I swear I had snus
Sorely missin my chew
Well ding dang
I got myself the Copenhagen blues

Guess I'll run to the store
Cuz I just ain't sane
Without a little Copenhagen
I might forget my name

Looks like I'm makin a ***** run
I love Cope so much so
I gotta go get some

But when I ask for a can
The clerk says sorry sweetie
Just sold my last to that man

i.

for the past few weeks i've been doing an experiment,
thankfully philosophy allows such things,
of course, they're deviations from what i'm used to
in chemistry, they're less, what's the word?
spectacular - but they are nonetheless experiments,
and that's the beauty of being grounded in some sort
of science (trinity of biology, chemistry and physics
and that's the limit, beyond this there are only
pseudo-sciences)... medicine? that's the tsarina of
learning: like any tsarina: gets down and *****,
and yes: mathematics is the genteel queen.
philosophy on the other hand seems like a vagabond
in learning, never really pieced together,
never really sentenced to a single direction:
and for that matter, thought can become less narration
that stretches into the sort of philosophy that Sartre
embodied with his novel, and more into thought becoming
experimental...
you might be wondering what the experiment consisted
of... well, over the weeks i've been sadistic unto myself,
it's to do with trying to figure out the modern curse
that's the 3D's: debt, depression, dementia.
                i can't fall asleep without a bottle of whiskey
cigarettes, sleeping pills and music playing in the background:
which would make me a terrible partner, anyway.
   beyond that though, for weeks i repeated a pattern,
i fell asleep to the *hellraiser ii: hellbound soundtrack
by christopher young...
       day-in-day out: as if to pressurise the idea that
the faculty of dreaming could be censored in the same way
that thinking is censored in liberal speech
eroding people's vocabulary, **** included.
     what i mean by that: every day i woke up with 15 minutes
of despair, then the zenith came after i lay in bed
for 4 hours and felt too many leeches ******* at me...
   those 15 minutes of despair were always there,
but then i usually got up and went about my daily business...
i admit that whiskey could be to blame,
anyone could argue the alcohol-is-bad argument,
but arguing as R. D. Laing might have that it's
also a sedative if you don't include social adhesion to loosen
the tension of going out and dancing:
then i don't see the point of saying it's all bad.
         sleeping pills (i found) are not 100% active without
what the prescription states that you should do:
i exceed limits, but then i write during the night -
            create a balance and i'm sure any insomnia
might be made minimal... anyway:
so i've been doing this roundabout experiment,
listening to the above album while falling asleep,
but then yesterday i decided to fall asleep listening to
godspeed you! black emperor's album F♯ A♯ ∞,
and guess what the experiment proved:
  i felt little or no anguish for 15 minutes,
obviously the usual groggy of a pseudo-hangover,
  but that doesn't mean staying in bed for 4 hours
because you feel **** about life 'n' all...
                   as already stated there's what we call
a cartesian dichotomy, that somehow altered mental
states cannot be translated into a physicality -
depression in this sort of language becomes lethargy -
people never seemed to connect the dots that
state the monism of everything having a pairing either
side of Humpty-Dumpty sitting on the ergo fence
asking about a flying omelette... ergo is a variation
of what precipitates... depression = lethargy...
the purest kind of what i know (i have enough psychiatric
literature to redeem myself from what would
be deemed quack-medicine with their quack doctors) -
some say that taking the vitamin B12 supplement
could help you: or that weak digestion is to blame, too.
i would be quack doctor if i was in a position of power,
and since i am not really earning anything from my
"poems", what sort of power can i abuse? trust -
but then again these are thought experiments,
           i first experiment on myself, then note down
the observations i have accounted for.
               so what will my unconscious eat today while
i switch off my consciousness? i was thinking of
the cure's disintegration album,
         perhaps that's why i did weeks of falling asleep
to a horror movie soundtrack, to later move into
neo-prog "rock" and then into 80s goth melancholia...
    i'd say that pop ****** melancholics off...
and such a nicer word for depression...
                   it's not even close to compression and has
nothing to do with aviation or the Netherlands...
     melan, melan: ah! melanism - a certain darkness,
    choly -         condition of darkness...
       and that star of Bethlehem appeared at night...
man of sorrows, well that's just blatant;
           but for all the romanticisation about darkness
and the mysterious moon and all the insomnia,
i still prefer the anti-cartesian explanation of actually
creating the proper answer to what has become
a dichotomy between the physical sciences and
the pseudo sciences, given that ergo is a precipitation
then for the two opposite to become inseparable
depression must be equal to lethargy: which is a variation
of the grander genus (family): metabolism.
               is this the point where i re-quote that famous:
doctor! heal yourself!
                                      well, if there's anything to go by
i have in my mind, given my life a prolonging in a way,
what was it... amitriptyline?
                                         the new ******* for
the respectably prone to citizenship's serenity of leaving
other people to their own demises -
  i mean, look at all the teetotalers: hyperactive bunnies
with too much energy that translated into things like
the infamous pyramids and the doubly infamous chimneys.

ii. the danish girl

i would have never thought that the transgender movement
had such a puritanism about it,
such platonism - nearing martyrdom;
who could have thought?! i only managed to see the film
today... i'm a sentimental ******* and i was choking
on not crying at the end of the film
here was a true representation of an artist,
         there's he (einar wegenar): a successful local
artist, within the confines of Copenhagen,
modestly famous: primarily because of having
perfected a technique and sourced it in a childhood
memory that keeps haunting him,
    thus he keeps repeating it, although with slight
alternation to refresh it, but no photograph to work
from, hence my previous statement:
  memory is the best cinema or arts' gallery (this
is not a universal statement, memory doesn't always
heal, or fascinate or have the ability to revitalises itself
or become the most potent "hallucinogenic" experience);
and then she's there (gerda wegener), also
painting, but more in line with paying the rent
rather than appeal, rich people needing portraits to
hang on the walls of the future of their lineage
        in years to come so someone might boast:
that was my ancestor, who founded the first bank
of Copenhagen sort of stories -
and all she wants to do is be an artist like Einar;
and she keeps coming back from galleries with her
works and they never give the critics any appeal
at being original - they have a suggestive generic
quality to them: precisely because they've been painted
for money. art is cruel in that way,
  when critics reduce producing art like they might reduce
being a cashier in a supermarket on the basis of:
job done... then comes the offense from the artist.
the beauty of this film is the platonism that soon explodes,
the near innocence... i really don't know how
the transgender movement borrowed from this:
all those Baphomet ******* with too many parts,
silicon chests and ***** and what not?
       this is one of the finest forms of defamation -
these days the transgender movement is so sexually
potent it doesn't really deserve what can only appear
as a self-imposed crucifixion...
              this story predates the unearthing of the nag
hammadi scripts, it's intuitively bound to what was
unearthed in 1945...
      einar sees the desperation of gerda, he knows
that he'll simply remain a local artist,
    bound to a square mile of earth, local, provincial
even... what he decides on is best expressed
by Marilyn Manson's lyrics: now i'm not an artist
i'm a ******* work of art.
        how can not this resonate further into the film
if not by this motto:
it is a consecration of a memory, to invert it and
un-seize the moment long ago experienced and now
fuelling art, or the repetition of a safe technique established.
one man's frustration and a woman in a cage:
the potential seen - then a sudden bursting of madness,
the evident anti-cross -
                                  to say he had reached his limits
and she was kept frustrated and under-appreciated is
blatant enough, this self-sacrifice for a woman to
find her subject, was all too evident when she utters
the words that: the student overcomes the teacher,
and that's the whole story,
                       he has to walk into the canvas,
     in whatever way imaginable, and what a better way
than on a whim to escape the dreariness of parties
   by dressing up as a woman, after gerda's model
is late so she can continue a painting and einar
has to step in and wear a few female garments...
       to later realise the Dionysian consequence:
                                  only to the utmost excess, from here.
this could hardly be a propaganda movie for
the transgender movement... the "propaganda"
aspect ends when you hear children imitating this
artistic "prank" in today's society...
      it wasn't a prank in the slightest: but a profound
expression of love between two artists...
          outside of art the whole transgender movement
is still only ***** and silicon **** of Thailand's lady-boys:
that's not reality?        
although i actually did choke with nearing to cry
in the closing scene...
    unlike the Christ story... there was no resurrection.
so hans and gerda travel to the place where
einar depicted the landscape in his revisions,
       and both of them are standing there
        and it's ****** pulverising with so much depth
upon being so little when reduced to a canvas
but because you see the painting first, do you later
see the landscape with more emotion...
     and i thought to myself: gerda will recreate
the landscape in her own eyes, she'll what he saw
and what he gave up for her to paint him in his
transformative (transfigurative) state of becoming
lili elbe...
                     that's why i was about to cry -
     that she could put lili aside, and return to /
resurrect the memory of einar the locally famous
artist... that she would apply the same technique in
painting lili / einar but turn her attention to
landscapes... as if to imply that both of them became
reunited before all the madness of life came chasing them
into extremes.
          to my dissatisfaction? after the film ended
and before the credits started rolling... postscriptum facts
after these true events... she continued to paint
lili / einar as she did, which prompted her to fame
on the Parisian estrade; after seeing that, written down?
tears? what tears... i'm actually thankful that i choked
on them and didn't do an outburst necessarily...
thank **** i wasn't watching the film alone!
     i know that i might have invoked a sense of:
rough around the edges with this description, but i'm hoping
it's abstract enough to make the film more potent:
filling the blanks with images;
still, this was used for a transgender movement?
                                                did he make it plainly obvious
that this was a transcendental transgender iconoclasm?
         it's the platonic element in it that steers this whole
story, away from what 21st century movements regard
as prototype for their ******.

youcouldhearourflesh                                 rip
                                                                ­                apart.

(as though it had ever beentogether
as though we were ever
                                                            ­             more
than car crashes
than house fires.

I held onto your address, you know
when you held on to my hand;
when you held up the traffic;
when you                                                        left
 ­                                                                 ­                  me
and drank
                                                           ­     
                                                           ­               Copenhagen
through a paper straw.


The whetted splendour of it all:
I wonder if the drowned ever
noticed
how the sun kisses                                     The Sea?
                                                            ­                                
down
                           ­                                  
                              ­                      we
                                        ­                                                  
sank.

Did your feet touch the bottom or
did you                                                              ­ swim
to the sound of -

to the sound of br ea k ing vi oli  n s ?
I snapped each string
like I was                                         pulling teeth.


Your address  folded into
                                                         wav­es,
your house burned to
                                                         dust,


the kind god                     keepssafe -
“one last
                                                        keep sake”
in his pockets.



If I tightened my hands,
doyouthinkicouldchokeonthis
                              ­                                      cable?
Wouldthatstop                              time or
your voice or
my voice;                                       the voicemails;
the answer machine that
no one                                            ever
                                                                ­  answered?


My blueeyed boy was born in              goodbyes
he sleeps in seas                        
                                    ­                            irrevocable:
and The Tide washes him home to me
                                                              ­  every day.)

it sounded like                             fingers
tangled in                                             phone wire
and br ok e nv io l in  s.

I can imagine her in Aarhus Kunstmuseum coming across this painting, adjusting her glasses, pursing her lips then breaking out into a big smile. The gallery is almost empty. It is early in the day for visitors, but she is a tourist so allowances are made. Her partner meanwhile is in the Sankt Markus Kirke playing the *****, a 3 manual tracker-action gem built in 1967 by Poul Gerhard Anderson. Sweelink then Bach (the trio sonatas written for his son Johann Christian) are on the menu this morning. In the afternoon she will take herself off to one of the sandy beaches a bus ride away and work on a poem or two. He has arranged to play the grand 83-voice Frobinus ***** in the Cathedral. And so, with a few variations, some illustrious fugues and medley of fine meals in interesting restaurants, their stay in Denmark’s second city will be predictably delightful.
       She is a poet ‘(and a philosopher’, she would say with a grin), a gardener, (old roses and a Jarman-blue shed), a musician, (a recorder player and singer), a mother (four girls and a holy example), but her forte is research. A topic will appear and relentlessly she’d pursue it through visits to favourite libraries in Cambridge and London. In this relentless pursuit she would invariably uncover a web of other topics. These would fill her ‘temporary’ bookcase, her notebooks and her conversation. Then, sometimes, a poem would appear, or not.
          The postcard from Aarhus Kunstmuseum had sat on her table for some weeks until one quiet morning she decided she must ‘research’ this Sosphus Claussen and his colleagues. The poem ‘Imperia’ intrigued her. She knew very little Danish literature. Who did for goodness sake! Hans Christian Anderson she dismissed, but Søren Kierkegaard she had read a little. When a student, her tutor had talked about this author’s use of the pseudonym, a very Socratic device, and one she too had played with as a poet. Claussen’s name was absent from any online lists (Were there really on 60 poets in Danish literature?). Roge appeared, and the painter Willumsen had a whole museum dedicated to his work; this went beyond his El Greco-like canvases into sculpture, graphics, architecture and photography. He looked an interesting character she thought as she browsed his archive. The one thing these three gentlemen held in common was an adherence to the symbolist aesthetic. They were symbolists.
         For her the symbolists were writers, playwrights, artists and composers who in the later years of the 19C wanted to capture absolute truth through indirect methods. They created work in a highly metaphorical and suggestive manner, endowing particular images or objects with symbolic meaning. Her studies in philosophy had brought her to Schopenhauer who considered Art to be ‘a contemplative refuge from the world of strife’. Wasn’t this what the symbolists were all about?
         Her former husband had introduced her to the world of Maurice Maeterlinck through Debussy’s Pelleas and those spare, intense, claustrophobic dramas like Le Malheure Passe. It was interesting how the discovery of the verse of the ancient Chinese had appeared at the time of the symbolist project, and so influenced it. Collections like The Jade Flute that, in speaking of the everyday and the natural world, held with such simplicity rich symbolic messages. Anyway, she didn’t do feelings in her poetry.
           When she phoned the composer who had fathered three of her children he said to her surprise ‘Delius’. He explained: C.F. Keary was the librettist for the two operas Delius composed. Keary wrote a novel called The Journalist (1898) based on Sosphus, a writer who wrote plays ‘heavily laced with symbolism’ and who had also studied art and painted in Paris. Keary knew Claussen, who he described as a poet, novelist, playwright, painter, journalist and eventually a newspaper owner. Claussen was a close friend of Verlaine and very much part of the Bohemian circle in Paris. Claussen and Delius’ circle intersected in the person of Herman Bang, a theatre director who produced Claussen’s Arbedjersken (The Factory Girl). Clauseen wrote an important poem on Bang’s demise, which Delius set to music.
          She was impressed. ‘How is it that you know so much about Delius?’, she asked. He was a modernist, on the experimental edge of contemporary music. ‘Ah’, he replied, ‘I once researched the background to Delius’ Requiem. I read the composer’s Collected Letters (he was a very serious letter writer – sometimes 10 a day), and got stuck into the letters of his Paris years when so many of his friends were Scandinavian émigrés. You once sent me a postcard of a painting by Wilhumsen. It was of Clauseen reading to two of his ‘symbolist’ colleagues. I think you’d picked it up in Denmark. You said, if I recall, that you’d found it ‘irresistible’’.
          And so it was, this painting. Irresistible. She decided that its irresistibility lay in the way the artist had caught the head and body positions of reader and listeners. The arrangement of legs, she thought, says so much about a man. Her husband had always sat with the care embedded in his training as a musician at an instrument. He could slouch like the rest of us, she thought, but when he sat properly, attentive to her words, or listening to their sweet children, he was beautiful. She still loved him, and remembered the many poems she had composed for him, poems he had never seen (she had instructed a daughter to ‘collect’ them for him on her passing). Now, it was he who wrote poetry, for another, for a significant other he had said was his Muse, his soul’s delight, his dearly beloved.
          The wicker chair Sophos Claussen is sitting in, she decided, she would like in her sitting room. It looked the perfect chair for giving a reading. She imagined reading one of her poems from such a chair . . .
 
If daydreams are wrecks of something divine
I’m amazed by the tediousness of mine.
I’m always the power behind throne.
I rescue princes to make my own.
 
‘And so it goes’, she thought, quoting that American author she could never remember. So it goes, this strange life, where it seems possible for the mind to enter an apartment in 19C København and call up the smell of brilliantined hair, cigar tobacco, and the samovar in the kitchen. This poem Imperia I shall probably never read, she thought, though there is some American poet on a Fulbright intent on translating Claussen’s work into English. In a flash of the mind’s miracle she travels to his tiny office in his Mid-West university, surrounded by the detritus of student tutorials. In blue jeans and cowboys boots Devon Whittall gazes out of his third storey window at the falling snow.
 
There is nothing in the world as quiet as snow,
when it gently descends through the air,
muffles your steps
hushes, gently hushes
the voices that speak too loud.
 
There is nothing in the world of a purity like snow's,
swan's down from the white wings of Heaven,
On your hand a flake
is like dew of tears,
White thoughts quietly tread in dance.
 
There is nothing in the world that can gentle like snow,
quietly you listen to the silent ringing.
Oh, so fine a sound,
peals of silver bells,
rings within your innermost heart.
 
And she imagines Helge Rode (his left arm still on his right shoulder) reading his poem Snow in the quiet of the winter afternoon at Ellehammersvej 20 Kastrup Copenhagen. ‘And so it goes,’ she thought, ‘this imagination, flowing on and on. When I am really old like my Grandmother (discharging herself from hospital at 103 because the food was so appalling) will my imagination continue to be as rich and capable as it is today?’
          Closing her notebook and shutting down her laptop, she removed her cat from its cushion on the table, and walked out into her garden, leaving three Danish Symbolists to their readings and deliberations.

everyone's talking
about freedom of speech

as if it should come at no cost
like something you teach

it's never been that way
and it never will be

we need to be reminded
of what it means to be free.

I.
AM.
A.
*******.

Here's how i roll.
I plop the excrement, directly in the pool.
I **** on chairs,
This is where i place stool.

Plip plob drop loads,
Crenated blood cells and lymphatic drool.
Hurt my kidneys in a fight with truth the other night.
7 brutal, flooring uppercuts to the Latisimus dorsi....

I am > "this girl"
That one that's taken more hits in the face than Tyson.
The one that makes Jenna and Sunni Leone look like pre-school dropouts of ****.

Guys say.
"She"
"got the,"
"best head."

She has nothing in it though.
Her brain's finished by the time words leave her lips whole.
thats as far as it gets
the words pass her **** then she falls, grab her hips.

Prepare the sword for the stone.
The one with the baby whole in her dome.

She's not good, much else.
Her black hair and wisdom lines go bout as deep as her shirt.
Depending on the day.
Pervert.

Lets do ANOTHER line.
"Oh My GOD!" "We did so much *******...."
Coke in cans.
Filled with whiskey flask-hand.

"This night's gunna be one to remember",
if his member is inside, that's my gender,
Blend it with all the worst intentions,
Use the worst intentions.
Stab the heart of conviction.
Tear it to tethers with tension.
Rip the strings of friendship.
Tease the knots of frayed linen,
Like its the only thing ya got.

"I am so high right now."
I forgot what earth looks like.
Probably like my town.

Only place I've been.
I'm 17 ya see.

Its the only thing you got.
You don't deserve roses, flowers, Laurels.
No trees.
No dime bags, no speed, no crying hag.

I can sure **** 25 yearolds.

Saying your better never sounded more like a lie.
Worst thing is you have that prevarication internalized.

I have a god complex...
Wanna save em all...
Can't save a ******* one...

I did lie once...
It was...
When I told you that you weren't...
A *******...

Train spotted on ancient rail tracks
Mucks and grants on submerged pasts
Copper and ***** metal poles point
Upwards in heaven above the panelled tops
Price all  the intentional conditioning
A paradise of self sufficiency
A dew of ranting , the metal raiding
Price the substitutional compressions
A timber frame of tunnels
The heightened temperature
Price and tag her beautiful mind
An attachment of glorified plinth
The punch of the chaotic medals
Pride and rearrange her plentiful plight
Show all her cast frame in crimson and greys

this is love stripped of poetry, so here darling, i might as well just rip out my chest because not loving you is the last act of self-inflicted violence. how i rue the days. i might as well just rip my chest out and give you my heart — burrow your way under my skin, like wood dusts drawn to the wounds in my heels. i will give up poetry to be loved by you in ways not dreamy. in ways raw. sober. aware. unadulterated. lawless. infinite. in intense, longing gazes. in ways that stray from falling apart so beautifully, in such chest-tearing grace. in ways that stain tenderness. in ways that crash and burn.

my love, catch me. watch me tear down the world in the name of your eyes. watch me tear down poetry. i have no need for it.

If things don't exist until we see them-
then everything must be poetry.

It doesn't exist so far
but in my mind I have pictured it all
If we want to, we can
(I guess)

Won't you come to Copenhagen with me, baby?

We've already been there, in Wonderland
Won't we come back, and call the whiteness back?
I think of you and I alone
I think of a world just for us
And I shiver in my chair
I know I want to be there
I know I belong there, in your arms.
In your body, in your realm.
In your bed.

I want to be close to you
I need to be whole by sharing my core
but not with anyone
just you, my love...

A communion of us
awaits
Pure love
Won't you come with me to Copenhagen baby?

There is a can of cheap tobacco
Sitting patiently on your desk
Cracked open on occasion;
Ready to be chewed up
And spit back out.

I met a nice young man
Picking plastic
From a garbage can

He informed me thus:
"All American citizens are
Stupid
And degenerate"

I wished to respond in turn:
"All Americans are
Intelligent
And industrious"

But this would be equally false

i'm not a "gamer"... i'm a brothel leech...
a gomorrahite...
   this antithesis of safe-space
sodomites...
      gaming: ending with MGS1...
FFVIII... tenchu...
      for the console...
age of empires...
rome: total war...
                           i'll pay an extra 10 quid
to slur an oyster...
on top of 10 quid goes to
the madame... this fat ***** that would look
better in a slaughterhouse...
and that... gimp... turk... "turk"...
of a bodyguard: 5'9"... of something
i'd rather: first: sneeze on...
before piunching it for a sound
a making solids...

i'm not a gamer... but i'm keen pmn narratives...
and i'm willing to provide the diskjockey
sountrack...
either all vomito *****...
or... :wumpscut...
soylent grün...
                               thorns...
bunkertor sieben...
          anita sarkeesian: but...
                 i know when something
becomes just about enough:
       annoying...
if i had children...
             i'd be... but i don't...
so there's no point me venturing to:
the far far away... in... once upon a time
sort of galaxy... and story...

what could possibly be wrong
with: reclaiming a nation a place
for the orthodox in-breeders to secure
the spireweb waiting for the spider?
cousins best... confined...
to Gaza human shields reunion...
i don't mind the brothers ******* the sisters...
contraception: please...
but when cousins are *******
and no contraception is invoked...
anyone? with two months spare...
for liberal lingo...
and... how... the flu was given...
a "season": interlude...

            sooner i choke on blood...
the nation and the diaspora...
sorry... but the 'ebrews aren't the sole depostiory
"grieving party":
forever those not knowing
the snow of cracow... "oops":
yeah... that... "oops"...

        iowa.... is like that,,,
the ukraine of europe: the ukraine
of h'america: iowa?
and albania... the physiognomy of
a ******* plato: the vestern
vegeterians still keep dubbing it: "east"...
east is turkey... it isn't...
mesapotamia... whittle asia...
whittle shrimp ****...
**** cares you get covered in
**** phlegm... no... seriously...
what... sh'sh'shire?!

      keep pushing back the "east" *******...
albanians are practically macedonians
are practically greeks:

ancient greece is the birth of our modern
democracy: say that... pretending to be...
constipated...
east... east of Berlin? east of... Kiev?
east of Warsaw... east of Bucharest...
east of Budapest... i'm pretty sure:
south of Stockholm, Oslo, Helsinki...
dangengham & reddbridge and copenhagen:
not... "too... sure"...

east ******! greenwich mean-time!
part of the club: not part of the club...
**** it... wozz-eVer...
albanians are the sort of east
that the greeks are sort of north...
because...
   being a... greenwich:
**** three ways tends to be...
a bit... "confusing"...
                                                  ­       no?
tabloid press entertainment...
           shoot a lucky 'un from Syria...
go on... heavens only knows why
saudio arabia sits: fat... and harem...
impotent... when it comes to...
sheltering the syrias...
so much for the ummah!
so much for islam!

         *******: pseudo saudi grecoid!
you pseudo-arab
                     turk wash-up monkey!
that lawrence:
better shelved that care for a suntan...
beside...
            pakistani: ummah proud!
three words...

                   khadija **** khuwaylid:
who wrote the first surahs when
everyone treated muhammad as an ******?
he was the illiterate...
she was the older woman...
with an acumen for business...
she was literate... he wasn't...
miracle! a ****** mary birth!

                            *******'s worth of levant crap:
best kept in zoological matters...
you already stole the gods...
i have 'ere...
the crucifixion... i must make that
obsolete: if investigated:
by investing in a pike... running through
at the genesis: **** or pelvis...
hands died...
what of: "n.e.w.s."?!

           i don't game... i don't gamble...
this is plenty;
not enough the nation...
because... the status quo of the diaspora...
no? it has always remained a concern
that was already made available:
what is the intellectual concern
for the nation...
when all intellects: for... nationalism...
have failed...
who is to unhinge: the strict foundations
of 2000 years of the diaspora...
and the yids are not alone...

           who would require a bunch of israeli
farmers of dates and lemons...
when the diaspora of brookyln 'ebrews is:
as it ever was...
or the diaspora of persians...

                  call it a "nation"... i call it...
native russians of cosmopolitan moscow...
rereading the mythology of...
      the kamchatka peninsula...
          eh... what's alaska?
             wet wood to burn...
                                       nation: the cosmopolitan
antics! *******! *******! thrice! the cockerel!

saudi arabia could: saudi arabia should...
given the concept of the ummah...
give... what the syrians deserve...

     but seeing how the saudis treat the syrians
like they're kosovans: remains of the ottomans...
etc.: and the afghans are like...
this in-breeding fetish for understanding
iceland... etc. etc.
      
         simplified bargains of narrative...
              who takes who and what...
who's what and what's who...
        i almost forgot...
it's not repatriation: not really...
when the sundail: proper... isn't moving...
to repatriate within the confines of:
made in china...

                   ten thousand romanian
fruit pickers...
   i was born into a theatre of metallurgy...
soviet: yes...
but cheap soviet iron is better than
cheap-****-*****...
         repetriation of economy... comes first...
then... comes the thought concerning
the "outliers".

You drunk texted me
Last night from Copenhagen.
I've missed that too much.

A half-breed is what I am
Its a term that I use loosely
Proud to be described as such
The product of my parents who are
Of opposite backgrounds
I have been exposed to the best,
And worst, of both their worlds
I use this exposure to my advantage
My knowledge allows me to adapt

The Mandells taught me manners
With little white gloves
And a matching hat
Salad fork and dinner fork
Napkin on my lap
Eating shrimp and sipping milk
Baked brisket and baked goods
Spanish Cream and Charlotte Rousse
are variations of the same food

Peanut butter and jelly?
Ill have lamb chops, dad would say
Live-in maid and manicured lawn
Apple trees out back
Playing Cowboy with play guns
Country Club and Boy Scout Camp
Silver service, crystal glasses,
Matching furnishings
Copenhagen figurines
Everythings antique
Draw the drapes in the evening
Mandell & Dreyfus Clothing Store
Located right downtown
He was well fed and well clothed
Under a beautiful roof
Lacking only a sense of real family

The Sisneros taught me family
It was all they could afford
Hillbillies raised in a rural place
Ranching and rodeos and rundown rock houses
Ten of them in a two-room house,
No running water, with dirt floors,
Ceiling plastered with catalog pages with
Flower water used for paste
Playing Sears Catalog paper dolls
Grandma had too many mouths to feed
To worry about how good it tastes
She cooked a mass
She made it fast, a little burnt
Tortillas, Chile, and beans
Typical New Mexican cuisine
Chicken Necks,
Baked small intestine
Wound around left over fat,
Bull Testicles, Blood, Liver,
Dead flies trapped in scrambled eggs
Grandpa stabbing pies
Nothing wasted

Music, singing, and dance
Thats how they passed the time
Spending evenings entertaining
Grandpa singing, guitar playing
Classic Spanish and
Country songs from that time

And these two who spawned me
For I am their offspring
Came together when they were
Not much younger than me
And have been ever since

Their races and classes
Are what set them apart
As opposite as morning and afternoon
When I once thought I should choose
Which ethnicity and which religion
I should be relating to
They allowed me to form my own ideas
My own sense of spirituality
Who I am
Feeling what I feel
Believing what I please
These two people
They just let me be

I won't mind being surreal,
if you won't scurry
seeing me in my real self,
and kind enough not to
think of me as outlandish
as something like 'Shrodinger's cat'
kept in a box
that is both alive and dead!
(to the universe outside the box
as the' Copenhagen interpretation' implies,
dont ask me how!)

I am least interested in'quantum entanglement'
which i can do without, but oh! mathematics
that mother of all sciences is hell bent, it seems
to hunt me down till I say uncle.

They have  told me ,
what I am now
is not mathematically possible!
(whatever it means)
They looked at me as if
I don't exist.

(Oh! my poor Shrodinger's cat
I now understand your plight;
oh ! to be both dead and  'undead' theoretically
when reality chooses to go naked!)

I just said this:
I have no use to mathematics
that refuses to believe in me
if maths find me unacceptable
all I want to say is this,
how would maths even touch poetry with a barge pole?
and don't forget, maths creates the poetry of the universe!

Oh! I am confused
forgive me for being Buridan's ***
that sees in maths 'Shrodinger's cat'


They looked horrified
and in a moment
turned to thick smoke
and dissolved!

In Lisbon, we blended
ended the day with spectacular culinary
Shopped and hopped side to side

In Dublin, we vented
as the whisky and Guinness was **** good
Shipped the hire car to Galway

In Italy, we invented
dropped coins in fountains of love we already held
From Florence, to Milan, to Rome, to Bologna

In Paris, I rented
alone in protests and hippies at Place De La Republique
Dreamt of you as they skated

In Romania, I persisted
up on the icy Tranfagarasan highway traps
I saw a bear and it had your eyes

In Stockholm, we insisted
As the Vasa sunk on tables of *****
Pecked on the trains and shied away.

In London, we protested
It was an ordinary day and the flowers didn't bloom
The Thames was gloomy and stale

In Oslo, we transmitted
The reindeer meal and cranberry was a disaster
The gloom followed us to southern skies

In Copenhagen, you were sorted
Smiled and amused by the Tivoli gardens
The night became day and the wind withered

In Amsterdam, we did what we did
Stored the memories on the reclaimed lands
Free-spirited in love and in eternity

At any given moment, it seems there is a fashion week happening somewhere in the world - be it Sydney, Istanbul, Dubai, Seoul, Moscow, Toronto, Copenhagen or Lagos (to name a few).

But the latest entrant may be the most surprising: Silicon Valley.

Or, as the organisers style it: Silicon Valley Fashion Week?!.

The punctuation marks as part of the title are a self-aware nod to the incongruity of marrying the location, known for its allegiance to hoodies, Tevas and T-shirts, to a fashion event.

But that does not mean they are any less serious about its potential.

The three-day annual event, which finished its second turn over the weekend in San Francisco, bills itself as "part fashion show, part variety show, part trade show" and is open to the public, unlike the usual fashion industry events. This year, about 30 brands were featured and tickets, at US$20 (S$28), sold out, with about 500 people attending each day.

It was staged by Betabrand, a San Francisco company that builds its clothing catalogue by crowdsourcing design ideas and, after seeing which take off, crowdfunding the production of the prototypes to see which ones people will actually want to buy. Examples include a "mind the gap" blouse that stretches to fit the body's contours and a dress that uses a trademarked reflective material.

The event exists at the nexus of Burning Man, wearable technology and the Maker Movement, home of inventors, designers and other do-it-yourself types. Pebble Smartwatch presented a Smarthole Hoodie, a standard hoodie design with sleeves that extend over the thumbs and have a movable panel around the wrist to make gaining access to the company's device easier; and Tinsel offered headphones that can be worn as a necklace.

Alison Lewis, who holds a design and technology master's degree from Parsons School of Design in New York, showed three items: a lambskin leather handbag embedded with LED bulbs that can be rearranged in different patterns with an app; a T-shirt that does the same; and a dress with lights that undulate with the wearer's heartbeat.

"Technology is a tool. It's how we use it that's really exciting," she said. "We could have less clothing in our closets and have pieces that change and work with our moods and personalities on a daily basis."

Lewis has not had a chance to present her work in other fashion shows and, so far, she has not been able to mass-produce her items. She commended the fashion week as a place to experiment.

She was not the only designer struggling with the challenge of manufacturing what she displayed.

However, as wearables increasingly enter mainstream fashion, with designers from Ralph Lauren to Zac Posen dipping their creative toes into technology, the idea of clothing patterns controlled by apps, of drone delivery, and of customisation that allows - maybe even asks - its wearers to make a choice each and every day, seems less far-fetched and more like fashion's possible future.

Which, unlikely as it may be, puts the Silicon Valley event on the style front line.Read more at:www.marieaustralia.com/backless-formal-dresses | http://www.marieaustralia.com/red-formal-dresses

he flew to Denmark
with a bag of ideas.
the plane was a year late
causing him to forget his name.
the museum was smaller
than expected and capable
of rolling away.

“it this the place?”
“yes,” they said.

his only option was cubism
which he did not understand.
a woman pointed at a cloud.
“a homecoming parade,” she laughed.

the best restaurant in the world
was down the street.
he made a reservation for the year 2075.
he wasn’t sure about cuisine
but had time to ****.

at the intersection he went the wrong way
and had to use an idea to get out

of the story.

I get off the Belt Parkway at Rockaway Boulevard and
Jet aloft from Idyllwild.
(I know, now called J.F. ******* K!)
Aboard a TWA 747 to what was then British East Africa,
Then overland by train to Baroness Blixen’s Nairobi farm . . .
You know the one at the foot of the Ngong Hills.
I lease space in Karen’s African dreams,
Caressing her long white giraffe nape,
That exquisite Streep jugular.
I am a ghost in Meryl’s evil petting zoo:
I haunt the hand that feeds me.

Safely back in Denmark, I receive treatment
For my third bout with syphilis at Copenhagen General.
Cured at last, I return to Kenya and Karen.
In my solitude or sleep, I go with her,
One hundred miles north of the Equator,
Arriving at Julia Child’s marijuana herb garden–
Originally Kikuyu Land, of course—
But mine now by imperial design &
California voter referendum.
(Voiceover) "I had a farm in Africa
At the foot of the Ngong Hills."
My farm lies high above the sea at 6,000 feet.
By daybreak I feel oh, oh so high up,
Near to the sun on early mornings.
Evenings so limpid and restful;
Nights oh, so cold.
Mille Grazie a lei, Signore *******!
Andiamo, Sydney, amico mio.
Let it flow like the water that lives in Mombasa.
Let it flow like Kurt Luedtke’s liquid crystal script.
We zoom in. We go close in. Going close up,
On the face of Isak Dinesen’s household
Servant and general factotum. (Full camera ******)
Karen Blixen’s devoted Muslim manservant,
Farah: “God is happy, msabu. He plays with us…”
He plays with me.  And who shall I be today?
How about Tony Manero for starters?
Good choice. Nicely done!
Geezer Manero:  old and bitter now,
Still working at the hardware store,
Twice-divorced, a chain-smoker,
Severely diabetic, a drunk on dialysis 3 times a week.
Bite me, Pop:  I never thought I was John Travolta.
But, hey, I had my shot:  “I coulda been a contenda.”
Once more, by association only,
I am a great artist again, quickly made
Near great by a simple second look.
Why, oh God? I am kvetching again.
I celebrate myself and sing the
L-on-forehead loser’s lament:
Why implant the desire and then
Withhold from me the talent?
“I wrote 30 ******* operas,”
I hear Salieri’s demented cackle.
“I will speak for you, Wolfie Babaloo;
I speak for all mediocrities.
I am their champion, their patron saint.”

Must I wind up in the same
Viennese loony bin with Antonio?
Note to self:  GTF out of Austria post-haste!
I’ve been called on the Emperor’s carpet again,
My head, my decapitated Prufrock noodle,
Grown slightly bald, brought in upon a platter.
Are peaches in season?
Do I dare eat one?
I am Amadeus, ******, infantile,
An irresistible iconoclast and clown.
Wolfie:   “I am called on the imperial carpet again.
The Emperor may have no clothes but he’s got a
Shitload of ******* carpets."
Hello Girls: ‘Disco Tampons!
Staying inside, staying inside!
Wolfie: "Why have I chosen a ****** farce for my libretto?
Surely there are more elevated themes . . . NO!
I am fed to the teeth with elevated themes,
People so lofty they **** marble!"
Confutatis maledictis,
Flammis acribus addictis.

So, I mix paint in the hardware store by day.
I dance all night, near-great again by locomotion.
Join me in at least one of my verifiable nine lives.
Go with me across the Narrows,
Back to Lenape with the wild red men of Canarsee,
To Vlacke Bos, Boswijk & Nieuw Utrecht,
To Dutch treat Breuckelen, Red Hook & Bensonhurst,
To Bay Ridge and the Sheepshead.
Come with me to Coney Island’s Steeplechase & Luna Park, &
Dreamland (aka Brownsville) East New York, County of Kings.
If I’m lying, I’m dying.
And while we’re on the subject now,
Bwana Finch Hatton (pronounced FINCH HATTON),
Why not turn your focus to the rival for Karen’s heart,
To the guy who nursed her through the syphilis,
That old taciturn ******, Guru Farah?
Righto and Cheerio, Mr. Finch Hatton,
Denys George of that surname—
Why not visualize Imam Farah?
Farah: a Twisted Sister Mary Ignatius,
Explaining it all to your likes-the-dark-meat
Friend and ivory-trading business partner,
Berkeley (pronounced BARK-LEE) Cole.
Can you dig it, Travolta?
I knew that you could!

Oh yeah, Tony Manero, the Bee Gees & me,
A marriage made in Brooklyn.
The Gibbs providing the sound track while
I took care of the local action.
I got more *** than a toilet seat, a Don Juan rep &
THE CLAP on more than one occasion.
Probably from a toilet seat.
Even my big brother–the failed priest,
Celibate too long and desperate now–
Even my defrocked, blue-balled brother,
Frankie, cashing in his chips at the Archdiocese,
Taking soave lessons from yours truly,
Taking notes, copying my slick moves with chicks.
It was the usual story with the usual suspects &
The usual character tests. All of which I flunk.
I choose Fitzgerald's “vast, ****** meretricious beauty,”
My jumpstart to the middle class.
I spurn the neighborhood puttana,
Mary Catherine Delvecchio: the community ****
With the proverbial heart of gold &
A backpack full of self-esteem deficits.
I opt out.  I’m hungry and leaping.
I morph again, grab *** the golden girl.
Now I’m Gatsby in a white suit,
Stalking Daisy Buchanan in East Egg,
Daisy: her voice full of money;
My green light flashing on the disco dance floor.
I, a fool for love; she, my faithless uptown girl,
Golden and delicious like the apple,
Capricious like a blue Persian cat.
My “orgiastic future” eluded me then.
It eludes me still. Time to go home again to the place
****-ant Prufrocks ponder their pathetic dying embers.
Time to assume the position:
Gazing out from some trapezoidal patch of green
At the foot of Roebling’s bridge,
Contemplating an alternative reality for myself,
A new life across the East River,
In the city that never sleeps.
I crave. I lust. I am a guinzo Eva Duarte.
I too must be a part of B.A., Buenos Aires:
THE BIG APPLE.
But I am ashamed of my luggage,
Not to mention my baggage.
It’s like that last thing Holden Caulfield said to me,
Just before he crossed over the Brooklyn Bridge,
Crossed over to Manhattan without me,
Leaving me alone again, searching for our kid sister,
Phoebe, the only one on earth we can relate to:
“It’s really hard to be roommates with people
If your suitcases are much better than theirs.”
Ow! That stung; that was a stinger.
I am smithereened by a self-guided drone,
A smart bomb full of snide antigravity,
Transformational and caustic.
My meager allotment of self-esteem
Metastasizes into something base,
Something heavy and vile.
I drop to earth like lead mozzarella.

I am unworthy, unworthy in the maximum mendicant,
Roman Catholic mea culpa sense of the word.
I am now Umberto Eco’s penitenziagite.
I am Salvatore, a demented hunchback
(Played flawlessly as a demented hunchback by Ron Perlman),
Spewing linguistic gibberish in a variety of vernaculars:
“Lord, I am not worthy to live anywhere west of the Gowanus Canal.”
By East River waters I weep bitter tears,
The promise of a promised land denied.
I am a garlic-eating Chuck Yeager,
Auguring in, burnt beyond recognition,
An ethnic trope, a defiant Private Maggio
From here and for eternity,
Forever a swarthy ethnic stereotype
Trying to escape thru a small but significant
Hole in the ozone layer above South Ozone Park,
New York, zip code 11420.
That’s right, Ozone Park.
If you don’t believe me, look it up.
GO ******* GOOGLE IT!

And I just don’t know when to quit.
So why quit there?
Work with me, fratello mio, mon lecteur.
Like you, I took the LSAT so long ago.
Why am I not a distinguished American jurist
Asking the one question that seems to be on
Everyone’s eugenic lips today:
“Aren’t three generations of imbeciles enough?”
I am Charly from Flowers for Algernon,
A slow learner with a push broom, swept up in
Some dust from Leonard Cohen’s cuff.
Lenny: a grey-beard loon himself now, singing
“Hallelujah” for fish & chips in London’s O2 Arena.
“Suzanne takes you down, Babaloo!”
At last, I am Jesus Quintana—
John Turturro stealing the movie as usual--
This time in a hair net and a jumpsuit,
"Made of a comfortable 65% polyester/35%
Cotton poplin, you can even add your own
Ribbon leg trim and monogramming
For just the right look to be one of
The Big Lebowski’s favorite characters.
Mouse-over the thumbnail below to see our actual style
(Color must be purple). Style #: 98P, Price: $55.95. On sale: $50.36.www.myjumpsuit.com."
Fortunately, I am a savvy marketeer:
I understand the artistic potential, the venal
Possibilities of product placement. Go with me
To that undiscovered country.
The humanities uncorrupted till now by
Crass gimcrack television ads. That’s right:
******* commercials smack dab in the
Middle of a ******* poem. Why not?
Great literature has always been about
Selling something, even if only an idea.
Hey, **** me, Herman Melville!
We both know the publication costs of
Moby **** were underwritten by the tattoo artists &
Harpoon manufacturers of New Bedford,
Matched by a small research grant from some
Proto-Greenpeace, Poseidon adventure in some
Great white whale-watching swinging soiree.
Murray the ******* K, pendejo!
At last, I am The Jesus, a pervert & pederast,
According to Walter Sobjak—another post-traumatic
Post Toasty, like me, still out there in the jungle,
Still in love with the smell of ****** in the morning.
My bowling buddy, Walter, comfortably far to the right of
The Dude, and Attila the *** for that matter,
But who gives a **** if Lenin was The Walrus?
(“Shut the **** up, Buscemi!”)
“Once you hang a right at Hubert Humphrey,”
Said the streets of 1968 Chicago,
"It’s all ******* fascism anyway.”
That creep could roll, though, and as we know so well:
“Nobody ***** with The Jesus.”
Can you dig it, Travolta?
I knew that you could!

INCOMING!
I just heard from an old girlfriend who is miles away,
Teaching school in Navajo Land.
The Big Rez:  a long day’s interstate katzenjammer,
A Route 66 nightmare by car, but by email,
Just down the block and round the corner.
I had previously closed an email to her with a frivolous
“Say hello to my stinky friend.”
It was a total non-sequitur, an iconic-moronic,
Ace Ventura-mutant line from Scarface,
Which may have meant–in my herbal lunch delirium—
That she should say hi to some mutual acquaintance
We mutually loathe, Or, perhaps an acknowledgement that she–
My surrogate Cameron Diaz–has a new **** buddy,
Of whom I am insanely jealous.
Or maybe it was a simple Seinfeld “about nothing.”
Who knows what goes on in that twisted *****’s head?
She spends the next two hours in a flood of funk,
A deluge of insecurity.
A veritable Katrina ****** of self-consciousness,
Interpreting my inane nonsense in terms of vaginal health.

Hey, you want to ruin a woman’s day?
Tell her, her **** smells.

We are separated
Like the sky and the earth

You are filled with potential that once felt like expectation
the ruggedness of a thousand wild stallions running to the course of their strong united heartbeats
and of the sweat and blood that you've merited your endeavors with

I am filled with ribbons of gentle caresses and a familiarity with the unnoticed weight long hair brings
determination like that of the tired
ceaseless tide that rises up again each morning
and of sweet and salty compulsions

We are separated
Like the Heavens and Earth

You are more than the smell of leather and Copenhagen
You are more than the litter of miscellaneous items next to an inevitable jar of change sitting on your wooden dresser
an exact replica of the Skaggs males' before you.
You are more than calloused hands and a beautiful voice that crawls out and harmonizes with cicadas in the heavy heat lingering into the August night.
You are more than the millions of melodies you've blessed us with
More than the far away look in your hazel eyes as you master your guitar
More than your hearty laugh that delights my soul
More than your kind spirit
More than your careful words
More than your wise wife
More than your delicate girl that I hear call me Aunt
But these things stack on top of one another
Like bricks of a building under construction
Beams of titanium not unlike a skeleton protude into the clouds
Ultimately creating the tower I will proudly claim as my older brother
Directing my acquaintances' attention to the structure that
in this moment
unfinished even
eclipses the sun
Casts a shadow over me
a cool blanket of security
I know the closer that I draw to you
the less I will see of the shambles of other buildings that never compared to you
My view of the misleading wooden structures behind you that will be set afire or deteriorate in the constant turning of gears in the clock of time
will be obscured by your sheer splendor

We are separated
Like the sky and the earth underneath me

And just like the two we are connected further down
The horizon
where we will meet is filled with bittersweet triumph painted in the oranges and pinks of the sunset
I turn and see the horizon behind me
where we began
in all of its plainess
Our childhood in a gray
Hillcrest Terrace
Friday night prayer
Denim and pattles
Oatmeal and cough drops
Iced tea and lilac bushes
All threaded neatly into the full drops of rain that fall from you to I
Connecting the ground and the sky
I turn back to the front and admire what I imagine it will be
Our children's loose teeth
and long cramped car rides
Porch swings and homeschool books
Owned land and old trees
Laughter and loyalty
Irony and victory

We are separated
Like the sky and the ground

But we run in the same direction
not interrupting the others' path
I was not there with you when you let the heaviness of the thoughts in your head fall into your awaiting hands as your shoulders shook
Every ragged breath tinged with cheap whiskey
But I have followed suit of my own accord
I was not there with you when you questioned your very identity until you wondered if you would  recognize yourself if he called you by name
But I may have been caught contemplating the same
I was not there with you when you were overanalyzing one of our sisters' new boyfriend's character and gauging his deservingness
But I often did exactly that
And I was not there with you when you fell in love with your beautiful lady and decided to make her yours
But I was praying for it to be her

An endless fire burns inside me
Searching for
courage I won't have
and words I can't find
Until I can heat you with these flames
I will continue to look at you while you are preoccupied and let the words choke in my neck as reverence floods me for this man who
like his father
remains oblivious to his massive impact and priceless company

Once felt in the lonely, identical corridors
of hotels, hostels, hallways of homeless flatblocks;
The urge,
The urge to move the moment,
Move the momentum of the meandering life
From work to shop to sleep to work to shop to sleep,
Supplanted by the unattainable mental utopia,
Supplanted by delusions in the colour of dreams,
Supplanted by 10,000 madman notes on the nature of daylight,
Tender sounds accelerated into screams,
Lost in the pylon forest,
Trapped by Tendonitis, Tinnitus, and terrestrial TV,
Stifling the electoral laugh,
Deafened by D-beat, Dubstep, and Democratic conventions,
Bled to death in Bosnia,
Died in Damascus,
Executed in Entebbe,
Murdered in Mogadishu,
Born in Berlin,
Lived in London,
Carried in Copenhagen,
And again in Amsterdam,
Until tomorrow’s endless oceans
Forecast nothing of their waves,
Until tomorrow’s endless oceans
Safely say their real names.

I know your wishing to do the things you once were itching.
Some words of wisdom would help you body stop the itching.
This chair of lies declines, your track of life.
Overflows the light, and withstanding might.
Stepping stones they broke into small sheets of ice.
Drenched and cold the frost bite will take your life.
Magic making the fancy wound is the tool for taking.
Your head is flaking mistakes that you had started making.
(You cry)
Princess princess please don't take away my wound.
You stupid full ill drowned you in a 6 foot pound.
And I'll count the bubbles as they begin to surface.
With my endurance Insurgence they won't need insurance.
So take a minute to sit down and grab some courage.
Your gonna need it the fenex is coming out of storage. 
To burn to ash the cowards and all the Allen Howard's 
Copenhagen I ran again in a grizzly pouch.
It was plenty so many who was the one keeping count.
Distinguished persons your yuppies just using daddy's checks 
Your dicusting just buying things with no intent. 
Plant water a Yankee Candle is a perfect date
Perfect smile pretty eyes is a perfect trait.. Wait

krause asu
AN accident.

That's how, but why?
Many universes, many realities, imaginable

conceivable

how long must one live in a cardboard box
to confess the experienced
boxtime
altered next from then to now.

Copenhagen Calvinist or Lutherin or Anabaptist

holier than I, as was I, as the Hermit hidden
in the fool on the hill,
telling secret meanings to nowhere man, now
here
we're...

touching a time when knowing out paced known
knowables, imaginables were

imagined, not evil, but fine tuned to approach
per fection in effect

what more can I ask? All my debts are paid.

Accidental debt accrual demands accidental debt relief.

Political-lic, that's where my party stands.

Jubilee, nowhere has the ver been
a time like

now. We being at all, as mere words, heard only once,
never uttered

utter non sensed tone tuned to augmented minds

-- bio logic circuit
-- try a spark

Gleam in grandpa's eye, try umph, boy. Better up.

Swing and there is the crack of the bat

never heard, a clap

just now, you are on the ball, and this is
what that always means,
history-wise.

Okeh. Like safe. No war. Okeh. Mark to follow, someday.

biologic circuitry is so unbelievable,

to whom? All who see the supsumpsystems and the info resources,
re re re, every, meaning as if ever were in
finite, every things reasonable countable and measured,

AN ark is a box. Rectangular, most oft.
A box. Hermits live in boxes, some times,

with a coven-ante-cipitate, tincture
of this and that, with a drop o' Paracelsus fave,
Hermetic hermenuetic magishit.
Mercury, liquid conducter, okeh.

You axt a reason for the faith in the wrong *******
autodidactic augmented and medicated old man.

I hapt to save a dammercury switch from an old thermostat,
with a bi-metal coil we could
spring
into action and launch afacethefact face that fact face of fact
fracture
tap. Twist it, there, balance, level, spirit levels bubble
hermetic form flow act
ioncat ion quest
ion--

spark-- the idea imagicish dealybob- gleam
right

the feeling of gleam. Toothpaste imparts
*** appeal, I pana imparts diligence, pepsodent is perfect
for explosive types averse to yellow,
stripe,
oh my god,
game changer. Hidden persuaders never saw us,

by stripe are we healed and made bright white and loveable,
said the tooth from the future, we learned, in school, to love
each night, with a brisk brush before our
prayer for no cavities could be answered.

tap right there.

Gem quality. The meaning of life, I magine, is more.

Instability.

Keyword: instability.

Mid-May and the room has a blue cold, runny nose, condensation clasping the window like a quiet leech. Through the narrow chinks of my cavern, I can glimpse a computer surrounded by world in peripheral; fish eye vision like religious fervor, I realize life has made a lasting impression on whatever I am.

whatever I am.

Dream fades to life, life fades to dream, some alien language crash landed on Earth and now we all speak English (except, you know, the ten thousand other dialects all branched from the Indo-European earth worm). People like to say that everything changes. Nothing stays the same. Does the fact of change never change? Does that not make constants a possibility, even if only within the Many World Interpretation of Quantum Physics (capitalized! it's a name and 'Quantum Physics' likes playing the smiling subtitle ( :) ) ) now I wasn't in Copenhagen the day a jury of physicists decided on Reality; but I was in Reality (capital R) so I'm sure that counts for something.

They say they don't know who 'they' are; as if a brief allusion to a greater network somehow invalidates the point (but 'they' is the 'you' you decide to ignore; the 'you' composite of influences 'you' simply grew around; 'they' is the part of yourself 'you' keep tucked away comfortably like a newborn child that doesn't know any better).

(by Bruce Bawer)

In Sønderberg the other day
A teenage girl used pepper spray
To rout a randy “refugee”
From somewhere far across the sea
Who threw down and molested her.
The cops arrested her.

As part of a jihadist plot,
A brute assailant took a shot
At a fine Copenhagen man
Who'd deprecated the Quran.
When the brave soul who'd nearly died
Then publicly identified
The **** who'd tried to **** him, he
Was charged with grave delinquency:
Breaching privacy.

In Mölndal, a Somali teen
Plunged a long blade into the spleen
Of a young Swedish altruist
Who'd yearned to do one thing: assist.
The land's top cop went on TV
And trumpeted his sympathy.
For the poor girl who'd lost her life?
No. For the kid with the knife.

At one time it was understood
That a devotion to the good
Didn't mean one should be blind
To evil, or pretend to find
Some virtue in sheer villainy.
To see what isn't there to see
Is not a sign of rectitude.
To point out evil isn't rude;
To fight it is good.

You can't, however hard you try,
Mistake for a speck in the eye
A loaded *** in the hands
Of some rough beast from foreign sands
Intent on taking out a child.
You'll win no points for being mild
To members of a desert creed
That seeks to make the heathen bleed
And preaches that the kind and meek
Are contemptibly weak.

Christ said to turn the other cheek.
But what if it's not just your cheek?

The summer sun rose at 3 am. By then we had already hightailed out of Stockholm, en route south. The purple horizon slowly lifted the veil of darkness and the motion of the van returned to its former realm of concrete movement as we rocked along the long continental avenue. The sun gleamed through open windows onto my arms and legs, making the hairs on my neck stand at attention and awe of white light fissioning into a nebula of vivid color in motion, occupying the entirety of my vision. It was as if, for a brief moment, I had forgotten past failures and obstacles. Was it because of some arbitrary sense of perseverance and skill, or was it a mere karmic turn? Who could tell(?) The radio crackles and fades just before I turn it off. Heller leans forward to tamper with the switches on the radio to find a station. I slapped his hand in spite and I don’t know why it did it. Heller laughs it off and continued to make fun of South-state Americans and juggalos.
- “‘The juggalos made me the ******* I am today,’ ya, that’s pretty evident, you fat drugged up loser. You should should go **** your sister’s purdy mouth,” Mackay laughs wholeheartedly. Andrew leans forward and puts a hand on my shoulder.
- “Hey, man. Are you alright? You look a tad pale.” Andrew shifts his facade to slight sarcasm, like he always would to veil his genuine care.
- “Yeah, I’m fine. Haven’t really eaten anything, and the coffee is wearing off.”
- “Do you wanna put something on the tape-deck? Let’s pick one you’re familiar with, so that you can sing along to keep your head up. These slobs won’t be helping you, trust me. They’ll be sleeping in good conscience in a few minutes.”
- “Yeah, cat, that’s not such a bad idea. Put on some Jason Molina. It’s not exactly upbeat, but I know every ****** depressed word.”
I hum and sing along with Emilio, Devin and Mackay as the rest slept away the sorrows of folly and deprivation. We had finally made our way out of Sweden, crossing the immense Oresund Bridge, towering over us with cables running up and down, thicker than our waists. The fog lay over Copenhagen Bay, as the sun peeks over it like Kilroy writing his mark on the horizon wall. 8 kilometers across, connecting the fragmented Scandinavian continent, suspended 60 meters above the malicious Skagen Sea, writhing, twisting and smashing away in the stiff morning wind. Walk along the suspension on a wire, not caring either way if you fall or remain in your shoes. We had already leapt away from the strange comfort of our apartments, shrouded in exhaust, hardship and simplicity of mind, to get a feel of the real world, a world that robs you at knife point, stabs you and leaves you to bleed away in beautiful chrysalis alleys, with the stars glinting away in your vidi, not able to care one bit. Leaving the pots and pans ***** in the sink at home, leaving late night parties, static beds, self consumption, bitterness and white knuckles, we found ourselves on a frontier. A lackluster frontier by ancient standards, but complacency being the dominant dogma of modern day life, a frontier nonetheless. We are the riders of high waves, and rogues on the dusty trails, for thousands of miles, until time suspends itself, and we lose grip. We may not have revolvers or boats, but our van is our weapon. And we are going to use it. The bridge descends into the flatlands of Denmark, where the highest point is a lump of lawn and the people are friendly and clever. A few friends of ours had told us tour stories from bands that were, about a concert being held in a glass octagon cube in the middle of a desolate plain, and the place was packed with young sophistos and the remaining cultural aristocracy of Denmark. Too bad we ain’t stoppin’.
The carnival in my head pushes into high gear with song and magic marker signs, spinning around in circles through streets filled with people screaming at the top of their lungs. I listen to the mechanism churning away, greased by coffee, in the scorching noon Apollonian torture.