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preservationman Aug 2023
Dreams of entertainment
Full of amazement and surprises
Take a back seat Beauty and the Beast
We are a standalone being our feast
The music being for us both
Together we took an oath
A Teapot and cup and saucers are the ones who know
We will carry the show
Just follow the flow
Song and dance and perhaps a sketch
You the audience will have to catch
Creating the right effect
We don’t want the audience to reject
We will not be mean only lean
You won’t see much of a pour
Only our total performing galore
Our story our very own and it will be full blown
Teapot became a theory
Cup and Saucers a mystery
We were always sitting on a shelf or convent
Barely used or not used at all
We were considered a prop
I always had to accept like it or not
It was simply “NOT”
Disney thought they had it right
We took it as a plight
We were determined to show our talent
We refused to be silent
When the curtain rose and the spotlight was on
First the teapot went through the audience and asked, “Do you want some tea?”
The audience didn’t know exactly in how to respond other than laugh
The music started and that’s entertainment
Then the cup and saucers with their enchanting voices stating we are Cup and Saucers best
You are our guest
But we have only one request, “Don’t expect us to serve”
We are entertainment and that is what you deserve
Let’s go back into Teapot and cup and saucers time
On the table a teapot and cup and saucers that was always there
Alone with barely a touch
That doesn’t sound much
The table of beauty being a setting and we were decorative
Being objective
There was a party and the Teapot and Cup and Saucers were the highlight
Ready to fulfill
At will
Determined
There was some pour and detail
But without fail
Beautiful friendship
Pleasure to be your acquaintance
Music still playing enchanted
The stage is now full of dancers
Flashing lights
Teapot and Cup and Saucers dancing in delight
We shall dance
Suddenly the beast appeared being angry and upset
The duo of Teapot and cup and saucers had an effect
The question came up from the beast in why he wasn’t invited?
The response, Teapots and cup and saucers are the entertainers and you are only the prop when needed
It was on with the show
We put the beast finally in the know
The finale being an encore, the teapot and cup and saucers together a team
The audience stood up and applauded and the curtain came down
It was a teapot and cup and saucers with a pouring spirit
You have to give them merit
That’s entertainment the way it was meant to be
Encore
I

In that November off Tehuantepec,
The slopping of the sea grew still one night
And in the morning summer hued the deck

And made one think of rosy chocolate
And gilt umbrellas. Paradisal green
Gave suavity to the perplexed machine

Of ocean, which like limpid water lay.
Who, then, in that ambrosial latitude
Out of the light evolved the morning blooms,

Who, then, evolved the sea-blooms from the clouds
Diffusing balm in that Pacific calm?
C'etait mon enfant, mon bijou, mon ame.

The sea-clouds whitened far below the calm
And moved, as blooms move, in the swimming green
And in its watery radiance, while the hue

Of heaven in an antique reflection rolled
Round those flotillas. And sometimes the sea
Poured brilliant iris on the glistening blue.

                        II

In that November off Tehuantepec
The slopping of the sea grew still one night.
At breakfast jelly yellow streaked the deck

And made one think of chop-house chocolate
And sham umbrellas. And a sham-like green
Capped summer-seeming on the tense machine

Of ocean, which in sinister flatness lay.
Who, then, beheld the rising of the clouds
That strode submerged in that malevolent sheen,

Who saw the mortal massives of the blooms
Of water moving on the water-floor?
C'etait mon frere du ciel, ma vie, mon or.

The gongs rang loudly as the windy booms
Hoo-hooed it in the darkened ocean-blooms.
The gongs grew still. And then blue heaven spread

Its crystalline pendentives on the sea
And the macabre of the water-glooms
In an enormous undulation fled.

                        III

In that November off Tehuantepec,
The slopping of the sea grew still one night
And a pale silver patterned on the deck

And made one think of porcelain chocolate
And pied umbrellas. An uncertain green,
Piano-polished, held the tranced machine

Of ocean, as a prelude holds and holds,
Who, seeing silver petals of white blooms
Unfolding in the water, feeling sure

Of the milk within the saltiest spurge, heard, then,
The sea unfolding in the sunken clouds?
Oh! C'etait mon extase et mon amour.

So deeply sunken were they that the shrouds,
The shrouding shadows, made the petals black
Until the rolling heaven made them blue,

A blue beyond the rainy hyacinth,
And smiting the crevasses of the leaves
Deluged the ocean with a sapphire blue.

                        IV

In that November off Tehuantepec
The night-long slopping of the sea grew still.
A mallow morning dozed upon the deck

And made one think of musky chocolate
And frail umbrellas. A too-fluent green
Suggested malice in the dry machine

Of ocean, pondering dank stratagem.
Who then beheld the figures of the clouds
Like blooms secluded in the thick marine?

Like blooms? Like damasks that were shaken off
From the loosed girdles in the spangling must.
C'etait ma foi, la nonchalance divine.

The nakedness would rise and suddenly turn
Salt masks of beard and mouths of bellowing,
Would--But more suddenly the heaven rolled

Its bluest sea-clouds in the thinking green,
And the nakedness became the broadest blooms,
Mile-mallows that a mallow sun cajoled.

                        V

In that November off Tehuantepec
Night stilled the slopping of the sea.
The day came, bowing and voluble, upon the deck,

Good clown... One thought of Chinese chocolate
And large umbrellas. And a motley green
Followed the drift of the obese machine

Of ocean, perfected in indolence.
What pistache one, ingenious and droll,
Beheld the sovereign clouds as jugglery

And the sea as turquoise-turbaned *****, neat
At tossing saucers--cloudy-conjuring sea?
C'etait mon esprit batard, l'ignominie.

The sovereign clouds came clustering. The conch
Of loyal conjuration *******. The wind
Of green blooms turning crisped the motley hue

To clearing opalescence. Then the sea
And heaven rolled as one and from the two
Came fresh transfigurings of freshest blue.
One Christmas was so much like another, in those years around the sea-town corner now and out of all sound
except the distant speaking of the voices I sometimes hear a moment before sleep, that I can never remember
whether it snowed for six days and six nights when I was twelve or whether it snowed for twelve days and twelve
nights when I was six.

All the Christmases roll down toward the two-tongued sea, like a cold and headlong moon bundling down the sky
that was our street; and they stop at the rim of the ice-edged fish-freezing waves, and I plunge my hands in
the snow and bring out whatever I can find. In goes my hand into that wool-white bell-tongued ball of holidays
resting at the rim of the carol-singing sea, and out come Mrs. Prothero and the firemen.

It was on the afternoon of the Christmas Eve, and I was in Mrs. Prothero's garden, waiting for cats, with her
son Jim. It was snowing. It was always snowing at Christmas. December, in my memory, is white as Lapland,
though there were no reindeers. But there were cats. Patient, cold and callous, our hands wrapped in socks, we
waited to snowball the cats. Sleek and long as jaguars and horrible-whiskered, spitting and snarling, they
would slink and sidle over the white back-garden walls, and the lynx-eyed hunters, Jim and I, fur-capped and
moccasined trappers from Hudson Bay, off Mumbles Road, would hurl our deadly snowballs at the green of their
eyes. The wise cats never appeared.

We were so still, Eskimo-footed arctic marksmen in the muffling silence of the eternal snows - eternal, ever
since Wednesday - that we never heard Mrs. Prothero's first cry from her igloo at the bottom of the garden. Or,
if we heard it at all, it was, to us, like the far-off challenge of our enemy and prey, the neighbor's polar
cat. But soon the voice grew louder.
"Fire!" cried Mrs. Prothero, and she beat the dinner-gong.

And we ran down the garden, with the snowballs in our arms, toward the house; and smoke, indeed, was pouring
out of the dining-room, and the gong was bombilating, and Mrs. Prothero was announcing ruin like a town crier
in Pompeii. This was better than all the cats in Wales standing on the wall in a row. We bounded into the
house, laden with snowballs, and stopped at the open door of the smoke-filled room.

Something was burning all right; perhaps it was Mr. Prothero, who always slept there after midday dinner with a
newspaper over his face. But he was standing in the middle of the room, saying, "A fine Christmas!" and
smacking at the smoke with a slipper.

"Call the fire brigade," cried Mrs. Prothero as she beat the gong.
"There won't be there," said Mr. Prothero, "it's Christmas."
There was no fire to be seen, only clouds of smoke and Mr. Prothero standing in the middle of them, waving his
slipper as though he were conducting.
"Do something," he said. And we threw all our snowballs into the smoke - I think we missed Mr. Prothero - and
ran out of the house to the telephone box.
"Let's call the police as well," Jim said. "And the ambulance." "And Ernie Jenkins, he likes fires."

But we only called the fire brigade, and soon the fire engine came and three tall men in helmets brought a hose
into the house and Mr. Prothero got out just in time before they turned it on. Nobody could have had a noisier
Christmas Eve. And when the firemen turned off the hose and were standing in the wet, smoky room, Jim's Aunt,
Miss. Prothero, came downstairs and peered in at them. Jim and I waited, very quietly, to hear what she would
say to them. She said the right thing, always. She looked at the three tall firemen in their shining helmets,
standing among the smoke and cinders and dissolving snowballs, and she said, "Would you like anything to read?"

Years and years ago, when I was a boy, when there were wolves in Wales, and birds the color of red-flannel
petticoats whisked past the harp-shaped hills, when we sang and wallowed all night and day in caves that smelt
like Sunday afternoons in damp front farmhouse parlors, and we chased, with the jawbones of deacons, the
English and the bears, before the motor car, before the wheel, before the duchess-faced horse, when we rode the
daft and happy hills *******, it snowed and it snowed. But here a small boy says: "It snowed last year, too. I
made a snowman and my brother knocked it down and I knocked my brother down and then we had tea."

"But that was not the same snow," I say. "Our snow was not only shaken from white wash buckets down the sky, it
came shawling out of the ground and swam and drifted out of the arms and hands and bodies of the trees; snow
grew overnight on the roofs of the houses like a pure and grandfather moss, minutely -ivied the walls and
settled on the postman, opening the gate, like a dumb, numb thunder-storm of white, torn Christmas cards."

"Were there postmen then, too?"
"With sprinkling eyes and wind-cherried noses, on spread, frozen feet they crunched up to the doors and
mittened on them manfully. But all that the children could hear was a ringing of bells."
"You mean that the postman went rat-a-tat-tat and the doors rang?"
"I mean that the bells the children could hear were inside them."
"I only hear thunder sometimes, never bells."
"There were church bells, too."
"Inside them?"
"No, no, no, in the bat-black, snow-white belfries, tugged by bishops and storks. And they rang their tidings
over the bandaged town, over the frozen foam of the powder and ice-cream hills, over the crackling sea. It
seemed that all the churches boomed for joy under my window; and the weathercocks crew for Christmas, on our
fence."

"Get back to the postmen"
"They were just ordinary postmen, found of walking and dogs and Christmas and the snow. They knocked on the
doors with blue knuckles ...."
"Ours has got a black knocker...."
"And then they stood on the white Welcome mat in the little, drifted porches and huffed and puffed, making
ghosts with their breath, and jogged from foot to foot like small boys wanting to go out."
"And then the presents?"
"And then the Presents, after the Christmas box. And the cold postman, with a rose on his button-nose, tingled
down the tea-tray-slithered run of the chilly glinting hill. He went in his ice-bound boots like a man on
fishmonger's slabs.
"He wagged his bag like a frozen camel's ****, dizzily turned the corner on one foot, and, by God, he was
gone."

"Get back to the Presents."
"There were the Useful Presents: engulfing mufflers of the old coach days, and mittens made for giant sloths;
zebra scarfs of a substance like silky gum that could be tug-o'-warred down to the galoshes; blinding tam-o'-
shanters like patchwork tea cozies and bunny-suited busbies and balaclavas for victims of head-shrinking
tribes; from aunts who always wore wool next to the skin there were mustached and rasping vests that made you
wonder why the aunts had any skin left at all; and once I had a little crocheted nose bag from an aunt now,
alas, no longer whinnying with us. And pictureless books in which small boys, though warned with quotations not
to, would skate on Farmer Giles' pond and did and drowned; and books that told me everything about the wasp,
except why."

"Go on the Useless Presents."
"Bags of moist and many-colored jelly babies and a folded flag and a false nose and a tram-conductor's cap and
a machine that punched tickets and rang a bell; never a catapult; once, by mistake that no one could explain, a
little hatchet; and a celluloid duck that made, when you pressed it, a most unducklike sound, a mewing moo that
an ambitious cat might make who wished to be a cow; and a painting book in which I could make the grass, the
trees, the sea and the animals any colour I pleased, and still the dazzling sky-blue sheep are grazing in the
red field under the rainbow-billed and pea-green birds. Hardboileds, toffee, fudge and allsorts, crunches,
cracknels, humbugs, glaciers, marzipan, and butterwelsh for the Welsh. And troops of bright tin soldiers who,
if they could not fight, could always run. And Snakes-and-Families and Happy Ladders. And Easy Hobbi-Games for
Little Engineers, complete with instructions. Oh, easy for Leonardo! And a whistle to make the dogs bark to
wake up the old man next door to make him beat on the wall with his stick to shake our picture off the wall.
And a packet of cigarettes: you put one in your mouth and you stood at the corner of the street and you waited
for hours, in vain, for an old lady to scold you for smoking a cigarette, and then with a smirk you ate it. And
then it was breakfast under the balloons."

"Were there Uncles like in our house?"
"There are always Uncles at Christmas. The same Uncles. And on Christmas morning, with dog-disturbing whistle
and sugar ****, I would scour the swatched town for the news of the little world, and find always a dead bird
by the Post Office or by the white deserted swings; perhaps a robin, all but one of his fires out. Men and
women wading or scooping back from chapel, with taproom noses and wind-bussed cheeks, all albinos, huddles
their stiff black jarring feathers against the irreligious snow. Mistletoe hung from the gas brackets in all
the front parlors; there was sherry and walnuts and bottled beer and crackers by the dessertspoons; and cats in
their fur-abouts watched the fires; and the high-heaped fire spat, all ready for the chestnuts and the mulling
pokers. Some few large men sat in the front parlors, without their collars, Uncles almost certainly, trying
their new cigars, holding them out judiciously at arms' length, returning them to their mouths, coughing, then
holding them out again as though waiting for the explosion; and some few small aunts, not wanted in the
kitchen, nor anywhere else for that matter, sat on the very edge of their chairs, poised and brittle, afraid to
break, like faded cups and saucers."

Not many those mornings trod the piling streets: an old man always, fawn-bowlered, yellow-gloved and, at this
time of year, with spats of snow, would take his constitutional to the white bowling green and back, as he
would take it wet or fire on Christmas Day or Doomsday; sometimes two hale young men, with big pipes blazing,
no overcoats and wind blown scarfs, would trudge, unspeaking, down to the forlorn sea, to work up an appetite,
to blow away the fumes, who knows, to walk into the waves until nothing of them was left but the two furling
smoke clouds of their inextinguishable briars. Then I would be slap-dashing home, the gravy smell of the
dinners of others, the bird smell, the brandy, the pudding and mince, coiling up to my nostrils, when out of a
snow-clogged side lane would come a boy the spit of myself, with a pink-tipped cigarette and the violet past of
a black eye, cocky as a bullfinch, leering all to himself.

I hated him on sight and sound, and would be about to put my dog whistle to my lips and blow him off the face
of Christmas when suddenly he, with a violet wink, put his whistle to his lips and blew so stridently, so high,
so exquisitely loud, that gobbling faces, their cheeks bulged with goose, would press against their tinsled
windows, the whole length of the white echoing street. For dinner we had turkey and blazing pudding, and after
dinner the Uncles sat in front of the fire, loosened all buttons, put their large moist hands over their watch
chains, groaned a little and slept. Mothers, aunts and sisters scuttled to and fro, bearing tureens. Auntie
Bessie, who had already been frightened, twice, by a clock-work mouse, whimpered at the sideboard and had some
elderberry wine. The dog was sick. Auntie Dosie had to have three aspirins, but Auntie Hannah, who liked port,
stood in the middle of the snowbound back yard, singing like a big-bosomed thrush. I would blow up balloons to
see how big they would blow up to; and, when they burst, which they all did, the Uncles jumped and rumbled. In
the rich and heavy afternoon, the Uncles breathing like dolphins and the snow descending, I would sit among
festoons and Chinese lanterns and nibble dates and try to make a model man-o'-war, following the Instructions
for Little Engineers, and produce what might be mistaken for a sea-going tramcar.

Or I would go out, my bright new boots squeaking, into the white world, on to the seaward hill, to call on Jim
and Dan and Jack and to pad through the still streets, leaving huge footprints on the hidden pavements.
"I bet people will think there's been hippos."
"What would you do if you saw a hippo coming down our street?"
"I'd go like this, bang! I'd throw him over the railings and roll him down the hill and then I'd tickle him
under the ear and he'd wag his tail."
"What would you do if you saw two hippos?"

Iron-flanked and bellowing he-hippos clanked and battered through the scudding snow toward us as we passed Mr.
Daniel's house.
"Let's post Mr. Daniel a snow-ball through his letter box."
"Let's write things in the snow."
"Let's write, 'Mr. Daniel looks like a spaniel' all over his lawn."
Or we walked on the white shore. "Can the fishes see it's snowing?"

The silent one-clouded heavens drifted on to the sea. Now we were snow-blind travelers lost on the north hills,
and vast dewlapped dogs, with flasks round their necks, ambled and shambled up to us, baying "Excelsior." We
returned home through the poor streets where only a few children fumbled with bare red fingers in the wheel-
rutted snow and cat-called after us, their voices fading away, as we trudged uphill, into the cries of the dock
birds and the hooting of ships out in the whirling bay. And then, at tea the recovered Uncles would be jolly;
and the ice cake loomed in the center of the table like a marble grave. Auntie Hannah laced her tea with ***,
because it was only once a year.

Bring out the tall tales now that we told by the fire as the gaslight bubbled like a diver. Ghosts whooed like
owls in the long nights when I dared not look over my shoulder; animals lurked in the cubbyhole under the
stairs and the gas meter ticked. And I remember that we went singing carols once, when there wasn't the shaving
of a moon to light the flying streets. At the end of a long road was a drive that led to a large house, and we
stumbled up the darkness of the drive that night, each one of us afraid, each one holding a stone in his hand
in case, and all of us too brave to say a word. The wind through the trees made noises as of old and unpleasant
and maybe webfooted men wheezing in caves. We reached the black bulk of the house. "What shall we give them?
Hark the Herald?"
"No," Jack said, "Good King Wencelas. I'll count three." One, two three, and we began to sing, our voices high
and seemingly distant in the snow-felted darkness round the house that was occupied by nobody we knew. We stood
close together, near the dark door. Good King Wencelas looked out On the Feast of Stephen ... And then a small,
dry voice, like the voice of someone who has not spoken for a long time, joined our singing: a small, dry,
eggshell voice from the other side of the door: a small dry voice through the keyhole. And when we stopped
running we were outside our house; the front room was lovely; balloons floated under the hot-water-bottle-
gulping gas; everything was good again and shone over the town.
"Perhaps it was a ghost," Jim said.
"Perhaps it was trolls," Dan said, who was always reading.
"Let's go in and see if there's any jelly left," Jack said. And we did that.

Always on Christmas night there was music. An uncle played the fiddle, a cousin sang "Cherry Ripe," and another
uncle sang "Drake's Drum." It was very warm in the little house. Auntie Hannah, who had got on to the parsnip
wine, sang a song about Bleeding Hearts and Death, and then another in which she said her heart was like a
Bird's Nest; and then everybody laughed again; and then I went to bed. Looking through my bedroom window, out
into the moonlight and the unending smoke-colored snow, I could see the lights in the windows of all the other
houses on our hill and hear the music rising from them up the long, steady falling night. I turned the gas
down, I got into bed. I said some words to the close and holy darkness, and then I slept.
Mary Gay Kearns Dec 2018
Of all the things inside my head
I wonder which I’d choose
The shiny saucers on my wall
With patterns on them all.

Some painted by Susie Cooper
With dainty flower heads
And others Brambly Hedge
With hedgehog tucked in bed.

Then in blue and white china
And Churchill on the back
Picturesque moments of bridges
Willow chintz and that.

Finally the many flower fairies
Their delicate floaty wings
Sitting on a tree branch, Cicily Mary Barker
Who loved all tiny things.

Love Mary ***
Egeria Litha Jul 2013
All I had to do was lie down and close my eyes.
Listen to his voice take me deep down inside myself.
Suddenly, there is a wooden double door at the base of a mountain.
He tells me, "Open your unconscious and step inside... What do you see?"
A boy with blue saucers piercing my brain,
******* to a chair with a bandanna over his mouth.
Those blue saucers... how menacing.
I release him from the chair and he stands up and looks at me.
His blue saucers looking at me like I'm the alien.
I hang out there for a while until the voice says...
"Come back to this reality, shut the door behind you;
at the count of ten open your eyes."
I come back.
But him... he stays behind... untied but waiting.
For me to open the door again.
st64 Jun 2013
how he loved his sweetheart queen
she always wore the silver bracelet
he gave when she turned sixteen
now their kids are growing; how time has flit



10 a.m.

Eyes opening, sun comes streaming through the windows. It's so late!

I rise, feel so groggy....what's this weighty load on me...?
I've been sleeping, yet feel profoundly *weary
.
Where is everyone?
"Muriel...?"
I get to the bathroom to wash and shave.

My wife appears at the door, "Honey, where have you been? Oh, we haven't seen you in so long... Welcome back! Come down for tea, dahling."
She pours a glittering smile and reaches up to touch my cheek with the back of her left hand, fingernails painted deep red...her nuptial rings still a dazzle after so many years...but she....
"Alright, dahling?"
"Y-yes, dear."

She had never called me darling...or even dahling....before...!
Huh?
And off she goes, to the kitchen.
Welcome back?? did she say?? And her eyes were shining so bright...
Wait a minute....just  hold on ....what....??
I shake my head, unable to toss some heavy feeling....a dense cloud in my head.



10:30 a.m.

Now I'm dressed and freshened up, I head down.

Feeling better, I see my warmhearted and humorous son at the pine dinette table.
I smile warmly as he turns to look up...I remember the promise that we'd go fishing this weekend.
"Hey, budd....."
I reach over to touch his hair, but he flinches away..!

"Who's this, Mom?" Kyle demands hotly.
My wife gives a bright smile which doesn't quite reach her eyes and says: "Now, Kyle....behave. It's Daddy.."
"Oh, he's just .....tired, ok."

She waltzes over and politely hands me a steaming mug.
What in the name of....???
Over the cloud of coffee, I watch them all.
Little Jenny, but my jolly toddler...now on her mother's hip...watches with wary eyes and reaches out to scratch me, her pacifier hanging from a blue ribbon, like a noose from her 'happy-smiles' bib.

"But Mom, he's been away so long...for years and..."
I hear him whispering sullen and lizard-like, to his mother....but he's hissed into silence.

What in the heck....?
"Now, children," Muriel says patiently, "go play out in the yard..."

Oh, I'm feeling so frazzled!



11:00 a.m.

I decide I've had enough.

My wife is at the sink, thickly busy rinsing cups and plates; she smiles sweetly, humming.
She never did like doing dishes....
Now there she stands, looking all coiffed and made-up, hopelessly incongruous...

I shake my head; thoughts roll and collide, like mysterious marbles across my mind-floor...
Kyle watches me hostile, from the garden...arms folded defiantly across his chest.
Jenny's on her tricycle, red as a fire-engine.....eyes blankly staring, bent on crisscrossing her scalene triangle trip.

I turn to ask: "Muriel, where's your bracelet, dear? You always have it on."
"Oh, dahling...don't you worry. It's upstairs on the dresser."

And yet.....I was there earlier whilst dressing, and I didn't see it!

Baffled, I step out to the kids.
I prune the bougainvillea and then rake some leaves. Hairs stand up on the back of my neck....
It feels as if I'm being watched...when I look up to see, they are all quickly resume their activities.
Muriel just keeps on that shiny smile for me.


11:30 a.m.

This is it.

As I rake, some leaves make way for a clearing in the yard.
Bending down to scoop some up, a shiny reflection catches my eye...there's the silver bracelet with that beautiful twist of blue as gemstones.
What was it doing here...?

Still pondering, I see my wife's head **** up from the kitchen window...lips curling back...oh, no smile this time...body looking too *****...eyes like saucers, way, way too interested.....

I look down again...move some more leaves.....a curled hand....But it looks like ......

I recognise my Muriel's hand, her clear and pushed-backed-cuticle fingernails....her arm..her face....but.....
she's here.....!!

What the.....??

I turn round slowly to look.....only..... too slowly.....







how I loved my sweetheart Muriel
who always wore her silver bracelet
with that beautiful
twist of blue




S T, 11 June 2013
Partly inspired by movie 'Haunting in Salem'...just some ****** film I couldn't finish....lol
Dozed off and wrote this thing, instead :)


sub-entry: none
Paula Swanson Oct 2010
We sat at the table, waiting for our number to be called.
Their pepperoni pizza, was our most favorite one of all.

Our number is announced, George is carrying the pizza back.
When close, he decides to act, as though he  trips in his tracks.

In slow motion, that pizza, slid so smoothly out of the pan.
George's eyes got big as saucers, he saw the folly of his plan.

There I was in my new outfit, that cost half of my paycheck.
With pizza, upside down on my lap and sauce splashed on my neck.

Amazingly calm, George scooped the pizza up in his hands.
Melted cheese, stretching and stringing, from my pants in gooey strands.

He stood there patting and pressing the pizza back into shape.
That poor pizza looked just like a badly, bulldozered landscape.

It lay there sort of twisted, pepperoni all to one side.
Crust pieces stinking out of it, like a saucy red mudslide.

Then he sat down across from me, silently as if waiting.
I must have looked like a blonde fish, sitting there, just gapping.

Then a chuckle escaped my lips, as his eyes raised to meet mine.
He looked just like a little boy, who just got caught in a crime.

I'm surprised we didn't get kicked out for making such a fuss.
'Cause, next thing you know, the whole place is laughing along with us.

We couldn't stop, there was no way we'd been able.
Not while upsidedown-lap pizza, stared at us from the table
Guido Orifice Dec 2016
To behold the daybreak!
-Walt Whitman, Song of Myself from Leaves of Grass

In days like this one,
when rain drops so light
& everything dips
into weeping grey
my sanity longs for memories.

My sanity longs
like impulsive recalling
of plummeting sadness
in greying day
sashaying mournful recollects
from sunrise to daybreak.

Remembering vanishes
in the joyful marrow of life.

There, forgetting lives.

Tell me the last time
bliss comforts your soul.

It is a transient tick
too stiff to evoke.

What about the last time
pain feigns your saneness.

Memories turned into bullets
slitting shrapnel
warping into my soul.

Happiness lasts for a second.
Sadness, a lifetime.

Tell me how to get rid
the hurting clout of ache
existing as a blunt fragment
benign yet reminisced.

Daybreak pours so hard
and my sanity like a waning light
crawls back in a miasmatic cave
along the river known
to be a home of a witch
& her cursing narrative
of throwing silver saucers
making her a spotless shadow
through vestal times
never again a thriving spirit.

Forget Blake. Forget Whitman.

Only in daybreak
where everything
churns into life,
my sanity shrinking back
collapsing
into surreal gaps.

Here & there,
my sanity longs for memories.
I loved you so much my heartbeat shook the heavens,
how dare you tell me I didn't love you hard enough?
This was supposed to be that soft love.
The kind that caresses your face like a light breeze.
It was enough to shake your soul
like it was rocking you to sleep.
I wanted it to soothe you
and leave you breathless
all in the same moment.
I wanted it to be as fierce as an earthquake
that shifts all of the plate tectonics back into place
as if it were fixing a puzzle.
I wanted it to be as loud as a pin drop
in a dead silent room.
I wanted silence with you.
I wanted the screams to echo through your mind
like I was standing in the middle of
mountains and valleys
yelling to God all of the love stories
I wrote about you.
I wanted you to listen with your eyes closed
and your mouth open.
I wanted to feed you gentleness on a silver spoon.
I wanted to love you.
I wanted to be enough.
But your eyes were always as big as flying saucers,
and your heart only ever the size of a needle hole.
My love was never meant for you.
Terry Collett Apr 2015
Milka sat on the grass outside the farmhouse. It was a warm day and insects buzzed the air. Benny had just gone off on his bike; she hadn't wanted him to go, but he had  to be some place else and he had ridden off. Her mother had arrived and was carrying bags of shopping from the boot of the car into the house. She gave Milka a look as if to say: You could help, but said nothing, hoping that a look would indicate the need, but Milka looked back at the road hoping Benny would return to her. Although they'd had *** in her bed-while her mother was out shopping- she felt she needed him still, as if the *** had not been enough, as if her appetite was bottomless. The mother disappeared inside the house, then came out again to the car for more bags. You could help rather than sit there looking into space, her mother said. Milka got up from the grass and made her way over to the boot of the car and picked out two of the lighter bags and carried them behind her mother into the house and placed them on the kitchen table. Anything else? Milka said. Her mother looked at her and saw the stance of her daughter and how reluctant she seemed to be of any real use and shook her head. No, wouldn't want to put you out in anyway, the mother said. I can help if you want me to, Milka said. Make me a drink of tea, then, her mother said. Milka filled the kettle with water and put it on the stove and lit up the stove with a match, then put three spoonfuls of tea into the teapot. She took two cups and saucers from the cupboard and laid them on the top. Her mother put away the groceries and then sat down at the table and  watched her daughter going about the task of tea making. What have you been doing while I’ve been shopping? Her mother asked, you were in bed when I left. Milka looked at her mother. The kettle began to boil. She said, got up and washed and dressed and ate breakfast. Her mother's eyes scanned her. That all? Her mother said. Had she seen Benny along the road? Had she passed him? She gazed at her mother for any clues or maybe a hint as if her mother was testing her. Benny came for a while, Milka said, he's just gone. I know, I saw him along the road riding his bike, her mother said, he waved. The two females looked at each other for a few moments in silence. What did you do? Her mother asked. Questions and questions. As if she suspected. She looked at her mother's face. Took in the eyes. I showed him the baby piglets, Milka said, he thinks they're cute. She had shown him the piglets just before he'd left. After the ***. After the *** and while she was still damp and yet still hungry for it. He's a good boy, her mother said, I like him. I know you do. If only you were younger. Milka nodded and looked at the kettle boiling and whistling away on the stove. She put the hot water in the teapot and stirred the tea-leaves around with a spoon. He'd make a good farm helper, her mother said, shame he's otherwise engaged in that nursery work. Milka poured two cup of tea and added milk and sugar. She took both cups in saucers to the table and sat down. He has worked on a farm he told me, Milka said, when he was thirteen helping out after school. Her mother smiled. And sipped her tea. It'd be good if he worked here, her mother said, on the farm. Yes, you'd like that wouldn't you, having him about the place so you could fuss over him, wishing you were younger, wishing you were a girl again. Ask him, Milka said, knowing he wouldn't, knowing he was happy where he was. I will next time I see him, her mother said. Milka sipped the tea. She still felt damp and sticky. She'd go up and wash down later. She watched her mother sipping tea, looking at the table, thinking. If only you knew what we did earlier, you'd not think him so good. She moved her bottom on the chair, to get comfortable. The image of Benny in her bed was still stuck there in her head. Her arms around his waist. He entering her. She sighed. Her mother looked up at her. What’s up with you? She asked, studying her daughter closely. Stomach pains, Milka said, the first thing that came up in her head. Her mother studied her. Can't believe you're that age, her mother said, don't seem long ago you were pushing a dolls pram around the place. I'm fifteen and have the week coming up, Milka said, pulling a face. When I was your age I’d started work, her mother said. I will when I leave school in July, Milka said, secretly rubbing herself below. Time flies, her mother said, draining her cup of tea, must get on with the housework. She stared at Milka. You can help by tidying your bed and your room, she said. The bed. She had tidied it a bit after the ****** acts, but it may need proper seeing to. Yes, I'll do it when I've drunk my tea, she said, hoping her mother wouldn't venture in her room before her, hoping she'd not see any signs. Make sure you do. I've never seen such an untidy room, her mother said. If she'd seen it earlier it was a right mess. Seen us. At it.  She blushed. Her mother had gone. She felt herself redden in the face. What if she had returned early? What if she had opened the door? Her heart missed a beat. It seemed too surreal to think about. Where was Benny now? Seventeen and at work for two years and she wants him here working? If she knew. She went to the window and peered out. It was warm out and the sky was a brighter blue.
A GIRL AND HER MOTHER AND SECRETS AND DESIRES IN 1964.
howard brace Apr 2011
One solitary teabag, not enough for two to share
just one for the teapot, the caddy being quite bare,

no drawing of the water, no mashing of the ***
no teabag for each person... while shopping I forgot,

with saucers on the table, there's no teacup at the lips
for the corner store's not open, to buy more  'PG Tips',

it's tea-less in the cupboard, no tasty leaf to brew
so I will have a coffee... and make tea, just for you.*

...   ...   ...

'trademark'
I

The Nutcrackers sate by a plate on the table,
  The Sugar-tongs sate by a plate at his side;
And the Nutcrackers said, 'Don't you wish we were able
  'Along the blue hills and green meadows to ride?
'Must we drag on this stupid existence for ever,
  'So idle so weary, so full of remorse,--
'While every one else takes his pleasure, and never
  'Seems happy unless he is riding a horse?

II

'Don't you think we could ride without being instructed?
  'Without any saddle, or bridle, or spur?
'Our legs are so long, and so aptly constructed,
  'I'm sure that an accident could not occur.
'Let us all of a sudden hop down from the table,
  'And hustle downstairs, and each jump on a horse!
'Shall we try? Shall we go! Do you think we are able?'
  The Sugar-tongs answered distinctly,'Of course!'

III

So down the long staircase they hopped in a minute,
  The Sugar-tongs snapped, and the Crackers said 'crack!'
The stable was open, the horses were in it;
  Each took out a pony, and jumped on his back.
The Cat in a fright scrambled out of the doorway,
  The Mice tumbled out of a bundle of hay,
The brown and white Rats, and the black ones from Norway,
  Screamed out, 'They are taking the horses away!'

IV

The whole of the household was filled with amazement,
  The Cups and the Saucers danced madly about,
The Plates and the Dishes looked out of the casement,
  The Saltcellar stood on his head with a shout,
The Spoons with a clatter looked out of the lattice,
  The Mustard-*** climbed up the Gooseberry Pies,
The Soup-ladle peeped through a heap of Veal Patties,
  And squeaked with a ladle-like scream of surprise.

V

The Frying-pan said, 'It's an awful delusion!'
  The Tea-kettle hissed and grew black in the face;
And they all rushed downstairs in the wildest confusion,
  To see the great Nutcracker-Sugar-tong race.
And out of the stable, with screamings and laughter,
  (Their ponies were cream-coloured, speckled with brown,)
The Nutcrackers first, and the Sugar-tongs after,
  Rode all round the yard, and then all round the town.

VI

They rode through the street, and they rode by the station,
  They galloped away to the beautiful shore;
In silence they rode, and 'made no observation',
  Save this: 'We will never go back any more!'
And still you might hear, till they rode out of hearing,
  The Sugar-tongs snap, and the Crackers say 'crack!'
Till far in the distance their forms disappearing,
  They faded away.--And they never came back!
Martin Narrod Apr 2014
Mew
as soon as these blue speckled
socks go, that's it. A new bright black death.A solemn weir on a stark horizon.Give me a reason to wear color. My hueless affidavit
runs me into the Earth, where I sprout up
a pallid keb- brain orf'd, you could drag my etiolated ebon
body through the ovine fold or take me to the theater. When I was just a minor teg, I sheared my mim kip, I fuckinggave it to you outright. In this little
cote my wan mien nigrifying; my calamitous black, quaffed full of congou in demitasse, of souchong & saucers. My atrous wethered body albicantly degenerating in the atrous sun. I'm crusting over with wanness and you, you're fortifying in the cwm where I used to yaff and stray. Your ovivorous hunger,something I never knew, when first you came for my jecoral flesh, just another bot digging through my soft toison. Like Dall's Prometheus being sheared from the flock-you cut me away. In this drab and achromic world, you put the wanness in my flesh, the gid in my heart. Still.
Just these blue socks are left.
Written Sitting against an Oak tree outside of a family friend's farm in Fond du Lac, Wisconsin
Jim Sularz Jul 2012
© 2009 (Jim Sularz)

Quiet mounds of yellowed tailings and dead weeds whisper low.
And proud rusting relics telling tales of striking gold.
The rush from East, from North and South, by wagon, train or foot.
Days not all that long ago, in tall ships made of wood.

“A gold rush struck in’49, all quite by accident.
A burning fever that cut men to bone, in a sea of dingy tents.
Day and night, they toiled and tolled, many headed home without a cent.
But some packed out bags of glistening gold, and made a stop at "Buzzard’s Breath."

"The town’s mud logged street, deep with horse manure, bubbled like a shallow grave.
With a Sheriff’s office, a livery stable, and a church for souls to save.
And a fancy house, on a grassy knoll – sign read, “Madam Lil la ****.”
With soft, curvaceous ladies who mined for hearts – and gold of a different sort.

Didn’t take long before easy gold, was extremely hard to find.
And burly miners, tough as steel, moved in to hard rock mine.
With bloodied knuckles, dented hats, they blasted at a furious pace.
To find the gold, called the Mother Lode, yellow blood coursing through their veins!

The mine they worked was called “Long Shot”, the men thought that name a curse.
But the miners hankered for the handle, "Buzzard’s Breath”, and the mine’s name was reversed.
As luck would say, they held a royal flush, when they hit that horse-wide vein.
Of the purest gold, yet to be found, this side of the Pearly Gates.

Eyes wide as saucers, they were all in awe, everyone was filthy rich.
The miners should have all retired and should have cashed in all their chips.
But a man’s hard to figure, when his blood is yellow, and he’s stricken with a gold fever.
“Eureka! Boys, *** the dynamite and a whole lot more mining timbers!”

They mined that vein to the bowels of the Earth, and the heat increased by day.
"Buzzard’s Breath" became the hottest place, to Hell – the shortest way.
And then one day, the men never came back. – Hell must have jumped that claim.
Of the purest gold, yet to be found – that’s where the Devil mines today!”

Quiet mounds of yellowed tailings and dead weeds whisper low.
And proud rusting relics telling tales of striking gold.
The rush from East, from North and South, died a slow and quiet death.
Along with days of tall wooden ships, and the ghosts of Buzzard’s Breath.
Where I live in Colorado, there are still old rusting mining relics all along the mountain roads.   What tale could these relics tell about the Gold Rush days during the mid to late 1800's?   The "Ghosts of Buzzard's Breath" is one of those tales.   By the way  -  "Buzzard's Breath" is a real town in Wyoming (no kidding).      Jim Sularz
the Sandman May 2015
Or, I Loved You.

The clouds did not look in any way oppressed that morning
when a table held teacups and saucers all scattered about,
Staining light brown on the fine bone china.
Scraping cutlery, cutting deep.
Leaves of a crisping newspaper thumbed through.
Polite guffaws and 'gentle' conversation.
A man lay out a map
at the table and smoothed it down.

Slurp, clink, ah.

Whips lash, sweat breaks.
     Backs break.
Skin glistens, brown grunts muffle into screams across millions of miles.
Lakhs of kilometres?
It's the weather that's oppressive, I'm sure.
     while: "Spices and gold b y  t h e  f i s t f u l,
                  get your bags of gold and spices here!"

Tea, poured into saucers from cups.
Thickly accented words, in a foreign dialect,
sitting oddly on strange, dark tongues.
Men that, years later, were imprisoned for keeping silent
Hanged those that did not.
What are we aping?, echoing in the streets.

Shattered cups and splintered saucers,
strewn neglected on the ground.
A heel crushes out a stub of ashy clove
and the bitter smell of stale coffee
lingers overheard.
andy fardell Jan 2012
sleepy sleep

sleep in sleep in sleepy town
my eyes need wakey up
sleepy sleep my bed does call
me lids so glued there stuck

look at me at half past three
a hedge still in me hair
eyes so red a cameras light
saucers oh my dear

give me bed a silent night
cos sleepy snooze is me
time to snore and wake you up
me fidgits sleepy sleep  

na na night its time for kip
me bed is calling me
clocking tick soon far away
a dream of dreams i see

rise and shine yet i need more
some sleep will do me good
bags of spuds upon each cheek
come on dont wake me up

sleepy in as sleepy does
im staying where i am
soon be dinner oh thats good
a lay in i'll be dammed
I'M A SHOPPING CENTER SANTA CLAUS
FOR THREE WEEKS EVERY YEAR
IT PAYS MY RENT AND BUYS ME FOOD
AND BUYS A CASE OF BEER
I NEVER REALLY LIKED IT
'TILL ONE DAY TWO YEARS BACK
WHEN ONE SMALL CHILD ASKED ME
JUST HOW I FILLED MY SACK

I THOUGHT A BIT AND TOLD THE WAIF
THAT MAGIC FILLED IT UP
HER EYES GREW WIDE AS SAUCERS
JUST WAITING FOR A CUP
I TOLD HER HOW MY ELVES
MADE THE TOYS FOR ME TO GIVE
TO TAKE AROUND THE WHOLE WIDE WORLD
WHERE ALL THE CHILDREN LIVE

SHE ASKED ME THEN WHY DID I NOT
FULFILL HER WISH LAST YEAR
I NOTICED THEN, HER EYES WELLED UP
AND I KNOW I SAW A TEAR
SHE SAID THAT HER POOR MOTHER
HAD LEFT AND RUN AWAY
SHE PACKED HER BAGS A YEAR AGO
AND LEFT ON CHRISTMAS DAY

SHE DIDN'T LEAVE ME ANY GIFTS
SHE SAID IN HER SMALL VOICE
SHE ONLY LEFT A LETTER SAYING
SHE HAD NOT OTHER CHOICE
SHE ASKED THAT WITH MY MAGIC
I MAKE HER WISH COME TRUE
I'D SAID I'D TRY TO DO IT
I WOULD SEE WHAT I COULD DO

I WIPED MY NOSE AND DRIED MY TEARS
AND PUT THE SMALL GIRL DOWN
SHE TURNED TO LEAVE AND WALK AWAY
HER COAT WAS CHOCOLATE BROWN
IT WAS A FEW DAYS LATER
THAT SHE CAME BACK TO MY CHAIR
HER EYES WERE BRIGHT AND SPARKLING
AND SHE WORE RIBBONS IN HER HAIR

THANK YOU SANTA FOR WHAT YOU'VE DONE
THERE'S SOMEONE YOU SHOULD MEET
THIS IS MY MUM, SHE'S COME BACK HOME
SHE'S MY EARLY CHRISTMAS TREAT
YOUR MAGIC WORKED A MIRACLE
YOU MADE MY WISH COME TRUE
NOW I BELIEVE IN SANTA CLAUS
AND THE EASTER BUNNY TOO!

I DID NOT TRY TO FIND HER MUM
TO LIE WOULD NOT BE FAIR
BUT WHEN I LEFT THE MALL THAT NIGHT
I SAID A LITTLE PRAYER
I PRAYED TO GOD THAT SHE WOULD FIND
HER MOTHER BACK IN HER LIFE
AND THAT THIS SMALL, YOUNG CHILD
WOULD BE FREE FROM ANY STRIFE

I KNOW THAT IT'S A PIPE DREAM
LIKE WISHING ON A STAR
BUT I WISHED ON ONE A FEW YEARS BACK
AND SOMEONE HEARD ME FROM AFAR
I'M A SHOPPING CENTER SANTA CLAUS
FOR A WEEK OR MAYBE TWO
BUT LITTLE GIRL, WHEREVER YOU ARE
I STILL  BELIEVE IN YOU.
Lucy Tonic Nov 2011
No one came before them
The original gangsters
Took a leap of faith
Found nothing is fixed (perhaps)
Silent progression an its svelte curved finger
Starting our engines, we dived through the door
Roaring regression, salute of four fingers
Down is the price that we paid to stand up
Back to the bricks, carved in a niche
It never told us we'd have to buy shoes
Flashes of future opened a portal
A game made of blocking, where no one can lose
Born with our minds blown
We've sure kept our eyes on the prize
Even dumb, dark and pegged
We'll still have our picture books
Our consciousness needs a hug and a kiss
Incinerate cyclic denial
Insinuate a means of escape and
Psychically break with your own form of exit
Waverly Feb 2012
When things were going great
we'd eat transcendental dinners,
we'd take livers
in rainbow saucers
and ladle them
in tartar sauce
until our mouths
were full of salt,
sometimes we'd go to Thai China
and make interstellar fighters
out of the wise guts
of
cream-colored Starships.

But the nights when we went
to Burger King were the greatest,
we'd have simple dinners:
99 cent burgers
and fries like elephant ears,
we'd sit in our booth
in the corner,
you farting ketchup
out of like
twenty packets
into a red **** pile,
and I farted
like
twenty farts
out of my ***,
but I like
simple things;
they are natural
even if they don't sound
that way.
Jackie Mead Feb 2018
The Mouse with the house on the River Louse
Now has a family of 12 to feed
A husband and ten smaller mouths all reside with the Mouse in the house on the River Louse

One day the Mouse with the house on the River Louse went outdoors to explore with the intention to find something tasty and fine to feed them all

She walked to the edge of the grounds to the bank of the River Louse, where her friend the Frog, who didn't live in a house but lived on a log in the middle of a bog with his friend Bee, was waiting for his friend to serve her tea

The Frog and The Bee showed the Mouse with a House on the River Louse a table set fit for a Queen with fine China cups, saucers and plates and a tablecloth made of lace

The Mouse with a House on the River Louse was delighted and very excited as the Frog and The Bee said at half past three they would be joined for tea by a new neighbour Miss Molly

According to the Frog and Bee Miss Molly had just moved with her dog and cat, a dog named Mouse and Ferret the Cat

At half past three Miss Molly came to tea and brought with her muffins and cream
The Frog and The Bee brought scones and jam and the Mouse with the house on the River Louse brought some crackers and cheese

The children of the Mouse with a House on the River Louse joined their mother and Miss Molly, the Frog and The Bee the Cat named Ferret and the Dog named Mouse and quickly polished off the delicious tea

The children and the cat and dog all asked if they could play in the bog, the bog where the Frog lived in the middle on a log.

The Mouse with a House on the River Louse agreed and so did Miss Molly and the Frog and Bee

The children, the Cat and Dog all played happily in the middle of the bog

The children, the Cat and Dog found some sticks in the bottom of the bog and began to weave and make a raft, all they needed was a a Sail to catch the draft

One of the children squeeked with excitement  when they found a lily pad on the ground
Quickly the lily pad was hoisted atop and the raft completed and ready to sail in a hop

The children, Ferret the Cat and the Dog named Mouse were playing lovely outside the house, pushing the raft up and down as not a drop of wind was to be found
Then suddenly the wind changed direction and the northerly winds began to blow, they started really slow but the wind got faster and very strong
The children, Cat and Dog couldn't hold on for very long and suddenly they were being taken away from their safe play, being carried down stream and they all did scream

Just like that Dad came home and took out of his pocket a telephone
He called the coastguard to come quick, a raft had drifted and was headed for the slip, soon they would be in the ocean with the bigger ships

Aboard the raft 10 young mice, Ferret the Cat and a Dog named Mouse, all huddled together, to be less afraid, hoping someone would save the day

The coast guard turned up at the house and asked to speak to the Head Mouse
Mother and Father together they spoke, eager to save their children cut afloat on the boat

Then at half past four came a big roar the coastguards had saved the day, the raft had been caught and brought on board just before they got to the edge of the bay and sailed away to the bigger bay

The Mouse who had a House on the River Louse, Dad, Molly the Dolly and Frog and Bee all shouted ecstatically "Thank you Lord for hearing our prayers and sending the men who saved the day and rescued our children from the mouth of the bay"

The Mouse who had a house on the River Louse counted the heads, toes and noses of the children to confirm they were all safe and then said their goodbyes and ushered them all safely inside
The 6th and possibly final chapter of the Mouse with a House on the River Louse
Once again an epic read so thank you to anyone who takes the time to read it
Sophie Herzing Jan 2016
For me, you are Sunday. Today is Sunday,
and tomorrow will be Sunday. Because I am stuck
in gingham yellow sheets, small white saucers
with matching ceramic cups, cigarette ashes
like a crop circle around them as I sip homemade
coffee. The ***** brown liquid sloshing
in the back of my throat, scorching my insides
as I swallow something not nearly as
painful as looking up for an answer to the crossword
and realizing you are not in fact actually there, and your hand
is not on my thigh, tracing the outline of my knee
with your thumb. I am stuck

like a kid on the monkey bars. Deciphering
between reaching my hand out to grab
the next rung or just allowing myself
to fall into the wood chips, welcome
that scraped skin and soil in the worry lines
of my palms. Because calling you,
reaching out to that line, could end with me
face up on my bed staring at the blades of my fan
trying to pinpoint just one to follow around and around
again. Or I could get your voicemail. Or you could
see my number and decide to hang up. How close
were we really anyway?

Or you could answer and we could talk through
how bad the weather is, how we've been doing,
and then get to the poignant silence, that hum
in the background that coils through the wires
into my ear, down the canal, and sinks into my heart
until the pressure becomes too much. Until
I tell you that its Sunday. That I need the 1994
Tony Award winning musical for 3 across, and hopefully,
you'll give me the right answer.
Nicole Apr 2018
I imagine colored dye
Floating through my brain
Showing the inconsistent chemicals
The lack of even concentration
A dose of something unexpected
And my eyes turn round like saucers
I feel everything so intensely
I can understand the inner-workings
Of the feelings I never understood
My obsession with lost love
Finally whispered it's truth
I do not regret where I am today
I simply miss feeling the happiness
That accompanies the memories that haunt me
I must come to terms with the fact
That happiness will return to me
If I stop hanging onto the past
And embrace the beauty of the unknown
That will bring me more happiness
Until then
I will allow myself to connect with myself
No judgement
No fear
No regrets
Just acceptance and
No expectations
Frankie T Jul 2013
I fall asleep in the late afternoon and wake up to the night kissing my eyelids, whispering the promise of bright streets and shadows, music and drunken laughter into my ears. Floating up from below are the sounds of clinking glasses and the hum of a thousand conversations, scooters and street-cleaning machines, skateboards and dogs and church bells; the city of masses occupied by ants. The breeze wafts in from the balcony and the marble floor is cool on my feet as I rise to go out.
The kitchen is full of Australians and the table is covered in small bags of white powder. There are bottles on the counter and someone is slicing up a lime. They are loud and happy and one of the boys empties a tiny bag out onto a plate, cuts it with his bank card and pushes it into thin lines like scratches. Someone makes us all drinks. Aussie spills powder on the floor and as I look up, he is crouched down, fifty-euro note up his nostril. We laugh, he is bent over on his knees, vacuuming the floor with his nose. I sit down to watch them, telling wild stories of wild nights, as they get more and more edgy their gestures become exaggerated and excited. I go to take a shower, Aussie wanders in and talks to me excitedly, laughing loudly. I laugh too, because he is fun, and attractive, and because he is so excited and happy and because he has a nice laugh, a loud one. I put on high-waisted denim shorts, rolled up at the bottom, and a half-corset. It is yellow with roses printed on it, and Aussie tells me I look like a pin-up doll. The girls come home and we all put on red lipstick and breathe in dust and dance around the kitchen with the boys and our drinks. There is white dust on everything, spilled everywhere. Everything is bright and exciting and electric and new, so we go out, piling into several taxis and speeding down the motorway to the beach. The line is not long and we get in for free, music pulsing through our eyes, our bodies, neon lighting up our hair and glancing off the pool inside. There are tall girls in rhinestone-crusted heels, long legs stretching from short short fluttery skirts, boys with gelled-back hair and printed shirts and their sweet-angry boy-smell. Eyes like saucers, skin like melting wax, sensual, ferocious. Aussie. Grab me by the waist, buy me a tall drink with a tall straw. Stroke my cheek, tell me I am beautiful. He disappears into the night, absolutely ******- *******, champagne, the rain of stars in his eyes, the reign of electric music in his limbs. Electric, wandering through the club like a lost prince, diving into the water like it was his home after all.
I know it's not exactly poetry, it's prose, but tell me what you think. I tried to have the same essence and mood as my poetry pieces, and the flow, but I also wanted it to be more of a story.
cheryl love Oct 2014
Perfection,
What is that?
If I had to describe a nice
day I could do that.
But perfection.
I will have a try.
My perfect day...........let me see.
Sitting at a table
with little china cups
decorated in blue.
With white saucers with a fluted edge.
Opposite me is my perfect guest
Sally A Bayan.
We would talk till the cows came home.
Till the stars dropped out of the sky.
Till the grass grew and covered the daisies.
The days and nights would drift by
and yet we would still be chatting.
This and that
My idea of perfection.
Mateuš Conrad Jul 2016
without veneration for what i already censored and ensured that what Christianity venerates as holy, in curses, or oath words - in newspapers aplenty, f%&@ - and i would venerate that? why not the little censor backpacker with the tetragrammaton word forever hushed, thought about? enough fucky-fucky-sucky-sucky i'm sure - it's so much eloquent to censor speaking something sacred than something debasing - you can just claim to be speaking pardonable French - and i rather a humility be indebted to something that can take intellectual promises and fulfil them, than have to play peek-ah-boo with the murk of Cockney slang - so childish... so ****** childish i reeks of sulphur in what's to be achieved by "seeming" polite - even with oath words censored, people have no greater vocabulary - and i really do like to see a great respect of spelling.

in practical terms - i sort of "lied" about how how Hebraic
schooling hides vowels - they do indeed,
hide 4... i once wrote a poem entitled *two Adams
-
prior to investigating the matter further, only
today i stumbled upon the meaning - i was intending
a story of Eden with two Adams - a homosexual
affair - perhaps Satan the surrogate mother -
so less myth including the second Eve (Lilith) -
but the Hebraic school doesn't hide all the vowels -
it has two variations of the vowel a -
aleφ (א) and ayiν (ע) - hence the premonition of
the two Adams was subconscious rested in this
observation, i've seen a Hebrew alphabet prior -
but i didn't attach much detail to it worthy of furthered
inspection - it would seem natural that out of 5 vowels
four are hidden as if diacritical marks akin to
the umlaut or acute stresses ( ¨ or ´ ) - by
hiding four vowels you are bound to get a tetra-
something, in this case a -grammaton - further details
also emerge: why are two identical vowels apparent
among the consonants? aesthetic purposes? a full-circle
effect? a closure? i was in north London today and
i was spotting orthodox Jews, i don't know why
but i seem them with their curls either side of their heads
and think of Italian Mafia - they really do look
like the Mafia - call them Dactyl Mafia (not a foot
in poetic meter, or the sons of Cybele / Rhea -
but as in that sweet fruit - a date, plenty of date trees
in the middle east) from now on, i will - so with
4 vowels hidden as diacritical marks, 1 vowel for
whatever reason ~mirror image given the cutting up
of a- from -leph and a- from -yin - yang bangs
the saucers for a symphony impromptu as if Jamaican steel -
hence i'm supposing the deja vu of the H hey'tches -
and from that you get the perfect storm for perfect
laughter: עה אה
                          עה אה
                                   עה אה! (alias of a definite article -
looking at the world, no talk of philosophical veils and
ultra-realities - it's just definitely there and you might
as well laugh about it).

3:23 until 3:58 - Muse's Stockholm Syndrome -
in my hand Milton's Paradise Lost -
that grand Greek style epic that really bit off
William Blake's tongue and ear with self-improvised
jealousy - concerning book iii - Satan's entry into
this world - indeed through t book iv -
guiltless he, for the chess piece was already made -
and what only kept it from a sacrificial bite
was the motive of the game being begun -
the nudge of a pawn could have made a rook fake
advance across the line of pawns - yet man's
pawn also took charge.

no daytime interruptions this time - 400 years by
the pyramids and 3 years in Auschwitz -
the latter: no purpose, our insider was there, Eva Braun -
my grandfather visited Auschwitz, from the stories he
recounted... none of my relatives died there,
most of them on the front, don't expect me to go,
I AIN'T GOING! i'll go to a Kosher bakery -
i'm not going out of principle, on the principle that
it wouldn't be personal, or so i heard, impersonal,
catching Pokemons in that facility - as you might
have guessed weird things are happening in the night
at times, moving stars, appearing and disappearing
without a fixed zodiac - pretty common these days -
once i watched a triangle of such rebels move across
the sky, once a Gemini variations, most of the time
one star moving... then another -
happened to me in Venice, keeps happening
in Essex, happened in Ostrowiec Św. in Poland too
(my grandfather watched with me... thought they
were satellites at first... and i was like... satellites?
really? give it a day, you'll come to your senses - we can't
see satellites from earth! look again, same size and brightness
as all the other stars in static zodiac, to the naked eye
and not a telescopic eye, the same size) -
so i'm sitting there having a beer, and giving up my
thought to the altar of what's happening -
three proofs during the night - star of Bethlehem -
the Koran - come on! total darkness - we're talking
using phonetic encoding by an illiterate person -
good at numbers when it came to being a merchant -
but in terms of letters? total caveman, Khadija (Muhammad's
first wife) must have written the first few Surahs -
Stephen Vizinczey's in praise of older women -
learning a foreign language aged 40 must be hard enough,
this is Prophet Blind-man in Reverse - it's a completely
different story being literate an being illiterate, esp. when
looking at sound encoding - less damaging for the latter,
even more damaging for the former given universal
education and the lost monopoly on literacy by the priesthood.
so, those two proofs (after 40 days in the desert without
food or water, any idiot could make water into wine -
imagine the dehydration, alcohol dehydrates, hydrate
and you'd be jumping-jack any time, esp. at a wedding,
with so much joy euphoria adding to a sip of water after
40 days in a desert).
Jackie Mead Jan 2018
The Frog and The Bee and the Mouse with the House lived together in peace and harmony on the River Louse.

One day the Mouse with the house did declare it was time that he moved out of there.

The Frog and The Bee did not agree and set about convincing the Mouse with the House that he needed to stay on the River Louse.

They sent out invitations to all around to attend tea at half past three.

The tea party was in honour of the Mouse with the house to be held on the banks of the River Louse and hosted by his dear friends The Frog and The Bee.

One by one each creature replied and the guest list rose quickly to Twenty Five.

The Frog and The Bee decided the tea would be civil indeed and The Frog made some scones and The Bee made some honey.

At half past one The Frog and The Bee set up some tables to lay out the tea.

At half past two the tables were laid with the scones from The Frog and The honey The Bee had made.

The scene did look grand, pots of tea and saucers of milk all laid on a tablecloth made of silk.

At half past three the guests started to arrive.
The first of the guests to arrive were The Elf with one ear and The Fly with one eye. The Mouse was delighted to see his friends, the ones who helped get Horse around the river bend.

Next came the Horse and his Master of course to thank the Mouse with the House on the River Louse for his friendship and help on the day that the Horse could not get around the river bend and the Mouse with the House, The Elf with one ear, The Fly with one eye, The Frog and The Bee all pulled together and worked merrily to assist the Horse round the river course.

One by one others did attend, there was a duck who lost his cluck but the Mouse with the House helped him every day until he could at last say "cluck cluck"

Next came a ****** who had forgotten how to weave but the Mouse with the House lay out the sticks until the Beavers memory began to tick and the ****** remembered how to weave.

Then came a beautiful Butterfly with bright red wings.  She told the Frog and The Bee that one day the Mouse had found her crying and sighing her wings had faded and she did not look grand a thing of beauty.  The Mouse ran back to his House and in his shed found a can that had Paint in Red on the side.  He took a brush and painted her wings and now the Butterfly all shiny and bright flapped her wings with all her might.

Last but not least the Mayor arrived with his glorious wife by his side.

Mayor and Mayoress Swan did agree that the Mouse with the House should not leave his friends of  The River Louse and they would indeed miss him dearly if he relocated his house.

The Mouse smiled embarrassingly and said "I am sorry he did declare, there's been a mix up, when I said" I must get out of there" it was only to the shops I intended to go but The Frog and The Bee moved too fast or I moved to slow"

The Frog and The Bee and all the guests were all delighted with the news and brought in some music supplied by "Five in a Pen" which of course were all mother Hens and they danced all night until the Moon went in and the Sun came out.

Then the Frog and The Bee said to their friend the Mouse "let's do this again next year, and Mouse can bake cake for the tea, our friends can attend and we'll dance all night to Five in a Pen and we'll eat scones and honey and cake too and we'll do this in honour of all our friends and those who live and work on the River bend"

THE END
I wrote this at 2am this morning when I couldn't sleep.
If you've read my other poems The Mouse with a House on the River Louise and The Frog and The Bee, these characters will be familiar to you and the poem will make sense.
I hope you enjoy.
Prabhu Iyer Mar 2015
Evening colours
come crooning to me in the swallows
flying by:

saucers in the sky,

as I wait for the bus

that will go and halt on the wall
in my living room.

The evening is somewhat dull now,
let me hurl a few stars
at the horizon:

I have a dozen in my purse.

All of them gifted by you,
collectibles, kissables.

My tiara princess, the hair-band
is your secret wand.

Ah, my leg, it's
stuck in Grosvenor Road.

So I hurtle back. and loop forward.

Folding memories neatly into my
back-pocket.

There's a Divergence Theorem
gone missing here, volumes
are not going sheet-smart.

I want my nj's.

I could drown in those dimples.
Some nightly absurd verse. Make what you will !

.
Dr Sam Burton Oct 2014
Saturday is back

for you and Jack

So hurry and pack

Nothing to lack

Or forget something on a rack

Or in a sack

Eat Big Mac

Get some nicknack

Sleep in a shack

When it is black


Sam





Today is Saturday, Oct. 4,the 276th day of 2014 with 89 to follow.

The moon is waning. Morning stars are Jupiter, Mars and Uranus. Evening starsare Mercury, Neptune, Saturn and Venus.



In 1922, Rebecca Felton, a Georgia Democrat, became thefirst woman to serve in the U.S. Senate.





A thought for the day:



It's hard to beat a person who never gives up. -- Babe Ruth



QUOTES FOR THE DAY:



Avarice is the vice of declining years.

------------------------

Beauty is but the sensible image of the Infinite. Like truth and justice it liveswithin us; like virtue and the moral law it is a companion of the soul.

------------------------

By common consent gray hairs are a crown of glory; the only object of respectthat can never excite envy.



George Bancroft





Fortunately,psychoanalysis is not the only way to resolve inner conflicts. Life itselfremains a very effective therapist.



Karen Horney



"If you always do what interestsyou, at least one person is pleased."



Katharine Hepburn



"Keep love in yourheart. A life without it is like a sunless garden when the flowers are dead.The consciousness of loving and being loved brings a warmth and richness tolife that nothing else can bring."



Oscar Wilde



POETRY



Last Night



Michael Broder





Idreamt of making sense,
parts of speech caught up in sheets
and blankets, long strips of fabric
wrapped loosely around shoulders,
goblets, urns, cups with unmatched saucers.

You were there, and the past seemed important,
what was said, what was done,
feelings felt but maybe not expressed,
signs randomly connected
yet vital to what comes next,
to a coming season,
next year's trip to Nauset Beach.

I woke up wanting to read a poem by that name,
and I found one with a lifeguard's chair,
a broken shell, gulls watching egrets,
home an ocean away.


About this poem


"I wanted the poem to enact the dream it purports to recount. If dreamsare wish fulfillment, then this dreamer yearns for some kind of cognitivecoherence. The s ense the dreamer seeks turns out to be nonsense, and yetpoetry finds a way of making it s ensible after all."
-Michael Broder

About Michael Broder


Michael Broder is the author of "This Life Now" (A Midsummer Night'sPress, 2014). He is a freelance writer and lives in Brooklyn, N.Y.

*
The Academy of American Poets is a nonprofit, mission-driven organization,whose aim is to make poetry available to a wider audience.


(c) 2014 Michael Broder.
Distributed by King Features Syndicate





HEALTH and BEAUTY TIP



Applying Moisturizer

When applying moisturizer as part of your daily routine,make sure not to use it directly around your eyes -- this skin is more likelyto retain fluid, and moisturizer will make the under-eye area appear puffier.But do remember to use some on your neck and throat; skin can become dry there,too.



JOKES



Lawyer Joke



An American attorney had just finished a guest lecture at a lawschool in Italy when an Italian lawyer approached him and asked, "Is ittrue that a person can fall down on a sidewalk in your county and then sue thelandowners for lots of money?"

Told that it was true, the lawyer turned to his partner and started speakingrapidly in Italian. When they stopped, the American attorney asked if theywanted to go to America to practice law.

"No, no," one replied. "We want to go to America and fall downon sidewalks."



Pregnant



Seven months pregnant, my hand on my aching back, I stood inline at the post office for what seemed an eternity.

"Honey," said a woman behind me, "I had back pain during mypregnancy. I was bedridden for four months because my baby was sitting on anerve."

Then the man in front of me piped up....

"You'd better get used to it now. Once those kids get on your nerves, theycan stay there till they're 18."





Parole Board

The Bureau of prisons just announced the release of a serialbank robber who had looted over 30 banks before his capture.

The parole board says he is completely rehabilitated and has found employmentat his home in Prague.

Yes, that is correct...

They were able to right a bad czech.



Quick Funny or not so funny



I went to buy some camouflage trousers the other day but Icouldn't find any.



Bad Timing



A parish priest, Father O'Brien, was being honored at adinner on the 25th anniversary of his arrival in that parish.

A leading local politician, who was a member of the congregation, was chosen tomake the presentation and give a little speech at the dinner, but he wasdelayed in traffic.

Sooo.....Father O'Briend decides to say his own few words while they await thepolitician's arrival......

"You will understand," he said, "the seal of the confessional,can never be broken. What is confessed in there to me, is never repeated on theoutside. However, I got my first impressions of this parish from the firstconfession I ever heard here.

Realize, please, that I can only hint vaguely about this, but when I came here25 years ago, I thought I had been assigned to a terrible place.

The very first chap who entered my confessional told me how he had stolen atelevision set and, when stopped by the police, had almost murdered theofficer. Further, he told me he had embezzled money from his place of businessand had an affair with his boss's wife. I was appalled. But as the days went onI knew that my people at this congregation were not all like that, and I had,indeed come to, a fine parish full of understanding and loving people."

Just as the priest finished his talk, the politician arrived, apologized forhis tardiness and then started in on his speech.

"I want to thank you all for letting me say a few words this evening inhonor of Father O'Brien. 25 Years is a long time. In fact, when he arrivedhere, I had the honor of being the first confession he heard at thiscongregation."

Now that is bad timing.



Have a very niceSaturday!
Mitchell Mar 2014
The cafe we meet at is one of those old meet new italian cafe's in North Beach: marble table tops with beige wicker chairs lined up outside the window; clean faced and freshly cut waitresses and waiters; salami or some kind of italian meat hanging by a thick white string from the ceiling, presenting itself to the streets like a ***** in Amsterdam; thick egg white ceramic coffee cups with thin saucers underneath them to catch whatever mistake may happen during conversation or solitude. Hanes was just sitting there. I ran into him. He never called me. His sunglasses are on - usual of him - and he seems startled when I sit down, as if he doesn't recognize me. I can see that it takes him a second to remember that he had called me at all, soon after making sense as to why I'm sitting there at all.
"Sup?" I ask him. There's a tiny glass filled with a frothy, light brown espresso inside. His right pointer finger is wrapped inside the small handle, resting there like a crow on a branch.
"Hey," he says, looking at me, unsure where his eyes actually are, "Thanks for coming to meet me."
"No problem," I say while trying to catch the waiter's eyes. The waiter's a tall, skinny, handsome italian guy in the typical pressed white button up, black dress pants, black apron, and jet black pointy shoes. Why his attire and build is of any interest at all makes me curious. Maybe I'm jealous? "No problem at all," I say again,"I was in the area."
"You should get the food here. It's good."
"I rarely hang out in North Beach, so I have no idea where to go. Have you been here before?"
"I've been to a couple of these places. Framed City Bookstore is right down the street."
"No ****?"
"Yeah," he nods, taking a sip of his espresso, "They're really nice in there."
"I always assumed they would be pretentious literary types. Never went in there on that assumption."
"Some of them are, but there are a few that just like books and write and hold no entitlement from that."
"That's nice. That's rare."
"Very rare," he says, taking another sip. He looks over his shoulder to try and catch the waiter too. "I want to get some food, too. Starving."
"He give you the menu's yet?" I ask, looking around and under the table.
"I told him to wait until you got here," he says, still looking for him.
We finally get the waiters attention. He apologizes and tells us they are very busy. The inside is nearly empty and we are the only two sitting outside. I'm unsure what he means. But it doesn't matter. We order the same thing, panini on sourdough bread with chicken breast, tomato, pesto, and arugula, with a few thin slices of prosciutto on the side. Hane orders a side salad and I order a pumpkin soup. It's cold outside - even with a coat - and the soup, I know, will do me good. I also get a regular drip coffee, which he brings immediately after we order. We exhale, glad to have gotten it out of the way. Then, there is that silence after one orders at a restaurant; that matter of getting down to business and discussing why we are even there in the first place. I wait for Hane to begin, but, because of his lapses in memory and general awkwardness, I start, watching him run his finger around the circular edge of his espresso glass as I do.
"Claire...," I pause, on the edge of stammering, "She left?"
Hane takes off his sunglasses at my question and sets them on the table. He looks down at his lap and blinks, rapidly a few times and says, "Yeah. She left. Back down south. LA or further I think. She said something about San Jose, but I have no idea why she would ever go there. She doesn't even like hockey. I've never heard her talk about it before."
I drink my coffee, looking over my glass into his eyes, acknowledging that I heard him, that I understand, but I say nothing. Everything all seems too sudden, too planned out, like Claire was scheming this from the beginning of everything. I was searching for someone to blame for everything, but then Hane starts again.
"If I think back on our problems, I can see why certain things that I did drove her away. There were a lot of things she did that forced me to get away, in my defense. But," he reaches for his sunglasses on the table and slips them back on, "To her defense, I had my days, ****, I had my weeks, where I'm sure I was pretty unbearable to be around."
"Why is that?" I ask him, "What were you doing that would upset her to the point of leaving for good?"
He turns his head toward me that was before gazing out on the street, "I never said she was leaving for good."
"Ok. What were you doing that would make her leave at all?"
"****, I don't know. I would go out. I would have fun. I would do things that I knew I wasn't supposed to really do, but I did them anyway."
I push my chair back a little to stretch out my legs, getting comfortable. Dark, grey clouds have gathered over head and everything is starting to look like a very depressing circus. I finish my coffee and can't wait to order another. It's an endless cup.
"I know what you mean," I agree. I feel him pulling away, defending himself of actions he's yet to specify to me, "Sometimes you just need to go out and get a little weird."
"Exactly. I was doing that. I was going out and getting a little weird, even though Claire wasn't always for it."
"That's norm..." I start, but he cuts me off.
"And you know what? Sometimes she would even want to come with me to wherever I was going, but I really didn't even want her coming along. I needed to do whatever I was going to do alone certain nights. Don't ask me why. Some nights I just needed for myself to get away from my life that I set up for myself to feel satisfied or fulfilled or..." Hane looks up into the clouds like he wants to float up into them, "Acceptable, if that's even the word."
I can see what he means and I can see why he feels the need to get out. Being in a relationship is hard. One builds up these walls, these boundaries, and then asked to follow the rules of said relationship according to one's social surroundings. Two people making an arrangement most likely based in feeling and sexuality, both of which, as Bukowski put it, Like a fog you see in the morning before you wake up, before the sun comes out. It's just there a little while and then it burns away. Nothing lasts and I'm amazed to see certain things last so long.
I give him a solicitous look as I let these thoughts ramble around in my head, but he doesn't see it. He's still looking up into the sky, looking for something to give him a reason to look other then the clouds. He could say just that and I would be fine with it, but he's looking for something. An answer, maybe. A solution. A color for a painting he's started a million times, but never finished.
"Who knows if we've ever really gotten love?" I ask profoundly, dripping in clichéd of philosophy.
"Who knows?..." he trails off.
Our food comes. The waiter puts it in front of us quickly, asks me if I want anymore coffee and I nod yes. Hane says he's alright for now, but maybe later.
"Who knows?" he laughs lightly, shaking and bowing his head. The waiter gives him a confused, awkward glance, then walks inside for my coffee. I feel bad for him for some reason. Waiters have it bad. All they get is **** all day and most of the time it's from crazies. I'll have to tip him an extra buck or two, I tell myself. Looking down at my sandwich, examining to make sure if its even what I ordered, I see Hanes already started to eat. I watch him as he peels the toasted bread away from the arugula, the tomato, the pesto, and chicken with the mozzarella clinging to it all like great white tentacles. He heavily salts and peppers the guts, plopping the bread back down and squishing it with the palm of his hand. All of this is done very quickly, very violently, and like he's done it many times before. I remember Hanes talking about how he would eat panini's everyday in college. Now I can see he wasn't lying.
I take a bite of my sandwich. It's good. Not great, but decent. Hanes has not said a word and is nearly done after my second bite. I take a sip of my coffee and then another bite. Hanes is done, looking around for the waiter, wondering where the hell he went off to this time.
"You getting another drink?" I ask.
"A drink drink," he says, "Like a ***** soda."
"I'm game. Ill get a beer."
"Ahh," he moans, "Get a drink drink."
"Like what?" I'm amused by his pushiness.
"Like a whiskey or a ***** or something."
"Why?"
"Beer is so boring. All of it tastes the same."
"You really think so?"
"Yeah, I do." He raises his hand, catching the waiters eye. He comes over and Hanes orders us two ***** sodas and two Pernoi's. Light beers. The waiter nods, takes Hanes plate, sees that I'm still eating, and leaves me to it. "There's your beer. Happy?"
"Ecstatic."
"Good." Hanes coughs, smirks, lights a cigarette. He blows the smoke downhill, away from me.
"I'll get the beers, you get the vodkas."
"Good."
"It's only 2pm. We have all day," I say.
"Good and good," he says.
Trevor Gates Dec 2013
Ripples of effulgent colors
Reaching out from waters disturbed
Waves bothering no one
Except silent moods
And heavy sighs

Leaves falling like the fire from the skies
Sitting at the river bed alone
Hearing the blazing trumpets of angels
In the air for all of the world to hear
Definite, gazing and profound

The streets echoing the screams
Of thousands
Maybe millions burning
The people melting
turning to ash

And

Visions so pristine, with pools of clear waters
Where the universe dances with shooting stars
Nights so serene, with comets and saucers
Where multi-verse poets tell fables from mars

Mirrors orbiting realms of light and sound
Along ghost ships, serpents and mango worlds
Wormholes overwhelms clouds that surround
Near women’s hips and flowing hair swirls

The earths below like a burning molten orb of muck
Where Rephaite giants wrestle behemoths in vile seas
The dreams glow here like a harem where angels ****
And centaurs play Gato Barbieri tunes full of gleam

And

That sad moment where I wake up in an ***** pit
Below the Broadway theater
And a little Chinese lady scoots me out for new customers
And I stumble out into the streets
And buy a paper
Reading of a stock market crash
and the end of my job

as I fend for life in the jungles of Vietnam
I see friends of mine get their faces shot to pieces
And their brains fall to my lap
And I scream as the Vietcong rush me
Hack my limbs off and leave me for dead
And I wake up in a hospital bed
A quadruple amputee
Falling in love with a nurse I might never see
Again, so I ask her to hold me and let me
Cry into her shoulder
Then I pay a homeless man
to push me off a bridge with him

We fall and hit the water hard and—
He sinks
I don’t
I float up to the surface
And when I emerge I see
myself at the edge of a river
Tossing rocks into the water
I call out to help
But He doesn’t hear me

He stands up and leaves
I crawl up from the river with new arms and legs
Crying with an emotion I cannot describe
For what dreams and past-lives have been here
And there
On this Day of Wrath?

On this beach of trash and rocks?

Where I can see my grand-kids playing
In the southern California dusk

And my wife reminds me of the first time we met
In that hospital
Next to the ***** den
At the end of the world.
Stacey Hecht May 2013
He sat strapped into his chair like a shrunken scarecrow.
A motorized miniature from the Wizard of Oz, roaming the yellow brick road in his chrome chariot.
His clothes hung from his stick thin limbs like fresh wash on a clothesline.
As new as the day his Mom brought them home from the store.
Adournments for a body on display, not designed to be used.

Around and round circles ring, whole, symmetric complete.
But the coil of life, puzzle pieces in a whirl, must be free, infinite, unfettered.
The text misprinted, the logic destroyed, the flesh misshapen, the extremties unusable.

Tied to his wheelchair like the scarecrow to his rack, guarding a field of linoleum on the hospital ward.
His eyes blind to color and light, I saw only clouds as I peered into his mind with my inquisitive scope.
The boy's hair had the texture of straw on his nubbin head and he smelled of dry leaves before the winter's chill.
His useless limbs twisted and fine, delicate as dried twigs, they draped his John Deere in the vegetable garden of his imprisoned life, bound with the barbed wire of his treacherous genes.

He could move his head, and played a game of cat and mouse to us tinmen, who lumbered by his throne with our toolboxes full of bright scopes and latex gloves, frozen saucers and wasp sharp stings.
His head would bow, limp upon his neck like an overripe sunflower at the end of its stalk.
As our footsteps grew louder his Jack-in-the-box head would fly up, a clown's grin upon his silly face.
Was this the boy or his disease we would wonder despite the reruns of his show.
What could he know? This crumpled moonbeam parading as a child in rumpled clothes.

But one day upon a whim, I took him for a ride into the big blue sky and over the rainbow.
I grabbed the handles of his chair and slowly, slowly began to spin.
His head shot up like a shooting star, his twiggy limbs stiffened even more.
Faster and faster, I whirled him and twirled him.
A twister on the hospital floor, sending doctors, nurses and patients diving for cover as we spun, building like cotton candy strands.
His mouth opened wide, a huge smile spread across his face like sunshine pouring over a mountain's edge.
Beams of light speared through the clouds that filled his eyes.
A rusty hinged croak jumped from his throat as he hee-hawed a laugh as I flung him to the moon, ruby red slippers upon his feet.
featherfingers May 2014
His brass-plated nickel twists—
a tangled rope looping on itself
         looping around a thumbtack
looping around your throat.

Teardrop gems in brass saucers
fall in jangling rivulets, streams
of crystalline blues. Wrung
from shades of sky, cloudless
summer and midnight indigo,
they shape-shift in shadows
                                    drip—
                         drip—
          dripping from the s-curve
of a bronze body crusted
in blues, blacks, and greens.

A flower is carved under
each jewel, a map of a bird’s nest—
                  a map to a bird’s nest,
           like he might forget in the small,
                  dark hours of the morning where he belongs.

                  Home is not dangling from a bookshelf.
           Through lamplight and sunlight
his stares due west.
Sia Jane Jul 2014
Maybe those afternoons,
were meant for,
that simple meeting,
amidst the quiet,
breviloquent chatter,
raw, uncompromising,
blissful uninhibited emotion.

Resounding cups,
mismatched china,
jasmine, rose, lavender tea,
celestial gardens,
plants; leaf-bearing
chinking lipped tea cups,
saucers pooling.

Immaculately intricate,
of Hadrian Denaruis silver,
an eighteenth century delight,
for ladies; un salon de thé,
sound waves wander as tea diffusers,
ritual & routine,
friendship & freedom.

© Sia Jane
I miss reading poems here so so so so much. I am so busy and too busy to even write at the moment. BUT I will be back around soon once things slow down. Miss you guys xxxx
Kurt Carman Mar 2019
I am here,
my Eyes are closed.
Only You and the paradise island your on can see me

Then Pisces appears & shows me the way,
Hallways, familiar faces greet me,
My soul and body are renewed.

It's when I see you Mom,
My March 14th Birthday girl,
Victorian tea cups and saucers....

Come back, please come back,
I miss you like a mothers love
A bond that lives forever.

I'll never get over losing you.

Waiting to reunite with you...and I know... because the day which we fear the most....
Is but the Birthday of our eternity.
I think of you each and every morning....it won't be long now.

— The End —