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wichitarick Jan 2018
POSTICTAL PORTHOLE-(TIME BLOWN BACKWARDS)

Frozen breath holding back weight, against the chest seems great stacked like stones

Starting softly to see from the third door down the row,reclusive, damage is waiting to show

Others in red alert our mind coming on slow, their fear no reflection on our unknowns

Peace while in waiting,thoughts flow slow into a reflecting pool,echos beginning to grow

Time blown backwards when clocks stopped ticking , simple assessments our only goals

Mental evaporation senses left wide open,trying to find the song but only get static from the radio

Held back by grogginess looking out from fogginess ,bits of life as viewed through those holes

Oh MY I made it,escaped , BUT when will blackness call again,laying low not quite thinking of that other plateau

Bolted ,jolted rousing frequently followed by drowsing,hearing as a low hum ,sounds soon forming new tones

Nonexistentance now part of the ritual ,for the witness memories are visual,slowly waiting to say hello

Perspective has changed, await for thoughts to be rearranged ,senses in collusion with massive confusion,new beginning like waiting for future episodes . R.C.
Is a simple perspective on what many go through daily , normally would not say this but defining "Postictal" would help. it is a unique perspective and can be ever changing so we are never quite able to prepare for "it" ,kept it in the scope of just the perspective of the small window not the whole experience I may try to expand on it. Thanks for reading your thoughts are helpful. Rick
Owen Phillips Apr 2013
There are no bad people and there
Are no bad things and the
Music's always playing, always ringing, always singing
Cos the music that surrounds you, penetrates you, lacerates you
Is no different from the substance of your being,
All vibrations merely differentiated unities
You are gliding through that energy field
And consciously! How strange indeed
You're a kaleidoscopic porthole into
All that can ever be
You keep moving through time,
Accidentally rhyming, caught up in the games of the intellect
And introspectively, you can't believe what your
Mind tells you you are
Because you are and you aren't
There's not one true way to know it
If a word could capture what you are,
Then it wouldn't be true
Because the thought and spoken word
Is skewed so distant from the root
But the word is just a path to understanding what the source could be
A way to help the others see
What's going on at the edges of the galaxy
M Vogel Jan 2021
Stephan W

The sinking ship wasn't your life, my beautiful--
it was simply a series of messages, unfairly laid on you
so very long ago.. and in such a way
that they became a way of thinking;

    --and in and through them,   your mind..
      and also your life-view,  was formed.

And so, it wasn't one ship, whose porthole
you finally swam out of,   but many--
each time,  only after
  you had enough love  inside of you
  to be able to embrace the truth--
       ~that now told you that you had to exit the ship
       before it was going to take you down along with it~

It was love, that was able to show you
what was on the other side
and it was love that helped guide you to the surface
every  time you exited the ship
and each time you did, you developed a greater trusting
   of the process..

and each time you swam through the porthole
you looked that much more beautiful to me--

     Your beautiful face, glowing..
     Your gorgeous mouth, so willingly   pressed against mine
        so you could draw into your  own lungs
        the very air of mine that I breathed into you,
        as we both made our way up to the surface.

And slowly, in each ship that you exited,
your mind became more, and more renewed--
All the things that kept your mind and heart away from love
were the very things I would need you to
deal with before I could ever be with you

     or someone like you.

And so it was in my love for you
and desire for you to become whole..
and also, my deep contempt for the messages
that have been so unfairly laid on beautiful ones such as you
that have both  caused me to want to take the time  
to help you see..

That each ship who's furniture you were so tediously polishing
was in fact, sinking to the bottom of the sea..

But it was  you  that had to see it for yourself, Love--
in and through the view and understanding
that what you at one time found valuable and necessary
in its ability to keep you alive,
     now stood in the way of you taking in love--  
     the real thing.

So you see, love.. It couldn't have been just one ship..
but a whole series of ships--
and each one could only be exited once you had enough love inside..
and in truth, our bodies, (in their broken state of being) can only
take in as much love that the grace that we have been given
up to that point will allow..

Which is why the element of time is such an important thing,
and I consider it a great luxury that you and I were able
    to come back together
    time and time again--

               even when both of us thought every-thing was over.

I needed time to keep from continually throwing my phone(s) against the wall
(and out the window),
and you needed time to process what was coming towards you...
(and, also your anger at me)
     for pushing you too hard sometimes ..
     and other times being too harsh, or unfair..
     or from bringing too many of my own issues into the process.

But one thing for me I know for sure is true,
and that is every time you exited that porthole,
you became even more beautiful to me  than ever before
And, with-in the tenderness of your trust..
And the way you pressed your beautiful mouth to mine
as you took my air into your lungs.. as if your own..
     In the curve of your gorgeous hips, as your dress--
                                                          clingi­­ng to your skin..
in that warm, ocean water, as you slipped out of the portal
towards me and then up to the surface with me..
body, pressed against body..  as you took my air in

And the way that you learned along the way
to truly trust.. and take the risk to make your needs known:
   how to ask for help, now--
long before your heart, mind, soul  and that beautiful body
     went into despair--

That you would make your needs known to me
in the most beautiful of ways--
ways, which unknown to you,
     would draw me in-   towards  you
     in such a tremendously, deep way..


And so, you can see that our beautiful friendship was
doomed from the beginning--

   what has happened in my heart now,
              was inevitable,

       and is the outcome of your incredible response
       to all that has come towards you..
                                           from me.


-- I think I fell in love
but now I know.. I’ve forgotten how..
https://youtu.be/z_og2ssyGsQ

It will be ok.
Stick a lolipop
into the mouth of moments
your life is a child
and somewhere in there
you give a flying ****
about the moon
and no it's not cheese.
That mouth knows what dirt tastes like
but that wont stop me from pouring caramel
and cigarettes over it.
I need a fix
of candied dirt
and addiction.
I'm not afraid of the eclipse
because I'm already hooked on the dark.
So lock the door
&
draw the curtains
&
be content.

The tide wont be knocking
no matter how much you
want it to fill the room
or how big is your sweet tooth
because
hunger
is BIGGER
and eventually
anything will do.
So thank the moon we were wearing seat belts.
Otherwise we might be vegetables
eating only exhaust
like Hiroshima
force fed the sun
because
you only make war on an empty stomach
or with an insatiable hunger.

Be content

for the civilians and their children
who only know the taste of war.
Idiot flavored idiots with a hint of
dead mothers
that will bore a cavity so big
it'll put holes in the head
of kindergardens everywhere.
Who write their valentines on bombs.
Who's love murders buildings,
topples families,
plowing through bodies on city streets all to reach
nobody.

Be content

for the people
who aren't
you because when parents ******* in a box
you call a country means
you don't care
you put genocide on the menu
and there are some things that just wont do.
As I grow weary of rivaling chefs pointing fingers
in circles forever
becoming a porthole to the ****** business
becoming the unsuspecting manhole for
the human animal's existence

in crossing.

Mothers may find safe shelter in the sewers
but it reeks of prepackaged liberty
express delivery
to
every where.

Be content.

Because to start a revolution means living it
and what better way,
to ******* a reckless pace
that finishes first in hunger,
starting fist fights with other people's lives
and forgets even sooner,
than
to
be
content.
Owen Phillips Jan 2011
……Now
With springing force
I was shot out into the future
And with needle to the suture
Sewed together what I could

Lo, the spring sprung back into
The autumn
Found my porthole at the bottom
Into all I understood

Yet,
An equal opposite reaction
Fueled combustibly by action
From believing things that I was told to read
Found
Me far beyond what I
had seen
Cross dystopian ravine
Though in spite of any betterment, still brought to you by greed

Now from safely at the station
In the cold and condensation
I can see with clearest vision
The successes of my mission
Here, within, the multitudinous expanse of tears and laughs
Will be difficult to honor with a proper epitaph
ryn Aug 2015
I'm poring over your words...
Sophistication beyond compare
I can only savour in gulps
Such fantastic fare

•••••

Your stars are sculpted out of porcelain
Whilst mine, white washed vinyl
Your haloed moon, commands immediate attention
Mine only hovers...
As elliptical paint over stencil

Oceans of yours brim full
Catching the shards from the noon day sun
When mine suffer from receding tides
Turning into stagnant estuaries
where water hardly runs

Myriad views from snow swept mountains
You paint perfect with delicate pairings
Stuck with a view from a porthole
Sometimes all I see,
are the vast expanses of tumultuous endings

•••••

Still poring over all of your words
They all weigh much
but soar like feathers on birds
Artform fit for gods beyond compare
Drowning in the magic...
Of your incredible fare
For all you writers; new and old! Thank you for your words!
The view through the pink window
Blushes pink to satisfy
Employs soft focus the eye cares for
The pink forest aglow
Finds success, the sun shafting through
A vibrant shocking pink porthole
Shoots sharply to the forest floor
On closer inspection it is solid in form
Seemingly impenetrable
I put on my pink lenses
Pressing the pink circle that appears
It is nothing to the touch
Even so, it exists - pure pink
A fascination enclosing
I feel pink warmth
I'm a captured tooth nerve
amalgam appeased
restrained in containment
by my keeper
then I can be a prisoner
escaping the jail
my warder has lost
the keys of control
on dark days
my fathoms swirl
in murky mass
infused with blinding kelp
on good days
my porthole shows
clearness of eye
the glass reflects well
just to confuse
my ores composition
is misunderstood
the translation
metamorphic
changing
minute by minute
hour by hour
these ones are buggers
my microscope
isn't good with definition
will I or wont I
who knows
my borders are contested
being diplomatic
I make pacts and treaties
no monicker is required
the tried and tested
gentleman's agreement
that will do  
my margins
can be thick or thin
comments fit in
usually they range
between
insult and praise
depending on the mood
I oft go to open cut mines
to find common minerals
which are useful on a daily basis
real effort is called for
when I delve into deep shafts
sometimes gems are quarried
precious ones to behold
well enough said
a letter is to be written
dear meditative home
we're returning soon
if we're delayed
after hours
p.s. leave the porch light on
Edna Sweetlove Aug 2015
This is the very first SNOGGO adventure, written by SNOGGO himself in the 1st Person (well, by Edna Sweetlove really)

    Cruising through space, looking out of the space porthole, seeing the planets passing by, jesus ******* christ we were so excited, all those ******* planets, what a ******* staggering sight.

    Sharon, our Captain (at three foot six and twenty-one and a half stone
an imposing looking woman), bellowed out her order: 'Prepare to descend, you mothers!'

    So most of us stopped ******* and we started preparations for the descent onto the surface of the treacherous unknown planet ****** (aka Big ****** on account of there having been a mix up in naming newly discovered planets and so the universe had ended up with three planets all called ******) - as I was saying, the planet ****** on which no ******* human ever, ever, ever trod on before. Wow, this was ******* exciting.

    The zonometer showed we were only 3,000 feet above the surface of the unknown planet....2,900, 2,800, 2,700, 2,600, 2,500, 2,400......

    You got the ******* picture?

    BLAM!!  We landed. The ******* zonometer was inaccurate, but that's what happens when you buy cheap Asian imports at a ******* discount.

    Captain Sharon went through the full three-hour post-landing, pre-disembarcation procedure whilst I was *******.  I did an enormous one, very smelly and utterly horrible.  She was waiting at the door when I finished and she was clearly very constipated.

    It was time to disembark onto the unknown surface of the unknown planet ******.  The stratodoor opened and we were overwhelmed by the stench which hit our ******* nostrils toute suite: purest ****. What kind of people were the Bolloxonians who couldn't even organise a decent sewage system?

    I was chosen (on account of my club foot) to be among the first to descend onto ******'s surface.  It was cool and I limped heroically onto the planet's surface.

    We explored a bit, being careful not to step on the huge piles of used condoms everywhere.  The terrain was hideous and eldritch, a bit like my Aunt Edna's bedroom after she's been entertaining the local retards for a ******* ****-in.

    We saw this thing.  My mind could not immediately recognise it for its utter, brain-blowing horror.  I cannot tell you what it was, the words fail me, my intellect goes into shut-down mode.  O holy **** it was ghastly.  All right, I'll tell you what it was.  It was a THREE HUNDRED FOOT ****, all covered in oozing pus and vibrating bleeding worms and so on and **** like that.

    The crew of the our spaceship were enraptured and I was nearly killed in the scrum to get stuck in to this mighty beauty.  We had travelled three light years, crossed fifty galaxies, battled twelve-inch penised space midgets for the right to feast on this great ****.

    What can I say?  How can I describe the mighty cry that rose up from the assembled crew as they started to gobble the giant space poo lump....?

    'YUM! YUM! YUM! YUM! YUM! YUM!' they shrieked orgasmically, ******* themselves in well-earned contentment. I think we must agree that it was delicious and well worth the journey.

THE END
* for the benefit of my transatlantic fans, a stone equals 14 pounds; thus 21 1/2 stone = 301 pounds, an amusing weight for someone only 3'6" high in her best Laboutins.
Stephen Parker Sep 2012
Sea of azure waves descend
Golden streams flood through porthole
Black birds breech panorama
Tanners soak up residue
The whirlpool, it spins,
while the mountain, it twists.
As two serpents entwined,
are surrounding this.
Some had once claimed,
that it started as a bear,
others claimed it began at Canopus,
way over, down there.
Multi-headed or spring of rocks,
cavern, mountain or egg,
a great wheel forever-turning,
with a circus and a one leg!
Pushed along by two giants,
grinding up salt with its gear,
thus responsible for the seasons,
floods and movements and the year.
Two horns of the monster,
but not found on its head,
the Earthen plane a giant treasure,
where Drakon made his bed,
with two stars on his brow,
like the two in his eyes,
the porthole of the ship,
a flying horse in disguise.
Scylla, Charybdis,
Jason, Argos, Deucalion,
Ziusdra, Manu, Noah,
-and the two birds who carry on,
and the mountain from below,
which they all rested upon.
Ameleth or Kullervo,
…and brother Utamo’s great wrong,
…and the whirlpool from above that created this song!

And the evil found inside us, the Id and its kin, will nurture the abused child and continue the sin. The great black wheel of madness, as always, will spin, churning out more abusers to fill the Hell that we’re in. When, where or how did the wheel of blackness start? Corrupting the love and joy into the evil in man’s heart and turning family into tragedy and tearing them apart? Next time you feel weak and let the succubus inside, just remember all those in Hell and the reasons they died.
Astrology and ancient magic are a belief in the powers of celestial movements over the lives of men. This piece contains cosmogonical elements from Norse, German, Roman, Greek, Mesopotamian, Persian and Hindu.
The simple life

It is cold;
sea spray paint the ship white,
light green
is the Nordic water,
a mighty cocktail
of clinking ice cubes.
I scratch a happy face
on the thick glass of
the porthole.
We will dock in a town
that have warm rooms
people sit around a fire  
give a **** about sailor’s
miserable life.
Seascape paintings hangs
on gilded walls;
look at that sea,
so verdant,
delicate brush strokes;
the artist died at a mad house.
David Adamson Oct 2016
Salt Lake City, 2015*

Like a tourist in my own childhood,
I wander the neighborhood of my youth.
It’s not quite a pilgrimage, as
pilgrims know what they’re looking for.

I stand at the flagstone fountain in the park
and gaze across the street
at the red brick bungalow
where my family lived until I was 13.

Am I supposed to intone something?
Summon a spirit? Or perhaps I’m the one
who’s been summoned. Ghost of myself.

On this spot, there’s the illusion of level ground,
but here at the northwest corner of this Victorian
mountain city, the ground slopes in every direction
if you walk a few yards. North up to the Wasatch,
east up to the Wasatch, south more gently but up again,
to the Wasatch, and west sharply down to the valley floor.

Set into the hillside, the house faces west.
A boarded-up plate glass window
makes it blind in one eye.
In the summer, from that window,
we could see postcard sunsets,  
fiery light sinking into the Great Salt Lake.
In winter the gray stasis of inversion.

The old brass address plate—61—still hangs
Slightly crooked on the molding below the attic dormer.
The steep cement steps to the wide front porch
look worn by nostalgia.

My grandparents bought this house in 1938,
and sold it to my parents in 1957, so dad,
the English professor, could walk to work
at the U., a half block away.  I was 1.

Double exposure.  I can’t separate this view
From old photos and recollections.

There to the right on the parking strip,
I once hid under a giant cardboard box
when I knew my sister was walking back from campus.  
As she got close, I jumped out,
causing a satisfyingly chilling scream.  
She tried her best to be furious at me,
but we were both laughing too hard.

1946:  Dad in black and white stands
to the left of the porch’s north column in his graduation gown,
his bachelor’s degree delayed seven years
by a Mormon mission to Scotland and World War II.

1955: all my siblings and all the children
of my mother’s sisters posed on the sweeping cement stairs
for an iconic black and white portrait. Only one missing:
Me.  Not born yet.  All those cousins
Sitting on my steps before I existed.  
There must be a word in some language
for the feeling that gave me. I never could name it.

I start up the alley to the north side
to take a lap around the place.
The brick’s discolored and damaged
from a half-century’s growth of ivy,
recently stripped away, like skin where a tattoo’s been removed.
A picture I took in 1985 shows ivy completely covering the dim brick.

At night, a car turning up this alley would cast crazily
dancing lights  on the ceiling
of my pitch-dark basement bedroom,
through this little porthole-size window.
My heart  would race, knowing it meant my parents were home.

The cement walk alongside the house is crumbling
and has started to melt into the wild grass.

The next window, at the landing of the basement stairs
is where a black widow lived, encased in the space between
inner and outer panes. I used to study the red hourglass
on its abdomen, and tried to draw it.
Couldn’t get it right. Was better at artillery.

In the back, against this wall, an old radiator was standing, waiting for removal  after home improvements.
It toppled over and landed on my brother’s foot.
Crutches for weeks.  Bad luck, but maybe it inoculated
him.  He’s still never had a broken bone.

Here behind the garage, the old crabapple tree still stands,
nurturing its sour but highly flingable fruit.
At its base a hamster lies buried.

The little side yard on the south looks the same,
though the old white trellis that I used to climb
when I was so tiny it would support my weight is gone.

Back to the ***** at the front of the house.
Leaving for school in the morning I would
leap this ***** in a single bound.

The old place looks creased and sleepy.
It doesn’t remember who I am,
is starting to fade into the past.
It’s only about half here.
The rest is memory and desire.
I know this is a bit long and discursive, but I hope you'll stay with it! If you want to see a photo of the house, go to the tumblr address on my home page.
mark john junor Jun 2013
the light is infected
its disease casts a haze on my weather beaten
its denial of warmth radiates down to my very soul
razor thoughts are the bitter seed in the fertile soil of her filthty mind

vertical sunlight uneven on your confused thoughts
at least illuminate the way
as you forge the path to certain shade
benith palm trees etched out against the tropical horizon

she braids her hair
as she steps slowly among the rose petals
deep eyes entice
as her loose garment falls away
barefoot she weaves her way
from distant vision
to standing before you in deliberate slow motion
letting you drink in her natural and sleek form
before it is joined with yours in hot embrace

seas of sand
and the taste of ocean on the air
salty and swift to the senses
deep with the memory
of a thousand times
on the rolling waves deep in the atlantic's nights
only dreaming of her smoky form leaning into you
as she whispers your name

the light in the porthole
is infected with the muttering of the skippers madness
as he swears to take us deep and far
to a no-mans land of uncharted sea
leave us scattered like dry bones
on the wet soils of nameless atols
with  the bitter breads to be our banquet
and the dog that chewed off his finger as our ale

i climb the wave
to spill us off the crest
abreast the next
just to tempt his ire
but he rights us without a word

sailing in a wide circle
we are round here on the charts
but squared away and shipshape by
the hairy old ******'s eye
iv rhymed a word or two in the last few poems without intending to...not sure what thats about, rhyming is as bad as **** itch in your ear...annoying, pointless, and weird.
Enya Costa Oct 2012
When I peer into the mirror
(Clean clear glass on silver
A porthole into backwards-land)
I see a certain spice in our swirling eyes
Absent in those of the lonely

Cloves and cinnamon and vanilla
It shrouds us in its heavy fog
(We don't mind, we see not much
Past each others' eyes)

In the mirror, our arms are tangled
In a comforting, swaddling mess
Our heads are leaned together (a teepee)
And our smiles stretch around the world

But the mirror shows us backwards.
(Reverse, opposite, inside out, and outside in)
And I know that really, you lean away from me and frown.
b for short Sep 2013
[I’m not sure if you can]
call them “fantasies.”

I prefer “scatological reveries.”

Usually,
that small porthole of time
just before sleep comes—
that’s where I oversee my
little light bulb factory.
It churns out countless
watts of bright notions—
whose warm light
paints descriptions on still walls
& outlines what exactly it is
that I intend to do to you.

These temporary art forms
are incredibly specific—
down to the slightest detail.
[For example:
the amount of pressure I’d apply
as I sink my fingernails
into the bare skin
of your back.]*

Some nights I go to bed
with my windows open
& I imagine so loudly—
I’m sure the neighbors can hear.

I hope *
[they have popcorn on hand.]
© Bitsy Sanders, September 2013
Lead through the hospital house,
where residual ashes of Zeus
lay in heaps at broken corners,
coating derelict floorboards.

GO! The purple ball of light
is waiting.

Enter the hall of purity,
filled with macaroon sorrow
and empty thoughts.
Athena stands on the right,
her head upon a serving dish.

Listen closely ...
A distant phone
in the darkened cove
is ringing.
DON'T ANSWER IT!

Beware a nurse on the left.
Recognition of her temporal existence
permeates through mucous membranes.

Notice the stillness of air.
Breathe it in, it does not flow.

Follow through a doorway
to the kitchen.
Silver pans (or chimes?) (or bells?)
hang above a perfect sink
while droplets of blood
incessantly drip, drip, drip,
falling from a crying wrist,
gently striking the sink bottom.

Plead to not be forced
into the room of mistaken hospitality,
where beds of white cotton
invite with chanted whispers
the compliant to lay exposed.

View the ceiling from this
submissive position.
It yields confusing colors of light:
- Red wine
- Blue water
swirling together
and forming indistinct patterns.

Fearfully watch as a waxing
flying caterpillar
emerges from the purple swirling porthole
and craving intense gratification.
It will consume the laying prey
through frantic silent screams.

Feel the edges of a harsh cocoon
woven around the bed.
It traps with silky wings
and trembling agitation.

Do not scream
Do not cry
Do not try to fight.

Allow icy numbness to spread
and entertain immortal abandonment,
for who would understand?

- Kerry Ann Herrmann
I don't know if it's obvious (it is to me). I hoped to capture the psychological effects of ****** abuse... The systematic weakening between leading, entering, following, and finally being forced. I hoped that the defeat of both Zeus and Athena (the strongest god and goddess) would immediately foreshadow the stripping away of one's strength. A flying caterpillar is of course a butterfly, and a symbol of change, though not a positive change in this case. Of course, their is the obvious ******* symbolism in a waxing or growing caterpillar. Finally, there is red wine and blue water, both of which are symbols of sacrament and baptism, perhaps the only thing that can ultimately save the victim. Was my poem way too obscure to catch all that?
Ian G Kennedy Mar 2018
Ian Kennedy and Pavle Pavlović

As Sol the Rouge begins to rise,
it warms Eve’s heart, but Downs her eyes.
A dusty halo round the flame
will touch the dunes and dawn proclaim,
as distant dusty storms reflect
on Eve’s dry eye and her deject.
To get up now it is her task –
No more in Sol-light can she bask.

You must recall: it was Eve’s Gran
who went to Mars to start a clan.
From little pool Eve chose her Buzz
and paired with him, who was her cuzz.
Through porthole now Eve sees no wood,
nor earthy ground for motherhood.
With hasty zeal space courier flies;
A sandy landing ’fore her eyes.

So, as the dawn of morn is broke,
our Eve then hops, with grace unspoke,
goes out of base to Lander Stop
to fetch the parcel she does hop.
Her ‘FedEx’ was by Earth prepaid,
and on this day had come her AID,  
by careful voyage, with prosp’rous end,
the ***** arrived that Earth did send!

Low-G and man-made air do need
the seed to make a better breed.
Incestuously is not a scheme:
a gene pool needs a brand new stream.
We want no feeble Mars-strain seed,
So A.I.Dee is for the deed.
From Earth doth come the flow of genes
as bottled stuff – you know the means!

To make the Martians extra strong
The Earth Decreed all inbreeds wrong:
All ***** from Earth-bound men must come.
Through outer space it must have swum!
In DNA do secrets lie,
tho’ some do think that fated sky
will give them scope to freely screen
the final flux of wanted gene.

“I’m not at ease, but lurk and look –
  I peer at pack from Earthly nook.
  Where linger ye, my family lift
  to proffer me some needed gift
  of fruit or nuts and comfort care?
  The time is right to use what’s there?
  No creature comfort do I need.
  My friends, I’m ready for some seed!”

“My boy must have my Buzz’s face,
  and then our girl should have his grace.
  A pigeon pair with rusty hair,
  and maybe also one as spare.
  We want his freckles on each cheek,
  that all who pass-by touch and tweak.
  Buzz wants them looking just like he
  yet also really be like me!”
                                                        
The­ season’s winds bring rain and freeze
and stirs up dust with just a breeze.
And when Sol’s power does make it soar,
the wind behind rolls more before.
If’s no heat from sunless sky,
with daylight gone, the storm does die.
Unlike her feelings which grow strong,
uprooting thoughts of what is wrong.

The storm now sounds like raging ire,
and echoes of her inner fire.
As sand blocks Sol for just a while,
it’s just so long that she’s fertile.
With redhead Buzz she wants to splurge.
To break Decree she now has urge.
“I need a gravid tum, now mine’s too thin!
  A child by him: I need to sin?”

To lock herself to Earthly Kit
and shrug off worry just a bit?
But she recalls her lover’s eyes
as endless hormones swell and rise.
“Here is The Kit for you to use”.
“I do detest! I do refuse!
Then fast it dawned on me.” – she smiled –
“I’ll flip the way to have my child.”

“ So at a juncture here I stand,
  with earthy Kit in my right hand.
  Now let me throw it out as trash,
  and see Kit burn to light gray ash!
  For we are first to break Decree.
  Oh gosh, it’s us! My god, it’s me!
  On Mars it is a primal crime!
  ’Hind bars might we be held to time?”

Unlike the Martian pioneer race,
they can no longer pick their place.
Air in the base is made for breath,
for outer air is instant death.
So Eve and Buzz are in the can.
And who’s to blame? It was their gran!
The Space Base is completely jail!
(Nor could they ever raise some bail.)

As red sky flares in real turn
then Earth’s old rules do curl and burn.
While sky does grow in ****** glow
Her love for Buzz will drive the flow.
“’Tis I, the bandit, burned The Kit,
with Buzz my man! To Earth: ‘Go flit!’
Like clarion storm I’ll shout, Rejoice!
and fiercely punch the air with voice.”

“This is the daybreak of my life!
  Tonight I really will be wife.
  I know this is my true found right –
  No more for me, moist tears at night.
  Instead, I spread some happy joy
  towards my big and beaming ‘boy’.
  O, Oh! how happy we are free,
  just jestful, zestful, Buzz and me!"

Next E-mail from the Earth appears,
and has our happy pair roll tears.
“A flaw was found in chromosome  
On all accounts must ***** succumb”!
“My heart confirms that right’s my choice:
  oh, come with me, let us rejoice!
  Today Mars broke the Earth’s Decree
  Last night we loved in our low-G!”

Next Sol does rise – Eve’s hopes do too,
as thoughts begin for Martian coup.
“Can women have new Martian Law
  to stop the rules that have a flaw?”  
“The Laws of Eve on Mars now reign
  and Earth does not its Laws ordain.
  From Earth it is today we deign
  that laws of Earth and Mars are twain.”

-----------------
Legal opinion: Eve's love-making was incestuous in two ways as it 1) involved having excessive intimacy in one third gravity 2) was with Buzz, her third generation cousin, which was against the reigning Earth Rule. (She escaped sanctions by going on to found the Martian Unilateral Declaration of Independence!)
This is unique co-poetry was written with Pavle Pavlović.
david badgerow Nov 2015
i was sitting drunk alone in a yellow flannel on a dirt
and patch grass hill beside an empty picnic table when
you sat down said hi my name is sam and i'm tripping face
that was no secret judging by the size of your pupils and smile
i asked to borrow a layer from your lip-gloss and
you happily obliged after verifying i had my circle-circle-dot-dot

you laughed hard and said you'd never been this high before
when you let me finger you on the ferris wheel with
the scene from the hill a distant seven minutes in our past
you watched with tears in your eyes
and smiled as i pulled my body
away from your candy thighs when the ride stopped
and stuck my sticky fingers back in my mouth

you said you listened to music better with your shirt off
and sure enough your ******* perked up like antennae
when my fingers slipped under
your half-shirt like an innocuous splinter
in the great pink epidermal amphitheater
you proved to be a nudist burlesque queen wearing
a hailstone necklace and a gold coin skirt that jingled
when you walked or skipped or rubbed your *** on me

i felt so immediately attracted to you
and i still do i can see you when i close my eyes
dancing free in a delicate psychotropic mushroom haze
whispering slap me silly as we walked hand in hand down the hill
you kept talking about your girlfriend being jealous
of my fatal blue eyes as the music drifted like breath
between us your hair was heavy with the smell
of mushrooms beer sage and rain

we took several overpriced shots of tequila and i lost
another six dollars in drink tickets when
we spent a whole dj set lying in the grass in the dark
with the lights from the stage spraying over
our heaving naked sweaty chests with my
hand in your gold net skirt and your tongue in my ear
the clouds were knotted ropes of wet white cotton
the sky became the sea and your fingers found my
feverish lips like a cool prayer

i looked up through the oak tree porthole
to find the strangulated sky
whirling in on itself like water
in a washing machine and i
let a dolphin carry me away out to where
the waves were boiling and wild
the stars salty and deep
Kathryn Maurine Mar 2017
I peer out the porthole into the chaos of the storm,
Disorder, my sole companion

Blue waves crash along the jagged rocks
sprays of melancholic gloom
the wind howls
sounding like the ghosts of past memories
decayed wooden docks rotting from
the salty air
a wailing gust originates from the rusting iron of the ships hull
a hex is placed on it’s journey as the shadowy vessel tears through
the gloomy waters of its past

The past is only a memory,
as I find myself once again in the company of madness
Talk to me, can you hear me O’ Lord?
Send me something that I can not ignore,
Staring at seas from the cold lonely shore,
What of future?
Can the angels be calling?

I was young when you embraced me,
When you opened my mind to the world’s mystery,
I came home and started a family,
Three bundles of joy near a bountiful sea,
…and this life?
Has the Age begun falling?

Cattle left unattended and the goats without shepherd?
Were sacrifices left for the goat, bull, crab or leopard?
Battened down hatches as rains poured in the cube,
The square in the circle that Saturn had drew,
Eerie creaks, minor leaks, anxiety and the fear,
Prophesied, built as planned, as the waters drew near,

Talk to me, I am struggling O’ Lord,
Is this it? The message that cannot be ignored,
I was young when you embraced me,
When you showed me the wonders of the land and the sea,
I built you this house and filled it with Thee,
Will we make it?
The waves are appalling...

One Man knew where his place was with god, inundation, extirpation, traded hammer for rod.

A Great Bird of Paradise, was beckoning her call, swarms of bats and songbirds ahead of the squall.

Open the porthole; we are saving them all, as the ship sets loose as the giants did fall.

Drop the rope, do it now, so we can, plumb the depth,
She cried out;

“Where to live, who will rule and what shall be left?”

“O’ Noah!”

I’m now old, but will you embrace me?
I now know you’ve been there since the dawning of history,
We’re adrift, all is lost and their drowning in sea,
Nothing’s left, but the gig-an-to-machy,
The reigns of your horse are now pulling us free,

“Release all the doves for I know now that he is with me!”

“O’ Noah!”

They were young, when you embraced us,
You gave us your love and did what you must,
I have given my life, for all that was needed,
Serpent’s mount, where we stood, as the waters receded,

*“O’ Lord! Oh…”
"Ara," is a constellation known in the Sumerian original as, "the rock, mountain, ledge and Bird of Paradise." Consequently, these elements all happen to be in the story of Noah, Gilgamesh and Ziusudra versions. If you take apart the names etymologically to their roots you find the name itself is the original myth for Noah is Nu-Ah which means, "Flood!," and Ziusudra means, "An action of water." Therefore, Mount Ara-At where Noah's ark rested is actually a constellation which is what Frances Rolleston claims in her book, "Mazzaroth," that the people from the region, until modern Christianity, said that all of these stories were based on celestial elements that were present in the night-time sky. No one who lived in the Middle East believed these stories were real. The Sumerian story of Nuah was an attempt to explain how the Sun divided the celestial waters exposing land for man to live on which happens to parallel, exactly, both the Phoenician and Egyptian versions of creation.

The Greek version called the, "Argo," was a constellation formed of all the center constellations from Orion north and south. 'G' was transposable with 'K' across most ancient languages. In Sumerian, "Ara-at," means, "serpent's mountain."

My sources are books by L.A. Waddell, Max Mueller, Samuel Kramer, Frances Rolleston, George ***, Karl Penka and E.A. Wallis Budge.
Andrew Dunham Feb 2017
I angle my upper body forward from my reclined seat back,
To gaze through three panes of a frosty porthole,
To view a blanket of lights on darkened earth.
But they're below me, I'm distanced.

I'm thirty thousand feet in the air.

Incandescent highways splinter and mend like aimless root networks,
Funneling wingless fireflies like worker ants. And I, here,
Hoping your luminescence is, too, wandering to your hive or elsewhere,
Hoping against hope that you notice me in transit.

Though I'm thirty thousand feet from anyone else.

At least, but likely closer to the distance between our moon and sun,
Hurdling through galaxies at the speed of super-sound,
Sure that even at the end of space, past comets and nebulase,
That even if I get turned around,

I'm thirty thousand feet from anyone else.

As the lights ebb and dim from outside my window panes,
Gradually giving way to blackened earthly landmass,
I will recline my seat slightly and rest my eyes,
Hoping the steady burn of the plane's fog lights guides you,

Thirty thousand feet closer to where you need to be.
TERRY REEVES May 2016
From the calm to the rough, the going was tough
you wondered if you were made of the right stuff
there was a foot on the porthole so it stayed
the sea pulsed by, the colour of frothy jade

'Don't you drop ash on the sail,' the captain said
it will shred in the wind and we'll all be dead'
no sooner that we were out, we had returned
extinguished the *** before the sail burned

My world had been fourteen feet, I'm now discrete:
about how bad things can be to everyone I meet
about the images that came before me
my lone battle with the tempestuos sea

It was nothing but to me everything
amazing the peace calm water could bring
david mitchell Jul 2022
hair tied with
a nitrile glove cuff
carved a sacred space adorned with muffled tile
porcelain throne pod amongst the ruckus
hohumdrum gods stampeding towards
a visionary empty meeting with screens
greeted with massed bodies, butter, and dust
the divine light behind the porthole still shines
even as crowds continually shuffle forwards
backwards and past, that bouquet of projection rays
remains sheening with eye to light machè heaven
until thunderous overstrokes over indulge and begin
to over and undertone every feather upon ears
resignation of a certain kingship upon standing
and yet wealth of ethic remains demanding
so, stand.
it is what it is. sometimes you have to **** at work, sometimes you aren't excited to stop.
Tyler Drapeau Nov 2011
When we hug, hold each other tight,
Breast in breast, beating heart against beating heart.
Bound willingly and out of love. 

In that smile... That little twitch that betrays your
innermost thoughts. That curvaceous flowing of flesh
that speaks your joy to the world. 

Through tears, of happiness, of sorrow, of hopes and
dreams. Shed from the windows of my eyes... Belying
the rising tumult of emotions-raw-within my chest.
Surging at your sight, igniting at your touch, singing
with your joys and drowning with your sorrows.

I see the life, the wonder, the desire, the drive and the
struggle to be you... 

I find forever when I look into your eyes, the proverbial
porthole to your soul. Not because I'm punch-drunk on
your essence. Ha! That would be far to easy to admit.

I find forever because I find love. I find it in the depth
of my being, so passionate, wanting to reach out and
cradle, protect and embrace you, as you are. 

I found my forever, and it scares me. Why? Why? Why?
Because... In these small moments... In this forever...
I want to lose myself. 

To lose myself in you. 

That's love right??? A gamble? Place your bets, jump in
head first... Is it a gamble I am willing to take? My heart says
JUMP!!!
My mind says be patient... 

I love you. :) And sometimes it makes me want to cry. :(
If I give you all I am... Will you find forever in me?

I hope so... So here's to jumping. To losing myself, but not becoming lost.  
I think it's worth it.
Cheers, to finding forever.
Arborvitae Oct 2014
Relaxed in a state of absolute calm,
The air of serenity a soothing balm
To ease the imminent struggle ahead
As I sit on my throne of porcelain and shed
The anticipation tugging at my bowels
And out come the mud dogs wearing brown cowls.

Out they come and my tension is released,
In a violent cacophony the silence has ceased!
It has been replaced by a beautiful sound
Like the music of nymphs, with voices all crowned.

The release is a final stinky-sweet ender,
As the *** paper flows my world lights up with splendor!
The sunlight filters through my one bathroom porthole
And the warm rays splay playfully across the hairs of my *******.

This is the moment, ***** all the rest.
Nothing else can compare...a good **** is best.
Jeremy Betts Jan 26
Everything I can't show is what's going to put me right back in the hospital
This blatant cycle of denial is far beyond getting out of control
The pileup looks physically and mentally insurmountable
How can one person run into so much trouble?
It's unmeasurable
Eyes forced shut, but it's not always safer in there, alone and vulnerable
Behind a pane of pain, only view is through this soulless porthole window
Find it hard to dream when life itself seems just about impossible
I've lost control of this roadside attraction freak show carnival
It's too much to juggle,
And that's why I struggle

©2024
Waverly Feb 2012
Do you like flying?

I like flying.

I like the angle
of wings,
how they shiver
on the runway
as an artery of redemption.

The murmur of the engines
and the wheels
hopping like babies,
that is freedom.

The sifting through clouds
by the wings,
like dragging a stick
through a puddle of oil,
that is like love.

The belly of the plane
skimming over the clouds,
basking naked in the sun,
that is like life.

Descending through the fog
bumping in your seat,
watching the porthole
for the brown grasses of geese
and jewelry of the sun on other jets
that is like the birth
of the world.

Taxiing to a stop
and unconsciously
taking the sweet, lovely woman's hand,
in whichever way she is beautiful,
the one who snored through the descent
and it sounded like the piano play
of rain and concrete,
that is like grace
in innumerable measures.
preston Jan 2021
D Zwieble

Remember the story,
about the beautiful-hearted girl,
trapped in the ship,  sinking..

     and how he saw her--
    through the porthole,

        made his way through it,

                            and saved her--

by pressing his mouth to hers
so that she could  become  able to breathe,
as she finally exited the ship

        and made her way back up
                               to the surface..

    He loved her enough
    to be her very air  at the time she
      needed it most.
      He still loves her.


      I always will.



"ouch, I have lost myself again
lost myself and I am nowhere to be found
Yeah, I think that I might break
lost myself again and I feel unsafe

Be my friend, hold me
wrap me up, unfold me
I am small, I'm needy
warm me up, and breathe me"
~My so very..

https://youtu.be/6E5Zb4gbDqo
06/25/19
Alistair Jan 2018
there's a void that lives in my ear
dark and twisted and cruel
and i thought that
that perhaps i could learn
just to live with the silence
the echoing, harsh nothingness
of the void

but you see
my void houses
yet another creature

oddly, the two are as
light and day
the void is cold and cruel,
dark and silent and oh so endless
but this other thing
oh, the void's friend
is loud and restless,
eternal and painful and insistent

so even in the potential
i may have seen a window
a porthole of hope
for respite

my resigned silence
has become this maddening,
neverending hell

and it all lives in my ear

you see the branches,
they shrivelled up and died

look at my ear as you would a tree
a firm, long standing oak

roots and branches for nerves
a resilient base for an ear drum

imagine the tree has fallen
all but the base

you can hack at it
you can hope it may function
just as it did before
as trees are just meant to

but the roots are dead
the branches are cracked and gone

so imagine an ear as an ear again
it's purpose to hear and receive

now imagine a silence
as promised by description
of ailment

only there is one exception
that constant, infuriating noise
the one that keeps you awake
that fuels your insomnia and
campaigns your insanity

a working ear drum will still receive
the noise
the vibration, the impact, the pressure
but as a tree functions
so does an ear

with no roots and no branches
the base is just a base
it may receive

but no message shall be truly received
not with my ears

nothing but constant static
or a piercing ringing
seldom a painful tone
but enough to suffer with

too loud and you hear the blaring
you feel the pressure

you try in vain to double down
to cover where it affects you
but it only gets worse

too quiet,
silent
and slowly,
very slowly
you may just lose your mind

in my ear lives a void
the roots are dead
the base lives on
and the void's host
may just destroy me
i'm deaf and i don't know how to deal with it
Cling! Cling!
Bling Bling!
Tick Tock! Tick Tock!
Another gimmick poem from the prophet of schlock
Today I even spelt my own name wrong

Sitting under a scaffold on the mean streets
Comes the Smell of ****

Abbud sits and picks his nose behind his mustache on the first UAE space flight, The year is 2020. Cold fear creeps up his spine as he notices Sahib staring at him just as he puts another crusty snot into his mouth. Neither man says a thing but the silent judgment is made. Abbud ponders quietly, questioning himself but also the bizarre stigma as he looks through a porthole at the pacific ocean below.

Tell someone you love them today because it feels good
But you know what else feels almost as good
Hate

Gruber Classitanius peers down the path of the monkeys, the bodies lay strewn about penetrated in every orifice by the dreaded ****** spider monkeys. He remembers what the profit sphinx told him and focuses on his Iphone Shazam application, just as instructed he clears his thoughts of all else but the Shazam logo for this is the only way to avoid **** death. Out of the corner of his eye he sees the supple upper thigh of one of the **** monkeys unknowing victims and it brings him back to a night before where he lay with a women he had never met but upon falling on the bed beside her knew that he must be in love, his spine tingles with a shiver of emotion, but the pleasure soon turns to fear and he jerks his thoughts back to the Shazam icon just as the first spider monkey ***** penetrates his left eye socket skull ******* him to death like all the others.

Galumphing along the road stands the son of the jabberwocky slayer
In Psychedelic dreams of Gods speaking without words
On the brink of the next moment I forgot what I was saying
And just decided to write whatever I wanted
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaasdfghjkl
Tim Bustin May 2014
The clocks are quickly ticking, rushing me further onward,
Yet nothing really seems to change aboard this grand train.
The starting station is long a forgotten sight from afar,
As a million only well-dressed people shut the curtain to hunt a star.

No things will halt The Times today, or our most important endeavours
Five down is completed now and – I stumble! (the train’s slowing judders)
Christ, my leg! – it’s filthy down here…. And I find suddenly there's no time for care  
Glancing through the compartment door – no: I’m transfixed, and I stare

Goodness. A gracious bombardment of purest light,
Crystalline, through the porthole’s grime.
Refracting into purples, and blues, and yellow sights!
So this is how beauty blossoms, allowed time.

Suits, ties, over-priced liquidised decadence
Are overcome, barely visible, amidst her the flower’s resonance
And blissfully reducing my colleagues to uttering, babbling nonsense
Until I hear the gunshot crack

The wheels regain motion
Re-shredding morals to smithereens
Though I cry, desperate to see her through bloodshot eyes
She’s left me only dark red puddles though the doorway
Joseph B Miller May 2014
The porthole of our lives are now open
Step inside the dimensions of unexplored realms
Trade in your mind and body for your soul
Touch our feelings with our hands
Dive into emotion
Submerge ourselves with our destiny
Let the sands of life's hourglass run throughout our body
Until they trickle across Earth's shores
Let our planet devour time and open all doors
Spread our essence until it reaches never
The design of our path will be planned with love and hope
Then awake and bring our dreams to life

— The End —