Glory to craftsmanship
That endures the wrath of time
Artisans vanish one by one
As is Nature's custom
But their inner beauty
Remains in their labored art.
A masterful stroke of hand
Guided by divine volition
Engages thought's flight
To spheres unknown
Where true art gives birth
To creativity's genius.
Art imparts mystical light
Upon envisioned designs
Shaped by hand, heart and spirit
A poem, a painting, a silver cup
Is brought to life
For the pure joy of creation.
O' masters of the wind
Hearken the hopes of craftsmen
And steer their zing heavenward
They are the symbol of plastic arts
A manifestation of wizardry
Toiling in labyrinth of formation.

Sun ached to rise,
above the jagged horizon.
It lit the shadow,
of stone work,
of your craftsmanship.
It stood high,
strong and everlasting.
A stone giant,
held together with assumption.
Assumption of him,
the prince that you seek.
Recently one has followed,
to the top where you lie.
He said the verse,
a promise, an assumption.
He would mend the holes,
patch the sides.
As time rhythmically passes,
the tower would stand,
strong and eager.
Until your assumption,
is not yet reality.
The one that followed,
sometime ago,
has left with the moon.
As your eye tears,
the tower leans,
crumbles.
The salty liquid,
corrodes your assumption,
that is often set in stone.
I watch from afar,
knowing the outcome.
I tread among the emotion,
overflowing and scattered around.
As your kin, your brother,
I help to pick up the pieces.

Veteran fashion designer Tarun Tahiliani believes that the Indian fashion industry has become more organised and a little more professional.

Best known for his ability to infuse Indian craftsmanship and textile heritage with European tailored silhouette, Tahiliani believes that the Indian fashion industry has become more strategised and cemented over the last 20 years.

"India's propensity to consume is gaining an international audience and this is changing the competitive landscape," Tahiliani told IANS in an email interview.

"It has certainly become more organised and a little more professional, and obviously the market has exploded, but I think that we still have a long way to go in terms of being more business oriented and there's still room to get more organised and professional," the designer added.

Eulogizing the new and younger crop of designers, Tahiliani, who has over two decades of experience in the industry, believes that they are doing well in terms of the handloom and textile industry.

"What's really heartening to see is that there are so many younger designers who are going places and are doing so well in terms of the handloom and textile industry... it has become more organised. I think handloom was very localised in terms of weavers with a certain look from a certain area sold through certain channels," said the Co-Founder of Ensemble -- a multi-designer boutique.

"There has been a lot more creative freedom and other regions are experimenting with textile alien to their region, especially if they are more lucrative. As long as people appreciate traditional craftsmanship and embroideries, machine work will never replace the richness of hand embroidery," he added.

Asked if the plus-size models are yet to move into the mainstream industry in India?

"Well, they should have moved into the mainstream long back. But are not normally associated with very expensive high fashion and couture," Tahiliani said.

Having draped most of the leading ladies of Bollywood like Priyanka Chopra, Aishwarya Rai Bachchan and Madhuri Dixit-Nene in his creations, Tahiliani says that fashion is his muse, not a Bollywood star.

"Art, architecture, interiors, history, travel and maharajas... My inspiration comes from many things. Sometimes it's from beautiful inlay work that I've seen in a fabulous monument; other times my inspiration can be something as simple as a beautiful kanjeevaram weave," he said.

"Ultimately, however, my inspiration comes from India's rich traditions of craftsmanship, particularly when it comes to things like embroideries that we have in India. Nothing is more amazing than beautifully executed, intricate and fine technique. I don't design clothes keeping a Bollywood star in mind, but rather for the new age contemporary woman," he added.

Tahiliani is all geared up to showcase his collection The Last Dance of the Courtesan at the FDCI India Couture Week 2016 on Thursday here. He has artistically blended fabrics like cotton jacquards, cotton silks, crepes and cutwork jamdanis with Swarovski crystals for the range.

That's not all. He will next participate in the Vogue Wedding Show and then the prestigious Lakme Fashion Week, to be held in Mumbai in August.

"I will present my Ready to Wear Autumn Winter 16-17 collection at Lakme Fashion Week. It has been inspired by the works of Mrinalini Mukherjee (late sculptor) and the journey only gets bigger and better from here," he said.Read more at:http://www.marieaustralia.com/formal-dresses-sydney | www.marieaustralia.com/pink-formal-dresses

Mans craftsmanship is to be truly adored
When one feels the weight of a heavy wooden door

I

Wonderlandia, torn off the submerged lung
of a daydream diary.                   Reoccurs
as she does with silver eyes, weary Alice
during tea time--bullets burning past her
                                     like flowing nations.
Everyday similar tsunamis fund
                                     the lack of 20/20.
Nose to tail--the surge of angry engines
splits the ends of her blonde strands.
    Each one the last witness to maddening hospitality
--utopia never sweats as it talks and withers.
Amnesia blots,
new aspirin machines
vaporize apples and ***
on the other end of spectrum,
                                                     trans-positional labels--

Guillotine gargling teapots
       have no patience
         to the bushes of Olympus opiates
                                      bound in yellow barrier tape,
                     five o' clock traffic
               welcomes her back to what we are facing.


II


Dreary weather of late fall                       and her beautiful,
              powdered face

great mouth of atomic hell,
         when she speaks--80,000 deficiencies boil alive
                                                   --Trinity's teething test
                                                           on the tired bones
                                                   of a story-teller's raspy cards--

"None the wiser," she speaks,
                                "during the transition of ships
                   vermin turn into krakens culturing
                               on the surface of a raindrop.
    Heroes, villains, animals frozen together
                 after now eating for four days.
     The transition of one genocide
                                                        ­  to the other,
                the delineation of cat-and-mouse,
   mingle too long
   with the dead
   and its necrophilia."

                 Blind Alice wanders off the highway,
leaves her brewed cup of steamy static
on top of the unimportant saucer, sticks pins in her *******,
             and enjoys the sound of Cleopatra
             rolling over in reincarnation.


III

      Dear Alice smells
sunbathing, studded tangerines
                      assimilating liquor within the vast,
       empty, glowing nausea that is--
                        the warm germ

Oil                                    and                 ­          water
               rippled glass too silly for skulls
              made humid by distant salt water,

blood, acid, enzymes,
cheating probability
that runners with drunk kids
have blood between their toes.
                                                      Death­ to the distillation within
                                                    --the chronic diamond too polished
                                                       in *** to see the roses in her *****
    She curses these wood songs,
             heritage patriots with the pelts of wild lions
             with antlers over their heads,
                                                  faces advertising war paint
                                                applied by gargoyle hands
                    --sad memoirs always drink people
                                                  that use God as a cookie jar.


IV


  Gorgeous names
  on graffiti institutions give her a home
                                                         a market
                                                         a nickname
           still                  Alice only accepts Alice.

Grace periods where she misses tyranny
                  rise and fall like endorsed breathing.
    Now Alice feels her dress fall off,
                                  extinct years message future occupancy
                                  about what to wear.
New era, this era, past eras plead guilty
in a      clinic museum
             of forcing demons
              down the medical
              throats
of first graders. Court adjourns at 9:01 PM, Saturday

             The populus can sleep now,
                          but not her.
                 No one gave her clothes
                 to cover up the drained monochrome.


V

Instead she celebrates her flesh,
                                        the broken glass,
   and quakes and leads off to expose
           others to its potential vital prosperity.

         Instead
                     headlines like bumper cars read
                     about the beheading of weeks,
                     failing rescue missions,
                     and debates on teenage tolerance.

Nicotine intoxication points Alice
to over-extended memories--wards of music
sequenced to point out the extinction of marble tigers.
                        Only 550 expected to understand
                         tethered to millions able to survive.

  Flood waters look at moral standards, a mean hurricane
                                   that collapses the death toll
     all patented 50 states
     have a dating service
     and huff paint as a way
                              to pray to art.
                                                      Double­-canvas faces
                                                      dyed in pixel     hope
                                                       that the media levees hold,
             but volunteer to herd sheep into poppy seed fields.
                                            She refuses to stay,
                    to watch the long night
                    of castration on men with mud-covered ankles.
                                      Television says eunuchs want
                                       to be prodigal's children,
                                       everyone wants to come back home
                                       to mom and dad, safe zones, away
                                       from themselves.
                                                     ­                 It says our ancestors want
                                                            ­          this for all of us. They worked
                                                          ­            so hard to tie up the hair
                                                            ­          out of Aphrodite's face.

                                     They treasure the silver eyes of Alice,
                                          but call them blue,
                                                  they issue her high cholesterol
                                          but pump sweet ****** into he stomach,
                                                  they tell her to put down the drill,
                                            so she can finish their orchestra--

her lightning
    is
     a
  string
     of
  souls



VI


     She decides to depart Sunday,
to discover the ordinary beginning,
                        painting WHY? on its delirium.
re-arrangeable viewers become
                      inserted sounds under percussion and piano.

       Caging various important charts
                                          undetermined
   ­                           as finished attention.
                                                      ­              Three movements in flux
open end the people                     vacuuming
                            craftsmanship blocks
                   from                                dogs and zen.

                                                 The
                                 suspended letter               is happening in 1951
   drenched in existential white                                            spacing
        ­                                                   the viewer
                        from integrated architecture.

Down
the
bell is a structure called
"the quarantined wheelchair."
                               Dead ignorance changes pattern
                               after six movements of the second hand.
Alice speaks, "To you all, know
                                       that this is an un-dramatic situation.
          Everyday windows with the same
           participants have girls drinking
                                                     orange juice, activate fluid,
                    both exist as objects
                    and caught propaganda."

                                                   ­                      Six tunnel
                                                          ­      audiences are watching
                                                        ­        drown in the plastic silk
   her                                                       built by the motorized collage
                                                         ­                                        spider.

          Alice, a kinetic mannequin pop star
                        is limp in the glass point.
             Rhythmic flux is objectified war torture
                         censored in fitness magazines
by simple toilet literature.

                                        Six tunnels worth of eyes
                                 latch to the *******
                                           as a way to bury **** protesting.
                                  A coat of pepper spray
                                   works in front of the exhibition.
This stage is shaded by moans.


VII


      Alice the female, has a door-to-door friend
                                                          ­    over the sea
of the cathedral's ceiling               who died of disemboweled
pulchritude             at the mutilated nuclear other-place.
                     Her friend was a synthesized example
                     of staged catastrophes. Her friend is her, silver-eyed
                                                     ­                                             Alice.

            ­                     She performs herself and herself
                                 but they are played by polished, scored poets.

Everyone of them incorporates the events
                                 of a dancing gunshot. Everything rests
                                                           ­ at an intermission

               but after fifty minutes of pondering,
          the lost audience remembers
         her name is Alice.
                   So it comes back on with a shower of sweat
                  and this clear
                                  substance
               ­                                 called
                         ­                              patience.
       This composing, peering vulnerability
                        psychologically destroys the flux tension
              like analog genocidal dictators.
                                   Ultimately this is dream liquor

     commentating war to the war tree
      using trauma and chairs as humor.



VIII


               Patience on the water level lives translucent
                                            on networks that brand flesh
                                            with displaced identity.
Alice convinces us all that pickled ***
                                                             ­               takes eight years
                     to ****** and we accuse it
                                         of being fake. Afterwards, her character dies
in confident silence.


IX


     Not majestic, but she does cough
                  to mock the earth.
        The seeds of Alice are ripe,
                        harvested early, and now her children come out and dine
        like speaking tongues on gibberish.
                          The room is fat with hair

and kindness. Feeble, mundane hands chew on each other,
                                                         feet stand proud.
We even call her Alice or "the beautiful *******,
                                             a black cloud feasting
                                             in orange."
                       Everyone feasts on the nectar
                                                         she has, but never the rye
which makes her round. Juice is squeaking and her children laugh
                         as in competition.

     It's a distinguishable game as the mixed
                                                           ­      couple up front
              begin to play whistles as
                                         everyone eats
                   the pride of the silver-eyed Alice's children.


X

                                                ­ The children's souls
                                                       bow and say
                                           "Thank you for barely growing."
                                                   and dissipate after five minutes.

          "Curiouser                                   ­                                      and
           Curiouser"                                                       ­                   they
           say                                                              ­                        as
           they                                                             ­                       leave
           this                                                             ­                         homage.
                  The decimal backbone
                     of each of sweet Alice's
                                   blonde strands
                   divorced by the gust/ of a green light's/ allowance.


XI Epilogue*


  The day crawls away
                   a vigilant pest
     of the nocturnal project
                   --suns beam down still, like
                  stomachs of grinning felines
                           at Valentine's day.

toxic-dyed fingers
                        soldered
to bodies pittering across rainy streets

--legionnaires with hearts on stones
                         we are waiting for her orders,

     thistled-teeth clench,
                                         but did she
                                          actually
          ­                                ever come?

Scintillating depth paints the luxurious fabric
In a vista that drowns in
Its own sophistication
Thick, spicy flavor drips from the petals of
Soft indigo ink
Wetting the paper (that sweats with
Hard work and furrowed concentration,
Eyes do not waver
External cacophony mutes
The only tunes being the hymn
In the skilled artisan’s mind)
Art materializes into
Real beauty- an irrational, existing,
Hypnotizing magnificence,
A piece of pure worth, ready made-
To be sold cheaply in the local market.

Wax captured in all the flex
Structured detail with all the contour molds
Realistic in looks of behold
Wax of Bodybuilding champions at their best
Craftsmanship in not settling for less
It’s all about the pose
All angles covered I suppose
Imagine seeing Arnold Schwarzenegger captured at the time he won the 1970 Mr. Olympia
Then Sergio Olivia comes to mind
A waxed monster in the crab pose
All the veins looking like an intense fire hose
It would be competition in being prepared
The time vintage bodybuilders stepping on stage, and commotion in making the competition mad
The idea of muscles captured in pure wax
To attend I hope they don’t add any tax
But Bodybuilding is about facts
Achieve with a will and it’s no matter what age being still
Picture weights molded into wax
A bodybuilder lifting feeling a little perplexed
But it is true strength and dedication that makes bodybuilding work
This would be the message that the vintage Bodybuilding Wax Museum would convey
Bodybuilding exposure in every way
A vintage bodybuilding wax museum encouraging people to give Bodybuilding a try
I am quite sure there are questions of why
It is the intensity with effort that would make one cry
But the most important aspect would be “Stay away from drugs”
This should be captured on every souvenir mug
If anyone is caught taking drugs, we will just pull the plug
Well vintage bodybuilding wax museum it does have appeal
Now if we could just make it happen being for real.

Where do you see yourself in a year?

Still living here -
A tactile skyline atop pillars of smoke
Heavy with guilt
And the craftsmanship of a generation of men
To whom Earth is a rock, immortal
Untouched by the bouts of the smog which ascend
To hold up their forges?

Where that which is green must also be man-made
And an old plant-***
On an old window-sill
Is the closest to what was here before? Is it a facsimile?
Where your throat hurts,
Chemicals an ersatz flowing stream
Of purest water -
And why is rainfall the freshest you can drink?

You haven’t always been here.
Where were you before? Was it green
Or blue, or any other colour
Besides this abiding grey? Perhaps
There were rainbows and colours
And sunlight, unfiltered by smog
Or dust. Warm, purposeful.
Her fragility charmed you.

Because our Earth is not immortal. A wanderer
In space, motherly, who are we to defile her?
A species of smoke and tar turning her soft hues sour
Colours unknown to nature
Like a drop of arsenic in a stream flowing through rocks?
Do you see yourself living
In a fortress, tumultuous to its steel bones
Each day burrowing deeper into her body,
Claiming her for its own, and ruining her at the same time?

So you think about your opportunity.
This life which fills her air, pulsing and vibrant,
To restore the purity we are missing -

Because Human and Nature are as one,
Invention is necessary but we are losing our time,
Virescent leaves brushing in the wind,
Our friends are loving, laughing, living
And we realise now that we are able to do so much better.

Or does none of that matter, somehow?
We make money to spend on plastic.
We are born, we work, we breathe, we die,
But we are still yet to run out of time

So where do you see yourself in a year?

Let’s make vulgarity beautiful
for a couple seconds.
Dwell on the ******* gimmicks of language,
the shock value of mixing syllables together,
the stupidity of poetic “terms”.
I’ll tell you about my hate for
******* clichés,
****** overused poetic devices and word pairings
that ruin the fun for all of us.
I’ll lay down some ground work here:
too many minutes of my life spent
trying to count syllables ,
rhyme words,
analyze and alliterate annoying argumentative articulations.

You know what?
**** alliteration, assonance and consonance,
bastardisations of the brilliance of poetry.
Destroying all appreciation of something so fine
at such early age,
with red pens,
poor introductions,
and misconceptions falling out of every ******* mouth.
Reused and recycled clichés
trivializing the beauty of rain,
that stomach hiccup when you see someone you like
the actual emotions that fundamentally make us human.
The over-judgemental *****
who can’t write for ****,
think they’re high and mighty,
overusing these feelings with the vocabulary of an eight year old,
giving us poets a bad reputation.
**** those *******
with their dark souls
empty hearts and
broken dreams
**** them over cups of cold coffee
in vintage mugs
snapping in a low-lit jazz café.
Sonnets, haikus and ballads aren’t the only forms of poetry,
nothing has to rhyme,
I shouldn’t be graded on my ability to be a thesaurus.
******* teachers narrow-mindedly give us
“creative writing” homework
that's not creative,
like the colour green.
I don’t see how they can judge poetry,
perhaps how it flows and word choice,
but I have an extra syllable
and purple doesn’t rhyme with anything,
**** me right?
Because purple is the only word which
accurately portrays what I mean,
excuse me if I pronounce this differently
rendering my iambic pentameter to ****.
I didn’t deserve a B.
*****.
Poetry isn’t something you can confine to four walls,
it can’t be truly ugly,
it can be the sort of ugly where your mum doesn’t want to put it on the fridge
but she keeps it until you’re satisfied,
and then she trashes it,
but it’s not ugly.
Remember that poetry is supposed to be beautiful,
*******.
Forget about that *****-*****-***** who ******* you over,
that ******* who didn’t say thank you or
that ****-faced ***** who should go digest a bag of *****
and write something worth reading.
Something that will makes eyes wander back to revisit phrases,
admiring the careful craftsmanship
that translates into something universally beautiful.

The moral here is that
poetry is an art to be mastered and
no one has yet to master it.
Some have come close,
and not all of them have used alliteration,
similes about the heart,
metaphors for love,
binding syllable limits
or rhyme schemes.
Whoever told you otherwise is a raging *******
who doesn’t deserve even the lowest paid *******.
Don’t be afraid to use taboo words;
it's your writing and anyone who doesn’t like it can *******.
Despite the irony,
vulgarity can be beautiful.

There, somewhere, is a place so familiar, that you've forgotten
and you didn't even know.
In this place is a building, decrepit, with walls well worn,
built with the least experienced of hands.
These hands, now gone, showed a tenderness in their craftsmanship,
a love now forlorn as the walls
Walls held up with the determination of creeping moss
that spreads through the corners of the halls.
Halls so sprawling as to confuse those who dare to come in
and seek the treasures within
These treasures hidden, repressed and no longer precious,
a sentinel to those left behind.
And these treasures you found within these halls
bound by these godforsaken walls
built by those who know, knew, and would never have
Reside in a building beyond all paths
That calls to you and all that you believe
To compel you in, so you'll never leave.

I stand here poised
Like a bored gazelle about to leap
Not in the Serengeti
But leaning against a bin
Near Frankfurt
It is a wrought iron bin
Of fine craftsmanship
But all I can smell is ****
The **** of a thousand dogs
Over one hundread years
Marking their patch
And having no thought
For this man
Who would have his senses offended
By their ammonia picket fence.
Perhapse I will move

I wrote a poem you'll never see –
a masterpiece; it took me weeks.
I love you and I wanted you to know.
I achingly described your lips
with tender, breathless craftsmanship;
it was a soulful, sinful epic wracked with lust.
Poetry herself, intrigued,
shook her head in disbelief;
no mortal girl could ever love so much –
and so, enamored by my words,
she decided to ****** you first.
I'm sorry, lover, but she had to go.

It was a pan and bake
No it wasn’t going to be a cake
Something new in holiday cheer
Encourage travel and not draw fear
The idea came to create a Gingerbread Hound Bus
Even the Greyhound racing dog wouldn’t even fuss
Craftsmanship of the mold and ingredients in producing the Gingerbread Hound Bus
Gingerbread Hound Bus in being steady
A welcomed holiday treat
The highlight being the lights
Fresh from the oven being sheer delight
All aboard in the kitchen
The Gingerbread Hound Bus has reserved your seat
No need to push as there is plenty to eat
Yet the Gingerbread Hound Bus looks too good to put in one’s mouth
It should be mounted and on display
To my fellow bus nuts this is a relay
Giving thanks should be every day
The Gingerbread Hound Bus is spreading the word
It’s the Gingerbread in wanting to be heard
“A Gingerbread Hound Bus filled with sugar and spice, and it is also bringing the holiday spirit with the feeling of nice. Yet the Hound Bus in giving advice. The Gingerbread Hound Bus welcomes you to dig in, but remember it is the Gingerbread Hound Bus that says when”.

On December the tenth day
When it was night, down I lay
Right there as I was wont to do
And fell asleep wondrous soon,
As he that weary was as who
On pilgrimage went miles two
To the shrine of Saint Leonard,
To make easy what was hard.
But as I slept, I dreamed I was
Within a temple made of glass
In which there were more images
Of gold, tiered in sundry stages,
And more rich tabernacles,
And with more gemmed pinnacles,
And more curious portraiture,
And intricate kinds of figure
Of craftsmanship than ever I saw.
For certainly, I knew no more
Of where I was, but plain to see
Venus owned most certainly
That temple, for in portraiture
I at once saw her figure
Naked, floating in the sea.
And also on her head, indeed,
Her rose garland white and red,
And her comb to comb her head,
Her doves, and her blind son
Lord Cupid, and then Vulcan,
Whose face was swarthy brown.
And as I roamed up and down,
I saw that on a wall there was
Thus written on a piece of brass:
‘I will now sing, if that I can,
The arms, and also the man
Who first, pursuing destiny,
Fugitive from Troy’s country,
To Italy, with pain, did come,
To the shores of Lavinium.’
And then begin the tale at once,
That I shall tell to you each one.
First I saw the destruction
Of Troy, through the Greek Sinon,
Who with his false forswearing
And his outward show and lying,
Had the horse brought into Troy
By which the Trojans lost their joy,
And after this was engraved, alas,
How Ilium assailed was
And won, and King Priam slain,
And Polytes his son, for certain,
Cruelly by Lord Pyrrhus.
And next to this, I saw how Venus
When that she saw the castle’s end,
Down from the heavens did descend
And urged her son Aeneas to flee;
And how he fled, and how that he
Escaped from all the cruelties,
And took his father Anchises
And bore him on his back away,
Crying, ‘Alas!’ and ‘Well-away!’
That same Anchises, in his hand,
Bore the gods of the land,
Those that were not burnt wholly.
And I saw next, in this company,
How Creusa, Lord Aeneas’ wife,
Whom he loved as he did his life,
And their young son Julus,
Also called Ascanius,
Fled too, and fearful did appear,
That it was a pity them to hear;
And through a forest as they went,
At a place where the way bent,
How Creusa was lost, alas,
And died, I know not how it was:
How he sought her and how her ghost
Urged him to flee the Greek host,
And said he must go to Italy,
Without fail, it was his destiny;
That it was a pity thus to hear,
When her spirit did appear,
The words that to him she said:
Let him protect their son she prayed.
There saw I graven too how he,
His father also, and company,
In his fleet took sail swiftly
Towards the land of Italy,
As directly as they could go.
There I saw you, cruel Juno,
That is Lord Jupiter’s wife,
Who did hate, all their life,
All those of Trojan blood,
Run and shout, as if gone mad,
To ******, the god of winds,
To blow about, all their kinds,
So fierce, that he might drench
Lord and lady, groom and *****,
Of all the Trojan nation
Without hope of salvation.
There saw I such a tempest rise
That every heart might hear the cries
Of those but painted on the wall.
There saw I graven there withal,
Venus, how you, my lady dear,
Weeping with great loss of cheer,
Prayed to Jupiter on high
To save and keep the fleet alive
Of the Trojan Aeneas,
Since that he her son was.
There saw I Jove Venus kiss,
And grant that the tempest cease.
Then saw I how the tempest went,
And how painfully Aeneas bent
His secret course, to reach the bay
In the country of Carthage;
And on the morrow, how that he
And a knight called Achates
Met with Venus on that day,
Going in her bright array
As if she was a huntress,
The breeze blowing every tress;
How Aeneas did complain,
When he saw her, of his pain,
And how his ships shattered were,
Or else lost, he knew not where;
How she comforted him so
And bade him to Carthage go,
And there he should his folk find
That on the sea were left behind.
And, swiftly through this to pace,
She made Aeneas know such grace
Of Dido, queen of that country,
That, briefly to tell it, she
Became his love and let him do
All that belongs to marriage true.
Why should I use more constraint,
Or seek my words to paint,
In speaking of love? It shall not be;
I know no such facility.
And then to tell the manner
Of how they met each other,
Were a process long to tell,
And over-long on it to dwell.
There was graved how Aeneas
Told Dido everything that was
Involved in his escape by sea.
And after graved was how she
Made of him swiftly, at a word,
Her life, her love, her joy, her lord,
And did him all the reverence
Eased him of all the expense
That any woman could so do,
Believing everything was true
He swore to her, and thereby deemed
That he was good, for such he seemed.
Alas, what harm wreaks appearance
When it hides a false existence!
For he to her a traitor was,
Wherefore she slew herself, alas!
Lo, how a woman goes amiss
In loving him that unknown is,
For, by Christ, lo, thus it fares:
All is not gold that glitters there.
For, as I hope to keep my head,
There may under charm instead
Be hidden many a rotten vice;
Therefore let none be so nice
As to judge a love by how he appear
Or by speech, or by friendly manner;
For this shall every woman find:
That some men are of that kind
That show outwardly their fairest,
Till they have got what they miss.
And then they will reasons find
Swearing how she is unkind,
Or false, or secret lover has.
All this say I of Aeneas
And Dido, so soon obsessed,
Who loved too swiftly her guest;
Therefore I will quote a proverb,
That ‘he who fully knows the herb
May safely set it to his eye’;
Certainly, that is no lie.
But let us speak of Aeneas,
How he betrayed her, alas,
And left her full unkindly.
So when she saw all utterly
That he would fail in loyalty
And go from her to Italy,
She began to wring her hands so.
‘Alas,’ quoth she, ‘here is my woe!
Alas, is every man untrue,
Who every year desires a new,
If his love should so long endure,
Or else three, peradventure?
As thus: from one love he’d win fame
In magnifying of his name,
Another’s for friendship, says he;
And yet there shall a third love be,
Who shall be taken for pleasure,
Lo, or his own profit’s measure.’
In such words she did complain,
Dido, in her great pain
As I dreamed it, for certain,
No other author do I claim.
‘Alas!’ quoth she, ‘my sweet heart,
Have pity on my sorrow’s smart,
And slay me not! Go not away!
O woeful Dido, well-away!’
Quoth she to herself so.
‘O Aeneas, what will you do?
O, now neither love nor bond
You swore me with your right hand,
Nor my cruel death,’ quoth she,
‘May hold you here still with me!
O, on my death have pity!
Truly, my dear heart, truly,
You know full well that never yet,
Insofar as I had wit,
Have I wronged you in thought or deed.
Oh, are you men so skilled indeed
At speeches, yet never a grain of truth?
Alas, that ever showed ruth
Any woman for any man!
Now I see how to tell it, and can,
We wretched women have no art;
For, certainly, for the most part
Thus are we served every one.
However sorely you men groan,
As soon as we have you received
Certain we are to be deceived;
For, though your love last a season,
Wait upon the conclusion,
And look what you determine,
And for the most part decide on.
O, well-away that I was born!
For through you my name is gone
And all my actions told and sung,
Through all this land, on every tongue.
O wicked Fame, of all amiss
Nothing’s so swift, lo, as she is!
O, all will be known that exists
Though it be hidden by the mist.
And though I might live forever,
What I’ve done I’ll save never
From it always being said, alas,
I was dishonoured by Aeneas
And thus I shall judged be:
‘Lo, what she has done, now she
Will do again, assuredly’;
Thus people say all privately.
But what’s done cannot be undone.
And all her complaint, all her moan,
Avails her surely not a straw.
And when she then truly saw
That he unto his ships was gone,
She to her chamber went anon,
And called on her sister Anna,
And began to complain to her,
And said that she the cause was
That made her first love him, alas,
And had counselled her thereto.
But yet, when this was spoken too,
She stabbed herself to the heart,
And died of the wound’s art.
But of the manner of how she died,
And all the words said and replied,
Whoso to know that does purpose,
Read Virgil in the Aeneid, thus,
Or Heroides of Ovid try
To read what she wrote ere she died;
And were it not too long to indite,
By God, here I would it write.
But, well-away, the harm, the ruth
That has occurred through such untruth,
As men may oft in books read,
And see it everyday in deed,
That mere thinking of it pains.
Lo, Demophon, Duke of Athens,
How he forswore himself full falsely
And betrayed Phyllis wickedly,
The daughter of the King of Thrace,
And falsely failed of time and place;
And when she knew his falsity,
She hung herself by the neck indeed,
For he had proved of such untruth,
Lo, was this not woe and ruth?
And lo, how false and reckless see
Was Achilles to Briseis,
And Paris to Oenone;
And Jason to Hypsipyle;
And Jason later to Medea;
And Hercules to Deianira;
For he left her for Iole,
Which led to his death, I see.
How false, also, was Theseus,
Who, as the story tells it us,
Betrayed poor Ariadne;
The devil keep his soul company!
For had he laughed, had he loured,
He would have been quite devoured,
If Ariadne had not chanced to be!
And because she on him took pity,
She from death helped him escape,
And he played her full false a jape;
For after this, in a little while,
He left her sleeping on an isle,
Deserted, lonely, far in the sea,
And stole away, and let her be,
Yet took her sister Phaedra though
With him, and on board ship did go.
And yet he had sworn to her
By all that ever he might swear,
That if she helped to save his life,
He would take her to be his wife,
For she desired nothing else,
In truth, as the book so tells.
Yet, to excuse Aeneas
Partly for his great trespass,
The book says, truly, Mercury,
Bade him go into Italy,
And leave Africa’s renown
And Dido and her fair town.
Then saw I graved how to Italy
Lord Aeneas sailed all swiftly,
And how a tempest then began
And how he lost his steersman,
The steering-oar did suddenly
Drag him overboard in his sleep.
And also I saw how the Sibyl
And Aeneas, beside an isle,
Went to Hell, for to see
His father, noble Anchises.
How he there found Palinurus
And Dido, and Deiphebus;
And all the punishments of Hell
He saw, which are long to tell.
The which whoever wants to know,
He’ll find in verses, many a row,
In Virgil or in Claudian
Or Dante, who best tell it can.
Then I saw graved the entry
That Aeneas made to Italy,
And with Latinus his treaty,
And all the battles that he
Was in himself, and his knights,
Before he had won his rights;
And how he took Turnus’ life
And won Lavinia as his wife,
And all the omens wonderful
Of the gods celestial;
How despite Juno, Aeneas,
For all her tricks, brought to pass
The end of his adventure
Protected thus by Jupiter
At the request of Venus,
Whom I pray to ever save us
And make for us our sorrows light.
When I had seen all this sight
In the noble temple thus,
‘Oh Lord,’ thought I, ‘who made us,
I never yet saw such nobleness
In statuary, nor such richness
As I see graven in this church;
I know not who made these works,
Nor where I am, nor in what country.
But now I will go out and see,
At the small gate there, if I can
Find anywhere a living man
Who can tell me where I am.’
When I out of the door ran,
I looked around me eagerly;
There I saw naught but a large field,
As far as I could see,
Without town or house or tree,
Or bush or grass or ploughed land;
For all the field was only sand,
As fine-ground as with the eye
In Libyan desert’s seen to lie;
Nor any manner of creature
That is formed by Nature
Saw I, to advise me, in this,
‘O Christ,’ I thought, ‘who art in bliss,
From phantoms and from illusion
Save me!’ and with devotion
My eyes to the heavens I cast.
Then was I aware, at the last,
That, close to the sun, as high
As I might discern with my eye,
Me thought I saw an eagle soar,
Though its size seemed more
Than any eagle I had seen.
Yet, sure as death, all its sheen
Was of gold, it shone so bright
That never men saw such a sight,
Unless the heavens above had won,
All new of gold, another sun;
So shone the eagle’s feathers bright,
And downward it started to alight.

Vernarth sequence

Prophecy I -  “Eighth month of sailing in systemic plenitude”

“Since they will not hunt us down in all our Itheoi cycles…
nor in other lapses from where the fine eye could have sewn the buttonholes of the shroud, where there will be life and if there will be a short time without life...
dragged by you for a long time where the sun is melted over the word, staying stored and locked in your pocket to collect it blushing,
tomorrow's jump without a yesterday declining..., without a tomorrow in the heat of a bonfire...
lamb in bait handled being the portal of those who have been slapped inside their cheeks… who will not shorten the cycle that transcends all the oblong sepulchral vaults or who abound in the nonsense of sanitizing nights of ***** despot life having to measure themselves in your flourishing duel by Aiónius of the cleanest dew of its solid stroke and announced delineation of the new one that has been retraced again being more than a brief syllable created again fertile, in the biosphere mouth so as not to see you omnipresent mist, meditating not having you and that dares to meditate on your future that will have to be reserved for yourself by professing it when you are cold in front of you and insinuating if in living followed by letters to be flooded pondering like a paralyzed sleeping part that wants not to be covered with feigned warmth and that does not fit in all the parts of me being who wants to be consul of some shelter with all those who sleep also half dreaming in the company of the lost afternoon that never ends serving Saint John in Katapausis here, perhaps Aiónius del Ibico 1 as a magnificent and net unit that sees the luminous truth when we all come out of a prophecy alive even if it's dark ".

"What a reckless job of losing value,
I am already in Katapausis in the eighth month...,
I entered as the light opened with my hand turned into the light...
being already a katapausis meaning in Sabbatarianism.
Quasi-unit method exhibiting cohesion to the rest motif
With levers in my hands and intra-sabbatism in his dissertation...
of an exegetical and theological nature that has transpired soft insomniac light, We are a people who do not have to fear or air to deposit for a future warehouse above the Sycamore or birds that guard all the Gold above my hands on the Sycamore…”

"Stay in my house, if I don't come back it will be yours
stay at home, it will belong to everyone even in the apocalypse...
that more reckless will be silent as a work of losing value,
Katapausis is the threshold where my life enters and leaves at once,
stay at my house, if I don't come back it will be yours...
Open windows by meekly closing them to that confronted obverse to you...

He comes from a den relativized on reliefs in weathered beads...
they will be soluble mineral beings convened moving away from the most distant and closest to the least distant…, from waters of underground siphons… there we will all be floating… like vertebrate invertebrate animals”

Vernarth, after not entering the grotto not having found Saint John, goes outside where he goes on a campaign for three months before he can be received by God's law. Here he meets with Reader and his pelican, as well as Eurydice.


Prophecy II -  “Seventh, Inter-synergy energy”

“Three months I have waited in the middle of this mountain,
symmetrically arranging the steps to be taken, not going backward
prana of life walking in oceans of life walking…
us and them… how much must separate us to reach us?
what I have not tried to separate…, what I have not been able to achieve…

I think I died early in the worlds that haven't risen yet,
I think I was reborn late among dense curves that overwhelm us with straight lines
soul, principle, matter, and material distinctive ontology
Ghost god of parallelisms beings and activities in affinity...
starvation body of low energy ceasing creatures in embryo
incessant firstborn to infuse other confining souls
trails demons slip where my ashes hands are sore
wounded doctrines to engender and doctrines to ulcerate...

As the prophecy uses the sea carrying messages resolved from shore to shore
close to a Virtual why in the twilight your Faith that must be glandular… matter of soul and body exposed to predisposing theological and chemical, in pursuit of the corruptible whole in vice versa if he does not burst with atheistic impatience.”

Eurydice takes a zither and sings tempting stormy actions to Vernarth, Raeder and Petrobus put their souls in line in the first linear principle, Together with the matter of corporeal fire proceeding to the definition where all the parts are confirmed without distinction dancing next to them creating the greatest bond of faith in body and soul, thus spending the three months in a few words of light of the sated fire.

"In the eighth-month katapausis, eight times your permanent peace must rest in
cited state; once it is translated into Sabbathisms and it will be the same state… When everyone finishes their dance in the cave and enters believing they have the courage to enter eight times in connection with rest…, plus eight times in connection without rest.
In some verses, the urgency of the entrance will be accentuated. The main issue “is that history will be repeating itself exactly where the Israelites were at Kadesh-Barnea. A related term either synonymous with Kadesh or referring to one of two sites, is Kadesh (or Qadesh) Barnea. Various etymologies for Barnea have been proposed, including 'wilderness of travel' but none have produced a broad consensus. What is the consensus? will we stop believing or lean on the shores of a preacher rain of Jehovah or lean on the shores of a preacher sinful waterfall or lean on the shores of a preacher confessing rain or lean on the shores of a preacher wet wind inquisitor...? where ever the aromas of its faithful winds served will go sacred to everything named before and many before the confessing rainy…, waterfalls in favor of the temperamental inquisitor wind”.

Astheneiais”, in Greek is and will be a weakness, in Hebrews a moral connotation and will mean not only physical weakness but a conscious weakness and trembling in temptation. Our Lord also understands us in this weakness because he was tempted in every way as we are. Since he himself was tempted he knows from experience what it means for us to be tempted. He was not tempted in all the particulars of our life, for example, He was not tempted as a husband or father, owner or employer or soldier, because he was none of these things. But he was tempted in all three areas of human susceptibility: body, soul, and spirit.

Prophecy III -  “Sixth, Resilience…”

“They were on the perimeter trying to keep me together at his command,
I go every day for its pantry, food, groceries, bookstore supplies and ink, oils, and other essences for the environment in continuous handwritten obedience, I have to leave for Skalá where some residents are waiting for me who have ordered to bring materials from Gricos and Psili Ammos to project your home,
If this has been written like this, it is because my pleasure in walking has written it, in the company of the one, he has written for the one who walks next to me the god Ibicus!

They always asked me why to mention why I have to do this for them… I will tell you that I used to serve leaders who consolidate the Hellenic geography,
without them, everything would have been invaded by unled foreign hands… in that rest, I have to attend to the verse that precedes it...
which says that we have already entered where I already intend to argue the following…

Resilience and exhortation that from the beginning I have taken since it began... now I will abide by and present your messages in a very predominant note, I was Hoplite Commander of the Falange and Hetairoi, now a Christian who does not dispute living a life of obedience to those who are not and are not without his martyrs...
like those people to whom God swore they will not enter my rest
whose amen will be preached in the passive voice verse!

Remain as the verb indicates with the real facts, the word
independent of the present, independent of who and when…
Saint Gabriel my Abrahamic angel will give me white strength and frolicking lilies like baskets of hermaphroditic lilies procreating only-begotten forests at the altar.

Stand tall over the Abrahamic fire without knuckles or shields,
rethink your beloved woman and take a sudden step to heal your wounds there is so much grass to cut and so much poetry to chew...
up the mountain towards Skalá at night after drinking wine
Epitrapezios Inos setting fire with innocuous saffron atmosphere
lips of fire and bread, for a good offensive fight.
Greek fire naphtha, cinnabar, and anthracite.

Wake up united with the deep disorder
Grant the color that deserves to have your day as a constellation
with the image that rests on your angular and calloused hands.
stopping spaces of loss more than all the centuries that waited for the minimum incense to a good warrior, sweet wine for open bleeding wound not his… the thunder that hides baptisms in all hearts empty of blood...

“While Vernarth was praying in the oracle he felt a thunderous supra sound As if the gates of hell had opened...
As if millions of seconds of angels were to be dispersed from the sky
To reduce more seconds of silence to the thinnest pleading eardrum

A few days ago I saw a ghost that was chopping wood...
I couldn't realize that he was really Him...,
I also saw him cutting thousands of volumes from a library...
Also, not realizing it, I saw several, like more than eighty manuscripts..., of breaths that still did not prosper in the hands of San Marcos...

A gigantic door slam is felt again...!
again it was the angels that came
at the wrong time in his return..., but now in his repatriation
they climbed through and into the Garden of Eden.”

Vernarth, evicted from the habit of the unknown, was apprehended by his craftsmanship of him, he was still attentive to be received by San Juan. The longer he waited to be arranged for an audience, he did not postpone what his memory pointed out to be more than an experience plotting capacities in the face of his own limitations. From that moment on, a gigantic gate slam is felt again! the angels who went back one after another with their polished golden-white cloaks relapsed..., but now making the Garden of Eden their own,... being theirs in what was theirs, that they would be in the house of a wise gardener of Eden perhaps being the same Katapausis manger at once!

Raeder says: hugging him profusely! time has to fly like little angels, having them by your side as companions of the time that is leftover on their wings, giving it all to your enjoyment of living and feeling it lost in you without finding it. ! khaire mi Vernarth!, I have some karidopitas with nuts and yogurt accompanied by baklava with nuts in delicious syrup from Kalymnos. Petrobus jumped for joy and fluttered like a hummingbird to steal a few pieces! Eurydice and Vernarth did the same. That night they told militia stories while they ate the morsels, so they fell asleep as if it had been the first time they had fought such a great menu. Euridice assists in the same with his fresh clean face, creating an atmosphere of conciliation to renew the dream of a day that will dawn close to his waking up far from the criminals. Vernarth takes the staff from him from then on and divides books and manuscripts into two portions so that he has time to take steps to really feel that he can walk close to Saint John.

Prophecy IV -  "Fifth, Nature, Manuscripts and Jophiel"

“Zeus wakes up trembling, full of headaches saturated with Herbs for headaches Jophiel speaking this time with the Kabbalistic language of the Torah...with golden commoner super zone of the Organikon Sorousliston Papadikon….age-old music that supplies Zeus with protein albumin, to make him more human…Zeus accepts Jophiel by placing his head about the house of Jophiel; a divine island to throw cards…brings the second ray to the Sahasrara at the crown of your head, pacifying love that is the suspicious and risky loser of everything risk in the head especially when a feeling is born!

Zeus turns his head and Jophiel twists it to the opposite side
about the ruined zeros that he did not count from the plasma of his dependency, Zeus feared having albumin at risk of human transmutation... happy to be able to cry he imagines slipping into the middle of a lake and he sees that he falls on Hera's poultry harming none, Zeus pours brimstone from his mouth and milks inelegant prose from the scythe…

Trina flame whose son bears glorious her bearer,
thousands of lives being clumsy for the wisest destitute
being what in the present you were more than past trine
when you harbor from Hanael's Blue Sodalite quarry
the imperfect perfects when you listen to your
body how it beats, how it breathes... you realize that it is perfect
as is Jophiel and discerns repairing the wisdom in the decisive punt
where gum rosin myrrh and multi urban frankincense go
towards the soul plane architecture of the human plane.
Hardened Zeus overflows glazed sallow emulsion of war
coagulated exhausting guarantor of everything is well,
books of the silent world of nails that do not sound sheets,
Hanael in massive books divides sounding with her iris gel-colored nails encrypted library manuscript of a thousand years, the voluptuous organism of a thousand years…
flapping unpredictable millennia and wiry hands,
colossal capstans…, annihilated with a thousand years…
a silly propeller that spins like a sickle rolling over a certain holistic tabernacle of the small portion of the next day when Zeus awoke to the diaphanous threatening light with sunless cloud waistband…
His face is seen with frowns and he looks at his face as well
without seeing folds…but in front of the Aiónius.

The geranium appears in the representation of the natural whole kicking the Sickle, much more here lost of our spiritual being
Zeus Jophiel's hardened shoulder heats up only to lean on Him...
light on his shoulders fires on both of them…
how long it takes to save us perhaps twenty times what supports us even tired and much more unwrapped than the treachery of him alone and without being followed without knowing
nothing more than a thousand-year-old shell through which he would drain…perhaps a tortoise-like millennial angel walked up to the omega! joy preparing to give you live hopeful,
that if it would be timely to give you more life...
Here is Aiónius reordering the world together with Zefian…
He shares everything eternal of all your life that floats in the sea,
miserable mix space where capo dastro separates the end
where all the wheres cannonade the hoarse fire...
cement that joins brick wall and plenary adobes
love without nature that castrates your beautiful woman
that hides her face without mascara looking for it...
let's go outside says Vernarth..., we still have a few seconds in his solvent... sensible, full, and arc well-being...
as if you were floating in the air floating more
also needed me to teach you before your limits limit you,
and make you angry from the miserable sense,... Don't listen to me anymore...!!”

Vernarth puts his first three fingers on the capo dastro roosters crow with his skin vibrating beyond the sleep of Raeder and Petrobus. Reader wakes up and says…; My Vernarth I will make fire and heat water. Petrobus runs with his wings to look for sacred wood. Eurydice comments…, I will prepare the praiseworthy sacred breakfast.

When they were preparing to do all this, Jophiel and Hanael appeared to him, joining in the breakfast that would feed all the days and millennia of the world. Unleavened fruit, honey, and milk multiply above all, satiating hunger with satiated satisfaction.

Prophecy V – Fourth, Limbus Necropolis

“From so far away…, so far away that I listen to your sacrosanct cries…!
from the Koumeterium of Messolonghi…, rocking my elbows and hurting myself
moving in rare pleasant crypt upon crypts disconsolate stones
not so far away..., keys held in the eighth cemetery...
Who is to open the heavy door now...?
I come from Messolonghi 555 km in linear figures to Patmos...,
narrowing concave… doubtful in extension, passion princess cloud
He must welcome me benevolently in the night nymph consort...
Limbus N cloud, Cloud Cemetery lofty lofty hypogeum
soul of Limbo, before seeing the nut that girds the face in the graceful Grim Reaper resurrecting restless…, sinning… grail sacrament without Being or being…?
Necropolis Cloud, expectant mortuary technology...
amaze me if there is a byte for me...
narrow conscience, unseemly to amaze me?

Here the lost mist of the Nothofagus God phoneme-photon vanishes with divine mass light to build the Áullos Kósmos. The Sacrament of Limbus will provide spaces and assemblages of meters for thousands of areas of infamous wandering the Ouranos, approaching the Áullos Kósmos to host him and rescue the children of the meter that was missing in the numeral rule of the Megaron acroteria before going up to the Necropolis Cloud. Vernarth, mere body formalizing principle...
extinct delicate evocation of the shadow of Elpenor;
Achaean warrior of Ulysses grandiloquent who even has otitis
and verse where flu spreads influenza
heartbreak from far away reverberating in the elite of lexicons…
arriving equidistant ... the last one arrives threatening with his Kantabroi staying neither divided nor captured, taking refuge in outright failure twilight of megahertz, farce propaganda surrendered fear will not fall even after …

Vernarth falls from the Koumeterium Mesolonghi in the Necropolis cloud privileging his status, he falls from this gloomy digital platform with a high alcoholic degree! from the high heaven after drinking hours he came in the carriage that was from Zilos, with the passion of heaven depriving his understanding stunned on some branches of will of Ziziphus…, stunned on branches of mercy….

Vernarth in a contrite accident with Elpenor, his psyche flies to the realm of the dead, Hades was remaining prisoner in that world taking the form of a Homeric icon or shadow. Vernarth was asleep after his binge, and Elpenor asks him if he wanted to join him with some concoctions. He was with blurred vision, a headache, and still lying down. But in the passionate horror of his drunkenness, he gets up quickly, saying to Elpenor: For me, it was one less pain to drink after having fallen from such a distance without being able to request and have had the grace of my mother's lullaby. For this reason, I hug you! They went together to the Cloud Necropolis to continue in the Limbus trying to alternate their physical body to gaseous liquid. At that moment Eurídice hits her with a piece of wood on her legs so that she wakes up from the bite of that nightmare that overwhelmed her to finally be able to wake up. Raeder had gone with Petrobus to Skalá to seek inputs of gnosis and his own inspiration for accents before the welcome in Katapausis to come in the blink of an eye of San Juan, necessary redaction for licenses and to be admitted to his library.

Prophecy VI - “Third, Rethymnon City and State”

“Vernarth heard the sound of a bouzouki, spoke of a 40-day fast that Greece celebrates before Easter, at the Rethymnon carnival they come from all over Greece to attend as a family during the week with animations, evenings and concerts, dances…theatre, floats with Venetian art in the picturesque old town and modern city, in this ancient city …

Rethymnon Political Ellipsis

“Like territorial extension, past-future organized infamous scene…Vernarth imagines being with Etréstles in immediate predictions
with years and thousands…, clan hobbies, Rethymnon manuscript…
while he thus deliberated…, thus rejoicing in the immaculate extramural grotto thus being as if it were comparable to a Neolithic village; being together lost with eagerness to appear from political power... palaces, kings, pro-organized religions..., rancorous superlative temple, priestly-eucharistic, nationalized sovereign citizen... commanding Parliament of the Hellenic politai people
the competent anti-value entity of the substratum political state…
sedentary-agricultural or nomadic-livestock culture…, vertical Hoplite culture!”

In Thessaloniki street, he would meet his brother head-on...Imagining how he would be...? Well-dressed-shiny, he would be in a passing tavern usually naming himself tradition and terms of questionable validity rather than those of a retro-linguistic family, in the remarkable urban-city dialogue called seditious inns with networks of political territorial extension, reaching the colossal size of multinational ideals of a complex stratification, social meeting place, future ministries to whom to delegate?. They would arrive at the tavern in Rethymnon in Crete, they order coffee, biscuits, and Mosaikó chocolates. In an unexpected moment, he suddenly wakes up from this deep, hallucinating, and futuristic imagination! His brother appears immediately, not in Rethymnon but in Katapausis with the goddess Lepidoptera!

End Ellipsis Rethymnon

“At the moment his imagination breaks just when they were preparing to toast… Etréstles in this same interval appear in Katapausis Reader and Petrobus coming in a singular pilgrimage from Skalá…this is how the syllabic song of the arcane ***** is heard emitting from the grotto…, yellow lights and saffron…. Saint John and the Gospel celebrating the Eucharist…Vernarth would believe for the first time that the hermit would come, but No…!
his brother was to be in the intervening yellow-white light
in front of him nothing more than Etréstles visiting him”

Likewise, they would no longer be in Rethymnon,
but the carnival would already begin in the region of Patmos...
eating delicacies, and the Sousta towards the circle of the Sun in the hands…They have been two months with the sweetened Moon and the Sun posing its mass of light in her… soft palm next to her waiting for him in the proximity of a Hebrew silence

Estretles says Khaire Vernarth! from Piacenza who did not see your joyous lux! I can see now to the sound of yourself the stoic zither...
countenance light, the orbit of your eyes, pale asthenia without photon without light, expectorant suppuration of your sacred Lynothorax, Absent in front of the long and fatal transverse lapse!
Raeder makes a speech to Zeus Photon Child Lux
Fulminant spends time where it remains greater than the minimum...
Patmos is the time of the Messiah…, retrograde years…
polis Helennic city-states.

Culture-state… state time chorus in tune
Philosophical poetic-epic Olympian Aiónius global leader
Homeric poems..., Raeder I am..., a naughty Politai...
you Vernarth are Politai Hetairoi militia
candy wasted by me Raeder… sweetened in my memory
polytheistic, cultured and declined…
theocratic referendum or democratic right,
Exciting porridge of my Kourabiedes cookies
butter, icing sugar, flour, eggs from the icy cliff
vanilla or Mastica resin, ***, Ouzo, mastica liquor…
or other alcoholic beverages…, which bubble on the underside of Aiónius soaked in my mouth with water from petal buds
coated for you with sugar on the tip of my tongue…
reflective cops in a wonderful dialogue of a tasty recipe...
It's time for everyone else to snack too!!

In that second Raerder was choking on a Kourabiede biscuit,
but there was the guardian of the Petrobus who piloted the
throwing hieratic water on the inside of his mouth,
forcing him to take heart from the buttress of his speech
shooing thick crumbs from his skinny dialogue spitted...
Gerakis, ray, tabletop oak bull, scepter for those who rule with him and not...My Zeus friend I invite you to play marbles,
I invite you to tell us that we are friends...
we're both fine… only Space-separated us…?

Raeder runs towards Zeus' thunderbolt from his right hand.
he jumps up and takes it from her, in exchange for this she gives him his marbles...The entire earth tilts over the Aegean..., the earth's axis tilts eight degrees, altering the cerebrospinal fluid of the Hellenic geopolitical conception..., with Zeus poly infarcted over descending magnitudes of inter-politics, millennia and headless governments...

“Apokalypsis lightning restarted, emerged from a New World”
Prophecy VII -. “Second, Alikanto Aion, Quantum”
"Kalymnos, golden tetra steed Alikanto was grazing under the metallic moon...
transiting its quantum physics…, golden legs…, four golden domes
the super host being in Apoika Andros next to the villagers,
commemorating troupe and advent…, Heraklion next period
celebrant anniversary, progeny bearer of Kanti Cretense,
close cycles of the sacred fire, domestic environment, and private zeal...
funerary hidden cult… streets in the hieratic family dwelling
fertile women… totalized and lustful ****…
productive longevity and harvests…, family Apoika
next successor belligerence…, funerary plexus…
culty predecessor…, treatise and imprecation of law, theme and legible religion domestic scene, family civic servant ceremony

Goddess Hestia austere, head with eight sacred candles dressed
Olympus lacking without gods…, only Goddesses embargo!
Feminine Hestia Domestic Goddess, an emanation of the female oval to ovulating…Pritaneo, the central decree of the political harvests… foreign exchange grains to be minted monetary stock exchange of Athens… Pritaneo ford on the rise, ford on increase Aion... hesitant dart swoop into eternity,
Alikanto Perpetual Aion…Speaks with both hands
synchronized and tilted tongue…
stutters and swallows, in six paranasal sinuses
saturated with fiery saliva..., and an Internal voice saying say...
what makes sense to feel and what does not turn off...
sleeping waves in the poison of love igniting
intra-Vernarth love…, billing infected holy blood
methodical coupled time…, Gaugamela the bronze extremity,
of a lost leader…, won leader!

If I had to run to rewrite retro Adhoc poems and chosen trova,
With a shy Trojan verse, I would dare today if I kissed her in front of me… she!
she would jump from the hyperesthetic-Ouranos…, inhuman to the Aion world
aurora celestina, bleeds big and defiant today in your star
In herself Ella…, pestiferous condemnation sweetness and aura between her…she just be, she herself be supported be…, Oh… Goddess Hestia on your opposite leg unbraced arm, meadow and vein braid… assaulted by lost and thirsty love written everything if she tempts…, everything wields darkly if it took you to our Olympus… at night loving you whole..., emptying everything with no inappropriate hand singing don vine fissure and intimate company, may it be exterminated... passion outside with nailed stake..., iron embedding..., nails wounding...exhausted supra lips supra yours…, mid sand writing full to her…
tip of my Xiphos… blood made written with written maiden mythology,
letter sword Spatha…, cyclamen balm made whole if I had you!

“To the loves of the world I say…, cover your ears fungus of boredom, your torn ears squander ignoring more than sordid saying...my blood kills, my blood revives! I **** my blood and I **** everyone, with your blood scattered, ***** blood scattered…!
do not leave me alone until nightfall… I only ask for holy water,
emptied from your mouth goddess Hestia who flies tons over me...
I only ask for a spatha romantic blood sharp, ******, and scattered...
to write to the love wars that I have lost...
to the wars of love that I have won, slicing the jugular of the
treacherous and wicked emperor"

“… Alikantus, he remembered the Hoplite commander in Gaugamela, he remembered when he dodged arrows with his head so that they would not hit his body or his pectoral. From such a present moment falling by surrendering to the evocation of him. He goes down to a stream and confines himself to the vanity quagmire, continues on his path reaching a suspicious lagoon, drinks sacred water, drinking again manages to perceive the effigy of Vernarth in the mirror of Aion's Hydor... calling him from Patmos! Law reminded his master how he died for everyone in the world just as the world would not let him bring more than agonizing for him because there was no more space said Aionius ... "

Alikantus then clenched his jaws too hard, falling out all his molars, he asked the Gods in front of Hestia to restore them fifteen days before arriving at the Ekadashi in Patmos where his master, thus loving all the lives of the world, as well as the hidden cries behind the Dypilons hiding the power of God… or laugh at gagged iris flashes and mummified sighs with lives that subsist!

Vernarth from Patmos called to him so that his eyes looked invigorated like the swarms of green and gray vanadium fire, of mood in the predictive table and close prediction. AlIkantus bids farewell to Kalymnos spraying sorrel and hyper-odoriferous flowers of the Apoika in Kalymnos loving from above, very close, flying, loving everything so much that he forgot to fly. He sometimes fell hard but recovered retried as a baby steed in the womb of a mother new species to be born again in Apoika!


Prophecy VIII -  "First of Aionius, "Eleusis Prophecy of Hamor"
“Aiónius received news of Hamor's prophecy; cosmic orgiastic order
tyrannical snake victim throwing herself into her abyss and purpose..., banishment as an objective void to be decreed, even so ending the world from another world,
discontinuous terse march, slurred arpeggio, speech by Aiónius
there is no world left but if extermination…, undone threshold…, provoke in delicate chaos…!

As a child, I ran to the supreme world herding lions... I called them and they ran to me..., they came alone, some didn't...! Being young, one day Aionius went to the farm and counted the lions... Some came others No... Aionius..., in such a hamorio he was locking an earring from his ears, he hung them again, which happened the next day relaxed..., he saw a maiden who laughed hypnotized…, he sighed when she turned around saying with her poor gestures… Destroy it! The afflicted turned away not knowing what was coming… destroying the desolate world vilifying silky physiognomies, chipped and dandruff face slipping from yours being captive and arid…, tempts to flow libertarian imprint in foreign praxis, origin, and end,
me from the slime being born in my eighth life in nothingness ataxia…

The beloved Victim surrounded by snakes moved the stump of her arms
eaten away by the serpent that took refuge in thorns of forged steel...
she kept walking…, Aiónius pointed at her and kissed her gestures escaping frightened towards the valley in farewells... not fitting itself in valleys that were never anything she paraded with the current of her last word, the beloved again moved her arms following her in front of her the beast was on her, Aiónius buried from fleeing and coming… with fiery phenotype, abrupt vocabulary, says: “Strapping and interludes, after beings of impiety, the world of impiety, Hamor of the first wit… towards other refuges I will depart about a Yes devouring bare ring on it…”
escape curve that cuts the pelvis of my beloved
destructive be your curved world that before had to destroy me...
ultra pre-hellenic nymph Harpé passion spread on me…
Hailed libertarian praise, aristocratic vermilion accent, minority ruling? Overwhelming rigor expended, prophetic Hamor, prophetic expansive arsenal! It must come from all the supreme worlds with strokes and silhouettes conquering...true dream, confused hypothetical oscillate sweeping imploring and contracting popular decision, management and space of my Sickle…, sometimes uncontained… worse avenues in its radius and dark mourning badly wounded shadow! The vertex that finally launches opens the dawn and his Hamada flees... Leaving with the untidy serpent, about touching and causing rangers in the stuck earth.

Demeter and Persephone; based on Eleusis in ancient Greece
mystery myth of the abduction of Persephone daughter of Demeter…
by the king of the underworld of Hades, Abrahamanica's offspring
cabal, life in the descent, the search and the ascent…
Ascent of Indra lightning Vahana and lightning from her right eye,
Persephone to the reunion with her beloved daughter ascending.

Zodiac and mysteries involved, visions and sleight of hand
that of an afterlife, rain of seven trunks, long-lived Airavata
elephant, Eleusis jump psychedelic mystery, incision, and coherent rites, ceremonies and experiences of cold winters and life on earth
plants in gestation under the gift of Elitíaen and beings that
they are about to germinate and be born, beings in a chain of genes...
vegetable running on the earth, vegetable in March in its glory
September in the jaws of the purified phrase and inaccurate acropolis I…

Sacred obscenities, deadly tributes with the death penalty...,
wandering nights without clothes with obese and badly fragrant meats point and taco dances praising the harvest in honor of a dead Thracian bull, libating priestly vessels and bullfighting heads in a deliberately defined and improper triweekly ritual, revealed in Demeter and Persephone.

Only Hamor in his venerable pyx lies locked up knowing he is unable to open inside this lustful bewitching sparkles, the mystery of emancipated disenchantment that awakens from his slow consciousness without knowing how to go on passing in the sum of all happenings of Aiónius. ”

This is how he defined himself from the syncretism of Indra and the mystery of Eleusis, from Demeter and his daughter Persephone from the vile kidnapped underworld. Of the divine Goddess Elitia and the annual records of children born within a year in the germinating seed of the mystery of love that would begin with this prophecy with the initial "H" of the underworld exclaimed Hades and Greek heritage in this event. Vernarth and his companions listened to this prophecy, almost falling asleep, it seemed to them sweet pallor-bitter, love-heartbreak in the previous day before diagnosing having a presence in the hermitage of San Juan Apóstol for the superior company of a later day that was approaching as the greatest daring of all up in the mountains while disposing of Vernarth's Apologist obverse of Aiónius's.

Epilogue Prophecies - “Eleusis, Isadora Duncan to the Parthenon”

“Vernarth and Eurydice indulged in the jargon of agitated diasporas
of inhabitants fleeing the Rite of Eleusis, crossed hands and feet
They dueled on olive trunks with Theban thunder, vague Insurrection of the ancient world, and consonants of barbarian Pleiades,
acclaiming predilection of the Eremita San Juan to appear...
in a breath of peace resurfacing... but seeing that Vernarth was accompanied of Eurydice hid in front of them leaving only her aura near from the stream of a chrysalis!
In the dizzying succession of myths, good news reaches her sacred ears, waking up her trend and her high quarterly price outside the walls... being later received in the grotto of the hermitage in growing expectation and a link of longing that weaves to remind him of being a crusade piece.

The kidnapping of his reverie feared and timid frivolous crushing blizzard, he was walking surrounded by Falangists on horseback pointing at him and threatening him, scrutinizing in the distance loneliness of his past lives,
his regressive life, concerning key to origins of his illustrative Existence, stranded at this moment..., Vernarth makes a pact with himself to detach himself..., of his spirit, detach from their lives under a hypnotic and compelling law..., like a suspended index in the Sistine Chapel, homologous ship Ave Maria Messiah!

From Eleusis Vernarth vanished in aerial horse-dreaming,
he crossed through the pavilions with himself persevering some wake
riding his Alikantus ******* and standing with him to pillage the Empyrium niche Persephone's trace of herself and her ******* ******* them...
with devoted passion, milky way, and milky syrup chin howling...
Vanishing dancer, Athenian acropolis, Dionysian sanctuary of the acropolis… Stepdaughter-patron in the dance of Zeus and Themis lopsided frame of the season's wildness of all creation and defiance of Eleusis looking for her daughter and her children, priestesses safely taking off their corset and their pictures…
raging chastity, oligo blood, Itheoi music, outraged dance complaining, Possessed expressing being seductive but also a native *******... the underworld in darkness, free daughter, and iconoclastic Greek mythologist
inconvenient Victorian mania, a courtesan from Olympus, courtesan undressed! Isadora, Demeter, and Persephone… flooded with Aphrodite foam!

She “prayed songs with plexus and feet, plotting gardens around the world… full of baseboard feet where everything created in brief Apokálypsis was dying! By desolate Parthenons dancing in Muscovite ruins, maenades sweaty enclave and also throwing back his head as if possessed by ecstasy in her Bugatti and Leonidas…, enchanted by Aiónius! intoxicated and exorbitant with beautiful rosy placebo eyes... Hair with headbands vine petioles, her Nebris tight skin was wearing... in her hand's bunches of barberries to Dionysus with torches and live snakes a chaste crook naming Thirsus; rod topped with Kashmar branches wrapped in borders, vines and ivy, allusive link…, morbid ecosystem! covering her crotch in the Temple of her Kopanos dancing from the eternal fire cremated and in a romantic dimension remembering Byron's meritorious…
Hellenic passionate, and of Hölderlin poeticizing together with Aiónius.

Rudiment wound … ruinous on value exciting in those
of the imagined and creative in her perdition, Sicalipsis e impudicias
torn fire in the Metelmi and her ***** we are twisted,
epic worthy of greek tragedy dancing like waves of fire
in the forge in terrifying death of her children Deirdre and Patrick,
submerged and injured in the Seine in Paris in 1913, falling into the
water in the car that was traveling with her wet nurse… before…!
saying goodbye to them in urgent social commitments,
I Aiónius take you to the Empyrium.

What a dire tribulation in the prevailing misfortunes by not postponing it, retain the fate of whose children is quite a story with the kidnapping of theirs and merits of fulfilling commitments committed to solicitous artists... support, crestfallen inside a dresser or Bolshoi dancing statue, dancing empty with bare feet, frigid anemone, frigid Sea…

Arriving at the dawn of her last prophecy, Isadora Duncan accompanies her in full life beyond all limiting borders with the borders of her dance, the flat field of Eleusis receives her presumptuously associating in around for the dressings...
And left-handed dalliance self-indulging…, advanced barefoot to the Parthenon…!naked towards the world and the orb dug out of her before her undressed.

Reader and Petrobus jumped on this steep stone, emulating the meteorites that shone in the sky of Patmos such a party of nocturnal lights, such emery detached from a fleeting planet in the largest Hellenic scene saying: "Well-being to the Hellenic World all calm, dance and immunity to the firmament where Isidora rests in the Kantabroi of Aionius”

Germany is known for fine craftsmanship
Proven by BMW and Natascha's poetry

Germany is known for dark rich beer
Proven with every smooth swallow

Germany is known to me as the home of a friend
Proven by the address on Natascha's homepage

Drive fast, toast a friend, and write brilliant poetry
                  That is Germany to me

she thought nothing
of the *****
shaped
bar
of soap, and nothing
of the boys
who’d no doubt
worked together

in close
quarters

to create
from their
gods
the ball
god

dropped, and still

nothing

of the note
in her locker  
instructing her
on how
to take

a bath-  not everything

takes the form
of a sickly
double
afraid
to meet
its match

Today I bought a square plate
it's not for me, but for an enemy
that I could do worse things to, if I was a less noble person
as the things they've done I will not speak.

The plate is porcelain and quite finely made
elegant and excellently finished for how not so pricey it was
hints of history seems to hide in it's shell--
as seams are weaved into
what has probably lived a long and unused existence
this handcrafted masterpiece.

Separately painted by some fancy artist
to whom I do not recognize the name of,
although it is said he may have done something wrought with his ear
or did this man's uncle make this plate, oh well, I am unsure.

It is these very details to why,
I am now in possession of this piece of the past
that will be priceless to those who know more craftsmanship,
at least more knowledgeable than the man who sold it to me.

From the gleaming in your eyes
I can tell this plate may even mean a great deal to you
is this true my good friend?
oh well, I guess I can give the plate to you
instead of the devil I spoke of before.

*As I handed my prize to them
it began to feel heavier than any ordinary plate should,
gravity granted the greatest reprise I've ever sought
as the demon's face whelmed with depression
and mine satisfaction--
for being such a convincing storyteller.

On the days I hate music,
I entertain silence,
in a sense.

I stifle one music and greet another:
Silence accompanied by the soundscape.

In my car, windows rolled up.
The world outside my vessel becomes dulled.

The silence I sing ain't so quiet;
tempo'd to the turn signal's metronome,
the droning hum of the engine,
the screaming world seeping through cracks and crevices
within the assemblymen's exquisite craftsmanship.

I hear these songs.

I roll down the window;
I hear the staccato shrieks of impatient cars.
I hear the bombinations of the road worker and his jackhammer.
I hear the droll of the cement truck drudging down the highway.
I hear the light treading of the jogger
making her way down the eternal sidewalk.
I hear coffee poured and pondered over in the coffee shops.
I hear grocer boys bag absentmindedly in the supermarket
(where Allen and Walt linger).
I hear silverware jingle in the busboy's bustling trays.
I hear dog's elation leaning out their master's passenger window.
I hear tires groaning over the hot sticky pavement.
I hear the wind carry the sunny tune like the steady conductor
guiding their orchestra across the threshold to the enthralled audience.

The wind carries the tune to me,
and I hum along.

The days I hate music
are the days I remember
why we make it in the first place.

I escape to and from the soundscape.

Finishings can be
The hardest part
In these final steps
All the craftsmanship
Has already occured
The finishings are
Mere inevitabilities

You must
Come to terms
With the idea that  
Perfection is a
Necessary goal
Precisely because
It is unattainable

You must reconcile
Yourself to failure

It's not perfect
You have to make
Your peace with that

How?
Well..
You lay out
Your tools
And you
start again

Ikkyu as a very young child
Displayed signs of being clever.
That he would one day be a great master,
There was no doubt whatsoever.

His teacher had one small treasure--
A precious teacup, a rare antique.
Its beauty was beyond compare,
Its style and craftsmanship unique.

One day Ikkyu happened to break
His teacher's cup. Horror-struck,
He heard his teacher's approaching footsteps,
And there he was: a sitting duck.

Ikkyu quickly picked up the pieces
And held them behind his back. "Why,"
He asked his sagacious teacher,
"Is it that people have to die?"

"Dying is a natural thing,"
The teacher replied, trying to give
A meaningful explanation.
"Everything has just so long to live."

Ikkyu slowly held out his hands,
Showing his teacher the broken cup.
Then he demurely said, "It appears
As though your teacup's time was up."

(2-3-17) By Bob B

°An old anecdote retold here in verse

Astonishingly! This poetry analogy is partially of a prodigy poet! It is of his endearment and endeavorment in our great Government that desecrated, medicated, sedated and segregated him. Doped! Desperately copping and hoping he made it! To add, no dad! An artistically rad-lad through the bad, the glad, the sad and mad. This destiny of a poet is also of apologies, felonies, formalities, legalities and theories.

Furthermore it’s of mournful and scornful-laughter! Capture and rapture, dreamingly and seemingly, chapter after chapter... Pondering and wondering is there a happily ever after? This destiny of a poet is heavenly,  randomly and religiously, tellingly of lots of many thoughts! Some adventuresome, awesome, burdensome, fearsome and gruesome! Some loathsome, lonesome and wholesome!

Some of dreams, schemes and many themes! Some deemed and seemed differently, discriminately, indecently or racially true, from some views. Some askew and blue! Some of clues, of Jews, of taboo, tattoos and voodoo! This destiny of a poet; stunningly who could’ve and would’ve thought once, twice or thrice of this price? Of the cheers and peers, the jeers, the leers,
the tears and weary years... Therefore I say, some artist’s

clever art may create, dictate, relate and translate similar-thriller craftsmanship with negative, positive or relative penmanship. However, typically some probably will publicly criticize as a travesty. Some will harmonize, some will publicize or socialize, some will disrespect as imperfect, some will neglect, some will respect as perfect! Hark! I remark; brethren, children and women keep and upkeep that

creative spark! For in the dark or as you embark. Literally, morality and reality is in my poetry and story. Expect excellent, brilliant, decadent, resilient talent and testaments! Basically on final note! I positively devote, quote and wrote these eccentrically optimistic, rhetoric and theoretic poetically lyrical rhyming notes. Finally and bluntly, do not negatively amend, bend, pretend or transcend this end. Amen...

I am a flute
ornately carved of rich wood
able to whistle a mighty melody.

My potential to toot
and my complex craftsmanship could
be the reason why I might break easily.

An apathetic Boot
or aging untouched could
be the death of me.

I am hollow inside
but with a gentle touch and a loving kiss
I could sing so sweetly.

I asked you if you would stay with me,
And you said "maybe,"
Before taking out a silver knife.
With a smile, you plunged it into my chest,
And I smiled back.

I continued to smile
When we would walk together.
We watched the people stopping to stare,
As more and more of them would inquire.
I would gladly show off the craftsmanship,
Such as the way the engravings in the handle
Would wind round and round like a supple vine.

Finally the last day came.
I knew it would, but I expected it sooner.
You politely pulled out the knife
And waved your goodbyes.
I waved back,
Happy that I could finally dispose of my corpse.

A curious thing to reset an old clock:
Turning, churning, winding, minding
The delicate craftsmanship, rollicking spots
And gears, gears, gears.

How children delight in the noises and sights,
Ticking, ringing, turning, swinging
The pendulum flowing, eternally slowing
And falling, falling, falling.

Tumultuous ticking, the timekeeper turning
For each little hour to come and pass,
'Til one fateful second, the governor reckoned,
The clock should surely stop.

“I don’t know if anyone could ever love me,” you say.

“Don’t you see how I worship you?” I scream with my thoughts, but you can’t hear me anyway. I debate, asking you, whispering in your ear.

Instead, I am silent, unsure of how to comfort you. I don’t want to tell you that I love you, not yet.

So I close my eyes and trace my fingers along the lines of your jaw, cheeks, nose, and eyebrows.

I touch you like one would handle a porcelain teacup. You could break if I don’t think about keeping my fingers light as I follow the fine craftsmanship all across your back.

I don’t tell you the words of praise and admiration I trace into your back as you crane into my touch. The body absorbs what the mind cannot fathom.

I place kisses on your belly, the back of your leg, and the places that are never loved. When I love, I want to love all of you truly.

“No one has ever touched me like this, so softly,” you say, and right then I want to burst into tears. How dare they! How dare they not treat you like artisan bread, like a mural in an alleyway, like freshly molded pottery before it enters the kiln.

What a crime it is that you have never known what it is like to be held for the sake of holding, to know touch that has no fine print and no malice.

You quiver and shake when I touch you like the novelty of this feeling is too much. I make a joke about how sensitive you are, so maybe for a moment, the reality of why is just a joke instead of reality. And for a moment, you can cope.

You don’t like being looked at in these intimate moments, so I think about how I would describe your eyes in a poem instead. I’ve had ample opportunities for this, and I have come up with the following:

The sky with just the right amount of clouds, the kind of day with a light breeze that makes you want to pick blueberries.

The first drop of rain. It always seems to land on your face, like a kiss from Mother Nature.

The newest flower on an orchid plant, only a bud the day before. It is the same color you want at our wedding. It feels like such a far-off thing to me, a vague concept, but to you, it feels like the Save the Dates have just been sent in the mail.

The rest are a bit much.

—

I remember to massage your toes, the ball of your foot, the arch, the heel. You don't like feet, including your own foot, but I am here to love the parts of yourself that you can't love.

I pray to you in my thoughts that you can feel my love through my thumbs rubbing healing circles into your tense shoulders. That somehow, my actions will help you remember what a divine being you are, a god with amnesia.

What are you the god of? I think, maybe, that you are the god of moments. Humorous glances from across an aisle, Dutch ovens, singing too loud on night car rides, vicious tickle fights that end in sweet kisses, interrupting each other at work, finishing each other's thoughts and sentences, taking my glasses off when I fall asleep with them on, tiny routines that are barely considered routines but are done almost without thinking all the same.

I, for the first time, feel seen by a deity. There is no higher power, no sin. There is no wrong. There is only the reverence I give to you, that is expelled by every cell in my body, that consumes every waking thought.

There is you, and there is me. There is us. And that is enough.

Don't you know I worship you?

Words, once obedient servants
Now claim suzerainty over ideas.
The age of meaningful verse has yielded
To gobbledygook.

Poetry, a grey mist half-understood
Through which I stumble blindly,
A mirage I chase through the sands...

The wells of creativity run dry.
Neither outpourings of emotion nor tender murmurs;
Mere craftsmanship remains.
Lines dolled up in ****** baubles
Literary ******, soliciting passing readers,
Fireflies, impotent
In the face of the darkness within.

The autumn harvest of verbosity is ripe
For the scythe of the Grim Reaper

According to Indian designer Anita Dongre, the bridal look is not about going over the top anymore. She shared that nowadays women prefer to wear traditional outfits with a casual edge to them.

“Today, young Indian girls like to wear traditional outfits with a casual edge. We do a lot of printed lehengas with pockets,” Dongre said in an email interview. “Even if you are all decked up as a bride, your personal style should always shine through. It’s not about doing an over-the-top look anymore.”

The designer, who is not only a celebrated name in the Indian fashion industry but also a successful entrepreneur, believes that a bride must look like herself on her big day. “She should look like herself, but just more beautiful on her special day. She should feel like a princess, light on her feet, who dances at her own wedding”.

As a prelude to the Vogue Wedding Show 2016, which will be held in Delhi next month, Dongre will be showcasing her bridal collection at the event titled ‘Vogue Bridal Studio with Anita Dongre’ at the Kemp’s corner in Mumbai next week. Bollywood actor Yami Gautam will be walking the ramp as the showstopper for the event. The three-day long Vogue Wedding Show will start from August 5 at the Taj Palace Hotel.

Talking about the Vogue Wedding Show 2016, Dongre said, “The Vogue Wedding Show is on our annual calendar to start the wedding season. It is the only time that prospective brides can personally meet me. I look forward to interacting with them.” According to her, in India, couture is basically bridal couture. Dongre feels lehengas and saris are here to stay, as designers keep reinventing them. “Designers are getting more lavish with Indian craftsmanship; the traditional weaves, gota patti, zardozi and heirloom crafts,” she said.

While there is a perception that when it comes to grooms, there is not much one can experiment with, Dongre has a different opinion. She feels Indian men are a lot more open to experimenting with their looks today.

“Comfort and casualness still remain a priority though. Stitched dhotis paired with long kurtas, bandhgalas, shirts and bandis … Each silhouette can be a part of the groom’s wardrobe,” stated Dongre. “When styled well, they look modern yet very Indian.”

Having recently roped in Kareena Kapoor-Khan as a muse for her brand, the ace fashion designer believes celebrities add star power to the clothing line, but fashion does not necessarily need a Bollywood face to work.

“Celebrities are a vehicle to communicate the brand message. We are mindful of the celebrities we collaborate with, mindful of their reach, aura and the value that they will add to the brand. Having said that, I don’t think that fashion cannot work without a Bollywood face,” Dongre concluded.Read more at:http://www.marieaustralia.com/cocktail-dresses | www.marieaustralia.com/vintage-formal-dresses

Staring into the distance called to a halt lowly by a ceiling
With beams of clouds I have my essay planned, do the
Right thing when the morning comes, start early and lap lap
Lap it up… I missed a day will I be able to write it okay?
It’s only a draft, final assessment in the genesis of a new
Year as apocalyptic as it gets draped in gray by God’s
Gesturing arm lamp shading… why should I do it? To
Quickly bang it out before the deadline just to get it out
The way… daydream precocious bipedal insect monsters
Before the real thing moons God and his gang of whiskey
Parlour batchelors leaning on leather elbow pads admiring
The craftsmanship of the upholstery… the real thing is more
Absorbing always cutting off as I’m getting somewhere, start
In daytime and realize there’s nowhere to get, that’s the thing
Yelling stop think again, or fill every nook cranny and interstice
With feet free to walk in peace… they are antonyms I could
Never fit in, gaps that long ago gave up

Deserted wide areas of something, opportunity, you must
Agree are not expenses anymore by any imaginative feat
Dancing to deep scar/jungle depravity light reflections…
I can’t remember and don’t want to check over in case I
Get cut off -

Forget that’s true… (Something I literally cannot do)… I was
Enthralling, reading, writing, the {authorised} daydreaming -
Breakfast for dinner - dinner for breakfast - closer to the sun -
My legs have gone weak - I want to numb the static pain Spit-
Ting strangling cosmic debris from the satellite to the T.V…
It’s not that I’m not moving, I am careering just fine to turquoise
Blue sky, the bottom of a valley draped in a green screen sheet
Searching on my homepage for something more than my
Forest floor in the circular sky print of psychedelic white smud-

Ging print in the canopy tickling my mind’s eye giggles awake…
It’s that I’m not being methodical revolutions around a state I aim
To occupy, to occupy less derivatively… It’s not that… what is
This space? Living harmoniously, smiling on the front page of the
Daily Reality, not a youtube metamemetextraction everyone has
Different power to construe as well as they consume.. which, well…

Headlines to all cheer in support immaculately agreeing rather than
Memetic smearing in a forest snearing, no singing, no branches,
Hollow UVescence flood… hot sun burns ignorant eyes that power-
Point-slide nothing retinal light soggy cardboard calippo awkwardly
Bending, quivering like an Einsteinian physician’s space-time ******
You can’t see, squinting hard open town open mouth open source
Open eyes it is morning time morning square morning everyone everywhere
Square skulky shoulders and a brittle skunk twig head, not always there after
Shipping in a rectangular organisation of beds for fallen fruit everyone
Walks by, what is healthy? in society, what is homely what is dull housing
Ex-ice lolly sweet sticky strawb-red syrup marooning, baking to brown
Down backstage curtains poised in windy drapery drapery drapery…
Window hardware still there not to see any of the people, have you
Gone forever? The sun drapes savannah grapes out of place fire-soaked
Memories, temporary tent, arms and legs and back and Earth and one-
They’ve been the same thing begging to be vacuumed to a better outlook
Well away from towns bookmarking forests of knowledge seeming never
Ending turn to plywood, you can’t be in a vacuum better anywhere,
And hope strives away shooting through the replacement plastic funnel
Into a dropping everything…

Cornered - shopped - bussed - stopped - ticketed - one-wayed - one-way-
Systemed - ticketed - inspected - mauled - in the shops - for food -
For clothes - carred and parked in a roundabout way - merged in a
Motorway, by a dense grey matter, a concrete intelligence, one certified
Body of the indefiniteness of everyone's words, their words… our words…
That which is said… what people say… what we think… make a pretend wolf
Beg for a ready salted crisp at the the bar in the pub I leave the sound of
Those who hear everything better, I couldn’t hear a thing over the hoover…

A wild din falls on developing streets, silent and wide, stocky and broken,
Choking on ******* butterflies in my throat and stomach screaming… hold
Tears back while the sad song plays, that burst out of the interlude’s segue
To the beat picking up exactly what you wanted it to… wake up the pride!
I am trapped in a cage! Wake up the tribe! Is it on your webpage?

Where has it gone?

~for Pamela Rae~

you cannot amend reality by passing a law.
if we could, then we should have one requiring society to
guarantee a happy childhood.

every **** time I propose to myself a resolution
that I am an ok poet, I stumble on to a poet here
of whom I was unaware, and you were, correctly aware,
that brings a good light into the world,
vowing to throw in the towel,
the I'm ok resolution never passes,
voted down 2 - 1;
Against:  Myself, I
In Favor: Me
which necessitates try try again
Einstein's Insanity Theorem fool
proofed.

Exclaim! what a goodly word.  
If we ex'd our claims (need, due, want) more,
walking in quiet contemplation,
we could climb on our roof (I can) and proclaim (silently)
glory glory hallelujah and it would not matter to
whom  (which diety)
we are
addressing.  

Outstanding! what a goodly word.
If I could satisfy the claims against me outstanding,
still unsatisfied, while I am yet among the living,
especially the one that are self-propelled,
that would be
outstanding.

I would rather the simple monetary motived corruption
of a dishonest businessman, than the cowardly silence
of the fools we elect to govern us, and gravely pretend
to know what is good for us. I call this,
My Theory of the Greater Corruption.

Word Salad: making crazy combinations of words,
i.e. eggplant smile, vegetable sunrise etc.
hell, I just can't make any up,
it is
cheap and lazy crafty no craftsmanship, craftwomanship
but very self/satisfying and tasty too,  I'm sure,
and authentic 100%  b.s.

The apocalypse is always nigh.
Ironically, very true.
Let's keep it that way.
neigh neigh neigh.

I write many more words than I speak;  
by a very wide margin;
this pleases me,
by a very wide margin.

complexification
(yes, it is a real word) and
glorification
rhyme because they both end in
shunned.

In heaven, the following are outlawed:
yoga, exercise, dieting, crying; denying and lying.  
the latter obviate the former.
glory glory hallelujah and hot ****

>•>
4/18/17 2:43am

So many words
Stitched with finery
Fine attire crafted
With feelings close to heart
The soul once lay bare
Now clad with intricate fabric
Richly woven
With fine craftsmanship
Fashionable for every season
It’s your own creation
With the language of your heart
Cloak of eloquence
In the poetry you write

We just can't make them
like this anymore.
The skill and craftsmanship
have been sacrificed
on the altar of accuracy
and machines and computers
have sterilised
the smell of hard work and love.

To make such a map
with no satellites, no certainty
meant wallowing in the mystery of the world.
In the space between knowing and supposing
there was a beauty
we may now miss, or deem unimportant.

However,
if I want to get from my house
to your grave, to pay my respects -
through the shopping malls
and bypasses,
the glass and steel towers
you could never have imagined,

I will use my sat-nav
and be grateful for it.

Do you know what it’s like
for me
looking at
a half empty
bottle of wine?

It is
Like it is
for a chain smoker
who sees
Cigarette butts on the ground
That are only half smoked.

It’s like when
The alcoholic
Sees the perfect tumbler
with just the right amount of ice
and with the pristine glass craftsmanship
that makes that
Satisfying “clink”ing sound
Whenever it hits the side table or counter.

I SUFFER
When I see such a sight.
And I wouldn’t call it
Addiction
As much as I call it
Jealousy.

For me, it’s torture
Realizing
That people buy the bottle
To get drunk
Or to have fun
Rather than
To forget
Like I do.

Let a poem seep into your mind
Let a poem absorb into your conscience, subconscious, and soul
Let the craftsmanship of words take you to another world
Do not be afraid to read
Do not be afraid to write
We are all poets.
We are all entertainers and audience members
Entertain the thought that poetry is more than a word
it's a feeling
it's an emotion
it's a way of life
Entertain a Poem : let a Poem Entertain you.

Rush Transcript. May include inaccuracies.

Andrea Marsino: We're here today with "     " to talk about his recent best-seller, The Orchestra, which has swept bookshelves across the nation in recent weeks. A stunning display of literary craftsmanship, the book has generated a whirlwind of dialogue in all sorts of settings, from University coffee shops to local dive bars, and even, we're told, in the Pentagon. Tell us "     ", did you have any expectation at all of this kind of reaction?

"     ": Never in a million years would I have thought that I could stir up such a...a hornet's nest really. Sure it's a kind of inflammatory piece of fiction, but I never thought it'd result in so much backlash.

Andrea: Talk about unintended consequences right? How did the idea first come to you?

"         ": Well it didn't just pop into my head fully formed one day. I guess it first started to take shape at a bus station in Florida. I had just been kicked out of my Dad's house and was moving to another part of the state, so naturally I was a bit, I don't know, out of sorts. I was waiting for the connecting bus and was smoking a cigarette to **** the time and just sort've fell into conversation with this black kid who was also waiting for a connection. This was in I think May of 2013, so the situation really hadn't started to fall part yet, but the cracks were definitely showing. And that's what we were talking about, just the overall sense of things not going well, the feelings of helplessness that we as individuals, and seemingly the community as a whole, were feeling at the time. I told him that it'd get better one day, somehow and that change always is a painful process. Then the light came on and I started pondering how that sweeping societal change might be accomplished.

Andrea: There are a lot of themes in the book, a lot of subtext and implied conclusions. You've been criticized for what seems like hostility to faith and some say advocating violent political activism. What are your responses to some of the accusations that have been leveled against you?

"         ": Hostility to faith? Absolutely not. Faith is one of the overriding points of the whole thing. The objection is to organized and subverted religious teachings. Faith exists to aid humanity in the struggle of their lives and I feel like....if you examine history faith has time and again been co-opted into a tool of oppression. That's what I object to. As for advocating ****** revolution, that's another flat out misinterpretation. Yes, politics is a huge part of the story and plays a huge part in really tying the whole thing together. But it's not really about that, it's not about any single issue. It's about people, as a whole, taking back their right to not be dehumanized by anything or anyone, especially their government which is supposed to protect them.

Andrea: I see. So it's not so much about the mechanisms of power politics as it is about people's inherent value?

"        ": Absolutely. Our conception of what power really is I think is grossly inaccurate.

Andrea: But surely you can understand how your depiction of terrorist acts and a domestic insurgency is very disturbing to some people? You were a Soldier yes? Did this affect your style, and the arc of the plot?

"         ": Of course I can. And it's meant to be disturbing, it's meant to illustrate how positive forces of change can be corrupted into violence. And yes, I was an Intelligence Analyst in the Army. We were fighting an insurgency, so in order to learn how, we basically deconstructed insurgencies throughout history. We learned how they functioned, all the sides you could throw at it. And then I learned from two Defense Intelligence Agency Instructors how to start one too. Those experiences most definitely gave me the technical knowledge I needed to write something like this.

Andrea: There's also been a lot of talk about how graphic your imagery is. Many prominent individuals call it a lack of talent on your part, that you can't write without going in for the shock factor so to speak.

"        " : Ha! It's not a children's book. And besides, life is graphic. You can't portray something accurately without tackling the nasty stuff. Besides, things like ****** assault and drug use are essential to some of the characters. It wouldn't make any sense for someone to react as violently as they did in certain scenes without the reader knowing exactly what had occurred previously to form that character's identity.

Andrea: I can understand that. Doesn't make it any easier to think about though.

"       ": I don't know what to tell you. The truth is a painful thing sometimes, and portraying it was not exactly a fun process.

Andrea: And what about those very colorful characters? How did you get your inspiration for them?

"          ": Oh all sorts of places. Honestly, some are based on real individuals that I've known at some point or another. And others are pure imagination. Ta'ra and Clara were inspired by a Dane Jones ***** for instance ha ha.

Andrea: 'Blushing' That's, er, interesting. Characters from ******* is one I haven't heard before. Anyway, throughout the book is this sense of individuals being swept into something bigger than themselves and how they react to that. It's kind of ambiguous sometimes, swinging between very New Age concepts to mundane life on the same page. The quote at the beginning for instance. Very spiritual, very deep. But then you open with an interaction on a street corner.

"          ": Hmm, I guess I could try and explain about things like Theosis, which is one of the main themes by the way, but I don't think it would illustrate what I was trying to convey very well. I guess I was always kinda on the fence about divine intervention and that sort of thing until I read a piece by a friend of mine about an experience she had some years ago. Basically, she was in a diner when a Muslim woman came over and asked to sit and talk. They spoke about spirituality and the woman turned to her and said that anyone could be a prophet, like it wasn't something reserved for saints and such. It was very powerful and finally convinced me that humans aren't just ants on an anthill, so to speak. It spoke to a very, very intimate part of me. So, I took it and incorporated it into what I do. Which is write.

Andrea: Wow, that's an amazing explanation that I really didn't expect. I'd love to talk some more and I'm sure our listeners would love to hear more, but unfortunately that's all the time we have for the show today. "     " thank you so much for joining us today and sharing so many insights about your new book, The Orchestra.

"           ": The pleasure was all mine Andrea, thank you for having me.

Andrea**: This is Andrea Marsino with NPR and thanks for listening. Coming up in the next half hour we have Peggy Walker from Floyd Virginia talking about some of the exciting ways her community is fighting to keep their traditions alive today.