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"hogs" poems
I used to think in numbers. 1: There’s one of me. Alone. Plus 4: my family. Still 1, but 5, or 4 plus 1; that’s me, alone. I used to think in numbers. 36: That’s weeks of school; That’s weeks of math class, math class, calculator; Father, Son, and Calculator. Trinity: the holy three, the three, the 3 times 36: that’s 108. I used to think in numbers. Math class, algebra, room 108. I hate, I hate, I love, I hate, I hate the way they look at me. They look at me like man at dog, like planet hogs, throw books at me like cannons cogged at ninety-minute intervals at cinder walls until I fault and cringe and fall, and fall like London Bridge and crash, and fall like Blown-out glass gone back to class. I pass the tests and cash regrets like rent checks bounced across the bridge that they knocked down. Because I used to think in numbers, yeah, but now?         Well, sure. Abrasions hurt. And yeah, we all want friends. But at least equations work and keep their balance on both ends. So I will rock this scatter-plot of social contract to its peak until my hands are red meat. I am no dead beat; I hold the world record for blood lost to a summer camp spread sheet. But then, but then somewhere along that number line, a 6 stared down its stage fright when just 1, 2, 3, 4, 5, 6, 7 days before the show, I met a girl who barred my better judgment like a cage fight, and thank God she did, because for once, I put away the calculator, and I listened to her voice, and it sounded like… well, it sounded like it sounded. And for once, I sat and wrote about the things that can’t be counted. I surrendered to the cage fight, and I fell into a deep hole. And to be honest, I don’t miss spreadsheet summers, ‘cause it’s easier to keep cool. I used to think in numbers, yeah, but now I think in people.
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Jan 21, 2015
Jan 21, 2015 at 12:25 AM UTC
Summer Camp Spreadsheet
I used to think in numbers. 1: There’s one of me. Alone. Plus 4: my family. Still 1, but 5, or 4 plus 1; that’s me, alone. I used to think in numbers. 36: That’s weeks of school; That’s weeks of math class, math class, calculator; Father, Son, and Calculator. Trinity: the holy three, the three, the 3 times 36: that’s 108. I used to think in numbers. Math class, algebra, room 108. I hate, I hate, I love, I hate, I hate the way they look at me. They look at me like man at dog, like planet hogs, throw books at me like cannons cogged at ninety-minute intervals at cinder walls until I fault and cringe and fall, and fall like London Bridge and crash, and fall like Blown-out glass gone back to class. I pass the tests and cash regrets like rent checks bounced across the bridge that they knocked down. Because I used to think in numbers, yeah, but now?         Well, sure. Abrasions hurt. And yeah, we all want friends. But at least equations work and keep their balance on both ends. So I will rock this scatter-plot of social contract to its peak until my hands are red meat. I am no dead beat; I hold the world record for blood lost to a summer camp spread sheet. But then, but then somewhere along that number line, a 6 stared down its stage fright when just 1, 2, 3, 4, 5, 6, 7 days before the show, I met a girl who barred my better judgment like a cage fight, and thank God she did, because for once, I put away the calculator, and I listened to her voice, and it sounded like… well, it sounded like it sounded. And for once, I sat and wrote about the things that can’t be counted. I surrendered to the cage fight, and I fell into a deep hole. And to be honest, I don’t miss spreadsheet summers, ‘cause it’s easier to keep cool. I used to think in numbers, yeah, but now I think in people.
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57
- by Ashley Capps Ophelia, when she died, lay in the water like the river’s bride, all pale and stark and beautiful against the somber rocks, her hair an endless golden ceremony. She made the water sing for her; it flowed over her folded arms. Not so my father’s sister Karen, swollen in a day-old tub of water when they found her, needle tucked into the fold of her arm, her last thing: a wing. So everything went as nameless as the men who lifted her naked from the tub, or those who rolled her into the mouth of the furnace, which is what you get when you don’t get a service, when your mother’s years of grief turn last to rage: I won’t pay for it. Leave me out of it. And even though they finally said it wasn’t suicide; a mistake— no one knew what to do with all of that anger, or in the end how not to blame her. Even now, in her unmarked container. * People once believed a deeper reason, some dark secret motivation to the way the lemmings threw themselves en masse into the sea. Were they weary of their lives; could they, too, despair? Or like those second-vessel swine when Jesus exorcised two babbling men of their demons, driving the demons through a pack of bewildered hogs— the way they plunged? The truth we know now: they leave when food is scarce, when they’ve grown too many; believe the roads they follow lead to new meadows, a place to start over. I think of Karen, feeding and feeding her veins, how it is possible she saw us all suddenly there—miraculous and festive on some bright and other shore, like the life she had been swimming toward all along, trying to get right. Like those sailors long ago, that tropical disease, calenture— when, far from everything they knew, men grew sometimes delirious and mistook the waving sea for green fields. Rejoicing, they leapt overboard, and so were lost forever, even though they thought it was real, though they thought they were going home. —by Ashley Capps
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Oct 20, 2012
Oct 20, 2012 at 11:49 PM UTC
Mistaking The Sea For Green Fields — by Ashley Capps
- by Ashley Capps Ophelia, when she died, lay in the water like the river’s bride, all pale and stark and beautiful against the somber rocks, her hair an endless golden ceremony. She made the water sing for her; it flowed over her folded arms. Not so my father’s sister Karen, swollen in a day-old tub of water when they found her, needle tucked into the fold of her arm, her last thing: a wing. So everything went as nameless as the men who lifted her naked from the tub, or those who rolled her into the mouth of the furnace, which is what you get when you don’t get a service, when your mother’s years of grief turn last to rage: I won’t pay for it. Leave me out of it. And even though they finally said it wasn’t suicide; a mistake— no one knew what to do with all of that anger, or in the end how not to blame her. Even now, in her unmarked container. * People once believed a deeper reason, some dark secret motivation to the way the lemmings threw themselves en masse into the sea. Were they weary of their lives; could they, too, despair? Or like those second-vessel swine when Jesus exorcised two babbling men of their demons, driving the demons through a pack of bewildered hogs— the way they plunged? The truth we know now: they leave when food is scarce, when they’ve grown too many; believe the roads they follow lead to new meadows, a place to start over. I think of Karen, feeding and feeding her veins, how it is possible she saw us all suddenly there—miraculous and festive on some bright and other shore, like the life she had been swimming toward all along, trying to get right. Like those sailors long ago, that tropical disease, calenture— when, far from everything they knew, men grew sometimes delirious and mistook the waving sea for green fields. Rejoicing, they leapt overboard, and so were lost forever, even though they thought it was real, though they thought they were going home. —by Ashley Capps
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56
Writing, for you --is a river a revelation a sleepless constant gift-- so out-to-see in a flimsy boat you built by mathematic rote and laced with ivy to hold together ******* boards of crazy with the ease of breathing Your giant storehouse wealth-of-words Your granary of data the grist of Music You imagine wine from mind almost without limits You command it all! Dancing in the grapes of moonlight with tides of words Their endless-- almost blind come-ons and gone in waves! (my sullen heart).... still stays I am digging here in a low spot seeking water with robins and a sparrow in the puddles Awaiting rain Flipping-off the muddy shallows with our wings I suppose their songs will count for something Tasting happenstance of bugs in flight maybe catch a firefly or two at the edge of day Tearing half a worm from weeds...the brown of drying grass near the small lagoon collecting 'neath my car Hiding in an afternoon too warm for flight resorting to a place of shade to smell the fresh-mown sweet grass Riding with my training-wheels in the parade Like a fool between those bikers' “Hogs” Turning down my street by mistake laughing at the dead-end of it all Pulling poetry out my *** ___
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Jul 22, 2018
Jul 22, 2018 at 2:33 PM UTC
Writing for You--
Here come I to my own again, Fed, forgiven and known again, Claimed by bone of my bone again And cheered by flesh of my flesh. The fatted calf is dressed for me, But the husks have greater zest for me, I think my pigs will be best for me, So I’m off to the Yards afresh. I never was very refined, you see, (And it weighs on my brother’s mind, you see) But there’s no reproach among swine, d’you see, For being a bit of a swine. So I’m off with wallet and staff to eat The bread that is three parts chaff to wheat, But glory be!—there’s a laugh to it, Which isn’t the case when we dine. My father glooms and advises me, My brother sulks and despises me, And Mother catechises me Till I want to go out and swear. And, in spite of the butler’s gravity, I know that the servants have it I Am a monster of moral depravity, And I’m ****** if I think it’s fair! I wasted my substance, I know I did, On riotous living, so I did, But there’s nothing on record to show I did Worse than my betters have done. They talk of the money I spent out there— They hint at the pace that I went out there— But they all forget I was sent out there Alone as a rich man’s son. So I was a mark for plunder at once, And lost my cash (can you wonder?) at once, But I didn’t give up and knock under at once, I worked in the Yards, for a spell, Where I spent my nights and my days with hogs. And shared their milk and maize with hogs, Till, I guess, I have learned what pays with hogs And—I have that knowledge to sell! So back I go to my job again, Not so easy to rob again, Or quite so ready to sob again On any neck that’s around. I’m leaving, Pater. Good-bye to you! God bless you, Mater! I’ll write to you! I wouldn’t be impolite to you, But, Brother, you are a hound!
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The Prodigal Son
Here come I to my own again, Fed, forgiven and known again, Claimed by bone of my bone again And cheered by flesh of my flesh. The fatted calf is dressed for me, But the husks have greater zest for me, I think my pigs will be best for me, So I’m off to the Yards afresh. I never was very refined, you see, (And it weighs on my brother’s mind, you see) But there’s no reproach among swine, d’you see, For being a bit of a swine. So I’m off with wallet and staff to eat The bread that is three parts chaff to wheat, But glory be!—there’s a laugh to it, Which isn’t the case when we dine. My father glooms and advises me, My brother sulks and despises me, And Mother catechises me Till I want to go out and swear. And, in spite of the butler’s gravity, I know that the servants have it I Am a monster of moral depravity, And I’m ****** if I think it’s fair! I wasted my substance, I know I did, On riotous living, so I did, But there’s nothing on record to show I did Worse than my betters have done. They talk of the money I spent out there— They hint at the pace that I went out there— But they all forget I was sent out there Alone as a rich man’s son. So I was a mark for plunder at once, And lost my cash (can you wonder?) at once, But I didn’t give up and knock under at once, I worked in the Yards, for a spell, Where I spent my nights and my days with hogs. And shared their milk and maize with hogs, Till, I guess, I have learned what pays with hogs And—I have that knowledge to sell! So back I go to my job again, Not so easy to rob again, Or quite so ready to sob again On any neck that’s around. I’m leaving, Pater. Good-bye to you! God bless you, Mater! I’ll write to you! I wouldn’t be impolite to you, But, Brother, you are a hound!
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48
Tiny hogs ******* away a bright little dream bit transparent screens.
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Oct 24, 2018
Oct 24, 2018 at 10:34 AM UTC
Technology haiku
When midnight comes a host of dogs and men Go out and track the badger to his den, And put a sack within the hole, and lie Till the old grunting badger passes by. He comes an hears—they let the strongest loose. The old fox gears the noise and drops the goose. The poacher shoots and hurries from the cry, And the old hare half wounded buzzes by. They get a forked stick to bear him down And clap the dogs and take him to the town, And bait him all the day with many dogs, And laugh and shout and fright the scampering hogs. He runs along and bites at all he meets: They shout and hollo down the noisy streets. He turns about to face the loud uproar And drives the rebels to their very door. The frequent stone is hurled where’er they go; When badgers fight, then everyone’s a foe. The dogs are clapped and urged to join the fray’ The badger turns and drives them all away. Though scarcely half as big, demure and small, He fights with dogs for hours and beats them all. The heavy mastiff, savage in the fray, Lies down and licks his feet and turns away. The bulldog knows his match and waxes cold, The badger grins and never leaves his hold. He drives the crowd and follows at their heels And bites them through—the drunkard swears and reels The frighted women take the boys away, The blackguard laughs and hurries on the fray. He tries to reach the woods, and awkward race, But sticks and cudgels quickly stop the chase. He turns again and drives the noisy crowd And beats the many dogs in noises loud. He drives away and beats them every one, And then they loose them all and set them on. He falls as dead and kicked by boys and men, Then starts and grins and drives the crowd again; Till kicked and torn and beaten out he lies And leaves his hold and crackles, groans, and dies.
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Badger
When midnight comes a host of dogs and men Go out and track the badger to his den, And put a sack within the hole, and lie Till the old grunting badger passes by. He comes an hears—they let the strongest loose. The old fox gears the noise and drops the goose. The poacher shoots and hurries from the cry, And the old hare half wounded buzzes by. They get a forked stick to bear him down And clap the dogs and take him to the town, And bait him all the day with many dogs, And laugh and shout and fright the scampering hogs. He runs along and bites at all he meets: They shout and hollo down the noisy streets. He turns about to face the loud uproar And drives the rebels to their very door. The frequent stone is hurled where’er they go; When badgers fight, then everyone’s a foe. The dogs are clapped and urged to join the fray’ The badger turns and drives them all away. Though scarcely half as big, demure and small, He fights with dogs for hours and beats them all. The heavy mastiff, savage in the fray, Lies down and licks his feet and turns away. The bulldog knows his match and waxes cold, The badger grins and never leaves his hold. He drives the crowd and follows at their heels And bites them through—the drunkard swears and reels The frighted women take the boys away, The blackguard laughs and hurries on the fray. He tries to reach the woods, and awkward race, But sticks and cudgels quickly stop the chase. He turns again and drives the noisy crowd And beats the many dogs in noises loud. He drives away and beats them every one, And then they loose them all and set them on. He falls as dead and kicked by boys and men, Then starts and grins and drives the crowd again; Till kicked and torn and beaten out he lies And leaves his hold and crackles, groans, and dies.
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40
It is true that the rivers went nosing like swine, Tugging at banks, until they seemed Bland belly-sounds in somnolent troughs, That the air was heavy with the breath of these swine, The breath of turgid summer, and Heavy with thunder's rattapallax, That the man who erected this cabin, planted This field, and tended it awhile, Knew not the quirks of imagery, That the hours of his indolent, arid days, Grotesque with this nosing in banks, This somnolence and rattapallax, Seemed to suckle themselves on his arid being, As the swine-like rivers suckled themselves While they went seaward to the sea-mouths.
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Frogs Eat Butterflies. Snakes Eat Frogs. Hogs Eat Snakes. Men Eat Hogs.
Hiding behind text messages we believe immunizes the heart is a forced loneliness a perpetual confinement in a dark room, with low music which only breeds madness In such famine, the body desires touch the soul craves fellowship the mind requires intellectualism laughs between true friends and shared tears of kindred spirits Once we can no longer bear starvation comes the gluttonous feast As wretched hogs at a trough any form of attention is consumed to fill the growing chasm of worthlessness Blinded by false admiration on backlit screens the body, the soul, and the mind savors cheap flattery of dark temptations Vulgarity drools thick as blood from blackened lips The sweet tinge of grief that bitter hit of hatred spirals descent into the dark void that forever hides the light
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May 1, 2015
May 1, 2015 at 4:22 PM UTC
Famine
Dancers can't have eating disorders. We are meant to be thin. We are made this way We are made to hide food to starve to throw it up As long as no one sees us As long as we can fake it Cause as dancers We have to fake it till we make it And we aren't going to make it if we are as fat as pigs. People don't like watching hogs dance. Don't worry the mirrors will tell us if we are the size of a stick or a stump. So no I don't have an eating disorder Dancers can't have those. We are created this way. {SM}
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Feb 22, 2015
Feb 22, 2015 at 3:24 AM UTC
dancers cant have eating disorders
By the run of wine, by Champagne's flow, Swine did dine and watch the show, 'tween Squelch and Squeal, they Screamed, "Bravo!" As merry went, did jolly go, They drink their drinks, they oinked along, To cabarets enchanting song, So hypnotized, it won't be long, 'til Something goes horribly wrong.... For how were the jolly hogs to know That butchers sat in the fifth row? As blades grew sharp, their haste did grow, Impatient to get on the go, The sows were deafened by the tune, The boars blinded by drunkards view, But tact is what the butchers do, But time at hand is profit due... So nice the price of pork these days, And chops and ribs are all the craze, A roast in beer with honey glaze... Makes fortunes for the butchers blades. Had the swine been wise, for moments thought, To greed they are cash to caught, They could have run, they could have fought And not been swine to the onslaught, But they danced and sang, stupid and heavy As butchers killed the swine of many, That now sit in pieces, at a deli, Their wage in wallet, meat in belly.
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Sep 15, 2012
Sep 15, 2012 at 7:36 AM UTC
The Swine at the Cabaret
You hear those saint fainted swines? Slopping around ****** in muck. For hogs seeking bogs, bespatter the pink with thick mire. Dull sluggish foul smelled trolls, basking a bridges under cove, feasting on distant mare. But old boar’s belly’s’ under grown, he has not self meat to spare. Go elsewhere wise butcher. Go elsewhere. Grieve not thy ******* of purification, instead satisfactory of sales. He has not the soul to touch rare blood of a bessy hung by hook. Sars covered hands, sars drenched the feet. Not here butcher, elsewhere lay menial meat.
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Oct 3, 2010
Oct 3, 2010 at 6:16 PM UTC
Vegan Lands
JESUS emptied the devils of one man into forty hogs and the hogs took the edge of a high rock and dropped off and down into the sea: a mob. The sheep on the hills of Australia, blundering fourfooted in the sunset mist to the dark, they go one way, they hunt one sleep, they find one pocket of grass for all. Karnak? Pyramids? Sphinx paws tall as a coolie? Tombs kept for kings and sacred cows? A mob. Young roast pigs and naked dancing girls of Belshazzar, the room where a thousand sat guzzling when a hand wrote: Mene, mene, tekel, upharsin? A mob. The honeycomb of green that won the sun as the Hanging Gardens of Nineveh, flew to its shape at the hands of a mob that followed the fingers of Nebuchadnezzar: a mob of one hand and one plan. Stones of a circle of hills at Athens, staircases of a mountain in Peru, scattered clans of marble dragons in China: each a mob on the rim of a sunrise: hammers and wagons have them now. Locks and gates of Panama? The Union Pacific crossing deserts and tunneling mountains? The Woolworth on land and the Titanic at sea? Lighthouses blinking a coast line from Labrador to Key West? Pigiron bars piled on a barge whistling in a fog off Sheboygan? A mob: hammers and wagons have them to-morrow. The mob? A typhoon tearing loose an island from thousand-year moorings and bastions, shooting a volcanic ash with a fire tongue that licks up cities and peoples. Layers of worms eating rocks and forming loam and valley floors for potatoes, wheat, watermelons. The mob? A jag of lightning, a geyser, a gravel mass loosening... The mob ... kills or builds ... the mob is Attila or Ghengis Khan, the mob is Napoleon, Lincoln. I am born in the mob-I die in the mob-the same goes for you-I don't care who you are. I cross the sheets of fire in No Man's land for you, my brother-I slip a steel tooth into your throat, you my brother-I die for you and I **** you-It is a twisted and gnarled thing, a crimson wool: One more arch of stars, In the night of our mist, In the night of our tears.
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Always the Mob
JESUS emptied the devils of one man into forty hogs and the hogs took the edge of a high rock and dropped off and down into the sea: a mob. The sheep on the hills of Australia, blundering fourfooted in the sunset mist to the dark, they go one way, they hunt one sleep, they find one pocket of grass for all. Karnak? Pyramids? Sphinx paws tall as a coolie? Tombs kept for kings and sacred cows? A mob. Young roast pigs and naked dancing girls of Belshazzar, the room where a thousand sat guzzling when a hand wrote: Mene, mene, tekel, upharsin? A mob. The honeycomb of green that won the sun as the Hanging Gardens of Nineveh, flew to its shape at the hands of a mob that followed the fingers of Nebuchadnezzar: a mob of one hand and one plan. Stones of a circle of hills at Athens, staircases of a mountain in Peru, scattered clans of marble dragons in China: each a mob on the rim of a sunrise: hammers and wagons have them now. Locks and gates of Panama? The Union Pacific crossing deserts and tunneling mountains? The Woolworth on land and the Titanic at sea? Lighthouses blinking a coast line from Labrador to Key West? Pigiron bars piled on a barge whistling in a fog off Sheboygan? A mob: hammers and wagons have them to-morrow. The mob? A typhoon tearing loose an island from thousand-year moorings and bastions, shooting a volcanic ash with a fire tongue that licks up cities and peoples. Layers of worms eating rocks and forming loam and valley floors for potatoes, wheat, watermelons. The mob? A jag of lightning, a geyser, a gravel mass loosening... The mob ... kills or builds ... the mob is Attila or Ghengis Khan, the mob is Napoleon, Lincoln. I am born in the mob-I die in the mob-the same goes for you-I don't care who you are. I cross the sheets of fire in No Man's land for you, my brother-I slip a steel tooth into your throat, you my brother-I die for you and I **** you-It is a twisted and gnarled thing, a crimson wool: One more arch of stars, In the night of our mist, In the night of our tears.
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15
i'm thirty six now thrice a rat and i must say it ain't that bad you'd think i'd shed a tear or two but after all the sky's still blue the sun still shines the rain still falls my fam would even take my calls i'm frens with cats i'm frens with dogs some people too a couple hogs i walk and saunter skip and hop taking my time around the block i'm looking back and all i see: those things i did were meant to be i'm looking forth and realise: you can't prepare for each surprise that life may throw at you or yours you can't predict as to which doors will blow wide open unexpected and which will ever be protected no key, no lock how to get past? to secrets guarded fierce and fast... another thirty six to live? so full of joy, and toil, and grief... or, one day, have just what it takes to boldly go and up the stakes?.. mid-summer autumn rat three times feels good as hell! unshod and blithe...
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Oct 15, 2020
Oct 15, 2020 at 2:59 PM UTC
thrice a rat
Often, the shallows are a good place to be, Once out of there, no going back, not ever, Once noticed, return is virtually impossible, And all pedestals are shaky, no roots: none! Ensure buoyancy, for one must sink or swim, So much expected, so much demanded, One may think shallows are unkind, a waste, They are safe, though, friendly, pleasant, Conducive company encouraging creation. Once out of them, away from safe shores, New challenges arise, new horizons, all new, Making one desperate not to fail, not to sink, One must swim, swim for your life; swim hard, For it hurts to disappoint, it hurts so much. Without the grassy bank and sandy bottom, Creation is difficult, beware the sharks: teeth, Scoot around the crocs, teeth snapping: biting, Desiring your tender unsuspecting flesh! See the glory-hogs wallowing, laughing at you, Howling with derision; they know nothing, Stupid hacks, every one of them, frolicking, Performing in the deep, dark, dangerous-depths, Unaware their blood will soon feed others, The swirling waters running red: eventually. Safer here with golden fish and humble toads, Prometheus swims here as well as anywhere, Savour the shallows, dance with creativity, If you must leave, identity switch required, Even then, watch sharks and crocs: teeth biting, Often, the shallows are a good place to be. ©Paul Chafer 2014
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May 22, 2014
May 22, 2014 at 8:19 AM UTC
Big Pond Cruelty
I dreamt of a field of flowers Where white crosses are planted Families still together Content with life Genuine grins covering faces I dreamt of full bellies On the dark continent Soccer ***** rolling between feet Of children who also dream Of lives as happy as theirs I dreamt of fresh air And clean water and growing forests The cleanliness of nature unrivaled As animals mingled around the watering hole Roaming freely with homes But I awoke and saw war Fires melting the lives of millions Dropping bombshells of grief Destroying homes from within And children dead or weeping I awoke and saw despair Fat bellied greed hogs Rollin in muddy money pits While babies died without food And an entire land stripped and sold I awoke amd saw nothing But smoke stacks emitting poison And the homes of the forest creatures Being carried into lumber mills And brown water filling drinking glasses
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Jan 13, 2014
Jan 13, 2014 at 1:44 AM UTC
I dreamt but then awoke
Folksy blokes, like ya struttin’ ya thang If you’ve come out of da Grand Ole Opry But, won’t stay around for any old music sang If it’s causing their head, to bob up and down and go all floppy While rugged mountain men riding in some country rodeo Can just step right up, to a Appalachia recording studio Put down several tracks and become a worldwide pop star They sing about hillbilly ways, while cogging or flatfooting from afar Talking ‘bout wild hogs, gators, foxes & how so many more Taste so great, using leftovers as bait & making real men roar Old fables, told through pictures and patterns, upon knitted quilt Even showing the feuding days of the Hatfields versus McCoys From both sides of Tug Fork stream, with many unemployed   Although Asa and Devil Anse, said, ‘they hadn’t much guilt’ All because of a judge and 5000 acres of unusable swamp land Once owned, by a close kissin’ cousin named, Perry Cline Who didn’t even get any blood on his hand They started a war, that could’ve been stopped By a bottle or two, of good ole mountain moon-shine Both clans almost wiped out, if last man standing had accidentally dropped.
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Sep 26, 2019
Sep 26, 2019 at 10:40 PM UTC
Hatfields V McCoys
This dot kami’s ‘Nam when I see you’re all neutral To futile lords still passin’ Acts of Removal Pretentious performers as if upon stages Of casting call characters caught up in cages Like ****** who off-shore **** the poor on vacations I’m diggin’ up dirt on the founders’ plantations When bail-outs are ballots and bullets are mallets Why not be a rabbit hole in Hefner’s palace? And dare call it talent, a gift or a passion Just model behavior for slaves to a fashion Show running the breadlines when crimes are a dime In the dozens of ***** Weinsteins on your minds Instead of the felons when court is in Sessions Instead of the under-oath treason confessions In rapid succession they feed you the buzz Until nobody cares what the debt ceiling was When the roof has been raised for the privatize party The right wants us dead and the left shows up tardy I’m sorry “you people” are making me sick Guess I’ll just pop a pill from the cabinet pick Like has-been Michael Flynn’s and these Ex-Tillersons Resource hogs cloggin’ bogs up with smogs of odd jobs They’re the slEASIEST Slytherins still seemin’ Jesus Pro-life until *** aid is the fetus Egregious excesses of who the **** needs this Huge 2nd place trophy wife ivory tower Big guns for a stickless diplomacy coward Here’s my golden shower tricklin’ down your faces You blatantly ****** repeal and replacists You war-profiteering, grand **** of old Racists and fakers, uranium cacres Still stuffing the stockings of doomsday clock-makers With melting North Pole lumps of coal-hearted cash ‘Till every last Christmas trees nothing but ash As the fascist machine builds its pyramid scheme On the dreams of the themes of your Disney World screen But the credits will roll as the talking heads stroll in The shoe bombs of Terrorist’s livelihoods stolen But I leave ‘em spinnin’ like Christopher Nolan
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Dec 4, 2017
Dec 4, 2017 at 2:27 PM UTC
Fascist Fake News Fashion Show
This dot kami’s ‘Nam when I see you’re all neutral To futile lords still passin’ Acts of Removal Pretentious performers as if upon stages Of casting call characters caught up in cages Like ****** who off-shore **** the poor on vacations I’m diggin’ up dirt on the founders’ plantations When bail-outs are ballots and bullets are mallets Why not be a rabbit hole in Hefner’s palace? And dare call it talent, a gift or a passion Just model behavior for slaves to a fashion Show running the breadlines when crimes are a dime In the dozens of ***** Weinsteins on your minds Instead of the felons when court is in Sessions Instead of the under-oath treason confessions In rapid succession they feed you the buzz Until nobody cares what the debt ceiling was When the roof has been raised for the privatize party The right wants us dead and the left shows up tardy I’m sorry “you people” are making me sick Guess I’ll just pop a pill from the cabinet pick Like has-been Michael Flynn’s and these Ex-Tillersons Resource hogs cloggin’ bogs up with smogs of odd jobs They’re the slEASIEST Slytherins still seemin’ Jesus Pro-life until *** aid is the fetus Egregious excesses of who the **** needs this Huge 2nd place trophy wife ivory tower Big guns for a stickless diplomacy coward Here’s my golden shower tricklin’ down your faces You blatantly ****** repeal and replacists You war-profiteering, grand **** of old Racists and fakers, uranium cacres Still stuffing the stockings of doomsday clock-makers With melting North Pole lumps of coal-hearted cash ‘Till every last Christmas trees nothing but ash As the fascist machine builds its pyramid scheme On the dreams of the themes of your Disney World screen But the credits will roll as the talking heads stroll in The shoe bombs of Terrorist’s livelihoods stolen But I leave ‘em spinnin’ like Christopher Nolan
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Just keep livin in this feelin Never am I beleivin That **** thats written Questin for questionin Im losin No reasonin No serotonin Jane, dope burnin got me floatin Lucy dances turnin got me smilin Druggy desperate runnin got me huffin Huff and puff an puff, pass One piggy in a house oh straw smokin grass Nother piggys house of glass Last piggys house of cards but, alas Little piggys grow big and pass One pig in the straw smoked over ash Nother pig served with a glass Last pig out of cards, alas Last pig out of the farm Free hog free from the harm Hunted down with a firearm Pow Pow hogs need not roam No escapin the farm Just dyin in a drugged calm Or dyin strugglin in dirt, **** So just chill and spread ***** New meat for the grinders Fresh meat for the diners Pigs aint **** but some dinners For pigs with gold incisors
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Dec 23, 2018
Dec 23, 2018 at 11:26 AM UTC
Pig Latin Man, Anmay
Oh universe How you sustain all lives Is so marvellous Mother Nature You constant watcher You are not a quitter The seas know their space The sun sets in the west And never loses that course The trees  cleanse the air Herbs with sweet smelling fragrance And wild honey tastes so sweet Oh universe How do you manage this With so many of us? The hogs eliminate snakes The pests  feed on wastes Vultures take care of  dead carcasses We all look to you when we need food You provide it We eat it Every one of your dependants Know their expectations In  selfregulation The eater and the eaten Life never ceases It only changes form Rotting plants become humus And sustain growing plants Edible animals become part of man man's DNA lives on in their descendants... And then man grew a few beards With his advancements Interfering with all others Breaking laws Creating disaters In the eco thick smokes of toxic chemicals that destroy flora and fauna Massive deforestation and then he turns to you expecting you to produce When he ploughs your soils Looking up to the clouds You used to give a **** But now you feed them back their poison And their lives shorten Retribution for being stubborn And interfering with you Mother nature You heard them talking of space exploration Look for life in another planet as solution You just laughed They think that they can destroy you And leave for another planet You are the only One Blessed among the stars To sustain lives They will come running to you Like the prodigal son And maybe the rebellious Shall have learnt a few lessons Oh Universe Its so fabulous that you sustain all lives
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Dec 20, 2015
Dec 20, 2015 at 3:21 PM UTC
Oh Universe!
Oh universe How you sustain all lives Is so marvellous Mother Nature You constant watcher You are not a quitter The seas know their space The sun sets in the west And never loses that course The trees  cleanse the air Herbs with sweet smelling fragrance And wild honey tastes so sweet Oh universe How do you manage this With so many of us? The hogs eliminate snakes The pests  feed on wastes Vultures take care of  dead carcasses We all look to you when we need food You provide it We eat it Every one of your dependants Know their expectations In  selfregulation The eater and the eaten Life never ceases It only changes form Rotting plants become humus And sustain growing plants Edible animals become part of man man's DNA lives on in their descendants... And then man grew a few beards With his advancements Interfering with all others Breaking laws Creating disaters In the eco thick smokes of toxic chemicals that destroy flora and fauna Massive deforestation and then he turns to you expecting you to produce When he ploughs your soils Looking up to the clouds You used to give a **** But now you feed them back their poison And their lives shorten Retribution for being stubborn And interfering with you Mother nature You heard them talking of space exploration Look for life in another planet as solution You just laughed They think that they can destroy you And leave for another planet You are the only One Blessed among the stars To sustain lives They will come running to you Like the prodigal son And maybe the rebellious Shall have learnt a few lessons Oh Universe Its so fabulous that you sustain all lives
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65
he won't write you poetry like neruda or bukowski. he won't ink your name underneath his skin nor will he cut his hair shorter for your mom. he won't stay up with you to read jane austen and hemingway. sometimes all you'll hear from his end of the line is snoring and you'll know he has fallen asleep. again. he won't take you to a romantic dinner every other night. he won't surprise you with a picnic basket on a tuesday afternoon to whisk you away to a spontaneous date on the beach. his hand will sweat sometimes. he will smell like cigarettes and the inside of a Starbucks. he will chew his food loudly and eat with his leg up. he will wake you up in the middle of the night just to tell you about a dream that woke him up. he will do this because he's afraid he'll forget in the morning. he will not get along with some of your friends, your dad will ask you "are you sure?" and your little brother will hate him. he will have acne and blackheads. he won't be around everytime you need him. he won't magically appear just in time to catch after you've tripped down the stairs. he won't be the guy you keep reading in novels about. he won't be the mysterious, poetry-writing, guitar-strumming, panty-dropping British guy you keep wishing you'd finally meet. surprisingly, despite of all of this, you will fall for him anyway. because even though you wanted a love story similar to those you found printed in pages, you will realize that they end after a dramatic moment in the airport, or a long romantic make-out session under the pouring rain, or after the one major problem is resolved. you will realize that nothing comes after for them. what happens after the romantic colors of sunset fade and the darkness takes over? you will realize that your own story is way better. because even though he talks too loud in libraries and hogs the blanket, he stays. he is there beside you at 2am when you suddenly wake up from a nightmare. you can feel his breath on the back of your neck and his arm around your waist. you can hear him whisper "i love you" and it will be dripping with honesty. and that is more than any fictional poetry-writing, guitar-strumming, panty-dropping British guy can ever do.
0
Aug 26, 2013
Aug 26, 2013 at 12:23 AM UTC
he won't be a million things you've read about in novels
he won't write you poetry like neruda or bukowski. he won't ink your name underneath his skin nor will he cut his hair shorter for your mom. he won't stay up with you to read jane austen and hemingway. sometimes all you'll hear from his end of the line is snoring and you'll know he has fallen asleep. again. he won't take you to a romantic dinner every other night. he won't surprise you with a picnic basket on a tuesday afternoon to whisk you away to a spontaneous date on the beach. his hand will sweat sometimes. he will smell like cigarettes and the inside of a Starbucks. he will chew his food loudly and eat with his leg up. he will wake you up in the middle of the night just to tell you about a dream that woke him up. he will do this because he's afraid he'll forget in the morning. he will not get along with some of your friends, your dad will ask you "are you sure?" and your little brother will hate him. he will have acne and blackheads. he won't be around everytime you need him. he won't magically appear just in time to catch after you've tripped down the stairs. he won't be the guy you keep reading in novels about. he won't be the mysterious, poetry-writing, guitar-strumming, panty-dropping British guy you keep wishing you'd finally meet. surprisingly, despite of all of this, you will fall for him anyway. because even though you wanted a love story similar to those you found printed in pages, you will realize that they end after a dramatic moment in the airport, or a long romantic make-out session under the pouring rain, or after the one major problem is resolved. you will realize that nothing comes after for them. what happens after the romantic colors of sunset fade and the darkness takes over? you will realize that your own story is way better. because even though he talks too loud in libraries and hogs the blanket, he stays. he is there beside you at 2am when you suddenly wake up from a nightmare. you can feel his breath on the back of your neck and his arm around your waist. you can hear him whisper "i love you" and it will be dripping with honesty. and that is more than any fictional poetry-writing, guitar-strumming, panty-dropping British guy can ever do.
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5
Has democracy irretrievably gone to the dogs? Every beast congregates here; coyotes to  hogs! Supposedly most selfless of acts Cover up the worst and the inept. Crocodile tears apart, they hanker only for populist tag!
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Nov 2, 2018
Nov 2, 2018 at 8:48 AM UTC
Seedy burlesque!
Summer field at rest; alive. We stopped haying twenty-five years past. Birds and bugs, golden rod and asters and Worts, spiders, voles make it their home. We mow Once a year. And it breaks my heart. Good-by flowers for Honey bees. Cover for warblers, Mama turkeys and broods. Bedroom for deer. Hidden lunch room for ground hogs Until Jack Russell breaks their necks, At least of the little ones. Old hog mama requires my intervening shovel. Otherwise she'd shred Jack's face. 9/23/2012
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Oct 9, 2012
Oct 9, 2012 at 12:59 PM UTC
Summer Field At Rest
If we must die, let it not be like hogs Hunted and penned in an inglorious spot, While round us bark the mad and hungry dogs, Making their mock at our accursed lot. If we must die, O let us nobly die, So that our precious blood may not be shed In vain; then even the monsters we defy Shall be constrained to honor us though dead! O kinsmen! we must meet the common foe! Though far outnumbered let us show us brave, And for their thousand blows deal one death-blow! What though before us lies the open grave? Like men we'll face the murderous, cowardly pack, Pressed to the wall, dying, but fighting back!
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1.4k
If We Must Die
Saturday night on the farm managed and operated by the animals.the penguin trio were singing and golden oldies fit the slow dancing mood with the paired bears cats hoot owls ground hogs leap frogs moved in slow rhythm as the leaping lizards finished their set with slide trombone drums trompets when the mad hatter with new and white turned down brim slow dragged with alice in wonderland in Gucci boots the big bad wolf promised to be on his best behavior until 12:00pm before changing back.
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Sep 30, 2013
Sep 30, 2013 at 7:35 PM UTC
THE BARN DANCE BY VICTOR TRIPP
Sounds like crucify. My hands are bound by his grip on the plank perpendicular to my toes that start to curl backwards now. I binged on memories of the words words words and when my ears burned I imagined you cradling her on your chest softly brushing her hair back and talking about me. At the summer camp where Jesus saved me I picked up a pre-packaged cereal sealed in a factory long before my selection. I peeled away the plastic film and there where my bowl of cereal was supposed to be was a colony of silkworms, squirming around like a bunch of tied hogs in a swimming pool. I threw up because it grossed me out. I had no control over it. When I think about her hair around your stubby, little fingers I throw up because it grosses me out. I have no control over it. I'm no Will Shortz, but this poem is about you. There's your clue.
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Mar 21, 2013
Mar 21, 2013 at 12:58 AM UTC
Cruciverbalist