Fragile egg-shell mind on dawn’s highway bleeding the segue between times traversed only in momentary dreams or in enduring excursions

We drag our droll and quaint 60s baggage like the luggage of a safari made of concrete girding a cavernous expanse of unheralded ground

With our ears oriented to the floor, we leap out of body never to deplore….never to ignore….never to miss the blue bus of our drafted imaginations, so carefully culled from brash elitism

I trounce the intervening time between being friendless and an ironic end, and an irenic comrade becoming the dearest amazed but always aplomb friend

We simper in our glorious traversal, and though bedraggled through an ornamented cavern we linger just long enough to be celebrated

Then a blues riff emanates from a vapid bar, and finally someone heralds my exhumed memory still rusty with the pavement of encased concrete on an empty or full tomb

So I wander in my mind to that roughshod Paris glassy tincture a romanticized gild of proper sensibility crafted in the tongues of lizards emulating the tongues of serpentine Anglicans

As the power of love transcends the love of power, both are afforded serendipitously upon the stately occasion of a fitful revolt where heads literally rolled and deaths still unfurl from the slippage of a violent malevolent eternity, crafting a new creative way to expedite the smite of preventable scourge

So, I see your picaresque side and your wide-eyed love for a listless ship anointed of a crystal blip just detectable long enough on RADAR to become the statistic to crack the slim WHIP

No wigs are needed at this formality, no figs grow from trees forty-five years buried and almost a full month unsung

Pitiable cretins of an invented insanity, they scoff at my ravenous and portentous heart for its excess and for aligning with an upstart verging on only a specious insanity

Why in all humanity could a month be mustered with every defense of history and yet for it to be so widely flouted as a risible exercise in futility

The irony that the artistic glamor of a past vogue becoming a revival that is often toked only to one song but never to the memorial of great cavernous and commodious imaginations, staggers with dismay where otherwise the mayday would be a disaster but still a great day

Then I look at a triggered-fingered omen of a death so ominous yet so brazenly confronted as the ambassadors of time provide plaudits to a fearless martyrdom

Why such a sad spate, why such a stringent but malevolent fate a malediction on a family whose crest is not crestfallen like rolling waves but ornamented with gravity impounding its own weight

A fugacious tomb, an eternal flame, a swan song announcing an independent authority on a prescient demise mashed and deprived

A single shot rippling through the broadened space between clasped eternity and a histrionic disgrace as a psychological confederate pays lip service to a reiterative applause

A cousin hardly American in a defected record of incendiary plumes of a hoarse hatred of waxen discs and flying discs alike,  climbs out of a bonfire mounted purely out of vindictive spite

Then upon a great white buffalo a wrapped package of Californian love before California ever alighted like something beyond an avaricious dove, saw a rocky park and a hearth of illuminated darkness the singular spark

Captain Morgan knows the jackknife applause of a botched deal morphing into a disbelieved spiel. A shibboleth of enormous mystical weight crashing down from an ethereal abode and heaven heavily saddened cannot hardly appeal

Then a loving spoonful of crystal blue persuasion led me to Ethel’s regimented keepsake and for once in my life nobility and I became a grateful waif. But temerity laughed, splintered spacecraft, and the wooden paws of a bearish applause led to resurgent clarity

Blinking stars shattered by knighted and raw applause punctured the liberated might of a sentient hortatory savior grasped by the internecine wrench of a waxen time

An indie track slides by unnoticed in an aleatory time, and the threadbare whine of centuries of lament becomes a dastardly barn set ablaze with the fury of ancients and the scurry of faineant patents

Perfidy slides in recess, and in gentle forbearance the winged angel lingers like a halo on conifer and spring above a remedial ring

I dial frisky celerity tingling the dangling claws of a raven’s screed and in plunder of all history’s pilfer secrets I eagerly weave a tapestry Indiana Jones himself would be proud to watch

Not the riotous ruin of a mystery tour of verdure crippled by genocide but overcome by the revived life of raised rain razing the moments of indelible pain

But the culmination of a proffered time taken at its word for its every careened bird, for its every brazen gird. The manger of proctored stars calls us home tonight and home forever. Life in quaked timorous stumbles suddenly no longer so fitfully absurd.

The quixotic plundered of pirates and emperors in direct emulation of some crooned pastiche of whittled integrity, surges above any encased blurb and any vain testament to a pyramid rigid in destiny and ragged in desultory and sturdy sincerity

Multiplying the ineffable by the division of arable divorced from edible is too creative to be eaten as pabulum when sparks curdle flickered moonlight crimson and that become golden only to the last laugh of ennobled ragamuffins

Frankly the desert of melliferous gorillas abetting the lark of a heavily vetted camarilla engaged in the sinecure of a rigged wall on a main street to block the tall from the lame bleat. Stocks grazed, costs engaged on a littoral beach at the end of a Bossy promenade

This prayer is a cutthroat collapse of a merry spare, a ribbed ****** waiting to plunge into the antithesis of female despair, but sincere in its restraint that vixens courted in love aren’t courted in litigation of a wagered dare

Ambulances chase Deloreans through the desolate moon-stricken skies of a time agape with fleets of phantasmagoria on a Cliffside too wise to ever mince words or excise cries

Skulking the red-teared caverns of entombed films and lampooned tinctures on a passion vetted only for certain and utter deracinated disguise, I wallop with winged men in a single soul Armed to the Teeth with inveterate tithes to eternal internments of poached and endangered gazettes

As growth older in wizened skin bets on epithets rather than epitaphs for rinsed peace and triumphant clefts we leap above in orbit of only the bellowing nether of blown tolls and untold souls aggregating the esoteric grasp of Alexandrian tomes

The denumeration of certainty is a carousel of wonder, a splurge of time ripped asunder with majesties of paparazzi scuttled impacts a throttled iniquity of regalia’s indicted blunder frenchified but still clean with inestimable sheens

With twenty-five dollars, a dime an assist and a nickeled reiteration of currency already so personable it is divine and sublime in crazed desist I watch the embroiled natives clash in denatured violence with the warriors of a crossed repast hearkening to an old land much of ire but too much of grandstand to ultimately last

Itching for a holy field husk of peerless ties listed as rumpus and beer, a two-packed smoked by bludgeoned blokes careless in irascible sputters of a muffled doom, a Vegan becomes the author of too many sacrosanct homilies becoming defiled witchcraft brooms dead on arrival too many lionized tombs

In plaudits and the scause of an amplified “what if?” of an olfactory nightmare of petrified fog of effluvium bogged in Wade and in heat it is always clogged, sinewy libations of toasted preemptive revenge become a powerballed hog

A castle in the sky founded on Franklin but scourged of wineskins brimming with a distilled time, a swift repartee becomes the whispered ladder of saints blather becoming not rather other than a Dan Rather spatter

A door breeched by a broached inconvenience of amphigory beyond common reach, I clamber excess and whisk the lingered love into destiny beyond any word other than a beseeched preach of nothing tired but everything inspired of noble love with abundance often to teach

Fireworks of turned tides of fallow tithes to aliens beyond any conceivable bribe the bushwhacker writhes but survives Stayin' Alive without even a hint of garbled jive a 27th floor glass elevator is quite a resplendent ride

Wellsprings knowing radical rolled tides of errant dice also themselves guilty of confessional tithes to the monolith of avarice at the nooked cranny of an evaporated time we whine as the police sting the album rained with songs too lugubrious to sing but in their elegy every lonely heart has a propinquity phone of souled resonance ring

Iterative mastery of a mathematics of love, loss decay and the dross of a dental Occidental floss, the sweep of screened queues become questions of inestimable importance to foreign dues on A Horse With No Name but so consumed with fumes

A fright occultist Thriller prowls in a waylaying daylight, masquerading an innocent confection for a rescued triage of a dawn stabbed with knives in our last dying days of trembled plight

He resurrects only the wraiths of detest, squinted at by the putrefaction of summoned cardiac arrest and littered with bullets that somehow can penetrate even impregnable bullet proof vests the wrapped carcass of the mummified husk of ready despair offers itself a ghoulish and raspy prayer

Synchronized in a low roaring swathe of rollercoasters too immersive to ride, the terpsichorean obscurantism of deliberately shattered fragments becoming blurbs dismissed with hijacked deride the carnival of a summer sun becomes the ocean of limitless love becoming endless fun

We forget the drawl of the droll old tales that haunt like specters in the closet and beneath the bedridden valetudinarian of an effrontery of shackled fright, we sprawl the innumerable caverns of prophetic insight afforded by the pantheon of history enter stage left, depart stage right

And with their insight I write and write, I grasp the tusk of democracy and wage an insurrection against the doubt of plodding limitations in otherwise immaculate sight

*** and tyrannosaurus rex, of litigable offenses leading to pardonable arrests, the gated entryway of a poetic splurge leads to the demiurge of a demotic enlightenment and suddenly the frank becomes the frazzled retirement and that haunting hounding bunny transmogrified by a shattered eye averts the car crash that careens ponderous engines out of limitless twilight blue skies.

Diamond lightning in pristine skies escorts the telegraphic totems of riddled modems from distant forbearance to nescient ultimatum and suddenly all venerable personages converge on a teeming scene of a union unified by a universal dream. To become everything and yet nothing and out of light and darkness to become a beatific beam

I fell in love
when I was only 20
a comfortable
and affordable
pursuasive love
with a lawn
and green jaquard curtains
and gold ornamented
dinner plates
that blocked out all.

He fell in love too
and he was also 20
hed not known better
mowed the lawn
watched tv
and ate
not from the ornamented plates
for they were reserved
for special occasions
like the crystal glasses
we got for Christmas

Our love was dear
we spent fortunes
but did not go anywhere
did not dream
until one day
he left
and took half
of our collection
of gold ornamented plates
before we got to use them
I cried for that love

...seems like a different life

There is nothing new under the sun, but it was night and the indifferent blinks of gaseous lives above looked down while my friends and I were at a new fast food joint that moved next to a now lonely Wendy's, with a faded sign tarnished by something the new fast food joint had yet to experience—mundanity by time. But I had my notebook with me while we ate outside, but it was in the car. My mind is always in that book, and I remembered something I had written for a novel in progress: 'Nothing is new under the sun. How is it possible to watch stars die? There is nothing new to their dust. We are the flies of the universes.'
It was just when I had finished my BBQ pork sandwich when Ariana suggested visiting a graveyard. I had the idea to visit a Satanist graveyard that our friend, Lanessa warned us against for the better safety of our sane souls—good luck with that. I wanted a revival of fear. How the beast would rip at the roof off our metal can of a car—the greater our barbarism, the greater our admiration and imagination—the less admiration and imagination, the greater our barbarism. But Ariana disagrees with words I never say, Nick laughs with my simple words to that previous thought. How funny it would be to burn eternal.
But then he suggested we should go to the Trussel in Conway. I had no idea or quote to think about to contribute to this idea. I wander, as I like to, into the possibility that his idea is a good one. Like some wanting hipster, I dress in an old t-shirt with of mantra long forgotten in the meaning of its cadence.
That is the march of men and women into the sea—honest, but forgetful and forgotten.
I was wearing a shirt sleeve on my head I bought from a mall-chain hippie store, and exercise shorts, finished off with skele-toes shoes. I was ready for everything and nothing at the same time. And that fits, I suppose. But all that does matter—and doesn't, but it is hard as hell to read the mind of a reader—it's like having a lover, but s/he doesn't know what s/he wants from you—selfish *******.
But there I was,  on the road, laughing in the back seat, sitting next to a girl who was tired, but also out of place. I could see she wanted to close arms of another, the voice of another, the truth that sits next to her while watching tv every time she comes over to hang with him, but never accepts that truth. She is a liar, but only to herself. How can she live with that? The world may never know.
The simple rides into things you've never done before give some of the greatest insight you could imagine, but only on the simple things that come full circle later. That is a mantra you can't print on a t-shirt, but if it ever is, I'm copyrighting it. And if it's not possible, I'll make it possible!
When we got to the Trussel, the scenic path lit by ornamented lamps seemed tame once I stepped onto the old railroad tracks. They were rusted and bruised by the once crushing value of trains rolling across it's once sturdy structure. Now they were old, charred by the night, and more than just some abandoned railroad bridge—the Trussel was a camouflage symbol birthed by the moment I looked into a Garfish's eye as it nibbled on my cork while I was on a fishing trip with my granddad when I was eleven. I remember that moment so well as the pale, olive green eye looked at me with a sort of seething iron imprint—I needed that fear, it branded instead of whispering that knowledge into my ears.
That moment epitomizes my fear of heights over water—what lies beneath to rip, restrain, devour, impale, and or distract me.
But epitomize is a horrible word. It reeks of undeveloped understanding. Yet  I want a nimble connection with something as great as being remembered—a breathe of air and the ideas  thought by my younger self, but I will never see or remember what I thought about when I was that young—only the summary of my acts and words. And by that nothing has changed—am I too afraid to say what I need to say? Too afraid to hear what everyone else hears? Or is it the truth—depravity of depravities that has no idea of its potential, so I am tired of the words that describe my shortcomings and unextended gasping hope. I am tired of living in the land of Gatsby Syndrome waiting for Takotsubo Cardiomyopathy!
But when we got to where the Trussel actually began I felt the fear hit like the day it was born—all hope was drained, and I was okay with abandoning all aspirations of having fun and being myself in the face of public criticism. I was flushed out by the weasel in my belly—the ******* beneath those still waters. I compare it to someone being able to handle Waterboarding, but can't handle being insulted—it's that kind of pathetic.
I stood just on the last understandably steady railroad ties that I knew were safe and watched my friends sit off the edge of the bridge, taking in the cold wonder of the night, and I was told at least I was smarter than my dead cousin who managed to get on top of his high school in the middle of the night, but had to be cohearsed down for fifteen minutes by a future marine, and future mourner who still grieves with a smile on his face.
The future mourner, he laughs at the times he insulted, or made fun of, or chilled with his now dead friend. It's never the bad times he cries about, there are none—just the good times, because they don't make them like they used to.
I watched them in that moment, and I don't know if I can deal with knowing my life is real. I began to blame my morality on this fear even though I already justified the fear just seconds before. But as I write this, I look over my notes and see something I wrote a few days ago: 'Life is ******* with  us right now. You laugh and I laugh, but we're still getting ******. The demon's in our face.'
As morbid as that comes off, it resonates some truth—what is killing us is going to **** us no matter what we do—and I don't want to be epitomized by the acts and words I didn't say.
I was never in the moment as a kid—I was raised by by old people and kept back by my younger siblings. The experienced tried to teach me wisdom, and the inexperienced kept my imagination locked in time. I don't want to go home as much now because I see that the inexperienced are becoming wiser everyday and the experienced are dying before my eyes. My idea of things is enduring leprosy.
But back to the simple moments.
Ariana saw a playground as she stood up and investigated the Trussel. It was next to the river, behind the church, fenced off by the fellowship of the church to keep the young ones in and the troublesome out. Of course, we didn't realize there was a gate and it was locked until Nick stated the probable obvious within ten feet of the nostalgic playground. And that's when Ariana pointed out the bugs swarming the parking lot outdoor lamp that blazed the fleshiness of our presences into dense shadows and more than likely caught the eye of a suspicious driver in a truck passing by. But I was still on the bridge—back in the past, never the moment. Me and my friends are still children inside these ***** forms. I muttered to myself: “Life ain't about baby steps.”
Nick looked over and asked what I said. I turned around, dramatic, like I always like to and repeated louder this time, “Life ain't about baby steps.”
He asked if I needed to do this alone, and I said he could come along. I walked rhythmically across the railroad ties, and heard Ariana comment that getting to the railroad up the small, steep hill was like being in the Marines. I laughed sarcastically. Nick and I had been to Parris Island before, and I know they test your possible fears, but they beat the living **** out of them.
I casually walk into the room where my fear lives and tell it to get the **** out.
When I reached the precipice of the last railroad tie I stood on before, I felt the old remind me that death awaited me, but there was no epic soundtrack or incredible action scene where I stab a manifestation of my fear in heart—a bit fun it might have been, but not the truth. I bear-crawled over the crossings of the ties and the structure of the bridge itself. I felt Relowatiphsy—an open-minded apathy self-made philosophical term—take over me. It is much simpler than it sounds.
There was no cold wonder as I imagined. There was just a bleak mirror of water below, a stiff curtain of trees that shadowed it, and the curiosity of what lies in the dark continuing distance past the Trussel.
Nick sat with me and we talked about women and fear, or at least I did, and I hoped he felt what I did—there was a force there that is nabbed by everyone, but cherished by few—courage. And I thank him for it, but I know I did it. Now I want to go and jump in that still water below—Ariana later says she's happy I got over my fear, but I'll probably have a harder time during the day when I can see what I'm facing, but I see it differently. During the day, the demons are stone and far away—like looking down the barrels of a double-barreled shotgun uncocked and unloaded, but at night is when the chamber is full and ready to go, and you have no idea who is holding the gun with their finger on the trigger and your destination in mind.
Then we threw rocks into the water in contest to see who could throw past the moonlight into the shadowy distance . I aimed for the water marker, and got the closest with limited footing, using just my arm strength. But it wasn't long before we had to leave, making fun of people who do cooler things than us, on the way to the car. I had to ride in the back seat again because I forgot to call shotgun. But on the way home, the idea popped in our heads what we should get my hooka and go to Broadway, and get the materials so we could smoke on the beach.
Nick's girlfriend and her friend joined us.
I missed a few puns against my co-worker as I was sent to get free water from the candy store where I work. I ended up doing a chore because I was taller than most of the people there. Appropriate enough, it was filling the water bottles up in the refrigerator.
All the while I loathed the fact that I would have to be clocked in tomorrow by two in the afternoon. I grabbed the water and got out of there as fast as possible without appearing to be in a hurry.
Impression of caring matters more than the actuality where I work—and yes, that makes me a miserable ****.
Perhaps it's not too late to admit I am recovering pyromaniac from my childhood and the flavoring we use for the taffy is extremely flammable. It would be a shame to drench the store in what people love to smell everyday when they walk in, and light the gas stove. Then, maybe I could walk away real cool-like as this pimple in this tourist acne town pops like the Hindenburg. The impression of splendor is like a phoenix—it grows old, dies, resurrects into the same, but apparently different form, spreads it's wings, and eats and ***** on everything simple, or presumably so.
I forget the name of the beach, but it was the best time I've had in a while. I was whimsy, and high on the vastness of the stretch of beach around us. They could bury us here. But me in particular. I rolled from the middle of the beach to the water, stood in the waves and shouted my phrase I coined when I realize something as wonderful as conquering a fear or realizing a dream;
--******' off!
And I stared at the horizon. My friends came up behind me and I looked back to see it was Nick and his girlfriend hugging. I gave a soft smile, put my hands in my pocket, and turned back to stare at the clouded horizon. What beasts must lie out there—more ferocious than the simple fresh water beings that wait beneath the earlier placid waters. I was a fool to think that was the worst. Nick said as I pondered all that, that I looked like Gatsby, and I tried to give him a smile that you may only see once in a lifetime, but I'm sure it failed.
I wanted to tell him that, “You cannot make me happy. It is usually the people who have no intention of making me happy that makes me smile the quickest.” But I don't. Let me be Gatsby, or Fitzgerald, if to no one else, but myself.

Hell is the deterioration of all that matters, and as the five of us sat around the hooka, and inhaled the thick blueberry flavored smoke that hinted at the taste of the Blueberry flavoring I use to make Blueberry taffy, there was a satirical realization that the coal used to activate the tobacco and flavor in the bowl is sparking like a firework, and reminds us all of where we're going.
It's a love affair between that hopelessness and hope of some destination we've only read about, but never seen.
By this point Nick and I are covered in sand, because he joined me in fun of rolling down the beach. We want so bad to be Daoists—nonchalant to the oblivion as we sit in. Just on the rifts of the tide, he and I scooped handfuls of wet sand, and I lost my fear of making sense and let Relowatiphsy take over again.
“Look at the sand in your hands. It can be molded to the shapes your hands make. We scoop it out of the surf and it falls through our fingers. There are things we're afraid of out there, and we sit just out reach of them, but within the grasp of their impressions. The sand falls through our fingers, and it plops into the tide, sending back up drops of water to hit our hands—the molders of our lives.” I said all that in hope against the hopelessness of being forgotten.
Then he said, “What if this is life? Not just the metaphor, but the act of holding sand in our hands.
I relish in his idea of wiping away my fear of an unimportant life. And by this point, it's safe to assume I live to relish ideas.

The last bit of sand from the last handful of sand was washed from my hand and I looked back at the clouded horizon, pitch black with frightful clouds and said:
“Nick, if I don't become a writer. If I live a life where I just convince myself everything's fine, and that dream will come true after I finish all the practical prep I 'must' do. I will **** myself.
I looked at him, Relowatiphsy in my heart, and he said:
“As a friend, I'd be sad, but I'd understand. But that means you have to literally fight for your life now—regardlessly.”
And he left me with those words. Just the same as my granddad left me a serious heed before he wanted to talk about something more cheerful, when I asked about his glory days fishing the Great *** Dee River. He said: “I wish I'd been here before the white man polluted the river. It would've been something to fish this water then”, then he paused to catch his breath, “Guess there are some things that stay, and others than go.” Then joy returned, as it always does.

But the idea of what was happening to me didn't hit me until we were a few miles away from the beach, covered in sand, but the potential of the night after conquering my fear of heights over water had been shed in the ocean.
Around midnight, when the headache from the cheap hooka smoke wore off and the mystic veil of the clouds over the horizon has been closed in by the condensation on the windows of some Waffle House in Myrtle Beach. There was a wave of seriousness that broke over my imagination. Works calls for me tomorrow by two.
There's not much vacationing when you live in a vacation town.
And midnight—the witching hour—spooks away the posers too afraid to commit to rage against the fear.
But there are others—college students that walk in and complain about the temperature of the eating establishment, and the lack of ashtrays—how they must be thinking of dining and dashing—running from a box, but forever locked in it.

They make annoying music as I write this. That is how they deal.

There is nothing new under the sun, but it was night and the indifferent blinks of gaseous lives above looked down while my friends and I were at a new fast food joint that moved next to a now lonely Wendy's, with a faded sign tarnished by something the new fast food joint had yet to experience—mundanity by time. But I had my notebook with me while we ate outside, but it was in the car. My mind is always in that book, and I remembered something I had written for a novel in progress: 'Nothing is new under the sun. How is it possible to watch stars die? There is nothing new to their dust. We are the flies of the universes.'
It was just when I had finished my BBQ pork sandwich when Ariana suggested visiting a graveyard. I had the idea to visit a Satanist graveyard that our friend, Lanessa warned us against for the better safety of our sane souls—good luck with that. I wanted a revival of fear. How the beast would rip at the roof off our metal can of a car—the greater our barbarism, the greater our admiration and imagination—the less admiration and imagination, the greater our barbarism. But Ariana disagrees with words I never say, Nick laughs with my simple words to that previous thought. How funny it would be to burn eternal.
But then he suggested we should go to the Trussel in Conway. I had no idea or quote to think about to contribute to this idea. I wander, as I like to, into the possibility that his idea is a good one. Like some wanting hipster, I dress in an old t-shirt with of mantra long forgotten in the meaning of its cadence.
That is the march of men and women into the sea—honest, but forgetful and forgotten.
I was wearing a shirt sleeve on my head I bought from a mall-chain hippie store, and exercise shorts, finished off with skele-toes shoes. I was ready for everything and nothing at the same time. And that fits, I suppose. But all that does matter—and doesn't, but it is hard as hell to read the mind of a reader—it's like having a lover, but s/he doesn't know what s/he wants from you—selfish *******.
But there I was,  on the road, laughing in the back seat, sitting next to a girl who was tired, but also out of place. I could see she wanted to close arms of another, the voice of another, the truth that sits next to her while watching tv every time she comes over to hang with him, but never accepts that truth. She is a liar, but only to herself. How can she live with that? The world may never know.
The simple rides into things you've never done before give some of the greatest insight you could imagine, but only on the simple things that come full circle later. That is a mantra you can't print on a t-shirt, but if it ever is, I'm copyrighting it. And if it's not possible, I'll make it possible!
When we got to the Trussel, the scenic path lit by ornamented lamps seemed tame once I stepped onto the old railroad tracks. They were rusted and bruised by the once crushing value of trains rolling across it's once sturdy structure. Now they were old, charred by the night, and more than just some abandoned railroad bridge—the Trussel was a camouflage symbol birthed by the moment I looked into a Garfish's eye as it nibbled on my cork while I was on a fishing trip with my granddad when I was eleven. I remember that moment so well as the pale, olive green eye looked at me with a sort of seething iron imprint—I needed that fear, it branded instead of whispering that knowledge into my ears.
That moment epitomizes my fear of heights over water—what lies beneath to rip, restrain, devour, impale, and or distract me.
But epitomize is a horrible word. It reeks of undeveloped understanding. Yet  I want a nimble connection with something as great as being remembered—a breathe of air and the ideas  thought by my younger self, but I will never see or remember what I thought about when I was that young—only the summary of my acts and words. And by that nothing has changed—am I too afraid to say what I need to say? Too afraid to hear what everyone else hears? Or is it the truth—depravity of depravities that has no idea of its potential, so I am tired of the words that describe my shortcomings and unextended gasping hope. I am tired of living in the land of Gatsby Syndrome waiting for Takotsubo Cardiomyopathy!
But when we got to where the Trussel actually began I felt the fear hit like the day it was born—all hope was drained, and I was okay with abandoning all aspirations of having fun and being myself in the face of public criticism. I was flushed out by the weasel in my belly—the ******* beneath those still waters. I compare it to someone being able to handle Waterboarding, but can't handle being insulted—it's that kind of pathetic.
I stood just on the last understandably steady railroad ties that I knew were safe and watched my friends sit off the edge of the bridge, taking in the cold wonder of the night, and I was told at least I was smarter than my dead cousin who managed to get on top of his high school in the middle of the night, but had to be cohearsed down for fifteen minutes by a future marine, and future mourner who still grieves with a smile on his face.
The future mourner, he laughs at the times he insulted, or made fun of, or chilled with his now dead friend. It's never the bad times he cries about, there are none—just the good times, because they don't make them like they used to.
I watched them in that moment, and I don't know if I can deal with knowing my life is real. I began to blame my morality on this fear even though I already justified the fear just seconds before. But as I write this, I look over my notes and see something I wrote a few days ago: 'Life is ******* with  us right now. You laugh and I laugh, but we're still getting ******. The demon's in our face.'
As morbid as that comes off, it resonates some truth—what is killing us is going to **** us no matter what we do—and I don't want to be epitomized by the acts and words I didn't say.
I was never in the moment as a kid—I was raised by by old people and kept back by my younger siblings. The experienced tried to teach me wisdom, and the inexperienced kept my imagination locked in time. I don't want to go home as much now because I see that the inexperienced are becoming wiser everyday and the experienced are dying before my eyes. My idea of things is enduring leprosy.
But back to the simple moments.
Ariana saw a playground as she stood up and investigated the Trussel. It was next to the river, behind the church, fenced off by the fellowship of the church to keep the young ones in and the troublesome out. Of course, we didn't realize there was a gate and it was locked until Nick stated the probable obvious within ten feet of the nostalgic playground. And that's when Ariana pointed out the bugs swarming the parking lot outdoor lamp that blazed the fleshiness of our presences into dense shadows and more than likely caught the eye of a suspicious driver in a truck passing by. But I was still on the bridge—back in the past, never the moment. Me and my friends are still children inside these ***** forms. I muttered to myself: “Life ain't about baby steps.”
Nick looked over and asked what I said. I turned around, dramatic, like I always like to and repeated louder this time, “Life ain't about baby steps.”
He asked if I needed to do this alone, and I said he could come along. I walked rhythmically across the railroad ties, and heard Ariana comment that getting to the railroad up the small, steep hill was like being in the Marines. I laughed sarcastically. Nick and I had been to Parris Island before, and I know they test your possible fears, but they beat the living **** out of them.
I casually walk into the room where my fear lives and tell it to get the **** out.
When I reached the precipice of the last railroad tie I stood on before, I felt the old remind me that death awaited me, but there was no epic soundtrack or incredible action scene where I stab a manifestation of my fear in heart—a bit fun it might have been, but not the truth. I bear-crawled over the crossings of the ties and the structure of the bridge itself. I felt Relowatiphsy—an open-minded apathy self-made philosophical term—take over me. It is much simpler than it sounds.
There was no cold wonder as I imagined. There was just a bleak mirror of water below, a stiff curtain of trees that shadowed it, and the curiosity of what lies in the dark continuing distance past the Trussel.
Nick sat with me and we talked about women and fear, or at least I did, and I hoped he felt what I did—there was a force there that is nabbed by everyone, but cherished by few—courage. And I thank him for it, but I know I did it. Now I want to go and jump in that still water below—Ariana later says she's happy I got over my fear, but I'll probably have a harder time during the day when I can see what I'm facing, but I see it differently. During the day, the demons are stone and far away—like looking down the barrels of a double-barreled shotgun uncocked and unloaded, but at night is when the chamber is full and ready to go, and you have no idea who is holding the gun with their finger on the trigger and your destination in mind.
Then we threw rocks into the water in contest to see who could throw past the moonlight into the shadowy distance . I aimed for the water marker, and got the closest with limited footing, using just my arm strength. But it wasn't long before we had to leave, making fun of people who do cooler things than us, on the way to the car. I had to ride in the back seat again because I forgot to call shotgun. But on the way home, the idea popped in our heads what we should get my hooka and go to Broadway, and get the materials so we could smoke on the beach.
Nick's girlfriend and her friend joined us.
I missed a few puns against my co-worker as I was sent to get free water from the candy store where I work. I ended up doing a chore because I was taller than most of the people there. Appropriate enough, it was filling the water bottles up in the refrigerator.
All the while I loathed the fact that I would have to be clocked in tomorrow by two in the afternoon. I grabbed the water and got out of there as fast as possible without appearing to be in a hurry.
Impression of caring matters more than the actuality where I work—and yes, that makes me a miserable ****.
Perhaps it's not too late to admit I am recovering pyromaniac from my childhood and the flavoring we use for the taffy is extremely flammable. It would be a shame to drench the store in what people love to smell everyday when they walk in, and light the gas stove. Then, maybe I could walk away real cool-like as this pimple in this tourist acne town pops like the Hindenburg. The impression of splendor is like a phoenix—it grows old, dies, resurrects into the same, but apparently different form, spreads it's wings, and eats and ***** on everything simple, or presumably so.
I forget the name of the beach, but it was the best time I've had in a while. I was whimsy, and high on the vastness of the stretch of beach around us. They could bury us here. But me in particular. I rolled from the middle of the beach to the water, stood in the waves and shouted my phrase I coined when I realize something as wonderful as conquering a fear or realizing a dream;
--******' off!
And I stared at the horizon. My friends came up behind me and I looked back to see it was Nick and his girlfriend hugging. I gave a soft smile, put my hands in my pocket, and turned back to stare at the clouded horizon. What beasts must lie out there—more ferocious than the simple fresh water beings that wait beneath the earlier placid waters. I was a fool to think that was the worst. Nick said as I pondered all that, that I looked like Gatsby, and I tried to give him a smile that you may only see once in a lifetime, but I'm sure it failed.
I wanted to tell him that, “You cannot make me happy. It is usually the people who have no intention of making me happy that makes me smile the quickest.” But I don't. Let me be Gatsby, or Fitzgerald, if to no one else, but myself.

Hell is the deterioration of all that matters, and as the five of us sat around the hooka, and inhaled the thick blueberry flavored smoke that hinted at the taste of the Blueberry flavoring I use to make Blueberry taffy, there was a satirical realization that the coal used to activate the tobacco and flavor in the bowl is sparking like a firework, and reminds us all of where we're going.
It's a love affair between that hopelessness and hope of some destination we've only read about, but never seen.
By this point Nick and I are covered in sand, because he joined me in fun of rolling down the beach. We want so bad to be Daoists—nonchalant to the oblivion as we sit in. Just on the rifts of the tide, he and I scooped handfuls of wet sand, and I lost my fear of making sense and let Relowatiphsy take over again.
“Look at the sand in your hands. It can be molded to the shapes your hands make. We scoop it out of the surf and it falls through our fingers. There are things we're afraid of out there, and we sit just out reach of them, but within the grasp of their impressions. The sand falls through our fingers, and it plops into the tide, sending back up drops of water to hit our hands—the molders of our lives.” I said all that in hope against the hopelessness of being forgotten.
Then he said, “What if this is life? Not just the metaphor, but the act of holding sand in our hands.
I relish in his idea of wiping away my fear of an unimportant life. And by this point, it's safe to assume I live to relish ideas.

The last bit of sand from the last handful of sand was washed from my hand and I looked back at the clouded horizon, pitch black with frightful clouds and said:
“Nick, if I don't become a writer. If I live a life where I just convince myself everything's fine, and that dream will come true after I finish all the practical prep I 'must' do. I will **** myself.
I looked at him, Relowatiphsy in my heart, and he said:
“As a friend, I'd be sad, but I'd understand. But that means you have to literally fight for your life now—regardlessly.”
And he left me with those words. Just the same as my granddad left me a serious heed before he wanted to talk about something more cheerful, when I asked about his glory days fishing the Great *** Dee River. He said: “I wish I'd been here before the white man polluted the river. It would've been something to fish this water then”, then he paused to catch his breath, “Guess there are some things that stay, and others than go.” Then joy returned, as it always does.

But the idea of what was happening to me didn't hit me until we were a few miles away from the beach, covered in sand, but the potential of the night after conquering my fear of heights over water had been shed in the ocean.
Around midnight, when the headache from the cheap hooka smoke wore off and the mystic veil of the clouds over the horizon has been closed in by the condensation on the windows of some Waffle House in Myrtle Beach. There was a wave of seriousness that broke over my imagination. Works calls for me tomorrow by two.
There's not much vacationing when you live in a vacation town.
And midnight—the witching hour—spooks away the posers too afraid to commit to rage against the fear.
But there are others—college students that walk in and complain about the temperature of the eating establishment, and the lack of ashtrays—how they must be thinking of dining and dashing—running from a box, but forever locked in it.

They make annoying music as I write this. That is how they deal with the inevitable death of the night. They bruise the air I breathe with love and faith and trust with no meaning—without even meaning it. But what do they know what I didn’t feel when I sat on that bridge or cowered on the fringes of the ocean? Their hands aren’t ***** like mine—their confidence does not seem fractured by these words that will never reach them, or their kids, or grandkids.
As day begins to move, I know I work at two and will be home by midnight again. The witching hour—where some stay and others go.

Sinister coughs
haven't approached
as an invigorating threath
whilst reading "The carousel"
in dim lit cyclam softness . .
Poetry is poetry and prose is
Not it!

I have left, pig-mudding drunk,
having sipped from stock to stock on fraying cheer, stages.
I have stood in foreign basements; sweaty cellars of youth;
begot by attitude breeding spaces of the hip;
drawn circles searching for love in recreating nonsense:
a silly pupil, moon-eyed, out of breathe.

I have heard them quack, reveal their cords;
heard them whisper a thousand and one secrets,
heard them deconstruct their circumstances as pilgrims, penniless and sick.
I have their memories now, an image of a depressed,
***-imprinted pillow soaked in liquor and a feeling of nausea
where ribs sleep on this couch tonight, every night.
I have heard one refute the weight of living, ******,
on the banks of his best friends hospitality, and thought
How much is it worth?

And I have envied every **** greasy pored hipster,
the ones fixing on makingitnew now kind of clan; stared blankly at fashion,
a culture back door where pink fish scales sparkle high from runway halters
to the tops of grown men, bearded and chesty.
And your mothers pearls sit, not your mother’s pearls but your mother’s, mother’s pearls,
that old world clout ornamented around those hairy *******.
Oh yes, I have seen men become peacocks, charmed animals of *******;
seen them teeth at discourse in the noise they create, wide-mouthed and pointed;
I have seen them masked like frantic felines: wooly bully cats trying-to-roll their own meter,
their tobacco stained black charcoal over soft bricked lips quiver to their beats:
those painted lemmingings, without a parachute: kamikaze felons.

I have desired absolute sterility: white china,
in the egg of a toilet bowl I spewed out, shut-up my exuberance for the night;
sorry-pleaded my resolutions to gag out the naughty nouns in my life.
I have quit; turned in my lust for performing the lioness, paw-licking,
snarly creature: the predator of my youth, and now,
I am pretty-headed, tamed in bath oils and schedules;
a spotted fox, in plain view, one medium-sized mammal getting by.

This is a conversation I had with God.
In which I told the silence of my room
that surrealism is the only ism in which God makes total sense.

I could see the chalk whites of his teeth trying to bite down on his words
but before they could be derailed his tongue caught wind and his words assailed
as he said, "I hate surrealism."

As if his words would never be caught dead in an urn
sometimes his mouth looked more like a jail in an Old Western
and his thoughts fought like criminals desperate to break out
until they finally found a way to use his tongue as an escape route.

"No, I don't hate surrealism," he says
"I just hate surrealism as a movement."

Upon hearing this my spine coils like a wine-corker-spiral-staircase
upward; where my brain plugs my cranium like a cork
and my eyes drip like blank canvas,
I am one hollow statue decaying in a melting structure
with wax in my ears I feed landscapes to winged insects
as I drown in pools of water/color.

Behind me is a sky so burlesque it actually looks like the clouds are crying.
Under me is a ground so vast it has nine horizons wrapped in a double helix.
Reconstructed beside me is a tree so old it could be the same wood as The Crucifix.
Nested inside me where my spine should be is a coat rack made crooked by the weight of all-nighters.
The texture of my skin makes it look like god paints with typewriters.

"No, no," he says, his voice turning melancholy, atomic, uranic, idyll,
"I don't hate surrealism as a movement,
because hate's such a strong word. Oh god, I guess I just don't get it."

Now I'm overcome with a sincere desire to light an entire herd of giraffes on fire
and sip wine beneath the light as if it were dinner by candlelight,

"Seriously?" I say. "Under giraffes, in this light
I can't tell if you're Lincoln or Jesus.
In fact, we all look like swans with elephant reflections.
Your trunk is a trumpet.
Don't even get me started on where we derive our visions of god
from where I stand everything casts a shadow in the shape of where it's heading
and the sky, vast and pale and open, the sky is the only all-seer
and the truth is far less surreal:
if your demons are ants then your god is an anteater."

I can see the chalk whites of his teeth stall door,
squeaky hinge, his mouth-
occupied with a realization he can't pronounce.
A pause as pregnant as a desert landscape,
ornamented with butterflies.

His head is an empty room with an evaporating skylight,
his ears, hang like clocks on a half-wall, melting.
The escalator to his brain is a spiral staircase moving in reverse.
His eyelids peel back like the last page of a two-dimensional book.
I can see with my Spellbound eyes, we are finally on the same page.

When his tongue curls back into his saloon jaw
like a bee sting rifle shot back into the mouth of a lunging tiger,
swallowed deep into the wells of a fish belly.

"I'm sorry" he says, "that's not what I meant."

Go to sleep—though of course you will not—
to tideless waves thundering slantwise against
strong embankments, rattle and swish of spray
dashed thirty feet high, caught by the lake wind,
scattered and strewn broadcast in over the steady
car rails!  Sleep, sleep!  Gulls’ cries in a wind-gust
broken by the wind; calculating wings set above
the field of waves breaking.
Go to sleep to the lunge between foam-crests,
refuse churned in the recoil.  Food!  Food!
Offal!  Offal!  that holds them in the air, wave-white
for the one purpose, feather upon feather, the wild
chill in their eyes, the hoarseness in their voices—
sleep, sleep . . .

Gentlefooted crowds are treading out your lullaby.
Their arms nudge, they brush shoulders,
hitch this way then that, mass and surge at the crossings—
lullaby, lullaby!  The wild-fowl police whistles,
the enraged roar of the traffic, machine shrieks:
it is all to put you to sleep,
to soften your limbs in relaxed postures,
and that your head slip sidewise, and your hair loosen
and fall over your eyes and over your mouth,
brushing your lips wistfully that you may dream,
sleep and dream—

A black fungus springs out about the lonely church doors—
sleep, sleep.  The Night, coming down upon
the wet boulevard, would start you awake with his
message, to have in at your window.  Pay no
heed to him.  He storms at your sill with
cooings, with gesticulations, curses!
You will not let him in.  He would keep you from sleeping.
He would have you sit under your desk lamp
brooding, pondering; he would have you
slide out the drawer, take up the ornamented dagger
and handle it.  It is late, it is nineteen-nineteen—
go to sleep, his cries are a lullaby;
his jabbering is a sleep-well-my-baby; he is
a crackbrained messenger.

The maid waking you in the morning
when you are up and dressing,
the rustle of your clothes as you raise them—
it is the same tune.
At table the cold, greeninsh, split grapefruit, its juice
on the tongue, the clink of the spoon in
your coffee, the toast odors say it over and over.

The open street-door lets in the breath of
the morning wind from over the lake.
The bus coming to a halt grinds from its sullen brakes—
lullaby, lullaby.  The crackle of a newspaper,
the movement of the troubled coat beside you—
sleep, sleep, sleep, sleep . . .
It is the sting of snow, the burning liquor of
the moonlight, the rush of rain in the gutters packed
with dead leaves:  go to sleep, go to sleep.
And the night passes—and never passes—

"So long as men can breathe, or eyes can see,
So long lives this, and this gives life to thee."

Shall I compare thee...

...to the Iguazú Falls River, where legend serves that a serpent; Boi, demanded a sacrifice each year of a young female, and the day two lovers; Tarobá and his beautiful maid Naipí, took to escape, and in revenge of such an act, Boi exuded such anger that he parted the river, thus forming the Iguazú Falls, splitting the river and condemning to two lovers to the falls.

or

...to Cristo Redentor; Christ the Redeemer, the Art Deco statue, protecting and looking over the city of Rio de Janeiro, to whom in all its glory cannot escape the force of nature, struck by lightning, causing damage irreplaceable.

or

…to The Hanging Gardens of Babylon, hundreds of metres into the sky, a place that to this day is unknown, myth being that King Nebuchadnezzar recreated the homeland of his precious wife Amyitis, who was deeply depressed and homesick, allowing her to find comfort and happiness.

or

…the Taj Mahal, of Pradesh, constructed using marble by the emperor Shah Jahan, in loving memory of his third wife; Mumtaz Mahal, the *jewel of Muslim art, a calligraphy written Great Gate reading; "O Soul, thou art at rest. Return to the Lord at peace with Him, and He at peace with you.

or

…the Temple of Artemis; Istambul, on sacred land in honour of the Greek goddess Artemis, the most apotheosized of Greek deities, the supposed daughter of Zeus and Leto, the temple also known as Diana, one of the goddesses who vouched never to marry; alongside Minerva and Vesta.

or

… the Mausoleum at Halicarnassus, of the Persian Empire, whereby Mausolus ornamented four sculptures created in relief for his wife (and also his sister); Artemisia II of Caria, generating an above ground tomb that would become to be listed as one of the Seven Wonders of the Ancient World.

But of all,
I compare thee to the Goddess of Love, Beauty and Sexuality; Aphrodite
arising from the sea, floating ashore on a shell;
Venus rising from the sea,
a lover of many,
later depicted as a painting of the Birth of Venus,
by the sufferer of unrequited love; Botticelli,
using his muse Simonetta Vespucci as a model.

© Sia Jane

‘Abá Cloak or mantle; a rough, coarse shirt.[1][2]
Ábádih
‘Abbás AR: عباس lion
‘Abdu’l-Bahá AR: عباس افندی Servant of Glory Title of ‘Abbás Effendi, the eldest son and successor of Bahá'u'lláh, meaning Servant of Bahá (Glory), i.e., Servant of Bahá'u'lláh. He preferred this title over others because it emphasized His servitude to Bahá'u'lláh.
‘Abdu’l-Hamid AR:  عبد الحميد servant of the All-Laudable
‘Abdu’l-Husayn AR:  عبد الحسين servant of Husayn
‘Abdu’lláh AR: عبد الله servant of God
Abhá AR: أبهى Most Glorious, All-Glorious A superlative form of the word Bahá’, "glory", or "glorious"; a form of the Greatest Name of God.
Abhá Beauty AR: جمال ابها A title of Bahá'u'lláh. See also Blessed Beauty.
Abhá Kingdom Most Glorious Kingdom The next stage of existence, or "the next world", i.e. the world of the afterlife.
Abjad system A numerological system, i.e. a system assigning a numerical value to letters, which creates a new layer of meaning in Scripture. For instance, the value of the word Bahá’ in the Abjad system is nine, lending that number a special significance.
Abu’l-Faḍl AR:  ابوالفضل father of virtue
‘Adasíyyih A village near the Jordan River where some early Baha'is lived, working as farmers at ‘Abdu’l-Bahá's request.
Adhan AR: أَذَان announcement[3] Also Azán. Muslim call to prayer.[2]
Ádhirbáyján FA: آذربایجان Also Azerbaijan. A region in northwestern Iran.[4]
Afnán AR: ﺍﻓﻨﺎﻥ twigs The maternal relatives of the Báb; used as a surname by their descendants.
Aghsán AR: ﺍﻏﺼﺎﻥ branches The male descendants of Bahá'u'lláh; has particular implications not only for the disposition of endowments but also for the succession of authority following the passing of Bahá’u’lláh and of his son ‘Abdu’l-Bahá.
A.H. After Hijirah. Date of Muḥammad’s migration from Mecca to Medina, and basis of Islamic chronology.[2]
‘Ahd
Aḥmad AR: أحمد to thank, to praise An Arabic given name from the same root as the name Muhammad.
Aḥsá’í AR: أحسائي from Ahsáʼ An Arabic demonym referring to a native of the Ahsáʼ region in eastern Saudi Arabia.
Ahváz FA: اهواز the Khuzi people A region in southwestern Iran.
‘Akká AR: عكّا A penal colony of the Ottoman Empire (now part of northern Israel) to which Bahá'u'lláh was banished by Sultan 'Abdu'l-'Aziz.
Akbar AR: اكبر great Great, or greater. See Alláh-u-Akbar, Ghusn-i-Akbar.[2]
‘Alá’ AR: علاء loftiness The nineteenth month of the Bahá’í calendar; the month of fasting.
Alí
Alláh-u-Abhá AR: الله أبهى God is Most Glorious A form of the Greatest Name of God. Commonly used as a greeting by Bahá'ís. Repeating Alláh-u-Abhá 95 times a day is a law binding on all Bahá'ís, as written by Bahá'u'lláh in the Kitáb-i-Aqdas.
Alláh-u-Akbar AR: ٱللَّٰهُ أَكْبَرُ God is Most Great
Alváh
Alváḥ-i-Saláṭín
Amatu'l-Bahá AR: امةالبهاء Maidservant of Glory Title of Rúhíyyih Khanum, the wife of Shoghi Effendi, meaning Maidservant of Bahá (Glory), i.e., Maidservant of Bahá'u'lláh.
Amín
Amír lord, prince, commander, governor[2] Also Ameer, Emir. The word originally signified a military commander, but very early came to be extended to anyone bearing rule.[5]
Amru’lláh
Anzalí
Áqá FA: آقا Sir, mister, master Also Aga, Agha. A dignitary or lord; used generally as a term of respect.[6] Title given by Bahá’u’lláh to ‘Abdu’l-Bahá (translated as "Master").[2]
Aqdas FA: اقدس‎ most holy Most Holy. Used in the title of the Kitáb-i-Aqdas.
‘Arabistán A former Arab Emirate that now forms part of the Iranian province of Khuzestan.
Aṣl-i-Kullu'l-Khayr AR: أﺻﻞ ﻛﻞ ﺍﻟﺨﻴﺮ words of wisdom A tablet of Bahá’u’lláh published in Tablets of Bahá’u’lláh.
Asmá’ AR: اسماء names The ninth month of the Bahá’í calendar.
‘Avájiq FA: آواجیق The westernmost city in Iran, located in the province of West Ádhirbáyján.
Ayádí
Áyah AR: آية verse, sign, miracle Also Ayat. A verse, esp. of the Qur'án.
Ayyám-i-Há AR:  ايام الهاء days of Há A period of four or five intercalary days in the Bahá’í calendar, celebrated by Bahá'ís as a Festival marked by charity, hospitality and rejoicing.
Azal
‘Aẓam AR: اعظم greatest[2] See Ghusn-i-‘Aẓam.
‘Aẓamat AR: عظمة grandeur The fourth month of the Bahá’í calendar.
‘Azíz
B
Term Source Meaning Definition
Báb, The AR: باب door, gate Title assumed by Mírzá ‘Alí-Muḥammad after the declaration of His Mission as the promised Qá'im (or Mihdí/Mahdi) in Shíráz in May 1844.[2] A Manifestation of God whose dispensation preceded that of Bahá'u'lláh, and who foretold His coming. Founder of the Bábí religion.
Bábí AR: بابی of the gate A follower of the Báb, or an adjective used in relating something or someone to the Bábí religion.
Bábí religion The religion established by the Báb.
Bábu'l-Báb AR: باب الباب gate of the gate Title of Mullá Ḥusayn-i-Bushru'i, the first person to profess belief in the Báb.
Baghdád AR: مدينة بغداد bestowed by God[7] Also Bagdad.[8] The capital city of Iraq, to which Bahá’u’lláh was exiled in 1853. He took up residence and lived there for the greater part of a decade. His House in the Karkh sector of the city is a site of pilgrimage, although it was destroyed in 2013; a garden in the city's Rusafa sector was the site of the events celebrated during Riḍván.
Bahá’ AR: أبهى glory, splendour The Greatest Name of God, meaning "glory", or "glorious". The first month of the Bahá’í calendar. Title by which Bahá’u’lláh (Mírzá Ḥusayn-‘Alí) is designated.[2]
Bahá’í AR: بهائی of glory A follower of Bahá'u'lláh, or an adjective used in relating something or someone to the Bahá’í Faith. It is important to note that "Bahá’í" is not a noun meaning the religion as a whole; i.e. "She is a member of the Bahá'í Faith" rather than "She is a member of Bahá'í".
Bahá’í Faith The religion established by Bahá'u'lláh.
Bahá'u'lláh AR: بهاء الله Glory of God The Founder of the Bahá'í Faith, the Manifestation of God for this age.
Bahíyyih Bahíyyih Khánum, “Greatest Holy Leaf” (born Fáṭimih Sulṭán, 1846–15 July 1932)
Bahjí AR: البهجة delight A site outside the city of ‘Akká where Bahá'u'lláh spent His final years, in the Mansion of Bahjí.
Bait al-Adl AR: بيت العدل House of Justice Also Baytu’l-’Adl. The House of Justice, an elected legislative institution ordained by Bahá'u'lláh.
Bait al-Adl al-Azam AR: بيت العدل الأعظم House of Justice Also Baytu’l-’Adl-i-A’ẓam. The Universal House of Justice, also referred to as the Supreme House of Justice, the elected institution that currently serves as the head of the Bahá'í Faith.
Balúchistán FA: بلوچستان Southwestern province of Pakistan
Bandar-‘Abbás FA: بندرعباس A port city and capital of Hurmúzgán Province on the southern Persian Gulf coast of Írán
Baqíyyatu’lláh Remnant of God Title applied both to the Báb and to Bahá’u’lláh.[2]
Bárfurúsh FA: بارفروش a town in Mázindarán, now known as Bábul (Babol)
Bayán AR: بیان‎ exposition, utterance, explanation Title given by the Báb to His Revelation, particularly to His Books, and especially to two of His major works: The Persian Bayán and the Arabic Bayán.[2]
Bayt AR: بيت house, building
Big Honorary title; lower title than Khán.[2]
Bírjand FA: بیرجند city in eastern Írán
Bishárát AR: ﺍﻟﻄﺮﺍﺯﺍﺕ good news, glad-tidings A tablet of Bahá’u’lláh published in Tablets of Bahá’u’lláh.
Bukhárá FA: بخارا city in Uzbekistan
Burújird FA: بروجرد Capital city of the province of Luristán, place of the governorship of Mírzá Buzurg
Búshihr FA: بوشهر Iranian city (once the primary port of Írán) and province on the Persian Gulf.
Búshrúyih FA: بشرويه a town in Khurásán, 55 km NE of Ṭabas and 70 km WSW of Tún. It is the birthplace of Mullá Ḥusayn, first disciple of the Báb.
C
Term Source Meaning Definition
Caravanserai FA: کاروانسرای caravan palace An inn for caravans, i.e. groups of traders, pilgrims or other travellers, engaged in long-distance travel.[2][9]
Chihár-Vádí FA: چهار وادی four valleys “Four Valleys” by Bahá’u’lláh. Addressed to Shaykh ‘Abdu’r-Raḥmán-i-Karkútí.
Chihríq FA: چهریق Fortress in Kurdish Ádhirbáyján, designated by the Báb as Jabal-i-Shadíd (the Grievous Mountain)
D
Term Source Meaning Definition
Dárúghih FA: داروغه high constable[2]
Darvísh FA: درویش seeking doors; beggar Also Dervish. A Muslim mystic, often a hermit or ascetic who wanders the land carrying a begging bowl (kashkúl). Equivalent to the Arabic faqír.[10]
Dawlih state, government[2] See Vakilu'd-Dawlih.
E
Term Source Meaning Definition
Effendi FA: افندي master A title of nobility.
F
Term Source Meaning Definition
Fárán Pers. small village in Ardistán
Farmán FA: فرمان order, command, royal decree[2] Also Firmán. An edict given by a sovereign, particularly for decrees, grants, passports, etc.[11]
Farrásh FA: فرش footman, lictor, attendant[2]
Farrásh-Báshí FA: فراش باشی The head farrásh.[2]
Fárs FA: فارس a southern province of Írán, from which the name Persia derives.
Farsakh FA: فرسخ Unit of measurement. Its length differs in different parts of the country according to the nature of the ground, the local interpretation of the term being the distance which a laden mule will walk in the hour, which varies from three to four miles. Arabicised from the old Persian “parsang,” and supposed to be derived from pieces of stone (sang) placed on the roadside.[2][12]
Fiḍál AR: فضال grace The fourth day of the week in the Bahá’í calendar, corresponding to Tuesday.
G
Term Source Meaning Definition
Ganjih FA: گنجه (Ganjeh) city (2nd largest) in Ádharbayján. It was named Elisabethpol in the Russian Empire period.
Ghuṣn-i-A‘ẓám FA: غصن اعظم Most Great or Greatest Branch, i.e. ‘Abdu’l-Bahá.
Ghuṣn-i-Akbar FA: غصن اکبر Greater Branch, i.e. Mírzá Muḥammad-‘Ali. Also The Chosen Branch, i.e. Shoghi Effendi.
Gílán FA: گیلان a northern province of Írán on the Caspian Sea.
H
Term Source Meaning Definition
Ḥadíth AR: حديث occurring, happening, taking place
Ḥájí AR: حاج Also Hajji, Hadji. A Muslim who has made the Hajj, i.e. pilgrimage.[2][13]
Ḥajj AR: حج setting out Also Hadj. The Muslim rite of pilgrimage to the holy city of Mecca.[13]
Hamadán FA: همدان Hamadán city in Írán, 144 km NE Kirmánsháh. Originally Ecbatana of the ancient Medes.
Ḥaydar-‘Alí AR: حيدر علي noted early Bahá’í, born into Shaykhí family of Iṣfahán. Known as the “Angel of Carmel”.
Haykal AR: هيكل temple; large building, edifice
Himmat-Ábád FA: همت اباد city in Raḍawí Khurásán Ústán Province, Írán
Howdah AR: هودج A litter carried by a camel, mule, horse, or elephant for travelling purposes.[2]
Ḥusayn AR: الحسين (diminutive form of Haṣan “Good”) Name of the third Imám, Ḥusayn.
Huvaydar village north of the city Ba‘qúba, which is 60 km NE of Baghdád
I
Term Source Meaning Definition
Ibráhím AR: إِبْرَاهِيْمُ A given name referring to Abraham, Patriarch of the people of Israel.
‘Idál AR: عدال justice The fifth day of the week in the Bahá’í calendar, corresponding to Wednesday.
Íl clan[2]
‘Ilm AR: علم knowledge The twelfth month of the Bahá’í calendar.
Imám AR: إمام leader A Muslim religious leader; specifically, the title of the twelve shí’ah successors of Muḥammad.[2]
Imám-Jum’ih FA: امام جمعه Friday leader The leading imám in a town or city; chief of the mullás, who recites the Friday prayer for the sovereign.[2]
Imám-Zádih FA: امامزاده The tomb or shrine of an imám; or, a descendant of an imám.[2]
Iqán AR: الإيقان certitude being sure, knowing for certain; certitude. Also refers to the book, the Kitáb-i-Íqán.
Irán FA: ایران Írán, the kingdom of Persia proper. Derives from the name Aryán ("of the Iranians"), the self-identifier used by ancient Iranian peoples.
‘Iráq-i-‘Ajam FA: عراقِ عجم Persian ‘Iráq. ‘Iráq between the 11th to 19th centuries consisted of two neighbouring regions: Arabic Iraq (‘Iráq-i ‘Arab) and Persian Iraq (‘Iráq-i ‘Ajam). Arabic Iraq = ancient Babylonia (now central-southern Iraq), and Persian Iraq = ancient Media (now central-western Iran). The two regions were separated by the Zagros Mountains.
Iṣfahán FA: اصفهان Persian city 340 km south of Ṭihrán.
‘Ishqábád FA: عشق آباد Ashkhabad/Ashgabat; capital of Turkmenistan, known as the “City of Love”. A strong Bahá'í community developed there in the time of ‘Abdu’l-Bahá.
Ishráqát AR: ﺍﻻﺷﺮﺍﻗﺎﺕ radiance; radiation, eradiation, emanation; illumination A tablet of Bahá’u’lláh published in Tablets of Bahá’u’lláh.
Ishtihárd a village 69 km SE of Qazvín and 54 km SW of Karaj
Islám AR: الاسلام submission, resignation, reconciliation (to the will of God in every age)
Ismá‘ílíyyih AR: الإسماعيلية Isma’ilism (Ismá‘ílí sect)—branch of Shí‘a Islám that followed the Imám succession through the eldest son.
Istarábád FA: أستاراباد See Astarábád: “City of Mules”, on south eastern Caspian Sea border of Írán. Since 1937 called Gúrgán (Gorgán).
Istijlál AR: استجلال majesty The sixth day of the week in the Bahá’í calendar, corresponding to Thursday.
Istiqlál AR: استقلال independence The seventh day of the week in the Bahá’í calendar, corresponding to Friday.
‘Izzat AR: عزة might The tenth month of the Bahá’í calendar.
J
Term Source Meaning Definition
Jalál AR: جلال glory The second month of the Bahá’í calendar. Also the first day of the Bahá'í week, corresponding to Saturday.
Jamál AR: جمال beauty The third month of the Bahá’í calendar. Also the second day of the Bahá'í week, corresponding to Sunday.
Jamál-i-Mubárak FA: جمال مبارک “The Blessed Beauty” Title used by some Bahá’ís for Bahá’u’lláh.
Jásb FA: جاسب rural district, Markazí Province, Írán
Jubbih AR: جبيه Also Jubba. A cloth cloak or upper coat.[2][12]
K
Term Source Meaning Definition
Ka‘bih AR: كَعْبَة cube Also Kaaba, Ka'ba, Kaabeh. An ancient shrine at Mecca; the most holy shrine of Islam, located at the center of Islam's most important mosque, the Masjid al-Haram.[2][14]
Kad-Khudá FA: کدخدا Chief of a ward or parish in a town; headman of a village.[2]
Kalantar FA: کلانتر mayor[2]
Kalím FA: کلیم one who discourses[2]
Kalimát AR: كلمات words The eighth month of the Bahá’í calendar.
Kalímát-i-Firdawsíyyih AR: ﺍﻟﻜﻠﻤﺎﺕ ﺍﻟﻔﺮﺩﻭﺳﻴﺔ words of paradise A tablet of Bahá’u’lláh published in Tablets of Bahá’u’lláh.
Kamál AR: كمال perfection The ninth month of the Bahá’í calendar. Also the third day of the Bahá'í week, corresponding to Monday.
Karand FA: کارند A village about 100 km SE of Ṭihrán.
Karbilá AR: كربلاء Also Karbala, Kerbela. A ****’ite holy city in ‘Iráq where the Imám Ḥusayn was murdered and buried, and where His Shrine is located.[15]
Karbilá’í AR: کربلایی A Muslim who has performed the pilgrimage to Karbilá.
Káshán FA: کاشان One of the oldest cities of Írán, located in north central Persia.[16]
Kawthar AR: ٱلكَوْثَر abundant, plentiful Name of a lake or river in Paradise that Muḥammad saw on his mystic night journey (Qur’án, surah 108).
Kázim AR: ٱلْكَاظِم “One who suppresses his passion or anger”. The title of the seventh Imám of the Shí‘ih.
Kirmán FA: کرمان capital city of Kirmán province, Írán
Kirmánsháh FA: کرمانشاه Province and city in western Írán.
Khán AR: خان caravanserai A roadside inn where travelers (caravaners) could rest and recover from their day's journey.[9]
Khán-i-'Avámid FA: خان آوامید The caravanserai in ‘Akká where Bahá'u'lláh used to receive guests, and later the site for a Bahá'í school.
Khanúm FA:  خانم lady, Madame, Mrs. An honorific title given to women of high social status.
Khurásán FA: خراسان sunrise; orient Province in the north-eastern part of Írán until 2004—replaced by North Khurásán, South Khurásán and Razavi (Raḍawí) Khurásán Provinces.
Khuy FA: خوی (Khoy) city in and the capital of Khoy County, West Azerbaijan Province, Írán
Kitáb AR: الكتاب book A book.
Kitáb-i-‘Ahd FA: کتاب عهدی Book of the Covenant Testament of Bahá’u’lláh, designated by Him as His “Most Great Tablet”
Kitáb-i-Aqdas FA: کتاب اقدس The Most Holy Book by Bahá’u’lláh, written in Arabic
Kitáb-i-Íqán FA: کتاب ایقان Book of Certitude by Bahá’u’lláh
Kull-i-Shay’ AR: كل شىء all things The 361-year supercycle of the Bahá’í calendar, which consists of 19 Váḥids.
Kurdistán FA: کوردستان Greater Kurdistan, a roughly defined geo-cultural historical region wherein the Kurdish people form a prominent majority population and Kurdish culture, languages and national identity have historically been based.
L
Term Source Meaning Definition
Láhíján FA: لاهیجان Caspian sea resort in and the capital of Láhíján County
Lár FA: لار city in province of Fárs
Lawḥ AR: ﻟﻮﺡ board, blackboard
Luristán FA: لرستان a province and an area in western Írán in the Zagros Mountains
M
Term Source Meaning Definition
Maḥbúbu’sh-Shuhadá’ AR­: محبوب الشهداء Beloved of Martyrs Mírzá Muḥammad-Ḥusayn. Brother of Mírzá Muḥammad-Ḥasan, both from Iṣfahán.
Maḥmúd AR: محمود praised, commendable, laudable, praiseworthy A common Arabic name; a form of the name Muḥammad.
Mákú FA: ماکو a city in the West Azerbaijan Province, Írán
Maláyir FA: ملایر city SSE of Ḥamdán, Írán
Maqám FA: مقام site, location
Marághih FA: مراغه city 75 km south of Tabriz, Ádhirbáyján
Marḥabá AR: مرحبا welcome, well done A customary expression of greeting or welcome.
Masá’il AR: مسائل questions The fifteenth month of the Bahá’í calendar.
Mashhad FA: مشهد‎ place of assembly place where a martyr or hero died; religious shrine venerated by the people, especially the tomb of a saint
Mashíyyat AR: مشية will The eleventh month of the Bahá’í calendar.
Mashriqu’l-Adhkár AR: مشرق اﻻذكار Dawning-place of the praises, prayers, remembrances or mentions of God Title for a purpose-built Bahá’í House of Worship.
Mázindarán FA: مازندران A province in northern Írán, on the Caspian Sea. Ancient stronghold of the Parthian and Sassanian Empires, and the ancestral home of Bahá’u’lláh.
Merv FA: مرو‎ Also: Marv. Ancient city located on the Silk Road near the modern-day city of Mary, Turkmenistan.
Mihdí AR: ٱلْمَهْدِيّ‎ One who guides aright, the Guided One. A title of the Twelfth (expected) Imám or Qá’im. Mírzá Mihdí (“The Purest Branch”)
Mílán FA: میلان A village 23 km SW Tabríz, in Ádhirbáyján.
Mírzá FA: میرزا of noble lineage Derived from amírzádeh, meaning child of the Amír or child of the ruler. A term of respect which generally indicates a literate person. When used at the end of a name, it denotes a prince.[17]
Mishkín-Qalam FA: مشكین قلم One of the nineteen Apostles of Bahá'u'lláh, and famous calligrapher of 19th century Persia.
Mithqal AR: مثقال‎ Also Miskal. A unit of weight commonly used in Persia.[12]
Muḥammad AR: مُحَمَّد praised, commendable, laudable Also Mohammed. A common Arabic name, referring to the Prophet of Islam.
Muḥammarih Former name of Persian city Khurramshahr
Mujtahid AR: مُجْتَهِد‎ one who strives or one who exerts himself A mujtahid in contemporary Írán is now called an áyatu’lláh.
Mulk AR: ملك dominion The eighteenth month of the Bahá’í calendar.
Mullá FA: ملا A member of the Muslim clergy.
Munírih FA: منیره luminous, radiant Munírih Khánum, wife of ‘Abdu’l-Bahá (mid 1848–28 April 1938)
Mustagháth AR: مستغث the one called upon for help Used as the name of God by the Báb.
N
Term Source Meaning Definition
Nabíl
Najaf
Najaf-Ábá­d FA: نجف‌آباد A city in Iran's Isfahan Province.
Náqiḍín opposers, violators Covenant-breakers.
Násiri'd-Dín FA: ناصرالدین شاه Protector/Defender of the Faith
Naw-Rúz FA: نوروز new day The new year of the Bahá’í calendar, falling on the day of the spring equinox, i.e. the day on which the sun enters the constellation of Aries as viewed from Tehran.
Nayríz FA: نی‌ریز‎ A city in Iran's Fars Province, southeast of Shíráz, and the site of a major struggle between Bábís and authorities under the Qajar dynasty.
Níshábúr FA: نیشابور A city in northeastern Iran's Razavi Khorasan province, and former capital of Khorasan Province.
Núr AR: نور light The fifth month of the Bahá’í calendar. Also
P
Term Source Meaning Definition
Pahlaví, Pahlawí belonging to a city; a citizen
Q
Term Source Meaning Definition
Qádí AR: قادی judge A civil, criminal, or ecclesiastical judge.[2]
Qádíyán AR: قادیان City in Punjab, India. The birthplace of Mirza Ghulam Ahmad, founder of the Ahmadiyya sect of Islam.
Qá’im FA: قائم He Who shall arise Title designating the Promised One of Islám.[2]
Qalyán FA: قالیان hookah A pipe for smoking through water.[2]
Qamṣar village 25 km south of Káshán, Írán
Qawl AR: قول speech The fourteenth month of the Bahá’í calendar.
Qayyúm permanent, lasting, stable Superlative of Qá’im [the Báb], the Most Great One Who will arise [Bahá’u’lláh]
Qayyúmu'l-Asmá The Báb's commentary on the Qur'an's Surih of Joseph, characterized by Bahá'u'lláh as "the first, the greatest, and mightiest of all books" in the Bábí Dispensation.
Qazvín a city 140 km NW of Ṭihrán.
Qiblih AR: قبلة Also Qibla, Qiblah. The direction to which people turn in prayer; especially Mecca, the Qiblih of all Muslims.[2][18]
Qúchán city and capital of Qúchán County
Quddús The Most Holy
Qudrat AR: قدرة power The thirteenth month of the Bahá’í calendar.
Qum holy city 130 km SSW of Ṭihrán, location of the Shrine of Ma’ṣúmih, the sister of Imám Riṣá, the eighth Imám
Qur’án AR: الۡقُرۡآنۡ recitation, reading, the word
Qurbán AR: قربان sacrifice[2]
Qurratu'l-ʿAyn A title of Táhirih, meaning Solace of the Eyes.
R
Term Source Meaning Definition
Rafsinján city and council in Kirmán province, Írán
Rahím merciful, compassionate one of the names (ar-Raḥím) of God
Raḥmán merciful, compassionate (God)
Raḥmat AR: رحمة mercy The sixth month of the Bahá’í calendar.
Rasht city in province of Gílán
Rawḥání good, agreeable, clean and pure (place)
Riḍván AR: رضوان paradise The "King of Festivals" of the Bahá’í Faith, commemorating Bahá'u'lláh's 1863 declaration that He was a Manifestation of God, in the Garden of Ridván outside Baghdad. Also used literally in other contexts, to mean "paradise".
Rúḥu’lláh Spirit of God A designation Muslims use for Jesus. Son of Mírzá ‘Alí-Muḥammad-i-Varqá
S
Term Source Meaning Definition
Sabzivár F­A: سبزوار city in Khurásán Province
Sadratu’l-Muntahá AR: سِدْرَة ٱلْمُنْتَهَىٰ‎ Lote Tree of the Farthest Boundary Symbolically, the Lote tree in the Seventh Heaven; the utmost extremity, a boundary which no one can pass.
Ṣáḥibu’z-Zamán FA: صاحب زمان Lord of the Age One of the titles of the promised Qá’im.[2]
Sárí FA: ساری A town in eastern Mázindarán province. (GPB p. 40)
Sháh FA: شاه king, emperor, sovereign, monarch, prince A title given to the emperors and kings of Persia and other societies under Persian influence.
Sháhansháh FA: شاهنشاه‎ king of kings The full title of Persian emperors since the Achaemenid dynasty.
Shahíd AR: شهيد martyr Singular form.[2]
Shahmirzád FA: شهميرزاد‎ A town in the province of Semnan, 170 km east of Ṭihrán, Írán.
Sháhrúd FA: شاهرود a mighty river; name of a river Name of a crossroad city 330 km NE of Teheran. Also: a type of lute (musical instrument); the thickest cord of a musical instrument.
Sharaf AR: شرف honour The sixteenth month of the Bahá’í calendar.
Shaykh AR: شیخ A learned man; generally used for elders, chiefs, professors, or heads of dervish orders.
Shaykhu’l-Islám AR: شيخ الإسلام Head of a religious court, appointed to every large city by the king or ruler.[2]
Shí’ih AR: شِيعَة‎ followers, i.e. of Ali Of or relating to Shia/****'ih Islam, the second largest branch of Islam.
Shíráz FA: شیراز‎ The capital of Fars province, Iran; birthplace of the Báb, and the site of His Declaration.
Shuhada AR: الشهداء martyrs Plural form.[2]
Shushtar
Simnán FA: سمنان‎ A province in northern Iran.
Sísán FA: سیسان Seysan, Sisan-e Qadim. A village in Eastern Ádhirbáyján province, Iran.
Sístán FA: سیستان‎ land of the Saka A historical and geographical region in eastern Iran and Southern Afghanistan; known in ancient times as Sakastan.
Síyáh-Chál FA: سیاه چال‎ black pit The dungeon south east of the palace of the Sháh and near the Sabzih-Maydán in Tehran in which Bahá'u'lláh was incarcerated for some months in 1852. It was originally built as a reservoir, storing water for the public baths nearby. In the Persian language, "Síyáh-chál" (Persian: سیاه چال, literally "black pit") is the common name for a dungeon.
Siyyid AR: سيد‎ A descendant of the Prophet Muhammad.[2]
Súfí AR: ٱلصُّوفِيَّة‎ one who wears wool Of, or relating to the mystical practice of Islam.
Sulaymán AR: سُليمان Solomon An Arabic given name referring to Solomon, King of Israel and son of King David.
Sulaymániyyih AR: السليمانية‎ A town in Kurdish Iraq. Bahá’u’lláh resided as a dervish in the mountains surrounding the town from 1854 to 1856.
Sulṭán AR: سلطان sovereignty The seventeenth month of the Bahá’í calendar.
Sulṭán-Ábád
Sulṭánu’sh-Shuhadá’ AR: سلطان الشهداء King of Martyrs A title given to Mírzá Muḥammad-Ḥasan of Isfahan.
Sunní AR: أهل السنة people of the sunnah, i.e. majority tradition Of or relating to Sunni Islam, the largest branch of Islam.
Súrih AR: سورة tablet, chapter Also: Surah, Súriy. A tablet, or letter. The chapters of the Qur'an are known as súrihs or surahs.[2]
Súriy-i-Ghuṣn AR: سورة الهيكل Tablet of the Branch Also: Súratu’l-Ghuṣn. A tablet of Bahá’u’lláh in which He confirms a high station for ‘Abdu’l-Bahá.
Súriy-i-Haykal AR: سورة الهيكل Tablet of the Temple Also: Súratu’l-Haykal. A tablet of Bahá’u’lláh published in Summons of the Lord of Hosts, which includes his messages addressed to five world leaders: Pope Pius IX, Napoleon III, Czar Alexander II, Queen Victoria, and Násiri'd-Dín Sháh.
Súriy-i-Mulúk AR: سورة الملوك Tablet of the Kings Also: Súratu’l-Mulúk. A tablet of Bahá’u’lláh published in Summons of the Lord of Hosts, addressed collectively to the monarchs of the East and the West.
Súriy-i-Ra'ís AR: سورة الرئيس Tablet of the Chief Also: Súratu’l-Ra'ís. A tablet of Bahá’u’lláh published in Summons of the Lord of Hosts, addressed to ‘Alí Páshá, the Ottoman Prime Minister.
T
Term Source Meaning Definition
Tabríz FA: تبریز flowing hot capital of Ádharbayján Province, Írán.
Ṭáhirih FA: طاهره‎ clean, pure; chaste, modest, virtuous The pure one
Tajallíyát AR: ﺍﻟﺘﺠﻠﻴﺎﺕ lustre, brightness, brilliancy, effulgence A tablet of Bahá’u’lláh published in Tablets of Bahá’u’lláh.
Tákur FA: تاكور village 40 km south of Núr and 47.5 km NE of Afjihin. It is Bahá’u’lláh’s ancestral home.
Ṭarázát AR: ﺍﻟﻄﺮﺍﺯﺍﺕ ornaments A royal robe, or rich dress ornamented with embroidery. Name of a tablet of Bahá’u’lláh published in Tablets of Bahá’u’lláh.
Tarbíyat FA: تربيت education, upbringing, teaching, instruction, pedagogy The name of a group of Bahá’í schools established in Ṭihrán around the turn of the 20th century.
Ṭashkand FA: تاشکند city of stones; place on a hill Tashkent, capital of Uzbekistan
Tawhid AR: توحيد‎ unification, union, combination, fusion Oneness of God, the most important article of faith in Islam.
Thurayyá AR: الثريا The Pleiades; a star cluster once seen and described by the Prophet Muhammad. Used as a female given name (Soraya).
Ṭihrán FA: تهران‎ a warm place; Tir's abode; bottom of the mountain Tehran/Teheran, capital of Írán, birthplace of Bahá’u’lláh.
Túman A sum of money equivalent to a dollar.[2][12]
U
Term Source Meaning Definition
‘Ulamá AR: أولاما knowers Also Ulema. Learned men of Islam, i.e. theologians, canon lawyers, professors, muftis, etc; a council of the learned, especially in a Muslim state.[19]
Urúmíyyih FA: ارومیه water town Also Urmia, Orumiyeh. City in West Ádharbáyján Province, Írán, located near the lake of the same name.[4]
Ustád FA: اوستاد master A master craftsman.
V
Term Source Meaning Definition
Vaḥíd FA: وحید alone, solitary Superlative form of ‘waḥada’, to be alone. Numerical value of 28.
Váḥid FA: واحد unity The 19-year cycle of the Bahá’í calendar.
Valí-‘Ahd FA: ولیعهد heir to the throne[2] A crown prince, or chosen successor.
Varqá FA: ورقا Dove
Vazír FA: وزیر burden-bearer, helper[20] Also Vizier, Vizir, Wazír. The chief minister and representative of the caliph, and later, of the head of state of the Persian and Ottoman Empires.[20]
W
Y
Term Source Meaning Definition
Yá ‘Alíyyu’l-‘Alá “O Thou the Exalted of the Exalted” or “O Thou the Exalted, the Most Exalted”. A form of the name of the Báb, used as an invocation.
Yá Alláhu'l-Mustagháth AR: يا الله المستغث “O God, He Who is invoked” or “O Thou God Who art invoked”
Yá Bahá’u’l-Abhá AR: يا بهاء الأبهى “O Glory of the All-Glorious” or “O Thou the Glory of the Most Glorious”. A form of the name of Bahá’u’lláh, used as an invocation.
Yaḥyá AR: يحيى John A common Arabic given name, referring to John the Baptist.
Yazd A province and city in central Írán, notable as the primary centre of the Persian Zoroastrian population.
Z
Term Source Meaning Definition
Zádih son of;[2] descendant of Also Zadeh, Zada. A common patronymic suffix.
Zanján Also Zenján.[21] City between Qazvín and Tabríz, home of Ḥujjat; site of a major battle in which Bábís were massacred.
Zaynu’l-Muqarrabín “the Ornament of the Near Ones” or “the Ornament of the favoured”

Eucalyptus filled air
Sheets of warm and cold air
Early tasmac drinkers
Weary eyed dads
Bye bye -ing mommies
Dung splattering cows
whipped pedigree dogs
Scared insects
Proud birds
Flowers with an attitude
The pig
A hero
Swarmed stinking
Dirtiest of them all
And a early morning feast
Charming brown eyed street dogs
Question marked trees
Washed pavements
Drooling men
Betel chewing glaring women
Girls in floral blouses sweeping
Sh -sh -sh -sh -sh
Autos rrrrrr
Shock absorbing nike shoes krr krr krrr krr
A cigarette ****
A sad memory
Pushed aside
By the brush of a hand
pushed to a remote corner
Hidden
another memory
a recent one
with a scaredy cat
Which i want to share and party with
Was vivid

Ornamented ladies
lighting lamps to a dead god
Guarded by vain priests
Obesience
and giving life
for people
Lost in hope and fear
A parallel existence

Corporates blaring into phones
Fit men playing tennis
Small sturdy grass
Petite flowers
Swaying and dancing
Everlasting
Everlasting ?
Is it a will or maybe or a should be ?

Edgar Allen settled evenings in the room at the rear
at a desk by the window where he could hear
breeze-rustled sycamore leaves sleeping
behind the neighbor’s house next door

through night’s florescent blue moon light,
its mist through low leaden clouds
he imagined the phantom he named Lenore,
and remembered lost Annabelle Lee  
amore he'd left laid alone aside a blackened sea

hers, the voice of a tree speaking, hushed,
like distant waves rushed upon shore,
faintly whispering heart-secrets
the ardent couldn’t keep evermore

was it she who sighed with love’s breathless lips
to flicker the flame of a tortured oil lamp’s light
the words born laboring children
with pen put in service to cover past rent,
refill an empty flask of verdant absinthe
for a nine-dollar-half-column poem -
fodder for fickle romantics to tear over
before a performance of Bellini’s new Norma

hardened, our modern hearts
fattened on diets of swollen bellies
that belie the dour misery of starving
they’ve grown sclerotic and cynical,
hungry for suffering flavored substantial -
a greasy disaster to stain the paper wrapper
enclosing depths of the human condition


sophisticates, we dismissed puerile appetite
for honeyed songs of longing,
the ornamented confections of jealous angels
old drunken poets sang
until dark full comes, alone, and we’re small again

then shadows still speak to starry skies
and fairy tales may come alive
to suspend belief with secret dreams
of the dear, lost Annabelle Lee

Once there was a man who had only one friend.
Every day, just before the demise of a cyclamen orange burning ball on the horizon ~ he swam to the shore, waving with a magnificent tail, blowing bubbles and bundles of water and air into the wide open skies.

Under the darkening heavens, he sang the muffled song. Tempting his beloved. . .reaching magic, farther then any sonar's ability. Abnormal coldness froze Icelandic Beauty. But beneath the surface, life was warmer without wars. Dwarf seals were jumping into the laced ocean; trying to cry each time they were cut off the Earth's gravity.

This Mighty friend of an old man, was his only link to the global world. The man was old-fashioned; had no telecommunication facilities, his radio were gulls, stray cats, shepherd dogs and sheep on a green hill, behind his wooden hut.

Sometimes he looked over his shoulder, only to determine whether his elderly donkey is able to follow. . . or do they both need a little rest, just to postpone the books from the saddle for later and spread the beautifully ornamented Indian carpet under the great great grand olive tree ~ to take a reviving little nap in the shade.

When he woke up, the old man lit his wooden pipe, puffed few beautiful rings of indigo smoke, smirked to a buzzing bee and found that the air is still pure enough. The pressure was normal, the wind was playing with wave foams in the neighbouring bay.

Under the olives, hanging from the tree canopy, the quietness was fulfilling the old man's heart. Motionless peace was heard. Tranquility.
And the motion of a Humpback Whale. Leaving.

your facade
will fade.
despite the splendor
of its ornamented
exterior,
in time,
it will crumble
and appear
to be
the wreckage
it had
always been
from the
very start.
this manufactured
structure
with shallow
foundations
and over adornment
cannot stand tall
for long.
one day,
these pillars
will turn into ruins,
burying
you
and all your
falsities
along with its rubble.

It's September; cold in the copses,
Feverish in the kitchen.
The sink clinks and exorcises
The china like an Italian sonata.
My lips merge into ether
At the sky, a periwinkle parallax
With the pork lard carbon monoxide
Clouds, at drive with suicide.  
My Buddha hisses at the window,
Ripping the tentacles off weedy carrots.

The knives are clever & precise
Hiding in their handled shoals
Like luminescent Jackanapes
Out for the thrill of the ****;
The **** of the stake of steak,
A 'Cow'ardly act.
I wrap the red & dead
Into a Beef Wellington.
It is not pretty at all;
But neither am I.

I'll drink tea to keep my peace,
Swallow my spirituality like a pain killer.
The teabag sags its straggled string,
Scolding me.
The pillbox is dead on the edge
Of the ornamented kitchen sill
A lot like me; sullen and teasing.
I wanted to roast my head like a potato
If the pudding *** over boiled,
A cauldron of sugar and cream
Fattening me ugly and crazy.


The weather is miserable; I mustn't lie,
It's enough to make any young woman want to die.
Stirring my thoughts with the dishes,
Trashing potato peels like my wishes.
And the stacks and stacks of ****-me pills
Surround like troops in their barricade cupboards.
I have no allies,
Everyone is asleep;
I curl up like a fat snail and weep
Blackening the words of the miracle-working Priest.

I am from worn out measuring cups where the numbers no longer show,
From years of guessed quantities and over sugared cakes.
I am from cracked blue paint,
And the mantra “we’ll get a new coat next year.”
I am from the cow peas, crop circling, and honeysuckle vines ornamented with butterflies.
I am from Grandpa’s tobacco yellowed hands, Grandma Doll’s old wives tales,
From “eat your bread crusts and your hair will curl,”
And from “your face just might stick like that.”
I am from morning walks and the sylvan veil of moss,
From meandering trails and the drip of rain on leaves.
I am from Otter Pops, and bright blue tongues.
I am from cassette tapes, now left in the back of the closet to grow antique.
And VCRs,
From Monsters Inc. and Totoro.
And I am from the worn bindings of The Phantom Tollbooth and The Velveteen Rabbit.
I am from the meadow,
From searching for fairies, and sometimes even finding them.
And from the whispered promise “I’ll dream of you and you’ll dream of me…”
I am from the babbling gurgling creek, from the itch of nettles and the deep earthy scent of loam.
I am from the cat in Alice in Wonderland,
From Jacob and Leah’s wronged daughter.
I am from the Xanadu, the Akela, and the Dynamite,
From the crack of sails and the swing of the boom.
I am from placid seas and the rushing tumult of rain,
From heavy grey skies and flaming sunsets painted in watercolor across the Olympics.
I am from the pink syringe and the old blind dog’s last breath,
And I am from the hole where we laid her.
I am from the evergreen planted in the frozen ground to the sounds of my first cry,
That tree whose limbs witnessed my first breath, whose lofty trunk now stands as a testament, a marker, of where I am from.

Alexander K  Opicho
(Eldoret, Kenya;aopicho@yahoo.com)

She is an anti-thesis to Maya Angelou’s conscience
She stretches Maya’s awareness beyond rudimentary perfection
She is a public commoner with her insatiable palatability,
She eats French fries and pork like a carnivorous queen
Her instinct cannot save her from curse of pinching,
She is tall and slander with all virtues of beauteous individuality
Which the sagacious Friedrich von Schiller saw in frivolous Cassandra,
She has tattooed nose and ornamented death, not white in taint of alcohol hue
Chains of jewellery around her neck and hands, sea corals as beads around her waist,
She loves rough men like Alexander Pushkin who died in Duel, and the militant Othello
Who only woos by using the vaginal ******* of the alligator  
As his Casanova’s love voodoo bequeathed to him by his mother,
She spends money from a foreign sweat, in thrifts and thrifts,
She commands unilateral faculty of non-numerical learning
With her indelibility dominating the world of Music and painting,
She dares not to dream of true love, but her faith is in weakness of men
Hot in bed like an Italian pizza oven and cold in reason like tundra climate.

The non phenomenal woman the mother of my first born son,
I took him to Oxford University for a degree course in land law
He came back with a diploma in being a barber, good in shaving!
He is so handsome in pettiness with mighty athletic mediocrity
Vices redolent of maternal genetics in the non phenomenal woman,

What is it about stairways?
An image of promise,
Or is that mystery?
Cascading in slanted light,
Tempting us forward,
Upward
Delivering us to romanticized paradise
Or ornamented haven.

To sanctuary disguised as a sun dusted bedroom,
Where doubtless, is a hidden love
Of the sort that once uncovered,
Will ever follow us.

Or maybe to dark wooded rooms,
Glowing with strings of frosted light.
Indigo ceilings and charcoaled walls,
Lit up

Or a creaking hallway that will usher us
To chipping french doors with a glassy view,
Where we will glimpse a new and equally hopeful vista.

Perhaps enchantment
In the form of rolling, dark green gardens,
With another Stairway that is their own, but is
Descending,

And which, at its very sight, we can feel tugging at our hand;
Breeze itself, defined and determined
It will be an alluring yet familiar pull.
Luminescence between our fingertips.

The sight a vow that will pull us down those steps
Cool stone alive with mossy cracks, that curve, disappearing from view
Laying us down to wonder,
Only in a moment to reemerge in the clearer eyes of our mind.
Where surely, round the corner, we will just be able to make out that the steps are met
With an unclouded, rosy woodland.

The aspen encompassment of a measured and ghostly chemistry;
Flourescent tree line and rocky hem,
Savage and most lovely,
If we only have the courage to climb or to descend them, a perceptual promise awaits,
An ended hunt.
The perfect tincture of Wilderness and Refuge,
That will make us feel the scope of our existence,
without ever having to doubt whether we are safe.

The plantations have been privatized
The cotton fields paved with concrete
They still exist
Despite how much you resist
Needing working bee's
They persist
And insist you enlist
From the stone like mass
Sky scrappers are erected
At the tiptop, a ******* runs the show
He tells all the little white men
Who work beneath him
What to do and were to go
You're too tired to even think
But you have to work
If you want to eat
From cotton
To poppy
From slaves in shackles
To droids with imperceptible chains
Leading and whipping the pack,
NASDAQ reigns
Grinning like a fool
All complacently cozy cuddling your coins
In an ornamented box
Where your view of the stars is blocked
Politicking away with a bottle scars of yesterday
Telling yourself "Everything will be okay,
It has been this far."
All the while Uncle Sam blows freedom smoke
Up your *** with his federal cigar
Buy, consume, sell
Get drunk, stay distracted, inhale
Imbibe thoughts instead of ale
You could read a book for fun now,
Or to cure boredom in jail

The pillow's edge
Ornamented with an ant
Its siblings crawling on the pipe underneath
This one's rebellious
Debating whether or not
to cross the border from my sock to my skin
Come on, Little Ant
What are you - Afraid?
The smells and the texture
as my leg hair sways
Come on, Little Ant
I'm doing nothing all day
Except to face my few fears
The wind wants to play
You know when a horse drags his front foot
And hangs his head a little, nudging into you
His horseshoe catching the dirt
as it drifts towards your face
Just like that
The wind wants to play
Come on, Little Ant
What are you - Afraid?
Of the taunting
And haunting
that lives in your brain
Come on, Little Ant
I'm doing nothing all day
But to burn in the relentless sun
And blow you away

Rising Tide.
Fading sunlight.
Ascendin hunger.
Descending tolerance.
I crave; a bowl of soup.
Light.
Darkness.
Blackout.
Carried.
Where?
A prayer answered.
A beg for a bite.
The loss of limb.
So what?
I am filled.
Pain.
Hunger.
Satiated...
I am sold;
ornamented in the devil's almirah...

In the beginning there were no words
for there was no call for words,
neither was there knowledge,
for there was nothing to know.
All was sublime wordless ignorance,
everything simply - was.

It was at this time, the time of everything,
that Utopia reigned.
All things raised themselves up to the sky
from the rich fertile soil,
from the clear waters,
and from beneath the weight of great boulders.
All things in harmony reaching towards
the brightness of a Utopian sky.

And it came to pass, that beasts
came to dwell in that land.
And the beasts became Man and
Man became the beast.
It was a great time of change.

And Man spewed forth words from his mouth
saying:
"Blessed is this land, for it hath many resources.
I will make claim to it and bring it to order."
And with these words came Knowledge.

Henceforth,
all that raised itself was cut down,
the fertile land defiled,
the clear waters made corrupt.
Great boulders were rent asunder in order to build
marble palaces and statues ornamented with
gold and silver, paying homage to Man.

Time passed,
and there came upon that land a great famine.
The fertile land became barren.
Fishes floated in the pestilent waters.
There was no more reaching towards the sky.
In Man's greed Utopia had been dethroned.
Chaos reigned in its place.
All became worthless.

And Man wrestled uneasily with his conscience
knowing he had lost Utopia forever.



copyright © Caroline Grace 2011

Whirling in your charm
I crave for owning tiara
ornamented with your love.

No matter what you are ,
but a king throning on my heart.

It's as gorgeous to see the first stick with a sharp rock at the tip, as well as the last mirror polished heavily ornamented spear someone used to try and ****** another human in the name of that quest for greatness, and remember that somewhere in between Jesus Christ was nailed to a flagpole and stuck with the same instrument.
      "Lives Forever."
      To some rate we stopped making weapons to **** mankind, and started building weapons with the destructive power to **** entire branches of thought, philosophy, ideas, and religions. We committed to Hiroshima to tell the world, "Your future is ours." We committed to Iraq and Afghanistan to say, "Thou shalt not interfere with the moral ambiguity of the nuclear superpowers." We fight the idea of terror abroad with real weapons to unrighteously protect the idea of freedom here, dead black men and children in the streets, and in their own homes.
      
      I'm no longer surprised what little effort it took me to stay alive.

      A friend comes to me lovingly and spitefully because they are depressed. Life is hard. People are cold. Nearly every lover requires a stroke to the ego that tells them they are special or great. We build God in the people we ****, and we're baptized in our ******, not the draining of fluids, but the soft verse that "reminds" us we are "objectively good."

       "Pillowtalk; the prayer for forgiveness."
       She comes to me for forgiveness twice and disappears forever. Jacob calls it, "ghosting". It's casual, really.
       They say the universe is comprised of strings sometimes and it sounds like an idea writers can ******* into dust, but I think they do well connecting human bodies without; part metaphor, part science.
      I attend a party and flirt with a stranger. She says we met before. I make out with her friend. She appears out of nowhere. I flirt with her again. I make out with her friend again. Her friend rubs her hand over my pants around the outline of my steel hard **** and hangs her mouth open to girlishly illustrate shock at her own action. We don't ****.
      I finish twelve hours later into the mouth of an amateur **** artist/cam girl and kindergarten teacher for the second time. Her uber driver told her how ****** took the life of his wife and best friend. We laugh at this. We fall in love to some extent.
      I had a dream I saw my father in a hospital bed and told him I forgave him despite my actions. I wake up fully comprehending that he will die without a son.
     I write haiku for a year because everything else lacks structure.

Toy soldiers align in formations
Where generals command their fleets to vanish
Into the depths of time
Amidst rectangular caverns of sand

Villages of gingerbread decay
Leaving behind many half-broken smiles.

Ornamented plush friends mozy along the meadows of one’s mind
Finding dreams that were once read,
While snowmen slowly melt away
Becoming dried up memories
That remind us of what was once

Upon completing level ten
All has come to a cease

A tear at last

he was strong. i could see that much. and bitter, with a black-coffee way of speaking that kindled thoughts of fallen soldiers learning to walk again. holding fast to my blue plastic tray in true freshman fashion, my focus wandered to the red band around his arm, akin to the one encircling mine—always a symbol of the hunter, never the hunted. but i could not pay attention to this small detail for long; a gruff voice was asking me questions and a pair of sea eyes swept me away with the tide.

he was tarnished. i knew from the moment he took his seat, like an elderly man would, holding onto the back of the chair for support before lowering himself down. though it was easy to hide behind an ever-charming veneer, the fine wood was peeling at the corners, revealing the coarse plywood beneath. we talked of the living dead, zombies and zeds, planning attacks like star-ornamented generals as casually as two strangers meeting at a coffee shop. we never touched, and a bridge was building on our crumbled foundations.

he was beautiful. an army assembled under his command. and with myself at his side, we were breathtakingly terrifying. breathers defended the air that had held them thus far like a secondhand cradle, yet we were the vacuum that ****** it directly from their lungs. the ruthlessness of it all stirred up carnal instinct in me that had existed millenia before I was even conceived. and he felt it, too. there was no denying that the hypothetical taste of flesh on our tongues was enough sustenance to keep us from feeling the bite of autumn or the memories of betrayal sulking in our war-punctured hearts. a different war, for certain; but there was still the hunter and the hunted, and we fought with every cell within ourselves to be the former.

Going home.  

On the plain of Alentejo
sacred green grass ornamented with white flowers.
Rolling landscape and big farms
grazing cattle,
sheep in the shade of umbrella trees.
Rolling landscape I would love to be a stallion here.
Alas, I see few horses and no mares,
but many four- wheeled motorbikes
disturbing the peace.
Cows, sheep and big balled bulls
milk and meat,
time to stop for lunch.

no, i mean this anger
no, i mean this guilt
no. i mean, what is the difference
between this anger and guilt?
because the chains all rattle the same behind me.

i could go and ask my mother,
but the lines on her face would deepen
and she would tell me there is only anger
and she doesn’t know guilt
and how could i expect her to believe in something
which she has never experienced?
and would i take the trash on my way out?

i am unsure if it is my fault my mom feels this way,
or if it is my fault she doesn’t feel any differently.
she’s sewn me richly ornamented robes,
woven from girlhood ambitions fallen short
threaded with hopes she had long dismissed.
but i am not joseph, and the garments never seemed to fit me right.
and my mother is not god,
her love has never been unconditional.

the robes have long since become stiff
gathering dust on the coat rack.
maybe i could hang some of the guilt there, too.
or maybe i’ll hang the anger.
or maybe i’ll hang both.
or maybe i’ll hang on to it all a little longer.

i never learned when it’s appropriate to let go
and i learned a little too late about the bruises i leave behind by holding on so tightly.
a lesson all my mothers before me had to learn.
after all, in the very beginning,
eve never once received a mothers embrace.
the closest mother she had was the garden of eden.
(was she saddened in her exile, or was she relieved to be free?)

A solitary stalk of milkweed stands
ornamented with seed pods
most have long since burst
and sent their bounty fluttering on friendly fall breezes
But
one remains
half eaten by the elements
yet still crowded with seeds

Though the seasons have past
and the sun hints of spring
the winter wind still howls and taunts
"Come out, come out, come out if you dare"
but the reluctant seeds remain
huddled with their brethren
in the shelter of their cradle

Then comes a hand
a hand that cares about the butterflies
a hand that remembers warmer times
the fingers invade
and
  after
     a brief
       affectionate
          caress
pry the silky silver sails and their seeds out of their sanctuary
only
to release them
in the big
wide
world
where the fluffs float
buoyed by warm spring currents
finally
feeling
their full
Potential

O Little angel O little angel
from tranquil galaxy of rebirth
coming through milky sky ways
to land on the human earth

singing merry Christmas songs
with basket of wonderful toys
some for her innocent girls
and some for naughty boys

with divine light on her face
wearing a silken white gown
ornamented with amazing smiles
and over head a silver crown

her gestures were heavenly
adorned with diamonds and pearls
crossing cluster of dark clouds
and encountering many whirls

when lands on the human world
her appearance very cute and fair
looking very pretty and very shy
with magic stick and golden hair

message of peace and prosperity
she brings from peaceful heaven
that says to all human on earth
no more carnage - no nine-eleven

feels very sad why human fight
why dangerous nuclear weapons
the earth becomes land of hell
while god made it land of heavens


angel distributes wonderful gifts
to all human beings on the earth
preaches us all lesson of peace
and says make it living worth

merry Christmas merry Christmas
to everyone she smilingly wishes
hugs every one of her children
and blesses with many kisses

suddenly the little angel flies away
disappearing high into the blue sky
leaving many unanswered questions
when, what, where, how and why

(By Kishan Negi)