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Marco Aug 2020
Here, starry, open road
   the promise of finding God or Yahweh or Buddha
   on the highway,
the roof down, wind in our hair and dirt,
   red sand of the canyon vast around us, setting sun and personal American dream,
   drifting further into your arms and our souls mile by mile,
the burning blue of the sky ahead, inflamed by all the reds and oranges the dying sun can
    possibly bleed,
and my hand, drifting on the driving wind,
   finds its way into your heat-swept hair, soft and dark and handsome,
   all memory of cold end of '47 erased in the face of your warmth
as we fly down the street -
   I'm sorry I only gave us six decades,
   I would have aimed for more if I'd known about your untimely nightfall…
-but this Cadillac is stolen, fast, free and green;
   wheels burning hot in their devotion to carry us anywhere,  
   the leather backseat our warm and welcome marital bed,
for this, surely, is our honeymoon -
Yes, indeed, we got engaged in that small cot in Harlem,
   said "I do" on the cool, cracked asphalt of some nightly Texan road.
You promised me forever,
   swore me eternal love & friendship in your own voice,
  with your own words -
     the sweet, darkest-soul-illuminating true Western twang of your blue-eyed,
     full-and-clear-hearted vow.
What of it now?
   Where your voice? Where your face, your knees, your hands -
   Where your shoulders made strong by carrying all of
   America?
   Where your feet glued to gas pedals and roadside sand,
   where your soles -
Where your soul but up in Heaven, surely?
   Up in Heaven…

And us - him, me, her -
   left behind, to drown in ***** or go mad with longing,
   to be forgotten by the dead.
And nothing of you now
   but highway ashes and lovesick poems, black-and-white camera roll…
inspired by Allen Ginsberg's writings about Neal Cassady
Marco Aug 2020
Holy, black typewriter, frenzied,
spits out strangers’ love letters, desperate, the ink band half dried
(but ultimately returns to its grave of  dust).
Withered books, yellow pages carelessly leafed through, devoured
(pay no heed to the traffic - walk and read),
falling from one pain into the next;
such are beginning and middle of these days...
And benzedrine fever dreams are fleeting,
as elusive as great insane private revelations
mentioning Ginsberg and Hendrix by name
- a swirling fata morgana of Buddha, Dharma, cult,
and a thousand angelic punks, punk angels, safety-pin-winged,
dreams about Neal and I (not I) being cops -
revealed to my hands in a crazy stupor, darkening and
illuminating the whole café, unaware-

and I know that Marlon knows a jeweler, knows
his hands -
how does that fit in here?

These days waste by, racing, crash-trickling like waterfalls,
like the Niagara Falls that made Joe cry -
and now I watch him cry,
shamelessly, inconsolable in the face of beauty,
crying like he’s never seen water,
as he hands me another case - Morpho menelaus -
dead, killed, (killed on Denver roads), escaping freedom
in the giant hands of a not-so-average Joe (secret hero of this poem),
his eyes glued on life, and full of tears
and his dad didn’t want a daughter neither, wanted no children at all-
And down in Mexico (where he is now, or was last)
the plywood violin plays the open-highway-blues
for a not-so-sober Jack who loves and hates and loses.
Somewhere amid the British-American chaos: a pair of twins
suffered at the hands of their mother,
suddenly forgotten on the road...

Speaking of “mother”: Soon I’ll miss a wedding, and
- come to think of it - so will Jack, won’t he,
the other one,
with his red lips and olive green canvas, with his
made-in-vietnam imitation of
father Dunkirk’s blood, fallen soldier, 1916 Jesus didn’t rise -
How to lose my mind positively, flush out the memories?
Swimming at midnight: the cold lake homely in my bones
all washed over by iodine-orange water.
Mark hums sweet country tunes, wheat between his lips, "hey la, my boyfriend's back" -
and the sun never sets
and the coffee is always cold
and all the pages are black.
And Springsteen lies on the nightstand, his spine turned to me,
sharing his makeshift bed with Kerouac and butterflies, and

a cruel storm of stories that sends my head spinning
makes it so that - unable to form in the hurricane -
poems cower in the back of my throat
like predators waiting to jump on their prey, and -
any minute now, I beg them, any moment-
but they shake their Rottweiler heads and bare their crocodile teeth,
taunting me, saying
that the wordy intelligence of others dumbs me down,
burns me out, charcoals my brain with the soot,
leaves me without originality; no
mind for my own words, no
regard for the verses crying to happen, only
the need to write, write, write,
stupidly, like a dog is forced by instinct,
the insatiable need to spill, to transform, to twist, distort, to prophesy, to-

Some  journal entry reads: healthy coping. Think:
Growth is inevitable.
God is inevitable!
Pain, and fury, and love, are inevitable! Luck -
To take this earth and make it yours,
this oyster,
and realize that it’s also everyone else’s;
(boys, no, kings of summer)
inevitably working together to create beauty,
only one glass case away from bewitching your living room,
from taking its seat right beneath the busy hand of God
and hold up the mirror:
this beauty was you all along. And me. And Him,
and everyone else.
This Father wanted a Son, wanted a daughter, even,
and,
suddenly,
this close to the face and hand and chest of God,
the old fear of 23 turns into excitement
with all our eyes, full of tears, glued on life -
still,
even now -
This is, essentially, a summary about my July in 2020.
Mark Toney Oct 2019
Long arm gendarme
My mistake namaste
Backpack bivouac
On the Road with Kerouac

Brilliant stars, silent nights
Fireflies, Northern Lights
Mountain streams, fresh air
Fall asleep anywhere

Small town, take a chance
Pig roast, barn dance
Allemande left!  Do-si-do!
Spontaneity here we go!

Long arm gendarme
My mistake namaste
Backpack bivouac
On the Road with Kerouac

Beat Zen's hey-day
Doing things our own way
Nonconformity, anything goes
Kerouac-Ginsburg-Burroughs

Shot to pieces, picking skin
Benzedrine, adrenaline
Don't forget the Phenergan
Notify our next of kin

Long arm gendarme
My mistake namaste
Backpack bivouac
On the Road with Kerouac
7/15/2019 - Poetry form: Rhyme - "The Beat Generation was a literary movement started by a group of authors whose work explored and influenced American culture and politics in the post-war era. The bulk of their work was published and popularized throughout the 1950s. The central elements of Beat culture are the rejection of standard narrative values, making a spiritual quest, the exploration of American and Eastern religions, the rejection of materialism, explicit portrayals of the human condition and experimentation with drugs...In the 1960s, elements of the expanding Beat movement were incorporated into the hippie and larger counterculture movements." (Wikipedia: Beat Generation) - Copyright © Mark Toney | Year Posted 2019
Vinyldarling Jun 2016
Memorization was never the key to anything
Seeing that she changed so much.
So often.
With only hands to guide over her curves
As my eyes, sewn shut at her merciful kiss,
I memorized absolutely nothing.

The key was to explore - gain a new sensation
Every delightful time you had the permission.
The permission to graze that complexion of black and blue and the
Rosy cheeks that were out glowing the slight tan you had on
Your face and scalp because we went swimming
Last week.

We never really got wet though, vigilantly dipping our
Toes in the chilly water, a book in my hand,
Not speaking but letting the words drip over
My lips to poison them with the writings
Of O’Hara, Ginsberg, Kerouac.

I hope you plan to travel the world
Because it's the least you could repay me
For not memorizing you like a road map
To nowhere.
Looking heavenward, I see only the earth.
The stars align and the planets turn,
But what of the holy?

Archangels sit and smoke and weep on tenement rooftops,
And the collared cherubim bleed into the rainswept gutters
Like cut dogs in cardboard boxes by the highways of New York,
Or the roadsides of back-alley Brooklyn or Paterson,
Where the demonic masses lie naked in the streets,
Their souls bared raw to heaven
And their hair as messy as sidestreet dumpsters.

The misted rain fogs on the busted double glazing,
The bare limbed trees outside fallen victim to a long winter
And a late spring.
The air that blows through the streets of these mundane cul-de-sacs
Has passed through the lungs of cancerous dodgers
In those hell-indulgent cities,
Where children find their kicks by freerunning
Across buildings of bricks made from c-grades,
Or by standing atop high-rises in the grey wind,
And biting their tongues only to feel their own consciousness
Burrowing into them
Like parasites from the condemning schoolhouses or university halls.

You’re alone when your skies turn grey,
And the rain falls with all the purposeful intent of a neon god.
You’re alone when your smashed milk bottles and broken plates
Are like music on those drug-dampened dawns,
You’re alone when your cold, ash-stippled roof gardens
Are your only way to heaven,
You’re alone when your fingers are cut on your own writing
And you are dizzy from spinning yourself sick
Alone in your splintered art lofts.

Your stars are misaligned and your planets need engine grease to turn,
And you sit and smoke and weep on tenement rooftops,
But you still look heavenward.
You see your madness in the same silver moon
That compels the tide and transfixes wolves,
You recognise yourself in newspaper clippings proclaiming ******,
You acknowledge your expression in broken syringes
And powder remnants
On the glass-topped coffee tables of water-dripping apartments,
You feel your heartbeat in the gasolined engines
Of stuttering Cadillacs
And taste your own warm lifeblood in the burgers of roadside diners.

You see cosmological galaxies bursting like Van Goghs,
Horrible, bitter-cold starstorms underneath white skies,
Raindrop-dripping garden leaves in shrubberies and verges
And earthy rockeries,
You dream of enlightened, ***-smoking boys in beat-up trailers
And the cluttered box rooms of sky-high apartments,
Of screeching atop stone-cragged mountains of green in highlands,
Of bell-rung harbours in the white seaside towns of England,
Of the salt-chapped lips of fisherwives
And the bone-skinny children of sailors,
Of visionary angels in stained glass cathedrals,
Of the cobbled thoroughfares of lamplit cafes in a Parisian purgatory.

And yet you lie naked on floors,
You lie high on floors and let visions spill from your hands
Like the whiskey you drink.
You are under us now,
Under the earth like meat sacks.
But your vision lives on
In every piece of self-indulgent fuckery written for you,
In every copy of your collected works
Or your novels.

Seek,
Live,
****,
Die.
For you are immortal, in the end.
**** ending, but endings are hard.

— The End —