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CK Baker Oct 2017
dust cloud heavy
in an apricot sky
cottonwood mucker
under ambrose pale
whippet and shepherd
mill at the earth patch
yellow birch hangs
over red bench park

combine shavings
in crack rust brown
scissors chips fall
at the back stop
whiskey jack looters
sing patented chords
siblings (and 2 wheel enthusiasts!)
give thanks

joyous retrievers
master the criss cross
bare maples stand
at settlers way
barred owl and blue jay
whistle in the fore-wind
ghosts
and goblins
pull on the seeds

wind gusts belt
over the west gulch
a blood rush churns
in the chilling fall morn
hallowed grounds still
at the midday
quiet reflections
of the afghan
and hound

jumpers unite
at the oxbow
route runners bend
(on a sultry foray!)
meadows exposed
in the framework
ball parks empty
with pennants past

barrel dirt favors
the brew house
crimson and copper
find bracken ridge gate
harvest hands savor
the honey and hops
blankets of color
for a winter's hatch

brush fire kept
under steady peruse
bark bites fly
and embers glow
pine cones drop
from the timber tops
3 wick candles
grace the dinner place

shiver and ******
at the piper's call
cob web dew
on the shadowy gates
a chilled mist mellows
the season's return ~
poets and artists
and dreamers awake
r Oct 2014
canyon wren
sings her sweet song
perched upon
the piñon-

for my love
who lies beneath-
the cottonwood
twee twee twee
tsheeeeee.

:)

r ~ 10/3/14
\¥/\
  |.     song of the canyon wren
/ \
Little black fruit swaying in the hot summer sun
such succulent skin shriving, baking beneath the crisp, green leaves
what strange fruit hangs from the cottonwood tree?

What sour fruit falls to the earth and makes a thud?
whose blood soaked flesh leaks into the underbelly of the earth
whose body lays motionless....
whose once sweet flesh now sways in the autumn breeze

what strange fruit hangs from the cottonwood tree?....
Nat Lipstadt Jun 2015
Preface

(not even 9:00 am and
I've wet myself

this was my to be
my Poet Palm Sunday,
when my pen is in
some room,
by other's well hidden,
and composition is a prohibition,
the hours yet to come,
come negligently but happily,
whiled and whittled,
reading the better poetry of others,
on this, a day of rest for the
body's satisfaction
and the body of the soul's,
even greater

yet a day of rest,
be not South Pole opposite
from a day of no North Pole work

this early I-am-risen Sunday dawn,
finds me focused, two dog ears alert,
forty one poems in descending order,
read and wept over and upon,
a real, not a faux Bush,
"mission accomplished"

lived long and occasionally prospered,
of poets, I am familiar some,
of writing poetry,
have learned my sums,
know what is likeable
love what is
loving and loveable

it is the poetry of every day life

of strange noises of strangers
in the mid of night,
dogs rhythmically snoring,
while you curse/overcome
the bright eyed, darkened alertness of insomnia
by word whittling yourself,
by the softness of skin of a grand kid
that momentarily manages to convince,
it was indeed,
all worth it

the zoo animals of the lawn and trees,
singing concertos in any minor they please,
as long as it's major enough
to command the world's attention

six stanzas and yet have not commenced,
the task God gave me this sabbath morn,
for the problem with seeing the world,
thru the filter of aging eyes,
is you grow vulnerable, wistful,
distracted by your own ancient feeling streams
that lie too deep in the Manhattan schist
of what others call, your heart,
but somehow still manage
to bubble up and geyser out your eyes)

~~~

Joe Cottonwood

as Patton said to Rommel,
"I've read your book"

the book of forty one poems
that are the products of
years in the making, with tools
that hang upon the belt of yourself,
that you acquired long before
the leathered and weathered
tool belt of four decades of you daily dress,
was first ever worn

you tell us of your ancestry,
thus reveal your story simple intimate,
and by the fourth or fifth essay,
our poetic ancestor,
Walt Whitman,
was readily apparent,
in the little life things
the American and all families  
celebrate

of my six decades,
I yet
still struggle for a summary definition
of who I am,
what I'm worth,
yet weep at your simple eloquence,
self described scribe and man
detailing a life well lived

Hammer nails. Write poems. Bake bread. Shake hands.

is that all there is?
Oh god there are veins
in this poet run deeper than the
iron ore that makes his nails,
the sun ray mines that electric heat
his bread oven

they are mined by me this morning

he does not write of
anguish, blood, love or scars,
that are newly born on a
summer's day youthful blush,
no, he writes of
anguish, blood, love or scars
that humans accumulate,
and in poetry encapsulate
of a life very well lived

I know you Joe,
and apologize for the
paucity of mine,
in honoring yours...


~~~
Postface**

the coffee beans grinding,
the pots banging,
the music suddenly turned softer,
surely constellation cosmic signs
that a lover's breakfast soon to arrive

so I away, but in earnest plead,
share the simple joyousness
of his poetry,
and our communal Sunday
and everyday lives
will be indeed come
as a day of comfort blessed,
the only toil,
tear removal...
If your value a skill and love
that captures more of life and love,
please read
http://hellopoetry.com/joe-cottonwood/

a single excerpt,
no two, a sampler
~
Coffee and corn bread.
They putter about with weekend chores:
she waters plants; he snakes the cursed toilet.
They take turns riding the exercise bike.
He cleans the hot tub filter;
she stretches yoga-like while listening to an audiobook.
He makes a wooden toy, gift for a grandchild;
she prepares chicken burgers and salad.
They watch a movie from Netflix
about Miss Potter, Beatrix
a rebel of another century.
In the dark, outdoors, scarred bodies
water-slick in the moonlight,
they soak in the hot tub
while a dog guards, sphinx position, ears *****
to the rustle of raccoons in the underbrush.
At fifteen minutes to midnight
as steam wafts in moonbeams
she says, “Hey — it’s our anniversary.”
Almost forgotten. The forty-sixth. Or fifty-first
in a different calculus, because at the wedding
they’d already been lovers five years. He sings
     Oh my love is a wallflower
     so pretty and so shy
She answers:
     No boy I’d ever marry
     until you gave me a try.
Under water, their toes touch.

~

old bronze
your cheek, so brown
old bronze
brushed with down
shekels of freckles
over a dusky moon

bronze is an alloy
forged in heat
shaped in art
durable as stone
darkens with age
glows when rubbed
still warm
against my lips
Mary McCray Apr 2014
(NaPoWriMo Challenge: April 4, 2014)


Intellect before beauty.
Business before pleasure,
unless intellect is beauty.
Who is to say
in the business of pleasure?
To say what a cottonwood stands for.
It stands to reason.
It stands to shade.
It stands to hold the opportunity
of end tables and envelopes.
Even a tree is a recycled tree
made to hang recycled wind and snow.
Progress always involves retrograde.
Garbage in, shiny new plastic item out.
HRTsOnFyR Jul 2015
I watch the cottonwood
seeds
gather on the
wildflowers and
the weeds.
The trail looks a gentle
snowfall
  of dust,
Like the back corner
of grandmother's attic...
Blanketed in mystery
and
  well worn with
                   the years.
White sand and flakes of
pyrite
  glitter on the
  water's edge,
Dancing
with the rythym of the  
  waves...
A hummingbird
chases a dragonfly
into a tangerine sunset.
A hawk circles the road looking
for a wayward mouse.
I cry a silent prayer.
And can
   only
think of you,
My Angel.
And
    the
       wind
            cries
                 too...
Singing her
sorrowful song
Only for you,
My Angel,
Only for you...
amt Jun 2014
The cottonwood fell from the skies and covered the grass

Like snow

It smelled fresh and young, like summer

Like you

Like the winter that barely lasted, the snow melted too soon

You were gone too soon


I'll never forget the night I heard.
That
Was the night
It snowed.
Summer girl, in the wintertime
HRTsOnFyR Aug 2015
Here the waves rise high and fall on the icy
seas and white caps chew the driftwood logs of
hemlock and toss them wildly upon sandy beaches.
The steep mountains rise straight from the sea
floor as the December sun shines through the dark
clouds that hang heavy with snow near the top peaks.
Blue icebergs drift slowly down the narrow channel.
This volcanic island is one of many that are scattered
along the coast of Southeastern Alaska.
On the South end of the island is another
tiny island and on it stands an old lighthouse,
a shambles. It has a curving staircase and an
old broken lamp that used to beckon to ships at
sea. Wild grasses and goosetongue cover the ground
and close by Sitka blacktail feed and gray gulls
circle. There is a mountain stream nearby and
in the fall the salmon spawn at its mouth. The
black bear and grizzly scoop them up with great
sweeps of their paws, their sharp claws gaffing
the silver bodies.
Walking North along the deer trail from the
South end of the island are remnants of the Treadwell
Mine. It was the largest gold mine in the world.
In the early 1900's the tunnel they were digging
underneath Gastineau Channel caved in and the sea
claimed her gold. The foundry still stands a rusty
red.
The dining halls are vacant, broken white
dishes are strewn inside. The tennis court that
was built for the employees is overgrown with hops
that have climbed over the high fence and grown
up between cracks in the cement floor. The flume
still carries water rushing in it half-hidden in
the rain-forest which is slowly reclaiming the
land. The beach here by the ocean is fine white
sand, full of mica, gold and pieces of white dishes.
Potsherds for future archeologists, washed clean,
smooth and round by the circular waves of this
deep, dark green water.
Down past the old gold mine is Cahill's house,
yellow and once magnificent. They managed the mine. The long staircase is boarded up and so
are the large windows. The gardens are wild, irises
bud in the spring at the end of the lawn, and in
the summer a huge rose path, full of dark crimson
blooms frames the edge of the sea; strawberries
grow nearby dark pink and succulent. Red raspberries
grow further down the path in a tangle of profusion;
close by is a pale pink rose path, full of those
small wild roses that smell fragrant. An iron-
barred swing stands tall on the edge of the beach.
I swing there and at high tide I can jump in the
ocean from high up in the air. There is an old
tetter-totter too. And, it is like finding the
emperor's palace abandoned.
There is a knoll behind the old house called
Grassy Hill. It is covered with a blanket of hard
crisp snow. In the spring it is covered with sweet
white clover and soft grasses. It is easy to find
four leaf clovers there, walking below the hill
toward the beach is a dell. It is a small clearing
in between the raspberry patch and tall cottonwood
trees. It is a good place for a picnic. It is
a short walk again to the beach and off to the
right is a small pond, Grassy Pond. It is frozen
solid and I skate on it. In the summer I swim
here because it is warmer than the ocean. In the
spring I wade out, stand very still and catch baby
flounders and bullheads with my hands; I am fast
and quick and have good eyes. Flounders are bottom
fish that look like sand.
Walking North again over a rise I come to
a field filled with snow; in the spring it is a
blaze of magenta fireweed. Often I will sit in
it surrounded by bright petals and sketch the mountains
beyond. Nearby are salmonberry bushes which have
cerise blossoms in early spring; by the end of
summer, golden-orange berries hang on their green
branches. The bears love to eat them and so do
I. But the wild strawberries are my first love,
then the tangy raspberries. I don't like the high-
bush cranberries, huckleberries, currants or the
sour gooseberries that grow in my mother's garden
and the blueberries are only good for pies, jams
and jellies. I like the little ligonberries that
grow close to the earth in the meadow, but they
are hard to find.
Looking across this island I see Mt. Jumbo,
the mountain that towers above the thick Tongass forest of pine, hemlock and spruce. It was a volcano
and is rugged and snow-covered. I hike up the
trail leading to the base of the mountain. The
trail starts out behind a patch of blueberry bushes
and winds lazily upwards crossing a stream where
I can stop and fish for trout and eat lunch; on
top is a meadow. Spring is my favorite season
here. The yellow water lilies bud on top of large
muskeg holes. The dark pink blueberry bushes form
a ring around the meadow with their delicate pink
blossoms. The purple and yellow violets are in
bloom and bright yellow skunk cabbage abounds, the
devil's club are turning green again and fields
of beige Alaskan cotton fan the air, slender stalks
that grow in the wet marshy places. Here and there
a wild columbine blooms. It is here in these meadows
that I find the lime-green bull pine, whose limbs
grow up instead of down. Walking along the trail
beside the meadow I soon come to an old wooden
cabin. It is owned by the mine and consists of
two rooms, a medium-sized kitchen with an eating
area and wood table and a large bedroom with four
World War II army cots and a cream colored dresser.
Nobody lives here anymore, but hikers, deer hunters,
and an occasional bear use the place. Next door
to the cabin is the well house which feeds the
flume. The flume flows from here down the mountain
side to the old mine and power plant. An old man
still takes care of the power plant. He lives
in a big dark green house with his family and the
power plant is all blue-gray metal. I can stand
outside and listen to the whirl of the generators.
I like to walk in the forest on top of the old
flume and listen to the sound of the water rushing
past under my bare feet.
In the winter the meadow is different: all
silent, still and snow-covered. The trees are
heavy with weighty branches and icicles dangle
off their limbs, long, elegant, shining. All the
birds are gone but the little brown snowbirds and
the white ptarmigan. The meadow is a field of
white and I can ski softly down towards the sea.
The trout stream is frozen and the waterfall quiet,
an ice palace behind crystal caves. The hard smooth-
ness of the ice feels good to my touch, this frozen
water, this winter.
Down below at the edge of the sea is yet another
type of ice. Salt water is treacherous; it doesn'tfreeze solid, it is unreliable and will break under
my weight. Here are the beached icebergs that
the high tide has left. Blue white treasures,
gigantic crystals tossed adrift by glaciers. Glisten-
ing, wet, gleaming in the winter sun, some still
half-buried in the sea, drifting slowly out again.
And it is noisy here, the gray gulls call to each
other, circling overhead. The ravens and crows
are walking, squawking along the beach. The Taku
wind is blowing down the channel, swirling, chill,
singing in my ear. Far out across the channel
humpback whales slap their tails against the water.
On the beach kelp whips are caught in wet clumps
of seaweed as the winter tide rises higher and
higher. The smell of salty spray permeates everything
and the dark clouds roll in from behind the steep
mountains.
Suddenly it snows. Soft, furry, thick flakes,
in front of me, behind, to the sides, holding me
in a blizzard of whiteness, light: snow.
This is a piece my grandmother had published in the 70's and I was lucky enough to find it. She passed on a few years ago and I miss her with all of my heart. She was my rock and my foundation, my counselor, mentor and best friend. I can still hear the windchimes that gently twinkled on her front porch, and smell the scent of the earth on my hands as I helped her **** the rose garden. I am glad that she is finally free of the pain that entombed her crippled body for nearly half of her life, but I wish I could hear her voice one last time. So thank God she was a writer, because when I read her poems and stories, I can!  She wasn't a perfect woman, but she was the strongest, smartest, most courageous woman I have ever known.
Stu Harley Sep 2018
truth
is
the
woodpecker's
beak-hammer
steady
tipping
at
your
cottonwood door
Love is our cottonwood.

Further I give chase,
Further it strays.

If only it may fall upon my palms,
May I fleetingly hold and sway,

Until Wind takes us,
Far, Far away.

~Robert van Lingen
rainydaysunday Apr 2014
It's funny:
Until now I couldn't imagine dependency on substances.
I didn't know how to imagine addiction.
Couldn't imagine a Routine in Smoke

But for the first time I got just to the edge--
went only a bit beyond.
And then I forgot.
I forgot to worry
my head like a puff of cottonwood
I didn't even have a backburner on
Simmering the responsibility
the inability
the fragility
of my self.

When I woke up it was back.
I had worry rushing to fill my head because it had
to make up for Lost Time.
and i wish i never had to stop Losing Time.
Warren Gossett Sep 2011
Down from the icy Sawtooth crags
and through the winter-laden landscape,
the wind eventually dips to the canyon
and creek we loved so well as children.
Continuing on, it threads through the
hollows above the creek, sculpted even
today by stooped cottonwood trees.

Twisting above granite outcroppings
and lava boulders, the wind courses
through the giant arteries of this canyon,
passing among quaking aspen, river willow,
and gnarled cottonwood, shorn rudely
by now of every dryly-veined leaf.

At ancient volcanic escarpments the
wind bears south, scraping hard along
canyon walls. Upward it moves, out of
the canyon, slowing and sallying about
the hillocks, the gullies, the poplars
until it finally comes to stir ever more
gently, warmer even, my dear brother,
around your gray marbled headstone.

Primeval of days, this very same wind
blows for eternity upon eternity, polishing
and purifying even the roughest of
the earth's elements and impediments.
This said, at this hill's crest where you rest,
there is no need of further refinement. Feel
how the northern wind quiets for you,
as if it knows over whose stone it passes.

--
John F McCullagh Aug 2015
My model is a comely lass whose husband has commissioned me.
Her cheeks are flushed with natural blush, her half smile not quite matronly.
This dress is low cut to reveal the rise and falling of her *******.
Lisa has sat for me before (which allows some familiarity.)
This portrait will adorn her home and celebrates her second child.
I could suggest some jest of mine was the cause that made her smile,
but my medium is the truth and rank deceit is not my style.
My brushstrokes capture the last of her youth;
A half smile to intrigue mankind.
Leonardo Da Vinci's "Mona Lisa" was painted in oil on a cottonwood panel and has never needed restoration for over 600 years
Denel Kessler Mar 2016
Ten black crows
in a red-budded
cottonwood tree
basking in the eerie
glow of the waning sun
bruised, livid sky
weighted air
waves shush, shush
on the receding tide
serenity reigns
but I can feel it
hovering offshore
a curled fist
wound tight
ready to strike
Do you hear the music?
Does it give you ease?
Hold my hands and lean far back
Look up into the trees.
The answers there
That no one sees,
Imaginings to anyone who believes.
That magic
Can’t be deceived,
Open arms to be relieved.
Move with me
And be believed,
Cherished, loved
And well received.
Just dancing with the trees.

Sunlight flickering through a canopy of incandescent leaves
A gentle cool wind blowing to a background of confident blue.
All around me are the dancing trees.
Rejoicing it seems in their bright prancing hues.
Oak, hemlock, cottonwood, spruce and pine
All swaying together in perfect time.
I walk the path in awe of it all
Listening to the spreading news.
The earth it seems
Has reached the dawning of a new day
Reproducing itself along the way.
I wonder if that’s really true
A year – can it be just a day?
If it is then I’m a part and so are you.
As we pass through this earthly delight
Another day of romance is on the way.
All the trees are out dancing tonight
Having put on their Sunday best.
Tonight they too can find this life's zest.

(Now move your body with the rhythm of the wind blown trees)

Let’s dance with them just for a little while.
Listen to the music of the air.
You move right – I’ll follow with a smile.
Then move left – the movement in your hair.
Living life with but one care
Taking this time to be aware.
Open your heart – no fear to share
Should or shouldn’t we dare?
This wonderful evening we are there.
Move again, I’ll take your hand
To and fro we say – isn’t it grand?
Waltzing – can you feel the breeze
In with a troop of trees?
I bow straight to my knees,
You follow and begin to see
Life and love and harmony
Peace of mind be seized.
Now holding on tight – still on your knees
Still moving to and fro I ask you please
Do you hear the music – does it give you ease?
Hold my hands and lean far back
And look up into the trees.
The answers there that no one sees
Imaginings to anyone who believes
That magic can’t be deceived
Open arms to be relieved
Move with me and be believed,
Cherished, loved and well received

Just dancing with the trees.
If you can grasp the feelings expressed in this piece then you are destined to live a full and happy existence.
David Lessard Nov 2021
Unexpected rain falls softly
on the arid ground I walk
glistening in the shadows
of the twisted weedy stalk.
Clouds drifted like a shroud
somber, gray and creeping
like wandering ghosts in fog
silent -   wispy -   weeping.
The coolness of the morning
embraced my face with pleasure
it kissed my cheek and brow
like a momentary treasure.
How sweet the breath of life
in 45 minutes of walking
no traffic and no noise at all
nothing marred by talking.
Unexpected rain fell softly
tickled my nose round every bend
as I left the trail of cottonwood trees
and finished at its end.
Cottonwood falling,
A snow in July,
Filling the air with fluffy flakes
And covering the world with
White fuzziness.
We're riding,
Just as fast as we can,
Racing,
Stirring up the drifts
While the wind blows the avalanche closer.
I feel warm,
Being so close to you and the sun.
A warm snow--
Don't you think that's ironic?
I love the snow,
I love your heat.
My heart is going as fast as we are,
Fifty, Sixty, Seventy miles an hour.
I embrace you closer,
This thrill of a panicking soul,
It's magic.
Keep me in this illusion of a
Peaceful time.
Lift me sky high,
Let me fall in warmth like this
Snow in July.
I feel so free,
So young and bright eyed,
A naive star
In a Hollywood movie.
Let's get out of this small town,
Let's make new memories together.
I want to see the world,
I want to see the highlight,
With our song,
The one where we sing along.
Tonight,
Our love is a song,
A soundtrack to
A snow in July.
We can see the world
Together.
No need for others to ruin our
Loving silence.
Inspired by "Autobahn" by Anberlin


Pillion Definition: The second seat on a motorcycle.
Paula is digging and shaping the loam of a salvia,
     Scarlet Chinese talker of summer.
Two petals of crabapple blossom blow fallen in Paula's
          hair,
     And fluff of white from a cottonwood.
(For S. A.)TO write one book in five years
or five books in one year,
to be the painter and the thing painted,
... where are we, bo?
  
Wait-get his number.
The barber shop handling is here
and the tweeds, the cheviot, the Scotch Mist,
and the flame orange scarf.
  
Yet there is more-he sleeps under bridges
with lonely crazy men; he sits in country
jails with bootleggers; he adopts the children
of broken-down burlesque actresses; he has
cried a heart of tears for Windy MacPherson's
father; he pencils wrists of lonely women.
  
Can a man sit at a desk in a skyscraper in Chicago
and be a harnessmaker in a corn town in Iowa
and feel the tall grass coming up in June
and the ache of the cottonwood trees
singing with the prairie wind?
Luke Jun 2016
these foothills
rolling in pine and
grassland meadows,
where silvery lupine
follow the melting snow,
hint of the mountains to come
in spiny crags that
catch a cumulus pocked sky
cottonwood tufts rain
this day after solstice
Leah Mar 2013
10/22/12
that's the day you died
the day you became dead to me

sitting in the driveway at my dad's house
cigarette in hand
cottonwood tree standing tall and alive
concrete feeling cool and strong

both cottonwood and concrete
have seen me cry over many a boy like you
the wind howled a familiar howl
and suddenly I remembered

there've been so many just like you
and here I am,  returning home,
changed, and bitter, and with tears in my eyes
I returned home whole

I realized today that I don't need you
I realized that I could let you go.
Warren Gossett Sep 2011
Here is Cedar Draw, a stream which
spills free from the dam upstream
and then slowly licks its way westerly
among the billowing cottonwood
and volcanic boulders that still appear red-hot,
flattening out, pooling here and there
where fat trout and perch can feed
on luckless grasshoppers and mayflies
blown into the water by the wind.

Here is Cedar Draw, widening into
lush shallows with bulrush and cat-tails
clicking in the wind, showy red-winged
blackbirds clinging to stalks high above
the waterline, and where snowy egrets
ply the mossy banks for frogs. The
only sound heard is the chittering of
birds and that warm summer breeze
softly moaning and sighing for you alone.

Here is Cedar Draw, as fine a place
a poet could every hope to find to relax,
meditate, sip a little port wine, tease the
iridescent-blue damselflies that abound
here, cool one's feet at water's edge,
scribble in a notebook disjointed thoughts
that may or may not make it into a poem,
perhaps to doze a little and finally to
rouse up and thank your muse for such
a great day and such a splendid spot.

--
Don Bouchard Oct 2016
The prairie sun hung low,
Slipping toward the hill,
Just touching the top of the lone cottonwood
Leaning away from the country road.

He stood in the doorway,
Removing the tattered chore coat,
Taking off his muddy boots,  
Saw his mother,
Standing, looking out the window,
Half expectant in her pose,
Half turning toward him,
Where he stood.

She'd looked out that window
More than 25,000 times, he figured,
Watching the ends of days,
Year after year,
Storms coming, or no,
Soft breezes blowing,
Opened, she'd listen to the prairie sounds:
Coyotes and owls at night,
Meadowlarks and roosters in morning,
Hawks shrieking and cicadas by day,
And people sounds:
Children and grandchildren laughing, crying,
Neighbors closing the latch and coming near,
Her husband, clearing his throat...
The memories returned at the window,
While she was standing there.

Through the galvanized screen the world filtered in:
Earth-rich scent of coming rain,
Strong tobacco smells of men lounging after lunch,
New-stacked hay beside the barn,
Springing grass and budding trees....

She'd waited at that window, too,
For her husband to return,
Or one of the ten boys and girls
She'd birthed and raised in this old house.
At 97, she was nearly blind,
Could only hear a little,
Spoke seldom now,
Covered her swollen legs with a woolen blanket,
Even in the heat of summer.

Her idea of exercise were precarious journeys:
The toilet,
The table,
The bed,
Her old easy chair,
And the western window.

He, the youngest son, a bachelor,
Comical in his words,
Steady in his ways,
Owned an easy-going laugh that set his friends at ease,
Careful in his manners, never meaning to impose,
Ever ready to lend a neighbor a hand,
Became the one to stay with "Mother,"
After his father died the lingering death
Of a man who'd lived to groan that he'd
Survived a bull's trampling.
(Well, "survived" was just a word, meaning
Prolonged misery preceding untimely death.)

"Mother, what you lookin' at?" he asked,
Fresh in from chores,
Wanting supper,
Knowing vinegar pie and hamburger hotdish
Were waiting in the oven
Because he'd placed them there.

"It must be time for breakfast!"
She turned from the window,
One frail finger pointing at the sun,
Struggling now in the branches of the tree,
"The sun is coming up!"

He stood behind her.
"Where does the sun come up every day, Mother?"
He asked softly.

She looked at him, confused.

"Yer lookin' out the west," he spoke again,
"The east is over there."
He pointed to the other side of the house,
And she, uncertain, looked again
At the dying sun, now setting,
Easing carefully into the western pool of night.

A few high clouds glowed red, tinging now in grays.

"Sun's going down, Mother, and nearly time for bed."

He put the plates on the table,
Walked her to her place,
Helped her sit,
Scooped their plates and cut slices
Of the home-made pie.

Red sky at night meant he might get the last
Few truckloads off the home place tomorrow
Before wind or storm flattened everything to the ground.

Tonight it was supper and settling his mother to bed,
Washing some dishes, and putting things away,
Before some reading and a solitary evening...
Before the coming of another day.
http://allrecipes.com/recipe/12228/vinegar-pie-i/
JM May 2013
With a flutter of joy
comes a deep red on her cheeks,
neck and collarbones follow suit.

Our creek and the sky
and the earth
and the birds
give us all the
answers so let us find
other uses for our tongues.

Together in this
quiet and safe
garden we have created,
we will share our secrets
with the flowers
and listen to the stories
of earthworms.

We will give
the soil
small tastes of ourselves
under Luna's smile.

Let us drink deep
from this water
cold and clear
and become one
under the mighty
Cottonwood trees.
marianne Nov 2018
to take pieces of land, like pie
purchased and stolen, like monopoly
and make it into something else,
like Europe

this was our promise

so like good soldiers
we planted our rows
cottonwood manioc peas and beans
painted flowers on walls
and floors, like our mothers
built porches for rocking chairs
to gather the children
and tell them all about it,
like refugees

the roots are deep now
but the ancient fear deeper
we glance over our shoulders, still
suspicious of our luck
awaiting the act of god that
will surely come,
like karma
David Adamson Jul 2015
You can’t really picture the place.  
You don’t recall who was there.

But you remember surprise
That human ashes are not powdery dust,
Apt to disintegrate like snow,
Or soft like bread cast upon the waters.

Dad’s ashes chafed your palms like jagged seeds
As you clutched fistfuls from a plastic purple box
And flung them down a hillside
Somewhere in Little Cottonwood Canyon.

And you remember the feeling of urgency
As you retreated up the hill.
You had motions to go through,
Space to occupy,
A black and white landscape to walk
Among small figures filing along a dirt track
In the airless September heat.
LD Goodwin May 2014
1.
You can never go home,
not to the home you left.
When you leave, you get bigger.
Not necessarily in girth, but in consciousness.
When you come back,  everything,
even the walls of your parent's house,
seem to have shrunk.

2.
Look.....
Here comes the parade.
With its paper mache floats
and twirling batons.
Cub scouts and boy scouts,
all in a neat blue and drab green row,
followed by a high school marching band
playing "Stars and Stripes Forever".
From bygone wars, limbless surviving soldiers flinch with every cymbal crash.

3.
I watched billows of cottonwood clouds
swirl down a summer hometown avenue,
they met on the street corner for a song........
"Alley Oop", or "I Like Bread And Butter"
These ghostlike voices will live there forever,
innocent, asleep, numb, waiting.
Soon, the postman will bring your future.
Soon, you will be just a number on a lotery ball.
Soon, you will have to dissect luck or fate.

4.
I took my 87 year old Father to gather his tools
from his long time place of work.
The instruments of his livelihood.
He did not need them anymore, he had retired.
Some tools he had used since World War II,
some he made for a specific job.... never to use again.
All neatly placed in toolboxes built in the 30s and 40s,
yet not a trace of rust.
These were the tools of a tradesman,
a (Tool and Die Man).
He once told me, “Son, if I can’t fix it because I don’t have the right tool, I will make the tool”.
I thought him to be Superman.
But there I was, loading up my Father’s history,
to take home, to be sold to the highest bidder.  
I myself have made my living playing music for audiences.
I also have tools.
Guitars, amplifiers, harmonicas, microphones.
There will come a day, in the not too distant future,
when I will have to “retire” the instruments of my livelihood.
Though I will not be as stoic as my World War II Father,
I will go kicking and screaming to the pawn shop,
remembering every song that fed me,
and every chord that made people dance.
Middlesboro, KY May 29, 2014
DeeDeeK May 2012
it was a magical moment
cottonwood falling like snow
sunlight catching the edges
adding halo's glow
gentle floating angel feathers
drifting about from above
we sat enraptured, quiet
basking in simple pure love

moments come to us like that
blink an eye, then they're gone
yet lasting forever, eternity
forever that moment lives on
all of time, of human existence
condenses into that single space
treasure the gift we've been given
experience a moment of grace
JJ Hutton Nov 2014
Rain on tin
the pang and elasticity of
time and the time it
takes nature to sway
from right to left
from outer to inner
to notice the girl
on the edge of the room
with a drink in her hand
and then there's that
old lightning, self-proclaiming
its importance to the
gymnasium with grumbling
thunder then we're all
tossing dice and teaching
each other dance moves,
saying the ******* the edge
needs a pair of new shoes
and someone responds:
Isn't that the woman who kills?

And I go home with her
rain on tin and a summer
wade through Cottonwood Creek
we're in a shed
and it's musty, dangerous,
and possible
a killer takes certain care
of your body with her
cautious hands.
Mary McCray Apr 2017
(NaPoWriMo Challenge: April 11, 2017)

It’s a world of too many institutions,
flybynights, everything for a squeeze,
students giving everything to the landlord,
a book, a visit to the doctor—
not everyone will survive it,
your hometown, your alma mater.

We live in interesting times.

The money movers, the bonds,
martyr retirees, the thrifty—
no money, no metaphors,
no synecdoches building up the edifice,
no icons, no engineering,  
no puzzlers or paradox,
just the conundrum of greedy ignorance
claiming an ever higher rent.

We live in interesting times.

Outside, the big mountain lays down his tail
beyond the cottonwood tree, hand to hand
we work this place, unassuming servants
under the sun. What does a simile cost?
A bridge, a salvage, a clarity?
What does deliverance cost?

We live in interesting times.
Napowrimo 2017: Write a Bop poem. The refrain is a quote this morning from our college president updating us about our situation, consider the fact that our Governor, Susana Martinez, cut out all the state budget for higher education in New Mexico with a line item veto last Friday.

— The End —