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1969 Hartford art school is magnet for exceedingly intelligent over-sensitive under-achievers alluring freaks congenital creeps and anyone who cannot cut it in straight world it is about loners dreamers stoners clowns cliques of posers competing to dress draw act most outrageous weird wonderful classrooms clash in diversity of needs some students get it right off while others require so much individual attention one girl constantly raises her hand calls for everything to be repeated explained creativity is treated as trouble and compliance to instruction rewarded most of faculty are of opinion kids are not capable of making original artwork teachers discourage students from dream of becoming well-known until they are older more experienced only practiced skilled artists are competent to create ‘real art’ defined by how much struggle or multiple meanings weave through the work Odysseus wants to make magic boxes without knowing or being informed of Joseph Cornell one teacher tells him you think you’re going to invent some new color the world has never seen? you’re just some rowdy brat from the midwest with a lot of crazy ideas and no evidence of authenticity another teacher warns you’re nothing more than a bricoleur! Odysseus questions what’s a bricoleur teacher informs a rogue handyman who haphazardly constructs from whatever is immediately available Odysseus questions what’s wrong with that? teacher answers it’s low-class folk junk  possessing no real intellectual value independently he reads Marshall McLuhan’s “The Medium Is The Message” and “The Notebooks of Leonardo da Vinci” he memorizes introductory remark of Leonardo’s “i must do like one who comes last to the fair and can find no other way of providing for himself than by taking all the things already seen by others and not taken by reason of their lesser value” Odysseus dreams of becoming accomplished important artist like Robert Rauschenberg Jasper Johns Andy Warhol he dreams of being in eye of hurricane New York art scene he works for university newspaper and is nicknamed crashkiss the newspaper editor is leader in student movement and folk singer who croons “45 caliber man, you’re so much more than our 22, but there’s so many more of us than you” Odysseus grows mustache wears flower printed pants vintage 1940’s leather jacket g.i. surplus clothes he makes many friends his gift for hooking up with girls is uncanny he is long haired drug-crazed hippie enjoying popularity previously unknown to him rock bands play at art openings everyone flirts dances gets ****** lots of activism on campus New York Times dubs university of Hartford “Berkeley of the east coast” holding up ******* in peace sign is subversive in 1969 symbol of rebellion youth solidarity gesture against war hawks rednecks corporate America acknowledgment of potential beyond materialistic self-righteous values of status quo sign of what could be in universe filled with incredible possibilities he moves in with  painting student one year advanced named Todd Whitman Todd has curly blond hair sturdy build wire rimmed glasses impish smile gemini superb draftsman amazing artist Todd emulates Francisco de Goya and Albrecht Durer Todd’s talent overshadows Odysseus’s Todd’s dad is accomplished professor at distinguished college in Massachusetts to celebrate Odysseus’s arrival Todd cooks all day preparing spaghetti dinner when Odysseus arrives home tripping on acid without appetite Todd is disappointed Odysseus runs down to corner store buys large bottle of wine returns to house Todd is eating spaghetti alone they get drunk together then pierce each other’s ears with needles ice wine cork pierced ears are outlaw style of bad *** bikers like Hell’s Angels Todd says you are a real original Odys and funny too Odysseus asks funny, how? Todd answers you are one crazy ******* drop acid whenever you want smoke **** then go to class this is fun tonight Odys getting drunk and piercing our ears Odysseus says yup i’m having a good time too Todd and Odysseus become best friends Odysseus turns Todd on to Sylvia Plath’s “The Bell Jar” and “Ariel” then they both read Ted Hughes “Crow” illustrated with Leonard Baskin prints Todd turns Odysseus on to German Expressionist painting art movement of garish colors emotionally violent imagery from 1905-1925 later infuriating Third ***** who deemed the work “degenerate” Odysseus dives into works of Max Beckmann Otto Dix Conrad Felixmulller Barthel Gilles George Grosz Erich Heckel Ernst Ludwig Kirchner Felix Nussbaum Karl *******Rottluff Carl Hofer August Macke Max Peckstein Elfriede Lohse-Wachtler Egon Shiele list goes on in 1969 most parents don’t have money to buy their children cars most kids living off campus either ride bikes or hitchhike to school then back home on weekends often without a penny in their pockets Odysseus and Todd randomly select a highway and hitch rides to Putney Vermont Brattleboro Boston Cape Cod New York City or D.C. in search of adventure there is always trouble to be found curious girls to assist in Georgetown Odysseus sleeps with skinny girl with webbed toes who believes he is Jesus he tries to dissuade her but she is convinced

Toby Mantis is visiting New York City artist at Hartford art school he looks like huskier handsomer version of Ringo Starr and women dig him he builds stretchers and stretches canvases for Warhol lives in huge loft in Soho on Broadway and Bleeker invites Odysseus to come down on weekends hang out Toby takes him to Max’s Kansas City Warhol’s Electric Circus they wander all night into morning there are printing companies longshoremen gays in Chelsea Italians in West Village hippies playing guitars protesting the war in Washington Square all kinds of hollering crazies passing out fliers pins in Union Square Toby is hard drinker Odysseus has trouble keeping up  he pukes his guts out number of times Odysseus is *** head not drinker he explores 42nd Street stumbles across strange exotic place named Peep Show World upstairs is large with many **** cubicles creepy dudes hanging around downstairs is astonishing there are many clusters of booths with live **** girls inside girls shout out hey boys come on now pick me come on boys there are hundreds of girls from all over the world in every conceivable size shape race he enters dark stall  puts fifty cents in coin box window screen lifts inside each cluster are 6 to 10 girls either parading or glued to a window for $1 he is allowed to caress kiss their ******* for $2 he is permitted to probe their ****** or *** for $10 girl reaches hand into darkened stall jerks him off tall slender British girl thrills him the most she says let me have another go at your dickey Odysseus spends all his money ******* 5 times departing he notices men from every walk of life passing through wall street stockbrokers executives rednecks mobsters frat boys tourists fat old bald guys smoking thick smelly cigars Toby Mantis has good-looking girlfriend named Lorraine with long brown hair Toby Lorraine and Odysseus sit around kitchen table Odysseus doodles with pencil on paper Toby spreads open Lorraine’s thighs exposing her ****** to Odysseus Lorraine blushes yet permits Toby to finger her Odysseus thinks she has the most beautiful ****** he has ever seen bulging pelvic bone brown distinctive bush symmetric lips Toby and Lorraine watch in amusement as Odysseus gazes intently Tony mischievously remarks you like looking at that ***** don’t you? Odysseus stares silently begins pencil drawing Lorraine’s ****** his eyes darting back and forth following day Lorraine seduces Odysseus while Toby is away walks out **** from shower she is few years older her body lean with high ******* she directs his hands mouth while she talks with someone on telephone it is strange yet quite exciting Odysseus is in awe of New York City every culture in the world intermingling democracy functioning in an uncontrollable managed breath millions of people in motion stories unraveling on every street 24 hour spectacle with no limits every conceivable variety of humanity ******* in same air Odysseus is bedazzled yet intimidated

Odysseus spends summer of 1970 at art colony in Cummington Massachusetts it is magical time extraordinary place many talented eccentric characters all kinds of happenings stage plays poetry readings community meals volleyball after dinner volleyball games are hilarious fun he lives alone in isolated studio amidst wild raspberries in woods shares toilet with field mouse no shower he reads Jerzy Kosinski’s “Painted Bird” then “Being There” then “Steps” attractive long haired girl named Pam visits community for weekend meets Odysseus they talk realize they were in first grade together at Harper amazing coincidence automatic ground for “we need to have *** because neither of us has seen each other since first grade” she inquires where do you sleep? Todd hitches up from Hartford to satisfy curiosity everyone sleeps around good-looking blue-eyed poet named Shannon Banks from South Boston tells Odysseus his ******* is not big enough for kind of ******* she wants but she will **** him off that’s fine with him 32 year old poet named Ellen Morrissey from Massachusetts reassures him ******* is fine Ellen is beginning to find her way out from suffocating marriage she has little daughter named Nina Ellen admires Odysseus’s free spirit sees both his possibilities and naïveté she realizes he has crippling family baggage he has no idea he is carrying thing about trauma is as it is occurring victim shrugs laughs to repel shock yet years later pain horror sink in turned-on with new ideas he returns to Hartford art school classes are fun yet confusing he strives to be best drawer most innovative competition sidetracks him Odysseus uses power drill to carve pumpkin on Halloween teachers warn him to stick to fundamentals too much creativity is suspect Todd and he are invited to holiday party Odysseus shows up with Ellen Morrissey driving in her father’s station wagon 2 exceptionally pretty girls flirt with him he is live wire they sneak upstairs he fingers both at same time while they laugh to each other one of the girls Laura invites him outside to do more he follows they walk through falling snow until they find hidden area near some trees Laura lies down lifts her skirt she spreads her legs dense ***** mound he is about to explore her there when Laura looks up sees figure with flashlight following their tracks in snow she warns it’s Bill my husband run for your life! Odysseus runs around long way back inside party grabs a beer pretending he has been there next to Ellen all night few minutes later he sees Laura and Bill return through front door Bill has dark mustache angry eyes Odysseus tells Ellen it is late maybe they should leave soon suddenly Bill walks up to him with beer in hand cracks bottle over his head glass and beer splatter Odysseus jumps up runs out to station wagon Ellen hurriedly follows snow coming down hard car is wedged among many guest vehicles he starts engine locks doors maneuvers vehicle back and forth trying to inch way out of spot Bill appears from party walks to his van disappears from out of darkness swirling snow Bill comes at them wielding large crowbar smashes car’s headlights taillights side mirrors windshield covered in broken glass Ellen ducks on floor beneath glove compartment sobs cries he’s going to **** us! we’re going to die! Odysseus steers station wagon free floors gas pedal drives on back country roads through furious snowstorm in dark of night no lights Odysseus contorts crouches forward in order to see through hole in shattered windshield Ellen sees headlights behind them coming up fast it is Bill in van Bill banging their bumper follows them all the way back to Hartford to Odysseus’s place they run inside call police Bill sits parked van outside across street as police arrive half hour later Bill pulls away next day Odysseus and Ellen drive to Boston to explain to Ellen’s dad what has happened to his station wagon Odysseus stays with Ellen in Brookline for several nights another holiday party she wants to take him along to meet her friends her social circles are older he thinks to challenge their values be outrageous paints face Ellen is horrified cries you can’t possibly do this to me these are my close friends what will they think? he defiantly answers my face is a mask who cares what i look like? man woman creature what does it matter? if your friends really want to know me they’ll need to look beyond the make-up tonight i am your sluttish girlfriend! sometimes Odysseus can be a thoughtless fool

Laura Rousseau Shane files for divorce from Bill she is exceptionally lovely models at art school she is of French descent her figure possessing exotic traits she stands like ballerina with thick pointed ******* copious ***** hair Odysseus is infatuated she frequently dances pursues him Laura says i had the opportunity to meet Bob Dylan once amazed Odysseus questions what did you do? she replies what could i possibly have in common with Bob Dylan? Laura teases Odysseus about being a preppy then lustfully gropes him grabs holds his ***** they devote many hours to ****** intimacy during ******* she routinely reaches her hand from under her buns grasps his testicles squeezing as he pumps he likes that Laura is quite eccentric fetishes over Odysseus she even thrills to pick zits on his back he is not sure if it is truly a desire of hers proof of earthiness or simply expression of mothering Laura has two daughters by Bill Odysseus is in over his head Laura tells Odysseus myth of Medea smitten with love for Jason Jason needs Medea’s help to find Golden Fleece Medea agrees with promise of marriage murders her brother arranges ****** of king who has deprived Jason his inheritance couple is forced into exile Medea bears Jason 2 sons then Jason falls in love with King Creon’s daughter deserts Medea is furious she makes shawl for King Creon’s daughter to wear at her wedding to Jason  shawl turns to flames killing bride Medea murders her own sons by Jason Odysseus goes along with story for a while but Laura wants husband Odysseus is merely scruffy boy with roving eyes Laura becomes galled by Odysseus leaves him for one of his roommates whom she marries then several years later divorces there is scene when Laura tells Odysseus she is dropping him for his roommate he is standing in living room of her house space is painted deep renaissance burgundy there are framed photographs on walls in one photo he is hugging Laura and her daughters under big oak tree in room Laura’s friend Bettina other girl he fingered first night he met Laura at party is watching with arms crossed he drops to floor curls body sobs i miss you so much Laura turns to Bettina remarks look at him men are such big babies he’s pitiful Bettina nods

following summer he works installing displays at G. Fox Department Store besides one woman gay men staff display department for as long as he can remember homosexuals have always been attracted to him this misconception is probably how he got job his tenor voice suggesting not entirely mature man instead more like tentative young boy this ambiguous manifestation sometimes also evidences gestures thoroughly misleading after sidestepping several ****** advances one of his co-workers bewilderingly remarks you really are straight manager staff are fussy chirpy catty group consequently certain he is not gay they discriminate against him stick him with break down clean up slop jobs at outdoor weekend rock concert in Constitution Plaza he meets 2 younger blond girls who consent to go back to his place mess around both girls are quite dazzling yet one is somewhat physically undeveloped they undress and model for Odysseus radio plays Roberta Flack’s “Killing Me Softly With His Song” both girls move to rhythm sing along he thinks to orchestrate direct decides instead to let them lead lies on bed while curvaceous girl rides his ******* slender girl sits on his face they switch all 3 alternate giggle laughter each girl reaches ****** on his stiffness later both assist with hands mouths his ****** is so intense it leaves him paralyzed for a moment

in fall he is cast as Claudius in production of Hamlet Odysseus rehearses diligently on nights o
Verbatim Lynnie Mar 2018
Tell me I'm not this. The blue began to flood
inside a room once painted black. Tell me I don't
see this. The orb of morning peering its start right to
my eyelids that can't even close. Tell me I don't hear
this. Birds chirping for sunrise, playing lightly as my
lullaby. Tell me I'm dreaming. My leg still twitches,
seven in the morning, because I'm afraid I'll lose myself
before dawn. Shedding emotion in fast waves of flight,
tell me I didn't run through time, making stars out
of daylight. Orange in the sky, and not from shy
headlights in insomniac cars. Yellow, making its fellow
opening for my uncomforted sleep, not a nightlight like before,
no. Tell me I'm not this.
All feedback is welcome
Morgan Jul 2016
I'm a deer in the headlights,
I'm pacing back and forth
I don't know whether to run
forward or step back
There is darkness where I came from
but I can't see ahead

I'm somewhere between
vibrant red and navy blue

My roommate is vomiting
in the bathroom.
I turn up the television,
and pretend not to hear her

I'm a deer in the headlights,
I can't see the face that sits
behind the steering wheel

I imagine she's soft and gentle,
she'll let me pass & I'll be safe

But what if she's sharp and angry,
she'll strike me down & I'll bleed out

My roommate convulses on
the cold tile floor,

There is sweat rolling off her
rib cage

I find her half conscious,
and I don't believe this is happening again

My back aches
but only in one place

I wonder if it's you,
griping me from behind,
trying desperately to pull me backward

Or maybe my back just aches,
and I think too much

I tried to make a friend again today,
and ended up naked & empty,
fumbling around his sheets,
trying to get out of my mind

I don't think I'm doing this right
cause I feel like a deer in the headlights,
and I miss my mother,
and I know she'd slap the cigarette
right out of my hand,
and then she'd kiss my forehead,
and I'd feel better

I'm tripping over gravel,
Pacing back and forth
The yellow light creates a straight line
And I keep following it to the same place

There's been a song stuck in
my head for three days
and 8 & a half hours,
I can't focus on anything else

I told a boy I hate
that I love him,
just because I like the
way it sounded as it rolled off my lips
And I knew I'd get high off the look in his eyes

Maybe that's my whole problem-
Start to finish,
Plain and simple,
I just wanna be liked
And I never have been

Can't tell if I'm useless
or too used-
Can I be both at the same time?

I'm a deer in the headlights,
trying to find my way back to my mother,
going blind from the colors

I'm a deer in the headlights...

Mom,
If you can hear me now,
I'm so sorry for who I am
Even sunflowers need the rain to grow
Like recycling scar tissue you refuse to show
Like holding the words to a cookbook containing the recipe for disaster
Like the blood of an open wound placed by the whip of an unruly master
Even sunflowers need the rain to grow
Like when you finally learn the meaning of you reap what you sow
Like a magnificent sand castle washed away by the sea
All the sand becomes one and denies the right to be free
Even sunflowers need the rain to grow
Like the sting from the phrase I told you so
Like a deer caught in headlights frozen dead in it's tracks
Like gazing the stars if we could just climb the smoke stacks
Even sunflowers need the rain to grow
Like excluding truth from what you think you know
Like playing life in a game of poker, and the *** is everything but cheap
Karma has the high hand, face up, read'em and weep
Even sunflowers need the rain to grow
Like running through red lights because all you want is to go
Like a jack of all trades who can't fix his own heart
Like the tortoise that took off before the race even start
Even sunflowers need the rain to grow
Like a hundred oars and no arms to row
Deceive me
Lie to me
**** with my head

On the edge of the cliff
Then you pull me to bed

Your love is a drug
*** with you gets me high
I’m a full blown ******
Makes no sense; don’t know why

You're an ever present torment
The fission laser splitting my mind
A jig-saw puzzle that was completed
Slowly each piece from each piece you unbind

Seductively you tear me down
Like the clothing you disrobe
A deer staring into headlights
I am frozen on the road

The weight of the world bearing down on me
As those focused beams get closer
Gladly I welcome them
Even though I’m not supposed to

Every rational thought I have
tells me how wrong you are for me
But they are drowned and muffled out
No more thoughts; keep your pennies

No sensible way to explain
Why I ******* love you so much
You’re a psychotic crazy *****
that I don’t want anyone else to touch
A blowtorch ignites a flame
A fire fierce and burning bright
Even though I know it will burn me
With all my gathered strength and might

All it takes from you is that look
You cast that Vampire’s gaze and grin
Instantaneously my defenses lowered
and you know you’ve ****** me in
Immerse myself into the flame
Intense pain; you melt my skin
Until pain I feel no more
I’m enveloped in your sin

And like a ****** choosing dope
Everyday, your sin I’ll take
I will gladly sell my soul
The most egregious of mistakes

A preying succubus appears
like a dreamy demoness
A world of dreams are turned to nightmares
Fills her needs for human flesh
Written: February 19, 2018

All rights reserved.
Dorothy A May 2012
Chad looked over at his sleeping son sitting next to him in the passenger seat. This little journey from the airport to his home still seemed so strange and uneasy to him. It astounded him that Ian was now twelve years old, nearly a teenager. To be honest, he still did not fully feel sure about this arrangement, this set-up for him to have his son for the summer. Nevertheless, he tried to project confidence to everyone involved, to his family and to Ian's mom. He kept reminding himself that it did not matter how he felt.

He needed to step up to the plate.

No, Chad Brewster never envisioned himself as a father, never dreamed of it, and certainly never once desired it or would have chosen it as his path. Though some of his close friends wanted or had a family, it was never a part of his plans to ever be a dad. He did not dislike children, but he just never expected he would ever settle down and have them.

He especially never expected to be a father at the mere age of sixteen years old.

The suburbs of Las Vegas were worlds away from the suburbs of Milwaukee. Driving down the desert surrounded streets and highways, sometimes homesickness tugged at his consciousness. At times, Chad’s craved the surroundings of his old existence—the shady pine trees, and spending time at Lake Michigan—and he would gladly trade some palm trees for the some of the pines he was so accustomed to. But this was the life he now chose to have, and he thought he should have no reason to complain or be too sentimental. Many people were not so lucky to experience any refreshing change in their lives, and he was able to have it.

While on the road, Chad reminded himself to give Ian's mom, Becca, a quick call to let her know that they were on their way to his home. He pulled out his cell phone before he got distracted. Ian already texted her a few times to let her know he was alive and breathing along the way.

Becca had her reservations about sending her son off to be with his dad. He had his visiting rights, though, and she couldn't lawfully deny him them. It was a tough decision to send him off alone on the plane to meet up with his father, but Ian had good sense, and he was taking a direct flight to Vegas. He loved to text, and his mother made sure he had his very own cell phone to keep in constant contact with her. It was so hard to let him go like this, for Becca cherished Ian. He had a much harder start in life than some other kids, and she felt partly to blame for it.

Chad got a hold of Ian’s mom. "No way in Hell! You are calling me now?" she angrily accused him, her tongue sharp with criticism. "You know **** well this is his very first plane trip by himself, and I thought you'd have the decency to tell me once he got off that plane! Please! Don't try to convince me that this whole thing is a huge mistake, some major lapse in my judgment. Can you do that for me? You could have at least had the decency! Put him on the phone! Let me talk to him!"

"Look, Becca, he's asleep. It was a long day for him. He's exhausted". Chad was trying his best to hold back any displeasure or to raise his voice, but he expected his calm wouldn’t last. "Don't ***** me out for not calling you the very second you are demanding. You know I would have called in a heartbeat if I felt Ian was in danger. You know I would".

"Oh, I'm really not so sure", she replied, sarcastically. "I'm tempted to fly over there and come get him! I've been sick about it all day!"

"Such a **** drama queen, Becca! Like it or not, the world doesn't revolve around you! You don't have all the control! “ The anger rising was rising up in his tone. Her judgment of him of was so tiring.

"Oh, really Chad?" she replied. "I've got my act together a long time ago, but you...".

"Look, he is my son, too!" Chad shouted loudly. He was fed up of her ****** attitude, ready to hang up in her face.

"You could have fooled me!"

His eyes were glaring as he drove down the arid Nevada highway, just as if Becca stood there right before him, her finger wagging in his face, her other hand on her hip. He pictured her now as if time and everything in it had stood still, and she was before his motionless car and in his face, still in step with time and letting him have it.

This little display was so typical of her. Only Becca Morgan thought she ever had any common sense when it came to their parental abilities. Sure, she was the one who really raised their son, but she never would have pulled it off without the huge intervention of her mother.

Without a doubt, Ian had to admit to himself that he had been avoidant and immature in the past, but Becca did not have the patent on good parenting or on maturity. In her eyes, Chad was never going to be a proper father, even if he proved it.

Chad vowed that he wasn't going to pay forever for his mistakes of being an absent father, far more absent than present in his young son's life.

He looked over at his son sitting beside him. Ian was sound asleep—thank God—for he heard his parents squabble about him far more than he should have. In fact, he never saw his parents talking in a friendly manner. No matter how they began talking to each other, their conversations always ended up with angry words.

Ian must have been dead tired to sleep through it all. He hardly stirred since he fell asleep. If Chad wasn’t driving, he would be studying his slumbering son in peculiar wonder, sitting there for quite some time and thinking how on earth he ever was able to produce such a child, a seemingly healthy and well-rounded boy. It was as if his child was an UFO alien, or something—someone to be discovered for who he really was, and someone to be fathomed with fear.  He felt that uncomfortable about being placed into the role of a father.

It gave Chad's stomach a funny, odd feeling to think he wasn't too much older than Ian when Becca—his loving girlfriend at the time—came up to him and told him the shocking news. It would be the news that would forever change his life, and hers.

She was pregnant. Chad was definitely the father.

It wasn't that Becca did not know what to do about her condition, for she knew what she wanted from almost the very start, and she had settled it in her mind without much inner conflict. There was no helplessness or hopelessness in her, not like some pregnant teenage girls that found themselves in such a predicament. She wanted to have her baby and keep it to raise as her very own, and not for a future adoption—with or without Chad's approval. She did love Chad, but in the long run, she did not care what he thought if he did not agree with her.

As far as she was concerned, this baby was hers.

Chad, on the other hand, was terrified, simply terrified. He did not want to believe the news, hoping that Becca would turn around and tell him it was a huge joke. He would be quite ticked at her if she did such a thing, but also very relieved. He would gladly kiss the ground for it not to be true.

If only it was a joke. Becca was quite serious, playing  no such prank on him, Next, she planned to tell her mother next about her unborn baby. But the first person she wanted to tell was her boyfriend, and she expected that he would be on her side—or at least be won over eventually.

As a dumbfounded Chad stared at her in disbelief and shock—like the classic deer in the headlights—Becca insisted that she was telling the truth, that she was even beginning to show. She could prove it.  Her periods had stopped, and three home pregnancy tests confirmed her suspicions.  Gently, she took Chad’s hand to place over her stomach. Freaked out of his mind, he ****** his hand away as quickly as it touched her belly. His knee **** reaction would always stick in Becca's mind of how Chad really felt about her. It was almost like she had a disease.

She suddenly felt dejected. It looked like Chad would not be on her side, after all.

Maybe it wasn't his? Chad knew that Becca would hate him if he ever implied such a thing. She was crazy about him. Chad knew that. But she had an equal amount of passion to go the other way if he betrayed her. The doubt on his face, and the hesitancy in his voice, did betray him and Becca’s heart slowly sank. She wanted Chad to care, to understand, certainly not to view her as the guilty partner who was ready to ruin his life.

Instead, it looked like the beginning of the end for them.

No way was Chad willing to break the news to his parents, especially his dad, Ed Brewster. He’d rather put a gun to his head than say anything about it. Chad really never saw eye to eye with his father.  Unlike his two older brothers, Michael and David, Chad always felt like he could never please the man. His mother, Nancy, had forever seen Chad as the role that life had given him—the baby of the family. He seemed to have more leeway with her, but not so much as an inch with his father.

Ed, a veteran police officer, wanted all three of his sons to do well in life, better than he had achieved. And as Michael and David were dreaming of such careers as doctors and lawyers, all Chad ever dreamed of was to be a drummer in a rock band. Playing the drums was fine for a hobby, but Chad's father wanted his son to see the garage band he played in as something temporary, something to grow out of.  His son saw otherwise, never seeing himself ever retiring his drumsticks for some job he was bored to death with, or that he hated. He didn’t care if he would never end up earning a dime from it, not playing the drums would be like not having arms or legs. Chad would never give up on his musical aspirations.

One of the first photos that his mother took of her youngest son was him as a baby, sitting on the floor in the kitchen and banging a ladle on the bottom of a pan. At that age, he would much rather play with kitchen utensils, using them like a drum, than any shiny, fascinating toy in his possession. His mom simply thought it was adorable. His father wasn't so impressed, especially since the racket he made was only the beginning in his musical journey of too much noise surfacing from the basement.  There would be plenty of times when Ed would warn his son to give the drums a rest, or he would throw them in the garbage, for Chad could practice for hours on end.

It seemed that music flowed in Chad's blood, was natural to him, but no one in the family had any such musical talents or ambitions.  While his father just didn't get it, his mother supported him with any help she could. When he was six, he was in his glory when his she bought him a child's drum set to bang on. When he turned eleven, she bought him a real set of drums, and encouraged his participation in school band. His brothers' interests were far more typical. They were heavy into sports, and they always had their father's blessings. When Chad kept on doing what he loved, he was seen by his dad as almost a delinquent.

Now that he was an adult, his love of music was paying off. Resettling in Vegas provided many opportunities, plenty of musical venues. With all the entertainment in Sin City, Chad could find enough work playing the drums. There has been a good flow of steady work for him to work in the casinos, and he also played in a local band that did such gigs as weddings, birthday parties and bar mitzvahs. They were a group of six talented musicians that got together to form their own band, and play just about anything—rock, rap, blues, jazz, country and swing. They soon voted with each other on what to call themselves. A good name had a lot to do with if someone got hired for gigs, and nothing they could think up sounded any good.  It seemed like all the great names were already taken, nothing new under the sun. The Sonic Waves sounded the coolest, but since that name was already used, Chad played around with the idea and suggested they call themselves Sonic Stream. That had good potential, and the others agreed with it. He was glad and honored to make such a contribution to his band.        

Chad could honestly say he was happy out here in Nevada. His mother felt like he was trying his best to distance himself from the reality of his problems, especially his strained relationship with his father. Chad disagreed. He just wanted to feel like he could accomplish something in his life, not proving anything to anybody—but to himself.

Would Ian be happy out here with him? It would only be for the summer, but would Chad make a good impression on him in his life out here? Ian glanced over at his son who still slept almost like a baby, seemingly wiped out, though the day was still young.

Several minutes later, Ian called out, "What time is it?"

Somehow awakened, he was rubbing his eyes, disoriented by the fact that he was in a different time zone and in an unfamiliar place. Chad smiled at him, trying to reassure the boy that he was glad to have him here.

“Almost two thirty", Chad returned. Ian moaned and tried to sit up straight, squinting from the glare of the strong Nevada sun. Quite groggy, his internal clock was not sure what time it was.

Your mom called”, Chad told Ian. “You know your mom, bud. She does worry about you”.

“I texted Mom. I said I made it OK”, he replied.

“But did you actually talk to her?” Chad asked. “You know how she is. Unless she talked to you herself, I am sure she was convinced some madman took control of your cell phone and pretended to be you”.

Chad laughed and Ian tried not to act like what he said was that funny, but he shyly grinned and tried to cover his mouth to conceal it. He did have a special bond with his mother, but he knew his dad was right. His mom worried way too much.

“I talked to her just before the plane took off”, Ian admitted.

They drove in silence for a while. Chad had to admit to himself that Ian was looking more and more like him the more he grew up, and Chad seemed to favor his mother's looks—of which he was grateful—for he never wanted to resemble his dad.  Lots of times, Chad and Ian were mistaken for brothers, Ian a much younger brother, but surely not imagined to be his son. Chad felt that Ian was already looking like a teenager, maturing fast for his age, and Chad often was perceived as younger than his twenty-eight years. Ian was growing up so much more than his father could envision, and Chad knew why. It wasn't like he saw his son so frequently that the change was not obvious. Every time he saw him, a big gap had been gapped by growth and change, and Chad was guilty of missing much of those experiences.

Was it that Chad did not really want to grow up? Becca surely accused him of that. His father did, too. Performing gigs in a local band seemed far from a man's job to Chad's father. When he still lived in Wisconsin, he knew he had better learn to have other work to fall back on, for band work did not always pay the bills in those days. That is why he trained to be an x-ray technician. It wasn't the job of his dreams, but it helped keep him afloat when making money from music did not meet his financial requirements. Even though Chad did achieve a fairly decent and respectable job, it did not seem to matter to his critical father.

At the mere age of sixteen, Chad had nothing to back him up against the anger his father would have towards him. He knew he would be knocked down for sure when his parents found out about Becca's pregnancy.

The words his furious father told him stung pretty harshly. "You don't have the sense to be a father! You don't seem lately to have the sense to be anything! You'd ruin that kid’s life, for sure!"

His father had to always play the street-smart cop, even at home, and Chad was fed up as looking like a criminal in his eyes. He almost wanted to cry, but refused to show his father any such weakness. Instead, he gave him the best stone cold, unemotional response that he could muster up. Replying in a monotone manner, though he really feared his father's anger, was the best way to stick it back to him.

"Sure, you're right. I take after you. Bad fathering runs in the family", he said back.

Ed looked like he wanted to punch his son, though he never laid a hand on any of his sons in such a way. Trying to repress his own sense of hurt, and remain with his anger, he replied, "If you were eighteen, I'd throw your *** out right now! Don't push your luck!"

Chad always aspire
Madisen Kuhn Feb 2015
you are the song
i want to listen to
in that cliché and timeless
3am moment on the highway
windows rolled
down with the
potential-filled and empty
yet comforting indigo
sky blowing past,
only car on the road
just us, me with my
feet up on the dash,
fingers interlocked with
yours on my lap,
headlights illuminating
the road and trees
ahead, can’t think about
anything else except
for the pulse of the night
and cold air on my skin
and oh God
this is my life and
i feel so alive
Jason Cirkovic Nov 2014
Is there tear gas in this room?
Because I can't stop crying
The gas crawls down my esophagus
And crushes my wounded heart.

“God this hurts”

I keep typing,
Praying to computer screen
That I'll forget the smell of your hair
I type till my fingers bleed
So I can forget what your touch feels like
How our lips fit perfectly together.

“God I hate myself”

The only phrase I think of
When I'm pleading for things to back to normal
Back to the days
Where you didn't want to to crack open my skull
And see all of the ugly things
That drift around my cranium

“Baby please I'm sorry. I’m a mess,
A klutz, who waltzes around with stupidity
Baby I get this feeling in my head
When you are not around
I want to keep writing you these love letters
By sliding them under your doors called your eyelids”
But I can’t

I sit alone in the bus called life
Looking across my seat
I see you, my love
Holding onto the bar
Your pretty Blue headlights
That make me drawn to you
Your pretty Blue headlights
Covered with the rain I caused
I'm a rain man,
you see, when people get close to me
I get scared
And force the skies rain to tears with pain.


The only thing that floats in my mind
Is that I hope the man of you life
Buys you flowers
Sunflowers especially
And shows up to your work unexpectedly.
I hope you can travel to Paris
and keep a long list of all of the countries
you've cuddled in.
With him.
I hope you he can handle seeing the stars
From your eyes every time you guys cuddle
Under the moon light.
I hope he can teach you how to slow dance
And I hope that he can teach me
On how to be a better man.
Julianna Eisner Apr 2014
Inside these dimensions of my prison,
paralyzed, immobilized,
shattered in fragments of fear,
I utter stifled screams
from my body heap,
piled on the hardwood floor

c
       r

     u
        
                   m
  b

        l
i
         n


g

trapped, desolate and
wretched in mind,
what is left of me after invasion and ravage?

Chase away this these vultures and thieves,
so to shut out this duality
blinding me,
a rabbit caught in headlights    
                                                  ­ up
                                        me
                   ­        pick
For now I have remained silent,
less the words I have spoken to you,
to reconstruct and repair
this shattered Self,
seeking guidance.
(Until further notice)

i love you.

and

let's
just
run
away
They* drove me across the country,
from the busy city where we departed
to intimate villages where they recessed,
and spent a star filled, moonlit night
singing songs,
their bodies casting long, wavy shadows
from campfires they huddled around.

Just as I got too cold and my wheels
couldn't turn anymore
did they *finally
turn the spark plugs,
revving and igniting my despair and sensitivity
producing heat.

Sometimes they pushed
until I shoved
and scraped my rubber
on asphalt,
on rocks,
on sand,
on boulders big and small,
and I hit a flat-line;
the air I could hold in
no longer.

They rode me into a forest
whose undergrowth was as thick
as a bears' fur during the winter,
and redwood that spanned the horizon
you thought it could pat the constellations.
A forest teeming with life that
one would react like Wendy from Peter Pan--
never wanting to leave Neverland.
And I could see it in their
soft faces and squinting eyes,
bright and lit up with joy,
every detail apparent
as if I burst my headlights into high-beam,
directly on them.

It was there I ran out
of gas and my engines
parched for oil,
from the endless adventure
that was exhilarating and memorable.
One could, as a result,
easily forget responsibilities.

There was no service or refill station nearby,
so I was abandoned where I parked,
flat tires, rusty hood, broken chassis,
dilapidated suspension.

I've proved my worth
from when I was brought in
and over time
it wasn't enough.

*Only repairing, never maintaining.
The five weeks before the 2nd term started were the worst week I've had this year,and I'm determined to never let something like that happen again.
Jordan Rowan Jan 2016
The night sounds of fallen angels
Building stairways back to home
And the radio plays softly
Like a crooner left alone
As the night falls into the velvet shades
And beats down the bedroom door
Of all the visions that come to me
It's of one I'm hoping for

The postman closes up the station
And the buses get cleaned with rain
The asylum rests and barely breathes
As the countryside goes insane
Prophets speak of peace
On the dim hue of TV screens
Of all the moments that seem real
I still wait to watch my dreams

Imposed upon the westward wall
Are the silhouettes of weeping oaks
Swaying in the wind that talks
But they only tell me jokes
Swept beneath the silver stars
Sleeping on blanket clouds
Of all the space above me
I feel as if I can't get out

Headlights and passing trains
Sound like time passing by
Gone are the hearts inside
Like the years beyond my eyes
Sounds from the suburb city
Blow like sirens in my mind
Of all the thoughts within me
Only one freezes time
Michael Oct 2014
I am lonely, not lonely

the choice up to now
has been mine

I will slip away
(at will)
into the recesses
of small shops
of empty rooms
or quiet spaces

to avoid her touch
or his gaze
or their judgement
our subconscious desires.

But all swallowed up

deep in the belly
of fog, of smoke
a vast, impenetrable

night sky

suddenly the
all-encompassing fear
grips me

washes over
so suddenly

I realize
I have not lived at all

that I am
suddenly
(forcibly)
the only one left.

Down a long, winding road
that trudges on endlessly
into the fading silhouette of trees
and broken sidelines

dim headlights

I am lonely, not lonely.
Jamie Horridge Mar 2014
Who are you and why do you have this effect on me?
You walked in the room and I can hardly breath
Do you make me nervous on purpose, or is it just me?
Are you doing this on purpose?
I'm falling so quickly

I don't wanna rush it and call it too soon
But if you were the sun, then I'd be the moon
Your eyes illuminate the streets with the only light I can see
I'm just a deer in your headlights when you look at me

Take me anywhere you want to go
I'd follow you into the dark in places I don't know
Wherever you are is where I want to be
You're everything I want, and all that I can see

If you have a hint of doubt about the things that I have said
Just believe me when I say, you do laps inside my head
If you leave it up to me,
I'd tell you to stick around
You be the tree,
I'll be the roots in the ground
I'll help you grow and try to give you everything you need
Darling, it'd make me happy if you grew old with me
Richie Vincent Jul 2018
Goodnight moonlight,

Sweet dreams, moonlight,

I am away now,

Driving under your blanket, your bright stars lighting everywhere dark,

It is a late hot summer night, however I have turned the heat on, on this long summer road,

It reminds me of you,

Warm, open, and free,

I like it this way,

Windows down, hot air blowing, there is no room for cold here,

I like to play the radio soft,

It reminds me of you,

Stevie, you feel like the 80s,

And your voice reminds me of hers too,

My headlights illuminating the street signs just enough for them to dance, like everything has just a little bit of magic in it,

The first time I met you, you shook my hand, moonlight, and you were embarrassed about it, I thought it was kind of cute,

I might just keep you in my chest pocket on this ride home,

I will see you tomorrow night,

Same time, same place,

Goodnight moonlight
Jim Davis May 2017
Kevan Fuchs died today in his sleep
In a similar way as his father of one
And actually, also my father did too
Of those bitter, big cancer scourges
Which always come in unexpected
In this short enough life, a bit early

I've known him ever since first, when
We were knee high to Dad's shotgun
Throughout our small neighborhood
We would all roam to see and look
For ***** toads and such other fun
Without any known end in our sights

We often, came all together, at once
In his parent's, little Clovis back yard
In the under ground, in our deep dug
Wild little clubhouse of our new pride
Approved by our jealous Dad's stare
Made all by ourselves, with great care

Eight by eight, with three feet of deep
Shagged carpet floors, walls around
And places to hide stuff with those
**** magazines we wished to remain
Unseen by our parents, although they
Surely lived through similar wild times

Black lights , fluorescent mod posters
Fans to cool, while there in the deep
Kept the place comfy, from several
Hot summers in New Mexico's heat
Staying nights over, in conspiracy we
Came colluding, while hoping no fame

This place was our place, of known
Refuge from all of the big crazy, with
Frightening world still yet to come
Giving us our youngest freedoms
And also so much being in trouble
As kinda neighborhood hoodlums

Far up his Dad's, tall, two-way radio tower
One of us in care would climb
With binoculars to see the dark night
With our pair of walkie talkies held
Warn the others, carousing around
Of any plight, in appearing headlights

Kevan's brother, still alive,  Keith
My other brother by another,  Buddy
Also at first, a weird guy, named Chris
One other member, as second cousin
Who actually, was my very first kiss
When it was hard to aim, lips to miss

All bound as one, by made up signs
And part of something called PSO
Which, if you don't know well, what it
Truly means, then you were definitely
Not a part of the so very high bliss
Which we suffered through so often

Kevan's true nature is clearly proven
Finally, most completely, at his end
In the nature of his wonderful loving
All his family, who also so loved him
And all those other parties to trouble
Who also so loved, really all of him

©  2017 Jim Davis
Kevan passed away over a year ago.  I just wrote the poem recently.
ryn Sep 2014
Doom train hurtling along
Through the fog in my mind
Towing freight, rectangular and oblong
Dim headlights, you're travelling blind

Five carriages long, excluding engine and caboose
Metal against metal, spitting sparks on steel
Undetermined path, rails will choose
Chugging along on dirt covered wheels

In the cabin, I see the light
Emanating from your furnace
Swallowing up coals in your gaping bite
Tongues of flames licking the surface

Fire breathing, spewing thick black smoke
Almost unseen, against the dark of night
A long plumy arm as if extending to choke
And plug the remaining sources of light

Meandering precariously on tracks that weave
Over uncharted, unfathomable terrain
Your store, so reliably you heave
Worming your way through my brain

What's in that cargo of yours?
What lies within those boxcars?
What drives you to diligently run your course?
What fuels you to travel near and far?

Loads of self pity, self loathing and self reproach
Snaking your way to an unknown destination
Screeching brakes as if a stop you approach
Herald the train of dubious intentions

Light is upon you, dark will dissipate
Your plumes starting to lessen from your stack
The dawn breaking horizon you didn't anticipate
To see another charging towards you on this very same track...
See "Light Train"
See "Collision Course"
Janessa Sep 2016
It starts with a stare
We're both well aware
You're pulling me closer
Pulling me in

Eyes locked eager to sink in my teeth for the taste of your sin
The nights blaze from heat of exchanges
Times fades so drive me away

Dim the headlights the streets are open
Once dark skies burst in orange and blue
Sit still on your passenger side and watch you drive me to fall in love

We fall in love

And when you speak it leaves me weak
In the days and days I'm lost and I am craving more
Yes you can touch me easy

The night blaze from heat of exchanges
Time fades so drive me away

Dim the headlights the streets are open
Once dark skies burst in orange and blue
Sit still on your passenger side and watch you drive me to fall in love

And if I lost you I've lost every piece of me inside you
With every taste of me that you take I break just

A little bit more
A little bit more
A little bit more
A little bit more
A little bit more

The night blaze from heats exchanges
Time fades so drive me away

Dim the headlights the streets are open
Once dark skies burst in orange and blue
Sit still on your passenger side
And watch you drive

Dim the headlights
We fall in love
resource:
video: https://www.youtube.com/watch?v=fdLbmu_vugA
Jenny Jul 2018
the electricity runs through our veins
and past the street signs we rumble by
in the car you stole, we go fifty above the speed limit,
the roof of the car is the noir sky above
and the midnight rain pelts our upturned faces
the dancing drops of water drip onto our smiling lips
the sound of the sky collapsing
echoes the flashes that streak the sky,
the flickering light casts paved roads with a brief brightness
(as if god were wearing light up sketchers)
the lacy brallette that wears me
gives me the bravery to stand up in the speeding car
the velvet pants that ripple with the wind
drink up the nighttime rain
and the rare headlights race past us,
heading into homes and hearts
the mellow playlist that connects the aux cord to our ears blasts
so loud, we can no longer hear our insecurity
the mascara that once clung to my eyelashes
now streams down my face.
on a two way street,
we drive down the middle
unafraid in the face of direct dangers
so unaware of the towering empty skyscrapers
and instead highly exhilarated
from the street signs we drive by
too fast to read the blocky lettering
the road signs glint, smiling as we wave and reach towards them
the cigarettes you smoked are thrown through the open window,
still smothering slightly.
i can still taste the smoke on your lips
and your hand tucks my hair behind my ear
and as the wind objects and inhales
unreal in the hazy a.m. car trip
the tunnel rushes towards us,
and we both hold our breaths,
as if breathing would contaminate us.
the lights that glint, cast a yellow-white glow
and for once, i see you for who you are
a boy too buzzed to feel
a kid who only felt "sort of"
a person who couldn't heal
and a lover who could never give love
about a boy who was my living teenage dream // nothing scarier than finding a broken loveless boy who makes you the same
kas Dec 2017
this is how it happens
it's the last day the temperature will be
above thirty-two degrees Fahrenheit
until February
you're not looking at the date
it's just the end of November
the middle of the night in the middle of a road
at the end of November
the hum of this small town hurts your ears
you're stuck in a dream where everything you see
turns into a weapon
this is how it happens
you knocked back sharp, amber liquid
to make this place feel a little more okay
and it only worked halfway
no matter how soft the edges are
you bruise your hips when you
run into them in the dark
you're ******* on your fourth cigarette when
a police officer pulls over and asks
how you're doing today
in the too-bright white of the headlights
the sick taste of Red Stag sticks to
the roof of your mouth
the mouth that you're moving into a smile
the mouth exhaling plumes of smoke at the ground
you're okay
"i'm okay."
you don't tell him what you're really doing
you're really taking all of your
thoughts about stopping your pulse for a walk
you don't tell him you've been
chasing ambulances all night long
please, officer don't leave me alone, you don't say
he tells you to have a good night and drives away
and this is how it happens
the moon smiles at you with every single one
of its tiny, sharp teeth
nobody but your cat finds you in that bathtub
nobody but your cat watches you rise from red water
watches it drip drip drip
from every chasm carved in your left arm
nobody but your cat saw the soft animal of your soul
shiver from the cold that day
it's the first day the temperature
dropped below
thirty-two degrees Fahrenheit inside your chest
based on true events
Lucky Queue Oct 2012
Blip. Blip. Blip
In the black of my room a red light pulses langorously on my phone
Steady green and blue lights and a rapid orange define the router across the room
Red digital numbers stand in the place of the clock
At precisely 6:00 am my alarm goes off(a deranged rooster entrapped in my phone)
A flick of a finger dismisses the crowing and the day has begun
After dressing and any other trivial task, I  am headed downstairs
A chik of the toaster
One beepbeepbeep of the microwave
More digital numbers, this time green, indicate that my bus comes shortly and I dash off
The headlights of the bus announce its presence half a block before it halts and the doors jerkily slide open
I text Graham from five feet away, because I don't yet know enough sign language
On the bus the driver may make an announcement, various lights and a few wires around her seat
School starts with a bell and the mindless herd shuffles in
The hallways bustle with the noise of teenagers chatting noisily, ipods playing, cells buzzing, beeping, texting
Homeroom and every period after is marked by a bell before and after until the last bell, freeing us from our institution of education
Now everyone is really alive and the clammer of sounds is three times as loud as the morning.
On the bus all but the most obnoxious are silent, closed off in their little world of a cellphone, ipod, or mp3
The kids file on and off the bus, only waking from their technology induced zombification to rapidly vocalize with their friends
Once I get home microwave humms as food is reheated or quickly cooked
The rice cooker is prepped and light flips on when plugged into the wall
Coffee maker may be set, and if my dad is home, his workspace is humming and light-pulsing as well
Brother and sisters argue over which tv show to watch or first computer turn while I'm wrapped up in my world of texting homework and poetry
Mom arrives from school and dinner is made
Stove humming loud and food stirfryed
Dinner no blips beeps or pulses matter, just the clinking of silverware and conversation
Afterwards, faucet runs dishes clattering while I wash
Imersion resumes and videos, games, and homework take over until bed
Teeth are brushed, pajamas donned, and members of this family mess around in bedroom before slowly transitioning to bed, and then sleep
So ends another day for me in the 21st century
Life's a Beach Jan 2015
Your laugh was a cloud
Loud
Enveloping
Mist which covered me without the
slightest resistance
insistence
I needed assistance to breathe

Your laugh shows I'm useful
shows there's a need
For us
as I feed on the delicious awkwardness we
shared
Caught unawares by being liked

It's a shame your laugh
was the cloud which hid
a trucks headlights

crash
shared
spent

Your laugh a narcotic cloud I refuse to repent
old poem completely mixed up and switched
Anya Sep 2018
When someone praises me
I'm like a deer
under headlights
Of course I'm delighted
beaming,
even
But I really don't know-
how to respond
...
Do I brush it off?
Act like it's
not a big deal
whether or not
it really is
And move on
to another
subject?
...
Do I just stay quiet
Look down shyly,
and smile?
Or just let the conversation
pass me by?
...
Do I adamantly
reject it?
Refuse, and insist
to the point
that the person
before me
ends up
fighting with me
about
it?
...
Do I roll with it,
faking non-existent
confidence?
Owning up to it,
sometimes
in a joking manner?
...
Do I immediately
switch the topic
to praising
the one
who praised me?
Or have them talk
about themselves
to turn
the
attention from me?
...
Or, do I just smile
large and wide
and thank
the person?
...
I don't know
and it irritates me
that I can even have trouble
with something
as lovely
as a compliment
...
It's not
negative
hurtful
or even
a criticism
...
So why does it
bother me?
...
Maybe
...
I care too much
about what others
think of
me
Layla Thurman Sep 2014
The Radio is turned up loud
And we're all just singing along
With the windows down

We don't know where we're going
Just off into the future
To chase our dreams elsewhere

Were young and were dumb
Couldn't care less to listen
To the warnings our parents gave us

Then in the blink of an eye
All our life is flashing
Like the headlights we didn't see

In a moment caught in a car crash
All the radio plays
Is the silence of our beating hearts
chichee Dec 2018
In a sermon, the preacher says:
"The Lord created us in his image,
all who desecrate themselves
too destroy a part of God."


I've murdered pets and
alphabetised people by
sense and style and laughs like
a rack of dresses.
I've kissed girls just because
they said they could never like me
like that
as if their lips were some
sacred maiden's blush and not
a pair of fleshy rims.
As if I couldn't read their
***** little lesbian fantasies
underneath those
angel faces.

Susan from accounting thinks I need
to see a therapist. I think she needs to see
a mirror. We don't really get along, but ****-
maybe if drink enough
these clocks
these blue collars
these billboards with the pearly white teeth
won't look like straightjackets anymore.

I have this thing where
sometimes I'm just so tired
of being a body.
The world's a ******* advertisement,
Everyone with their scripted
good mornings and
chemical feelings
down to the last **** t.

My skin is a cage
and I'll strip it off like
a *****.
Why be happy when you
could be interesting?

Love like a bluejay,
Fists in our stomachs-
The headlights of a car coming
at 80 miles an hour straight at you,
pummeling in a stream of light.
The taste of a cigarette after
it's been on someone else's lips.

Don't you dare tell me you understand.

When I tell her this
my therapist only smiles,
Darling it's only purgatory.

Allen knew. Nietzsche knew. Woolf knew.
In all our hearts-
We've already killed God.
Experimenting with voices, Richard Siken, Frank Bidart, Allen Ginsberg. Title taken from a Hozier song under the same name.

There was a time
within me
I wanted to be
an actor
beaming
on stage
or a screen
big or small
no matter to me
after all
The exposure is nice
I guess
and all that kind of stuff
but that’s not what drew me to it
Just being an actor
was enough

I enjoy performing
and have a memory
for lines
One of those people
who can quote
a whole movie
It plays in my head
can fast forward
and rewind

But it’s easy to recite
the work of another
One who already
searched within
and discovered
what to emote
the affect
and such
To replay like a puppet
That’s not saying much
Could I nail
the scene
and get the feeling right?
When other actors work with me
maybe they might
get inspired
to the point
they become lost in the scene
We’re reliving
the story
A fantastic team
When the director yells
“Cut!”
all applaud and cheer
Tears in the eyes of some
touching memories
they hold near

The performance
The “art”
that’s what matters most
A singer belting out a song
or a comic
at a roast
The thought of it now
gets me giddy
and inspired
but yet
here I sit
In my chair
I am mired

Never took that step
Overcoming
all that fear
My doubts and insecurities
Worry how much others care
That fear
of failure
or that I wouldn’t
“measure up”
A deer frozen
in headlights
I am forever stuck

And as the time continues on
The days, and months and years roll by
Which is the greater loss?
If I failed
or never tried?
Written: August 8, 2018

All rights reserved.
Gabby Dec 2014
Before I met you, I never knew what it felt like to look at someone and smile. To be happy just because someone is in my presence. I read somewhere the human heart beats approximately 4,000 times per hour. and if I had to guess, I would say 3,999 of those beats are spent on your laugh and your smile. The way the lines that form at your eyes look like our future together. how your freckles spell out 'i love you' just in case I ever started to doubt you. that one extra heartbeat I save for the moment you touch me because I know once you let go I will miss you so much I will end up sinking into oblivion. when I lay in bed at night I start to see the outline of your body the car headlights form a shadow on my wall. I hear the sound of your voice every time I flick the light switch and most nights I stand leaning against the wall continuously turning the light on and off and on and off and on and off and on and off. I've started sleeping with the phone next to my pillow just in case you call. you're the only one I want answering the phone as if hearing someone else's voice could bury me six feet under. I barely get out of bed anymore and it's not because I'm tired or lazy but because I've been digging my body into my mattress to try and feel your warmth. when you lie awake at night, unable to sleep I hope you think of me and know I've been trying to go to bed but I can't make it past the light switch.
For the boy in my biology class I may like just a little too much.
Mitchell May 2014
We took the back road to the house. The shade from the trees made the road feel like tunnel. Not a shred of light came in. We'd have to drive slow. The road wasn't made of concrete: it was made of dirt, rock, and dead leaves. Sometimes we could see the worms come up out of the dirt in the headlights, their pink stretching bodies like weird little fingers. Carrie never looked. She said it was too scary. The rest of us would look and watch them dance around like that. Sometimes we'd have to run them over. Of course, we'd feel bad about it, but we needed to get back to the house. There were things to be done. Nothing planned, but nonetheless, things to be done.
Englend reversed the car up to the front door. The liquor, the food, and the beer was in the back and would make it easier to get it from there. Patty and Carrie (the one scared of the worms) ran straight to the bathroom. They'd been complaining about how we never stopped at a gas station to ***. Englend said we didn't have the time and I just didn't care. Denny was in the same mindset as me. We usually were. Kat was looking out the window, thinking about something she didn't wish to share when we started to unload. She offered to help after she'd finished her thought, but the three of us said we had it. We didn't really, but we let her have her thought while we carried the bags. There weren't that many to complain about anyway.
When everyone was inside unpacking their things, I hung back and smoked a cigarette. I looked down at the river. It was full and rushing. The trees were full with bright, lime green leaves. The branches were tanned auburn from the sun. They looked the forearms of the Mexican girls at my high school: smooth, everlasting, stretching to a place I was never allowed to touch or look at. I ashed my cigarette into a pile of leaves and immediately worried that I was going to start a fire. I kicked it out, thrusting my boot heel into where I thought the ember had went.
"What the hell are you doing?" Englend screamed from the front porch, a handle of whiskey underneath his arm, a glass with ice in the other.
"Ashed into the leaves," I told him, "Trying to take it out." I kicked the leaves a few more times, then walked towards Englend.
"Let me get a hit of that," I said, pointing at the handle.
He spun the top and it rolled off the tread. The cap rolled off the deck and Englend chased after it, handing me the bottle first.
"Take this. Where'd the hell it go?"
"Down there somewhere," I said, pulling the bottle back. The sweetness of the whiskey hit my nostrils first, then the bite of the liquor. I coughed, feeling my eyes begin to water. The first one was always the hardest. After that, they got easier.
June had just ended. July was just arriving. The third was tomorrow and the next day was the fourth.
I took another pull from the handle. I placed on the decks railing and left Englend with it. He was still looking around for the bottle cap.
"I thought I saw it roll under the deck," I told him.
"*******," he moaned. He looked up at me, "Come and help me. It'll be faster with two."
"Can't. Gotta' check on Carrie and get ourselves a room."
"*******," he moaned again, reaching under the deck.
"Don't get your hand bit by a possum or rat or something!" I yelled behind me, going inside. "Carrie!" I screamed, "Where'd you go?"
"Upstairs getting our room ready!" I heard her scream from the 2nd floor, "Come and help me put the sheets on."
I went into the kitchen. Denny was stocking the fridge with the beer and the meat. I reached over his shoulder and grabbed a Budweiser. He had an open one in between his knees. The light stuff was on the bottom to the far left, the heavy stuff in the middle, and the expensive IPA, hoppy stuff to the far right. The top shelf was for food, mixer, and whatever else the girls had decided to get at the store. Fruit and things. I opened up the freezer. There were two handles of Smirnoff resting on three large bags of ice. We would need more ice. I closed the freezer and ran my fingers of the labels of two more handles of Cazadorés tequila and Bulleit bourbon. Overall, I thought we were fairly stocked for the four day weekend, but one could never be to sure. People came out of the wood work for the 4th of July. No telling who would show up at our front door.
I went upstairs to see what Carrie was doing. She was laying on the bed with the sheets resting on the dresser. The light was off. The room was cast in that light grey pigment that happens when the bedroom light isn't there. It was nice. The sun had been straining my eyes the whole time even though I had been driving in the backseat. Carrie was laying face down on the bed. She was wearing a skirt, so I slowly laid down on the bed and inched her dress up. She didn't flinch or move, so I pulled it up until I saw her burgundy lace *******. They looked pressed or ironed or something they looked so clean.
"What're you doing?" Carrie asked me, her face down into the mattress.
"Just looking," I said.
"At what?"
"At your ****."
"Why?"
"Cause' it's nice."
"Close the door."
I got up, closed the door, and laid back down.
"Lets put the sheets on the bed first."
"OK," I said.
We put the sheets on the bed, but couldn't wait for the pillows and the rest of the blankets. We tried to be quiet, but knew we weren't. After, we took a shower together. I rubbed Carrie's shoulders while the hot water rained down on us. She said it was better to get a massage in the shower because the hot water loosened up the muscles. I didn't know if that was true or not, but I did it anyway. I watched her as she unpacked her bag. Her hair was wet and it swung back and forth, wetting her back. She was wrapped in her favorite pink towel. Water dripped from her body down to the floor. I waited to put my things away. I had brought up very little. Mostly *****. Carrie took up most of the dresser. I had one drawer by the time we were finished.
We took a nap. After we were done sleeping, we looked outside and saw the sun had been replaced with the night. The stars and the light coming from inside of the cabin streaked out into the forest like a splash of golden florescent paint. Carrie and I poked our heads outside to listen to the creaking trees and the rustling of animals through the bush. Someone downstairs was lightly clattering dishes as they cleaned them while the smell of red maple firewood burning in the fireplace came up to our room. I took out my phone from my pocket and looked at the time.
"****," I said, "It's already 10 o'clock."
"I'm starving."
"I'm starving and need a drink."
"Let's go downstairs and see what they made."
I slipped on my 501's while Carrie straightened up her hair. We went downstairs and saw two plates with hamburgers and fries on them. Patty was at the sink cleaning the pots and pans. She was staring down into the soapy froth, humming a song to herself I couldn't understand. She hadn't heard us come down. Denny, Englend, and Kat weren't in the living room.
"Where is everybody?" I asked.
"Oh!" Patty burst. She swung around, a soaped up frying pan in her hands. "You scared the **** out of me!"
I put my hands up, "Gotcha!" I said smiling.
"They went for a walk somewhere and left all the dishes for me."
"Leave'em," Carrie said, taking Patty's hands and wiping the soap away with a rag, "Van and I will take care of them."
"I only have a few more..."
"I insist!" Carrie took Patty's arm and lead her to the couch and laid her down. I took a cup from the pantry, filled it with ice, and poured Bulliet half-way up. I handed the glass to Carrie and she brought it to Patty.
"Look at that," Patty smiled, "Full-service."
"What you get when you come up to the Dangerson cabin."
"**** right!" I exclaimed through a bite of hamburger, "Only the best here."
Patty leaned her head back after taking a long sip of the whiskey. She exhaled and closed her eyes. I watched her as her chest heaved up and down. She kicked off her shoes and let her hair fall over the armrest of the couch.
"You said they went into the woods, Patty?"
Carrie took her burger and went and sat next to Patty.
"Lift your legs up," Carrie said, "Let me sit with you."
"Yeah. They went into the woods an hour or so ago. Probably a little less."
I opened the fridge and grabbed another beer.
"What were they going out there for?"
"I have no idea."
"Probably to get firewood or something," Carrie said, "Can you grab me one of those."
"Sure," I said, tossing her one.
"Wait," She yelled, throwing her hands in the air. The beer landed right in one of her flailing hands.
"Nice catch," I laughed, opening the fridge and grabbing another.
"You're such a ****!"
I smiled and walked out onto the deck.
"He really is," I heard Carrie tell Patty.
"I heard that!"
"You were meant to!" she called back to me, laughing.
I shook my head and opened the can of beer. Why did they decide to go get firewood now? We had plenty of wood here already. Patty probably didn't know what she was talking about. That happened often. I strained my eyes to see through the darkness, maybe see if I could spot a flashlight or the round end of a lit cigarette, but the forest was just a wash of thick blackness. Even the stars had grown faint.
"Englend!" I shouted.
Nothing. Not a peep. They were far out there.
"Englend!" I shouted again.
"What the hell are you shouting at?" a voice said from the trees. I couldn't tell who it was, but it was someone I knew.
"Who the hell is that?"
"Well who the hell do you think it is?" It was Englend. He came out of the trees like a wild boar. He had a handle of whiskey in one hand with a pile of small twigs and firewood in the other. What came to mind first was a mix between a drunken Brawny guy and a pinecone.
"What's all the screaming about?" Kat asked, trailing behind Englend. Denny followed behind. They all had armfuls of wood. From what I saw, little would be useful, but I kept that to myself.
Englend came up the deck and handed me the handle. I took a long pull. As I drank, I looked up into the stars, which were now out and shining brighter than they were before. A cloud had moved, wavered off somewhere, presenting the gifts that were behind it. I lowered the bottle and watched Denny and Kat walk up the stairs. They were smiling.
"What are you two so happy about?" I asked, handing Denny the whiskey.
"Gimme' that!" Kat snagged it out of my hand, laughing. She took a long pull. Denny, Englend, and I watched, amazed that little hippy Kat could take such a heavy shot.
"Good God," I murmured.
"She drinks like a pirate," said Denny.
"A ****** pirate," added Englend.
Kat was especially small. Not a small person small, but petite. She also had a great *** and could out drink, out party, and out do the rest of us in debaucherous shenanigans. She had never heard of the word or feeling of shame either and did, really, whatever the hell she felt like.
"I heard that you *******," she said, exhaling, blinking her eyes wildly.
"That was a biggun'," Denny said, taking the bottle and pulling it.
"Needed it. Englend had us wandering around the ******* forest for firewood the minute we got here."
"Do we even need any?" I asked.
"Course we do!" Englend exclaimed, "Gotta' keep our ladies warm!"
He put his arm around Kat and shook her.
"Gross..." Kat frowned, her face pickling while she squirmed out of his arms.
"You love it Kat...where's Patty? Where's my babe!?" Englend thundered off into the house.
"I'm right here," Patty squealed. She was still on the couch with Carrie. She kicked her feet crazily as Englend jumped on her. Carrie jumped off just before he cannon balled onto the couch.
"You guys are SICK!" Carrie screamed.
"You love it," they both said in unison. The two of them play wrestled until Patty finally got Englend by the ***** and kissed him.
Denny handed Kat the bottle," You want another?" he asked.
"I'm good, Denny," she said.
"Hank?" He asked me.
"I'll take one, yeah," I said. I pulled it back as Kat went inside. I exhaled and looked at Denny, "So, you and Kat are the only two legitimate single people here. How you feel about that?"
"Hopeful," he said.
"That's good to hear. I'll see what Carrie can do."
"Sweet," he said nervously.
"Let's get inside. Patty made some burgers."
"Thank God," Denny sighed, shaking his head, "I'm ******* starving. Englend had us walking for ******' miles.
"No idea why. We have plenty of wood downstairs."
"Seriously?"
"Yeah. Lots of it. I cut a bunch the last time I was here."
"******," he laughed, "Englend told us were out."
"He doesn't know what he's talking about," I said. We walked into the kitchen. I put the bottle down next to Carrie, who had made her way from the couch back into the kitchen. She looked at the bottle, then at me.
"What you drinking there?" she asked me looking at the bottle.
"Whiskey," I told her.
"Can you not drink so much?" she whispered so no one could hear her.
"I'm good," I said, taking her hand, "I just drank a little bit outside while I was waiting for Englend. They went on a wild goose chase for firewood."
"Good."
"Denny was telling me they went all over for the stuff."
"Why?" she smiled, "We have so much from the last time we were up."
"That's what I was telling Englend, but he didn't care. Guy gets antsy."
"Who's antsy?" Englend called from the couch. Patty was wrapped up in his eyes, looking drunk from the single shot Carrie and I had given her. Kat was on the couch with a beer. Denny was hovering by the door, rocking back and forth on his heels still holding an armful of fire wood.
"Why don't you just leave that by the door?" I told Denny, "Take a seat. Stay a while."
He dropped the firewood by the side of the front door and took a seat on the floor in front of the fireplace by Kat. He looked up at her and smiled, but she didn't notice. She was sipping her beer, rummaging around in her pocket for something.
"What I was saying was that you guys didn't need to get anymore firewood or kindling or whatever the hell you guys got because we have a lot from the last time Carrie and I were up."
"I saw those logs," said Englend, "And they're ******* twigs compared to what we got!"
Everyone laughed.
"Well," I said, opening the fridge for another beer (I wasn't sure where my other one had gone to), "I'm not taking the **** down."
"All good, we'll take it down."
"You'll take it down," said Kat, "We had to walk through half of the ******* forest to get to your secret wood spot, then walk back. I'm finished with wood for now."
"Fine," Englend moaned, "I'll take it down in the morning."
"I'll help you," Denny added.
"Good! We got two big guys to do it. It'll be done in no time."
I turned around and opened up the cabinet that was filled with shot glasses. I took six out, put them on the table, and filled them with whiskey.
"Let's take a group shot before we all start getting snuggly and sleepy."
"Great idea!" Englend shouted, popping up from the couch.
"For America!" Patty giggled, following Englend.
Kat helped Denny from the floor and walked over to the counter. They parted hands when Denny was on his feet, but I could tell he wouldn't mind holding her hand for the duration of the trip.
"I'm glad to have you all here," I said, "Glad we could do this."
Everyone nodded, smiling, holding their golden brown shots in the air.
"For America," I said.
"For America!" the rest of them yelled. We soaked in the glory of fine whiskey and hazy conversation for the rest of the night.
Everyone was moving slow in the morning. Englend seemed to be the most up out of everyone. I walked into the kitchen to him whipping 12 eggs, grating cheese, pan frying potatoes, bubbling coffee, and pouring orange juice into mimosa flutes. The champagne was already out. I thought, a little alcohol will probably do me some good. It did. After my third glass, I kissed Carrie when she groggily walked into the living room. She preceded to slump onto the couch. I brought her a cup coffee and some Advil. She smiled meekly into my glazed over, blood shot eyes. I could tell she was hurting, but she would be right in a couple hours. Once we got into the river, all would be right.
"Jesus," said Carrie, "You guys are already drinking?"
"Of course!" Englend laughed, "It's the fourth and it's already noon. We're behind if anything."
"And Englend made breakfast," I said.
"I can see th
Ferrin McGinness Apr 2014
it is hell
to have loved someone-
to know you love them
right now, still-
so much and for so long,
and to realize
you don't actually feel
them loving you back.

if you turn onto
a one-way street
in the wrong direction,
it is still dangerous,
against the law
even if you didn't see the sign.
and just because i love
and my love is accepted
does not mean
i'm on a two-way street.

now i'm crushed.
between metal and metal
i'm crushed. in flashes,
when you speak, i see
myself chewed between your teeth.

so when you light up when you smile
when i say in some way that
i love you, you are also
the oncoming headlights,
appearing suddenly,
coming at me on the highway.
L B Dec 2017
A beer can, phone book, a grapefruit
and an Advent wreath
with four candles
in its nest of greens
Two weeks
Two lit
Third one's the Pink
a life three quarters spent?

Next weekend
Saturday-- The Sabbath
falls in Hanukkah

“Blessed art thou, Lord our God
King of the universe
who dost create lights of fire...”

I'll light that third-- the pink one
like a barbarian wise woman
who traveled too far along life's way
to find a Jewish baby, wrapped in rags

...or, was it the old guy that night
lying in the street
outside a New England bar

“Oh Christ! Ya gotta be kidding me!”

Nope, He was there alright

Wallowing in the freezing slush
amid his helpless drunken cries
No cell phones then
Scrapped my pizza plans

On foot alone
waving in frustration  
in the passing headlights
a turquoise, wind-crazed scarecrow
_

“Someone's gotta stop?
Someone has to help us, don't they?”
_

Now there are two beer cans
a grapefruit, and a phone book
beside the advent wreath

Third candle lit and leaning out
for hope along the way
In memory of--
Louise McDermott, my daughter's godmother who gave us the Advent wreath.
and Joannie Handleman, my best buddy in music and crime who taught me her family's traditions  and Yiddish expressions.
My couch,
Is death,
And avoidance is a second language,
Ask me do I speak it?
Conjoined twins,
Of misery and manipulation,
No calls,
Only cushions and customer's custom complaints,
From tomorrow,
The phone wont ring,
So I'll stay down this road,
Listening to headlines and headlights
Sing,
Moody music dwelling,
Where the lies and shame met in between,
Cut the cue, end the scene

The stage has been rebuilt,
We talked like teenagers,
And you told me that I've changed,
But the same,
Still that same number,
No more gap,
But your smile still kills,
Pain with palendromes,
We were here before,
And so again we,
Our fighting saying goodnight,
Street lamps in different cities,
Static.

I'm just fine,
Playing my part,
My mainstream maybe different,
But
Obsession has been overcame,
By the rising tide of a smile,
If the teleprompting signs shine through,
Meanwhiles and meditations
What can I do,
Except hope I'm reading,
The
Right
Script,

The couch,
It asks,
Where have you been?
I set down another,
chip.
Kind of scattered

— The End —