Once upon a time
There were fairies called, V fairies
Fairies who were so beautiful and fine
It was magical, their existence

They lived inside maidens
Who were ought to protect them
In return, the fairies embodied them
With purity as shiny as a diamond emblem

These fairies were sought by every men
For they are the greatest gift that can be bestowed to them
That's why they seek for the perfect maiden
From whom this wish, they can attain

The maidens were set on a journey
To find warriors who are worthy
Warriors who love sincerely
And will vow to cherish them for eternity

The fairies those times were well-respected
They were treasures almost impossible to find
The fairies were boldly protected by their maidens
They are only given to those truly worthy ones

Fast forward to this generation however
Through time, the maidens eventually are weakened
They have let their guards down
And thought all men were worthy of the crown

The V fairies are not given anymore
They are forcefully taken, oftentimes with gore
They are taken due to curiosity, or worst
Taken because of lust, then perpetrators disappear like ghosts

Fairies became men's collections
More fairies, more rights to boast
More manly they are than before
More wins at the competition they build on their own

Maidens lost their credibility as the fairies' protectors
They didn't care about them, like they're not part of them anymore
Throwing them away when they're bored
Not caring if many men do hoard

V fairies were not gifts anymore
V fairies were taken away even without the promise of forevermore
V fairies were simply picked up like on a shopping galore
V fairies were disrespected, to adore no more

But there are beliefs that some of the fairies survived
Living within maidens who stood firm and with their best, tried
To find worthy ones and battle with the wicked
To let the fairies stainless and protected

There are beliefs also that worthy warriors are still there
Who still respects and cherish the value of the diamond emblem
Who knows how to wait until the fairies are given to them
And knows how to take care of their chosen maidens

With these beliefs there's still hope for the future
That the responsibility of a maiden to its fairies will be nurtured
A hope that this will be passed on to generations after
In a hope that V fairies will have a happily ever after

At whiles (yea oftentimes) I muse over
The quality of anguish that is mine
Through Love: then pity makes my voice to pine
Saying, 'Is any else thus, anywhere?'
Love smileth me, whose strength is ill to bear;
So that of all my life is left no sigh
Except one thought; and that, because 'tis thine,
Leaves not the body but abideth there.
And then if I, whom other aid forsook,
Would aid myself, and innocent of art
Would fain have sight of thee as a last hope,
No sooner do I lift mine eyes to look
Than the blood seems as shaken from my heart,
And all my pulses beat at once and stop.

it's strange how certain smells can trigger a very distinct memory. or how at one time, you enjoyed the smell of something, but now it reminds you of someone and it makes your stomach turn. was what sweet is now rotten. but then there are things that, to most, smell rotten, but no. not to me. cigarette smoke, for example, reminds me of my mom. living far apart from her, i miss the scent of camel blue 99s in my hair. oftentimes, i'm tempted to buy a pack just for the reminder, but she'd **** me faster than any cancer could. and anyway, i prefer newports.

I see the work of my hands
I see the results of my will
I set my eye over the lands
I know I was too weak on that hill
I didn’t realize the journey’s demands
The pains in my side remain still

I set my foot upon that path
Over my shoulder I saw my pain
I run from the Monster’s wrath
If his way is made, I will be slain
There on my arm, I see the ****** ****
It seems this journey will be in vain

The Monster haunts me in my dreams
He follows on this path with chasing
No matter how loud I cry, it seems they won’t hear my screams
No one knows just what I’m facing
I run until I see flowing streams
And find my love, we’re embracing

From this dream I wake
The truth in this dream I dread
With this Monster, my will may break
But on this path, I will tread
And I will walk until I ache
On the path my Father led

I wander down this lonely road
In this deep dark wood
As I walked alone, my pace it slowed
Until I stopped and stood
By the streams that flowed
And for a time, all was good

The fire I had built begins to smolder
The smoke from the dead warmth rose
The night then grew colder
I thought for sure I would be froze
Then I saw the Monster over my shoulder
I can see in his eyes, my fear shows

I run hastily away from the Monster
He chases me through the dark
I know he leads me to slaughter
If only I could create a spark
In the darkness, I would no longer wander
Then maybe I might hit my mark

The Monster leaves me at sunrise
My pain vanishes with the light
My soul is calm like sunny skies
For a time, all is right
But as soon as the sun dies
There comes the pain of night

My night is filled with torment
And my days filled with fear
This journey is filled with lament
Oftentimes I fear the end is all too near
It seems something I cannot prevent
And the injuries I’ve acquired are all too severe

The pain is too great to continue down this road
Knowing the Monster is on my back
The weight I carry is too heavy of a load
The courage to continue is something I lack
But my Father gave me guide with the words he wrote
And with each encounter, I defend the Monster’s attack

Every night I see I’m not on my own
I’d be dead if not for my Father
With each fight, each night, I’ve grown
I no longer wonder why I bother
At the end, I’ll approach my Father’s throne
And the Monster will be but a scoffer

Still the Monster haunts when the sun is gone
It’s as if I’m stuck in his box
And I can never move on
Because still the Monster mocks
Weak. I feel as weak as a fawn
Yet somehow as strong as an ox

It’s a strange feeling
Being torn between pain and relief
Yet both are healing
It’s hard to hold to belief
When everything is reeling
When it’s always about a new leaf

Still I feel the pain from the hunt
The Monster always drawing blood
He’s always just steps behind, though I’m in front
I tread through deep mud
Only for him to catch me with his heavy brunt
Now I’m caught in this painful flood

Constantly I cry for my Father to save me
For someone to take me from my misery
But what I wanted was not what He gave me
A man came and was my victory
For my evil, He forgave me
And why He did is a mystery

He defeated the Monster on my part
He took on my pain and we limped down the path
He felt the pain I held in my heart
He experienced my pain from the Monster’s wrath
He had been with me from the start
Always interceding on my behalf

He acted as my brother
He defeated my tormentor
He cared for me like my mother
He dwelled in the pain left by my torturer
He was sent by my Father

This pleasant tale is like a little copse:
The honied lines so freshly interlace,
To keep the reader in so sweet a place,
So that he here and there full-hearted stops;
And oftentimes he feels the dewy drops
Come cool and suddenly against his face,
And, by the wandering melody, may trace
Which way the tender-legged linnet hops.
Oh! what a power has white Simplicity!
What mighty power has this gentle story!
I, that do ever feel athirst for glory,
Could at this moment be content to lie
Meekly upon the grass, as those whose sobbings
Were heard of none beside the mournful robins.

Oftentimes I find myself having these random bubble bursts of thoughts-I want to learn Sanskrit…..what? Where does that even come from? Or Hey! Learning to sew would be neat. Or you know, I could really benefit from reading the newspaper.

And the thing that I struggle to understand is that when I have thoughts like this, is this an attempt to discover more of me or is this me trying to force an idea onto myself that isn’t actually me, but what I think I would like to be...

Think about it. If you came out of the womb and you had a catalogue and could then choose carefully categorized qualities in yourself, what would you choose? Sometimes it feels like then it would be easier then having to try and discover it for yourself. And I could go on about how no, it’s great that we have to go through this struggle to find it and I’ve learned all these things from my journey, but unfortunately, that is not this poem.

No one actually knows who they are completely ever. That’s a neverending journey according to...well everyone. But why do we fight so hard to find it?

If someone paid me to try one new thing each day, I would take them up on that opportunity but if you think at the end of it all, I’d tell you what I learned about myself, then you can have your money back because I’m not interested.

Not every experience is a learning experience and not every adventure has to mean something. I like rock climbing. I like blueberries and strawberries and raspberries. I take long car rides just because I can, thank you Hybrid vehicles. But I am not a rock climber or a farm girl or a lover of cars. I know that I am a person who is going day to day doing things that I like to do. So I may pick up my ukulele this day and I may never pick it up again for another year, but I certainly won’t be selling it because of that. I own more books than I can account for and haven’t read more than 30% of them, but I hate having to take books to the used book store and I love buying more. And so what does that make me?

I don’t know, but it doesn’t matter, because that is not this poem.

From the kingdom of death thou wildly run,
as though to die not; as though all shall be fun.
Even though thou might not be as fine as mine,
And hesitate once not, like many other minds.
Under the staggering sun thou art the sun itself;
Unlike the universe any mortal shall never have.
To thee but heaven shall never be adequate,
To thee whom fate shall not mind; but dare not ever bend.
Thou, who deemeth everything is futile and late;
Thou, who hath neither words nor poetry in thy hand.
Thou art at times like a piece of youthful innocent art,
Which amorous feeble hands long to tear apart.
Like a flower t'at grows on the window behind the curtain,
Thou shall return to youth, and be younger-every now and then;
For with thy playfulness thou shall bitterly mock Determination;
Whilst thy childishness shall help thee dream of, and silently miss Salvation.

And whenst all t'is business is to say goodbye;
Thou shall still stay, forever and never die.
For thou art undead, and forever and ever immortal,
No stab canst wound thee, as no torpid wound of thine fatal.
Thou art a fatal prince-yes, a wicked, wicked heir;
Heir of cheerfulness-of a soul so full of spirits yet fairness.
Ah! And so thus thou shall leave behind not t'is worldly affair,
Thou shall be eternally bent upon it, and makest of it, thy happiness.
And when at the very end, all dead souls should awaken and retaliate,
Thou shall stay calmly and twitch not by heaven's wooden gate.
Thy agelessness is a mirage no blunt living soul can afford;
Thou art infallible, unlike the decrees of our dear Lord,
For thou shall never dwell among a thousand earths
And be lain among lilies and roses yonder, of irrevocable green hearth.
Thou art, in any midst of grievousness, cold with mirth;
When there is no more born thou art blessed with anew, birth.

Thus thou art forever unsinned, and shall be so gullible;
Thou art an adult inside; 'spite appearing so weak and feeble.
People canst, by thy comely appearance, fall deaf and misunderstand,
Thinking thee a ruddy friend; a robust and sincere fellow.
But thou art indeed, and in truth-a witty and good-hearted man,
As bold and ever unhesitant, but caring and good-willed, as tomorrow.
Thy naivety thus fights against, and befalls any mercilessness,
Thy delight is but our timid society's frank joyfulness.
And every song is benignly rooted in the delicacy of thy tongue,
To whom thy streams of love, as well as hate, shall belong.
But again, more and more loving hearts shall complain-
For when they fade and ought to disappear; thou shall firmly remain.
And duly thou defeat for evermore any tainted miserable heart,
Especially hearts that hath no beat when they supposedly beat, and are alive.
For thy heart is as fresh, and inevitable-like a solitary work of art,
But innocent and intelligent-like a young sword; or the neat blade, of a cold knife.

So whatever love claims to be love-which is too proud, though clear and sanguine;
Is not at all, or by any chance-pure, tolerable, nor delightfully keen;
For love is not the same as pleasure-as pleasure is not love,
Love is the one no senses canst touch-nor for pride move.
Ah, thee, we canst but teach thee more lessons of love itself;
For there are more than our anxious souls canst tell;
Love is not something t'at canst one satisfy, nor is for one to drink;
For any to satisfy or drink is yon that makes oneself sink.
I figurest above are imminent to thy knowing;
For thou shall still mature more; and be independent in thy living.
For family is still more essential than any money or gold;
To which we humans oftentimes too sternly hold.
Ah, but thy journey is still upwards and steep as a hill;
An endlessness our mortality is but too scared to feel.
So be wise and fill thyself with rich wisdom likewise;
And as thy findeth bitterness on due roads-turn to poetry, and seek its advice.

And so to thee hath a world of supremacy be assigned,
So thus I entreat-t'at be with thee all the reciprocal goodness-and dexterity!
Ah, and by thy cleverness shall all be mutually aligned,
For naive thou art still, about the very course of extremity!
But severity shall not burden thee, as to thy endurance and good will,
Thy willingness to share, and rely and lean on how such fellows feel.
Thou refilleth 'em always, with endless and plentiful splendours,
Thou cheereth 'eir minutes, and stay comely at all 'eir breathing hours.
As every single day's dates themselves, thou art undeniable;
Thou art real in thy eternity, though sometimes unbelievable;
Thou art worth all the bogs who are so merrily singing-
Thou art so graceful, thou art everything!
As in both reality and dreams thou art present,
Thou who art obscure; but coincidentally, sharp and inherent!
Ah, thee, thus I hope t'at every poem-such as t'is, shall make thee even more truthful;
For poetry itself is relief; and our most reliable urge to be brave, and thoughtful.

I miss thee, I hath to admit
I want to witness again thy stunning smile so sweet
And how th' sun always kindly, and generously, touchest thy dark hair
Then shalt thou breakest into endless jokes and childish wit
'Fore rising a tender smile, as we greet each other by th' circular stairs.

I bet thou art still remarkable and stupendous as usual
Thou whom I'th known since last grey fall
By th' ponderous sleeping lake; in th' midst of a burly night;
Thou stared through me with a pair of unfathomable eyes;
as though thou couldst makest everything in my heart-better and right;
and yon, yon colourlessness of th' night, shinest so beautifully as butterflies.
Thou wert, indeedst, not th' paleness I had dreamed,
thou wert not bleak, thou wert not mean.
Thou still shined brightly though chilled and dimmed,
thou wert damp, but sunny-just like th' nearby shuffling trances
to which I had never been.
At times thou canst seem lazy, ah-but thou'rt indeedst not!
As just I do, thou liveth thy life from dot to dot,
thou leapest from time to time in my story,
thou, though far away, somehow always seem near,
and be sitting here idly with me and my poetry.
Thou might be close not to my ears,
but I canst listenest to thee; as thou eat and pray,
and as thou waketh, to every single inevitable day.
T'is life, which canst somehow be bitter,
shalt at times corruptest thy happiness and thy laughter;
wringing thee into false devotion and meanness,
but be sure, my love, t'at I shalt be thy cure;
I shalt be thy unhealed passion and all-new tenderness.
I shalt be thy first salvation, honesty and satiation;
I shalt be a scarf t'at giveth thee warmth, and thy hated mediation;
hated and dejected by t'is dreadful world, my love,
t'is world which knowest not t'at love is everything above.
And I shalt be thy heaven, and holiness,
and thy greenest grass when it is too dark,
as t'is world hurts and drivest away from frankness;
and within its grim sacrifice, lettest go of its single spark.
Ah, thee, thy innocence is just like my own soul,
but it is what makest thee divine as gold;
thou art ever pure, and incessantly pure,
and thy jokes and ventures and preachings flawless and true.
And in t'is weary life-which is sometimes faultless but unsure,
thou always makest me feel honoured;
makest me feel brand new.

Ah, Kozarev, thou art my immortal twin star,
and thy lips my sophisticated fragrant moon;
thou art my umbrella in yon idyllic heaven afar,
fade away not, but thou drifted away too soon!
My love, but sketchest again our undying night,
t'is time with a new ***** of light,
and giveth me comfort within which,
and flinch no more, for I shalt not flinch.
Thy genuinity is my nature,
thy childishness is my cure;
for t'ere are no more lips as naive as thine,
though t'ey oftentimes seemest spotless,
and t'eir toughness, seemest fine.

Ah, Kozzie, only fate t'at shalt makest out paths eventually align;
fate who hath sent me sweet prophecies, and a truthful bold sign.
Let me be thy grace, and thy sole, immortal lady;
let me be such craze, so t'at thou shalt always be with me.
I shalt be thy doll, and thy very own addict;
I shalt nursest, and cherishest thee every day of the week.
And joy, and its miraculous delight shalt be ours alone,
fallen fast asleep by night, and renewed by upcoming morns.
Together shalt we teasest every passing minute and hour;
and treatest all 'em nicely, just like how we deemeth t'at laugh, of ours.
And when nightfall greetest, sleep, my love, sleep;
thy red, innocent cheeks shalt I kiss; thy greatest dreams shalt I keep.

Kozarev, and fliest me again to th' melancholy Sofia,
wherein our peace shalt dwellest, and be cheered and alive.
But let me first fetch my old, talkative umbrella;
for Sofia shalt be full of rain; but one t'at makest it safe, and thrive.
Ah, Sofia, our little haven like yon nearby oak chatroom,
old as it is, but still-tenderer t'an t'is ever lonely gloom;
I bet Sofia is still warmer t'an t'is fraudulent war of my heart,
though it is, of now, far and sat by a land wholly apart.
Oh, Sofia, in which our love shalt be adequate, but still-inadequate,
for our love is more benign, ye' at times-more capricious t'an fate.
And it is raw, but ripe, like a mature cherry;
it hath neither tears, nor hate, nor brave worry!
Ah, my love; but again fly me, fly me, t'ere-
for cannot I waitest to live my life with thee;
and so promise t'at I shalt not bend, nor go else anywhere,
so long as thou shalt stayest, and liveth thy future years with me.

Oh, and I shalt forsaketh thee no more;
and disdaineth thee no more-thou art my sonata!
My delight liest in hearing thy sonnets be told;
thou sitting by me 'fore moonlight, down on th' starlit piazza!
Ah, Kozarev, please no longer makest my heart sore-
I am sick to death, I detestest t'is grief to th' core;
Burnest my heart's cries, and indulgest me in thy arms,
I shalt brimmest in thy glory; and gratefully lost, in thy charms.

As th' world turnest so weak and rough,
we shalt be th' sole ones to fall in love;
but our idyll is one t'is envious world cannot gather;
as it growest bleaker, as it turnest worse.
But Kozarev, having thee by my side shalt be enough;
and my days shalt be no more sad, nor tough;
Thou art th' candle, t'at lightest up th' life within me,
thou art th' candy, t'at livenest up all my poetry.

We always did wonder if a piece of her brain fell to her neck
For she did sometimes—oftentimes when things were of great or grave importance,
think and talk through the side of her neck.
It was a condition we had come to diagnose in her quite early,
For she’d **** her head, sing a hum as her eyes wandered following her thoughts
And when she came to, suddenly jumping with a clap of the hands and an “aha!”
We would lean in and listen intently
But she would say something positively ludicrous, absolutely ridiculous!
Like in talking about cicadas and hibiscuses,
She would throw a hippo in there. And like last time, a stinging, mingling mangling ray!
We would all raise our brows and sigh in disappointment.
For that is what you would feel when you oftentimes hear her speak.

But sometimes, it did feel like she'd think with the piece of brain left in her head;
For she was practically logical,
Analytical to a score—sometimes. Less than oftentimes.
Then, she’d place a finger to her temple and her eyes would stare fixedly above at the ceiling or below, at the ground.
And after a while of staying so, she would speak in quite a serious tone and tell us the answer to our inquisition.
Those times, there'd be surprise and awe.
Like in talking about dark matter and soft matter physics, she, after thinking a while, would throw in some astrophysical knowledge.
So, although she'd oftentimes think through her neck, she'd sometimes think through her head;
And that is when we would cheer for her.

But the cheer would hardly be over when she'd say something utterly preposterous that we'd know, for certain, that the piece of brain that fell to her neck when she was born, was rather a large piece.

When upset, it’s relieving to hear the voices in my head,
The whispers guide my deranged mind to the intentions of never fixing situations,
Instead, it takes me to the land of make believe,
Where I live and continue to repeat,
The cycle of excuses to conceal the history of reality.
Battle wounds and scars pierce right through me,
Viewing the ghost within,
I keep my distance from those attempting to come in.
Time and patience will help me heal from the internal pain they say,
However, I confide in ghosting, while disregarding the feeling of void in my heart.
I remain blind to the difference of things,
Self expression, communication and social integrity make it difficult for me to see,
The truth in where liars lie.
But still, I persist,
Despite the fact that in all forms of reality, I’m struggling.
I attempt to pretend like life is going good and my mentality is okay,
This guilt only allows my body to relapse yet again.
Unintentionally and subconsciously, I’m hurting,
The people who “care” for me.
Instantaneously, the late hours control my eyes to remain wide awake,
Oftentimes, I go numb enough to not speak,
I stray away from the support team behind me,
In order to, stay away from the demon externally taking a hold of me.
Soul is too open to close,
Bones and touch are too cold to take,
It’s true, our ends were never meant to mend,
Due to my expectations of plans never set in place.

I oftentimes realize my inability
To speak outright about my personality
I oftentimes don't know where to start
Which leads to a brain ****
Of catastrophic proportions
And unable to contort my words into sentences
I simply give up, the subject unfinished

Because of this tragic disability in my speech
I feel that my way of expression is weak
And the many things I want to say
About anything in general comes back to stay
In my mind, in my brain, in my train of thought
And entails to derail from the tracks
The entrails staining the grass

But when I get behind a keyboard
My ideas become fluently versed
Almost rehearsed
And I search for a chat
That'll cover a vat
Of subjects at the bat
The words flow from my brain
Through my veins
To my heart
To my arms
And out of my fingers and onto the screen
Where, for once, I can clearly read
What I wanted to say
And smile with glee
As I finally make
My testimony

i am a sewing project:
fine little scars make lace of my arms.
patches of different patterns
occupy my mind; they're awfully frayed
but unique. they're mine.
i'm pushed and pulled through
some speedy machine
work, sleep, repeat
every puncture of the needle at
the speed of light
i am a constant, ever-changing
patchwork, some
handiwork of a tired old woman somewhere
awfully far away. i think of her when I can’t fall asleep.
I wonder if she thinks of me too.
i am a tapestry.
i cover walls, i do not build them, yet oftentimes i so wish i could.
or had the strength to, at least--but i am mere fabric
i am a sewing project.

-Opening-

Some things are part of you
And yet you have no control.
Certain memories and habits are -
And my sister was just so.

On the morning of the funeral
Mum gave me a mint, a polo
I ****** it for a while
And felt the ‘o’
Dissolving into a thin hoop
Of mint on my tongue.

And somewhere in there was the memory
Of other moments spent
******* the ‘o’s of meditation
Years, sometimes decades ago.

There was no narrative to these memories
Save me
And during those moments that narrative
Could not see itself,
Or the relative position of its parts,
But moments do not need narrative
To be complete
Like Bryony,
I’ve found life to be
Oftentimes bad for me,
Like confectionary
And cut flowers
Short and sweet.

-1-

Bryony is now a rose,
But once upon a time
She was a mischievous
Kink in a hose.

At Kingswood Drive,
Ben and Bry on the same side:
“Daniel – help us out! The water’s stopped-
Look down the end and check that it’s not blocked.”

At last! A chance to be of use!
The baby bursts with pride -
Just as the hose unkinks
And sprays him in the eye.

-2-

Bryony ran away from home
To join the circus known as Camden Town
A world of orphans with piercings
Selling t-shirts to clowns.

I didn’t understand it,
Neither did mum and dad.
But we went to visit once, me and mum,
I must have been about six,
Can’t remember much,
But it must have been a good night –
Always is –
When you end up in high heels and a dress.
I was her little manniken
In a whole world of fashion.

-3-

“Dan? Pass my bag there with the moisturising lotion.”
I do so, and by return of post –
A vague memory of a smoky blond from photos.
I always thought she would be a model
When we were growing up.

I didn’t tell her until recently
When she’d acquired the cheekbones for it
But now her skin rippled
With dry amusement
At the notion.

-4-

At the hospice they admired
Her strong will and determination
To join the dots
Of visitors
With a shaky stubborn line
From declining throne
To the swing seat
In the garden.

“They’re lovely here.” She said.
They were not trying to change her,
They were helping her accept.


-Ending-

An ending fitting for a start
A rhyme she made me
Learn by heart
My earliest memory of her
Playing pattercake
And saying:

Make up, make up
Never, never break up.
Make up, make up
Never, never break up.

326

I cannot dance upon my Toes—
No Man instructed me—
But oftentimes, among my mind,
A Glee possesseth me,

That had I Ballet knowledge—
Would put itself abroad
In Pirouette to blanch a Troupe—
Or lay a Prima, mad,

And though I had no Gown of Gauze—
No Ringlet, to my Hair,
Nor hopped to Audiences—like Birds,
One Claw upon the Air,

Nor tossed my shape in Eider *****,
Nor rolled on wheels of snow
Till I was out of sight, in sound,
The House encore me so—

Nor any know I know the Art
I mention—easy—Here—
Nor any Placard boast me—
It’s full as Opera—

The yucca plant from my mother’s garden sits
unattended and on the verge of death next to her
eldest rose bush, now wildly overgrown and lightly
blushing in the cosset of the midmourning sun.  Its
withered rosettes droop down to its bed of maroon-stained stones
in crisp, harum-scarum patterns as if the plant is spending its life
like currency trying to touch its toes.  I oftentimes
find myself wondering if the reason behind this
slow rotting of mother dearest’s garden is hidden within her
five-year absence.  If I didn’t know any better, I’d say
her nursery missed the d
                                              i
               ­                                  g
                                                     g
                                                        i
     ­                                                       n
        ­                                                        g
of her weathered hands.

She was the biosphere of my world; I suppose that
it only makes sense for the earth to match my thirst.  We
sit side by side, that yucca plant and I, as we struggle to
nod our heads towards daylight while we rise on
the side of the house that is more or less
cloaked in shadow; the side that she would sunbathe
on during scorching late afternoons.  Perhaps without her
body giving shelter, all her garden is doomed to
atrophy like muscle in the sunlight.

I find irony in the way that my mother’s favored plant
was the “ghost in the graveyard;” a perverted parallel
to the game that she never wanted us to play.  I think it to be
sort of sardonic that her pride swallowed the possibility of
a cure being found within that ****** plant’s roots. She,
a third generation American girl,
had blood as muddled as the mud
that buried that yucca’s heart.
The boundary line between Mother and
nature coalesces into one:
                                               Gaea
                                               six feet under
                                               melting into soil
                                               I hope she becomes seawater.

We are not what we wear or what we own;
we are life experiences.
Life is what happens--what comes and goes.

Our perceptions are limited.
Appearances are oftentimes just illusions.
It doesn't matter the color or size,
we are all gifts in disguise.

Breathing in the dignified silence of nature
captures that perfect moment; that explosive
split second in time when one realizes
that love has no form.

Happiness is the easiest thing in the world
to shatter if you filter your life through
someone else's dreams.

Wear your own perfume of life
like a warm embrace.
Allow your dreams to rescue your imagination
as you blossom in the glow of your own aura
of self-awareness.

There is more to a refugee than what you see,
behind the closed doors lies tragedy surely,
oftentimes there is despair,
most surely there is hope,
for in the heart of a refugee is a desire for life,
without conflict and hatred,
if we offer refuge we save a soul,
moreso we will save ours.

Times Square was once a ****** place;
You wouldn’t go alone there.
When darkness fell, you held on or
You’d lose all that you owned there.

Today, though, it’s like Disney World,
With tourists, loud and surging.
There’s not an inch of space unfilled
Since everyone’s converging:

The families from Idaho,
The hawkers giving passes,
The Elmos and the messengers,
The bused-in high school classes…

The lunch-break workers, homeless dudes,
The theater geeks and shoppers,
The food carts, cabbies and the cops
And all the teenyboppers.

I love New York; don’t get me wrong
But oftentimes I wonder
If gentrifying Broadway
Might have been a whopping blunder.

Five years have past; five summers, with the length
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur.—Once again
Do I behold these steep and lofty cliffs,
That on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.
The day is come when I again repose
Here, under this dark sycamore, and view
These plots of cottage-ground, these orchard-tufts,
Which at this season, with their unripe fruits,
Are clad in one green hue, and lose themselves
’Mid groves and copses. Once again I see
These hedge-rows, hardly hedge-rows, little lines
Of sportive wood run wild: these pastoral farms,
Green to the very door; and wreaths of smoke
Sent up, in silence, from among the trees!
With some uncertain notice, as might seem
Of vagrant dwellers in the houseless woods,
Or of some Hermit’s cave, where by his fire
The Hermit sits alone.

                                        These beauteous forms,
Through a long absence, have not been to me
As is a landscape to a blind man’s eye:
But oft, in lonely rooms, and ’mid the din
Of towns and cities, I have owed to them,
In hours of weariness, sensations sweet,
Felt in the blood, and felt along the heart;
And passing even into my purer mind
With tranquil restoration:—feelings too
Of unremembered pleasure: such, perhaps,
As have no slight or trivial influence
On that best portion of a good man’s life,
His little, nameless, unremembered, acts
Of kindness and of love. Nor less, I trust,
To them I may have owed another gift,
Of aspect more sublime; that blessed mood,
In which the burthen of the mystery,
In which the heavy and the weary weight
Of all this unintelligible world,
Is lightened:—that serene and blessed mood,
In which the affections gently lead us on,—
Until, the breath of this corporeal frame
And even the motion of our human blood
Almost suspended, we are laid asleep
In body, and become a living soul:
While with an eye made quiet by the power
Of harmony, and the deep power of joy,
We see into the life of things.

                                                    If this
Be but a vain belief, yet, oh! how oft—
In darkness and amid the many shapes
Of joyless daylight; when the fretful stir
Unprofitable, and the fever of the world,
Have hung upon the beatings of my heart—
How oft, in spirit, have I turned to thee,
O sylvan Wye! thou wanderer thro’ the woods,
      How often has my spirit turned to thee!

  And now, with gleams of half-extinguished thought,
With many recognitions dim and faint,
And somewhat of a sad perplexity,
The picture of the mind revives again:
While here I stand, not only with the sense
Of present pleasure, but with pleasing thoughts
That in this moment there is life and food
For future years. And so I dare to hope,
Though changed, no doubt, from what I was when first
I came among these hills; when like a roe
I bounded o’er the mountains, by the sides
Of the deep rivers, and the lonely streams,
Wherever nature led: more like a man
Flying from something that he dreads, than one
Who sought the thing he loved. For nature then
(The coarser pleasures of my boyish days
And their glad animal movements all gone by)
To me was all in all.—I cannot paint
What then I was. The sounding cataract
Haunted me like a passion: the tall rock,
The mountain, and the deep and gloomy wood,
Their colours and their forms, were then to me
An appetite; a feeling and a love,
That had no need of a remoter charm,
By thought supplied, not any interest
Unborrowed from the eye.—That time is past,
And all its aching joys are now no more,
And all its dizzy raptures. Not for this
Faint I, nor mourn nor murmur; other gifts
Have followed; for such loss, I would believe,
Abundant recompense. For I have learned
To look on nature, not as in the hour
Of thoughtless youth; but hearing oftentimes
The still sad music of humanity,
Nor harsh nor grating, though of ample power
To chasten and subdue.—And I have felt
A presence that disturbs me with the joy
Of elevated thoughts; a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of setting suns,
And the round ocean and the living air,
And the blue sky, and in the mind of man:
A motion and a spirit, that impels
All thinking things, all objects of all thought,
And rolls through all things. Therefore am I still
A lover of the meadows and the woods
And mountains; and of all that we behold
From this green earth; of all the mighty world
Of eye, and ear,—both what they half create,
And what perceive; well pleased to recognise
In nature and the language of the sense
The anchor of my purest thoughts, the nurse,
The guide, the guardian of my heart, and soul
Of all my moral being.

                                         Nor perchance,
If I were not thus taught, should I the more
Suffer my genial spirits to decay:
For thou art with me here upon the banks
Of this fair river; thou my dearest Friend,
My dear, dear Friend; and in thy voice I catch
The language of my former heart, and read
My former pleasures in the shooting lights
Of thy wild eyes. Oh! yet a little while
May I behold in thee what I was once,
My dear, dear Sister! and this prayer I make,
Knowing that Nature never did betray
The heart that loved her; ’tis her privilege,
Through all the years of this our life, to lead
From joy to joy: for she can so inform
The mind that is within us, so impress
With quietness and beauty, and so feed
With lofty thoughts, that neither evil tongues,
Rash judgments, nor the sneers of selfish men,
Nor greetings where no kindness is, nor all
The dreary ******* of daily life,
Shall e’er prevail against us, or disturb
Our cheerful faith, that all which we behold
Is full of blessings. Therefore let the moon
Shine on thee in thy solitary walk;
And let the misty mountain-winds be free
To blow against thee: and, in after years,
When these wild ecstasies shall be matured
Into a sober pleasure; when thy mind
Shall be a mansion for all lovely forms,
Thy memory be as a dwelling-place
For all sweet sounds and harmonies; oh! then,
If solitude, or fear, or pain, or grief,
Should be thy portion, with what healing thoughts
Of tender joy wilt thou remember me,
And these my exhortations! Nor, perchance—
If I should be where I no more can hear
Thy voice, nor catch from thy wild eyes these gleams
Of past existence—wilt thou then forget
That on the banks of this delightful stream
We stood together; and that I, so long
A worshipper of Nature, hither came
Unwearied in that service: rather say
With warmer love—oh! with far deeper zeal
Of holier love. Nor wilt thou then forget,
That after many wanderings, many years
Of absence, these steep woods and lofty cliffs,
And this green pastoral landscape, were to me
More dear, both for themselves and for thy sake!

The minds eye is omnidirectional.
It can see hopes and dreams.
It is the ultimate source of human creativity.
But it also can be the source of anguish, fear and rejection.
At times it is flawless, yet at others it is completely flawed.
The third eye is always blind.
It is fixed, not seeing the surrounding truthfulness, and often provides a singular view.
This eye sees the convoluted future and fails to see the past.
The eye of complete truth and accuracy is the Hindsight Eye. As is known,  " Hindsight is 20/20 " and of perfect vision.
It is by far the eye of beauty, revelation and what the hell was I thinking.
It is the revealed truth and lies.
Liar's, keeper of secrets, they fear this eye the most.
We as humans, are equipped usually with vision.
Some see more then others.
Some are also clairvoyant, prediction of future, or worldly events, not normally recognizes vision.
Other people think they see something as truth. Oftentimes these are obscure and closer to fabricated visions of insanity.
I See... ...says the all seeing eye.

These are my modern English translations of poems by Dante Alighieri.

Little sparks may ignite great Infernos.
―Dante, loose translation/interpretation by Michael R. Burch

In Beatrice I beheld the outer boundaries of blessedness.
―Dante, loose translation/interpretation by Michael R. Burch

She made my veins and even the pulses within them tremble.
―Dante, loose translation/interpretation by Michael R. Burch

Her sweetness left me intoxicated.
―Dante, loose translation/interpretation by Michael R. Burch

Love commands me by dictating my desires.
―Dante, loose translation/interpretation by Michael R. Burch

Follow your own path and let bystanders gossip.
―Dante, loose translation/interpretation by Michael R. Burch

The devil is not as dark as depicted.
―Dante, loose translation/interpretation by Michael R. Burch

There is no greater sorrow than to recall how we delighted in our own wretchedness.
―Dante, loose translation/interpretation by Michael R. Burch

As he, who with heaving lungs escaped the suffocating sea, turns to regard its perilous waters.
―Dante, loose translation/interpretation by Michael R. Burch

O human race, born to soar heavenward, why do you nosedive in the mildest breeze?
―Dante, loose translation/interpretation by Michael R. Burch

O human race, born to soar heavenward, why do you quail at the least breath of wind?
―Dante, loose translation/interpretation by Michael R. Burch

Midway through my life’s journey
I awoke to find myself lost in a trackless wood,
for I had strayed far from the straight path.
―Dante, loose translation/interpretation by Michael R. Burch

INSCRIPTION ON THE GATE OF HELL
Before me nothing created existed, to fear.
Eternal I am, eternal I endure.
Abandon all hope, ye who enter here.
―Dante, loose translation/interpretation by Michael R. Burch



Sonnet: “Ladies of Modest Countenance” from LA VITA NUOVA
by Dante Alighieri
loose translation/interpretation by Michael R. Burch

You, who wear a modest countenance,
With eyelids weighed down by such heaviness,
How is it, that among you every face
Is haunted by the same pale troubled glance?

Have you seen in my lady's face, perchance,
the grief that Love provokes despite her grace?
Confirm this thing is so, then in her place,
Complete your grave and sorrowful advance.

And if, indeed, you match her heartfelt sighs
And mourn, as she does, for the heart's relief,
Then tell Love how it fares with her, to him.

Love knows how you have wept, seeing your eyes,
And is so grieved by gazing on your grief
His courage falters and his sight grows dim.



Paradiso, Canto III:1-33, The Revelation of Love and Truth
by Dante Alighieri
loose translation/interpretation by Michael R. Burch

That sun, which had inflamed my breast with love,
Had now revealed to me―as visions move―
The gentle and confounding face of Truth.

Thus I, by her sweet grace and love reproved,
Corrected, and to true confession moved,
Raised my bowed head and found myself behooved

To speak, as true admonishment required,
And thus to bless the One I so desired,
When I was awed to silence! This transpired:

As the outlines of men’s faces may amass
In mirrors of transparent, polished glass,
Or in shallow waters through which light beams pass

(Even so our eyes may easily be fooled
By pearls, or our own images, thus pooled):
I saw a host of faces, pale and lewd,

All poised to speak; but when I glanced around
There suddenly was no one to be found.
A pool, with no Narcissus to astound?

But then I turned my eyes to my sweet Guide.
With holy eyes aglow and smiling wide,
She said, “They are not here because they lied.”



Sonnet: “A Vision of Love” or “Love’s Faithful Ones” from LA VITA NUOVA
by Dante Alighieri
loose translation/interpretation by Michael R. Burch

To every gentle heart true Love may move,
And unto whom my words must now be brought
For wise interpretation’s tender thought,
I greet you in our Lord's name, which is Love.

Through night’s last watch, as winking stars, above,
Kept their high vigil over men, distraught,
Love came to me, with such dark terrors fraught
As mortals may not casually speak of.

Love seemed a being of pure Joy and held
My heart, pulsating. On his other arm
My lady, wrapped in thinnest gossamers, slept.
He, having roused her from her sleep, then made
My heart her feast—devoured with alarm.
He then departed; as he left, he wept.



Excerpts from LA VITA NUOVA
by Dante Alighieri

Ecce deus fortior me, qui veniens dominabitur mihi.
Here is a Deity, stronger than myself, who comes to dominate me.
―Dante, loose translation/interpretation by Michael R. Burch

Apparuit iam beatitudo vestra.
Your blessedness has now been manifested unto you.
―Dante, loose translation/interpretation by Michael R. Burch

Heu miser! quia frequenter impeditus ero deinceps.
Alas, how often I will be restricted now!
―Dante, loose translation/interpretation by Michael R. Burch

Fili mi, tempus est ut prætermittantur simulata nostra.
My son, it is time to cease counterfeiting.
―Dante, loose translation/interpretation by Michael R. Burch

Ego tanquam centrum circuli, cui simili modo se habent circumferentiæ partes: tu autem non sic.
Love said: “I am as the center of a harmonious circle; everything is equally near me. No so with you.”
―Dante, loose translation/interpretation by Michael R. Burch



Sonnet: “Love’s Thoroughfare” from LA VITA NUOVA
by Dante Alighieri
loose translation/interpretation by Michael R. Burch

“O voi che par la via”

All those who travel Love's worn tracks,
Pause here, awhile, and ask
Has there ever been a grief like mine?

Pause here, from that mad race;
Patiently hear my case:
Is it not a piteous marvel and a sign?

Love, not because I played a part,
But only due to his great heart,
Afforded me a provenance so sweet

That often others, as I went,
Asked what such unfair gladness meant:
They whispered things behind me in the street.

But now that easy gait is gone
Along with the wealth Love afforded me;
And so in time I’ve come to be

So poor that I dread to ponder thereon.
And thus I have become as one
Who hides his shame of his poverty

By pretending happiness outwardly,
While within I travail and moan.



Sonnet: “Cry for Pity” from LA VITA NUOVA
by Dante Alighieri
loose translation/interpretation by Michael R. Burch

These thoughts lie shattered in my memory:
When through the past I see your lovely face.
When you are near me, thus, Love fills all Space,
And often whispers, “Is death better? Flee!”

My face reflects my heart's blood-red dammed tide,
Which, fainting, seeks some shallow resting place;
Till, in the blushing shame of such disgrace,
The very earth seems to be shrieking, “Die!”

’Twould be a grievous sin, if one should not
Relay some comfort to my harried mind,
If only with some simple pitying
For this great anguish which fierce scorn has wrought
Through faltering sights of eyes grown nearly blind,
Which search for death now, like a blessed thing.



Excerpt from Paradiso
by Dante Alighieri
loose translation/interpretation by Michael R. Burch

****** Mother, daughter of your Son,
Humble, yet exalted above creation,
And the eternal counsel’s apex shown,

You are the Pinnacle of human nature,
Your nobility instilled by its Creator,
Who did not, having you, disdain his creature.

Love was rekindled in your perfect womb
Where warmth and holy peace were given room
For this, Perfection’s Rose, once sown, to bloom.

Now unto us you are a Torch held high
Our noonday sun―the light of Charity,
Our wellspring of all Hope, a living sea.

Madonna, so pure, high and all-availing,
The man who desires grace of you, though failing,
Despite his grounded state, is given wing!

Your mercy does not fail, but, Ever-Blessed,
The one who asks finds oftentimes his quest
Unneeded: you foresaw his first request!

You are our Mercy; you are our Compassion;
you are Magnificence; in you creation
Unites whatever Goodness deems Salvation.



THE MUSE

by Anna Akhmatova
loose translation/interpretation by Michael R. Burch

My being hangs by a thread tonight
as I await a Muse no human pen can command.
The desires of my heart ― youth, liberty, glory ―
now depend on the Maid with the flute in her hand.

Look! Now she arrives; she flings back her veil;
I meet her grave eyes ― calm, implacable, pitiless.
“Temptress, confess!
Are you the one who gave Dante hell?”

She answers, “Yes.”



I have also translated this poem written by Marina Tsvetaeva for Anna Akhmatova:

Excerpt from “Poems for Akhmatova”
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

You outshine everything, even the sun
at its zenith. The stars are yours!
If only I could sweep like the wind
through some unbarred door,
gratefully, to where you are ...
to hesitantly stammer, suddenly shy,
lowering my eyes before you, my lovely mistress,
petulant, chastened, overcome by tears,
as a child sobs to receive forgiveness ...


Dante Criticism by Michael R. Burch

Dante’s was a defensive reflex
against religion’s hex.
―Michael R. Burch


Dante, you Dunce!
by Michael R. Burch

The earth is hell, Dante, you Dunce!
Which you should have perceived―since you lived here once.

God is no Beatrice, gentle and clever.
Judas and Satan were wise to dissever
from false “messiahs” who cannot save.
Why flit like a bat through Plato’s cave
believing such shadowy illusions are real?
There is no "hell" but to live and feel!



How Dante Forgot Christ
by Michael R. Burch

Dante ****** the brightest and the fairest
for having loved―pale Helen, wild Achilles―
agreed with his Accuser in the spell
of hellish visions and eternal torments.
His only savior, Beatrice, was Love.

His only savior, Beatrice, was Love,
the fulcrum of his body’s, heart’s and mind’s
sole triumph, and their altogether conquest.
She led him to those heights where Love, enshrined,
blazed like a star beyond religion’s hells.

Once freed from Yahweh, in the arms of Love,
like Blake and Milton, Dante forgot Christ.

The Christian gospel is strangely lacking in Milton’s and Dante’s epics. Milton gave the “atonement” one embarrassed enjambed line. Dante ****** the Earth’s star-crossed lovers to his grotesque hell, while doing exactly what they did: pursing at all costs his vision of love, Beatrice. Blake made more sense to me, since he called the biblical god Nobodaddy and denied any need to be “saved” by third parties.



Dante’s Antes
by Michael R. Burch

There’s something glorious about man,
who lives because he can,
who dies because he must,
and in between’s a bust.

No god can reign him in:
he’s quite intent on sin
and likes it rather, really.
He likes *** touchy-feely.

He likes to eat too much.
He has the Midas touch
and paves hell’s ways with gold.
The things he’s bought and sold!

He’s sold his soul to Mammon
and also plays backgammon
and poker, with such antes
as still befuddle Dantes.

I wonder―can hell hold him?
His chances seem quite dim
because he’s rather puny
and also loopy-******.

And yet like Evel Knievel
he dances with the Devil
and seems so **** courageous,
good-natured and outrageous

some God might show him mercy
and call religion heresy.



Of Seabound Saints and Promised Lands
by Michael R. Burch

Judas sat on a wretched rock,
his head still sore from Satan’s gnawing.
Saint Brendan’s curragh caught his eye,
wildly geeing and hawing.

I’m on parole from Hell today!
Pale Judas cried from his lonely perch.
You’ve fasted forty days, good Saint!
Let this rock by my church,
my baptismal, these icy waves.
O, plead for me now with the One who saves!

Saint Brendan, full of mercy, stood
at the lurching prow of his flimsy bark,
and mightily prayed for the mangy man
whose flesh flashed pale and stark
in the golden dawn, beneath a sun
that seemed to halo his tonsured dome.
Then Saint Brendan sailed for the Promised Land
and Saint Judas headed Home.

O, behoove yourself, if ever your can,
of the fervent prayer of a righteous man!

In Dante’s Inferno, Satan gnaws on Judas Iscariot’s head. A curragh is a boat fashioned from wood and ox hides. Saint Brendan of Ireland is the patron saint of sailors and whales. According to legend, he sailed in search of the Promised Land and discovered America centuries before Columbus.



RE: Paradiso, Canto III
by Michael R. Burch

for the most “Christian” of poets

What did Dante do,
to earn Beatrice’s grace
(grace cannot be earned!)
but cast disgrace
on the whole human race,
on his peers and his betters,
as a man who wears cheap rayon suits
might disparage men who wear sweaters?

How conventionally “Christian” ― Poet! ― to ****
your fellow man
for being merely human,
then, like a contented clam,
to grandly claim
near-infinite “grace,”
as if your salvation was God’s only aim!
What a scam!

And what of the lovely Piccarda,
whom you placed in the lowest sphere of heaven
for neglecting her vows ―
She was forced!
Were you chaste?



Intimations V
by Michael R. Burch

We had not meditated upon sound
so much as drowned
in the inhuman ocean
when we imagined it broken
open
like a conch shell
whorled like the spiraling hell
of Dante’s Inferno.

Trapped between Nature
and God,
what is man
but an inquisitive,
acquisitive
sod?

And what is Nature
but odd,
or God
but a Clod,
and both of them horribly flawed?



Endgame
by Michael R. Burch

The honey has lost all its sweetness,
the hive―its completeness.

Now ambient dust, the drones lie dead.
The workers weep, their King long fled
(who always had been ****, invisible,
his “kingdom” atomic, divisible,
and pathetically risible).

The queen has flown,
long Dis-enthroned,
who would have given all she owned
for a promised white stone.

O, Love has fled, has fled, has fled ...
Religion is dead, is dead, is dead.



The Final Revelation of a Departed God’s Divine Plan
by Michael R. Burch

Here I am, talking to myself again . . .

******* at God and bored with humanity.
These insectile mortals keep testing my sanity!

Still, I remember when . . .

planting odd notions, dark inklings of vanity,
in their peapod heads might elicit an inanity

worth a chuckle or two.

Philosophers, poets . . . how they all made me laugh!
The things they dreamed up! Sly Odysseus’s raft;

Plato’s Republic; Dante’s strange crew;

Shakespeare’s Othello, mad Hamlet, Macbeth;
Cervantes’ Quixote; fat, funny Falstaff!;

Blake’s shimmering visions. Those days, though, are through . . .

for, puling and tedious, their “poets” now seem
content to write, but not to dream,

and they fill the world with their pale derision

of things they completely fail to understand.
Now, since God has long fled, I am here, in command,

reading this crap. Earth is Hell. We’re all ******.

Keyword/Tags: Dante, Italian, translation, sonnet, Italian sonnet, crown of sonnets, rhyme, love, affinity and love, Rome, Italy, Florence, terza rima

In a word? Pretentious. Your presence stains the air.
Petty criticisms, as if anybody cared.
You think yourself an icon, and darling, ain't that darling.
To be completely honest though? I couldn't give a farthing.

Your lack of self-awareness paints your harlequin visage.
Your over-swollen ego? Nothing more than a mirage.
Your tacky two-cent romance leaves one little more than bored.
Precisely why is it that you think you should be adored?

Furthermore, diplomacy seems alien to you.
Assaulting inquisitions, implications, most untrue.
It does turn rather humorous, though, given your dull wit,
As oftentimes, you miss the point, for chomping at the bit.

Your eagerness to take offense makes conversation dreadful,
And seems to strip away any desire to be respectful.
Alas, I too indulge in pettiness from time to time,
So please, enjoy my grievance set facetiously to rhyme.

I ran there today
in one of those moments of euphoric need.
I wanted to see the view they told me was so appealing.
I ran there today,
and even though I was accompanied by several strangers,
they were invisible to my eye,
so the lake’s peaceful atmosphere wouldn’t escape me
as sweet classical music whispered melodies in my ear,
a solitary canoe sent soft ripples from its path,
and eyes locked on a view framed by the most beautiful mess of weeds
on top of the hill where I stood.

“This was so much prettier last year.
They need to mow this whole hillside.”

I guess those melodies weren’t whispering loud enough
if I could hear an invisible stranger’s voice.

I loved those weeds.

You know when you see a cluster of friends together
and just by looking at them,
you know that they each have a sense of belonging in that group?
I don’t remember what that feels like.
There are pieces of me that fit into separate puzzles,
but I have not found the one that rounds with each curve
and shifts with each edge so perfectly that I am secure.
So when I look at these weeds,
I understand them,
and even though they are spiritless beings,
I can relate to them in a way I have never related
to someone of my own kind.

I am not a gentle flower
that must be nurtured to growth and bloom.
I am the white dandelion you picked from a patch of grass as a child
so you could almost effortlessly blow every seed into the wind,
scattering me in so many directions that my personas
fall far from my roots,
no two of them planting close together.
In college
I felt too goody two shoes for the theatre department,
too eccentric for the fitness nerds,
too simple for the city-lovers,
and too urbane for the country.
So,
though you may think these weeds are chaotic
and ugly
and unwanted,
these weeds are life,
and they echo our time here
far better than the flowers or grass you desire.
We are not clean;
We are wild,
confused,
and aching for the love of our onlookers,
when oftentimes we are ignored.

Sometimes
I whisper the words
“I love you”
into absent air
just to remember what it sounds like
coming from my lips.
The silence I hear in reply is a reminder
that my words ricochet off of the walls
and back to me,
bouncing off of my ear’s bass drum
a beat that lets me know I am okay,
but this beat is one that most can’t follow.
You see,
within me are two opposing existences,
both equally me,
but different nonetheless.
I am not emotional,
but I feel all of life’s idiosyncrasies deep within me:
the light that peeks through my blinds as I wake in the morning,
the solitary solidarity of a morning run when the town is still asleep,
the sound of nature’s white noise,
the crunch of autumn leaves and twigs beneath my feet…
I feel these things,
and my heart swells with a sense of liberation with each experience,
though I have not yet been liberated.

We may not be pretty to you.
We may not be cultivated.
You may think we are competing with your ideal aesthetic,
but we are just trying to make it through this tangled life
alive and well,
while the rest of the world attempts to rid itself of us.
Little do you know that we are your backbone.
We are your strength.
We are independence.
We are beautiful.

Don’t mow us away.