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Mymai Yuan Sep 2010
It all began when someone left the window open.
The love bird cocked its bright green head at the shut door of Woodren’s third floor bedroom, perched on her bedpost. Its bright black eyes glittered, listening for the sounds of Woodren’s footsteps. None came. It ruffled its feathers impatiently; waiting for Woodren to come back with some water for its thirsty beak.
The love bird’s first memory was of Woodren: her clear gray eyes expressing her great happiness through them and not through the tiny curve of a smile on her thin pale lips. Her small white fingers pressed on the syringe gently, and a hot, mushy substance that tasted of apples and bananas went down its throat. The tiny black beak clattered against the plastic syringe greedily. “Aw, you poor baby. You’re hungry aren’t you, my Hoopsie-girl?” she murmured.
She then later taught her baby lovebird to fly with the patience of a mother. As soon as its wings started flapping feebly, she lifted Hoopsie up on the palm of her hand above her head and drew her hand away quickly, teaching the lovebird to fly and landing on Woodren’s soft bed. On cold nights, Woodren would wrap her favorite emerald green scarf around Hoopsie and place her behind the television where it was always warm and sellotape the electric sockets and wires so that Hoopsie was safe.
Woodren never even considered snipping the feathers of Hoopsie’s wings; she would never hurt her darling creature, and snip of its greatest glory. She would comb the feathers with a miniature pink Barbie brush, noticing how blue feathers had started to appear on Hoopsie’s wings and red ones slowly layered beneath the blue as time went by.
Showering Hoopsie was the hardest of all. Aunt and Uncle Palmer had no idea that Hoopsie even existed and revealing her presence would leave both Hoopsie and Woodren with no home. Late at night, Woodren would have to sneak out to the bathroom on the first floor (not on the second floor because that one was right next to Aunt and Uncle Palmer’s bedroom), down the stairs (taking care to step over the thirteenth stair that groaned so loudly), turn on the taps quietly and wash a sleepy Hoopsie with warm water.
Her two youngest cousins often made fun of her for the funny smell that stuck on her clothes sometimes. Linda and Lucy, her bratty twin cousins, asked in their scornful sing-song voices, “Why do you lock your room Woodren? Scared we’ll find all your old ***** clothes under the bed that you wouldn’t let Ma throw away?”
“No, maybe she’s scared we’ll find naughty magazines? If we do, we’ll tell Pa and you’ll have nowhere to stay ‘cause Pa says that type of behavior is sinful and he won’t tolerate it in his house!”
Woodren found it in her heart to look upon her silly cousins as childish entertainment. What did they know of the love she had for Hoopsie? “No, I’m scared you’ll find the monster under my bed and start crying for your Ma”
Linda narrowed her blue eyes, “I’m telling Ma you mentioned Lucy’s fear of the monster under the bed to her face! Besides, you don’t have anywhere else to go. You live on Pa’s charity. Ma said so.”
It was the lowest of insults based on a harsh truth. Woodren’s mother had died of cancer when Woodren was very young and her father followed her mother not a year after with heart grief. Her mother had asked her younger sister to take in Woodren; they were her only relatives and had stopped being fond of her once their own two twin daughters arrived and Mr. Palmer started to have to work harder to feed the six bellies at his dinner table. She just became another mouth to feed.
The only person Woodren got along well with in the household was her eldest cousin, Max. Max rarely spoke in anything but grunts, thought of his two little sisters as annoying brats, refused to say more than two sentences at a time to his simpering mother and loudly obnoxious father and often came and sat in Woodren’s room with his large feet against the wall, stroking Hoopsie’s head in silence. She really was fond of Max sometimes. He could be so thoughtful. Just two weeks before, for her birthday, Max had bought her maroon silk curtains with white birds imprinted upon them. He had even gone further than that and stitched in white thread, “Happy birthday. I love you” a red wonky heart followed and then “From Hoopsie.” Simply imagining him sitting there with a huge, thick curtain holding a tiny needle in his bear-like paws, cursing as he stabbed his rough fingertips and fumbling clumsily made her shout with laughter.
It was Max’s idea to buy Hoopsie a big metal cage and attach it to a branch on the big tree in their garden with a piece of shoelace, hidden among all the green leaves. That way, when Hoopsie sang Woodren wouldn’t have to blast her music and radio at the same time or pinch Hoopsie’s beaks shut when her Aunt or Uncle come to  yell at her if she was deaf or crazy or both. And that way, Woodren’s room wouldn’t have its twangy smell of bird **** and Woodren wouldn’t have to be paranoid all day long at school, wondering if nosy Aunt Palmer had broken into her room and found Hoopsie. And that way, she could leave her window open during the day, trying to rid her room off the nutty, sugary smell.
Max’s room was on the same floor as Woodren, the third floor. Every morning, bright and early before school, Woodren would run with a small lump in her sweater and the keys to her locked room jingling on her wrists to Max’s room. Max would barely acknowledge her as she ran across his room, opened his window and climbed out like a monkey to the branch that pushed against his window sill. She crawled along it with speed and sat there, with her legs hanging down and the branch between her legs, fumbled for the cage door above her head, made sure there was enough water and food to last Hoopsie for the day, popped Hoopsie inside with a quick kiss, arranged the fan-like fresh morning-smell leaves to cover the cage completely and skate back towards Max’s window.
Hoopsie mourned with a few high whistling notes. She hated being away from Woodren during the day- waiting for the moment when the sun was getting hot, and Hoopsie was tired of chatting to the birds in the nearby trees, when Woodren’s sharp little white face with its explosion of frizzy black hair would appear in between the leaves with her happy grey eyes and let her fly around the tree before calling, “Hoopsie” followed by her signature tilting whistle. But for now, and for every morning till noon, Hoopsie would have to wait.
“You don’t think they’ll find her do you?” Woodren would ask Max as she clambered back into his window. It was their daily morning ritual.
“No. Pa told Ma that it’s all about privacy now that I’m a growing-up boy. I’ll lock my door; promise.” He would reply back, completing their ritual.
“Are you still eating lunch with that Ed kid?” he asked, completely breaking their ritual this morning.
“Yes.” She was completely surprised. Not only was Max breaking a routine, Max of all people, he was doing so by asking her a question about her personal life.
Woodren eyed Max strangely. To her, Max was her huge cousin that somehow managed to communicate with a variety of different grunts and hated cutting his hair because of his fear of sharp objects; but to the rest of the school and neighborhood, she knew Max was the “strong and silent” handsome tall boy, every girl’s dream, with his shaggy blonde hair.
“Why?” her gray eyes grew rounder when suspicious instead of narrowing.  
“You don’t have many friends at school.”
“You know I don’t get along with any of them but Ed. I don’t like being friends with people unless I actually like them… unlike all the other girls at school.”
“I don’t like you staying around the Ed kid too much.”
Woodren felt a little glow of affection for Max in her heart. She understood why Max was worried. Ed was unstable with the rest of the world. He did what he wanted to, he said exactly what he wanted to and he wasn’t afraid of anything because he didn’t care what anyone said. He was the kid that the no parents wanted their children to stay near. There wasn’t anything Ed hadn’t done before.
Despite what everyone else thought, Woodren knew that his morals and sense of good and justice were strong in his heart. And when it came to Woodren he was always there for her since he moved to the neighborhood more than half a year ago. No matter how many offending remarks he made, she felt he had become the only stable thing in her life in spite of him being so apt to change. She had learned to depend on him.  
At the breakfast table, Woodren’s gray eyes slid over from Linda to Lucy to Aunt Palmer to Uncle Palmer and rested on Max the longest. Until she had come to look at Max, all four of them were identical in their attractive features and identical in their pinched-up, suspicious and petty expressions glazed over with a courteous mask. Max’s blue eyes, though the same shape as Aunt Palmer’s and the same color as Uncle Palmer’s, expressed a good heart and sincerity.
Her first subject of the day was an art lesson. All she had to do was sit comfortably, a palette with swirls of colors, paintbrushes, charcoals and pencils, a *** of water, and a fresh-smelling page. Usually she drew herself as a monster, or Linda as the devil- disturbing pictures that made people believe she was “talented”. But today, it came to her all of a sudden she’d never done a good, worthwhile painting of Hoopsie. Sure, her tables and notebooks were filled with carvings she’d doodled in class but never something she would want to keep.
She started to sketch Hoopsie on her bed post, eyeing the nuts Woodren had stolen from Aunt Palmer’s snack cupboard. She drew Hoopsie in the big tree and painted a metal cage around her. Somehow, the silver cage ruined the picture completely, making Woodren grimace. When the paint dried, she erased Hoopsie from inside the cage and drew her beside it, her small black feet gripping a twig.
Woodren remembered how elegant birds looked when she looked up into the sky, and saw them with their wings spread out and imagined feeling the wind rush through her feathers and ripple down her head and spine, with a heaven of azure blue surrounding her, shooting through clouds cold and refreshing like a sprinkler in the garden. Maybe that’s what freedom tasted like. She tried drawing Hoopsie soaring in the sky before she realized she’d never seen Hoopsie soar like other birds do, because Hoopsie had never done so.
Broodingly, she packed up when class was dismissed, slowly and thoughtfully. Somehow, that small beginning of a painting had darkened her frame of mind completely. Still ruminating, she headed down the hall way to eat lunch.
“Woody!” Hearing the sound of that voice, she momentarily forget her unease and Woodren’s thin, pale lips spread in a smile even before she turned around to him. Ed was the only one who ever called her that. His oval head was covered in small black bristles and one of his black eyebrows rose as he smirked with his pink lips curving down. The diamond earring in his ear glinted like his teeth did. He caught her eyes with his hazel ones; his eyes were warm and lively.  His mouth formed words that were witty and charming and could always make Woodren laugh.
Woodren put a look of amazement on her face. “You came to school today.”
“What are you talking about? I’ve been coming to school nearly all month.”
“That’s why I’m surprised.”
He hit her arm lightly. A few girls nearby turned around and giggled when they caught Ed’s eyes. Woodren remembered when Ed had first come to school. All the prettiest girls at school kept sidling over to him and batting their eyelashes. Ed had taken one look at the curves on their bodies; his eyes flickered over their face, a little bored, and continued his conversation with Woodren as if there had been no interruption.
It was a mark of their friendship three weeks later when she told him about her family. His hazel eyes had burnt hotly. When he was angry, his voice was quieter, but strained as if the passionate anger behind the words were being controlled with the greatest effort, “People who ruin other people’s happiness on purpose and with joy are just plain evil.” He told her that he hated the monsters that kidnapped children, crippled them, not only in body but mind too, and forced them to beg, far away from those that loved them. Here followed a stream of facts, all said in the same tone that both scared and impressed Woodren.
“How do you know so much about it?” she had once asked him.
He looked at her with an odd gleam in his eyes, “Because I care.”
Now he was looking at her without breaking his gaze, the same odd gleam in his eyes, searching her face. “What’s wrong?”
“Nothing.” She had still been brooding over Hoopsie in a cage, and why the picture upset her so much.
“Woody, tell me what’s wrong.”
Every time Woodren mentioned Hoopsie, Ed would go silent or make an offending remark about the way that Woodren took care of Hoopsie. Over a very short time, Woodren had learned never to mention Hoopsie’s name and though it drove her crazy with frustration, she knew Ed would never tell her reason the why if she tried to pry it out of him. Knowing not to answer truthfully, “I told you, nothing”
“I can tell when you’re lying. Your eyes grow whopping and your mouth pouts to the right.”
“Shut up.”
He looked at her searchingly before giving up with an irritated sigh.
“Come with me.” The chair scraped as he pulled out and pushed the table away from him. His tall frame dwarfed her.
He brought her to the back of the school where teachers and students never went, leaned against the wall and lit a cigarette. “You want to try one?”
“I don’t smoke, Ed”
“Why won’t you even try it?” The tone he used when he was about to state something that began an argument leaked into his voice smoothly, like oil. Woodren opened her mouth to list the damaging things it did to your lungs and heart but his voice had begun in its rapid, silky tone:
“Because society has brain washed you so that if you smoke when you’re a child, you’re a horrible ungrateful creature that will never go far in life. But when an adult smokes, it’s okay. You don’t smoke because people and teachers tell you not to try it. Well I say, **** them. These are the best years of your life. Do what you want, try everything so you can make the choices of your life later with a rounded experience and knowledge. I’m not saying get addicted. You have to be strong if you’re gonna be a risk-taker…” he inhaled deeply and exhaled in a husky voice, “I just thought you always went on about how you were such a strong risk taker.” He blew a cloud of heavy smoke above her head. “Oh, and of course you won’t try it because Aunt and Uncle Palmer said it’d be sin, isn’t that right?” he asked with a tantalizing grin in a mocking tone. He watched her face contort with anger, his hazel eyes dancing with glee. He knew he had hit at the bull’s eyes. No one ever jeered at Woodren’s inner power and then put her on the same note as her Aunt and Uncle.
A sudden snarling sound flared from her. She didn’t have to listen to anything Aunt and Uncle Palmer said… they never did anything worthy intentionally. She knew that. He was just stupid. She swore at him and knocked the cigarette out of his hand with a smart slap before storming away. An amused laugh from behind her made her ears tingle pink.
As soon as school was over, she pushed pass Ed who was waiting for her and ran back home. Opening the front door of the house, she scurried up the stairs to the third-floor and knocked on Max’s door. When she opened it, Max was already holding Hoopsie in his big hands. Hoopsie sang with joy when she saw Woodren.
“Hoopsie-girl” Woodren whistled with a tilting note that Hoopsie identified instantly. Hoopsie flapped over and landed on her shoulder.
“By the way,” said Max, “she must have knocked over her water because it was wet on the bottom of the cage. She kept trying to drink it. She’s thirsty.”
“Oh you silly Hoopsie! Why did you knock over the water? You know I’m supposed to have 8 cups a day?” she pampered the lovebird with caresses and endearing words before hiding Hoopsie in her shirt and running back to her room.
Woodren placed Hoopsie gently down on the bed post
Sarah Wilson Jan 2010
They are strangers now, separated by their worlds and walls.
There is no chemistry, no spark, nothing special.
They are simply strangers, sharing a couch.

One is autumn, one is spring;
one likes talking, and the other? Listening.

If walls could talk, they’d weave a tale so tragic.

In the beginning, he was sun, and she was moon.
At the ending, she was running, but he was leaving.

In the beginning, there are many things.
There is music, and laughter, and broken strings.
They have cooperation, and commitment, and promises.
Her mom gives them glasses, his mom gives them dishes.
She has her charcoals, he has his guitar.

At the ending, close to the ending-
There is his guitar, her laughter, they’ve broken things.
And that is all that is left.

Promises and glasses, dishes and hearts.
A year of trying and losing is written on the walls;
the wallpaper- peeling, the curtains- ripping.

He clears his throat, she stills- hoping.
“I’m sorry,” she hears, and it’s okay.
“I’m sorry,” she hears, “that it’s ended this way.”

I’m sorry, she hears. I’m sorry, that it’s ended this way.
I’m sorry, she hears. That it’s ended this way.

“It’s ended this way?”
“I’m ending it this way.”
jerard gartlin Feb 2010
your heart pumps kerosene
to your matchstick veins,
& maybe i imagined things,
but i remember your eyes as ember rings
& i can't wipe my memory clean
of the dingy debris--
the delicacies of your legs & knees--
this fire's not extinguishing!!
those ashes you disguise as eyelids
won't keep me from the iris
i know i'll find inside them

& i'll skim past your skin grafts
to your smoke-smothered stomach
then plummet to your flame-engraved pancreas
((scarred from swallowed promises)).
these propane x-rays
can't scan the barcodes
on the charcoals
that the holes in your heart hold
Mary-Eliz Apr 2018
artful creations

colors, charcoals

paints

stone and clay

wood and paper

bringing life
from
lifeless

form
from
formless

can the artist choose?
~~~
garden creations

shades of green

jade
artichoke
asparagus

fern, forest
and
jungle

mint, moss
and
pine

shamrock
tea, olive

mixed
with
a multitude
of blooming
hues

can the gardener decide on one?
~~~
kitchen creations

sweets and treats

savories and piquants

cakes and pies

meats, stews
casseroles

butter, garlic
lemon

rosemary
and
thyme

parsley
and
saffron

onions caramelized
to sweet

peppercorns
and
cardamon

tamarind, turmeric
nutmeg

combined in
precision
joy and
love

can the chef say which is best?
~~~

and thus
I challenge any poet

can you choose your favorite "child"?
I made myself hungry in that one part!
The storm– she will come,
Oh- by the roar of the drum,
The boom of the beat–
Now cometh defeat,
Four seals are now shattered,
The ground will be battered,
Come forth thy lost line,
Thou shall face His divine…
The sky opened to set them free–
The creature like thunder: “Come and See!”
Foremost in the lead–
Upon the White steed–
Arrow of the Bow,
All obstruction fall low,
Striking the weaker down–
The fire glistens about his crown,
Above all the rest,
Behold all victory; CONQUEST…
The bizarre of the steeds–
The color that bleeds–
A Fiery red that burns in the eyes,
As each soldier dies–
The civil war spark,
As if for a lark!
In the fight of the four,
The second is WAR…
Come and See! Come and See!
Now the count is to three,
The black horse doth ride,
The third horseman as guide,
The hand bears balance not gore–
The sole vocal of four;
“…And see thou hurt not the oil and the wine”
The third–oh the third–John! The third is FAMINE…
Oh the horror– the horror– the fire filled eyes!
All that follows in path now simply just dies,
The pale green beast is a savage- a monster- no heart,
The ending- the rebirth- the salvation doth start,
The fourth rider tears– ravaging all the land,
The unholy Reaper with scythe in it’s hand!
The harvester hath expelled mankind’s final breath–
With Hell at the rear– the fourth and final is DEATH…
The war now to heaven and Hell now to Earth,
The charcoals are black and red hot in the hearth,
Cast forth by the Lion of Judah- the Lamb of the Lord!
With all of existence- the Divine became bored,
The Harbingers of the Last Judgment- the servants divine,
The living creatures cometh to steal all hope from thine,
Cometh One then come Two from the mythical Seal,
Cometh Three then come Four from the seven rumored to be real…
CONQUEST– the archer- the first rider of pure WHITE,
Crown capped with unholy deception of light…
WAR– the swordsman- the second rider of fiery RED,
Blood and betrayal as thou mark thy brother dead…
FAMINE– the balance- the third rider of pitch BLACK,
Food and resources all man will soon lack…
DEATH– the reaper- the fourth rider of pale GREEN,
Hell guiding scythe ridding Earth of all souls unclean…
The horsemen they triumph in biblical tale–
Consider an alternate story and detail,
Think not of no hope in the book Revelation,
Rather- imagine the truth of a war of no rotation,
The power unbalanced to alter dimension,
A different battle scene with a similar intention…
– Written By:  Jacob Coffey –
***********
Just my take on a Four Horsemen of the Apocalypse. Hope you enjoyed it!
– Jacob Coffey
i
youth is your neighbour's Bee
hive wax, candle lights, flickering Flame
lovely sorrounding delicate contours
on a pale gently shaped face

ii
thou eyes still shine with
chesnuts burning flambouyant
charcoals, who can lit Free choice
of will and thoughts of Heart

iii
eclipses of centuries covereth
you, waiting for a Cosmic chariot
to take this moonsoon romance forth
holding the Sky's beau crinoline

iv
I feel wurthering imagination
floating and tearing my passion for You
when Thee become Thou in my deepest
love passion taking chapeau off
~
Imagined by
Impeccable Space
~
Poet of love and beauty
kb Mar 2016
if the world is a canvas,
your hands can form lines
that connect us together

tell me all the mediums
you create our world into
the castles we live in
the stories of our forever

we are never steady
but these textures
always build the feeling
of the future we are having

so promise me
one thing
and one thing only

let us be our creators
and creations
Poetic T May 2020
A masquerade of perpetual fear,
          for all steps were in unison.
For who would misstep with
         unkept flames catching
                        each indiscretion.

Hollow melodies capture the soul,
           bounding it with this dance
of the dead, neither a  choreography
         but a chain of resonance
        where bones scrunch in fatigue.

The hell fire ball, where all burn eventually,
        Singed gowns, and suits charred.
But the devil is in the details,
and we shall dance till we bleed of die.

           Perfection is a demon of fulfilment...
vik Sep 13
“oh, how they will all bet on morrows that strain rills after dark,
and yet the Game, unpitying, regains its lordly behest at dawn;

lean back and feel the turn of things, the chance, the risk, the almost...
ante!”



this mania!
when it wreathes,
the imperceptible of myself,
it drains through me, sedulously,
hands aquiver, sight fretful,
and the bath of wanting (and not, ergo),
spewing and fusing
inside the etna of my inlying.

you are, then, obedience itself,
long before the grapevine,
before the Cards;
rails tarnishing, yet begrimed steel,
rather ossein, or thew,
turning to a suttee so pale, it forgets its ills.

and the trains;
yes, they were gushing, though not afore;
“did you think they would arrive for you?”
they smelt into clag,
into a mist of faces, barren,
swelling and shrieking of throe,
snaking, snaking down the spine of
the Stake.

slaves betting with their ilk of ardor,
when a match struck, belatedly,
but already it is leaning toward cinders,
its shine no more
than a laugh of people,
leaving the hall shivery in its bleat,
charcoals sighing their waning,
others honing their exit.
bitterly, bitterly, i am
left with nothing to hold but smoke.

but time, ah, time,
the nimble Host,
old trickster with his cuffs of lithe,
shuffling cloaks for loose change.
he and i,
always at the same table,
and i know his favorite sleight:
to grant the boastful player
a losing hand,
and winning eyes.

the coin is tossed,
to the Parlay; so soon cast,
so soon swallowed by the piker.
the crowd, they clap for a name,
but it is never genius they are crowning,
only luck,
foremost Dealer,
with that last word,
smiling as he lays it down:
only the blind Card turned upward.

~~~

and i,
sitting with my empty cup,
still growing a taste for losing
foolish, surely,
but the loss only deepens the greed,
doubles it, whets it past the reach of will.

so ring then, coin,
dull as you are, tattered,
clattering against the floorboards.
it tells me i am counted,
measured,
already spent.
yes, yes, it is only a caprice,
but it hews, it digs,
it laughs where no mouths are,
and i laugh back;
ante!
🎰
Mybadbrainday Apr 2016
We are firefighters you and I.
Fighting back a blind hot fire. 
You, because of our impossible situation and the Other.
Me, because of my impossible situation and your Other.
I'm trying to keep my fire low and starving, or only a faint glow even,
but a whiff of air is enough,
enough to set my whole existence on fire.
Lay homes in ashes if not drowned or extinguished.

I'm grateful...

you keep your fanning breath of air
a swift tickling breeze for my sake.
Keeping your flare out of my flammable hair

but God, I want to burn so badly
I want to flame high, white and hot.
Not allowed to do that though....sadly...

I want to explode in a firestorm.
Consume everything in my way.
not listen to what they'd say
Turn everything into sorrow and ashes.
Let my heated tongues of flame lick you,
until you too is burnt to pieces.
Burnt pieces of charcoals
that I'd keep  in my heated heart.

A charred smoking reminder
of how devastating this fire of our love is.
How ugly to all that is beautiful and true.
Once letting my fire burn free there is no taming it,
no pardon, no wit

So, thank you my love!

For not fanning this fire
with more than
your flammable existence
It is oxygen enough.
I've lost all resistance.

So, thank you my love!

For not doing it my way.
Not letting me lay
my world in ached ruins.

It doesn't seem fair,
but let me slowly suffocate,
Turn your love into hate
make me choke and gasp for air.
A faint flickering flame
Pitiful and tame
As my fireman, put it out while you still can...
Nah, this doesn't come out right, but still needs out...
Nicholas Zuraw Sep 2020
The vision :
(dreams torn, torn)

A picture came to me in the darkness of night,
Of myself in ten, twenty years time;
Worn out with the struggle, weak, and no longer able to fight,
Finally giving way to the forces ranged against me,
Sad and grey and defeated.

The sketch :
(in harsh charcoals)

This dream that came to me,
Was as though I had finally and sadly, late in the day,
Lost my innocence.

The Canvas :
(Life, existence)

I had been high-minded and apologetic,
Full of enthusiasms I didn’t quite mean,
And guilt’s I didn’t understand.
And now I stand looking at the man I could’ve been.

In Oils :
(violent colours)

I had spent years thrashing around in confusion
As drowning men pull each other under,
As wave after wave we are swept away;
Our cries obscured by the thunder.

My signature :
(...)

See my writing on the wall,
There’s no one to catch me when I fall;
But Death was on my side:
Suicide.
Written many years ago in London
Bailey B Apr 2010
Reds and golds and
maple syrups dripping
from the leaves of the trees
Greens feathering the
walls of the valleys and tickling
our feet with their cool tongues
Blues that missed the sky
and hit the seas instead
forever keeping time
with a celestial conductor
Purples that kiss the forests
and leave their lip prints
on scattered petals
like tissues on the ground
The deepest chocolates mined
from the sweetest of soils
and baked by the brazen
Texas sun
This is what I paint my face with
in the morning
and then you left
your paints
your grays and charcoals
your cigarette butts
your footprint.
Poem a Day Challenge prompt 22
A nature poem.
He was leaning against the wall, backed up
And staring through fumes of gin and whiskey,
Glaring at all the toffs, dressed up
And ravelling through his sordid history.

But never a sense of ‘us’ with him
He was more like a raging arcane animal,
Caught and caged, as they looked right in
To poke and pry at his painted trammel.

Oils and charcoals, water colours,
Pinned like an insect by their gazing,
Pointing fingers would **** his skin
Pick through his pockets, grinning, gaping.

What would they know of his woods and fields,
The towering oak, or the dew at dawning?
Only the light that a lamp post yields
In the mean streets when the world is yawning.

Theirs was a world of tile and brick
Of diesel fumes and the rail line snaking,
His were the hills of hay and rick
The tumbledown cot and the farmer, raking.

‘What did you bring me here to spill?’
He said to the shyster gallery owner,
‘There’s nothing you couldn’t print at will
With a Laser print, and a barrel of toner.’

‘They’re coming in hordes to see your myth,
You’re a breath of air in a jaded Autumn,
A genuine Primitive, Jordan Griff,
I lured them in, and your work has caught them.’

But Jordan scowled and he curled his lip
As the crowd milled using an unknown language,
‘I’d rather be down at the ‘Rope and Skip’
With a pint of ale and a cold meat sandwich!’

‘You’re really an artist?’ said the woman
Who stood at his shoulder, pale and shaking,
‘I like the one at the farmer’s gate
With the girl, head bowed, as her heart is breaking.’

Griff looked deep in the woman’s eyes
For the chord she’d struck was his secret mourning,
‘How did you know?’ He’d sobered up,
‘I was the girl your paint was born in!’

Jordan halted his glass, mid-sip,
He seized her hand as his heart was pacing,
‘Years have slipped between cup and lip,
I’d give them all for a second tasting!’

He led her into a lumber room
And she locked the door as they pulled apart,
Then found some cushions and in the gloom
They lay on the floor there, making art.

That’s how his Primitives came to start
With a joy not there at his god-rot dawning,
A horse and cart with his palette heart,
And a tousled woman each tumbledown morning!

David Lewis Paget
Anand Acharya Nov 2014
Between half steps,half words
Half thoughts.
When the sun sets

Let me climb the night,
Align  stars
Scribe charcoals around moon.

Create seasons for you.
Catch the leafs of autumn,
shadow between our palm,
And grey voices under snow.
wordvango Dec 2014
I have drawn portraits
charcoals  of Saints
who stayed in one plane
for 200 hours, not moving a hair.

I built a castle, over a hill,
which one I forget.
I have painted oils,
landscaped with smiley faces,
they might look as if they have boils.

I have written, specious, meaning one thing saying another,
poems and probably will do again.
I have laid with Mona Lisa naked,
her perfect breath breathed
into my head.

I have chased Dragons, had a princess by her long hair,
her breast a white snowy her mouth the pinkest gasp.
I have stood taller and fallen farther.
I would, gladly,
do it all again.
Irina BBota Oct 2018
I love you in silence in the sleepy mornings of Monday,
wanting you to drive my tear away, without any commitment,
our hearts are still cracking like hot pieces of charcoals,
our lips being deliciously flavoured as strawberries and mint.

I love you on Tuesday, even if I seem insensitive,
lost in a labyrinth, like an insecure, capricious pseudo-child,
you take me flying up to the sky, in a charming idyll,
carrying me in your arms in an incredible adventure and mild.

Time... seems like slipping through our fingers on Wednesday,
enduring the words, the rhythms of my lyrics in the background,
singing our love even if we're crawling on the frenzied fields,
we make vows for better and worse, for always to be around.

Thursday doesn't forget anything when we are both together,
your magic hands, your shy eyes are pulling me back
to gather our hearts, to know that one plus one makes two,
looking at the horizon, to the fusion of colours, not the black.

I love you, you love me... we love each other until Friday,
as one body, one soul without any given restraints,
we know that our hearts belong to us more than yesterday,
your whole life, you put it on the tray, without any complaints.

I love you enormously on Saturday when I'm spoiled,
when your kisses have a hallucinating flavour on my lips,
radiating strongly, with a sacred and stubborn passion,
with an excess of emotions that are never lying to the eclipse.

I love you anyway and anytime, especially on Sundays,
passing through the thin border of my everlasting diary,
feeling that shake of a thrilling desire, a unique experience,
that you... make me feel like I am your fiancee, eternally.
Little Bear Apr 2016
Silhouettes and shadows
live in your mind
there is no colour
just porous charcoals
swallowed into the void
where the darkness seeps inside
the night is long and dark
and the silence stretches on
for an eternity

Corridors of sorrow
each door opens to the next
closets wide and full
where your misery hangs
a new suit for everyday
you talk in an undertone
muting all supplication
whispering no forgiveness
I am forever in torment

And here lies the devastation
from a time long past
and there is blood on the walls
blood on your hands
you enjoy it's colour
holding it up to the light
it tastes like mine

screams of sadness
echos of tears
shadows of time
if you would only but abandon me
for I am not here
and the shadows..
they are not mine
not mine I tell you
not my shadows
not my blood
please.. don't let them be mine
they cannot be mine...
but they are

I beg of you
let me be
unbind me from your dreams
open your eyes
and see

So silently I lay
among the eggshells
the barbed wire
and the books of memories
but I beg of you
if you would only but unwrite me
then I will be on my way
I will never look back..
I promise

Searching for a way out
I know that I  have died
I know it now
I feel my death
it is in the air
my love
but a festering corpse
my laughter
tolls the end of time
my happiness
an unmarked grave
I lay in Sheol
and in hades you have lain me
but I do not sleep

This is where I reside
and I cannot escape your oblivion
the cage of torment
that you keep me in
you are easily amused

please hear me
just one more time
if you would only but forget me
and let me truly be dead
please
*just let me be
shåi May 2018
flashing red
crazy eyes
her eyes
mirror her feets

like soft charcoals
hitting the refreshing ground

pebbles tap the
soil quietly
a running oasis

her garments
sweep the floor
like steam

the face
pale as the invisible air
honeykissed by the dew
of the silent nighttime

i wish to touch her
be one with her warmth
but yet
she leaves my reach
drifting like
fireworks in the dark

her mind
enlightens me
as the candle dim
i would kiss her every thought

her voice
tinkling chimes
recourse through
my being
with her i am forever home
(shåi)
i have returned from the depths of my mind
He's the second one I've truly hurt and I realized now that I burn

I used to think that maybe it was them but it's really me who when touched charcoals their skin and makes them turn to ash

They don't want anything to do with me because I'm not like the others - I'm a light burning hotter than 98.7 and the shades of orange and blue and yellow fill my body so when they ask me to speak all that comes out is fire

My words sizzle on their skin and they turn away because no amount of water is going to spark out this flame
Marco Aug 2020
Holy, black typewriter, frenzied,
spits out strangers’ love letters, desperate, the ink band half dried
(but ultimately returns to its grave of  dust).
Withered books, yellow pages carelessly leafed through, devoured
(pay no heed to the traffic - walk and read),
falling from one pain into the next;
such are beginning and middle of these days...
And benzedrine fever dreams are fleeting,
as elusive as great insane private revelations
mentioning Ginsberg and Hendrix by name
- a swirling fata morgana of Buddha, Dharma, cult,
and a thousand angelic punks, punk angels, safety-pin-winged,
dreams about Neal and I (not I) being cops -
revealed to my hands in a crazy stupor, darkening and
illuminating the whole café, unaware-

and I know that Marlon knows a jeweler, knows
his hands -
how does that fit in here?

These days waste by, racing, crash-trickling like waterfalls,
like the Niagara Falls that made Joe cry -
and now I watch him cry,
shamelessly, inconsolable in the face of beauty,
crying like he’s never seen water,
as he hands me another case - Morpho menelaus -
dead, killed, (killed on Denver roads), escaping freedom
in the giant hands of a not-so-average Joe (secret hero of this poem),
his eyes glued on life, and full of tears
and his dad didn’t want a daughter neither, wanted no children at all-
And down in Mexico (where he is now, or was last)
the plywood violin plays the open-highway-blues
for a not-so-sober Jack who loves and hates and loses.
Somewhere amid the British-American chaos: a pair of twins
suffered at the hands of their mother,
suddenly forgotten on the road...

Speaking of “mother”: Soon I’ll miss a wedding, and
- come to think of it - so will Jack, won’t he,
the other one,
with his red lips and olive green canvas, with his
made-in-vietnam imitation of
father Dunkirk’s blood, fallen soldier, 1916 Jesus didn’t rise -
How to lose my mind positively, flush out the memories?
Swimming at midnight: the cold lake homely in my bones
all washed over by iodine-orange water.
Mark hums sweet country tunes, wheat between his lips, "hey la, my boyfriend's back" -
and the sun never sets
and the coffee is always cold
and all the pages are black.
And Springsteen lies on the nightstand, his spine turned to me,
sharing his makeshift bed with Kerouac and butterflies, and

a cruel storm of stories that sends my head spinning
makes it so that - unable to form in the hurricane -
poems cower in the back of my throat
like predators waiting to jump on their prey, and -
any minute now, I beg them, any moment-
but they shake their Rottweiler heads and bare their crocodile teeth,
taunting me, saying
that the wordy intelligence of others dumbs me down,
burns me out, charcoals my brain with the soot,
leaves me without originality; no
mind for my own words, no
regard for the verses crying to happen, only
the need to write, write, write,
stupidly, like a dog is forced by instinct,
the insatiable need to spill, to transform, to twist, distort, to prophesy, to-

Some  journal entry reads: healthy coping. Think:
Growth is inevitable.
God is inevitable!
Pain, and fury, and love, are inevitable! Luck -
To take this earth and make it yours,
this oyster,
and realize that it’s also everyone else’s;
(boys, no, kings of summer)
inevitably working together to create beauty,
only one glass case away from bewitching your living room,
from taking its seat right beneath the busy hand of God
and hold up the mirror:
this beauty was you all along. And me. And Him,
and everyone else.
This Father wanted a Son, wanted a daughter, even,
and,
suddenly,
this close to the face and hand and chest of God,
the old fear of 23 turns into excitement
with all our eyes, full of tears, glued on life -
still,
even now -
This is, essentially, a summary about my July in 2020.
Anais Vionet Sep 2022
We sat beneath a night sky of graduated charcoals, blacks and interstellar blues. Fall’s begun its indispensable work, banishing the harsh sun, the creepy lanternflies and hot summer nights.

The stars seemed hesitant tonight, like they feared the sun might change its mind, reverse its course and run them back off - except one, which Peter says is Jupiter (and therefore not a star at all).

We were (Peter, Sunny, Anna and I), studying, in our fold-up lounge chairs and reading by little kindle lights clipped on our books. Leong’s there too - supposedly studying - but in reality, she was waiting for her date.

Leong and Sile have been flirting since last year and tonight’s their first, official date. Leong’s never been on a western date before or ever been alone with a boy in a car. She’s only seen romance in movies or from afar, like an astronomer viewing a distant moon through a telescope.

Her outfit, though casual, was coalesced from six wardrobes and no king or questing knight has ever been dressed more carefully or with greater ceremony. She even positioned her chair at a carefully chosen angle, to show her, initially, in her best light - “Zhù ni hao yùn!” She insisted (It’s good luck).

She’s a gorgeous, brilliant, amazing woman with a razor-thin veneer of amorous confidence. I know my nerves playup when I’m uncertain about things, but Leong’s playing it off, acting casual.. ish.

Finally, with an almost physical jolt, she saw him enter the quad. As he approached, his every aspect was scrutinized by vigilant, overprotective roommates. The air was filled with the whispered buzz of shared analysis.

Soon they were walking off together and chuckling at something we couldn’t hear. It’s funny, I’ve never felt so much like a parent.
BLT Marriam Webster word of the day challenge: Coalesce: to come together or join forces
Little Bear Apr 2016
they were my works of art
and you gave them away
you imagined them for me
but you gave them to mere passersby

you painted a world of
watercolour dreams
oils of glorious skies
nights drew in with charcoals

drawing abstract stars
and graffiti moons
that shone over our love of love
our waterfall of wondrous things

but now the paint has dried
it cracks and you give slithers of it
to every passing fancy that looks your way
to muses with Mona Lisa smiles

my works are gone
given out as sweet treats
honey for the flies
catching the artists eye

and I fade to black
charcoal underlines my eyes
and not even my abstract stars shine
Paul Sands May 2015
I fail at sleeping



in a show of unconditional accusation, the reproachful slander of your hereafter,

amongst the placid hours,

I try to be the grand man, but I shake too much

unhinged by the overreach of my skeletal height

much to the delight of every unskilled whistler



tough love and rougher hate interprets the shuddering motions, as my left hand lingers

over a possibility where dreams might bring

freshly ****** flesh and afternoon tea



I barter with **** and borrow into strained relationships

awaiting the unfounded precedence of my childish brain’s

blinked silhouettes burning themselves out



crumpled and brewed, and even while tempest soaked, charcoals outnumber my pasteled ambition

this distinct morbidity, by which I call my life, lacking

in that level of consistency

that spire sponsored screams might bring



for despite the consequences of ambient respectability,

reckless maturity brings terror to the aisles

and grave duels in the carefully measured medium

of the margins



and the starving are no longer a postulate amongst the rummaged toil

but the impotent sickness of a painters earthy delivery

counterfeit conjecture hung in the resentful stench

that remains too good

for the likes of you and I

— The End —