Submit your work, meet writers and drop the ads. Become a member
1.
From my
uneasy bed
at the L’Enfant,
a train's pensive
horn breaks the
sullen lullaby of
an HVAC’s hum;
interrupting the
mechanical
reverie of its
steadfast
night watch,
allowing my ear
to discern
the stampede
of marauding
corporate Visigoths
sacking the city.

The cacophony
of sloven gluttony,
the ***** songs of
unrequited privilege
and the unencumbered
clatter of radical
entitlement echoes
off the city’s cold
crumbling stones.

The unctuous
bellows of the
victorious pillagers
profanely feasting
pierces the
hanging chill
of the nations
black night.

Their hoots
deride the train
transporting
the defeated
ghosts of
Lincoln’s last
doomed regiments
dispatched in vain
to preserve a
peoples republic
in a futile last stand.

The rebels have
finally turned the tide,
T Boone Pickett’s
Charge succeeds,
sending the ravaged
Grand Army of the
Republic sliding
back to the Capitol,
in savage servility,
gliding on squeaky
ungreased wheels
ferrying the
Union’s dead
vanquished
defenders to
unmarked graves
on Potters Field.

The Rebels
joyous yell
bounces off
the inert granite
stones of the
soulless city.

The spittle
of salivating
vandals drips
over the
spoils of war
as they initiate the
disassemblage,
the leveling and
reapportionment
of the grand prize.

The clever
oligarchs
have laid claim
to a righteous
reparation
of the peoples
assets for
pennies on the
dollar.

Their wholly
bought politicos
move to transfer
distressed assets
into their just
stewardship
through the
holy justice
of privatization
and the sound
rationale of
free market
solutions.

In the land of the
pursuit of property,
nimble wolf PACs
of swift 527, LLCs
have fully
metastasized
into personhood;
ascending to
the top of the
food chain in
America’s
voracious
political culture;
bestriding
the nation to
compel the
national will
to genuflect
to the cool facility
of corporate
dominion.

As the
inertial ******
of the plaintive
locomotive
fades into
another old
morning of
recalcitrant
Reaganism,
it lugs its
ambivalent
middle class
baggage toward
it’s fast expiring
future.

I follow
the dirge
down to
the street
as the ebbing
sound fades
into the gloom
of the
burgeoning
morning,
slowly
replacing the
purple twilight
with a breaking
day of cold gray
clouds framing
silhouettes of
cranes busily
constructing
a new city.

The personhood of
corporations need
homes in our new
republic; carving
out new
neighborhoods
suitable for the
monied citizens
of our nation.

First amongst
equals, the best
corporate governance
charters form
the foundation of
the republic’s
new constitution.
Civil rights
are secondary
to the freedom
of markets; the
Bill of Rights
are economically
replaced by the
cool manifests
of Bills of Lading.

The agents of
laissez faire
capitalism
nibble away
at the city’s
neighborhoods
one block at a time;
while steady winds
blows dust off
the National Mall.

Layers of the
peoples plaza are
plained away with
each rising gust.  

History repeats
itself as the Joad’s
are routed from their
land once again.

A clever
mixed use
plan of
condos and
strip malls
is proposed
to finally help the
National Mall
unlock its true
profit potential.

As America’s
affection for
federalism fades
the water in
the reflection pool
is gracefully drained.

We the people
can no longer
see ourselves.

The profit
potential of
industry is
preferred over
the specious
metaphysical
benefits
of reflection.

The grand image,
the rich pastiche,
the quixotic aroma
of the national
melting ***
is reduced to the
sameness of the
black tar that lines
the pool and the
swirling eddies of
brown dust circling
the cracked indenture.

From his not so
distant vantage point,
Abe ponders the
empty pool wondering
if the cost of lives
paid was a worthy
endeavor of preserving
the ****** union?  
Has the dear prize
won perished from
this earth?

Was the illusive
article of liberty  
worth its weight in
the blood expended?

Did the people ever
fully realize the value
of government
by the people,
for the people?

Did citizens of
the republic
assume the
responsibilities to
protect and honor
the rights and privileges
of a representative
government?

Now our idea
and practice of
civil rights is measured
and promoted as far as
it can be justified by
a corporate ROI, a
shareholder dividend,
an earmark or a political
donation to a senators
unconnected PAC.

The divine celestial
ledgers balancing
the rights and
privilege of free people
drips with red ink.  

Liberty, equality
fraternity are bankrupt
secular notions
condemned as
expensive
liberal seditions;
hatched by
UnHoly Jacobins,
the atheist skeptics
during the dark times
of the Age of Enlightenment.

Abe ponders
the restoration
of Washington’s
obelisk, to
repair the cracks
suffered  from
last summer’s
freak earthquake.

I believe I detect
a tear in Abe’s
granite eye
saddened by the
corporate temblors
shaking the
foundations
of the city.

2.

The WWII Memorial
is America’s Parthenon
for a country's love
affair with the valor
and sacrifice of warfare.

WWII forms the
cornerstone of
understanding the
pathos of the
American Century.

During WWII
our greatest generation
rose as a nation to
defeat the menace of
global fascism and
indelibly mark the
power and virtue of
American democracy.

As Lincoln’s Army
saved federalism, FDR’s
Army kept the world safe
for democracy.

Both armies served
a nation that shared
the sacrifice and
burden of war to
preserve the grace of
a republican democracy.

Today federalism
crumbles as our
democracy withers.

The burden
of war is reserved
for a precious few
individuals while
its benefits
remain confined to
the corporate elite.

Our monuments
to war have become
commercial backdrops
for the hollow patriotism
of war profiteers.

We have mortgaged
our future to pay
for two criminal wars.

The spoils of
war flow into the
pockets of
corporate
shareholders
deeply invested
in the continuation
of pointless,
destructive
hostilities.

Our service
members who
selflessly served
their country come
home to a less free,
fear struck nation;
where economic
security and political
liberty erodes
each day while the
monied interests
continue to bless
the abundance
of freedom and riches
purchased with the
blood and sweat
of others.

America desperately
needs a new narrative.

The spirit of the
Greatest Generation
who sacrificed and met
the challenge of the 20th
Century must become
this generations spiritual
forebears.

The war on terror
neatly fits the
the corporate
pathos of
militarism,
surveillance
and the sacrifice
of civil liberties
to purchase
a daily measure
of fear and
economic
enslavement.

It must be rejected
by a people committed
to building secular
temples to pursue
peace, democracy,
economic empowerment,
civil liberties and tolerance
for all.

Yet this old city
and the democratic
temples it built
exulting a free people
anointed with the
grace of liberty
is being consumed
in a morass of
commercial
polyglot.

3.

During the
War of 1812
the British Army
burned the
Capitol Building
and the White House
to the ground.

Thank goodness
Dolly Madison saved
what she could.

The new marauders
are not subject to the
pull of nostalgia.  

They value nothing
save their
self enrichment.

They will spare nothing.

Our besieged Capitol
requires Lincoln’s troops
to be stationed along the
National Mall to defend
the republic.

The greatest peril
to our nation
is being directed
by well placed
Fifth Columnists.

From the safety
of underground bunkers,
in secure undisclosed
locations within the city’s
parameters, a well financed
confederacy employing  
K Street shenanigans
are busy selling off
the American Dream
one ear mark
at a time, one
huge corporate
welfare allotment
at a time.

The biggest prize
is looting the real
property of the people;
selling Utah,
auctioning off
the public schools,
water systems, post offices
and mineral rights
on the cheap
at an Uncle Sam
garage sale.  

The capitol is
indeed burning
again.

Looters are
running riot.

The flailing arms
of a dying empire
fire off cruise
missiles and drone
strikes; hitting the
target of habeas
corpus as it
shakes in its
final death rattle.
I make a pilgrimage
to the MLK Jr.
Monument.

Our cultural identity
is outsourced to
foreign contractors
paid to reinterpret
the American Dream
through the eyes
of a lowest bidder.

MLK has lost
his humanity.

He has been
reduced to a
a Chinese
superhuman
Mao like anime
busting loose from
a granite mountain while
geopolitical irony
compels him to watch
Tommy Jefferson
**** Sally Hemings
from across the tidal
basin for all eternity.  

MLK’s eyes fixed in
stern fascination,
forever enthralled
by the contradictions
of liberty and its
democratic excesses
of love in the willows
on golden pond.

Circling back to
Father Abraham’s
Monument,  I huddle
with a group of global
citizens listening
to an NPS Ranger
spinning four score
tales with the last full
measure of her devotion.

I look up into Abe’s
stone eyes as he
surveys platoons
of gray suited
Chinese Communist
envoys engaged
in Long Marches
through the National Mall;
dutifully encircling cabinet
buildings and recruiting
Tea Party congressmen
into their open party cells.

This confederacy
is ready to torch
the White House
again.

Congressmen and
the perfect patriots
from K Street slavishly
pull their paymasters
in gilded rickshaws to
golf outings at the Pentagon
and park at the preferred
spots reserved for
the luxury box holders
at Redskin Games.

They vow not to rest
until the house of the people
is fully mortgaged to the
People’s Republic of China’s
Sovereign Wealth Fund.

4.

A great
Son of Liberty like
Alan Greenspan
roundly rings
the bells of
free markets
as he inches
T Bill rates
forward a few
basis points
at a time; while
his dead mentor
Ayn Rand
lifts Paul Ryan
to her
Fountainhead teet.
He takes a long
draw as she
coos songs
from her primer
of Atlas Shrugged
Mother Goose tales
into his silky ears.

The construction
cranes swing
to the music
building new private
sector space with
the largess of
US taxpayers
money; or
more rightly
future generations
taxpayer debt.

Libertarians,
Tea Baggers, Blue Dogs
and GOP waterboys
eagerly light a
match to the
the crucifixes
bearing federal
social safety
net programs
to the delight
of NASDAQ
listed capitalists
on the come,
licking their chops
to land contracts
to administer
these programs
at a negotiated
cost plus
profit margin.

Citizens
dependent
on programs
are leery
shareholders
are ecstatic.

To be sure
our free
market rebels
don disguises
of red, white
and blue robes
but their objectives
fail to distinguish
their motives and
methods with
some of the finest
Klansman this
country has
ever produced.

5.

DC is a city
of joggers
and choppers.

Corporate
helicopters
wizz by the
Washington
Monument,
popping erections
for the erectors
inspecting the progress
of the cranes
commanding the
city skyline.

USMC drill team
out for a morning
run circles the Mall.

The commanding
cadence of the
DI keeps us
mindful of the
deepening
militarization of
our society.

A crowd  
rushes
to position
themselves,
genuflecting
to photograph
a platoon on
the move.

I try to consider
the defining
characteristics of
Washington DC.

DC is all surface.

It is full of walls
and mirrors.

Its primary hue
is obfuscation.

Open
communication
scripted from well
considered talking points
informs all dialog.

The city is thoroughly
enraptured in narcissism.

Thankfully, one can
always capture the
reflection of oneself in
the ubiquitous presence of
mirrors.  

Vanity imprisons
the city inhabitants.

Young joggers circle the
Mall and gerrymander
down every pathway
of the city.  

They are the clerks,
interns and staffers of
the judicial, executive
and legislative branches.

They are the children
of privilege.

They will never
alter their path.

You must cede the walk
to their entitlement
of a swift comportment
or risk injury of a
violent collision.

These young ones
portray a countenance  
of benevolent rulers.  

They seem to be learning
their trade craft well from
the senators and judges
whom they serve.

They appear confident
they know what's best
for the country and after
their one term of tireless
service to the republic
they look forward to
positions in the private
sector where they will
assist corporations
to extend their reach
into the pant pockets
worn by the body politic.

6.

Our nations mythic story
lies hidden deep in the
closed rooms of the
museums lining the
Mall.

I pause to consider
what a great nation
and its great people
once aspired to.

I spy the a
suspended
Space Shuttle
hanging in dry dock
at the air and
space museum.

Today America’s
astronauts hitch
rides on Russian
rockets.

America rents a
timeshare from
the European
space agency to
lift communication
satellites into orbit.

Across the Mall
I photograph
John Smithson’s
ashes in its columbarium.  

I fear it has become a
metaphor for America’s
future commitment
to scientific inquiry
and rational secular
thinking.

I am relieved to
discover a Smithsonian
exhibit that asks
“what does it mean
to be human?”

The Origins of Humans
exhibit carries a disclaimer
to satisfy creationists.

The exhibit timidly states
that science can coexist
with religious beliefs and
that the point of the exhibit is
not to inflame inflame religious
passions but to shed light on
scientific inquiry.

I imagine these exhibits
will inflame the passion of
the fundamentalist
American Taliban and
provide yet another
reason to dismantle
the Moloch of Federalism.

The pursuit of science
remains safe at the
Smithsonian for now.

7.

Near K Street at
McPherson Park
a posse of
well dressed
lobbyists, the
self anointed
uber patriots
doing the work
of the people
stroll through
the park
boasting a
healthy population
of bedraggled
homeless.

The homeless
occupy the benches
that have been
transformed into
pup tents.

Perhaps some of
the residents of this
mean estate were
made homeless by a
foreclosed mortgage.  

The K Street warriors
can be proud that their
work on behalf of the
banking industry has
forestalled financial market
reform.  

Through it exacerbates
the homeless problem it has
allowed these K Street titans to
profit from the distress of others.

Earlier in the day
I photographed
a homeless man
planted in front of
the Washington
Monument.

I wonder
if my political
voyeurism is
an exploitation of
this man’s condition?

I have more in common
then I probably wish to
admit with my K Street
antagonists.  

In another section
of the park the
remnants of a
distressed OWS
bivouac remain.

The legions of sunshine
patriots have melted away
as the interest of the
blogosphere has waned.

As the weather
improves Moveon.org
and democratic
party operatives
pitch tents in an
effort to resuscitate
the moribund
movement.

They hope
to coop any
remaining energy
to support their
stale deception,
a neoliberal vision
based solely on the
total capitulation
to the bankrupt
corporatocracy.

I heard someone say
a campaign lasts a
season; while a
movement for social
change takes decades.

If that metric proves
correct, and if the
powers don’t succeed
in compromising the
people’s movement
I’ll be three quarters
of a century old
before I see
justice flowing like
a river once again.

8.

I circle back to
the L’Enfant and
find myself
tramping amidst
the lost platoon
of Korean War
soldiers.

My feet drag
in the quagmire
of grass covering
the feet of this
ghostly troop.

My namesake
uncle was a
decorated
veteran of this
conflict and Im
sure I detect
his likeness
in one of the
statues.

The bleak call
of a distant train
sounds a revelry
and I imagine this
patrol springing
to life to answer
the call of their
beloved country
once again.

Yet they remain
inert.  

Stuck in a
place that the
nation finds
impossible to
leave.

The eyes of the
men stare into
an incomprehensible
fate.  

They see the swarms
of Red Army infantrymen
crossing the Yellow River
streaming toward
them in massive
human waves,
the tips of
sparkling bayonets
threatening to slash
the outmanned
contingent fighting
to bits.

They are the
first detachment
to bravely confront
the rising power
of China many
thousands of
miles away
from their homes.

America like
this lone company
is overwhelmed
and lost in the
confusion
that confronts
them.

Looking up
I perceive the
bewilderment
of my muddled image
reflected on the
marble walls
surrounding
the memorial.

I am a comrade-in-arms,
a fellow wanderer sojourning
with th
Robin Carretti Jul 2018
The sunny time's no old news
She is doing the walking in her
instant replay just pray for her
The Instant "Karma Shoes"

Any or too many Travelers' Advice
       ---    ....   _   _gone.. down
You set your own sunset like a price

A lovely lady bringing out
Her sunset went lower down her
body waves
What's inside us that craves?
It's time for you to figure out
her clues

Like he's the detective

A mind is a terrible thing to waste
Being selective pickier
The colors of the sunset change tricky
Burning heart love can be massive
What lines ahead of both of them
The crimes build like a guild

To run or to paint a lovely stay put
Eyes move the sunset
Like a crystal rock shield
Medieval love don't move
Changes the sun yellow yield
The women so beautiful
as they are to hold
  The King-set the chair or cheer
drinking
International  lip to lip he gets
The waitress jumps in an instant
Him or the hugs of bears or  beers

In her honor the Tapestry
What an artistry pink reds
burnt orange
The Venus of Dynasty

Instant Karma thinks he's
the Genious that prodigy
It will get you in your
boxers inside
Like a top student of biology
Like she's the
instant pudding smooth
To mix movie buff
The network like a NetFlix
She had another brainstorm
That's another flavor
puddling to fix
What are you waiting for?
What a gentleman opening
up her door
The Business workers, metals of hearts
Like steel robotic digging for metal heart
the undertakers tearing words apart
The true pledge leaders and
pitter scatter
heartbreakers
Was better watching the
Dog breeders your watch
Something changed at midnight
Cinderella without her clock

Who are the dreamers waiting for there love the sunset
It hot you don't get it yet? You need to cool off

The chocolate to die for the vanilla we cry for
In an instant, he opens her most dangerous door
Watch your heels clicking time bomb floor

You decide the bet never the ring box set
Lord of the rings we are never ready
at the same time near the sunset

The Dragon Lady like a picnic of flies
Vanilla sky

Dinner at eight Jean Harlow
How did she get into the picture
Don't ask why?

Just mellow transcend the prime
picture yellow
Like wings, you smile the butterfly
Your steps will get you just realize

In his Gucci shoes in the sandals
That sunflower hits her every hour
The instant smile resort
Be a sport, the sunset goes down
Can we change someone's heart
Another bone to throw dog watchers
X-Box you're moving to watch your
weight watchers
Your sunset all blood sweat and
tears beard trimming

The Dalmatian keeps taking your spots

How many times to be outfoxed
That sunset will be my last lick shot
Another heart to repair
Have dignity it's hard to work miracles
Don't fall for Autumn
when its the summertime

Her pink blush you heard it through
the grapevine wine
I heard her through the grapevine
How many times did she want him to be mine?

Sweet Caroline loves her lemonade
Flowers at her stand how lovely
Adds character like a big fun parade
They are  growing how her brain works
losing hope
The trees wake you up the color's alive

She's blooming innocent
until we meet again my sunset after 5
  The first time so instantly I saw her face
Those instant messages you need to feel
to regain consciousness your
skin of a  baby seal

She's the cloud passing her
whip cream delicious
But you have been whiplashed
Love should be clean something
cruel leads to mean

Seeing the change to have perished
The sunset disappears when my love
grows deeper it moves to vanish

But someone plays with your head
like a game *Instant Karma

No time for daydreaming
Like a bundle of cute Pomskies
Part huskies and Pomeranians
The sunset is coming
In the strangest place
You've been backhanded
the card game kingdom

Like a demonic joke
Or going broke life is a
comic book Fandom
I phone ring every day
in June

But your not ready its way too soon
Another instant Karma I Tunes
Miss Apple Jubilee so materialistic
you had me
The tapestry box
Poems of letters paradox
Who is truly the go-getter
Someone is springing like a
change of season
The four seasons love liaisons
For the right reasons
Like a new renovation
Internationally speaking
the whole entire
Sunset lips look divine waiting wet
Please don't dampen her spirit
To Remember September to relive it

The Morning glory Sapphire

Her energy got riveting so cheek razzled
Like the magician lost his love facts
Instant Zazzle Red Riding hood
Looking down going to Grandmas house
But down and out like the sunset of the Gods

How the sunset keeps coming love is more puzzling?*

This is a small figment of your imagination
A small town is divided like division
But the huge love
Came with the Divination
Ruled by the bark and paws mission
Something got caught
Bone to pick near her sunset
They left the love was too much
The camera wasn't set up

The love Men they ran with the box set
of boxers and ruff with
mans best friend their boxer bark
Their home is their bark
Instant Karma this is in our heads, not the wedding bells that are to ring  just relax I don't bite perhaps a French croissant all night something is always crispy and flaky but what about dreamy or to top things off Sunset is not set into your ******* just racing over something this not real
1767

Sweet hours have perished here;
  This is a mighty room;
Within its precincts hopes have played,—
  Now shadows in the tomb.
JV Beaupre May 2016
Canto I. Long ago and far away...

Under the bridge across the Kankakee River, Grampa found me. I was busted for truancy. First grade. 1946.

Summer and after school: Paper route, neighborhood yard work, dogsbody in a drugstore, measuring houses for the county, fireman EJ&E railroad, janitor and bottling line Pabst Brewery Peoria. 1952-1962.

Fresh caught Mississippi River catfish. Muddy Yummy. Burlington, Iowa. 1959. Best ever.

In college, Fr. ***** usually confused me with my roommate, Al. Except for grades. St. Procopius College, 1958-62. Rats.

Coming home from college for Christmas. Oops, my family moved a few streets over and forgot to tell me. Peoria, 1961.

The Pabst Brewery lunchroom in Peoria, a little after dawn, my first day. A guy came in and said: "Who wants my horsecock sandwich? ****, this first beer tastes good." We never knew how many he drank. 1962.

At grad school, when we moved into the basement with the octopus furnace, Dave, my roommate, contributed a case of Chef Boyardee spaghettios and I brought 3 cases of beer, PBRs.  Supper for a month. Ames. 1962.

Sharon and I were making out in the afternoon, clothes a jumble. Walter Cronkite said, " President Kennedy has been shot…”. Ames, 1963.

I stood in line, in my shorts, waiting for the clap-check. The corporal shouted:  "All right, you *******, Uncle and the Republic of Viet Nam want your sorry *****. Drop 'em".  Des Moines. Deferred, 1964.

Married and living in student housing. Packing crate furniture. Pammel Court, 1966.

One of many undistinguished PhD theses on theoretical physics. Ames. 1967.

He electrified the room. Every woman in the room, regardless of age, wanted him, or seemed to. The atmosphere was primeval and dripping with desire. In the presence of greatness. Palo Alto, 1968.

US science jobs dried up. From a mountain-top, beery conversation, I got a research job in Germany. Boulder, 1968. Aachen, 1969.

The first time I saw automatic weapons at an airport. Geneva, 1970.

I toasted Rembrandt with sparkling wine at the Rijksmuseum. He said nothing. Amsterdam International Conference on Elementary Particles. 1971.

A little drunk, but sobering fast: the guard had Khrushchev teeth.
Midnight, alone, locked in a room at the border.
Hours later, release. East Berlin, 1973. Harrassment.

She said, "You know it's remarkable that we're not having an affair." No, it wasn't. George's wife.  Germany, 1973.

"Maybe there really are quarks, but if so, we'll never see them." Truer than I knew.  Exit to Huntsville, 1974.

On my first day at work, my first federal felony. As a joke, I impersonated an FBI agent. What the hell? Huntsville. 1974. Guess what?-- No witnesses left! 2021.

Hard work, good times, difficult times. The first years in Huntsville are not fully digested and may stay that way.

The golden Lord Buddha radiated peace with his smile. Pop, pop. Shots in the distance. Bangkok. 1992.

Accomplishment at work, discord at home. Divorce. Huntsville. 1994. I got the dogs.

New beginnings, a fresh start, true love and life-partner. Huntsville. 1995.

Canto II. In the present century...

Should be working on a proposal, but riveted to the TV. The day the towers fell and nearly 4000 people perished. September 11, 2001.

I started painting. Old barns and such. 2004.

We bet on how many dead bodies we would see. None, but lots of flip-flops and a sheep. Secrets of the Yangtze. 2004

I quietly admired a Rembrandt portrait at the Schiphol airport. Ever inscrutable, his painting had presence, even as the bomb dogs sniffed by. Beagles. 2006.

I’ve lost two close friends that I’ve known for 50-odd years. There aren’t many more. Huntsville. 2008 and 2011.

Here's some career advice: On your desk, keep a coffee cup marked, "No Whining", that side out. Third and final retirement. 2015.

I occasionally kick myself for not staying with physics—I’m jealous of friends that did. I moved on, but stayed interested. Continuing.

I’m eighty years old and walk like a duck. 2021.

Letter: "Your insurance has lapsed but for $60,000, it can be reinstated provided you are alive when we receive the premium." Life at 81. Huntsville, 2022.

Canto III: Coda

Honest distortions emerging from the distance of time. The thin comfort of fading memories. Thoughts on poor decisions and worse outcomes. Not often, but every now and then.

(Begun May 2016)
Lotus May 2012
Three piles of stones…

Three I held most dear to my heart,
Three are those that perished,
Now three piles of stones fill the gaps,
That their ashen bodies have left.

Black reflective stones for my mother,
Who taught me all I know,
Who named me Green for my love of the garden,
My mother, who preferred blue-jay feathers to her pearls,
My mother, whose gap,
Occupied now by black stones.

Silver clear stones for my father,
Who was strong and honest,
My father, who once whistled a tune,
A tune returned by the surrounding sparrows,
My father, whose gap,
Occupied now by silver stones.

Pure white stones for my sister,
Who was beautiful and wild,
Who ran through the woods laughing
Who chased frogs through the mud,
My sister, who shone more bright than the moon,
Her gap,
Occupied now by pure white stones.

Three are those that perished,
The same number that I held most dear to my heart,
Ashes are their body remains,
Three piles of stones,
Now fill their gaps.

Ashes and stones…

Ashes and stones are all that is left,
Of the garden I loved to tend.
Zucchini and purple onions,
Peppers and blueberry bushes,
Row after row of prolific treasures,
Burned,
Banished,
Out of existence.

Onion and Ghost…

Onion,
My sister’s little terrier,
Who knew exactly what happened,
Who barked at the ash filled sky,
Onion,
The little terrier,
Who missed Aurora,
His watcher,
My sister…
My beautiful and wild sister.

Ghost,
The white grey hound,
A ghost dog,
White as a cloud,
Moving through the woods like mist,
The ghost dog,
Who resembled sorrow.

Onion and Ghost,
My two constant companions,
Who like me,
Have had their lives split into two halves,
The first, one of happiness and abundance,
The second, one of ashes and stones.

My neighbor…

The old woman,
Whose house stood in the woods,
Surrounded by an apple orchard,
The old woman,
Who had thrown stones to drive away,
The looters in my garden.

The old woman,
Who I repaid,
With a bucket and mop,
And made her house shine.

This old woman,
Wise and friendly,
Who traded birdseeds
For my bread loafs.

The Forgetting Shack…

The Forgetting Shack,
Where boys and girls drink gin to forget,
Where Heather Jones, with her white dress,
Dances around the fire,
Alone and lost.

Heather Jones,
Whose parents had perished,
Just as mine had.
Heather Jones,
Whom I gave my mother’s blue dress.

Heather Jones,
Who danced around the fire at the Forgetting Shack,
Whose feet were ****** from dancing all night,
Whose eyes were empty and sad.

Heather Jones,
Who soon disappeared,
Too busy with trying to forget.

Heather Jones,
Whose blue dress,
I found in torn pieces,
In the ashes of the fire.

Diamond…

The boy who ran from the fire,
Ran across the river,
In search of his mother,
Her portrait close to his heart.

The boy who didn’t speak,
The boy who was tired of running,
Who stood still as a shadow in my doorway,
Who wore his black hood to hide his eyes.

This boy,
Who I named Diamond…

Diamond,
With his hidden voice,
Me,
With my clouded eyes.

Leafs that were once black, now an apple green…

There was Onion and Ghost,
The sparrows and the wind,
And now there was Diamond.

I soon found myself singing,
Dancing,
Smiling.

The black ink leaves,
The black ink roses…
Slowly transforming into
Apple green.

Where did this change come from?
I was Ash,
With black ink in my skin,
With gray clouded eyes…

Green…*

Diamond is gone,
Diamond, who brought about change,
Diamond…
Who kissed me goodbye.

I missed Diamond,
Who painted watercolors,
Who believed the garden would grow again.

I missed Heather Jones,
Who wore my mother’s blue dress,
Who danced too close to the fire.

I missed Ghost,
A white mist through the trees,
A ghost dog,
Who resembled sorrow.

Most of all,
I missed my sister,
Aurora,
My beautiful, wild sister,
Who chased frogs through the mud.

I dreamed of those I missed,
I woke crying,
I cried away the cloudiness in my eyes,
Sun shown out the window,
Seedlings grew in the garden.

From then on, there was no Ash,
Ash blew away with the wind.

I was Green again,
Green who tended the garden,
Green who sang with the sparrows,
Green who danced in the sun,
Green who smiled.











*For my english class, we were assigned an independent reading project, and I chose to write a poem from the main character's perspective. The book is called "Green Angel" and the author is Alice Hoffman. Hoffman is one of the most beautiful writers of all time, and her books are extroadinary! I strongly suggest all you hello poetry friends to read it!
Haylin Apr 2018
The horror, the rain,
The misery, the pain.
The factors of teenagehood
And its ghostly being.

From nasty rivalry,
The silver teardrops quench the
Hunger of discaring boys.
They move on to their next victim.

Words like love, hate, *****,
Are thrown around and toyed with.
Teenage socialism is a witch,
Sweeping misery across the generation.

Heartbreaking, the look in their eyes,
Well up with tears, victims to lies.

Teenagehood, it grasps you
By its crooked claws.
From your peace, it rips apart
Your soul and leaves damage in its trail.

Why do we have to suffer?
Why can’t we return to the world?
The world we loved and cherished.
Toys and songs, now perished.

Puberty, hatred, fear,
They all add up to one phase in life.
With its treacherous fangs.
Hurt from distrust brings misery near.

With sympathy to all,
For a long journey ahead.
Hold on to your sanity,
For the reason you have previously read.
I weep for Adonais—he is dead!
O, weep for Adonais! though our tears
Thaw not the frost which binds so dear a head!
And thou, sad Hour, selected from all years
To mourn our loss, rouse thy obscure compeers,
And teach them thine own sorrow, say: “With me
Died Adonais; till the Future dares
Forget the Past, his fate and fame shall be
An echo and a light unto eternity!”

Where wert thou, mighty Mother, when he lay,
When thy Son lay, pierced by the shaft which flies
In darkness? where was lorn Urania
When Adonais died? With veiled eyes,
Mid listening Echoes, in her Paradise
She sate, while one, with soft enamoured breath,
Rekindled all the fading melodies
With which, like flowers that mock the corse beneath,
He had adorned and hid the coming bulk of death.

O, weep for Adonais—he is dead!
Wake, melancholy Mother, wake and weep!
Yet wherefore? Quench within their burning bed
Thy fiery tears, and let thy loud heart keep
Like his, a mute and uncomplaining sleep;
For he is gone, where all things wise and fair
Descend;—oh, dream not that the amorous Deep
Will yet restore him to the vital air;
Death feeds on his mute voice, and laughs at our despair.

Most musical of mourners, weep again!
Lament anew, Urania!—He died,
Who was the Sire of an immortal strain,
Blind, old, and lonely, when his country’s pride,
The priest, the slave, and the liberticide
Trampled and mocked with many a loathed rite
Of lust and blood; he went, unterrified,
Into the gulf of death; but his clear Sprite
Yet reigns o’er earth; the third among the sons of light.

Most musical of mourners, weep anew!
Not all to that bright station dared to climb;
And happier they their happiness who knew,
Whose tapers yet burn through that night of time
In which suns perished; others more sublime,
Struck by the envious wrath of man or god,
Have sunk, extinct in their refulgent prime;
And some yet live, treading the thorny road
Which leads, through toil and hate, to Fame’s serene abode.

But now, thy youngest, dearest one, has perished—
The nursling of thy widowhood, who grew,
Like a pale flower by some sad maiden cherished,
And fed with true-love tears, instead of dew;
Most musical of mourners, weep anew!
Thy extreme hope, the loveliest and the last,
The bloom, whose petals nipped before they blew
Died on the promise of the fruit, is waste;
The broken lily lies—the storm is overpast.

To that high Capital, where kingly Death
Keeps his pale court in beauty and decay,
He came; and bought, with price of purest breath,
A grave among the eternal.—Come away!
Haste, while the vault of blue Italian day
Is yet his fitting charnel-roof! while still
He lies, as if in dewy sleep he lay;
Awake him not! surely he takes his fill
Of deep and liquid rest, forgetful of all ill.

He will awake no more, oh, never more!—
Within the twilight chamber spreads apace
The shadow of white Death, and at the door
Invisible Corruption waits to trace
His extreme way to her dim dwelling-place;
The eternal Hunger sits, but pity and awe
Soothe her pale rage, nor dares she to deface
So fair a prey, till darkness, and the law
Of change, shall o’er his sleep the mortal curtain draw.

O, weep for Adonais!—The quick Dreams,
The passion-winged Ministers of thought,
Who were his flocks, whom near the living streams
Of his young spirit he fed, and whom he taught
The love which was its music, wander not,—
Wander no more, from kindling brain to brain,
But droop there, whence they sprung; and mourn their lot
Round the cold heart, where, after their sweet pain,
They ne’er will gather strength, or find a home again.

And one with trembling hands clasps his cold head,
And fans him with her moonlight wings, and cries,
“Our love, our hope, our sorrow, is not dead;
See, on the silken fringe of his faint eyes,
Like dew upon a sleeping flower, there lies
A tear some Dream has loosened from his brain.”
Lost Angel of a ruined Paradise!
She knew not ’twas her own; as with no stain
She faded, like a cloud which had outwept its rain.

One from a lucid urn of starry dew
Washed his light limbs as if embalming them;
Another clipped her profuse locks, and threw
The wreath upon him, like an anadem,
Which frozen tears instead of pearls begem;
Another in her wilful grief would break
Her bow and winged reeds, as if to stem
A greater loss with one which was more weak;
And dull the barbed fire against his frozen cheek.

Another Splendour on his mouth alit,
That mouth, whence it was wont to draw the breath
Which gave it strength to pierce the guarded wit,
And pass into the panting heart beneath
With lightning and with music: the damp death
Quenched its caress upon his icy lips;
And, as a dying meteor stains a wreath
Of moonlight vapour, which the cold night clips,
It flushed through his pale limbs, and passed to its eclipse.

And others came… Desires and Adorations,
Winged Persuasions and veiled Destinies,
Splendours, and Glooms, and glimmering Incarnations
Of hopes and fears, and twilight Phantasies;
And Sorrow, with her family of Sighs,
And Pleasure, blind with tears, led by the gleam
Of her own dying smile instead of eyes,
Came in slow pomp;—the moving pomp might seem
Like pageantry of mist on an autumnal stream.

All he had loved, and moulded into thought,
From shape, and hue, and odour, and sweet sound,
Lamented Adonais. Morning sought
Her eastern watch-tower, and her hair unbound,
Wet with the tears which should adorn the ground,
Dimmed the aereal eyes that kindle day;
Afar the melancholy thunder moaned,
Pale Ocean in unquiet slumber lay,
And the wild Winds flew round, sobbing in their dismay.

Lost Echo sits amid the voiceless mountains,
And feeds her grief with his remembered lay,
And will no more reply to winds or fountains,
Or amorous birds perched on the young green spray,
Or herdsman’s horn, or bell at closing day;
Since she can mimic not his lips, more dear
Than those for whose disdain she pined away
Into a shadow of all sounds:—a drear
Murmur, between their songs, is all the woodmen hear.

Grief made the young Spring wild, and she threw down
Her kindling buds, as if she Autumn were,
Or they dead leaves; since her delight is flown,
For whom should she have waked the sullen year?
To Phoebus was not Hyacinth so dear
Nor to himself Narcissus, as to both
Thou, Adonais: wan they stand and sere
Amid the faint companions of their youth,
With dew all turned to tears; odour, to sighing ruth.

Thy spirit’s sister, the lorn nightingale
Mourns not her mate with such melodious pain;
Not so the eagle, who like thee could scale
Heaven, and could nourish in the sun’s domain
Her mighty youth with morning, doth complain,
Soaring and screaming round her empty nest,
As Albion wails for thee: the curse of Cain
Light on his head who pierced thy innocent breast,
And scared the angel soul that was its earthly guest!

Ah, woe is me! Winter is come and gone,
But grief returns with the revolving year;
The airs and streams renew their joyous tone;
The ants, the bees, the swallows reappear;
Fresh leaves and flowers deck the dead Season’s bier;
The amorous birds now pair in every brake,
And build their mossy homes in field and brere;
And the green lizard, and the golden snake,
Like unimprisoned flames, out of their trance awake.

Through wood and stream and field and hill and Ocean
A quickening life from the Earth’s heart has burst
As it has ever done, with change and motion,
From the great morning of the world when first
God dawned on Chaos; in its stream immersed,
The lamps of Heaven flash with a softer light;
All baser things pant with life’s sacred thirst;
Diffuse themselves; and spend in love’s delight
The beauty and the joy of their renewed might.

The leprous corpse, touched by this spirit tender,
Exhales itself in flowers of gentle breath;
Like incarnations of the stars, when splendour
Is changed to fragrance, they illumine death
And mock the merry worm that wakes beneath;
Nought we know, dies. Shall that alone which knows
Be as a sword consumed before the sheath
By sightless lightning?—the intense atom glows
A moment, then is quenched in a most cold repose.

Alas! that all we loved of him should be,
But for our grief, as if it had not been,
And grief itself be mortal! Woe is me!
Whence are we, and why are we? of what scene
The actors or spectators? Great and mean
Meet massed in death, who lends what life must borrow.
As long as skies are blue, and fields are green,
Evening must usher night, night urge the morrow,
Month follow month with woe, and year wake year to sorrow.

He will awake no more, oh, never more!
“Wake thou,” cried Misery, “childless Mother, rise
Out of thy sleep, and slake, in thy heart’s core,
A wound more fierce than his with tears and sighs.”
And all the Dreams that watched Urania’s eyes,
And all the Echoes whom their sister’s song
Had held in holy silence, cried: “Arise!”
Swift as a Thought by the snake Memory stung,
From her ambrosial rest the fading Splendour sprung.

She rose like an autumnal Night, that springs
Our of the East, and follows wild and drear
The golden Day, which, on eternal wings,
Even as a ghost abandoning a bier,
Had left the Earth a corpse. Sorrow and fear
So struck, so roused, so rapt Urania;
So saddened round her like an atmosphere
Of stormy mist; so swept her on her way
Even to the mournful place where Adonais lay.

Our of her secret Paradise she sped,
Through camps and cities rough with stone, and steel,
And human hearts, which to her aery tread
Yielding not, wounded the invisible
Palms of her tender feet where’er they fell:
And barbed tongues, and thoughts more sharp than they,
Rent the soft Form they never could repel,
Whose sacred blood, like the young tears of May,
Paved with eternal flowers that undeserving way.

In the death-chamber for a moment Death,
Shamed by the presence of that living Might,
Blushed to annihilation, and the breath
Revisited those lips, and Life’s pale light
Flashed through those limbs, so late her dear delight.
“Leave me not wild and drear and comfortless,
As silent lightning leaves the starless night!
Leave me not!” cried Urania: her distress
Roused Death: Death rose and smiled, and met her vain caress.

“‘Stay yet awhile! speak to me once again;
Kiss me, so long but as a kiss may live;
And in my heartless breast and burning brain
That word, that kiss, shall all thoughts else survive,
With food of saddest memory kept alive,
Now thou art dead, as if it were a part
Of thee, my Adonais! I would give
All that I am to be as thou now art!
But I am chained to Time, and cannot thence depart!

“O gentle child, beautiful as thou wert,
Why didst thou leave the trodden paths of men
Too soon, and with weak hands though mighty heart
Dare the unpastured dragon in his den?
Defenceless as thou wert, oh, where was then
Wisdom the mirrored shield, or scorn the spear?
Or hadst thou waited the full cycle, when
Thy spirit should have filled its crescent sphere,
The monsters of life’s waste had fled from thee like deer.

“The herded wolves, bold only to pursue;
The obscene ravens, clamorous o’er the dead;
The vultures to the conqueror’s banner true
Who feed where Desolation first has fed,
And whose wings rain contagion;—how they fled,
When, like Apollo, from his golden bow
The Pythian of the age one arrow sped
And smiled!—The spoilers tempt no second blow,
They fawn on the proud feet that spurn them lying low.

“The sun comes forth, and many reptiles spawn;
He sets, and each ephemeral insect then
Is gathered into death without a dawn,
And the immortal stars awake again;
So is it in the world of living men:
A godlike mind soars forth, in its delight
Making earth bare and veiling heaven, and when
It sinks, the swarms that dimmed or shared its light
Leave to its kindred lamps the spirit’s awful night.”

Thus ceased she: and the mountain shepherds came,
Their garlands sere, their magic mantles rent;
The Pilgrim of Eternity, whose fame
Over his living head like Heaven is bent,
An early but enduring monument,
Came, veiling all the lightnings of his song
In sorrow; from her wilds Irene sent
The sweetest lyrist of her saddest wrong,
And Love taught Grief to fall like music from his tongue.

Midst others of less note, came one frail Form,
A phantom among men; companionless
As the last cloud of an expiring storm
Whose thunder is its knell; he, as I guess,
Had gazed on Nature’s naked loveliness,
Actaeon-like, and now he fled astray
With feeble steps o’er the world’s wilderness,
And his own thoughts, along that rugged way,
Pursued, like raging hounds, their father and their prey.

A pardlike Spirit beautiful and swift—
A Love in desolation masked;—a Power
Girt round with weakness;—it can scarce uplift
The weight of the superincumbent hour;
It is a dying lamp, a falling shower,
A breaking billow;—even whilst we speak
Is it not broken? On the withering flower
The killing sun smiles brightly: on a cheek
The life can burn in blood, even while the heart may break.

His head was bound with pansies overblown,
And faded violets, white, and pied, and blue;
And a light spear topped with a cypress cone,
Round whose rude shaft dark ivy-tresses grew
Yet dripping with the forest’s noonday dew,
Vibrated, as the ever-beating heart
Shook the weak hand that grasped it; of that crew
He came the last, neglected and apart;
A herd-abandoned deer struck by the hunter’s dart.

All stood aloof, and at his partial moan
Smiled through their tears; well knew that gentle band
Who in another’s fate now wept his own,
As in the accents of an unknown land
He sung new sorrow; sad Urania scanned
The Stranger’s mien, and murmured: “Who art thou?”
He answered not, but with a sudden hand
Made bare his branded and ensanguined brow,
Which was like Cain’s or Christ’s—oh! that it should be so!

What softer voice is hushed over the dead?
Athwart what brow is that dark mantle thrown?
What form leans sadly o’er the white death-bed,
In mockery of monumental stone,
The heavy heart heaving without a moan?
If it be He, who, gentlest of the wise,
Taught, soothed, loved, honoured the departed one,
Let me not vex, with inharmonious sighs,
The silence of that heart’s accepted sacrifice.

Our Adonais has drunk poison—oh!
What deaf and viperous murderer could crown
Life’s early cup with such a draught of woe?
The nameless worm would now itself disown:
It felt, yet could escape, the magic tone
Whose prelude held all envy, hate, and wrong,
But what was howling in one breast alone,
Silent with expectation of the song,
Whose master’s hand is cold, whose silver lyre unstrung.

Live thou, whose infamy is not thy fame!
Live! fear no heavier chastisement from me,
Thou noteless blot on a remembered name!
But be thyself, and know thyself to be!
And ever at thy season be thou free
To spill the venom when thy fangs o’erflow:
Remorse and Self-contempt shall cling to thee;
Hot Shame shall burn upon thy secret brow,
And like a beaten hound tremble thou shalt—as now.

Nor let us weep that our delight is fled
Far from these carrion kites that scream below;
He wakes or sleeps with the enduring dead;
Thou canst not soar where he is sitting now—
Dust to the dust! but the pure spirit shall flow
Back to the burning fountain whence it came,
A portion of the Eternal, which must glow
Through time and change, unquenchably the same,
Whilst thy cold embers choke the sordid hearth of shame.

Peace, peace! he is not dead, he doth not sleep—
He hath awakened from the dream of life—
’Tis we, who lost in stormy visions, keep
With phantoms an unprofitable strife,
And in mad trance, strike with our spirit’s knife
Invulnerable nothings.—We decay
Like corpses in a charnel; fear and grief
Convulse us and consume us day by day,
And cold hopes swarm like worms within our living clay.

He has outsoared the shadow of our night;
Envy and calumny and hate and pain,
And that unrest which men miscall delight,
Can touch him not and torture not again;
From the contagion of the world’s slow stain
He is secure, and now can never mourn
A heart grown cold, a head grown grey in vain;
Nor, when the spirit’s self has ceased to burn,
With sparkless ashes load an unlamented urn.

He lives, he wakes—’tis Death is dead, not he;
Mourn not for Adonais.—Thou young Dawn,
Turn all thy dew to splendour, for from thee
The spirit thou lamentest is not gone;
Ye caverns and ye forests, cease to moan!
Cease, ye faint flowers and fountains, and thou Air
Which like a mourning veil
Ken Pepiton Oct 2018
Drunk, we staggered home.

Aware of having been
some
other where
a while

That woman, she could answer

any question rebbi axt,
Ohhhhmyyy

she laugh and say, Dude, I got the Intent-net,
in my hand

That's more than a list of numbers, this
accounting idle words going on, on going, as fast as

lightning, at the scale, of, say

cat-ions ifiying an-ions
at random,
seen systematical, from a distance
zoom out
at the scale, of, say
Great Deep Field.

Center you, I'm no matter.

synchro
now

zoom out
Use that steam program
Universe Sandbox,
you gotta see that to imagine this, right,

and next is what you keep saying is unbelievable,
but its not.

Good things come to them
to whom
good makes more sense.

Earth from the moon POV

Confusion flux, spurtual,  caused by the solar flare of all solar flares,
one side

Whooshing the Ice left from Patton's flood
into steam, the stuff, not the app,

which swooshhhesssssssssss smack
into the freezing repurcussions
from the daark side…

The Noah event, that was bad,
This one, the last one, this just previous one,

was spiritual. Magnitudes incomparable
(save in parable and example, exemplar gratis,
says the bodiless being, with a roll of  my wrist and a bow)

At that very time on the side away from the flare,
the daark side of the planet, this one…

a Donald Patton nitrogen snow ball
that nearly breached Roche's limit,

too not nearly enough,
dis -integration
The atmosphere freezes
to the quark level, snap,

the cold
explosive
forward momentum
booms a nitrogen bubble now
minusminusminus
solid nitrogen
melting

any heat locked in flare fired steam,
what was once the water
that washed away the gods and locked their cities
of ivory under the ice

on the sunny side,
where now, then,

a solar flare like legends build empires upon
has passed, fires rage

there were survivors who lived to tell

and old stories never die. Old story tellers do,

Only miners survived, gold digger mostly,
few alchemists who knew the mystery in mercury,
Lost was all knowing but to a very few,
who truth be told had been the owner's
well kept servants, ministers of this and that
they perished with all the fires touched

we diggers, we only marvel

How bits of time, exact as ours, can be seen happening
all in bubble of Mercury. Cooked out red rock like these.

"Blood o' the gods of old, swat I'astold."

Messages from the gods, grandma, said, "Mercury calls for gold, gold listens, when fire's hottern fire can be,
unless
the breath of men blow on the coals", we all said that last part and blew out the light. G'night


but a story told a wee bit here a qubit there
here a little, there a little
line upon line,
precept upon precept,

'cept no body knows what I know about cept,

capere, a story starts, a provisioning tale. Wait.

it means grip. like a tool. rock breaks nut.

Paper covers rock, but scissors are so far in the future
that now, my time, my mind wanders after whys

this authoritative telling of the story, in it,
none know the terminal tale.

As in times past, there were survivors who lived to tell

and old stories never die. Old story tellers do,

Tho' here's a clue.
Meek's not bad,
stupid, for no reason, is.

Living long for the sake of a song heard once,
in dream luring me on, promising right now, I'll

know what it's like to see, oh

POV I made this clear some time ago,
time is less predictable than any imagined, before 2018
when, you know…

Even those tales old drunk Hesiod sold
in the Hittite tavern at Delphi,

Chronos thought wrong in those,
he ruled but for the merest gleam o'

Time, then a bubble gen erated by the thought of
opposition to transition,
nothing to something,
pushing /pushing back
stretch/snap/spark
that takes power, pulsing power, throbbing power

push/stretch
glow/snap
you know, imagine, glowing - cheat, think 2018 CG
glow/snap
Planc time,
each time the bubble pushes back
a ripple
imagine a clock, later, if you believe then, you must.

Now, see the bubble of all men have imagined,
since the time when such a bubble was only evil,
continually.

It went viral.
Noah we know for sure, almost, survived, ? Cushites kept records. In Africa.
Akkad kept record, too.
Some Hopi survived somehow and they have a tale.

They say they know the story is ten thousand years old,
I've been to a crossroads
on their journey,
stories
tell of it, still, today.

Holy means marked for good reason.
Marked with clues, not riddles, maps

Sacred means secret means hidden away for use,
not common, every day, quotidian use, right use.

Time, the opposing force, is precious to us all.
In time, we do all we can and die,

in ever, we expand, in no time at all. I imagine.

You fill it. Now, Your expandable mind's time,

time pushes from the outside,
wisdom pushes from the inside,

And so it goes, life goes on and music grows on ya,

Amusing how they do that, teeny muses dancing
shiva on the tip of my tongue,

singings songs in tongues I've never known
if they
are words on tongues
or sounds on tongues,

notes,

Baysian Binary Cross Validation
still ends with some people thinkin'
"it is finished" left them with a ton o'weight,
that's wrong, insist resistance.

Some, heavy duty, leaders of lambs, they claim
power in their mouths, spoken from fixed hearts,

but fixed upon, is truly the song,
said, words are only
little bits of whole sym ulacrum of re-ify-ing

where broken things re-pair, and life goes on…

"fixed, my heart is fixed",
no, your heart is machine of the most magnificent design, perfected,
a time at a time.
Flexing, pacing time itself, faster slower,

try some time
alone
be still, pond still

I know the story broke,
I could not hold it.

In the night, bitter cold
Frozen fragile...

There are pieces scattered every

where, everywhere
there is time, there is at least, a point

a story may stand upon and ask an angel
to dance.
Dance, give it some flare, what do we care?

Nobody's watching, but that fly.
This is read, by me at http://anchor.fm/kenpepiton
Life is good at my house, thankyou. A reader is needed more than words can tell. My posts are a book now, few stand solidly on their own. Thank you if you spend your time perusing them please tell me where I muddy the flow, or break the story.
I know we've met before,
At the cold sea of Atlantic
We kissed
We cried
It was sad, it was tragic,
We perished on the ocean floor

I know we've met before,
At the coast of Honolulu
We kissed
We cried
It was gloomy, it was blue
We perished as they bomb the shore

I know we've met before,
And now the world seemed so tranquil
We kissed
We cried
It was perfect, it was surreal
We perished when we're ninety-four
Let us open our imagination about a time traveller who learns to travel back in time.

Where he learns that in different eras, with a different body, in a different life, he's always inlove with the same soul.

Ladies and gents, I humbly give you "The Memoirs of a Time Traveller.
1
We, whose lungs fill with the sweetness of day.
Who in May admire trees flowering
Are better than those who perished.

We, who taste of exotic dishes,
And enjoy fully the delights of love,
Are better than those who were buried.

We, from the fiery furnaces, from behind barbed wires
On which the winds of endless autumns howled,
We, who remember battles where the wounded air roared in
paroxysms of pain.
We, saved by our own cunning and knowledge.

By sending others to the more exposed positions
Urging them loudly to fight on
Ourselves withdrawing in certainty of the cause lost.

Having the choice of our own death and that of a friend
We chose his, coldly thinking: Let it be done quickly.

We sealed gas chamber doors, stole bread
Knowing the next day would be harder to bear than the day before.

As befits human beings, we explored good and evil.
Our malignant wisdom has no like on this planet.

Accept it as proven that we are better than they,
The gullible, hot-blooded weaklings, careless with their lives.

2
Treasure your legacy of skills, child of Europe.
Inheritor of Gothic cathedrals, of baroque churches.
Of synagogues filled with the wailing of a wronged people.
Successor of Descartes, Spinoza, inheritor of the word 'honor',
Posthumous child of Leonidas
Treasure the skills acquired in the hour of terror.

You have a clever mind which sees instantly
The good and bad of any situation.
You have an elegant, skeptical mind which enjoys pleasures
Quite unknown to primitive races.

Guided by this mind you cannot fail to see
The soundness of the advice we give you:
Let the sweetness of day fill your lungs
For this we have strict but wise rules.

3
There can be no question of force triumphant
We live in the age of victorious justice.

Do not mention force, or you will be accused
Of upholding fallen doctrines in secret.

He who has power, has it by historical logic.
Respectfully bow to that logic.

Let your lips, proposing a hypothesis
Not know about the hand faking the experiment.

Let your hand, faking the experiment
No know about the lips proposing a hypothesis.

Learn to predict a fire with unerring precision
Then burn the house down to fulfill the prediction.

4
Grow your tree of falsehood from a single grain of truth.
Do not follow those who lie in contempt of reality.

Let your lie be even more logical than the truth itself
So the weary travelers may find repose in the lie.

After the Day of the Lie gather in select circles
Shaking with laughter when our real deeds are mentioned.

Dispensing flattery called: perspicacious thinking.
Dispensing flattery called: a great talent.

We, the last who can still draw joy from cynicism.
We, whose cunning is not unlike despair.

A new, humorless generation is now arising
It takes in deadly earnest all we received with laughter.

5
Let your words speak not through their meanings
But through them against whom they are used.

Fashion your weapon from ambiguous words.
Consign clear words to lexical limbo.

Judge no words before the clerks have checked
In their card index by whom they were spoken.

The voice of passion is better than the voice of reason.
The passionless cannot change history.

6
Love no country: countries soon disappear
Love no city: cities are soon rubble.

Throw away keepsakes, or from your desk
A choking, poisonous fume will exude.

Do not love people: people soon perish.
Or they are wronged and call for your help.

Do not gaze into the pools of the past.
Their corroded surface will mirror
A face different from the one you expected.

7
He who invokes history is always secure.
The dead will not rise to witness against him.

You can accuse them of any deeds you like.
Their reply will always be silence.

Their empty faces swim out of the deep dark.
You can fill them with any feature desired.

Proud of dominion over people long vanished,
Change the past into your own, better likeness.

8
The laughter born of the love of truth
Is now the laughter of the enemies of the people.

Gone is the age of satire. We no longer need mock.
The sensible monarch with false courtly phrases.

Stern as befits the servants of a cause,
We will permit ourselves sycophantic humor.

Tight-lipped, guided by reasons only
Cautiously let us step into the era of the unchained fire.
purple orchid Jun 2014
When we look into today,
*Do our minds dial back to 16 June '76 to envision the torment
Our fallen heroes endured?

Is your vision blurred?
Mine isn't.

Their fight was just,
It was sacrificial
One by one they perished
But, even with blood and sweat slipping
Through their trembling fingers
They did not falter

They pushed boundaries
In order to create opportunities

They had a burning desire
For something greater,
For freedom
The freedom that we now bask in
Like it's just another day of leisure

"The youth of today are the leaders
of tomorrow", they say

Look in the mirror,
Are you really the leader of tomorrow?
Do you fit somewhere in that statement?

Me: No

Do we have the will to stand
Firm for what's right,
Against what's wrong
Or do we clam up, let the
Truth escape through broken doors?

We feed the stereotypes,
We fit perfectly into the stereotypes
We've been dubbed insubstantial,
Not layered, and one dimensional
What are we really after?
What are we doing to change that perspective?
No- what am I doing to change that??

Ask yourself, what would the
world have lost if you were not born?

Me: Nothing

But there are those who
understand that the meaning of "struggle"
Goes beyond the dictionary definition,
Those who look at the world
With crystal clear eyes
Those looking to make a difference
Those looking for a difference

We may be in freedom,
but we're not free at all
The chains are still bound to our
Wrists binding us from reaching
Out to the sun,
The chains are still tied to our
Feet hindering us from going further

We can stand united
Against the ****** government,
Against illiteracy,
Against poverty,
Against pointless wars,
Against abuse.
We can clench up our fists,
Ready to fight for what others
Led way for

I am, by no means, a beacon of
Hope (hypocrisy at it's best)
I'm uninformed, like they say
Ignorance is bliss
But I am not proud of it

We've come far since '94
We still can go further

"Together we can do more"
Another historic day in South Africa. In 16 June 1976, students from townships started an uprising, refusing to be taught in Afrikaans. So many lost their lives, and today, English is the medium of instruction but we still have a choice to choose our mother tongues as first languages instead of second additional languages. That's what they fought for
Umi Mar 2018
To its mistresses wish, the blade dances through till she has been pleased, leaving a mess by engraving the scars of death as a mark, Alike a shadow she does not crack, cavorting a masacre of cruelty,
Berserking she follows the orders, shedding blood in fountains of death and misery without chance for this rage to stop without order,
Emotionless, cold, time is for her to stop moving when her ****** devotion consumes her entirely, swaying in the dark, destroying,
Tortured with true or false everyone disappears, time flows again,
A phantom glides over the sea of blood, in a mist, scarlet red,
Observing this would cause a riot of emotions to rage in pure fury,
Her name already burnt away, as a new one was given to her after this rumpus had found its peak, leaving the mistress in bliss, joy,
Watching their attemps to flee as they reach their dying moments,
Until those who get to close have perished, nobody and nothing left,
Cricling karma surely will catch them, after this sacrifice is done,
Warm blood melts the left over snow, laughter echos and reverbrates through the unending seeming night, bells ring, it is only midnight.
In the end her loyalty and efforts, her energy and love for her mistress
Are but a ****** devotion

~ Umi
(1674.)


I have desired, and I have been desired;
  But now the days are over of desire,
  Now dust and dying embers mock my fire;
Where is the hire for which my life was hired?
  Oh vanity of vanities, desire!

Longing and love, pangs of a perished pleasure,
  Longing and love, a disenkindled fire,
  And memory a bottomless gulf of mire,
And love a fount of tears outrunning measure;
  Oh vanity of vanities, desire!

Now from my heart, love's deathbed, trickles, trickles,
  Drop by drop slowly, drop by drop of fire,
  The dross of life, of love, of spent desire;
Alas, my rose of life gone all to prickles,--
  Oh vanity of vanities, desire!

Oh vanity of vanities, desire;
  Stunting my hope which might have strained up higher,
  Turning my garden plot to barren mire;
Oh death-struck love, oh disenkindled fire,
  Oh vanity of vanities, desire!
A Child’s Story

Hamelin Town’s in Brunswick,
By famous Hanover city;
The river Weser, deep and wide,
Washes its wall on the southern side;
A pleasanter spot you never spied;
But, when begins my ditty,
Almost five hundred years ago,
To see the townsfolk suffer so
From vermin, was a pity.

Rats!
They fought the dogs, and killed the cats,
And bit the babies in the cradles,
And ate the cheeses out of the vats,
And licked the soup from the cook’s own ladles,
Split open the kegs of salted sprats,
Made nests inside men’s Sunday hats,
And even spoiled the women’s chats,
By drowning their speaking
With shrieking and squeaking
In fifty different sharps and flats.

At last the people in a body
To the Town Hall came flocking:
“’Tis clear,” cried they, “our Mayor’s a noddy;
And as for our Corporation—shocking
To think we buy gowns lined with ermine
For dolts that can’t or won’t determine
What’s best to rid us of our vermin!
You hope, because you’re old and obese,
To find in the furry civic robe ease?
Rouse up, Sirs! Give your brains a racking
To find the remedy we’re lacking,
Or, sure as fate, we’ll send you packing!”
At this the Mayor and Corporation
Quaked with a mighty consternation.

An hour they sate in council,
At length the Mayor broke silence:
“For a guilder I’d my ermine gown sell;
I wish I were a mile hence!
It’s easy to bid one rack one’s brain—
I’m sure my poor head aches again
I’ve scratched it so, and all in vain.
Oh for a trap, a trap, a trap!”
Just as he said this, what should hap
At the chamber door but a gentle tap?
“Bless us,” cried the Mayor, “what’s that?”
(With the Corporation as he sat,
Looking little though wondrous fat;
Nor brighter was his eye, nor moister
Than a too-long-opened oyster,
Save when at noon his paunch grew mutinous
For a plate of turtle green and glutinous)
“Only a scraping of shoes on the mat?
Anything like the sound of a rat
Makes my heart go pit-a-pat!”

“Come in!”—the Mayor cried, looking bigger:
And in did come the strangest figure!
His queer long coat from heel to head
Was half of yellow and half of red;
And he himself was tall and thin,
With sharp blue eyes, each like a pin,
And light loose hair, yet swarthy skin,
No tuft on cheek nor beard on chin,
But lips where smiles went out and in—
There was no guessing his kith and kin!
And nobody could enough admire
The tall man and his quaint attire:
Quoth one: “It’s as my great-grandsire,
Starting up at the Trump of Doom’s tone,
Had walked this way from his painted tombstone!”

He advanced to the council-table:
And, “Please your honours,” said he, “I’m able,
By means of a secret charm, to draw
All creatures living beneath the sun,
That creep or swim or fly or run,
After me so as you never saw!
And I chiefly use my charm
On creatures that do people harm,
The mole and toad and newt and viper;
And people call me the Pied Piper.”
(And here they noticed round his neck
A scarf of red and yellow stripe,
To match with his coat of the selfsame cheque;
And at the scarf’s end hung a pipe;
And his fingers, they noticed, were ever straying
As if impatient to be playing
Upon this pipe, as low it dangled
Over his vesture so old-fangled.)
“Yet,” said he, “poor piper as I am,
In Tartary I freed the Cham,
Last June, from his huge swarms of gnats;
I eased in Asia the Nizam
Of a monstrous brood of vampire-bats;
And, as for what your brain bewilders,
If I can rid your town of rats
Will you give me a thousand guilders?”
“One? fifty thousand!”—was the exclamation
Of the astonished Mayor and Corporation.

Into the street the Piper stepped,
Smiling first a little smile,
As if he knew what magic slept
In his quiet pipe the while;
Then, like a musical adept,
To blow the pipe his lips he wrinkled,
And green and blue his sharp eyes twinkled
Like a candle flame where salt is sprinkled;
And ere three shrill notes the pipe uttered,
You heard as if an army muttered;
And the muttering grew to a grumbling;
And the grumbling grew to a mighty rumbling;
And out of the houses the rats came tumbling.
Great rats, small rats, lean rats, brawny rats,
Brown rats, black rats, grey rats, tawny rats,
Grave old plodders, gay young friskers,
Fathers, mothers, uncles, cousins,
Cocking tails and pricking whiskers,
Families by tens and dozens,
Brothers, sisters, husbands, wives—
Followed the Piper for their lives.
From street to street he piped advancing,
And step for step they followed dancing,
Until they came to the river Weser,
Wherein all plunged and perished!
- Save one who, stout a Julius Caesar,
Swam across and lived to carry
(As he, the manuscript he cherished)
To Rat-land home his commentary:
Which was, “At the first shrill notes of the pipe
I heard a sound as of scraping tripe,
And putting apples, wondrous ripe,
Into a cider-press’s gripe:
And a moving away of pickle-tub-boards,
And a leaving ajar of conserve-cupboards,
And a drawing the corks of train-oil-flasks,
And a breaking the hoops of butter-casks;
And it seemed as if a voice
(Sweeter far than by harp or by psaltery
Is breathed) called out ‘Oh, rats, rejoice!
The world is grown to one vast drysaltery!
So munch on, crunch on, take your nuncheon,
Breakfast, supper, dinner, luncheon!’
And just as a bulky sugar-puncheon,
All ready staved, like a great sun shone
Glorious scarce and inch before me,
Just as methought it said ‘Come, bore me!’
- I found the Weser rolling o’er me.”

You should have heard the Hamelin people
Ringing the bells till they rocked the steeple.
“Go,” cried the Mayor, “and get long poles!
Poke out the nests and block up the holes!
Consult with carpenters and builders,
And leave in our town not even a trace
Of the rats!”—when suddenly, up the face
Of the Piper perked in the market-place,
With a, “First, if you please, my thousand guilders!”

A thousand guilders! The Mayor looked blue;
So did the Corporation too.
For council dinners made rare havoc
With Claret, Moselle, Vin-de-Grave, Hock;
And half the money would replenish
Their cellar’s biggest **** with Rhenish.
To pay this sum to a wandering fellow
With a gypsy coat of red and yellow!
“Beside,” quoth the Mayor with a knowing wink,
“Our business was done at the river’s brink;
We saw with our eyes the vermin sink,
And what’s dead can’t come to life, I think.
So, friend, we’re not the folks to shrink
From the duty of giving you something for drink,
And a matter of money to put in your poke;
But, as for the guilders, what we spoke
Of them, as you very well know, was in joke.
Beside, our losses have made us thrifty.
A thousand guilders! Come, take fifty!”

The Piper’s face fell, and he cried
“No trifling! I can’t wait, beside!
I’ve promised to visit by dinner-time
Bagdat, and accept the prime
Of the Head Cook’s pottage, all he’s rich in,
For having left, in the Calip’s kitchen,
Of a nest of scorpions no survivor—
With him I proved no bargain-driver,
With you, don’t think I’ll bate a stiver!
And folks who put me in a passion
May find me pipe to another fashion.”

“How?” cried the Mayor, “d’ye think I’ll brook
Being worse treated than a Cook?
Insulted by a lazy ribald
With idle pipe and vesture piebald?
You threaten us, fellow? Do your worst,
Blow your pipe there till you burst!”

Once more he stepped into the street;
And to his lips again
Laid his long pipe of smooth straight cane;
And ere he blew three notes (such sweet
Soft notes as yet musician’s cunning
Never gave the enraptured air)
There was a rustling, that seemed like a bustling
Of merry crowds justling at pitching and hustling,
Small feet were pattering, wooden shoes clattering,
Little hands clapping and little tongues chattering,
And, like fowls in a farmyard when barley is scattering,
Out came the children running.
All the little boys and girls,
With rosy cheeks and flaxen curls,
And sparkling eyes and teeth like pearls,
Tripping and skipping, ran merrily after
The wonderful music with shouting and laughter.

The Mayor was dumb, and the Council stood
As if they were changed into blocks of wood,
Unable to move a step, or cry
To the children merrily skipping by—
And could only follow with the eye
That joyous crowd at the Piper’s back.
But how the Mayor was on the rack,
And the wretched Council’s bosoms beat,
As the Piper turned from the High Street
To where the Weser rolled its waters
Right in the way of their sons and daughters!
However he turned from South to West,
And to Koppelberg Hill his steps addressed,
And after him the children pressed;
Great was the joy in every breast.
“He never can cross that mighty top!
He’s forced to let the piping drop,
And we shall see our children stop!”
When, lo, as they reached the mountain’s side,
A wondrous portal opened wide,
As if a cavern was suddenly hollowed;
And the Piper advanced and the children followed,
And when all were in to the very last,
The door in the mountain-side shut fast.
Did I say, all? No! One was lame,
And could not dance the whole of the way;
And in after years, if you would blame
His sadness, he was used to say,—
“It’s dull in our town since my playmates left!
I can’t forget that I’m bereft
Of all the pleasant sights they see,
Which the Piper also promised me:
For he led us, he said, to a joyous land,
Joining the town and just at hand,
Where waters gushed and fruit-trees grew,
And flowers put forth a fairer hue,
And everything was strange and new;
The sparrows were brighter than peacocks here,
And their dogs outran our fallow deer,
And honey-bees had lost their stings,
And horses were born with eagles’ wings:
And just as I became assured
My lame foot would be speedily cured,
The music stopped and I stood still,
And found myself outside the Hill,
Left alone against my will,
To go now limping as before,
And never hear of that country more!”

Alas, alas for Hamelin!
There came into many a burgher’s pate
A text which says, that Heaven’s Gate
Opes to the Rich at as easy rate
As the needle’s eye takes a camel in!
The Mayor sent East, West, North, and South,
To offer the Piper, by word of mouth,
Wherever it was men’s lot to find him,
Silver and gold to his heart’s content,
If he’d only return the way he went,
And bring the children behind him.
But when they saw ’twas a lost endeavour,
And Piper and dancers were gone for ever,
They made a decree that lawyers never
Should think their records dated duly
If, after the day of the month and year,
These words did not as well appear,
“And so long after what happened here
On the Twenty-second of July,
Thirteen hundred and seventy-six”:
And the better in memory to fix
The place of the children’s last retreat,
They called it, the Pied Piper’s Street—
Where any one playing on pipe or tabor
Was sure for the future to lose his labour.
Nor suffered they hostelry or tavern
To shock with mirth a street so solemn;
But opposite the place of the cavern
They wrote the story on a column,
And on the great Church-Window painted
The same, to make the world acquainted
How their children were stolen away;
And there it stands to this very day.
And I must not omit to say
That in Transylvania there’s a tribe
Of alien people that ascribe
The outlandish ways and dress
On which their neighbours lay such stress,
To their fathers and mothers having risen
Out of some subterraneous prison
Into which they were trepanned
Long time ago in a mighty band
Out of Hamelin town in Brunswick land,
But how or why, they don’t understand.

So, *****, let you and me be wipers
Of scores out with all men—especially pipers:
And, whether they pipe us free, from rats or from mice,
If we’ve promised them aught, let us keep our promise.
Upon the mighty raging sea, whirlpools of fiery sparks, Catherine wheels of light and mist mix with the foam of time. Tossed by unseen movements a tiny globe is floating on the tides and flotsam swirls around its contours, attracted by invisible smooth ripples. Dashed to smooth curves, rare and precious treasure pebbles dance in the flotsam, around the tiny globe, lost in that vast sea, tossed aside by finned entities. Together they ride the foam of endless ocean.

Upon his bed of green soft flotsam, in peaceful tranquillity, gazing out at other treasure pebbles, upon the most precious jewelled blue sapphire, swimming in the azure sea, the purple man soaks up the rays of green made by the yellow globe.

The purple man sees and understands.

The lines of his world are shining silver light, for him there is no darkness in the night. Beset by cares he glances at the fractal flotsam and sees himself reflected, unfolding, timeless. Cares melt in mellow green.

The purple man fades and expands, his nebula fills the ocean wide and everything folds, unfolds; breathes in and out. Allfather stands beside the gate.

Where the fish swim and water snakes, where rivers run and wash the mountains silt upon the shore, there one day the star man came descending from a ship that sails the ocean Sky. The purple man was dreaming as before. From far away where people live in light, from where there is no hunger, fear or pain, where none deceive because there is no gain, where power is within and all are free, Wayland came.

Sitting by the river in the mud his fingers sinking into rich red clay he saw this world so full of music and in love, he sought the matrix seeds that dormant lay. Weaving the matrix then this Wayland made a pair of people from the clay and calling to the green fire of life, he gave them this garden free, to care for and in which to learn and play.

The purple man, who on his misty pillow lay said to Wayland then,

“Will you not stay?” The star man answered,

“I have so far to go and there is so much I want to see, you stay here awhile and tell them this: they are the keepers now of flotsam Zu, and you can teach them all that they must know. Say to them and get it right, 'you are the children of the light, travel where you will; you are not bound here by the clay. In all who say, “I am“ there is the life, and all who live are one in truth, this moment does not pass away.' I will return to visit you one day.”

Purple light shines green around the gate and all pass to and fro. There were the flying elephants of old, bright butterfly wings and iridescent scales, and fire within they blew and rose to mate high in the careless foam of space.

“I see, I see,” the purple man exclaims, “And I will leave a legacy.” Then taking out his notebook draws a stone and then another, places both together high upon the hill.

“All shall know!” he cries and gives them eyes and crowns. Thrones they hold with firm rock fingers, king and queen in rock of jewels tiny crystal shimmers. Eyes gaze out along the silver lines of truth, eyes of stone, and he cuts a small notch in the place the eyes alight their vision.

“Now all will know.” He spreads his cloak and sleeps beneath the hill in quiet satisfaction but dreams he did the task and lost in thought forgets. Stones stand waiting in dreams of eyes that only dreamers see and ride the light that only globe green rays can ride in pale yellow day.

“Forget, forget.” The whispers of the shining huntress sing sweetly and the residents of the butterfly house are soothed and filled with wonder. Dancing light reflects from yellow sand. Lifting hot feet to cool in baking oven rays.

Skating on tension, walking on invisible support a fish jumps from the water of a lake, cascading diamond spray around golden wings, then plunges back into the familiar world. Together all are one and life renewed. Wisps of purple smoke rise from a burning pile of old splendid green boughs now brown and brittle and delicious waves cook as chatter rises in anticipation. Toes muddy and wet warm as much as they dare and faces shine as globe of green gives energy. Wisteria sweet twists its tendrils on the gatepost and spreads its fingers wide to reach the stars.

The white and shining orb that, with full sails, is dancing with the flotsam sapphire tells her story in the ripples of a darkened pool. As in each drop the orb is, so it is with all and in all flows the green.

A grey cat-wolf with silky coat, who sweetly purrs sinks her teeth into feathers and warm nourishment flows from vein to vein. Carrying proudly to the doorstep leaves the gift but pricked purple fingers drip blood as tears flow for the tiny, feathered form.

Misunderstanding of the gift and weary sleep claim the mourner. In the corner stands a child of dusty clothes, untidy and ragged feathers. Grey coloured and brown his hair, face, and hair all dusty and brown. In mind of purple song was singing sad songs of green trees and fields of flowers and seeds. The child turns and eyes as old as time look deep as hands are stretched to greet. The purple man takes outstretched hands and they dance to music of the ocean deep.

“It cannot end, the green can never end, it just returns.” and round they dance, as the child is filled with light and transparent power touches purple hands and spirit surges to pull the purple man to stand before the gate.

Purple man rides on steed of unicorn; who sheds his twisted horn of white and says,

“With this you may write and tell the keepers of Zu to teach their subjects true.” His purple fingers hold the shining torch as on the saddle of his steed he carves the key, the binary. “All is here!” he shouts, “it is enough for all to be and all who will to see! Freedom is my gift to humanity!” Walking to the golden shore, he breathes the green fire to his steed, “Fly now and take my pattern home for all to learn.” The unicorn, now dragon born and horse is manifest, with fiery nostrils and shining fins swims into the long and winding currents of the thread of gold.

From that island home is cast the stone and off it goes into the seas of time, the circle seas. Music wafts around the globe as jewelled pebbles sing. The purple man, his eyes upon the depths, his head on soft flotsam pillow looks horizontally and wanders paths of space between.

A king of Zu in earnest thought upon the shore, a hornless unicorn has caught. A dragon horse who will not bear but shakes his saddle, burden gone he flies into the air. This trinket fine will grace the royal belt and a medallion the king does wear; magic token lost in time as those who knew could not stay and to the music danced away. Beyond the gate, into the ocean deep they to while away, until the wafting air lifts up the drops to bear.

Within the turbulence of that wild sea of calmness where regular tides disguise, mountains are ground, their pieces smashed and broken into shimmering beads of light. Each piece the matrix seed does hold within its crystal frame and life its energy. They shoot forth in forces, travel star to star, globe upon globe they circumnavigate and chaos brings movement to the stagnant ponds of flotsam, pools stirring, breathing life.

In Zu, the wanderers, who had no houses yet, who lived among the stars and trees, gathered round fires to eat their fruit and seeds at Mothers knee and told their oral histories.

Memories of mine and theirs and time distorts the tales so pictures made they to endure but meanings lost as careless child is watching dripping fat of meat and mouth is watering at the food to eat. Within the ring of warmth and fire the wild beast fears, the stories fall distorted on deaf ears.

“Remember well the lessons here: Once our world was full of fear. The seas rose up and swallowed whole the land of Zu, the air was cold. The globe its shining rays of green was hid beneath a reddish sheen of fire as worlds collided higher. The cold it came, the ice giants walked upon the land, so I was taught. Now eat this meat the hunter men have brought.” Within the shamans cave the purple man sleeps and walks on paths of many feet.

On bellies laid upon a hill of hot dry golden sand, the purple man looks down with his band of friends upon the tall city gate below. Beyond he sees the golden domes and tall white towers of so fair a place. A white wall stretches far as he can see and by the gate two fierce lions guard with swords of shining steel.

“I know not how to enter there.” he says, but then finds he is inside, alone and the white city walls are high around him. Trepidation grips his thought and on tiptoes he intrudes in wonder, clinging to the walls. The giant who stoops to lift him smiles, gold flashes from ornaments, turquoise beads on olive skin, and strong muscular arms pick up the purple man who looks around and down to see the white towers are but square pools of proportion huge. The strong hands plunge him down into clear water cool, so fresh it cleans, from showers of silver droplets a babe is raised up to the shining pale blue sky.

Seeing a tortoise then beside the waters edge, the purple man, still having horn of unicorn, inscribed the pattern of the nine with movement of the all, so that he would remember all that Wayland said. Then silence and dreams were once more inside his head.

Purple man sat at the foot of a great tree. A red furred squirrel ran up and down the bark, collecting food and going deep to keep its secret safe. Above the tree the globe was shining bright and yellow light was all around. The good folk who dwell in light transparent crystal vessels sang their song for all to hear and as the squirrel gathered food she heard their voices clear. Then, scampering along the ground quietly in case the purple man should wake, she buried down to the deep pools where three watch the water that feeds the sap. She hummed the song but had not listened to the words and got it wrong before those there to guide the destiny.

“Oh, careless child who listens not when at the fire, who now will tell the history?” The purple man saw the green sap of the tree within and understood.

“Make a machine!” the keepers say, “for you are bound by clay. Rip out the sapphires heart and give us power so that in darkness is the light of day. We have the words and wisdom here,” the keepers fight and hide the secret words, “the nine is ours not yours to know, we only have the power, is it not so? We are your keepers, guardians true; we would not lie to you.

“We took the power from Mother of the tribes to keep you safe from beasts who roam. They would not stay outside the ring of warmth and fire but come inside, devour you in your home.

“The seas rose up before and swallowed Zu, the people perished all except a few. Those few were chosen by the unicorn and here to us a tortoise bore its horn. We stole the fire that came on flotsam Zu, we have the lightening here entombed, the stars that fell in dire punishment, we kept them to remind you of your doom.

“We took the prophets all and kept their words, we wrote them down and only we can give those words to you. He who was here is gone for now but will return, to judge all those who will not heed our rule.

“We must make war to punish those who hate, we must sacrifice to please the beast. Then within our boundaries you will be safe in service to our cause for we are wise.”

The slaves of Zu who toil and sweat all day, all fearful of whatever comes their way; the slaves who have no water and no food and not because they have not loved the good, the slaves who weep for flotsam Zu, the ones who try to do what they believe is true, all listened to the keepers and were quiet, they had no heart to war and die in riot. They had no heart to disobey the rules well taught from their first day. Some turned and struck their fellows in dismay.

The feet upon the pavement hard in hardness crunch and shocks run up the legs and bounce the brains of those who cannot see. Purple streaks the sunrise comes and petals yawn to greet the sailing globe of yellow breathing green. Herded and obedient, the subjects of the kingdom of Zu wake and queue politely as keepers set the tasty morsels. Wheels and tides, time and ocean turn as globe spins in eddies and careless diamonds sprinkled in the flakes of cornfields tell the story unfolding.

Shadows play. The sickle shines its ****** sweetness horned and lovely; sparks of stars surround the misty blue. Knees and cries on time forget the sly insertions and nourish soon forgotten virtues.

A bell is ringing on the shore. Sound bounces wave to wave and lost in purple wandering a passing bee remembers that it cannot fly and hurriedly taking scissors cuts a fine raft of leaf, pointed as a ships bow and hops aboard to surf and glide on currents of the sky.

From the deep oceans light, Wayland sees and sends a whisper from his mind, the purple man is dreaming still among the many others of his kind.

“Its time to wake now, of slumber is enough. Zu needs to have its gardeners intact, its time to plant the Iris bulbs to grow in pasture and in desert before the ice comes back. Seeds of the rainbow must be sown on every track. When summer dawns on frosted fields, fingers of warmth probing into the hearts of seeds that sleep, come now its time for growing. Plough the furrows deep. When summer dawns on frosted fields, fingers of warmth probing into cold frost hardened hearts. Awake, its time for knowing!”

The purple man in forest sees green light of yellow globe is shining energetically its light on all, and one with all he walks in joyful song. Along a branch a leg is stretched, a long leg, there a person sits within the tree, smiling song of life,

“He's just like me!” the purple man does not intrude but curiosity is wakened as the man is standing tall and then is gone before his eyes of sight. A figure dressed in light, not vaporous, a solid man who flickers on and off he sees. The purple man perplexed is wondering, when at his side a figure tall and grey is standing, branches on his head, without a face in the full light of day. The purple man looks for the face, the seat of senses known to know who is it there and meets an eye as old as universe. The eye is looking for the same and as they meet in trap of combined senses all, there is a spark and purple man is travelling then, he is not in the planet Zu at all. The visitor who comes to show the way gives him a choice of paths to take, he forward walks along a narrow lane with strange and pointed leaves of maize. Rustling in the plants the other chases past, he greets him at the other side, and man of light is shining on and off out of the gate the purple man to guide. The rainbow bridge connecting all the worlds, the green path that all who live must share, the purple man looks for the visitor but turning finds that nothing's there. Then rippling wave of green comes flowing through the woodland and the day, it passes through all that lies before, and purple man is standing in its way. Green fire! The life! The sap of tree! I see! His spirit soars as Wayland flies away.

Looking down at hands and feet with rainbows shine, in great delight he finds he is not purple now but made of light sublime and at his step the irises spring bright.
Stephen E Yocum Aug 2018
Power is indeed a corruptive force,
Through all of mankind’s history
This has always been true.
Emperors, Kings, Potentates,
Popes, Presidents and Despots too.

Gathering near the Throne are the
Eager Courtier leeches reaching to
touch the anointed one’s robe.
Declaring their undying loyalty,
In the process selling their souls.
Their rewards, a speck of personal power,
Castles and new riches of gold.

Like their Master, the entitled ones
will lie and cheat, while ignoring
The principals of right and good.
Believing “Decency” is but a
poor man’s word, Never uttered
within the hearing of the Ruler.
Never a considered artifact of
absolute power.

The slaves, serfs, the common people
Matter not, but to serve the Ruler.
The power elite will start needless wars,
or offer up sacrificial lambs, all to distract
the unrest of the common man.
They will suppress human rights,
free speech and defame, banish
or imprison their detractors.

All merely smoke and mirrors to conceal,
Controlling agendas of personal greed.
From ancient times down to today
This cycle repeats. Now we are living
our own Textbooks history of tomorrow.

Kingdoms and Nations have perished
From this kind of poisonous corruption,
Needless to say, it will happen again.
Perhaps it already is.
Unless this write is too obtuse, We all
need to change our history to come.
Stand up and speak out and vote.
Michael R Burch Mar 2020
What the Poet Sees
by Michael R. Burch

What the poet sees,
he sees as a swimmer
~~~~underwater~~~~
watching the shoreline blur
sees through his breath’s weightless bubbles ...
Both worlds grow obscure.

Published by ByLine, Mandrake Poetry Review, Poetically Speaking, E Mobius Pi, Underground Poets, Little Brown Poetry, Triplopia, Poetic Ponderings, Poem Kingdom, PW Review, Muse Apprentice Guild, Mindful of Poetry, Poetry on Demand, Poet’s Haven, Famous Poets and Poems, Bewildering Stories, Neovictorian/Cochlea

Keywords/Tags: Poet, poetic vision, sight, seeing, swimmer, underwater, breath, bubbles, blur, blurry, blurred, blurring, obscure, obscured, obscuring

How valiant he lies tonight: great is his Monument!
Yet Ares cares not, neither does War relent.
by Anacreon, loose translation/interpretation by Michael R. Burch

Here he lies in state tonight: great is his Monument!
Yet Ares cares not, neither does War relent.
by Anacreon, loose translation/interpretation by Michael R. Burch

Yes, bring me Homer’s lyre, no doubt,
but first yank the bloodstained strings out!
by Anacreon, loose translation/interpretation by Michael R. Burch

Here we find Anacreon,
an elderly lover of boys and wine.
His harp still sings in lonely Acheron
as he thinks of the lads he left behind ...
by Anacreon or the Anacreontea, loose translation/interpretation by Michael R. Burch

Mariner, do not ask whose tomb this may be,
But go with good fortune: I wish you a kinder sea.
Michael R. Burch, after Plato

We who left behind the Aegean’s bellowings
Now sleep peacefully here on the mid-plains of Ecbatan:
Farewell, dear Athens, nigh to Euboea,
Farewell, dear sea!
Michael R. Burch, after Plato

Passerby,
Tell the Spartans we lie
Lifeless at Thermopylae:
Dead at their word,
Obedient to their command.
Have they heard?
Do they understand?
Michael R. Burch, after Simonides

Does my soul abide in heaven, or hell?
Only the sea gulls in their high, lonely circuits may tell.
Michael R. Burch, after Glaucus

They observed our fearful fetters,
braved the overwhelming darkness.
Now we extol their excellence:
bravely, they died for us.
Michael R. Burch, after Mnasalcas

Blame not the gale, nor the inhospitable sea-gulf, nor friends’ tardiness,
Mariner! Just man’s foolhardiness.
Michael R. Burch, after Leonidas of Tarentum

Be ashamed, O mountains and seas:
that these valorous men lack breath.
Assume, like pale chattels,
an ashen silence at death.
Michael R. Burch, after Parmenio

These men earned a crown of imperishable glory,
Nor did the maelstrom of death obscure their story.
Michael R. Burch, after Simonides

Stranger, flee!
But may Fortune grant you all the prosperity
she denied me.
Michael R. Burch, after Leonidas of Tarentum

Everywhere the sea is the sea, the dead are the dead.
What difference to me―where I rest my head?
The sea knows I’m buried.
Michael R. Burch, after Antipater of Sidon

I lie by stark Icarian rocks
and only speak when the sea talks.
Please tell my dear father that I gave up the ghost
on the Aegean coast.
Michael R. Burch, after Theatetus

Here I lie dead and sea-enclosed Cyzicus shrouds my bones.
Faretheewell, O my adoptive land that reared and nurtured me;
once again I take rest at your breast.
Michael R. Burch, after Erycius

I am loyal to you master, even in the grave:
Just as you now are death’s slave.
Michael R. Burch, after Dioscorides

Stripped of her stripling, if asked, she’d confess:
“I am now less than nothingness.”
Michael R. Burch, after Diotimus

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.
Michael R. Burch, Epitaph for a Palestinian Child

Sail on, mariner, sail on,
for while we were perishing,
greater ships sailed on.
Michael R. Burch, after Theodorides

All this vast sea is his Monument.
Where does he lie―whether heaven, or hell?
Perhaps when the gulls repent―
their shriekings may tell.
Michael R. Burch, after Glaucus

His white bones lie bleaching on some inhospitable shore:
a son lost to his father, his tomb empty; the poor-
est beggars have happier mothers!
Michael R. Burch, after Damegtus

A mother only as far as the birth pangs,
my life cut short at the height of life’s play:
only eighteen years old, so brief was my day.
Michael R. Burch, after an unknown Greek poet

Having never earned a penny,
nor seen a bridal gown slip to the floor,
still I lie here with the love of many,
to be the love of yet one more.
Michael R. Burch, after an unknown Greek poet

Little I knew―a child of five―
of what it means to be alive
and all life’s little thrills;
but little also―(I was glad not to know)―
of life’s great ills.
Michael R. Burch, after Lucian

Pity this boy who was beautiful, but died.
Pity his monument, overlooking this hillside.
Pity the world that bore him, then foolishly survived.
Michael R. Burch, after an unknown Greek poet

Insatiable Death! I was only a child!
Why did you ****** me away, in my infancy,
from those destined to love me?
Michael R. Burch, after an unknown Greek poet

Tell Nicagoras that Strymonias
at the setting of the Kids
lost his.
Michael R. Burch, after Nicaenetus

Here Saon, son of Dicon, now rests in holy sleep:
say not that the good die young, friend,
lest gods and mortals weep.
Michael R. Burch, after Callimachus

The light of a single morning
exterminated the sacred offspring of Lysidice.
Nor do the angels sing.
Nor do we seek the gods’ advice.
This is the grave of Nicander’s lost children.
We merely weep at its bitter price.
Michael R. Burch, after an unknown Greek poet

Pluto, delighting in tears,
why did you bring our son, Ariston,
to the laughterless abyss of death?
Why―why?―did the gods grant him breath,
if only for seven years?
Michael R. Burch, after an unknown Greek poet

Heartlessly this grave
holds our nightingale speechless;
now she lies here like a stone,
who voice was so marvelous;
while sunlight illumining dust
proves the gods all reachless,
as our prayers prove them also
unhearing or beseechless.
Michael R. Burch, after an unknown Greek poet

I, Homenea, the chattering bright sparrow,
lie here in the hollow of a great affliction,
leaving tears to Atimetus
and all scattered―that great affection.
Michael R. Burch, after an unknown Greek poet

We mourn Polyanthus, whose wife
placed him newly-wedded in an unmarked grave,
having received his luckless corpse
back from the green Aegean wave
that deposited his fleshless skeleton
gruesomely in the harbor of Torone.
Michael R. Burch, after Phaedimus

Once sweetest of the workfellows,
our shy teller of tall tales
―fleet Crethis!―who excelled
at every childhood game . . .
now you sleep among long shadows
where everyone’s the same . . .
Michael R. Burch, after Callimachus

Although I had to leave the sweet sun,
only nineteen―Diogenes, hail!―
beneath the earth, let’s have lots more fun:
till human desire seems weak and pale.
Michael R. Burch, after an unknown Greek poet

Though they were steadfast among spears, dark Fate destroyed them
as they defended their native land, rich in sheep;
now Ossa’s dust seems all the more woeful, where they now sleep.
Michael R. Burch, after Aeschylus

Aeschylus, graybeard, son of Euphorion,
died far away in wheat-bearing Gela;
still, the groves of Marathon may murmur of his valor
and the black-haired Mede, with his mournful clarion.
Michael R. Burch, after Aeschylus

Now his voice is prisoned in the silent pathways of the night:
his owner’s faithful Maltese . . .
but will he still bark again, on sight?
Michael R. Burch, after Tymnes

Poor partridge, poor partridge, lately migrated from the rocks;
our cat bit off your unlucky head; my offended heart still balks!
I put you back together again and buried you, so unsightly!
May the dark earth cover you heavily: heavily, not lightly . . .
so she shan’t get at you again!
Michael R. Burch, after Agathias

Wert thou, O Artemis,
overbusy with thy beast-slaying hounds
when the Beast embraced me?
Michael R. Burch, after Diodorus of Sardis

Dead as you are, though you lie still as stone,
huntress Lycas, my great Thessalonian hound,
the wild beasts still fear your white bones;
craggy Pelion remembers your valor,
splendid Ossa, the way you would bound
and bay at the moon for its whiteness,
bellowing as below we heard valleys resound.
And how brightly with joy you would canter and run
the strange lonely peaks of high Cithaeron!
Michael R. Burch, after Simonides

Constantina, inconstant one!
Once I thought your name beautiful
but I was a fool
and now you are more bitter to me than death!
You flee someone who loves you
with baited breath
to pursue someone who’s untrue.
But if you manage to make him love you,
tomorrow you'll flee him too!
Michael R. Burch, after Macedonius

Not Rocky Trachis,
nor the thirsty herbage of Dryophis,
nor this albescent stone
with its dark blue lettering shielding your white bones,
nor the wild Icarian sea dashing against the steep shingles
of Doliche and Dracanon,
nor the empty earth,
nor anything essential of me since birth,
nor anything now mingles
here with the perplexing absence of you,
with what death forces us to abandon . . .
Michael R. Burch, after Euphorion

We who left the thunderous surge of the Aegean
of old, now lie here on the mid-plain of Ecbatan:
farewell, dear Athens, nigh to Euboea,
farewell, dear sea!
Michael R. Burch, after Plato

My friend found me here,
a shipwrecked corpse on the beach.
He heaped these strange boulders above me.
Oh, how he would wail
that he “loved” me,
with many bright tears for his own calamitous life!
Now he sleeps with my wife
and flits like a gull in a gale
―beyond reach―
while my broken bones bleach.
Michael R. Burch, after Callimachus

Cloud-capped Geraneia, cruel mountain!
If only you had looked no further than Ister and Scythian
Tanais, had not aided the surge of the Scironian
sea’s wild-spurting fountain
filling the dark ravines of snowy Meluriad!
But now he is dead:
a chill corpse in a chillier ocean―moon led―
and only an empty tomb now speaks of the long, windy voyage ahead.
Michael R. Burch, after Simonides


Erinna Epigrams

This portrait is the work of sensitive, artistic hands.
See, my dear Prometheus, you have human equals!
For if whoever painted this girl had only added a voice,
she would have been Agatharkhis entirely.
by Erinna, translation by Michael R. Burch

You, my tall Columns, and you, my small Urn,
the receptacle of Hades’ tiny pittance of ash―
remember me to those who pass by
my grave, as they dash.
Tell them my story, as sad as it is:
that this grave sealed a young bride’s womb;
that my name was Baucis and Telos my land;
and that Erinna, my friend, etched this poem on my Tomb.
by Erinna, loose translation/interpretation by Michael R. Burch

Excerpts from “Distaff”
by Erinna
loose translation/interpretation by Michael R. Burch

… the moon rising …
      … leaves falling …
           … waves lapping a windswept shore …
… and our childish games, Baucis, do you remember? ...
... Leaping from white horses,
running on reckless feet through the great courtyard.  
“You’re it!’ I cried, ‘You’re the Tortoise now!”
But when your turn came to pursue your pursuers,
you darted beyond the courtyard,
dashed out deep into the waves,
splashing far beyond us …
… My poor Baucis, these tears I now weep are your warm memorial,
these traces of embers still smoldering in my heart
for our silly amusements, now that you lie ash …
… Do you remember how, as girls,
we played at weddings with our dolls,
pretending to be brides in our innocent beds? ...
... How sometimes I was your mother,
allotting wool to the weaver-women,
calling for you to unreel the thread? ...
… Do you remember our terror of the monster Mormo
with her huge ears, her forever-flapping tongue,
her four slithering feet, her shape-shifting face? ...
... Until you mother called for us to help with the salted meat ...
... But when you mounted your husband’s bed,
dearest Baucis, you forgot your mothers’ warnings!
Aphrodite made your heart forgetful ...
... Desire becomes oblivion ...
... Now I lament your loss, my dearest friend.
I can’t bear to think of that dark crypt.
I can’t bring myself to leave the house.
I refuse to profane your corpse with my tearless eyes.
I refuse to cut my hair, but how can I mourn with my hair unbound?
I blush with shame at the thought of you! …
... But in this dark house, O my dearest Baucis,
My deep grief is ripping me apart.
Wretched Erinna! Only nineteen,
I moan like an ancient crone, eyeing this strange distaff ...
O *****! . . . O Hymenaeus! . . .
Alas, my poor Baucis!

On a Betrothed Girl
by Errina
loose translation/interpretation by Michael R. Burch

I sing of Baucis the bride.
Observing her tear-stained crypt
say this to Death who dwells underground:
"Thou art envious, O Death!"
Her vivid monument tells passers-by
of the bitter misfortune of Baucis―
how her father-in-law burned the poor ******* a pyre
lit by bright torches meant to light her marriage train home.
While thou, O Hymenaeus, transformed her harmonious bridal song into a chorus of wailing dirges.
*****! O Hymenaeus!


Roman Epigrams

Wall, we're astonished that you haven't collapsed,
since you're holding up verses so prolapsed!
Ancient Roman graffiti, translation by Michael R. Burch

Ibykos Fragment 286, Circa 564 B.C.
loose translation/interpretation by Michael R. Burch

Come spring, the grand
apple trees stand
watered by a gushing river
where the maidens’ uncut flowers shiver
and the blossoming grape vine swells
in the gathering shadows.
Unfortunately
for me
Eros never rests
but like a Thracian tempest
ablaze with lightning
emanates from Aphrodite;
the results are frightening―
black,
bleak,
astonishing,
violently jolting me from my soles
to my soul.

Originally published by The Chained Muse


Elegy for a little girl, lost
by Michael R. Burch

. . . qui laetificat juventutem meam . . .
She was the joy of my youth,
and now she is gone.
. . . requiescat in pace . . .
May she rest in peace.
. . . amen . . .
Amen.


Birdsong
by Rumi
loose translation by Michael R. Burch

Birdsong relieves
my deepest griefs:
now I'm just as ecstatic as they,
but with nothing to say!
Please universe,
rehearse
your poetry
through me!


To the boy Elis
by Georg Trakl
translation by Michael R. Burch

Elis, when the blackbird cries from the black forest,
it announces your downfall.
Your lips sip the rock-spring's blue coolness.

Your brow sweats blood
recalling ancient myths
and dark interpretations of birds' flight.

Yet you enter the night with soft footfalls;
the ripe purple grapes hang suspended
as you wave your arms more beautifully in the blueness.

A thornbush crackles;
where now are your moonlike eyes?
How long, oh Elis, have you been dead?

A monk dips waxed fingers
into your body's hyacinth;
Our silence is a black abyss

from which sometimes a docile animal emerges
slowly lowering its heavy lids.
A black dew drips from your temples:

the lost gold of vanished stars.


W. S. Rendra translations

SONNET
by W. S. Rendra
loose translation/interpretation by Michael R. Burch

Best wishes for an impending deflowering.
Yes, I understand: you will never be mine.
I am resigned to my undeserved fate.
I contemplate
irrational numbers―complex & undefined.
And yet I wish love might ... ameliorate ...
such negative numbers, dark and unsigned.
But at least I can’t be held responsible
for disappointing you. No cause to elate.
Still, I am resigned to my undeserved fate.
The gods have spoken. I can relate.
How can this be, when all it makes no sense?
I was born too soon―such was my fate.
You must choose another, not half of who I AM.
Be happy with him when you consummate.


THE WORLD'S FIRST FACE
by W. S. Rendra
loose translation/interpretation by Michael R. Burch

Illuminated by the pale moonlight
the groom carries his bride
up the hill―
both of them naked,
both consisting of nothing but themselves.

As in all beginnings
the world is naked,
empty, free of deception,
dark with unspoken explanations―
a silence that extends
to the limits of time.

Then comes light,
life, the animals and man.

As in all beginnings
everything is naked,
empty, open.

They're both young,
yet both have already come a long way,
passing through the illusions of brilliant dawns,
of skies illuminated by hope,
of rivers intimating contentment.

They have experienced the sun's warmth,
drenched in each other's sweat.

Here, standing by barren reefs,
they watch evening fall
bringing strange dreams
to a bed arrayed with resplendent coral necklaces.

They lift their heads to view
trillions of stars arrayed in the sky.
The universe is their inheritance:
stars upon stars upon stars,
more than could ever be extinguished.

Illuminated by the pale moonlight
the groom carries his bride
up the hill―
both of them naked,
to recreate the world's first face.


Brother Iran
by Michael R. Burch

for the poets of Iran

Brother Iran, I feel your pain.
I feel it as when the Turk fled Spain.
As the Jew fled, too, that constricting span,
I feel your pain, Brother Iran.

Brother Iran, I know you are noble!
I too fear Hiroshima and Chernobyl.
But though my heart shudders, I have a plan,
and I know you are noble, Brother Iran.

Brother Iran, I salute your Poets!
your Mathematicians!, all your great Wits!
O, come join the earth's great Caravan.
We'll include your Poets, Brother Iran.

Brother Iran, I love your Verse!
Come take my hand now, let's rehearse
the Rubaiyat of Omar Khayyam.
For I love your Verse, Brother Iran.

Bother Iran, civilization's Flower!
How high flew your spires in man's early hours!
Let us build them yet higher, for that's my plan,
civilization's first flower, Brother Iran.


Passionate One
by Michael R. Burch

Love of my life,
light of my morning―
arise, brightly dawning,
for you are my sun.

Give me of heaven
both manna and leaven―
desirous Presence,
Passionate One.


In My House
by Michael R. Burch

When you were in my house
you were not free―
in chains bound.

Manifest Destiny?

I was wrong;
my plantation burned to the ground.
I was wrong.
This is my song,
this is my plea:
I was wrong.

When you are in my house,
now, I am not free.
I feel the song
hurling itself back at me.
We were wrong.
This is my history.

I feel my tongue
stilting accordingly.

We were wrong;
brother, forgive me.


faith(less)
by Michael R. Burch

Those who believed
and Those who misled
lie together at last
in the same narrow bed

and if god loved Them more
for Their strange lack of doubt,
he kept it well hidden
till he snuffed Them out.


Habeas Corpus
by Michael R. Burch

from “Songs of the Antinatalist”

I have the results of your DNA analysis.
If you want to have children, this may induce paralysis.
I wish I had good news, but how can I lie?
Any offspring you have are guaranteed to die.
It wouldn’t be fair―I’m sure you’ll agree―
to sentence kids to death, so I’ll waive my fee.



Bittersight
by Michael R. Burch

for Abu al-Ala Al-Ma'arri, an ancient antinatalist poet

To be plagued with sight
in the Land of the Blind,
—to know birth is death
and that Death is kind—
is to be flogged like Eve
(stripped, sentenced and fined)
because evil is “good”
as some “god” has defined.



veni, vidi, etc.
by Michael R. Burch

the last will and testament of a preemie, from “Songs of the Antinatalist”

i came, i saw, i figured
it was better to be transfigured,
so rather than cross my Rubicon
i fled to the Great Beyond.
i bequeath my remains, so small,
to Brutus, et al.



Paradoxical Ode to Antinatalism
by Michael R. Burch

from “Songs of the Antinatalist”

A stay on love
would end death’s hateful sway,
someday.

A stay on love
would thus be love,
I say.

Be true to love
and thus end death’s
fell sway!



Lighten your tread:
The ground beneath your feet is composed of the dead.

Walk slowly here and always take great pains
Not to trample some departed saint's remains.

And happiest here is the hermit with no hand
In making sons, who dies a childless man.

Abu al-Ala Al-Ma'arri (973-1057), antinatalist Shyari
loose translation by Michael R. Burch



There were antinatalist notes in Homer, around 3,000 years ago...

For the gods have decreed that unfortunate mortals must suffer, while they remain sorrowless. — Homer, loose translation by Michael R. Burch

It is best not to be born or, having been born, to pass on as swiftly as possible.—attributed to Homer, loose translation by Michael R. Burch

One of the first great voices to directly question whether human being should give birth was that of Sophocles, around 2,500 years ago...

Not to have been born is best,
and blessed
beyond the ability of words to express.
—Sophocles, loose translation by Michael R. Burch

It’s a hundred times better not be born;
but if we cannot avoid the light,
the path of least harm is swiftly to return
to death’s eternal night!
—Sophocles, loose translation/interpretation by Michael R. Burch

Keywords/Tags: birth, control, procreation, childbearing, children,  antinatalist, antinatalism, contraception



Shock
by Michael R. Burch

It was early in the morning of the forming of my soul,
in the dawning of desire, with passion at first bloom,
with lightning splitting heaven to thunder's blasting roll
and a sense of welling fire and, perhaps, impending doom―
that I cried out through the tumult of the raging storm on high
for shelter from the chaos of the restless, driving rain ...
and the voice I heard replying from a rift of bleeding sky
was mine, I'm sure, and, furthermore, was certainly insane.


evol-u-shun
by Michael R. Burch

does GOD adore the Tyger
while it’s ripping ur lamb apart?

does GOD applaud the Plague
while it’s eating u à la carte?

does GOD admire ur intelligence
while u pray that IT has a heart?

does GOD endorse the Bible
you blue-lighted at k-mart?


Deor's Lament (circa the 10th century AD)
loose translation/interpretation by Michael R. Burch

Weland endured the agony of exile:
an indomitable smith wracked by grief.
He suffered countless sorrows;
indeed, such sorrows were his ***** companions
in that frozen island dungeon
where Nithad fettered him:
so many strong-but-supple sinew-bands
binding the better man.
That passed away; this also may.

Beadohild mourned her brothers' deaths,
bemoaning also her own sad state
once she discovered herself with child.
She knew nothing good could ever come of it.
That passed away; this also may.

We have heard the Geat's moans for Matilda,
his lovely lady, waxed limitless,
that his sorrowful love for her
robbed him of regretless sleep.
That passed away; this also may.

For thirty winters Theodric ruled
the Mæring stronghold with an iron hand;
many acknowledged his mastery and moaned.
That passed away; this also may.

We have heard too of Ermanaric's wolfish ways,
of how he cruelly ruled the Goths' realms.
That was a grim king! Many a warrior sat,
full of cares and maladies of the mind,
wishing constantly that his crown might be overthrown.
That passed away; this also may.

If a man sits long enough, sorrowful and anxious,
bereft of joy, his mind constantly darkening,
soon it seems to him that his troubles are limitless.
Then he must consider that the wise Lord
often moves through the earth
granting some men honor, glory and fame,
but others only shame and hardship.
This I can say for myself:
that for awhile I was the Heodeninga's scop,
dear to my lord. My name was Deor.
For many winters I held a fine office,
faithfully serving a just king. But now Heorrenda
a man skilful in songs, has received the estate
the protector of warriors had promised me.
That passed away; this also may.


The Temple Hymns of Enheduanna
with modern English translations by Michael R. Burch

Lament to the Spirit of War
by Enheduanna
loose translation/interpretation by Michael R. Burch

You hack down everything you see, War God!

Rising on fearsome wings
you rush to destroy our land:
raging like thunderstorms,
howling like hurricanes,
screaming like tempests,
thundering, raging, ranting, drumming,
whiplashing whirlwinds!

Men falter at your approaching footsteps.
Tortured dirges scream on your lyre of despair.

Like a fiery Salamander you poison the land:
growling over the earth like thunder,
vegetation collapsing before you,
blood gushing down mountainsides.

Spirit of hatred, greed and vengeance!
******* of heaven and earth!
Your ferocious fire consumes our land.
Whipping your stallion
with furious commands,
you impose our fates.

You triumph over all human rites and prayers.
Who can explain your tirade,
why you carry on so?


Temple Hymn 15
to the Gishbanda Temple of Ningishzida
by Enheduanna
loose translation/interpretation by Michael R. Burch

Most ancient and terrible shrine,
set deep in the mountain,
dark like a mother's womb ...

Dark shrine,
like a mother's wounded breast,
blood-red and terrifying ...

Though approaching through a safe-seeming field,
our hair stands on end as we near you!

Gishbanda,
like a neck-stock,
like a fine-eyed fish net,
like a foot-shackled prisoner's manacles ...
your ramparts are massive,
like a trap!

But once we’re inside,
as the sun rises,
you yield widespread abundance!

Your prince
is the pure-handed priest of Inanna, heaven's Holy One,
Lord Ningishzida!

Oh, see how his thick, lustrous hair
cascades down his back!

Oh Gishbanda,
he has built this beautiful temple to house your radiance!
He has placed his throne upon your dais!


The Exaltation of Inanna: Opening Lines and Excerpts
Nin-me-šara by Enheduanna
loose translation/interpretation by Michael R. Burch

Lady of all divine powers!
Lady of the resplendent light!
Righteous Lady adorned in heavenly radiance!
Beloved Lady of An and Uraš!
Hierodule of An, sun-adorned and bejeweled!
Heaven’s Mistress with the holy diadem,
Who loves the beautiful headdress befitting the office of her own high priestess!

Powerful Mistress, seizer of the seven divine powers!
My Heavenly Lady, guardian of the seven divine powers!
You have seized the seven divine powers!
You hold the divine powers in your hand!
You have gathered together the seven divine powers!
You have clasped the divine powers to your breast!
You have flooded the valleys with venom, like a viper;
all vegetation vanishes when you thunder like Iškur!
You have caused the mountains to flood the valleys!
When you roar like that, nothing on earth can withstand you!
Like a flood descending on floodplains, O Powerful One, you will teach foreigners to fear Inanna!
You have given wings to the storm, O Beloved of Enlil!
The storms do your bidding, blasting the unbelievers!
Foreign cities cower at the chaos You cause!
Entire countries cower in dread of Your deadly South Wind!
Men cower before you in their anguished implications,
raising their pitiful outcries,
weeping and wailing, beseeching Your benevolence with many wild lamentations!
But in the van of battle, everything falls before You, O Mighty Queen!
My Queen,
You are all-conquering, all-devouring!
You continue Your attacks like relentless storms!
You howl louder than the howling storms!
You thunder louder than Iškur!
You moan louder than the mournful winds!
Your feet never tire from trampling Your enemies!
You produce much wailing on the lyres of lamentations!
My Queen,
all the Anunna, the mightiest Gods,
fled before Your approach like fluttering bats!
They could not stand in Your awesome Presence
nor behold Your awesome Visage!
Who can soothe Your infuriated heart?
Your baleful heart is beyond being soothed!
Uncontrollable Wild Cow, elder daughter of Sin,
O Majestic Queen, greater than An,
who has ever paid You enough homage?
O Life-Giving Goddess, possessor of all powers,
Inanna the Exalted!
Merciful, Live-Giving Mother!
Inanna, the Radiant of Heart!
I have exalted You in accordance with Your power!
I have bowed before You in my holy garb,
I the En, I Enheduanna!
Carrying my masab-basket, I once entered and uttered my joyous chants ...
But now I no longer dwell in Your sanctuary.
The sun rose and scorched me.
Night fell and the South Wind overwhelmed me.
My laughter was stilled and my honey-sweet voice grew strident.
My joy became dust.
O Sin, King of Heaven, how bitter my fate!
To An, I declared: An will deliver me!
I declared it to An: He will deliver me!
But now the kingship of heaven has been seized by Inanna,
at Whose feet the floodplains lie.
Inanna the Exalted,
who has made me tremble together with all Ur!
Stay Her anger, or let Her heart be soothed by my supplications!
I, Enheduanna will offer my supplications to Inanna,
my tears flowing like sweet intoxicants!
Yes, I will proffer my tears and my prayers to the Holy Inanna,
I will greet Her in peace ...
O My Queen, I have exalted You,
Who alone are worthy to be exalted!
O My Queen, Beloved of An,
I have laid out Your daises,
set fire to the coals,
conducted the rites,
prepared Your nuptial chamber.
Now may Your heart embrace me!
These are my innovations,
O Mighty Queen, that I made for You!
What I composed for You by the dark of night,
The cantor will chant by day.
Now Inanna’s heart has been restored,
and the day became favorable to Her.
Clothed in beauty, radiant with joy,
she carried herself like the elegant moonlight.
Now to the Noble Hierodule,
to the Wrecker of foreign lands
presented by An with the seven divine powers,
and to my Queen garbed in the radiance of heaven ...
O Inanna, praise!


Temple Hymn 7: an Excerpt
to the Kesh Temple of Ninhursag
by Enheduanna
loose translation/interpretation by Michael R. Burch

O, high-situated Kesh,
form-shifting summit,
inspiring fear like a venomous viper!

O, Lady of the Mountains,
Ninhursag’s house was constructed on a terrifying site!

O, Kesh, like holy Aratta: your womb dark and deep,
your walls high-towering and imposing!

O, great lion of the wildlands stalking the high plains! ...


Temple Hymn 17: an Excerpt
to the Badtibira Temple of Dumuzi
by Enheduanna
loose translation/interpretation by Michael R. Burch

O, house of jeweled lapis illuminating the radiant bed
in the peace-inducing palace of our Lady of the Steppe!


Temple Hymn 22: an Excerpt
to the Sirara Temple of Nanshe
by Enheduanna
loose translation/interpretation by Michael R. Burch

O, house, you wild cow!
Made to conjure signs of the Divine!
You arise, beautiful to behold,
bedecked for your Mistress!


Temple Hymn 26: an Excerpt
to the Zabalam Temple of Inanna
by Enheduanna
loose translation/interpretation by Michael R. Burch

O house illuminated by beams of bright light,
dressed in shimmering stone jewels,
awakening the world to awe!


Temple Hymn 42: an Excerpt
to the Eresh Temple of Nisaba
by Enheduanna
loose translation/interpretation by Michael R. Burch

O, house of brilliant stars
bright with lapis stones,
you illuminate all lands!

...

The person who put this tablet together
is Enheduanna.
My king: something never created before,
did she not give birth to it?


Villanelle: Hangovers
by Michael R. Burch

We forget that, before we were born,
our parents had “lives” of their own,
ran drunk in the streets, or half-******.

Yes, our parents had lives of their own
until we were born; then, undone,
they were buying their parents gravestones

and finding gray hairs of their own
(because we were born lacking some
of their curious habits, but soon

would certainly get them). Half-******,
we watched them dig graves of their own.
Their lives would be over too soon

for their curious habits to bloom
in us (though our children were born
nine months from that night on the town

when, punch-drunk in the streets or half-******,
we first proved we had lives of our own).


Happily Never After (the Second Curse of the ***** Toad)
by Michael R. Burch

He did not think of love of Her at all
frog-plangent nights, as moons engoldened roads
through crumbling stonewalled provinces, where toads
(nee princes) ruled in chinks and grew so small
at last to be invisible. He smiled
(the fables erred so curiously), and thought
bemusedly of being reconciled
to human flesh, because his heart was not
incapable of love, but, being cursed
a second time, could only love a toad’s . . .
and listened as inflated frogs rehearsed
cheekbulging tales of anguish from green moats . . .
and thought of her soft croak, her skin fine-warted,
his anemic flesh, and how true love was thwarted.


Haunted
by Michael R. Burch

Now I am here
and thoughts of my past mistakes are my brethren.
I am withering
and the sweetness of your memory is like a tear.

Go, if you will,
for the ache in my heart is its hollowness
and the flaw in my soul is its shallowness;
there is nothing to fill.

Take what you can;
I have nothing left.
And when you are gone, I will be bereft,
the husk of a man.

Or stay here awhile.
My heart cannot bear the night, or these dreams.
Your face is a ghost, though paler, it seems
when you smile.


Have I been too long at the fair?
by Michael R. Burch

Have I been too long at the fair?
The summer has faded,
the leaves have turned brown;
the Ferris wheel teeters ...
not up, yet not down.
Have I been too long at the fair?


Her Preference
by Michael R. Burch

Not for her the pale incandescence of dreams,
the warm glow of imagination,
the hushed whispers of possibility,
or frail, blossoming hope.

No, she prefers the anguish and screams
of bitter condemnation,
the hissing of hostility,
damnation's rope.


hey pete
by Michael R. Burch

for Pete Rose

hey pete,
it's baseball season
and the sun ascends the sky,
encouraging a schoolboy's dreams
of winter whizzing by;
go out, go out and catch it,
put it in a jar,
set it on a shelf
and then you'll be a Superstar.


Moon Lake
by Michael R. Burch

Starlit recorder of summer nights,
what magic spell bewitches you?
They say that all lovers love first in the dark . . .
Is it true?
Is it true?
Is it true?

Starry-eyed seer of all that appears
and all that has appeared―
What sights have you seen?
What dreams have you dreamed?
What rhetoric have you heard?

Is love an oration,
or is it a word?
Have you heard?
Have you heard?
Have you heard?


Tomb Lake
by Michael R. Burch

Go down to the valley
where mockingbirds cry,
alone, ever lonely . . .
yes, go down to die.

And dream in your dying
you never shall wake.
Go down to the valley;
go down to Tomb Lake.

Tomb Lake is a cauldron
of souls such as yours―
mad souls without meaning,
frail souls without force.

Tomb Lake is a graveyard
reserved for the dead.
They lie in her shallows
and sleep in her bed.


Nevermore!
by Michael R. Burch

Nevermore! O, nevermore
shall the haunts of the sea―
the swollen tide pools
and the dark, deserted shore―
mark her passing again.

And the salivating sea
shall never kiss her lips
nor caress her ******* and hips
as she dreamt it did before,
once, lost within the uproar.

The waves will never **** her,
nor take her at their leisure;
the sea gulls shall not have her,
nor could she give them pleasure ...
She sleeps forevermore.

She sleeps forevermore,
a ****** save to me
and her other lover,
who lurks now, safely covered
by the restless, surging sea.

And, yes, they sleep together,
but never in that way!
For the sea has stripped and shorn
the one I once adored,
and washed her flesh away.

He does not stroke her honey hair,
for she is bald, bald to the bone!
And how it fills my heart with glee
to hear them sometimes cursing me
out of the depths of the demon sea ...
their skeletal love―impossibility!


Regret
by Michael R. Burch

Regret,
a bitter
ache to bear . . .

once starlight
languished
in your hair . . .

a shining there
as brief
as rare.

Regret . . .
a pain
I chose to bear . . .

unleash
the torrent
of your hair . . .

and show me
once again―
how rare.


Veronica Franco translations

Capitolo 19: A Courtesan's Love Lyric (I)
by Veronica Franco
loose translation/interpretation by Michael R. Burch

"I resolved to make a virtue of my desire."

My rewards will be commensurate with your gifts
if only you give me the one that lifts
me laughing ...

And though it costs you nothing,
still it is of immense value to me.

Your reward will be
not just to fly
but to soar, so high
that your joys vastly exceed your desires.

And my beauty, to which your heart aspires
and which you never tire of praising,
I will employ for the raising
of your spirits. Then, lying sweetly at your side,
I will shower you with all the delights of a bride,
which I have more expertly learned.

Then you, who so fervently burned,
will at last rest, fully content,
fallen even more deeply in love, spent
at my comfortable *****.

When I am in bed with a man I blossom,
becoming completely free
with the man who loves and enjoys me.


Capitolo 19: A Courtesan's Love Lyric (II)
by Veronica Franco
loose translation/interpretation by Michael R. Burch

"I resolved to make a virtue of my desire."

My rewards will match your gifts
If you give me the one that lifts

Me, laughing. If it comes free,
Still, it is of immense value to me.

Your reward will be―not just to fly,
But to soar―so incredibly high

That your joys eclipse your desires
(As my beauty, to which your heart aspires

And which you never tire of praising,
I employ for your spirit's raising).

Afterwards, lying docile at your side,
I will grant you all the delights of a bride,

Which I have more expertly learned.
Then you, who so fervently burned,

Will at last rest, fully content,
Fallen even more deeply in love, spent

At my comfortable *****.
When I am in bed with a man I blossom,

Becoming completely free
With the man who freely enjoys me.


Capitolo 24
by Veronica Franco
loose translation/interpretation by Michael R. Burch

(written by Franco to a man who had insulted a woman)

Please try to see with sensible eyes
how grotesque it is for you
to insult and abuse women!
Our unfortunate *** is always subject
to such unjust treatment, because we
are dominated, denied true freedom!
And certainly we are not at fault
because, while not as robust as men,
we have equal hearts, minds and intellects.
Nor does virtue originate in power,
but in the vigor of the heart, mind and soul:
the sources of understanding;
and I am certain that in these regards
women lack nothing,
but, rather, have demonstrated
superiority to men.
If you think us "inferior" to yourself,
perhaps it's because, being wise,
we outdo you in modesty.
And if you want to know the truth,
the wisest person is the most patient;
she squares herself with reason and with virtue;
while the madman thunders insolence.
The stone the wise man withdraws from the well
was flung there by a fool ...

When I bed a man
who―I sense―truly loves and enjoys me,
I become so sweet and so delicious
that the pleasure I bring him surpasses all delight,
till the tight
knot of love,
however slight
it may have seemed before,
is raveled to the core.
―Veronica Franco, loose translation/interpretation by Michael R. Burch

We danced a youthful jig through that fair city―
Venice, our paradise, so pompous and pretty.
We lived for love, for primal lust and beauty;
to please ourselves became our only duty.
Floating there in a fog between heaven and earth,
We grew drunk on excesses and wild mirth.
We thought ourselves immortal poets then,
Our glory endorsed by God's illustrious pen.
But paradise, we learned, is fraught with error,
and sooner or later love succumbs to terror.
―Veronica Franco, loose translation/interpretation by Michael R. Burch

I wish it were not considered a sin
to have liked *******.
Women have yet to realize
the cowardice that presides.
And if they should ever decide
to fight the shallow,
I would be the first, setting an example for them to follow.
―Veronica Franco, loose translation/interpretation by Michael R. Burch


Sessiz Gemi (“Silent Ship”)
by Yahya Kemal Beyatli
loose translation by Nurgül Yayman and Michael R. Burch

for the refugees

The time to weigh anchor has come;
a ship departing harbor slips quietly out into the unknown,
cruising noiselessly, its occupants already ghosts.
No flourished handkerchiefs acknowledge their departure;
the landlocked mourners stand nurturing their grief,
scanning the bleak horizon, their eyes blurring ...
Poor souls! Desperate hearts! But this is hardly the last ship departing!
There is always more pain to unload in this sorrowful life!
The hesitations of lovers and their belovèds are futile,
for they cannot know where the vanished are bound.
Many hopes must be quenched by the distant waves,
since years must pass, and no one returns from this journey.


Full Moon
by Yahya Kemal Beyatli
loose translation by Nurgül Yayman and Michael R. Burch

You are so lovely
the full moon just might
delight
in your rising,
as curious
and bright,
to vanquish night.

But what can a mortal man do,
dear,
but hope?
I’ll ponder your mysteries
and (hmmmm) try to
cope.

We both know
you have every right to say no.


The Music of the Snow
by Yahya Kemal Beyatli
loose translation/interpretation by Michael R. Burch

This melody of a night lasting longer than a thousand years!
This music of the snow supposed to last for thousand years!

Sorrowful as the prayers of a secluded monastery,
It rises from a choir of a hundred voices!

As the *****’s harmonies resound profoundly,
I share the sufferings of Slavic grief.

Then my mind drifts far from this city, this era,
To the old records of Tanburi Cemil Bey.

Now I’m suddenly overjoyed as once again I hear,
With the ears of my heart, the purest sounds of Istanbul!

Thoughts of the snow and darkness depart me;
I keep them at bay all night with my dreams!


She Was Very Strange, and Beautiful
by Michael R. Burch

She was very strange, and beautiful,
like a violet mist enshrouding hills
before night falls
when the hoot owl calls
and the cricket trills
and the envapored moon hangs low and full.

She was very strange, in a pleasant way,
as the hummingbird
flies madly still,
so I drank my fill
of her every word.
What she knew of love, she demurred to say.

She was meant to leave, as the wind must blow,
as the sun must set,
as the rain must fall.
Though she gave her all,
I had nothing left . . .
yet I smiled, bereft, in her receding glow.


The Stake
by Michael R. Burch

Love, the heart bets,
if not without regrets,
will still prove, in the end,
worth the light we expend
mining the dark
for an exquisite heart.


If
by Michael R. Burch

If I regret
fire in the sunset
exploding on the horizon,
then let me regret loving you.

If I forget
even for a moment
that you are the only one,
then let me forget that the sky is blue.

If I should yearn
in a season of discontentment
for the vagabond light of a companionless moon,
let dawn remind me that you are my sun.

If I should burn―one moment less brightly,
one instant less true―
then with wild scorching kisses,
inflame me, inflame me, inflame me anew.


Snapshots
by Michael R. Burch

Here I scrawl extravagant rainbows.
And there you go, skipping your way to school.
And here we are, drifting apart
like untethered balloons.

Here I am, creating "art,"
chanting in shadows,
pale as the crinoline moon,
ignoring your face.

There you go,
in diaphanous lace,
making another man’s heart swoon.
Suddenly, unthinkably, here he is,
taking my place.


East Devon Beacon
by Michael R. Burch

Evening darkens upon the moors,
Forgiveness--a hairless thing
skirting the headlamps, fugitive.

Why have we come,
traversing the long miles
and extremities of solitude,
worriedly crisscrossing the wrong maps
with directions
obtained from passing strangers?

Why do we sit,
frantically retracing
love’s long-forgotten signal points
with cramping, ink-stained fingers?

Why the preemptive frowns,
the litigious silences,
when only yesterday we watched
as, out of an autumn sky this vast,
over an orchard or an onion field,
wild Vs of distressed geese
sped across the moon’s face,
the sound of their panicked wings
like our alarmed hearts
pounding in unison?


The Princess and the Pauper
by Michael R. Burch

Here was a woman bright, intent on life,
who did not flinch from Death, but caught his eye
and drew him, powerless, into her spell
of wanting her himself, so much the lie
that she was meant for him―obscene illusion!―
made him seem a monarch throned like God on high,
when he was less than nothing; when to die
meant many stultifying, pained embraces.

She shed her gown, undid the tangled laces
that tied her to the earth: then she was his.
Now all her erstwhile beauty he defaces
and yet she grows in hallowed loveliness―
her ghost beyond perfection―for to die
was to ascend. Now he begs, penniless.


I, Too, Sang America (in my diapers!)
by Michael R. Burch

I, too, served my country,
first as a tyke, then as a toddler, later as a rambunctious boy,
growing up on military bases around the world,
making friends only to leave them,
saluting the flag through veils of tears,
time and time again ...

In defense of my country,
I too did my awesome duty―
cursing the Communists,
confronting Them in backyard battles where They slunk around disguised as my sniggling Sisters,
while always demonstrating the immense courage
to start my small life over and over again
whenever Uncle Sam called ...

Building and rebuilding my shattered psyche,
such as it was,
dealing with PTSD (preschool traumatic stress disorder)
without the adornments of medals, ribbons or epaulets,
serving without pay,
following my father’s gruffly barked orders,
however ill-advised ...

A true warrior!
Will you salute me?


Wulf and Eadwacer (ancient Anglo-Saxon poem)
loose translation/interpretation by Michael R. Burch

My clan’s curs pursue him like crippled game;
they'll rip him apart if he approaches their pack.
It is otherwise with us.

Wulf's on one island; we’re on another.
His island's a fortress, fastened by fens.
Here, bloodthirsty curs howl for carnage.
They'll rip him apart if he approaches their pack.
It is otherwise with us.

My hopes pursued Wulf like panting hounds,
but whenever it rained―how I wept!―
the boldest cur grasped me in his paws:
good feelings for him, but for me loathsome!

Wulf, O, my Wulf, my ache for you
has made me sick; your seldom-comings
have left me famished, deprived of real meat.
Have you heard, Eadwacer? Watchdog!
A wolf has borne our wretched whelp to the woods!
One can easily sever what never was one:
our song together.


Advice to Young Poets
by Nicanor Parra Sandoval
loose translation/interpretation by Michael R. Burch

Youngsters,
write however you will
in your preferred style.
Too much blood flowed under the bridge
for me to believe
there’s just one acceptable path.
In poetry everything’s permitted.


Prayer for a Merciful, Compassionate, etc., God to ****** His Creations Quickly & Painlessly, Rather than Slowly & Painfully
by Michael R. Burch

Lord, **** me fast and please do it quickly!
Please don’t leave me gassed, archaic and sickly!
Why render me mean, rude, wrinkly and prickly?
Lord, why procrastinate?

Lord, we all know you’re an expert killer!
Please, don’t leave me aging like Phyllis Diller!
Why torture me like some poor sap in a thriller?
God, grant me a gentler fate!

Lord, we all know you’re an expert at ******
like Abram―the wild-eyed demonic goat-herder
who’d slit his son’s throat without thought at your order.
Lord, why procrastinate?

Lord, we all know you’re a terrible sinner!
What did dull Japheth eat for his 300th dinner
after a year on the ark, growing thinner and thinner?
God, grant me a gentler fate!

Dear Lord, did the lion and tiger compete
for the last of the lambkin’s sweet, tender meat?
How did Noah preserve his fast-rotting wheat?
God, grant me a gentler fate!

Lord, why not be a merciful Prelate?
Do you really want me to detest, loathe and hate
the Father, the Son and their Ghostly Mate?
Lord, why procrastinate?


Progress
by Michael R. Burch

There is no sense of urgency
at the local Burger King.

Birds and squirrels squabble outside
for the last scraps of autumn:
remnants of buns,
goopy pulps of dill pickles,
mucousy lettuce,
sesame seeds.

Inside, the workers all move
with the same très-glamorous lethargy,
conserving their energy, one assumes,
for more pressing endeavors: concerts and proms,
pep rallies, keg parties,
reruns of Jenny McCarthy on MTV.

The manager, as usual, is on the phone,
talking to her boyfriend.
She gently smiles,
brushing back wisps of insouciant hair,
ready for the cover of Glamour or Vogue.

Through her filmy white blouse
an indiscreet strap
suspends a lace cup
through which somehow the ****** still shows.
Progress, we guess, ...

and wait patiently in line,
hoping the Pokémons hold out.


Reclamation
by Michael R. Burch

I have come to the dark side of things
where the bat sings
its evasive radar
and Want is a crooked forefinger
attached to a gelatinous wing.

I have grown animate here, a stitched corpse
hooked to electrodes.
And night
moves upon me―progenitor of life
with its foul breath.

Blind eyes have their second sight
and still are deceived. Now my nature
is softly to moan
as Desire carries me
swooningly across her threshold.

Stone
is less infinite than her crone’s
gargantuan hooked nose, her driveling lips.
I eye her ecstatically―her dowager figure,
and there is something about her that my words transfigure
to a consuming emptiness.

We are at peace
with each other; this is our venture―
swaying, the strings tautening, as tightropes
tauten, as love tightens, constricts
to the first note.

Lyre of our hearts’ pits,
orchestration of nothing, adits
of emptiness! We have come to the last of our hopes,
sweet as congealed blood sweetens for flies.
Need is reborn; love dies.


ANCIENT GREEK EPIGRAMS

These are my translations of ancient Greek and Roman epigrams, or they may be better described as interpretations or poems “after” the original poets …

You begrudge men your virginity?
Why? To what purpose?
You will find no one to embrace you in the grave.
The joys of love are for the living.
But in Acheron, dear ******,
we shall all lie dust and ashes.
—Asclepiades of Samos (circa 320-260 BC), loose translation/interpretation by Michael R. Burch

Let me live with joy today, since tomorrow is unforeseeable.
―Michael R Burch, after Palladas of Alexandria

Laments for Animals

Now his voice is prisoned in the silent pathways of the night:
his owner’s faithful Maltese . . .
but will he still bark again, on sight?
―Michael R Burch, after Tymnes

Poor partridge, poor partridge, lately migrated from the rocks;
our cat bit off your unlucky head; my offended heart still balks!
I put you back together again and buried you, so unsightly!
May the dark earth cover you heavily: heavily, not lightly . . .
so she shan’t get at you again!
―Michael R Burch, after Agathias

Hunter partridge,
we no longer hear your echoing cry
along the forest's dappled feeding ground
where, in times gone by,
you would decoy speckled kinsfolk to their doom,
luring them on,
for now you too have gone
down the dark path to Acheron.
―Michael R Burch, after Simmias

Wert thou, O Artemis,
overbusy with thy beast-slaying hounds
when the Beast embraced me?
―Michael R Burch, after Diodorus of Sardis

Dead as you are, though you lie as
still as cold stone, huntress Lycas,
my great Thessalonian hound,
the wild beasts still fear your white bones;
craggy Pelion remembers your valor,
splendid Ossa, the way you would bound
and bay at the moon for its whiteness
as below we heard valleys resound.
And how brightly with joy you would leap and run
the strange lonely peaks of high Cithaeron!
―Michael R Burch, after Simonides

Anyte Epigrams

Stranger, rest your weary legs beneath the elms;
hear how coolly the breeze murmurs through their branches;
then take a bracing draught from the mountain-fed fountain;
for this is welcome shade from the burning sun.
—Anyte, loose translation/interpretation by Michael R. Burch

Here I stand, Hermes, in the crossroads
by the windswept elms near the breezy beach,
providing rest to sunburned travelers,
and cold and brisk is my fountain’s abundance.
—Anyte, loose translation/interpretation by Michael R. Burch

Sit here, quietly shaded by the luxuriant foliage,
and drink cool water from the sprightly spring,
so that your weary breast, panting with summer’s labors,
may take rest from the blazing sun.
—Anyte, loose translation/interpretation by Michael R. Burch

This is the grove of Cypris,
for it is fair for her to look out over the land to the bright deep,
that she may make the sailors’ voyages happy,
as the sea trembles, observing her brilliant image.
—Anyte, loose translation/interpretation by Michael R. Burch

Nossis Epigrams

There is nothing sweeter than love.
All other delights are secondary.
Thus, I spit out even honey.
This is what Gnossis says:
Whom Aphrodite does not love,
Is bereft of her roses.
—Nossis, loose translation/interpretation by Michael R. Burch

Most revered Hera, the oft-descending from heaven,
behold your Lacinian shrine fragrant with incense
and receive the linen robe your noble child Nossis,
daughter of Theophilis and Cleocha, has woven for you.
—Nossis, loose translation/interpretation by Michael R. Burch

Stranger, if you sail to Mitylene, my homeland of beautiful dances,
to indulge in the most exquisite graces of Sappho,
remember I also was loved by the Muses, who bore me and reared me there.
My name, never forget it!, is Nossis. Now go!
—Nossis, loose translation/interpretation by Michael R. Burch

Pass me with ringing laughter, then award me
a friendly word: I am Rinthon, scion of Syracuse,
a small nightingale of the Muses; from their tragedies
I was able to pluck an ivy, unique, for my own use.
—Nossis, loose translation/interpretation by Michael R. Burch

Ibykos/Ibycus Epigrams

Euryalus, born of the blue-eyed Graces,
scion of the bright-tressed Seasons,
son of the Cyprian,
whom dew-lidded Persuasion birthed among rose-blossoms.
—Ibykos/Ibycus (circa 540 BC), loose translation/interpretation by Michael R Burch

Ibykos/Ibycus Fragment 286, circa 564 B.C.
this poem has been titled "The Influence of Spring"
loose translation/interpretation by Michael R Burch

Come spring, the grand
apple trees stand
watered by a gushing river
where the maidens’ uncut flowers shiver
and the blossoming grape vine swells
in the gathering shadows.

Unfortunately
for me
Eros never rests
but like a Thracian tempest
ablaze with lightning
emanates from Aphrodite;

the results are frightening—
black,
bleak,
astonishing,
violently jolting me from my soles
to my soul.

Ibykos/Ibycus Fragment 282, circa 540 B.C.
Ibykos fragment 282, Oxyrhynchus papyrus, lines 1-32
loose translation/interpretation by Michael R Burch,

... They also destroyed the glorious city of Priam, son of Dardanus,
after leaving Argos due to the devices of death-dealing Zeus,
encountering much-sung strife over the striking beauty of auburn-haired Helen,
waging woeful war when destruction rained down on longsuffering Pergamum
thanks to the machinations of golden-haired Aphrodite ...

But now it is not my intention to sing of Paris, the host-deceiver,
nor of slender-ankled Cassandra,
nor of Priam’s other children,
nor of the nameless day of the downfall of high-towered Troy,
nor even of the valour of the heroes who hid in the hollow, many-bolted horse ...

Such was the destruction of Troy.

They were heroic men and Agamemnon was their king,
a king from Pleisthenes,
a son of Atreus, son of a noble father.

The all-wise Muses of Helicon
might recount such tales accurately,
but no mortal man, unblessed,
could ever number those innumerable ships
Menelaus led across the Aegean from Aulos ...
"From Argos they came, the bronze-speared sons of the Achaeans ..."

Antipater Epigrams

Everywhere the sea is the sea, the dead are the dead.
What difference to me—where I rest my head?
The sea knows I’m buried.
―Michael R Burch, after Antipater of Sidon

Mnemosyne was stunned into astonishment when she heard honey-tongued Sappho,
wondering how mortal men merited a tenth Muse.
—Antipater of Sidon, loose translation/interpretation by Michael R Burch,

O Aeolian land, you lightly cover Sappho,
the mortal Muse who joined the Immortals,
whom Cypris and Eros fostered,
with whom Peitho wove undying wreaths,
who was the joy of Hellas and your glory.
O Fates who twine the spindle's triple thread,
why did you not spin undying life
for the singer whose deathless gifts
enchanted the Muses of Helicon?
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

Here, O stranger, the sea-crashed earth covers Homer,
herald of heroes' valour,
spokesman of the Olympians,
second sun to the Greeks,
light of the immortal Muses,
the Voice that never diminishes.
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

This herald of heroes,
this interpreter of the Immortals,
this second sun shedding light on the life of Greece,
Homer,
the delight of the Muses,
the ageless voice of the world,
lies dead, O stranger,
washed away with the sea-washed sand ...
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

As high as the trumpet's cry exceeds the thin flute's,
so high above all others your lyre rang;
so much the sweeter your honey than the waxen-celled swarm's.
O Pindar, with your tender lips witness how the horned god Pan
forgot his pastoral reeds when he sang your hymns.
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

Here lies Pindar, the Pierian trumpet,
the heavy-smiting smith of well-stuck hymns.
Hearing his melodies, one might believe
the immortal Muses possessed bees
to produce heavenly harmonies in the bridal chamber of Cadmus.
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

Harmonia, the goddess of Harmony, was the bride of Cadmus, so his bridal chamber would have been full of pleasant sounds.

Praise the well-wrought verses of tireless Antimachus,
a man worthy of the majesty of ancient demigods,
whose words were forged on the Muses' anvils.
If you are gifted with a keen ear,
if you aspire to weighty words,
if you would pursue a path less traveled,
if Homer holds the scepter of song,
and yet Zeus is greater than Poseidon,
even so Poseidon his inferior exceeds all other Immortals;
and even so the Colophonian bows before Homer,
but exceeds all other singers.
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

I, the trumpet that once blew the ****** battle-notes
and the sweet truce-tunes, now hang here, Pherenicus,
your gift to Athena, quieted from my clamorous music.
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

Behold Anacreon's tomb;
here the Teian swan sleeps with the unmitigated madness of his love for lads.
Still he sings songs of longing on the lyre of Bathyllus
and the albescent marble is perfumed with ivy.
Death has not quenched his desire
and the house of Acheron still burns with the fevers of Cypris.
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

May the four-clustered clover, Anacreon,
grow here by your grave,
ringed by the tender petals of the purple meadow-flowers,
and may fountains of white milk bubble up,
and the sweet-scented wine gush forth from the earth,
so that your ashes and bones may experience joy,
if indeed the dead know any delight.
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

Stranger passing by the simple tomb of Anacreon,
if you found any profit in my books,
please pour drops of your libation on my ashes,
so that my bones, refreshed by wine, may rejoice
that I, who so delighted in the boisterous revels of Dionysus,
and who played such manic music, as wine-drinkers do,
even in death may not travel without Bacchus
in my sojourn to that land to which all men must come.
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

Anacreon, glory of Ionia,
even in the land of the lost may you never be without your beloved revels,
or your well-loved lyre,
and may you still sing with glistening eyes,
shaking the braided flowers from your hair,
turning always towards Eurypyle, Megisteus, or the locks of Thracian Smerdies,
sipping sweet wine,
your robes drenched with the juices of grapes,
wringing intoxicating nectar from its folds ...
For all your life, old friend, was poured out as an offering to these three:
the Muses, Bacchus, and Love.
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

You sleep amid the dead, Anacreon,
your day-labor done,
your well-loved lyre's sweet tongue silenced
that once sang incessantly all night long.
And Smerdies also sleeps,
the spring-tide of your loves,
for whom, tuning and turning you lyre,
you made music like sweetest nectar.
For you were Love's bullseye,
the lover of lads,
and he had the bow and the subtle archer's craft
to never miss his target.
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

Erinna's verses were few, nor were her songs overlong,
but her smallest works were inspired.
Therefore she cannot fail to be remembered
and is never lost beneath the shadowy wings of bleak night.
While we, the estranged, the innumerable throngs of tardy singers,
lie in pale corpse-heaps wasting into oblivion.
The moaned song of the lone swan outdoes the cawings of countless jackdaws
echoing far and wide through darkening clouds.
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

Who hung these glittering shields here,
these unstained spears and unruptured helmets,
dedicating to murderous Ares ornaments of no value?
Will no one cast these virginal weapons out of my armory?
Their proper place is in the peaceful halls of placid men,
not within the wild walls of Enyalius.
I delight in hacked heads and the blood of dying berserkers,
if, indeed, I am Ares the Destroyer.
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

May good Fortune, O stranger, keep you on course all your life before a fair breeze!
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

Docile doves may coo for cowards,
but we delight in dauntless men.
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

Here by the threshing-room floor,
little ant, you relentless toiler,
I built you a mound of liquid-absorbing earth,
so that even in death you may partake of the droughts of Demeter,
as you lie in the grave my plough burrowed.
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

This is your mother’s lament, Artemidorus,
weeping over your tomb,
bewailing your twelve brief years:
"All the fruit of my labor has gone up in smoke,
all your heartbroken father's endeavors are ash,
all your childish passion an extinguished flame.
For you have entered the land of the lost,
from which there is no return, never a home-coming.
You failed to reach your prime, my darling,
and now we have nothing but your headstone and dumb dust."
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

Everywhere the sea is the sea, the dead are the dead.
What difference to me—where I rest my head?
The sea knows I’m buried.
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

Everywhere the Sea is the Sea
by Antipater of Sidon
loose translation/interpretation by Michael R Burch

Everywhere the Sea is the same;
why then do we idly blame
the Cyclades
or the harrowing waves of narrow Helle?

To protest is vain!

Justly, they have earned their fame.

Why then,
after I had escaped them,
did the harbor of Scarphe engulf me?

I advise whoever finds a fair passage home:
accept that the sea's way is its own.
Man is foam.
Aristagoras knows who's buried here.


Orpheus, mute your bewitching strains
by Antipater of Sidon
loose translation/interpretation by Michael R Burch

Orpheus, mute your bewitching strains;
Leave beasts to wander stony plains;
No longer sing fierce winds to sleep,
Nor seek to enchant the tumultuous deep;
For you are dead; each Muse, forlorn,
Strums anguished strings as your mother mourns.
Mind, mere mortals, mind—no use to moan,
When even a Goddess could not save her own!


Orpheus, now you will never again enchant
by Antipater of Sidon
loose translation/interpretation by Michael R Burch



Orpheus, now you will never again enchant the charmed oaks,
never again mesmerize shepherdless herds of wild beasts,
never again lull the roaring winds,
never again tame the tumultuous hail
nor the sweeping snowstorms
nor the crashing sea,
for you have perished
and the daughters of Mnemosyne weep for you,
and your mother Calliope above all.
Why do mortals mourn their dead sons,
when not even the gods can protect their children from Hades?
—Antipater of Sidon, loose translation/interpretation by Michael R Burch


The High Road to Death
by Antipater of Sidon
loose translation/interpretation by Michael R Burch

Men skilled in the stars call me brief-lifed;
I am, but what do I care, O Seleucus?
All men descend to Hades
and if our demise comes quicker,
the sooner we shall we look on Minos.
Let us drink then, for surely wine is a steed for the high-road,
when pedestrians march sadly to Death.


The Seven Wonders of the Ancient World
by Antipater of Sidon
loose translation/interpretation by Michael R Burch

I have set my eyes upon
the lofty walls of Babylon
with its elevated road for chariots
... and upon the statue of Zeus
by the Alpheus ...
... and upon the hanging gardens ...
... upon the Colossus of the Sun ...
... upon the massive edifices
of the towering pyramids ...
... even upon the vast tomb of Mausolus ...
but when I saw the mansion of Artemis
disappearing into the cirri,
those other marvels lost their brilliancy
and I said, "Setting aside Olympus,
the Sun never shone on anything so fabulous!"


Sophocles Epigrams

Not to have been born is best,
and blessed
beyond the ability of words to express.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

It’s a hundred times better not be born;
but if we cannot avoid the light,
the path of least harm is swiftly to return
to death’s eternal night!
—Sophocles, Oedipus at Colonus, loose translation/interpretation by Michael R. Burch

Never to be born may be the biggest boon of all.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

Oblivion: What a blessing, to lie untouched by pain!
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

The happiest life is one empty of thought.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

Consider no man happy till he lies dead, free of pain at last.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

What is worse than death? When death is desired but denied.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

When a man endures nothing but endless miseries, what is the use of hanging on day after day,
edging closer and closer toward death? Anyone who warms his heart with the false glow of flickering hope is a wretch! The noble man should live with honor and die with honor. That's all that can be said.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

Children anchor their mothers to life.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

How terrible, to see the truth when the truth brings only pain to the seer!
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

Wisdom outweighs all the world's wealth.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

Fortune never favors the faint-hearted.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

Wait for evening to appreciate the day's splendor.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

Homer Epigrams

For the gods have decreed that unfortunate mortals must suffer, while they themselves are sorrowless.
—Homer, Iliad 24.525-526, loose translation/interpretation by Michael R. Burch

“It is best not to be born or, having been born, to pass on as swiftly as possible.”
—attributed to Homer (circa 800 BC), loose translation/interpretation by Michael R. Burch

Ancient Roman Epigrams

Wall, I'm astonished that you haven't collapsed,
since you're holding up verses so prolapsed!
—Ancient Roman graffiti, loose translation/interpretation by Michael R Burch

There is nothing so pointless, so perfidious as human life! ... The ultimate bliss is not to be born; otherwise we should speedily slip back into the original Nothingness.
—Seneca, On Consolation to Marcia, loose translation/interpretation by Michael R. Burch



Less Heroic Couplets: Rejection Slips
by Michael R. Burch

pour Melissa Balmain

Whenever my writing gets rejected,
I always wonder how the rejecter got elected.
Are we exchanging at the same Bourse?
(Excepting present company, of course!)

I consider the term “rejection slip” to be a double entendre. When editors reject my poems, did I slip up, or did they? Is their slip showing, or is mine?



Remembering Not to Call
by Michael R. Burch

a villanelle permitting mourning, for my mother, Christine Ena Burch

The hardest thing of all,
after telling her everything,
is remembering not to call.

Now the phone hanging on the wall
will never announce her ring:
the hardest thing of all

for children, however tall.
And the hardest thing this spring
will be remembering not to call

the one who was everything.
That the songbirds will nevermore sing
is the hardest thing of all

for those who once listened, in thrall,
and welcomed the message they bring,
since they won’t remember to call.

And the hardest thing this fall
will be a number with no one to ring.
No, the hardest thing of all
is remembering not to call.



Sailing to My Grandfather, for George Hurt
by Michael R. Burch

This distance between us
―this vast sea
of remembrance―
is no hindrance,
no enemy.

I see you out of the shining mists
of memory.
Events and chance
and circumstance
are sands on the shore of your legacy.

I find you now in fits and bursts
of breezes time has blown to me,
while waves, immense,
now skirt and glance
against the bow unceasingly.

I feel the sea's salt spray―light fists,
her mists and vapors mocking me.
From ignorance
to reverence,
your words were sextant stars to me.

Bright stars are strewn in silver gusts
back, back toward infinity.
From innocence
to senescence,
now you are mine increasingly.



All Things Galore
by Michael R. Burch

for my grandfathers George Edwin Hurt Sr. and Paul Ray Burch, Sr.

Grandfather,
now in your gray presence
you are

somehow more near

and remind me that,
once, upon a star,
you taught me

wish

that ululate soft phrase,
that hopeful phrase!

and everywhere above, each hopeful star

gleamed down

and seemed to speak of times before
when you clasped my small glad hand
in your wise paw

and taught me heaven, omen, meteor . . .



Attend Upon Them Still
by Michael R. Burch

for my grandparents George and Ena Hurt

With gentleness and fine and tender will,
attend upon them still;
thou art the grass.

Nor let men’s feet here muddy as they pass
thy subtle undulations, nor depress
for long the comforts of thy lovingness,

nor let the fuse
of time wink out amid the violets.
They have their use―

to wave, to grow, to gleam, to lighten their paths,
to shine sweet, transient glories at their feet.
Thou art the grass;

make them complete.



Sanctuary at Dawn
by Michael R. Burch

I have walked these thirteen miles
just to stand outside your door.
The rain has dogged my footsteps
for thirteen miles, for thirty years,
through the monsoon seasons ...
and now my tears
have all been washed away.

Through thirteen miles of rain I slogged,
I stumbled and I climbed
rainslickened slopes
that led me home
to the hope that I might find
a life I lived before.

The door is wet; my cheeks are wet,
but not with rain or tears ...
as I knock I sweat
and the raining seems
the rhythm of the years.

Now you stand outlined in the doorway
―a man as large as I left―
and with bated breath
I take a step
into the accusing light.

Your eyes are grayer
than I remembered;
your hair is grayer, too.
As the red rust runs
down the dripping drains,
our voices exclaim―

"My father!"
"My son!"


Ah! Sunflower
by Michael R. Burch

after William Blake

O little yellow flower
like a star ...
how beautiful,
how wonderful
we are!



Anyte Epigrams

Stranger, rest your weary legs beneath the elms;
hear how coolly the breeze murmurs through their branches;
then take a bracing draught from the mountain-fed fountain;
for this is welcome shade from the burning sun.
—Anyte, loose translation/interpretation by Michael R. Burch

Here I stand, Hermes, in the crossroads
by the windswept elms near the breezy beach,
providing rest to sunburned travelers,
and cold and brisk is my fountain’s abundance.
—Anyte, loose translation/interpretation by Michael R. Burch

Sit here, quietly shaded by the luxuriant foliage,
and drink cool water from the sprightly spring,
so that your weary breast, panting with summer’s labors,
may take rest from the blazing sun.
—Anyte, loose translation/interpretation by Michael R. Burch

This is the grove of Cypris,
for it is fair for her to look out over the land to the bright deep,
that she may make the sailors’ voyages happy,
as the sea trembles, observing her brilliant image.
—Anyte, loose translation/interpretation by Michael R. Burch



Nossis Epigrams

There is nothing sweeter than love.
All other delights are secondary.
Thus, I spit out even honey.
This is what Gnossis says:
Whom Aphrodite does not love,
Is bereft of her roses.
—Nossis, loose translation/interpretation by Michael R. Burch

Most revered Hera, the oft-descending from heaven,
behold your Lacinian shrine fragrant with incense
and receive the linen robe your noble child Nossis,
daughter of Theophilis and Cleocha, has woven for you.
—Nossis, loose translation/interpretation by Michael R. Burch

Stranger, if you sail to Mitylene, my homeland of beautiful dances,
to indulge in the most exquisite graces of Sappho,
remember I also was loved by the Muses, who bore me and reared me there.
My name, never forget it!, is Nossis. Now go!
—Nossis, loose translation/interpretation by Michael R. Burch

Pass me with ringing laughter, then award me
a friendly word: I am Rinthon, scion of Syracuse,
a small nightingale of the Muses; from their tragedies
I was able to pluck an ivy, unique, for my own use.
—Nossis, loose translation/interpretation by Michael R. Burch



Excerpts from “Distaff”
by Erinna
loose translation/interpretation by Michael R. Burch

… the moon rising …
      … leaves falling …
           … waves lapping a windswept shore …

… and our childish games, Baucis, do you remember? ...

... Leaping from white horses,
running on reckless feet through the great courtyard.  
“You’re it!’ I cried, ‘You’re the Tortoise now!”
But when your turn came to pursue your pursuers,
you darted beyond the courtyard,
dashed out deep into the waves,
splashing far beyond us …

… My poor Baucis, these tears I now weep are your warm memorial,
these traces of embers still smoldering in my heart
for our silly amusements, now that you lie ash …

… Do you remember how, as girls,
we played at weddings with our dolls,
pretending to be brides in our innocent beds? ...

... How sometimes I was your mother,
allotting wool to the weaver-women,
calling for you to unreel the thread? ...

… Do you remember our terror of the monster Mormo
with her huge ears, her forever-flapping tongue,
her four slithering feet, her shape-shifting face? ...

... Until you mother called for us to help with the salted meat ...

... But when you mounted your husband’s bed,
dearest Baucis, you forgot your mothers’ warnings!
Aphrodite made your heart forgetful ...

... Desire becomes oblivion ...

... Now I lament your loss, my dearest friend.
I can’t bear to think of that dark crypt.
I can’t bring myself to leave the house.
I refuse to profane your corpse with my tearless eyes.
I refuse to cut my hair, but how can I mourn with my hair unbound?
I blush with shame at the thought of you! …

... But in this dark house, O my dearest Baucis,
My deep grief is ripping me apart.
Wretched Erinna! Only nineteen,
I moan like an ancient crone, eying this strange distaff ...

O *****! . . . O Hymenaeus! . . .
Alas, my poor Baucis!



On a Betrothed Girl
by Erinna
loose translation/interpretation by Michael R. Burch

I sing of Baucis the bride.
Observing her tear-stained crypt
say this to Death who dwells underground:
"Thou art envious, O Death!"

Her vivid monument tells passers-by
of the bitter misfortune of Baucis —
how her father-in-law burned the poor ******* a pyre
lit by bright torches meant to light her marriage train home.
While thou, O Hymenaeus, transformed her harmonious bridal song into a chorus of wailing dirges.

*****! O Hymenaeus!

Keywords/Tags: elegy, eulogy, child, childhood, death, death of a friend, lament, lamentation, epitaph, grave, funeral

Published as the collection "Ancient Greek Epigrams"
Ulysses now left the haven, and took the rough track up through
the wooded country and over the crest of the mountain till he
reached the place where Minerva had said that he would find the
swineherd, who was the most thrifty servant he had. He found him
sitting in front of his hut, which was by the yards that he had
built on a site which could be seen from far. He had made them
spacious and fair to see, with a free ran for the pigs all round them;
he had built them during his master’s absence, of stones which he
had gathered out of the ground, without saying anything to Penelope or
Laertes, and he had fenced them on top with thorn bushes. Outside
the yard he had run a strong fence of oaken posts, split, and set
pretty close together, while inside lie had built twelve sties near
one another for the sows to lie in. There were fifty pigs wallowing in
each sty, all of them breeding sows; but the boars slept outside and
were much fewer in number, for the suitors kept on eating them, and
die swineherd had to send them the best he had continually. There were
three hundred and sixty boar pigs, and the herdsman’s four hounds,
which were as fierce as wolves, slept always with them. The
swineherd was at that moment cutting out a pair of sandals from a good
stout ox hide. Three of his men were out herding the pigs in one place
or another, and he had sent the fourth to town with a boar that he had
been forced to send the suitors that they might sacrifice it and
have their fill of meat.
  When the hounds saw Ulysses they set up a furious barking and flew
at him, but Ulysses was cunning enough to sit down and loose his
hold of the stick that he had in his hand: still, he would have been
torn by them in his own homestead had not the swineherd dropped his ox
hide, rushed full speed through the gate of the yard and driven the
dogs off by shouting and throwing stones at them. Then he said to
Ulysses, “Old man, the dogs were likely to have made short work of
you, and then you would have got me into trouble. The gods have
given me quite enough worries without that, for I have lost the best
of masters, and am in continual grief on his account. I have to attend
swine for other people to eat, while he, if he yet lives to see the
light of day, is starving in some distant land. But come inside, and
when you have had your fill of bread and wine, tell me where you
come from, and all about your misfortunes.”
  On this the swineherd led the way into the hut and bade him sit
down. He strewed a good thick bed of rushes upon the floor, and on the
top of this he threw the shaggy chamois skin—a great thick one—on
which he used to sleep by night. Ulysses was pleased at being made
thus welcome, and said “May Jove, sir, and the rest of the gods
grant you your heart’s desire in return for the kind way in which
you have received me.”
  To this you answered, O swineherd Eumaeus, “Stranger, though a still
poorer man should come here, it would not be right for me to insult
him, for all strangers and beggars are from Jove. You must take what
you can get and be thankful, for servants live in fear when they
have young lords for their masters; and this is my misfortune now, for
heaven has hindered the return of him who would have been always
good to me and given me something of my own—a house, a piece of land,
a good looking wife, and all else that a liberal master allows a
servant who has worked hard for him, and whose labour the gods have
prospered as they have mine in the situation which I hold. If my
master had grown old here he would have done great things by me, but
he is gone, and I wish that Helen’s whole race were utterly destroyed,
for she has been the death of many a good man. It was this matter that
took my master to Ilius, the land of noble steeds, to fight the
Trojans in the cause of kin Agamemnon.”
  As he spoke he bound his girdle round him and went to the sties
where the young ******* pigs were penned. He picked out two which he
brought back with him and sacrificed. He singed them, cut them up, and
spitted on them; when the meat was cooked he brought it all in and set
it before Ulysses, hot and still on the spit, whereon Ulysses
sprinkled it over with white barley meal. The swineherd then mixed
wine in a bowl of ivy-wood, and taking a seat opposite Ulysses told
him to begin.
  “Fall to, stranger,” said he, “on a dish of servant’s pork. The
fat pigs have to go to the suitors, who eat them up without shame or
scruple; but the blessed gods love not such shameful doings, and
respect those who do what is lawful and right. Even the fierce
free-booters who go raiding on other people’s land, and Jove gives
them their spoil—even they, when they have filled their ships and got
home again live conscience-stricken, and look fearfully for judgement;
but some god seems to have told these people that Ulysses is dead
and gone; they will not, therefore, go back to their own homes and
make their offers of marriage in the usual way, but waste his estate
by force, without fear or stint. Not a day or night comes out of
heaven, but they sacrifice not one victim nor two only, and they
take the run of his wine, for he was exceedingly rich. No other
great man either in Ithaca or on the mainland is as rich as he was; he
had as much as twenty men put together. I will tell you what he had.
There are twelve herds of cattle upon the mainland, and as many flocks
of sheep, there are also twelve droves of pigs, while his own men
and hired strangers feed him twelve widely spreading herds of goats.
Here in Ithaca he runs even large flocks of goats on the far end of
the island, and they are in the charge of excellent goatherds. Each
one of these sends the suitors the best goat in the flock every day.
As for myself, I am in charge of the pigs that you see here, and I
have to keep picking out the best I have and sending it to them.”
  This was his story, but Ulysses went on eating and drinking
ravenously without a word, brooding his revenge. When he had eaten
enough and was satisfied, the swineherd took the bowl from which he
usually drank, filled it with wine, and gave it to Ulysses, who was
pleased, and said as he took it in his hands, “My friend, who was this
master of yours that bought you and paid for you, so rich and so
powerful as you tell me? You say he perished in the cause of King
Agamemnon; tell me who he was, in case I may have met with such a
person. Jove and the other gods know, but I may be able to give you
news of him, for I have travelled much.”
  Eumaeus answered, “Old man, no traveller who comes here with news
will get Ulysses’ wife and son to believe his story. Nevertheless,
tramps in want of a lodging keep coming with their mouths full of
lies, and not a word of truth; every one who finds his way to Ithaca
goes to my mistress and tells her falsehoods, whereon she takes them
in, makes much of them, and asks them all manner of questions,
crying all the time as women will when they have lost their
husbands. And you too, old man, for a shirt and a cloak would
doubtless make up a very pretty story. But the wolves and birds of
prey have long since torn Ulysses to pieces, or the fishes of the
sea have eaten him, and his bones are lying buried deep in sand upon
some foreign shore; he is dead and gone, and a bad business it is
for all his friends—for me especially; go where I may I shall never
find so good a master, not even if I were to go home to my mother
and father where I was bred and born. I do not so much care,
however, about my parents now, though I should dearly like to see them
again in my own country; it is the loss of Ulysses that grieves me
most; I cannot speak of him without reverence though he is here no
longer, for he was very fond of me, and took such care of me that
whereever he may be I shall always honour his memory.”
  “My friend,” replied Ulysses, “you are very positive, and very
hard of belief about your master’s coming home again, nevertheless I
will not merely say, but will swear, that he is coming. Do not give me
anything for my news till he has actually come, you may then give me a
shirt and cloak of good wear if you will. I am in great want, but I
will not take anything at all till then, for I hate a man, even as I
hate hell fire, who lets his poverty tempt him into lying. I swear
by king Jove, by the rites of hospitality, and by that hearth of
Ulysses to which I have now come, that all will surely happen as I
have said it will. Ulysses will return in this self same year; with
the end of this moon and the beginning of the next he will be here
to do vengeance on all those who are ill treating his wife and son.”
  To this you answered, O swineherd Eumaeus, “Old man, you will
neither get paid for bringing good news, nor will Ulysses ever come
home; drink you wine in peace, and let us talk about something else.
Do not keep on reminding me of all this; it always pains me when any
one speaks about my honoured master. As for your oath we will let it
alone, but I only wish he may come, as do Penelope, his old father
Laertes, and his son Telemachus. I am terribly unhappy too about
this same boy of his; he was running up fast into manhood, and bade
fare to be no worse man, face and figure, than his father, but some
one, either god or man, has been unsettling his mind, so he has gone
off to Pylos to try and get news of his father, and the suitors are
lying in wait for him as he is coming home, in the hope of leaving the
house of Arceisius without a name in Ithaca. But let us say no more
about him, and leave him to be taken, or else to escape if the son
of Saturn holds his hand over him to protect him. And now, old man,
tell me your own story; tell me also, for I want to know, who you
are and where you come from. Tell me of your town and parents, what
manner of ship you came in, how crew brought you to Ithaca, and from
what country they professed to come—for you cannot have come by
land.”
  And Ulysses answered, “I will tell you all about it. If there were
meat and wine enough, and we could stay here in the hut with nothing
to do but to eat and drink while the others go to their work, I
could easily talk on for a whole twelve months without ever
finishing the story of the sorrows with which it has pleased heaven to
visit me.
  “I am by birth a Cretan; my father was a well-to-do man, who had
many sons born in marriage, whereas I was the son of a slave whom he
had purchased for a concubine; nevertheless, my father Castor son of
Hylax (whose lineage I claim, and who was held in the highest honour
among the Cretans for his wealth, prosperity, and the valour of his
sons) put me on the same level with my brothers who had been born in
wedlock. When, however, death took him to the house of Hades, his sons
divided his estate and cast lots for their shares, but to me they gave
a holding and little else; nevertheless, my valour enabled me to marry
into a rich family, for I was not given to bragging, or shirking on
the field of battle. It is all over now; still, if you look at the
straw you can see what the ear was, for I have had trouble enough
and to spare. Mars and Minerva made me doughty in war; when I had
picked my men to surprise the enemy with an ambuscade I never gave
death so much as a thought, but was the first to leap forward and
spear all whom I could overtake. Such was I in battle, but I did not
care about farm work, nor the frugal home life of those who would
bring up children. My delight was in ships, fighting, javelins, and
arrows—things that most men shudder to think of; but one man likes
one thing and another another, and this was what I was most
naturally inclined to. Before the Achaeans went to Troy, nine times
was I in command of men and ships on foreign service, and I amassed
much wealth. I had my pick of the spoil in the first instance, and
much more was allotted to me later on.
  “My house grew apace and I became a great man among the Cretans, but
when Jove counselled that terrible expedition, in which so many
perished, the people required me and Idomeneus to lead their ships
to Troy, and there was no way out of it, for they insisted on our
doing so. There we fought for nine whole years, but in the tenth we
sacked the city of Priam and sailed home again as heaven dispersed us.
Then it was that Jove devised evil against me. I spent but one month
happily with my children, wife, and property, and then I conceived the
idea of making a descent on Egypt, so I fitted out a fine fleet and
manned it. I had nine ships, and the people flocked to fill them.
For six days I and my men made feast, and I found them many victims
both for sacrifice to the gods and for themselves, but on the
seventh day we went on board and set sail from Crete with a fair North
wind behind us though we were going down a river. Nothing went ill
with any of our ships, and we had no sickness on board, but sat
where we were and let the ships go as the wind and steersmen took
them. On the fifth day we reached the river Aegyptus; there I
stationed my ships in the river, bidding my men stay by them and
keep guard over them while I sent out scouts to reconnoitre from every
point of vantage.
  “But the men disobeyed my orders, took to their own devices, and
ravaged the land of the Egyptians, killing the men, and taking their
wives and children captive. The alarm was soon carried to the city,
and when they heard the war cry, the people came out at daybreak
till the plain was filled with horsemen and foot soldiers and with the
gleam of armour. Then Jove spread panic among my men, and they would
no longer face the enemy, for they found themselves surrounded. The
Egyptians killed many of us, and took the rest alive to do forced
labour for them. Jove, however, put it in my mind to do thus—and I
wish I had died then and there in Egypt instead, for there was much
sorrow in store for me—I took off my helmet and shield and dropped my
spear from my hand; then I went straight up to the king’s chariot,
clasped his knees and kissed them, whereon he spared my life, bade
me get into his chariot, and took me weeping to his own home. Many
made at me with their ashen spears and tried to kil me in their
fury, but the king protected me, for he feared the wrath of Jove the
protector of strangers, who punishes those who do evil.
  “I stayed there for seven years and got together much money among
the Egyptians, for they all gave me something; but when it was now
going on for eight years there came a certain Phoenician, a cunning
rascal, who had already committed all sorts of villainy, and this
man talked me over into going with him to Phoenicia, where his house
and his possessions lay. I stayed there for a whole twelve months, but
at the end of that time when months and days had gone by till the same
season had come round again, he set me on board a ship bound for
Libya, on a pretence that I was to take a cargo along with him to that
place, but really that he might sell me as a slave and take the
money I fetched. I suspected his intention, but went on board with
him, for I could not help it.
  “The ship ran before a fresh North wind till we had reached the
sea that lies between Crete and Libya; there, however, Jove counselled
their destruction, for as soon as we were well out from Crete and
could see nothing but sea and sky, he raised a black cloud over our
ship and the sea grew dark beneath it. Then Jove let fly with his
thunderbolts and the ship went round and round and was filled with
fire and brimstone as the lightning struck it. The men fell all into
the sea; they were carried about in the water round the ship looking
like so many sea-gulls, but the god presently deprived them of all
chance of getting home again. I was all dismayed; Jove, however,
sent the ship’s mast within my reach, which saved my life, for I clung
to it, and drifted before the fury of the gale. Nine days did I
drift but in the darkness of the tenth night a great wave bore me on
to the Thesprotian coast. There Pheidon king of the Thesprotians
entertained me hospitably without charging me anything at all for
his son found me when I was nearly dead with cold and fatigue, whereon
he raised me by the hand, took me to his father’s house and gave
‘Oinos.’

Pardon, Agathos, the weakness of a spirit new-fledged with
immortality!

‘Agathos.’

You have spoken nothing, my Oinos, for which pardon is to be
demanded. Not even here is knowledge a thing of intuition.
For wisdom, ask of the angels freely, that it may be given!

‘Oinos.’

But in this existence I dreamed that I should be at once
cognizant of all things, and thus at once happy in being
cognizant of all.

‘Agathos.’

Ah, not in knowledge is happiness, but in the acquisition of
knowledge! In forever knowing, we are forever blessed; but
to know all, were the curse of a fiend.

‘Oinos.’

But does not The Most High know all?

‘Agathos’.

That (since he is The Most Happy) must be still the
one thing unknown even to HIM.

‘Oinos.’

But, since we grow hourly in knowledge, must not at last
all things be known?

‘Agathos.’

Look down into the abysmal distances!—attempt to force
the gaze down the multitudinous vistas of the stars, as we
sweep slowly through them thus—and thus—and
thus! Even the spiritual vision, is it not at all points
arrested by the continuous golden walls of the
universe?—the walls of the myriads of the shining
bodies that mere number has appeared to blend into unity?

‘Oinos’.

I clearly perceive that the infinity of matter is no dream.

‘Agathos’.

There are no dreams in Aidenn—but it is here whispered
that, of this infinity of matter, the sole purpose is
to afford infinite springs at which the soul may allay the
thirst to know which is forever unquenchable within
it—since to quench it would be to extinguish the
soul’s self. Question me then, my Oinos, freely and without
fear. Come! we will leave to the left the loud harmony of
the Pleiades, and swoop outward from the throne into the
starry meadows beyond Orion, where, for pansies and violets,
and heart’s-ease, are the beds of the triplicate and triple-
tinted suns.

‘Oinos’.

And now, Agathos, as we proceed, instruct me!—speak to
me in the earth’s familiar tones! I understand not what you
hinted to me just now of the modes or of the methods of what
during mortality, we were accustomed to call Creation. Do
you mean to say that the Creator is not God?

‘Agathos’.

I mean to say that the Deity does not create.

‘Oinos’.

Explain!

‘Agathos’.

In the beginning only, he created. The seeming creatures
which are now throughout the universe so perpetually
springing into being can only be considered as the mediate
or indirect, not as the direct or immediate results of the
Divine creative power.

‘Oinos.’

Among men, my Agathos, this idea would be considered
heretical in the extreme.

‘Agathos.’

Among the angels, my Oinos, it is seen to be simply true.

‘Oinos.’

I can comprehend you thus far—that certain operations
of what we term Nature, or the natural laws, will, under
certain conditions, give rise to that which has all the
appearance of creation. Shortly before the final
overthrow of the earth, there were, I well remember, many
very successful experiments in what some philosophers were
weak enough to denominate the creation of animalculae.

‘Agathos.’

The cases of which you speak were, in fact, instances of the
secondary creation, and of the only species of
creation which has ever been since the first word spoke into
existence the first law.

‘Oinos.’

Are not the starry worlds that, from the abyss of nonentity,
burst hourly forth into the heavens—are not these
stars, Agathos, the immediate handiwork of the King?

‘Agathos.’

Let me endeavor, my Oinos, to lead you, step by step, to the
conception I intend. You are well aware that, as no thought
can perish, so no act is without infinite result. We moved
our hands, for example, when we were dwellers on the earth,
and in so doing we gave vibration to the atmosphere which
engirdled it. This vibration was indefinitely extended till
it gave impulse to every particle of the earth’s air, which
thenceforward, and forever, was actuated by the one
movement of the hand. This fact the mathematicians of our
globe well knew. They made the special effects, indeed,
wrought in the fluid by special impulses, the subject of
exact calculation—so that it became easy to determine
in what precise period an impulse of given extent would
engirdle the orb, and impress (forever) every atom of the
atmosphere circumambient. Retrograding, they found no
difficulty; from a given effect, under given conditions, in
determining the value of the original impulse. Now the
mathematicians who saw that the results of any given impulse
were absolutely endless—and who saw that a portion of
these results were accurately traceable through the agency
of algebraic analysis—who saw, too, the facility of
the retrogradation—these men saw, at the same time,
that this species of analysis itself had within itself a
capacity for indefinite progress—that there were no
bounds conceivable to its advancement and applicability,
except within the intellect of him who advanced or applied
it. But at this point our mathematicians paused.

‘Oinos.’

And why, Agathos, should they have proceeded?

‘Agathos.’

Because there were some considerations of deep interest
beyond. It was deducible from what they knew, that to a
being of infinite understanding—one to whom the
perfection of the algebraic analysis lay unfolded—
there could be no difficulty in tracing every impulse given
the air—and the ether through the air—to the
remotest consequences at any even infinitely remote epoch of
time. It is indeed demonstrable that every such impulse
given the air, must in the end impress every
individual thing that exists within the
universe;—and the being of infinite
understanding—the being whom we have imagined—
might trace the remote undulations of the impulse—
trace them upward and onward in their influences upon all
particles of all matter—upward and onward forever in
their modifications of old forms—or, in other words,
in their creation of new—until he found them
reflected—unimpressive at last—back from
the throne of the Godhead. And not only could such a being
do this, but at any epoch, should a given result be afforded
him—should one of these numberless comets, for
example, be presented to his inspection—he could have
no difficulty in determining, by the analytic
retrogradation, to what original impulse it was due. This
power of retrogradation in its absolute fulness and
perfection—this faculty of referring at all
epochs, all effects to all causes—is of
course the prerogative of the Deity alone—but in every
variety of degree, short of the absolute perfection, is the
power itself exercised by the whole host of the Angelic
Intelligences.

‘Oinos’.

But you speak merely of impulses upon the air.

‘Agathos’.

In speaking of the air, I referred only to the earth: but
the general proposition has reference to impulses upon the
ether—which, since it pervades, and alone pervades all
space, is thus the great medium of creation.

‘Oinos’.

Then all motion, of whatever nature, creates?

‘Agathos’.

It must: but a true philosophy has long taught that the
source of all motion is thought—and the source of all
thought is—

‘Oinos’.

God.

‘Agathos’.

I have spoken to you, Oinos, as to a child, of the fair
Earth which lately perished—of impulses upon the
atmosphere of the earth.

‘Oinos’.

You did.

‘Agathos’.

And while I thus spoke, did there not cross your mind some
thought of the physical power of words? Is not every
word an impulse on the air?

‘Oinos’.

But why, Agathos, do you weep—and why, oh, why do your
wings droop as we hover above this fair star—which is
the greenest and yet most terrible of all we have
encountered in our flight? Its brilliant flowers look like a
fairy dream—but its fierce volcanoes like the passions
of a turbulent heart.

‘Agathos’.

They are!—they are!—This wild
star—it is now three centuries since, with clasped
hands, and with streaming eyes, at the feet of my
beloved—I spoke it—with a few passionate
sentences—into birth. Its brilliant flowers are
the dearest of all unfulfilled dreams, and its raging
volcanoes are the passions of the most turbulent and
unhallowed of hearts!
Pearson Bolt Sep 2015
they say you'll never forget
where you were on 9/11
i was nine
i sat in the kitchen
and watched the television
play out the violence hour after hour
my child-like mind conflated the Two Towers
in Tolkien's literary fantasy
with these acts of misanthropy  
and i was taught at the dinner table
that very evening
that all of life could be reduced
to capital letters defining a
cosmic struggle of Good vs. Evil

and yet
regardless of their affiliation
on this defunct
political spectrum of
left left
left right left
politicians canonize a legacy of
injustice and oppression and
in order to suppress
democratic expression
they propagate the notion
that dissent is treason

because the wars we wage are blessed
by the sagely insight of rich old men
who sit safely in mansions protected by
picket fences as white as their skin
while they play off our emotions and
turn us into thoughtless sheep
content to stomach the whims of
politicians propagating vengeance

i will speak this out even
when my voice shakes
because i have seen the hypocrisy
of this war on terror
that relies on terror
to cultivate more terrorists
in order to perpetuate the notion
that Orwell posited

war is peace
freedom is slavery
ignorance is bliss
isn't it

in my naïveté
i rejected the reality of
torture and murdered children for
i nursed a secret hope that
despite the pictures and videos
that served as empirical evidence
we were still somehow
the good guys and
they were the bad guys

but Americans rained white
phosphorous on Fallujah
dropped the world's first
and hopefully last
atom bombs on Hiroshima and Nagasaki
we toppled democratically elected socialists
whose interests betrayed our self-serving agendas
cultivating a policy of extra-judicial assassination
regime change is the name of the game
just ask the CIA
they'd tell you
business is booming but
then they'd have to **** you

so i switched off my TV screen
and picked up books
i read Slaughterhouse-V
and treasured the way Vonnegut
looks at the lives of even
bees and butterflies as valuable
intoning "so it goes"
every time a living thing dies

i read O'Brien's
recollections
of Vietnam
a month later
he said that
like white lies
tall tales and
fishermen’s yarns
every war story
has a bit of truth

and i've seen the proof
in the photographs of
Abu Ghraib and Guantanamo Bay
in the aftermath of drone strikes
that left pieces of kids scattered
across the desert sands of foreign lands

i see the toxic side-effects of
systemic violence in the eyes
of homeless veterans suffering
on the streets with PTSD
a flicker of fear livens a
deadened gaze at the sound of
every backfiring engine
as if they're a thousand miles away
on some distant shore

betrayed by their own
government once again
a Purple Heart is
a death sentence
when there are 22
military suicides a day
thanks for your service
now die in silence

like bad religion the phrase
war crime is rather redundant
and i testify not because i
aim to disrespect the
men and women in uniform
on the contrary

when i say
**** war
it is because i
cherish every brother
and every sister
who has perished in the
churning gears of conflict

they shoved tall tales of hope
for a collegiate education
and far-flung travel
down our throats
just sign here
right along the dotted line

we want you
to march into hellfire
we want you
to send missiles into
tiny huts and villages
tracking cell phone signals
we want you
to sit down
shut up and
just do as you're told

to every fallen human who
has been sent off to fight on
behalf of this
or any other
corrupt nation
i sincerely apologize
for not taking to the streets to protest
a vitriolic ideology

i regret filing my taxes
when 54% or more of our budget goes to
military expenditures so they could
stick an M-16 in your hands
and ship you off to die for abstract
and so often arbitrary phrases like
freedom and justice for all

you were robbed of your liberty
by a capitalist system that seeks profit
like a false prophet for
bank accounts soar in times of war  
and in my apathy i hammered
nails into your coffin

and i pride myself on  
being an anti-militaristic
non-violent anarchist because
i don't hate soldiers
if i did i would remain
silent and apathetic
and let the government
abuse its youth

i celebrate humanity
regardless of ethnicity and creed
which is precisely why i despise
this system that sacrifices
generation after generation for
conquest and imperial notions

pray tell
will we turn from the
error of our ways
wake up from
this terrorist daze
before it's too late
and say

the State can try to
whitewash history but
i refuse to let them
brainwash me
I wrote this poem when a woman walked out of the venue after I read a poem about overthrowing the government. She told me her son was in the military and said he had buddies who died so I could have free speech. I wish she'd stopped so I could've responded to her the way I'd have liked to. Guess this will have to do.
tranquil Nov 2013
once upon a stolen time
skies swore love to the earth
in a sight where all flew past
the splendor of a sailing romance

a passion so pristine

ever gentle as morning dew
which surrenders to the first rays
of a yawning sun toddling into
the laziest hour of day's fabric

when hope glittered as stars

and as formless light of souls relieved to be
strewn into the lap of merciful
enchantress content with her creation
whose world shone inspired on its own

an era where people breathed felicity

where foamy seas bent into a restless
swell of dreamy clouds
and smiling rainbows melted into perfume
drops of silver rain

when a grand pearl was born

the child of deepest seas
a gleaming myth so pure and unreal
born in nethers of the grand ocean
a spheric orb of life itself

whom the heavens embraced

as a savior of those lost within
the fading embers of abstraction
frolicking amidst solemn tranquil stars
shiny bright on the celestial parapet

the mortals named her moon

and furnished their barren lives with
colorless spread of her golden hair
traced along the milky laugh of joy
kissing tender skins of lovers asleep

but pinched upon by shores of neglect

lay the boiling heart of a forgotten god
leaning into the envious whispers of venomous deceit
sprung out of flaming ego of the great sun
overpowered by hate for his adversary

and the grand ocean who birthed her

so he raged upon like a nebulous explosion
drying up colossal seas and rivulets alike
while mortals bore the brunt of a deity
beneath all fiery blunders of infernal damnation

they all gazed in horror

to what became of once cerulean infinite ocean
now a volatile geyser of bloodied soup
a serene cradle of life incinerated by jealousy
amidst the dying cries of mercy

laid upon the ears of great mother

who rushed to her frightened children like
an avalanche of uplifting spells
as solace from the obliviating torrents of heat
above a crumbling earth

veiled in her merciful majesty

she called upon a parliament of beasts and men
starry denizens of the shivery black sky
ghostly natives of burning forests
restless roses of ashen hearts

as so were they all summoned

"for all ye did defile
with strength i lend to thee
reduce to shadow dust
spread thy cruelty
dispel a coat of fire
upon my hallowed sea
betray the rule of stars
but so mercilessly

for 'gainst the eye of war
ye sinned with hateful fright
and shall be doomed to hell
till life's last surmise
but if there be some more
ye need to speak awhile
speak aloud thee must
for this be thy time"

and so the mighty sun bared his heart

"for if i had a choice
sin i shall again
to breathe a demon's soul
engrossed with deathly pain

as when i saw her first
the light of purest love
allure of million songs
beaming anthems of

poetry set in sight
in fountains of her sleep
amid the faintest wish
of day we two shall meet

i ran and ran across
the length of starlit skies
in search of moon again
her burnished sheeny smile

only to learn the sea
would mask her in the day
in frigid soundless depths
until i fade away

spiralled across the space
i burnt to nothingness
a billion years in wait
perished to longingness

for choice was what i had
i chose to hate the world
one that does have no heart
one that does know no love

for if i had a choice
sin i shall again
just as the ocean sinned
and bring my soul this pain"

seeking out for the shattered cascades of his mind

the great mother did reach to the floundering soul
of a sun craving for one more sight of his beloved
all so distant as a tale of treasures lost
to the perpetual labyrinth of time

"of what shall thus be named
the blush of myriad glows
beneath the noble day
before the nights of pure

let there be a spell
where sun may see the moon
chisel his heart through clouds
scroll upon his tune

a time where them two shall
be one as dew and morn
ripple across as love
through dusky silhouettes long"

sweet scents of eager hope resurfaced

followed by the serene lush of a green symphony once more
while the sun bent down to touch the topaz glint of water
his beloved emerged riding upon whistling winds from east
once more piercing the restless swell of dreamy clouds

and just as day sank below a border of horizon
two lovers soared into the dreamy sight of each other
for hues of their daring glances tinge every twilight
again with a dream to have their love fulfilled

every day until the end of time.
On a sunny brae alone I lay
One summer afternoon;
It was the marriage-time of May,
With her young lover, June.

From her mother's heart seemed loath to part
That queen of bridal charms,
But her father smiled on the fairest child
He ever held in his arms.

The trees did wave their plumy crests,
The glad birds carolled clear;
And I, of all the wedding guests,
Was only sullen there!

There was not one, but wished to shun
My aspect void of cheer;
The very gray rocks, looking on,
Asked, "What do you here?"

And I could utter no reply;
In sooth, I did not know
Why I had brought a clouded eye
To greet the general glow.

So, resting on a heathy bank,
I took my heart to me;
And we together sadly sank
Into a reverie.

We thought, "When winter comes again,
Where will these bright things be?
All vanished, like a vision vain,
An unreal mockery!

"The birds that now so blithely sing,
Through deserts, frozen dry,
Poor spectres of the perished spring,
In famished troops will fly.

"And why should we be glad at all?
The leaf is hardly green,
Before a token of its fall
Is on the surface seen!"

Now, whether it were really so,
I never could be sure;
But as in fit of peevish woe,
I stretched me on the moor,

A thousand thousand gleaming fires
Seemed kindling in the air;
A thousand thousand silvery lyres
Resounded far and near:

Methought, the very breath I breathed
Was full of sparks divine,
And all my heather-couch was wreathed
By that celestial shine!

And, while the wide earth echoing rung
To that strange minstrelsy
The little glittering spirits sung,
Or seemed to sing, to me:

"O mortal! mortal! let them die;
Let time and tears destroy,
That we may overflow the sky
With universal joy!

"Let grief distract the sufferer's breast,
And night obscure his way;
They hasten him to endless rest,
And everlasting day.

"To thee the world is like a tomb,
A desert's naked shore;
To us, in unimagined bloom,
It brightens more and more!

"And, could we lift the veil, and give
One brief glimpse to thine eye,
Thou wouldst rejoice for those that live,
BECAUSE they live to die."

The music ceased; the noonday dream,
Like dream of night, withdrew;
But Fancy, still, will sometimes deem
Her fond creation true.



Published in the 1846 collection Poems By Currer, Ellis and Acton Bell under Emily's nom de plume 'Ellis Bell'.
John F McCullagh Nov 2011
For every aging boomer
there are one or two they've known:
Heroes of the battlefield
Who never made it home.

Some classmate who was butchered
in a fire fight in “Nam.
A sibling who had perished
in the standoff at Khe Sanh.

Perhaps the Tet offensive
left some friend's blood spilled and spent.
Politicians speak of glory-
It’s the grunts who pay the rent

From the walls of Hue to Can Ranh Bay
from Tonkin to Saigon.
there is a wall in Washington
with their names inscribed thereon.

The lucky ones who did come home
recall the name and face
of some heroic eighteen year old
who perished in their place.
The Traveling Wall. The mobile version of the Vietnam memorial came to our town back when I wrote this poem. It is a companion piece to my Poem "The Butterfly"
Then Mercury of Cyllene summoned the ghosts of the suitors, and in
his hand he held the fair golden wand with which he seals men’s eyes
in sleep or wakes them just as he pleases; with this he roused the
ghosts and led them, while they followed whining and gibbering
behind him. As bats fly squealing in the hollow of some great cave,
when one of them has fallen out of the cluster in which they hang,
even so did the ghosts whine and squeal as Mercury the healer of
sorrow led them down into the dark abode of death. When they had
passed the waters of Oceanus and the rock Leucas, they came to the
gates of the sun and the land of dreams, whereon they reached the
meadow of asphodel where dwell the souls and shadows of them that
can labour no more.
  Here they found the ghost of Achilles son of Peleus, with those of
Patroclus, Antilochus, and Ajax, who was the finest and handsomest man
of all the Danaans after the son of Peleus himself.
  They gathered round the ghost of the son of Peleus, and the ghost of
Agamemnon joined them, sorrowing bitterly. Round him were gathered
also the ghosts of those who had perished with him in the house of
Aeisthus; and the ghost of Achilles spoke first.
  “Son of Atreus,” it said, “we used to say that Jove had loved you
better from first to last than any other hero, for you were captain
over many and brave men, when we were all fighting together before
Troy; yet the hand of death, which no mortal can escape, was laid upon
you all too early. Better for you had you fallen at Troy in the
hey-day of your renown, for the Achaeans would have built a mound over
your ashes, and your son would have been heir to your good name,
whereas it has now been your lot to come to a most miserable end.”
  “Happy son of Peleus,” answered the ghost of Agamemnon, “for
having died at Troy far from Argos, while the bravest of the Trojans
and the Achaeans fell round you fighting for your body. There you
lay in the whirling clouds of dust, all huge and hugely, heedless
now of your chivalry. We fought the whole of the livelong day, nor
should we ever have left off if Jove had not sent a hurricane to
stay us. Then, when we had borne you to the ships out of the fray,
we laid you on your bed and cleansed your fair skin with warm water
and with ointments. The Danaans tore their hair and wept bitterly
round about you. Your mother, when she heard, came with her immortal
nymphs from out of the sea, and the sound of a great wailing went
forth over the waters so that the Achaeans quaked for fear. They would
have fled panic-stricken to their ships had not wise old Nestor
whose counsel was ever truest checked them saying, ‘Hold, Argives, fly
not sons of the Achaeans, this is his mother coming from the sea
with her immortal nymphs to view the body of her son.’
  “Thus he spoke, and the Achaeans feared no more. The daughters of
the old man of the sea stood round you weeping bitterly, and clothed
you in immortal raiment. The nine muses also came and lifted up
their sweet voices in lament—calling and answering one another; there
was not an Argive but wept for pity of the dirge they chaunted. Days
and nights seven and ten we mourned you, mortals and immortals, but on
the eighteenth day we gave you to the flames, and many a fat sheep
with many an ox did we slay in sacrifice around you. You were burnt in
raiment of the gods, with rich resins and with honey, while heroes,
horse and foot, clashed their armour round the pile as you were
burning, with the ***** as of a great multitude. But when the flames
of heaven had done their work, we gathered your white bones at
daybreak and laid them in ointments and in pure wine. Your mother
brought us a golden vase to hold them—gift of Bacchus, and work of
Vulcan himself; in this we mingled your bleached bones with those of
Patroclus who had gone before you, and separate we enclosed also those
of Antilochus, who had been closer to you than any other of your
comrades now that Patroclus was no more.
  “Over these the host of the Argives built a noble tomb, on a point
jutting out over the open Hellespont, that it might be seen from far
out upon the sea by those now living and by them that shall be born
hereafter. Your mother begged prizes from the gods, and offered them
to be contended for by the noblest of the Achaeans. You must have been
present at the funeral of many a hero, when the young men gird
themselves and make ready to contend for prizes on the death of some
great chieftain, but you never saw such prizes as silver-footed Thetis
offered in your honour; for the gods loved you well. Thus even in
death your fame, Achilles, has not been lost, and your name lives
evermore among all mankind. But as for me, what solace had I when
the days of my fighting were done? For Jove willed my destruction on
my return, by the hands of Aegisthus and those of my wicked wife.”
  Thus did they converse, and presently Mercury came up to them with
the ghosts of the suitors who had been killed by Ulysses. The ghosts
of Agamemnon and Achilles were astonished at seeing them, and went
up to them at once. The ghost of Agamemnon recognized Amphimedon son
of Melaneus, who lived in Ithaca and had been his host, so it began to
talk to him.
  “Amphimedon,” it said, “what has happened to all you fine young men-
all of an age too—that you are come down here under the ground? One
could pick no finer body of men from any city. Did Neptune raise his
winds and waves against you when you were at sea, or did your
enemies make an end of you on the mainland when you were
cattle-lifting or sheep-stealing, or while fighting in defence of
their wives and city? Answer my question, for I have been your
guest. Do you not remember how I came to your house with Menelaus,
to persuade Ulysses to join us with his ships against Troy? It was a
whole month ere we could resume our voyage, for we had hard work to
persuade Ulysses to come with us.”
  And the ghost of Amphimedon answered, “Agamemnon, son of Atreus,
king of men, I remember everything that you have said, and will tell
you fully and accurately about the way in which our end was brought
about. Ulysses had been long gone, and we were courting his wife,
who did not say point blank that she would not marry, nor yet bring
matters to an end, for she meant to compass our destruction: this,
then, was the trick she played us. She set up a great tambour frame in
her room and began to work on an enormous piece of fine needlework.
‘Sweethearts,’ said she, ‘Ulysses is indeed dead, still, do not
press me to marry again immediately; wait—for I would not have my
skill in needlework perish unrecorded—till I have completed a pall
for the hero Laertes, against the time when death shall take him. He
is very rich, and the women of the place will talk if he is laid out
without a pall.’ This is what she said, and we assented; whereupon
we could see her working upon her great web all day long, but at night
she would unpick the stitches again by torchlight. She fooled us in
this way for three years without our finding it out, but as time
wore on and she was now in her fourth year, in the waning of moons and
many days had been accomplished, one of her maids who knew what she
was doing told us, and we caught her in the act of undoing her work,
so she had to finish it whether she would or no; and when she showed
us the robe she had made, after she had had it washed, its splendour
was as that of the sun or moon.
  “Then some malicious god conveyed Ulysses to the upland farm where
his swineherd lives. Thither presently came also his son, returning
from a voyage to Pylos, and the two came to the town when they had
hatched their plot for our destruction. Telemachus came first, and
then after him, accompanied by the swineherd, came Ulysses, clad in
rags and leaning on a staff as though he were some miserable old
beggar. He came so unexpectedly that none of us knew him, not even the
older ones among us, and we reviled him and threw things at him. He
endured both being struck and insulted without a word, though he was
in his own house; but when the will of Aegis-bearing Jove inspired
him, he and Telemachus took the armour and hid it in an inner chamber,
bolting the doors behind them. Then he cunningly made his wife offer
his bow and a quantity of iron to be contended for by us ill-fated
suitors; and this was the beginning of our end, for not one of us
could string the bow—nor nearly do so. When it was about to reach the
hands of Ulysses, we all of us shouted out that it should not be given
him, no matter what he might say, but Telemachus insisted on his
having it. When he had got it in his hands he strung it with ease
and sent his arrow through the iron. Then he stood on the floor of the
cloister and poured his arrows on the ground, glaring fiercely about
him. First he killed Antinous, and then, aiming straight before him,
he let fly his deadly darts and they fell thick on one another. It was
plain that some one of the gods was helping them, for they fell upon
us with might and main throughout the cloisters, and there was a
hideous sound of groaning as our brains were being battered in, and
the ground seethed with our blood. This, Agamemnon, is how we came
by our end, and our bodies are lying still un-cared for in the house
of Ulysses, for our friends at home do not yet know what has happened,
so that they cannot lay us out and wash the black blood from our
wounds, making moan over us according to the offices due to the
departed.”
  “Happy Ulysses, son of Laertes,” replied the ghost of Agamemnon,
“you are indeed blessed in the possession of a wife endowed with
such rare excellence of understanding, and so faithful to her wedded
lord as Penelope the daughter of Icarius. The fame, therefore, of
her virtue shall never die, and the immortals shall compose a song
that shall be welcome to all mankind in honour of the constancy of
Penelope. How far otherwise was the wickedness of the daughter of
Tyndareus who killed her lawful husband; her song shall be hateful
among men, for she has brought disgrace on all womankind even on the
good ones.”
  Thus did they converse in the house of Hades deep down within the
bowels of the earth. Meanwhile Ulysses and the others passed out of
the town and soon reached the fair and well-tilled farm of Laertes,
which he had reclaimed with infinite labour. Here was his house,
with a lean-to running all round it, where the slaves who worked for
him slept and sat and ate, while inside the house there was an old
Sicel woman, who looked after him in this his country-farm. When
Ulysses got there, he said to his son and to the other two:
  “Go to the house, and **** the best pig that you can find for
dinner. Meanwhile I want to see whether my father will know me, or
fail to recognize me after so long an absence.”
  He then took off his armour and gave it to Eumaeus and Philoetius,
who went straight on to the house, while he turned off into the
vineyard to make trial of his father. As he went down into the great
orchard, he did not see Dolius, nor any of his sons nor of the other
bondsmen, for they were all gathering thorns to make a fence for the
vineyard, at the place where the old man had told them; he therefore
found his father alone, hoeing a vine. He had on a ***** old shirt,
patched and very shabby; his legs were bound round with thongs of
oxhide to save him from the brambles, and he also wore sleeves of
leather; he had a goat skin cap on his head, and was looking very
woe-begone. When Ulysses saw him so worn, so old and full of sorrow,
he stood still under a tall pear tree and began to weep. He doubted
whether to embrace him, kiss him, and tell him all about his having
come home, or whether he should first question him and see what he
would say. In the end he deemed it best to be crafty with him, so in
this mind he went up to his father, who was bending down and digging
about a plant.
  “I see, sir,” said Ulysses, “that you are an excellent gardener-
what pains you take with it, to be sure. There is not a single
plant, not a fig tree, vine, olive, pear, nor flower bed, but bears
the trace of your attention. I trust, however, that you will not be
offended if I say that you take better care of your garden than of
yourself. You are old, unsavoury, and very meanly clad. It cannot be
because you are idle that your master takes such poor care of you,
indeed your face and figure have nothing of the slave about them,
and proclaim you of noble birth. I should have said that you were
one of those who should wash well, eat well, and lie soft at night
as old men have a right to do; but tell me, and tell me true, whose
bondman are you, and in whose garden are you working? Tell me also
about another matter. Is this place that I have come to really Ithaca?
I met a man just now who said so, but he was a dull fellow, and had
not the patience to hear my story out when I was asking him about an
old friend of mine, whether he was still living, or was already dead
and in the house of Hades. Believe me when I tell you that this man
came to my house once when I was in my own country and never yet did
any stranger come to me whom I liked better. He said that his family
came from Ithaca and that his father was Laertes, son of Arceisius.
I received him hospitably, making him welcome to all the abundance
of my house, and when he went away I gave him all customary
presents. I gave him seven talents of fine gold, and a cup of solid
silver with flowers chased upon it. I gave him twelve light cloaks,
and as many pieces of tapestry; I also gave him twelve cloaks of
single fold, twelve rugs, twelve fair mantles, and an equal number
of shirts. To all this I added four good looking women skilled in
all useful arts, and I let him take his choice.”
  His father shed tears and answered, “Sir, you have indeed come to
the country that you have named, but it is fallen into the hands of
wicked people. All this wealth of presents has been given to no
purpose. If you could have found your friend here alive in Ithaca,
he would have entertained you hospitably and would have required
your presents amply when you left him—as would have been only right
considering what you have already given him. But tell me, and tell
me true, how many years is it since you entertained this guest—my
unhappy son, as ever was? Alas! He has perished far from his own
country; the fishes of the sea have eaten him, or he has fallen a prey
to the birds and wild beasts of some continent. Neither his mother,
nor I his father, who were his parents, could throw our arms about him
and wrap him in his shroud, nor could his excellent and richly dowered
wife Penelope bewail her husband as was natural upon his death bed,
and close his eyes according to the offices due to the departed. But
now, tell me truly for I want to know. Who and whence are you—tell me
of your town and parents? Where is the ship lying that has brought you
and your men to Ithaca? Or were you a passenger on some other man’s
ship, and those who brought you here have gone on their way and left
you?”
  “I will tell you everything,” answered Ulysses, “quite truly. I come
from Alybas, where I have a fine house. I am son of king Apheidas, who
is the son of Polypemon. My own name is Eperitus; heaven drove me
off my course as I was leaving Sicania, and I have been carried here
against my will. As for my ship it is lying over yonder, off the
open country outside the town, and this is the fifth year since
Ulysses left my country. Poor fellow, yet the omens were good for
him when he left me. The birds all flew on our right hands, and both
he and I rejoiced to see them as we parted, for we had every hope that
we should have another friendly meeting and exchange presents.”
  A dark cloud of sorrow fell upon Laertes as he listened. He filled
both hands with the dust from off the ground and poured it over his
grey head, groaning heavily as he did so. The heart of Ulysses was
touched, and his nostrils quivered as he looked upon his father;
then he sprang towards him, flung his arms about him and kissed him,
saying, “I am he, father, about whom you are asking—I have returned
after having been away for twe
Ugo Mar 2013
Poison spoon fed the nodding King and ended ancestors.

Holy cows bought government *****
and ate suicides grown by ***** Kubla Khan gospels.

Shantih, Leviticus, and other proper thoughts
kissed arms of air and made islands from memories of breakfast.

Eternity perished in the illusion of swallowed tongues
in the belly of an infant—
and yesterday,

Only one bullet of hallelujah stood swimming.
"It’s a war going on outside we ain’t safe from
I feel the pain in my city wherever I go
314 soldiers died in Iraq, 509 died in Chicago"--Kanye West "****** to Excellence"
And Ulysses answered, “King Alcinous, it is a good thing to hear a
bard with such a divine voice as this man has. There is nothing better
or more delightful than when a whole people make merry together,
with the guests sitting orderly to listen, while the table is loaded
with bread and meats, and the cup-bearer draws wine and fills his
cup for every man. This is indeed as fair a sight as a man can see.
Now, however, since you are inclined to ask the story of my sorrows,
and rekindle my own sad memories in respect of them, I do not know how
to begin, nor yet how to continue and conclude my tale, for the hand
of heaven has been laid heavily upon me.
  “Firstly, then, I will tell you my name that you too may know it,
and one day, if I outlive this time of sorrow, may become my there
guests though I live so far away from all of you. I am Ulysses son
of Laertes, reknowned among mankind for all manner of subtlety, so
that my fame ascends to heaven. I live in Ithaca, where there is a
high mountain called Neritum, covered with forests; and not far from
it there is a group of islands very near to one another—Dulichium,
Same, and the wooded island of Zacynthus. It lies squat on the
horizon, all highest up in the sea towards the sunset, while the
others lie away from it towards dawn. It is a rugged island, but it
breeds brave men, and my eyes know none that they better love to
look upon. The goddess Calypso kept me with her in her cave, and
wanted me to marry her, as did also the cunning Aeaean goddess
Circe; but they could neither of them persuade me, for there is
nothing dearer to a man than his own country and his parents, and
however splendid a home he may have in a foreign country, if it be far
from father or mother, he does not care about it. Now, however, I will
tell you of the many hazardous adventures which by Jove’s will I met
with on my return from Troy.
  “When I had set sail thence the wind took me first to Ismarus, which
is the city of the Cicons. There I sacked the town and put the
people to the sword. We took their wives and also much *****, which we
divided equitably amongst us, so that none might have reason to
complain. I then said that we had better make off at once, but my
men very foolishly would not obey me, so they stayed there drinking
much wine and killing great numbers of sheep and oxen on the sea
shore. Meanwhile the Cicons cried out for help to other Cicons who
lived inland. These were more in number, and stronger, and they were
more skilled in the art of war, for they could fight, either from
chariots or on foot as the occasion served; in the morning, therefore,
they came as thick as leaves and bloom in summer, and the hand of
heaven was against us, so that we were hard pressed. They set the
battle in array near the ships, and the hosts aimed their
bronze-shod spears at one another. So long as the day waxed and it was
still morning, we held our own against them, though they were more
in number than we; but as the sun went down, towards the time when men
loose their oxen, the Cicons got the better of us, and we lost half
a dozen men from every ship we had; so we got away with those that
were left.
  “Thence we sailed onward with sorrow in our hearts, but glad to have
escaped death though we had lost our comrades, nor did we leave till
we had thrice invoked each one of the poor fellows who had perished by
the hands of the Cicons. Then Jove raised the North wind against us
till it blew a hurricane, so that land and sky were hidden in thick
clouds, and night sprang forth out of the heavens. We let the ships
run before the gale, but the force of the wind tore our sails to
tatters, so we took them down for fear of shipwreck, and rowed our
hardest towards the land. There we lay two days and two nights
suffering much alike from toil and distress of mind, but on the
morning of the third day we again raised our masts, set sail, and took
our places, letting the wind and steersmen direct our ship. I should
have got home at that time unharmed had not the North wind and the
currents been against me as I was doubling Cape Malea, and set me
off my course hard by the island of Cythera.
  “I was driven thence by foul winds for a space of nine days upon the
sea, but on the tenth day we reached the land of the Lotus-eater,
who live on a food that comes from a kind of flower. Here we landed to
take in fresh water, and our crews got their mid-day meal on the shore
near the ships. When they had eaten and drunk I sent two of my company
to see what manner of men the people of the place might be, and they
had a third man under them. They started at once, and went about among
the Lotus-eaters, who did them no hurt, but gave them to eat of the
lotus, which was so delicious that those who ate of it left off caring
about home, and did not even want to go back and say what had happened
to them, but were for staying and munching lotus with the
Lotus-eater without thinking further of their return; nevertheless,
though they wept bitterly I forced them back to the ships and made
them fast under the benches. Then I told the rest to go on board at
once, lest any of them should taste of the lotus and leave off wanting
to get home, so they took their places and smote the grey sea with
their oars.
  “We sailed hence, always in much distress, till we came to the
land of the lawless and inhuman Cyclopes. Now the Cyclopes neither
plant nor plough, but trust in providence, and live on such wheat,
barley, and grapes as grow wild without any kind of tillage, and their
wild grapes yield them wine as the sun and the rain may grow them.
They have no laws nor assemblies of the people, but live in caves on
the tops of high mountains; each is lord and master in his family, and
they take no account of their neighbours.
  “Now off their harbour there lies a wooded and fertile island not
quite close to the land of the Cyclopes, but still not far. It is
overrun with wild goats, that breed there in great numbers and are
never disturbed by foot of man; for sportsmen—who as a rule will
suffer so much hardship in forest or among mountain precipices—do not
go there, nor yet again is it ever ploughed or fed down, but it lies a
wilderness untilled and unsown from year to year, and has no living
thing upon it but only goats. For the Cyclopes have no ships, nor
yet shipwrights who could make ships for them; they cannot therefore
go from city to city, or sail over the sea to one another’s country as
people who have ships can do; if they had had these they would have
colonized the island, for it is a very good one, and would yield
everything in due season. There are meadows that in some places come
right down to the sea shore, well watered and full of luscious
grass; grapes would do there excellently; there is level land for
ploughing, and it would always yield heavily at harvest time, for
the soil is deep. There is a good harbour where no cables are
wanted, nor yet anchors, nor need a ship be moored, but all one has to
do is to beach one’s vessel and stay there till the wind becomes
fair for putting out to sea again. At the head of the harbour there is
a spring of clear water coming out of a cave, and there are poplars
growing all round it.
  “Here we entered, but so dark was the night that some god must
have brought us in, for there was nothing whatever to be seen. A thick
mist hung all round our ships; the moon was hidden behind a mass of
clouds so that no one could have seen the island if he had looked
for it, nor were there any breakers to tell us we were close in
shore before we found ourselves upon the land itself; when, however,
we had beached the ships, we took down the sails, went ashore and
camped upon the beach till daybreak.
  “When the child of morning, rosy-fingered Dawn, appeared, we admired
the island and wandered all over it, while the nymphs Jove’s daughters
roused the wild goats that we might get some meat for our dinner. On
this we fetched our spears and bows and arrows from the ships, and
dividing ourselves into three bands began to shoot the goats. Heaven
sent us excellent sport; I had twelve ships with me, and each ship got
nine goats, while my own ship had ten; thus through the livelong day
to the going down of the sun we ate and drank our fill,—and we had
plenty of wine left, for each one of us had taken many jars full
when we sacked the city of the Cicons, and this had not yet run out.
While we were feasting we kept turning our eyes towards the land of
the Cyclopes, which was hard by, and saw the smoke of their stubble
fires. We could almost fancy we heard their voices and the bleating of
their sheep and goats, but when the sun went down and it came on dark,
we camped down upon the beach, and next morning I called a council.
  “‘Stay here, my brave fellows,’ said I, ‘all the rest of you,
while I go with my ship and exploit these people myself: I want to see
if they are uncivilized savages, or a hospitable and humane race.’
  “I went on board, bidding my men to do so also and loose the
hawsers; so they took their places and smote the grey sea with their
oars. When we got to the land, which was not far, there, on the face
of a cliff near the sea, we saw a great cave overhung with laurels. It
was a station for a great many sheep and goats, and outside there
was a large yard, with a high wall round it made of stones built
into the ground and of trees both pine and oak. This was the abode
of a huge monster who was then away from home shepherding his
flocks. He would have nothing to do with other people, but led the
life of an outlaw. He was a horrid creature, not like a human being at
all, but resembling rather some crag that stands out boldly against
the sky on the top of a high mountain.
  “I told my men to draw the ship ashore, and stay where they were,
all but the twelve best among them, who were to go along with
myself. I also took a goatskin of sweet black wine which had been
given me by Maron, Apollo son of Euanthes, who was priest of Apollo
the patron god of Ismarus, and lived within the wooded precincts of
the temple. When we were sacking the city we respected him, and spared
his life, as also his wife and child; so he made me some presents of
great value—seven talents of fine gold, and a bowl of silver, with
twelve jars of sweet wine, unblended, and of the most exquisite
flavour. Not a man nor maid in the house knew about it, but only
himself, his wife, and one housekeeper: when he drank it he mixed
twenty parts of water to one of wine, and yet the fragrance from the
mixing-bowl was so exquisite that it was impossible to refrain from
drinking. I filled a large skin with this wine, and took a wallet full
of provisions with me, for my mind misgave me that I might have to
deal with some savage who would be of great strength, and would
respect neither right nor law.
  “We soon reached his cave, but he was out shepherding, so we went
inside and took stock of all that we could see. His cheese-racks
were loaded with cheeses, and he had more lambs and kids than his pens
could hold. They were kept in separate flocks; first there were the
hoggets, then the oldest of the younger lambs and lastly the very
young ones all kept apart from one another; as for his dairy, all
the vessels, bowls, and milk pails into which he milked, were swimming
with whey. When they saw all this, my men begged me to let them
first steal some cheeses, and make off with them to the ship; they
would then return, drive down the lambs and kids, put them on board
and sail away with them. It would have been indeed better if we had
done so but I would not listen to them, for I wanted to see the
owner himself, in the hope that he might give me a present. When,
however, we saw him my poor men found him ill to deal with.
  “We lit a fire, offered some of the cheeses in sacrifice, ate others
of them, and then sat waiting till the Cyclops should come in with his
sheep. When he came, he brought in with him a huge load of dry
firewood to light the fire for his supper, and this he flung with such
a noise on to the floor of his cave that we hid ourselves for fear
at the far end of the cavern. Meanwhile he drove all the ewes
inside, as well as the she-goats that he was going to milk, leaving
the males, both rams and he-goats, outside in the yards. Then he
rolled a huge stone to the mouth of the cave—so huge that two and
twenty strong four-wheeled waggons would not be enough to draw it from
its place against the doorway. When he had so done he sat down and
milked his ewes and goats, all in due course, and then let each of
them have her own young. He curdled half the milk and set it aside
in wicker strainers, but the other half he poured into bowls that he
might drink it for his supper. When he had got through with all his
work, he lit the fire, and then caught sight of us, whereon he said:
  “‘Strangers, who are you? Where do sail from? Are you traders, or do
you sail the as rovers, with your hands against every man, and every
man’s hand against you?’
  “We were frightened out of our senses by his loud voice and
monstrous form, but I managed to say, ‘We are Achaeans on our way home
from Troy, but by the will of Jove, and stress of weather, we have
been driven far out of our course. We are the people of Agamemnon, son
of Atreus, who has won infinite renown throughout the whole world,
by sacking so great a city and killing so many people. We therefore
humbly pray you to show us some hospitality, and otherwise make us
such presents as visitors may reasonably expect. May your excellency
fear the wrath of heaven, for we are your suppliants, and Jove takes
all respectable travellers under his protection, for he is the avenger
of all suppliants and foreigners in distress.’
  “To this he gave me but a pitiless answer, ‘Stranger,’ said he, ‘you
are a fool, or else you know nothing of this country. Talk to me,
indeed, about fearing the gods or shunning their anger? We Cyclopes do
not care about Jove or any of your blessed gods, for we are ever so
much stronger than they. I shall not spare either yourself or your
companions out of any regard for Jove, unless I am in the humour for
doing so. And now tell me where you made your ship fast when you
came on shore. Was it round the point, or is she lying straight off
the land?’
  “He said this to draw me out, but I was too cunning to be caught
in that way, so I answered with a lie; ‘Neptune,’ said I, ’sent my
ship on to the rocks at the far end of your country, and wrecked it.
We were driven on to them from the open sea, but I and those who are
with me escaped the jaws of death.’
  “The cruel wretch vouchsafed me not one word of answer, but with a
sudden clutch he gripped up two of my men at once and dashed them down
upon the ground as though they had been puppies. Their brains were
shed upon the ground, and the earth was wet with their blood. Then
he tore them limb from limb and supped upon them. He gobbled them up
like a lion in the wilderness, flesh, bones, marrow, and entrails,
without leaving anything uneaten. As for us, we wept and lifted up our
hands to heaven on seeing such a horrid sight, for we did not know
what else to do; but when the Cyclops had filled his huge paunch,
and had washed down his meal of human flesh with a drink of neat milk,
he stretched himself full length upon the ground among his sheep,
and went to sleep. I was at first inclined to seize my sword, draw it,
and drive it into his vitals, but I reflected that if I did we
should all certainly be lost, for we should never be able to shift the
stone which the monster had put in front of the door. So we stayed
sobbing and sighing where we were till morning came.
  “When the child of morning, rosy-fingered Dawn, appeared, he again
lit his fire, milked his goats and ewes, all quite rightly, and then
let each have her own young one; as soon as he had got through with
all his work, he clutched up two more of my men, and began eating them
for his morning’s meal. Presently, with the utmost ease, he rolled the
stone away from the door and drove out his sheep, but he at once put
it back again—as easily as though he were merely clapping the lid
on to a
preservationman Jan 2015
A famous ship that set sailed
The name “Titanic” a cruise liner marked for preserver, but something down the line failed
The Titanic made it’s way over the seas
Yet on the deck the passengers were treated to an endless breeze
As the music played an elegant melody
The feeling of majestic royalty within red carpet hospitality
This was the first of the Titanic voyage
History in the making for sure
But will the Titanic reach destined shore?
A final night that everyone narrates and regrets
As the doomed cruise liner continued on the waves
Disaster struck with thoughts on did the waves behave
Panic was among the travelling passengers
The passengers being distinguished in the category of who’s who
There was a special passenger and I will give you a clue
The insignia of R.H.
I didn’t give the last name as I am trying to see if you figured out what R.H. stands for
You will be surprised in galore
The passenger was Rowland Hussey Macy
The name associates with MACY’S DEPARTMENT STORE
A store you probably shop today
But Mr. Macy perished on board the ship “Titanic”
Yet he was a man of the seas by way of Merchant ****** from Nantucket
But the Titanic was constructed to be unsinkable
However the situation does make one think as what really happened on the Titanic?
A mystery of the seven seas
Let your mind wander but feel at ease
All the passengers perished, and their soul’s went to thee.
Olivia Kent Sep 2013
Pompeii stood proud near Naples.
Close to Herculaneum.
When in August of AD 79.
Volcano magnificent erupted.
Without nonchalance.
A buried city born.
Complete with frescoes of erotica.
Were subject to ancient censorship.

City modern with flowing water.
Trendy port.
Gymnasium.
Modernist by all accounts.
Population 20 000.
Mostly perished in brimstone's evacuation.
From the deepest depths of hell.
Suffocated nearly all.
Asphyxiated on vile fumes.

Eruption cataclysmic.
City buried far underground.
By written description.
'Tis believed that hell on earth unleashed.
The day following magical celebrations.
Worshiping Vulcanalia the Roman God of Fire.
Ironic tragedy procured.

Few survived the tragedy.
Those that did ran free
Anarchy, starvation.
Mainly petty larceny.
Landscape near destroyed.

Pliny the Younger wrote in a letter.
Vivid description of images seen as Pliny the Elder tried to rescue a few.
Felt perhaps had a duty to do.
Was admiral proud of the Roman fleet.
His life taken in forfeit as citizens from the ash world perished.

Pax Romana followed tragedy.
Dealt such a wicked card.
Embalmed in ash citizens lay.
Locked forever on the spot as they ran away!
By ladylivvi1

© 2013 ladylivvi1 (All rights reserved)
Valsa George Aug 2018
Dark clouds loomed over the horizon
They broke loose in unprecedented force
Nature’s wrath, sudden violence acquired
It rained down as if unleashing all her fury
It was a downpour without one equal

The heavens let down dark misery for days on end,
Water bodies swelled and hollows filled,
Land mass slipped and trees fell,
Rivers were in spate and dams were full
Waves surfed and waters roared,

Like mountains they rose over the land,
Men in throngs were evicted from their homes,
Hundreds died and livestock perished
Such violence, never ever imagined
Helter-skelter, people fled for life.

Lands inundated and folks marooned,
Homes washed away with all belongings
Power failed and life has come to a halt
Rescue operations go on in full swing
Still many, stranded and crying for help

“Water, water everywhere, nor even a drop to drink”
As Nature thus plays her perfidious trick,
We shall stay united and pool all our might,
To regain for our land what we have lost
When the Deluge chants the dirge of dying souls!
Kerala, the state where I live is hit by a severe flood of horrendous magnitude! We are all in great shock over what has happened in recent days. Though the rain has abated and water level is receding, thousands of people are still in relief camps. Many still stay stranded without being able to be air lifted or rescued by boats. It will take months for life to come back to normalcy. The trail of destruction caused is alarming. Rescue operations from all side, are so commendable. Forgetting all differences, men rally forth for helping the needy. Fortunately we are safe. But for four days, we didn’t have power supply. Hope we will be able to tide over this disaster soon!
Vandana Raman Feb 2012
All the ants have scurried away,
leaving the unstable mud anthill to crumble.
The other older ants are slowly turning grey,
From grey to black,non poisonous and feeble.

Crimson red ants bursting with colorless blood,
Driven by pure prejudiced hunger.
to carry heavier loads,more food ,till they collapse under the burden,
Their ambition ,now,more fiercer.

The grey ants peculiarly fat,dumb and happy,
Oblivious to the scurrying soldiers.
Waiting to be submerged under the fall,to be perished entirely,
Paving way for the red running dots to disperse.

A solitary ant suddenly stops scurrying,
to WAIT
for,they say,patience will conquer all worrying.
A Tale

“Of Brownyis and of Bogilis full is this Buke.”
                              —Gawin Douglas.

When chapman billies leave the street,
And drouthy neebors neebors meet,
As market-days are wearing late,
An’ folk begin to tak’ the gate;
While we sit bousing at the *****,
An’ getting fou and unco happy,
We think na on the lang Scots miles,
The mosses, waters, slaps, and stiles,
That lie between us and our hame,
Whare sits our sulky, sullen dame,
Gathering her brows like gathering storm,
Nursing her wrath to keep it warm.

This truth fand honest Tam o’Shanter,
As he frae Ayr ae night did canter,
(Auld Ayr, wham ne’er a town surpasses,
For honest men and bonie lasses).

O Tam! hadst thou but been sae wise,
As ta’en thy ain wife Kate’s advice!
She tauld thee weel thou was a skellum,
A blethering, blustering, drunken blellum,
That frae November till October,
Ae market-day thou was nae sober;
That ilka melder, wi’ the miller,
Thou sat as lang as thou had siller;
That ev’ry naig was ca’d a shoe on,
The smith and thee gat roarin fou on;
That at the Lord’s house, ev’n on Sunday,
Thou drank wi’ Kirkton Jean till Monday.
She prophesied that, late or soon,
Thou would be found deep drowned in Doon;
Or catched wi’ warlocks in the mirk,
By Alloway’s auld haunted kirk.

Ah, gentle dames! it gars me greet,
To think how mony counsels sweet,
How mony lengthened sage advices,
The husband frae the wife despises!

But to our tale: Ae market-night,
Tam had got planted unco right;
Fast by an ingle, bleezing finely,
Wi’ reaming swats, that drank divinely;
And at his elbow, Souter Johnny,
His ancient, trusty, drouthy crony;
Tam lo’ed him like a vera brither;
They had been fou for weeks thegither.
The night drave on wi’ sangs an’ clatter;
And aye the ale was growing better:
The landlady and Tam grew gracious,
Wi’ favours, secret, sweet, and precious:
The Souter tauld his queerest stories;
The landlord’s laugh was ready chorus:
The storm without might rair and rustle,
Tam did na mind the storm a whistle.

Care, mad to see a man sae happy,
E’en drowned himself amang the *****;
As bees flee hame wi’ lades o’ treasure,
The minutes winged their way wi’ pleasure:
Kings may be blest, but Tam was glorious,
O’er a’ the ills o’ life victorious!

But pleasures are like poppies spread,
You seize the flow’r, its bloom is shed;
Or like the snow falls in the river,
A moment white—then melts for ever;
Or like the borealis race,
That flit ere you can point their place;
Or like the rainbow’s lovely form
Evanishing amid the storm.—
Nae man can tether time or tide;
The hour approaches Tam maun ride;
That hour, o’ night’s black arch the key-stane,
That dreary hour he mounts his beast in;
And sic a night he tak’s the road in,
As ne’er poor sinner was abroad in.

The wind blew as ‘twad blawn its last;
The rattling showers rose on the blast;
The speedy gleams the darkness swallowed;
Loud, deep, and lang the thunder bellowed:
That night, a child might understand,
The De’il had business on his hand.

Weel mounted on his grey mare, Meg,
A better never lifted leg,
Tam skelpit on thro’ dub and mire,
Despising wind, and rain, and fire;
Whiles holding fast his gude blue bonnet;
Whiles crooning o’er some auld Scots sonnet;
Whiles glow’rin round wi’ prudent cares,
Lest bogles catch him unawares;
Kirk-Alloway was drawing nigh,
Whare ghaists and houlets nightly cry.

By this time he was cross the ford,
Whare in the snaw the chapman smoored;
And past the birks and meikle stane,
Whare drunken Charlie brak’s neck-bane;
And thro’ the whins, and by the cairn,
Whare hunters fand the murdered bairn;
And near the thorn, aboon the well,
Whare Mungo’s mither hanged hersel’.
Before him Doon pours all his floods;
The doubling storm roars thro’ the woods;
The lightnings flash from pole to pole;
Near and more near the thunders roll;
When, glimmering thro’ the groaning trees,
Kirk-Alloway seemed in a bleeze;
Thro’ ilka bore the beams were glancing;
And loud resounded mirth and dancing.

Inspiring bold John Barleycorn!
What dangers thou canst mak’ us scorn!
Wi’ tippenny, we fear nae evil;
Wi’ usquabae, we’ll face the devil!
The swats sae reamed in Tammie’s noddle,
Fair play, he cared na deils a boddle.
But Maggie stood right sair astonished,
Till, by the heel and hand admonished,
She ventured forward on the light;
And, wow! Tam saw an unco sight!
Warlocks and witches in a dance;
Nae cotillion, brent new frae France,
But hornpipes, jigs, strathspeys, and reels,
Put life and mettle in their heels.
A winnock-bunker in the east,
There sat auld Nick, in shape o’ beast;
A towzie tyke, black, grim, and large,
To gie them music was his charge:
He ******* the pipes and gart them skirl,
Till roof and rafters a’ did dirl.—
Coffins stood round, like open presses,
That shawed the Dead in their last dresses;
And by some devilish cantraip sleight
Each in its cauld hand held a light,
By which heroic Tam was able
To note upon the haly table,
A murderer’s banes in gibbet-airns;
Twa span-lang, wee, unchristened bairns;
A thief, new-cutted frae a ****,
Wi’ his last gasp his gab did gape;
Five tomahawks, wi’ blude red-rusted;
Five scimitars, wi’ ****** crusted;
A garter, which a babe had strangled;
A knife, a father’s throat had mangled,
Whom his ain son o’ life bereft,
The grey hairs yet stack to the heft;
Wi’ mair of horrible and awfu’,
Which even to name *** be unlawfu’.

As Tammie glowered, amazed and curious,
The mirth and fun grew fast and furious:
The Piper loud and louder blew;
The dancers quick and quicker flew;
They reeled, they set, they crossed, they cleekit,
Till ilka carlin swat and reekit,
And coost her duddies to the wark,
And linket at it in her sark!

Now Tam, O Tam! had they been queans,
A’ plump and strapping in their teens;
Their sarks, instead o’ creeshie flainen,
Been snaw-white seventeen hunder linen!—
Thir breeks o’ mine, my only pair,
That ance were plush, o’ gude blue hair,
I *** hae gi’en them off my hurdies,
For ae blink o’ the bonie burdies!

But withered beldams, auld and droll,
Rigwoodie hags *** spean a foal,
Lowping and flinging on a crummock,
I wonder didna turn thy stomach.

But Tam kenned what was what fu’ brawlie:
‘There was ae winsome ***** and waulie’,
That night enlisted in the core
(Lang after kenned on Carrick shore;
For mony a beast to dead she shot,
And perished mony a bonie boat,
And shook baith meikle corn and bear,
And kept the country-side in fear);
Her cutty sark, o’ Paisley harn,
That while a lassie she had worn,
In longitude tho’ sorely scanty,
It was her best, and she was vauntie.
Ah! little kenned thy reverend grannie,
That sark she coft for her wee Nannie,
Wi’ twa pund Scots (’twas a’ her riches),
*** ever graced a dance of witches!

But here my Muse her wing maun cour,
Sic flights are far beyond her power;
To sing how Nannie lap and flang,
(A souple jade she was and strang),
And how Tam stood, like ane bewitched,
And thought his very een enriched;
Even Satan glowered, and fidged fu’ fain,
And hotched and blew wi’ might and main:
Till first ae caper, syne anither,
Tam tint his reason a’ thegither,
And roars out, “Weel done, Cutty-sark!”
And in an instant all was dark:
And scarcely had he Maggie rallied,
When out the hellish legion sallied.

As bees bizz out wi’ angry fyke,
When plundering herds assail their byke;
As open pussie’s mortal foes,
When, pop! she starts before their nose;
As eager runs the market-crowd,
When “Catch the thief!” resounds aloud;
So Maggie runs, the witches follow,
Wi’ mony an eldritch screech and hollow.

Ah, Tam! ah, Tam! thou’ll get thy fairin!
In hell they’ll roast thee like a herrin!
In vain thy Kate awaits thy comin!
Kate soon will be a woefu’ woman!
Now, do thy speedy utmost, Meg,
And win the key-stane of the brig;
There at them thou thy tail may toss,
A running stream they dare na cross.
But ere the key-stane she could make,
The fient a tail she had to shake!
For Nannie, far before the rest,
Hard upon noble Maggie prest,
And flew at Tam wi’ furious ettle;
But little wist she Maggie’s mettle—
Ae spring brought off her master hale,
But left behind her ain grey tail:
The carlin claught her by the ****,
And left poor Maggie scarce a stump.

Now, wha this tale o’ truth shall read,
Ilk man and mother’s son, take heed:
Whene’er to drink you are inclined,
Or cutty-sarks run in your mind,
Think, ye may buy the joys o’er dear,
Remember Tam o’Shanter’s mare.
And now, as Dawn rose from her couch beside Tithonus—harbinger of
light alike to mortals and immortals—the gods met in council and with
them, Jove the lord of thunder, who is their king. Thereon Minerva
began to tell them of the many sufferings of Ulysses, for she pitied
him away there in the house of the nymph Calypso.
  “Father Jove,” said she, “and all you other gods that live in
everlasting bliss, I hope there may never be such a thing as a kind
and well-disposed ruler any more, nor one who will govern equitably. I
hope they will be all henceforth cruel and unjust, for there is not
one of his subjects but has forgotten Ulysses, who ruled them as
though he were their father. There he is, lying in great pain in an
island where dwells the nymph Calypso, who will not let him go; and he
cannot get back to his own country, for he can find neither ships
nor sailors to take him over the sea. Furthermore, wicked people are
now trying to ****** his only son Telemachus, who is coming home
from Pylos and Lacedaemon, where he has been to see if he can get news
of his father.”
  “What, my dear, are you talking about?” replied her father, “did you
not send him there yourself, because you thought it would help Ulysses
to get home and punish the suitors? Besides, you are perfectly able to
protect Telemachus, and to see him safely home again, while the
suitors have to come hurry-skurrying back without having killed him.”
  When he had thus spoken, he said to his son Mercury, “Mercury, you
are our messenger, go therefore and tell Calypso we have decreed
that poor Ulysses is to return home. He is to be convoyed neither by
gods nor men, but after a perilous voyage of twenty days upon a raft
he is to reach fertile Scheria, the land of the Phaeacians, who are
near of kin to the gods, and will honour him as though he were one
of ourselves. They will send him in a ship to his own country, and
will give him more bronze and gold and raiment than he would have
brought back from Troy, if he had had had all his prize money and
had got home without disaster. This is how we have settled that he
shall return to his country and his friends.”
  Thus he spoke, and Mercury, guide and guardian, slayer of Argus, did
as he was told. Forthwith he bound on his glittering golden sandals
with which he could fly like the wind over land and sea. He took the
wand with which he seals men’s eyes in sleep or wakes them just as
he pleases, and flew holding it in his hand over Pieria; then he
swooped down through the firmament till he reached the level of the
sea, whose waves he skimmed like a cormorant that flies fishing
every hole and corner of the ocean, and drenching its thick plumage in
the spray. He flew and flew over many a weary wave, but when at last
he got to the island which was his journey’s end, he left the sea
and went on by land till he came to the cave where the nymph Calypso
lived.
  He found her at home. There was a large fire burning on the
hearth, and one could smell from far the fragrant reek of burning
cedar and sandal wood. As for herself, she was busy at her loom,
shooting her golden shuttle through the warp and singing
beautifully. Round her cave there was a thick wood of alder, poplar,
and sweet smelling cypress trees, wherein all kinds of great birds had
built their nests—owls, hawks, and chattering sea-crows that occupy
their business in the waters. A vine loaded with grapes was trained
and grew luxuriantly about the mouth of the cave; there were also four
running rills of water in channels cut pretty close together, and
turned hither and thither so as to irrigate the beds of violets and
luscious herbage over which they flowed. Even a god could not help
being charmed with such a lovely spot, so Mercury stood still and
looked at it; but when he had admired it sufficiently he went inside
the cave.
  Calypso knew him at once—for the gods all know each other, no
matter how far they live from one another—but Ulysses was not within;
he was on the sea-shore as usual, looking out upon the barren ocean
with tears in his eyes, groaning and breaking his heart for sorrow.
Calypso gave Mercury a seat and said: “Why have you come to see me,
Mercury—honoured, and ever welcome—for you do not visit me often?
Say what you want; I will do it for be you at once if I can, and if it
can be done at all; but come inside, and let me set refreshment before
you.
  As she spoke she drew a table loaded with ambrosia beside him and
mixed him some red nectar, so Mercury ate and drank till he had had
enough, and then said:
  “We are speaking god and goddess to one another, one another, and
you ask me why I have come here, and I will tell you truly as you
would have me do. Jove sent me; it was no doing of mine; who could
possibly want to come all this way over the sea where there are no
cities full of people to offer me sacrifices or choice hecatombs?
Nevertheless I had to come, for none of us other gods can cross
Jove, nor transgress his orders. He says that you have here the most
ill-starred of alf those who fought nine years before the city of King
Priam and sailed home in the tenth year after having sacked it. On
their way home they sinned against Minerva, who raised both wind and
waves against them, so that all his brave companions perished, and
he alone was carried hither by wind and tide. Jove says that you are
to let this by man go at once, for it is decreed that he shall not
perish here, far from his own people, but shall return to his house
and country and see his friends again.”
  Calypso trembled with rage when she heard this, “You gods,” she
exclaimed, to be ashamed of yourselves. You are always jealous and
hate seeing a goddess take a fancy to a mortal man, and live with
him in open matrimony. So when rosy-fingered Dawn made love to
Orion, you precious gods were all of you furious till Diana went and
killed him in Ortygia. So again when Ceres fell in love with Iasion,
and yielded to him in a thrice ploughed fallow field, Jove came to
hear of it before so long and killed Iasion with his thunder-bolts.
And now you are angry with me too because I have a man here. I found
the poor creature sitting all alone astride of a keel, for Jove had
struck his ship with lightning and sunk it in mid ocean, so that all
his crew were drowned, while he himself was driven by wind and waves
on to my island. I got fond of him and cherished him, and had set my
heart on making him immortal, so that he should never grow old all his
days; still I cannot cross Jove, nor bring his counsels to nothing;
therefore, if he insists upon it, let the man go beyond the seas
again; but I cannot send him anywhere myself for I have neither
ships nor men who can take him. Nevertheless I will readily give him
such advice, in all good faith, as will be likely to bring him
safely to his own country.”
  “Then send him away,” said Mercury, “or Jove will be angry with
you and punish you”‘
  On this he took his leave, and Calypso went out to look for Ulysses,
for she had heard Jove’s message. She found him sitting upon the beach
with his eyes ever filled with tears, and dying of sheer
home-sickness; for he had got tired of Calypso, and though he was
forced to sleep with her in the cave by night, it was she, not he,
that would have it so. As for the day time, he spent it on the rocks
and on the sea-shore, weeping, crying aloud for his despair, and
always looking out upon the sea. Calypso then went close up to him
said:
  “My poor fellow, you shall not stay here grieving and fretting
your life out any longer. I am going to send you away of my own free
will; so go, cut some beams of wood, and make yourself a large raft
with an upper deck that it may carry you safely over the sea. I will
put bread, wine, and water on board to save you from starving. I
will also give you clothes, and will send you a fair wind to take
you home, if the gods in heaven so will it—for they know more about
these things, and can settle them better than I can.”
  Ulysses shuddered as he heard her. “Now goddess,” he answered,
“there is something behind all this; you cannot be really meaning to
help me home when you bid me do such a dreadful thing as put to sea on
a raft. Not even a well-found ship with a fair wind could venture on
such a distant voyage: nothing that you can say or do shall mage me go
on board a raft unless you first solemnly swear that you mean me no
mischief.”
  Calypso smiled at this and caressed him with her hand: “You know a
great deal,” said she, “but you are quite wrong here. May heaven above
and earth below be my witnesses, with the waters of the river Styx-
and this is the most solemn oath which a blessed god can take—that
I mean you no sort of harm, and am only advising you to do exactly
what I should do myself in your place. I am dealing with you quite
straightforwardly; my heart is not made of iron, and I am very sorry
for you.”
  When she had thus spoken she led the way rapidly before him, and
Ulysses followed in her steps; so the pair, goddess and man, went on
and on till they came to Calypso’s cave, where Ulysses took the seat
that Mercury had just left. Calypso set meat and drink before him of
the food that mortals eat; but her maids brought ambrosia and nectar
for herself, and they laid their hands on the good things that were
before them. When they had satisfied themselves with meat and drink,
Calypso spoke, saying:
  “Ulysses, noble son of Laertes, so you would start home to your
own land at once? Good luck go with you, but if you could only know
how much suffering is in store for you before you get back to your own
country, you would stay where you are, keep house along with me, and
let me make you immortal, no matter how anxious you may be to see this
wife of yours, of whom you are thinking all the time day after day;
yet I flatter myself that at am no whit less tall or well-looking than
she is, for it is not to be expected that a mortal woman should
compare in beauty with an immortal.”
  “Goddess,” replied Ulysses, “do not be angry with me about this. I
am quite aware that my wife Penelope is nothing like so tall or so
beautiful as yourself. She is only a woman, whereas you are an
immortal. Nevertheless, I want to get home, and can think of nothing
else. If some god wrecks me when I am on the sea, I will bear it and
make the best of it. I have had infinite trouble both by land and
sea already, so let this go with the rest.”
  Presently the sun set and it became dark, whereon the pair retired
into the inner part of the cave and went to bed.
  When the child of morning, rosy-fingered Dawn, appeared, Ulysses put
on his shirt and cloak, while the goddess wore a dress of a light
gossamer fabric, very fine and graceful, with a beautiful golden
girdle about her waist and a veil to cover her head. She at once set
herself to think how she could speed Ulysses on his way. So she gave
him a great bronze axe that suited his hands; it was sharpened on both
sides, and had a beautiful olive-wood handle fitted firmly on to it.
She also gave him a sharp adze, and then led the way to the far end of
the island where the largest trees grew—alder, poplar and pine,
that reached the sky—very dry and well seasoned, so as to sail
light for him in the water. Then, when she had shown him where the
best trees grew, Calypso went home, leaving him to cut them, which
he soon finished doing. He cut down twenty trees in all and adzed them
smooth, squaring them by rule in good workmanlike fashion. Meanwhile
Calypso came back with some augers, so he bored holes with them and
fitted the timbers together with bolts and rivets. He made the raft as
broad as a skilled shipwright makes the beam of a large vessel, and he
filed a deck on top of the ribs, and ran a gunwale all round it. He
also made a mast with a yard arm, and a rudder to steer with. He
fenced the raft all round with wicker hurdles as a protection
against the waves, and then he threw on a quantity of wood. By and
by Calypso brought him some linen to make the sails, and he made these
too, excellently, making them fast with braces and sheets. Last of
all, with the help of levers, he drew the raft down into the water.
  In four days he had completed the whole work, and on the fifth
Calypso sent him from the island after washing him and giving him some
clean clothes. She gave him a goat skin full of black wine, and
another larger one of water; she also gave him a wallet full of
provisions, and found him in much good meat. Moreover, she made the
wind fair and warm for him, and gladly did Ulysses spread his sail
before it, while he sat and guided the raft skilfully by means of
the rudder. He never closed his eyes, but kept them fixed on the
Pleiads, on late-setting Bootes, and on the Bear—which men also
call the wain, and which turns round and round where it is, facing
Orion, and alone never dipping into the stream of Oceanus—for Calypso
had told him to keep this to his left. Days seven and ten did he
sail over the sea, and on the eighteenth the dim outlines of the
mountains on the nearest part of the Phaeacian coast appeared,
rising like a shield on the horizon.
  But King Neptune, who was returning from the Ethiopians, caught
sight of Ulysses a long way off, from the mountains of the Solymi.
He could see him sailing upon the sea, and it made him very angry,
so he wagged his head and muttered to himself, saying, heavens, so the
gods have been changing their minds about Ulysses while I was away
in Ethiopia, and now he is close to the land of the Phaeacians,
where it is decreed that he shall escape from the calamities that have
befallen him. Still, he shall have plenty of hardship yet before he
has done with it.”
  Thereon he gathered his clouds together, grasped his trident,
stirred it round in the sea, and roused the rage of every wind that
blows till earth, sea, and sky were hidden in cloud, and night
sprang forth out of the heavens. Winds from East, South, North, and
West fell upon him all at the same time, and a tremendous sea got
up, so that Ulysses’ heart began to fail him. “Alas,” he said to
himself in his dismay, “what ever will become of me? I am afraid
Calypso was right when she said I should have trouble by sea before
I got back home. It is all coming true. How black is Jove making
heaven with his clouds, and what a sea the winds are raising from
every quarter at once. I am now safe to perish. Blest and thrice blest
were those Danaans who fell before Troy in the cause of the sons of
Atreus. Would that had been killed on the day when the Trojans were
pressing me so sorely about the dead body of Achilles, for then I
should have had due burial and the Achaeans would have honoured my
name; but now it seems that I shall come to a most pitiable end.”
  As he spoke a sea broke over him with such terrific fury that the
raft reeled again, and he was carried overboard a long way off. He let
go the helm, and the force of the hurricane was so great that it broke
the mast half way up, and both sail and yard went over into the sea.
For a long time Ulysses was under water, and it was all he could do to
rise to the surface again, for the clothes Calypso had given him
weighed him down; but at last he got his head above water and spat out
the bitter brine that was running down his face in streams. In spite
of all this, however, he did not lose sight of his raft, but swam as
fast as he could towards it, got hold of it, and climbed on board
again so as to escape drowning. The sea took the raft and tossed it
about as Autumn winds whirl thistledown round and round upon a road.
It was as though the South, North, East, and West winds were all
playing battledore and shuttlecock with it at once.
  When he was in this plight, Ino daughter of Cadmus, also called
Leucothea, saw him. She had formerly been a mere mortal, but had
been since raised to the rank of a marine goddess. Seeing in what
great distress Ulysses now was, she had compassion upon him, and,
rising like a sea-gull from the waves, took her seat upon the raft.
  “My poor good man,” said she, “why is Neptune so furiously angry
with you? He
Mohammad Skati May 2015
When any ugly war breaks out , then                                                                    A lot of pretty innocent people                                                                                Will be lost as an ugly outcome ...                                                                         Wars' traders don't care                                                                                           About human lives                                                                                                  Simply because they are greedy and                                                                     Coward at the same time ...                                                                                     A lot of graves are dug for those                                                                             Get perished anytime ...                                                                                             Peace is The pretty alternative to any ugly war ...                                                          Ugly wars go on endlessly ...                                                                               _____________________
724

It’s easy to invent a Life—
God does it—every Day—
Creation—but the Gambol
Of His Authority—

It’s easy to efface it—
The thrifty Deity
Could scarce afford Eternity
To Spontaneity—

The Perished Patterns murmur—
But His Perturbless Plan
Proceed—inserting Here—a Sun—
There—leaving out a Man—
When do I see thee most, beloved one?
When in the light the spirits of mine eyes
Before thy face, their altar, solemnize
The worship of that Love through thee made known?
Or when in the dusk hours, (we two alone,)
Close-kissed and eloquent of still replies
Thy twilight-hidden glimmering visage lies,
And my soul only sees thy soul its own?

0 love, my love! if I no more should see
Thyself, nor on the earth the shadow of thee,
Nor image of thine eyes in any spring,—
How then should sound upon Life’s darkening *****
The ground-whirl of the perished leaves of Hope,
The wind of Death’s imperishable wing?
John F McCullagh May 2013
For every aging boomer
There are one or two they've known:
Heroes of the battlefield
Who never made it home.

Some classmate who was butchered
in a fire fight in “Nam.
A sibling who had perished
in the standoff at Khe Sanh.

Perhaps the Tet offensive
left some friend's blood spilled and spent.
Politicians speak of glory-
It’s the grunts who pay the rent


From the walls of Hue to Cam ranh Bay
from Tonkin to Saigon.
there is a wall in Washington
with their names inscribed thereon.

The lucky ones who did come home
Recall the name and face
of some heroic eighteen year old
who perished in their place.
For marine Corporal Frank Evangelista Jr. and some 58000 other members of my generation who never made it to Woodstock.
Georgi Naydenov Jan 2021
Remember her, old friend?
She was...hideous,
You think she was ugly,
oh no, far from it.

She was the fairest,
Her lavishing sable hair,
Her viridian eyes,
Her glamorous smile,

Her soft-hued skin,
Her delicately slender body,
Her dazzling manners,
Her ever so warm demeanor,

Her moves,
Fluid, graceful, focused,
Capturing the essence of the music,
with her mesmerizing artistry.

She was indeed perfect,
Unique, as no one could be as elegant,
Charming, for no one, was as lovely.
Beguile...as no one was as rotten.

What she was, my old friend,
Was an empty vessel,
the soul of which had perished,
mortified by its actions.

For all she ever wanted was approval,
so what she did was put on a mask,
losing herself in the process,
becoming a ghost of her formal self.
I am personally very proud with how this one turned out. People have told me that it reminds them of the main heroine of the movie the "Black Swan".
360

Death sets a Thing significant
The Eye had hurried by
Except a perished Creature
Entreat us tenderly

To ponder little Workmanships
In Crayon, or in Wool,
With “This was last Her fingers did”—
Industrious until—

The Thimble weighed too heavy—
The stitches stopped—by themselves—
And then ’twas put among the Dust
Upon the Closet shelves—

A Book I have—a friend gave—
Whose Pencil—here and there—
Had notched the place that pleased Him—
At Rest—His fingers are—

Now—when I read—I read not—
For interrupting Tears—
Obliterate the Etchings
Too Costly for Repairs.
All I could see from where I stood
Was three long mountains and a wood;
I turned and looked another way,
And saw three islands in a bay.
So with my eyes I traced the line
Of the horizon, thin and fine,
Straight around till I was come
Back to where I’d started from;
And all I saw from where I stood
Was three long mountains and a wood.
Over these things I could not see;
These were the things that bounded me;
And I could touch them with my hand,
Almost, I thought, from where I stand.
And all at once things seemed so small
My breath came short, and scarce at all.
But, sure, the sky is big, I said;
Miles and miles above my head;
So here upon my back I’ll lie
And look my fill into the sky.
And so I looked, and, after all,
The sky was not so very tall.
The sky, I said, must somewhere stop,
And—sure enough!—I see the top!
The sky, I thought, is not so grand;
I ‘most could touch it with my hand!
And reaching up my hand to try,
I screamed to feel it touch the sky.
I screamed, and—lo!—Infinity
Came down and settled over me;
Forced back my scream into my chest,
Bent back my arm upon my breast,
And, pressing of the Undefined
The definition on my mind,
Held up before my eyes a glass
Through which my shrinking sight did pass
Until it seemed I must behold
Immensity made manifold;
Whispered to me a word whose sound
Deafened the air for worlds around,
And brought unmuffled to my ears
The gossiping of friendly spheres,
The creaking of the tented sky,
The ticking of Eternity.
I saw and heard, and knew at last
The How and Why of all things, past,
And present, and forevermore.
The Universe, cleft to the core,
Lay open to my probing sense
That, sick’ning, I would fain pluck thence
But could not,—nay! But needs must ****
At the great wound, and could not pluck
My lips away till I had drawn
All venom out.—Ah, fearful pawn!
For my omniscience paid I toll
In infinite remorse of soul.
All sin was of my sinning, all
Atoning mine, and mine the gall
Of all regret. Mine was the weight
Of every brooded wrong, the hate
That stood behind each envious ******,
Mine every greed, mine every lust.
And all the while for every grief,
Each suffering, I craved relief
With individual desire,—
Craved all in vain!  And felt fierce fire
About a thousand people crawl;
Perished with each,—then mourned for all!
A man was starving in Capri;
He moved his eyes and looked at me;
I felt his gaze, I heard his moan,
And knew his hunger as my own.
I saw at sea a great fog bank
Between two ships that struck and sank;
A thousand screams the heavens smote;
And every scream tore through my throat.
No hurt I did not feel, no death
That was not mine; mine each last breath
That, crying, met an answering cry
From the compassion that was I.
All suffering mine, and mine its rod;
Mine, pity like the pity of God.
Ah, awful weight!  Infinity
Pressed down upon the finite Me!
My anguished spirit, like a bird,
Beating against my lips I heard;
Yet lay the weight so close about
There was no room for it without.
And so beneath the weight lay I
And suffered death, but could not die.

Long had I lain thus, craving death,
When quietly the earth beneath
Gave way, and inch by inch, so great
At last had grown the crushing weight,
Into the earth I sank till I
Full six feet under ground did lie,
And sank no more,—there is no weight
Can follow here, however great.
From off my breast I felt it roll,
And as it went my tortured soul
Burst forth and fled in such a gust
That all about me swirled the dust.

Deep in the earth I rested now;
Cool is its hand upon the brow
And soft its breast beneath the head
Of one who is so gladly dead.
And all at once, and over all
The pitying rain began to fall;
I lay and heard each pattering hoof
Upon my lowly, thatched roof,
And seemed to love the sound far more
Than ever I had done before.
For rain it hath a friendly sound
To one who’s six feet underground;
And scarce the friendly voice or face:
A grave is such a quiet place.

The rain, I said, is kind to come
And speak to me in my new home.
I would I were alive again
To kiss the fingers of the rain,
To drink into my eyes the shine
Of every slanting silver line,
To catch the freshened, fragrant breeze
From drenched and dripping apple-trees.
For soon the shower will be done,
And then the broad face of the sun
Will laugh above the rain-soaked earth
Until the world with answering mirth
Shakes joyously, and each round drop
Rolls, twinkling, from its grass-blade top.
How can I bear it; buried here,
While overhead the sky grows clear
And blue again after the storm?
O, multi-colored, multiform,
Beloved beauty over me,
That I shall never, never see
Again!  Spring-silver, autumn-gold,
That I shall never more behold!
Sleeping your myriad magics through,
Close-sepulchred away from you!
O God, I cried, give me new birth,
And put me back upon the earth!
Upset each cloud’s gigantic gourd
And let the heavy rain, down-poured
In one big torrent, set me free,
Washing my grave away from me!

I ceased; and through the breathless hush
That answered me, the far-off rush
Of herald wings came whispering
Like music down the vibrant string
Of my ascending prayer, and—crash!
Before the wild wind’s whistling lash
The startled storm-clouds reared on high
And plunged in terror down the sky,
And the big rain in one black wave
Fell from the sky and struck my grave.
I know not how such things can be;
I only know there came to me
A fragrance such as never clings
To aught save happy living things;
A sound as of some joyous elf
Singing sweet songs to please himself,
And, through and over everything,
A sense of glad awakening.
The grass, a-tiptoe at my ear,
Whispering to me I could hear;
I felt the rain’s cool finger-tips
Brushed tenderly across my lips,
Laid gently on my sealed sight,
And all at once the heavy night
Fell from my eyes and I could see,—
A drenched and dripping apple-tree,
A last long line of silver rain,
A sky grown clear and blue again.
And as I looked a quickening gust
Of wind blew up to me and ******
Into my face a miracle
Of orchard-breath, and with the smell,—
I know not how such things can be!—
I breathed my soul back into me.
Ah!  Up then from the ground sprang I
And hailed the earth with such a cry
As is not heard save from a man
Who has been dead, and lives again.
About the trees my arms I wound;
Like one gone mad I hugged the ground;
I raised my quivering arms on high;
I laughed and laughed into the sky,
Till at my throat a strangling sob
Caught fiercely, and a great heart-throb
Sent instant tears into my eyes;
O God, I cried, no dark disguise
Can e’er hereafter hide from me
Thy radiant identity!
Thou canst not move across the grass
But my quick eyes will see Thee pass,
Nor speak, however silently,
But my hushed voice will answer Thee.
I know the path that tells Thy way
Through the cool eve of every day;
God, I can push the grass apart
And lay my finger on Thy heart!

The world stands out on either side
No wider than the heart is wide;
Above the world is stretched the sky,—
No higher than the soul is high.
The heart can push the sea and land
Farther away on either hand;
The soul can split the sky in two,
And let the face of God shine through.
But East and West will pinch the heart
That can not keep them pushed apart;
And he whose soul is flat—the sky
Will cave in on him by and by.

— The End —