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"drapery" poems
Butterflies turn to moths in the drapery of your stomach. They spread, And the feast begins on the fabric lining the masonry of your summit. Your satin sheets, The place you come to cradle dreams. Who knew, Were vulnerable to these wing'd beasts.
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Aug 3, 2018
Aug 3, 2018 at 7:57 PM UTC
Stone Fort
Dim vales—and shadowy floods— And cloudy-looking woods, Whose forms we can’t discover For the tears that drip all over Huge moons there wax and wane— Again—again—again— Every moment of the night— Forever changing places— And they put out the star-light With the breath from their pale faces. About twelve by the moon-dial One more filmy than the rest (A kind which, upon trial, They have found to be the best) Comes down—still down—and down With its centre on the crown Of a mountain’s eminence, While its wide circumference In easy drapery falls Over hamlets, over halls, Wherever they may be— O’er the strange woods—o’er the sea— Over spirits on the wing— Over every drowsy thing— And buries them up quite In a labyrinth of light— And then, how deep!—O, deep! Is the passion of their sleep. In the morning they arise, And their moony covering Is soaring in the skies, With the tempests as they toss, Like—almost any thing— Or a yellow Albatross. They use that moon no more For the same end as before— Videlicet a tent— Which I think extravagant: Its atomies, however, Into a shower dissever, Of which those butterflies, Of Earth, who seek the skies, And so come down again (Never-contented thing!) Have brought a specimen Upon their quivering wings.
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7.3k
Fairyland
The sun bakes down heavily on a plastic micro planet in Orlando, Florida where crowded trams drop American bushels of tourists into an alien world. Quickly fantasy comes alive through a corporation of disguise. The workers mask themselves in a drapery of familiar life -like costumes to charm little children’s hearts. They smile wildly, carving a clear dimple line on the but of their cheeks. Walt’s Disney World must have driven every one of America’s circuses out of business. The flying trapeze is too elegant, people now want to be strapped in, buckled up and whipped around to forcibly experience the true velocity of entertainment. Even the participant’s attire is geared for this third world oblivion. Neon ***** packs rest like bloated kangaroo pouches on fat sweaty old lady’s round hips, their plump fingers holding on to leashed harnesses reined to their child’s small chest. This is vacation, strangers of people in massive conglomerations with confused expressions and burnt faces. Even the food seems wickedly unnatural, like an artificial order of burning plastic and sour dough surprise. Waiting is the enthusiast’s pastime as parades of anxious voyeurs are captivated by a trance fixation of lights and whistles. They line up like schools of lemming, plunging on rides, one by one. This is the place Where memories are made And dreams come true
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Sep 25, 2010
Sep 25, 2010 at 12:25 PM UTC
Walt Disney World, Orlando Florida
They say they love you. And they care about you. And that theyre there for you. And. Thats supposed to feel good. Its supposed to feel nice. Be nice. But honestly. It just makes me feel nervous. Uneasy. Apprehension and suspicion grip me. They shake me. And yet at the same time, mostly, I feel apathy. Nothing As if your words were as grains of sand to my beach. As if they were the folds of some drapery That i depicted in my sketching class. Singularly, it is so insignificance to me. And maybe thats where im going wrong. Looking for beauty and solidity in pebbles and ripples. It all. Means something. Everything. But. It all means nothing. Theyre just words. And whos to say youre even real. Wait. Am i even real.
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Oct 9, 2018
Oct 9, 2018 at 2:28 AM UTC
The Doors have been opened..
Somewhere along the line it feels like I lost my poetry. But I've always had a deep affinity of childhood curious-gaze with the light of a passing car slicing through a slumped drapery in the dead of a powerless October night like a fumbling mouse with night-vision, glassy eyed, walk, walk, walk run, run, run scurry-rubber like an imperial humvee of red-carpet glamor. Somewhere along the line the freeze of a less-than-bourgeoise temperature never felt close to Antarctic until the ring of a cell-phone became my national anthem and the complacent all-eternity-and-everything-we-are-and-more reflective one-eye of a laptop became my national flag I waived it with surrender calling to all nation states that 'I don't give a sweet **** entertain me.' watching politics like sports and sports like politics I couldn't help but hear the old Native inside of me scream in suffocated final breaths so I turned up the volume to drown him out and when I wished to return to his comforting embrace, I found he had drown to death so all I could do was stand over his wading body in the river of my mind and lax my shoulders in defeat. I rang the midnight church bell of 'send new message' to tell the world that didn't care the shaman is dead. all they said was 'finally, the shaman is dead.' I nodded, laughed, locked the bathroom door and cried until the river ran dry the shamans body so far down creek I could pretend to forget he had ever existed the ache inside became a masked anonymity with the glare of Dorian Gray I shrugged and said, 'I could never make time anyways' and fell right back into my sleepy routine with another cup of coffee.
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Nov 8, 2012
Nov 8, 2012 at 10:06 PM UTC
send new message
Somewhere along the line it feels like I lost my poetry. But I've always had a deep affinity of childhood curious-gaze with the light of a passing car slicing through a slumped drapery in the dead of a powerless October night like a fumbling mouse with night-vision, glassy eyed, walk, walk, walk run, run, run scurry-rubber like an imperial humvee of red-carpet glamor. Somewhere along the line the freeze of a less-than-bourgeoise temperature never felt close to Antarctic until the ring of a cell-phone became my national anthem and the complacent all-eternity-and-everything-we-are-and-more reflective one-eye of a laptop became my national flag I waived it with surrender calling to all nation states that 'I don't give a sweet **** entertain me.' watching politics like sports and sports like politics I couldn't help but hear the old Native inside of me scream in suffocated final breaths so I turned up the volume to drown him out and when I wished to return to his comforting embrace, I found he had drown to death so all I could do was stand over his wading body in the river of my mind and lax my shoulders in defeat. I rang the midnight church bell of 'send new message' to tell the world that didn't care the shaman is dead. all they said was 'finally, the shaman is dead.' I nodded, laughed, locked the bathroom door and cried until the river ran dry the shamans body so far down creek I could pretend to forget he had ever existed the ache inside became a masked anonymity with the glare of Dorian Gray I shrugged and said, 'I could never make time anyways' and fell right back into my sleepy routine with another cup of coffee.
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because our dreams of leaf-canopies and lignin arrive at a certain variety of green, we will zither anew with song here in Bulacan; all the leaves are capsized brandishing inflorescences as naked as   the scent of petrichor girdled on the cobblestones: they are forsaken not by trees but by seasons only, a twofold deliberation of caprice: there is only two of what is spoken.    such is the warmth and coldness, missing their obvious targets, hesitant and abstruse,   scattered and at long last, never collected deftly camouflaged in the familiar drapery, “Tantusan mo!” as they cry for marks to remember, we touch the cicatrix to measure with our jagged hands how much we have forgotten. what we cease to remember descends deep, as wash-hand basins concur such depth, into the well of ourselves, later to discover such perilous foundling in the squall of either morning or evening,    still devoid of sense: still arguing whether there is much to reconcile with what has been found and what has been pictured    now, altered by such loss: this is danger, and so is nothing, swollen and tender, the waters of the estero reek of such remembering – we cannot ignore its perfume, oddly taking the shape of the next dagger slowly making its way towards the back of the skull to pare with river-run precision, what we all try to hold back inside; so as if to say,              “Tantusan mo!” to remember where     we last    took  off,  like a heron,    or a  bird, wary of distances.
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Jan 26, 2016
Jan 26, 2016 at 12:59 AM UTC
Tantusan Mo
because our dreams of leaf-canopies and lignin arrive at a certain variety of green, we will zither anew with song here in Bulacan; all the leaves are capsized brandishing inflorescences as naked as   the scent of petrichor girdled on the cobblestones: they are forsaken not by trees but by seasons only, a twofold deliberation of caprice: there is only two of what is spoken.    such is the warmth and coldness, missing their obvious targets, hesitant and abstruse,   scattered and at long last, never collected deftly camouflaged in the familiar drapery, “Tantusan mo!” as they cry for marks to remember, we touch the cicatrix to measure with our jagged hands how much we have forgotten. what we cease to remember descends deep, as wash-hand basins concur such depth, into the well of ourselves, later to discover such perilous foundling in the squall of either morning or evening,    still devoid of sense: still arguing whether there is much to reconcile with what has been found and what has been pictured    now, altered by such loss: this is danger, and so is nothing, swollen and tender, the waters of the estero reek of such remembering – we cannot ignore its perfume, oddly taking the shape of the next dagger slowly making its way towards the back of the skull to pare with river-run precision, what we all try to hold back inside; so as if to say,              “Tantusan mo!” to remember where     we last    took  off,  like a heron,    or a  bird, wary of distances.
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31
Carry me out Into the wind and the sunshine, Into the beautiful world. O, the wonder, the spell of the streets! The stature and strength of the horses, The rustle and echo of footfalls, The flat roar and rattle of wheels! A swift tram floats huge on us . . . It's a dream? The smell of the mud in my nostrils Blows brave--like a breath of the sea! As of old, Ambulant, undulant drapery, Vaguery and strangely provocative, Fluttersd and beckons. O, yonder-- Is it?--the gleam of a stocking! Sudden, a spire Wedged in the mist! O, the houses, The long lines of lofty, grey houses, Cross-hatched with shadow and light! These are the streets . . . Each is an avenue leading Whither I will! Free . . . ! Dizzy, hysterical, faint, I sit, and the carriage rolls on with me Into the wonderful world.
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2.3k
Discharged
Lucid dreaming, I sit                       in a downtown lounge, swirling ice in my drink, listening to tiny 'bergs creaking and cracking.                                                                           I raise the glass to my lips and              imagine the taste of Shackleton's whisky, after those 100 years in Antarctic ice, assimilating a tinge of penguin, a pinch of blubber, the turbulence of the sea, the still of the frozen mountains across the tundra, the desolation, the tenacity of survival, the bitter numbing cold, mixed in with                                                    the warm peaty oaken goodness of Scotland at the other end of the world. Through the soles of my boots I sense the   thin surface tension keeping my body, the table and chairs from plunging into the frozen deep that lurks somewhere beneath the Lower East Side, black and still,        waiting              waiting. The band starts up in the      next room. A curtain parts and a blast of brass escapes,  a great honking       sound that reverberates in a molar, before     a female voice lifts me from my chair, drawing me toward the source.                      Pushing across the floor like Nureyev on ice, I slide deftly between amorous couples, skirt the co-ed queue at the toilets, dodge the woman at the curtain collecting the cover charge, nod at my pal the bouncer returning to his post and finally glide/float/fly through the velvet drapery,                                                                                    focused on the rising soprano.                               It's just a dream, I think. Why pay cover? *Ode to the Living Room
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Jan 29, 2013
Jan 29, 2013 at 10:29 AM UTC
Unsavory Cocktails*
Lucid dreaming, I sit                       in a downtown lounge, swirling ice in my drink, listening to tiny 'bergs creaking and cracking.                                                                           I raise the glass to my lips and              imagine the taste of Shackleton's whisky, after those 100 years in Antarctic ice, assimilating a tinge of penguin, a pinch of blubber, the turbulence of the sea, the still of the frozen mountains across the tundra, the desolation, the tenacity of survival, the bitter numbing cold, mixed in with                                                    the warm peaty oaken goodness of Scotland at the other end of the world. Through the soles of my boots I sense the   thin surface tension keeping my body, the table and chairs from plunging into the frozen deep that lurks somewhere beneath the Lower East Side, black and still,        waiting              waiting. The band starts up in the      next room. A curtain parts and a blast of brass escapes,  a great honking       sound that reverberates in a molar, before     a female voice lifts me from my chair, drawing me toward the source.                      Pushing across the floor like Nureyev on ice, I slide deftly between amorous couples, skirt the co-ed queue at the toilets, dodge the woman at the curtain collecting the cover charge, nod at my pal the bouncer returning to his post and finally glide/float/fly through the velvet drapery,                                                                                    focused on the rising soprano.                               It's just a dream, I think. Why pay cover? *Ode to the Living Room
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WHAT woman hugs her infant there? Another star has shot an ear. What made the drapery glisten so? Not a man but Delacroix. What made the ceiling waterproof? Landor's tarpaulin on the roof What brushes fly and moth aside? Irving and his plume of pride. What hurries out the knaye and dolt? Talma and his thunderbolt. Why is the woman terror-struck? Can there be mercy in that look?
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A Nativity
I remodeled my home, By ridding it of old furniture made of Dark and malice thoughts, And redecorated with thoughts of joy and inspiration. I decorated the empty ceilings With a full moon and some shining stars, I took down the drapery that once covered the windows, and watched From my living room as the new dawn embraced the sunshine. In my garden, I built a house for the melodious birds to warble their Songs, and constructed a temple for prayer from my tears and sorrows. I planted an olive tree in memory of innocent souls, and decorated it with Some tulips, roses, and jasmine flowers for the anthem of love! Hussein Dekmak
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Sep 23, 2018
Sep 23, 2018 at 11:01 AM UTC
Home Renovations
The curtains will close, only if we’ll allow it. Not now… Not at each darkened hour - where the cycle of ticking hands seem to wipe clean, the ash and dust off the faces of every clock.                      ••• When the curtains finally do close… And a little too late… May the drapery be large enough to grant eternal peace and enshroud all the bodies that lay but not our eyes… Our hearts… Our resolve…
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Feb 28, 2024
Feb 28, 2024 at 10:08 AM UTC
Drapery
Not many tensions, nor any excitement Life has ever been a placidly flowing river! Single and free! Over differences, never been any disputes never had to consult, nor seek consent Single and free! but doesn’t his house with its cold, mildewed air reflect his heart? A house so full of things: a hoard of well stacked books, exquisitely carved Victorian furniture, antique collection of curios, ornate drapery Yet so full of nothing! The prim order of the house never disturbed by naughty hands nor shuffled by dusty feet dirtying the Persian carpets  or smudging the glistening floor The well laid bed covers never get creased by the body’s desire and Love’s tight embrace and never, they bear the fragrance of female scent! Sometimes he would shake from foot to crown at a question hurled by an unknown voice; “Did you squander away your life?” Then he recognizes…. he has been a lone traveler ever walking through a one way lane that will wind off with a few more steps! If, by chance somewhere a new track branches out he would no more be a solitary ***** There would be a companion to hold hands! Now it is too late!
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Apr 29, 2017
Apr 29, 2017 at 12:09 PM UTC
Now It is Too Late
She smelled of wild lavender and deep magicks, The scent hanging in the air like a golden silence, I'm trying to hold tightly yet composure is first to dissolve, Senses fall one by one until no dominoes are left, Stop staring, act natural and crumble on the inside, Don't speak, reserve your efforts for a smile, Blown fuse serviced from the under-wing like vertigo in my veins, and neatly betwixt two fingers twirl a cotton drapery, Framed in silk halo, enshrouding like auras in a Milky Way of phantasmagoria. Until my thoughts become in summary and each breathe becomes shorter than the last. The artistry of her elegance like sleek fine line-work on vintage paper and I'm ... feather light. And in those tresses I'd seen that sheen before, in the ripple of calm ocean waves, and in auburn at sunset. I'd seen that gloss in her eyes perched upon petals as morning dew and rain upon windows in my quiet times, Between the silhouetting slopes of her contours as dunes upon the horizon, there's an eclipse in her lips that would not speak in any less than measured prosody nor kiss without dreamscape grandeur.
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Oct 17, 2017
Oct 17, 2017 at 8:40 PM UTC
A Conflagration of Butterflies.
I feel like I’m stuck in time. My feet, cemented to the ground where I stand. People soar by me on both sides. All around me, yet nowhere near me. They successfully string together passionate ideas, delicate drapery, and sky-high goals to form a shell of utter perfection, to those who observe from the outside. But here I stand, with anger. An anger so strong, it is removing every part of me until I am too tired to feel anything at all. This emptiness acts as my superintendence. Forcing me to laugh loudly at overused jokes, and widen my tightly shut lips into a smile at compliments, spoken by the peers that play the part of my closest companions. But these words, once soaked up, fall deep down the hollow hallways of what is left of me. Welcomed by nothing but a disagreeing voice, behind the quiet thank you that escapes from this empty shell.
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Jan 28, 2014
Jan 28, 2014 at 1:33 AM UTC
Empty Shell
THE Heavenly Circuit; Berenice's Hair; Tent-pole of Eden; the tent's drapery; Symbolical glory of thc earth and air! The Father and His angelic hierarchy That made the magnitude and glory there Stood in the circuit of a needle's eye. Some found a different pole, and where it stood A pattern on a napkin dipped in blood.
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Veronica's Napkin
softly, she weeps warm tears falling, tracing her contours. a breeze, so soft, moves through her. it's silent tonight, and so is she. tendrils of green, sway above her. a dance of despair, of solace and sadness. and she joins and moves with the wind. she thinks and she thinks, of ephemeral air. how it stirs and caresses, then dissipates and departs, only to sweep across mountains and valleys. she wishes to be, no more than a breeze. gentle but strong, to be felt by all yet seen by none. the willow above, with its weeping green, grazes her cheeks, and beckons her gently to join with those currents, in their invisible journey. and so her body fades, and she leans to the tree, the drapery of leaves enfolding her like a lover. if one were to glance at the willow tree, they would see a girl no longer there would see only tendrils of green, swaying in the wake of some wind. in her place, there is now a silent emptiness. and the willow still weeps with joy for her freedom, in despair that she's gone.
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Aug 25, 2017
Aug 25, 2017 at 12:25 AM UTC
willow
. *Poems are plush curtains, of words, pulled together to hide the world from the raw emotion that flows out of a writer casting pearls.* © Pagan Paul (14/02/21)
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Feb 27, 2021
Feb 27, 2021 at 4:01 PM UTC
Drapery
Religion had locked me up in a closet shrined with Adam and Eve Mary and Joseph. Adam married Eve, my child, Mary bewedded Joseph, my child. Blessed be the day you crawl out of this closet to be coveted by the golden halo God has waiting for you. I have been clothed in God’s golden halo, drapery of fine linens, for he loves me so, and religion had locked me up. I wish for Adam to marry Adam, Eve to love Eve. For a closed door shall never preserve, progress has made its step forward, and I choose to march with. Religion had locked me up in a closet, for if I had never opened the door, misery would have reigned upon me. And with this, though I may be frowned upon in a chapel, hostility will never hold my heart. -Chloe Aldecoa
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Oct 4, 2017
Oct 4, 2017 at 3:38 PM UTC
My Cousin's Heart.
Whatever shall happen, shall happen Whatever will be, will be In the grand tapestry of the universe Everything that has been done Is being done And will be done Comes with certain intentions With these intentions, we shall either rise or fall For every cause has its consequences And every effect is with reason The only offer we are given The only thing that can be done Is a choice Is our choice To alter the fabric of reality To make a difference Whether good or bad But all must be done in caution All must be done with a bit of uncertainty For the slightest decision For The verdict being made Can change everything Can alter all things minimal or grand It is a jump A chance To fly or to fall But it must be done with no fear No holding back Once the choice is made There is no turning back Once the pattern has been made Into that giant, beautiful, complex drapery It is forever imprinted As is his faith in you As is his trust For that choice shall never be forgotten It will forever be etched into time Forever imbedded within his mind So what choice will you make?
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Dec 28, 2012
Dec 28, 2012 at 12:18 AM UTC
Choices
Kali, make me an implement of your final cruelty and wisdom Where there is motion, let me slow the vibration So that your senses might attune to stillness So that you might destroy my innocence and abolish my existence May Kali Yuga swallow every form May the myriad wonders go rushing, gushing thru your fangs May the birth pangs of tomorrow chase the fortune of today May the endless hours be abolished in calamity Teach us to acknowledge the concrescence of our essence Show us finality of form Destroy the walls of every home—for we have willed it Forever in a vacuum May there be no sound of seasons May every reason fall to chaos You have made us in your image Teach us to recognize Where there is form, void; Where there is truth, deception; Where there is certainty, a cosmic pun; Where there is reality, hallucination; Where there is touch, neglect; Where there is growth, a garden full of ashes; You of many names: Anima, The Serpent Mother, Blessed Other, Mind of Nature, Mind of Man, She Who Can, She Who Is, Spider Woman, Tao Bring us to the edge of the unspeakable now Disrupt our petty play Absolve us from decay Amazing how we’ve come so far And are still so far apart Everything is natural I tell myself But then What makes us so strange? Something here is strange We seek to make it known Like a deadbeat injuring himself On the job In Tennessee Subject to Endless repetition In the marble quarries Of old Athens We copy what is known Expecting praise While cities of the night Reveal an ancient face The body is the portal The world is but a riddle On the stone cells of A tomb Golden wax Breeds life From the base of a great tree Where an old woman Sings in praise of Kali Yuga Calls the pasture to her hand And all the humming things Come forward Blind & obedient Like unpolished flesh The drapery billows w/ No motion Sends the eyeballs off In search of internal shadows Where the Other waits Where it always has Where it will be confronted Where it will be embraced Where it will be known Or die to our division & cover up our genitals forever
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Feb 15, 2017
Feb 15, 2017 at 1:58 PM UTC
Prayer to Kali Yuga
Kali, make me an implement of your final cruelty and wisdom Where there is motion, let me slow the vibration So that your senses might attune to stillness So that you might destroy my innocence and abolish my existence May Kali Yuga swallow every form May the myriad wonders go rushing, gushing thru your fangs May the birth pangs of tomorrow chase the fortune of today May the endless hours be abolished in calamity Teach us to acknowledge the concrescence of our essence Show us finality of form Destroy the walls of every home—for we have willed it Forever in a vacuum May there be no sound of seasons May every reason fall to chaos You have made us in your image Teach us to recognize Where there is form, void; Where there is truth, deception; Where there is certainty, a cosmic pun; Where there is reality, hallucination; Where there is touch, neglect; Where there is growth, a garden full of ashes; You of many names: Anima, The Serpent Mother, Blessed Other, Mind of Nature, Mind of Man, She Who Can, She Who Is, Spider Woman, Tao Bring us to the edge of the unspeakable now Disrupt our petty play Absolve us from decay Amazing how we’ve come so far And are still so far apart Everything is natural I tell myself But then What makes us so strange? Something here is strange We seek to make it known Like a deadbeat injuring himself On the job In Tennessee Subject to Endless repetition In the marble quarries Of old Athens We copy what is known Expecting praise While cities of the night Reveal an ancient face The body is the portal The world is but a riddle On the stone cells of A tomb Golden wax Breeds life From the base of a great tree Where an old woman Sings in praise of Kali Yuga Calls the pasture to her hand And all the humming things Come forward Blind & obedient Like unpolished flesh The drapery billows w/ No motion Sends the eyeballs off In search of internal shadows Where the Other waits Where it always has Where it will be confronted Where it will be embraced Where it will be known Or die to our division & cover up our genitals forever
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My Mother was sad – When I had walked, talked And left the girl there, All alone in her bed, The bed I’d fled And cushion not my own As I’m now laying, Sheets up to chin And lying as well, at home, My mother’s home, But the home she said, I’d "always have.”      I roll over. My bed, my very own, Is hours away and if I were, “There,” I’d still hear her tears, My mother’s And those of the “others” I’d left Behind, left before, abandoned In that very bed that’s now And hers, only hers, Far from ours or ever will be; An “Eden,” becoming exile; Truth in prior trespass – an end.      I roll over. And as selfish as all this may sound, I saunter to the smell pancakes, Maple syrup, And fresh coffee in sobbing’s stead; Up until the grief of a mother – Tears atop tabletops, A stream quite displaced from mad, Where my visits, become few, far And even further, Most importantly – Alone; For her, for me and it pains her even more, The solitude of, “I.”      I roll over. Alas, the clock’s ticking not only sorrow, But something else awry. Awry or away, Where mom’s finally tackled slumber again, Snores intermitted renewed grin Under dreamt up birthday cakes, Sunlit orange juice and dandelions; Whisps Breeding the only smile, her son’s come home. So with light whimper, fried eggs come ‘morrow And a small dog at her feet, She’s in a moment, she’s satisfied. The one left behind, probably not though, As she’s atop a pool of tears and drapery boiled Drink come reckless.      I roll over. And like her, I’m still awake, Dreams taunt, but sheep can’t sleep, Because I’m – A little ashamed, a tad content, Still tired though and as odd as this may Sound, or not, Hungry for breakfast As pancakes overcome pillow-muffled Cries And burnt bacon mirrors souls and a Sacred long gone; Solace in only one of the two being happy, But one more than the two that weren’t before.      I roll over and will again and again     And again.
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Jan 11, 2016
Jan 11, 2016 at 9:43 PM UTC
Ache, Mania, and Roll
My Mother was sad – When I had walked, talked And left the girl there, All alone in her bed, The bed I’d fled And cushion not my own As I’m now laying, Sheets up to chin And lying as well, at home, My mother’s home, But the home she said, I’d "always have.”      I roll over. My bed, my very own, Is hours away and if I were, “There,” I’d still hear her tears, My mother’s And those of the “others” I’d left Behind, left before, abandoned In that very bed that’s now And hers, only hers, Far from ours or ever will be; An “Eden,” becoming exile; Truth in prior trespass – an end.      I roll over. And as selfish as all this may sound, I saunter to the smell pancakes, Maple syrup, And fresh coffee in sobbing’s stead; Up until the grief of a mother – Tears atop tabletops, A stream quite displaced from mad, Where my visits, become few, far And even further, Most importantly – Alone; For her, for me and it pains her even more, The solitude of, “I.”      I roll over. Alas, the clock’s ticking not only sorrow, But something else awry. Awry or away, Where mom’s finally tackled slumber again, Snores intermitted renewed grin Under dreamt up birthday cakes, Sunlit orange juice and dandelions; Whisps Breeding the only smile, her son’s come home. So with light whimper, fried eggs come ‘morrow And a small dog at her feet, She’s in a moment, she’s satisfied. The one left behind, probably not though, As she’s atop a pool of tears and drapery boiled Drink come reckless.      I roll over. And like her, I’m still awake, Dreams taunt, but sheep can’t sleep, Because I’m – A little ashamed, a tad content, Still tired though and as odd as this may Sound, or not, Hungry for breakfast As pancakes overcome pillow-muffled Cries And burnt bacon mirrors souls and a Sacred long gone; Solace in only one of the two being happy, But one more than the two that weren’t before.      I roll over and will again and again     And again.
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I dedicate this poem to all my Friends here, as I narrate the interesting facts about Snowflakes,which is seen in abundance during this time of the year, as I wish them all A VERY HAPPY NEW YEAR 2021. A Snowflake is a single ice crystal hardly visible to our naked eyes. During 1805, an American Wilson Bentley for the first time captured in his camera by magnifying them several time for us to see! Best Wishes from – Raj, New Delhi, on the New Year’s Eve of 31st December2020. *VERY HAPPY NEW YEAR 2021 TO MY FRIENDS WITH MY TRIBUTE TO SNOWFLAKES* Composed By Raj Nandy Deep within the snow covered landscape, Lies a Symphony of Nature’s microscopic beauty unseen! Lying crystallized in a multitude of Snowflakes, Like a vast hidden world of dreams! Till young Wilson Bentley became the first, To photograph the Snowflake’s hidden work of Art! These flakes are minute crystals of hexagonal shapes, Where no two flakes ever look the same! Some are shaped like needles and dendrites, While others like star crystals look bright. Perhaps those Heavenly Stars from eons past, Watching mankind that turns to dust, With their petty quarrels and strife, And with all their arrogance and pride, Vainly trying to challenge God’s might; So they shed their starry tears all through the night! Their tears float down as they waltz through space, Falling gently like some gossamer lace, To get congealed into Snowflakes white, Presenting in the morning a dazzling sight, Like a drapery over Nature of dazzling white! While all our impurities they cover and hide, Those little Snowflakes of little pearly ice, - Makes the Earth appear like Paradise! Snowflakes are God’s unique work of art my friends, We humans cannot achieve His artistic level of excellence! - Raj Nandy, New Delhi, NOTES :- It was young Wilson Bentley , who in 1805 , fitted a microscope to his camera to take the first photographs of Snowflakes ! He thereby exposed this hidden world of Art to our World ! Hexagonal in shape each snow crystal is made up of about 200 separate crystals with the bonding of hydrogen & oxygen atoms, – forming an infinite variety of patterns, where no two snowflakes look the same! Snow crystals grow faster near 5 degrees Fahrenheit , - falling on ground with temperature below freezing ! The 6 basic shapes of Snowflakes are; - Plate or Flat, Stars , Needles , Dendrite, and Capped column shape. *ALL COPYRIGHTS RESERVED BY RAJ NANDY*
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Dec 31, 2020
Dec 31, 2020 at 10:51 PM UTC
HAPPY NEW YEAR WITH TRIBUTE TO SNOWFLAKES!
I dedicate this poem to all my Friends here, as I narrate the interesting facts about Snowflakes,which is seen in abundance during this time of the year, as I wish them all A VERY HAPPY NEW YEAR 2021. A Snowflake is a single ice crystal hardly visible to our naked eyes. During 1805, an American Wilson Bentley for the first time captured in his camera by magnifying them several time for us to see! Best Wishes from – Raj, New Delhi, on the New Year’s Eve of 31st December2020. *VERY HAPPY NEW YEAR 2021 TO MY FRIENDS WITH MY TRIBUTE TO SNOWFLAKES* Composed By Raj Nandy Deep within the snow covered landscape, Lies a Symphony of Nature’s microscopic beauty unseen! Lying crystallized in a multitude of Snowflakes, Like a vast hidden world of dreams! Till young Wilson Bentley became the first, To photograph the Snowflake’s hidden work of Art! These flakes are minute crystals of hexagonal shapes, Where no two flakes ever look the same! Some are shaped like needles and dendrites, While others like star crystals look bright. Perhaps those Heavenly Stars from eons past, Watching mankind that turns to dust, With their petty quarrels and strife, And with all their arrogance and pride, Vainly trying to challenge God’s might; So they shed their starry tears all through the night! Their tears float down as they waltz through space, Falling gently like some gossamer lace, To get congealed into Snowflakes white, Presenting in the morning a dazzling sight, Like a drapery over Nature of dazzling white! While all our impurities they cover and hide, Those little Snowflakes of little pearly ice, - Makes the Earth appear like Paradise! Snowflakes are God’s unique work of art my friends, We humans cannot achieve His artistic level of excellence! - Raj Nandy, New Delhi, NOTES :- It was young Wilson Bentley , who in 1805 , fitted a microscope to his camera to take the first photographs of Snowflakes ! He thereby exposed this hidden world of Art to our World ! Hexagonal in shape each snow crystal is made up of about 200 separate crystals with the bonding of hydrogen & oxygen atoms, – forming an infinite variety of patterns, where no two snowflakes look the same! Snow crystals grow faster near 5 degrees Fahrenheit , - falling on ground with temperature below freezing ! The 6 basic shapes of Snowflakes are; - Plate or Flat, Stars , Needles , Dendrite, and Capped column shape. *ALL COPYRIGHTS RESERVED BY RAJ NANDY*
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⇜⇝⇜⇝⇜⇝⇜⇝ .madame's stifled feverish tittering, voice raucous as tamped in a corselet, translucent skin akin to pellucid drapery, overwrought hands entwined in champagne hair, madame's eccentricity is her lunacy. ⇜⇝⇜⇝⇜⇝⇜⇝ ⇜⇝⇜⇝⇜⇝⇜⇝ .the mellifluous static of the ebony radio, dulcet hallucinations imbricate in her Crumpet, ephemeral visionary of the erstwhile, Madame’s a suitable fandangle tenant of the bedlam. ⇜⇝⇜⇝⇜⇝ ⇜⇝⇜⇝⇜⇝ .madame scrutinized the greenwood through the crevice, appetency for the veil of sea smoke, imperceptive to her frenzy. ⇜⇝⇜⇝⇜⇝ ⇜⇝⇜⇝⇜⇝ .ensnared in an austere plight, madame’s urbane actuality, disenfranchised. ⇜⇝⇜⇝⇜⇝⇜⇝⇜⇝⇜⇝ ⇜⇝⇜⇝⇜⇝⇜⇝⇜⇝⇜⇝ .the exuberant dimension of reciting hysteria. ⇜⇝⇜⇝⇜⇝
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Sep 18, 2018
Sep 18, 2018 at 1:24 PM UTC
.madame,
First things first, you’ll have to remove your hat and the plank strapped to your limbs. Your body will be used to thumb-wrestle with gravity. Please remove the staples from your chest. Find your new set of lungs. There is space to breathe here. Take this new heart. You’ll beat slower, suspended. Circadian rhythms will not help you. Your body will become a willow in a storm, never breaking. There are no mistakes here. You’ll learn to drink silence for sustenance, washed down with madness and tepid water. You’ll learn to compensate for lacking conversation, hold secret meetings in the basement of your mind. You’ll learn how to disappear in a room. No matter how hard you pound against walls they remain padded, concealed behind billowing drapery. No one will hear you. But, you’ll fit in fine. You’ll stretch your skin as a tattooed leotard. You won’t grow up, You’ll grow inward fortifying your lungs with weeds. L’appel du vide, your distinctive urge to jump down from high places will be quelled by the grace in lifting. Take respite, There is nothing left to destroy here. There are no checkpoints to neglect. There is no need to be a hero. Still, you’re not convinced this is so much better.
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Feb 18, 2013
Feb 18, 2013 at 2:22 PM UTC
maddness