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Jo King Nov 2017
Hey you love me right?
Let me send you something
Let me intrude into your thoughts
When I am not there
See my naked body flash before you on that tiny screen
Did you get it?
Let me send another and another and another
Until all you can do is bleed from your cheeks
Until that pit in your stomach begins to tighten
Until you want that sweet, sweet sorrow filled ecstasy only I can provide
Now I can stand before you
The nudes I sent were sanded down
I was the epitome of what a **** really is
Not one stray hair visible
Not one, single intrusion
But here I am
Rough bumps, bones sticking out, intrusive hairs
But when I am not a **** I am your girl
So sail across the sea that dips down in the hollow of my back
Hike your way up mountains made of thighs
Let me show you something
Put your fingers in
Everything feels so soft and warm right?
Now take them away from me
Lick the lust from between your fingers
Does it taste like vanilla and caramel?
Make me yours
But you can’t
Or is it that you won’t?
You may even refuse to
So a **** can cause chaos on a sun filled day?
But honey I am a thunderstorm
I sanded myself down
I became a **** all for you
So what happens when my own fingers trace my hip bones?
When I climb the mountains?
Can you be jealous of something you never even had?
‘*** now please’ flashed at you
My teeth seem to rip into my own lust
Yet all you want are my nudes
You don’t want me fully and entirely
Is It alright for me to sink my own teeth in?
Until nudes and lust come flowing out
Oh but wait, they will wrap around you completely
Because my nudes and lust will always come back to you
So you love me right?
Let me send you something
Another **** appears
And another
And another
And another
Originally written on April 5, 2017
b Jul 2018
i told the girls at work about
time spent with jane.
they seemed awfully excited
for me.
maybe they could smell
that jane is new,
but familiar

like a car bought
used. she is barely driven
though. i still drive over
the skids i left from
trying to stop
too quick. you can see
my tread worn out like
sanded wood.

or maybe they could
smell the hope like dew on
the morning grass.
fresh but dangerous.
waiting
to trip me with my eyes
set ahead but not infront.
theyll leave the wire
right where they
got me the last time.

it would be an honor
to be fooled
by something so sweet
to the touch. it almost feels
alien
to not be so upset
by the way the weather
dictates my evenings.

i do not FEEL like i used to.
my love and guilt
helix and weave like code.

i would only kiss you now,
if it brought back the one i poisoned.

i live in a farm upstate now
like a dead house dog.
if ive really moved on
know that i did the impossible
we'll be better off for it.

and if things never work out with
jane, you best pray
someone loves me when im dead
cause they sure as hell
dont love me
now.
Lawrence Hall Nov 2022
Lawrence Hall
Mhall46184@aol.com
https://hellopoetry.com/lawrence-hall/
poeticdrivel.blogspot.com

                                                  Painter’s Cough

He tossed his cigarette and introduced himself
And coughed
A weary old man with a weary beard
He coughed
And came inside to check the painting prep
He coughed
And was not happy with the previous work
He wheezed

He began bringing in his equipment and paint
He coughed
He gazed around the rooms disapprovingly
He coughed
He sanded and he sanded and he sanded
He coughed
He sanded and sanded all morning long
He wheezed

He croaked, “Oh, man, this dust’s getting’ to me”
He coughed
So he went outside for a cigarette
(Presumably he coughed)
His methy helper finally showed up
He coughed too
They griped about the poor preparatory work
One wheezed, one coughed

Neither wore a respirator or mask
They coughed
And talked about a nephew in jail again
They coughed
The helper offered me some backstrap at lunch
He coughed
And was surprised when I said, “No, thanks”
He wheezed

The contractor went away for a while
The painters coughed
And spent more time outside with their cigarettes
Presumably they coughed
The plastic dust sheets were silent and still
And never coughed
The painters took more frequent breaks and smoked
And probably coughed

And so the weary day wore itself out
The painters packed their equipment and their coughs
And promised to return tomorrow and finish
And clear away the piles of dust and debris
And maybe they will

Cough
i believe in a thing called love,

in toxic oxytocin tears and

jagged daggers of emotions

that hit hard and quick and deep

leaving lovers dazed and aroused

on kitchen tiles and sticky dance floors.

i do believe in love, i do,

in blood filled love potions

you put so much of yourself into it

that she just has to love you

she has to, she must,

and she does, she does,

ugly crying but ****,

for you, all for you,

please just hold on

she pleads -

mucus filled tears cascading down her face,

*******,

thighs,

pooling on the floor,

making the doctors both cringe with disgust and

simultaneously lean forward with interest

swaying in non-existent breeze -

and you die with your first kiss in your fist

and a piebald smile that splinters her inside forever

but i guess that isn't your fault, right?

i do believe in love, i do, i do,

in unfettered devotions

in ****-that-guy,

the quality relationship improvement show,

because you want to be a lover

but the guy ain't right

so just make him up

and use a real guy as his outside

you love him sanded, smoothed, buffed, painted

with rims and an inexplicable 48 inch lcd screen

you'll officially get hitched but don't cry

divorce is common and either way it doesn't matter

just look pretty and make sure to squint.

i do believe love, i do

i believe in

poisoning yourself for Juliet

rather than taking her pulse

to taking dear John's heart and

jumping on it happily

because you love him sooooo much

but like, the world has conspired against you,

not with guns and bombs and videotape

but with, like, freely made decisions,

peer pressure and jagermeister  

his blood makes pretty patterns on your

milk white thighs and i guess that

he sticks around for the show

oh boy, i believe in love, i do, that

6 and 9 aren't meant to be together

they just fit, that

there's no place for 'pure' in love cos it's all

pain and *** and spit

as for 'star crossed lovers'

the stars are always crossed

else eclipses would be boring and

each lost lover on a course

i do believe in love, i do,

in the sweetheart who lispes

licking earlobes and bottom lip biting

of metal snakes, happy fates

and piscean traits,

exuding high fructose glucose syrup

instead of saliva

so kiss them carefully or you'll

sugar high and sugar low

and sugar crash and burn

with every cosmic turn and

oh, i believe in love, lovers, oh i do, i do,

in the swirls of black and white that

play ying and yang

that kiss and grate and fornicate

forming a pasty grey

declaring that their grey is the

greyest, greatest, gayest grey

i do believe in love, i do,

bridezilla has destroyed new york in the

quest for the perfect dress as

otherwise her,

sorry,

their,

day will be ruined

milan and paris are shaking in their loius vuittons

praying they will be passed over

oh anna wintour,

just one more working day

please let the cake be next on it's list,

deliver us, oh lagerfeld, from

polyester blend shrouds in hideous off white,

amen.

but yeah,

i do believe in love, i do,

in philosophers that never tire

who'll be debating whether

kpattz, robsten, or my name for it,

sorry, them,

pattenwart,

really love each other

or are merely feeding off the media **** storm

to soothe their fragile bodies

and appease their shiny deities.

so yeah, i know what it involves

every ingredient labelled and shelved

sampled and sicked up and

given 5 star reviews on amazon

with words of advice

and i do believe in love.

i do.

oh, i do

so friends,

hold out your bleeding hearts

apply some anti-skeptic

your wounds will heal in 30 days

give or take a century.
WitheredWings Jan 2013
The right way to assess it
is to say that it isn't broken.
It is not broken but sanded
sanded by the sands of time.

Sanded in a rough manner
By a bad technician with no clue.
Cutting in it here and there
Leaving traces in time.

Some parts have been redone
Rehashed, remade and mapped again.
Some parts were just left
Left as the gaping wounds of time.

I guess the right way to explain
is to say all the normal things happened.
But then there was a bit extra
that nobody asked for.
The First Voice

HE trilled a carol fresh and free,
He laughed aloud for very glee:
There came a breeze from off the sea:

It passed athwart the glooming flat -
It fanned his forehead as he sat -
It lightly bore away his hat,

All to the feet of one who stood
Like maid enchanted in a wood,
Frowning as darkly as she could.

With huge umbrella, lank and brown,
Unerringly she pinned it down,
Right through the centre of the crown.

Then, with an aspect cold and grim,
Regardless of its battered rim,
She took it up and gave it him.

A while like one in dreams he stood,
Then faltered forth his gratitude
In words just short of being rude:

For it had lost its shape and shine,
And it had cost him four-and-nine,
And he was going out to dine.

"To dine!" she sneered in acid tone.
"To bend thy being to a bone
Clothed in a radiance not its own!"

The tear-drop trickled to his chin:
There was a meaning in her grin
That made him feel on fire within.

"Term it not 'radiance,'" said he:
"'Tis solid nutriment to me.
Dinner is Dinner: Tea is Tea."

And she "Yea so? Yet wherefore cease?
Let thy scant knowledge find increase.
Say 'Men are Men, and Geese are Geese.'"

He moaned: he knew not what to say.
The thought "That I could get away!"
Strove with the thought "But I must stay.

"To dine!" she shrieked in dragon-wrath.
"To swallow wines all foam and froth!
To simper at a table-cloth!

"Say, can thy noble spirit stoop
To join the gormandising troup
Who find a solace in the soup?

"Canst thou desire or pie or puff?
Thy well-bred manners were enough,
Without such gross material stuff."

"Yet well-bred men," he faintly said,
"Are not willing to be fed:
Nor are they well without the bread."

Her visage scorched him ere she spoke:
"There are," she said, "a kind of folk
Who have no horror of a joke.

"Such wretches live: they take their share
Of common earth and common air:
We come across them here and there:

"We grant them - there is no escape -
A sort of semi-human shape
Suggestive of the man-like Ape."

"In all such theories," said he,
"One fixed exception there must be.
That is, the Present Company."

Baffled, she gave a wolfish bark:
He, aiming blindly in the dark,
With random shaft had pierced the mark.

She felt that her defeat was plain,
Yet madly strove with might and main
To get the upper hand again.

Fixing her eyes upon the beach,
As though unconscious of his speech,
She said "Each gives to more than each."

He could not answer yea or nay:
He faltered "Gifts may pass away."
Yet knew not what he meant to say.

"If that be so," she straight replied,
"Each heart with each doth coincide.
What boots it? For the world is wide."

"The world is but a Thought," said he:
"The vast unfathomable sea
Is but a Notion - unto me."

And darkly fell her answer dread
Upon his unresisting head,
Like half a hundredweight of lead.

"The Good and Great must ever shun
That reckless and abandoned one
Who stoops to perpetrate a pun.

"The man that smokes - that reads the TIMES -
That goes to Christmas Pantomimes -
Is capable of ANY crimes!"

He felt it was his turn to speak,
And, with a shamed and crimson cheek,
Moaned "This is harder than Bezique!"

But when she asked him "Wherefore so?"
He felt his very whiskers glow,
And frankly owned "I do not know."

While, like broad waves of golden grain,
Or sunlit hues on cloistered pane,
His colour came and went again.

Pitying his obvious distress,
Yet with a tinge of bitterness,
She said "The More exceeds the Less."

"A truth of such undoubted weight,"
He urged, "and so extreme in date,
It were superfluous to state."

Roused into sudden passion, she
In tone of cold malignity:
"To others, yea: but not to thee."

But when she saw him quail and quake,
And when he urged "For pity's sake!"
Once more in gentle tones she spake.

"Thought in the mind doth still abide
That is by Intellect supplied,
And within that Idea doth hide:

"And he, that yearns the truth to know,
Still further inwardly may go,
And find Idea from Notion flow:

"And thus the chain, that sages sought,
Is to a glorious circle wrought,
For Notion hath its source in Thought."

So passed they on with even pace:
Yet gradually one might trace
A shadow growing on his face.

The Second Voice

THEY walked beside the wave-worn beach;
Her tongue was very apt to teach,
And now and then he did beseech

She would abate her dulcet tone,
Because the talk was all her own,
And he was dull as any drone.

She urged "No cheese is made of chalk":
And ceaseless flowed her dreary talk,
Tuned to the footfall of a walk.

Her voice was very full and rich,
And, when at length she asked him "Which?"
It mounted to its highest pitch.

He a bewildered answer gave,
Drowned in the sullen moaning wave,
Lost in the echoes of the cave.

He answered her he knew not what:
Like shaft from bow at random shot,
He spoke, but she regarded not.

She waited not for his reply,
But with a downward leaden eye
Went on as if he were not by

Sound argument and grave defence,
Strange questions raised on "Why?" and "Whence?"
And wildly tangled evidence.

When he, with racked and whirling brain,
Feebly implored her to explain,
She simply said it all again.

Wrenched with an agony intense,
He spake, neglecting Sound and Sense,
And careless of all consequence:

"Mind - I believe - is Essence - Ent -
Abstract - that is - an Accident -
Which we - that is to say - I meant - "

When, with quick breath and cheeks all flushed,
At length his speech was somewhat hushed,
She looked at him, and he was crushed.

It needed not her calm reply:
She fixed him with a stony eye,
And he could neither fight nor fly.

While she dissected, word by word,
His speech, half guessed at and half heard,
As might a cat a little bird.

Then, having wholly overthrown
His views, and stripped them to the bone,
Proceeded to unfold her own.

"Shall Man be Man? And shall he miss
Of other thoughts no thought but this,
Harmonious dews of sober bliss?

"What boots it? Shall his fevered eye
Through towering nothingness descry
The grisly phantom hurry by?

"And hear dumb shrieks that fill the air;
See mouths that gape, and eyes that stare
And redden in the dusky glare?

"The meadows breathing amber light,
The darkness toppling from the height,
The feathery train of granite Night?

"Shall he, grown gray among his peers,
Through the thick curtain of his tears
Catch glimpses of his earlier years,

"And hear the sounds he knew of yore,
Old shufflings on the sanded floor,
Old knuckles tapping at the door?

"Yet still before him as he flies
One pallid form shall ever rise,
And, bodying forth in glassy eyes

"The vision of a vanished good,
Low peering through the tangled wood,
Shall freeze the current of his blood."

Still from each fact, with skill uncouth
And savage rapture, like a tooth
She wrenched some slow reluctant truth.

Till, like a silent water-mill,
When summer suns have dried the rill,
She reached a full stop, and was still.

Dead calm succeeded to the fuss,
As when the loaded omnibus
Has reached the railway terminus:

When, for the tumult of the street,
Is heard the engine's stifled beat,
The velvet tread of porters' feet.

With glance that ever sought the ground,
She moved her lips without a sound,
And every now and then she frowned.

He gazed upon the sleeping sea,
And joyed in its tranquillity,
And in that silence dead, but she

To muse a little space did seem,
Then, like the echo of a dream,
Harked back upon her threadbare theme.

Still an attentive ear he lent
But could not fathom what she meant:
She was not deep, nor eloquent.

He marked the ripple on the sand:
The even swaying of her hand
Was all that he could understand.

He saw in dreams a drawing-room,
Where thirteen wretches sat in gloom,
Waiting - he thought he knew for whom:

He saw them drooping here and there,
Each feebly huddled on a chair,
In attitudes of blank despair:

Oysters were not more mute than they,
For all their brains were pumped away,
And they had nothing more to say -

Save one, who groaned "Three hours are gone!"
Who shrieked "We'll wait no longer, John!
Tell them to set the dinner on!"

The vision passed: the ghosts were fled:
He saw once more that woman dread:
He heard once more the words she said.

He left her, and he turned aside:
He sat and watched the coming tide
Across the shores so newly dried.

He wondered at the waters clear,
The breeze that whispered in his ear,
The billows heaving far and near,

And why he had so long preferred
To hang upon her every word:
"In truth," he said, "it was absurd."

The Third Voice

NOT long this transport held its place:
Within a little moment's space
Quick tears were raining down his face

His heart stood still, aghast with fear;
A wordless voice, nor far nor near,
He seemed to hear and not to hear.

"Tears kindle not the doubtful spark.
If so, why not? Of this remark
The bearings are profoundly dark."

"Her speech," he said, "hath caused this pain.
Easier I count it to explain
The jargon of the howling main,

"Or, stretched beside some babbling brook,
To con, with inexpressive look,
An unintelligible book."

Low spake the voice within his head,
In words imagined more than said,
Soundless as ghost's intended tread:

"If thou art duller than before,
Why quittedst thou the voice of lore?
Why not endure, expecting more?"

"Rather than that," he groaned aghast,
"I'd writhe in depths of cavern vast,
Some loathly vampire's rich repast."

"'Twere hard," it answered, "themes immense
To coop within the narrow fence
That rings THY scant intelligence."

"Not so," he urged, "nor once alone:
But there was something in her tone
That chilled me to the very bone.

"Her style was anything but clear,
And most unpleasantly severe;
Her epithets were very queer.

"And yet, so grand were her replies,
I could not choose but deem her wise;
I did not dare to criticise;

"Nor did I leave her, till she went
So deep in tangled argument
That all my powers of thought were spent."

A little whisper inly slid,
"Yet truth is truth: you know you did."
A little wink beneath the lid.

And, sickened with excess of dread,
Prone to the dust he bent his head,
And lay like one three-quarters dead

The whisper left him - like a breeze
Lost in the depths of leafy trees -
Left him by no means at his ease.

Once more he weltered in despair,
With hands, through denser-matted hair,
More tightly clenched than then they were.

When, bathed in Dawn of living red,
Majestic frowned the mountain head,
"Tell me my fault," was all he said.

When, at high Noon, the blazing sky
Scorched in his head each haggard eye,
Then keenest rose his weary cry.

And when at Eve the unpitying sun
Smiled grimly on the solemn fun,
"Alack," he sighed, "what HAVE I done?"

But saddest, darkest was the sight,
When the cold grasp of leaden Night
Dashed him to earth, and held him tight.

Tortured, unaided, and alone,
Thunders were silence to his groan,
Bagpipes sweet music to its tone:

"What? Ever thus, in dismal round,
Shall Pain and Mystery profound
Pursue me like a sleepless hound,

"With crimson-dashed and eager jaws,
Me, still in ignorance of the cause,
Unknowing what I broke of laws?"

The whisper to his ear did seem
Like echoed flow of silent stream,
Or shadow of forgotten dream,

The whisper trembling in the wind:
"Her fate with thine was intertwined,"
So spake it in his inner mind:

"Each orbed on each a baleful star:
Each proved the other's blight and bar:
Each unto each were best, most far:

"Yea, each to each was worse than foe:
Thou, a scared dullard, gibbering low,
AND SHE, AN AVALANCHE OF WOE!"
Brandon Apr 2013
They were lounging on the white sanded beach crusted over with bits and scraps of broken seashells. They were lounging in the hot Santa Anna sun baking in the ultraviolet rays. They were lounging as if they did not have a care in the world and like they were a million miles away from the everything's that had contaminated their lives up to and ended at this point.

There was the buxom Chéri Ann trying to forget the trial coming up in the next few weeks that had been a long trying time coming. She laid sprawled out stomach side down on her beach towel feeling the sun tan her back. Her hands were busy rolling a tea stick but her eyes were looking past the girl in front of her; also laying down on a beach towel but on her backside; at the waves crashing effortlessly into the surf. Her fingers expertly broke up the green leafy bud that smelled of lavender and coffee. She placed them in  a rectangular piece of rolling paper and still looking ahead of her towards the sea, rolled it into a medium sized stick. She took it to her lips lighting it with a lighter that she pulled out of the sand and inhaled its jade smoke. She held the smoke in for what seemed like an eternity and blew it back out onto the small flame still burning at the edge of the sticks tip, snuffing it out. She smiled and she passed it to her left where David who was wanting a cold beer and a cigarette after the past few days and also lying prone but facing away from the sun declined and grabbed it and sat up and forward and passed it to Heather who was the girl lying supine in the view of Chéri Ann. He grabbed a pack of cigarettes from his shirt lying beside him and pulled one out. He lit it. He took a drag and inhaled. He blew smoke out of his nose for a second before switching and blowing the rest out of his mouth in floating O shapes, sending them off towards the light blue sky.

Heather's face was enjoying the feel of the suns rays burn her face and bring out her freckles again. She was smiling. She took the stick from David who had sat up on his beach towel and leaned forward and arose her from her splendor. She still smiled. The tea stick went to her lips and she inhaled with a soft peaceful sigh. She smiled bigger. She could not remember her life before and nothing existed before and she was happy.

The sun shined down. The ocean was blue and the waves were crashing into the surf still with white foam beading on top of the waves. The sand was still white and littered with broken sea shell fragments.

Heather passed the stick to Bob sitting on the sand writing in his leather bound note book with a shortening black number two pencil sharpened to a point with a three inch strip of fine grit sandpaper and the edge of pocket knife passed down to him from his grandpa who got it from his dad who got it from his grandpa and so forth for another generation or two each on the day of their deaths. Bob sat facing the sun but looking at the cursive being written on the white five by seven lined notebook paper thinking not of anything but the words being written. He stopped writing and put the pencil down in the note book and closed it and laid it on the sand and took the joint and inhaled and held it and took another hit and held it. He exhaled. He took another hit and held it for a shorter time and breathed it out thru his nose. he passed it back to Chéri Ann who took another hit before passing it to Heather and he grabbed two beers from a cooler sitting next to him on a communal large sized beach towel that Chéri Ann had packed. He tossed one to David who caught it without looking or any warning at all.

Sometime alcohol screams to the blood in us.

David and Bob both snapped off the tops of the bottles in unison with bottle openers attached to their key rings. They saved the tops for Heather who made decorative art with them. They both drank them. Feeling the coolness of the liquid go down their throats and cool their stomachs. The cold amber felt good against the hot sun. They inhaled the beers and opened two more a piece and inhaled them. A breeze started to pick up.
Not so much a poem as fragments of a short story....
SøułSurvivør Dec 2015
I want to first thank all my
supporters and readership.
I will read as soon as
I have the time and I can
give your work the attention it deserves.

I've been overwhelmed.
I have to make my presents this
Christmas. But I found out I'm in
excellent company...

FROM APPALACHIA WITH LOVE

Gra'ma Annie had a mission
to help children in need
she lives up in the hills
where they grow their food from seed.

They have no running water
no facilities indoors
still heat and cook with wood
don't buy much from stores
there are folk so destitute
they still have dirt floors.

Li'l Annie was a scrapper
90 pounds if soaking wet.
But her heart is just enormous
as big as one can get!

She found out 'bout a drive
for children overseas
in Africa and Asia
Haiti and the Belize

How the people in those countries
had no presents for to give
their children at Christmas
they could barely live!

She contacted the charity
and said she'd send some toys
as many as possible
to the poor girls and boys.

Annie had no phone
so she walked far and wide
and asked all the hillfolk
throughout the countryside
to whittle and to paint
toys in which to pride!

Those people got together
and carved ponies and dolls
that had joints that moved
and real hair that falls!

They whittled and sanded
painted with rainbow hues
and when they had delivered them
it made world news!

The children overseas
who got them still recall
they kept their homemade presents...

THEIR FAVORITES OF ALL!


MY FATHER "NEVER HAD A CHRISTMAS"*

My father was a child
in a place called Isle la Monte
winter's are quite brutal
in that part of Vermont.

His family were farmers
they lived off the land
they had gardens and stored their food
they worked hard with their hands

They had to really struggle
to make the frayed ends meet
dad walked 14 miles total
through the snow and sleet
to get to his schoolhouse
sometimes with frozen feet

Every year at Christmas time
his mom would be in tears
she would never say much
but stated that she feared

there would be no Christmas
no presents and no tree
it was always the same.
Grandpa would agree.
So the children went to bed
every Christmas eve.

But they weren't sad
because they always knew
that Santa was coming
and so they weren't blue.

Sure 'nuf in the morning
they'd tumble out of bed
and in the once-bare corner
there was a *tree instead!


There were many presents
most carved and painted things
grandma got the practical stuff
no perfume or rings.

But the Christmas meal was cooking
and all through the home
the smell... that sumptuous dinner...

well. That's another poem...!

But before the feast was eaten
grandfather said Grace
and thanked the blessed Lord
and ALWAYS SOUGHT HIS FACE.


SoulSurvivor
Catherine Jarvis
(C) 12/23/2015


MERRY CHRISTMAS HOLIDAY!!!

I still have presents to make...
see you SOON!


~~~<☆>~~~
Both of these stories are TRUE.


~~~<☆>~~~
m Dec 2018
My mind could not conjure up the notion that the word, the name, meant something. A-n-n-a. I looked. I looked: she stared back the same. Unknowing, unfamiliar. I wanted to remember, I wanted to.



7 a.m, in the crawlspace underneath the house, flashlight grasped in my hand, sweat from my forehead plastering my hair against it. It smelled like dust. I inched forward on my stomach, writhing as a worm. My body seizing against dirt and webs. I yelled out her name. Just to see. Just to test if my mouth still knew how to speak.



Anna.



Anna.



There. In the corner. I flicked my light against a box with tape on the side and her name written on over it in marker. I whispered it to make sure. Anna. One more time. Anna. I sunk my face into the ground. My breath, soft from my lips but coarse in form, disrupt the filth, made me cough. I crawled over to her with ease, as if the bones in my body were pushing me, the muscles guiding me; these pulsing veins, telling me.



When I opened the box, the first thing I saw was her, smiling back at me in the form of a memory. July 1996, our wedding framed around sanded wood, with splinters etching at the sides, aching for a hold on them. And I cradled her, despite this. Despite my skin giving in.



Anna.



I almost forgot.



My head was hurting again. I blamed it on the suffocating of the casket underground enveloping me, not the staples buried into the skin of my skull, not the remembrance that underneath piles of dirt, her body was just a stack of old bones with only a stone to tag her as proof she was once living.



Anna. My Anna. I cradled the picture against my chest. I clung to her.



My light began to flicker, a spider crawled across my finger. Anna was diminishing, like a ghost, like a gentle sweep of navigating headlights turning a corner, creeping away, and suddenly gone.



Anna. A-n-n-a. I shut my eyes. I could finally remember.
moments descend on me.
Sam Hamilton Jan 2014
I saw the smooth hands of children grow calloused,
sanded by the empty hopes
that the cold has whittled down and sharpened into crucifixion nails.  
Dragging their feet through broken glass and street waste, one shoe one sock,
I thought they were just urban children, or the ones
in malaria countries. But I see them stagger now, older, defeated
baring their bodies and chewing on their brains, teaching the little ones
how to polish shoes and hide in alleys that smell like **** and assault.
That one looks like me, his guardian about my size, so I pull my coat closer.
I recognize him from school in the smell of unwashed hair and the gurgle of
A self-digesting gut, nothing to soak up the acid that burns his throat.

I watched the world ******* them into hunched shoulders and boney legs
that have forgotten how to hug and run, trapping them in a constant state of shuffling
to the music of moans and cries for help. They come together in an urchin clan underneath bridges and on the exit ramps of highways.
Prophets of the future clutching at signs about war and veterans, the bad economy and the children they can’t feed.
Ten dollars to the one with the mut. Offer him a smoke.

Politicians act like clean-up crews, counting them like statistics;
This one is gone, the one on Brown street died,
We got rid of the one looking for cans in the student neighborhood.

Charity elevates them into a an opportunity—
A little money to the unfortunate is like bleach for your soul. Just enough
to get the smell of affair out of your hair, or to clean up the poison in your veins.
God helps the outcasts; five dollars ought to do it.

I shudder at our similarities. Brown hair, brown eyes, smart.
His sign ignores no rules of grammar and deserve credit for its precise calligraphy,
The dog at his side is ***** and worn like the stuffed toy
I covet from the nights in my crib—the same. He is a victim of people, I am a victim of people
Both someone’s child, both like dogs.
I watch as he turns into a younger man, and then an old man, and then a woman,
A child with no shoes and crucified hands, the boy in my class with eyes that devour.

I walk home, wondering what kind of charity will save me from myself.
And that is the problem.
Cyril Blythe Oct 2012
Tonight my gums ache
Because of the sin of 2:41 am
And the cigarettes I stole from you
After we drank the red wine
Your father exclaimed was royal
And originally drank by Paraguay princes.

I returned home dizzy with fatigue
And empty of joy and sorrow
Apathetic because I am not engaged
So I thumb my phone book to find
Anyone who will talk or kiss
Me numb, tonight.

I can't sleep after because the box fan is purring
And the October air is not
Devoid of Magnolia scent and hope
So I lay in my bed with crumbs
Sticking to my stretch marked hips
Taunting me even beneath the barracks of my sheets.

I saw no sky-moon when you left
So I smoked another Camel Crush
On the back porch watching you leave
Once our lips sanded the sin permanent
Into our raw faces and pulsing fingers
Smacking "joyful joyful-be filled! Filled!"

I barricade pillows against the concrete headrest
That my inherited mattress sleeps on
So the cold has to try harder, tonight
Even though your lips felt dry
and your sighs left ghosts exhaling
In my mind and neck and *****.

This is how I justify sleep tonight:
An attempt to evade sins damnation
And my nature that, by Tuesday,
Will be able to paint over
The deep white lies you tongue
Painted across my prickled body.

Come, rest and restore my soul
To its belief that words are sharp
Though the imprints of your nails
And the burgundy couch fabric
Left on my body and on my soul
Are eulogized by the alarm clock set for 702am.
Angie Christine Oct 2018
He recently shared something with me about holding hands. Everything written in the piece was true. From the start, his hands have made me feel safe, nurtured, needed, adored, wanted, and healed.
See, I rarely let anyone touch me before. Human touch was not something I craved until him.  I didn’t know how much I needed it until I wanted it, but he did.
      As he reached for my hand yesterday , as he does countless times, I began to notice things on a deeper level. I saw the structural beauty and strength of his hands; his skin color, his beautiful fingers, the veins, the hair pattern. I reflected on how many keystrokes they typed and words they’ve written. I thought of how many times they played the sax and played video games with skill and passion.
     Then, I remembered this past year. Those hands created a beautiful room for me in his home. Those hands literally moved ALL my physical belongings exclusively on their own. They held my hair as I was sick with my head over his toilet. They actually mopped up my cats’ ***** when it was overflowing at my old house.              
They have painted, caulked, sawed, sanded, created, recreated, cooked amazing meals, chopped countless veggies, cut every piece of meat he served me, taught me to use his PS4 controller, dried my hair, colored my hair, massaged away my pain, and given me love I didn’t know existed and more.
     His hands have been blistered, scraped, calloused, cut, pricked, sore and he doesn’t complain; they never stop giving nor does he.
And I’m so grateful and honored to be the one whose hand he holds forever...
Written 1/18/18 at 10:29 am
In the valley of the Pegnitz, where across broad meadow-lands
Rise the blue Franconian mountains, Nuremberg, the ancient, stands.

Quaint old town of toil and traffic, quaint old town of art and song,
Memories haunt thy pointed gables, like the rooks that round them throng:

Memories of the Middle Ages, when the emperors, rough and bold,
Had their dwelling in thy castle, time-defying, centuries old;

And thy brave and thrifty burghers boasted, in their uncouth rhyme,
That their great imperial city stretched its hand through every clime.

In the court-yard of the castle, bound with many an iron band,
Stands the mighty linden planted by Queen Cunigunde’s hand;

On the square the oriel window, where in old heroic days
Sat the poet Melchior singing Kaiser Maximilian’s praise.

Everywhere I see around me rise the wondrous world of Art:
Fountains wrought with richest sculpture standing in the common mart;

And above cathedral doorways saints and bishops carved in stone,
By a former age commissioned as apostles to our own.

In the church of sainted Sebald sleeps enshrined his holy dust,
And in bronze the Twelve Apostles guard from age to age their trust;

In the church of sainted Lawrence stands a pix of sculpture rare,
Like the foamy sheaf of fountains, rising through the painted air.

Here, when Art was still religion, with a simple, reverent heart,
ived and labored Albrecht Dürer, the Evangelist of Art;

Hence in silence and in sorrow, toiling still with busy hand,
Like an emigrant he wandered, seeking for the Better Land.

Emigravit is the inscription on the tomb-stone where he lies;
Dead he is not, but departed,—for the artist never dies.

Fairer seems the ancient city, and the sunshine seems more fair,
That he once has trod its pavement, that he once has breathed its air!

Through these streets so broad and stately, these obscure and dismal lanes,
Walked of yore the Mastersingers, chanting rude poetic strains.

From remote and sunless suburbs came they to the friendly guild,
Building nests in Fame’s great temple, as in spouts the swallows build.

As the weaver plied the shuttle, wove he too the mystic rhyme,
And the smith his iron measures hammered to the anvil’s chime;

Thanking God, whose boundless wisdom makes the flowers of poesy bloom
In the forge’s dust and cinders, in the tissues of the loom.

Here Hans Sachs, the cobbler-poet, laureate of the gentle craft,
Wisest of the Twelve Wise Masters, in huge folios sang and laughed.

But his house is now an ale-house, with a nicely sanded floor,
And a garland in the window, and his face above the door;

Painted by some humble artist, as in Adam Puschman’s song,
As the old man gray and dove-like, with his great beard white and long.

And at night the swart mechanic comes to drown his cark and care,
Quaffing ale from pewter tankards, in the master’s antique chair.

Vanished is the ancient splendor, and before my dreamy eye
Wave these mingled shapes and figures, like a faded tapestry.

Not thy Councils, not thy Kaisers, win for thee the world’s regard;
But thy painter, Albrecht Dürer, and Hans Sachs thy cobbler bard.

Thus, O Nuremberg, a wanderer from a region far away,
As he paced thy streets and court-yards, sang in thought his careless lay:

Gathering from the pavement’s crevice, as a floweret of the soil,
The nobility of labor,—the long pedigree of toil.
marina Apr 2014
i read that astronauts
can tell from outer
space which cities are
newly built because
electricians are making
streetlights out of
sodium vapor now as
opposed to mercury,
so now road outlines
glow orange

and newer cities tend
to be more geometrically
planned, all straight
edges and such, while
older cities are made up
of frantic curves and
corners

and i wonder if i look
to you like i have been
worn and used, am i
frenzied and dull, or
am i new?  maybe my
jagged lines have
been sanded and smoothed

maybe
i still
glow
this has been unfinished in my drafts for a while
Christmass is come and every hearth
Makes room to give him welcome now
Een want will dry its tears in mirth
And crown him wi a holly bough
Tho tramping neath a winters sky
Oer snow track paths and ryhmey stiles
The huswife sets her spining bye
And bids him welcome wi her smiles
Each house is swept the day before
And windows stuck wi evergreens
The snow is beesomd from the door
And comfort crowns the cottage scenes
Gilt holly wi its thorny ******
And yew and box wi berrys small
These deck the unusd candlesticks
And pictures hanging by the wall

Neighbours resume their anual cheer
Wishing wi smiles and spirits high
Clad christmass and a happy year
To every morning passer bye
Milk maids their christmass journeys go
Accompanyd wi favourd swain
And childern pace the crumping snow
To taste their grannys cake again

Hung wi the ivys veining bough
The ash trees round the cottage farm
Are often stript of branches now
The cotters christmass hearth to warm
He swings and twists his hazel band
And lops them off wi sharpend hook
And oft brings ivy in his hand
To decorate the chimney nook

Old winter whipes his ides bye
And warms his fingers till he smiles
Where cottage hearths are blazing high
And labour resteth from his toils
Wi merry mirth beguiling care
Old customs keeping wi the day
Friends meet their christmass cheer to share
And pass it in a harmless way

Old customs O I love the sound
However simple they may be
What ere wi time has sanction found
Is welcome and is dear to me
Pride grows above simplicity
And spurns it from her haughty mind
And soon the poets song will be
The only refuge they can find

The shepherd now no more afraid
Since custom doth the chance bestow
Starts up to kiss the giggling maid
Beneath the branch of mizzletoe
That neath each cottage beam is seen
Wi pearl-like-berrys shining gay
The shadow still of what hath been
Which fashion yearly fades away

And singers too a merry throng
At early morn wi simple skill
Yet imitate the angels song
And chant their christmass ditty still
And mid the storm that dies and swells
By fits-in humings softly steals
The music of the village bells
Ringing round their merry peals

And when its past a merry crew
Bedeckt in masks and ribbons gay
The ‘Morrice danse’ their sports renew
And act their winter evening play
The clown-turnd-kings for penny praise
Storm wi the actors strut and swell
And harlequin a laugh to raise
Wears his **** back and tinkling bell

And oft for pence and spicy ale
Wi winter nosgays pind before
The wassail singer tells her tale
And drawls her christmass carrols oer
The prentice boy wi ruddy face
And ryhme bepowderd dancing locks
From door to door wi happy pace
Runs round to claim his ‘christmass box’

The block behind the fire is put
To sanction customs old desires
And many a ******* bands are cut
For the old farmers christmass fires
Where loud tongd gladness joins the throng
And winter meets the warmth of may
Feeling by times the heat too strong
And rubs his shins and draws away

While snows the window panes bedim
The fire curls up a sunny charm
Where creaming oer the pitchers rim
The flowering ale is set to warm
Mirth full of joy as summer bees
Sits there its pleasures to impart
While childern tween their parents knees
Sing scraps of carrols oer by heart

And some to view the winter weathers
Climb up the window seat wi glee
Likening the snow to falling feathers
In fancys infant ******
Laughing wi superstitious love
Oer visions wild that youth supplyes
Of people pulling geese above
And keeping christmass in the skyes

As tho the homstead trees were drest
In lieu of snow wi dancing leaves
As. tho the sundryd martins nest
Instead of ides hung the eaves
The childern hail the happy day
As if the snow was april grass
And pleasd as neath the warmth of may
Sport oer the water froze to glass

Thou day of happy sound and mirth
That long wi childish memory stays
How blest around the cottage hearth
I met thee in my boyish days
Harping wi raptures dreaming joys
On presents that thy coming found
The welcome sight of little toys
The christmass gifts of comers round

‘The wooden horse wi arching head
Drawn upon wheels around the room
The gilded coach of ginger bread
And many colord sugar plumb
Gilt coverd books for pictures sought
Or storys childhood loves to tell
Wi many a urgent promise bought
To get tomorrows lesson well

And many a thing a minutes sport
Left broken on the sanded floor
When we woud leave our play and court
Our parents promises for more
Tho manhood bids such raptures dye
And throws such toys away as vain
Yet memory loves to turn her eye
And talk such pleasures oer again

Around the glowing hearth at night
The harmless laugh and winter tale
Goes round-while parting friends delight
To toast each other oer their ale
The cotter oft wi quiet zeal
Will musing oer his bible lean
While in the dark the lovers steal
To kiss and toy behind the screen

The yule cake dotted thick wi plumbs
Is on each supper table found
And cats look up for falling crumbs
Which greedy childern litter round
And huswifes sage stuffd seasond chine
Long hung in chimney nook to drye
And boiling eldern berry wine
To drink the christmass eves ‘good bye’
v V v Apr 2019
She told me to
"Imagine a safe place",
a quiet place, somewhere to go
when the fog is at my feet.

But everywhere I went was
crowded with doubt
and a lingering loitering
presence on my shoulder,
come out from the fog to
hurl accusations and taunt.

I can only assume
it's a he on my shoulder,
an enigma,
my father's doppelganger
come to dredge my mind
of all the **** he dished out
when I was a child,

and feed it back to me again.


I tell her I'll need more tools
and stronger ideas.

So she gives me a seat at
the head of the table
where my ****** committee meets,
and a gavel to establish order
or bash in their brains.

She arms my dreams
with weapons and courage,
gives me REM when I'm wide awake.

We fashion a furnace of love,
hot enough to vaporize the
cold darkness pouring into my gut,
customized with levers and pulleys
to push and to pull in the fight.

We tally
Alpha and Beta waves,
trained and retrained,
hard coded messages
sanded smooth by repetition.

       Through it all I give too,
       and what I give is all I can give,
       it is the warmth of what enslaves me,
       and the thought of letting it go….  
       Well.... lets not go there right now.


In the long run I'm not sure that
any of it will be enough,
I am weakened by the war.

But occasionally there
are shiny spots that simmer,

You see,
I may have found that place,
the place she first told me to find
way back at the beginning,
the place to feel safe, although
it isn't really a place per se.

If it were true
I could finally ascend to
where no fog can go.
Where my father's voice
cannot be heard,
nor the ghosts I grew
up with.

A place of love and honesty,
where my furnace would sit idle in awe.

There is a picture of us
on our bedroom wall.
It is the perfect depiction of
all that is safe for me.

I look at your smile
and I see peace.
Nothing can penetrate
your radiance,
you are everything
I've never had,
double layered and
impenetrable
by all of it.

By all of the ****.

I am learning to go there
when the fog is at my feet,
and the ghosts are in my ear.

When the accusations come
I can escape there with you,

and together we can drown them out

if only for a little while.
Recently began therapy for my "issues"  related to PTSD.  Needless to say the therapeutic tools available today are much better than they were 20 years ago.
Sanded down,
handed down
heirlooms
for boardrooms.

Directors prospecting for
antique positions,
commission based,
cyanide laced contracts,
small print that annihilates,
dilating the pupils ,restrictive
and
pencils that scribble out names in
a ledger.

Forever indebted,
a debit individual.
All residual profit
reinvested,
future proofed
heirlooms.
Graff1980 May 2015
Enter Pygmalion
Sculptor of my flesh
Firm hands of a man
Desirous of himself
Ego outstripping
Lust driving
Hard stone chipped
The night sounding
Like an uneven clock
Tic tic tic with nary a toc
And the outer shell of my existence
Slowly fades
Chunks and
White marble dust
Removed to find my bust
My curves
My lips
My stony eyes
Fake garbs
With hard wrinkles
My shoulders sanded to perfection
Carefully crafted collarbone
Body finally fully formed
The master Artisan
Find his own enslavement
Obsession with his own creation
Thus all other loves pale in comparison
Perhaps that is the curse or fate
Of all true Artists
Oh fair enough are sky and plain,
But I know fairer far:
Those are as beautiful again
That in the water are;

The pools and rivers wash so clean
The trees and clouds and air,
The like on earth has never seen,
And oh that I were there.

These are the thoughts I often think
As I stand gazing down
In act upon the cressy brink
To strip and dive and drown;

But in the golden-sanded brooks
And azure meres I spy
A silly lad that longs and looks
And wishes he were I.
I have an old guitar named Gypsy Queen.  Normally this would not be much of a momentous occasion, lots of people name their guitars, but Gypsy is hand made by me.  Many moons ago when my ex wife was pregnant with my only child, a daughter, I took an adult education night class while I was attending college as a day job.  Our instructor had recently taken a trip to Canada to buy wood as he made his living building custom guitars and he had some of the most beautiful birds eye maple I'd ever seen and also some very good spruce for the top of the guitar.  We met at the local high-school's woodshop classroom.  I knew all the power tools there having taken wood shop twice in middle school and again in high-school.  From raw lumber I fashioned her pieces, sides, three piece back, neck, keyboard (made from some exotic ebony my instructor had), and top.  While my wife was patiently waddling about the house I shaped and sanded those pieces on our living room floor.  The interior struts, the binding, and frets for the keyboard had to be created as well.  When I finally got her glued and assembled she was quite a sight, almost perfect in every way, and the quality wood she was made from was so beautiful I had never seen the likes of her before.  Most of the people in the class didn't get that far not having the skills with the tools or the coordination necessary to succeed.  Still she needed to be lacquered and finished.  All told, special tools and accouterments, cost of the wood, glue and sandpaper, plus the frets (nickeled silver), and the grover tuning pegs she cost me about $160.  But almost 500hrs labor went into her creation, whole free weekends spent sanding and shaping.  It was a year or more before I finally got her lacquered and she was so beautiful I could scarce believe I had made her, totally from scratch.  I had even inlaid her mother of pearl keyboard art, god she was a sight.  Both she, and my daughter, are now close to 40 years old, and she still plays like a champ.  Ask any guitarist about guitars they use a lot, see how many survive that long.  She's my prized possession to this day.  Her custom bridge is shaped like a bird (something I've never seen to this day anywhere else) and I'd put her sound up against any expensive Martin made.  Plus she is so much prettier.  She's old and her finish is crackled some but her neck is still true and her action is superb.  Through the years she has brought me so much joy, I'm so glad I took that class.  I hope she survives till I die cause I want to mix her ashes with mine before they get spread around by my friends.  I'll want something to play in the afterlife.
...
http://i1178.photobucket.com/albums/x370/toreinss/IMG_0325.jpg
Gypsy Queen my friend who knew I was such a good Luthier.  Beginners Luck!!!!

http://i1178.photobucket.com/albums/x370/toreinss/IMG_0324.jpg
ghost queen Jul 2020
Séraphine, Vignette nº 7, Le Cercueil

I was on the phone talking to the museum. Ground-penetrating radar had found what looked like a coffin at the Lutetian layer, and they were in the process of digging down to it. I was telling Sylvain to use the new 4K video cameras to record every detail when the doorbell rang. I’d left the door ajar, knowing Madame Pinard, the concierge was bringing by an adjuster to inspect and cut a check for the repair of the leak in the ceiling that had washed away chunks of plaster, now laying on the hardwood floor in the bedroom, exposing the wooden rafters of the attic.

“May we come in Monsieur,” she shouted from down the hall in the foyer. “Yes, Madame, please come in,” I shouted back, with more exasperation in my voice than I wanted to express. “I am on the phone with the musee Madame, please show him to the bedroom.”

I saw Madame and the adjuster come in out of the corner of my eye and turned my head to see them as they walked the stairs to the bedrooms. The adjuster was not a man, but a woman, which was surprising in France. The first thing I noticed about her, was her wide round birthing hips, what the kids, called thick. She wore a long-sleeve white silk blouse, black pencil skirt, and the traditional, obligatory Parisian back seamed stockings. I didn’t make out her face but caught sight of her red hair tied in a tight bun on the back of her head, and the milky white skin of her neck.

“Damien, are you listening,” said Sylvain, the dig manager on the other end of the line. “Yes, I replied, “l was distracted by my landlady bringing an adjuster into the apartment. Yes, I’ll come down as soon as they leave.”

After a few minutes, Madame and the adjuster came back down. The adjuster walked into the foyer to wait. Madame came into the living room and said she’d have a crew out tomorrow to start repairs. As madame turned and walked down the hall, I got a better look at the adjuster. She was pure Celt, with red hair, white skin, dark brown doe eyes that looked black, high cheekbones, and the sharp straight nose of a Greek statute.

Besides her stunning beauty, I noticed her necklace, a traditional golden Celtic torc, which signified the wearer as a person of high rank. I’d never seen a person wearing one. I’d only seen one on a statue, The Dying Gaul in Le Louvres. How so very interesting I thought to myself.  

As she was talking to Madame and turning to leave, she made eye contact. She tilted in acknowledgment and goodbye. I nodded back and she was gone. I wished I could have gotten a chance to talk to her, maybe even ask her for an aperitif at the corner bistro. Oh well, c’est la vie.

-------

I went to the dig at the La Crypt at 12:30-ish talked to Sylvain for a bit and went down to the lower levels to see it for myself. The area was gridded out and several cameras on tripods were recording. The team was within centimeters front the top, and so put down their trowels and used a high-pressure water and suction hoses to remove the rest of the topsoil. The top came into view, the excess water was ****** away. Sponges were used to clear and clean away the mud.

The stone was obviously Lutetian limestone, finely sanded and polished. The lid was craved, which first glance, looked like Norse runes and one Celtic knot. “Take pics and send them to religious studies,” I said half to myself, half to Sylvain. How strange to have Norse and Celt iconography together I thought to myself.

It was late when I exited the metro station. The air was bitterly cold, my breath appearing and disappearing around me like a mystic cloud.

I was tired, exhausted from digging, and was seeing things in the corner of my eye that I chalked up to aberrations of a fatigued mind. That is until I walked past the Boise de Boulogne. In a dark recess, along the tree line, I saw what looked like a faintly glowing woman in a white dress. My first reaction was horror, remembering all the monster movies I’d seen as a child. Then quickly, my adult mind kicked in and rationalized it away as an artsy late night photography session, which is common around Paris. The sting of the cold refocused my attention and I hurriedly resumed my walk home.

I was tired, muddy, and had to take a shower before throwing myself into bed. I showered, dried off, and pulled back the new, thick duvet I’d bought for winter. The moon was full, beaming softly, barely illuminating the dark bedroom, as I cracked opened a window to let a small amount of fresh cold air into the humid stale room.

I slid under the duvet. I liked the cold, it reminded me of camping in the mountains with my old man and being snug in our down sleeping bags as we talked half the night away. I quickly fell asleep.

I half awoke, sensing a presence. I opened my eyes and saw a woman, ****, standing at the end of my bed, enveloped in a faint blue luminescence. She looked at me with big doe eyes. I watched her watching me, trying to figure out if I was dreaming or not.

She crawled on to the bed. I couldn’t feel her as she made her up the bed. She straddled me. I saw glint around her neck and saw she was wearing a torc, and realized who she was.

Her face was centimeters from mine. Her eyes burned with ferocity, intensity, and anger. I looked back up at her, fear welling up inside of me. She looked down at me. Her penetrating eyes, looking into my soul. I could feel her in my head, my mind.

She felt my fear, and without a word, just the look in her eyes, reassured me, calmed me, and my body and mind relaxed as if a nurse had given me a shot of morphine.

She touched her lips to mine, and felt the heat of her beath, smelled her dewy scent. I didn’t move. I knew I was prey. I knew what she wanted, and let her take it.

She slid her tongue into my mouth, and I gently ****** on it. She ****** up my lower lip, biting it playfully. She tasted sweet, fresh, like spring water. I couldn’t get enough of her. I wanted more. I kissed her harder, deeper, and felt myself slide to the edge of sleep, no longer sure what was a dream, or what was real.

She pulled back the duvet, grabbed my ****, and stroked it till it was painfully hard. She kissed it, put it in her mouth, and ****** it. Her head bobbing up and down. She’d stop, bite the head, and use her teeth to scrape up and down the shaft till I winched and yelled out in pain.

I started to moan, my body tightening, and arched, thrusting deeper into her mouth, coming as she raked her nails hard down the side of my chest. To my surprise, she didn’t spit out but swallowed my ***, licking excess from around her lips.

--------

I opened my eyes and was blinded by sunlight streaming in through the open windows and curtains. What the ****, I thought to myself, I never sleep this late. It was always dark when I wake. And the birds, chirping in the trees outside my window, were loud, and grating on my nerves.  

I slowly got out of bed. My body ached, my lower lip hurt, and my **** was sore. I grabbed my **** and immediately released it in pain. It was raw as if I’d had ***. I was definitely confused. My eyes darted from side to side as I tried to make sense and remember last night. I left the dig, came home, showered, and went to bed.

I trudged to the kitchen and made coffee, all the while, racking my brain for some clue as to why I felt like ****. I poured a cup, leaned back on the counter, and sip the coffee. I shook my head, placing my hand on my hip, and felt a sharp burning. I looked down and saw blood on my hand and side. I went to the bathroom mirror and saw fingernail marks down both sides of my chest. I just stared.

I had no idea, no clues as to how these happened. I jumped into the shower and washed off, bandaged up the bleeding scratches with paper towels and tape, dressed, and went to the cafe at the corner.

Despite the cold, I sat on the terrace, ordered coffee, bread, butter, and jam. I looked at my phone. It was 8:08. I looked at my text messages and emails for some clue as to what happened last night.

Breakfast came, and I sipped the coffee, staring out into the street. The waiter walked past me. “Oui madame, what would you like this morning,” he said. “Cafe et croissant,” she said. The waiter turned and walked back inside. I turned my head to the side for a quick look and blinked twice. It was the redheaded adjuster from yesterday.

“Bonjour M. Delacroix,” she said. “Bonjour Madame,” I instinctively replied. There was an awkward pause.  “I am Brigitte, Brigitte Dieudonné,” she said softly.

We small talked over breakfast and when I tab came, paid, and said, “I headed to the office.” “It is the weekend monsieur. “Yes,” I replied, “I work at an archeological dig on Ile de la Cite. The crypte.” “I am headed that way myself, do you mind if I walk with you,” she asked.

We walked to the metro station, down the stairs, through the turnstile, and onto the quay. The train came, the doors hissed open, and we strode in. The train was full of Chinese tourists and it was standing room only. I grab a pole and Brigitte did the same as she squeezed up beside me.

The train jolted forward and Brigitte bumped into me. As the train smoothed out, she kept leaning into me. Her derriere in my crouch. I could feel her body through her coat. I was getting turned on. As the trained curved around a curve, it rocked back and forth. Her *** bumping and grinding against my now hard ****. Could she feel my hard-on through the coats? She half-turned her head a gave me a coquettish smile. She knew I thought to myself.

We exited La Cité metro station, on to Place Louis Lépine. Before I could say anything, she said she’d like to see the dig. “Sure,” I said, and we walked to the La Crypt. We walked down the stairs to glass doors and pass the touristy exhibits and displays, to the back, behind the green painted plywood wall. Sylvain and several grad students were standing over and around the coffin. Two of them were in the pit setting up a portable x-ray machine, one with a still camera, another with a video camcorder, and the rest looking down at their tablets.

Brigitte and I walked to the edge. The coffin’s lid had been clean. The runes and Celtic knot were clearly visible. “Danger, death, mother,” Brigitte said. Sylvain turned his head, and said, “she is right, danger, death, mother according to the religious studies guys.” “How do you know that,” I asked. “It’s in all the teenage vampire movies,” she replied grinning.

“The top one is an inverse Thurisaz, which is means danger. The second one is an inverse Algiz, which means death. The knot is Celtic for mother, and the dot in the heart means she had one daughter,” Brigitte said trailing off.

“It looks you’ve got it under control Sylvain. I have an appointment. Brigitte can I walk you back to la place,” I said.

We walked to la place and stopped at the metro entrance. “Can I have your number,” I asked? “Yes, you may, if you promise to call monsieur Delacroix,” she said smiling girlishly. She took my phone from my hand and typed in her number and dialed. Her phone rang. “I have your monsieur, Delacroix. A bientot,” she said. We did la bise and she was off.
am i ee Sep 2015
the little tree
took root from
an acorn nut.

the years passed,
she watched the loggers
come and go.

taking her friends
and family off
on the big beds
of the timber trucks.

year after year,
season after season,
there she stood,
winter, fall, spring, and summer,
one slow grow.

first she was short,
barely a spurt,
then she branched out,
and up and up and up.

the trees stood
all around her,
so serious,
oh so silent company.

however,
never a mean word nor
loud shout was ever heard.

never any other music
but for that of the birds,
and the wind and the sun
and
the creatures walking the
woodland floor,
those traveling through to
far distant exotic lands.

at least she never heard
“girl, you are some fat tree.”
or was the target of any joke,
“when you sit around the house,
you sit AROUND the house.”

nor any
“you gotta do something with them leaves,
they are looking like a rat’s nest.
Oh i see, it IS a squirrel’s nest.”

or for a stray bump or large hideous growth
no one ever said,
“you better go get that removed,
that's one ugly lump!"

years and years passed,
her soul inside,
couldn’t be heard,
not a word.

then one day,
the fellows came through,
looking and measuring,
measuring and looking,
out came the chainsaw.

eyes alighting on she,
on all of her
tall, majestic beauty.
with swift, quick work
she fell,
down,
to the earth.

loaded on the flatbed,
chains wrapped securely around,
engine roared to life,
and she took off,
racing into the darkening night.

she knew tears did fall
as forests thinned
and were laid bare,
but all she could think,
all she could say,
was
“so long suckers!
i’ll see you on broadway one day!”

and so it became true,
her dream of yore,
it was finally in,
Radio City Music Hall,
she landed as the floor.

night after night
to her lasting delight
tap dancers tapped
making her sing
bringing out the music
in she
so previously
imprisoned inside,
for so long.

sanded and polished
varnished and cleaned,
her secret inner beauty
finally brought to life,
finally brought into the light.

she beamed and sighed,
every time a new star
stepped on to her,
to her extreme delight.

any day or night,
when every eye of
the house,
every one of the audience
was riveted on she.

oh what a thrill
when the Radio City Rockettes
did finally come out,
for only for she
could they dance
so straight,
so evenly.

Sometimes i look
at the woods laid bare.
my heart drops low
so sad i feel,
a tear spills out.

then i recall,
the tale of this tree,
the little acorn nut,
how a trip to
a city,
made her so
lastingly
happy &
so  very
pretty!
matt Nov 2014
blue, the words stick to me like glue and your name is stuck to me too. i once flew but i have broken my wings and landed on a blue sanded beach. every time i close my eyes there is blue and its all i knew…… but then there was you. while i feel like there is internal pressure looking for an escape the blow would decimate. i have become used to the blue and it WAS all i knew but then i met you. when i close my eyes UESED to see was blue but now i see you. I’m not sure if what i feel is real but I’m not about to end all that could get me off this bent blue hell. there is nothing more that i would rather do than leave pain and stress behind in the blue sand. before i leave this blue hell i need to know if this is true or fake and only time will tell. i won’t dismiss this possible miracle but my sanity depends on the nature of this life.
Gidgette Mar 2016
Say we'll dance with gypsies,
Even if its a lie
Tell me that we'll stand on a river bank,
And watch the otters play by

Say we'll lay in a golden hay field,
In the spring month of May
Whispering sweet sonnets,
Till our voices fade away

Tell me that someday we'll parachute,
Out of a soaring plane
Say you'll love me always,
Till the universe goes insane

Tell me someday we'll make love,
On a white sanded beach
Say you'll stay beside me,
Forever in my reach

Say we'll lay on a blanket,
Staring up at the stars and moon
Tell me these dreams will last forever,
That they won't end so soon

Please, tell me one last, beautiful lie,
I promise I'll believe
Tell me that you love me,
And my embrace, you'll never leave
Brittany Marie Nov 2010
My grandmother always told me,
that one day I would build my family.
Build my family?
Like chopped pieces of wood sanded and nailed
one atop another
shaped as I want them.
Build a family
not much like the one I have now
Where misconceptions and judgments etch our foundation.
Where one black sheep spawns another.
Where there are so many pieces and segments
of rotting wood.
My father was a **** addict
My mother jumped the same ship.
My brother I have only seen twice in my lifetime since the age of four.
One grandmother is passed, leaving nothing but the smell of wine
and the vision of cigarette smoke next to her oxygen tank.
One grandmother a Mormon, who turned a blind eye
As one grandfather scraped innocence from the inside of my ribcage, leaving me hollow.
One aunt, with her perfect little life, and the power to make mine feel so insignificant.
One uncle who pretends to take me as I am,
While I follow the path he envisions for me
One grandfather who I am sure loved me,
with one grandmother who sacrificed her retirement age to raise me.
All families have their issues, this is what we all say.
But when I came to you,
bony elbowed twelve year old girl
hair atop my head disintegrating from three dollar bleach dye,
every one of you could see the broken I wore
in the forefront of my chest.
I radiated hunger harder and faster the sun,
I consumed all of the life saving aids you provided.
I never learned quite how to say thank you for that
Me being there, I was insatiable.
I begged you not feed me in grocery bought items,
I learned a long time ago how not to need those things
I begged you not to shower me in cotton constraints,
because i learned a long time ago,
how to wear one shirt and one pair of jeans at all times.
I begged you not to push school,
because I once had to learn how to push myself.
I begged you not to rule with an iron fist,
My childhood taught me
that ruling myself was the only way I was going to get anywhere.
See I was not asking for any of these things,
these things I am told to be grateful for.
I starved for your affection,
for I love you's.
For that fabled existence of a family that would love me.
I met your stone cold authority with violent rebellion.
Do not tell me to grow up,
because I learned along time ago
that childhood is only a myth.
Closest to the best bed time story
where children attend one single school for five years.
Where play toys and best friends exist,
but only in these stories.
I came to you hollow,
begging you to flow into me,
and fill me with that grandmother love,
love I watched you hand out like candy to the other children in our family.
But it's always different when you live with them.
I know that you never watched me when I was little,
I know that you knew me,
for a few hours
before I got here.
I know that my father must've really broken your heart.
But I did not do these things.
I did not carve my past or choose this heartbreak
I would never have wished that upon you.
All I wanted was to feel summer sunshine love,
warm my chilled bones,
I wanted hugs and kisses and things that made us a beautiful,
broken, little family.
I may not have seen this in the things you sacrificed for me,
and I may still have trouble calling that the type of love I was looking for.
I am ever so grateful,
that you gave me the tools to learn what normal life is.
I am ever so grateful,
that with out you
I would be some cracked out nineteen year old
lining the las vegas strip
with a show of legs and kisses.
But I cannot pretend,
that sometimes I don't cry to the rising of the moon,
for the love I wanted too badly.
I carved deeper into my scraped out rib cage
trying to find something in me of worth.
I cannot lie and tell you that I have learned how even to love myself,
because I haven't.
My grandmother always told me,
that one day I would build my family.
I may not have gotten that far yet,
to have wooden carved children and a perfectly sculpted husband.
But I am gathering a family of love like I wanted.
They surround me with soft and eager hands,
they dig deeper into my bones,
and show me where the value sleeps.
I do not have a sister,
But I have a Jessica, with paint fingers that outline my contours,
Showing me the lines built to keep me in,
and to keep me from overflowing on rainy days.
I do not have a husband,
But I have a Spencer, with a gleaming iron exterior,
blocking the dark angry pain with in me,
soothing the insecurities and quelling my storm.
I do not have a daughter,
but I have a Suzanne, with wings so glorious,
she towers over my hunger,
making it feel so small.
And I may not have a son,
But I have a Jacob, with humor so gallant,
there is no sadness to conquer my laughter.
And I may not be sanding down the rough edges we all carry,
because I like it better this way.
A family built from love,
love radiating so bright,
we make the eyes of the world see nothing
but the light on our shoulders.
Lyzi Diamond Sep 2013
You watch the little one teeter,
precarious, fifteen feet above
the mat on the chalked beam
with white tape wrapped around
her wrist and the cracked webbing
between her thumb and forefinger.
You watch.

Her fingers tight against themselves
she reaches left arm out and bends
to grab the structure wrapped in taut
leather and sanded down into a smooth,
uniform surface, the likes of which are
stacked in warehouses in central Pennsylvania
or southern Iowa or west Texas and shipped
to community centers and middle school
gymnasiums for use in competitions with face paint
and streamers and yelling parents donning
appropriate colors and shouting cheers in unison.

You watch her shift her weight from left
leg to left arm and kick up to handstand.
You see her look of concentration and you
see when her eyes open wide with surprise
and you see her balance shift backwards
and you see her overcompensate
and you see her back bend to the side
in a way it's not supposed to go.
You watch her fold in half and fall hard
onto the bright blue mat
in a cloud of chalk dust and you watch
her face full of disgust and disappointment
and white tears and sour looks.

You run to her, laying on the ground in a
small pile. You push competition officials
to the side and hurdle trainers and instructors
to get to her, to hold her in your arms and to
hear her crying and whispering softly,
"I'm so sorry."
"I'm so sorry."
"I'm so sorry."

You put your lips on her forehead
and you put your lips on her temple
and you hold her against your chest
and your eyes start to quiver
and you grip her tighter
and you tell her that she's perfect
and you tell her that she's doing
all she can do, and that everyone
makes mistakes and everyone falls
down once in a while, but the part of
life that's most important is to get up,
get up, get up, get up.

She repeats,
"I'm so sorry."
"I'm so sorry."
"I'm so sorry."

You hold her and the two of you
rock together and the room falls
silent and you are the only two
there, you are the only two who
matter in that moment, and if
she could just listen, if she could just
hear you, she would know and she
would believe and she would realize
that all she can do is be who she is
and get up and try again and that
every day is a new day and that
every moment is a new moment.

But she can only sit in your arms and cry
and whisper apologies to nobody and
everybody, apologies that seem out of place
in the first round of the junior varsity
gymnastics tournament in the fourth
of five divisions in a nothing town on a cold
Saturday afternoon in March when she's
got a scholarship to Berkeley in the fall
and an award for increasing student
engagement and a clarinet concert the next
day and a family who loves her.

You lift her up onto your arm like
you did when she was small and you
carry her to the car to raucous applause
and admiration for the little girl who did
it all and will continue to do it all.

She wipes the tears from her face and
looks up at you through hurt and furrowed
brow.

"Ice cream?" You ask and she smiles.
"Yes please." She looks down.
"Chin up." You lift her face towards the sun.
"Okay." She opens her eyes with wonder.
Cyril Blythe Aug 2012
Jumping over the dark mahogany railroad ties that my father laid down as a barrier, I entered my favorite place. Bare toes and rough feet of my 9 year old self burrowed with joy into the wood chips that cushioned my kingdom.

The entire area smelt of damp, rich wood, always freshened by the honeysuckles sweet scent from their lazy seats on their wooden fence in the background.

My castle was wooden as well, 6 carefully and lovingly sanded steps up onto the throne where I could watch all I reigned: my dog, the four railroad ties barricading the wood shavings from spilling into the soft green grass, I could see my family inside, my house not but a quick dash away.

As the sun set, down the wooden slid and back onto the damp ground I would return inside. Smelling of bark, honey, and innocence.
Elliott G May 2021
Glistening snow-white tips
Polished, sanded, draped with
the finest of tapestry silks.
Blessed with splendor, splendid splits
Crevasses, curves both shallow and steep
deep slopes stretching from mountain peaks.

Lustrous caves lurking, smirking as black crows write their prose
nose-deep in the blinding snow, with their ***** little paws.
Puffin, stay wary of blizzards and storms
deafening. Creaking floorboards of ice sheets
slip from beneath its tiny red toes
no edge to cling to, nor air to latch onto with its wings
a red stain left at the bottom of the pit.

Blizzards' lay a new layer of fresh snow
covering the deep scars of warmth
carved into the mounds of ice
splashed with red paint
Stained for millennia to come
Melancholy; the artist behind the painting.

Hollow breaks in serial layers of ice
Seeping black, oozing onto the ocean floor
Not floating, bloating, or staying,
Drowning.

Inside,
etched into the lining, a thousand silent words
Melting with each new sunrise,
in which ray's they bathe
Wash from meaning
drop.
by.

drop.
Ralph E Peck Dec 2011
The gate is hidden in ivy, thick
Ropes, both alive and dead
Providing trellis for new growth, always
Leaving room for the gate.  Arched
Top of weathered oak, so keenly
Shadowed underneath, one key to
The secret of my secret garden
        Never Locked,
                   No Need,
                        No one goes there but me.
The doorway cut in hollow blocks
Some turned up, others down
A mosaic of solids and holes;
Triangle holes where small breaths
Of citrus air sneak past, to scent
And blend with vine and flower
Large and small, brilliant shades,
         Fresh turned earth,
                   Nostrils full,
                       With sweet privacy.
Walls, much taller than my head
Surround the inner area
One north; a mass of solid stone,
One south; holding the gate in its arms,
One west, staying the evenings sun
One east, open every other stone
With the beams of Sol cutting through
           Giving life,
                   Living Light,
                        Make my garden alive.
Well worn bricks in connecting
Circles, still damp at noon
From dawns' quick cleanings.
My feet in soft soles, never disturbing
By tick or clacking a fear in
The blue-jays and redbirds
Perched on the ancient carved stones
            Worshipful,
                    Quiet though singing,
                               Singing for me.
The oak bench, painted only
With rains of many seasons
Polished seat and back, smooth as
Sanded, with the fabric of trousers and shirts
My body reclined in respite,
A few hours, a few minutes
Stolen from the demands of others,
             Everyday demanding,
                      Draining the quiet,
                            Chipping at the walls of my garden.
A damp perspiration
Slips down the inside of my shirt,
My face is washed in the afternoon sun
Alone, finally alone,  pulling useless weeds
Impeccable manicure, attempting perfection.
Maniacal fervor must find a place,
A place where one can think,
                A place of my own,
                       of my making,
                            My secret garden.
Hank Roberts Jun 2012
We agreed it was the
******* of life searching
on our hands and knees
as meteors burnt up

in the atmosphere
discovering new through
burnt ashes and falling
in love too fast while

the child in us screams
where's the fresh cement
of unbeaten path? Silly
scowls sit with little lips.

Abduction he swore! They
probed picked his brain .
Meanings change when the lights
start to flash

and your senses are hollow
gelatin mix. Remembers not how
they got to be but
where it used to go

He said purgatory got him here
because he told them he
didn't want to wait.
Moses had to wait for

thirty years and millions
of lives.  His naked ghost,
hair whiter, than artificial
light when he said

“it was in the naked catacomb
when the walls fully dressed, in purple's
nobility, while not forgetting to grab all
the beggars' begging.

the leak was quick not slow
and the air pumped itself.
Athena looked down and cried at
the misery. She pleaded for no flood, she
couldn’t persuade God.

Crumbling steal and birds of fire
brought upon the sand
that got stuck in the mouths. Grains from
different dunes all on one spoon

Does not mix all to well just like
how Noah placed the Lions
beside the Zebras in an empty place.
  
Mayans mark their skies as
Cats will their lives.  They don't worry until
they're down to one, down to one
grain of sanded rice that's supposed to
feed the entire world but won't suffice until
someone sees at last.

Better too late than never, as they'll often say.”
I have an old guitar named Gypsy Queen.  Normally this would not be much of a momentous occasion, lots of people name their guitars,but Gypsy is hand made by me.  Many moons ago when my ex wife was pregnant with my only child, a daughter, I took an adult education night class while I was attending college as a day job.  Our instructor had recently taken a trip to Canada to buy wood as he made his living building custom guitars and he had some of the most beautiful birds eye maple I'd ever seen and also some very good spruce for the top of the guitar.  We met at the local high-school's woodshop classroom.  I knew all the power tools there having taken wood shop twice in middle school and again in high-school.  From raw lumber I fashioned her pieces, sides, three piece back, neck, keyboard (made from some exotic ebony my instructor had), and top.  While my wife was patiently waddling about the house I shaped and sanded those pieces on our living room floor.  The interior struts, the binding, and frets for the keyboard had to be created as well.  When I finally got her glued and assembled she was quite a sight, almost perfect in every way, and the quality wood she was made from was so beautiful I had never seen the likes of her before.  Most of the people in the class didn't get that far not having the skills with the tools or the coordination necessary to succeed.  Still she needed to be lacquered and finished.  All told, special tools and accouterments, cost of the wood, glue and sandpaper, plus the frets (nickeled silver), and the grover tuning pegs she cost me about $160.  But almost 500hrs labor went into her creation, whole free weekends spent sanding and shaping.  It was a year or more before I finally got her lacquered and she was so beautiful I could scarce believe I had made her, totally from scratch.  I had even inlaid her mother of pearl keyboard art, god she was a sight.  Both she, and my daughter, are now close to 40 years old, and she still plays like a champ.  Ask any guitarist about guitars they use a lot, see how many survive that long.  She's my prized possession to this day.  Her custom bridge is shaped like a bird (something I've never seen to this day anywhere else) and I'd put her sound up against any expensive Martin made.  Plus she is so much prettier.  She's old and her finish is crackled some but her neck is still true and her action is superb.  Through the years she has brought me so much joy, I'm so glad I took that class.  I hope she survives till I die cause I want to mix her ashes with mine before they get spread around by my friends.  I'll want something to play in the afterlife.
Gypsy Queen my friend who knew I was such a good Luthier.  Beginners Luck!!!!
http://i1178.photobucket.com/albums/x370/toreinss/IMG_0324.jpg
Michael McLean Apr 2014
I

the corners of a room

where walls shake hands

paints meet but never bleed

or stretch across the angles in uniformity

illusions that my palms see through

as they move to flatten the creases

making little triangles between them and the cobwebs’ Eden

like unfolding my bed on the couch

the only comforter here after the lamps say Goodnight

before I tuck them in

and the colours give in

blend

II

my makeshift mattress made specifically

measured feet to face ashamed in wake

protruding shoulders sanded at the edges

obtusely protracting the day into a never-planned night shift

midnights

where the hard-numbers and for-sures fall for the vicious

vacuum’s seductions

a Succubus, is the lady moon

for a mind weary and wary of

absolutes
Angie Christine Oct 2018
-when he began transforming his guest room...for me.

-our first Christmas after he moved me home and created our mantle from my old place.

-all over him after his days of doing carpentry with his Dad this spring.

- his scent I crave each day when he returns to our haven after a day of work.

-all over him again last Saturday as he sanded an antique cabinet for me.

I’ll never tire of the scent of sawdust. The scent is etched into my olfactory memories as one so sweet- blood sweat, tears and sawdust.
He puts all of himself into us.
For me and to me, he is love.
And I’ll never tire of the scent of sawdust.
Written 5/29/18
Dreamer Mar 2015
I once had
my sweet little girl ask me...

Daddy?
          Yes dear?
Is the little man in the snow-globe, is he happy?

She looked up at me with bright blue eyes,
eyes so deep they were bottomless oceans.
I could stare into them forever.
I took my rough, calloused hands that were sanded with age,
into the gentle palm of her own.
"How could I ever tell her?" he thought
with a gaze so lovingly at her.  
Clutching the snow-globe ever so tightly,
she shook it twice so that light, beautiful snow-flakes
gush in all directions, inundating the glass city..
I smiled, and told my darling:
                                
                                     Don't worry sweetheart,
                           it is only trapped in a perfect world.

                                She didn't seem to understand.
Francie Lynch Feb 2015
A poem is like
A piece of wood.
It can be ripped,
Chopped,
Shaped,
Sanded for smoothness.
Sometimes you nail it;
And it can stick like glue.
You can drill a hole
Right through it,
It might bore one
Through you.
It can get under your skin.
But when it's cut
Against the grain,
It should be read again.

— The End —