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"firmer" poems
if I should sleep with a lady called death get another man with firmer lips to take your new mouth in his teeth (hips pumping pleasure into hips). Seeing how the limp huddling string of your smile over his body squirms kissingly, I will bring you every spring handfuls of little normal worms. Dress deftly your flesh in stupid stuffs, phrase the immense weapon of your hair. Understanding why his eye laughs, I will bring you every year something which is worth the whole, an inch of nothing for your soul.
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If I Should Sleep With A Lady Called Death
This is how it goes your hands will be proxy for mine my hands will be proxy for yours your fingers my fingers and my fingers yours what I describe, you enact told in detail so exact Just to begin I squeeze your ******* knead and pinch tweak a ****** give it a tug Stroke your tummy work over your thighs move up the inner where skin is smooth circle around, moving in till soft contours are caressed through pants that burn to be removed that pain you to wear and I see in my mind as you describe the spreading, darkening patch that fills the gusset Now they're pulled down removed quickly, completely and you are revealed spread, opened, shameless Gentle fingertips tease dance in circles, barely touching yet the fire within grows back and forth, round and round dance the fingertips as both reciprocate with growing pace and firmer touch I hear you gasp down the line and your breathing quickens as you hear mine as your excitement fuels mine as mine fuels yours in our feedback loop of lust And I tell you how my fingertip would give way to tonguetip if I could that I can taste you in my imagination fragrant, salty sweetness with musky undertones the tip of my tongue now circling then flicking back and forth beating out the rhythm that you best harmonise with bringing forth your moans Then darting down, back between wet, glistening folds exploring each ridge and valley working remorselessly Breathing faster now with animal grunts and moans directions of pleasure gasped breathless down the phone As fingers again take the lead find the opening slip readily within probe, explore, **** find that place on your front wall yes, just that spot that's a little rougher and feels sooo goood Add a second finger working and ******* licking and rubbing moaning and gasping barely intelligible now ...yess...more...yess...ohhh are all that have meaning Finger three joins one and two then the pressure builds demanding release and shaking and thrusting grows to shuddering and...yes...yesss...sooo clooose ******* faster furiously till we both explode hearing each other's voicing of our ecstasy in language intelligible only in this one context Brains and voices return as we bask in the afterglow and what passes between us then in those moments is the deepest intimacy of all Cynthia Pauline Jones 01/02/2014
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Apr 13, 2014
Apr 13, 2014 at 7:31 AM UTC
Phone ***
This is how it goes your hands will be proxy for mine my hands will be proxy for yours your fingers my fingers and my fingers yours what I describe, you enact told in detail so exact Just to begin I squeeze your ******* knead and pinch tweak a ****** give it a tug Stroke your tummy work over your thighs move up the inner where skin is smooth circle around, moving in till soft contours are caressed through pants that burn to be removed that pain you to wear and I see in my mind as you describe the spreading, darkening patch that fills the gusset Now they're pulled down removed quickly, completely and you are revealed spread, opened, shameless Gentle fingertips tease dance in circles, barely touching yet the fire within grows back and forth, round and round dance the fingertips as both reciprocate with growing pace and firmer touch I hear you gasp down the line and your breathing quickens as you hear mine as your excitement fuels mine as mine fuels yours in our feedback loop of lust And I tell you how my fingertip would give way to tonguetip if I could that I can taste you in my imagination fragrant, salty sweetness with musky undertones the tip of my tongue now circling then flicking back and forth beating out the rhythm that you best harmonise with bringing forth your moans Then darting down, back between wet, glistening folds exploring each ridge and valley working remorselessly Breathing faster now with animal grunts and moans directions of pleasure gasped breathless down the phone As fingers again take the lead find the opening slip readily within probe, explore, **** find that place on your front wall yes, just that spot that's a little rougher and feels sooo goood Add a second finger working and ******* licking and rubbing moaning and gasping barely intelligible now ...yess...more...yess...ohhh are all that have meaning Finger three joins one and two then the pressure builds demanding release and shaking and thrusting grows to shuddering and...yes...yesss...sooo clooose ******* faster furiously till we both explode hearing each other's voicing of our ecstasy in language intelligible only in this one context Brains and voices return as we bask in the afterglow and what passes between us then in those moments is the deepest intimacy of all Cynthia Pauline Jones 01/02/2014
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98
he introduces himself saying quiet, but slipping in, firm: “something he knows for sure, no is no” I, (19, f) replying, smiling saying louder, firmer: “something she knows for sure, yes is yes” and he says “yes, ma’am,” returning her smile, so shyly, while blushing, so loudly, thinking he said something dumb, looking down at his shuffling feet, covered in worn out cowboy boots I like this guy I like this man.
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Oct 13, 2018
Oct 13, 2018 at 7:35 AM UTC
something he knows for sure
gee i like to think of dead it means nearer because deeper firmer since darker than little round water at one end of the well it’s too cool to be crooked and it’s too firm to be hard but it’s sharp and thick and it loves, every old thing falls in rosebugs and jackknives and kittens and pennies they all sit there looking at each other having the fastest time because they’ve never met before dead’s more even than how many ways of sitting on your head your unnatural hair has in the morning dead’s clever too like POF goes the alarm off and the little striker having the best time tickling away everybody’s brain so everybody just puts out their finger and they stuff the poor thing all full of fingers dead has a smile like the nicest man you’ve never met who maybe winks at you in a streetcar and you pretend you don’t but really you do see and you are My how glad he winked and hope he’ll do it again or if it talks about you somewhere behind your back it makes your neck feel pleasant and stoopid and if dead says may i have this one and was never introduced you say Yes because you know you want it to dance with you and it wants to and it can dance and Whocares dead’s fine like hands do you see that water flowerpots in windows but they live higher in their house than you so that’s all you see but you don’t want to dead’s happy like the way underclothes All so differently solemn and inti and sitting on one string dead never says my dear,Time for your musiclesson and you like music and to have somebody play who can but you know you never can and why have to? dead’s nice like a dance where you danced simple hours and you take all your prickly-clothes off and squeeze-into-largeness without one word and you lie still as anything in largeness and this largeness begins to give you,the dance all over again and you,feel all again all over the way men you liked made you feel when they touched you(but that’s not all)because largeness tells you so you can feel what you made,men feel when,you touched, them dead’s sorry like a thistlefluff-thing which goes landing away all by himself on somebody’s roof or something where who-ever-heard-of-growing and nobody expects you to anyway dead says come with me he says(andwhyevernot)into the round well and see the kitten and the penny and the jackknife and the rosebug and you say Sure you say (like that) sure i’ll come with you you say for i like kittens i do and jackknives i do and pennies i do and rosebugs i do
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9.1k
Gee I Like To Think Of Dead It Means Nearer Because Deeper Firmer
gee i like to think of dead it means nearer because deeper firmer since darker than little round water at one end of the well it’s too cool to be crooked and it’s too firm to be hard but it’s sharp and thick and it loves, every old thing falls in rosebugs and jackknives and kittens and pennies they all sit there looking at each other having the fastest time because they’ve never met before dead’s more even than how many ways of sitting on your head your unnatural hair has in the morning dead’s clever too like POF goes the alarm off and the little striker having the best time tickling away everybody’s brain so everybody just puts out their finger and they stuff the poor thing all full of fingers dead has a smile like the nicest man you’ve never met who maybe winks at you in a streetcar and you pretend you don’t but really you do see and you are My how glad he winked and hope he’ll do it again or if it talks about you somewhere behind your back it makes your neck feel pleasant and stoopid and if dead says may i have this one and was never introduced you say Yes because you know you want it to dance with you and it wants to and it can dance and Whocares dead’s fine like hands do you see that water flowerpots in windows but they live higher in their house than you so that’s all you see but you don’t want to dead’s happy like the way underclothes All so differently solemn and inti and sitting on one string dead never says my dear,Time for your musiclesson and you like music and to have somebody play who can but you know you never can and why have to? dead’s nice like a dance where you danced simple hours and you take all your prickly-clothes off and squeeze-into-largeness without one word and you lie still as anything in largeness and this largeness begins to give you,the dance all over again and you,feel all again all over the way men you liked made you feel when they touched you(but that’s not all)because largeness tells you so you can feel what you made,men feel when,you touched, them dead’s sorry like a thistlefluff-thing which goes landing away all by himself on somebody’s roof or something where who-ever-heard-of-growing and nobody expects you to anyway dead says come with me he says(andwhyevernot)into the round well and see the kitten and the penny and the jackknife and the rosebug and you say Sure you say (like that) sure i’ll come with you you say for i like kittens i do and jackknives i do and pennies i do and rosebugs i do
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41
man who wears a hat sits still near the back unmoved by the world or the exposed breast of a statue (brain waves do not discharge through a fedora) tag attached: bald is sanitary oranges have more delicacy raw smelly and afterward singing allons enfants de patrie ding dang **** like that, all frog-ese so we don’t understand chanteused stiff basso profundo to excite to let us see with the clarity of a dream curled with hate set firm, firmer in the arms of a sleeveless girl then slung to sea level white as a leopard’s eye remember its peroxide bathed, bleached inclined on the pillow just at the angle of expectancy without a hat sideward glance and the crippled heels of angels sparking down the hall bulletin: young man willing to wear false beard to ease the pain for all or trumpet blues broken played horizontal touched by seaweed hands in the light of boats (unfurled) slowly and the memory dies slowly half-forgotten, half-remembered halved again slowly only to begin again grim molecules of love
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man in the hat
So it is eighteen years, Helena, since we met! A season so endears, Nor you nor I forget The fresh young faces that once clove In that most fiery dawn of love. We wandered to and fro, Who knew not how to woo, Those eighteen years ago, Sweetheart, when I and you Exchanged high vows in heaven's sight That scarce survived a summer's night. What scourge smote from the stars What madness from the moon? That night we broke the bars Was quintessential June, When you and I beneath the trees Bartered our bold virginities. Eighteen -years, months, or hours? Time is a tyrant's toy! Eternal are the flowers! We are but girl and boy Yet -since love leapt as swift to-night As it had never left the light! For fiercer from the South Still flames your cruel hair, And Trojan Helen's mouth Still not so ripe and rare As Helena's -nor love nor youth So leaps with lust or thrills with truth. Helena, still we hold Flesh firmer, still we mix Black hair with hair as gold. Life has but served to fix Our hearts; love lingers on the tongue, And who loves once is always young. The stars are still the same; The changeful moon endures; Come without fear or shame, And draw my mouth to yours! Youth fails, however flesh be fain; Manhood and womanhood attain. Life is a string of pearls, And you the first I strung. You left -first flower of girls! - Life lyric on my tongue, An indefatigable dance, An inexhaustible romance! Blush of love's dawn, bright bud That bloomed for my delight, First blossom of my blood, Burn in that blood to-night! Helena, Helena, fiercely fresh, Your flesh flies fervent to my flesh. What sage can dare impugn Man's immortality? Our godhead swims, immune From death and destiny. Ignored the bubble in the flow Of love eighteen short years ago! Time -I embrace all time As my arm rings your waist. Space -you surpass, sublime, As, taking me, we taste Omnipotence, sense slaying sense, Soul slaying soul, omniscience.
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Boo to Buddha
So it is eighteen years, Helena, since we met! A season so endears, Nor you nor I forget The fresh young faces that once clove In that most fiery dawn of love. We wandered to and fro, Who knew not how to woo, Those eighteen years ago, Sweetheart, when I and you Exchanged high vows in heaven's sight That scarce survived a summer's night. What scourge smote from the stars What madness from the moon? That night we broke the bars Was quintessential June, When you and I beneath the trees Bartered our bold virginities. Eighteen -years, months, or hours? Time is a tyrant's toy! Eternal are the flowers! We are but girl and boy Yet -since love leapt as swift to-night As it had never left the light! For fiercer from the South Still flames your cruel hair, And Trojan Helen's mouth Still not so ripe and rare As Helena's -nor love nor youth So leaps with lust or thrills with truth. Helena, still we hold Flesh firmer, still we mix Black hair with hair as gold. Life has but served to fix Our hearts; love lingers on the tongue, And who loves once is always young. The stars are still the same; The changeful moon endures; Come without fear or shame, And draw my mouth to yours! Youth fails, however flesh be fain; Manhood and womanhood attain. Life is a string of pearls, And you the first I strung. You left -first flower of girls! - Life lyric on my tongue, An indefatigable dance, An inexhaustible romance! Blush of love's dawn, bright bud That bloomed for my delight, First blossom of my blood, Burn in that blood to-night! Helena, Helena, fiercely fresh, Your flesh flies fervent to my flesh. What sage can dare impugn Man's immortality? Our godhead swims, immune From death and destiny. Ignored the bubble in the flow Of love eighteen short years ago! Time -I embrace all time As my arm rings your waist. Space -you surpass, sublime, As, taking me, we taste Omnipotence, sense slaying sense, Soul slaying soul, omniscience.
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66
27 Morns like these—we parted— Noons like these—she rose— Fluttering first—then firmer To her fair repose. Never did she lisp it— It was not for me— She—was mute from transport— I—from agony— Till—the evening nearing One the curtains drew— Quick! A Sharper rustling! And this linnet flew!
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Morns like these—we parted
1753 Through those old Grounds of memory, The sauntering alone Is a divine intemperance A prudent man would shun. Of liquors that are vended ’Tis easy to beware But statutes do not meddle With the internal bar. Pernicious as the sunset Permitting to pursue But impotent to gather, The tranquil perfidy Alloys our firmer moments With that severest gold Convenient to the longing But otherwise withheld.
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3.8k
Through those old Grounds of memory
It’s evening The hawkers at the station are loud One is selling lottery tickets The girl in her old dress, and new earrings caresses her earrings to feel their weight in her hands She looks at the lottery tickets and wonders why people believe in them A local comes along with a wave of people She stands upright and surfs the wave to stay She knows this isn’t the local she is waiting for She tells the boy she is with that she had a great time And he thanks her for a wonderful evening. He looks at her face one more time, not quite ready to say goodbye yet He looks at the clock at the station. It’s precisely 8:06 PM The local will come at 8:08 PM. He is hoping it’ll be late today. He needs those extra seconds to prepare himself. Certain goodbyes in life are harder than you thought they would be. He looks straight into the eyes of the girl And sees his reflection in her eyes Scared of what he sees, he looks away The girl adornes her new earrings again She looks at the clock The old rusty clock still shows 8:06 PM Time had slowed down for her. She feels the platform shaking She fears it is the local approaching earlier? She hugs him without a seconds delay Surprised, the boy blushes. And continues the embrace He whispers to her and tells her, that her earrings are pretty She smiles Perhaps this is the best way to say good bye. The clock is now at 8:08PM and the local is not there yet They both smile at each other, then look at the clock. The boy can see the local approaching. He hugs her tighter once again. And makes sure she doesn’t see the approaching train She slowly slides out of his arms like sand from a man’s fist. He tries holding her firmer, but in vain They both smile at each other and say an awkward bye. She boards the local and tries to find a seat. He waits patiently at the platform waiting for her to look out once more The local is about to move and his heart is beating faster than the engine He can feel her sight on him and looks her way. She has a crooked smile with which she waves at him. He waits at the station till the local moves. He walks a bit with the local and then stops next to the hawker. He waves at her one more time and watches as the train goes. He looks at the hawker and wonders why people believe in lotteries.His phone buzzes in his pocket. He has a big grin, he won the lottery after all He walks out of the station with a jump in his step as he pats the Bandra station board.
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Nov 8, 2013
Nov 8, 2013 at 12:26 PM UTC
The Lottery Ticket
It’s evening The hawkers at the station are loud One is selling lottery tickets The girl in her old dress, and new earrings caresses her earrings to feel their weight in her hands She looks at the lottery tickets and wonders why people believe in them A local comes along with a wave of people She stands upright and surfs the wave to stay She knows this isn’t the local she is waiting for She tells the boy she is with that she had a great time And he thanks her for a wonderful evening. He looks at her face one more time, not quite ready to say goodbye yet He looks at the clock at the station. It’s precisely 8:06 PM The local will come at 8:08 PM. He is hoping it’ll be late today. He needs those extra seconds to prepare himself. Certain goodbyes in life are harder than you thought they would be. He looks straight into the eyes of the girl And sees his reflection in her eyes Scared of what he sees, he looks away The girl adornes her new earrings again She looks at the clock The old rusty clock still shows 8:06 PM Time had slowed down for her. She feels the platform shaking She fears it is the local approaching earlier? She hugs him without a seconds delay Surprised, the boy blushes. And continues the embrace He whispers to her and tells her, that her earrings are pretty She smiles Perhaps this is the best way to say good bye. The clock is now at 8:08PM and the local is not there yet They both smile at each other, then look at the clock. The boy can see the local approaching. He hugs her tighter once again. And makes sure she doesn’t see the approaching train She slowly slides out of his arms like sand from a man’s fist. He tries holding her firmer, but in vain They both smile at each other and say an awkward bye. She boards the local and tries to find a seat. He waits patiently at the platform waiting for her to look out once more The local is about to move and his heart is beating faster than the engine He can feel her sight on him and looks her way. She has a crooked smile with which she waves at him. He waits at the station till the local moves. He walks a bit with the local and then stops next to the hawker. He waves at her one more time and watches as the train goes. He looks at the hawker and wonders why people believe in lotteries.His phone buzzes in his pocket. He has a big grin, he won the lottery after all He walks out of the station with a jump in his step as he pats the Bandra station board.
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47
278 A shady friend—for Torrid days— Is easier to find— Than one of higher temperature For Frigid—hour of Mind— The Vane a little to the East— Scares Muslin souls—away— If Broadcloth Hearts are firmer— Than those of Organdy— Who is to blame? The Weaver? Ah, the bewildering thread! The Tapestries of Paradise So notelessly—are made!
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2.8k
A shady friend—for Torrid days
It's hit and miss the ******** We know It's there and needs a kiss A gentle lick a temperate **** A delicate flick with the tongue Then more and more and firmer still It pops up to show it's thrilled Then hands you feel on your head pushing you deeper in her cleft Faster still you thrill her more as she writhes and asks for more Then finally as her body shakes you taste her as she slips away
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Feb 18, 2013
Feb 18, 2013 at 4:44 PM UTC
A naughty kiss...
I watch you as you lightly moan holding back the pleasure. Lightly grabbing me I'm pulling you deep into my mouth glancing at one another we both grin bonding I pull your manhood Deep Deep Tight pushing and pulling with my tongue the taste of your flesh... Mmmm My mouth pulls tighter Your ******** growing firmer You ****** .............................. testing my limit I shove you deeper Pushing you onto the chair No holding back SPLASH
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Apr 14, 2021
Apr 14, 2021 at 8:07 PM UTC
Consummation
This life, although startling in its brilliance, remains confined to the electrical shadows cast on the walls of our brains. Do you ever feel… no, no, no not feel. Well maybe feel... or sense… that everlasting something sometimes off in the distance I can see… I’d love to take my hands and, like the meaty instruments they are, dance sweet symphonies up and down your body. Your mysterious mountains I wish to see closer to land my ***** machine among majestic silver seas and strange beautiful grass of green. I would use my subtle touch to say what I couldn’t any other way and drag you down to the depths. But things are not so simple in life as in our thoughts, nor so rough as our poor idiotic language. *Every hand, give me your hand. I’ll talk to you, you wont understand.* These electrical shadows cry at the ultimate, but our mere conception shames it. Like the dream tigers we desperately try to craft they continue to disintegrate like the castles made of sands, rocks piled on rocks reaching for the stars. The firmer the hold, the quicker it slips away. “Just try squeezing the truth from water,” the angels sing to me in my sleep. And it’s the love of dreams which is so greedy for recognition swiftly performed in the sight of all. And it’s the waves I feel… well maybe not feel. And I wanna say **** you” because I still love you. I sense… well maybe not sense… And I feel my soul being slit up as if by a razor. frenzied but beautiful and an awful ambiguity grinning over it all, cackling out the Tao’s opening words, lukewarm to the point of being enigmatic, “The truth that can be told, that is no eternal truth.” I guess after the laughter, then comes the tears. **** you, Lao Tzu and your ****** ancient wisdom. Why you staring at my finger when I’m pointing at the moon? I got nothing at all. The center, unapproachable forever. You’re willing to die you coward but not to live. Love life more than the meaning of it.
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Sep 19, 2011
Sep 19, 2011 at 8:25 PM UTC
Why you staring at my finger when I'm pointing at the moon?
This life, although startling in its brilliance, remains confined to the electrical shadows cast on the walls of our brains. Do you ever feel… no, no, no not feel. Well maybe feel... or sense… that everlasting something sometimes off in the distance I can see… I’d love to take my hands and, like the meaty instruments they are, dance sweet symphonies up and down your body. Your mysterious mountains I wish to see closer to land my ***** machine among majestic silver seas and strange beautiful grass of green. I would use my subtle touch to say what I couldn’t any other way and drag you down to the depths. But things are not so simple in life as in our thoughts, nor so rough as our poor idiotic language. *Every hand, give me your hand. I’ll talk to you, you wont understand.* These electrical shadows cry at the ultimate, but our mere conception shames it. Like the dream tigers we desperately try to craft they continue to disintegrate like the castles made of sands, rocks piled on rocks reaching for the stars. The firmer the hold, the quicker it slips away. “Just try squeezing the truth from water,” the angels sing to me in my sleep. And it’s the love of dreams which is so greedy for recognition swiftly performed in the sight of all. And it’s the waves I feel… well maybe not feel. And I wanna say **** you” because I still love you. I sense… well maybe not sense… And I feel my soul being slit up as if by a razor. frenzied but beautiful and an awful ambiguity grinning over it all, cackling out the Tao’s opening words, lukewarm to the point of being enigmatic, “The truth that can be told, that is no eternal truth.” I guess after the laughter, then comes the tears. **** you, Lao Tzu and your ****** ancient wisdom. Why you staring at my finger when I’m pointing at the moon? I got nothing at all. The center, unapproachable forever. You’re willing to die you coward but not to live. Love life more than the meaning of it.
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66
I stand on the shore, my feet sinking in the sands, My hair tousled wild in winds hustling hands, Covering my face, veiling my eyes, Distantly, I hear the seagulls, their yearning cries. I grip firmer and hold myself tight, In dusk's diminishing, dwindling twilight. I watch the waves lunge at me - Overwhelming, menacingly. But as they race to the shore, reaching my feet They drench me, turn back and then recede. I see another wave, I yearn to move a step behind. Fear and uncertainty fill my troubled mind. But I still stand, stand my ground, Unmindful of the sounds, Of the winds and the waves, In a trance, lost, nature's slave. I nearly fall, my balance lost, Taken by surprise, by waves tossed. But I still stand, stand with unsteady feet, Where the land and waters meet. I, on the seashore, a speck, besides a sea so vast - I know that each wave will rest and it too shall pass.
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Jun 18, 2017
Jun 18, 2017 at 12:38 PM UTC
This too shall pass
Somedays, the tide only laughs at the sandbags we put up. When the ocean of emotion breaks with waves above our hearts, we swim or drown. The swell of current overrides and riptides pull us down. Move parallel to shore against the tide till firmer ground is found. Swim. r ~ 4/6/14
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Apr 6, 2014
Apr 6, 2014 at 9:57 AM UTC
Swim
Where Purity is the Covering of All Flesh and no private part of the human body may be shown and thus where the lack of Purity is Dishonesty and therefore are Dishonest Paintings wherein are depicted female ******* and such buttocks and navel and where genitalia female or male asleep or awake and such are shown and crotches and such flesh and curvatures may arouse such being Dishonest Paintings the Eminent Guardians of Purity announce multiple positions vacant of Reviewer of Dishonest Paintings and so to cover up with black paint any signs of ******* and so of any other part of images in such paintings as buttocks cover up with black paint and so on each Dishonest part of human anatomy to be covered with black paint and in this task one always to use a firm, long brush - the longer and firmer the better for the Soul - so that one may not come too close to such obscenities as coming close one may be aroused to ***** desires in male (Females need not apply for said position for such lascivious creatures are always in a state of wet desires) and so in covering with black paint the Sanctity and the Will of Heaven prevails and human souls transported to Divine Ecstasy at the sight of paintings with black holes corrected by expert Reviewer of Dishonest Paintings and such positions to be filled by honest men firm in their resolve and long in stamina and determination they should arrange their own transport for various locations in the Holy Empire for indeed Various Positions are available and while the renumeration is handsome derived from confiscation of properties and means of the Perpetrators of those Works of Perfidy and Damnation those Artists who produce and who engender Dishonest Paintings and such Works and far more too included in Renumeration is the Seat of Purity in Heaven - O the pay shall be Eternal Heaven Apply directly and in person at the South Wall of the Grand House of Divinity - put your scrolls in the holes
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Jan 23, 2012
Jan 23, 2012 at 4:20 AM UTC
Job Vacancy: Reviewer of Dishonest Paintings
Where Purity is the Covering of All Flesh and no private part of the human body may be shown and thus where the lack of Purity is Dishonesty and therefore are Dishonest Paintings wherein are depicted female ******* and such buttocks and navel and where genitalia female or male asleep or awake and such are shown and crotches and such flesh and curvatures may arouse such being Dishonest Paintings the Eminent Guardians of Purity announce multiple positions vacant of Reviewer of Dishonest Paintings and so to cover up with black paint any signs of ******* and so of any other part of images in such paintings as buttocks cover up with black paint and so on each Dishonest part of human anatomy to be covered with black paint and in this task one always to use a firm, long brush - the longer and firmer the better for the Soul - so that one may not come too close to such obscenities as coming close one may be aroused to ***** desires in male (Females need not apply for said position for such lascivious creatures are always in a state of wet desires) and so in covering with black paint the Sanctity and the Will of Heaven prevails and human souls transported to Divine Ecstasy at the sight of paintings with black holes corrected by expert Reviewer of Dishonest Paintings and such positions to be filled by honest men firm in their resolve and long in stamina and determination they should arrange their own transport for various locations in the Holy Empire for indeed Various Positions are available and while the renumeration is handsome derived from confiscation of properties and means of the Perpetrators of those Works of Perfidy and Damnation those Artists who produce and who engender Dishonest Paintings and such Works and far more too included in Renumeration is the Seat of Purity in Heaven - O the pay shall be Eternal Heaven Apply directly and in person at the South Wall of the Grand House of Divinity - put your scrolls in the holes
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53
These times strike monied worldlings with dismay: Even rich men, brave by nature, taint the air With words of apprehension and despair: While tens of thousands, thinking on the affray, Men unto whom sufficient for the day And minds not stinted or untilled are given, Sound, healthy, children of the God of heaven, Are cheerful as the rising sun in May. What do we gather hence but firmer faith That every gift of noble origin Is breathed upon by Hope’s perpetual breath; That virtue and the faculties within Are vital,—and that riches are akin To fear, to change, to cowardice, and death?
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1.8k
October, 1803
the world is just starting to seem real clay in a firmer state studier but harder to mold and i am still trying to shape it in my hands without getting it under my nails ... something, something under my nails clambering for something to hold onto anxiety racing, scratching, life catching up to me why am i bleeding why am i bleeding this is supposed to be freeing i guess i just pick one of these lines deeply clawed into my skin paths like addict, wash up, footstool; lives carefully planned for me since birth i played trumpet in junior high so that must mean i'll be a paralegal like my mama regretting my love choices regretting my life choices wasting away at a job i hate doing work i don't get credit for destined to fade away lonely but then again i've got my dad's bad habits and twice his screaming spirit so maybe i'll spend half my life in a bottle and the other half trying to chase the dreams that i ****** away in my twenties maybe i'll run all over creation trying to be something bigger someone stronger yeah that sounds about right
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Apr 3, 2017
Apr 3, 2017 at 12:26 AM UTC
deadend deadbeat
1327 The Symptom of the Gale— The Second of Dismay— Between its Rumor and its Face— Is almost Revelry— The Houses firmer root— The Heavens cannot be found— The Upper Surfaces of things Take covert in the Ground— The Mem’ry of the Sun Not Any can recall— Although by Nature’s sterling Watch So scant an interval— And when the Noise is caught And Nature looks around— “We dreamed it”? She interrogates— “Good Morning”—We propound?
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The Symptom of the Gale—
These locks, which fondly thus entwine, In firmer chains our hearts confine, Than all th’ unmeaning protestations Which swell with nonsense, love orations. Our love is fix’d, I think we’ve prov’d it; Nor time, nor place, nor art have mov’d it; Then wherefore should we sigh and whine, With groundless jealousy repine; With silly whims, and fancies frantic, Merely to make our love romantic? Why should you weep, like Lydia Languish, And fret with self-created anguish? Or doom the lover you have chosen, On winter nights to sigh half frozen; In leafless shades, to sue for pardon, Only because the scene’s a garden? For gardens seem, by one consent, (Since Shakespeare set the precedent; Since Juliet first declar’d her passion) To form the place of assignation. Oh! would some modern muse inspire, And seat her by a sea-coal fire; Or had the bard at Christmas written, And laid the scene of love in Britain; He surely, in commiseration, Had chang’d the place of declaration. In Italy, I’ve no objection, Warm nights are proper for reflection; But here our climate is so rigid, That love itself, is rather frigid: Think on our chilly situation, And curb this rage for imitation. Then let us meet, as oft we’ve done, Beneath the influence of the sun; Or, if at midnight I must meet you, Within your mansion let me greet you: ‘There’, we can love for hours together, Much better, in such snowy weather, Than plac’d in all th’ Arcadian groves, That ever witness’d rural loves; ‘Then’, if my passion fail to please, Next night I’ll be content to freeze; No more I’ll give a loose to laughter, But curse my fate, for ever after.
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To A Lady Who Presented To The Author A Lock Of Hair Braided With His Own, And Appointed A Night In December To Meet Him In The Garden
These locks, which fondly thus entwine, In firmer chains our hearts confine, Than all th’ unmeaning protestations Which swell with nonsense, love orations. Our love is fix’d, I think we’ve prov’d it; Nor time, nor place, nor art have mov’d it; Then wherefore should we sigh and whine, With groundless jealousy repine; With silly whims, and fancies frantic, Merely to make our love romantic? Why should you weep, like Lydia Languish, And fret with self-created anguish? Or doom the lover you have chosen, On winter nights to sigh half frozen; In leafless shades, to sue for pardon, Only because the scene’s a garden? For gardens seem, by one consent, (Since Shakespeare set the precedent; Since Juliet first declar’d her passion) To form the place of assignation. Oh! would some modern muse inspire, And seat her by a sea-coal fire; Or had the bard at Christmas written, And laid the scene of love in Britain; He surely, in commiseration, Had chang’d the place of declaration. In Italy, I’ve no objection, Warm nights are proper for reflection; But here our climate is so rigid, That love itself, is rather frigid: Think on our chilly situation, And curb this rage for imitation. Then let us meet, as oft we’ve done, Beneath the influence of the sun; Or, if at midnight I must meet you, Within your mansion let me greet you: ‘There’, we can love for hours together, Much better, in such snowy weather, Than plac’d in all th’ Arcadian groves, That ever witness’d rural loves; ‘Then’, if my passion fail to please, Next night I’ll be content to freeze; No more I’ll give a loose to laughter, But curse my fate, for ever after.
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**Maybe this is our opportunity to finally see change we've endured a system archaic and strange we've watched the world revolve quicker than us because we are stranded while the rest shift on the wheels of revolution maybe this is the time you made that resolution to constantly remind your brother and sister Father and mother that that position needs a new sitter maybe this is the time to say enough is enough however much it instills in you fear, however tough maybe it's the time we finally say to hell with the past because like they say to stone nothing is cast** *and the only thing that doesn't change is change itself otherwise for how long will one old man exploit our insecurities? For how long are they going to tell us that change is unsafe A different time a different king even the monarchs say what are we saying in our deafening silence today? maybe this is the time to tell even the most ignorant by the country mile that only and only a different king will dry their tears and give them a smile we've been told he's the only man with foresight come on,how are we to judge the rest without chances for so long change has been a distant vibration along the threads of time and opposition to conservatism a crime maybe it's time for that to change too and guess who can do that, only me and you* **maybe it's time to flip the page for this great country to start another chapter And it doesn't have to be all smooth a flow to happily ever after Let other dancers step to the podium and only then can we judge their dances maybe it's time to another hunter we handed the arrow and bow maybe now is the time for a different color on the rainbow It cannot forever be a constant yellow for even God saw however beautiful they look the skies shouldn't always bear a sparkling mellow sometimes the sky is cloudy, orange and most times blue maybe it's time like I clearly think from my own view for as a generation we are being denied the opportunity of comparative history** *what will we tell our children happened to democracy where did we throw, they'll ask all the resilience and efficacy? maybe it's time to get back our country from the liberators who use the same cuffs of the past regimes to manacle this country and have since grown tall and firmer than palm tree we have watched them wallow and buzz for so long but for an idea whose time has come nothing is that strong* **maybe it's time to save the embezzled donations and every single grant a time to say confidently "to Hell with the tyrant" maybe it's a time to be the change we want, the answer to all of our questions and shove those that think we can't maybe it's time to go past the roughing waves of conservatism as they whirl maybe it's time to save our lovely nation for at the moment, in very wrong hands lies the Pearl.**
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Jan 29, 2016
Jan 29, 2016 at 3:20 AM UTC
FOR GOD AND MY COUNTRY
**Maybe this is our opportunity to finally see change we've endured a system archaic and strange we've watched the world revolve quicker than us because we are stranded while the rest shift on the wheels of revolution maybe this is the time you made that resolution to constantly remind your brother and sister Father and mother that that position needs a new sitter maybe this is the time to say enough is enough however much it instills in you fear, however tough maybe it's the time we finally say to hell with the past because like they say to stone nothing is cast** *and the only thing that doesn't change is change itself otherwise for how long will one old man exploit our insecurities? For how long are they going to tell us that change is unsafe A different time a different king even the monarchs say what are we saying in our deafening silence today? maybe this is the time to tell even the most ignorant by the country mile that only and only a different king will dry their tears and give them a smile we've been told he's the only man with foresight come on,how are we to judge the rest without chances for so long change has been a distant vibration along the threads of time and opposition to conservatism a crime maybe it's time for that to change too and guess who can do that, only me and you* **maybe it's time to flip the page for this great country to start another chapter And it doesn't have to be all smooth a flow to happily ever after Let other dancers step to the podium and only then can we judge their dances maybe it's time to another hunter we handed the arrow and bow maybe now is the time for a different color on the rainbow It cannot forever be a constant yellow for even God saw however beautiful they look the skies shouldn't always bear a sparkling mellow sometimes the sky is cloudy, orange and most times blue maybe it's time like I clearly think from my own view for as a generation we are being denied the opportunity of comparative history** *what will we tell our children happened to democracy where did we throw, they'll ask all the resilience and efficacy? maybe it's time to get back our country from the liberators who use the same cuffs of the past regimes to manacle this country and have since grown tall and firmer than palm tree we have watched them wallow and buzz for so long but for an idea whose time has come nothing is that strong* **maybe it's time to save the embezzled donations and every single grant a time to say confidently "to Hell with the tyrant" maybe it's a time to be the change we want, the answer to all of our questions and shove those that think we can't maybe it's time to go past the roughing waves of conservatism as they whirl maybe it's time to save our lovely nation for at the moment, in very wrong hands lies the Pearl.**
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I have a cat Black as midnight With a tail strong From bristling and curving into s-shapes. He came to us younger and firmer Fur thick with the muscle of the cold From the hunt for somewhere else And he was hungry. My mother said he must have been beaten Because he had learnt to fear a hand from above So we stroked him from the side Asking meek permission. He learnt to recognise my shoes as That one thing which brought love And could not be human because It did not shout. I changed my shoes often when I learnt this So that every day it learnt to love someone new And now it fears no human And sits warmly at our sides. We called him Bagheera because We know that he comes From a dark jungle Where only the strongest of heart can survive.
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Jan 28, 2015
Jan 28, 2015 at 6:35 PM UTC
Bagheera
Nima's mother came to the side ward where her daughter Nima was sitting by a window in her dressing gown looking at the passing trains. You look no better, her mother said. Better than what? Nima said, turning to eye her mother. Than last time, her mother said, walking into the ward, and sitting in a chair by the bed. You look tired. I am tired, always tired, Nima said, looking away from her mother, focusing on a train going by. Her mother sighed. You need to get better, how is the treatment? Ask the quacks they're in charge not me, Nima said, watching a milk float go by on the road across the way. You are a very spoilt child and rude, her mother said. Have you come to upset me or what? Nima said. Have you seen that boy again? May have, Nima said, turning to gaze at her mother. Have you or not? Her mother said in a firmer voice. What is it to you whom I see? Nima said. He could be a drug pusher and you'd be back in dirt hole again, her mother said. He's not a pusher, he has nothing to do with drugs which is why I like him, Nima said, remembering she and Benny in the cheap hotel bed making out at the weekend. Is he our type? Mother said. Our type? I doubt it very much and am glad, Nima said. Her mother sighed and stood up and walked to where her daughter sat and stood over her. If it wasn't for me you'd be in some cheap ward with the others, Mother said coldly. When did you see him last? At the weekend, Nima said, seeing in her mind's eye she and Benny in the bed stark naked, curtains drawn back taking in the view. What did you do? Mother said. Nothing much, sat and talked, Nima said, remembering the landlady coming to the door with tea that Sunday morning and Benny going to the door in just his underwear and she(Nima) smiling at the landlady's stare.
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Sep 7, 2016
Sep 7, 2016 at 3:53 AM UTC
WEEKEND AWAY 1967.
Nima's mother came to the side ward where her daughter Nima was sitting by a window in her dressing gown looking at the passing trains. You look no better, her mother said. Better than what? Nima said, turning to eye her mother. Than last time, her mother said, walking into the ward, and sitting in a chair by the bed. You look tired. I am tired, always tired, Nima said, looking away from her mother, focusing on a train going by. Her mother sighed. You need to get better, how is the treatment? Ask the quacks they're in charge not me, Nima said, watching a milk float go by on the road across the way. You are a very spoilt child and rude, her mother said. Have you come to upset me or what? Nima said. Have you seen that boy again? May have, Nima said, turning to gaze at her mother. Have you or not? Her mother said in a firmer voice. What is it to you whom I see? Nima said. He could be a drug pusher and you'd be back in dirt hole again, her mother said. He's not a pusher, he has nothing to do with drugs which is why I like him, Nima said, remembering she and Benny in the cheap hotel bed making out at the weekend. Is he our type? Mother said. Our type? I doubt it very much and am glad, Nima said. Her mother sighed and stood up and walked to where her daughter sat and stood over her. If it wasn't for me you'd be in some cheap ward with the others, Mother said coldly. When did you see him last? At the weekend, Nima said, seeing in her mind's eye she and Benny in the bed stark naked, curtains drawn back taking in the view. What did you do? Mother said. Nothing much, sat and talked, Nima said, remembering the landlady coming to the door with tea that Sunday morning and Benny going to the door in just his underwear and she(Nima) smiling at the landlady's stare.
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Under the eaves we’ll be dryer, sat down in those chairs so not to tire; there’s a fire in the back slowly smouldering. It reminds me of your desire last Spring. Below the light we’ll embrace once more beneath the bed sheets that pour over us like tides offshore, but you were different with your Trojan war, Iliad heart. The snow has fallen, outside is the core and we’re now apart. Inside the cabin we’ll be warmer laying loose on the couch like lost foreigners: you used to be a charmer back when it mattered. Now the ground is firmer and the leaves are scattered.
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Jun 6, 2013
Jun 6, 2013 at 8:10 AM UTC
FIRM GROUND: MOVE THE FOUNDATIONS
Oh precious Hyacinth, in my eyes a jewel In front of your radiance, my knees fell You’re like a glistening pearl in a ****** shell I am enamored by your enthralling spell Listen everyone to Zephyrus’ Serenade for Hyacinth! Oh King of Sparta, you bear the tastiest fruit On the land he is the handsomest youth This is for everyone a crystal clear truth That’s why in my heart the arrows of Eros shoot Listen everyone to Zephyrus’ Serenade for Hyacinth! Oh precious Hyacinth, you have equaled the glamour of a god Your face is fairer than any mortal lad Your muscles are firmer than any man had Because of such beauty, you make me feel glad Listen everyone to Zephyrus’ Serenade for Hyacinth! Oh King of Olympus, let me have this seductive mortal For him my godly being turned carnal The appeal of his flesh is oddly unusual I want him to be mine for time eternal Listen everyone to Zephyrus’ Serenade for Hyacinth! Oh precious Hyacinth, under my wings you’ll never fall Come to the West Wind’s most desperate call To you I’ll reserve the prettiest room in my hall The most romantic & blissful haven for all Listen everyone to Zephyrus’ Serenade for Hyacinth! Oh deities & humans, grant me this costly man Boreas, Notus, Eurus, bring me this heavenly Spartan Let our powerful Anemoi bequeath him from his clan Turn him over to the Western Wind, his greatest fan! Listen everyone to Zephyrus’ Serenade for Hyacinth! -02/11/2015 (Dumarao) *Hopelessly Immortal Collection
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Sep 21, 2019
Sep 21, 2019 at 9:53 PM UTC
Zephyrus’ Serenade for Hyacinth
Oh precious Hyacinth, in my eyes a jewel In front of your radiance, my knees fell You’re like a glistening pearl in a ****** shell I am enamored by your enthralling spell Listen everyone to Zephyrus’ Serenade for Hyacinth! Oh King of Sparta, you bear the tastiest fruit On the land he is the handsomest youth This is for everyone a crystal clear truth That’s why in my heart the arrows of Eros shoot Listen everyone to Zephyrus’ Serenade for Hyacinth! Oh precious Hyacinth, you have equaled the glamour of a god Your face is fairer than any mortal lad Your muscles are firmer than any man had Because of such beauty, you make me feel glad Listen everyone to Zephyrus’ Serenade for Hyacinth! Oh King of Olympus, let me have this seductive mortal For him my godly being turned carnal The appeal of his flesh is oddly unusual I want him to be mine for time eternal Listen everyone to Zephyrus’ Serenade for Hyacinth! Oh precious Hyacinth, under my wings you’ll never fall Come to the West Wind’s most desperate call To you I’ll reserve the prettiest room in my hall The most romantic & blissful haven for all Listen everyone to Zephyrus’ Serenade for Hyacinth! Oh deities & humans, grant me this costly man Boreas, Notus, Eurus, bring me this heavenly Spartan Let our powerful Anemoi bequeath him from his clan Turn him over to the Western Wind, his greatest fan! Listen everyone to Zephyrus’ Serenade for Hyacinth! -02/11/2015 (Dumarao) *Hopelessly Immortal Collection
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