Part One
Nascent Craving

The insular heart unsealed; pearled eyes
Breach parapets of stone— periled shield,
The sweetest ****—
A threatening wonder and irrefragable synergy,
Nervous routes of cognition  
In this nascent, amorous craving.
Locked and abased,
Dissonance lends pathos — euphoric and onerous,
Disconsolate cries curb sublimation,
The regnant bleed diffusing — fervid lust
Fondled, tactile surfaces in throbbing anticipation.

Sullen, aft a veil of laughter,
Visceral aftermath, out of
The ardent ash,
Burns a thirst;
Insuperable numbness and ache.
Efflorescent intimacy,
Table for two
Enraptured in new alliance,
Élan vital (psyche);
Urgent dialect petitions
Equivocation, jocularity blending
Provocation with indecision,
Noted lilt of descending inhibition.

Adrift, the incessant Now;
As occasion inexorably diminished;
Resonant simpatico tending,
Numinous amity;
Heard conversant, cognitive idioms—
Lassitude, time-eaten pangs of the unhinged heart,
Wounds axiomatic,
In disquieting synergy,
Nibbling, the circumference—
Misery’s permeating truth;
None immune, all trundle incongruously past,
Facing intrepid savages.

Licitly felt, reverberations of Amor
Whence the heart behaves;
Measured cadence, pulse elevating—
Treasured lover, contemplative muse;
Undulating clasp, inflated bone of absence;
Incarnation — a woman,
Beyond prosaic;
Ineffable adoration pours in certitudes of verse,
Elenita, enclothed —virtue unvarnished;
Reservoir intrinsic, poised advocate of the innocent:
The crooked lines of insolence,
Brazen culture of neglected youth.
Perceptive blue stare, sensitized tears—
Plaintively, evincing her injustice ago.

Part Two
Tendered Senses

Siren silence, eruptive blush, ampler between phrases
In dulcet tones — stirring discourse;
Foments rebellion, the strife beneath— his ****,
Out of its vast reserve,
Penetrate the narrowed ambit, vaguely announced.
Groping hands, migrating the sensual member
Stern faces grimacing— mirror in abrasion,
Under the blind surf of consent;
Burrowing ambiguity, emerging torsion,
Plunge, enlisted and content in the sea;
Subsumed in the nonverbal cue,
Persuasion’s plea,
Quelled in the post cerebral assent.

Piercing eyes parallel crystalline waters of Lake Tahoe.

An untouched portion of his awareness remains aloof,
Palpable in the subsequential quiet,
Obsequious and febrile, they sinned on sofas;
Peregrine predilections quenched and viscid—
Serenely requited, the room breathes her presence,
Limp, figures *******, mantled in adolescent torpor.

Erudition in bloom, trust undoubted,
Illuminating, satiating; tempest calm—
Under canvas
Terrain soaked and sodden,
Postliminary — rains of invalidation.
Allowance and permission
Recalibrate, salivate, shortly only—
Initiate, obliged consecration, appraising
Curvatures of the spine,
Stuns him obeisant, her femenine pulchritude,
Propinquity inciting vigor,
Emergent allure, the updriven
Tower of wood sprung from the blanket.

Suffused in ether, purring streams of remembrance
Vaginal honeyed dew, sung into
Orchids, remnants of remember;
Drenched down the cynosure of devotion;
Succulent view, diaphanous pantied bottom;
Halcyon mist, saporous wine — compliance of the will,
Freed fires wander,
Pliable rind, twin plums dripping,
Abject confession, dispatching doubt
In tendered senses,
Pivotal tree, lavender Jacaranda holds the key,
Unfurled, cindered vulnerability.

Half-denuded skin invites confessional savor
Acutely bubbled rear, fleshly furnished denim;
Sultry visit, San Ramon Valley in the fall,
Strewed limbs splendid, flowing filmy;
Imagination yields—
Bursting silk congealed
Across deft thighs, ambrosial thong draping ankles,
Grazing ascension, the curvaceous trajectory
Nose inflamed with fragrance,
Inhaling, climb of acquiescence,
The ****** weal, amid the globed fruit,
Focal intention — ploughed lance thrusting,
Absconding, the ancillary perfume of essence.

Perceiving avid validation,
Swimmingly, amid the monstrous gaze.
  
Humid skies simper dank, set swell the incense of Eros,
Surge of poetry engorged
The flame levened shaft,
Nimble ******* flounce, spill the harboring mouth;
Moist hands merging, unfettered,
Weave in supplication,
Vicinity voicing, enmeshed diversion;
Supple and spherical behind
Posterior arch, milky-skin against the lip—
Ripeness jostling their complacency;
Lapped the mooring, ridden decisively;
Recapitulating— spumed forth, bellied over hips warmth.
Abandon the dirge of self-pity
Late under ego’s trance.
  
Part Three
Present Tenses

Tempting trespass across sacred gardens,
Flowering, scandal set luminous: attachment—
Consensual, their corresponsive fear;
Protean manifestations— evocative, perpetual
Unutterable contention in a fictive resolve,
Deliberating the merits of their widely disparate tastes in coffee,
Amorously touring wine, let’s drowse through the gnarled vine.
Sundry deficiencies pale, once contrasted;
The beatific vision—
Material substance unaccompanied,
Imperceptible, tear-streamed cheeks in synch,
Ventral kiss, peak of carnal perfection,
Reminiscence— flesh violent with Love.

Fiction knew to meander the innominate rift,
A tincture of irony soften misdeeds
Immense as the sea.
Insolvent beast stippled with sapience—
Unmasked, the fabric of delusion;
Dependence smothering the disciplined heart
Resentment put up for release.

Waste of residual years
Fate’s apportion, scars bleakly observed;
Chastened by heartache, engulfing fervor
Too faint to recapture.
Vague glimpses dry—
Hypervigilant his defenses,
Veritable suspensions, embers lit linger;
Slender walls of solidity, the horizoned self,
Faith and reason in concert — stone levels of elucidation.

Fractured bones of distance, emanate a rigid salience,
Another ponderous night of absence—
Lingering, cauldron of dearth as indifference ushers,
The quotidian coil of contrition.
Tearful pallor, sequestered —ciphering time and solitude;
The unkissed mouth, his restive brow;
Suspend in the approximate span.
                      
After Lucid alliterations are spoken
Devoid of her face, his lover’s nudge—
The man nurtures his hurt.
Anxious as seldom unscarred,  
Venus’s susurrations,
In present tenses,
Kissed by her serenades of integration—
Notwithstanding metaphysic intrusion,
No chain stays unbroken,
Postponed drifts of deferment left unspoken,
Reverberations of amor.

© 2013 W. S. Warner

Todays sun felt lonely
Drenched in isolation
Melting for acceptance
Draping light upon empty carcasses
Feeling the gravity of the space between

An embrace no one can fulfill
Without the proper tools
The days will be spent empty
Full of giving solar flares of its former self
Begging for a better understanding
feeling altruism at the core

In winter I bundle up tight in layers of warmth
Like a love I've never felt
Draping scarf over hoody over sweater over skivvy
The wind bites my button nose and reminds me of a love
A love I know too well
Bitter cold brief sickening and harsh
I catch my eye in an ice smitten mirror and I'm torn
My eyes look like hell
How could anyone love me like warmth and fall
For this fat face of shame, tears and freckles
Even if they do
They'll never tell.

With designers like Iman Ahmed, HSY and Sania Maskatiya all showing, it was standing-room only at the venue. Many of the crowd of fashion insiders and socialites ended up sharing seats, with the chivalrous Zaheer Abbas giving his seat to Iman Ahmed after her show and sitting on the floor himself. So much for designer egos!

It was an evening that lived up to its billing.

Iman Ahmed may not be a designer who makes her clothing easily available, but in fashion terms she reaches heights that few other designers can reach. Her “Sartorial Philology and the New Nomad collection” was breathtaking.

The best fashion shows have a narrative — the clothes, styling, music and progression of the outfits blend seamlessly into a whole that portrays the designer’s artistic vision.

It’s hard not to gush about Iman Ahmed’s show last night because it was exactly what a fashion show should be.

Starting with a series of outfits in white and gradually adding tribal colours, Iman used fringing, embroidery and a range of fabrics to great effect. From the inspired detailing to the juxtaposition of texture and silhouette, this was a class act. The tribal white-dotted makeup and beaten silver accessories added further depth to Iman’s stunning layered ensembles.

Levi’s uninspired showing of their new 501 jeans and other stock provided the audience with a pause to process the previous collection. It’s difficult to make a interesting fashion week presentation out of high street wear and something that Levis struggles with.

They used better music than they did at their autumn show but the styling was still painfully lacking. They did manage to make everyone sit up and take notice at the end of their show though — Wasim Akram walked the ramp as their showstopper amid cheers from the admiring audience.

Somal Halepoto was next, with collection that looked distinctly amateur. She seemed to be aiming for a bright kitschy collection but ended up looking merely tacky. The shiny, synthetic-looking fabrics and gaudy embroidery were particularly woeful. Somal’s digital neon animal prints and some of the harem pants were funky but the rest of the collection had little to recommended it.

YBQ’s LalShah collection, meanwhile, was in a different league. An ode to 3 Sufi Sindhi saints, the collection was as much about the artistic impression it made on the ramp as it was about the clothes. The distinctly theatrical presentation relied on the slow beat of sufi music and plentiful accessories for much of its impact.

YBQ sent his models down the ramp in huge pagris, holding flags on poles and garlanded with prayer beads. He used only three colours - red depicting rage, white for peace and black for mourning. Most of the outfits were draped red jersey tunics or gowns with white lowers, braided belts and black turbans.

Rubya Chaudry wore a black gown with red roses but otherwise the outfits were all about subtle plays with drapery and cut. From jodhpur style chooridarsto asymmetrical draping, the outfits had interesting touches but needed all that heavy styling to make an impact. HSY was YBQ’s showstopper and added glamour to the theatrical presentation that he had choreographed.

Wardha Saleem was first up after the break and her Lotus Song collection showed how this talented young designer has been upping her game over recent years.

She used digital flamingo prints, 3D embroidery, gota embroidery and lasercutting in a pretty formal fusion collection. The detailing on the collection was simply stunning. Wardha used gota in delicate patterns that gave her outfits shimmer and paired this with three dimensional embroidery. The outfits featured flowers, fish, elephants and birds picked out in silk thread and beads.

She showed a variety of shift dresses, jackets, saris, capes and draped dresses. The styling was also great fun – the models wore shoes featuring spikes and 3D flowers while the multi-talented Tapu Javeri provided some gorgeous jewellery and music for the show. While there was nothing groundbreaking about her silhouettes, this was a beautiful collection that showed skill and artistry.

Sania Maskatiya, who presented her luxury pret on Day 1, now showed her lawn collection for AlKaram. As far as designer lawn goes, this is something of a dream collaboration.

Textile and print are Sania’s forte and she uses print extensively in her luxury pret. In this collection for Al-Karam she has taken print elements from her pret collections throughout the year including the Sakura, Lokum and Khutoot collections.

The prints are different from those used in her Luxe pret but are based on the same principals. She’s even used the paint splash embroidery from this season’s Khayaat collection in one of the outfits. Designer lawn should be affordable way to wear a designer’s aesthetic and this Sania Maskatiya Al Karam collaboration certainly is.

As for the show itself, showing lawn is always tricky on the ramp. Sania pulled it off with an upbeat presentation using fast music and trendy cuts, throwing a few conventional shalwar kameez in the mix. She fashioned the lawn into jackets, kaftans and draped tunic, using the sort of cuts that are a hallmark of her pret. It’s not how most people wear lawn but it was a great way to show off the prints on the ramp.

Naushaba Brohi’s Inaaya burst onto the fashion scene last year with a spectacular collection. Following up on a dramatic debut is difficult but Naushaba proved that she is not a one hit wonder with this collection. Inaaya’s SS15 collection continued with the theme of using traditional Sindhi crafts in contemporary wear. Naushaba used both touches of Rilli and some stunning mirror work in her collection.

What makes Inaaya noteworthy is the way that she takes unsung traditional crafts that we’ve seen badly used and gives them a high fashion twist. Standout pieces included a bolero with unusual mirror work and a rilli sari that glittered with tiny flashes of mirrors.

Although the collection included many beautiful outfits, there was a lack of focus. The simple tunic with a rilli dupatta didn’t work with knotted purple evening wear jacket. The inability to make a definitive statement let down an otherwise accomplished collection.

Naushaba added a characteristic touch at the end of her show. She’s committed to social responsibility and supports local craftswomen with her brand. Accordingly, Inaaya’s showstopper was Mashal Chaudri of the Reading Room Project along with Naushaba’s daughter Inaaya. She held up a plaque saying “I teach therefore I can” while Inaaya wore a T-Shirt with the slogan “super role model”.

HSY brought the evening to a close with a high-speed presentation of his Hi-Octance menswear collection. The unusual choreography featured the models zipping along the catwalk, pausing briefly on their second round. The energetic presentation complemented a collection of sharp suits and jackets, leavened with quirky polka dot shirts and bold stripy ties.

There was the requisite shirtless model in distressed jeans and an ice-blue jacket but also some appealing suiting fabrics. HSY used only Pakistani fabrics and included solid colours as well as self-checked and striped suits. This was wearable, classy menswear presented creatively.

Day 3 was undoubtedly the best day of TFPW so far. Iman Ahmed undoubted takes the laurels but she was ably supported by HSY, Wardha Saleem, Inaaya, Sania Maskatiya and YBQ.Read more here:www.marieaustralia.com/formal-dresses | www.marieaustralia.com/short-formal-dresses

That someone
Transcendental
But the scene got dangerous
Lady confidential
The Candle in
the wind of diamonds

Went International
A kiss all over
Continental

{A Scene}she play like
a *** phone
The Xylophone,
not a girl's best friend
Used as a weapon

The scenes crying your eyes
out being alone
Taught her many lessons

And those I phones will become old
The new science of acting is bold
Like the I-spy  you've been
Sherlocked
Pretty smile closed locked
Your earrings what big loop
He's draping the sheerness
The fairest of them all
escaping they need the
The darkness hitting those
stage lights
With your lover
Your body so lovely but
The scene changed to the

{Arsenic and lace}

never will he cover
Death becomes her

What happened to
your love scene
So-called part of your face
His words can devour
her footprints
The scene next required
dinner mints
Like tracking

The trance what a long trip
My taste bud acidy
Flying with lucidity
Meeting My Lucy in the Sky with Diamonds

The scene was set up with one crack
To be naked no lines left out train track

The Prince looked away
Never to kiss her

But its I
In the scene, someone will bless her

The whole shebang act
Not some kind of
Seed planted
Whole wheat clean as a whistle
bagel
With your cute beagles
Watching your whole set
Like twins or double bet
What a set she has
Detective scenes of
Chocolate Bavarian cream
Vanilla sky the scene you had
was only perfect for
your dream
Doughnuts all cream
She slipped out of her
French crazy horse
burlesque
scene

The Nutcracker ballet
What meaning yearning
But waiting so long my steps
Got lost in his fire
The desire was higher than
Those outtakes and scenes
To do over again
Primetime someone
Will do the scene again
They skipped over
too many lines
Became the dark silhouette
The scene can be changeable
Channeling into someone
remarkable

We are not built up
to take instructions
We are the someone's
Walking the thin line
Or the thin man
Slim man scene
The restriction chair
Like the guillotine
was the fad
Getting scared and angry
Someone showed up mad
Was pitch black dark of the light
Flickers

Should a scene have teasing
No silly quite the drama so
theatrical they hired someone
Was she anyone well known
Like no artist over the website
He was teasing her hair I mean
That wet diving suit was
like the Rite
She got the look shopping
at Shoprite
"Like Loreal" but more surreal
What April fools commercial
Loosening his tie so political
Their discussion all
exceptions to the rule
Bullfight what kick
in the pants mule


She was born Nutty Professor of snickers*


The true believers and achievers
The passion within us
The colors come to ******
Like a scene
We know how to act when
we aren't acting
Like the punctuations
P...I...E...C...E...S
Those nooks and cranny
bits of pieces

Look at her nieces
they look guilty
When we are doing a scene
It's not necessarily about
being wealthy
Everything is
tangible you're on your own
Even if you're not well known
Like a movie extra
Extra read all about it
I am capable of acting anyway I can
Like my words are written
They can shine a stage to glisten

You are my
Ensorcelled Elysium,
You are my
Eden Dream.

You cascade
Upon my Dreamscape,
Enshrine my slumber in
A flowered gale of aromatic petals
That envelop me, beckon me
To herald the rebirth
Of Days of Yore.

You vein
The Glistening Glade of Memories
With your
Brooks of Aqueous Emerald.

Tis' the
Phantasmagoric Plane
Where still
My wayworn spirit wanders, wearily
In search of the magic
To enfetter
The Hands of Fate
(For they conspire against us).

Swifter than your descent
Into my soul
(Five seconds still and flat)
By
The nexus of your affections,
You evanesced
Like vapor,
Yet
I shall not concede to
The Malevolent Matriarch of Destiny.

For you
O, Breath of Life,
Forsook me not
So I sublime all stains
Tarnishing my flesh
By cries to The Ethereal.

At midday
Awaiting the Twilight
I long for
The birth of The Womb of Aether’s
Progeny,
Starlit winds.

I muse
Swimmingly in Seas of Reminiscence,
Banished from that Blackened Bastion
Of Shadowed Heavens,
For when darkness shrouds
My dreams can be seen
Draping the skies.

I then fathom,
You must not be far off,
Wishing,
Hoping,
Believing
That perhaps
You too
Wonder upon stars
Longing to find that one
That entwines us anew.

You shall alight,
Upon me once more
As
August Sun’s Nimbus
(If only for a moment)
Is thwarted
By
Ebony Miasma
That drenches Cimmerian skies.

In search
Of Ardor’s Light abiding in
The Sylvan Shrine of Your Numinous Eyes
I plead that
The Crag oppress
The Coals of Tribulation,
Until my anguish is
A Diamond Heart.

The pilgrimage
I must bear,
Must be traveled by
The Adamantine alone.

Where have you gone,
Tree of Life?
Why have you withered,
Yggdrasil?

Do I possess
The Eradia of Souls,
By which you shall
Effloresce?

I would halt the cogs of time,
Relinquish my liberty,
To slumber for eternity
In crystal stasis
By your side.

Even in that crystalline quietude,
I would be eminent,
I would be exalted,
I would be ennobled,
In the knowingness that
Your
Stalwart Heart
Radiates
Just beside me.

I exhale Empyrean Winds
When rapt in reverie,
Yearning to be
Captive to your devotion,
Yours alone.

The Bliss of Your Most Holy Kiss
Would signet me
With the
Bounty of Your Name
Burnishing the skin
On my lips.

Though ephemeral,
Your presence divined,
Your presence
Was my anointing.

To be solaced
By the astral resonance emitted
By your touch
Sent the
Pulse of Nirvana
Surging, rippling,
Like a kaleidoscope tide,
Down my spine

You are
The Waters of Vitality
That floweth from
The Creeks of Eden,

You have been
Poured upon my palate
From the
Goblet of Redemption
That I may drinketh
Of
Supernal immortality.

When once again we meet,
Perhaps the tears you summoned
From my spirit
By your
Stirring caress
Shall have absolved me
Of the pangs
In loving a man
(And man alone).

Perhaps then,
The sentiments
I pine to profess,
Will resound.

A melody
Sung in legato,
A  mellifluous melisma,
Flawlessly delineated
And
Intonation in deiform
Or perhaps,
Flowering fioritura
Lacing airwaves,
By the Empress Coloratura.

Perhaps then, piety
Betwixt you and I,
Will waft the air
And I might then,
Permit my quaking body
To succumb to
You alone.

Until that morn,
I shall be vigilant,
Counting the Dawns,
Counting the Twilights,
Until
I can gaze
Into your forested eyes
If even for but a moment.

For even but a moment
Spent with you,
Will bleed a nostalgia
Across my mind's sky,
Painting clouds crimson with passion,
And
That I shall revere,
And
That shall last
And last
And,
Last… And
Last.

O, it will last,
To Elysian Infinity.

∞
            I am a vestige,
               But I shall live once more,
                  In the light of memories
                       That blossom, are perennial,
                           And imbibe the dazed glory of the past
                       Until the past is vanquished
                 By a future that is fragrant
             With the mist of romance
          And eclipses the simulacrum,
       A fictitious sun of the infernal masquerade,
    The antithesis of the truest holy,
Then, rapture of life shall mystify no longer,
For the Numen of Truth,
  Shall cleanse creation without a drop of façade,
      His Providence shall emancipate the hollow,
             The Death of Dreams shall writhe
               In everlasting abeyance,
                 Absolving our wayward spirits,
                  The Winds of Change,
                  The Scourge of Pain,
               And
          The Loveless Wraiths
        That haunted our husks
      Shall be transcended for aeons,
  And tribulation made distant, made nebulous
As the Genesis of Time and Space itself
  For we embark on an exodus,
     Beseeching salvation to redeem us
        When the Requiem of Iniquity
           Is triumphed by everlasting cadence.

Be Valiant,
                 Be Sapient,
                             Be Love
                                       And
                                          By this
                                                You shall conquer the world
                                                           ∞

i am running out of
air
i am running out of
scrapes on my knees
running out of
new corners to cross
in this neighborhood

we are growing up in the same houses
with the same curtain of trees draping
their limbs over our windowsills
we are sleeping in the same bedsheets
wrinkled from the imperative
tossing and turning
of adolescents.

we inflate our chests
and float away like red balloons
a freckle in the pale complexion of the sky
for this love affair with the pavement
has lost its edge
this slipping on
slimy banana peels
has stabilized

we have bitten and scratched and stained
the doors of your fingers
studied every trail of your fingerprints
we have grown older in the palm of your hand
your fists raised to the sky
it is time for you to open them.

I started with my dress,
The white one with the black flowery design.
I added my black scarf, draping it
Casually around my head,
Trying to stop my thoughts from drifting
To what I was dressing up for.
I slipped on my sandals and then
Slipped out the door,
Not slamming it because that felt like
An ending.
I didn’t want another ending.
Walking into the church,
The temperature went up 50 degrees,
And my anxiety went up 100.
I shook hands with the extended family,
Hugged your widow,
And comforted your grandchildren.
I made it through the opening liturgy,
Your favorite hymn, and the obituary.
I even stopped my tears from falling
During your granddaughter’s touching eulogy,
When she started sobbing up there on the altar.
Afterwards, I sat through the meal,
Everything tasting like cardboard in
My mouth as the temperature kept increasing.
Near the end of the night,
When the church was clearing out,
I went back to the food,
Craving a final bite of cheesy potato casserole
Before I could finally leave this night behind.
Yet when I get there,
The tray is cleaned out,
And there is no more cheesy potato casserole.
That’s when I finally break down and sob.
I didn’t get that last bite of
Cheesy potato casserole.

exude the moment;
you are a transformative fulcrum

of intersubject's rent and awe:
anthropomythic ecolaw

the dream cascades into words,
birds fly little crisps of meaning
into morning light. last night's
snow leaves a crystalline spark
of you subdued, become a finer point
of tantric sight, gazing rose-blue pulsar
lashing through a cosmic garden,
delicious fruit of spacious letting be.
i'm grasping for that pleasure,
vermillion moan of lifestring vibrance,
but the wind carries on outside,
swirling pieces of the mind in
flux of upturned joy~
our heartbreeze summoned,
now whispersssoulsounds to come
and earthly darkness grips the future frost,
thaw, break and steam as it wills;
the churning ground sings to us
of bear-sleep and jackal-howl,
of seasons transpiring,
one lost sled of memories
leaves us empty, pressing crystal sky:
my aching ideality trounced in bliss-meanders
!stunning revelation! you! You! yOu!
bringing all to be a second time,
as it was.. in me.. now new,
sweet novelty of union,
this gathering of nervure self,
gliding insights, sudden soundsss.

like a node of forest-echo swirls
it dazzles: unseen colors for my inner eye;
ancient tones of fog ripple
off something you are,
creaking center easing of my sidling,
spirit drop and wavelet growth:
as if you were a branching greenery
of my own once lost other-self,
last gasping there as what i pictured 'you'~
swayingss.. sun-spikes speaking,
sky-gaze and soaking barky iris sssuck,
moulding into me the wisdom of our past leavings,
those raspy kites of sap-filled yearnings
shadow sunshower evening.
i would be a tree with you and
let you pierce our foundations
with roots of gaiasight slipping though
our primal urgings, concrete deference
under sun arch, spin of moon. let
ignorant insistence on fetishized divides~
slipping past my grounded darkness
still unknown, remain
my underself unleashed
my silent trunk-swilling soothed,
stable chaos-other, self regiven,
life renewed in leaf,
the touch of you imbued.

the whole vision lost
but for that glimmer~
it finds me writhing unknown spirals:
ringing wonderment in a seed,
or dormant sporocarpic lineage of life,
the vast hyphae-humming cups of death-born
nethergenesis of cycled hyle me.
a womb that never knew of pain
or being evertorn in dessicated spectre-sea.

the burning desert-storms helixify our rain,
a heaving hiss-like suncry
from that dark, sandy baobabic throat.
the earth consumes in shifts,
and blossoms toward the alterbliss of you, too,
an expanse of solar flare
its beautific reach engulfing terribly,
nepho-logos spanning all the air.

ssssunlit boughs of winds' remembrance
grow soft across this window,
then shift with forest breath,
their snowlace puffed before
an azure true expanse,
the burdened greens stirring a needlish depth
of metawinter, all-too-human
starfields constellate in hiding
far behind my starshine there a curtain blue,
whose prismatic humor lights more
than scenic treescape, frigid dust.
hair, nose, glass enframed by sapless wood
of window cut to square my void revision of the world.

the colors whirl into mindflow,
inter-material upsurge-undulate,
abyssal cauldron seething passions stilled by
comic symbols of a secular mystic;
dancing eddies convey my sense of sight
just thought, then lost into a wider dance
of tensions eased and drawn,
of geometric visions seemly here and gone,
inner, outer: conveyed by stroke of
spinal eidos, its rhythm set
before my time, its tone the vital,
draping earthverse
recited in my veins, the sinews of my
life in other lives,
the song of us expressive in my gaze~
one blink()a single point of beauty
fades into another haze,
lighted icedrift iridescing evanesce.

Murva fashion collection introduced at Eco Fashion Week has been a life long process for Ivana Knezovic, Creative Director / Designer. This was not only the 29 year old Croatian designer's first collection, but also her first international performance.

She debuted her eco-friendly collection titled Rust & Flow on the runway at Eco Fashion Week in Vancouver, Canada. Her pieces are all made from eco-friendly wool flannel.

Ivana Knezovic made interesting use of symmetrical lines, and I admired the draping from the shoulders framing a dress low-cut in back. One dress had several parallel vertical cut lines on the backside.

Many of her tops had capes, hang from one shoulder or both, paired with slim pants or a skirt. A nice touch of dramatic flare as the models moved down the runaway.

“Fashion design was always in me,” say Ivana Knezovic. Having resided in New York, Toronto, and Switzerland, designing was something she always wanted to do. "Murva is the name of a tree in my village. My company represents a return to my roots, to who I am at my core."

"I like structure. I like hiding the body behind some kind of a structure," said the designer who makes all her own clothes and cosmetics. "Eco is a product of maturity and of wholeness that you can only achieve when you really and truly grow up."

As a designer, she told me that she strives for “pure minimalism,” yet her eco-fashion designs are made for a sophisticated, minimalistic, and determined woman.

Exactly what the eco-fashion movement needs.Read more here:www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/formal-dresses-2015

swallowed  in a world of green
creatures hiding below me
watching every  move I make
a line leading me down
to the  green abyss
fear grows as the color deepens
swallowing me as a whole
electricity kisses my hand as a welcoming gesture
my knuckle covered  with small dots
a stain from  the kiss
deeper as i go
the line never ends
as i levitate holding my breathe
nothing  but green surrounds me
cold water shivers down my body
waking up  my  nerves to keep me from being hypnotized
by  the green eyes
my chest contracts
my signal to leave
the green monster lets  me go
as i head up slow
the green lightens
and i see the blue sky draping over me
and as i look down
the  green abyss smiles at me
waiting for me to go back

For me, the naked and the ****
(By lexicographers construed
As synonyms that should express
The same deficiency of dress
Or shelter) stand as wide apart
As love from lies, or truth from art.

Lovers without reproach will gaze
On bodies naked and ablaze;
The Hippocratic eye will see
In nakedness, anatomy;
And naked shines the Goddess when
She mounts her lion among men.

The **** are bold, the **** are sly
To hold each treasonable eye.
While draping by a showman's trick
Their dishabille in rhetoric,
They grin a mock-religious grin
Of scorn at those of naked skin.

The naked, therefore, who compete
Against the **** may know defeat;
Yet when they both together tread
The briary pastures of the dead,
By Gorgons with long whips pursued,
How naked go the sometime ****!

Neurons travel and wind
around your head like
draping tree branches, Christmas lights,
strings of tangled red yarn
weaving a possible
fate.

When the cords are
simply content with
remaining relatively still,
being with you
is like
sailing on smooth,
tranquil, clear blue waters
of a vast, magnificent
ocean,
a blossomed sunset
in the distance
dripping on white, sandy shores
of an island of lost paradise
awaiting our arrival.

But when the cords
flail and twist, tying each other
into knots and cutting off
the clearness
and levelheadedness of thought,
being with you
is like
trying to hang on to
the back of a typhoon,
frigid black waters flailing,
crashing against
foamy, thick quicksand,
roars and curses of a
tyrant sea god
raging seas of water against
the skies,
rapidly expelling
hurtful, sharp anchors and lunging
them to the bottom
of our sandy beds.

And I wonder
what it would be like had I
possessed more
powerful features
as your sea goddess,
as the moon and stars
from above,
and the sandy beds
below that would
catch both
hurtful anchors and
salty tears
you let loose.

He was the epitome of a loveless boy, and he knew it. In fact, that was what kept him restlessly awake most nights, especially on this particular evening. He glanced down at the dark mess of hair that was laid across his chest and listened to the soft emission of peaceful breathing slipping from the lips of the girl whose name he did not remember. For a second, he debated on searching the dark corners of his mind in an attempt to remember it, but he soon realized he never even bothered to ask. This disappointed him for one reason - it was another question mark that he had to add to the list of names that he kept pinned to the front of his brain. At the thought of this particular list, he felt sick, as though an ounce of regret had seeped into his stomach and spread like an infection and now threatened to rise like bile. He knew he needed to keep it down, so he leaned over his bed and wrapped his fingers around the neck of the glass bottle he kept hidden in the bed springs. He sat back up and slowly unscrewed the cap, his eyes mesmerized by the amber liquid that swirled around the bottom half like a whirlpool of gold. He brought the top to his lips and tipped it back, filling his mouth with the warmth of forgetfulness and feeling as it burned his throat like fire the entire way down. It instantly washed him clean of every bad memory he had done his best to forget for the past week. Every tear that every girl had shed on their knees in front of him, begging him to love them; every cigarette that he had chain-smoked on the rooftop of his apartment building in an effort to cloud these very memories (unsuccessfully); every streetlamp that he had found solace in as he walked the streets mindlessly at three am, searching for answers that never came to him. He closed his eyes and imagined the whiskey rising inside of him until it leaked into his lungs and filled them, drowning him. He held his breath, pondering how long it would take for him to go lifeless in this position. But the sudden stop in the rise and fall of his chest caused the female lying on it to stir in her sleep, draping her arm around him and pulling him even closer. He felt sick again so he took another sip. He knew that when he looked back on this evening, he wouldn't remember it, which was becoming a classic move on his part. In fact, his life had become nothing more than disconnected nights with nameless and faceless females and fire whiskey that filled all the empty space within him. And he wasn't sure how that had come to be, but he no longer cared enough to even attempt to figure it out.

Oh, but it is *****!
--this little filling station,
oil-soaked, oil-permeated
to a disturbing, over-all
black translucency.
Be careful with that match!

Father wears a *****,
oil-soaked monkey suit
that cuts him under the arms,
and several quick and saucy
and greasy sons assist him
(it's a family filling station),
all quite thoroughly *****.

Do they live in the station?
It has a cement porch
behind the pumps, and on it
a set of crushed and grease-
impregnated wickerwork;
on the wicker sofa
a ***** dog, quite comfy.

Some comic books provide
the only note of color-
of certain color.  They lie
upon a big dim doily
draping a taboret
(part of the set), beside
a big hirsute begonia.

Why the extraneous plant?
Why the taboret?
Why, oh why, the doily?
(Embroidered in daisy stitch
with marguerites, I think,
and heavy with gray crochet.)

Somebody embroidered the doily.
Somebody waters the plant,
or oils it, maybe.  Somebody
arranges the rows of cans
so that they softly say:
ESSO--SO--SO--SO
to high-strung automobiles.
Somebody loves us all.

Interested in interesting things within your variety skill? Below a fresh plan. Make mosaics applying huge stained-glass items just like setting up a stained-glass windowpane, as opposed to utilizing smaller sections slice to the stagnant, normal models associated with pieces, rectangles, and also triangles. After following that regular practice for so extended, My partner and i grew uninterested in that plus wanted different things. We taken out my own mosaic-artist hat as well as worn my stained-glass-artist head wear for the wonderful modify connected with tempo. Determination number of stained-glass hangings, the item dawned about myself. You should incorporate mosaic skill by using stained-glass fine art? The very first element proved attractively, as good as expected, and that i location checked again considering that. Make understand how you actually, way too, can make all these amazing mosaics.

The initial crucial factor I personally mastered when producing mosaics coming from stained-glass shapes is to reduce the camp material for the specific measurements a regular ready-made open-back frame. That reduces the risk for forking over more the price of a custom shape. We wait for definitely the pastime keep to place their particular ready-made open-back casings available for sale regarding half value and so i usually fork out regarding $25 for any attractive figure, including the installing, paper backing, plus suspending electronics. One of the best dimensions are 18-inches by way of 24-inches. The favorite selection of base material is ordinary 1/8-inch hardboard, which you may get at your best hardware store. I usually get the blankets pre-cut to 2-feet by 4-feet around $5. Hence, for just a meager five us dollars, I have got adequate foundation material for two mosaics, which is superior in the event youe the eager performer on a tight budget. That imperative that you understand that 1/4-inch concerns because thick since you can enter the item installing thoroughly into a ready-made open-back figure. The base material is 1/8-inch thick as well as stained glass is all about 1/8-inch thick, that creates your finished piece regarding 1/4-inch thicker.

Gauge and after that cautiously along with correctly trim the actual hardboard for the actual measurements this open-back shape you plan to use. Let think you wish the actual 18-inch by way of 24-inch dimension. A saw means that you can help make better reductions as compared with wanting to guideline your circle saw physically. If your round saw is actually you could have, this can be achieved, you need to your time and efforts and also wear hurry your cut. Right here guidance. I discovered a new "refurbished" Skil saw on the internet this expense exclusively $80 together with shipping. Whenever it arrived, it checked in addition to operated for instance fresh. I managed to get an amazing $250 spotted after only $80. The trick is to browse on line for just a "refurbished" system as opposed to fresh. Right after calculating as well as observing your hardboard (determine 2 times and become correct), you should definitely format a observed edge to take on your cut-line therefore the resulting portion is just 18-inches by simply 24-inches. Put simply, add trim on the fishing line because the ensuing portion are going to be something such as 18.8-inches by way of Twenty three.8-10 inches tall, which is often they cant suit effectively within the framework. Just about every ready-made shape defined as 18-inches by way of 24-inches in which Internet explorer purchased have been in a curly hair connected with 18-inches simply by 24-inches. Now there not much place with regard to mistake whenever slicing the bottom content, thus determine double plus align this cutter correctly for the slice series. If your ensuing starting material is inside a head of hair with 18-inches through 24-inches, itl fit beautifully into the ready-made open-back figure.

As soon as your starting material is minimize towards the best dimensions, paint them white. Make the most of white colored roof paint primarily because that quite a bit less expensive than common divider coloration. I apply a pair of applications hence the dark-brown hardboard is vivid white. The particular whiter the base content, the actual richer a goblet will be once you hold fast the item towards the aboard. In the event you put on fresh paint the bottom fabric white, the particular wine glass can look unexciting and also dreary about the dark-brown panel.

Seeing that ones platform materials are all set, basically transport a person's stained-glass design towards the board. In case you have absolutely no attracting knowledge, locate a charming stained-glass style on the net or even on your favored activity retailer along with switch your sample to your bottom materials. You can find shift newspaper in your popular interest retail store at under $2 some sort of piece that will sufficient to fund the 18-inch through 24-inch basic product. The beauty with switch report is that you may put it to use more than once prior to it no excellent. For instance eked out up to in search of coach transfers (we.electronic., nine mosaics and stained-glass works) prior to newspaper do not relocated a searching for very well will start to see the lines plainly.

Determine and also cut (in addition to grind the edges when you have a new mill) a stained-glass parts such as you have been developing a stained-glass screen. That i work with really see-through or maybe solid a glass colours to make sure you can observe by it to check out the actual stick when stuck to the base material. For your variety, rather than joining this parts utilizing direct emerged or copper foil and also solder because you might using a stained-glass work, simply glue the actual parts set up over the style for your foundation product making use of simple white PVA fasten (age.h., Elmer Epoxy All or Weldbond), abandoning with regards to 1/16-inch space between pieces. Your spacing may differ as much as 1/8-inch, however wouldn head out just about any larger when compared with 1/8-inch space because I consider the broader space seems to be sloppy in comparison with thin spacing.

While each of the portions will be stuck in-place and also the adhesive features dry out for about 2 days, populate the particular places with your favourite cement colouring, as you'll if the variety had been through with the normal smaller bits of rectangle or maybe triangular shape styles. My partner and i mostly utilize medium-gray cement, yet this most recent preference is usually charcoal (dark) cement. The better mosaics I actually do by using dark colored grout, a lot more I love the idea. Cement coloration can make or break one more look of a person's mosaic, if youe in doubt in what cement color to use, your best bet is with medium-gray.

When the cement possesses dry right away, use the mosaic in your popular hobby retailer while theye which has a sales upon ready-made open-back structures. The best shop incorporates a 50% sales every other 7 days, therefore, if it a strong off few days, I delay weekly. Select various body styles and colors, as well as put them over your variety, one at a time. Have on be happy with the 1st body you get. Check with the particular worker which will figure he believes appears to be very best together with your variety. View which shape allows spotlight the colours in your variety. My partner and i generally consult some other clients inside the speedy space the things they imagine, as well as theye normally wanting to supply their opinion. Once you have the ideal shape, your clerk can install your current mosaic, make use of the newspaper support, and put in this draping components and also cord.

Isn't it about time a gorgeous mosaic to carry on your wall and also allow like a found. The particular neat benefit of it truly is that it common, not the same tedious variety style wee noticed for centuries. That fundamentally a new stained-glass screen set up on some sort of body together with grout while in the rooms rather than solder. You acquired notice that many times. Effectively, not really until finally the many variety music artists on the earth read through this write-up and plunge to this procedure!

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He was the child with the magnifying glass that lingered
in the exhalation of the heavens. Always holding it on
those of weaker statue than himself. Insects were his
starting point, as they were barbecued under the influence
of what was focused between light and glass and what
lived became inanimate just a blackened smear that he
smothered words into the dirt
        
                           I'LL BURN THE WORLD,

His parents saw this and in jest laughed it off as the
Immaturity of a child's frustration. That all was but a
a boy finding his place within the many echoes of manhood.
A child was maturing, and they assumed that he was not
ready for the collision of what was in-between the moments
of childhood and adulthood.

One cold and sodden night where the only things that were dry.
Were submerged in the cover of roofs and foliage.
But even the penetrating raindrops gathered in haste to soak
the earth beneath the leaves protection. All drowned within
nights flourish of immersed air. Where it felt that breath was only
in-between the flurry of h20's deluge.

Within the house, within the rooms crept a silence.
            It wasn't alone, for it wept unseen streams between the  
crisp white borderlines,  were doused in clear liquids,
Draping the curtains in non received  heavy remorse,
the only things that were burdensome were the drapes as the weight of the liquid pulled at the seams holding them aloft.

Remorse was neither felt or given. just a feeling of accomplishment.  
Felt it in the moments that succeeded between this
gathering of dead lights as a flame was lit.
But not a whisper was echoed this flame was lifeless
in the eyes of its beneficiary.
But it lept upon the walls like a ballerina, gentle,
and dancing within the confides of its given dance.

He stood in the hallway the flashback was unexpected,
but he still stood there gazing and the beauty of something
given with such frailty that a breath could extinguish
its potential. His parents had no idea, they were slumbering
within the confines of blankets that entombed the warmth.
Clasping hand even in sleep love was a subconscious yearning.
The thing with these old houses some had decretive metal over
the wind bars in beauty crafted to keep things out.


But this was his plan, what cant get in cant get out.
He'd gone in there room and stole the key.
He took a last glance, and said,
             "I Love You
,Before sealing them within. The flames were silent like
a stalker watching waiting, till the inevitable conclusion.

As things started to burn more passionately, caressing every
thing it was touching. So the smoke started to thicken like
A heavy smog it got into places the fire had not reached.
Moans could be heard, then screams at the realisation of
what was happening. He Could hear them, he could see them.
For even though a teenager he was intuitively cunning,
tinkering with everything and anything.

And small cameras were dotted around the house,
looking listening to everything that was seen and spoken.
It had come to fruition due to one such thing he had heard
being discussed by his parents.

"I saw him in the woods,

                 "Doing what darling?

"He didn't see me but the neighbours cat,
                                  "you know soot,

"What did he do, nothing bad!

                "He tied it up,
"Then threw what I thought was water on it,
                  I thought it was nasty but then!!!  

"Then what, your scaring me,

"He lit a cigarette, I didn't even know he smoked,
  "Then he discarded the match,

       "The cat, oh my god the cat,

"But he recorded its screams, he recorded it dying,

"I couldn't move I was so angry, so humiliated,
        "I wanted to throttle him there and then,

"But ill phone the police tomorrow,
                  "He's not right, who would do that,

How dare they think that I can just be fobbed off,
         discarded.

                                             I was making music,
the screams were a delicate symphony,
            acoustics that's couldn't be reproduced.
It had to be from the source.

That laid, the plans for what now enveloped that house,
recording every noise, every scream. But what he needed
was for them to burn, to release the music he needed to
hear to complete his work. And they like parents gave it
there all, he had goose bumps as he heard there terror.
his eyes welled up, not in regret but the beauty that his
parent last words were given to him, so personal was this
moment that he'd never forget it.
                                                        
                                                                ­          "Thank Mum & Dad,

After this he released a mix tape, that could be only
conceived from an artist, in the womb of excellence.
That's the reviews he had, it brought shudders to your
heart and mind. It was if your humanity was crying out to it.

As so forth and more were sewn in the adulation of his work.

Now he needed to make more music, but he needed more
screams to make his next piece two were not enough..

So he wandered the night, dressed in unclean wear
so not to be confused with who, or what he was..
He hung around the homeless parts of town,
plastic sheeting for roofs.. and combustible bedding.
It was as if he'd planned himself. but he had to be smart.
for this was if ill planned he would have a needle in his
arm within the year. But he took his time tiny cameras
recording visually and sound.

He had gathered the combustible elements needed to
make this a orchestra of his needing, not a duet like before.
He didn't down play his past offering, but this would make
an album of despair and monument to the flame.

It had been raining, but only lightly as he needed some
dampness in the air on there sheets cardboard mattresses.
So not to raise suspicion on the dampness of there homes.

As they moved away from the embers of barrel fires,
yes he'd thought about that. Not every home was a
crematorium a cardboard and plastic coffin of there
choosing. He waited clasping his hands together breathing
on them as it was cold night. He liked to watch, a voguer
of sort, but his wasn't the fantasy of death it was to hear the
music that was about to be sung with smoke filled lungs.

He'd set up a unique but rudimentary way to light the fire,
a small gas hob with liquid within. it needed to be a certain
temperature ignite, he had tried it before in a field out west.
Deserted he'd made a mock up of this humble place.
And he wasn't mistaken it was fascinating, the flame spread
like the wind enveloping everything but, it was a dull for even
though the flames wept of everything, its tears turning all to
ash..

It was silent, deafening, he cried for a while, there should never
be censorship of the flame, for what is a log fire without the cracking of its inner self being consumed. This was just smoke
and regret. But he now looked down at the camp, his watch
counting down the precious moments.
                                                             He whispered.
                                              

                                                  "Thankyou,
­
And then like a super nova the darkness was ingulfed in
the aurora of flame, gliding over the ground as if a stream
of conscious reckoning. Those near by the civilians that were
                        across the street were transfixed.
As screams embellished the flames, this was my orchestra
of light and noise. Those across the street were either screaming
or videoing the scene.
I looked at them and wondered where there humanity
had gone to, as to film this moment rather than to rush in
and save the few that they could.

I watched as the engines came, extinguishing my masterpiece
choosing the night was always preferable to the day as flames
dance better when there is less light to contaminate there beauty.

My music, I had become quite the remixer, of vocal and rhythmic
sounds.
                               Within a week I had mad nine new songs.

I named them each as deserved, making them in memory of
those who perished that dreadful night.
            It was well received, a few thought it was a haunting
melody of humanity's struggle, while a few thought it was
over ambitious, and lacked the passion of my first piece.

All together it went down well, and the adulation of the
flame was kept, to honour that which gives as much as
takes the breath of life away.
A year had past and the door rang, it was an officer.

                 "Could you come to the station please,

Had I become the victim of my own success, had someone
broke down the acoustics of my music and realised what
they were?? So many thoughts went through the calm
exterior of my persona. But inside the flame dimmed,
had I lit the last candle. I was taken in to a room,
and questioned evasive not to the point but gathering
speed to the answer, where were you on the
                                                             ­       30th April 2019.

Alabi's were a fantastic thing to plan ahead, I had laced
my date with sleeping tablets to leave her in perpetual
slumber. And got back before she awoke, we made love
we were the flame and the wick.. and our sweat was the wax dripping from our form. The next week I dumped her.

They asked if I recognised a picture, blurry and ill framed
but I could make out the figure was me. No sir I don't why.
This person of interest is wearing your jacket, your logo!
I smiled and was truthful to a degree.
                                                             Planning is everything.

I threw maybe fifty into the crowd when I did a concert
in the city, when we drove past some homeless persons.
We donated what was left to them, do you realise how
cold these streets are, who am I to steal warmth away.
I don't wear my own merchandise what do you think I
am egotistical, no I wanted to help those who I could
have been if not for my music. I lost my parents I know
what its like to be alone.

I think the show went well, as I was released before
reporters even got a sniff. But I knew that my time
was a wick trying to keep the flame lit but dying out
anyway. I had made preparations for this time.

I had brought a club only for gigs, cheesy as hell but
had that 80's disco vibe the entire floor was light up.
But I had brought  the ingredients for thermite,
amazing what you learn in school and the internet.
But I never used mine different libraries in different
cities so not raise suspicion. I  invited the music critics
and others which I had personally disproved of.
its was going to be free drinks and themed 80's night.

Who can not want free drinks, well I wasn't going to be
disappointed 90% came, how lucky the few.
Phones were confiscated, no video, but more
importantly no phone calls to the outside world.
I told them at the end of the night that I was realising
a new song, they were like vultures to flesh.
As the night progressed some wanted to leave,
but we offered them the VIP section also lit flooring.

Now was the time, I had put heating elements under the floor
to ignite the thermite. A supernova of heat even though brief
would ignite the choir of harmony needed. I asked them,
                                                           ­ "Are you ready,

And then silence, I put on my welding glasses,
                                                        ­         I wasn't stupid.
Never look into the heart of the flame unless you want
to be blinded by its beauty.
I pressed a button and it was magnificent, it was like a tide of sunlight, they tried to scramble but all exits were locked.
It was like the wizard of Oz, and the witch I'm meltinggggg..
But this wasn't a fairy tale.. The adulation I had for these
chosen few. What excitement the others had missed.

I'd made my booth flame and smoke proof, I had my own
walkway but I knew that this was the last time I could pay
homage to the flame. As the screams died down.
The wicks smouldered and the floor looked more like a battle
field of  WWII. I began I knew I didn't have a lot of time.
But this was just a single I'd already got the backing music
ready. And as I worked away, I could hear the banging on
the reinforced doors. They gave me a breather to get my
work fulfilled.

I heard the doors start to give way but no matter
I'd only needed this time to tweak the music.
Given I'd started this over an hour ago, it was good
on my part for this not to be broadcast till I saw fit.
As the police burst through, gazing at the flaming
effigies that lied before them, some threw up, gross..

While others saw me smiling I pressed the button and
my new song was word wide.. its was called the critics
tried to burn me down. The response was gratifying.
Likes reached the hundreds of thousands in mere minutes.
Well it was only three minutes twenty five seconds long.
As they shoot at the booth I wiggled my finger at them.
I do like to plan ahead but dam was that loud against the
glass. Got to be said some had wicked aim, made me flinch
a few times.

But alas all things come to an end, I uploaded my videos
of what I had done. I was proud of my contribution to
my legacy and empowering others with my music.
As I looked down at the puddle, I tap danced in it for
a moment and then lit the lighter, I looked a them
and once again waved, I was like a funeral pyre.
A crematorium of silence and then I was gone.
                                                I didn't scream,
I was in her embrace and had done her proud.

what if there was no war,
no uncanny screaming of the aghast,
no blasphemy of the past ,
nobody had to breathe their last,
No ******* ten years old,
with a vestbomb as their told,
to wear it
As 'their allah  sees it,
how young and bold they are.
No shedding of the tears,
from the eyes that waits ,
for their father and brothers,
and fears that last ,
No blood that shall gear from their mass.
What if there was no soldier to die ,
only You and I,
Together end this solemn execution of the nicer soul,
and be bold enough to give them hope,
draping them in brightest colors of life
and solicit the world to be in it.
What if...............nevermind
These are hoax with no light,
They probably are somewhere in the dark,
For there they would always bark

at first when you take off
the world just looks small

a dollhouse, a miniature world
an amusing punchline to an old joke
a fantasy tinged with g-force and sprite in clear cups

but as the sky darkens and the plane lifts higher

the world seems to drown in blackness
an inky clarity of night not confused by clouds
and suddenly it is as if you are at the top on an ocean
looking at a far away ocean floor
crawling with foreign creatures with all of their bones lit up
over coral reefs of light and movement
parking lots like stationary jelly fish and highways like currents
of neon veins pumping lights and cars

all of the world's exoskeleton is illuminated
and it is beautiful and movable  
it is nature's patterns played out in electricity

but the farther out you go
the more the sharpness and geometry of the roads and cities
attack the eye

and the coral reefs turn to computer motherboards
all of man's ingenuity and beauty no longer draping the world
but ordering it

into squares and jagged lines
into distant pixel pinpricks
into maps

until you're not traveling through the world
but over it

Said the fawn unto the fox:
Sing to me a song of happiness
And the fox swirled rusty 'round
her twig legs- breathing about her
a scarf, crimson draping the snow.
First- said the fox:
First, show me your secret antlers,
and then I shall sing to you a song
of all the happiness of the earth.

Said the fawn unto the fox:
antlers, I have not.
They are spoken within a tree
and written in his knots.
And the fox swirled rusty 'round
her twig heart- breathing within her
a Sun, crimson draping her soul.
Then- said the fox:
Then, take everything you know
feed it light to make it grow
until the tree is the whole sky
and you are the North Wind, just as fast
telling stories to the aurora borealis
and making promises to last

And then, said the fox:
*And then you shall be mine,  
and I shall sing to you a song
of all the happiness of the earth.

The legere sacristy of pure love blazing
Feline confluence across ethereal plains
Arched angelic collusion of things sepulchral
The arcane occidere travisty of
Transmogrification canonized
Darkling eminence ordained;
The verity aura of radiance
Twilights tidal blood- dye magenta,
Germane sleek meagre wealth chiming lo!.
Finitudes golden prayer draping flounded
Brutality tithing the zenith with mealy
Doer aptitude majestically turbulent
Sacrificing thoriums weld feudal
Of heavens deceitful soothsayers,
Fellow djinn of Gotterdammerung
Soli of vilest stoic jingoism.


ELEETE J MUIR.

I am paperwhite,
                a delicate bird,
                                  thrashing and ensnared.
Paperwhite,
             and bones of feathers;
                                  light and airy.

I fly,
         fly away in the ceaseless night sky.
Snowflakes stick to my face,
                                  my eyelids,
                                               my garments;
That are knit together too big on my frame, draping over
My winged shoulders and shielding me,
like a wall
Protecting a delicate feather from windy skies.
Running, fleeing.
                             Gasping, dying.
Blood starts flowing,
                                and rushes down my forehead,
Thin, the kind of flow that won’t stop.
It flows over my eyes,
                                       down my chiseled face
And pools in my collarbones creating a lake.
I look into the distance;
                                         staring back at me are ashen eyes.
I am homesick for somewhere I’ve never been.
Longing, longing,
                               flying, running.
Running home,
                                              running far.
Reaching with open arms,
                                        Reaching closer.
Reaching out,  
                          breaking the cage keeping me.
A mucky ocean of dirt and sediment,
Clears into an open water,
                                      a clear oasis,
                                                          a path.
Folded like paper, flying like a bird.

the more outlandish and exotic the settings
the further apart the tides shift
the more real, the closer it gets



distance distilled into fallow tracts of once wild shores
despite crestfallen dips
high rising peaks




if you look through my window
what would you see?
perhaps the skein of illicit thoughts
tangling into Rapunzel hopes
or a latent emissary of a semi shocker prophecy
if you had but the merest inkling
of the unaccountable depth of warrior blood
coursing headlong for acquaintance
of fulfillment of spectacular intimacy




scrolling endless
rough, the visions
the significance of this equation
waiting to balance
upon the sills of petulant time
dares little panacea
for it is itself bound by hand and foot
chugging along the eyelashes of fate's decree




can I look through your window?
will I see a casual draping of Indian cloth
behind the deliberate anger that is you?
you cannot know how widely your tutelage
dripped steady
into a ready soul, ready for it all




often, how the mind does play tricks
it sometimes feels as if insouciance
plays center court on stilts
while I grapple confused, patiently
the large view may soon present itself



and I dream so of you
a ten minute watch on my shift
of medium term offering



I run away to the dreams within this packed arena
a still room
half in gentle shadows
she let me in
she told me you'd be here soon
to make myself at home
sweet rose incense in the inside courtyard
lulls my senses

I hate to feel scared
I almost hide away and lock myself
into a tiny closet or the bathroom
a strange room and I'm alone
I wonder where you are
all is ready
hot tisanes on a lacquered tray waits
the hand of one to come
seeming Bento boxes prepared so elegant
heartbeat high anticipate
goof guff, goof guff
shall I leave rather?


drowsy falls upon my eye
I settle down on settee
curl up by the slanted sunrays
throughout the patio door
fountain spritz of droplets
on nature's grey slate flat stones
lids flicker down, fall away
gentle, gentle, fall away
deeply away
relaxed


(a while..)


a light tap on the shoulder
fright awake!
who is that??
shudder into conscious reel

oh
ohhhhhhhh..................
I am here...........with you


disbelief floods my every pore
and rising slow, unsteady
and I smile at......... u

masked
from the winters snow
surrounded by the color of cleanliness
never have we touched his thick coat
with mitten less hands
for we know how cold burns
i stride
wearing my printed smile
stainless steal
plastic shine
tasted less stale
when i was a  child
i used to play piano
giving mocking birds words of their own
so they too
will forever be free
like the ideas of a writer
racing through his pen
drawing out
my lovely mothers eyes
deepest blue
like the oceans blanket
always comfortably draping me
till she closed them shut
was the day i played broken keys
snow settles as the color white
only in my memories
hands became mitten less
for i
know how the cold burns

I am at a crescendo of this mercurially
fervent woe, maimed by the visage of
smoke and mirrors;
"a death in chrysalis is to live once again."

Draping into the worn out disheveled
silk, beautifully withered
lulled by the sound of riverbanks
as if it's pacifying the feral.

A star-lit eyes deluged with bliss
rose with thorn-teared flesh
overwhelmed by a mawkish melancholia. Although we were haunted by our old love, it will never be the same.

She have never been into things such as growing a garden, they say her potential will have to be reached by a streak of light draping through the window pane.

she builds her greenhouse and collected some seeds, she doesn't sort if she'll grew by season or if it's a monstrous plant— she just want to see a lot of butterflies that she have never seen before.

she remain unimpressed, seeing a hues full of periwinkle and blues, roses and thorns decorated beautifully by her fragile hands, you can see on her plain tone the visible traces of paper cuts and ink blotch.

one day, a boy visited her garden, he grew fond and perpetrated on every flower she had. they sat on an empty, unfurnished room, filled with his paintings and brushes, not seem to notice the one uncleaned palette she used and left forgotten. She watched the boy as he paints, as if he knew every detail of his magic, it reminds her of the days she spent the same way, on how she loves it, tenderly in her heart— she said he was a stray butterfly, everything on him is luminous.

they spent their time there, little did the boy knew that she loves everything he had done on the garden. She wonders how a little misadventures were found in a wild wood.

the knives that slit the dandelions from your fingers
cut into my sleep and burn the insides of my eyelids black
i know it isn't the same hurt, but that hurts more
all i wanted was to paint your fingertips gold
but they bleed red rose petals in my nightmares and
wake me too late

the memories draping over your face like a bridal veil
don't hide your tears from me
please let me take them from your head
your past has an ugly face
full of broken promises that made a little girl grow old too fast
don't keep your pain in your pockets in place of your dandelions

i know this is why i learned how to sew
at the time i thought it was so i could quilt my thoughts together
in a way that made sense
but seeing your bleeding fingers in my dreams made me realize
that my needle wasn't for the fabric i bought
it was for skin and bone and bleeding hearts that mean more to me than gold

Why is the concept of being forgotten so paralyzingly terrifying to me?
Before the expanse of time,
none of us stand a chance of being remembered.
We will be swallowed up,
only be known as a statistic, a point of reference.
The thoughts we think are paramount
Quail before the laughing face of Time.
God will remember me,
so why do I care about what those on earth think?
Why do I care what people think?
What kind of sick ******* are we that we derive pleasure from others' pain?
Schadenfreude is alive and well
Unlike you and I
Why don't I throw up my hands
And succumb to the ravages of an indifferent Time
And an indifferent society
Why not let them win
Who values a game which is purposely weighted to one side
If not those who have waged something dear upon the outcome
The Ender inside me rejects the faulty system.

Why do I persevere for a "humanity"
which will never improve
In fact,
the more we evolve and know and comprehend,
The more apt we are to be heartless
Because why do we need a heart when we have a brain, Tinman?

Why do we care what we look like
Our bodies are merely
borrowed from the earth
And in the blink of eternity's eye
what we call ours
will belong to another

Why do we live in a world overflowing with bodies
And entirely lacking with people

Why can we satisfy any part of ourselves
by draping on borrowed emotions
Why is the false more alluring than the truth?
Show me an honest person
And I will show you an attractive one.

I am not you
you are not me
And we will never be
The same
Despite the pervading effort of our society
I will not be assimilated.

If we let people in,
They wouldn't hate
So why are we terrified of doing that
Is it because,
If everyone is in,
No one is
And in ceases to exist?

Why do we feel the urge to gloat about things we did not earn

Why does 1
Make more money than 2
Because his nose is straighter,
His hair is curly rather than straight,
Because 1 spends an eighth of his time in the gym
While the less attractive 2 spends 7/8 of his time
Screaming inside
At a society which has cut off its own ears that it can't won't hear.

Why are random genes a judge of worth
While character is a word so overplayed
It folded its hand long ago

Why is the face of a beautiful liar
Infinitely preferable
To that of a plain truthteller
Infinite whys
And a world which whispers
     Cradle me with your honeyed lies
     Assurances of past lullabies
     How do I trust what the mockingbird cries
     When even it runs from the skies
Why do so many see ourselves as bound and controlled by manipulated strings
When those strings are nothing but ropes with which we can escape

Why do we live on top of one another
Without deigning to know our prisonmate
Without so much as a spared thought
For the dead flailing beneath us

Why do I hold dearest to my heart
Past injustices
Counting them as the tiny, insidious proofs
That I am a good person
Because good does not exist without the bad
Relativity is the grip keeping us from sliding
Down.
Away.

Why is it that words spoken can never be taken back?
Simple. We can never reclaim what was never ours.
You think you are original in your menial thoughts
What have you done but regurgitate the thoughts of your predecessors?
Rearranging the same letters
To form the same tiresome conclusions.
We are the worst type of plagiarists.

Why is the only thing propelling you a sense of duty
Why are you devoutly loyal to objects rather than the people who happen to hold them

Why

Why do we invent reasons to hate one another
We take solace in the loopholes which justify our hatred
That we may not be like the "monsters" we condemn

Why are "we" and "they"
Not just markers of distance?
Why must they be very real, ubiquitous mentalities?

Why are somber topics the common stuff of jokes
Because we have grown numb enough to empathy
To shun it in favour of a laugh?

Why is suffering so prevalent
When we have an excess of affluence
Are such extremes what define us as a race?

Why is a white lamb the symbol of pristine innocence
When innocence is slaughtered day after day?
Why are sharks abhorred creatures even though
Our vicious attacks
Far outnumber theirs
Do we idealize them that we may have a reason
An excuse
To assert our dominance over yet one more
To feel the joy of crushing them underfoot
Why do we focus on certain images
When the true image of our society
Is the person who occurs each day,
Who breaks
The answer is because we know
that we
Are at fault.

Why when confronted about the tiniest aspect of ourselves
We rear our heads in defense
Backing up against the corner of idiocy
The walls built upon the truths we have fabricated
Why are the swirling armor of falsities so comforting
And when pierced
We rebel
With every bit of the person we have built
Lashing out as does a dog chained its entire life
But even a dog
Which is after all "just an animal"
*Is not fool enough to delude itself into loving its chain.

If I listened to every advertisement
hollering through the static
of my cable-hooked television,
I'd have a mammoth bottle
of Hidden Valley Ranch
sitting with the ego-quenching sheen
of recommendation in my fridge,
a Weight Watchers membership
(it told me to join as soon as possible
with the speed of a steroid-devouring treadmill),
Children's Tylenol
(despite being situationally barren),
and a Bowflex-shaped elephant,
ivory tusks slumping uselessly in the corner.

My living room would be the fraternal twin
of the American Smithsonian,
a faux-genuine quilt
of our Founding Fathers'
present day descendants
draping over my popcorn ceiling.

I return to the latest
sacred cow in the flea store
cartel of Lifetime Movie heroines;
it's "Vengeful Vixens Sunday"
and Elizabeth Berkley shooting men
and stabbing women in the back
all while eating buckets of Ben and Jerry
and getting addicted to crystal ****.

The dialogue is as freshly
packaged and slovenly edible
as the Minute Ready Late Night Dinner
with a cartoon grandma plastered on the logo,
all to remind you of down home,
or in the case of this Lifetime screenplay,
a time when the brain wasn't fully developed.
Same difference.

We all hide our guilty pleasures
as if our tolerance for the
secondhand existence of these favorites
were deemed malignant
by a cardboard kingdom
of young adult sophistication,
but I ask you:
who hasn't slipped into the comfort
of a mind turned to mush?

The car window rolls down
Scraping off the condensation that hugs softly
Onto the gossamer surface as it exudes from existence
Welcoming a life on exhibit
Letting in the worlds expectations
A caustic compound of sleet and breeze
This incomplete paper city glows green with envy
Rotting from the inside with cirrhosis and disease
Binary choices yet palindromic
Twisting towards a misnomer of free will.

A cigarette **** let loose
As it arcs towards infinity
Exhaling a sigh from inside my vice
Laced with addiction
Leaving me like flies from ****
Rain beating off our rusted exterior
Oil stripped paint oozing into the street
The suspension rocks to one side
As I unfurl my jacket
and strike a match off my forearm
I look up at the unknowing residents of this metropolis
Each light representing my social dissonance.

My hands stir nervously underneath my coat
As I begin the entrance to exit
Slowly draping my legs from comfort to the sketches of snow
Pushing myself between steel like I wasn't in agony
An abstract conceptulisation of progress
A smooth turbulence smashes against my scalp
Like a metal rod boring into my uncertainty
I was swimming in the same pool as the ****
That populated these furrowed streets in excess
The dead had all the answers
And the living had too many questions.

Something went off in my head
My brain exploded with colours ranging from grey to ****-stained
Dripping onto my shoes with disgust
There was a hole in every pub from here to god knows
Drinking myself into oblivion and waking into this night terror
Rapid eye movements and the slurred decadence of my life on replay
Minds on fire and burrowed into ****** exaltations
But now it's gone
An image in the trees, now splattered across pavements
I make my home where I dream
Starving my journey of canonical basics.

It was all plastic
As I make my way up the emergency exit
Abounding up the stairs with wandering steps
Falling deeper into the past
Granite mirrors, mincing with guilt
Exposures, taped together backwards and inside out
My life is an alibi for reality
Dipped in *******, surfing on opiates
I was sick
Too ill to cope with enlightenment
Too stupid to hate myself.

I'll make my home where I dream
In hotel beds and in cars
On the roadside and in pity
Food crumbled on blankets
Lifestyle in overkill
In hope that travelers see
I make my home where I please.

"you are so comfortable"

but have the pelvic bones
that I knew not of
existing anatomically
greeted your elastic skin?

hard bone on hardwood
friction on my outer flagella
pangs in my pits
this continues to concave

an artificial frame;
deemed healthy
after an unsatisfied lifetime
I remain as so
I am a wire hanger
draping fabric
awkward angles

I beg your pardon
I am far from comfortable