for making me like the character of Achilles...that's like making a lizard fly believe me.

10/07/2021
Ayesha Jan 2021
“Where is the assignment?”

You ask a question the philosophers have argued over

“Didn’t do it, sir.”
“Why?

Because..because…
Where do I even begin—
I usually begin with stories
They fly in through the window, peck at me
Until I emerge out of my cotton caverns
Today, they brought along a fox, orange like melting sun
She hid under my bed and didn’t crawl out until
I sacrificed to her some of my food
had travelled villages and trees in search of her child
Streams and bridges and bushes, she had asked

told me of a little, blind boy with a ***** sack
He wandered about streets, and parks
Every turn memorised over years— every fortunate bin.
His scarred hands searching for softness— of
half-eaten fruits and soggy breads— of cloths.
Dry papers, he collected and sold to people unseen
He slept on the grass, sang songs and gave her food
Then one day she waited but he never came
Then one more, and one more, then—

But you don’t want a story, do you?
right.
Uses of crystalline solids.

“I’m sorry.”
“Were you sick?”

Sick?
Yes, I was sick. But not like that girl, over there,
With a runny nose and funny coughs
I was sick with strange blisters just
under my skin.
they itched and burned, and I could not calm them down
Instead I winced. I curled up like an injured worm
And when the doctor asked me where it hurt
I said nowhere
I said there was a campfire inside me
I said the fish hanging over it had turned to coal
wild-grass soup was spilling out the ***— it’s hisses in flames
I said the people had fought themselves to deaths
And now the fire was alone, and the camps too
And the mother fish calling for her son
And the moon,
And the bodies—

But he said it was just my brain talking

“No.”
“Did you have to go somewhere?’

I did. Past the raging seas, beyond all mighty peaks, I followed a jolly fairy to the hidden garden where all dead flowers go.

“No, sir.”
“Any guests?”

A guest, I did.
But I didn’t invite him. I don’t even know his name.
He banged in through my locked door
A hazy grey shadow with two horns, four fangs and many claws
He ate nicely and didn’t judge my dying plants
He made a blanket fort out of my unfolded clothes,
we had a tea-party,
I painted his claws pink, braided his fur
he crafted me a paper-sword
And we duelled till our weapons creased and sun stopped burning
Then we sang together in our husky voices
And I’d tell you more but I swore
to protect him.

“No, sir. I did not.”
“Then where’s the assignment?”
“I forgot.”

I didn’t forget. I sat down to write but my brain
started talking. It talked and talked
and didn’t cease. Not until I hid back in my caves
and walked away from the night.

“I’ll give it tomorrow.”

Uuh...

“You sure?”

You ask a question the philosophers have—

“Yes, sir. sure. I’ll give it tomorrow.”

Bless tomorrow.
He has walked away, girl. You can breathe now.
Ayesha Mar 2021
the universe watches with her
mischievous eyes
as silence stretches on
between me and the mechanical city

from up here, in winds’ embrace
the cars are decades away,
and lights only a vivid memory
straining the back of my skull

the universe, too, breathes
I hear her now
hear the vacancy stir
in her bones

one— and the archers running
down my throat
two, like the lambs slaughtered
beneath them eyes
three and four and nine—
cracked toe-nails laden with mud

—ten women weeping
eleven wishes for the wilting weeds
I sense a chariot
bumping down the ribs
twelve for the wounded boy
limping up the hill

twenty— a hundred
and hundred more

inhale

I fathom the seconds kiss their hours
and hours melting into days
weeks and minutes,
years and more
all chopped and cooked
to a frothy stew
I feel it fill up her being

and vehicles with their horns
midway
halt—
an owl’s scream stopped just
beneath his beak
and sun, statued, stands

a thousand and the stilled plane
twenty and five
for them frozen flames
sixteen— and the shooting star
taped to the night
— seven prayers left unuttered

three for now, and three
for the past,
three more as all, into the unseen, falls
two shivers, shivers still
—one and a lone worm crawling
down my veins
one and the blue child up, up the swing

exhale

I swallow
as the ticks sink back into the clock
centuries dancing again
— and months  
come stumbling home
millenniums and moments
back to their protests

as all the circus is born again
two for the pink boy,
one, then one more, for the yellow girl
we do not know what becomes of us
or where we stand— just
that digits and hues come rolling down
and we can only sigh—

27/03/2021
Ayesha Mar 2021
He’s dead, the *******
Last I saw him up the Bombax tree
Stealing wool out the clouds
Rolling it into ***** and
hanging them by the boughs

I cracked its hollow bones
He helped cut the rest—
Together, I tied them firm
And covered with leaves
covered with dreams
with paints

Houses, and red bushes,
and green birds I made
All, beneath them bruised skies, I placed
I gifted them all to him,
He hung them by the cotton *****
— by the fiery blooms
of that flushed tree
We carved songs out the dirt
Carved for the withered,
and the birds

He’s dead, the *******—
Chopped down the Bombax tree
and buried our flowers
— buried them breathing
My paintings, he nailed to the sky
Pieces of clouds lie bare in the mud
Where he planted a poem
and spilled his soul to
water the seed
that would never sprout

For the dead, we wrote,
—for the winged
They at my colours laugh
and I listen, and I listen, and I laugh
A dreamer that he was,
a dreamer he made of me
He lives there now, the traitor—
plucked the sleep out my nights
One by two by three by ten

Bombax tree, we joked, ******
red out the stilled
now we do not joke, now we’re still—
Red flowers stilled—
He’s dead, the *******
Chopped down our home
Left me with those empty boards
Red, his very own paint
Blue, stollen from the dawn

A thief that he was
a thief he made of me—
I, too, borrow yellow out the daisies
and trick these frogs into spitting green
But what do I paint?
He’s deaf, the *******.
Dumb, even—
What do I paint, huh?
The whole **** world’s
a painting gone wrong
What do I birth out these tired hues?
Last I did, he sold them to the wind
The *******—
beautiful, dead *******
Traitor—
Bombax tree is also called red cotton tree.
Ayesha Apr 2021
I wish I had an arrow to befriend
A slender beauty with veinlets etched
in gold
In which tales flowed
of battles unresolved— songs of wars
that it had never fought
Bearing a blade forged from flames
envied by the crescent that rips its way
through the dark

I would choose it out the nameless others
patient in the quiver
and show it off to the winds
Watch the sly sun kiss it’s carvings
her nimble fingers swirling about
—it’s rich purple sepals
and their unwavering grace
I would let it touch the worn-out bow
that, voiceless, had words to scream
in vales, and in dens

levelling its fletching with the callous string
I would pull
— oh, moors ahed, and moors behind
moors beneath, and all inside—
It’s unblemished tip smirking up the yonder
Slaying all voids in the way
— oh, born an icy weapon
unborn still
I wish I had an arrow to befriend

I would let free the trapped string
impatient, always, to flea
and watch the moon lurking beneath the day
Watch him brutal,
— watch him cold
As if expecting lightening to
sprout out of my eyes
Utter a silent curse I would
Knowing I could not add to his bruises

I would feel a star burning
by the edge of my eye
My bird soaring towards its doom
and into the moors,
I would sublime


I close my eyes against the sun
grasping
for the bright of my blood
that lurks, lurks
beneath the shadows
of my gaze—

grasping,
and grasping still—

I wish I had an arrow to befriend
07/04/2021
Ayesha Jun 2021
Treading on through the hazy crowd
This circus dims with every dawn
Every dawn, I say, every dawn
Not the funeral, nor the mother knows
But dusk is a pitiful thing
Wrecked and lone, a pitiful devour
Overruled by its own shade

The crumbled clouds
Plummet upon us
And our skeleton hands
Sculpt gods out of mud

One for lightening,
One for the calm
One unborn and one undying
For you one, for me
We worship them then
Light up a fire that runs down our veins
And we bow

It is a beautiful blasphemy
A painful ecstasy
As the goddess within
shrivels to stone
And dust becomes the funeral
The mother
Dawns kissed and kissed
By dusk’s benevolent shade

The jester lies still with his king
And swords are headstones
Ripping skulls apart
Only uttered eulogies bathed in red
Dusk is a pitiful thing
As flames gush out of our skins
And ground can hold no more

Gods, gods still
One for war
And one for birth
One loving, one deaf
For you one, for us

Mortals, we trod through our immortal realm
Deathless we’re buried in her stoney arms

Dusk is a pitiful thing
Gods mourn our funeral
We, mothers no more
The circus dims
Dims to life with every dawn
Every dawn, I say, every dawn
30/06/2021

I kind of like this one, it sounds vague but I ...

The hazy crowd is the world around me, I walk through the places and with time, they keep on fading, keep on fading.
The funeral, the doom, does not know it is awaited, and the mother, the hope, does not know it is called.
But even this darkness, this despair is pitiful. Alone and broken, it worships itself helplessly.

There is chaos then, but not like explosions or deaths, like smoke falling from the sky. It is quiet and soft, slowly wraps us up in itself
But we don’t notice, we’re too busy making perfect role models out of worthless things
We give them names, distribute them evenly among each other and worship them in hopes that doing so will make us better, make us what we desire to be.
But the gods around us only make us forget about the divinity inside us, we worship our creation as the goddess in us dies. Then, when one’s identity is taken away, there is no doom, no victory, no funeral is feared and no mother is awaited.
We let what little of light there is left be devoured by the gentle darkness.

It is then the kingdom inside oneself. The jester, the one who performed, is dead and so is the king who the jester performed for. There are no battles for the swords to fight, and no gravediggers who might write eulogies on graves.

It is then, when all seems on the verge of its end, we, in our desperation, pour all our worship out. We give one last try, bow before our gods, and still have not learned.
Then the last bits of goddess stills and everything fall apart inside us.

Gods are gods still, now too powerful a creation to be undone.

The immortal realm was the goddess, the kingdom she ruled inside us. Now everything in that kingdom is still as stone, but we are still alive.

But even as the last bits of despair cover up all we ever knew, we still believe that dusk is pitiful.
Our gods cry for our funeral, our doom, but not for us. We are their creators no more.

It is then, that a new realm begins.
Ayesha Jun 2020
The first poem that I ever painted
but never wrote was not about a
pretty princess with a dress,
it was about a princess with a pretty dress.
Because that was exactly how I drew it.
I didn't make the cloth red so it would go with her pink lips,
I made the lips pink so they would adorn the red dress.
First I sprinkled the pearls and planted the laces
with great precision and perfection,
then I added one last stroke of a crocked smile.
Though I knew something was not right,
I let it be for it was all about the dress that night.

The first poem that I ever wrote
but never painted was not about
how pretty moon looked in the velvet sky.
It was about how she encircled the earth
and how all earths bowed before the sun.
How the sun too had a hero she revolved around
and how the hero too had a sun that he respected.
If each universe was whirling around something,
I wrote, each infinity was doing it's own dance.
And wasn't that what we all had become?
Infinities envying infinities trying to be bigger
than the others until our mere existences mattered no more.
Wasn't that what we were, I asked the words.
A million suns dancing about a million suns dancing about a million suns dancing about a million suns dancing about....
Though I knew it didn't end well,
I let it be incomplete, for that was all it was about.

The first poem that I never wrote
and never painted was about my Grandma.
I drew a short, tired figure holding a cane
to support her wilted body.
I drew her beautiful
because that was exactly how she was.
I made her snowy hair into notes of violin
and molded the wrinkles on her face
into rows of sunflowers across a moor.
Her hands, I adorned them with gems,
her lips, I filled them with flavor of her youth.
Her eyes,
her eyes were perfect.
They were the suns that encircled themselves.
The moons that practiced immortality.
I then gave her the usual battered clothes and worn out shoes.
Though people said they sensed something wrong,
I knew no one could look more perfect.

The poem that I'll never write
and definitely never paint is not about
how you look charming in that dress
but about how the dress looks charming
because it's on you.
How the thousand sumptuous suns
burn in the night sky for you to see
but you're too busy fearing the stormy sea.
I'll draw a million moments compiling up
for a single you to like them and
you breaking yourself up into pieces
for the worthless world to like you.
I'll craft your lips into a beautiful smile
that you used to wear back in the days
before the kids pushed you off the slide
saying you weren't invited and
the crescent of your face broke into two
as I watched from a distance, immobile.
I'll stir the bottom of your eyes where, I believe,
all your light has settled now, and
watch as life comes running into your placid eyes.
Though it will feel a little criminal and wrong,
I will leave it be for this is all I've ever known.

But that is just my wishful thinking.

The first poem that I ever wrote
and ever painted, I did in black.
It was not about the jet-black depth of your eyes
but weak bloodstreams that often
lingered there like spider-webs due to your sleepless nights.
I wrote about blood and how it knew
each part of you better than anyone else
and how, when it flowed, it could move people
to tears or screams, or laugh and cheers
I wrote about the blood because that was all I had
seen the day I had kicked open the door and
seen your being sail away.
I wrote about violence because that was all I had done
as I had silently watched you curse at your reflection
in the dejecting, clear surface of the lake.
I wrote about pain for that was all I had felt
when you had given me a bleak smile
in reply to my inquiry about your heart.
I wrote about death for she was the only one
you had missed and remembered and loved
in the last eternities as she lifted you up
and drifted away with your weightless life.
Though the honesty of my words took my breath away,
I let them be for that was all I had wanted in the moment.
A tale.
Ayesha Jun 2020
On moonless nights, sun, she crushes herself
into million pieces and lets them flicker across the sky
to save you from your abyss of despair.
With love,
Hope.
Ayesha Jul 2020
I thought you might be there when I parted the bushes,
stepping into our bygone kingdom.

Remember when we were no taller than the rose bushes by the lake, we would run by the shining water until the sky turned peach. We sat in the muddy grass, not caring about our clothes, and you made me necklaces out of weeds and roses.
And when we danced around like clowns in some vivid circus for an empty crowd, I stumbled on the slippery ***** and fell into the water.
Confess I will how we were little enough to trust the serene waves with our lives for we had come to adore them by then.
It was then that I first thought that perhaps the beloved lake that we drew on our canvases and carried along in our dreams, merely ached for the taste of our flesh.
Choking in the calm tides I no longer cared to see the world where mermaids lived nor dive down to the dark cave to meet the old wise fish; I just wanted to get out.
It broke like that- a little girl’s fantasy that was almost invincible. I saw the fairies and tales drown before I did, I saw the glimpse of lake opening its beautiful mouth and swallowing them out of my sight; then all I could do was go along.
Remember when you threw in a branch and begged me to hold on. I clung to my last hope, to you, as, slowly, you pulled me closer to ground.
Remember when suddenly the stick broke into twins and I gave out a sharp cry- one last notion of a falling lamb. It was just like the tales we used to live; you a prince with an iron sword- plucked from a tree- slaying a dragon to save the imprisoned me. But now the weapon was broken and dragon was nowhere to be seen.
Your eyes glistened like moon melting over an ocean as my cries faded away into my congested lungs.

You knew it then and I did too that the lake wasn’t the dragon you ought to fight, that it was my despair that roared in my blood. But we knew not what to do for never had we lived a tale with the victim and the villain dwelling in one being.
I thought I heard you scream, saying that the embracing water wasn’t the dungeon, that it was my own body- my numb arms and scared legs- refusing to fight the defeat. I thought I heard you scream for me to not lose hope.
How I wished to shout.
How I wished to say you knew nothing about water squeezing your ribs and nibbling your lungs away; how the sensation of being gnawed away by the current was a story we couldn’t share; how when you drowned, all you could ever do was go on.
How I wished to scream but my voice hid herself into the deepest caves of my throat and my lips parted only to spit and gulp in water.

But then I felt a hand- your hand- and then an arm- your arm- and I saw hope- your face- and I was pulled out of the dungeon I was about to call my home.
You brought me out, placed me under the tree whose trunk was engraved with our names and you called on to me until the water above me focused itself into summer sky, the waves incinerated into the warm air and my mind stopped whirling.
I felt razer-blades down my throat, my tongue sewed to my skin, my lips busy feeling the lovely air; yet still a voice I knew came out my mouth like a shy gust of wind and you got it. You held on to my two words and promised to never let go.
And then we laughed. Laughed like we'd done before at the irony of it all because that was what you and I did, laughed our aches away. But I remember your arms holding me tight even as we joked about our fears; I remember the alarm in your nerves, the grip of your fingers around mine as if I would sublime away into the thin air if you let go.

Remember when we were taller than the rose bushes by the lake, we would climb up the arid tree carved with our names and mold our stories and worlds until the sky turned grey.
We sat on the reluctant branches and talked about ironic lands where no future, no past existed; where memories were never lost and regrets never returned.
You plucked out a red rose and gave it to me with a pink smile. I tied it to a low-hanging branch with a strand of grass as a token of our lives.
Each day you gave me a blushing beauty and I hung it along with its long-ebbed lovers. We danced under the hanging corpses that symbolized our lives until our feet ached and our stomachs growled. We then ate up our foods and talked our fables.
Remember when we looked at each other’s reflections in the lake and smiled. Remember when you asked me if I loved myself and I, puzzled, asked you if my loving you wasn’t enough.

Remember when you shook your head and I turned red; not the red you often saw when you stroked my hair or gave me a flower. The red that you could have seen had you been under the water that day; the red that flowed in my veins, that ruled the very corners of my being- the red that I loved more than myself, more than you.
Remember when you held my hand but I ****** it away. I got up and yelled in the air as you listened in silence. You averred your apology but simply to calm me down for the fire on my face freaked you out. You turned around to pluck a rose but the bushes were grey and the only roses left were the bald buds hanging on the tree above us.
You asked me to dance but I denied, you sighed in defeat but I saw pity- remorse for the poor girl who was stuck inside her skin- you smiled with love but I saw pride- reminding me how I owed you my life- you reached out your hand to tuck a strand behind my ear but I only saw a snake slithering to me- to pull me out of the cell I had come to love, to strangle me up along with the flowers that you killed for me and watch me wither away, petal by petal.

You hoped for me, I only saw despair.

And I wish I could use that as an excuse for the painting that I drew but the water that splashed around me was unmistakably black and I could help not but think it was prettier than all the hues I had ever blended.
Your cries for help danced everywhere and I thought I saw myself scream and break a branch to save you from the starving dragon, as you once had saved me. I thought I held on to my weapon and hope and dragged you out of the prison  onto the grass. I thought I clung to you under the tree, sobbing, telling you I was sorry; that I never meant to drown you, I just meant to push you away for you scared me with your hope.
I thought I heard your faint voice saying the exact words that I had whispered with my feeble voice, “never go.”
And I took that as a sign of forgiveness and I smiled and I thought I saw you smile, too.

I thought I saw you smile.
I thought I saw you smile.

But I only saw the lake. Its disturbed surface going back to peaceful sleep. I only saw the sky turning red as the last remnants of our sun drained away.
And when I moved closer, I could still see your vivid image smiling on- no, in- the water but your eyes were closed and your skin was pink and glossy; you made no sound.

You looked like a freshly plucked rose.

If you could look back you would see the faint image of a stranger that I had become.
I still search for you in the water that’s the same vacant color as you. Your smell lingers in every rose about me. I can still hear you telling me I’m the dragon; and I know that if I could go back to the day you wilted away, I would only stand by the shore and watch you go because I’d not know what to do- we never imagined a tale about the dragon playing the hero.
Every cracking stem reminds me of my unused sword. Every break of dawn comes uninvited. Every empty mirror takes me back to your face under the lake, every silent night reminds me of the empty tales we dreamed.
How tragic that the dragon imprisoned in its own self failed to play the hero. How lovely that once upon a time I tried to fight my despair and I was saved, and once upon a time I chose to let go.

I part the bushes, stepping into my bygone kingdom,
I hope to find me there.
Pardon.
Ayesha Aug 2020
We bloom with our little hands holding on to abstract gifts that our beloveds in heavens gave us on parting. We hold on to them tight, as tokens of the memory of their faces bruised with sorrow—ravaged apart like wheat fields preyed upon by heartless windy nights; their artifacts stolen, life robbed—left with deserted desolation.
Open our eyes to the world, watch people fall in adoration with the transparency of magical liquid that lingers in our eyes and reflects the light into thousand shards of crystal hues like the dance of a pious river under an innocent sky.
They start to feed us with simple words, sing to us the rhyming songs, waiting for us to open chains of our tongues and repeat but we, we quietly yearn for one last note of euphonies we had grown used to in the paradise.
Stare at our mothers that hold us, smile, and we, mistaking them for angels that used to swim high above the skies—casting soft reflections of their glow on land—extend our tiny arms up to their faces and mold our own plump lips like gentle curves of the valleys that stood gracefully in horizons of our homes.

Sometimes we fall asleep and all the missing peace comes back like a goodly giddy fairy floating towards us, allowing the glittery dust to take us away to the land where we so lovingly belong, what we so patiently long for. We meet the strangely familiar faces through our dreams until someone far away makes a tentative sound and our sensitive ears drag us back to the roaring reality.
We then begin to cry and strangers try soothing us back to sleep with jingling toys and swinging rides as if playing a jolly jester could please the kings inside of us; we don’t stop our shrieks until the faces of our guardians appear before us for only do they seem like ones who could take us back home.
We hear people speak a stranger language before us and try our best not to listen for it is no near as beautiful as the music we hear in our sleeps. See our mothers mouth out some words to us, whispering us to repeat, hoping we would oblige but we never do. Sometimes they smile in response to our silence; but with time, our immobile tongues only cause a night to creep over their profiles. That right there, on our own mothers’ faces is where despair comes and introduces herself to us.
We we— merely to make her go—utter our first words.
We watch the sudden bursts of volcanic smiles on their faces as splendid shadows of shimmering suns crawl over their entire countenances; they call up in shrill voices for others to come over and watch us speak. Such queer it gets as we, raised as royalties, become the ones performing feats before a chanting crowd. But we do so, we do so to watch the pride on our mothers’ faces.

Pages of our books roll on; we start combining the scarce collection of our learnt words into broken phrases and try our best to fit our thoughts in those shallow bowls. Once upon a time we promised ourselves to hold on to memories of past and gifts of goodness we brought; but we start making friends that are just as little and confused as us. We invent our lawless games, play our lifeless toys, uttering our faulty speeches and the memory that we once lived and loved starts waking away without us noticing.

We still think about it but only in our dreams.

Day by day, we grow like petite seedlings forming into clumsy saplings. We fall down, scratch our knees, we get angry and cry out our rage; we laugh and bloom and watch people adore the scent of our flowery lives.
Our speeches become consistent; our sentences rigid. We began making our own hair, tying our own shoelaces and wishing for things we once thought unworthy of our love. Our eyes become translucent and dim. We try drawing shapes on papers that they call alphabets and start learning their patterns by heart.
Time by time, our alphabets, like stars colliding on ecstatic skies, form into words; words queuing themselves into clauses. We grow and grow, marveling our branches, polishing our leaves—living the world, dreaming the world and dwelling wholly on it.
We grow accustomed to the dark, learn that night is just as inevitable as day and to survive the blinding dark we befriend the monsters that claim to know the way to joy. When it rains, we question the sun for the sake of our plants, when it shines, we beg for rain to quench our dry tongues.

We, little babies that fell from the skies with giant flowers attached to our backs, pluck our wings away and grow into youthful, excited trees. Drowning in oblivion of our own secrets, we master the art of masquerade and learn to justify our actions with vacant excuses. We practice hunting and haunting and hurting only to be punched in chests by our spears.
The fungus of hatred grows inside our hollow trunks, ***** the goodness out like termites gnawing away a wooden charm and burns our smiles to embers— carving from them their evil twins: smirks and simpers. Fire of pain takes root in our leaves, squeezes our lungs, as if grasping a soaking piece of fleece by neck, making it puke out all its hope before hanging it to dry. We gasp and groan in sorrow and angst until despair comes to our rescue.

We, little crowds that once laughed and joked roam around the land like defeated kings and play the beaten pawns merely to move another inch. We spit from our mouths the made-up languages and handcrafted curses and allow those fictitious, barren and illusive nothing to divide us into groups and tribes despite the fact that we live the same lives, walk the same disguises and come from the same bygone, forgotten lands.
Our lives revolve around abysses and priorities the bewitching buds devoid of petals or pollens or life. The moon still shines and the sun still gleams but we have forgotten to notice for we invented our own suns and glued our own stars to the ceilings of our prison homes.

From the moment that we were born, we began learning a language that was empty of emotions and full of words. We let go of our memories and, at some point, our fingers forgot about the gifts. At some point, too caught up in ever thinking and inventing, we stopped feeling.
We stopped dreaming about the ever-lasting skies, immortal horizons smiling with goodness and glossy rivers shining in purity; the sweet scent of angels that glided in soft winds and silent air of the fluttering laughs that used to echo all around—from the tender dips of green valleys to sudden twists of proud mountains.
At some point in our lives, we forgot to live and all the darkness came sailing towards us and pushed our hope away. We began turning to beasts, fur bursting out our skins, our teeth elongating to daggers; we howl on cliffs of our own regrets on the dead of nights.

The despair who once was frightening becomes our only hope.

But even in all this blindness, I sometimes catch a glimpse of the shy moon behind veil of clouds and I stare, a little too long, at all it scars wondering how it still manages to shine. Wondering if it bleeds out its light only to guide us back home.
I, sometimes sit down on the grass and allow the vastness of this generous sky to gulp me in and, surrounded by the echoes of sleeping humans and ringing of insects as little fire-flies whirl about me, my mind shifts back to a memory I don’t remember recording.
I try and try to grab the feeling, to clench at it; that strange nostalgic emotion that sings to me the chapter of my book I never wrote in these words. I struggle to grasp at it, it slips away, I reach out my arm, it backs away and so the battle in my skull goes on.

Sometimes, I can swear that I hear faint, remote sounds of distant harmonic laughs and smell the aroma of merry and love but I can’t trap the sound in my ears nor convince the fragrance to stay. I can’t tie that peaceful pulse, that stays for a fraction of second, with ropes to my being. All I can do it hold on to that second and never let go. So i do.

I cannot say that I know what those voices are or where the sudden glimpses of moon-stricken faces come from but I can tell you this: I believe that someday or some night, in the dungeons of our enigmatic emotions, you and I, we can sit by a fire on a grubby moor, or rock on a silent hill or a wall of a sleeping house—or just where we currently are—and look into the sky; past the clouds and beyond the stars to the distant land that calls us home.

I cannot say we will finally find all the answers but I can and will say this: if we stare into the bottomless bottoms of the sky around us; and we listen to the morning chirp or night yawn as the wind around us grows into an infinitely vast ocean full of distant tides and friendly waves—dancing and bobbing around uncountable stars and suns that shine in glory—and if we stay completely and ardently silent, we will be speaking a language devoid of words and full of emotions.

And if we cling to it, the language might translate the mysterious mirages of songs that sometimes play in our sleeps; that translation might lead to understanding and the understanding may guide us to remembrance.

And what do we need but the remembrance of life we lost on our way to survival.

Sorry this is long.
Ayesha Aug 2020
Straight hair make me look more beautiful and less myself
Exactly what I thought I wanted.
Now I look at the girl in front of me and I wonder how she has changed
she writes down same stories of tragic hopes, as I do
her heart, like mine, beats in a tentative rhythm, confused by the tides of sentimental emotions that seem so vacant
she too gets tired of playing the pawn, she too drags the still of her being down the road of survival
she too struggles to love me
How, I've loved her and hated her for a young longevity
yet something in her is dimmer than the skinny, short girl that used to make faces at me
something about her sleek hair is less beautiful than the Hornet's nest on the tiny girl's head
Something in the valley of her lips, some glimmer in her eyes;
as if forcefully electrified. The little girl's eyes glimmered like a moon's,
mother once said the sun of her soul illuminated the black of her eyes.
I wonder what she'd say now.
But I am well acquainted with the source of the absence, and my partner is too.
We know too well. We know too well when we let go of our pearly little courage.
We know too well that as our eyes lingered at the boxes of hair-straighteners down the aisle, our courage felt a threat arriving.
But we were still young then, still little suns, so we let our mothers hold our hands and walk us out of the seducing store.
We know too well how our courage weakened when we envied our friends' mighty strands, straight and still like dead snakes hanging.
So as our polished fingers gripped on to the box, years later, our courage grew afar but then, we had decided not to notice.
I see her now.
She's right there, the little girl.
Behind me, behind my image
she speaks like a vivid memory, I smell sunshine blooming around her uncombed curls. Her spotted skin is clearer than our nails will ever be. The light of her lashes flutter more than our strands.
There she stands, no paint, no cloud.
She looks like a naked sun.
She tells us to wash our hair back to bushes; to enliven our faces, let powdered streams run down our necks. She doesn't mention our claws but more than once do we catch her staring. Says if she could pluck those dried petals out our lashes, she would.
Says if she could burn that hair-iron down to embers, she sure would.
Says if she could come out and hug us both till we loved each other once more, she would.
We stare at our sketched smiles, glossy valleys as if blood aching to drip. The nails that could clench at a soul and pull it out. Eye-lids weighed down by lashes, skin tired out by icing.
For a moment we let the hopeful silence swirl around us.
For a while, lost in battle of deciding between girl's eyes' shine or our crystal gloss, we still.
But it's too much.
Too hard to give it all up.
To wash away the mask, we'd have to peel off the skin. Bringing the hair back to life would be the death of us.
Too much, too hard, to quick, maybe later, just last time, step by step, some day, not now, too much..

Then we go back to burning our hair to numbness, dabbing dusts on
our shameful faces.
We're great painters.
We know that because when the little girl silently walks away, out of our reach, out of our eyes; when we are left on our own
we hardly recognise the artefacts we have created.
November, 2019
Ayesha Oct 2023
The madman watches from the pores of the city
Housed tightly like a life in the confines of chest
Sky howls and lures it outwards, bulbous and beating
The windowsills loosen their grips, hang pitiful
On the precipice, as a blind disquiet looms
Silence yawns, and then chaos sneezes
Opening wide the madman's heart
Then, a big rumble wakes the streets as he prepares for riot
People-pupils jig in their pools
Exuberant at the disturbed show
Almost, it seems, that a thousand past sunsets
Might flip over the world
And walk unleashed as man upon man
As man among men in song has done

Almost, but the moment sags again
And the sordid stillness bars everything-
16/10/2023
Ayesha Mar 2022
these days, summer sticks sticky
on plastic and skin,
and moss above lips grows fast and fat,
sneaks through muscle to chin, and
leaves its footprints on the nose

these days, ticklish goo melts
out of the bodies of clay and
drips dreadful down
licks the spine with a slimy tongue,  
and opens its dark wide mouths
near hills and pits, it
sputters out snails of staining trails

these days, metal wings stir up
an air soggy with warmth
and mix up a hundred drain flies
that settle unflinching on necks and arms
and bite little
little and sour

these days, sweetest touch is salt,
and faces unpleasantly gleam
beneath liquid white lights
that splash all boiling on flat-faced tiles

these days, March winds march
their banners of sun-softened fruit
and sallow nights
that tumble in tumid vomits of black
and smoke and groaning fans
round
     and round
and round
in an orchestra of mosquitoes
right inside the ear
17/03/2022

summers, summers, please die
Ayesha Sep 2023
White as a sordid awakening
Hollow, shallow, swallows
Me like an aged cavern

When mother comes in
She is scared to find me
Pale and blue

The window is a hole
Curtains like bedraggled women
Clutch at themselves

She stumbles through a gathering
Of talkative charcoal
And pastel on the floor

Scattered and sallow
Turpentine twists in sweet sashes
Round and round her neck

She calls, wavering already
Diving obliquely through the sea
She reaches for me on the mattress

In the bookshelf,
Behind easels,  pallete
Beneath the bridge of the table

A thousand gales of hues blow
Ruffling a thousand shadows
Thousand murmurs decieve her

Into breathing relief.
I see her heart a flickering flame:
Waves of my deathlessness

Shove her around.
Mother, mother, come closer
I call from the lean wooden

Parapet of the canvas
I dance her about in the sky
Stroke the hair, as

She cries, holding my solidity
Thin, bony; her hands shake
Like factory floors

Rancid blooms of a stubborn faith
Scotch her oak-brown skin
And all the walls watch our show

Disintegration occurs
As she searches for me
Kicking clatter and dust around

I a pebble in the pebbles of me
She picks, examines, throws
Picks examines, throws

All while tumbling
Into into into the stench
Of my keen blue decay

Brushstroke, word, scream and plea
She takes all the noise along
Into the beautiful world

Gaunt, I crawl clawing out
I am monster now
And she is painted.
22/08/2023
Ayesha Jul 2021
If only I knew how to mold bricks out of lone
I’d build you a house
And paint it with flowers
That mimic the colourless
hues of your gaze

Leaves, I’d tie to stooping fingers
Of our barren talks
Fruits with moonlight in their stout tummies
your chapped lips
They envy the sweetness of
Do you know?
(Too bold a flattery, you say—
Dare me then; dare you)
Gentle I’d go
Show them the tree
And they’d make their nests
In its laden boughs

A crown on your head
Weaved out of patience
I’d softly place
If only I knew a way past this barricade
That together we built
A thousand years ago
I’d be a flock of wild geese
Guiding you out

Oh, my fluttering wings
Calmed in the sky’s blue embrace
I’d soar around in winters cruel
I’d watch and watch
The edges of our land

A bed I’d carve
Out of roses and dawns
Hang up my rivers
By the glass windows shivering in our storm
Oh, there is a kingdom
I would like to save
A bunch of bluebirds, and a quiet queen
The slender moon far, far away

If only I knew
A melody strong enough
To cure this aching rebellion
Oh, if I did! If I—
I watched, and watched the shores
Of our land
No ships came with their armours ready
Your own bluebirds,
They fight now the flowers
They ravage the fruits

If only I had a drop of divinity
Sulking somewhere inside me
I’d banish their light souls
Out of their bodies
But bluebirds,
Are pretty
And so is the mayhem
And so is silence,
And you aridity

Lurk at a distance,
I know not
What to build out of this lone
12/07/2021
Ayesha May 2021
Think the saddest thing about this land
Is how hard it tries to live
To hold, to let go— how it
Stills in the middle of a catastrophe
How it sings
Only when no one’s about to hear
How its silence
Is never wholly true

How the clouds go by
And the suns
The crescents grow up and pass
And people—
Yet it, shuddering, remains
And how it struggles
To weave peace out its
Wavering fields

And ever-dancing cities—
The dance of a Persian woman
In shackles
How it slaughters its own flowers
In search of their seeds
How it breaks apart
In the middle of a night
In the middle of a little girl’s question
In the middle of a smile

How the maidens
Keep on hanging their dresses to dry
And children keep hunting
For helpless worms
And snows melt into grasses
Till they too sail away
Yet it, shuddering, remains

How it will gnaw away the town
It carved itself
Feast upon its own beautiful bones
How hard it struggles to stir
In its own queer death
And how it will wither
And wither, and wither
And not tire—

It is its own hateful god.
18/05/2021

oh and also... ELIOT, FIX THE **** SITE!!!
Ayesha Oct 2022
Roused in fanfare, these facets
are full of scantiness,
of cold-***** futility, of bitter thanks

The light turns, morphs them
now they are faces, now limbs
now rancid rag houses again

Crooked sun gurgles, spits a fraud spring
and the office men observe their machines
straight-backed like chairs, they droop
rampant on scarped brown desks,
desks with picked-nail edges, so brown
no one sees them, so solid one forgets to

The sky runs her threads again
accumulating: stagnant noon, sitting
spread-legged, with wax-paper eyes
it watches, watches the aging

Slowly, everyone leaves
the formal men, their leisurely burlap work
lights blink as if to bulwark tears, and
the foul remnants of day's charred pleasure
begin to settle on skin.
the wrists thin, some nails cave in
some lichens on stone-nose

Things that elude cuddle elastic back
into the things they elude
and, spent, the sky breaks at last the thread
to another demure death:
glitchy and green, riddled
in its own secrecies,
dry-lipped as a crone

The light turns again
and this time, it is perfect:
just past the critical angle,
where bustle-bundles of beam
flee unfettered
and leave unlit the grateful subject
reticent, stale
bold in a boastless brood

only a singular fissure
of pretend slight
to mourn aloud in the spectacle of black
21/10/2022
Ayesha Jul 2021
What is this new-found lust for madness
Marching hand in hand with my blood?
Does Moon know it is shrouded
In the sky’s black love
When it is?
Last night, I tossed a rope up towards Jupiter
Tossed and tossed
Till the hook, like a talon,
Took hold of the peachy pearl
I climbed then
Clumsily up the sky—
Up and up I went
And watched the dusty city,
Its flickering lights, and glorious glamour
All beneath me
Oblivious in its slumber

I ruled it all
The yonder, the earth, and beyond

Then the gusts came and kissed me a storm
Have you forgotten your place
Little human?

And the rope wavered
Harshly so, as a dead man tied to a bough
I feared that Jupiter
Would flutter out of my grip
And send me plummeting
To the pitiless land
Where I am from—

But climbed on I did
Through all the havoc
Such was my desperation to soar
And the moon tusked
When I dared try kissing its light
A laugh so pure
I forgot the numb of my hands
Keeping me there
Where only the clouds are known to roam
Forgot the small, small
World below
And slipped I then
Out of the short-lived ecstasy

I was a child lost in a lake
My limbs moved and moved, immobile
Down and down did I fly
As winds above me rushed
Darkness was the blood of a lamb
Unwashed
And clotted
I whirled around myself
Till I did no more

What is this new-found lust for madness
Marching hand in hand with my blood?
I fear I will drag myself to my altar
And spill whole all
That is known of me
Till I am one in the silent night
Kissing my sick Moon to sleep—
Swaying to the faint sounds
Of the orchestra of winds
A dead dove tied to Jupiter
Far, far in the black
What is this new-found lust for madness
Marching hand in hand with my blood
Begging for war—
19/07/2021
Ayesha Feb 2022
it is like a Koel’s cry
in the midnight tremors of time
it is sweetly sour
like orange juice or an Autumn’s flutter
shrill like a woman’s touch
or day’s gold
on some purple curtains

I don’t know…

in this blue dark,
with silhouettes of a forlorn city on glass
it sounds so real
I linger here listening
blinking with the clock
20/02/2020
Ayesha Oct 2021
Dissolved in traffic
we forget ourselves
Metal and muscle of bone, of beast
Marrow of bloom
and whip-quick flapping of pigeon wings
When father coughs his crackling logs,
we know he arrives, we hide away our games

why don’t you study, why don’t you study, where have you been

So terrified of the world he,
with his sky-shaking speech.
father, father
what have you seen?

My limbs twitch and eyes flee
He knows not what to say, and we
never learned.
Taut skin aged to crease, and all that clover smoke

and dust from road,
It sits so stout in his placid gaze
I sink, I sink.
Say, father, father, will you not leave?

Dissolved in traffic—
Gyres of grey and their loosened rings
mimicked by the reeling of kites
So long he roamed
Within those slithering maps
almost became,
almost them.

Memorised the city on his very palms.

Father, father, I never could learn
the twist and twists and turns of its trails

The city got lost and I,
And I, oh— I

The whispers fade
of footsteps strange, and closed are hearts
in breathing reliefs
father, father,
What have you learned; father, father
we become ourselves
father,
The birds all settle, the metal melts, the
noises die, the traffic, oh, the traffic
your good old mistress, we forget of it—
father, father,
What have you learned
07/10/2021
Ayesha May 2021
Rows upon rows upon rows of suns
and when I ask them where they’re headed
They go on voiceless
This one you hated, this one
you ignored, this one your forgot,
this one you tortured, this
one you never saw
Someone says
and when I ask them where they’re headed

they go on till
they stumble and fall
This one on that one on that
a shattering, the pieces are grey

Rows upon rows upon rows of moons
and I’m tongue-tied
This one you killed,
and this one and that one and that.
Someone says
and I turn around, you grab me
with your nightly glare
The dagger smiles in my hand
and blood, in queues, downwards flows
Stars in your skies wink
This one you killed
who?
where are you headed
Then moons and the suns rise up
their hues abandoned in rock

and follow you, smoothly, on
Down this tentative cliff
you vanish—
they vanish
—all vanishes
My feet stretched to roots
and them betrothed to ground
suns and moons march on
the dagger in my hand
smiles—smiles— smiles
Blood all about, but not one dies
not one winces,
the crowd comes and
down the cliff, vanishes

dagger in my hand smiles
—smiles
This one you killed
who—
September, 2020 something
I am a ******* coward
Ayesha Nov 2020
on and on it goes
deep into the past— and forward.
  Still, on and on it grows
a spiral unfolding 
                                eternity
sideways, upwards, downwards
   — inwards
                  on and on—
and where all— that could be imagined— meets
       is this now.
Is this now?
    there we all sway
        there we’ll all stay
shallower than light
empty— empty—         emptier yet.
and there we’ve been.
shining fires— vanquished stones
betrothed, sundered;                        
carved into our very own       e n tr opy
   and deformed back to cosmos.
we’ll be there—
when we are; or are not.
scattering like pollens.
      Unseen.
                       far—

far away from this now
this mesh of a single thread
         on           and on which goes
On— on still
as strings long passed whirl around us again,
and what’s to come late

— comes already.
we are. Are not we?
Ayesha Mar 2022
1.
wish wish  die
shh, little fly

2.
palm on palm
between, a slender void
mosquito, still alive

3.
sour streetlight
splashes on eye

4.
night sleeps
her jaw slack

5.
mosquitoes got me dancing
an Obscurus
little verses I scribbled last night

29/03/2022
Ayesha Nov 2020
this house reeks of joy tonight
a teary-eyed girl— laughing
the gas heater and its sizzling flames
crimson socks with golden stripes
and a woman eating a slice of strawberry cake
a boy revising his lessons,
a man listening to news
the sound of oven and the roasting chicken
a boy making jokes
an old woman, on her rocking chair, smiling
— sipping tea

and the lights flicker off— the oven passes out
but the silky strands of fire in the heater keep swaying about
— burnt shadows on the creamy walls.
roast rests uncooked in the blazing heat
and the girl gets tired of laughing
— maybe it’s the sleep.
and her eyes ache
— maybe it’s the sleep.
the boy puts away his books, stretching his limbs by the fire
woman places her blood-stained plate aside
and the boy runs out of jokes
—maybe it’s the sleep.

but the heater keeps hissing
and gas fills up the room—
air packs up her bags and leaves, unannounced
something heavy slithers in and out our lungs.
heat and suffocation drip out this overfilled room
the roast waits, patiently, to be cooked
and slumber sinks deep in our bones
and our lights go off—

and though the flame twists and turns
—no one sees her
and the roast screams
but only the metal walls hear.
this house reeks of a peaceful joy
and the old woman dozes off to sleep
the girl covers up her feet
the boy yawns and hides his face under a pillow
and the news go on but no one listens
and only the heater stays awake in this house
— reeking of a flammable joy.

and the roast curls—
the roast curls up in his deathless form.
flames and deathlessness and death.
Ayesha Nov 2020
wild crowds—quiet towns
—empty as a sky
you sway like death herself.
the scent lingers where you
—no more do.

overflowing vacancy;
so known—unknown.
and wild crowds go wilder
and you—the town—roar.

overflowing silence
I’d hear you whole
if you’d stay—if you’d stay
if only you’d stay.

we could be so many things
and we chose this strangeness
wild crowds—wilder go
quiet towns—even more so

you, I
unchanged—
two impatient oceans
—still.
Ayesha May 2020
Flowers that I hung,
so ardently, on New Year
are now bathed in dust.

Ayesha May 2020
The first time, at the age of four,
when I first peeked under my tongue
after brushing my teeth,
I got scared.
Frightened by the ugliness of it.
All the ruptured rivers of my veins and vessels,
the indefinite patterns of colonization of my cells;
a naked mannequin of the story I held inside.

It was as if someone had peeled the skin
off my tongue at my birth
and now all the prisoners were striving to escape.
It was as if someone had abducted the blanket
away, when I was sleeping
and now the monster under the bed was clawing its way out
asking if I needed a friend.

Scared that I would damage the fragile wires,
I carefully laid my tongue back in her cradle,
hoping that someday, the skin would be back.
That she had only walked around the corner of the alley
and she would be back.
That the vacancy in my heart did not mean she was gone,
she had only gone to the mall to grab some sweets
and she would be back.

Each day, I would steal a peep,
in belief that I might find her there.
Though foolish of me, sure, it was to hope.
Smart of me it was to stay away from despair.

I still get scared when I glance under my tongue.
But not because of the ugliness, no.
The darkness.
The darkness that, I know, flows beneath those streams.
The darkness that, I fear, resides behind my skin,
licking, biting and swallowing the hollow of my being.

I still shut my mouth as quick as I can,
sending my tongue back to sleep,
but not because I am afraid to cause damage, no.
The destruction.
The chaos.
All the words that hide inside my enigmatic brain.
All the demons that lurk around the shadows of my heart.

The beasts and ogres that I once crafted
out of the ashes of my soul.
They skulk in the void of my chest,
their laughs echoing around the abyss
where once cherished my being.
They drink and dance, and gamble away all my life.
They joke and sing, and rob me of all my hope.

I still check the cave in my mouth,
day after day.
Not in hope of arrival of spring, no,
but in helplessness of my desperate desire.
In temptation to split open a vessel,
and watch all the nothingness,
flow out of my mouth into the inviting sink.
In temptation to ravage the last barrier into pieces
and feel all my creations drain out of my body.

In temptation to see the corpse of my soul
sail away with the tides of my untiring blood.

--to be free.
When I said I was wondering about life, I might just have meant its end.
Ayesha May 2021
I think I let this blueness overflow a bit
Mother’s being tender again
She talks to me like a bee does
To a sleepy sunflower
And does not mention the missed classes
Does not remind me of the exams
She says to me
‘Ayesha,’ she says,
‘Ayesha, you brood too much.’
And I know mother.
And she jokes that she might have to
Burn this notebook I keep scribbling in
Because it does not make me happy

She says to me,
‘I know you’re brooding when you write
And all that writing makes you grey.’
She says she’ll have to throw it out
In the street
But I know she never will
She’s too tender
Too tender, my mother.
I think, ‘Will I have to myself then?’
And I think, ‘How many will I throw?’
And I think, and I think till the sun
goes down

But I brood when fairies are on their way
To the stars
And mother,
Why are dead things always the scariest?
Sorry, I know I’m supposed to be
Focusing on these Orbital radii
But I can’t stop, mother
The atomic structures
Keep mingling with dragons
And their pretty eyes

Mother’s being soft again
I am a little child stumbling up the hill
And she never asks me to help in the kitchen
But when I wander around
Light as a wind
She lets me chop the vegetables
I do
There goes an onion, so quiet
Chop, chop, chop
Mother, do you think if trees bled
We would still butcher them to pieces?

Chop, chop, chop
Mother, who carved this goddess out of my name?
It feels heavy now, wings mighty and huge
I can barely stand this mortality
Chop, chop, chop
Mother, does it not pain you
Seeing all the coriander dry in the pots?
The dirt that birthed it from a quiet seed could not keep it alive.
How are you so strong?

Mother, mother
It reminds me of my Morning Glories
Last year
They bloomed so happily every morning
And they’d wilt by the evening
And the next day
The slender plant would make more blooms
They kept dying, mother
All of them
On and on and

There was nothing I could do
Nothing the stems could do
I watered and watered and watered, they kept dying
Born to wither
And in the winter, when the sun wasn’t as cruel
Cold did the job
And all the leaves fell down
empty plastic wrappers, they were
And I pulled the hollow vine off the railings
We burned it that night, I and Faizan
The fire ate away what was left, and
Ate herself when nothing was

chop goes the last lamb
I sacrifice a lot to my wolves
The sparrows outside ask me why I do not talk
I do, mother, don’t I?
I talk a lot, a lot, a lot, my skin gets tired of hearing
The silence hops around the kitchen,
a mad cat

Mother wipes the heat off her forehead
The stove whispers on
‘You’re brooding again, Ayesha.’
‘Whatever, I told you it was not just the poems.’
Everything’s a poem to you, Ayesha
No mother, I’m just tired—
20/05/2021
Ayesha Jan 2022
you are moonlight kissed, and—
yes, moonlight kissed
and I, in winds, solidly see

beads of my beloved grief strung
in stranger fingers
spidering around reckless on strings—
and waves waves tiding, in ecstasy woven
by violins I dare not learn, by flutes seeping, and sitars
calling home a bird astray

Vivaldi: a dry Storm sob that will not blossom,
not, not, will not— twig fingers curl to taut fists as— Winter
dribbles down on the ragged red throat and
night like silk
silk silk— silks on silks opaque! Ah—

the troughs and oily hills zigzagging
through the air

and violins turn to pinpricked limbs
and strums strums skipping
tugging cruel and tearing—
plucking tendons, plucking desperate and fast

-

you are moonlight kissed as
the silver blush is teased
by sea-creatures’ scaled splashes—
a thousand good griefs tossed to air;
but I am body only
two woody legs folded in a branching of arms
next to the trunk that timidly breathes, next
to the fist-sized squirrel—

my roots like cold fat moles curled up
symphonies rush by giggling
and I do not tremble
21/01/2022

I have never met a sea, but I often wonder how it would go
Ayesha Nov 2020
Under the night—there’s a lake
beneath whose serene, silvery strands
blooms a city so filled with buzz
folks chock on it—
In the coal-coated sky, planes flutter;
billboards shine over gleaming malls
reeking of marbles and crystals and wealth
and little kings and queens prowl about—
ants dressed in facies—
and balloons breathe freedom
as children’s distracted fingers let them go;
blues and yellows—neons and pinks
and greys.

and overflowing pavements cuddle into the hysteric roads
winking cars, cursing vans—
honking and screeching and scratching
and laughing and—
Screaming? Shrieking!
Crying blood! Crunching metal!
A mother covers her toddler’s eyes
as pieces of flesh scatter around like confetti
A crowd gathers about what’s left of the—
human.

—ants before a rotten grape.
kings and queens with their buggies and guards
tiaras and lockets— arrows and darts
and the lights still smile, adds still run
and so does the blood—
and so does the dog with a missing limb
and so does the car that never stopped
Nothing remains of the flower, nothing of the bee
Statures jump out of ringing vans
men in suits— men too late.
They collect the pieces of steaks and the dog’s leg
and take them away.

and a slim lady cries, melting her smooth skin
A child, gawking, lets go his balloon,
A teen chocks on her wine—
footprints engrave in the clotting blood
Through the clouds, flies up the balloon
carrying the first scream, the first screech,
the panic of the driver who vanished,
the frenzy of city still as a corpse—
up, up into the breathing water —

another prince screams under his trembling crown
and in a wounded street far away,
whimper crawls out of a ravaged girl,
grubby boy weeps for his stollen rug
a woman curses, a girl trembles, a guy laughs,
a man sleeps, a lady paints herself, a cat dies, a trigger is pulled,
a cigarette is lit, a bottle breaks open a leg, a wolf howls,
a boy weeps in his bed
—a little whimper for each.

and little bubbles wade in her delicate waves,
the air pops those pomegranates open as
tongueless stories disperse around—
silent on her glossy lips.

and over her, the night sky yawns
as I crawl under her layers, and close my eyes,
listening to the sloshing waters, the owls far away—
begging for the bubbles to stop the screaming.
drowning. drowning.

drowni---
Ayesha May 2021
There is a sadness within me
That will not go away
Too young I am
To fathom her hues
But she will not go away

Instead, I feel her claw out my hands
My arms, my back, my uneven hair
She settles in the seedlings
And climbs up the vines
Hangs by the ceiling
And teases with her dangling legs

She eats the colours
Out of every song I dare to play
And will drink nothing
But the unflavoured hours

I do not know—
She is like a sun-kissed child
Jumping around
She wants a taste of all my scents
Leaves me scentless in return
I watch— I watch
She keeps scribbling verses
Over my messy drawings

I am sick of concealing her
Behind delirious words
And glamourised tales
She asks me if I am ashamed
no— not ashamed
just— I do not know

She is like a wide-eyed kitten
Ecstatic and restless
And will not be grasped
Will not be caged
Will not be butchered

The plants keep dying—
The plants keep dying and
days pile up
I watch— I watch
She will not go away
30/03/2021
Ayesha May 2021
For you, on whose
Oil painted skin the stars did sleep
For you again,
Who wept, wept in vain

I’d tie a butterfly to the unwavering sky
If only as a frail worm to
lure the fish
But did we not swear to leave the winged
alone?

Yet, there they are
Causing a reckless havoc
Trying to tear open the blue
And I’d shoot them down
But the ground is ours you see

Wounded and bleeding
The dying, as a fish, squirms
A broken spear pinning him in place

And I will keep on burning this dirt
To bricks
One betrothed to other
With cement,
Your own strange creation
The one you pour out your flutes
And pluck out them strings
Like fresh born weeds
dried and crushed

Songs upon songs
We set free up the yonder

But here is a bubble that will not be butchered
Like our sacrificial blooms
Ripened and fat,
This untouched pomegranate
Ravages itself

Long did our labor weave tales out ruin
To build us a shell
Within which we now reside

Unhatched

How do we do? It is pretty
A sight
The sky chokes on dirt and dirt
Drowns in the blue
Time, a trapped moth, flutters about
It collides around in its blind frenzy
And will not settle

I keep on
Painting our dry clouds
Birds still peck at gleaming stars
And you
You live, live in vain
06/05/2021

I painted yesterday. After about a year.
That's something, ******.
Ayesha May 2020
Stars that you envy
wince at their own light and moon,
she stares just at you.

My hopeful notion.
Ayesha 3h
But I will still change the water
I do not care for flowers
I will rearrange them
Of course, I will - you gave them to me
I sit and paint them
And the day blissfully droops to eve
And I think: anger never betrayed me.

But all my criticisms, and objections
Fall limp to an empty night
Please, speak.
Provoke me, oppose me. Interrupt even.
My principles hold no power
If they cannot fight you.

I love the simple silhouette
Of your pesky little spirit.
Please, speak.
22/02/2025
Ayesha Jul 2023
The unbearable viscosity
Of the boredom of waiting
Gags and gapes, it growling
Has me swallowed
Into its grotesque throat

The fans purr, feathery,
Unpleasent. The lights buzz
In my brain, it scratches
A restless cat, churns
A gyring stomach

I turn an old song
Over and over on my tongue
Till the sombre juice
Is lost to my black insides
And the flavourless gum
Becomes a pebble

Sold, a piece in the pieces
Of the past - how many hours
Lost, faceless leaves, to dirt?
The endless rosary
Of mournful beads: stale,
Untouched by prayers, a
Mockery to God
25/07/2023
Ayesha Nov 2023
Smother the torches
Burn down the sun
My young boy has died
And his ashes blown
Stomp on their candles
Shatter their statues
No fumbling mourn
Could bring back my boy
No fostered condolence
No faltering words
Woe to the blacksmith
Pounding on the night
His burning stars
Errupting, errupting
Woe, the moon has left
And no jewel of old or now
Could bring him back tonight
No noise of plea, no agony
No mumbling thunder
In my frail blue body
Woe, the room is dark
And empty and empty
Not a shadow, not a light
No one to hold onto
No one no one no one
There is nothing in me
With my young boy gone
27/11/2023

I don't know what I wrote this about. I was mildly out of my good senses
Ayesha Jan 2024
What a cold night to cry on
And I do not even love you

I do not even feel the presence
Of myself in this sorrow

What absence forms me
Jolting me out of sleep

Why do I leave the bed to wander?
Where do I long to be?

There is no remedy for tear
And you cannot soothe me

Here, simply: grief gallops
On horses of terror

It sounds its divine horn
Through the white halls of me
And there is nothing to give
But myself to the breaking
13/01/2024
Ayesha Jul 2023
All night long
I peel off layers of me
thinking up poetry
with my fingers and lips

the little moon melts
and melts
purer than fire

in the morning, I am wax again
undated
Ayesha Dec 2020
to those who randomly go around disliking comments:
I hope it makes you happy.
I also wish I could punch you in the face
Ayesha Jan 2022
‘bad day?’
no, 502
Ayesha May 2023
I am completely, utterly lost
Ayesha May 2021
My life is being shredded away.

— my little brother while shredding cheese that he was bullied into doing by mother’s threats of having his Laptop abducted away
Ayesha May 2021
Hello poetry
Hello p**try
H'llo poetry

your 502 bad gateways are
freaking me out
I got no copies of
all my ******* man
Oyi Eliot, when’s the app coming bruh?
v.
Ayesha Feb 2022
v.
in this classroom
words are hurled

in air,
the grotesque pencil scribbles.
in air, monstrosity
colour and colour to brown monotony

briefly?
talks tide
throats oscillate
leisure is an angry child
wreaking havoc on paper

listen, here,
just a halted breath:
air thins
page on page does not bleed
but it tears alright
21/02/2022
V
Ayesha Jan 2021
V
a skeleton hides
in this old, wooden closet
that i have become
everything seems dusty
vi.
Ayesha Feb 2022
vi.
viscous noise rumbles
churning in a chamber of ****

like impossible realness
its sallow bulbs drip

onto a breathing bog of muck
that rolls its rotund wells around

and bursts bleeding
its tongues of moss

its tumid limbs reach up and out
sizzling shatters on walls

it mingles with the shadows;
their gaunt deformities dance

it drains in ringlets
beneath chairs and shoes
it slides past the tiles
and echoes down down

it leaves vinegar flies
to hatch in a fat rancid air
23/02/2022

‘tried too hard and I ****** up the poem.’
VI
Ayesha Jan 2021
VI
i divorced myself
she took the child, the tulips
and me—she took me
outside, the city weeps
Ayesha Mar 2022
words elope
perhaps all alone
in nights sweet
and nights black

I am a child
fumbling my hands
on the faces of land
and the world topples
bounces about

this trembling scrawl
tentative almost
as the rickshaw
coughs and shakes

I don't say when I say
I am in love with words
sometimes the dance
sometimes song
sometimes the people
they carry along

I don't say— I don't say
I watch away
it is the child that writes
05/03/2022
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