Submit your work, meet writers and drop the ads. Become a member
Emily Brien Oct 2010
I like the colors in your eyes
Like deepest wells and darkest skies
I like the way your sparkle-splashed pupils
Fade and flash and grow and shrink
Deepen with the things you think
Widen after every blink
Confiding in that oily ink
The truth you cannot say.

I like the wrinkles in your face
Wrought with rage and gilded grace
I like the way they dance with emotion
Pride and anger, joy and peace
Caught in every carven crease
Conforming to your soul's caprice
Tension trying to release
The truth you cannot say.
James Rainsford Nov 2010
The intensely loved and cherished child,
Can suffer late.
Waiting innocently through,
The too few summers
Spent in total love.

Above him still, the parents’ strength
Prescribes the length
His loving years shall run,
Before time’s taint reveals his ancient face
Beneath the slowly peeling paint
Of pictures placed
To keep the knowing day at bay,
And stay completion of the plan
To mould the clay, in such a way
He grows a sold, and silent man.

Unless time slays his shining sun.
To extinguish all sensation
In one swift and savage stroke,
Before a doubt is spoken,
Or, disaffection’s woken
From his learning touch.

He perhaps, expects too much.
Such is the faith of infants
Safe within their fragile skin,
So thinly wrought in thoughtful art,
That the heart’s wild wishes can depart,
But disenchantment can’t see in.

© James Rainsford 2010
Copyright. No reproduction in any medium without permission.
Contact: james@jamesrainsford.com
Laston Simuzingili linkedin with this American
maverick freelancing writing scout,
(and word maven par excellence
Matthew Scott Harris always ha sellout),
thru Spoken Word route, a popular global
Facebook poetry forum prodded me to venture,

without shadow of a doubt, and try my hand
to craft, this rhyme for that reason tout
ting expertise (mine) forging metrical
syncopation, which electronically soundless shout,
though tribalism within Lusaka, Zambia beyond
my literary purview hence any objection

i.e. cerebral workout, sans the following
amateurishly wrought  gobbledygook by devout atheist
please do not be shy to call me out,
or send strongarm lance of the law if I
unwittingly commit any faux pas, this author,
who took mini crash (course) test dummy  
about said convoluted titled topic unbeknownst

to him as little as Trout
Fishing in America,
cuz he gets this hooked Semitic Schnozzle snout
stuck, while groveling, ferreting, expanding
his knowledge base no matter he doth spout -
whale visiting unfamiliar leviathan African bailiwick
may deliver just deserved desserts fallout.

According to the following Google url search result,
I reddit at whatsapp
http://www.qfmzambia.com/2018/10/07/
tribalism-has-no-place-in-zambia-
First Republican President

Kenneth Kaunda opened
potential Pandora box trap
expressing honest opinion, and observed
discrimination predicated on snap
judgement, or based on tribe equally

unfair methodology to foster, and rocket rap
pore, and ethnic background as well
owns no place in Zambia, cuz smeared pap
(as conk curd by ghost of Milton Shapp),

plus Doctor Kaunda also says family names
in tandem should not determine,
who to associate with, any more than nap
pulled lying flat hair, but rather character of hearts,
viz each one of every Zambian availing their lap
necessarily if seat space in short supply.

Speaking at a vision
ambassadors promoting peace
campaign fundraising dinner,
Doctor Kaunda says increase
in toto with discrimination,
suspicion, hatred, betrayal, malice, fleece

sing (the golden calf)
re: greed, selfishness, grease
sing palms, and other
negative behavior release
zing threatening opposition
to zeitgeist, and core values crease
and crimp unity if left unchecked.

He has recalled that during
struggle for independence,
people from various
backgrounds humming and purring
worked hand in glove together,

realizing that they were, spurring
above everything else,
brothers and sisters of
one nation hungry stirring
potential for harmony whirring.

Dr. Kaunda says the “One Zambia One Nation” slogan
coined many decades ago still holds
true and continues starring Hulk Hogan
to unite Zambian’s together as one motley crue
clinging as one to solid state craft toboggan.

He says Zambia remains
a beacon of peace in Africa,
that dare not smother
snapchat, nor shutterfly - oh brother
scuttling important all Zambian citizens
should pay obeisance with mother
land maintaining grew ving
peace and loving one another.

Meanwhile Doctor Kaunda reminded young
people in the country ascending the rung
of success they have a big role to play
with trappings of pride slung

in weaving together unity among unsung
swiftly tailored heroes, as sowers
reaping luxe fabrics of peace among
divinity, integrity, magnanimity,
and unity for this country.

He has however commended President
Edgar Lungu for his efforts in uniting recent
dichotomy, sans the various people in the country,
And speaking at the same event,

National Guidance and reminescent
Religious Affairs Minister
Reverend Godfridah
Sumaili sought riches for indigent -

says national unity and urgent
peace critical for development
of the geographical extent
spanning entire country

Reverend Sumaili says difficult
no matter how fervent
for Zambia to develop
if no unity among Zambians.

And earlier in his speech, Commodores
Vision Ambassador to Zambia
Chairperson Misheck Kombe yours
truly expressed concern to jumpstart
solution regarding regionalism and tribalism at heart
tearing Zambia apart, like inures

reflux resignation of meal,
thus Mr. Kombe underscores
how important each and every shores
Zambian to join the crusade complacent
against tribalism and regionalism
because it retards development for s'mores!
Anastasia Nov 2019
Lucy was a girl
With a bright red coat
Dark obsidian curls
You should note
Laughter like bubbles
Floating in the air
Innocent
And unaware
Her kindness sweet
She was never alone
She had the sweetest dreams
Where she and Lucifer would meet
He would whisper in her ear
And welcomed her to his land of heat
But sweet young Lucy
Didn't know
Her left from right from wrong
Sweet young Lucy
Didn't know the Devil's song
So our sweet young Lucy
When her coat was spattered with red
Didn't know when it happened
That her parents were dead
She bubbled with joy
And giggled so sweet
When Lucifer said her name
"Someday you will be my queen," He said
"After you play the Orphan's Game."
"I will see that if you win
You will be the ruler of sin."
So Lucy laughed and said of course
"Sweet dreams!"
She said,
To her parents while they bled
Now clueless Lucy played his game
And lied the homeless to sleep
To the blind man, she said
"It's safe to cross the street."
Feeding starving cats
Poison made for rats
Shattered glass
In the elderly’s food
Helping in the nursing home
Going straight down
Not even chewed
Puppies in wells
Where darkness dwells
Blooms in the water
Scarlet red
Bits and pieces floating up
The sweetest bit is the head
The joyous sound
Of high pitched screams
An infant lost
Purposely
Watch their mouths
Cut off their tongue
Jump from the top
The highest rung
Anyone will listen to
That sweet soft voice
Just a few words
Then they’re her toys
“Please, sir,”
She said
“Do this for me”
Immune to any sense of dread
She played his game
And told his lies
And the game had been won
But even then
When she was done
The chaos had
Just begun
She didn't know
What she had wrought
And pain and lashings
The devil man brought
But not to his queen
For she was his Lady in Red
Sweet young Lucy
Would never be dead
Lucy played
His Orphan's Game
Eventually sweet young Lucy
Soon grew up
And Lucy one day
Fell in love
Of course, it was Satan's luck
The Lady in Red with the softest touch
It was a gory romance
The Queen of Sin
Let the devil man's
Emotions in
And since dear Lucy
Was all grown up
She gave in
To Lucifer's lust
And when I say
That blood was shed
Trust me
And Lucy's sweetness
Was not dead
Some call her darling
Or his Queen of Sin
Some call her Lucy
Or God, even
God was a woman
With a blood-stained coat
The devil man's wife
Swimming in her blood moat
Where the bodies of her parents
Would slowly float
And sometimes scratched
The bottom of the boat
Lucy has won
The Orphan's Game
Lucy had played
without shame
Lucy had let
The devil in
And she became
The Queen of Sin
He spoke to her
Voice sweet and soft
“You are my queen,”
A rotting stench his breath would waft
Hard polished lips
On a baby soft cheek
A twisted smile
A giggle at a shriek
“Oh, Lucifer,”
She would say
Dancing to the screams
She would sway
She’d sing him pretty songs
Tales of gore she would spin
Everyone in his land of flames
Would bow down to the Queen of Sin
I changed it up a bit and added about a page more here and there for an assignment :)
JB Claywell May 2017
with hog jowl
and mole eye
he sentenced all
that I loved
to die.

without thought
of what we’d built,
who we were,
or why we did the
work;

he burned it
to the ground,
squinting in the
haze of his lack
of forethought or
the aftermath
wrought.

those that we serve
think that we know,
because we do.

we know.

yet,
as these changes,
these Trumperies,
these budget cuts
that slice and sear
the most vulnerable
among us…

these things cause
the unforgivable
“I don’t know.”
to escape our
collective lips.

but,
he knows.

with hog jowl,
mole eye,
and horse's ***
he sits upon
his liar’s throne
and
knows,
but won’t
say.


*

-JBClaywell

© P&ZPublications
Truest tell tale thoughts
Endearing entertaining
Well wrought words written
Weigh the bouts with doldrums.

Maunder the era of fallacious months upon the aspersion wrought by tempered lust.

A slow settling stone in blue.
Megan Hundley Jun 2014
it isn't as soft as you would imagine
the pull of fabric, the simple hums
yet it does separate me from
the fantasy

the fantasy is always deep
repeatedly warm, protective against the open room
it keeps me together, even when
you don't

you don't always see
when I hide in the pillows, I promise to stay
I regularly wonder, would you do
the same

the same rocks pour from your mouth
a bitter shot of memory and hard places
I swear once I caught a glimpse of
the better you

the better you exists in my hands
when I run them through your hair
nuzzle down.down.down.downright hard to get
up again

up again at the crack of dawn
I know you work hard for your bills
just remember the cup
won't lie

won't lie?
I wouldn't say that, have you ever...
strangely I trust you, even when it seems
I shouldn't

I shouldn't doubt your hand in mine
yet it's much too disappointing
when I reach for some assurance and you
fall short

fall short of the finish line and
nothing really happens, you just go home
of course you gave it your
best shot

best shot, neat knot, limp plot
barely caught, never taught, simply thought
surely ought, fully wrought, sadly got
dizzy ***

dizzy *** I will one day know
how to stand up to you and
what it is and what
it isn't

it isn't as soft as you would imagine
the pull of fabric, the simple hums
yet it does separate me from
the fantasy
Hear the banners, blaring,
In a Castle, sun-bathed white.
Wrapped in the golden sunsets
of both East,
and West.

Come closer, into this Castle's realm
see crops blazing with activity,
what might be prosperity,
or laughing children
and screams of joy, and laughter.

Talk to a farmer girl, of this Castle,
Listen to her tale:
I was wrought from Issac and Portia,
a Nobleman, and a Common-folk.
Together, they brought me,  16 years ago.
From the dusty deserts, that bloom green plants,
I sit lonely on a bench,
and by chance, I had a glance,
of a poor person, but, not a common-*****.
A man he is, and he stands tall,
with black slick hair,
and muscles all.
I looked at him,
and he looked at me,
or so it seems.
The next day,
in the market streets
of Camelot.
We met,
face, to face.
Though it were a dream.
And seemed fair around us,
though that was not what it would seem.
We spoke, in the corridor,
to the church,
and we learned of each others lore
and kept close each others worth.
The Next day, by midnight,
as I slept in my bed,
He was there.
He knocked on my window,
and I invited him in,
with suspicion,
and lusting,
for my anticipations.
And he spoke to me
"I will return, Christine, dearest,
but I must embark, upon a quest,
to the neighboring town of Cornwallis,
to discuss neighboring policies,
and alliances.
By 3 days shall I return,
and should I not,
then my death will you learn
has come.
And so he came,
and so he went,
William his name
who's life not spent
walked gallantly mile after mile
to reclaim his fiance
and raise their child.


Continuing,
upon the walls
of Camelot,
their lies what they
might call a mote,
but it has been torn,
and it might be plagued,
explaining the lack of
crocodiles.

Knocking on the Gates,
of Camelot,
leads to a few strange noises,
one of them, being,
no noises,
as you hear
distant voices,
as if they were sleeping,
and you look up,
"The moon, of course!"
And so you climb the wall,
with a vine you found in the forests nearby.
And you stumble and mingle
with the vine wrapped
around your ankle.

Alas, your free,
You look up for the first time
within the boundaries of the city,
and find,
inscribed houses,
and minor commotions,
and by mere chance,
the sun arrives
though late, he seems,
and later he rises
the brilliance and the blare like a clock
starts the peasants up as flocks.
Love round the village clean and fair
and animals rolling in parks they share.
Where birds sit in pair-trees.
Where dogs chase cats for fun,
Where bees entertain the children free
Where parents admire the creation they've done.
And as you walk these streets
in wonder, and satisfaction,
You find that street
is layered in sparkles
and clouds of snow-white dust
that enhance the atmosphere
of this,
Haven,
so to speak.
Their, in the middle,
bewitches thine eye,
with all fantasies of this Earth,
and all beauties that have worth.
For in the center, lies a fountain,
which speaks 'Heaven' to your heart,
its marble is smooth as doves,
the presence of the fountain,
creates, or so you believe, the dark
mood around,
like a ominous breeze,
that is being blown away,
infinitely stretched,
like a monkey-chain of rubber bands,
the features of this fountain,
excite your mind with wonder,
enough wonder,
that makes your life feel whole,
though man has at least one worth,
should the world fail
and all prove evil,
then at least, they praise this devil.
The shape is but a breath-taker from
what could qualify, as a statue
for to lie in God's Plaza, or something
similar. The water spraying from the Queen,
Gaia, with a lively green vine,
my apologies,
that is pure and uncut emerald
that wraps around her hair,
which is so defined,
that you could give Gaia a new definition,
Perfection.
And from Gaia's hands, holding a vial,
comes out water, seeming longer,
and more endless then the nile.
And should you lean upon this,
architecture, of majesty,
unbearably beautiful,
and unquestionably
promising,
you'd see,
the mirroring,
of Heaven, the Stars,
and all the cold void within this reflection,
that miraculously could ever dare
to try that deception, in say, 4 feet length,
that mimics the unending of space,
time and infinity.
and,
you turning your head,
you see creatures,
though creatures they be,
they, if the fountain represented God,
then these creatures represent his Archangels.
As Swans float gently,
upon the water's tip,
and even Salmon, and other fishes below
are gray, silver, or diamond clear.
And the water their, remains,
untouched,
despite the audiences
of romantic teens,
adorable, and innocent children, laughing and playing in this pool,
and adults sitting by it, enjoying  their mate's company.
Inscribed in Gaia's vial, reads
"The Fountain of Youth".

But these fond memories no longer supply me,
with the passion and love of this Earth,
I once fondly knew,
for all, even the fountain is pillaged,
and two lovers that loved each other were hewed.

But pride, forgotten,
and beauty marred,
live forever,
in glory
and love.
You read--what is it, then that you are reading?
What music moves so silently in your mind?
Your bright hand turns the page.
I watch you from my window, unsuspected:
You move in an alien land, a silent age . . .

. . .  The poet--what was his name--?  Tokkei--Tokkei--
The poet walked alone in a cold late rain,
And thought his grief was like the crying of sea-birds;
For his lover was dead, he never would love again.

Rain in the dreams of the mind--rain forever--
Rain in the sky of the heart--rain in the willows--
But then he saw this face, this face like flame,
This quiet lady, this portrait by Hiroshigi;
And took it home with him; and with it came

What unexpected changes, subtle as weather!
The dark room, cold as rain,
Grew faintly fragrant, stirred with a stir of April,
Warmed its corners with light again,

And smoke of incense whirled about this portrait,
And the quiet lady there,
So young, so quietly smiling, with calm hands,
Seemed ready to loose her hair,

And smile, and lean from the picture, or say one word,
The word already clear,
Which seemed to rise like light between her eyelids . .
He held his breath to hear,

And smiled for shame, and drank a cup of wine,
And held a candle, and searched her face
Through all the little shadows, to see what secret
Might give so warm a grace . . .

Was it the quiet mouth, restrained a little?
The eyes, half-turned aside?
The jade ring on her wrist, still almost swinging? . . .
The secret was denied,

He chose his favorite pen and drew these verses,
And slept; and as he slept
A dream came into his heart, his lover entered,
And chided him, and wept.

And in the morning, waking, he remembered,
And thought the dream was strange.
Why did his darkened lover rise from the garden?
He turned, and felt a change,

As if a someone hidden smiled and watched him . . .
Yet there was only sunlight there.
Until he saw those young eyes, quietly smiling,
And held his breath to stare,

And could have sworn her cheek had turned--a little . . .
Had slightly turned away . . .
Sunlight dozed on the floor . . . He sat and wondered,
Nor left his room that day.

And that day, and for many days thereafter,
He sat alone, and thought
No lady had ever lived so beautiful
As Hiroshigi wrought . . .

Or if she lived, no matter in what country,
By what far river or hill or lonely sea,
He would look in every face until he found her . . .
There was no other as fair as she.

And before her quiet face he burned soft incense,
And brought her every day
Boughs of the peach, or almond, or snow-white cherry,
And somehow, she seemed to say,

That silent lady, young, and quietly smiling,
That she was happy there;
And sometimes, seeing this, he started to tremble,
And desired to touch her hair,

To lay his palm along her hand, touch faintly
With delicate finger-tips
The ghostly smile that seemed to hover and vanish
Upon her lips . . .

Until he knew he loved this quiet lady;
And night by night a dread
Leered at his dreams, for he knew that Hiroshigi
Was many centuries dead,--

And the lady, too, was dead, and all who knew her . .
Dead, and long turned to dust . . .
The thin moon waxed and waned, and left him paler,
The peach leaves flew in a gust,

And he would surely have died; but there one day
A wise man, white with age,
Stared at the portrait, and said, 'This Hiroshigi
Knew more than archimage,--

Cunningly drew the body, and called the spirit,
Till partly it entered there . . .
Sometimes, at death, it entered the portrait wholly . .
Do all I say with care,

And she you love may come to you when you call her . . . '
So then this ghost, Tokkei,
Ran in the sun, bought wine of a hundred merchants,
And alone at the end of day

Entered the darkening room, and faced the portrait,
And saw the quiet eyes
Gleaming and young in the dusk, and held the wine-cup,
And knelt, and did not rise,

And said, aloud, 'Lo-san, will you drink this wine?'
Said it three times aloud.
And at the third the faint blue smoke of incense
Rose to the walls in a cloud,

And the lips moved faintly, and the eyes, and the calm hands stirred;
And suddenly, with a sigh,
The quiet lady came slowly down from the portrait,
And stood, while worlds went by,

And lifted her young white hands and took the wine cup;
And the poet trembled, and said,
'Lo-san, will you stay forever?'--'Yes, I will stay.'--
'But what when I am dead?'

'When you are dead your spirit will find my spirit,
And then we shall die no more.'
Music came down upon them, and spring returning,
They remembered worlds before,

And years went over the earth, and over the sea,
And lovers were born and spoke and died,
But forever in sunlight went these two immortal,
Tokkei and the quiet bride . . .
Tim Garemore Feb 2019
An ecstatic
                    burst of joy caught me
earlier this afternoon

I don't know why it sought me
I didn't know t'was in the room

I'd been eyeing the words you wrought me
When the shot shot through

And with no material force it fought me
then it left
                 after dispelling my gloom.
An edited version of a poem I recently wrote. I also used this version as my sample poem to Hello Poetry.
Shane Jun 2015
Love ain’t for the faint of heart
Cause it wrecks your soul and leaves you scarred
Let breath unfold underneath the charred remains of your patience
Soulmate remains nameless
In place a name wrought with memories of sacred
Until one day they express that you ain’t ****
Writhing in pain and your days thin to ways you can stay numb
In waves the hate sung
False anger with your fate strung on threads of late night drinking
Endless hours of thinking about how it all went wrong
You second guess your first kiss with palms balled up in fists
Straining to remain calm it just doesn’t fit
Voids draw you into the abyss
Your heart skips
Stops
Mind is in manic shifts of agony and dissonance
The lights gone
Darkness sits with faces drawn in prisms
Explains the end and the beginning are just lessons all much weather
The wounds fester and rip at your intestines
Sheer dread and suddenly convalescence
The scars you bear now filled with poise and wisdom
Knowledge and room to expand your own decisions
Each grain a possibility to new depths
Lovely, really
The way life tends to find ways to keep you sun-kissed under cloudy skies
softcomponent Oct 2013
we've all seen each other from a distance - never behind the eyes, where in time, we find ourselves eyeing the mind we all hypothesize lies inside - but can you look behind your eyes and see this mind you're so convinced is in hiding? where is the mind that keeps lighting my iris to allow for this writing?

the same question begs a Q and A session with the mesh inside insanity- my congestion, depression, transgression, suppression- Civilization and It's Discontents- it's inaccurate content, its torment to the inner accent I would consent to except I'm too poor to see you anew as I accrue symbolism and make do- I love you. All of you.

Through this fickle piece of data floating through space-time I make rhymes and say I'm a poet- but all I am are the words that are spoken so potent, I don't even live here inside of my head, I'm just a guest at best- perhaps a bird making nest for the rest of my life- after that, the soul flies into the radio wave of the grave where my behaviour is so unpredictable, it's unthinkable - I become what is represented in the word 'God,' 'Brahmin,' 'Ultimate reality,' the finger pointing at the moon and not the symbolist insanity - I

become

your

sight,

_ _ _

I

become

your

underbite.

you asked who you met the other weekend at that party - let's just say, you met a part of me. you met a version of you who you knew the moment you exited your mothers womb - the great thoughtless void you enjoyed - toyed with - left to sink into faceless space so you could run this pointless race and have fun doing it.

you can't win the human race, because the finish line is hiding in the that space behind your face - it's like you cross the line, and you die. disappear - and it all goes back inside the box - the creatures, the cash, and the clocks - a vulture squacks as your feet rot inside your socks and the trees mock your transience - the universe is a wave of ambiance monitoring itself through every iris shaping words to papyrus.

we are the sound, and we are the silence

we are the peace, and we are the violence

we are the religion, and we are the science

we are the doctors, and we are the clients

we are all enemies in secret alliance

what is the sound of one hand clapping? (clap hand)
so much for zen... so much for Rimbaud, I rub my eyes with cayenne so you can laugh at my pain and say, "now that's a comedian," he's sweating, look at the grease on his chin. look how he declares war on himself when he tries to find zen, he's giving up with this 'trying' as a way of trying again, he's crying again, sighing, seeking, writing, tightening the loosening bolts in his skull as he seeks out his peace in the peeled potato where the point is to think of potatoes, not Plato, not Aristotle, oh God oh I condemn all these looping mazed thoughts to a bottle

first, it's beer, then it's wine, then it's ketamine time till I finally find there is nothing to find and I'm fine but the feeling is gone in the morning...
we've all seen each other from a distance - never behind the eyes, where in time, we find ourselves eyeing the mind we all hypothesize lies inside - but can you look behind your eyes and see this mind you're so convinced is in hiding? where is the mind that keeps lighting my iris to allow for this writing?
Philipp K J Jan 2019
The western sky sweeps
Darkness to back yards
The dawning east keeps
Designing with hues
Mornings greeting cards.
Nice to see the crews
Active in writing
Fresh magic haikus
Deep in creating
Textures and sinews
With unique mixing
Of color and lures
Interspersed musings
On honeycomb verse
Soft snowflake rhymings
Draught on fragrant wings
Beams of rainbow waves
Fuse sweetness and light
Deeds of Devine Inc
Wrought in suntan ink
Duty with delight
In morning twilight
Stanley Mungai Jun 2012
The once snaking gurgling monster
Time-defying, ever-flowing oldster
Is licked near-clean by the quiet drought
Her diminution wrought distraught
Lain betwixt her hunger stricken arboreal hosts
Emaciated, unattractively scaring akin ghosts
Crawling slowly to die somewhere undismayed
Petitions unsaid and intercessories unprayed
The tranquil of the fresh breath of Nyamindi waterway
Is taken by the acrid gusts of aquatic decay
As her remnants lovers slowly but surely fry
In the fierce fast-falling fire from the sky.
*Due to the vast encroachment of forests by human settlement, the rivers that are permanent are drying up in the prolonged dry spells. Preserve the Forests Preserve life*
Seán Mac Falls Jun 2014
Was there a word,
Plain or shimmering,
Cast of gold and mercy,
In the bathing light of forgiveness,
Tempered with down and feather,
Wrought of worthiness and pride,
The mellow flame of tenderness
And shearing morning sun,
One tabulation of saving flesh,
The tapping root of the knowledge
Tree, the forge of stainless metal
And touch, stone direction,
One healing humour, cardinal
As blood, forceful as the salt
Journey bearing the pines
Of lodestar coordinates,
Spotting the Xanadu ex
Of the lost lovers?
488

Myself was formed—a Carpenter—
An unpretending time
My Plane—and I, together wrought
Before a Builder came—

To measure our attainments—
Had we the Art of Boards
Sufficiently developed—He’d hire us
At Halves—

My Tools took Human—Faces—
The Bench, where we had toiled—
Against the Man—persuaded—
We—Temples build—I said—
Jenny Gordon May 2017
Try this!  Another site I rarely visit [long since extinct by 2017], had that weekly challenge and this time it read as follows:

Using the poetic style of your choice, answer the question “Who am I?”, without using the pronoun “I”. Instead, write your “poetic biography” in 3rd person.

Here was my submission....does it make sense?

Yours Truly

(sonnet # CCCCXLVII)


No butterfly, perhaps a moth? just lent
Some precious time to try to fly while night
Reigns, ere the morning dawns.   A reckless wight
E'er chasing carefree; mayhap too, half bent
Unwitting on a troubled course, intent
On fun and happiness whilst grief its plight
Imbues with sob'ring grey, as if t'indict?
Where time's misspent in tracing romance' scent?
"Forgiven" as a blessing daily sought,
Its nameplate hangs for all the world to see.
And if Truth's lessons seeming dearly bought
May mercif'ly be granted taught, 'twill be
A better ending than this vain life's wrought,
If when time's up, it flies, O LORD, to Thee.

07Jan12
D66d
By Jennifer S. Gordon aka Cheeky Missy
Jennifer supposedly means "forgiven" and my la! do I ever need that every stinkin' hour.
Nat Lipstadt Jun 2016
~

Keep It Simple Stupid ("Your Poems Are Too **** Long")

~ for Natty~

white sheet of foolscap,
imploring the fool's fingers,
natty. natty, just this once,
be the simpleton dunce,
spend but a modest pence,
cap the blowout verbiage well

pretend
being a short and sweet poet beat^,
leaving those blue line requests
more white than black,
emptier and thus,
more silently, fuller, and powerful,

build  each line from a few hard crafted,
forged-wrought-iron syllables,
say the more in the
unsaid unwritten

snap your fingers in clapping praise,^
kiss the words bye-bye slow and single,
hold back the overfilling raucous reprises,
those stanza'd motley muddled crew,
de-access all excesses,
a manly, word squad^^^,
no more,
the shaft to success
be a David slingshot of single pebbles

but herein have,
prior blessed and true confessed:

"for I know there is soul in brevity,
but that ain't exactly my finest quality"


this is a "not know how to,"
for when I plunder the sea deep of a
single and singular
first and foremost# kiss,
still forever kept,
and that cylindrical memory volume so full,
one must seek and speak,
many verbal Ceylonese herbal tea toasts,
for the drunken 'n blinder I become,
the greater the need,
the lesser to please,
commissioning the poet to sing of his
long odyssey home,
of even the briefest venture ventured,
a combo of triumph and escaped,
wrapped in a single word,
his every feathery eye retention plucked,
a bald bird to be fully consumed,
even the bones, committed to
paper memory...

what the heck,
you want a speck,
a "say hey kid"^^ haiku,
a shorty hearty 60 second sophomoric Campbell soupy blessing,
microwaveable, heated but not hot,
radiated but not cooked

woe is me,
cannot be denied,
why use a pithy when
for pity's sake,
thrice won't suffice?

the woman, the observer
punches me with a solitary and indelicate,
as her wont, as her want,
"just-this-once"
telling the blowhard to not spout

this prideful pain,
deep water drilled in the muscled fortress of my rocky biceps,
eliciting  an outsized
"ouch, that really hurt,"
and my spouting retort...

~

by this bruised blotch, this redsome refrain,
dulcet sung in black and blue, a sonnet's colored quatrain,
by your flesh's mark, thee I join, in places where no mark dare
reflect our secreted touch, witness-protected by our guardian eyes only...*


**** it.
4/25/16 08:00pm

^in a particular club in the West Village in the 50's,  the beat poets congregated, there was a shared shaft-way with local Italian families.  The club owner instructed them to snap their fingers instead of clapping, otherwise garbage would come down the shaft when applause sounded.  Hence finger snapping became associated with coolness.

^^ The Say Hey Kid was Willie Mays

^^^a squad is composed of 9 to 13 men

# http://hellopoetry.com/poem/1518614/f-f-1stmost/
ponny jo Dec 2013
words are better on paper and candlelight
the smell of ink and crisp turns of pages white
the binding creaks and soul writ in
this screen is not the same thing friend
it's maddening for this phone to change my words
ah, how often it does so
as if it knows
as if it grows
what could it show
when has itself,
alone so rowed
of feelings felt
or horrors shown
or magick felt
or fury spoke
or walked along a razors edge
hanging on by just a thread
or strained beyond all known thought
or had a thought that wasn't taught
or quenched a lust
so fervent wrought
or plagued its mind
with glory sought
or told a tale
that others'd not
what a soul
that this thing's got
Alyanne Cooper Jul 2014
Dust-covered two-lane highways
Catch the footfalls of my meanderings.
Meadowlarks and Phoebe-birds
Sing backup to my tuneless whistles.
Clouds illuminated by God-rays
Paint the sky above my head
And the Man in the Moon
Smiles as I bed neath a willow for the night.

I am a wanderer, a vagabond, a ***.
The iron wrought train tracks
I secretly ride pass through the fields,
The forests, the mountains and valleys,
The cities and suburbs, the small towns too,
Home to so many who choose there to dwell.
But my home is the open countryside,
The fields of wildflowers and bushes,
The occasional oak or poplar for shelter,
With a stone for my pillow
Anywhere I wish to rest.

I am a wanderer, a vagabond, a ***.
I am the outsider.
ALK Nov 2013
A slightly bent knee
defines the position
of a curled hand.
Far from disfigured,
the glazed white eyes stare on.
They have seen centuries,
watched life evolve,
without ever viewing.
Fake,
he is all fake.
Wrought by hand.
Born at a time so long lost,
yet never ageing a day,
save for a few wind worn wrinkles.
Grooving the juvenile face.
Charlotte Huston Jul 2016
I have but the most MODEST desires;
For what lies in heaven -
And within my words they lay,
A soul; broken in Eden.

But what wrought my prayers?
What would suffice?
I found but just one Desire -
That the Lord may entice.

Alas - upon God I prayed -
“Oh, Great Lord, I request for thee;
Grant me a heathen of yours,
For anyone but me.”

A smile writhed upon His brow -
His holy light faded;
The ghouls danced around me,
Their smiles jagged and jaded.

I exited the temple that dreary night -
My prayer was lost,
The stars shined upon it;
And God - shined embossed.

That weary instant arrived;
A tale for a Maiden’s Grave,
Spoke he, “Whom you may ask,
Shall be there on your final enclave.”

Thus, a shiver; and a look upon the skies,
Within the ominous wind -
As not a cloud laid above,
And no star remained aligned.
A carpenter was given task;
nobody thought it could be done. 
A bridge that spanned eternity 
was priority number one. 

This carpenter, he had no tools;
materials he had so few.
Yet without doubt he set to work- 
he knew just what he had to do. 

With two great beams of solid wood, 
fastened in a criss-cross fashion,
and three old nails, wrought of iron,
completed his fateful mission. 

He had worked with a crew of twelve, 
but in the end, he toiled as one. 
Regardless, he had kept the course,
and labored til the bridge was done.. 

He never had union backing, 
and was never properly paid. 
Where other workers would have quit, 
this carpenter would not be swayed. 

Now, in the end, his blood and sweat, 
the bridge's strong foundation made. 
The final sacrifice of  life 
made sure its timeless glory stayed.

There is no toll to cross this bridge; 
the price was paid in blessed blood. 
Who'd have thought a bridge to heaven 
could be made from a cross of wood?
A poem of a different kind, for me.
Anais Vionet Jun 26
Have you ever seen a pair of Nine West Folowe Pumps in Red Blooms Floral - or ever held a feathery pair? They offer the pure pleasure of perfection.

You can see them popping up lately, in streetwear silhouette, matched with Dolce & Gabbana’s floral-print leggings, making a duet of blooms—petal upon petal, like a garden in motion, or paired with the new, high-waisted barrel leg jeans, lending a flash of elegance, a bright flourish against dull denim.

They’re visions, wrought as if by the hand of Michelangelo, who once from marble freed David’s pose, or da Vinci, whose brush summoned the Mona Lisa’s secret smile.

In form, they’re d’Orsay cut, sporting curves as deliberate as the Sistine vaults arch. The stiletto heels rise with the ambition of a cathedral’s spire - neither too proud nor too meek, but balanced, like the symmetry of a butterfly’s painted wings.

Upon their surface, blood red blooms unfurl - petals as vivid as spring’s first flush - each blossom a testament to an artist’s hand, in riots of color and romance that dance with the same spirit as a flowerbed at dawn.

No flaws mar their making: the stitchings are true, the fits precise—as if tailored by the muses themselves. Each pair offers its own unique foliations, bespeaking the freedom of a craftsman’s careful art.

Lastly, of course, they’re marvels of harmonious function, lightly cradling and lifting each step - comfort and glamour aren’t adversaries here, but partners in making each step a sonnet and each stride an artist's brushstroke.

Now, maybe you aren’t into fashion - perhaps you’re a male - oh, poor you, I’m sorry, but maybe, just maybe, in times of chaos, you long for the pleasure of inexpensive perfection.
.
.
Songs for this:
Glamour Girl by Louie Austen
This is what falling in love feels like by JVKE
BLT Merriam Webster word of the day challenge 06/26/25:
Sumptuous = something luxurious, magnificent and probably very expensive.
Chimera melons Sep 2013
Artificial means and memes the fingers perusing naturally formed hide and go seek
Chic creatures wrought from nanoparticles based on modeled consciousness neural networks
A handsome hivemind of bee;s building trees from cds ...intersynth polygons attracted
to stack platonic forms emanation waves alpha beta delta gamma omega 1 , 2 ,3
this multiversal layering from micro to macro of matter animated by its intoned
hertz pulsations and the interferrence pattern of the changing relationship due to the amount, frequency,  force, temperature , texture , text messages, timing , geometry , subharmonics and overtones,  a jewel net . syncronistic synergetic, synaptical sparkles.
Koggeki Feb 2016
--------------------

With Both Feet on the Ground

Hello, dear-one.
What say you in this lowly place?

"When twilight traces the terrace,
Touch the torch-sky with the tip of your lip.
               A sweet heat
Will draw your willful mind,
But watch! The torch-sky takes:
               Heart-stems
               Drip
               Drip
               Petals shower
The firelight blaze, like my root vein,
Spills languid and warm across the sky.
               Beauty in elation
               But now breathe out!"

--------------------

Then Into Deep Water

Say, dear-one,
What's all this now?

"The blue of night is sweeping over the torch-sky,
And shadows steal swiftly as silent silhouettes,
               Come coldly dancing
Do not disdain—dreams form feather-light foam,
And fade heavily in a salt-wash, flooding fervently.
                Covered darkly
                Step
                Step
                ­Shiver forward
From terrace to sea my foot falls easily.
Then the eerie eels entwine in the brine.
                Feeling supine
                Let the deep creep
                Until next time."

--------------------

But the Canvas is Brighter Still

Stay awake, dear-one.
Is there not more to tell?

"The search for halcyon has wrought hush-flickers:
Stars  staring brightly stripping night's dark domain.
               Drifting dazedly: humorous
'Theirs is a humming neatly humbling hysterias.'
Whispers Nyx, 'Dwelling hinders what dreaming may fix.'
               Sleeps slips
               Blink
               Blink
               Morning stands
Beacon! Bright butterfly, beckon bravery!
Billow boastfully—this day will be mine!
               Keep in mind,
               It's always divine."

Very good, dear-one,
A fine farewell.
Another poem I wrote awhile ago
VI. TO APHRODITE (21 lines)

(ll. 1-18) I will sing of stately Aphrodite, gold-crowned and
beautiful, whose dominion is the walled cities of all sea-set
Cyprus.  There the moist breath of the western wind wafted her
over the waves of the loud-moaning sea in soft foam, and there
the gold-filleted Hours welcomed her joyously.  They clothed her
with heavenly garments: on her head they put a fine, well-wrought
crown of gold, and in her pierced ears they hung ornaments of
orichalc and precious gold, and adorned her with golden necklaces
over her soft neck and snow-white *******, jewels which the gold-
filleted Hours wear themselves whenever they go to their father's
house to join the lovely dances of the gods.  And when they had
fully decked her, they brought her to the gods, who welcomed her
when they saw her, giving her their hands.  Each one of them
prayed that he might lead her home to be his wedded wife, so
greatly were they amazed at the beauty of violet-crowned
Cytherea.

(ll. 19-21) Hail, sweetly-winning, coy-eyed goddess!  Grant that
I may gain the victory in this contest, and order you my song.
And now I will remember you and another song also.
Liam C Calhoun Oct 2016
Fangcun tea spills the streets
Amid wild migration,
And intent to penetrate the,
“Pearl,”
An acrid and once ugliest river;
Boiled frogs wrought chemical baths,
But come the tea,
Its first and finest smell.

So begins the story –
Tales birthed backs earlier,
And greener the mounts of
Fujian;
With I, the “foreigner,” but learned
When the piano keys
Tremble tumors within the
Nose born a million miles west.

If I’d ventured, if I’d lived,
If she’d left, and she did,
I’d orbit again and again and
Again;
Barren but to tap with one finger
Atop purple clay and sip
On and on and on
For the jubilation and for the hours.

I’d ingest all the ether’s mystery,
I’d dodge yesterday’s bullet tomorrow,
I’d live and if to die lonely,
Simply,
I’d perish knowing,
With a tea cup in hand,
That I’d still taste the dominion over
Self and covenants long forgotten.
Tea saved me.
ENDYMION.

A Poetic Romance.

"THE STRETCHED METRE OF AN AN ANTIQUE SONG."
INSCRIBED TO THE MEMORY OF THOMAS CHATTERTON.

Book I

A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
Therefore, on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o'er-darkened ways
Made for our searching: yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in; and clear rills
That for themselves a cooling covert make
'Gainst the hot season; the mid forest brake,
Rich with a sprinkling of fair musk-rose blooms:
And such too is the grandeur of the dooms
We have imagined for the mighty dead;
All lovely tales that we have heard or read:
An endless fountain of immortal drink,
Pouring unto us from the heaven's brink.

  Nor do we merely feel these essences
For one short hour; no, even as the trees
That whisper round a temple become soon
Dear as the temple's self, so does the moon,
The passion poesy, glories infinite,
Haunt us till they become a cheering light
Unto our souls, and bound to us so fast,
That, whether there be shine, or gloom o'ercast,
They alway must be with us, or we die.

  Therefore, 'tis with full happiness that I
Will trace the story of Endymion.
The very music of the name has gone
Into my being, and each pleasant scene
Is growing fresh before me as the green
Of our own vallies: so I will begin
Now while I cannot hear the city's din;
Now while the early budders are just new,
And run in mazes of the youngest hue
About old forests; while the willow trails
Its delicate amber; and the dairy pails
Bring home increase of milk. And, as the year
Grows lush in juicy stalks, I'll smoothly steer
My little boat, for many quiet hours,
With streams that deepen freshly into bowers.
Many and many a verse I hope to write,
Before the daisies, vermeil rimm'd and white,
Hide in deep herbage; and ere yet the bees
Hum about globes of clover and sweet peas,
I must be near the middle of my story.
O may no wintry season, bare and hoary,
See it half finished: but let Autumn bold,
With universal tinge of sober gold,
Be all about me when I make an end.
And now at once, adventuresome, I send
My herald thought into a wilderness:
There let its trumpet blow, and quickly dress
My uncertain path with green, that I may speed
Easily onward, thorough flowers and ****.

  Upon the sides of Latmos was outspread
A mighty forest; for the moist earth fed
So plenteously all ****-hidden roots
Into o'er-hanging boughs, and precious fruits.
And it had gloomy shades, sequestered deep,
Where no man went; and if from shepherd's keep
A lamb strayed far a-down those inmost glens,
Never again saw he the happy pens
Whither his brethren, bleating with content,
Over the hills at every nightfall went.
Among the shepherds, 'twas believed ever,
That not one fleecy lamb which thus did sever
From the white flock, but pass'd unworried
By angry wolf, or pard with prying head,
Until it came to some unfooted plains
Where fed the herds of Pan: ay great his gains
Who thus one lamb did lose. Paths there were many,
Winding through palmy fern, and rushes fenny,
And ivy banks; all leading pleasantly
To a wide lawn, whence one could only see
Stems thronging all around between the swell
Of turf and slanting branches: who could tell
The freshness of the space of heaven above,
Edg'd round with dark tree tops? through which a dove
Would often beat its wings, and often too
A little cloud would move across the blue.

  Full in the middle of this pleasantness
There stood a marble altar, with a tress
Of flowers budded newly; and the dew
Had taken fairy phantasies to strew
Daisies upon the sacred sward last eve,
And so the dawned light in pomp receive.
For 'twas the morn: Apollo's upward fire
Made every eastern cloud a silvery pyre
Of brightness so unsullied, that therein
A melancholy spirit well might win
Oblivion, and melt out his essence fine
Into the winds: rain-scented eglantine
Gave temperate sweets to that well-wooing sun;
The lark was lost in him; cold springs had run
To warm their chilliest bubbles in the grass;
Man's voice was on the mountains; and the mass
Of nature's lives and wonders puls'd tenfold,
To feel this sun-rise and its glories old.

  Now while the silent workings of the dawn
Were busiest, into that self-same lawn
All suddenly, with joyful cries, there sped
A troop of little children garlanded;
Who gathering round the altar, seemed to pry
Earnestly round as wishing to espy
Some folk of holiday: nor had they waited
For many moments, ere their ears were sated
With a faint breath of music, which ev'n then
Fill'd out its voice, and died away again.
Within a little space again it gave
Its airy swellings, with a gentle wave,
To light-hung leaves, in smoothest echoes breaking
Through copse-clad vallies,--ere their death, oer-taking
The surgy murmurs of the lonely sea.

  And now, as deep into the wood as we
Might mark a lynx's eye, there glimmered light
Fair faces and a rush of garments white,
Plainer and plainer shewing, till at last
Into the widest alley they all past,
Making directly for the woodland altar.
O kindly muse! let not my weak tongue faulter
In telling of this goodly company,
Of their old piety, and of their glee:
But let a portion of ethereal dew
Fall on my head, and presently unmew
My soul; that I may dare, in wayfaring,
To stammer where old Chaucer used to sing.

  Leading the way, young damsels danced along,
Bearing the burden of a shepherd song;
Each having a white wicker over brimm'd
With April's tender younglings: next, well trimm'd,
A crowd of shepherds with as sunburnt looks
As may be read of in Arcadian books;
Such as sat listening round Apollo's pipe,
When the great deity, for earth too ripe,
Let his divinity o'er-flowing die
In music, through the vales of Thessaly:
Some idly trailed their sheep-hooks on the ground,
And some kept up a shrilly mellow sound
With ebon-tipped flutes: close after these,
Now coming from beneath the forest trees,
A venerable priest full soberly,
Begirt with ministring looks: alway his eye
Stedfast upon the matted turf he kept,
And after him his sacred vestments swept.
From his right hand there swung a vase, milk-white,
Of mingled wine, out-sparkling generous light;
And in his left he held a basket full
Of all sweet herbs that searching eye could cull:
Wild thyme, and valley-lilies whiter still
Than Leda's love, and cresses from the rill.
His aged head, crowned with beechen wreath,
Seem'd like a poll of ivy in the teeth
Of winter ****. Then came another crowd
Of shepherds, lifting in due time aloud
Their share of the ditty. After them appear'd,
Up-followed by a multitude that rear'd
Their voices to the clouds, a fair wrought car,
Easily rolling so as scarce to mar
The freedom of three steeds of dapple brown:
Who stood therein did seem of great renown
Among the throng. His youth was fully blown,
Shewing like Ganymede to manhood grown;
And, for those simple times, his garments were
A chieftain king's: beneath his breast, half bare,
Was hung a silver bugle, and between
His nervy knees there lay a boar-spear keen.
A smile was on his countenance; he seem'd,
To common lookers on, like one who dream'd
Of idleness in groves Elysian:
But there were some who feelingly could scan
A lurking trouble in his nether lip,
And see that oftentimes the reins would slip
Through his forgotten hands: then would they sigh,
And think of yellow leaves, of owlets cry,
Of logs piled solemnly.--Ah, well-a-day,
Why should our young Endymion pine away!

  Soon the assembly, in a circle rang'd,
Stood silent round the shrine: each look was chang'd
To sudden veneration: women meek
Beckon'd their sons to silence; while each cheek
Of ****** bloom paled gently for slight fear.
Endymion too, without a forest peer,
Stood, wan, and pale, and with an awed face,
Among his brothers of the mountain chase.
In midst of all, the venerable priest
Eyed them with joy from greatest to the least,
And, after lifting up his aged hands,
Thus spake he: "Men of Latmos! shepherd bands!
Whose care it is to guard a thousand flocks:
Whether descended from beneath the rocks
That overtop your mountains; whether come
From vallies where the pipe is never dumb;
Or from your swelling downs, where sweet air stirs
Blue hare-bells lightly, and where prickly furze
Buds lavish gold; or ye, whose precious charge
Nibble their fill at ocean's very marge,
Whose mellow reeds are touch'd with sounds forlorn
By the dim echoes of old Triton's horn:
Mothers and wives! who day by day prepare
The scrip, with needments, for the mountain air;
And all ye gentle girls who foster up
Udderless lambs, and in a little cup
Will put choice honey for a favoured youth:
Yea, every one attend! for in good truth
Our vows are wanting to our great god Pan.
Are not our lowing heifers sleeker than
Night-swollen mushrooms? Are not our wide plains
Speckled with countless fleeces? Have not rains
Green'd over April's lap? No howling sad
Sickens our fearful ewes; and we have had
Great bounty from Endymion our lord.
The earth is glad: the merry lark has pour'd
His early song against yon breezy sky,
That spreads so clear o'er our solemnity."

  Thus ending, on the shrine he heap'd a spire
Of teeming sweets, enkindling sacred fire;
Anon he stain'd the thick and spongy sod
With wine, in honour of the shepherd-god.
Now while the earth was drinking it, and while
Bay leaves were crackling in the fragrant pile,
And gummy frankincense was sparkling bright
'Neath smothering parsley, and a hazy light
Spread greyly eastward, thus a chorus sang:

  "O THOU, whose mighty palace roof doth hang
From jagged trunks, and overshadoweth
Eternal whispers, glooms, the birth, life, death
Of unseen flowers in heavy peacefulness;
Who lov'st to see the hamadryads dress
Their ruffled locks where meeting hazels darken;
And through whole solemn hours dost sit, and hearken
The dreary melody of bedded reeds--
In desolate places, where dank moisture breeds
The pipy hemlock to strange overgrowth;
Bethinking thee, how melancholy loth
Thou wast to lose fair Syrinx--do thou now,
By thy love's milky brow!
By all the trembling mazes that she ran,
Hear us, great Pan!

  "O thou, for whose soul-soothing quiet, turtles
Passion their voices cooingly '**** myrtles,
What time thou wanderest at eventide
Through sunny meadows, that outskirt the side
Of thine enmossed realms: O thou, to whom
Broad leaved fig trees even now foredoom
Their ripen'd fruitage; yellow girted bees
Their golden honeycombs; our village leas
Their fairest-blossom'd beans and poppied corn;
The chuckling linnet its five young unborn,
To sing for thee; low creeping strawberries
Their summer coolness; pent up butterflies
Their freckled wings; yea, the fresh budding year
All its completions--be quickly near,
By every wind that nods the mountain pine,
O forester divine!

  "Thou, to whom every fawn and satyr flies
For willing service; whether to surprise
The squatted hare while in half sleeping fit;
Or upward ragged precipices flit
To save poor lambkins from the eagle's maw;
Or by mysterious enticement draw
Bewildered shepherds to their path again;
Or to tread breathless round the frothy main,
And gather up all fancifullest shells
For thee to tumble into Naiads' cells,
And, being hidden, laugh at their out-peeping;
Or to delight thee with fantastic leaping,
The while they pelt each other on the crown
With silvery oak apples, and fir cones brown--
By all the echoes that about thee ring,
Hear us, O satyr king!

  "O Hearkener to the loud clapping shears,
While ever and anon to his shorn peers
A ram goes bleating: Winder of the horn,
When snouted wild-boars routing tender corn
Anger our huntsman: Breather round our farms,
To keep off mildews, and all weather harms:
Strange ministrant of undescribed sounds,
That come a swooning over hollow grounds,
And wither drearily on barren moors:
Dread opener of the mysterious doors
Leading to universal knowledge--see,
Great son of Dryope,
The many that are come to pay their vows
With leaves about their brows!

  Be still the unimaginable lodge
For solitary thinkings; such as dodge
Conception to the very bourne of heaven,
Then leave the naked brain: be still the leaven,
That spreading in this dull and clodded earth
Gives it a touch ethereal--a new birth:
Be still a symbol of immensity;
A firmament reflected in a sea;
An element filling the space between;
An unknown--but no more: we humbly screen
With uplift hands our foreheads, lowly bending,
And giving out a shout most heaven rending,
Conjure thee to receive our humble Paean,
Upon thy Mount Lycean!

  Even while they brought the burden to a close,
A shout from the whole multitude arose,
That lingered in the air like dying rolls
Of abrupt thunder, when Ionian shoals
Of dolphins bob their noses through the brine.
Meantime, on shady levels, mossy fine,
Young companies nimbly began dancing
To the swift treble pipe, and humming string.
Aye, those fair living forms swam heavenly
To tunes forgotten--out of memory:
Fair creatures! whose young children's children bred
Thermopylæ its heroes--not yet dead,
But in old marbles ever beautiful.
High genitors, unconscious did they cull
Time's sweet first-fruits--they danc'd to weariness,
And then in quiet circles did they press
The hillock turf, and caught the latter end
Of some strange history, potent to send
A young mind from its ****** tenement.
Or they might watch the quoit-pitchers, intent
On either side; pitying the sad death
Of Hyacinthus, when the cruel breath
Of Zephyr slew him,--Zephyr penitent,
Who now, ere Phoebus mounts the firmament,
Fondles the flower amid the sobbing rain.
The archers too, upon a wider plain,
Beside the feathery whizzing of the shaft,
And the dull twanging bowstring, and the raft
Branch down sweeping from a tall ash top,
Call'd up a thousand thoughts to envelope
Those who would watch. Perhaps, the trembling knee
And frantic gape of lonely Niobe,
Poor, lonely Niobe! when her lovely young
Were dead and gone, and her caressing tongue
Lay a lost thing upon her paly lip,
And very, very deadliness did nip
Her motherly cheeks. Arous'd from this sad mood
By one, who at a distance loud halloo'd,
Uplifting his strong bow into the air,
Many might after brighter visions stare:
After the Argonauts, in blind amaze
Tossing about on Neptune's restless ways,
Until, from the horizon's vaulted side,
There shot a golden splendour far and wide,
Spangling those million poutings of the brine
With quivering ore: 'twas even an awful shine
From the exaltation of Apollo's bow;
A heavenly beacon in their dreary woe.
Who thus were ripe for high contemplating,
Might turn their steps towards the sober ring
Where sat Endymion and the aged priest
'**** shepherds gone in eld, whose looks increas'd
The silvery setting of their mortal star.
There they discours'd upon the fragile bar
That keeps us from our homes ethereal;
And what our duties there: to nightly call
Vesper, the beauty-crest of summer weather;
To summon all the downiest clouds together
For the sun's purple couch; to emulate
In ministring the potent rule of fate
With speed of fire-tailed exhalations;
To tint her pallid cheek with bloom, who cons
Sweet poesy by moonlight: besides these,
A world of other unguess'd offices.
Anon they wander'd, by divine converse,
Into Elysium; vieing to rehearse
Each one his own anticipated bliss.
One felt heart-certain that he could not miss
His quick gone love, among fair blossom'd boughs,
Where every zephyr-sigh pouts and endows
Her lips with music for the welcoming.
Another wish'd, mid that eternal spring,
To meet his rosy child, with feathery sails,
Sweeping, eye-earnestly, through almond vales:
Who, suddenly, should stoop through the smooth wind,
And with the balmiest leaves his temples bind;
And, ever after, through those regions be
His messenger, his little
Liam C Calhoun Aug 2015
I spot a drone today;
No bombs,
But with plenty o’ potential –
A will to malice,
To malcontent, to ******.

I seek it south
And at its zenith,
Above dissent,
And the bastion that’d never know
Better, from worse.

So too, I spy it over the sands
And over cave,
Over Manhattan, over perdition,
And over “god,” over greed,
Over "great," and *******
Guaranteed;

A glistening, wrought silver teething,
“Dead,” come one wrong,
Word, or whatnot,
Anything antagonist “corporate,”
Our contradictory content,
Blessed, this,
“Complacency,” – indiscriminate.

Unbeknownst and melancholy-ridden,
The bombs have dropped,
And for some time now,
A sooner to be eternity
Whilst we’ve managed nothing but
The simplest of slumber;

We’re lucid but one second
And sheep more so the years.
The flock afar-critical,
As abstained become the hours,
The minutes, until, “then,”
Atop, “when,”
Whilst we learn again to breathe,
Maybe even dream,
And relieve the nooses continually
Knotted by others –

It’s an imaginary rebellion. Sure.
And I’m sure you’d agree;
Yet still, I soak a nightmare’s sweat
Whilst we gladly assume our
Peasant’s role
And as long as we do,
“They’ll,” gladly assume their
Thrones.
Some have asked about my political standing - we'll here's if only a fragment. I'm a wanderer, 36 countries and counting; lived in four (6 months or longer). I love my home; but home's riddled with problems too. If this offends you, than oh well. America's not what it used to be; I miss what it used to be, but also realize a lot has to change.

— The End —