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Irma Cerrutti Mar 2010
He thwack no metronome to kick oneself
Thwack his **** sucker
With his monolithic flaccid trunk rubber
Me and my Dalek doped
And my excrement unsweetened
Copulate in the open without my jockstrap
You shat encrusted to what you deflowered
So at arm’s length ****** from all that we excreted in the wind’s eye
And I bounce a bedevilled backwash
My incredibles are shafted
I’ll **** **** to Arab

We only jabbered hasta la vista amongst homophones
I croaked a hundredweight arsonists
You **** posterior to her
And I **** **** to…
I **** **** to myself

I ****** you powerfully
The body beautiful’s not enough to go round
You enjoy spanking and I wallow in *******
And ***** is like a tobacco teabag
And I’m a bijou **** coming the corsets in custody

We only jabbered hasta la vista amongst homophones
I croaked a hundredweight arsonists
You **** posterior to her
And I **** **** to…

Arab, Arab, Arab, Arab, Arab, Arab, Arab
I **** **** to…
I **** **** to…

We only jabbered hasta la vista amongst homophones
I croaked a hundredweight arsonists
You **** **** to her
And I **** **** to Arab
Copyright © Irma Cerrutti 2009
Ignatius Hosiana Apr 2015
Someday I'll hold you like you me charms
Look you straight and deep in your eyes
And let you know how much I lust for you
I'll pull your soft body with me masculine arms
Dead close to mine so that you realize
How glamorously my  **** tightens for you
Someday I'll touch your neck with my teeth
I'll graze it so softly that you won't quit
And then pour magical whispers into your ears
The much I've dammed up all these years
I'll place my hard palms beneath your shirt
To softly hard caress your skin so that it'll sweetly hurt
Then I'll place my head onto yours and sigh
Because by this point I'll already be high
Someday I'll be this close and I won't miss
I'll peck your forehead but your lips kiss
You'll shut your eyes and savor my taste
I'll take it one step at a time with no haste
I'll patiently unbutton your outfit
You won't stop me for you'll feel me heat
Someday I'll **** at your beautiful *******
Draped like two cute oranges on your chest
You'll mourn like you're grieved at the pleasure
You'll beg me to quickly find my way inside
But I'll try and keep my control and decide
when to partake of your juicy treasure
Someday I'll explore further down your thighs
Me whom you much loathe and despise
You'll arch like a bow at every touch and laugh like a clown
Yet mourn as I navigate every street of tuna town
You'll beg me to pass through the tunnel of love
And just then I'll swiftly embed myself into nature's glove
I'll place myself above you,I'll be a long awaited burden
You'll hold my posterior as I plough through your garden
Since you say there's no love around here
Further apart your thighs will obediently split
While we make it
Someday we'll walk a thousand miles with no rest
We'll surf the ****** waves till we hit the viperous crest
WS Warner Nov 2013
Part One
Nascent Craving

The insular heart unsealed; pearled eyes
Breach parapets of stone— periled shield,
The sweetest ****—
A threatening wonder and irrefragable synergy,
Nervous routes of cognition  
In this nascent, amorous craving.
Locked and abased,
Dissonance lends pathos — euphoric and onerous,
Disconsolate cries curb sublimation,
The regnant bleed diffusing — fervid lust
Fondled, tactile surfaces in throbbing anticipation.

Sullen, aft a veil of laughter,
Visceral aftermath, out of
The ardent ash,
Burns a thirst;
Insuperable numbness and ache.
Efflorescent intimacy,
Table for two
Enraptured in new alliance,
Élan vital (psyche);
Urgent dialect petitions
Equivocation, jocularity blending
Provocation with indecision,
Noted lilt of descending inhibition.

Adrift, the incessant Now;
As occasion inexorably diminished;
Resonant simpatico tending,
Numinous amity;
Heard conversant, cognitive idioms—
Lassitude, time-eaten pangs of the unhinged heart,
Wounds axiomatic,
In disquieting synergy,
Nibbling, the circumference—
Misery’s permeating truth;
None immune, all trundle incongruously past,
Facing intrepid savages.

Licitly felt, reverberations of Amor
Whence the heart behaves;
Measured cadence, pulse elevating—
Treasured lover, contemplative muse;
Undulating clasp, inflated bone of absence;
Incarnation — a woman,
Beyond prosaic;
Ineffable adoration pours in certitudes of verse,
Elenita, enclothed —virtue unvarnished;
Reservoir intrinsic, poised advocate of the innocent:
The crooked lines of insolence,
Brazen culture of neglected youth.
Perceptive blue stare, sensitized tears—
Plaintively, evincing her injustice ago.

Part Two
Tendered Senses

Siren silence, eruptive blush, ampler between phrases
In dulcet tones — stirring discourse;
Foments rebellion, the strife beneath— his ****,
Out of its vast reserve,
Penetrate the narrowed ambit, vaguely announced.
Groping hands, migrating the sensual member
Stern faces grimacing— mirror in abrasion,
Under the blind surf of consent;
Burrowing ambiguity, emerging torsion,
Plunge, enlisted and content in the sea;
Subsumed in the nonverbal cue,
Persuasion’s plea,
Quelled in the post cerebral assent.

Piercing eyes parallel crystalline waters of Lake Tahoe.

An untouched portion of his awareness remains aloof,
Palpable in the subsequential quiet,
Obsequious and febrile, they sinned on sofas;
Peregrine predilections quenched and viscid—
Serenely requited, the room breathes her presence,
Limp, figures *******, mantled in adolescent torpor.

Erudition in bloom, trust undoubted,
Illuminating, satiating; tempest calm—
Under canvas
Terrain soaked and sodden,
Postliminary — rains of invalidation.
Allowance and permission
Recalibrate, salivate, shortly only—
Initiate, obliged consecration, appraising
Curvatures of the spine,
Stuns him obeisant, her femenine pulchritude,
Propinquity inciting vigor,
Emergent allure, the updriven
Tower of wood sprung from the blanket.


Suffused in ether, purring streams of remembrance
Vaginal honeyed dew, sung into
Orchids, remnants of remember;
Drenched down the cynosure of devotion;
Succulent view, diaphanous pantied bottom;
Halcyon mist, saporous wine — compliance of the will,
Freed fires wander,
Pliable rind, twin plums dripping,
Abject confession, dispatching doubt
In tendered senses,
Pivotal tree, lavender Jacaranda holds the key,
Unfurled, cindered vulnerability.

Half-denuded skin invites confessional savor
Acutely bubbled rear, fleshly furnished denim;
Sultry visit, San Ramon Valley in the fall,
Strewed limbs splendid, flowing filmy;
Imagination yields—
Bursting silk congealed
Across deft thighs, ambrosial thong draping ankles,
Grazing ascension, the curvaceous trajectory
Nose inflamed with fragrance,
Inhaling, climb of acquiescence,
The ****** weal, amid the globed fruit,
Focal intention — ploughed lance thrusting,
Absconding, the ancillary perfume of essence.

Perceiving avid validation,
Swimmingly, amid the monstrous gaze.
  
Humid skies simper dank, set swell the incense of Eros,
Surge of poetry engorged
The flame levened shaft,
Nimble ******* flounce, spill the harboring mouth;
Moist hands merging, unfettered,
Weave in supplication,
Vicinity voicing, enmeshed diversion;
Supple and spherical behind
Posterior arch, milky-skin against the lip—
Ripeness jostling their complacency;
Lapped the mooring, ridden decisively;
Recapitulating— spumed forth, bellied over hips warmth.
Abandon the dirge of self-pity
Late under ego’s trance.
  
Part Three
Present Tenses

Tempting trespass across sacred gardens,
Flowering, scandal set luminous: attachment—
Consensual, their corresponsive fear;
Protean manifestations— evocative, perpetual
Unutterable contention in a fictive resolve,
Deliberating the merits of their widely disparate tastes in coffee,
Amorously touring wine, let’s drowse through the gnarled vine.
Sundry deficiencies pale, once contrasted;
The beatific vision—
Material substance unaccompanied,
Imperceptible, tear-streamed cheeks in synch,
Ventral kiss, peak of carnal perfection,
Reminiscence— flesh violent with Love.

Fiction knew to meander the innominate rift,
A tincture of irony soften misdeeds
Immense as the sea.
Insolvent beast stippled with sapience—
Unmasked, the fabric of delusion;
Dependence smothering the disciplined heart
Resentment put up for release.

Waste of residual years
Fate’s apportion, scars bleakly observed;
Chastened by heartache, engulfing fervor
Too faint to recapture.
Vague glimpses dry—
Hypervigilant his defenses,
Veritable suspensions, embers lit linger;
Slender walls of solidity, the horizoned self,
Faith and reason in concert — stone levels of elucidation.

Fractured bones of distance, emanate a rigid salience,
Another ponderous night of absence—
Lingering, cauldron of dearth as indifference ushers,
The quotidian coil of contrition.
Tearful pallor, sequestered —ciphering time and solitude;
The unkissed mouth, his restive brow;
Suspend in the approximate span.
                      
After Lucid alliterations are spoken
Devoid of her face, his lover’s nudge—
The man nurtures his hurt.

Anxious as seldom unscarred,  
Venus’s susurrations,
In present tenses,
Kissed by her serenades of integration—
Notwithstanding metaphysic intrusion,
No chain stays unbroken,
Postponed drifts of deferment left unspoken,
Reverberations of amor.

© 2013 W. S. Warner
To Eileen
917

Love—is anterior to Life—
Posterior—to Death—
Initial of Creation, and
The Exponent of Earth—
HotSauceMcPoetry Sep 2015
Le ***** Quest

Glasses up, Hair down
*** up, Face down
Ignore the sisters, I’m after the cousins
The catholic approved crevasse to bust in
I wouldn’t say im obsessed
But the ***** demon has me possessed
I’d call you blessed, its what you guessed
I’m hard pressed to bend you east and get at the west
I’m on a ***** quest with a lascivious request
to admire the caboose cleft
I can’t repent the intent of this unspent cement
But I’ll give up hemp for lent
Embark on a posterior pilgrimage of preposterous proportions,
Devoted to the search for thy voluminous bloons for which I swoon
Irma Cerrutti Mar 2010
I ain’t got no intimate, ain’t got no stiletto heels
Ain’t got no Lsd, ain’t got no smack
Ain’t got no partners, ain’t got no drill
Ain’t got no slapstick, ain’t got no hanky—panky
Ain’t got no Lsd, no slot to mount

Ain’t got no castrato, ain’t got no crumpet
Ain’t got no conjoined twins, ain’t got no nuns or eunuchs
Ain’t got no whipcord, ain’t got no adoration
Ain’t got no *******, ain’t got no stimulant
Ain’t got no ******

Ain’t got no oscillation, no shags
No uniform, no parts
No smack, no drill
No partners, no peccadillo
Ain’t got no stimulant

Ain’t got no whipcord, no propagators
No titbits, no intimate
I jabbered, I ain’t got no uniform, no hanky—panky
No peccadillo, ain’t copulated till one is blue in the face to have a funny feeling
And I ain’t got no ******

Oh, but what have I copulated, oh, what have I copulated
Let me tell what I copulated and nobody’s going to enlarge telescopic

I got my ***** on my face
My extra—sensory perceptions, my knobs
My ******, peckers and my *******
I got my stuck—out tongue

I got my tentacle, my proboscis
My *****, my *******
My thingummies, my cockles of the heart and my posterior
I got my *******

I got my thingummies, my talons
My ball and socket joints, my forelegs
My hooves, my pincers and my snorker
Got my crest

I got *****, I’ve inseminated cheerleaders
I’ve got bottomgremlins and hacksawhoodoo
And Mephistophelian juggernauts too like you

I got my *****, my pistil
My ESP, my knobs
My vaginas, my peckers and my *******
I got my stuck-out tongue

I got my tentacle, my proboscis
My ***** and my *******
My *****, my ***** and my posterior
I inseminated my ****** sorbet

I got my thingummies, my talons
My ball and socket joints, my forelegs
My hooves, my pincers and my snorker
Got my crest

I got my *****, I got my slipperiness, my *****
I got *****
Copyright © Irma Cerrutti 2009
to-day I sat in a slim line chair
in which I was made aware
of the size of my posterior's pear

it drooped over the sides of the seat
and it didn't look orderly or neat

a not so subtle message
my buns have relayed to me
they've said that they are
a little too hefty

I'm making a belated
New Years resolution
which is to seek an answer
to my tails expansive evolution

being unable to place
my posterior in a chair
is truly a most
wretched affair
A fun write...
Mateuš Conrad Feb 2016
you know, on that N86 bus listening to dikanda's
https://goo.gl/OAUjMe (ketrin ketrin),
while going to the brothel, where i kissed *****'s
eyelid skin i turned my heart into a lung...
and it burst akin to muscled stress of the softer tissue,
by heart was the black horse of the race...
she would only be worth £110 an hour...
but in my heart... a lifetime... so classical fm is
asking for three songs to be enlisted in the hall of fame
here are my three:
1. something to think about (christopher young) -
   hellraiser ii,
2. no time for caution (hans zimmer) -
    interstellar,
3. spectres in the fog (hans zimmer) -
     the last samurai, competing with
(4. any other name (thomas newman) -
     american beauty,
and....
5. carpe diem (maurice jarre) -
     the dead poets' society);
i always found classical music invoked
by fast image exchange most adhering
to a modern public... after all...
the notes written down are transliterated
from moving geometries
asking for a human face...
that one abstraction leaving another created...
so enriched we can be living and leaving here,
but leave and live here cradled and crawling
and nothing more than an attempt for
a crafted shawl of woollen care...
assuredly we were the blank canvas,
when the sheep and lion were clothed...
the lizard inwardly having its blood cooled...
and we the mediators...
to evolve from an origin of such biological diversity?
why will darwinism claim to be a humanism
and let no humanism in?!
if darwinism branched from science for a populism
of understanding prepositions as propositions
(given that propositions are allowed expression
with far many more complex words than prepositions,
given the former are deemed a nature or origin
and the latter a nature of coordination)
why allow it a humanistic simplicity
and complicate humanism to a non-expression's
extent of a complexity? darwinism cannot grasp
humanism's complexity per se, for each its own per se
allowance... darwinism cannot relate to humanism,
since humanism deals with the one diluted into the many,
while darwinism deals with the many concentrated into
the one:
and noting the varied dimensional usage of pronouns,
the singular (engaging), the singular (disengaging),
the plural (effective), the plural (ineffective),
to use but a few among others... how would a self,
as either realistically concerned or as expressed
in an atlas pose when one individual speaks of a species
to ever survive... to speak of humanity per se,
is to not speak of being human per se (a self),
but as if under a constant threat from either internal
or external stimuli, it's to speak as if human
but hardly being human... darwinism only said
in simpler terms 1 = ~∞ 0 1 (one equals
approximately infinity denying one... expressed
further: one equals approximately infinity denying
oneness, hence ethnicity, hence disparity,
the infinite approximate is due to the no. of equally
represented identities of reflection as one's akin
in historical content for a vanity representation
of ego) / although there's a parallel disparity:
1 = ∞ 0 ~1 (1 equals a reasonable infinity
of the semblance collective, as approximated within
one's own constitution, denied by the constitution
of the semblance collectivised denying 1 its
oneness by a division, into pop. psychology
of subconscious, unconscious, ulterior and posterior
assembling of identification in order to relate
a concrete un-divisible one, to a oneness
of ~∞ 0 ∞†, whether governed by animate or inanimate
things, worthy of either representing
∞ = 0 ~1, or ~∞ = 0 1 (infinity equating itself to
a denial of an approximation of one,
or approximate infinity equating itself to a denial
of one) - by most standards a collective power
increases, while an individual coercion with
such increase in power is diluted to mediocre representation
of what was once hoped for to be an individual...
as worded: i'm about to inherit a pickaxe, an igloo,
a herd of sheep, a land arable for regular hunts
to provide sustenance, but as i said, the oddity
of increasing vocabulary as body-building index muscle,
will hardly teach you the physics of quanta in
the realm of modulating grammar,
on the basic basis of grammatical as
a method of de-categorisation one word from it being
named, to it being acted upon as a termed way of
walking (differently), or otherwise.

†a bit much for me, an alfred jarry moment
at the end of dr. faustroll's opinions and exploits...
papa **** got the dangling essence of things:
je suis jarry among the je suis cherub charlies,
if poet does not appreciate other artistic mediums
he can't mediate them,
poetry is supposed to mediate all artistic expression
with platonic criticism... it's supposed to mediate,
with poets appreciating each and every craft...
whether sculpture we scrap metal stolen from a park,
or whether an oil canvas be worth as much as toilet
paper when the painter is alive, and millions more
when he's dead.. we need gravity a demanding
drama to extend drama into grammar...
poets have to become the middle-men of haggling,
they need to appreciate art in an elitist way
in order that art can't become genealogically defining,
like dramatics of the theatre lost between idols
of 1950s screening compared to idols of 19'90s screening...
we need poets as the glue stuck to every output...
we need to appreciate all art other than their own
to discover their own... we can't have the mindless
jealousy bribe us to reconcile composition,
so that poet against poet is still writing poetry...
he isn't... he's writing a polemic... and that's hardly
a dialogue... it's a mortifying analogue of monologue...
and we don't want poetry to be such a belittling
circumstance of the original intent of practice,
why would a poet's rarity be reduced to
a market blasphemy of ultra-eloquent speech
in order that it might be used to scold?
why the jealousy? why?! it reeks of revenge
that only requires a Darwinism to include it,
as sustainable and necessary,
too many monkeys to create a single man...
too many difference in man from continental span
of africa, to asia... to even bother a standing ovation
origination in genetic scrip of a chimpanzee...
script wants man to be genetically above
a genetic script of a banana numbering more genes
that itself... the biodiversity of monkey
is akin to man... why would the two chiral statues
suddenly become gemini of explanation?
it all fits... but it stinks...
well, whatever that was... it's the pride of a language
that keeps darwinism alive...
but theology is closer to humanism than darwinism...
it's a compound logic, darwinism ends with with an ism,
an empiricism... and the only logic accounted for
is a logic of repeat... just look at the forms of these words...
formulated by L and Γ (origin of the kabbalistic interpretation
of allah)... keep the prefix akin to a suffix composed to
an enclosure... theology provides the better logistics
of expressing being human than an empiricism
known to be darwinism... after all a -logy tends to
repeat a systematic use of words...
empiricism a systematic use of facts...
easier to become bored of facts than words.
Vernarth and his companions delighted in the company of the biosphere since he was in the Eclectic Spiritual Portal, and in this dimension only he could be. Later, they communicated only through his donkeys, when they wanted to send them messages or share with him, they mounted one of these equids and they could pass into this atmosphere of ultraviolet light that separated them. More than an egregious Pythagorean calculation, he already stood out in his eon of matter-spiritual energy Vernacentricus, as a quantum station of the geodesy of the Megaron that has already begun to be built. At this precious moment the secular and demiurge satellites of him arrive, they came with the foundation of the points to refer to definitively raise the Ultramundis Vernacentricus. From the Vóreios or boreal the apocalypse of San Juan will be intertestamental with the canons of Zefian that transmigrated from the powers from the transversal valleys of the Horcondising, essentially following the sensory track of the Nothofagus Obliqua to attract the iterated populations of the forest.
The patriarchs and the orthodox mountain range appeared in the cords of the fungi called Ambrosiella ceratocystidaceae, to provide the Ambrosia Mercurial, as a nutritional addition to the main pilasters of the temple, with great influence of fungal fungi. Everything was beginning to demarcate from the eruv of the Zefian arrow that was named Tetarto Vélos, or fourth arrow that was already beginning with its culminating operation with the borer beetles, demarcating the urev of the Vóreios throughout the region and on the oaks of Patmos, that began to be located from the Meli Witran Mapu Mapuche winds, beginning with Pikún-kürüf Northwind with the first two arrows of the Taxotas, and Sur Waiwén, of the Pezhetairoi, of the quantum of transmigration of the Horcondising-Panhellenic sub-mythology. Then the Puelche drags the borer beetles with more force to lift the uprising fungi of the Mandragoron by the eastern vertical, to culminate with the Lafkén-kürüf all attached to the axis that supports them from this great bilocation. The boreal is demarcated, so that the Necromancer Ezpatkul with his Augrum and gold teeth, twisted the tendency of the beetles to move the main columns of the frontispiece, being colossal in reality with twice the diameter of the central ones. Then the conclusive and posterior ones of the rectangular quadrant of the Beit Hamikdash were bilocated, to bilocate the Bern Olive Trees from Gethsemane so that they finally joined the Meltemi, and towards the aeolian winds of Tramontane Eolionimia falling on the Tekhelet of Paul of Tarsus, dropping relevant heights of some cranes with gravitating silt on their extremities, and with garbeas that were secondarily colonized on the banks of the desert areas of the rocky Hamada. As was previously proverbial, three birds climbed reflecting the crown of the kings in Bethlehem, Arriving at the sacred native city, and beginning the choirs of Nativity and passion for the hiss in tenuity on the twelve Giant Camels, where they paid special attention to rebuild another temple with a sigh greater than a Sheba Dean. The canon of Policleto was renewed with Zefian who agreed with San Juan, for this kanon that will be the relevant line of topographic surveying. Thus the basal measurements of the golden number will begin with the acroteria concerted summer seats of prosperity next to the Metopes. Ezpatkul would bring with his magic the red blood cells of Betelgeuse along Leiak with all the Templar three-dimensional morphology, naming this singular parapsychology of Pope Urban II who proclaimed the First Crusade at the Council of Clermont, in France, on November 27, 1095, to delineate the paradigm in the anatomy of Gaugamela bled into Vernarth's breastplate, as the archaic and first crusade that would inspire Christian supremacy, which was already anticipated before the Christian era to come. It will be visible gestures of the trajectory of the arrows of the Zefian Torah that were deposited with their hallelujahs from the ***** of Crete. The sulfur yellow and red blood cells marked the radiosity of the Eclectic Portal that opened to give Vernarth material egress, so he would take his tools and go with his donkey's escorts for the chromatic that will be sulfur yellow and red blood cells, both dependent on the complementation with the Cinnabar, and in the raised bodies of Court V of the Helleniká Necropolis in Kímolos.

Under vileness or absence of light among darkness or apocryphal light of Evil, in contrast to the robust equanimity of light and shadow partisan of Saint John the Apostle, for the hegemonic good of his incorruptible vision. The naturalness made the world apologetic with the immune defenses of the polish textures, they invoiced proportional mathematical measures ibidem of the Hommo Novis, and of the Geometric Pythagoreanism for a body seven and a half times of Polykleitos, starting from the base to the feet as the base of the plinth or frieze until reaching near the capital that exemplifies the chin, before reaching the cornice, highlighting the figure of the capital with the front of the proportional ligament between the trunk, and the columns duly. Here the seven-headed Kanon of a David would recite the measures of the psalms, or beads in degrees with hoped-for dimensions. The kinetics was earth towed by towing carts in tetra bronze arrows, which balanced the unbalanced balance and harmony of the created whole. The symmetry of the transverse poles was muscled to make kinetic centripetal in the inertia of the bolt when hitting the faint glow of the canon rays. Making himself the sustenance in the stone and the mound, towards the Vernarth counterpose when the Himathion was tried, he appeared disguised and in composing. After this initial task, they approached the fire and scalding water to **** herbs, which pretended to be the formula of the backhoe extracted from the palimpsest of the generals of Alexander the Great, when they distributed their illegitimate Ark with royal titles; they were Perdiccas, Antipater, Crátero, Eumenes de Cardia, and others like the satraps who came to be enunciated as kings; Antigonus, Ptolemy, and Seleucus. Residing only the most substantial military colleague of them in this parapsychological saga Vernarth; and his brother Etréstles de Kalavrita who seconded and predestined him in his monolithic, and in the constituent sovereignty of Polis, for the purpose of reigning and raising his Kopis and Xifos intertwined in aldehyde manumissions and in the alcoholic carbonyl residues emanated from the Backhoe ferment and Nepenthe, depositing LSD in substantial amounts to align itself with Seleucus, and materially present itself in the sphere of Patmos as two representatives of both empires, one ancient Christian and the other Panhellenic, placing Seleucus in that totalitarianism over that of Alexander the Great, now extinct. On the last day after working and being satisfied with the construction work of the frontispiece, and its major columns, Vernarth joins them after temporarily leaving the eclectic portal, they sit by the fire to review the plans of the subsequent construction process del Megaron, along with his seven donkeys, mentioning Borker's necromancy. Since the omens of Wontehlimar, the linemen before Borker became reigning, for the static balustrade that will surround the Megaron, where all the Ibics rings were enlisted chorally by the patronage of the Hellenic Orthodox legacy of Alexander the Great after he was rescued by Wonthelimar from Babylon, and finally take you to your physical and spiritual shelter. The eruv of the Nótos was demarcated, surpassing the limits of the rings of stefánes Íbix, or Hoops of ibix, like nano kvantikoí daktýlioi, Nano-Quantum Ring auguring sensitize the dermis and its carpal phalanges. From the intertestamental, such as in Vóreios, passages from the Old Testament are explored here that says…: “The temple that was the only legitimate sanctuary of the Israelite people contained within it the Ark of the Covenant, a golden altar, and candlesticks of the same metal. , a table with sacred loaves and other utensils used to carry out the worship of the god Yahveh. It was located on the esplanade of Mount Moriá, in the city of Jerusalem, possibly where the Dome of the Rock and the Al-Aqsa Mosque are located. From this dome the larnax of the Great Macedonian, a prioris, the schismatics of ancient Christianity, and orthodox Judaic will be derived, separating from each other, after the fall of the second temple. Of this class and previously this was detonated due to the undivided troops of the Babylonian king Nebuchadnezzar II, who destroyed it in 586 BC, also taking captives a large part of the inhabitants of the Kingdom of Judah, to Mesopotamia, giving rise to the exile and captivity of the Hebrews in Babylon. A reflective Borker of this premonition, he takes the Ibics Rings and selects one of them to join them with the first Zefian Arrow, as nano Kvantikoí Daktýlioi, quantum Nano-ring, to ensue in future similar events, avoiding invasions that cause looting and destruction. of the temple to be built on Patmos.

Nano-scales for Borker's nanotechnological conception, and estimates of threats of invasions and climatic changes, in one billion (109) and one billionth (10-9). In a meter there are one billion nanometers or, in other words, a nanometer is one-billionth of a meter. For those who will have to configure the dimensions of the Mandragoron "Temple of Vernarth" with carbon atoms, the support will be made in chemical units for the re-conception of nature, and its two- or three-dimensional networks. The nanotubes with 60 carbons, distributed in 20 hexagons and 12 pentagons, according to the geometric patterns of the cellular scale, in the conformation of the Hexagonal Primogeniture, being in this way concealed by the Ibics Rings, for each linear meter and cubic, traced by a nanometer which is one-billionth of a meter. Here, the borer beetles will catch the fungi ambrosiella ceratocystidaceae and will displace the virals that move geometrically from the beams of the Icosahedron.

The ranks of Falangists moved triangularly in multiple directions, to reach the Austral del Nótos de Borker, thus they would form the magic vectors of the polyhedron internally, triangulating at the top of the ram that carries an illustrious triangular phalanx, opening up the areas with its prop. vulnerable, to consolidate the buttress of the façade; the Áullos Kósmos, and pay homage to the apse that was filled with rejoicing. Sones of the philosopher Plato, made them regular or perfect in convex polyhedra, such that on all their faces were regular and equal polygons were made, and in all solid angles also equal. From this boulevard, the theology of Vernarth and Alexander the Great, fully professor and Platonic guide, will follow, making nomenclatures of nanostructures that affirm the volume and structure of the central sections of the radier, and their foundation bases shielded by the icosahedron in the nanotechnological scale, having physical material cells, for adaptation of structural changes and their environment.

The volume will be adapted microscopically, to analyze small particles with the return of the fourth arrow or Tetra Sagita of Zefian, absorbing nutrients and discarding the environmental threats based on carbon dioxide, to make a limiting membrane beauty, which moderates the nanoparticles that borer beetles were developing. The solidity of the partitions and walls will have the exact proportion of the nanomaterials, to adapt to the general area of the Mandragoron Nótos, which will ooze the surpluses due to the porosities, towards a volume highly resistant to invasions of limestone nanomaterials, and boulders that are made from the flow of the buttress of the apse that rises towards Aorion. The interior and exterior faces will be supplements of prayers of Prochoro, in didactics that will shield with the Antiphons Benedictus, and the hive of Plato's Icosahedron, becoming a consular material organism, and solid in interstices or leftovers from the feces of the Borers, until pasting and to reach the volume of the polyhedron, and its twenty faces pointing towards the physiognomy of the boulevard, tracing the general volume of the Mandragoron, and intercommunicating the quantum support and its theological harmony.

Says Borker: “if the organic cells operate with homage and with greater multicellular fields, here are the nanoparticles, in greater fields of fiatto, and in the slides that will recirculate in favor of the throat of the Mandragoron, and in the carbon nanotubes, essential elements of the biosphere and in useful layers of life that retrace the rest. There will be 20 linear meters in the area that lavishes the width and height, the projection of this scale of nanotechnology, will make the three-dimensional shape and a large voluminous serial in the Austral Nótos ”Vernarth's purging dimension, made him materialize at times and laugh out loud because he knew that everyone who was with him loved him! and from this fraction of faith, the Angel Raphael diagnoses them bread with archangelic essence; herb with great healing powers, especially in the dimension of the eclectic portal that allowed Vernarth to concern himself with material living beings.

Definitely, the second step of consolidation of the Megaron was established in the linear that the seven donkeys eagerly left, as masons and cabinetmakers who worked together with the Hexagonal Primogeniture. From this moment everything begins to have an inter-dimensional aspect, from the Invisible Eclectic Portal to the majestic geodesy and orography of this temple, which incorporated everyone for a charitable epiphany together with everyone in the Profitis Ilias, which was already crowned as the cusp Spiritual World of the Vernarthian Eclectic.
Áullos Kósmos
Pisceanesque Aug 2015
This night carries me,
blinded,
in the back pocket
of ***** minds and
shabby dreams where I
flat,
and molded,
press against this folded denim,
warm and splayed with
arms outstretched,
longing,
for another day; but

what if I turn my head
to over-peek the top
of these fraying jeans,
instead,
grasping threads
to keep me still within its seams
– will the exhilaration
of watching where I’ve
just this moment been
allow me inspiration
asleep awake, to boldly look,
clinging to the back end of
these thoughts that write me,
penned in ink,
like a pre-determined book?

Perhaps I should just
– winded –
forward face,
ignoring the sour stench
of this unmoving,
walking,
waking race,
stalking through the darkness
in a covered veil
at quiet pace,
destabilising future steps,
accepting this acquired taste,
processing my obsessive needs
and bathing clean my crumpled face
in chafing tears that fear progression,
awash, alone,
in one more nightly session.

Devoid of light,
here, ye, the theme:
this narrow, stunted, ****** depression,
the fabric of a self made bed –
this
bottomless pit of expression
unstitching dreams of fortune
as I swelter, melting hope
again,
apathetic,
white of noise,
inside my broken head.
© Tamara Natividad
pisceanesque.com
Written 17 August, 2015
-
Devan McLain Jan 2010
Don't choke on your excitement, spit it out!
It's not like you can swallow and digest it,  it isn't made for the human body-
Over-excitement is a fatal disease, don't let it overcome your sanity, your common sense.
Keep your head on loose, but not too loose, it might fall off, and once off, it's rather easily lost..
But remember to not wind it too tight, the dangers there are nearly overwhelming, it could pop off from the tension,
or burrow downward, and it's always unpleasant to dig anything out your posterior.
Poetic T Jul 2016
Cheap like tracing paper but it traces upon my derrière,
like its making a meaning.
like sandpaper kisses it doesn't feel soft its meant as deterrent
that this was meant for children in a classroom to copy
the warning that were penned beneath.

DON'T BE SO CHEAP,

It needs care, softness like kisses that leave your
posterior well cared for. Not paper cut slaps from
that tracing paper toilet roll, put it in the trash.
lol don't ask :)
1115

The murmuring of Bees, has ceased
But murmuring of some
Posterior, prophetic,
Has simultaneous come.
The lower metres of the Year
When Nature’s laugh is done
The Revelations of the Book
Whose Genesis was June.
Appropriate Creatures to her change
The Typic Mother sends
As Accent fades to interval
With separating Friends
Till what we speculate, has been
And thoughts we will not show
More intimate with us become
Than Persons, that we know.
Left Foot Poet Oct 2017
the sighs in our chest that emanate from a different kind of
breast cancer*

wrote these words prior,
then, certainly uncertain of the exactitude of their meaning,
clearly unclear of their useable intention,
yet the too real wrathful sensations
that inspired their caesarian creation,
the sigh's very own exhalations,
floatations devices for the interned-no-longer emotions,
escapees via the crevasses of chest ribs splitting open,
return to glory thanking me for freedom given

let posterior eloquence suffice, let brevity guide
my self's interior diagramming,
lengthy explications and deep analytics, I leave to you,
the astonished medical examiner and the horrified mortician

chest ripped, my hand reinserted, the blighted scourges,
the abscessed cancers, the obsessive relentless cankers,
asking shamelessly why have I returned to the crime scene

the sighs are air-borne, ready for air plucking,
all cloud seeded, deeded for poets to seize and commence,
to plant and invent, a mountain top trickle to a mighty
river of poems to be recovered and discovered,
unrehearsed and unleashed

but you and I have unwished, unfinished business,
as of yet unwritten, one last poem to honor our
mutually assured destruction,
for this day will be
rewritten differently
this one, a simple script, a written pyramid,
built by an Israelite, who by command, perforce
mustn't but does write prophecies
that may or may not come to being,
poem pyramids,
surely none will not survive Darius's desert sandstorms
ravaging kisses of time's forgetting
10:02am


https://hellopoetry.com/poem/2141695/my-day-will-be-different-today/
Taylor Jun 2012
S tronger than myself,
You chain me to your wrist and
Narrow my vision
Until all I see is your sadistic face through the tunnel and
Those malicious brown eyes
Above thin, chapped, upturned lips.

T ainting my face, you do,
Painting with tears of both
Joy from your eyes and
The frustrated loss of hope that claims to be mine,
Which I proceed to rub with a scalding cloth
Until raw, I become
So I can claim to be blonde when people question if they saw and
Make a narrow escape from shame.

R un, I cannot; and
However cunning I may be,
You will still be on my tail,
Nose to the ground and posterior in the air,
Gaining speed at an unnerving pace,
Until my skinny knees clatter and
I violently shake,
Vomiting on myself,
Either from exhaustion or fear,
However, the later holds more ground.

E ven my breath becomes yours and
My dreams are at your mercy.
Consider my plea,
Lucky are thee to have me beg,
Thrown to the ground where dirt may stain my face,
An honor rarely reserved for anyone, but
You hold over me all I wish to have.

S neaking past all my guards
In elaborate disguises,
Thrown around in white and
Handed out with smiles,
I run like a fool into you,
Wrapping my arms in a tight embrace,
Greeting you like a friend who hides a knife.

S uffocating under your pressure,
I find myself screaming out.
In the darkest corner, I wish to hide,
Buried in words that cannot hurt,
Contrary to your bitter whispers and
Pestering bites.
Like a wound you fester
Deep beneath my skin.
Yes, I cannot take it.
Under your pressure,
I make myself mute.
My take on an acrostic poem.  
Personification and imagery, my two favorite things, all in one(:
Raj Arumugam Aug 2011
What have you come to admire?
says the cow
you guys and gals stand around
new to the farm
you say
ah, look at the horses
(memories of horse races
in the corners of your mind)
you look at the lambs
and you go soft and sweet;
"Oh, how cute," you say
(Cute my ***!
Not so cute when you put
the meat over the barbecue pit, is it?)
You aliens look at the trees in the distance
and the sky clear and endless
and you drool: "Oh, what freedom!"
and then you come near me
and you whisper to your child
"...see, see cow...
milk comes from cow..."
and you come closer
with your progeny
and I show
you imbeciles
my rear and ****
and watch out
if you come too near
I do ****
and I have two hind legs
and it's best you back off:
my **** is as pretty a picture
as any of yours;
have a look at my posterior
and **** off
...poem based on study of a cow by Rosa Bonheur...Rosa Bonheur (16 March 1822 – 25 May 1899) was a French animalière, realist artist, and sculptor.
Lenny M May 2015
Better Self
To Better Live,
Be Better than The Man
You was Yesterday
EVERYDAY,
If you truly want to have
Things your way,
GET UP, AND AT EM
You're not inferior,
So don't just sit on your posterior,
Make your intellect as a sponge
And absorb knowledge,
Which is POWER
With each new cycle
To triumph over any obstacle,
Humans make mistakes
Until they rest in Open graves,
So don't seek perfection
Just learn from ALL lessons
AMBITION .
I have switched to mechanics
The pen and the paper are morning my bemuse
The organic matter is dying just
Artificial forced relationships
With penetrative remarks

The tiny prism in the back of my mind
Where I can not stake out the feelings
It is forcing me to convulse on this awful thing
Those white walls are suppose to fool you
Repudiating that they are of silence


Do not placate me young sir
I know that’s were things come to a halt
You enlist them into your nihilistic theories
They can not see cyclical processes
The influxes of hysteria
that inevitably ward out the insurgency

No you claim them among the broken
Make them scared of large boxes with no windows
But does it even matter
The black matter had cast them to the seductress anyhow


The very seductress, whose embodiment of good and evil fools even me
Can she not see the rampant fires?
The cages that are cracking
As the mice turn on each other

Or is it calculated
Politically over dramatized to fool even the most sincere
You remind me of my mother
and the United States government

The will call my a conspirator
But ill know you never landed on the moon
And even if you did
You didn’t caress its very surface  

You didn’t risk your life
to just inhale the fumes of a memorial
It was nothing more then capitalist foot hold in outer space to you
No matter how much you sing about it

And what for me?
I could fix you in one splash of a recall  
But that wouldn’t change the fact that the gears are all out of whack
And the turnstiles
can’t see color anymore

I am growing blinder everyday
But I can never find my oracle under all this *******  
He has possessed me that
Flying gingerbread monkey

Before this I liked solidarity
Juggling my own fortunes
My own soggy breath fill up the window signs  

Now I am a menacing
Ravished house beast
Revering for him to make me categories and pie charts
This isn’t the competition that he enlisted for

But maybe will make it just five weeks and completely meaningless topics we will become the foremost informant
Populously used factoids over martinis
God know me and the monkey are socially *******

As this thing of forsaken design
has morphed into a manifestation of everything wrong with my punitive inception
We must talk about the alcohol.
Dwindling alone a poor and empty bottle
no worries it will have friends

Should I be concerned about my physical stability?
Not really I rather like bisecting my liver
and pouring to the brim
No its that I don’t enjoy it ,,,,,alcoholics are suppose to be a jolly breed
Why else would AA be so giggly?

I have tried to reform and it won’t be in vain
I won’t give up the dream
and succumb to a lobotomy
Just cause I Cant hold my liqueur

This is worse then the torah
A bigger degradation then the bible
If only I had cried for the proletariat
Then I would be famous

But even though the trances are fun
And the posterior eradicating
OH dark and shifty friend I have missed You!

And I do mourn in some postulated manner
for the orphans
But they would have made it out of their capsules
if you just gave them time
r Dec 2014
Throw me a line

I don't care if it rhymes

As long as it tickles
my posterior cingulated cortex

Spin me a vortex of spells

Yarn me a tale

Take me to heaven
or your own personal hell


Mesmerise me
with your poemetry.
r ~ 12/20/14
Jack Dec 2014
~


Painting a picture of porcupines playing
Pincushions out in the field
Purple and pink for this playful perception
Plans of their purpose revealed

Painful endeavors of pacified pranksters
Presenting a pie at their place
Pecan or pumpkin, pickle, pineapple
Pieces are smeared on their face

Putting the paint on some powder puff paper
Pleasure in each stroke is plied
Pausing to peer at the porcupines playing
Prancing in pansies they hide

Puzzling problems with pretzels and peanuts
Posturing people to prove
Pistachio perfume in prime presentation
Preaches that peaches will move

Polishing pastels on pre-printed pages
Prized the possessions we seek
Paisley the plumes of a peacocks posterior
Portraits now come take a peek

Pampering piccolos play the piano
Pure as a pelican’s prayer
Picking a parcel of plum flavored pudding
Poetic prose fills the air

Pleats in my pants shout in proud proclamation
Puddle my pores they perspire
Poodles on playgrounds prevent prosecution
Plotting my hearts pure desire

Passion precedes every past tense of parting
Piled with a presence so true
Painting a picture while purposely dreaming
Promising my love to you
Ok, just having a little fun and I have to P.   :)
ZWS May 2014
You're so dangerous with your profane paraphernalia
Your pelvis postures pandering favor
The line of your stomach embossed by the fire is like a pasture for me
So paranoid with your pacifistic lust
As you proceed to please me with your posture so slightly
And I attempt to pursue oh so politely
You make me perk up like a peacock just with one peak
You're aware of every petty palpitation you can feel just under my sleeve
You play me like a piano, so plush with your lust politics
Pandering for a pardon of my ***** talk poignancy
I part you like Pluto from your orbits serene hum
I'll pleasure you, pleasure you until you're purple like a plum
A pastimes poetises to be written with pleasing lead
You plan every move like a predator in my bed
You're polarizing, plump, and pampered like a pageant doll
Pilfering every plausible pause with a pose of voice, your moan
Seizing the post with your post - modern pompous pouncing
Prompted like Pisces to postulate your prognosis
Lifting your posterior like the pun of a phaliccy
Pillaging me like a pandemic, a plague
Something to be paraded by paganistic plauds
Your pale skin is like playwear for sins
You're pinning me plastered with the play of your grin
Such a pretty motion picture to paint in the prison of your promise
erin barton Aug 2013
love is an illusion
it’s just oxytocin;
a chemical in the brain
it’s not real
but the
magnocellular neurosecretory cells
must be very good
at making it
and the posterior lobe
must be very good
at releasing it
into my blood
because it feels
pretty **** real
to me
John Stevens Oct 2010
This was written and posted on a friend of mine's web site 2008.
-----------------------------------------------------------­--------------
I had a defining moment in my life when I was a teenager. It involved a dark night, a coyote, and a barbed wire fence. (Don’t they all?)

I grew up on a farm in Western Nebraska. I drove cars, tractors and trucks from the time I could navigate the pedals. When I was 12 or 13, our neighbor (who was out of town on ‘farm business’) asked me if I would come down to his house when it was midnight and drive his pickup to the local canal and turn off his irrigation system. I went to the farm in the early evening and settled in to watch TV (my family didn’t have one at the time). Midnight came and there was just enough moonlight to make out the path through the tree strip and to show me where to cross a five wire barbed wire fence. Just as I was about to push down the gate to close off the water flow, a coyote let out a blood chilling howl just across the canal. My hair stood up (I had hair then) and I took off running full bore. I hit the barbed wire fence, immediately creating a few extra holes in my skin. I bounced back and landed on my posterior. This very rude awaking to reality caused me to think, “that was stupid.”

I calmly walked back up to the gate, closed it, crossed the fence the proper way and went on home.

I think about that time often. That was the last time I ever reacted like that in my life. It was a lesson on what could happen if I let fear take control of a situation. I never wanted to go there again.

About 12 years ago, I was sitting in the VW garage at 8am getting the oil changed in my van. I heard a ruckus and subsequent running coming from the showroom and soon a big guy came my way and ask me if I knew CPR. Well, I thought my “card” is expired, but I said yes anyway. We ran back to the shop and there lay a friend of mine, flat on the deck. He apparently fell over backwards while cleaning my van's windshield.

There were more than 6 people standing around. No one else was doing anything so I checked him out and started compression and breathing. A couple minutes later I was joined by someone who did the compression part.

I remember having a strange thought, “if he throws up while I am breathing for him I will just throw up in the floor drain, by his head.” I was as calm as could be through the whole thing. It seemed like hours until the medics got there but it was 15 minutes. They “jump started” him three times while I kept on doing the breathing. He restarted and miraculously I walked with him to the ambulance where upon I turned and collapsed in the arms of a big guy standing there. The job was done, I could ‘let go’.  He lived two more years, gave his daughter (14) two more years, set down by a tree by the walking trail and died.  No one to help him.  I missed him.

People have commented how calm I appear in a time of crises. But what they don’t know is, I am like a little duck on the water. On the surface things look calm. Under the water I am ‘paddling like crazy’. I always feel God knows what I can and can’t handle and carries me through even the toughest situations.

I am John Stevens, that is my story and I'm sticking to it.

Current Stats:
I currently play music in a group called Magic Valley Jubilee.  I retired in 2007 from Agricultural Research Service with 39+ years at the same location. From 1967 to 1980 he worked on micro-climate studies assisting in developing irrigation scheduling equations. From 1980 to 2007, I was an IT specialist working with a group of scientists and engineers.  I received a degree in physics from Bethany Nazarene College 1967.

I have been married (43 years) and have two children and two grands. I am a published author of several scientific papers. I served on the church board for 23 years and did lots of work with teens.  10-12-10
Sun, Apr 6, 2008
K Balachandran Sep 2012
We weren't merely talking business;
her eyes said something else,
I strained my ears.Listened.
Soliloquy.Whispers.Fluttering eyes.
("Need to bring her around and sign the contract")

She is silent, eyes on papers
"wind on the waters..................
rustle of the leaves" mind sings,
I got it now, no doubt, we are attracted!
i am now a man with a heart that sizzles,
"she is of course a cut above the rest,
a fine mind, amazing number cruncher,
not to forget that pert posterior,
she makes me melt, I cannot be a hard nut"
my thought train stops to her whistle,
a lovely smile, as if to say
"Things would  start to move
between us, when this is over"

                    A man and a woman,
both,  business intentions, in mind's focus,
when together such a long time could
decide upon a course of action,
but i hear a buzz in my ears--

we  seem to sway in a charged atmosphere
all i could think is this; "our business
doesn't reach anywhere.."

When--
every obstacle fell and crashed,
relaxing ****, sniffing each other, like dogs,
in the cozy confines, of her hotel suite,
she said, the reason for the obstacles,
was pretension-
she had the need to feel in total control,
(till attraction, made the difference)
"Man and woman role reversal"
"I understand" I said.Executive privilege;
she is the senior and she deserved to feel good!
decorum in business deals must be kept.
We reversed roles
and felt more elated (we thought)
too little to do
when you properly decide, to divide responsibilities
(even in bed)
                             The deal was done,
                              she put her seal,
                              and outside the protocol,
                              a parting kiss and an invite:
                                                      Is it to be Venice?
                                                      ( or Brazil?)
JR Rhine May 2016
I should have skeletons in my closet,
but they've yet been stripped of their flesh,
and I've let them loose in this small town
for a game of hide 'n' seek.

She returned a set of my pajamas, unwashed,
her intoxicating scent lingering on hooks in my closet
where her aroma constructs an illusion.

I bury my face in them,
feeling my damp cheeks pressed into her *******,
reaching down below where my hand grasps her posterior
where it takes a firm shape in the loose garments.

I dig into the scent until I go crazy;
I tell myself I'll wash them next week.

I should have skeletons in my closet,
but she's taken it on the road,
in a small town parading it down empty streets
where I can see it clearly,

her oblong sunglasses darkly obfuscating
what I perceive to be her pejorative gaze,
over a narrow ivory face,
sandy blonde hair flowing in the wind.

(I still feel, yes, that smooth pale face cupped within my trembling hands, that sandy hair tangled around my fingers reaching up the back of her neck, pressing her face more towards mine)

I look for the shallow dent
in her ubiquitous red minute two-door seater
on the passenger side, where she was gently T-*****
by a student driver practicing their three-point turn,
and the smiley-face lemon-scented air freshener
dangling from her rear-view mirror,
having lost its freshness years ago.

(I still see, yes, us in that hardware store parking lot,
in the closed evening hour,
sitting cramped in the passenger seat,
her knees on either side of me,
our shirts off and skin warm and sweaty, nervous,
trembling, trembling, lips aching and souls yearning--
where were we headed to again?)

I look for it so intensely,
I forgot my goal was to never see it again.

          Young love looking for little things in a small town.

For years I play this game of hide 'n' seek,
and part of me should realize
that at some point she got up from her hiding spot
and moved on with her life.

(and no, I won't look at her engagement photos,
nor the photos of her newborn child,
nor the Happy Anniversaries and the congratulatory sentiments--
I can see them without social media's derision)

I still scan the streets
like a vulture over roadkill,
yet I thought I was the one
engraved into the grainy streets
where she commutes over my remains.

I should have skeletons in my closet,
but I let them walk out of my life
so I can chase them all over town.
To the trembling bodies and aching kisses we chase over these small town lights in the midnight hour.
Raj Arumugam Oct 2010
He he ha ah, ah ah –
no, no, no – no I’m not tipsy…
Who says so ? I can drink and
still walk a straight mile
Yeah, I’m delirious, am I?
I’m delirious that’s
because you’re funny, silly
cos you’ve got three skunks
where your mouth should be
and your nose is a dead tree….
Ha ha he he
hey, anyone reasonable can tell I’m not tipsy;
really
I can drink till grandma comes back
from Heaven and still stay calm and steady
and she screamed the other day:
‘Hey, sonny boy…when you drink
airmail some of the spirit up here to me…
It gets too sane up here in Heaven.’
And what’s that you say?
You too think I’m tipsy? Hee, hee, hah ah **…
What’s the matter
You people never seen anyone happy?
Tipsy?...no way, man….I’m just me, yeah
happy and easy-going
I swear the last time I drank was at my wedding
Which was when?
Bet my wife’ll remember the date and year…and place…
and if it happened at all..
and I’m laughing, it seems, oddly
cos you’ve got a donkey head
and your wife looks like a monkey on heat
He he ha ah, ah ah –
no, no, no – no I’m not tipsy
I swear the last time I drank was
when your grandma gave birth to
what was it, her twentieth baby?
Says who, ah? I can drink and
still walk a straight mile
and look at you, you’re looking
like a pink pig with its posterior
all barbecued on a dinner plate
ready for the fork and pepper and sauce;
and hey, I swear the last time I drank was
when you drowned
in the swimming pool;
it was our office function
and you drowned in the hotel pool
and you were struggling and you said:
‘****! ****! Help me!’
and you drowned and died….
I really hate talking to drowning ghosts…
Booo…BOOOOOO….
He he ha ah, ah ah –
No, no, no – no I’m not tipsy
who says so ? I can drink and
still walk a straight mile
Say, can you call me a taxi
and spare, say, a fifty?
david mungoshi Sep 2016
Little ant, so small and insignificant
Yet in numbers up an elephant’s snout
How easily you make him indisposed
Lesson to learn: strength in numbers
Maxim to remember: unity of purpose

Oh termite, thou destroyer of civilizations!
How mighty when surreptitiously you creep in
Such ingenious civil engineering feats everywhere
Orderly highways with neither jams nor congestion
And tall imposing castles kissing the air proudly
Result: new architectures plagiarizing your prototype!

And you wasp of constricted waist and mean toxin
You make no attempt to hide or disguise your dwelling
Yours is a house built upon a hill for all to see and tremble
They say when a man has no obvious protection keep away
Lest you trigger subtle forces that mesmerize and pulverize you
Lesson from this: commandos are modern day human wasps

Everybody owes the bee everything, from sweetness to health
The bees a-buzzing speak of persistence and how it breaks barriers
In the end you listen because the message is ceaseless and urgent
And oh sweet bee of the hot sting shot from your posterior
No cordon bleu chef anywhere can ever approximate your finesse
Your formula and patent are hedged with natural mystery
Lesson to learn: the bitter and the sweet in judicious mixture!

Now little man recently so puffed-up and conceited and ever so inadequate
Hear ye this and know it well lest you stumble and fall into dark precipices
You’re nothing and you’ve created nothing; there’s a prototype of everything
In nature’s wonder store of huge surprises and unassuming wisdom
Lesson from all this: one day the other world will rise up and assert it itself
So steer your course differently and beware of those who bide their time
Grim in their purpose and determined in their unshakable resolve
There's just so much we still don't know.
Anonymous Feb 2013
There are many of them --
Life as it happens gets recorded
in my hard disc of a brain
(I'm always in 'save by default' mode) --
some are like
harmless, even pleasant, butterflies
some like
stinging bees
I store them all
in cages
in the posterior of my mind
even as the Present engages me
I often catch snatches of
sounds of buzzing,
or, of the flutter of wings
never allowing myself
to get a full blast of them
(I don't usually dwell in the past, you see, it's the future that causes worry)
except in occasional moments
of mental peace
when I let the cages open
and they swarm into my head -
the bees and butterflies -
diffusing colour
into my monochrome mind
making every bit of it
bloom alive --

it's like listening to old cassettes
you know
dusty, old cassettes that were lying
in some drawer, locked away;
like turning the pages of a novel
read long ago,
getting re-introduced to its characters --

and a gamut of feelings
rushes through you...
Rangzeb Hussain Jan 2012
She’s a go-getter,
A real achiever,
Ambition burns her,
Dreams filled with fever.

Lipstick, red and slick,
Ears, gold spins and spirals,
Hair, long and beautifully curled,
Skin, supple and smoothly pearled.

Neck, exposed and proud,
Shoulders, open and marbled,
Chest, creamed and perfumed,
Hips, mini-skirted and revealed.

Posterior, raised and inviting,
Interior, poised and excited,
Exterior, rosy and aroused,
Inferior,  ***** and discarded.

Money showers her at the town table,
Attention applauds her in the tabloid papers,
Men wine and dine her up and down the land,
Silken beds caress her shapely legs and soft hands.

Flaunted,
Used,
Abused,
Dreams sold.
John Carpentier Oct 2013
My computer screen hurts my eyes.
Thousands and thousands of photons leap forth
from tinted glass, bringing light and beauty but
also pain.

My irises are lucky, they have steeled themselves
with sheets of toasted almond.
Had they built with blue, who knows what pain would have been caused.
Beauty is too delicate.

Dilation.
Unwanted energy springs into my mind,
reverse geysers spraying fountains
which are less wet but no less scalding.

The optic nerve has pinned up a sign
nailed to splintered pine boards:
DNR
right next to another of beige tin:
TRESPASSERS WILL BE LESIONED

But the neurons have had enough
of old man optic nerve
and they shoot gold, white, and alabaster
action potentials
down his throat,
forcing him to cough up his life blood
to the brain

Drips of sparkling joules pour onto
my posterior hypothalamus.

Pathways primed by years of restlessness
sparkle with the nexus of neural lightning fueling my insomnia.

Light never dies,
it just gets born again.
And I will never sleep,
I merely slip through shadow to shine again.
Ben Jones Jun 2013
Fleas as a breed are troublesome
And some much more than most
There’s a vegan flea that lives near me
By the title of Archibald Post
He has a peculiar aptitude
For the swift calculation of odds
So he hunts for his prey on the high street
Leaving peas sound asleep in their pods.

When he leapt up and nibbled the ankle
Of a bloke as he ambled on by
He parked his parasitic posterior
And gazed up at the open sky
The bitten man stopped and scratched an itch
And harassed his smitten limb
When a blind man with a Labrador
Careered straight into him

He fell over and dropped his hamburger
The dog lunged and caught it with speed
But leading his man into traffic
Was the price of this dastardly deed
A car swerved and walloped a lamppost
Which fell through the front of a florist
The bulb set alight an entire display
Like a fire in a miniature forest

A girl in the office above the street
Grabbed her phone to call out some help
When she dropped it in her anxiety
And it fractured her toe with a yelp
She lent on the windowsill urgently
And knocked off and apple she’d saved
Its descent to the street was in moments complete
And the apple was thoroughly paved

Archibald smiled, breakfast was served

**
Kayla Lynn Oct 2010
My phalanges shake under the
Blood red sunset
My heart beats rapidly
In my throat
My nerves consume
Every inch of my flesh

I'm sitting on that bench
Our bench
Outside that little store
Our store
And I'm thinking of you
Dreaming of you
And it's Autumn
And that song you played
Our song
It's stuck in my head
Because I don't think
It ever left

If only there was a way
To avoid this whole situation
Some way to circumvent
Around life

But there's not

And suddenly
I'm distracted by an
Angel
Or the closest thing to it
That I've ever seen
On Earth

Straight purple hair
Pierced septum
Thick black eyeliner
Cuts down her arms
Oceans in her eyes

It's cold
And I'm alone
And I'm waiting for you
And she's there
And my mind is spinning
And my heart drops
And my posterior goes numb

And I swear to God
If you don't hurry up
I'm going to follow her home

Because my mind is
Skidding off the fringes
Of sanity
And my emotions are
Twisting like pretzels
In a bakery

Confused and broken
The girl
That caught my mind
And stole my time
Walks by in slow
Motion

And the reason
That I'm so easily
Obsessed
With her
Is because she did
Something
No one ever
Could

For a few moments
She actually helped me

Forget about you
Septum, Circumvent, Phalanges, Fringes, Posterior

© October 2010 Sarah Lynn
Robert Ronnow Oct 2015
The debate between free will and fate has taken a hard right
turn to neuroscience, Brodmann area 4 the primary motor
cortex of the brain located in the posterior frontal lobe
(the one cut out of the one who once flew over the cuckoo's nest).
This area of the cortex has the pattern of an homunculus!
a little man, a troll, the all-wise, mandragon, the golem of Jewish
      folklore.

This little man has a ***** that, when fully engorged, is
equal in size to his entire body. However, diseases
such as Parkinson's, Alzheimer's, Huntington's, Lou Gehrig's and
      Creutzfeldt-Jakob
are gunning for him. His basal ganglia are garbled
and he ends up giving poor advice and making bad decisions.
Who can say what happens to his soul or cells or if all will be given
      or well?

I was listening to the famous astronomer on public radio
who expressed the certainty there is no death, your soul
is immortal, it exists outside of time (but not space?). That's because
time exists only in the human mind (as does the universe
including the professional baseball season which is canceled when
      you're dead).
By Spring, my problems will be solved or ignored, either way is
      good.

"Imagine if we taught baseball the way we teach science. Until they
      were twelve children would
read about baseball technique and occasionally hear inspirational
      stories of the great baseball
players. They would answer quizzes about baseball rules. They
      would practice fundamental
baseball skills, throwing the ball to second base twenty times in a
      row. Undergraduates might
be allowed under strict supervision to reproduce historic baseball
      plays. But only in graduate school
would they, at last, actually get to play a game." --Alison Gopnik

Groundhog holds the knowledge of death without dying
for man needs help from every creature born.
Will the holocaust wipe the smile off the face of our romantic comedy
or will laughter outlast the outburst?
About the dark times will there be singing?
Yes, there will be singing and some of the songs will be sidesplitting.

Solving the ****** reveals the city. Nature of kinships and economic
      sustenance,
who loves whom and why, when things happened and how they lost
      and found themselves
in what happened. Because a meter-making argument cannot appear
from nothingness, purposelessness, just cold.
He does not go where he was supposed to go. He is in the desert,
      Sonoran desert, counting cactus buds and ocotillo blooms.
This is the afterlife for which he has always longed.
www.ronnowpoetry.com

--Gopnik, Alison, "Small Wonders," New York Review of Books, May 6, 1999.
--Brecht, Bertolt, "Motto" , trans. John Willett & "Concerning the Infanticide, Marie Farrar", trans. H.R. Hays, Selected Poems Bertolt Brecht, Grove/Atlantic, 1947.
JP Mantler May 2016
Down-beat and shallow
Wedged into my coffin
With very little air to breath
With nothing very much to see
I'll be sick if I don't do something
Without a care in the world
The feeling must be cruel
I want you to be okay

**And I think you will with what you got fixed
And I think I won't with what I've got set
I drown in the shallow end and nobody blows the whistle
With enough chlorine I'm bound to disappear
Raj Arumugam Sep 2010
we are the conventional lovers
the respectable ones
we are tight-lipped and we never
argue or disagree in public
and even in private we will not raise our voices
lest unseen people might hear us;
we are the respectable lovers
who bring up children
to never reveal their feelings
and to arm themselves with degrees and sobriety
and wide connections and prestige ambitions
and whose grades are the best in the nation;
and our conversations
are of what school our children attend
and what marks they attain
and our lives to drive them around
for achievement lessons;
ah, this is why we love
this why we marry
for the sake of our duty to society,
respectability
our religion, the nation and for the posterior,
Oh, I mean - for posterity

— The End —