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Sad Girl Apr 2017
“I'm big, you're little.
I'm smart, you're dumb.
I'm right, you're wrong.”

This is what you've taught me,
but I've learned another way.
I try to be so peaceful,
I practice every day.

I've been through quite a lot,
And I've had to be so strong.
My message must have gotten lost,
been fighting for so long.

You raised me as a woman,
Yet you treat me like a man
The way that I'm reacting
often goes against my plan.

I'm trying to reach out and
you call it my excuse.
What you see as parenting,
Feels like abuse.
I feel very threatened and
begin to snap back;
I realize my mistake too late,
I try hard to retract.

I need some space to breathe,
I need a little air...
You get so worked up;
leaving no room for repair.
I try to walk away,
I try to be alone,
But you will never let it be
And that is set in stone.

I feel backed into a corner,
As though I have been trapped.
You push me all my life
And expect that I won't snap.
I am very agile,
But I am just a person.
I try to learn to bend
so the problem will not worsen.

You think that I'm rebellious
And full of disrespect
Whenever I'm defensive
As I am made upset.
I don't want to feel scared
And I don't want to feel pain,
Once you introduce those feelings
It can drive a girl insane.

I'm sorry that I haven't turned out
quite how you expected.
My problems are ignored
And my person feels rejected.
Expose me to the anger of
which I have been subjected...
I forget why I'm hurting and
I follow your objective.

The things that I'm saying
are just sitting in my head,
You may not remember them
as things that you once said.
I don't mean to preach and
I don't try to follow,
But your anger is so loud
That I find mine hard to swallow.

I'll leave if you need me to,
But that's not what i need.
I want to coexist with you,
I'm just not up to your speed.
I need love and I need patience,
But you have your own issues
And you cannot face this.

It's chalked down to
"He's old and he'll
never change his ways"
If this isn't an excuse,
I don't know what more to say.

You think that we are different,
but we are quite the same.
You don't see yourself in me
And I find that quite strange.
You say I make my problems
Into someone else's,
While doing just the same...
Am I the only one who is selfish?

I never mean to do or say
the things that I have
I wish that you could help me out,
but you are just my dad.
You are who you are,
no matter who it affects.
I just have to get over it,
as everyone expects.

I'll try not to be like you;
Try to avoid all of your habits.
The idea is in front of me,
I just can't seem to grab it.
mw Nov 2016
two days
before we loaded the car
with what seemed like the entirety
of my heart and belongings
to move me across the state to attend college,
my baby brother found me on the kitchen floor,
crying
about the microwave.

well,
not just the microwave.
he found me in a crumpled up heap,
sobbing that this day
would be the last i had
to microwave things
in
this
particular
microwave.

i couldn’t justify my lament then.
my dad chalked it up to ***,
my brother called me a drama queen,
and my mom told me i needed to eat less microwaveable things.
but i think i might’ve figured it out now.

five months later.

y’see, i grew up an ARMY brat.
attended five different elementary schools,
two separate middle schools,
one high school,
and two colleges.
i was never good at saying goodbye,
but i’m a pro at walking away.

i found out quickly
that while the faces and names
of my friends and classmates
change from state to state,
the character tropes
stay basically the same.
people and places become such replaceable things.

i worry,
a lot,
about being a replaceable thing.

there are talented people in this world.
people that can divine the past and future
from coffee grounds and tea leaves.
but can anyone here tell me what kinds of awful things my footsteps say about me?
there are boot marks,
with my name on them,
in places i know i should never have been.
and clumps of dirt stuck to my heels
that have been with me longer than some friends have.

i sat on the floor last night
while my love explained physics to me.
he told me
that gravity is a constant force,
and of course,
the earth’s gravity affects each and every one of us.

but our individual gravity affects the earth as well.
according to newton’s third law,
the earth pulls of me
with the same force that i pull on the earth.
my mass disrupts space time.*
carl sagan once told me
through the clarifying prism of the television screen,
that we are all stardust,
collapsed suns
and black matter.
we belong to no place.
i belong to no place.

i belong to no place.

i don’t cry about the microwave anymore,
i don’t waste my tears on saying goodbye.
i know that every thing and every one has their time,
and sometimes that time is brief.
it’s a hard pill to swallow,
ultimately my favorite self descriptor is ‘infallible’.
but somedays, i fall
just to stand up and see:

the sun *still
rises,
the earth still turns,
the microwave still makes bomb-*** chicken nuggets,

and i am still here.
old ****
Khoisan Nov 2021
Message
in
a
bone

silent
the
thought
left
alone

Ancestral
pre - fone
The trellis of oak trees winked,
captured my soul in a spinney,
chalked whispers of free promises
breathy like a silken shawl trailing

Those wise men of old, withered
skin of bark, tall and strong, waving
their introduction. They bowed to me
in free form, in humble escapism.

Sun had stroked their warm palms,
fed them sweet sap. To my left a
stray leaf, rested amid invisibility,
caught the air train, and spiralled free.

Twizzled to the green painted rug
basking under my cotton covered feet.
Reaching out, it blew away,
I chased the freedom fields.

The brook teased it and set
sail under the woody bridge,
green from seasonal tears.
Lost sight as it spun the space

between us. The grass sprung
its beginnings in full Spring, tall in parts,
summer not yet wrapped and
ready to visit us, much less

invited to the summer ball
where shadows are ten a penny,
and sunshine bought on every
street corner.  I am among spring

devoured in daffodil eiderdowns,
elbowing out the crocus, snowdrop
chandeliers. I seagull my way,
swaying in step with willow, blossoming

surprising myself, how I let go of
school day shivers, tinkering my brain
into gear for terms talking tightness,
cramming commas, fat full stops.
King Panda Nov 2017
tenderness leaves
my eyes in capillary ribbons.
your diamond lips are chalked,
released from rock.
your head, a knot of angel pine—
a dark-brown blooming
sticky and lucked to the back
of my throat.
it is in this moment that
I hear a wisp of rapture
blowing through the oak overhead.
my heart’s motor cranked
like October’s last churning
bumble bee.
pollination
susurration
be gone…

you kept looking past me,
your hand on my shoulder.
the precious gauze of your profile
mixed porcelain doll and found a
chisel to perfect your nose.
I feel the love of everything and
you—so unaware of your
beautiful.
Jas Nov 2017
At the beginning of the date he wanted sushi,
I wanted a large pizza with extra cheese that sounded like, "No thanks, not hungry."
It was cold outside and it was raining
So naturally we opened up the window as far as it would go -
He quickly lit the panda candle near the window
as if the spark came straight from his fingers
And all I could think was, "****. Even with the wind the candle is still lit. This is my guy."
It was romantic and slow and I was a **** fool,
****** in
Feeling like I'm falling after four days.
A little conversation and some food later, I could suddenly make out the width and length of his eyelashes -
"Oh ****. He's leaning in."
His hand surfed the curves and waves of my hip,
My entire body felt like a magnet towards his and
Having felt it all
I chalked it up to friendship
While thinking and dreaming of my "friend" wondering how
How could I have been such a fool?
I broke his heart and mine too.
Nigel Morgan Sep 2012
1
 
Grey sky greyer sea
a litter of rocks balance
coat bright hat blue mittens striped
as on these November steps
you collect the gifts of the ebb tide
 
2
Glint green this living tapestry echoes
Jilly’s field with tractor not Devon
but salt-flats rocky revetments moorland rising
a map crossed by a chiromatic line
our destiny marked out on this concrete wall?
 
3
Beached clinkered double-ender
a bay-courser sjekte strand-crunched
fit once for Viking raiders two abreast
now daubed with tin ends of patriotic paint
a sea-steed hobbled ******* the shore
 
4
Bow faced a sea helmet thrice rope strapped
slow moulded over the boat builder’s ribbanded jig
a spanglehelm of wood
curved sheer straked plank bilged a tuck stern
raising its proud head seaward
 
5
Viewed from the air a map rolls out
north to the tilted curve of the horizon’s rim
cloud scattered mountained red
betwixt seas sun chalked wine-stained a volcanic isthmus
provokes desert the western waste land of  a brooding city
 
6
Oh face of ropes knot eyed!
you blue cheeked wide smiler
wild wild your  head of hair
beachcombed and splayed
wrapped on the sternest post
 
7
She sewed sugar kelp on the sea shore
a sporophyte with sheltered frond​
strap-like stem stiff and smooth
of the species saccharina a spring-tide
stalk set among substrates shells and stones
 
8
I the camera turned and caressed
by her slight fingers (the pinky raised)
my viewfinder close to her blue grey eye / I
focus on this kelp-needled novelty feel her breath
wait for the thumb press the electronic click
 
9
Here is the beach walked in darkness
the fishermen shadows against the moonstruck ebb
fingers laced the sea’s breath in our ears
wave upon wave un-folding on the sand and  later
we unfold then draw back in love’s relentlessness
The artist Utamaro organised a day out at the seaside  for a group of poets. He gathered their poems together to accompany a collection of intricate paintings he published in a book called Gifts from the Ebb Tide. This can be seen in a beautiful on line presentation from the Fitzwilliam Museum, Cambridge. My poem sequence is written in the same spirit although transposed to the seashore of the North East of England.
Joshua Poetry Mar 2015
My mom found a box in our garage that was chalked full of my past.
Isn't it kinda funny reminiscing on things you thought that were meant to last?

I sacrificed so much and gave everything I have, only to realize that in the end, it's all smoke and ash.
Andrew Parker May 2014
Condolence Cards Poem (Spoken Word)
5/19/2014

Congratulations: On landing your dream job!
Congratulations: On buying your first house!
Congratulations: It's a beautiful baby you brought into this world!
Congratulations: Marriage is so monumental, see you at the wedding!
Condolences.

Can you measure the amount of acknowledgements we forfeit,
to cheap card stock and cheesy colorful cutouts?  
Like each event in life is a round in sports,
requiring an announcer to stand on the edge of the arena,
shouting the play by play.  

We play pretend that cards can say what we feel.  
But I feel like unless if those purple, blue, vanilla,
or pink for valentine's and mother's day envelopes
can enclose an entire paperback novel,
I know that my feelings can't possibly be enclosed inside.  
As if feelings could surmount to anything less than a lifetime of experience.  

For when has then phrase, "I love you" ever conveyed the entire message intended, but without the soft gestures accompanying it, or perhaps the longing gaze of eyes and 'I Do's' entrenched in one another.  
For when has the phrase, "I miss you" offered up the subtleties of staring out your window on rainy day, listening to piano symphonies sinking into the sofa sipping away sorrows on wine?
For when has the phrase, "I am sorry for your loss" ever actually meant sorry, as if it was you who were the perpetrator of a ****** and were seeking exoneration through a sorry excuse of a phrase uttered by people who just don't quite understand the meaning of the term 'sorry.'
Condolences.

I stare at the Hallmark Sea in front of me and I wonder.  Are life's memorable moments so easily categorized?  Into baby showers, bar-mitzvahs, and birthdays?
What about cards just for barbecues with random neighbors?
About cards just for breaking your precious vase?
Cards just for being a ***** the other day?
Just for breakfast you made me in bed?
For binge-ing on alcohol with me and not leaving me almost dead?
What about cards just for thanking you for buying me a stupid ******* card?

Tell me where is the corporate branding on cards for being broke?
On cards for broken homes?
On cards for being homeless?
On cards for getting cancer?
On cards for cutting?
On cards for self-loathing and depreciation?
What about cards for being in the moment or sharing a cup of coffee?
Instead what we get is the catch-all, Condolence Cards.

Condolences - an expression of sympathy with a person who is suffering sorrow, misfortune, or grief.  
Condolences - an expression of sympathy with a person who is suffering sorrow, misfortune, or grief.  
Condolences - an expression of sympathy
Condolences - a person who is suffering
Condolences - sorrow, misfortune, or grief.  


I didn't realize most people's sympathy being expressed equated to blank stares like paper on paper, means nothing but thin and flimsy papers, feelings forfeited, grounded up like big beautiful trees teeming with life, chalked up into tiny pieces of toilet paper for you to wipe your crap on, leaving behind a Hallmark - Condolence Card.
Amanda Hawk Jun 2020
The summer is memories

Of chalked drawings and hopscotch squares

I still find it under my nails

Thin layer of dust in pastels

Crammed under, compacted

With summers of my childhood

Reduced to hieroglyphs

Incomplete scribbles, a broken language

Of friendships long forgotten

And places long lost

I can’t help but feel regret

For I was willing to reduce my childhood

To nothing more than chalked reminders

Beneath my nails
Harry J Baxter Jan 2014
It’s funny how despite different tastes
we all have a taste for music
my life has never felt complete
with a soundtrack. A beat
as a kid I was told not to fidget
told to just sit still
but my person was anything but chill
I have always had a thing for rhythm
I felt it in the way people speak
the way a husband sneaks around
keeping his wife trapped and meak
whether it is weak or strong
I could always hear that drumming song
It started with a rap song I heard
Hi My Name Is by eminem
but then again it had always been with me
it’s the reason time scares me
because in the beating tick of those two drum sticks
I could see the sound of life wasted
and it made me want to get wasted
black out drunk at fatal altitudes
when I was in middle school
we were angry
and disrespectfully spiteful
so we rocked long socks and listened to punk rock
then It was about being a bad guy
a real force not to be reckoned with
so we wore black Tshirts depicting violent scenes
and joined the screaming heavy metal mosh pit
a place to fit for all the kids who didn’t anywhere else
as I got older I put the heavy metal on the shelf
if I’m being honest it was all just a little silly
angsty teens with lofty dreams which they told us
were unattainable so we went out looking for cheap thrills
rather than develop any marketable skills
The first time I felt marketable
it gave me chills
The National in Richmond Virginia
an old theatre
converted into a sanctuary for the sanctimonious masses
to forget everything they learned in their classes
a place where kicked *****
wasn’t always a bad thing
I remember I was there
in the tenth grade
to see the Atmosphere show
because the lead singer - Slug
was my hero
his words enveloped me in a bear hug
which said you’re doing just fine kid
and in that crowd of tattoos and hipsters
and the ghetto kids wearing chips on their shoulders
I was high
but not on drugs
I was high on expressionism and the loftiness of ideas
The men behind the microphone
wearing a costume of stage lighting and swaggering egos
made me feel at home
for the first time in a while
they said things like God Loves Ugly
and Every Day Can’t be the Best Day
and the DJ’s worked the turntables
like a good lover brings their partner to ******
I didn’t know anybody else at the show
but don’t think for a minute that I was alone
we were all connected as brothers by bond and spilled blood
of our heros who were cut short before they could say the things
which we all needed to hear
We respect the story tellers
because it is how we come to terms with tougher aspects of life
and I was flying high on the dreams of kids just like me
saluting the scarred, worn, souls who had made it
who were making the path that we would one day walk
with the cut of their jive and the strength of their talk
***** of the walk
chalked outlines of the end of loneliness
They called us hop heads
and we’d reply
you’re ******* right we are
hip hop didn’t save my life
it just stopped me from taking me
for granted
I already wrote a poem about this night, but that was almost a year ago back when I really had no idea what I was doing with this poetry stuff. I love hip hop, It is a huge part of who I am today. "As a child Hip Hop made me read books, and Hip Hop made me wanna be a crook" - Slug of Atmosphere. If It wasn't for Hip Hop I would have never grown up to have confidence in what I say and how I say it. I know I have wrote a lot of poetry today and probably clogged your feed up (Thank you Adderall) but I really wanted to post this one. It is important to me and I hope you guys can at least relate. Probably won't be posting here for the rest of the day. Keep on scribbling guys
Harry J, Baxter
Jeannette Chin Sep 2011
I stood upside down on the watery
side of the sea line and looked at the
world I was standing on, the stars
blew out and re-appeared like the people
walking past the cafe bench. The guy
with the newsboy cap, made his
rounds around the city, a white-out inscription
on brick caught his attention:
“You anticipated
this time in another place.”

The daughter of the woman
behind the flower stand
draws chalked fish completed with
succeeding circles to indicate
bubbles, bubbles on the asphalt.
She was right: I had learned
to breathe underwater and as a litmus
test I turned my eyes to the single
tree on the island. It shivered
like seaweed. I went up to the stand
and purchased the ugliest peony,
the one with petals that were
chiseled like frozen waves.
I gave the lady
my last quarter and as I
turned around I saw the face of the guy
with the newsboy cap, only this time it was infinitely larger,
peeking over the horizon like the sun
when it first rises. And then, a hand coming up,
from under, fingers tapping from the other side,
taps reverberating through sky,
as though there was inside and outside
and this whole time I was
in an aquarium.
JC Aug 2015
Disdain and enmity,
for which there is no remedy,
gives acrimony inside of me,
for which I have no doubt,

The only way that I can see
an end to animosity,
is a clear and simple breaking free
from shackles which hold me down.

Without your burden, I can be
free to surreptitiously,
achieve a sense of normalcy
to what was once before.

Before the orders conferred to me,
carried out, sans questioning,
I had a life; a dream you see.
But no not anymore.

I used to live quite happily,
free from thinking cynically
of my peers along with me;
Our intentions leave some doubt

To what is just morally,
defensible with sanity.
A torn asunder effigy,
of who we used to be.

My name will fade from memory,
a number chalked in history,
regarded with incredulity
that I was here at all.
Michael Pick May 2015
I'm so scared, what if you do check this email? And you read my email. What would you say? Or not say? Or react? Or you don't remember me or something. I don't know what I'm doing or thinking but I reread our facebook messages and I wish I could reread our msn messages and I have no idea why I did/do/want to do any of that.

What do I expect? No clue. None. I am leaving myself in the dark on this one.
Probably chalked me up as a bad experience in your life. Or something.
I bet you've got sweet digs to live in, a good job or a good school to go to, some good boyfriend. Great family. I should've said congrats on graduation. I'm really late now. And Happy birthday. How were you ever 14? How was I ever 14? Merry Christmas. It's late, but you said it to me one year and I didn't reply. So that's settled and even.

Facebook is frustrating. It shows all of your messages to me, yet only shows half or less of mine to you. Not that I need to see them. I was probably a ****. Well, I was a ****. I think I still probably am. No surprise. Is this creepy? I'm gonna guess you think it's creepy that I'd email you and search you up after so long. It's probably wrong. Probably a lot of hate. For all my talk I ever spewed out, that's not a feeling I have currently. I am so confused.

You'd probably be confused too if you opened this. Or read my message on tumblr. I saw your blog in my old bookmarks. Man, did that give me a start.

What are you doing in college? Are you in college? I remember you wanted to do cosmetology. I don't remember when that was, or if you still did. I'm sorry. You used to say you ****** at math and science, I hope you didn't take those. Or, conversely, I hope you did and you aced them both this year. Can you take both? I don't know how college works there.

Here's a random creepy thing I guess. Dreamed about you pretty much every night since I met you, even when we weren't talking, were fighting, you thought I didn't care, or since I... well, I guess I blocked you at one point. Whatever the hell was wrong with me. How'd I dream about you? What capacity? I dunno. Nothing weird. Don't worry. You were just always there. At least I don't think anything weird. I don't know.

You pretty much always said you thought things would get 'bad' between us again. Guess they did. My fault, I know, don't worry. I've never been a good with people kind of person, never in touch with feelings, always a little on the angry side. Do you consider it bad between us? Or were you just thankful to get rid of me? Whoops, that came out a little weird. I hope you know what I mean.

I miss texting you.

Who are you anymore? What do you like, what's your passion, who do you love, who loves you, where do you live, have you travelled? Do you believe in God? Soul mates? Public health care? Jesus, sorry, too many questions. Probably don't deserve answers.

I'm sorry that there's no flow to this. No topic or whatever. I used to brag that English was my strong point, but I guess it's not, afterall. Or at least when it comes to you. Right now. It's 4 am. What the hell.

I can cook pretty good now. You should try some of my food some time. I make a pretty good chicken dinner. Winner winner.

You always knew what I would say. Always. Good or bad. Did you expect this? Did you expect it to come earlier, or later, or never? Where did you think I would end up? Did you ever want to talk to me? Miss me? Want to be friends, at least? Did you hate me, despise me, wish you never met me? I'd understand if that one was true.

Do you think we've changed? I feel like we're still the same people we have been. Somewhere. I feel like we adapt but the right environment brings out... the old settings? I don't know. Jesus, we were so off again on again! Even as friends. I swear, that Katy Perry song, Hot and Cold, so described us. Or at least me. But I think we were both a little off.

If your boyfriend (or girlfriend) is reading this they are probably confused and I am sorry. Why do they read your emails? Do you actually have a girlfriend?

I'm sorry that I'm annoying.

I know, I always apologized too much.

First time we ever talked on FB was 2012? Holy crap. 3 years ago. August 20th. We must've known each other for a long time before though... I mean, we lost track of each other for awhile. Or I did. I don't know if you ever expected to talk to me again.

Real talk for a second. These messages hurt my heart. For a lot of reasons. And I don't know how I got into them, so I'm sorry. It's like... going to your childhood home and remembering where you had your first birthday cake, and the first time you fell down the stairs. Except, it wasn't the first time. Because there were so many times before that. There's just no picture albums for them. I don't know what I'm saying. God, what does any of this even mean?!

What a waste of time for you to read this, I bet. I'm so sorry. I should've stopped before I even started. Am I even gonna send it? I don't know. I'm scared. You hate me? Nah, you don't care enough by now to hate me. Why do I keep circling that? How do you feel? That question, why's it matter? After all this time? I am insignificant. Billions of stars light up skies and fade away and nobody remembers, so why would you.

I live in so much mediocrity right now. Settlement after settlement after settlement. I am so scared.

'Always allow for error. Never be optimistic for you will be betrayed by your own fantasies.'

I'm not even sure what that means, but I feel like I've lived to it far too much.

What is going on?

4:14 am.

I put you through so much. And I am so ashamed. And I hate saying 'so much' because it makes me sound like I think I was soooo important. When I don't. I don't think that I was. And I don't think that anybody who is as mentally and emotionally exhausting as I have been should ever be considered a large facet of someone's life, important, etc.

And jesus, the fact that that outlook applies to me and how I've been hurts my heart so much.

I don't think I have an identity anymore. I need to find who I was. I've been defining myself by the people I've surrounded myself with (ugh), the place I live (ugh) and my work. Work is the only positive that I have had in life, and my new job, though well paying, is a drain on my emotions and my optimism. Forever settling for mediocrity. The second best lifestyle available. Of course, perhaps the best lifestyle isn't available. Or perhaps this is the best I can get. Maybe this isn't even close to the best I can get. I don't know. Life swallows me.

I am so sorry for coming back. I'm probably going to email you again. I'm sorry for that, too. I just need something. And seeing your email in my list, it felt like that was it. You don't have to respond, I guess. God, I wish you did, but I am so afraid.

I'm sorry.
I'm not sure how this came about
Marshall Gass Oct 2014
numbers and cost crunching figures
she stood quietly calculating shelf spaces
calorie content
fat overdrive, taste sensation
and slowly but surely automatic fingers
ticked off the cents and savings
and chocolate biscuit treats.

pushing her trolley to checkout
she knew well
where indulgence took over sacrifice
where synthetic fizz was tastier
than real fruit syrup
and how supermarket shelves
connived with the devil.

home again
she balanced the books well
served plentiful dinners
kept the *** boiling
kicked *** out of roast lamb leftovers
yet chalked up a secret piggy bank
empire in a biscuit tin under the couch.

Author Notes

ordinary people? think again.
© Marshall Gass. All rights reserved, 2 months ago
I have Scratched your name
into my Calendar

Your name sits on the lined of my diary
poised for consistent use

At what point did you become
so natural to me

So that when I said your name,
it tasted like nostalgia and hope

and the Cool Fire of our words
warms me to contentment

It wasn't until you spoke and
I smiled

That I knew I missed you when you
were gone

But how can I miss you
When you're only an hour away

Still
I'm regretting the wasted July Mornings

When my nerves swallowed up the sentiments that said
that I think of you sometime, even when you aren't around

It sounds frivolous to say that I'd hope for events
that would draw your lens near

But now I'm budgeting you into my time
and Just hope that it's not wasted

The effort it takes to write these sentiments down is
Nearly incomparable to that effort which must be taken

to Remind the heart on my Sleeve to stay put
and not seep into that vein that will Surely carry dreams across my body

The word that I could entitle
Perfect

And since that word is unattainable here

I'll only say all the others  

You're that feeling right after a pull
And you feel yourself slip under the friendly drowse

You're that feeling when you feel a set of eyes on your
blushing cheeks

You're the laughter of
a clever retort

You're a Melody thats gives spirit to my word

You're that fire that burns with
a bravery that you cannot see

You're that ticking clock, there to remind me
that Time is Precious

and Soon I hate that circled square on the
Calendar
&
I pray that that circle does not act as a deadline
for when your heart can be
mine

Because I like the sweetness of our fresh beginnings
And I do hope I may call it a beginning

Instead of a short story.

I'm all over the clock,
Yearning for more firsts with you

But even still, hoping for a second or 12.

And some first that could count
in a way that didn't get chalked up to

Naive Sentiments

Meaning I want you too much
And My head is rushing

Hours into this Instant.

Fast Forwarding to our Next Kiss

Sending me on a Clockwise Whirlwind
to times that may not even exist

But I still hope and Gamble
for More hours to play

Procrastinating the Seconds into convincing us all

That It's Casual

It is not Casual, to me.
Facades rise in memory.
Paint peels, marble columns lean,
Rain drowns piazzas.
The bridge of sighs moans in sorrow.
Windows stare sightless into the past.
Cats remember the rustling of silk,
jeweled hands tending morsels,
magenta robes, the cloaked,
the caped, flash of daggers in starlight,
the glory on sun drenched Sundays
when church bells summoned the faithful.

Morning sun bounces off golden domes,
water shimmers a crisp mother of pearl.
Gondolieri untie boats from painted poles,
swiftly ferry their fares in narrow vessels,
pass through the shadows of bridges.
Navigate the water webbing the city,
pass slow laboring barges with overflowing loads.
White seagulls crisscross an expanse of blue.
Shouted greetings echo.

In the white palace, laced with marble columns,
painted ceilings in wood paneled rooms tell stories.
Rich and poor bow to the Republic’s justice.
Doges in pointed hats, crimson robes,
cast fate from bejeweled hands.
Ornate basilicas, simple stone chapels, ensnare sinners.
Priests give absolution behind velvet curtains
in musty confessionals reeking of secrets.
Jews marked in red hats hurry to the ghetto.

On the dock fishermen spill their iridescent catch
from hulls of brightly painted boats.
Merchants shout of silk and salamanders in markets.
Women fill woven baskets with foreign colored bounty,
peaches beckon with pink cheeks,
grapes make sweet promises, purple plums tantalize.
Sun inhales musty smells, exhales sweet scents of basil
jasmine, mint, a woman’s sweet odor of lavender lingers.
Dogs lick cobblestones, savor every rancid morsel.
Window sills host lazy eyed cats.

Goats bloated with milk make their way,
pass baying sheep herded to slaughter
by burly men in soiled leather aprons.
Top sail schooners from far away shores,
carved bare breasted mermaids at their bow,
unload treasures. Silk and spices, chained trunks,
casks of sweet wine, gold will fill coffers.

Vines dig roots deep into walls, cling in crevasses,
perfume courtyards with intoxicating smells.
A flock of small yellow birds alight from rose bushes,
drink from a tiered fountain.
Cascades of faceted crystal spills
from the mouths of carved fishes,
stone maidens’ urns. They display their charms,
smile wistfully, wish away pigeons perched on their heads.
Lovers pass, exchange furtive glances, dream of night.

Dark sweaty men push a barge with a coffin
draped in gold threaded brocade, blood red roses.
A priest at the bow, a cross encased with jewels
catches the light in a blinding reflection.
Altar boys swing shiny vessels, incense permeates the air.
High voices intone monotonous chants.
Mourners follow in gondolas, sway in a rhythm of grief.
Black silk shines. Under veils tears streak
white chalked faces, red lips know of secrets.

Celebrants toast a newly wedded couple
with sweet scented deep ruby red wine.
Boar roasts, seasoned with sage, rosemary and thyme.
Round loaves of bread crust in a brick oven.
Pairs spill into the street, dance a joyful pavane,
pounding the cobblestones to the sound of tambourines.
They freeze in a moment in silence,
watch the funeral procession,
make the sign of the cross, return to their feast.

Now canals choke in mud.
fight ruin in oil slick stagnant waters.
Palazzos put on a false-face,
prostitutes heavily painted.
Greedy currents lick at foundations,
slowly swallow remains,
**** them into hostile marshes.

The Campanile rings the hour.


Cristina Umpfenbach-Smyth     July 2010
ghost queen Jul 2020
Séraphine, Vignette nº 7, Le Cercueil

I was on the phone talking to the museum. Ground-penetrating radar had found what looked like a coffin at the Lutetian layer, and they were in the process of digging down to it. I was telling Sylvain to use the new 4K video cameras to record every detail when the doorbell rang. I’d left the door ajar, knowing Madame Pinard, the concierge was bringing by an adjuster to inspect and cut a check for the repair of the leak in the ceiling that had washed away chunks of plaster, now laying on the hardwood floor in the bedroom, exposing the wooden rafters of the attic.

“May we come in Monsieur,” she shouted from down the hall in the foyer. “Yes, Madame, please come in,” I shouted back, with more exasperation in my voice than I wanted to express. “I am on the phone with the musee Madame, please show him to the bedroom.”

I saw Madame and the adjuster come in out of the corner of my eye and turned my head to see them as they walked the stairs to the bedrooms. The adjuster was not a man, but a woman, which was surprising in France. The first thing I noticed about her, was her wide round birthing hips, what the kids, called thick. She wore a long-sleeve white silk blouse, black pencil skirt, and the traditional, obligatory Parisian back seamed stockings. I didn’t make out her face but caught sight of her red hair tied in a tight bun on the back of her head, and the milky white skin of her neck.

“Damien, are you listening,” said Sylvain, the dig manager on the other end of the line. “Yes, I replied, “l was distracted by my landlady bringing an adjuster into the apartment. Yes, I’ll come down as soon as they leave.”

After a few minutes, Madame and the adjuster came back down. The adjuster walked into the foyer to wait. Madame came into the living room and said she’d have a crew out tomorrow to start repairs. As madame turned and walked down the hall, I got a better look at the adjuster. She was pure Celt, with red hair, white skin, dark brown doe eyes that looked black, high cheekbones, and the sharp straight nose of a Greek statute.

Besides her stunning beauty, I noticed her necklace, a traditional golden Celtic torc, which signified the wearer as a person of high rank. I’d never seen a person wearing one. I’d only seen one on a statue, The Dying Gaul in Le Louvres. How so very interesting I thought to myself.  

As she was talking to Madame and turning to leave, she made eye contact. She tilted in acknowledgment and goodbye. I nodded back and she was gone. I wished I could have gotten a chance to talk to her, maybe even ask her for an aperitif at the corner bistro. Oh well, c’est la vie.

-------

I went to the dig at the La Crypt at 12:30-ish talked to Sylvain for a bit and went down to the lower levels to see it for myself. The area was gridded out and several cameras on tripods were recording. The team was within centimeters front the top, and so put down their trowels and used a high-pressure water and suction hoses to remove the rest of the topsoil. The top came into view, the excess water was ****** away. Sponges were used to clear and clean away the mud.

The stone was obviously Lutetian limestone, finely sanded and polished. The lid was craved, which first glance, looked like Norse runes and one Celtic knot. “Take pics and send them to religious studies,” I said half to myself, half to Sylvain. How strange to have Norse and Celt iconography together I thought to myself.

It was late when I exited the metro station. The air was bitterly cold, my breath appearing and disappearing around me like a mystic cloud.

I was tired, exhausted from digging, and was seeing things in the corner of my eye that I chalked up to aberrations of a fatigued mind. That is until I walked past the Boise de Boulogne. In a dark recess, along the tree line, I saw what looked like a faintly glowing woman in a white dress. My first reaction was horror, remembering all the monster movies I’d seen as a child. Then quickly, my adult mind kicked in and rationalized it away as an artsy late night photography session, which is common around Paris. The sting of the cold refocused my attention and I hurriedly resumed my walk home.

I was tired, muddy, and had to take a shower before throwing myself into bed. I showered, dried off, and pulled back the new, thick duvet I’d bought for winter. The moon was full, beaming softly, barely illuminating the dark bedroom, as I cracked opened a window to let a small amount of fresh cold air into the humid stale room.

I slid under the duvet. I liked the cold, it reminded me of camping in the mountains with my old man and being snug in our down sleeping bags as we talked half the night away. I quickly fell asleep.

I half awoke, sensing a presence. I opened my eyes and saw a woman, ****, standing at the end of my bed, enveloped in a faint blue luminescence. She looked at me with big doe eyes. I watched her watching me, trying to figure out if I was dreaming or not.

She crawled on to the bed. I couldn’t feel her as she made her up the bed. She straddled me. I saw glint around her neck and saw she was wearing a torc, and realized who she was.

Her face was centimeters from mine. Her eyes burned with ferocity, intensity, and anger. I looked back up at her, fear welling up inside of me. She looked down at me. Her penetrating eyes, looking into my soul. I could feel her in my head, my mind.

She felt my fear, and without a word, just the look in her eyes, reassured me, calmed me, and my body and mind relaxed as if a nurse had given me a shot of morphine.

She touched her lips to mine, and felt the heat of her beath, smelled her dewy scent. I didn’t move. I knew I was prey. I knew what she wanted, and let her take it.

She slid her tongue into my mouth, and I gently ****** on it. She ****** up my lower lip, biting it playfully. She tasted sweet, fresh, like spring water. I couldn’t get enough of her. I wanted more. I kissed her harder, deeper, and felt myself slide to the edge of sleep, no longer sure what was a dream, or what was real.

She pulled back the duvet, grabbed my ****, and stroked it till it was painfully hard. She kissed it, put it in her mouth, and ****** it. Her head bobbing up and down. She’d stop, bite the head, and use her teeth to scrape up and down the shaft till I winched and yelled out in pain.

I started to moan, my body tightening, and arched, thrusting deeper into her mouth, coming as she raked her nails hard down the side of my chest. To my surprise, she didn’t spit out but swallowed my ***, licking excess from around her lips.

--------

I opened my eyes and was blinded by sunlight streaming in through the open windows and curtains. What the ****, I thought to myself, I never sleep this late. It was always dark when I wake. And the birds, chirping in the trees outside my window, were loud, and grating on my nerves.  

I slowly got out of bed. My body ached, my lower lip hurt, and my **** was sore. I grabbed my **** and immediately released it in pain. It was raw as if I’d had ***. I was definitely confused. My eyes darted from side to side as I tried to make sense and remember last night. I left the dig, came home, showered, and went to bed.

I trudged to the kitchen and made coffee, all the while, racking my brain for some clue as to why I felt like ****. I poured a cup, leaned back on the counter, and sip the coffee. I shook my head, placing my hand on my hip, and felt a sharp burning. I looked down and saw blood on my hand and side. I went to the bathroom mirror and saw fingernail marks down both sides of my chest. I just stared.

I had no idea, no clues as to how these happened. I jumped into the shower and washed off, bandaged up the bleeding scratches with paper towels and tape, dressed, and went to the cafe at the corner.

Despite the cold, I sat on the terrace, ordered coffee, bread, butter, and jam. I looked at my phone. It was 8:08. I looked at my text messages and emails for some clue as to what happened last night.

Breakfast came, and I sipped the coffee, staring out into the street. The waiter walked past me. “Oui madame, what would you like this morning,” he said. “Cafe et croissant,” she said. The waiter turned and walked back inside. I turned my head to the side for a quick look and blinked twice. It was the redheaded adjuster from yesterday.

“Bonjour M. Delacroix,” she said. “Bonjour Madame,” I instinctively replied. There was an awkward pause.  “I am Brigitte, Brigitte Dieudonné,” she said softly.

We small talked over breakfast and when I tab came, paid, and said, “I headed to the office.” “It is the weekend monsieur. “Yes,” I replied, “I work at an archeological dig on Ile de la Cite. The crypte.” “I am headed that way myself, do you mind if I walk with you,” she asked.

We walked to the metro station, down the stairs, through the turnstile, and onto the quay. The train came, the doors hissed open, and we strode in. The train was full of Chinese tourists and it was standing room only. I grab a pole and Brigitte did the same as she squeezed up beside me.

The train jolted forward and Brigitte bumped into me. As the train smoothed out, she kept leaning into me. Her derriere in my crouch. I could feel her body through her coat. I was getting turned on. As the trained curved around a curve, it rocked back and forth. Her *** bumping and grinding against my now hard ****. Could she feel my hard-on through the coats? She half-turned her head a gave me a coquettish smile. She knew I thought to myself.

We exited La Cité metro station, on to Place Louis Lépine. Before I could say anything, she said she’d like to see the dig. “Sure,” I said, and we walked to the La Crypt. We walked down the stairs to glass doors and pass the touristy exhibits and displays, to the back, behind the green painted plywood wall. Sylvain and several grad students were standing over and around the coffin. Two of them were in the pit setting up a portable x-ray machine, one with a still camera, another with a video camcorder, and the rest looking down at their tablets.

Brigitte and I walked to the edge. The coffin’s lid had been clean. The runes and Celtic knot were clearly visible. “Danger, death, mother,” Brigitte said. Sylvain turned his head, and said, “she is right, danger, death, mother according to the religious studies guys.” “How do you know that,” I asked. “It’s in all the teenage vampire movies,” she replied grinning.

“The top one is an inverse Thurisaz, which is means danger. The second one is an inverse Algiz, which means death. The knot is Celtic for mother, and the dot in the heart means she had one daughter,” Brigitte said trailing off.

“It looks you’ve got it under control Sylvain. I have an appointment. Brigitte can I walk you back to la place,” I said.

We walked to la place and stopped at the metro entrance. “Can I have your number,” I asked? “Yes, you may, if you promise to call monsieur Delacroix,” she said smiling girlishly. She took my phone from my hand and typed in her number and dialed. Her phone rang. “I have your monsieur, Delacroix. A bientot,” she said. We did la bise and she was off.
Hex Jan 2021
Autumn's eve, tinting leaves, the breeze creates a gentle hiss,
     A sun shining bright, wooded air
     that bites,
     Would meet to kiss, rebirthing night.
A hunter trawled through forest sprawled,
it flowed and rose before him,
     With him came prose he must
     prepose the winter snows that awaited,
     The winter snows, would end his hunt,
     and so off he set with a subtle grunt,
     To complete his latest autumn hunt,
     a stunt raught with err.

A fortnight prior, the hunter slept in a spire, a vision came as he did tire,
     A shimmering gold figure, whose shape
     bent and flickered,
     With haunting words it smiled and
     snickered;
     "On a jaunt to forest haunts, not an
     arrow shall be nocked--
           --lest all effort be for naught."
The hunter gave the lot no thought,
     An archer, he is, a prophet, he is not,
     And so was his steed set off on a trot--
           "--Lest all effort be for naught."

A hare was eyed, time now nigh, prey and predator had arrived,
     Hunter prepping a bow draw, as hare
     gingerly awed and gnawed,
     As hare gnawed, a warning walked, out
     to the hunter's mind,
     Reminding him, to his chagrin--
"Not an arrow shall be nocked," inside his mind it ticked and tocked,
     Words flicking like hands on clocks, the
     ticking clock, he cleared with knocks,
     And so he returned to his stalk, but once
     an arrow then did nock--
           --Alas, all effort was for naught.

The ground caved in, his head spins, as his punishment begins,
     Take from the forest, and the forest
     takes back,
     Our hunter grasped, as he fell to black,
     his dream was no dream, but real life,
     He strifed over omens, regret that stung
     like a knife,
     But descent had already begun, with
     darkness endlessly growing rife.
He had spent his whole life gloating,
     now he felt as though he's floating,
     floating deep to an abyss,--
     Nay, not safety, nay, much darker, nay,
     unnatural-- nay, remiss.

Body meets tension, and blood meets a flood,
     A splash, and a crash, as the hunter fell
     with a thud,
     He had berthed on a river, clothing and
     blood curdled with mud.
Awoken from slumber, skull pounding like thunder, his mind felt asunder,
     Rolling over a flower, he climbed
     from the river,
     Perverse cold forcing a shiver, as he
     looked to the sky, and began to quiver,
Onyx above, with a moon shining three, scouting around, he shan't find many a tree,
     Or any sign that from this hell, he'll be
     freed--
            --Lest he notice the shimmer,
              approaching with speed.

The shimmer approached, the hunter recognized he,
     The shape from the vision, that whom
     warned thee,
"I see that my warning, thou did not heed, now thou must travel, if thou wished to leave,"
     The words strengthened the thunder
     inside the head of our hunter,
     But then he spoke, with an intrigue of
     wonder,
"Where must I go, with my head pounding like thunder, and self so asunder?"
     The shimmer glared, its gilded eyes
     flared, freezing the hunter like snares,
"Voyage to the Druid, speak to thee, ask for relief, and thou shall be free, but when the deal has ended, have not a spare thought--
            --Lest all effort be for naught."

And so the hunter travelled endless night,
     Bulbous purple pods glowing on the
     ground, providing light,
     As giggles from around echoed, causing
     fright.
Our archer saw faeries, goblins and elves, hiding in the shadows, deep they'd delve,
     Child's fairytales, nay, did not match
     the whelm,
     He felt as if in his own mind he'd lost
     the helm,
     In the so unknown, yet familiar realm.
At last up ahead he saw a light, the shine of a lantern, a beacon in the night,

Ahead lie a hut, a small abode, he set for the door and trekked the road,
     He made it to the home, hoping for
     luck,
     He grabbed the doorknocker, adorned
     with a buck, and rapped three times,--
--"My door you've struck, and summoned me, state your name, or propose a plea."
     A frazzled voice from the other side, so
     quickly, the hunter knew he had little
     time,
     His thoughts, a clogged drain, but finally
     became fluid,--
            --"I, the hunter, wish to speak to the
              Druid!"

Inside the shack, the two had talked, after the knocked door was locked,
     The hunter had the holder chalked, the
     Druid she was, and so he hawked,
     Asking, pleading, and begging for help,
     until she finally talked,
"I can read your future, boy, I'll call upon my Tarot, but in exchange, when comes the First of Snows, you must not lie low."
     The hunter was perplexed, reluctantly
     he agreed not to cower,
     The Druid then laid out all three,--
            --The Fool, Eight Swords, The Tower.

"Before I explain the Tarot to you, I must ask a question too,"
     The Druid spoke with wretched ardor,
     But as she hissed, our hunter had to
     listen harder,
"Do you know, the shimmering glow? It's the one who shares your fate,
     But beware its trap, within a snap,--
            --You could both open the gate."

The Tarots meant only one thing each, Naive, Hopeless, Doomed,
     Shocked by landing on The Tower
     locked the hunter into gloom,
     Then the Druid had one last warning,
     a mourning that froze the room,
"You will find that Tower, boy, and you must hold our deal,
     Resort to zeal, and turn your heel,--
            --And The Tower will be your tomb."

The hunter tripped and left the Druid, rushing back on trail,
     His spirit felt as though a fawn, frail,
     and his path like a train, on rails,
     But he knew as the wind did gale, and
     freezing rain began to hail,--
            --Traveling the veil, he mustn't fail.
Then he sauntered off to wander, not a stretch away, he sensed a haunter,
     He saw a damsel, through rain's silky
     curtain,
     Looming, deep within the black, a
     vermin frame which flowed as glass,--
            --To persist, to leave, that which
              he must pass.

A serpent, it slithered, our hunter shivered,
     A feminine side revealed, as it got closer,
     a familiar poseur,
     Our hunter had to steel,
     But as the ghastly creature neared,
     his composure wept with yield.
Half-snake, half-woman, it spoke soft and slow,
     "You're brave to show, you're weak here,
     useless I'd say-- the Tarot told, I heard, I
     know!"
     As it spoke, its tail flickered, eyes alight
     with rosette glimmer,--
            --Our hunter knew, he'd met a
              trickster.

This snake, it claimed it was part of the hunter,
     Part of the hunter, surely a blunder, he
     was no viper,
     But the snake became hyper, its voice
     high like the shrill of a piper,
"I know you and you know me, but your feeble mind, it cannot see!
     I would say to look within, but you're
     powerless, you couldn't even begin!"
     The snake had spoke with a giggle and a
     grin, and quickly turned sour,--
            --"My name is not snake, please, call
              me Flower!"

Flower ended up a consort, nary a slithering foe to thwart,
     They'd walk and they'd chatter,
     The soothing rain's patter, appended by
     small creatures scatter,
     But before long, Flower had stopped,
     with something the matter,
"A mirage, I've sensed, do you feel it, the air ever so dense?"
     The thought forced the hunter to tense,
     he felt the air, ever so dense indeed,
     But Flower he could read, her face
     screamed with plead,

"The Tower, it's here. The one from the Tarot,"
     Flower spoke slow, speech reaching a
     crawl,
     "I can bring the Tower, it will use all of
     my power,
     But you must keep your deal, you
     mustn't cower!
     Within you will always be a friendly
     little Flower,"
Her tail flicked, she smiled, "Close your eyes, archer," and so our hunter did,
     Alas, when he opened his lids, his only
     ally was rid,--
           --A Flower replaced, by a tower.

He took a moment to reflect, upon the roads that he had trekked,
     The warm river, the safest he'd felt,
     before he was shook by a jolting, cold
     shiver,
     The druid, the scholar of fate, the
     friendly mystery from whom he hid,
     Yet Flower, the extension of him, a
     snake he'd judged and wished he'd
     forbid,
All assistance lost, warmth had turned to frost, as he looked to the tower, he did fraught, but he must begin,--
            --Lest all effort be for naught.

He entered the spire, and his soul felt dire,
     As he seeked up to see stairs seemingly
     spun by a spider,
     The climb felt wholly bleak, but he
     summited the peak,
To the top suite he'd sneak, and look in with a peek,
     To see a familiar physique, shimmering
     and sleek,
     As he scouted the room, lost in ornate
     mystique,
     His legs felt swiftly weak, a lavish floor
     creaked,--
            --And this piqued the figure,
              who began to speak.
    
"Thou hast found the Tower, the Druid, and the Flower. Yet the taste, it still seems sour?
     Worry not my hunter, ye need not scour,
     your hunt has reached its final hour."
     As peril did flow, our hunter did know,
     and reached for his sidearm,
     His trusted bow.
"Sheathe thy fury, and do not worry, just enjoy my show,
     Set down thy bow, and peer the window,
     But surely, thou already knows--
             --Thou hast reached the First of
              Snows."

The light had lingered into night, soil stifled by ivory plight,
     As the hunter twisted back, he heard a
     composed crack,
     The figure had snapped, and the walls,
     collapsed,
     Then they were out in the sleet, the
     frigid air a silky sheet,
The indigo sky danced like a marionette
of winter,
     A violet aurora, sliced through like a
     splinter,
     Iris flowers in the wind, shuddering
     with a shiver.

"Thou art getting what thou desired, dear hunter,
     Or doth thou wish to wait and wither?"
     The voice of the shimmer, it spoke with
     a chill,
     As if the snow had forced it to a shrill,
     The hunter felt a thrill, as in a glance,
     the shimmer's intentions would spill
     from its stance,
"Thou knew this would come, I know thou hast great skill,
     Alas, thou art a hunter, now come
     for the k*ll."

The hunter drew his bow, and an arrow he nocked,
     He could feel his heart ticking, counting
     down like a clock,
     The shimmer turned pink and purple,
     with eyes black, like a portal.
"I never craved to hurt thou, yet thou broke thy own law,"
     The shimmer had said, but yet it stood
     still in awe,
     The hunter thought he was ready, he
     locked on, then draw,--
          --Then he felt a pain, a thrash, and
            his heart began to thaw.

He looked down and saw crimson, a **** let loose velvet ribbon,
     He fell back to the snow, and as he
     gazed skyward,
     Up stepped a purple glow, to look at the
     hunter below,
Their eyes met, and at last, true nature would show,
     The hunter's woe, he'd finally know,--
          --Was the furthest thing from a foe.

Behind the figure a gateway, a gateway of silver,
     Then the figure turned grey, his
     shimmering grew dimmer,
     Defeat still boiled in the heart of the
     hunter,
     It was met with ease, and the two
     would melt and simmer,
"Our bond is obvious, certainly, dear hunter, just as our dreams melt in snow,--
           --My heart ignites, infernally."

It was then the hunter noticed the arrow,
     His shot had hit, but the shimmer shook
     it off, unevenly harrowed,
     Then the hunter's vision narrowed,
     and he realized his last arrow, he'd split,
"I didn't want thy death, or mine along with it,"
     It spoke as if for two, and open the gate
     flew,
     "We're connected, me and you, I need
     not be blunt,
     I loathe to see the river dry, alas, there's
     an end to every flow,
     But blood in the snow, under a
     violet glow,--
          --Befit to end our hunt."
A long tale of naivete and peril, set in the universe of my first ever poem, Iris and Brunnera; https://hellopoetry.com/poem/3873475/iris-and-brunnera/
Tryst Sep 2015
Do you remember when love was uncomplicated
Hand-holding, lonely fingers grasping,
Longingly, perfecting their grip?

And do you remember the honeymoon
Highs, up and up, dizzily clambering up,
Exploring new horizons?

And do you remember, precisely, when love emerged,
From clouds of chalked up experiences,
Foreboding as a mountain,
Where lonely fingers grasped,
Longingly, for fresh hand-holds?

The quest for loves summit rises,
Peak to higher peak,
Each conquered height unveiling a new vista,
Revealing loves perilous truth,
That each peak is surpassed by two more
And the summit remains elusive.

The fool will climb up and up,
Leaving a devastated trail of overlooks,
Ever unsated,
Ever yearning,
Ever lonely.

The sage will make camp behind a large rock,
Still aware of the mountains hidden presence,
But settled with a lightness of heart,
To enjoy just one wonderful view.
Being the second ...
Lyzi Diamond Sep 2013
You watch the little one teeter,
precarious, fifteen feet above
the mat on the chalked beam
with white tape wrapped around
her wrist and the cracked webbing
between her thumb and forefinger.
You watch.

Her fingers tight against themselves
she reaches left arm out and bends
to grab the structure wrapped in taut
leather and sanded down into a smooth,
uniform surface, the likes of which are
stacked in warehouses in central Pennsylvania
or southern Iowa or west Texas and shipped
to community centers and middle school
gymnasiums for use in competitions with face paint
and streamers and yelling parents donning
appropriate colors and shouting cheers in unison.

You watch her shift her weight from left
leg to left arm and kick up to handstand.
You see her look of concentration and you
see when her eyes open wide with surprise
and you see her balance shift backwards
and you see her overcompensate
and you see her back bend to the side
in a way it's not supposed to go.
You watch her fold in half and fall hard
onto the bright blue mat
in a cloud of chalk dust and you watch
her face full of disgust and disappointment
and white tears and sour looks.

You run to her, laying on the ground in a
small pile. You push competition officials
to the side and hurdle trainers and instructors
to get to her, to hold her in your arms and to
hear her crying and whispering softly,
"I'm so sorry."
"I'm so sorry."
"I'm so sorry."

You put your lips on her forehead
and you put your lips on her temple
and you hold her against your chest
and your eyes start to quiver
and you grip her tighter
and you tell her that she's perfect
and you tell her that she's doing
all she can do, and that everyone
makes mistakes and everyone falls
down once in a while, but the part of
life that's most important is to get up,
get up, get up, get up.

She repeats,
"I'm so sorry."
"I'm so sorry."
"I'm so sorry."

You hold her and the two of you
rock together and the room falls
silent and you are the only two
there, you are the only two who
matter in that moment, and if
she could just listen, if she could just
hear you, she would know and she
would believe and she would realize
that all she can do is be who she is
and get up and try again and that
every day is a new day and that
every moment is a new moment.

But she can only sit in your arms and cry
and whisper apologies to nobody and
everybody, apologies that seem out of place
in the first round of the junior varsity
gymnastics tournament in the fourth
of five divisions in a nothing town on a cold
Saturday afternoon in March when she's
got a scholarship to Berkeley in the fall
and an award for increasing student
engagement and a clarinet concert the next
day and a family who loves her.

You lift her up onto your arm like
you did when she was small and you
carry her to the car to raucous applause
and admiration for the little girl who did
it all and will continue to do it all.

She wipes the tears from her face and
looks up at you through hurt and furrowed
brow.

"Ice cream?" You ask and she smiles.
"Yes please." She looks down.
"Chin up." You lift her face towards the sun.
"Okay." She opens her eyes with wonder.
Quentin Briscoe Aug 2014
I was born wrapped in a black body bag.... They call that foreshadowing...so to lighten my appearance they try to remember me as a white outline.. chalked......upon asphalt.... and say it was this *** fault.... I was only known as an A...4.0 but I never made the cut... as I got my first F....Foolish Acts....Of being born Black... Or Incomplete...As I lay holed in the street...I hate the facts...that I will be a *****...even tho I know better...But my Ipod teaches me to ***** better... to be a NWA....a ***** with Attitude.... Not a NWP....a Negus With Pride... So I walk in stride... influenced like my ancestors... by music...rhythm and beats... See the devil knows what you'll bop to... rock to... So he muffled the sounds of Love and Peace...and Boosted the way of the streets... hoods.. and Lifeless...  So that You would automatically see me as ratchetness... When I could have grew to be the very definition of peace... Now I'm just another problem... and you'll never see me as a victim... only the agitator...because You've listed to the same beats, watched the same feeds and ingested all the fabrications as truths...They have taken it to far making the stereotypes WorldStars  And All I ever did was become what you wanted me to be in the first place....A Pale Lifeless outline of white Dust....That you will inhale without justice... #IamBrown
brandon nagley May 2015
A bouquet hung in afterhour pantry,
A bell to ring the starved noise,
Two spirit's gathering extraterrestrial information,
A stairway chalked by toys!!!

A damp moistness to bleed out ourn Laugh's,
No docteretic sources,
Just serene gleams of minds alike inbathed!!!

Abundance of sizziling swelter,
Bogged heavy in due rain heat,
A voisterous composition,
The crow polishes ourn two's feet!!

I tasteth her plum need,
She gravels our toes,
Fulminations children breed,
In translucent clear clothes!!!

We wither in feathered juiciness,
Where fences are none to find,
Wherein camera's we make to shiver,
We break back's on massage oil chyme!

She reaches over to take mine fears,
She maketh me a warmsome bed,
Different valley's in singular astronomical view,
Both alive, yet so dead!!

Ourn peritonium's hunch in closer,
As ourn cartilage gets renaissance,
Were two alike, a Shakespherian Poe poster,
A darkness and light of Dupont!!!

Puzzles with missing pieces,
Though we ourn selves fill the gaps,
Where none can enter between us,
For ourn chapters are ammophilously wrapped!!!
Brent Kincaid Sep 2016
I wanted so much to like you;
I had heard so much about you.
Your show sounded like fun
Sadly, too soon I had begun
To listen between the lines
To know you, see who you are
To know behind the shallow mask
To see the ugly stained star.

I forgive myself for a bit of it
Because I know that it was
The method you always use.
I would later guess the cause.
Perhaps myself and others
The countless clueless mass
Mistook the rich and famous
As people with any real class.

I had to see the gaudy penthouse
With gold used instead of chrome.
I needed to see the fake opulence
That you chose to be your home.
I saw you hobnob with famous
And calling them your friends
Soon I would be let to see
The photo was where it ends.

So, I packed away any care for you
And chalked it up to my youth.
Little did I know right then
I only guessed at half the truth.
Because you put your skanky ****
Into the presidential race
And this latest **** of your ego
Means I never stop seeing your face.

Running for the highest office
The leader of the free world
Sure seems to have given
Your screwy hair a different twirl.
Suddenly you dragged out  speeches
Of Hiter, Mussolini and Stalin.
You shouted the policies of the KKK
And thew your vitriol all in.

Since too many fools in America
Started chanting Trump, Trump
You seem to want to turn DC
Into something like the town dump.
As for me, I have trouble sleeping
Worried your fans might be letting
And idiot in charge of the nukes
So he can bring on Armageddon.
Jill M Roberts Jul 2013
~A Moment of Happiness​~
It started out as an ordinary day,
Any ordinary day in one’s life.
We had probably been out the night before,
This memory escapes me now.
We woke to coffee and cigarettes
As we usually did.

You were on the Gucci site
Showing me the style of suit you had wanted.
We decided to hit Gucci on 5th Avenue.
Parenthetically, if you remember,
I wore sweats and a T-shirt, and you,
You wore your father’s old suit which kept it’s wear.
Here we were, walking toward Gucci,
Debating on whether I should visit Iceland on holiday.

Outside the store,
We were one of the anonymous,
But inside, we stepped into another world,
One of the rich, on 5th Avenue in New York City
Where price tags do not exist.
I remember the elevator ride and our conversation.
Stepping out to be greeted by a salesperson,
Whom I ordered around and kept on his toes due to his thirst for a sale.

A vision of you,
Standing there in the suit chalked up by the tailor.
I handed you a wine glass filled with Pelligrino,
To wash down the Xanax forced into your mouth.
When all was done, we were outside again,
Amongst the anonymous.

Later that night, we sat at the Whiskey Bar celebrating our day.
I remember hearing glimpses of U2’s “Beautiful Day”
In the background and thinking how appropriate.
I thought this was the beginning of happiness,
And there would always be more.
It was happiness, the moment.
All our feelings, yours and mine, all mixed up.
The madness of it all.
You see I wanted to give you it all, the world if possible.
To make you happy, in every viable platform.
I know now you didn’t feel the same.
Left with everything unsaid and undone between us.

Having that one day with you was my moment of happiness.
You have given all you had to offer for me.
For us.
I am here and you are there,
A huge distance between us.
Know, even though we have not spoken,
I am here,
For the conversation, the friendship, the silence.
Remember always what I said to you before I fled to England,
The night we walked the promenade;
Love doesn’t end just because we don’t see one another.
No matter how you look at it,
It’s only Love after all.
Erica Laughton Jan 2014
I contemplate my choices - up into the soft, pillowy dunes covered in seagrass, into the rough brush beyond, down to the slippery water rocks. I walk along it all, past the rocks pock-marked like skulls, that I place precariously on the spindly end of a gnarled, whitewashed log that I foot. I pass pieces of wood petrified in the sand like emerging snakes, spiny, drowning spiders. The sand is chalked clay, clumps creating mini Stone Henges where deer prints have broken it. In the distance are fragile lines of birds that sound like howling wolves. I look out over the water, the sea that wiggles between my toes and spans the horizon all at once. The water laps at my thoughts and in between breathes I hear my cousin calling me. I turn towards her hungover dreamless nap, but still I hear the sea, refreshing my mind and the sun cleansing and lifting me up into the very sky. My feet break the salt-cracked sand back. The path I took before breaks out and unfolds before me like a red carpet on tracing paper and I avoid every step like it would break my mother's back.
betterdays Apr 2014
i am made of...
thought...
ink and pen and paper... and so much more.
scribbled phrases on diner napkins.
post it notes stuck to walls.
scrawled doggerel in bathroom pens.
phrased ideology in lined notebooks.
spinnered words on lazerprinted A4.
scraps of inklings, on ripped butcher's bags and wrappings.
condolences in funeral books.
ideas capital lettered on cards,
pinned to cork boards.
epitaphs stonemasoned
into granite blocks.
fury arranged just so,
on parchment.
newsprinted with loose blurry, black ink on broadsheets
scribed by pointed stick on
firm wet sand.
notes on heavy cards, of love
and light bright shiny stuff.
discarded sentence startings, left crumpled, lost in a bin.
loss, written with red wine on white table cloth.
art, etched on vellum anciently old, suprisingly relevent.
tapped into tablets both stone
and techview.
blue and red markers squeaked onto white boards.
daubed on canvas with a fine sable brush.
tatttoo-ed upon ones flesh.
carved into wooden school desks.
pressed into moist clay by delicate fingernails.
marked so deeply upon a soul.
chalked to cement,
to stay for...
but a short season.
written for some very, (un)important reason.
courage to speak, sing, whisper, shout, cry, laugh, observe and ponder.
this is me....
i am a word written down.. any word, any word.
i am undeniable, desirable often incomplete
always open  always waiting
for some one...
......just like you ...
to open your heart let me in
to recognize a new start
to have a play, a scribble,
doodle, pen jive. to become
alive.... to thrive,
just begin with a single letter.....then another,
go on be brave...
..........grant me liberty....
Bella Feb 2015
Tonight he leaves you with a pile of his favorite CDs;

you dream of loading them onto Noah’s Ark before the flood,

along with his 3 A.M. texts and prescription glasses;

he will talk to you when she is not around,

look directly into your eyes, until your heart cracks

and spills into his palms like a weak egg yolk

ready for the frying pan. Do not wait for his little green Facebook

symbol to light up or you will be up all night.

He will kiss her in front of you, a kiss so deep

it could cut straight to the bone like an interrogator

slowly removing a suspect’s finger with a carving knife.

Shield your eyes and turn away;

pretend you are casually studying the poster on the wall.

You will wonder if her body leaves an outline in his bed

the same way a crime scene is taped off

around the chalked-in edges of the victim,

and still he will call you twenty minutes before midnight

wanting to go out for ice cream

when you end up comparing the best 90’s music

over his kitchen table instead. When he looks at you

across this very same table, stare directly back.

Do not flinch. Do not turn away this time.

Let the tidal wave of his stare wash over you

until it drenches your hair

and he wants to comb out the sadness with his fingers:

let him. Let him.

It will take a while to work through the tangles

but savor this last moment with his fingers

unknotting you like needles, before tomorrow,

when he will go back to her again, bouncing

between the two of you like a yo-yo,

the kind that returns to the owner

then moves on to another when it grows bored.
Jon Tobias Jul 2013
I wonder if the big bang
was a response to god's loneliness

And maybe he sat alone for a long time
half braining ideas
about making things that
might love him

God never said
let there be light
he just put a gun in his mouth and splattered
stars across the wall of the universe

His black hole brain
something like regret
trying to **** all the stars back inside

And I think about the days you tried

But that's not like you kid
Even though you had blood
spilling out a hole in your gut
Bone white shallow breathed

There are still stains on the passenger seat of my car
Which I now call my living room
because I am homeless

And there are no walls that could hold the contents of your head
like jackson ******* bloodspatter
a pretentious painting titled
and homage to the ****** of failure

And you are not our mother
suicide cocktail
no ice

and you are not our father
an Alzheimer's ghost
Haunting a history
we never lived through

You are skinny like water
running down the zylephone of your ribcage
tinny laughter

Asking me questions like
if love is as powerful as they say it is in the movies
then why do people give up sometimes

I'll never give up I said

You asked me if I thought god was mad at you

the doctor chalked up you living
to just luck

and I think of when god made molds of men out of mud
and breathed into them
and the mud men lived
Mud must have felt lucky then

But for us its not luck
we make so much fuss
Just so the world knows
we're alive as ****
No town homes in my hometown
We throw up and we throw down
Drinks pour up, tears pour down
No outlet in this port town

Glass crumbs and shards
elephant-skinned sidewalks smeared with tomato paste
the streets remember
potato-tipped death machines
starchy falsetto bullets
the cracking
window
skull
smushy hamburger meat brain
meet bullet—meet steering wheel—meet
                                ster
e
                     ­                                                 o

my little brother stays in a shelter
on American and California
where babies
sit themselves
change
is a dollar short
and DST
stands for daylight shootings time

Grandfather time
please stroke your shredded wheat goatee just a little longer
postpone apocalyptic
soon the children will hop skotch on chalked body silhouettes
and jumprope with bungie cord intestines

But not him
my little commando
he will find a way out
depart from home plate
three strikes carved on a flaming chariot
soaring through the sky like barbasol jet streams
the great
                                                           ­          escape
Dan Oct 2019
The First World War destroyed anything beautiful that existed within the human spirit
You cannot simply walk away from industrial mass slaughter unaltered
You cannot hide it behind decades later mass slaughters of equal importance
You cannot hide behind getting excited for next mass slaughter
WW1 may have been the force that killed anyone’s feelings of honor or bravery in war
And that’s almost as great a tragedy as all the bloodlines severed
War and violence and conflict will always be with us
It is deep within all animal DNA and no matter how many daisies are put into the barrels of rifles you will never escape it
There is a great tragedy to violence but at times there is a beauty and there is a necessity
When the Soviet forces finally breached the walls of the Führerbunker
Don’t you think they were smiling?
Reality is never black and white
It is shades of tragedy, shame, beauty, and glory

It may be seen as “Eurocentric” of me, among other things, to carry WW1 with this weight
It was not a purely European conflict of course, but the main theater was
Besides, I am descended from Europeans, and some nights when all is silent I wonder if I can hear my ancestors weeping
Or are they screaming?
We as a species have allowed our greatest inheritance to be squandered
Pure wild nature
We have sold it for same Starbucks coffee shop in every college town, Kroger, and corner of New York City
We sold the forests for New York City
Are some sins unforgivable?
In the place of the old growths we build buildings of subjective beauty
Subjective beauty always bows to objective beauty
Yes, there is objective beauty
Buildings that are built in the Brutalist style are subjectively beautiful
Forests, undeveloped fields of flowers, the rushing flow of a river
THESE ARE THINGS OF OBJECTIVE BEAUTY
To argue otherwise makes you a liar or a coward

Unironic nihilists have none of my respect
They simply do not deserve it
If you want to be taken seriously find something greater than yourself
Something outside yourself
Something that came before you, exists above you, and will be there long after you are not
That’s why I chose God and Nature
Some see these as interchangeable
I do not but I’m not here to split hairs
The problem with modern society is we have become ironic nihilists, which is almost as bad
Everything becomes chalked up to subjectivity
We crack jokes about how it’s all meaningless and eventually down the line we believe it
This is a pathetic cope
The meaning of our lives, like the objectively beauty of nature, has been bought or stolen
You were not born to consume product
You were not born to work and make things of cheap plastic
You were not born to enjoy next superhero movie, twice a year, every year, until you die
To our ancestors our lives now must seem like decades long suicide pacts
I want out of this state of unliving
We were born to be physically strong
We were born to create things of beauty
We were born to meet hardships, embrace conflict, overcome them, conquer them become something superior to what you once were
YOU WERE BORN TO BE ALIVE
CREATE THE MEANING IN YOUR LIFE IF YOU HAVE TO
Just please
Don’t be a nihilist

I try to take my multivitamin and multi mineral vitamin every single morning
Maybe a fish oil pill or two throughout the day
I have become consumed with the idea of getting more sun on my skin
I have been consumed with the idea of improving my gut bacteria
I want to talk about these things without sounding like Patrick Bateman
To improve your inner flora it is recommended you replace processed and fried foods with sauerkraut, kimchi, yogurt, kefir, or something along those lines
I know sunshine and sauerkraut aren’t going to fix your depression or rid you of your years of trauma
But there’s no shame in trying
On Friday I bought a full 16oz jar of kimchi and proceeded to eat the entire thing in less than 24 hours
I will never apologize
I will never feel shame

I scream all of these things into a bathroom mirror when I am alone
I wrote this poem for myself
I wrote it for all of you
I want out of this soul crushing alienating techno industrial hellscape
I want the nightmare to end but I’m in too deep
If I melt down my cell phone, crash my car into an empty Wendy’s, and make it my moral and ethical duty to take down the power grid, I may get expelled from grad school
I might get arrested
I might just be forgotten
So for sake of legality I cannot endorse looking up how a cheap bandsaw can cut down a cell tower
I do no endorse bringing the technological nightmare to its knees for the good of all living things
I do not endorse arson, even when no one gets hurt
It’s a mean world out there
I only endorse breaking free
Any way you can
I hear they opened
a **** recycling facility

right next door
to the ***** store

apparently
**** can be reprocessed
manufactured and molded
into most durable caliber
of ***** ever

***** that bend
but never snap

***** that pull
but don't shove back

***** that give
for evermore

rapping
(articulately, symmetrically)
across adjacent chamber doors
flung off rust hinges
obliterated ornamental remnants
upon electric yellow sidewalk
chalked with stardust parallels
thresheld holding, walked over
most excellent righteous ride
corset finger writhe
on Other side

(evidently ******* is most valuable
as it’s so transparent and malleable)
Scottie Green Nov 2012
Covered in the soot
of last years math lesson
his drooping, purple button up looks as though
it has soaked in as much chalk
as he has knowledge.

A fragile bent-over body
even more worn than his blue jeans
and his thin, but wrinkled hands.

He is witty
Calculating,
and as cool as the deep grey slate
that he writes his stories across.

His white hair matches his dusty fingers--
dry,
and thinning
with nothing much left
to give.

I imagine him going home to a wife
Even though I have never seen
a ring.
His thin, and brittle body
Taking in the warmth of a woman.
A soft  woman
The only one who knows how to love him.
She fills up the edges of his concave bones
the tender heart that he never had.
A Juliet who escaped his callous,
chalked-over hands.

A human
that can, somehow,

make him Smile.
Joshua S Bailey Feb 2017
There's a lady in the morning fog
who feeds on porcelain thoughts,
And she haunts the edges March.
There are no five point dancers
With their evening red and gold.
Ready and willing to tumble and fall.
Just her, alone; In the bog
listening to us all.

The beasts only swim, crawl, and fly
By the Sycamore, rotten and petrified.
In Death there is life
And all ears are amplified.

     "Testify."

"Are you the soul that brings fear?
The Specter of my own Heresy?
Get off the wind and answer me.
Will you light the wild and chant the Lord's Prayer?"

    
    "Through all my inequities I'll never
      know sin like you.
      Whip the poor and condemn the youth.
      Blame the ******!!!
      Clergymen tend to always do.


"We are justified!

To do what we do
Is the work of the lord!
Truth will always bend
To the ambassadors' works."


The feast is for the thin, chalked with divine
And those on shore: honest and rectified.
Breath is man's plight,
And all eyes lie.

There's a man waiting at the edge of dawn
Who purges a man of his own thoughts
He owns his defiled marsh.
There are no five point answers
Without their threaded holes
Steadily fulfilling to us all.
Just him, enthroned; on a rock
Judging us as we fall.
Stephen Gospage Oct 2017
Up there, two lovers stood still, face to face,
While life raced by, at its frenetic pace.
Some days and nights went by; the people talked.
And in the cool of autumn time, some chalked,
Upon inviting spaces on the wall,
These drawings of the lovers and their fall.

— The End —