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drrajab Sep 2015
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gee i like to think of dead it means nearer because deeper firmer
since darker than little round water at one end of the well   it’s
too cool to be crooked and it’s too firm to be hard but it’s sharp
and thick and it loves,   every old thing falls in rosebugs and
jackknives and kittens and pennies they all sit there looking at
each other having the fastest time because they’ve never met before

dead’s more even than how many ways of sitting on your head your
unnatural hair has in the morning

dead’s clever too like POF goes the alarm off and the little striker
having the best time tickling away everybody’s brain so everybody
just puts out their finger and they stuff the poor thing all full
of fingers

dead has a smile like the nicest man you’ve never met who maybe winks
at you in a streetcar and you pretend you don’t but really you do
see and you are My how glad he winked and hope he’ll do it again

or if it talks about you somewhere behind your back it makes your neck
feel pleasant and stoopid    and if dead says may i have this one and
was never introduced you say Yes because you know you want it to dance
with you and it wants to and it can dance and Whocares

dead’s fine like hands do you see that water flowerpots in windows but
they live higher in their house than you so that’s all you see but you
don’t want to

dead’s happy like the way underclothes All so differently solemn and
inti and sitting on one string

dead never says my dear,Time for your musiclesson and you like music and
to have somebody play who can but you know you never can and why have to?

dead’s nice like a dance where you danced simple hours and you take all
your prickly-clothes off and squeeze-into-largeness without one word  and
you lie still as anything    in largeness and this largeness begins to give
you,the dance all over again and you,feel all again all over the way men
you liked made you feel when they touched you(but that’s not all)because
largeness tells you so you can feel what you made,men feel when,you touched,
them

dead’s sorry like a thistlefluff-thing which goes landing away all by
himself on somebody’s roof or something where who-ever-heard-of-growing
and nobody expects you to anyway

dead says come with me he says(andwhyevernot)into the round well and
see the kitten and the penny and the jackknife and the rosebug
                                                                      and you
say Sure you say    (like that)    sure i’ll come with you you say for i
like kittens i do and jackknives i do and pennies i do and rosebugs i do
if I should sleep with a lady called death
get another man with firmer lips
to take your new mouth in his teeth
(hips pumping pleasure into hips).

Seeing how the limp huddling string
of your smile over his body squirms
kissingly, I will bring you  every spring
handfuls of little normal worms.

Dress deftly your flesh in stupid stuffs,
phrase the immense weapon of your hair.
Understanding why his eye laughs,
I will bring you every year

something which is worth the whole,
an inch of nothing for your soul.
Thia Jones Apr 2014
This is how it goes
your hands will be proxy for mine
my hands will be proxy for yours
your fingers my fingers
and my fingers yours
what I describe, you enact
told in detail so exact

Just to begin
I squeeze your *******
knead and pinch
tweak a ******
give it a tug

Stroke your tummy
work over your thighs
move up the inner
where skin is smooth
circle around, moving in
till soft contours are caressed
through pants that burn
to be removed
that pain you to wear
and I see in my mind
as you describe
the spreading, darkening patch
that fills the gusset

Now they're pulled down
removed quickly, completely
and you are revealed
spread, opened, shameless

Gentle fingertips tease
dance in circles, barely touching
yet the fire within grows
back and forth, round and round
dance the fingertips
as both reciprocate
with growing pace
and firmer touch

I hear you gasp down the line
and your breathing quickens
as you hear mine
as your excitement fuels mine
as mine fuels yours
in our feedback loop of lust

And I tell you how
my fingertip would give way
to tonguetip if I could
that I can taste you
in my imagination
fragrant, salty sweetness
with musky undertones
the tip of my tongue now circling
then flicking back and forth
beating out the rhythm
that you best harmonise with
bringing forth your moans

Then darting down, back
between wet, glistening folds
exploring each ridge and valley
working remorselessly

Breathing faster now
with animal grunts and moans
directions of pleasure gasped
breathless down the phone

As fingers again
take the lead
find the opening
slip readily within
probe, explore, ****
find that place
on your front wall
yes, just that spot
that's a little rougher
and feels sooo goood

Add a second finger
working and *******
licking and rubbing
moaning and gasping
barely intelligible now
...yess...more...yess...ohhh
are all that have meaning

Finger three joins one and two
then the pressure builds
demanding release
and shaking and thrusting
grows to shuddering
and...yes...yesss...sooo clooose

******* faster furiously
till we both explode
hearing each other's
voicing of our ecstasy
in language intelligible
only in this one context

Brains and voices return
as we bask in the afterglow
and what passes between us then
in those moments
is the deepest intimacy of all

Cynthia Pauline Jones 01/02/2014
How sweetly shines, through azure skies,
  The lamp of Heaven on Lora’s shore;
Where Alva’s hoary turrets rise,
  And hear the din of arms no more!

But often has yon rolling moon,
  On Alva’s casques of silver play’d;
And view’d, at midnight’s silent noon,
  Her chiefs in gleaming mail array’d:

And, on the crimson’d rocks beneath,
  Which scowl o’er ocean’s sullen flow,
Pale in the scatter’d ranks of death,
  She saw the gasping warrior low;

While many an eye, which ne’er again
  Could mark the rising orb of day,
Turn’d feebly from the gory plain,
  Beheld in death her fading ray.

Once, to those eyes the lamp of Love,
  They blest her dear propitious light;
But, now, she glimmer’d from above,
  A sad, funereal torch of night.

Faded is Alva’s noble race,
  And grey her towers are seen afar;
No more her heroes urge the chase,
  Or roll the crimson tide of war.

But, who was last of Alva’s clan?
  Why grows the moss on Alva’s stone?
Her towers resound no steps of man,
  They echo to the gale alone.

And, when that gale is fierce and high,
  A sound is heard in yonder hall;
It rises hoarsely through the sky,
  And vibrates o’er the mould’ring wall.

Yes, when the eddying tempest sighs,
  It shakes the shield of Oscar brave;
But, there, no more his banners rise,
  No more his plumes of sable wave.

Fair shone the sun on Oscar’s birth,
  When Angus hail’d his eldest born;
The vassals round their chieftain’s hearth
  Crowd to applaud the happy morn.

They feast upon the mountain deer,
  The Pibroch rais’d its piercing note,
To gladden more their Highland cheer,
  The strains in martial numbers float.

And they who heard the war-notes wild,
  Hop’d that, one day, the Pibroch’s strain
Should play before the Hero’s child,
  While he should lead the Tartan train.

Another year is quickly past,
  And Angus hails another son;
His natal day is like the last,
  Nor soon the jocund feast was done.

Taught by their sire to bend the bow,
  On Alva’s dusky hills of wind,
The boys in childhood chas’d the roe,
  And left their hounds in speed behind.

But ere their years of youth are o’er,
  They mingle in the ranks of war;
They lightly wheel the bright claymore,
  And send the whistling arrow far.

Dark was the flow of Oscar’s hair,
  Wildly it stream’d along the gale;
But Allan’s locks were bright and fair,
  And pensive seem’d his cheek, and pale.

But Oscar own’d a hero’s soul,
  His dark eye shone through beams of truth;
Allan had early learn’d controul,
  And smooth his words had been from youth.

Both, both were brave; the Saxon spear
  Was shiver’d oft beneath their steel;
And Oscar’s ***** scorn’d to fear,
  But Oscar’s ***** knew to feel;

While Allan’s soul belied his form,
  Unworthy with such charms to dwell:
Keen as the lightning of the storm,
  On foes his deadly vengeance fell.

From high Southannon’s distant tower
  Arrived a young and noble dame;
With Kenneth’s lands to form her dower,
  Glenalvon’s blue-eyed daughter came;

And Oscar claim’d the beauteous bride,
  And Angus on his Oscar smil’d:
It soothed the father’s feudal pride
  Thus to obtain Glenalvon’s child.

Hark! to the Pibroch’s pleasing note,
  Hark! to the swelling nuptial song,
In joyous strains the voices float,
  And, still, the choral peal prolong.

See how the Heroes’ blood-red plumes
  Assembled wave in Alva’s hall;
Each youth his varied plaid assumes,
  Attending on their chieftain’s call.

It is not war their aid demands,
  The Pibroch plays the song of peace;
To Oscar’s nuptials throng the bands
  Nor yet the sounds of pleasure cease.

But where is Oscar? sure ’tis late:
  Is this a bridegroom’s ardent flame?
While thronging guests and ladies wait,
  Nor Oscar nor his brother came.

At length young Allan join’d the bride;
  “Why comes not Oscar?” Angus said:
“Is he not here?” the Youth replied;
  “With me he rov’d not o’er the glade:

“Perchance, forgetful of the day,
  ’Tis his to chase the bounding roe;
Or Ocean’s waves prolong his stay:
  Yet, Oscar’s bark is seldom slow.”

“Oh, no!” the anguish’d Sire rejoin’d,
  “Nor chase, nor wave, my Boy delay;
Would he to Mora seem unkind?
  Would aught to her impede his way?

“Oh, search, ye Chiefs! oh, search around!
  Allan, with these, through Alva fly;
Till Oscar, till my son is found,
  Haste, haste, nor dare attempt reply.”

All is confusion—through the vale,
  The name of Oscar hoarsely rings,
It rises on the murm’ring gale,
  Till night expands her dusky wings.

It breaks the stillness of the night,
  But echoes through her shades in vain;
It sounds through morning’s misty light,
  But Oscar comes not o’er the plain.

Three days, three sleepless nights, the Chief
  For Oscar search’d each mountain cave;
Then hope is lost; in boundless grief,
  His locks in grey-torn ringlets wave.

“Oscar! my son!—thou God of Heav’n,
  Restore the prop of sinking age!
Or, if that hope no more is given,
  Yield his assassin to my rage.

“Yes, on some desert rocky shore
  My Oscar’s whiten’d bones must lie;
Then grant, thou God! I ask no more,
  With him his frantic Sire may die!

“Yet, he may live,—away, despair!
  Be calm, my soul! he yet may live;
T’ arraign my fate, my voice forbear!
  O God! my impious prayer forgive.

“What, if he live for me no more,
  I sink forgotten in the dust,
The hope of Alva’s age is o’er:
  Alas! can pangs like these be just?”

Thus did the hapless Parent mourn,
  Till Time, who soothes severest woe,
Had bade serenity return,
  And made the tear-drop cease to flow.

For, still, some latent hope surviv’d
  That Oscar might once more appear;
His hope now droop’d and now revived,
  Till Time had told a tedious year.

Days roll’d along, the orb of light
  Again had run his destined race;
No Oscar bless’d his father’s sight,
  And sorrow left a fainter trace.

For youthful Allan still remain’d,
  And, now, his father’s only joy:
And Mora’s heart was quickly gain’d,
  For beauty crown’d the fair-hair’d boy.

She thought that Oscar low was laid,
  And Allan’s face was wondrous fair;
If Oscar liv’d, some other maid
  Had claim’d his faithless *****’s care.

And Angus said, if one year more
  In fruitless hope was pass’d away,
His fondest scruples should be o’er,
  And he would name their nuptial day.

Slow roll’d the moons, but blest at last
  Arriv’d the dearly destin’d morn:
The year of anxious trembling past,
  What smiles the lovers’ cheeks adorn!

Hark to the Pibroch’s pleasing note!
  Hark to the swelling nuptial song!
In joyous strains the voices float,
  And, still, the choral peal prolong.

Again the clan, in festive crowd,
  Throng through the gate of Alva’s hall;
The sounds of mirth re-echo loud,
  And all their former joy recall.

But who is he, whose darken’d brow
  Glooms in the midst of general mirth?
Before his eyes’ far fiercer glow
  The blue flames curdle o’er the hearth.

Dark is the robe which wraps his form,
  And tall his plume of gory red;
His voice is like the rising storm,
  But light and trackless is his tread.

’Tis noon of night, the pledge goes round,
  The bridegroom’s health is deeply quaff’d;
With shouts the vaulted roofs resound,
  And all combine to hail the draught.

Sudden the stranger-chief arose,
  And all the clamorous crowd are hush’d;
And Angus’ cheek with wonder glows,
  And Mora’s tender ***** blush’d.

“Old man!” he cried, “this pledge is done,
  Thou saw’st ’twas truly drunk by me;
It hail’d the nuptials of thy son:
  Now will I claim a pledge from thee.

“While all around is mirth and joy,
  To bless thy Allan’s happy lot,
Say, hadst thou ne’er another boy?
  Say, why should Oscar be forgot?”

“Alas!” the hapless Sire replied,
  The big tear starting as he spoke,
“When Oscar left my hall, or died,
  This aged heart was almost broke.

“Thrice has the earth revolv’d her course
  Since Oscar’s form has bless’d my sight;
And Allan is my last resource,
  Since martial Oscar’s death, or flight.”

“’Tis well,” replied the stranger stern,
  And fiercely flash’d his rolling eye;
“Thy Oscar’s fate, I fain would learn;
  Perhaps the Hero did not die.

“Perchance, if those, whom most he lov’d,
  Would call, thy Oscar might return;
Perchance, the chief has only rov’d;
  For him thy Beltane, yet, may burn.

“Fill high the bowl the table round,
  We will not claim the pledge by stealth;
With wine let every cup be crown’d;
  Pledge me departed Oscar’s health.”

“With all my soul,” old Angus said,
  And fill’d his goblet to the brim:
“Here’s to my boy! alive or dead,
  I ne’er shall find a son like him.”

“Bravely, old man, this health has sped;
  But why does Allan trembling stand?
Come, drink remembrance of the dead,
  And raise thy cup with firmer hand.”

The crimson glow of Allan’s face
  Was turn’d at once to ghastly hue;
The drops of death each other chace,
  Adown in agonizing dew.

Thrice did he raise the goblet high,
  And thrice his lips refused to taste;
For thrice he caught the stranger’s eye
  On his with deadly fury plac’d.

“And is it thus a brother hails
  A brother’s fond remembrance here?
If thus affection’s strength prevails,
  What might we not expect from fear?”

Roused by the sneer, he rais’d the bowl,
  “Would Oscar now could share our mirth!”
Internal fear appall’d his soul;
  He said, and dash’d the cup to earth.

“’Tis he! I hear my murderer’s voice!”
  Loud shrieks a darkly gleaming Form.
“A murderer’s voice!” the roof replies,
  And deeply swells the bursting storm.

The tapers wink, the chieftains shrink,
  The stranger’s gone,—amidst the crew,
A Form was seen, in tartan green,
  And tall the shade terrific grew.

His waist was bound with a broad belt round,
  His plume of sable stream’d on high;
But his breast was bare, with the red wounds there,
  And fix’d was the glare of his glassy eye.

And thrice he smil’d, with his eye so wild
  On Angus bending low the knee;
And thrice he frown’d, on a Chief on the ground,
  Whom shivering crowds with horror see.

The bolts loud roll from pole to pole,
  And thunders through the welkin ring,
And the gleaming form, through the mist of the storm,
  Was borne on high by the whirlwind’s wing.

Cold was the feast, the revel ceas’d.
  Who lies upon the stony floor?
Oblivion press’d old Angus’ breast,
  At length his life-pulse throbs once more.

“Away, away! let the leech essay
  To pour the light on Allan’s eyes:”
His sand is done,—his race is run;
  Oh! never more shall Allan rise!

But Oscar’s breast is cold as clay,
  His locks are lifted by the gale;
And Allan’s barbèd arrow lay
  With him in dark Glentanar’s vale.

And whence the dreadful stranger came,
  Or who, no mortal wight can tell;
But no one doubts the form of flame,
  For Alva’s sons knew Oscar well.

Ambition nerv’d young Allan’s hand,
  Exulting demons wing’d his dart;
While Envy wav’d her burning brand,
  And pour’d her venom round his heart.

Swift is the shaft from Allan’s bow;
  Whose streaming life-blood stains his side?
Dark Oscar’s sable crest is low,
  The dart has drunk his vital tide.

And Mora’s eye could Allan move,
  She bade his wounded pride rebel:
Alas! that eyes, which beam’d with love,
  Should urge the soul to deeds of Hell.

Lo! see’st thou not a lonely tomb,
  Which rises o’er a warrior dead?
It glimmers through the twilight gloom;
  Oh! that is Allan’s nuptial bed.

Far, distant far, the noble grave
  Which held his clan’s great ashes stood;
And o’er his corse no banners wave,
  For they were stain’d with kindred blood.

What minstrel grey, what hoary bard,
  Shall Allan’s deeds on harp-strings raise?
The song is glory’s chief reward,
  But who can strike a murd’rer’s praise?

Unstrung, untouch’d, the harp must stand,
  No minstrel dare the theme awake;
Guilt would benumb his palsied hand,
  His harp in shuddering chords would break.

No lyre of fame, no hallow’d verse,
  Shall sound his glories high in air:
A dying father’s bitter curse,
  A brother’s death-groan echoes there.
man who wears a hat sits still near the back unmoved by the world or the exposed breast of a statue (brain waves do not discharge through a fedora)

tag attached: bald is sanitary

oranges have more delicacy raw smelly and afterward singing allons enfants de patrie ding dang **** like that, all frog-ese so we don’t understand chanteused stiff basso profundo to excite to let us see with the clarity of a dream curled with hate set firm, firmer in the arms of a sleeveless girl then slung to sea level white as a leopard’s eye

remember its peroxide bathed, bleached inclined on the pillow just at the angle of expectancy without a hat sideward glance and the crippled heels of angels sparking down the hall

bulletin: young man willing to wear false beard to ease the pain for all

or trumpet blues broken played horizontal touched by seaweed hands in the light of boats (unfurled)

slowly

and the memory dies slowly half-forgotten, half-remembered

halved again

slowly

only
to begin
again

grim molecules of love
city of flips Oct 2018
he introduces himself
saying quiet, but slipping in, firm:

“something he knows for sure,
no is no”

I, (19, f)

replying, smiling
saying louder, firmer:

“something she knows for sure,
yes is yes”

and he says

“yes, ma’am,”

returning her smile, so shyly,
while blushing, so loudly,
thinking he said something dumb,
looking down at his shuffling feet,
covered in worn out cowboy boots

I like this guy
I like this man.
So it is eighteen years,
Helena, since we met!
A season so endears,
Nor you nor I forget
The fresh young faces that once clove
In that most fiery dawn of love.

We wandered to and fro,
Who knew not how to woo,
Those eighteen years ago,
Sweetheart, when I and you
Exchanged high vows in heaven's sight
That scarce survived a summer's night.

What scourge smote from the stars
What madness from the moon?
That night we broke the bars
Was quintessential June,
When you and I beneath the trees
Bartered our bold virginities.

Eighteen -years, months, or hours?
Time is a tyrant's toy!
Eternal are the flowers!
We are but girl and boy
Yet -since love leapt as swift to-night
As it had never left the light!

For fiercer from the South
Still flames your cruel hair,
And Trojan Helen's mouth
Still not so ripe and rare
As Helena's -nor love nor youth
So leaps with lust or thrills with truth.

Helena, still we hold
Flesh firmer, still we mix
Black hair with hair as gold.
Life has but served to fix
Our hearts; love lingers on the tongue,
And who loves once is always young.

The stars are still the same;
The changeful moon endures;
Come without fear or shame,
And draw my mouth to yours!
Youth fails, however flesh be fain;
Manhood and womanhood attain.

Life is a string of pearls,
And you the first I strung.
You left -first flower of girls! -
Life lyric on my tongue,
An indefatigable dance,
An inexhaustible romance!

Blush of love's dawn, bright bud
That bloomed for my delight,
First blossom of my blood,
Burn in that blood to-night!
Helena, Helena, fiercely fresh,
Your flesh flies fervent to my flesh.

What sage can dare impugn
Man's immortality?
Our godhead swims, immune
From death and destiny.
Ignored the bubble in the flow
Of love eighteen short years ago!

Time -I embrace all time
As my arm rings your waist.
Space -you surpass, sublime,
As, taking me, we taste
Omnipotence, sense slaying sense,
Soul slaying soul, omniscience.
Nadine Mar 2019
What have I done I wonder why
I'm gentle soft and very shy
I was not the man I am today
But anger hatred has come to stay

I'm really fun and so kind at heart
But others ripped my heart apart
I learnt to fend and fight alone
My body ackes my heart does grown

When I was a little lad
I was happy carefree and never sad
I did the things that small boys do
How I'd turnout no one new

As my toddler years went by
I realised my life was but a lie
Violence, anger, abuse and pain
Would make me hang my head in shame

The happy life I knew before
Had suddenly gone out our back door
Our happy home had disappeared
It looked like evil it's ugly head had reared

Been a kid so young at heart
Like every other kid does start
Had to learnt to grow up fast
And try to run far from my past

But as my teen year went on by
I became more withdrawn and shy
I made wrong choices did wrong things
One night stand and many flings

Drugs, ***** and deep dark things to
Took me to a place so cold and blue
Relationship that never last
Oh if I could just return to my past

As I aged and became much older
Tried to be strong and much bolder
But the past that hunted me
Wouldn't go away you see

I know deep down in side my heart
Everything of me was ripped apart
I'm but an empty shell inside
At least it is my place to hide

Ive pulled so far within myself
All's affected even my health
Im falling deeper into a blacken hole
Ive lost myself and I'm loosing my soul

The ones that are my near and dear
They can not see and do not hear
How could they ever understand
Not even I this was never planed

I can't show love and gentleness
Will my life ever change and be a bliss
I mask my breaking heart inside
Behind smiles and laughter I do hide

I sit alone so many nights
Thinking back on all the fights
I've become my dad you see
The one that totally destroyed me

How do I get my self untangled
When my mind is a mess and mangled
I blame the world for who I've become
At time I wish it was said and done

I lost the ones I loved so dear
Because I caused them constant fear
I never planed to be this man
I should of taken a firmer stand

Face my demons and my past
Then mabye I'd be free at last
But I cant I don't know why
Maybe I'm scared so I live a lie

What I want and what I need
I leave to others and there selfish greed
I never make my own decision
And I have fall into total depression

The ones that think there doing good
If they only really understood
What I yearn for deep inside
My needs my wants my silent cries

I'm at a place so far away
On this earth I don't want to stay
I've given up but still holding on
But the gentle me and selfworth is gone

So in my mind Ill retreat again
Blame the world for all my shame
Tell myself it's not my fault
It's just so hard and difficult

Maybe one day all will change
I know this all sounds very strange
But maybe tomorrow all will be well
And I'll at last come out my shell
1753

Through those old Grounds of memory,
The sauntering alone
Is a divine intemperance
A prudent man would shun.
Of liquors that are vended
’Tis easy to beware
But statutes do not meddle
With the internal bar.
Pernicious as the sunset
Permitting to pursue
But impotent to gather,
The tranquil perfidy
Alloys our firmer moments
With that severest gold
Convenient to the longing
But otherwise withheld.
Parag Gupta Nov 2013
It’s evening
The hawkers at the station are loud
One is selling lottery tickets
The girl in her old dress, and new earrings caresses her earrings to feel their weight in her hands
She looks at the lottery tickets and wonders why people believe in them


A local comes along with a wave of people
She stands upright and surfs the wave to stay
She knows this isn’t the local she is waiting for
She tells the boy she is with that she had a great time
And he thanks her for a wonderful evening.
He looks at her face one more time, not quite ready to say goodbye yet
He looks at the clock at the station. It’s precisely 8:06 PM
The local will come at 8:08 PM.
He is hoping it’ll be late today.
He needs those extra seconds to prepare himself.
Certain goodbyes in life are harder than you thought they would be.
He looks straight into the eyes of the girl
And sees his reflection in her eyes
Scared of what he sees, he looks away
The girl adornes her new earrings again
She looks at the clock
The old rusty clock still shows 8:06 PM
Time had slowed down for her.
She feels the platform shaking
She fears it is the local approaching earlier?
She hugs him without a seconds delay
Surprised, the boy blushes. And continues the embrace
He whispers to her and tells her, that her earrings are pretty
She smiles
Perhaps this is the best way to say good bye.
The clock is now at 8:08PM and the local is not there yet
They both smile at each other, then look at the clock.
The boy can see the local approaching. He hugs her tighter once again.
And makes sure she doesn’t see the approaching train
She slowly slides out of his arms like sand from a man’s fist. He tries holding her firmer, but in vain
They both smile at each other and say an awkward bye.
She boards the local and tries to find a seat.
He waits patiently at the platform waiting for her to look out once more
The local is about to move and his heart is beating faster than the engine
He can feel her sight on him and looks her way.
She has a crooked smile with which she waves at him.
He waits at the station till the local moves.
He walks a bit with the local and then stops next to the hawker.
He waves at her one more time and watches as the train goes.
He looks at the hawker and wonders why people believe in lotteries.His phone buzzes in his pocket.
He has a big grin, he won the lottery after all
He walks out of the station with a jump in his step as he pats the Bandra station board.
*still an amateur at spoken word*
27

Morns like these—we parted—
Noons like these—she rose—
Fluttering first—then firmer
To her fair repose.

Never did she lisp it—
It was not for me—
She—was mute from transport—
I—from agony—

Till—the evening nearing
One the curtains drew—
Quick! A Sharper rustling!
And this linnet flew!
Kyle Huckins Feb 2013
12 years ago today:
The first time I massaged
your scalp with my feet.  
For all those rubs,
you paid me back well, friend.

I'm sorry for the time I watered
your hair with Kool-Aid,
but it's my 1 to your 50.  
That's right, I've kept track,
so don't even try to contend.

I haven't forgotten your crimes:
The time you stole my Silly
Putty; bits of food you "found."
Crouching whenever I awoke
and let my foot descend.

You always refused to give up
your collection of clipped toenails,
or clean the marks our dog left.
And even then, when they wanted
you out, it was you who I'd defend.

But jamming the vacuum with loose ends,
that was it.  My willpower won't ever bend
to you again.  This month I'll rend
you, not my common sense, old friend.
Hardwood flooring doesn't bend.
278

A shady friend—for Torrid days—
Is easier to find—
Than one of higher temperature
For Frigid—hour of Mind—

The Vane a little to the East—
Scares Muslin souls—away—
If Broadcloth Hearts are firmer—
Than those of Organdy—

Who is to blame? The Weaver?
Ah, the bewildering thread!
The Tapestries of Paradise
So notelessly—are made!
Micheal Wolf Feb 2013
It'***** and miss the *******
We know It's there and needs a kiss
A gentle lick a temperate ****
A delicate flick with the tongue
Then more and more and firmer still
It pops up to show it's thrilled
Then hands you feel on your head pushing you deeper in her cleft
Faster still you thrill her more as she writhes and asks for more
Then finally as her body shakes you taste her as she slips away
James Wisp Sep 2011
This life, although startling in its brilliance,
remains confined to the electrical shadows
cast on the walls of our brains.

Do you ever feel…
no, no, no
not feel.
Well maybe feel...
or sense…
that everlasting something

sometimes off in the distance I can see…

I’d love to take my hands
and, like the meaty instruments they are, dance
sweet symphonies up and down
your body.
Your mysterious mountains I wish to see closer
to land my ***** machine
among majestic silver seas and
strange beautiful grass of green.

I would use my subtle touch to say
what I couldn’t any other way and
drag you down to the depths.

But things are not so simple
in life
as in our thoughts,
nor so rough
as our poor idiotic language.

Every hand, give me your hand.
I’ll talk to you, you wont understand.


These electrical shadows cry at the ultimate,
but our mere conception shames it.
Like the dream tigers we desperately try to craft
they continue to disintegrate
like the castles made of sands,
rocks piled on rocks
reaching for the stars.

The firmer the hold,
the quicker it slips away.
“Just try squeezing the truth from water,”
the angels sing to me in my sleep.

And it’s the love of dreams
which is so greedy for recognition
swiftly performed in the sight of all.

And it’s the waves I feel…
well maybe not feel.
And I wanna say “*******”
because I still love you.

I sense…
well maybe not sense…
And I feel
my soul being slit up as if by a razor.
frenzied but beautiful and
an awful ambiguity grinning over it all,
cackling out the Tao’s opening words,
lukewarm to the point of being
enigmatic,

“The truth that can be told, that is no eternal truth.”

I guess after the laughter, then comes the tears.

*******, Lao Tzu
and your ****** ancient wisdom.

Why you staring at my finger when I’m pointing at the moon?
I got nothing at all.
The center, unapproachable
forever.

You’re willing to die you coward
but not to live.

*Love life more than the meaning of it.
...and they even dare to dream that two parallel lines,which according to Euclid can never meet on Earth, may meet somewhere in infinity.
Delicacy8100 Apr 2021
I watch you as you lightly moan holding back the pleasure.
Lightly grabbing me
I'm pulling you deep into my mouth
glancing at one another
we both grin
bonding
I pull your manhood
Deep
Deep
Tight
pushing and pulling with my tongue
the taste of your flesh... Mmmm
My mouth pulls tighter
Your ******* growing firmer
You ******
..............................
testing my limit
I shove you deeper
Pushing you onto the chair
No holding back
SPLASH
r Apr 2014
Somedays, the tide only laughs
at the sandbags we put up.
When the ocean of emotion
breaks with waves above our hearts,
we swim or drown.

The swell of current overrides
and riptides pull us down.
Move parallel to shore against the tide
till firmer ground is found.
Swim.

r ~ 4/6/14
Nishu Mathur Jun 2017
I stand on the shore, my feet sinking in the sands
My hair tousled wild in winds hustling hands
Covering my face, veiling my eyes
Distantly, I hear the seagulls, their yearning cries.
I grip firmer and hold myself tight
In dusk's diminishing, dwindling twilight.

I watch the waves lunge at me -
Overwhelming, menacingly.
But as they race to the shore, reaching my feet
They drench me, turn back and then recede.

I see another wave, I yearn to move a step behind
Fear and uncertainty fill my troubled mind.
But I still stand, stand my ground,
Unmindful of the sounds
Of the winds and the waves
In a trance, lost, nature's slave.

I nearly fall, my balance lost
Taken by surprise, by waves tossed
But I still stand, stand with unsteady feet
Where the land and waters meet.

I, on the seashore, a speck, besides a sea so vast -
I know that each wave will rest and it too shall pass.
Gordon Warren Jun 2014
They're silent now.

No more endless empty words.

The previously clean paper that was so hastily cluttered up with meaningless drivel to justify their already decided plans, now sit unreadable.

Not a word is being spoken now as a look of stunned surprise on faces that once were clean, smug, and pretty as a picture  would look pale from shock if they were visible and not now bathed in blood and fragments of brain.

A brain that once was so full of thoughts, experiences, images, hopes and dreams.

A brain of a person that had done so much and wanted to do so much more, but was so ground down by the struggle to convince others.

A mind that for a split-second forgot who possessed it and forgot the people he so loved, that would be so hurt from this one, fleeting, solitary moment of madness.

But how can this brain that was put to such good use, now be splattered on tables, across walls, and over the last two inconsequential people to have ever seen me before this act?

By taking a gun from my bag, quietly and without emotion, into my hand, pressing firmly into the bottom of my mouth, all it took was a quick snap of a finger to metaphorically stick two up to them, and to all the others who couldn't give a ****, slicing a hole straight through me, launching a cascade of blood and body tissue into the air, across the room, and over the representation of all that has hurt me.

The decisions they make so easily, in the comfort of their own lives, without a thought for the human cost and waste of talent and potential, becomes just ink on paper.

But that pen became a dagger, ripping out my heart; and the paper that only moments ago was being filled up with my pain has now become the blood-drenched ocean of my soul.

You couldn't or wouldn't see what was on my mind and inside my head before, but you certainly can't miss it now, as it drips down your cheek.

I wanted to wipe away that empty and meaningless look I saw on your faces as you mechanically noted down my comments that I knew meant nothing to you and would go no further.

So now do your best to flick off the blood and please make sure it's all properly written up, reported on, and filed away neatly, in the organisationally detached way that all good little servants and agents of pain and misery always do.

It's so much easier to do the devil's work when it's not happening to you or anyone you care about. Wrap yourself up in the policies and procedures; insulate yourself from the person; do only what the rules say; comforting yourself in the 'organisational justification' for change; and breathe a sigh of relief it's not you or those you care for or love - at least not yet.

Through the red of the blood soaked window, a bird flies free.
What drastic steps to have taken for that to be me.

But the bird now flies home to its loved one and chicks, but sadly this will not now be for me. There's only so much a person can take.

But when will those with power and privilege see and care?
Usually not till it's far too late, as they now sit there dripping in what used to rush through my veins, giving me life and a reason to be.

I hope your reason to be, your actions and disinterest, has been worth it?
Your memory of my last breath into your face and my head exploding into your eyes might just act as a reminder.

When you see reports about an atrocity splashed across the news, and hear the repeated cries of "why?", maybe the answer for the one responsible might just be "well, why not?"

But that might be too difficult to fathom in this shallow, myopic, sound-bite driven world, so hooked on demonising, labelling as mad, and looking for easy answers for want of anything more useful.

From knee-**** reaction and tireless and narrow 'Daily Mail' rants against anyone or anything that doesn't fit their limited view of the world.

Most things don't just happen for no reason.

The reasons might be hard to see for many, especially when they don't want to see, but for those driven to such desperation they are likely quite rational to them in their world, with their experiences, their pressures, their pain, and their responses, or lack of anything beneficial from others.

When potentially destructive seeds are planted and their care is continually ignored, or their roots so callously ripped away, don't be surprised if something unwanted grows.

Maybe firmer foundations, better planting, regular watering, and careful appropriate tending would go a long way to help.

Copyright: Gordon Warren (10/1/13)
Raj Arumugam Jan 2012
Where Purity is the Covering of All Flesh
and no private part of the human body
may be shown
and thus where the lack of Purity is Dishonesty
and therefore are Dishonest Paintings
wherein are depicted female ******* and such
buttocks and navel
and where genitalia female or male
asleep or awake
and such are shown
and crotches and such flesh and curvatures
may arouse
such being Dishonest Paintings
the Eminent Guardians of Purity
announce multiple positions vacant
of Reviewer of Dishonest Paintings
and so to cover up with black paint any signs of *******
and so of any other part of images in such paintings
as buttocks cover up with black paint
and so on each Dishonest part of human anatomy
to be covered with black paint
and in this task one always to use a firm, long brush -
the longer and firmer the better for the Soul -
so that
one may not come too close to such obscenities
as coming close one may be aroused to ***** desires
in male
(Females need not apply for said position
for such lascivious creatures are always
in a state of wet desires)
and so in covering with black paint
the Sanctity and the Will of Heaven prevails
and human souls transported to Divine Ecstasy
at the sight of paintings with black holes
corrected by expert Reviewer of Dishonest Paintings
and such positions to be filled
by honest men firm in their resolve
and long in stamina and determination
they should arrange their own transport
for various locations in the Holy Empire
for indeed Various Positions are available
and while the renumeration is handsome
derived from confiscation of properties and means
of the Perpetrators
of those Works of Perfidy and Damnation
those Artists who produce and who engender
Dishonest Paintings and such Works
and far more too included in Renumeration
is the Seat of Purity in Heaven -
O the pay shall be Eternal Heaven
Apply directly and in person
at the South Wall of the Grand House of Divinity -
put your scrolls in the holes
At the age of fourteen Goya was sent to study drawing under the guidance of a man who was employed by the Inquisition as their Reviewer of Dishonest Paintings, which meant his job was to conceal human nakedness in the work of the Old Masters, using a carefully added swirl of cloth, a shadow or the floating presence of a leaf.

- page 20, Old Man Goya by Julia Blackburn
(ISBN 0-224-06279-4) Jonathan Cape, London 2002
These times strike monied worldlings with dismay:
Even rich men, brave by nature, taint the air
With words of apprehension and despair:
While tens of thousands, thinking on the affray,
Men unto whom sufficient for the day
And minds not stinted or untilled are given,
Sound, healthy, children of the God of heaven,
Are cheerful as the rising sun in May.
What do we gather hence but firmer faith
That every gift of noble origin
Is breathed upon by Hope’s perpetual breath;
That virtue and the faculties within
Are vital,—and that riches are akin
To fear, to change, to cowardice, and death?
wren cole Apr 2017
the world is just starting to seem real
clay in a firmer state
studier but harder to mold
and i am still trying to shape it in my hands
without getting it under my nails
... something,

something under my nails
clambering for something to hold onto
anxiety racing, scratching, life catching up to me
why am i bleeding
why am i bleeding
this is supposed to be freeing
i guess i just
pick one of these lines
deeply clawed into my skin
paths like addict,
wash up,
footstool;
lives carefully planned for me since birth

i played trumpet in junior high
so that must mean i'll be a paralegal like my mama
regretting my love choices
regretting my life choices
wasting away at a job i hate
doing work i don't get credit for
destined to fade away lonely

but then again i've got my dad's bad habits
and twice his screaming spirit
so maybe i'll spend half my life in a bottle
and the other half trying to chase the dreams that i ****** away in my twenties

maybe i'll run all over creation
trying to be something bigger
someone stronger

yeah
that sounds about right
These locks, which fondly thus entwine,
In firmer chains our hearts confine,
Than all th’ unmeaning protestations
Which swell with nonsense, love orations.
Our love is fix’d, I think we’ve prov’d it;
Nor time, nor place, nor art have mov’d it;
Then wherefore should we sigh and whine,
With groundless jealousy repine;
With silly whims, and fancies frantic,
Merely to make our love romantic?
Why should you weep, like Lydia Languish,
And fret with self-created anguish?
Or doom the lover you have chosen,
On winter nights to sigh half frozen;
In leafless shades, to sue for pardon,
Only because the scene’s a garden?
For gardens seem, by one consent,
(Since Shakespeare set the precedent;
Since Juliet first declar’d her passion)
To form the place of assignation.
Oh! would some modern muse inspire,
And seat her by a sea-coal fire;
Or had the bard at Christmas written,
And laid the scene of love in Britain;
He surely, in commiseration,
Had chang’d the place of declaration.
In Italy, I’ve no objection,
Warm nights are proper for reflection;
But here our climate is so rigid,
That love itself, is rather frigid:
Think on our chilly situation,
And curb this rage for imitation.
Then let us meet, as oft we’ve done,
Beneath the influence of the sun;
Or, if at midnight I must meet you,
Within your mansion let me greet you:
‘There’, we can love for hours together,
Much better, in such snowy weather,
Than plac’d in all th’ Arcadian groves,
That ever witness’d rural loves;
‘Then’, if my passion fail to please,
Next night I’ll be content to freeze;
No more I’ll give a loose to laughter,
But curse my fate, for ever after.
1327

The Symptom of the Gale—
The Second of Dismay—
Between its Rumor and its Face—
Is almost Revelry—

The Houses firmer root—
The Heavens cannot be found—
The Upper Surfaces of things
Take covert in the Ground—

The Mem’ry of the Sun
Not Any can recall—
Although by Nature’s sterling Watch
So scant an interval—

And when the Noise is caught
And Nature looks around—
“We dreamed it”? She interrogates—
“Good Morning”—We propound?
Sombro Jan 2015
I have a cat
Black as midnight
With a tail strong
From bristling and curving into s-shapes.

He came to us younger and firmer
Fur thick with the muscle of the cold
From the hunt for somewhere else
And he was hungry.

My mother said he must have been beaten
Because he had learnt to fear a hand from above
So we stroked him from the side
Asking meek permission.

He learnt to recognise my shoes as
That one thing which brought love
And could not be human because
It did not shout.

I changed my shoes often when I learnt this
So that every day it learnt to love someone new
And now it fears no human
And sits warmly at our sides.

We called him Bagheera because
We know that he comes
From a dark jungle
Where only the strongest of heart can survive.
The jungle, something that we all perhaps lose ourself in. Metaphoooooooooooooor!!!
True story.
Ignatius Hosiana Jan 2016
Maybe this is our opportunity to finally see change
we've endured a system archaic and strange
we've watched the world revolve quicker than us
because we are stranded while the rest shift on the wheels of revolution
maybe this is the time you made that resolution
to constantly remind your brother and sister
Father and mother that that position needs a new sitter
maybe this is the time to say enough is enough
however much it instills in you fear, however tough
maybe it's the time we finally say to hell with the past
because like they say to stone nothing is cast
and the only thing that doesn't change is change itself
otherwise for how long will one old man exploit our insecurities?
For how long are they going to tell us that change is unsafe
A different time a different king even the monarchs say
what are we saying in our deafening silence today?
maybe this is the time to tell even the most ignorant by the country mile
that only and only a different king will dry their tears and give them a smile
we've been told he's the only man with foresight
come on,how are we to judge the rest without chances
for so long change has been a distant vibration along the threads of time
and opposition to conservatism a crime
maybe it's time for that to change too
and guess who can do that, only me and you

maybe it's time to flip the page for this great country to start another chapter
And it doesn't have to be all smooth a flow to happily ever after
Let other dancers step to the podium
and only then can we judge their dances
maybe it's time to another hunter we handed the arrow and bow
maybe now is the time for a different color on the rainbow
It cannot forever be a constant yellow
for even God saw however beautiful they look
the skies shouldn't always bear a sparkling mellow
sometimes the sky is cloudy, orange and most times blue
maybe it's time like I clearly think from my own view
for as a generation we are being denied the opportunity of comparative history
what will we tell our children happened to democracy
where did we throw, they'll ask all the resilience and efficacy?
maybe it's time to get back our country from the liberators
who use the same cuffs of the past regimes to manacle this country
and have since grown tall and firmer than palm tree
we have watched them wallow and buzz for so long
but for an idea whose time has come nothing is that strong

maybe it's time to save the embezzled donations and every single grant
a time to say confidently "to Hell with the tyrant"
maybe it's a time to be the change we want, the answer to all of our questions
and shove those that think we can't
maybe it's time to go past the roughing waves of conservatism as they whirl
maybe it's time to save our lovely nation
for at the moment, in very wrong hands lies the Pearl.
My country has everything, but Democracy
And without real Democracy everything is nothing
JJ Hutton Feb 2011
J.L. had one of those mysterious gland problems.
Some villain gland that made him fatter and fatter;
he was always quick to point it out.

Harvey James invited J.L. over last Tuesday,
during that awful snow that shut down Beecher St.
Anyways, J.L. was supposed to arrive at 6,
however he never had plans and prematurely
arrived at 4:30.

Harvey was occupied with some blonde girl,
who was of a fine leather-tan.
From what Harvey could gather she liked
vampires, pop punk, and sweet tea.
Aside from that her body was okay,
her laugh tolerable, and her eyes were different colors.
The left a sea green, the right a murky grey,
but during a drought Harvey seemed to
settle on whatever vulture was around.

So, J.L. Kreeve knocked on the door.
He heard a bit of a ruckus,
the kind that comes out of computer speakers
when there is nowhere to go.

J.L. tried the door and to his luck it was open.
His entrance was well-timed,
as she let out a final wail,
Harvey gritted his teeth, began panting,
and their bodies collapsed on the sofa.
J.L.'s eyes went wide with
her tan structure.
Her **** seemed to be swinging
like plush dice in a teenager's first car.

"J.L. what the ****, man?"

J.L. continued to stare, stare, stare--
"J.L.," Harvey said firmer, "WHAT the ****?"

"Oh, my forgive me. Forgive me. I'll just step back outside."
And he walked out smiling.

"Sorry about that Whitney."

"Oh no big. It's been worse before. This one time I..."

Harvey tuned out. He hated her. And hated himself
for doing such a *****. He got up, nodding out
of habit and saying things like "oh yes" and "wow" and "I gotcha",-
to which she replied,

"You are like a great listener."

Harvey opened the door since they both were dressed.
J.L. apologized again.
Harvey poured a glass of white wine.
He wasn't much of a fan,
but it was alcohol.
He was trying to lay off the hard stuff
since he had one of those "near-death experiences".

When he came back in,
J.L. was grinning like he was the
smartest ******* on the face of the planet,
and Whitney was letting out little giggles.
Harvey thought perhaps they were having a worthwhile conversation.
He was mistaken.
They were talking about variations of sweet tea
at one of those chain drive-ins.
"Just talking about it is giving me this crazyass craving,"
said Whitney with dumb dimples and blank eyes.

"hahahaha, oh me too," said the 300-pound Clark Gable,
"want to go get some?"

"Oh why the heck not? Harvey, do you want to-?"

"Nah, I got some writing and other **** to do.
You two have fun."

They climbed into J.L.'s car.
Whitney made a comment about all the
sticks of deodorant lying about,
J.L. explained it away perfectly lackluster.

The snow was coming down good at this point.
And they got stuck before they even made it
to their treasure.

They sat in the car.
J.L. only had one CD.
It was some George Michael
disc, he had bummed off his
mother a few weeks ago.
Whitney said something like I'm cold.
J.L. said something like I could warm you up.
She smiled stupidly, unsure what that meant.
J.L. took a gamble and reached for
her right breast.

"Oh, no thanks. Just wanted the tea."

"Oh, right. Yeah. Of course," J.L. let out a deep exhale,
his fingers fidgeted,
he cleared his throat,
and with a weak cordial
smile asked,
"Do you mind getting out to push?"
© 2011 by J.J. Hutton
Tim Knight Jun 2013
Under the eaves we’ll be dryer,
sat down in those chairs so not to tire;
there’s a fire in the back slowly smouldering.
            It reminds me of your desire last Spring.

Below the light we’ll embrace once more
beneath the bed sheets that pour over us like tides offshore,
but you were different with your Trojan war, Iliad heart.
            The snow has fallen, outside is the core and we’re now apart.


Inside the cabin we’ll be warmer
laying loose on the couch like lost foreigners:
you used to be a charmer back when it mattered.
            Now the ground is firmer and the leaves are scattered.
from >>> coffeeshoppoems.com
LESBIA! since far from you I’ve rang’d,
  Our souls with fond affection glow not;
You say, ’tis I, not you, have chang’d,
I’d tell you why,—but yet I know not.

Your polish’d brow no cares have crost;
  And Lesbia! we are not much older,
Since, trembling, first my heart I lost,
  Or told my love, with hope grown bolder.

Sixteen was then our utmost age,
  Two years have lingering pass’d away, love!
And now new thoughts our minds engage,
  At least, I feel disposed to stray, love!

“Tis I that am alone to blame,
  I, that am guilty of love’s treason;
Since your sweet breast is still the same,
  Caprice must be my only reason.

I do not, love! suspect your truth,
  With jealous doubt my ***** heaves not;
Warm was the passion of my youth,
  One trace of dark deceit it leaves not.

No, no, my flame was not pretended;
  For, oh! I lov’d you most sincerely;
And though our dream at last is ended
  My ***** still esteems you dearly.

No more we meet in yonder bowers;
  Absence has made me prone to roving;
But older, firmer hearts than ours
  Have found monotony in loving.

Your cheek’s soft bloom is unimpair’d,
  New beauties, still, are daily bright’ning,
Your eye, for conquest beams prepar’d,
  The forge of love’s resistless lightning.

Arm’d thus, to make their bosoms bleed,
  Many will throng, to sigh like me, love!
More constant they may prove, indeed;
  Fonder, alas! they ne’er can be, love!
jimmy tee Mar 2013
all resolution is slippery,
the firmer the foundation,
with pilings sent deep,
the swifter the undermining.

there is an inertia
in drawing breath that becomes
an immovable focus intent
on repetition alone, always
leading to itself; call it
the myth of life, for this
temporal existence stands
far from our true being.

so says the sage, planting crops
so says the priest, spinning comfort
so says the banker, theatre tickets in hand
so says the poet, eyeing his words
so says the parent, with blind instruction

stand mute before your needs
awareness doesn’t amount to much,
nor does anything else.
Ghazal Sep 2016
Are you a ******?*
Whirlwinds of flashes
Passed in front of her eyes
And she shut them tight,
Remembering,
Had he touched her?
No.
Had he touched her?
No!
Had he touched her?
Yes...
He had touched her deeper
Than the reach of physicality,
He had touched her firmer than
Sensations of all tactile reality,
She knew kisses that tasted of Forever,
Without having kissed at all,
So what could she answer!
She was untouched,
Yet she was not.
She recollected herself,
Replied a meek Yes,
And felt herself violated by
Another alien self,
A tear rolled down silently,
As her soul bled to death.
Oh precious Hyacinth, in my eyes a jewel
In front of your radiance, my knees fell
You’re like a glistening pearl in a ****** shell
I am enamored by your enthralling spell

Listen everyone to Zephyrus’ Serenade for Hyacinth!

Oh King of Sparta, you bear the tastiest fruit
On the land he is the handsomest youth
This is for everyone a crystal clear truth
That’s why in my heart the arrows of Eros shoot

Listen everyone to Zephyrus’ Serenade for Hyacinth!

Oh precious Hyacinth, you have equaled the glamour of a god
Your face is fairer than any mortal lad
Your muscles are firmer than any man had
Because of such beauty, you make me feel glad

Listen everyone to Zephyrus’ Serenade for Hyacinth!

Oh King of Olympus, let me have this seductive mortal
For him my godly being turned carnal
The appeal of his flesh is oddly unusual
I want him to be mine for time eternal

Listen everyone to Zephyrus’ Serenade for Hyacinth!

Oh precious Hyacinth, under my wings you’ll never fall
Come to the West Wind’s most desperate call
To you I’ll reserve the prettiest room in my hall
The most romantic & blissful haven for all

Listen everyone to Zephyrus’ Serenade for Hyacinth!


Oh deities & humans, grant me this costly man
Boreas, Notus, Eurus, bring me this heavenly Spartan
Let our powerful Anemoi bequeath him from his clan
Turn him over to the Western Wind, his greatest fan!

Listen everyone to Zephyrus’ Serenade for Hyacinth!


-02/11/2015
(Dumarao)
*Hopelessly Immortal Collection
My Poem No. 334
caffeine mermaid Feb 2014
countless stars had been wished upon for a love such as this one
and i remember feeling so lucky to have found someone like you
we were young, but that didn't falter our admiration
you had a firm grip on my hand and an even firmer grip on my heart


i had been blinded by the satisfaction felt
when our bare skin met under covers, eyes locked, heart rhythms colliding
your hot breath against the crook in my neck, palms clinging to bed sheets
I had gotten lost in it all, addicted to the spark
felt only when my naked body rubbed against your linen sheets
we were young, and were convinced we knew what we were doing
but when the waters got rough, you jumped ship and left me for dead
and ever since you left everything seems to have fallen apart
though I have finally become content with your absence
it seems i will never be able to escape the memories we created
Terry Collett Jun 2013
Benedict wheeled Anne
out the back gate
of the nursing home.

The sea was calm,
the tide was out.
He pushed her wheelchair
along the path by the beach.

He could smell the salt
in the air, the mild breeze
through his well kempt hair.

She sat with her hands in her lap;
she wore a blue skirt, her one
leg showed from knee down.  

You’re not a very exciting pusher
of wheelchairs are you, she said.
My old gran could push me quicker.

I don’t want you falling out, Benedict said.
Don’t be a ******* ****, Kid,
push me; I want the air in my face,
the wind up my nose, she said,
grabbing the arms of the chair
and shaking them. So he pushed
her quicker, his puny arms giving
it all they could, his legs like frail
pistons moving quickly onward.

That’s it, she bellowed, faster,
faster, Kid, get those lazy legs
of yours ****** moving.  

He pushed harder and gathered
speed, his hands holding on
to the handlebars for dear life.

They had covered a good distance
in a short time and he had to take
a break for breath. What’s a matter
got a puncture? she said. No, he said,
out of breath. Well ****** rest then, Kid.

He turned the wheelchair round
to face the sea. Then stood beside
her looking out at the horizon.
The blue sky, grey clouds, gulls
in the air. This is the life, Kid, she
bellowed This is ******* living.

He said nothing; her language
stung his ears. His mother would
have washed his mouth out
with soap for saying such.

There were people on the sands;
some in deckchairs, some standing
gazing out to sea; kids with buckets
and spades making sand castles,
some swimming, some throwing
a ball to each other. Look at that fat ****
over there with her swimsuit on,
Anne said, pointing to a woman
standing with a man on the sea’s edge,
bet they had to pour her into that,
she added. Benedict said nothing.

He looked down at Anne’s one leg
sticking out of her blue skirt.
She looked up at him. Help me up
and out, she said. He took her hands
and pulled her upwards and she
swayed slightly, but then managed
to stand ***** on her one leg,
the wheelchair behind her.

Should have brought my ******
crutches, she said. Sorry, he said,
didn’t know you wanted to get out.
You’ll just have to hold me up then
won’t you, she said. She put her right
arm around his shoulder and he let go
of her hands. There we go; you can be
my crutch, she said. He could feel her
arm about his shoulder, her weight on him.

You’re a good mate, Kid, she said.
She kissed his cheek. None of those
nursing sister would have wheeled me
out along here not for all the ******
rosaries in Rome, she said. He smiled.

He could feel the damp patch of skin
where her lips had been. They stood
gazing out at the sea together, she swayed
slightly on her one leg, he sensed her
nearness; wanting to be stronger,
he stood firmer, his feet planted deeper
in the sand. Then he sensed her stump
beneath her skirt, rub gently against his hand.
duncanwrite Aug 2018
I cannot stand it, it weakens my core, it stifles my breath

The thought of him, forcing himself inside you

Making you whimper, unutterable sounds

Your unconditional complicity a gift, a given

Your abandon knowing no bounds

My manhood shriven

While I have dropped off the edge of your world

Your shapely limbs around him furled

And he, firmer, faster, harder, smarter, younger

Scoops up your jewels and riches with ardent hands

And hungry tongues, to burst your lungs

And all you can eats from your smouldering smorgasbord

And I don’t know him, nor where he lives

But I know he lives

And dies, and dies again in your scented garden….

— The End —