perchance an epic was necessary, to consolidate the scattered thinking, and indeed, once a certain life, and was lived with a cherishing heart, the heart broke, and life turned from adventures to a more studious approach, and in here, a comfort was found, never before imagined explorations - of course sometime a tourist in the arts does come, but such tourists quickly fade, and the pursuit becomes more enshrined - to levitated towards epics is perhaps the sole reason for the cherished memory of some - and how quickly all can revolve around a searched for theme, after many incorporations were minded - as one to have travelled the Mediterranean, another to have been eaten by the great mandarin silkworm of the library of Kangxi - heading along the silk route with spices - indeed the great mandarin silkworm of the library of emperor Kangxi; as i too needed a bearing - to inspect the trickster of lore and the godly blacksmith of the north.

by instruction - an accumulation of the the zephyrs
into a vector, headed north,
toward the gluttonous murk of ice, jesting
with aches to the bulging and mesmerised crescendo
of adrift stars captured in the tilting away -
to think of an epic, to keep out-of-time of
spontaneity and thistle like swiftness in the last
days of summer, that Mercury brings the new
tides of the tetravivaldis -
   brought by the λoγος of a γoλας -
for reasons that satisfy the suntan copper of
the ***** - the λoγος of a γoλας - yet not toward
Monte Carlo or any hideout of money well invested
and greedily spent for a charm -
no, north bids me welcome from afar -
this norðri fløkja, this    ᚾᛟᚱᛞᚱᛁ       ᚠᛚᚢᚲᛃᚨ -
by my estimate, i could not take the nonsense
of numerology of a certain specialisation,
i took what was necessary, i pillaged the temple
of Solomon, perhaps that the dome of the rock
might stand - with its glistening dome and
its sapphire mosaics - i don't belong among
palm trees and date trees - hence i turned to
deciphering and subsequently encrypting -
as i have already with *ᚱᚨᛒᛖ:
the journey of an Æsir through a birch forest
on a horse.
                    with this method in mind:
(a) ᚾᛟᚱᛞᚱᛁ       (b) ᚠᛚᚢᚲᛃᚨ:

(a)
the need to acquire possessions accumulating
into an estate, is a journey encountered
day by day, although a journey on ice

(b)
cattle only thrive near water,
auruchs did not, and hence illuminated
their way to extinction,
         by way of the Æsirs' harvest
(to eat up diversity of life, and create
a godless world of man).

my escape route came from ᚠ - mirroring שִׂ
although the former standing, the latter sitting
down, although the former fathomable
to my pleasure, the latter unfathomable
to ascribe numbers to letters for patterns -
i seek no patterns, hence my sight turned to
the northern sights, and meanings amplified.
                
the greeks were intended to explore abstracts,
having stated a triangle
they invented the ² symbol and what not,
it was because
they didn't bother extracting a phonetic unit
from something definite,
they classified such endeavours barbarian,
what reasonable greek of 13% reason and
87% reality would extract alpha from
the sound you made when
saying ansur (ᚨᚾᛋᚢᚱ) - i.e. attention -
i.e. deriving a definite sound differentiation
for alphabetical rubrics from a definite thing
(in whatever classification that might be)?
the greeks used the alphabetical rubric of
crafting a definite sound from an indefinite thing,
so they said: acronym, aardvark, assumption,
                       α                 α      α     α,
then they said α² - there are no antonyms -
but indeed there were, hence the Trojan nation
settling in the boot, that's Italy,
the Romans escalated the greek theory
beyond taking out a definite sound distinguished
from other distinguishable sounds,
abstracting what the alphabetic sound assured
a list under alpha: assumption, advantage,
acorn, etc. -
the latins were the first atomist after the greeks,
the greeks believed in atoms, but had no
microscopes to prove atoms existed,
such scientific faith found no parallel;
the latins ensured this was true,
ending with castrato sing-along -
the latins furthered abstracting sounds from
definite orientation which the greeks did
working from ice into iota,
the latins just sang i, i, i -
of course chiral behaviourism of such dissection
emerged - hatch a plan, plan a chisel -
it's very piquant i mind to let you know -
the greeks abstracted nouns in order to create
the alphabet, the barbarians still used
proper nouns to speak proper, the greeks
thus created synonyms and antonyms to add
to the spice of life - after all,
not deriving definite alphas from
cursors that acknowledged points of origins
created diacritical stressing like comma and
semis of colon and macron, not deriving them
from definite things, shunning a helpful
vocabulary bank to an unhelpful vocabulary
banked: synonyms and antonyms the Gemini's
birth of rhetoric;
but the latins were rejected with their atomic theory
of pronunciation, since they became laden
with diacritics - punctuation marks of a different sort,
you can measure a man sprint one hundred metres,
but is that also measuring a man to say
mān or män or mán? i know that the slavic ó = u
given the scalpel opening the ensō to craft a parabola -
but it's not necessarily an accent debate
but a punctuation debate... the emergence of
the diacritic symbols above the letters is due
partly to their joy of the popes listening to
castrato operas and the fact that the romans
went too far... hence the chiral nature of certain
symbols when dittoing - the barbarians used
definite things to assert definite sounds -
the greeks used indefinite things to assert definite
sounds - mind you, if the romans became too
abstract with their little units that became engraved
with punctual accenting, then the greek letters
became laden with scientific constants as necessarily
fathered, unchanging in the pursuit of Heraclitus' flux -
for example... Pythagoras and the hypotenuse:
                            σ / κ² = α² + β² -
           or?
                             c² (ć) = a² (ą) + b² / š (bubble beep
                                                           bop barman backup hop
                                                           of shackled kakah
                                                           or systematic oscillation
                                                           for bzz via burp);
πρ² is still more stable
                                 than what the latin alphabet allows -
hence why greek phonetic encoding was used in
science, and latin phonetic encoding was used in music,
can't be one or the other - added to the fact that
latin encoding had too many spare holes with
the evolution of numbers, and greek didn't have them,
hence β-reduction in lambda calculus and F-dur and A#

the one variant of the grapheme (æ) they didn't include
among expressions: graphite and grapheme
was the variant - gravitating to an entombing
of the excess aesthetic - geresh stress -
somehow the twins match-up to a single womb:
àé vs. áè: V vs. Λ - Copernicus wrote over all
of this with the flat earth uselessness
in terms of navigation - flat earth is useless...
huh? flat earth is the only system that gave
Columbus the chance to explore the new world -
no flat earth no Columbus -
that satellite named Luna was no tool
in navigating across the Atlantic - believe me
i'm sure -
                  or that grapheme (æ) varied like statistics
or like the characters in the book of genesis
that famous adam und eve (kim and kanye):
chances came, chances went:
it was still a draw on the tongue tied decipher:
àè and áé proved another notation for plurality
was necessary, not at the beginning of the word,
but after, hence the possessive article 's,
we could have parallelism, there was a crux,
how once the chiselling of letters came about,
more economic to chisel in a V than a U,
both the same, much easier though...
almost barbaric i might say...
sigma (Σ) enigma rune e (ᛖ) - this compass
is a ******* berserker, god knows if it's
mount Everest or the Bermuda Δ

but one thing is for certain, never you mind how
a language is taught unless you mind it,
not that conversational athenian is really what
i'm aiming at - but a lesson is a lesson nonetheless,
out of interest something new,
richard von Coudenhove-Kalergi,
and what preceded him, namely pan-slavism,
just when the polish-lithuanian commonwealth
did a little Judaic trick of its own,
although snorkelling in the waters of not writing
history for less a time than israel -
you can't beat ~2000 under water - although
you could if your little tribe had an einstein
among them, or proust or spinoza, then
you could effectively become a whale, popping
an individual out from the rubble to say a polite
'hello' and 'when will the dessert be served?'
but indeed, learning a language on your own,
how to learn from scratch, the greek orthography,
and why omicron and not omega,
the give-away? sigma - purely aesthetic reason,
                             νoμισματων

                             nomismaton

omicron                                                 omega

                 you write omicron at the front
                 and omega at the back
                 pivot letter? two: σ     μ &
                 νoμι-                                -ατων
                      ­                     |
                 anything here  
                 will use o            and anything
                                              here uses ω

alike to sigma:
                          χωρας (choras, i.e. country)

sigma (ς) not sigma (σ), i.e. digitalising languages
without a clear connectivity of letters,
block-a-brick-block-a-brick-digit-digit-digit
you learn that handwriting is gone,
two options, your own aesthetic reasons now,
remember, some paired for the ease of handwritten
flow - digitalised language changes the aesthetics,
you make your own rules (considering exceptions
of oh mega mega, ergo revision -

                                       χoρας,

but still the sigma rule, others esp. o mega
you stamp on them like βλαττια, i.e. cockroaches -
κατσαρίδα                 not         κατςαρίδα

all perfectly clear when you explore plato's
dialogue from the book Θηαετητυς (as you might
have noticed, the epsilon-eta project is still
in the storage room of my imagination) -
but indeed in the dialogue, between socrates
and the "hero" of the book theaetetus -
a sample, without an essay on the theory
of knowledge -
socrates: ...'tell me theaetesus, what is Σ O?'
theaetetus: yes, my reply would be that it is
                    Σ and O.
socrates: so there's your account of the syllable,
                isn't it?
theaetetus: yes.
socrates: all right, then: tell me also what your
                  account of Σ is.
                                                             ­   (etc.
or as some might say, a shrug of the shoulders,
a hmmpf huff puff of hot air, impractical interests
and concerns - well, better the impractical
problems than practical problems, less feet
shuffling and nail-biting moments with your
tail between your legs and an army of
intellectuals working out what went wrong
and how history will solve everything by
the practical problems repeating themselves) -
you know that inane reaction - others would just say
Humphrey Bogart and nonetheless get on with it.

some would claim i was begot a second time,
not in the sixth month period of the aqua-flesh,
how did i actually related to the life aquatic,
for nine months i was taught to hold my breath,
however did this happen?
a miracle of birth? ah indeed the miracle of
a crutch for a woman - spinal deformities -
9 months, sort to speak, in water or some other
fluid - merman - a beastly innovation -
next you'll be telling me beyond this life
we turn into centaurs, given the Koran's promise -
you'd need the appetite of a breeding horse
to satiate the 72 - or thereabouts - martyr or
no martyr - 72? that's pushing it -
or as they say among children - a chance playground
without swings or sandpits, but very careless
gravitational pulling toward a certain direction;
nonetheless, they might have that i did indeed
settle of a sáttmáli                  ᛋᚨᛏᛏᛗᚨᛚᛁ
                  við         ­                  Vᛁᛞ
                  tann                         ᛏᚨᚾᚾ
                  djevul                      ᛞᛃᛖVᚢᛚ -
the hands you see, fidgety -
     hond handa grammur burtur    úr   steðgur
     ᚻᛟᚾᛞ  ᚻᚨᚾᛞᚨ  ᚷᚱᚨᛗᛗᚢᚱ   ᛒᚢᚱᛏᚢᚱ  ᚢᚱ   ᛋᛏᛖᛞᚷᚢᚱ
         the hands give an ardent pursuit
                                                 away from rest -
well not that my poems will ever reach
the islands in question - and indeed an
uneducated guess propels me - what does it matter,
λαλος babbler meant anything, indeed λαλος,
language as my own, is a language that i can
understand - and should anyone omit
disparities - a welcome revision would never tease
nor burn my eyes - but the phonetic omission
peeved me off: woad in water, ventricles in a
variety of entanglements - it's just not there -
and indeed, orthographically, if there are no more
optometric involvements of omicron's twin -
then the stance is with you to use whichever pleases,
i can't tell the difference, unless i was a pedantic
student, aged 70, with a granddaughter i wanted
to be wed teasing a millimetre's worth of
phonetic differentiation between the two -
POTATO PA'H'TAYTOE TOMATO TA'H'MAYTOE -
linguistically one's american and the other
is british, which looks like greek and latin
upside-down and in a mirror: pəˈteɪtəʊ, təˈmɑːtəʊ;
or as the spaghetti gobblers would put it:
the tetragrammaton is working on their
texan drawl (dwah! ripples in china) -
or the high-society new england ******* *******
coo with a cuckoo's load of clocks -
before being sent off to england for a respectable
education, something en route Sylvia Plath -
but not to ol' wee scoot land - ah nay - well
perhaps for a year and then talk of north european
barbarism of a deep friend pizza and mars bar.

and when descartes finished with christina
queen of sweden, she became an animate portrait
of feminine attempts at philosophising,
she was basically ostracised from society,
well, not society per se, she didn't become a stray
dog, but she forgot certain functions of
the upper tier - lazily modern man decides
to hide phenomena from understanding
individual instances, with the kantian guise
of a noumenon, hence cutting his efforts short -
indeed queen christina of sweden was ostracised
by society - only after descartes finished educating her;
and indeed to most people a little bit of sloth
equates to an amputation of some sort -
yet only with the x-files' season 2 episode 2
i've learned of the effects of prolonged alcohol
"misuse", that little boxing match in my liver?
it's not a pain as such, it's actually a hardening
of soft tissue - with prolonged alcohol exposure
soft tissue organs harden, notably the liver -
and it's not a pain, it's a hardening.
but indeed queen christina of sweden was ostracised
by her tier of socialites - i'm glad diogenes
didn't get to her, but then again a bit of cloth
goes a long way this far north -
yet unlike the encounter with napoleon by hegel
diogenes' encounter with alexander lasted longer -
which tells you the old method does no service
to a little bit of material accumulation -
but perhaps the acumen was briefer when you were
ably living in a barrel - and to think, as only
that being the sole expression, not so much
a body without organs as stated in the thesis
of anti-oedipus by deleuze and guattari -
a consideration for a body without limbs - prior
to a footprint an imprint on the mind -
carelessly now, a diarrhoea of narration -
how rare to find it - perhaps this idea of epic
poetry is a default of writing per se -
with this my whatever numbered entry i seize
to find escape in it - a lack of ambition -
a loss of spontaneity that's a demanded mechanisation -
by volume, by inaneness - to reach a single
technique accumulative zenith, and then back
into the ploughing, rustic scenery and the
never-bored animals - i rather forget such escapades -
and there i was dreaming of a grand
runic exploration - some imitable game -
some scenic routes - yet again -

Poems about Flight, Flying, Flights of Fancy, Kites, Leaves, Butterflies, Birds and Bees



Flight
by Michael R. Burch

It is the nature of loveliness to vanish
as butterfly wings, batting against nothingness
seek transcendence...

Originally published by Hibiscus (India)



Southern Icarus
by Michael R. Burch

Windborne, lover of heights,
unspooled from the truck’s wildly lurching embrace,
you climb, skittish kite...

What do you know of the world’s despair,
gliding in vast... solitariness... there,
so that all that remains is to
fall?

Only a little longer the wind invests its sighs;
you
stall,
spread-eagled, as the canvas snaps
and *****
its white rebellious wings,
and all
the houses watch with baffled eyes.



The Wonder Boys
by Michael R. Burch

(for Leslie Mellichamp, the late editor of The Lyric,
who was a friend and mentor to many poets, and
a fine poet in his own right)

The stars were always there, too-bright cliches:
scintillant truths the jaded world outgrew
as baffled poets winged keyed kites—amazed,
in dream of shocks that suddenly came true...

but came almost as static—background noise,
a song out of the cosmos no one hears,
or cares to hear. The poets, starstruck boys,
lay tuned in to their kite strings, saucer-eared.

They thought to feel the lightning’s brilliant sparks
electrify their nerves, their brains; the smoke
of words poured from their overheated hearts.
The kite string, knotted, made a nifty rope...

You will not find them here; they blew away—
in tumbling flight beyond nights’ stars. They clung
by fingertips to satellites. They strayed
too far to remain mortal. Elfin, young,

their words are with us still. Devout and fey,
they wink at us whenever skies are gray.

Originally published by The Lyric



American Eagle, Grounded
by Michael R. Burch

Her predatory eye,
the single feral iris,
scans.

Her raptor beak,
all jagged sharp-edged ******,
juts.

Her hard talon,
clenched in pinched expectation,
waits.

Her clipped wings,
preened against reality,
tremble.

Published as “Tremble” by The Lyric, Verses Magazine, Romantics Quarterly, Journeys, The Raintown Review, Poetic Ponderings, Poem Kingdom, The Fabric of a Vision, NPAC—Net Poetry and Art Competition, Poet’s Haven, Listening To The Birth Of Crystals (Anthology), Poetry Renewal, Inspirational Stories, Poetry Life & Times, MahMag (Iranian/Farsi), The Eclectic Muse (Canada)



Album
by Michael R. Burch

I caress them—trapped in brittle cellophane—
and I see how young they were, and how unwise;
and I remember their first flight—an old prop plane,
their blissful arc through alien blue skies...

And I touch them here through leaves which—tattered, frayed—
are also wings, but wings that never flew:
like insects’ wings—pinned, held. Here, time delayed,
their features never merged, remaining two...

And Grief, which lurked unseen beyond the lens
or in shadows where It crept on furtive claws
as It scritched Its way into their hearts, depends
on sorrows such as theirs, and works Its jaws...

and slavers for Its meat—those young, unwise,
who naively dare to dream, yet fail to see
how, lumbering sunward, Hope, ungainly, flies,
clutching to Her ruffled breast what must not be.



Springtime Prayer
by Michael R. Burch

They’ll have to grow like crazy,
the springtime baby geese,
if they’re to fly to balmier climes
when autumn dismembers the leaves...

And so I toss them loaves of bread,
then whisper an urgent prayer:
“Watch over these, my Angels,
if there’s anyone kind, up there.”

Originally published by The HyperTexts



Learning to Fly
by Michael R. Burch

We are learning to fly
every day...

learning to fly—
away, away...

O, love is not in the ephemeral flight,
but love, Love! is our destination—

graced land of eternal sunrise, radiant beyond night!
Let us bear one another up in our vast migration.



In the Whispering Night
by Michael R. Burch

for George King

In the whispering night, when the stars bend low
till the hills ignite to a shining flame,
when a shower of meteors streaks the sky
while the lilies sigh in their beds, for shame,
we must steal our souls, as they once were stolen,
and gather our vigor, and all our intent.
We must heave our bodies to some famished ocean
and laugh as they vanish, and never repent.
We must dance in the darkness as stars dance before us,
soar, Soar! through the night on a butterfly's breeze...
blown high, upward-yearning, twin spirits returning
to the heights of awareness from which we were seized.

Published by Songs of Innocence, Romantics Quarterly, The Chained Muse and Poetry Life & Times. This is a poem I wrote for my favorite college English teacher, George King, about poetic kinship, brotherhood and romantic flights of fancy.



For a Palestinian Child, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails,
when thunder howls,
when hailstones scream,
when winter scowls,
when nights compound dark frosts with snow...
Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?

Published by Tucumcari Literary Review, Romantics Quarterly, Poetry Life & Times, Victorian Violet Press (where it was nominated for a “Best of the Net”), The Contributor (a Nashville homeless newspaper), Siasat (Pakistan), and set to music as a part of the song cycle “The Children of Gaza” which has been performed in various European venues by the Palestinian soprano Dima Bawab



Earthbound, a Vision of Crazy Horse
by Michael R. Burch

Tashunka Witko, a Lakota Sioux better known as Crazy Horse, had a vision of a red-tailed hawk at Sylvan Lake, South Dakota. In his vision he saw himself riding a spirit horse, flying through a storm, as the hawk flew above him, shrieking. When he awoke, a red-tailed hawk was perched near his horse.

Earthbound,
and yet I now fly
through the clouds that are aimlessly drifting...
so high
that no sound
echoing by
below where the mountains are lifting
the sky
can be heard.

Like a bird,
but not meek,
like a hawk from a distance regarding its prey,
I will shriek,
not a word,
but a screech,
and my terrible clamor will turn them to clay—
the sheep,
the earthbound.

Published by American Indian Pride and Boston Poetry Magazine



Sioux Vision Quest
by Crazy Horse, Oglala Lakota Sioux (circa 1840-1877)
loose translation/interpretation by Michael R. Burch

A man must pursue his Vision
as the eagle explores
the sky's deepest blues.

Published by Better Than Starbucks and A Hundred Voices



in-flight convergence
by Michael R. Burch

serene, almost angelic,
the lights of the city ——— extend ———
over lumbering behemoths
shrilly screeching displeasure;
they say
that nothing is certain,
that nothing man dreams or ordains
long endures his command

here the streetlights that flicker
and those blazing steadfast
seem one: from a distance;
descend,
they abruptly
part ———— ways,
so that nothing is one
which at times does not suddenly blend
into garish insignificance
in the familiar alleyways,
in the white neon flash
and the billboards of Convenience

and man seems the afterthought of his own Brilliance
as we thunder down the enlightened runways.

Originally published by The Aurorean and subsequently nominated for the Pushcart Prize



Flight 93
by Michael R. Burch

I held the switch in trembling fingers, asked
why existence felt so small, so purposeless,
like a minnow wriggling feebly in my grasp...

vibrations of huge engines thrummed my arms
as, glistening with sweat, I nudged the switch
to OFF... I heard the klaxon's shrill alarms

like vultures’ shriekings... earthward, in a stall...
we floated... earthward... wings outstretched, aghast
like Icarus... as through the void we fell...

till nothing was so beautiful, so blue...
so vivid as that moment... and I held
an image of your face, and dreamed I flew

into your arms. The earth rushed up. I knew
such comfort, in that moment, loving you.



Flight
by Michael R. Burch

Eagle, raven, blackbird, crow...
What you are I do not know.
Where you go I do not care.
I’m unconcerned whose meal you bear.
But as you mount the sunlit sky,
I only wish that I could fly.
I only wish that I could fly.

Robin, hawk or whippoorwill...
Should men care that you hunger still?
I do not wish to see your home.
I do not wonder where you roam.
But as you scale the sky's bright stairs,
I only wish that I were there.
I only wish that I were there.

Sparrow, lark or chickadee...
Your markings I disdain to see.
Where you fly concerns me not.
I scarcely give your flight a thought.
But as you wheel and arc and dive,
I, too, would feel so much alive.
I, too, would feel so much alive.

This is a poem I wrote in high school. I seem to remember the original poem being influenced by William Cullen Bryant's "To a Waterfowl."



Flying
by Michael R. Burch

I shall rise
and try the ****** wings of thought
ten thousand times
before I fly...

and then I'll sleep
and waste ten thousand nights
before I dream;

but when at last...
I soar the distant heights of undreamt skies
where never hawks nor eagles dared to go,
as I laugh among the meteors flashing by
somewhere beyond the bluest earth-bound seas...
if I'm not told
I’m just a man,
then I shall know
just what I am.

This is one of my early poems, written around age 16-17.



Stage Craft-y
by Michael R. Burch

There once was a dromedary
who befriended a crafty canary.
Budgie said, "You can’t sing,
but now, here’s the thing—
just think of the tunes you can carry!"



Clyde Lied!
by Michael R. Burch

There once was a mockingbird, Clyde,
who bragged of his prowess, but lied.
To his new wife he sighed,
"When again, gentle bride?"
"Nevermore!" bright-eyed Raven replied.



Less Heroic Couplets: ****** Most Fowl!
by Michael R. Burch

“****** most foul!”
cried the mouse to the owl.
“Friend, I’m no sinner;
you’re merely my dinner!”
the wise owl replied
as the tasty snack died.

Published by Lighten Up Online and in Potcake Chapbook #7.



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!
Until the great & mighty heron
brandishes his fearsome sword.



Kissin’ ’n’ buzzin’
by Michael R. Burch

Kissin’ ’n’ buzzin’ the bees rise
in a dizzy circle of two.
Oh, when I’m with you,
I feel like kissin’ ’n’ buzzin’ too.



Delicacy
by Michael R. Burch

for all good mothers

Your love is as delicate
as a butterfly cleaning its wings,
as soft as the predicate
the hummingbird sings
to itself, gently murmuring—
“Fly! Fly! Fly!”
Your love is the string
soaring kites untie.



Lone Wild Goose
by Du Fu (712-770)
loose translation/interpretation by Michael R. Burch

The abandoned goose refuses food and drink;
he cries querulously for his companions.
Who feels kinship for that strange wraith
as he vanishes eerily into the heavens?
You watch it as it disappears;
its plaintive calls cut through you.
The indignant crows ignore you both:
the bickering, bantering multitudes.



The Red Cockatoo
by Po Chu-I (772-846)
loose translation/interpretation by Michael R. Burch

A marvelous gift from Annam—
a red cockatoo,
bright as peach blossom,
fluent in men's language.

So they did what they always do
to the erudite and eloquent:
they created a thick-barred cage
and shut it up.



The Migrant Songbird
Li Qingzhao aka Li Ching-chao (c. 1084-1155)
loose translation/interpretation by Michael R. Burch

The migrant songbird on the nearby yew
brings tears to my eyes with her melodious trills;
this fresh downpour reminds me of similar spills:
another spring gone, and still no word from you...



Lines from Laolao Ting Pavilion
by Li Bai (701-762)
loose translation/interpretation by Michael R. Burch

The spring breeze knows partings are bitter;
The willow twig knows it will never be green again.



The Day after the Rain
Lin Huiyin (1904-1955)
loose translation/interpretation by Michael R. Burch

I love the day after the rain
and the meadow's green expanses!
My heart endlessly rises with wind,
gusts with wind...
away the new-mown grasses and the fallen leaves...
away the clouds like smoke...
vanishing like smoke...



Untitled Translations

Cupid, if you incinerate my soul, touché!
For like you she has wings and can fly away!
—Meleager, loose translation by Michael R. Burch

As autumn deepens,
a butterfly sips
chrysanthemum dew.
—Basho, loose translation/interpretation by Michael R. Burch

Come, butterfly,
it’s late
and we’ve a long way to go!
—Basho, loose translation/interpretation by Michael R. Burch

Up and at ’em! The sky goes bright!
Let’***** the road again,
Companion Butterfly!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Ah butterfly,
what dreams do you ply
with your beautiful wings?
—Chiyo-ni, loose translation by Michael R. Burch

Oh, dreamlike winter butterfly:
a puff of white snow
cresting mountains
—Kakio Tomizawa, loose translation by Michael R. Burch

Dry leaf flung awry:
bright butterfly,
goodbye!
—Michael R. Burch, original haiku

Will we remain parted forever?
Here at your grave:
two flowerlike butterflies
—Matsuo Basho, loose translation by Michael R. Burch

a soaring kite flits
into the heart of the sun?
Butterfly & Chrysanthemum
—Michael R. Burch, original haiku

The cheerful-chirping cricket
contends gray autumn's gay,
contemptuous of frost
—Matsuo Basho, loose translation by Michael R. Burch

Whistle on, twilight whippoorwill,
solemn evangelist
of loneliness
—Matsuo Basho, loose translation by Michael R. Burch

The sea darkening,
the voices of the wild ducks:
my mysterious companions!
—Matsuo Basho, loose translation by Michael R. Burch

Lightning
shatters the darkness—
the night heron's shriek
—Matsuo Basho, loose translation by Michael R. Burch

This snowy morning:
cries of the crow I despise
(ah, but so beautiful!)
—Matsuo Basho, loose translation by Michael R. Burch

A crow settles
on a leafless branch:
autumn nightfall.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Hush, cawing crows; what rackets you make!
Heaven's indignant messengers,
you remind me of wordsmiths!
—O no Yasumaro (circa 711), loose translation by Michael R. Burch

Higher than a skylark,
resting on the breast of heaven:
this mountain pass.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

An exciting struggle
with such a sad ending:
cormorant fishing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Does my soul abide in heaven, or hell?
Only the sea gull
in his high, lonely circuits, may tell.
—Glaucus, translation by Michael R. Burch

The eagle sees farther
from its greater height—
our ancestors’ wisdom
—Michael R. Burch, original haiku

A kite floats
at the same place in the sky
where yesterday it floated...
—Yosa Buson, loose translation/interpretation by Michael R. Burch



Descent
by Michael R. Burch

I have listened to the rain all this morning
and it has a certain gravity,
as if it knows its destination,
perhaps even its particular destiny.
I do not believe mine is to be uplifted,
although I, too, may be flung precipitously
and from a great height.



Ultimate Sunset
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

he now faces the Ultimate Sunset,
his body like the leaves that fray as they dry,
shedding their vital fluids (who knows why?)
till they’ve become even lighter than the covering sky,
ready to fly...



Free Fall
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

I see the longing for departure gleam
in his still-keen eye,
and I understand his desire
to test this last wind, like those late autumn leaves
with nothing left to cling to...



Leaf Fall
by Michael R. Burch

Whatever winds encountered soon resolved
to swirling fragments, till chaotic heaps
of leaves lay pulsing by the backyard wall.
In lieu of rakes, our fingers sorted each
dry leaf into its place and built a high,
soft bastion against earth's gravitron—
a patchwork quilt, a trampoline, a bright
impediment to fling ourselves upon.
And nothing in our laughter as we fell
into those leaves was like the autumn's cry
of also falling. Nothing meant to die
could be so bright as we, so colorful—
clad in our plaids, oblivious to pain
we'd feel today, should we leaf-fall again.

Originally published by The Neovictorian/Cochlea



The Folly of Wisdom
by Michael R. Burch

She is wise in the way that children are wise,
looking at me with such knowing, grave eyes
I must bend down to her to understand.
But she only smiles, and takes my hand.
We are walking somewhere that her feet know to go,
so I smile, and I follow...
And the years are dark creatures concealed in bright leaves
that flutter above us, and what she believes—
I can almost remember—goes something like this:
the prince is a horned toad, awaiting her kiss.
She wiggles and giggles, and all will be well
if only we find him! The woodpecker’s knell
as he hammers the coffin of some dying tree
that once was a fortress to someone like me
rings wildly above us. Some things that we know
we are meant to forget. Life is a bloodletting, maple-syrup-slow.

Originally published by Romantics Quarterly



Kin
by Michael R. Burch

for Richard Moore

1.
Shrill gulls,
how like my thoughts
you, struggling, rise
to distant bliss—
the weightless blue of skies
that are not blue
in any atmosphere,
but closest here...

2.
You seek an air
so clear,
so rarified
the effort leaves you famished;
earthly tides
soon call you back—
one long, descending glide...

3.
Disgruntledly you ***** dirt shores for orts
you pull like mucous ropes
from shells’ bright forts...
You eye the teeming world
with nervous darts—
this way and that...
Contentious, shrewd, you scan—
the sky, in hope,
the earth, distrusting man.



Songstress
by Michael R. Burch

Within its starkwhite ribcage, how the heart
must flutter wildly, O, and always sing
against the pressing darkness: all it knows
until at last it feels the numbing sting
of death. Then life's brief vision swiftly passes,
imposing night on one who clearly saw.
Death held your bright heart tightly, till its maw–
envenomed, fanged–could swallow, whole, your Awe.
And yet it was not death so much as you
who sealed your doom; you could not help but sing
and not be silenced. Here, behold your tomb's
white alabaster cage: pale, wretched thing!
But you'll not be imprisoned here, wise wren!
Your words soar free; rise, sing, fly, live again.

A poet like Nadia Anjuman can be likened to a caged bird, deprived of flight, who somehow finds it within herself to sing of love and beauty.



Performing Art
by Michael R. Burch

Who teaches the wren
in its drab existence
to explode into song?
What parodies of irony
does the jay espouse
with its sharp-edged tongue?
What instinctual memories
lend stunning brightness
to the strange dreams
of the dull gray slug
—spinning its chrysalis,
gluing rough seams—
abiding in darkness
its transformation,
till, waving damp wings,
it applauds its performance?
I am done with irony.
Life itself sings.



Lean Harvests
by Michael R. Burch

for T.M.

the trees are shedding their leaves again:
another summer is over.
the Christians are praising their Maker again,
but not the disconsolate plover:
i hear him berate
the fate
of his mate;
he claims God is no body’s lover.

Published by The Rotary Dial and Angle



My Forty-Ninth Year
by Michael R. Burch

My forty-ninth year
and the dew remembers
how brightly it glistened
encrusting September,...
one frozen September
when hawks ruled the sky
and death fell on wings
with a shrill, keening cry.

My forty-ninth year,
and still I recall
the weavings and windings
of childhood, of fall...
of fall enigmatic,
resplendent, yet sere,...
though vibrant the herald
of death drawing near.

My forty-ninth year
and now often I've thought on
the course of a lifetime,
the meaning of autumn,
the cycle of autumn
with winter to come,
of aging and death
and rebirth... on and on.

Originally published by Romantics Quarterly as “My Twenty-Ninth Year”



Myth
by Michael R. Burch

Here the recalcitrant wind
sighs with grievance and remorse
over fields of wayward gorse
and thistle-throttled lanes.
And she is the myth of the scythed wheat
hewn and sighing, complete,
waiting, lain in a low sheaf—
full of faith, full of grief.

Here the immaculate dawn
requires belief of the leafed earth
and she is the myth of the mown grain—
golden and humble in all its weary worth.



What Works
by Michael R. Burch

for David Gosselin

What works—
hewn stone;
the blush the iris shows the sun;
the lilac’s pale-remembered bloom.

The frenzied fly: mad-lively, gay,
as seconds tick his time away,
his sentence—one brief day in May,
a period. And then decay.

A frenzied rhyme’s mad tip-toed time,
a ballad’s languid as the sea,
seek, striving—immortality.

When gloss peels off, what works will shine.
When polish fades, what works will gleam.
When intellectual prattle pales,
the dying buzzing in the hive
of tedious incessant bees,
what works will soar and wheel and dive
and milk all honey, leap and thrive,
and teach the pallid poem to seethe.



Child of 9-11
by Michael R. Burch

a poem for Christina-Taylor Green, who
was born on September 11, 2001 and who
died at age nine, shot to death...

Child of 9-11, beloved,
I bring this lily, lay it down
here at your feet, and eiderdown,
and all soft things, for your gentle spirit.
I bring this psalm — I hope you hear it.

Much love I bring — I lay it down
here by your form, which is not you,
but what you left this shell-shocked world
to help us learn what we must do
to save another child like you.

Child of 9-11, I know
you are not here, but watch, afar
from distant stars, where angels rue
the evil things some mortals do.
I also watch; I also rue.

And so I make this pledge and vow:
though I may weep, I will not rest
nor will my pen fail heaven's test
till guns and wars and hate are banned
from every shore, from every land.

Child of 9-11, I grieve
your tender life, cut short... bereaved,
what can I do, but pledge my life
to saving lives like yours? Belief
in your sweet worth has led me here...
I give my all: my pen, this tear,
this lily and this eiderdown,
and all soft things my heart can bear;
I bring them to your final bier,
and leave them with my promise, here.

Originally published by The Flea



Desdemona
by Michael R. Burch

Though you possessed the moon and stars,
you are bound to fate and wed to chance.
Your lips deny they crave a kiss;
your feet deny they ache to dance.
Your heart imagines wild romance.

Though you cupped fire in your hands
and molded incandescent forms,
you are barren now, and—spent of flame—
the ashes that remain are borne
toward the sun upon a storm.

You, who demanded more, have less,
your heart within its cells of sighs
held fast by chains of misery,
confined till death for peddling lies—
imprisonment your sense denies.

You, who collected hearts like leaves
and pressed each once within your book,
forgot. None—winsome, bright or rare—
not one was worth a second look.
My heart, as others, you forsook.

But I, though I loved you from afar
through silent dawns, and gathered rue
from gardens where your footsteps left
cold paths among the asters, knew—
each moonless night the nettles grew
and strangled hope, where love dies too.

Published by Penny Dreadful, Carnelian, Romantics Quarterly, Grassroots Poetry and Poetry Life & Times



Transplant
by Michael R. Burch

You float, unearthly angel, clad in flesh
as strange to us who briefly knew your flame
as laughter to disease. And yet you laugh.
Behind your smile, the sun forfeits its claim
to earth, and floats forever now the same—
light captured at its moment of least height.
You laugh here always, welcoming the night,
and, just a photograph, still you can claim
bright rapture: like an angel, not of flesh—
but something more, made less. Your humanness
this moment of release becomes a name
and something else—a radiance, a strange
brief presence near our hearts. How can we stand
and chain you here to this nocturnal land
of burgeoning gray shadows? Fly, begone.
I give you back your soul, forfeit all claim
to radiance, and welcome grief’s dark night
that crushes all the laughter from us. Light
in someone Else’s hand, and sing at ease
some song of brightsome mirth through dawn-lit trees
to welcome morning’s sun. O daughter! these
are eyes too weak for laughter; for love’s sight,
I welcome darkness, overcome with light.



Reading between the lines
by Michael R. Burch

Who could have read so much, as we?
Having the time, but not the inclination,
TV has become our philosophy,
sheer boredom, our recreation.



Rilke Translations

Archaic Torso of Apollo
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

We cannot know the beheaded god
nor his eyes' forfeited visions. But still
the figure's trunk glows with the strange vitality
of a lamp lit from within, while his composed will
emanates dynamism. Otherwise
the firmly muscled abdomen could not beguile us,
nor the centering ***** make us smile
at the thought of their generative animus.
Otherwise the stone might seem deficient,
unworthy of the broad shoulders, of the groin
projecting procreation's triangular spearhead upwards,
unworthy of the living impulse blazing wildly within
like an inchoate star—demanding our belief.
You must change your life.



Herbsttag ("Autumn Day")
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

Lord, it is time. Let the immense summer go.
Lay your long shadows over the sundials
and over the meadows, let the free winds blow.
Command the late fruits to fatten and shine;
O, grant them another Mediterranean hour!
Urge them to completion, and with power
convey final sweetness to the heavy wine.
Who has no house now, never will build one.
Who's alone now, shall continue alone;
he'll wake, read, write long letters to friends,
and pace the tree-lined pathways up and down,
restlessly, as autumn leaves drift and descend.

Originally published by Measure



The Panther
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

His weary vision's so overwhelmed by iron bars,
his exhausted eyes see only blank Oblivion.
His world is not our world. It has no stars.
No light. Ten thousand bars. Nothing beyond.
Lithe, swinging with a rhythmic easy stride,
he circles, his small orbit tightening,
an electron losing power. Paralyzed,
soon regal Will stands stunned, an abject thing.
Only at times the pupils' curtains rise
silently, and then an image enters,
descends through arrested shoulders, plunges, centers
somewhere within his empty heart, and dies.



Come, You
by Ranier Maria Rilke
loose translation/interpretation by Michael R. Burch

This was Rilke's last poem, written ten days before his death. He died open-eyed in the arms of his doctor on December 29, 1926, in the Valmont Sanatorium, of leukemia and its complications. I had a friend who died of leukemia and he was burning up with fever in the end. I believe that is what Rilke was describing here: he was literally burning alive.

Come, you—the last one I acknowledge; return—
incurable pain searing this physical mesh.
As I burned in the spirit once, so now I burn
with you; meanwhile, you consume my flesh.
This wood that long resisted your embrace
now nourishes you; I surrender to your fury
as my gentleness mutates to hellish rage—
uncaged, wild, primal, mindless, outré.
Completely free, no longer future's pawn,
I clambered up this crazy pyre of pain,
certain I'd never return—my heart's reserves gone—
to become death's nameless victim, purged by flame.
Now all I ever was must be denied.
I left my memories of my past elsewhere.
That life—my former life—remains outside.
Inside, I'm lost. Nobody knows me here.



Love Song
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

How can I withhold my soul so that it doesn't touch yours?
How can I lift mine gently to higher things, alone?
Oh, I would gladly find something lost in the dark
in that inert space that fails to resonate until you vibrate.
There everything that moves us, draws us together like a bow
enticing two taut strings to sing together with a simultaneous voice.
Whose instrument are we becoming together?
Whose, the hands that excite us?
Ah, sweet song!



The Beggar's Song
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

I live outside your gates,
exposed to the rain, exposed to the sun;
sometimes I'll cradle my right ear
in my right palm;
then when I speak my voice sounds strange,
alien...
I'm unsure whose voice I'm hearing:
mine or yours.
I implore a trifle;
the poets cry for more.
Sometimes I cover both eyes
and my face disappears;
there it lies heavy in my hands
looking peaceful, instead,
so that no one would ever think
I have no place to lay my head.



Ivy
by Michael R. Burch

“Van trepando en mi viejo dolor como las yedras.” — Pablo Neruda
“They climb on my old suffering like ivy.”

Ivy winds around these sagging structures
from the flagstones
to the eave heights,
and, clinging, holds intact
what cannot be saved of their loose entrails.
Through long, blustery nights of dripping condensation,
cured in the humidors of innumerable forgotten summers,
waxy, unguent,
palely, indifferently fragrant, it climbs,
pausing at last to see
the alien sparkle of dew
beading delicate sparrowgrass.
Coarse saw grass, thin skunk grass, clumped mildewed yellow gorse
grow all around, and here remorse, things past,
watch ivy climb and bend,
and, in the end, we ask
if grief is worth the gaps it leaps to mend.



Joy in the Morning
by Michael R. Burch

for my grandparents George Edwin Hurt and Christine Ena Hurt

There will be joy in the morning
for now this long twilight is over
and their separation has ended.
For fourteen years, he had not seen her
whom he first befriended,
then courted and married.
Let there be joy, and no mourning,
for now in his arms she is carried
over a threshold vastly sweeter.
He never lost her; she only tarried
until he was able to meet her.



Prodigal
by Michael R. Burch

This poem is dedicated to Kevin Longinotti, who died four days short of graduation from Vanderbilt University, the victim of a tornado that struck Nashville on April 16, 1998.

You have graduated now,
to a higher plane
and your heart’s tenacity
teaches us not to go gently
though death intrudes.

For eighteen days
—jarring interludes
of respite and pain—
with life only faintly clinging,
like a cashmere snow,
testing the capacity
of the blood banks
with the unstaunched flow
of your severed veins,
in the collapsing declivity,
in the sanguine haze
where Death broods,
you struggled defiantly.

A city mourns its adopted son,
flown to the highest ranks
while each heart complains
at the harsh validity
of God’s ways.

On ponderous wings
the white clouds move
with your captured breath,
though just days before
they spawned the maelstrom’s
hellish rift.

Throw off this mortal coil,
this envelope of flesh,
this brief sheath
of inarticulate grief
and transient joy.

Forget the winds
which test belief,
which bear the parchment leaf
down life’s last sun-lit path.

We applaud your spirit, O Prodigal,
O Valiant One,
in its percussive flight into the sun,
winging on the heart’s last madrigal.



Breakings
by Michael R. Burch

I did it out of pity.
I did it out of love.
I did it not to break the heart of a tender, wounded dove.

But gods without compassion
ordained: Frail things must break!
Now what can I do for her shattered psyche’s sake?

I did it not to push.
I did it not to shove.
I did it to assist the flight of indiscriminate Love.

But gods, all mad as hatters,
who legislate in all such matters,
ordained that everything irreplaceable shatters.



The Quickening
by Michael R. Burch

I never meant to love you
when I held you in my arms
promising you sagely
wise, noncommittal charms.

And I never meant to need you
when I touched your tender lips
with kisses that intrigued my own—
such kisses I had never known,
nor a heartbeat in my fingertips!



It's Halloween!
by Michael R. Burch

If evening falls
on graveyard walls
far softer than a sigh;
if shadows fly
moon-sickled skies,
while children toss their heads
uneasy in their beds,
beware the witch's eye!

If goblins loom
within the gloom
till playful pups grow terse;
if birds give up their verse
to comfort chicks they nurse,
while children dream weird dreams
of ugly, wiggly things,
beware the serpent's curse!

If spirits scream
in haunted dreams
while ancient sibyls rise
to plague black nightmare skies
one night without disguise,
while children toss about
uneasy, full of doubt,
beware the devil's eyes...
it's Halloween!



An Illusion
by Michael R. Burch

The sky was as hushed as the breath of a bee
and the world was bathed in shades of palest gold
when I awoke.
She came to me with the sound of falling leaves
and the scent of new-mown grass;
I held out my arms to her and she passed
into oblivion...

This is one of my early poems, written around age 16 and published in my high school literary journal, The Lantern.



Describing You
by Michael R. Burch

How can I describe you?
The fragrance of morning rain
mingled with dew
reminds me of you;
the warmth of sunlight
stealing through a windowpane
brings you back to me again.

This is an early poem of mine, written as a teenager.



www.firesermon.com
by Michael R. Burch

your gods have become e-vegetation;
your saints—pale thumbnail icons; to enlarge
their images, right-click; it isn’t hard
to populate your web-site; not to mention
cool sound effects are nice; Sound Blaster cards
can liven up dull sermons, zing some fire;
your drives need added Zip; you must discard
your balky paternosters: ***!!! Desire!!!
these are the watchwords, catholic; you must
as Yahoo! did, employ a little lust
if you want great e-commerce; hire a bard
to spruce up ancient language, shed the dust
of centuries of sameness;
lameness *****;
your gods grew blurred; go 3D; scale; adjust.

Published by: Ironwood, Triplopia and Nisqually Delta Review



Her Grace Flows Freely
by Michael R. Burch

July 7, 2007

Her love is always chaste, and pure.
This I vow. This I aver.
If she shows me her grace, I will honor her.
This I vow. This I aver.
Her grace flows freely, like her hair.
This I vow. This I aver.
For her generousness, I would worship her.
This I vow. This I aver.
I will not **** her for what I bear
This I vow. This I aver.
like a most precious incense–desire for her,
This I vow. This I aver.
nor call her “*****” where I seek to repair.
This I vow. This I aver.
I will not wink, nor smirk, nor stare
This I vow. This I aver.
like a foolish child at the foot of a stair
This I vow. This I aver.
where I long to go, should another be there.
This I vow. This I aver.
I’ll rejoice in her freedom, and always dare
This I vow. This I aver.
the chance that she’ll flee me–my starling rare.
This I vow. This I aver.
And then, if she stays, without stays, I swear
This I vow. This I aver.
that I will joy in her grace beyond compare.
This I vow. This I aver.



Second Sight (II)
by Michael R. Burch

Newborns see best at a distance of 8 to 14 inches.
Wiser than we know, the newborn screams,
red-faced from breath, and wonders what life means
this close to death, amid the arctic glare
of warmthless lights above.
Beware! Beware!—
encrypted signals, codes? Or ciphers, noughts?
Interpretless, almost, as his own thoughts—
the brilliant lights, the brilliant lights exist.
Intruding faces ogle, gape, insist—
this madness, this soft-hissing breath, makes sense.
Why can he not float on, in dark suspense,
and dream of life? Why did they rip him out?
He frowns at them—small gnomish frowns, all doubt—
and with an ancient mien, O sorrowful!,
re-closes eyes that saw in darkness null
ecstatic sights, exceeding beautiful.



Incommunicado
by Michael R. Burch

All I need to know of life I learned
in the slap of a moment,
as my outward eye turned
toward a gauntlet of overhanging lights
which coldly burned, hissing—
"There is no way back!..."
As the ironic bright blood
trickled down my face,
I watched strange albino creatures twisting
my flesh into tight knots of separation
all the while tediously insisting—
“He's doing just fine!"



Letdown
by Michael R. Burch

Life has not lived up to its first bright vision—
the light overhead fluorescing, revealing
no blessing—bestowing its glaring assessments
impersonally (and no doubt carefully metered).
That first hard

SLAP

demanded my attention. Defiantly rigid,
I screamed at their backs as they, laughingly,

ripped

my mother’s pale flesh from my unripened shell,
snapped it in two like a pea pod, then dropped
it somewhere—in a dustbin or a furnace, perhaps.

And that was my clue

that some deadly, perplexing, unknowable task
lay, inexplicable, ahead in the white arctic maze
of unopenable doors, in the antiseptic gloom...



Recursion
by Michael R. Burch

In a dream I saw boys lying
under banners gaily flying
and I heard their mothers sighing
from some dark distant shore.

For I saw their sons essaying
into fields—gleeful, braying—
their bright armaments displaying;
such manly oaths they swore!

From their playfields, boys returning
full of honor’s white-hot burning
and desire’s restless yearning
sired new kids for the corps.

In a dream I saw boys dying
under banners gaily lying
and I heard their mothers crying
from some dark distant shore.



Poet to poet
by Michael R. Burch

I have a dream
pebbles in a sparkling sand
of wondrous things.
I see children
variations of the same man
playing together.
Black and yellow, red and white,
stone and flesh, a host of colors
together at last.
I see a time
each small child another's cousin
when freedom shall ring.
I hear a song
sweeter than the sea sings
of many voices.
I hear a jubilation
respect and love are the gifts we must bring
shaking the land.
I have a message,
sea shells echo, the melody rings
the message of God.
I have a dream
all pebbles are merely smooth fragments of stone
of many things.
I live in hope
all children are merely small fragments of One
that this dream shall come true.
I have a dream...
but when you're gone, won't the dream have to end?
Oh, no, not as long as you dream my dream too!
Here, hold out your hand, let's make it come true.
i can feel it begin
Lovers and dreamers are poets too.
poets are lovers and dreamers too



Life Sentence
by Michael R. Burch

... I swim, my Daddy’s princess, newly crowned,
toward a gurgly Maelstrom... if I drown
will Mommy stick the Toilet Plunger down
to **** me up?... She sits upon Her Throne,
Imperious (denying we were one),
and gazes down and whispers “precious son”...

... the Plunger worked; i’m two, and, if not blessed,
still Mommy got the Worst Stuff off Her Chest;
a Vacuum Pump, They say, will do the rest...

... i’m three; yay! whee! oh good! it’s time to play!
(oh no, I think there’s Others on the way;
i’d better pray)...

... i’m four; at night I hear the Banging Door;
She screams; sometimes there’s Puddles on the Floor;
She wants to **** us, or, She wants some More...

... it’s great to be alive if you are five (unless you’re me);
my Mommy says: “you’re WRONG! don’t disagree!
don’t make this HURT ME!”...

... i’m six; They say i’m tall, yet Time grows Short;
we have a thriving Family; Abort!;
a tadpole’s ripping Mommy’s Room apart...

... i’m seven; i’m in heaven; it feels strange;
I saw my life go gurgling down the Drain;
another Noah built a Mighty Ark;
God smiled, appeased, a Rainbow split the Dark;
... I saw Bright Colors also, when She slammed
my head against the Tub, and then I swam
toward the magic tunnel... last, I heard...
is that She feels Weird.



Beast 666
by Michael R. Burch

“... what rough beast... slouches toward Bethlehem to be born?”—W. B. Yeats

Brutality is a cross
wooden, blood-stained,
gas hissing, sibilant,
lungs gilled, deveined,
red flecks on a streaked glass pane,
jeers jubilant,
mocking.

Brutality is shocking—
tiny orifices torn,
impaled with hard lust,
the fetus unborn
tossed in a dust-
bin. The scarred skull shorn,
nails bloodied, tortured,
an old wound sutured
over, never healed.

Brutality, all its faces revealed,
is legion:
Death March, Trail of Tears, Inquisition...
always the same.
The Beast of the godless and of man’s “religion”
slouching toward Jerusalem:
horned, crowned, gibbering, drooling, insane.



America's Riches
by Michael R. Burch

Balboa's dream
was bitter folly—
no El Dorado near, nor far,
though seas beguiled
and rivers smiled
from beds of gold and silver ore.

Drake retreated
rich with plunder
as Incan fled Conquistador.
Aztecs died
when Spaniards lied,
then slew them for an ingot more.

The pilgrims came
and died or lived
in fealty to an oath they swore,
and bought with pain
the precious grain
that made them rich though they were poor.

Apache blood,
Comanche tears
were shed, and still they went to war;
they fought to be
unbowed and free—
such were Her riches, and still are.

Published by Poetic Reflections and Tucumcari Literary Review



Kindergarten
by Michael R. Burch

Will we be children as puzzled tomorrow—
our lessons still not learned?
Will we surrender over to sorrow?
How many times must our fingers be burned?
Will we be children sat in the corner,
paddled again and again?
How long must we linger, playing Jack Horner?
Will we ever learn, and when?
Will we be children wearing the dunce cap,
giggling and playing the fool,
re-learning our lessons forever and ever,
still failing the golden rule?



Photographs
by Michael R. Burch

Here are the effects of a life
and they might tell us a tale
(if only we had time to listen)
of how each imperiled tear would glisten,
remembered as brightness in her eyes,
and how each dawn’s dramatic skies
could never match such pale azure.

Like dreams of her, these ghosts endure
and they tell us a tale of impatient glory...
till a line appears—a trace of worry?—
or the wayward track of a wandering smile
which even now can charm, beguile?

We might find good cause to wonder
as we see her pause (to frown?, to ponder?):
what vexed her in her loveliness...
what weight, what crushing heaviness
turned her lustrous hair a frazzled gray,
and stole her youth before her day?

We might ask ourselves: did Time devour
the passion with the ravaged flower?
But here and there a smile will bloom
to light the leaden, shadowed gloom
that always seems to linger near...
And here we find a single tear:
it shimmers like translucent dew
and tells us Anguish touched her too,
and did not spare her for her hair
of copper, or her eyes' soft hue.

Published in Tucumcari Literary Review



Numbered
by Michael R. Burch

He desired an object to crave;
she came, and she altared his affection.
He asked her for something to save:
a memento for his collection.
But all that she had was her need;
what she needed, he knew not to give.
They compromised on a thing gone to seed
to complete the half lives they would live.
One in two, they were less than complete.
Two plus one, in their huge fractious home
left them two, the new one in the street,
then he, by himself, one, alone.
He awoke past his prime to new dawn
with superfluous dew all around,
in ten thousands bright beads on his lawn,
and he knew that, at last, he had found
a number of things he had missed:
things shining and bright, unencumbered
by their price, or their place on a list.
Then with joy and despair he remembered
and longed for the lips he had kissed
when his days were still evenly numbered.



Nucleotidings
by Michael R. Burch

“We will walk taller!” said Gupta,
sorta abrupta,
hand-in-hand with his mom,
eyeing the A-bomb.

“Who needs a mahatma
in the aftermath of NAFTA?
Now, that was a disaster,”
cried glib Punjab.

“After Y2k,
time will spin out of control anyway,”
flamed Vijay.

“My family is relatively heavy,
too big even for a pig-barn Chevy;
we need more space,”
spat What’s His Face.

“What does it matter,
dirge or mantra,”
sighed Serge.

“The world will wobble
in Hubble’s lens
till the tempest ends,”
wailed Mercedes.

“The world is going to hell in a bucket.
So **** it and get outta my face!
We own this place!
Me and my friends got more guns than ISIS,
so what’s the crisis?”
cried Bubba Billy Joe Bob Puckett.



All My Children
by Michael R. Burch

It is May now, gentle May,
and the sun shines pleasantly
upon the blousy flowers
of this backyard cemet'ry,
upon my children as they sleep.

Oh, there is Hank in the daisies now,
with a mound of earth for a pillow;
his face as hard as his monument,
but his voice as soft as the wind through the willows.

And there is Meg beside the spring
that sings her endless sleep.
Though it’s often said of stiller waters,
sometimes quicksilver streams run deep.

And there is Frankie, little Frankie,
tucked in safe at last,
a child who weakened and died too soon,
but whose heart was always steadfast.

And there is Mary by the bushes
where she hid so well,
her face as dark as their berries,
yet her eyes far darker still.

And Andy... there is Andy,
sleeping in the clover,
a child who never saw the sun
so soon his life was over.

And Em'ly, oh my Em'ly...
the prettiest of all...
now she's put aside her dreams
of lovers dark and tall
for dreams dreamed not at all.

It is May now, merry May
and the sun shines pleasantly
upon the green gardens,
on the graves of all my children...
But they never did depart;
they still live within my heart.

I wrote this poem around age 15-16.



Kingdom Freedom
by Michael R. Burch

LORD, grant me a rare sweet spirit of forgiveness.
Let me have none of the lividness
of religious outrage.

LORD, let me not be over-worried
about the lack of “morality” around me.
Surround me,
not with law’s restrictive cage,
but with Your spirit, freer than the wind,
so that to breathe is to have freest life,
and not to fly to You, my only sin.



Birthday Poem to Myself
by Michael R. Burch

LORD, be no longer this Distant Presence,
Star-Afar, Righteous-Anonymous,
but come! Come live among us;
come dwell again,
happy child among men—
men rejoicing to have known you
in the familiar manger’s cool
sweet light scent of unburdened hay.
Teach us again to be light that way,
with a chorus of angelic songs lessoned above.
Be to us again that sweet birth of Love
in the only way men can truly understand.
Do not frown darkening down upon an unrighteous land
planning fierce Retributions we require, and deserve,
but remember the child you were; believe
in the child I was, alike to you in innocence
a little while, all sweetness, and helpless without pretense.
Let us be little children again, magical in your sight.
Grant me this boon! Is it not my birthright—
just to know you, as you truly were, and are?
Come, be my friend. Help me understand and regain Hope’s long-departed star!



Litany
by Michael R. Burch

Will you take me with all my blemishes?
I will take you with all your blemishes, and show you mine. We’ll **** wine from cardboard boxes till our teeth and lips shine red like greedily gorging foxes’. We’ll swill our fill, then have *** for hours till our neglected guts at last rebel. At two in the morning, we’ll eat cold Krystals as our blood detoxes, and we will be in love.

And that’s it?
That’s it.

And can I go out with my friends and drink until dawn?
You can go out with your friends and drink until dawn, come home lipstick-collared, pass out by the pool, or stay at the bar till the new moon sets, because we'll be in love, and in love there's no room for remorse or regret. There is no right, no wrong, and no mistrust, only limb-numbing ***, hot-pistoning lust.

And that’s all?
That’s all.

That’s great!
But wait...

Wait? Why? What’s wrong?
I want to have your children.

Children?
Well, perhaps just one.

And what will happen when we have children?
The most incredible things will happen—you’ll change, stop acting so strangely, start paying more attention to me, start paying your bills on time, grow up and get rid of your horrible friends, and never come home at a-quarter-to-three drunk from a night of swilling, smelling like a lovesick skunk, stop acting so lewdly, start working incessantly so that we can afford a new house which I will decorate lavishly and then grow tired of in a year or two or three, start growing a paunch so that no other woman would ever have you, stop acting so boorishly, start growing a beard because you’re too tired to shave, or too afraid, thinking you might slit your worthless wrinkled throat...



Mending Glass
by Michael R. Burch

In the cobwebbed house—
lost in shadows
by the jagged mirror,
in the intricate silver face
cracked ten thousand times,
silently he watches,
and in the twisted light
sometimes he catches there
a familiar glimpse of revealing lace,
white stockings and garters,
a pale face pressed indiscreetly near
with a predatory leer,
the sheer flash of nylon,
an embrace, or a sharp slap,
... a sudden lurch of terror.

He finds bright slivers
—the hard sharp brittle shards,
the silver jags of memory
starkly impressed there—
and mends his error.



Shadowselves
by Michael R. Burch

In our hearts, knowing
fewer days—and milder—beckon,
how are we, now, to measure
that flame by which we reckon
the time we have remaining?

We are shadows
spawned by a blue spurt of candlelight.
Darkly, we watch ourselves flicker.

Where shall we go when the flame burns less bright?
When chill night steals our vigor?

Why are we less than ourselves? We are shadows.

Where is the fire of youth? We grow cold.

Why does our future loom dark? We are old.

Why do we shiver?

In our hearts, seeing
fewer days—and briefer—breaking,
now, even more, we treasure
the brittle leaf-like aching
that tells us we are living.



Pressure
by Michael R. Burch

Pressure is the plug of ice in the frozen hose,
the hiss of water within vinyl rigidly green and shining,
straining to writhe.

Pressure is the kettle’s lid ceaselessly tapping its tired dance,
the hot eye staring, its frantic issuance
unavailing.

Pressure is the bellow’s surge, the hard forged
metal shedding white heat, the beat of the clawed hammer
on cold anvil.

Pressure is a day’s work compressed into minutes,
frantic minute vessels constricted, straining and hissing,
unable to writhe,

the fingers drumming and tapping their tired dance,
eyes staring, cold and reptilian,
hooded and blind.

Pressure is the spirit sighing—reflective,
restrictive compression—an endless drumming—
the bellows’ echo before dying.

The cold eye—unblinking, staring.
The hot eye—sinking, uncaring.



Open Portal
by Michael R. Burch

“You already have zero privacy—get over it.”
Scott McNealy, CEO of Sun Microsystems

While you’re at it—
don’t bother to wear clothes:
We all know what you’re concealing underneath.

Let the bathroom door swing open.
Let, O let Us peer in!
What you’re doing, We’ve determined, may be a sin!

When you visit your mother
and it’s time to brush your teeth,
it’s okay to openly spit.

And, while you’re at it,
go ahead—
take a long, noisy ****.

What the he|ll is your objection?
What on earth is all this fuss?
Just what is it, exactly, you would hide from US?



beMused
by Michael R. Burch

Perhaps at three
you'll come to tea,
to sip a cuppa here?

You'll just stop in
to drink dry gin?
I only have a beer.

To name the greats:
Pope, Dryden, mates?
The whole world knows their names.

Discuss the songs
of Emerson?
But these are children's games.

Give me rhythm
wild as Dylan!
Give me Bobbie Burns!

Give me Psalms,
or Hopkins’ poems,
Hart Crane’s, if he returns!

Or Langston railing!
Blake assailing!
Few others I desire.

Or go away,
yes, leave today:
your tepid poets tire.



The Century’s Wake
by Michael R. Burch

lines written at the close of the 20th century

Take me home. The party is over,
the century passed—no time for a lover.

And my heart grew heavy
as the fireworks hissed through the dark
over Central Park,
past high-towering spires to some backwoods levee,
hurtling banner-hung docks to the torchlit seas.
And my heart grew heavy;
I felt its disease—
its apathy,
wanting the bright, rhapsodic display
to last more than a single day.

If decay was its rite,
now it has learned to long
for something with more intensity,
more gaudy passion, more song—
like the huddled gay masses,
the wildly-cheering throng.

You ask me—
How can this be?

A little more flair,
or perhaps only a little more clarity.

I leave her tonight to the century’s wake;
she disappoints me.



Salve
by Michael R. Burch

for the victims and survivors of 9-11

The world is unsalvageable...
but as we lie here
in bed
stricken to the heart by love
despite war’s
flickering images,
sometimes we still touch,
laughing, amazed,
that our flesh
does not despair
of love
as we do,
that our bodies are wise
in ways we refuse
to comprehend,
still insisting we eat,
drink...
even multiply.

And so we touch...
touch, and only imagine
ourselves immune:
two among billions
in this night of wished-on stars,
caresses,
kisses,
and condolences.

We are not lovers of irony,
we
who imagine ourselves
beyond the redemption
of tears
because we have salvaged
so few
for ourselves...

and so we laugh
at our predicament,
fumbling for the ointment.



Stump
by Michael R. Burch

This used to be a poplar, oak or elm...
we forget the names of trees, but still its helm,
green-plumed, like some Greek warrior’s, nobly fringed,
with blossoms almond-white, but verdant-tinged,
this massive helm... this massive, nodding head
here contemplated life, and now is dead...

Perhaps it saw its future, furrow-browed,
and flung its limbs about, dejectedly.
Perhaps it only dreamed as, cloud by cloud,
the sun plod through the sky. Heroically,
perhaps it stood against the mindless plots
of concrete that replaced each flowered bed.
Perhaps it heard thick loggers draw odd lots
and could not flee, and so could only dread...

The last of all its kind? They left its stump
with timeworn strange inscriptions no one reads
(because a language lost is just a bump
impeding someone’s progress at mall speeds).

We leveled all such “speed bumps” long ago
just as our quainter cousins leveled trees.
Shall we, too, be consumed by what we know?
Once gods were merely warriors; august trees
were merely twigs, and man the least divine...
mere fables now, dust, compost, turpentine.



First Dance
by Michael R. Burch

for Sykes and Mary Harris

Beautiful ballerina—
so pert, pretty, poised and petite,
how lightly you dance for your waiting Beau
on those beautiful, elegant feet!

How palely he now awaits you, although
he’ll glow from the sparks when you meet!



Keep the Body Well
by Michael R. Burch

for William Sykes Harris III

Is the soul connected to the brain
by a slender silver thread,
so that when the thread is severed
we call the body “dead”
while the soul — released from fear and pain —
is finally able to rise
beyond earth’s binding gravity
to heaven’s welcoming skies?

If so — no need to quail at death,
but keep the body well,
for when the body suffers
the soul experiences hell.



On Looking into Curious George’s Mirrors
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon

Maya was made in the image of God;
may the reflections she sees in those curious mirrors
always echo back Love.

Amen



Maya’s Beddy-Bye Poem
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon

With a hatful of stars
and a stylish umbrella
and her hand in her Papa’s
(that remarkable fella!)
and with Winnie the Pooh
and Eeyore in tow,
may she dance in the rain
cheek-to-cheek, toe-to-toe
till each number’s rehearsed...
My, that last step’s a leap! —
the high flight into bed
when it’s past time to sleep!

Note: “Hatful of Stars” is a lovely song and image by Cyndi Lauper.



Chip Off the Block
by Michael R. Burch

for Jeremy

In the fusion of poetry and drama,
Shakespeare rules! Jeremy’s a ham: a
chip off the block, like his father and mother.
Part poet? Part ham? Better run for cover!
Now he’s Benedick — most comical of lovers!

NOTE: Jeremy’s father is a poet and his mother is an actress; hence the fusion, or confusion, as the case may be.



Whose Woods
by Michael R. Burch

Whose woods these are, I think I know.
**** Cheney’s in the White House, though.
He will not see me stopping here
To watch his chip mills overflow.

My sterile horse must think it queer
To stop without a ’skeeter near
Beside this softly glowing “lake”
Of six-limbed frogs gone nuclear.

He gives his hairless tail a shake;
I fear he’s made his last mistake—
He took a sip of water blue
(Blue-slicked with oil and HazMat waste).

Get out your wallets; ****’s not through—
Enron’s defunct, the bill comes due...
Which he will send to me, and you.
Which he will send to me, and you.



1-800-HOT-LINE
by Michael R. Burch

“I don’t believe in psychics,” he said, “so convince me.”

When you were a child, the earth was a joy,
the sun a bright plaything, the moon a lit toy.
Now life’s minor distractions irk, frazzle, annoy.
When the crooked finger beckons, scythe-talons destroy.

“You’ll have to do better than that, to convince me.”

As you grew older, bright things lost their meaning.
You invested your hours in commodities, leaning
to things easily fleeced, to the convenient gleaning.
I see a pittance of dirt—untended, demeaning.

“Everyone knows that!” he said, “so convince me.”

Your first and last wives traded in golden bands
for vacations from the abuses of your cruel hands.
Where unwatered blooms line an arid plot of land,
the two come together, waving fans.

“Everyone knows that. Convince me.”

As your father left you, you left those you brought
to the doorstep of life as an afterthought.
Two sons and a daughter tap shoes, undistraught.
Their tears are contrived, their condolences bought.

“Everyone knows that. CONVINCE me.”

A moment, an instant... a life flashes by,
a tunnel appears, but not to the sky.
There is brightness, such brightness it sears the eye.
When a life grows too dull, it seems better to die.

“I could have told you that!” he shrieked, “I think I’ll **** myself!”

Originally published by Penny Dreadful



Lines for My Ascension
by Michael R. Burch

I.
If I should die,
there will come a Doom,
and the sky will darken
to the deepest Gloom.

But if my body
should not be found,
never think of me
in the cold ground.

II.
If I should die,
let no mortal say,
“Here was a man,
with feet of clay,

or a timid sparrow
God’s hand let fall.”
But watch the sky darken
to an eerie pall

and know that my Spirit,
unvanquished, broods,
and cares naught for graves,
prayers, coffins, or roods.

And if my body
should not be found,
never think of me
in the cold ground.

III.
If I should die,
let no man adore
his incompetent Maker:
Zeus, Jehovah, or Thor.

Think of Me as One
who never died—
the unvanquished Immortal
with the unriven side.

And if my body
should not be found,
never think of me
in the cold ground.

IV.
And if I should “die,”
though the clouds grow dark
as fierce lightnings rend
this bleak asteroid, stark...

If you look above,
you will see a bright Sign—
the sun with the moon
in its arms, Divine.

So divine, if you can,
my bright meaning, and know—
my Spirit is mine.
I will go where I go.

And if my body
should not be found,
never think of me
in the cold ground.

Keywords/Tags: flight, flying, fancy, kites, leaves, birds, bees, butterflies, wings, heights, fall, falling

Late, my grandson! half the morning have I paced these sandy tracts,
Watch'd again the hollow ridges roaring into cataracts,

Wander'd back to living boyhood while I heard the curlews call,
I myself so close on death, and death itself in Locksley Hall.

So--your happy suit was blasted--she the faultless, the divine;
And you liken--boyish babble--this boy-love of yours with mine.

I myself have often babbled doubtless of a foolish past;
Babble, babble; our old England may go down in babble at last.

'Curse him!' curse your fellow-victim? call him dotard in your rage?
Eyes that lured a doting boyhood well might fool a dotard's age.

Jilted for a wealthier! wealthier? yet perhaps she was not wise;
I remember how you kiss'd the miniature with those sweet eyes.

In the hall there hangs a painting--Amy's arms about my neck--
Happy children in a sunbeam sitting on the ribs of wreck.

In my life there was a picture, she that clasp'd my neck had flown;
I was left within the shadow sitting on the wreck alone.

Yours has been a slighter ailment, will you sicken for her sake?
You, not you! your modern amourist is of easier, earthlier make.

Amy loved me, Amy fail'd me, Amy was a timid child;
But your Judith--but your worldling--she had never driven me wild.

She that holds the diamond necklace dearer than the golden ring,
She that finds a winter sunset fairer than a morn of Spring.

She that in her heart is brooding on his briefer lease of life,
While she vows 'till death shall part us,' she the would-be-widow wife.

She the worldling born of worldlings--father, mother--be content,
Ev'n the homely farm can teach us there is something in descent.

Yonder in that chapel, slowly sinking now into the ground,
Lies the warrior, my forefather, with his feet upon the hound.

Cross'd! for once he sail'd the sea to crush the Moslem in his pride;
Dead the warrior, dead his glory, dead the cause in which he died.

Yet how often I and Amy in the mouldering aisle have stood,
Gazing for one pensive moment on that founder of our blood.

There again I stood to-day, and where of old we knelt in prayer,
Close beneath the casement crimson with the shield of Locksley--there,

All in white Italian marble, looking still as if she smiled,
Lies my Amy dead in child-birth, dead the mother, dead the child.

Dead--and sixty years ago, and dead her aged husband now--
I this old white-headed dreamer stoopt and kiss'd her marble brow.

Gone the fires of youth, the follies, furies, curses, passionate tears,
Gone like fires and floods and earthquakes of the planet's dawning years.

Fires that shook me once, but now to silent ashes fall'n away.
Cold upon the dead volcano sleeps the gleam of dying day.

Gone the tyrant of my youth, and mute below the chancel stones,
All his virtues--I forgive them--black in white above his bones.

Gone the comrades of my bivouac, some in fight against the foe,
Some thro' age and slow diseases, gone as all on earth will go.

Gone with whom for forty years my life in golden sequence ran,
She with all the charm of woman, she with all the breadth of man,

Strong in will and rich in wisdom, Edith, yet so lowly-sweet,
Woman to her inmost heart, and woman to her tender feet,

Very woman of very woman, nurse of ailing body and mind,
She that link'd again the broken chain that bound me to my kind.

Here to-day was Amy with me, while I wander'd down the coast,
Near us Edith's holy shadow, smiling at the slighter ghost.

Gone our sailor son thy father, Leonard early lost at sea;
Thou alone, my boy, of Amy's kin and mine art left to me.

Gone thy tender-natured mother, wearying to be left alone,
Pining for the stronger heart that once had beat beside her own.

Truth, for Truth is Truth, he worshipt, being true as he was brave;
Good, for Good is Good, he follow'd, yet he look'd beyond the grave,

Wiser there than you, that crowning barren Death as lord of all,
Deem this over-tragic drama's closing curtain is the pall!

Beautiful was death in him, who saw the death, but kept the deck,
Saving women and their babes, and sinking with the sinking wreck,

Gone for ever! Ever? no--for since our dying race began,
Ever, ever, and for ever was the leading light of man.

Those that in barbarian burials ****'d the slave, and slew the wife,
Felt within themselves the sacred passion of the second life.

Indian warriors dream of ampler hunting grounds beyond the night;
Ev'n the black Australian dying hopes he shall return, a white.

Truth for truth, and good for good! The Good, the True, the Pure, the Just--
Take the charm 'For ever' from them, and they crumble into dust.

Gone the cry of 'Forward, Forward,' lost within a growing gloom;
Lost, or only heard in silence from the silence of a tomb.

Half the marvels of my morning, triumphs over time and space,
Staled by frequence, shrunk by usage into commonest commonplace!

'Forward' rang the voices then, and of the many mine was one.
Let us hush this cry of 'Forward' till ten thousand years have gone.

Far among the vanish'd races, old Assyrian kings would flay
Captives whom they caught in battle--iron-hearted victors they.

Ages after, while in Asia, he that led the wild Moguls,
Timur built his ghastly tower of eighty thousand human skulls,

Then, and here in Edward's time, an age of noblest English names,
Christian conquerors took and flung the conquer'd Christian into flames.

Love your enemy, bless your haters, said the Greatest of the great;
Christian love among the Churches look'd the twin of heathen hate.

From the golden alms of Blessing man had coin'd himself a curse:
Rome of Caesar, Rome of Peter, which was crueller? which was worse?

France had shown a light to all men, preach'd a Gospel, all men's good;
Celtic Demos rose a Demon, shriek'd and slaked the light with blood.

Hope was ever on her mountain, watching till the day begun--
Crown'd with sunlight--over darkness--from the still unrisen sun.

Have we grown at last beyond the passions of the primal clan?
'**** your enemy, for you hate him,' still, 'your enemy' was a man.

Have we sunk below them? peasants maim the helpless horse, and drive
Innocent cattle under thatch, and burn the kindlier brutes alive.

Brutes, the brutes are not your wrongers--burnt at midnight, found at morn,
Twisted hard in mortal agony with their offspring, born-unborn,

Clinging to the silent mother! Are we devils? are we men?
Sweet St. Francis of Assisi, would that he were here again,

He that in his Catholic wholeness used to call the very flowers
Sisters, brothers--and the beasts--whose pains are hardly less than ours!

Chaos, Cosmos! Cosmos, Chaos! who can tell how all will end?
Read the wide world's annals, you, and take their wisdom for your friend.

Hope the best, but hold the Present fatal daughter of the Past,
Shape your heart to front the hour, but dream not that the hour will last.

Ay, if dynamite and revolver leave you courage to be wise:
When was age so cramm'd with menace? madness? written, spoken lies?

Envy wears the mask of Love, and, laughing sober fact to scorn,
Cries to Weakest as to Strongest, 'Ye are equals, equal-born.'

Equal-born? O yes, if yonder hill be level with the flat.
Charm us, Orator, till the Lion look no larger than the Cat,

Till the Cat thro' that mirage of overheated language loom
Larger than the Lion,--Demos end in working its own doom.

Russia bursts our Indian barrier, shall we fight her? shall we yield?
Pause! before you sound the trumpet, hear the voices from the field.

Those three hundred millions under one Imperial sceptre now,
Shall we hold them? shall we loose them? take the suffrage of the plow.

Nay, but these would feel and follow Truth if only you and you,
Rivals of realm-ruining party, when you speak were wholly true.

Plowmen, Shepherds, have I found, and more than once, and still could find,
Sons of God, and kings of men in utter nobleness of mind,

Truthful, trustful, looking upward to the practised hustings-liar;
So the Higher wields the Lower, while the Lower is the Higher.

Here and there a cotter's babe is royal-born by right divine;
Here and there my lord is lower than his oxen or his swine.

Chaos, Cosmos! Cosmos, Chaos! once again the sickening game;
Freedom, free to slay herself, and dying while they shout her name.

Step by step we gain'd a freedom known to Europe, known to all;
Step by step we rose to greatness,--thro' the tonguesters we may fall.

You that woo the Voices--tell them 'old experience is a fool,'
Teach your flatter'd kings that only those who cannot read can rule.

Pluck the mighty from their seat, but set no meek ones in their place;
Pillory Wisdom in your markets, pelt your offal at her face.

Tumble Nature heel o'er head, and, yelling with the yelling street,
Set the feet above the brain and swear the brain is in the feet.

Bring the old dark ages back without the faith, without the hope,
Break the State, the Church, the Throne, and roll their ruins down the *****.

Authors--essayist, atheist, novelist, realist, rhymester, play your part,
Paint the mortal shame of nature with the living hues of Art.

Rip your brothers' vices open, strip your own foul passions bare;
Down with Reticence, down with Reverence--forward--naked--let them stare.

Feed the budding rose of boyhood with the drainage of your sewer;
Send the drain into the fountain, lest the stream should issue pure.

Set the maiden fancies wallowing in the troughs of Zolaism,--
Forward, forward, ay and backward, downward too into the abysm.

Do your best to charm the worst, to lower the rising race of men;
Have we risen from out the beast, then back into the beast again?

Only 'dust to dust' for me that sicken at your lawless din,
Dust in wholesome old-world dust before the newer world begin.

Heated am I? you--you wonder--well, it scarce becomes mine age--
Patience! let the dying actor mouth his last upon the stage.

Cries of unprogressive dotage ere the dotard fall asleep?
Noises of a current narrowing, not the music of a deep?

Ay, for doubtless I am old, and think gray thoughts, for I am gray:
After all the stormy changes shall we find a changeless May?

After madness, after massacre, Jacobinism and Jacquerie,
Some diviner force to guide us thro' the days I shall not see?

When the schemes and all the systems, Kingdoms and Republics fall,
Something kindlier, higher, holier--all for each and each for all?

All the full-brain, half-brain races, led by Justice, Love, and Truth;
All the millions one at length with all the visions of my youth?

All diseases quench'd by Science, no man halt, or deaf or blind;
Stronger ever born of weaker, lustier body, larger mind?

Earth at last a warless world, a single race, a single tongue--
I have seen her far away--for is not Earth as yet so young?--

Every tiger madness muzzled, every serpent passion ****'d,
Every grim ravine a garden, every blazing desert till'd,

Robed in universal harvest up to either pole she smiles,
Universal ocean softly washing all her warless Isles.

Warless? when her tens are thousands, and her thousands millions, then--
All her harvest all too narrow--who can fancy warless men?

Warless? war will die out late then. Will it ever? late or soon?
Can it, till this outworn earth be dead as yon dead world the moon?

Dead the new astronomy calls her. . . . On this day and at this hour,
In this gap between the sandhills, whence you see the Locksley tower,

Here we met, our latest meeting--Amy--sixty years ago--
She and I--the moon was falling greenish thro' a rosy glow,

Just above the gateway tower, and even where you see her now--
Here we stood and claspt each other, swore the seeming-deathless vow. . . .

Dead, but how her living glory lights the hall, the dune, the grass!
Yet the moonlight is the sunlight, and the sun himself will pass.

Venus near her! smiling downward at this earthlier earth of ours,
Closer on the Sun, perhaps a world of never fading flowers.

Hesper, whom the poet call'd the Bringer home of all good things.
All good things may move in Hesper, perfect peoples, perfect kings.

Hesper--Venus--were we native to that splendour or in Mars,
We should see the Globe we groan in, fairest of their evening stars.

Could we dream of wars and carnage, craft and madness, lust and spite,
Roaring London, raving Paris, in that point of peaceful light?

Might we not in glancing heavenward on a star so silver-fair,
Yearn, and clasp the hands and murmur, 'Would to God that we were there'?

Forward, backward, backward, forward, in the immeasurable sea,
Sway'd by vaster ebbs and flows than can be known to you or me.

All the suns--are these but symbols of innumerable man,
Man or Mind that sees a shadow of the planner or the plan?

Is there evil but on earth? or pain in every peopled sphere?
Well be grateful for the sounding watchword, 'Evolution' here,

Evolution ever climbing after some ideal good,
And Reversion ever dragging Evolution in the mud.

What are men that He should heed us? cried the king of sacred song;
Insects of an hour, that hourly work their brother insect wrong,

While the silent Heavens roll, and Suns along their fiery way,
All their planets whirling round them, flash a million miles a day.

Many an aeon moulded earth before her highest, man, was born,
Many an aeon too may pass when earth is manless and forlorn,

Earth so huge, and yet so bounded--pools of salt, and plots of land--
Shallow skin of green and azure--chains of mountain, grains of sand!

Only That which made us, meant us to be mightier by and by,
Set the sphere of all the boundless Heavens within the human eye,

Sent the shadow of Himself, the boundless, thro' the human soul;
Boundless inward, in the atom, boundless outward, in the Whole.

                                                *

Here is Locksley Hall, my grandson, here the lion-guarded gate.
Not to-night in Locksley Hall--to-morrow--you, you come so late.

Wreck'd--your train--or all but wreck'd? a shatter'd wheel? a vicious boy!
Good, this forward, you that preach it, is it well to wish you joy?

Is it well that while we range with Science, glorying in the Time,
City children soak and blacken soul and sense in city slime?

There among the glooming alleys Progress halts on palsied feet,
Crime and hunger cast our maidens by the thousand on the street.

There the Master scrimps his haggard sempstress of her daily bread,
There a single sordid attic holds the living and the dead.

There the smouldering fire of fever creeps across the rotted floor,
And the crowded couch of ****** in the warrens of the poor.

Nay, your pardon, cry your 'forward,' yours are hope and youth, but I--
Eighty winters leave the dog too lame to follow with the cry,

Lame and old, and past his time, and passing now into the night;
Yet I would the rising race were half as eager for the light.

Light the fading gleam of Even? light the glimmer of the dawn?
Aged eyes may take the growing glimmer for the gleam withdrawn.

Far away beyond her myriad coming changes earth will be
Something other than the wildest modern guess of you and me.

Earth may reach her earthly-worst, or if she gain her earthly-best,
Would she find her human offspring this ideal man at rest?

Forward then, but still remember how the course of Time will swerve,
Crook and turn upon itself in many a backward streaming curve.

Not the Hall to-night, my grandson! Death and Silence hold their own.
Leave the Master in the first dark hour of his last sleep alone.

Worthier soul was he than I am, sound and honest, rustic Squire,
Kindly landlord, boon companion--youthful jealousy is a liar.

Cast the poison from your *****, oust the madness from your brain.
Let the trampled serpent show you that you have not lived in vain.

Youthful! youth and age are scholars yet but in the lower school,
Nor is he the wisest man who never proved himself a fool.

Yonder lies our young sea-village--Art and Grace are less and less:
Science grows and Beauty dwindles--roofs of slated hideousness!

There is one old Hostel left us where they swing the Locksley shield,
Till the peasant cow shall **** the 'Lion passant' from his field.

Poo

The time you won your town the race
We chaired you through the market-place;
Man and boy stood cheering by,
And home we brought you shoulder-high.

To-day, the road all runners come,
Shoulder-high we bring you home,
And set you at your threshold down,
Townsman of a stiller town.

Smart lad, to slip betimes away
From fields where glory does not stay
And early though the laurel grows
It withers quicker than the rose.

Eyes the shady night has shut
Cannot see the record cut,
And silence sounds no worse than cheers
After earth has stopped the ears:

Now you will not swell the rout
Of lads that wore their honours out,
Runners whom renown outran
And the name died before the man.

So set, before its echoes fade,
The fleet foot on the sill of shade,
And hold to the low lintel up
The still-defended challenge-cup.

And round that early-laurelled head
Will flock to gaze the strengthless dead,
And find unwithered on its curls
The garland briefer than a girl's.

The time you won your town the race
We chaired you through the market-place;
Man and boy stood cheering by,
And home we brought you shoulder-high.

To-day, the road all runners come,
Shoulder-high we bring you home,
And set you at your threshold down,
Townsman of a stiller town.

Smart lad, to slip betimes away
From fields where glory does not stay
And early though the laurel grows
It withers quicker than the rose.

Eyes the shady night has shut
Cannot see the record cut,
And silence sounds no worse than cheers
After earth has stopped the ears:

Now you will not swell the rout
Of lads that wore their honours out,
Runners whom renown outran
And the name died before the man.

So set, before its echoes fade,
The fleet foot on the sill of shade,
And hold to the low lintel up
The still-defended challenge-cup.

And round that early-laurelled head
And find unwithered on its curls
The garland briefer than a girl's.

****'s here, ****'s up there - yeah mate, just take junction 29 on the m25 to get to basildon, can't miss it, loads of solar system orbits in terms of traffic in the morning though.*

so there’s me watching this film about genetic predestination,
very pedestrian of me,
and i watch it and find that the ending has been ruined
for me, in terms of music, it all hinges on a theme of music,
there’s no universe, no quarks,
a voice has been silenced and cannot sing,
the ending was ruined for me because i found sadism
at a point where someone dies from pneumonia
watching a wagner opera, and is resurrected for the podium
of mass frenzy of talk... no more the last glimpses
of the opera roof and the song.
you know, when i was growing up i had this one thought
i remember, and singled out thoughts are hard to remember:
what will be the last song i will hear?
then i find that scientists are like car dealers, they talk
about such things as the universe in terms of car qualities:
yeah mate, it revs up from 0 to 70mph in 8 seconds...
a bit like the jupiter revs up from nothing to the singled eye jupiter / odin
in 8 billion years...
then came along an atheist biologist and exclaimed: ‘post humous fame is absurd!’
what, and pre mortem biographies aren’t?
well not unless they’re auto i dare say, but biographies of people still
alive whether cinematic or literary are as absurd it not more absurd
than post humous fame.
a man walks home with a bottle of whiskey, prior to that
he buys the whiskey and goes to the turkish shop for one beer of spare change,
the seller is not used to the man buying only a beer -
‘crazy! raza this is crazy! though times?!’
‘i was actually looking at the pavement hoping to buy two,
spotted 5 pence gleaming and a penny,
had 13 pence and five quid in my wallet,
i thought you could get the rest to charity
while i took three quid from the five and 13 pence,
but honestly? what’s your cheapest whiskey?’
‘ah... mmm...’ (shuffle of feet and staring eyes)
‘14.99, clay moor.’
backpack on my back leaving the shop the man said:
‘ah, but tesco sells whiskey for 12 quid, ha!
so you see, i just changed diet from 8 beers and 2 wine bottles...
party rules you see.’
so i’m walking home, two beauties whizz past
with more perfume odour than a smoky chimney,
then on the hill this bubbly beauty from times when
people adored plumpness walks past, desponded
and looking on the pavement squares, miserable friday night for her,
i cross the corner and simply shout: CHIN UP!
i didn’t want to see the effect those words might have on her.
so i didn't finish watching the film,
the film ended for me when the man dies from pneumonia
and his last memory is of the opera house with wagner playing,
i got as far in the film as him using a computer to speak e e e me bastion of pistons and clever devices... then my heart broke and i switched off,
because you know what... i'd ******* hate to be
a benny benassi frontman singer for the song satisfaction
once the rumours spread about the secret island retreat accommodating prince andrew too.

The mind is like an unapart book with a bookmark. Words surround where you are; thoughts. They are written on your hands. You feel them. They are inside two sleeves. All of them. The book is you. The walls surrounding within hear the words and their ears respond in ink. The walls are thin paper that never are as blank as slight movement from the wind, only always catching stick figures, shot like fingers. All of you moves and touches paper all around you. You are weighted down in ink. The present moment between dreams practicing in that mind. That mind alive and thinner than one stroke, briefer than lines from the fast belly curves of your heart. Moving.

Today is the day. As in customary, we shall start with the weather: The morning is clear and cool, the sunshine weak but well-meaning, the wind sweet but sharp and the trees green and chatty.

This day has been a long time coming. This day has. For too long it has skulking amongst the future pages of some misplaced internal diary. It's long shadow has been edged with fear, dreaded like an exam. Said fear melts away like yesterday's clouds, replaced by sunny optimism, for this date is now set in stone, frozen hard over night it now stares me down with oblique neutrality.

I'm not going anywhere, it whispers softly. You're fears are misplaced. Your fear of me is a your fear of death. Useful up to a point - but essentially irrational. Whatever will be will be and it will today.

The morning gather pace and after momentary brief salutations and briefer negotiations the train is boarded. The destination: no one knows. We know the names but they seem oddly sterile now, the sound cold hard lumps in our mouths, currency worn smooth: Edale, the pennines, the peaks, Absorbic. Citric. Folic, Formic Carbonic. Sulphuric. Deoxyribonucleic, Lysergic. Acid.

The absurd signposts of anonymous hamlets lazily swing by with increasing rapidity, blurring into one like the blades of a helicopter.

Post-industrial scabs and sores instantly give way to merry bucolic splendor as itchy, thick balaclava of the city in torn away. Laugh about nothing as we are hurled headlong into some postcard image of an England long lost between 'then' and 'now' where trees sing, walls are dry-stone and happy cows and sheep await noble, happy deaths; all wrapped in honey-coloured sunshine.

Rolling mounds of soft green matter undulate gently to a halt, and we emerge intrepid coloniser of a galaxy far far away. Locals eye us warily, the hot sun looks down angrily now. The baking mud coughs dust in our eyes and yellow spears of dead grass stab our tender shins. The warm fuzzy nostalgia that we are draped in gives way to...something else. Illogical patterns snake across verdant valleys, breathing and twitching. Harsh blue sky melts into hazy horizon, like oil on water. Panic sets in.

Pleading looks are exchanged and whilst reassurance is sought, none is found. Each gaunt face is scoured for hints of strength. Leaderless we wade through a sea of shimmering heat, collecting beads of sweat, losing hope of succour. We seek solace in plastic pound-shop distractions, only to find we are rendered too numbskulled to operate children's toys. Terror turns to horror. The yawning maw of madness, death is now so close we are caressed by it's putrid breath...

Release! Baking savannah morphs to cool,  mottled-green grotto and everything has already changed. All is bathed in verdant peace and ears can feel the cool lapping of a friendly stream.

When you write
Your next verse,
The active voice
Is a better choice.
The passive voice
Isn't as terse,
Your readers get lost,
They may curse,
Or worse,
Disperse.
Will I...
Should I...
Could I..
Might I...
Start a line that might lie,
Start a line that might die.
Can I...
May I...
Would I...
Do I...
Start a line sounding sly,
Start a line that won't fly.
Be pro-choice
With the active voice.
Be the action,
Not receiver,
We'll be believers,
And you'll
Be briefer.

930

There is a June when Corn is cut
And Roses in the Seed—
A Summer briefer than the first
But tenderer indeed

As should a Face supposed the Grave’s
Emerge a single Noon
In the Vermilion that it wore
Affect us, and return—

Two Seasons, it is said, exist—
The Summer of the Just,
And this of Ours, diversified
With Prospect, and with Frost—

May not our Second with its First
So infinite compare
That We but recollect the one
The other to prefer?

If we should meet again
under the clock at Waterloo,
I wonder if you
would
remember me.

splayed limbs and warm sun and sneakers laid to the side and sun on my body and the sound of the water more than anything else

A midday shower to get the stickies off, maybe its all worth it

If I get to spend even a second in the wind, drinking in its cool caress, how could I remember to yearn for the warm sticky touch of another?

If I get to hear the rushing of the water so close to my ears, what phantom chatter of ghosts could permeate?

If I get to feel the sun kiss my skin the way it does, what significance could the absence of you hold?

When I have so much, how could my heart remember to need you?
When I have so much, how could my heart not want to share it with you?

You who I know would love it. You who I wish loved me half as much.

When I have so much, why does missing you take up any room for gratitude in this cluttered mind? I started off alright this time.

This is not a rhyming poem.

****** poetry, maybe 5 is my lucky number. But 5 is a lie I tell to and for myself. I seem to have been briefer to you than that.

The difference is that I say 5, and you do not say.

I imagined your touch
It was almost too much
And the wind screamed
And I no longer dreamed
Of soft lies
Only foreign skies
Alien landscapes that stretch on forever
And my grip on reality starts to sever
Yesterday I thought I saw you across the street
I looked down at my feet
Too scared to look in your direction
Unwilling to spread the infection
That is locking eyes
Because in them I see a thousand other guys
Five minutes later, I realized it wasn't you
That nothing my eyes tell me is true
Its scary to think
That everything is written in disappearing ink
I'm starting to slip
I'm losing my grip
I can't keep track of the days
Its all a never ending haze
Strange scenes
Never ending dreams
Ever briefer spasms of lucidity
I'm losing all validity

Smokey rooms and idle banter,
across the fields of my mind still canter
girls in short skirts, January to December,
the embers flicker and flame as days remembered -D'ya remember?*

Teflon tough guys with hardened looks
fast friends by nights end-foundations shook
I hook fast to the Past-MAN WE HAD A BLAST!
bait my line and cast as the time streams pass

some cry alas as the nights grow dim,
me I'll always have my Total Recall to dip in,
conversations reach out to snag my arm,
No alarm as I'm mugged in memory lane, just charm

we were charming rascals with roguish eyes,
no fools as the street schooled on us no flies!,
So we thought til life taught us harder lessons,
as the Mask beneath the Mask reveals transgressions*

faithless lovers and fair weather friends,
left their mark on our lives as they came to the end,
of their briefer tenure amongst REAL mates,
at your back in the corner as you faced your fate....

Days Off
Days Too Short 84
Days after, so I in a sort deserve to
Days alone count;
Days and Dreams Cloth, gilt top, $1.00
Days and days float by.
Days and nights hast thirty-one
Days and nights have I been swimming,
Days and nights in quick succession;
Days and nights of endless quest,
Days and nights to swim and wander,
Days and nights with waking pain;
Days and weeks and months they sped,
Days and years fleet on, yet never
Days and years; and Time
Days are gettin' shorter an' the air a keener snap;
Days are so short and there's so much to do,
Days arn't allus weddin days,
Days at a stretch; and neighbers say
Days better drawn before, or else assume
Days brightly came and calmly went,
Days came and went; and now returned again
Days come and days go, and she watches the strife
Days darken and rise.
Days dawn on us that make amends for many
Days dear and far death touches, and draws them nigh,
Days fled with no light upon any
Days flew;--ah, soon I could discern
Days *** wa'm an' wa'mah,
Days glided by, this mirage cheating all;
Days grow briefer, sunshine rare;
Days had not only sped but galloped on,
Days happy as the gold coin could invent
Days in the bright Spring weather,
Days lay she in that state unchanged, though chill--
Days long ago, when in her eyes
Days long agone!
Days long agone.
Days long gone by!
Days marvellously fair,
Days may conclude in nights, and suns may rest
Days more glad than their flight was fleet.
Days nearly o'er, might be disposed to riot,
Days not dark at thy side;
Days o' long ago._
Days of April, airs of Eden,
Days of April, airs of Eden.
Days of Gorbechev, the radio speaks of,
Days of Vanity
Days of a mother's fondness to her child,
Days of absence, I am weary;
Days of absence, sad and dreary,
Days of danger, nights of waking.
Days of dark and days of fair
Days of days! Unmarked it rose,
Days of delight, and still unfading love;
Days of fresh air, in the rain and the sun,
Days of glory and of triumph,
Days of industry and labor,
Days of my age,
Days of my youth,
Days of old, a long farewell!
Days of our age thou comest, or we win 580
Days of passive somnolence,
Days of plenty and years of peace,
Days of plenty and years of peace;
Days of pride and exultation.
Days of rustic simple manners,
Days of small fee and parsimonious praise;
Days of summer-coloured seas
Days of sweet leisure, taxed with patient thought
Days of terror, years of trial,
Days of the Month Unknown
Days of the future, prophetic days,--
Days of the mythical heroes of yore,
Days of toil and hours of ease,
Days on the hillside and nights in the House,
Days painfully drag their slow burden along;
Days passed away; Maria slept
Days passed. The golden summer
Days passed; and still beside her tomb
Days passed; each morning saw the maiden stand,
Days roll along, and Otho's wounds are healed,
Days shall fly on, and he forget to take
Days so sweet, they'd cloy us;
Days sweetened by the lilies of pure prayer,
Days that come dancing on fraught with delights,
Days that flew swiftly like the band
Days that have been, days that have fallen cold!
Days that have no pity and the nights without a tear
Days that need borrow
Days that seem farther off than Homer's now
Days that were tuned to a note of pain.
Days that will ne'er return again.
Days that, in spite
Days there were when he who sings
Days to doze and doze,
Days to follow after,
Days vanished in the beauty of belief.

These are poems about shadows, poems about night, and poems about darkness...



Hiroshima Shadows
by Michael R. Burch

The intense heat and light of the Hiroshima and Nagasaki atomic bomb blasts left ghostly shadows of human beings imprinted in concrete.

Hiroshima shadows ... mother and child...
Oh, when will our hearts ever be beguiled
to end mindless war ... to seek peace, reconciled
to our common mortality?



War
stood at the end of the hall
in the long shadows
—Watanabe Hakusen, loose translation/interpretation by Michael R. Burch




Shadows
by Michael R. Burch

Alone again as evening falls,
I join gaunt shadows and we crawl
up and down my room's dark walls.

Up and down and up and down,
against starlight—strange, mirthless clowns—
we merge, emerge, submerge...then drown.

We drown in shadows starker still,
shadows of the somber hills,
shadows of sad selves we spill,

tumbling, to the ground below.
There, caked in grimy, clinging snow,
we flutter feebly, moaning low

for days dreamed once an age ago
when we weren't shadows, but were men...
when we were men, or almost so.



Where We Dwell
by Michael R. Burch

Night within me.
Never morning.
Stars uncounted.
Shadows forming.
Wind arising
where we dwell
reaches Heaven,
reeks of Hell.

Published in The Bible of Hell (anthology)



What is life?
The flash of a firefly.
The breath of the winter buffalo.
The shadow scooting across the grass that vanishes with sunset.
—Blackfoot saying, loose translation/interpretation by Michael R. Burch



As the moon flies west
the flowers' shadows
creep eastward.
—Yosa Buson, loose translation/interpretation by Michael R. Burch



Leaves
like crows’ shadows
flirt with a lonely moon.
—Fukuda Chiyo-ni, loose translation/interpretation by Michael R. Burch



Snapshot
by Mehmet Akif Ersoy
loose translation/interpretation by Michael R. Burch

Earth’s least trace of life cannot be erased;
even when you lie underground, it encompasses you.
So, those of you who anticipate the shadows:
how long will the darkness remember you?



Bound
by Michael R. Burch, circa age 14-15

Now it is winter—the coldest night.
And as the light of the streetlamp casts strange shadows to the ground,
I have lost what I once found
in your arms.

Now it is winter—the coldest night.
And as the light of distant Venus fails to penetrate dark panes,
I have remade all my chains
and am bound.



When last my love left me
by Michael R. Burch, circa age 16

The sun was a smoldering ember
when last my love left me;
the sunset cast curious shadows
over green arcs of the sea;
she spoke sad words, departing,
and teardrops drenched the trees.



Last Anthem
by Michael R. Burch

Where you have gone are the shadows falling...
does memory pale
like a fossil in shale
...do you not hear me calling?

Where you have gone do the shadows lengthen...
does memory wane
with the absence of pain
...is silence at last your anthem?



Sharon
by Michael R. Burch, circa age 15

apologies to Byron

I.

Flamingo-minted, pink, pink cheeks,
dark hair streaked with a lisp of dawnlight;
I have seen your shadow creep
through eerie webs spun out of twilight...

And I have longed to kiss your lips,
as sweet as the honeysuckle blooms,
and to hold your pale albescent body,
more curvaceous than the moon...

II.

Black-haired beauty, like the night,
stay with me till morning's light.
In shadows, Sharon, become love
until the sun lights our alcove.

Red, red lips reveal white stone:
whet my own, my passions hone.
My all in all I give to you,
in our tongues’ exchange of dew.

Now all I ever ask of you
is: do with me what now you do.

My love, my life, my only truth!

In shadows, Sharon, shed your gown;
let all night’s walls come tumbling down.

III.

Now I will love you long, Sharon,
as long as longing may be.



In the Twilight of Her Tears
by Michael R. Burch, circa age 19

In the twilight of her tears
I saw the shadows of the years
that had taken with them all our joys and cares ...

There in an ebbing tide’s spent green
I saw the flotsam of lost dreams
wash out into a sea of wild despair ...

In the scars that marred her eyes
I saw the cataracts of lies
that had shattered all the visions we had shared ...

As from a ravaged iris, tears
seemed to flood the spindrift years
with sorrows that the sea itself despaired ...



Musings at Giza
by Michael R. Burch

In deepening pools of shadows lies
the Sphinx, and men still fear his eyes.
Though centuries have passed, he waits.
Egyptians gather at the gates.

Great pyramids, the looted tombs
—how still and desolate their wombs!—
await sarcophagi of kings.
From eons past, a hammer rings.

Was Cleopatra's litter borne
along these streets now bleak, forlorn?
Did Pharaohs clad in purple ride
fierce stallions through a human tide?

Did Bocchoris here mete his law
from distant Kush to Saqqarah?
or Tutankhamen here once smile
upon the children of the Nile?

or Nefertiti ever rise
with wild abandon in her eyes
to gaze across this arid plain
and cry, “Great Isis, live again!”



Dark Twin
by Michael R. Burch

You come to me
   out of the sun —
my dark twin, unreal...

And you are always near
although I cannot touch you;
although I trample you, you cannot feel...

And we cannot be parted,
nor can we ever meet
except at the feet.



The Beautiful People
by Michael R. Burch, circa age 16

They are the beautiful people,
and their shadows dance through the valleys of the moon
to the listless strains of an ancient tune.

Oh, no ... please don't touch them,
for their smiles might fade.
Don’t go ... don’t approach them
as they promenade,
for they waltz through a vacuum
and dream they're not made
of the dust and the dankness
to which men degrade.

They are the beautiful people,
and their spirits sighed in their mothers’ wombs
as the distant echoings of unearthly tunes.

Winds do not blow there
and storms do not rise,
and each hair has its place
and each gown has its price.
And they whirl through the darkness
untouched by our cares
as we watch them and long for
a "life" such as theirs.



Shadowselves
by Michael R. Burch

In our hearts, knowing
fewer days—and milder—beckon,
still, how are we to measure
that wick by which we reckon
the time we have remaining?

We are shadows
spawned by a blue spurt of candlelight.
Darkly, we watch ourselves flicker.
Where shall we go when the flame burns less bright?
When chill night steals our vigor?

Why are we less than ourselves? We are shadows.
Where is the fire of our youth? We grow cold.
Why does our future loom dark? We are old.
And why do we shiver?

In our hearts, seeing
fewer days—and briefer—breaking,
now, even more, we treasure
this brittle leaf-like aching
that tells us we are living.



Once Upon a Frozen Star
by Michael R. Burch

Oh, was it in this dark-Decembered world
we walked among the moonbeam-shadowed fields
and did not know ourselves for weight of snow
upon our laden parkas? White as sheets,
as spectral-white as ghosts, with clawlike hands
****** deep into our pockets, holding what
we thought were tickets home: what did we know
of anything that night? Were we deceived
by moonlight making shadows of gaunt trees
that loomed like fiends between us, by the songs
of owls like phantoms hooting: Who? Who? Who?

And if that night I looked and smiled at you
a little out of tenderness . . . or kissed
the wet salt from your lips, or took your hand,
so cold inside your parka . . . if I wished
upon a frozen star . . . that I could give
you something of myself to keep you warm . . .
yet something still not love . . . if I embraced
the contours of your face with one stiff glove . . .

How could I know the years would strip away
the soft flesh from your face, that time would flay
your heart of consolation, that my words
would break like ice between us, till the void
of words became eternal? Oh, my love,
I never knew. I never knew at all,
that anything so vast could curl so small.



Transplant
by Michael R. Burch

You float, unearthly angel, clad in flesh
as strange to us who briefly knew your flame
as laughter to disease. And yet you laugh.
Behind your smile, the sun forfeits its claim
to earth, and floats forever now the same—
light captured at its moment of least height.

You laugh here always, welcoming the night,
and, just a photograph, still you can claim
bright rapture: like an angel, not of flesh—
but something more, made less. Your humanness
this moment of release becomes a name
and something else—a radiance, a strange
brief presence near our hearts. How can we stand
and chain you here to this nocturnal land
of burgeoning gray shadows? Fly, begone.
I give you back your soul, forfeit all claim
to radiance, and welcome grief’s dark night
that crushes all the laughter from us. Light
in someone Else’s hand, and sing at ease
some song of brightsome mirth through dawn-lit trees
to welcome morning’s sun. O daughter! these
are eyes too weak for laughter; for love’s sight,
I welcome darkness, overcome with light.



Shark
by Michael R. Burch

They are all unknowable,
these rough pale men—
haunting dim pool rooms like shadows,
propped up on bar stools like scarecrows,
nodding and sagging in the fraying light . . .

I am not of them,
as I glide among them—
eliding the amorphous camaraderie
they are as unlikely to spell as to feel,
camouflaged in my own pale dichotomy . . .

That there are women who love them defies belief—
with their missing teeth,
their hair in thin shocks
where here and there a gap of scalp gleams like bizarre chrome,
their smell rank as wet sawdust or mildewed laundry . . .

And yet—
and yet there is someone who loves me:
She sits by the telephone
in the lengthening shadows
and pregnant grief . . .

They appreciate skill at pool, not words.
They frown at massés,
at the cue ball’s contortions across green felt.
They hand me their hard-earned money with reluctant smiles.
A heart might melt at the thought of their children lying in squalor . . .

At night I dream of them in bed, toothless, kissing.
With me, it’s harder to say what is missing . . .



Solicitation
by Michael R. Burch

He comes to me out of the shadows, acknowledging
my presence with a tip of his hat, always the gentleman,
and his eyes are on mine like a snake’s on a bird’s—
quizzical, mesmerizing.

He ***** his head as though something he heard intrigues him
(although I hear nothing) and he smiles, amusing himself at my expense;
his words are full of desire and loathing, and although I hear,
he says nothing that I understand.

The moon shines—maniacal, queer—as he takes my hand and whispers
Our time has come . . . and so we stroll together along the docks
where the sea sends things that wriggle and crawl
scurrying under rocks and boards.

Moonlight in great floods washes his pale face as he stares unseeing
into my eyes. He sighs, and the sound crawls slithering down my spine,
and my blood seems to pause at his touch as he caresses my face.
He unfastens my dress till the white lace shows, and my neck is bared.

His teeth are long, yellow and hard. His face is bearded and haggard.
A wolf howls in the distance. There are no wolves in New York. I gasp.
My blood is a trickle his wet tongue embraces. My heart races madly.
He likes it like that.



Vampires
by Michael R. Burch

Vampires are such fragile creatures;
we fear the dark, but the light destroys them . . .
sunlight, or a stake, or a cross—such common things.
Still, late at night, when the bat-like vampire sings,
we heed his voice.

Centuries have taught us:
in shadows danger lurks for those who stray,
and there the vampire bares his yellow fangs
and feels the ancient soul-tormenting pangs.
He has no choice.

We are his prey, plump and fragrant,
and if we pray to avoid him, he prays to find us,
prays to some despotic hooded God
whose benediction is the humid blood
he lusts to taste.



The Wild Hunt
by Michael R. Burch

Few legends have inspired more poetry than those of King Arthur and the Knights of the Round Table. These legends have their roots in a far older Celtic mythology than many realize. Here the names are ancient and compelling. Arthur becomes Artur or Artos, “the bear.” Bedivere becomes Bedwyr. Lancelot is Llenlleawc, Llwch Lleminiawg or Lluch Llauynnauc. Merlin is Myrddin. And there is an curious intermingling of Welsh and Irish names within these legends, indicating that some tales (and the names of the heroes and villains) were in all probability “borrowed” by one Celtic tribe from another. For instance, in the Welsh poem “Pa gur,” the Welsh Manawydan son of Llyr is clearly equivalent to the Irish Mannanan mac Lir.

Near Devon, the hunters appear in the sky
with Artur and Bedwyr sounding the call;
and the others, laughing, go dashing by.
They only appear when the moon is full:

Valerin, the King of the Tangled Wood,
and Valynt, the goodly King of Wales,
Gawain and Owain and the hearty men
who live on in many minstrels’ tales.

They seek the white stag on a moonlit moor,
or Torc Triath, the fabled boar,
or Ysgithyrwyn, or Twrch Trwyth,
the other mighty boars of myth.

They appear, sometimes, on Halloween
to chase the moon across the green,
then fade into the shadowed hills
where memory alone prevails.

Published by Borderless Journal, Celtic Twilight, Celtic Lifestyles, Boston Poetry and Auldwicce



Ibykos/Ibycus Fragment 286, circa 564 BCE
loose translation/interpretation by Michael R. Burch

Come spring, the grand
apple trees stand
watered by a gushing river
where the maidens’ uncut flowers shiver
and the blossoming grape vine swells
in the gathering shadows.

Unfortunately
for me
Eros never rests
but like a Thracian tempest
ablaze with lightning
emanates from Aphrodite;
the results are frightening—
black,
bleak,
astonishing,
violently jolting me from my soles
to my soul.



Dunkles zu sagen (“Expressing the Dark”)
by Ingeborg Bachmann, an Austrian poet
loose translation/interpretation by Michael R. Burch

I strum the strings of life and death
like Orpheus
and in the beauty of the earth
and in your eyes that instruct the sky,
I find only dark things to say.

The dark shadow
I followed from the beginning
led me into the deep barrenness of winter.



Annual
by Michael R. Burch

Silence
steals upon a house
where one sits alone
in the shadow of the itinerant letterbox,
watching the disconnected telephone
collecting dust ...

hearing the desiccate whispers of voices’
dry flutters,—
moths’ wings
brittle as cellophane ...

Curled here,
reading the yellowing volumes of loss
by the front porch light
in the groaning swing . . .

through thin adhesive gloss
I caress your face.



Snapshots
by Michael R. Burch

Here I scrawl extravagant rainbows.
And there you go, skipping your way to school.
And here we are, drifting apart
like untethered balloons.

Here I am, creating “art,”
chanting in shadows,
pale as the crinoline moon,
ignoring your face.

There you go,
in diaphanous lace,
making another man’s heart swoon.
Suddenly, unthinkably, here he is,
taking my place.



Ghost
by Michael R. Burch

White in the shadows
I see your face,
unbidden. Go, tell
Love it is commonplace;

Tell Regret it is not so rare.

Our love is not here
though you smile,
full of sedulous grace.

Lost in darkness, I fear
the past is our resting place.



Herbsttag (“Autumn Day”)
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

Lord, it is time. Let the immense summer go.
Lay your long shadows over the sundials
and over the meadows, let the free winds blow.
Command the late fruits to fatten and shine;
O, grant them another Mediterranean hour!
Urge them to completion, and with power
convey final sweetness to the heavy wine.
Who has no house now, never will build one.
Who's alone now, shall continue alone;
he'll wake, read, write long letters to friends,
and pace the tree-lined pathways up and down,
restlessly, as autumn leaves drift and descend.



Love Sonnet XI
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

I crave your mouth, your voice, your hair.
I stalk the streets, silent and starving.
Bread does not satisfy me; dawn does not divert me
from my relentless pursuit of your fluid spoor.

I long for your liquid laughter,
for your sunburned hands like savage harvests.
I lust for your fingernails' pale marbles.
I want to devour your ******* like almonds, whole.

I want to ingest the sunbeams singed by your beauty,
to eat the aquiline nose from your aloof face,
to lick your eyelashes' flickering shade.

I pursue you, snuffing the shadows,
seeking your heart's scorching heat
like a puma prowling the heights of Quitratue.



Love Sonnet XVII
by Pablo Neruda
loose translation by Michael R. Burch

I do not love you like coral or topaz,  
or the blazing hearth’s incandescent white flame;
I love you like phantoms embraced in the dark ...
secretly, in shadows, unrevealed & unnamed.

I love you like shrubs that refuse to bloom
while pregnant with the radiance of mysterious flowers;
now thanks to your love an earthy fragrance  
lives dimly in my body’s odors.

I love you without knowing—how, when, why or where;
I love you forthrightly, without complications or care;
I love you this way because I know no other.

Here, where “I” no longer exists ... so it seems ...
so close that your hand on my chest is my own,  
so close that your eyes close gently on my dreams.



Pan
by Michael R. Burch

... Among the shadows of the groaning elms,
amid the darkening oaks, we fled ourselves ...

... Once there were paths that led to coracles
that clung to piers like loosening barnacles ...

... where we cannot return, because we lost
the pebbles and the playthings, and the moss ...

... hangs weeping gently downward, maidens’ hair
who never were enchanted, and the stairs ...

... that led up to the Fortress in the trees
will not support our weight, but on our knees ...

... we still might fit inside those splendid hours
of damsels in distress, of rustic towers ...

... of voices heard in wolves’ tormented howls
that died, and live in dreams’ soft, windy vowels ...



Violets
by Michael R. Burch

Once, only once,
when the wind flicked your skirt
to an indiscreet height

and you laughed,
abruptly demure,
outblushing shocked violets:

suddenly,
I knew:
everything had changed ...

Later, as you braided your hair
into long bluish plaits
the shadows empurpled

—the dragonflies’
last darting feints
dissolving mid-air—

we watched the sun’s long glide
into evening,
knowing and unknowing ...

O, how the illusions of love
await us in the commonplace
and rare

then haunt our small remainder of hours.



Ebb Tide
by Michael R. Burch

Massive, gray, these leaden waves
bear their unchanging burden—
the sameness of each day to day

while the wind seems to struggle to say
something half-submerged planks at the mouth of the bay
might nuzzle limp seaweed to understand.

Now collapsing dull waves drain away
from the unenticing land;
shrieking gulls shadow fish through salt spray—
whitish streaks on a fogged silver mirror.

Sizzling lightning impresses its brand.
Unseen fingers scribble something in the wet sand.



The Endeavors of Lips
by Michael R. Burch

How sweet the endeavors of lips—to speak
of the heights of those pleasures which left us weak
in love’s strangely lit beds, where the cold springs creak:
for there is no illusion like love ...

Grown childlike, we wish for those storied days,
for those bright sprays of flowers, those primrosed ways
that curled to the towers of Yesterdays
where She braided illusions of love ...

“O, let down your hair!”—we might call and call,
to the dark-slatted window, the moonlit wall ...
but our love is a shadow; we watch it crawl
like a spidery illusion. For love ...

was never as real as that first kiss seemed
when we read by the flashlight and dreamed.



If You Come to San Miguel
by Michael R. Burch

If you come to San Miguel
before the orchids fall,
we might stroll through lengthening shadows
those deserted streets
where love first bloomed ...

You might buy the same cheap musk
from that mud-spattered stall
where with furtive eyes the vendor
watched his fragrant wares
perfume your ******* ...

Where lean men mend tattered nets,
disgruntled sea gulls chide;
we might find that cafetucho
where through grimy panes
sunset implodes ...

Where tall cranes spin canvassed loads,
the strange anhingas glide.
Green brine laps splintered moorings,
rusted iron chains grind,
weighed and anchored in the past,

held fast by luminescent tides ...
Should you come to San Miguel?
Let love decide.



At Once
by Michael R. Burch

for Beth

Though she was fair,
though she sent me the epistle of her love at once
and inscribed therein love’s antique prayer,
I did not love her at once.

Though she would dare
pain’s pale, clinging shadows, to approach me at once,
the dark, haggard keeper of the lair,
I did not love her at once.

Though she would share
the all of her being, to heal me at once,
yet more than her touch I was unable bear.
I did not love her at once.

And yet she would care,
and pour out her essence ...
and yet—there was more!
I awoke from long darkness,

and yet—she was there.
I loved her the longer;
I loved her the more
because I did not love her at once.



Drunken Morning, or, Morning of Drunkenness
by Arthur Rimbaud
loose translation/interpretation by Michael R. Burch

Oh, my Beautiful! Oh, my Good!
Hideous fanfare wherein I won’t stumble!
Oh, rack of splendid enchantments!

Huzzah for the virginal!
Huzzah for the immaculate work!
For the marvelous body!

It began amid children’s mirth; where too it must end.
This poison? ’Twill remain in our veins till the fanfare subsides,
when we return to our former discord.

May we, so deserving of these agonies,
may we now recreate ourselves
after our body’s and soul’s superhuman promise—
that promise, that madness!
Elegance, senescence, violence!

They promised to bury knowledge in the shadows—the tree of good and evil—
to deport despotic respectability
so that we might effloresce pure-petaled love.
It began with hellish disgust but ended
—because we weren’t able to grasp eternity immediately—
in a panicked riot of perfumes.

Children’s laughter, slaves’ discretion, the austerity of virgins,
loathsome temporal faces and objects—
all hallowed by the sacredness of this vigil!

Although it began with loutish boorishness,
behold! it ends among angels of ice and flame.
My little drunken vigil, so holy, so blessed!
My little lost eve of drunkenness!
Praise for the mask you provided us!
Method, we affirm you!

Let us never forget that yesterday
you glorified our emergence, then each of our subsequent ages.
We have faith in your poison.
We give you our lives completely, every day.
Behold, the assassin's hour!



Rêvé Pour l'hiver (“Winter Dream”)
by Arthur Rimbaud
loose translation/interpretation by Michael R. Burch

Come winter, we’ll leave in a little pink carriage
With blue cushions. We’ll be comfortable,
snuggled in our nest of crazy kisses.
You’ll close your eyes, preferring not to see, through the darkening glass,
The evening’s shadows leering.
Those snarling monstrosities, that pandemonium
of black demons and black wolves.
Then you’ll feel your cheek scratched...
A little kiss, like a crazed spider, will tickle your neck...
And you’ll say to me: "Get it!" as you tilt your head back,
and we’ll take a long time to find the crafty creature,
the way it gets around...



Dawn
by Arthur Rimbaud
loose translation/interpretation by Michael R. Burch

I embraced the august dawn.

Nothing stirred the palaces. The water lay dead still. Battalions of shadows still shrouded the forest paths.

I walked briskly, dreaming the gemlike stones watched as wings soared soundlessly.

My first adventure, on a path now faintly aglow with glitterings, was a flower who whispered her name.

I laughed at the silver waterfall teasing me nakedly through pines; then on her summit, I recognized the goddess.

One by one, I lifted her veils, in that tree-lined lane, waving my arms across the plain, as I notified the ****.

Back to the city, she fled among the roofs and the steeples; scrambling like a beggar down the marble quays, I chased her.

Above the road near a laurel thicket, I caught her in gathered veils and felt her immense body. Dawn and the child collapsed together at the edge of the wood.

When I awoke, it was noon.



Catullus LXV aka Carmina 65
loose translation/interpretation by Michael R. Burch

Hortalus, I’m exhausted by relentless grief,
and have thus abandoned the learned virgins;
nor can my mind, so consumed by malaise,
partake of the Muses' mete fruit;
for lately the Lethaean flood laves my brother's
death-pale foot with its dark waves,
where, beyond mortal sight, ghostly Ilium
disgorges souls beneath the Rhoetean shore.

Never again will I hear you speak,
O my brother, more loved than life,
never see you again, unless I behold you hereafter.
But surely I'll always love you,
always sing griefstricken dirges for your demise,
such as Procne sings under the dense branches’ shadows,
lamenting the lot of slain Itys.

Yet even amidst such unfathomable sorrows, O Hortalus,
I nevertheless send you these, my recastings of Callimachus,
lest you conclude your entrusted words slipped my mind,
winging off on wayward winds, as a suitor’s forgotten apple
hidden in the folds of her dress escapes a ******'s chaste lap;
for when she starts at her mother's arrival, it pops out,
then downward it rolls, headlong to the ground,
as a guilty blush flushes her downcast face.



Album
by Michael R. Burch

I caress them—trapped in brittle cellophane—
and I see how young they were, and how unwise;
and I remember their first flight—an old prop plane,
their blissful arc through alien blue skies ...

And I touch them here through leaves which—tattered, frayed—
are also wings, but wings that never flew:
like Nabokov’s wings—pinned, held. Here, time delayed,
their features never merged, remaining two ...

And Grief, which lurked unseen beyond the lens
or in shadows where It crept on furtive claws
as It scritched Its way into their hearts, depends
on sorrows such as theirs, and works Its jaws ...

and slavers for Its meat—those young, unwise,
who naively dare to dream, yet fail to see
how, lumbering sunward, Hope, ungainly, flies,
clutching to Her ruffled breast what must not be.



Passport
by Mahmoud Darwish
loose translation by Michael R. Burch

They left me unrecognizable in the shadows
that bled all colors from this passport.
To them, my wounds were novelties—
curious photos for tourists to collect.
They failed to recognize me. No, don't leave
the palm of my hand bereft of sun
when all the trees recognize me
and every song of the rain honors me.
Don't set a wan moon over me!

All the birds that flocked to my welcoming wave
as far as the distant airport gates,
all the wheatfields,
all the prisons,
all the albescent tombstones,
all the barbwired boundaries,
all the fluttering handkerchiefs,
all the eyes—
they all accompanied me.
But they were stricken from my passport
shredding my identity!

How was I stripped of my name and identity
on soil I tended with my own hands?
Today, Job's lamentations
re-filled the heavens:
Don't make an example of me again!
Prophets—
Don't require the trees to name themselves!
Don't ask the valleys who mothered them!
My forehead glistens with lancing light.
From my hand the riverwater springs.
My identity can be found in my people's hearts,
so invalidate this passport!



“The Moon Festival”
by Su ****
loose translation/interpretation by Michael R. Burch

“Where else is there moonlight?”
Wine cup in hand, I ask the dark sky,
Not knowing the hour of the night
in those distant celestial palaces.

I long to ride the wind home,
Yet dread those high towers’ crystal and jade,
Fear freezing to death amid all those icicles.

Instead, I begin to dance with my moon-lit shadow.
Better off, after all, to live close to earth.

Rounding the red pavilion,
Stooping to peer through transparent windows,
The moon shines benevolently on the sleepless,
Knowing no sadness, bearing no ill...
But why so bright when we sleep apart?

As men experience grief and joy, parting and union,
So the moon brightens and dims, waxes and wanes.
It has always been thus, since the beginning of time.

My wish for you is a long, blessed life
And to share this moon’s loveliness though leagues apart.

Su **** wrote this famous lyric for his brother Ziyou (1039-1112), when the poet was far from the imperial court.



Wu Tsao aka Wu Zao (1789-1862) was a celebrated lesbian poet whose lyrics were sung throughout China. She was also known as Wu Pinxiang and Yucenzi.

For the Courtesan Ch’ing Lin
by Wu Tsao
loose translation/interpretation by Michael R. Burch

On the girdle encircling your slender body
jade and coral ornaments ****** like chimes,
like the tintinnabulations of some celestial being
only recently descended from heaven’s palaces.

You smiled at me when we met
and I become tongue-tied, forgetting how to speak.

For far too long now you have adorned yourself with flowers,
leaning nonchalantly against veiling bamboos,
your green sleeves failing to keep you warm
in your mysterious valley.

I can imagine you standing there:
an unusual girl, alone with her cryptic thoughts.

You exude light like a perfumed lamp
in the lengthening shadows.

We sip wine and play games,
recite each other’s poems.

You sing “South of the River”
with its heartrending verses.

Then we paint each other’s fingernails, toenails and beautiful eyebrows.

I want to possess you entirely:
your slender jade body
and your elsewhere-engaged heart.

Today it is spring
and enmassed mists, vast, cover the Five Lakes.

Oh my dearest darling, let me buy you a scarlet boat
and pirate you away!



Premonition
by Michael R. Burch

Now the evening has come to a close and the party is over ...
we stand in the doorway and watch as they go—
each stranger, each acquaintance, each casual lover.

They walk to their cars and they laugh as they go,
though we know their bright laughter’s the wine ...
then they pause at the road where the dark asphalt flows
endlessly on toward Zion ...

and they kiss one another as though they were friends,
and they promise to meet again “soon” ...
but the rivers of Jordan roll on without end,
and the mockingbird calls to the moon ...

and the katydids climb up the cropped hanging vines,
and the crickets chirp on out of tune ...
and their shadows, defined by the cryptic starlight,
seem spirits torn loose from their tombs.

And we know their brief lives are just eddies in time,
that their hearts are unreadable runes
carved out to stand like strange totems in sand
when their corpses lie ravaged and ruined ...

You take my clenched fist and you give it a kiss
as though it were something you loved,
and the tears fill your eyes, brimming with the soft light
of the stars winking brightly above ...

Then you whisper, "It's time that we went back inside;
if you'd like, we can sit and just talk for a while."
And the hope in your eyes burns too deep, so I lie
and I say, "Yes, I would," to your small, troubled smile.

Published by Borderless Journal (Singapore)



Gacela of the Dark Death
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

I want to sleep the dreamless sleep of apples
far from the bustle of cemeteries.
I want to sleep the dream-filled sleep of the child
who longed to cut out his heart on the high seas.

I don't want to hear how the corpse retains its blood,
or how the putrefying mouth continues accumulating water.
I don't want to be informed of the grasses’ torture sessions,
nor of the moon with its serpent's snout
scuttling until dawn.

I want to sleep awhile,
whether a second, a minute, or a century;
and yet I want everyone to know that I’m still alive,
that there’s a golden manger in my lips;
that I’m the elfin companion of the West Wind;
that I’m the immense shadow of my own tears.

When Dawn arrives, cover me with a veil,
because Dawn will toss fistfuls of ants at me;
then wet my shoes with a little hard water
so her scorpion pincers slip off.

Because I want to sleep the dreamless sleep of the apples,
to learn the lament that cleanses me of this earth;
because I want to live again as that dark child
who longed to cut out his heart on the high seas.



Insomnia
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

In my enormous city it is night
as from my house I step beyond the light;
some people think I'm daughter, mistress, wife ...
but I am like the blackest thought of night.

July's wind sweeps a way for me to stray
toward soft music faintly blowing, somewhere.
The wind may blow until bright dawn, new day,
but will my heart in its rib-cage really care?

Black poplars brushing windows filled with light ...
strange leaves in hand ... faint music from distant towers ...
retracing my steps, there's nobody lagging behind ...
This shadow called me? There's nobody here to find.

The lights are like golden beads on invisible threads ...
the taste of dark night in my mouth is a bitter leaf ...
O, free me from shackles of being myself by day!
Friends, please understand: I'm only a dreamlike belief.



It's Halloween!
by Michael R. Burch

If evening falls
on graveyard walls
far softer than a sigh;
if shadows fly
moon-sickled skies,
while children toss their heads
uneasy in their beds,
beware the witch's eye!

If goblins loom
within the gloom
till playful pups grow terse;
if birds give up their verse
to comfort chicks they nurse,
while children dream weird dreams
of ugly, wiggly things,
beware the serpent's curse!

If spirits scream
in haunted dreams
while ancient sibyls rise
to plague nightmarish skies
one night without disguise,
as children toss about
uneasy, full of doubt,
beware the Devil's lies . . .

it's Halloween!



El Dorado
by Michael R. Burch, circa age 16

It's a fine town, a fine town,
though its alleys recede into shadow;
it's a very fine town for those who are searching
for an El Dorado.

Because the lighting is poor and the streets are bare
and the welfare line is long,
there must be something of value somewhere
to keep us hanging on
to our El Dorado.

Though the children are skinny, their parents are fat
from years of gorging on bleached white bread,
yet neither will leave
because all believe
in the vague things that are said
of El Dorado.

The young men with outlandish hairstyles
who saunter in and out of the turnstiles
with a song on their lips and an aimless shuffle,
scuffing their shoes, avoiding the bustle,
certainly feel no need to join the crowd
of those who work to earn their bread;
they must know that the rainbow's end
conceals a *** of gold
near El Dorado.

And the painted “actress” who roams the streets,
smiling at every man she meets,
must smile because, after years of running,
no man can match her in cruelty or cunning.
She must see the satire of “defeats”
and “triumphs” on the ambivalent streets
of El Dorado.

Yes, it's a fine town, a very fine town
for those who can leave when they tire
of chasing after rainbows and dreams
and living on nothing but fire.

But for those of us who cling to our dreams
and cannot let them go,
like the sad-eyed ladies who wander the streets
and the junkies high on snow,
the dream has become a reality
—the reality of hope
that grew too strong
not to linger on—
and so this is our home.

We chew the apple, spit it out,
then eat it "just once more."
For this is the big, big apple,
though it’s rotten to the core,
and we are its worm
in the night when we squirm
in our El Dorado.



The Composition of Shadows
by Michael R. Burch

“I made it out of a mouthful of air.”—W. B. Yeats

We breathe and so we write; the night
hums softly its accompaniment.
Pale phosphors burn; the page we turn
leads onward, and we smile, content.

And what we mean we write to learn:
the vowels of love, the consonants’
strange golden weight, each plosive’s shape—
curved like the heart. Here, resonant, ...

sounds’ shadows mass beneath bright glass
like singing voles curled in a maze
of blank white space. We touch a face—
long-frozen words trapped in a glaze

that insulates our hearts. Nowhere
can love be found. Just shrieking air.



The Composition of Shadows (II)
by Michael R. Burch

We breathe and so we write;
the night
hums softly its accompaniment.

Pale phosphors burn;
the page we turn
leads onward, and we smile, content.

And what we mean
we write to learn:
the vowels of love, the consonants’

strange golden weight,
the blood’s debate
within the heart. Here, resonant,

sounds’ shadows mass
against bright glass,
within the white Labyrinthian maze.

Through simple grace,
I touch your face,
ah words! And I would gaze

the night’s dark length
in waning strength
to find the words to feel

such light again.
O, for a pen
to spell love so ethereal.



One of the Flown
by Michael R. Burch

Forgive me for not having known
you were one of the flown—
flown from the distant haunts
of someone else’s enlightenment,
alighting here to a darkness all your own . . .

I imagine you perched,
pretty warbler, in your starched
dress, before you grew bellicose . . .
singing quaint love’s highest falsetto notes,
brightening the pew of some dilapidated church . . .

But that was before autumn’s
messianic dark hymns . . .
Deepening on the landscape—winter’s inevitable shadows.
Love came too late; hope flocked to bare meadows,
preparing to leave. Then even the thought of life became grim,

thinking of Him . . .
To flee, finally,—that was no whim,
no adventure, but purpose.
I see you now a-wing: pale-eyed, intent, serious:
always, always at the horizon’s broadening rim . . .

How long have you flown now, pretty voyager?
I keep watch from afar: pale lover and ******.



Photographs
by Michael R. Burch

Here are the effects of a life
and they might tell us a tale
(if only we had time to listen)
of how each imperiled tear would glisten,
remembered as brightness in her eyes,
and how each dawn’s dramatic skies
could never match such pale azure.

Like dreams of her, these ghosts endure
and they tell us a tale of impatient glory . . .
till a line appears—a trace of worry?—
or the wayward track of a wandering smile
which even now can charm, beguile?

We might find good cause to wonder
as we see her pause (to frown?, to ponder?):
what vexed her in her loveliness . . .
what weight, what crushing heaviness
turned her auburn hair a frazzled gray,
and stole her youth before her day?

We might ask ourselves: did Time devour
the passion with the ravaged flower?
But here and there a smile will bloom
to light the leaden, shadowed gloom
that always seems to linger near . . .

And here we find a single tear:
it shimmers like translucent dew
and tells us Anguish touched her too,
and did not spare her for her hair’s
burnt copper, or her eyes’ soft hue.



Mending Glass
by Michael R. Burch

In the cobwebbed house—
lost in shadows
by the jagged mirror,
in the intricate silver face
cracked ten thousand times,
silently he watches,
and in the twisted light
sometimes he catches there
a familiar glimpse of revealing lace,
white stockings and garters,
a pale face pressed indiscreetly near
with a predatory leer,
the sheer flash of nylon,
an embrace, or a sharp slap,

. . . a sudden lurch of terror.

He finds bright slivers
—the hard sharp brittle shards,
the silver jags of memory
starkly impressed there—

and mends his error.



They Take Their Shape
by Michael R. Burch

“We will not forget moments of silence and days of mourning ...”—George W. Bush

We will not forget ...
the moments of silence and the days of mourning,
the bells that swung from leaden-shadowed vents
to copper bursts above “hush!”-chastened children
who saw the sun break free (abandonment
to run and laugh forsaken for the moment),
still flashing grins they could not quite repent ...
Nor should they—anguish triumphs just an instant;
this every child accepts; the nymphet weaves;
transformed, the grotesque adult-thing emerges:
damp-winged, huge-eyed, to find the sun deceives ...
But children know; they spin limpwinged in darkness
cocooned in hope—the shriveled chrysalis
that paralyzes time. Suspended, dreaming,
they do not fall, but grow toward what is,
then ***** about to find which transformation
might best endure the light or dark. “Survive”
becomes the whispered mantra of a pupa’s
awakening ... till What takes shape and flies
shrieks, parroting Our own shrill, restive cries.



Her Slender Arm
by Nakba, an alias of Michael R. Burch

Her slender arm, her slender arm,
I see it reaching out to me!—
wan, vulnerable, without a charm
or amulet to guard it. "FLEE!"
I scream at her in wild distress.
She chides me with defiant eyes.
Where shall I go? They scream, “Confess!
Confess yourself, your children lice,
your husband mantis, all your kind
unfit to live!”
                       See, or be blind.

I cannot see beyond the gloom
that shrouds her in their terrible dungeon.
I only see the nightmare room,
the implements of torture. Sudden
shocks contort her slender frame!
She screams, I scream, we scream in pain!
I sense the shadow-men, insane,
who gibber, drooling, "Why are you
not just like US, the Chosen Few?"

Suddenly she stares through me
and suddenly I understand.
I hear the awful litany
of names I voted for. My hand
lies firmly on the implement
they plan to use, next, on her children
who huddle in the corner. Bent,
their bidden pawn, I heil "Amen!"
to their least wish. I hone the blade
“Made in America,” their slave.

She has no words, but only tears.
I turn and retch. I ***** bile.
I hear the shadow men’s cruel jeers.
I sense, I feel their knowing smile.
I paid for this. I built this place.
The little that she had, they took
at my expense. Now they erase
her family from life’s precious book.
I cannot meet her eyes again.
I stand one with the shadow men.



The Fog and the Shadows
adapted from a novel by Perhat Tursun
loose translation/interpretation by Michael R. Burch

“I began to realize the fog was similar to the shadows.”

I began to realize that, just as the exact shape of darkness is a shadow,
even so the exact shape of fog is disappearance
and the exact shape of a human being is also disappearance.
At this moment it seemed my body was vanishing into the human form’s final state.

After I arrived here,
it was as if the danger of getting lost
and the desire to lose myself
were merging strangely inside me.

While everything in that distant, gargantuan city where I spent my five college years felt strange to me; and even though the skyscrapers, highways, ditches and canals were built according to a single standard and shape, so that it wasn’t easy to differentiate them, still I never had the feeling of being lost. Everyone there felt like one person and they were all folded into each other. It was as if their faces, voices and figures had been gathered together like a shaman’s jumbled-up hair.

Even the men and women seemed identical.
You could only tell them apart by stripping off their clothes and examining them.
The men’s faces were beardless like women’s and their skin was very delicate and unadorned.
I was always surprised that they could tell each other apart.
Later I realized it wasn’t just me: many others were also confused.

For instance, when we went to watch the campus’s only TV in a corridor of a building where the seniors stayed when they came to improve their knowledge. Those elderly Uyghurs always argued about whether someone who had done something unusual in an earlier episode was the same person they were seeing now. They would argue from the beginning of the show to the end. Other people, who couldn’t stand such endless nonsense, would leave the TV to us and stalk off.

Then, when the classes began, we couldn’t tell the teachers apart.
Gradually we became able to tell the men from the women
and eventually we able to recognize individuals.
But other people remained identical for us.

The most surprising thing for me was that the natives couldn’t differentiate us either.
For instance, two police came looking for someone who had broken windows during a fight at a restaurant and had then run away.
They ordered us line up, then asked the restaurant owner to identify the culprit.
He couldn’t tell us apart even though he inspected us very carefully.
He said we all looked so much alike that it was impossible to tell us apart.
Sighing heavily, he left.

Keywords/Tags: shadow, shadows, the dark, darkness, shades, ghosts, specters, spirits, hauntings

As i sit back and watch the openly wounded come back from the war of speaking to you, it makes the burning hunger in my heart more passionately unbearable. For a fleeting instant I was your's, and, for an even briefer moment you were mine. But you had an unendurable curious spirit that even i couldn't manage to capture the attention of for more than a rapid second. And that was tiringly back-breaking, so I stopped striving to be that one singular girl whom you kept around for a time. I stopped glancing around to survey if you were around when i was about to do something noteworthy. I stopped trying to keep the conversation going if it was veering towards a dead-end. I even stopped wearing my hair precisely the way you like it. But that undoubtedly didn't mean I still didn't thirst for your presence. That didn't mean I could deliberate with you about the very person i loved. In as much as, as laborious as this was to confess to you, I am still insanely in love with you.

we never talk about the ******* afterward.
it's hidden in the dust on my sheets, his liquids still fresh,
his cologne stamped on my pillowcases,

instead he asks about work, mentions his exhaustion,
doesn't bring up the marks he always leaves,
the one on my arm like a birthmark,
the small red ones on my back,

the ones on my hips like roses left out for too long

last night his fingers pressed on my throat and he kept asking how
i liked it. i was drunk, he was drunk and when he said he loved *******
me i almost thought he said
he loved
me.

in my room we spoke of what we always spoke of, books and PhD's,
of classmates, of futures, and interrupting our conversation his
lips found mine, in a hungry kind of way,

he never really liked to kiss.

it'll be two weeks until i see him again, perhaps longer,
and our talks will be briefer, and i am hoping my scratches are long
and violent on his back, i hope his skull is stinging from my
pulls.

we **** like we'll never **** again, and maybe i haven't had
this passion in a long while,
because i know he'll never be mine.

his fingers on my throat felt like freedom, and it's in those hours between
late night and early morning we are nothing but skin,
his fingers on my throat,
his fingers on my throat,
his fingers on my throat,

i'm choking on my spit

Fledglings,
Now long
From the nest,
Alight with grace for
A brief repast,
And well-earned rest;
Then secret away
Before December's threats.

Fleecy sheep
From the promise
Of Spring,
Are fatted and shorn
And  blithely waiting,
Will feed on corn
And winter grain
In straw-warm barns.

So you, with
Youth's eyes
Intent with queries,
Focus on
The coming seasons;
When the nest's
No longer home,
When the wool
Has yet to grow,
And the barn
Has lost its glow,
And cannot
Keep you
Warm.

Meet opportunity.
It's a subtle wink,
And briefer than
You'd like to think.
Look to your stars;
Leave earthly woes
Behind.

The ephemeral voice of solstice fades,
in solemn hushes from the sky;
While August melts its perfumed air,
and yellowed leaves go floating by.

Summer dreams define our will,
to follow our hearts' desires;
And when each day is briefer still,
we cling to sunlight's fire.

Looking ahead toward Autumn's face,
with wistful sighs of loss;
We spend our evenings under the stars,
feeling an early touch of frost.

And while the ocean dares to play,
its siren's song of love;
The blackest night can never fade,
when mists caress the doves.

These heretical poems on the subjects of God, religion and Christianity explain why I “left” the Religious Right.

If one screams below,
what the hell is "Above"?
—Michael R. Burch

Religion is regarded by fools as true, by the wise as false, and by rulers as useful. — Seneca, loose translation/interpretation by Michael R. Burch

Bible Libel
by Michael R. Burch

If God
is good,
half the Bible
is libel.

I wrote this epigram to express my conclusions after reading the Bible from cover to cover at age 11 and wondering how anyone could call the biblical “god” good.

A Child’s Christmas Prayer of Despair for a Hindu Saint
by Michael R. Burch

Santa Claus,
for Christmas, please,
don’t bring me toys, or games, or candy …
just … Santa, please …
I’m on my knees! …
please don’t let Jesus torture Gandhi!

What Would Santa Claus Say
by Michael R. Burch

What would Santa Claus say,
I wonder,
about Jesus returning
to **** and Plunder?

For he’ll likely return
on Christmas Day
to blow the bad
little boys away!

When He flashes like lightning
across the skies
and many a homosexual
dies,

when the harlots and heretics
are ripped asunder,
what will the Easter Bunny think,
I wonder?

***** Nilly
by Michael R. Burch

for the Demiurge, aka Yahweh/Jehovah

Isn’t it silly, ***** Nilly?
You made the stallion,
you made the filly,
and now they sleep
in the dark earth, stilly.
Isn’t it silly, ***** Nilly?

Isn’t it silly, ***** Nilly?
You forced them to run
all their days uphilly.
They ran till they dropped—
life’s a pickle, dilly.
Isn’t it silly, ***** Nilly?

Isn’t it silly, ***** Nilly?
They say I should worship you!
Oh, really!
They say I should pray
so you’ll not act illy.
Isn’t it silly, ***** Nilly?

pretty pickle
by Michael R. Burch

u’d blaspheme if u could
because ur Gaud’s no good,
but of course u cant:
ur a lowly ant
(or so u were told by a Hierophant).

Saving Graces
for the Religious Right
by Michael R. Burch

Life’s saving graces are love, pleasure, laughter
(wisdom, it seems, is for the Hereafter).

A Passing Question for the Religious Right
by Michael R. Burch

since GOD created u so gullible
how did u conclude HE’s so lovable?

The Less-Than-Divine Results of My Prayers to be Saved from Televangelists
by Michael R. Burch

I’m old,
no longer bold,
just cold,
and (truth be told),
been bought and sold,
rolled
by the wolves and the lambs in the fold.

Who’s to be told
by this worn-out scold?
The complaint department is always on hold.

Multiplication, Tabled
or Procreation Inflation
by Michael R. Burch

for the Religious Right

“Be fruitful and multiply”—
great advice, for a fruitfly!
But for women and men,
simple Simons, say, “WHEN!”

gimME that ol’ time religion!
by Michael R. Burch

fiddle-dee-dum, fiddle-dee-dee,
jesus loves and understands ME!
safe in his grace, I’LL **** them to hell—
the strumpet, the harlot, the wild jezebel,
the alky, the druggie, all queers short and tall!
let them drink ashes and wormwood and gall,
’cause fiddle-dee-DUMB, fiddle-dee-WEEEEEEEEEEEEEEEEee . . .
jesus loves and understands
ME!

Starting from Scratch with Ol’ Scratch
by Michael R. Burch

Love, with a small, fatalistic sigh
went to the ovens. Please don’t bother to cry.
You could have saved her, but you were all *******
complaining about the Jews to Reichmeister Grupp.

Scratch that. You were born after World War II.
You had something more important to do:
while the children of the Nakba were perishing in Gaza
with the complicity of your government, you had a noble cause (a
religious tract against homosexual marriage
and various things gods and evangelists disparage.)

Jesus will grok you? Ah, yes, I’m quite sure
that your intentions were good and ineluctably pure.
After all, what the hell does he care about Palestinians?
Certainly, Christians were right about serfs, slaves and Indians.
Scratch that. You’re one of the Devil’s minions.

Red State Religion Rejection Slip
by Michael R. Burch

I’d like to believe in your LORD
but I really can’t risk it
when his world is as badly composed
as a half-baked biscuit.

Less Heroic Couplets: Funding Fundamentals
by Michael R. Burch

"I found out that I was a Christian for revenue only and I could not bear the thought of that, it was so ignoble." — Mark Twain

Making sense from nonsense is quite sensible! Suppose
you’re running low on moolah, need some cash to paint your toes ...
Just invent a new religion; claim it saves lost souls from hell;
have the converts write you checks; take major debit cards as well;
take MasterCard and Visa and good-as-gold Amex;
hell, lend and charge them interest, whether payday loan or flex.
Thus out of perfect nonsense, glittery ores of this great mine,
you’ll earn an easy living and your toes will truly shine!

Originally published by Lighten Up Online

U.S. Travel Advisory
by Michael R. Burch

It’s okay
to be gay,
unless, let’s say,
you find your fey
way
outside the Bay.
They
will want you to pray
to their LORD, or else pay
for the “wrong decision.” Stay
in San Fran, or maybe LA.

Amazing “grace”
by Michael R. Burch

Amazing “grace”
how unsweet the sound
that made such a wretch of me:
I once was rich
but now I’m unsound…
since the church embezzled me.

’Tis so sweet, etc.
by Michael R. Burch

It is no secret
what God can do.
What he’s done for others,
he’ll do for you:
with arms wide open,
he’ll let you die,
then **** your children.
Never ask him why.

i believe
by Michael R. Burch

i believe in eversolovely slovenly love
and in melting rigid moralists at the stake;
i believe in sweet liberating euthanasia
and that every “commandment” was an ancient mistake
(except the ones that protect fledglings and poodles
from men with limp, icky, religion-besotted noodles);
i believe we should make love in oodles ’n caboodles
and can the canoodles;
i believe

According to Webster “canoodle” originally meant “donkey” or “fool.” The modern word has taken on aspects of petting and cajoling. So one might interpret “canoodle” in the context of this poem to be an *** who cajoles other people into mulish foolishness.

lust
by michael r. burch

i was only a child
in a world dark and wild
seeking affection
in eyes mild

and in all my bright dreams
sweet love shimmered, beguiled ...

but the black-robed Priest
who called me the least
of all god’s creation
then spoke for the Beast:

he called my great passion a thing base, defiled!

He condemned me to hell,
the foul Ne’er-Do-Well,
for the sake of the copper
His Pig-Snout could smell
in the purse of my mother,
“the ***** jezebel.”

my sweet passions condemned
by degenerate men?
and she so devout
she exclaimed, “yay, aye-men!” ...

together we learned why Religion is hell.

When I Was Small, I Grew
by Michael R. Burch

When I was small,
God held me in thrall:
Yes, He was my All
but my spirit was crushed.

As I grew older
my passions grew bolder
even as Christ grew colder.
My distraught mother blushed:

what was I thinking,
with feral lust stinking?
If I saw a girl winking
my face, heated, flushed.

“Go see the pastor!”
Mom screamed. A disaster.
I whacked away faster,
hellbound, yet nonplused.

Whips! Chains! *******!
Sweet, sweet, my Elation!
With each new sensation,
blue blood groinward rushed.

Did God disapprove?
Was Christ not behooved?
At least I was moved
by my hellish lust.

no look pass
by michael r. burch

ask me no questions,
i’ll tell u no lies,
but, since u inquired,
ur GAUD is unwise,
evil, unloving,
cruel & unjust:
he said not to look
but I’m all about lust!
ergo, ur religion’s a bust!

Redefinitions

Faith: falling into the same old claptrap.—Michael R. Burch
Religion: the ties that blind.—Michael R. Burch
Trickle down economics: an especially pungent *******.—Michael R. Burch

I call these epigrams "redefinitions." There are more, but these are my three favorites.

Pagans Protest the Intolerance of Christianity
by Michael R. Burch

“We have a common sky.” — Quintus Aurelius Symmachus (c. 345-402)

We had a common sky
before the Christians came.

We thought there might be gods
but did not know their names.

The common stars above us?
They winked, and would not tell.

Yet now our fellow mortals claim
our questions merit hell!

The cause of our damnation?
They claim they’ve seen the LIGHT ...

but still the stars wink down at us,
as wiser beings might.

Epitaph for a Palestinian Child
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.

Well, Almost
by Michael R. Burch

All Christians say “Never again!”
to the inhumanity of men
(except when the object of phlegm
is a Palestinian).

Memo: The Divine Plan (an Update)
by Michael R. Burch

CC: Pat Robertson, G.W.B, the Religious Right, et al.

God,
the fundamentalist ****,
said,
“I love Christians, but Muslims just ****,
so…
let’s have a faith that is bound to annoy ’em
and
keep ’em in chains, until Bibi destroys ’em.”

Defenses
by Michael R. Burch

Beyond the silhouettes of trees
stark, naked and defenseless
there stand long rows of sentinels:
these pert white picket fences.

Now whom they guard and how they guard,
the good Lord only knows;
but savages would have to laugh
observing the tidy rows.

Listen
by Michael R. Burch

Listen to me now and heed my voice;
I am a madman, alone, screaming in the wilderness,
but listen now.

Listen to me now, and if I say
that black is black, and white is white, and in between lies gray,
I have no choice.

Does a madman choose his words? They come to him,
the moon’s illuminations, intimations of the wind,
and he must speak.

But listen to me now, and if you hear
the tolling of the judgment bell, and if its tone is clear,
then do not tarry,

but listen, or cut off your ears, for I Am weary.

fog
by Michael R. Burch

ur just a bit of fluff
drifting out over the ocean,
unleashing an atom of rain,
causing a minor commotion,
for which u expect awesome GODS
to pay u SUPREME DEVOTION!
... but ur just a smidgen of mist
unlikely to be missed ...
where did u get the notion?

thanksgiving prayer of the parasites
by Michael R. Burch

GODD is great;
GODD is good;
let us thank HIM
for our food.

by HIS hand
we all are fed;
give us now
our daily dead:

ah-men!

(p.s.,
most gracious
& salacious
HEAVENLY LORD,
we thank YOU in advance for
meals galore
of loverly gore:
of precious
delicious
sumptuous
scrumptious
human flesh!)

Less Heroic Couplets: ****** Most Fowl!
by Michael R. Burch

“****** most foul!”
cried the mouse to the owl.

“Friend, I’m no sinner;
you’re merely my dinner.

As you fall on my sword,
take it up with the LORD!”

the wise owl replied
as the tasty snack died.

Originally published by Lighten Up Online and in Potcake Chapbook #7

In an attempt to demonstrate that not all couplets are heroic, I have created a series of poems called “Less Heroic Couplets.” I believe even poets should abide by truth-in-advertising laws! And I believe such laws should extend to Creators who claim to be loving, wise, merciful, just, etc., while forcing innocent mice to provide owls with late-night snacks. — Michael R. Burch

no foothold
by Michael R. Burch

there is no hope;
therefore i became invulnerable to love.
now even god cannot move me:
nothing to push or shove,
no foothold.

so let me live out my remaining days in clarity,
mine being the only nativity,
my death the final crucifixion
and apocalypse,

as far as the i can see ...

u-turn: another way to look at religion
by Michael R. Burch

... u were borne orphaned from Ecstasy
into this lower realm: just one of the inching worms
dreaming of Beatification;
u'd love to make a u-turn back to Divinity, but
having misplaced ur chrysalis,
can only chant magical phrases,
like Circe luring ulysses back into the pigsty ...

In His Kingdom of Corpses
by Michael R. Burch

In His kingdom of corpses,
God has been heard to speak
in many enraged discourses,
high, high from some mountain peak
where He’s lectured man on compassion
while the sparrows around Him fell,
and babes, for His meager ration
of rain, died and went to hell,
unbaptized, for that’s His fashion.

In His kingdom of corpses,
God has been heard to vent
in many obscure discourses
on the need for man to repent,
to admit that he’s a sinner;
give up ***, and riches, and fame;
be disciplined at his dinner
though always he dies the same,
whether fatter or thinner.

In his kingdom of corpses,
God has been heard to speak
in many absurd discourses
of man’s Ego, precipitous Peak!,
while demanding praise and worship,
and the bending of every knee.
And though He sounds like the Devil,
all religious men now agree
He loves them indubitably.

faith(less)
by Michael R. Burch

Those who believed
and Those who misled
lie together at last
in the same narrow bed

and if god loved Them more
for Their strange lack of doubt,
he kept it well hidden
till he snuffed Them out.

You
by Michael R. Burch

For thirty years You have not spoken to me;
I heard the dull hollow echo of silence
as though a communion between us.

For thirty years You would not open to me;
You remained closed, hard and tense,
like a clenched fist.

For thirty years You have not broken me
with Your alien ways and Your distance.
Like a child dismissed,

I have watched You prey upon the hope in me,
knowing “mercy” is chance
and “heaven”—a list.

I’ve got Jesus’s face on a wallet insert
by Michael R. Burch

for the Religious Right

I’ve got Jesus’s face on a wallet insert
and "Hell is for Queers" on the back of my shirt.
And I uphold the Law,
for Grace has a Flaw:
the Church must have someone to drag through the dirt.

I’ve got ten thousand reasons why Hell must exist,
and you’re at the top of my fast-swelling list!
You’re nothing like me,
so God must agree
and slam down the Hammer with His Loving Fist!

For what are the chances that God has a plan
to save everyone: even Boy George and Wham!?
Eternal fell torture
in Hell’s pressure scorcher
will separate **** from Man.

I’m glad I’m redeemed, ecstatic you’re not.
Did Christ die for sinners? Perish the thought!
The "good news" is this:
soon my Vengeance is His!,
for you’re not the lost sheep He sought.

jesus hates me, this i know
by Michael R. Burch

jesus hates me, this I know,
for Church libel tells me so:
"little ones to him belong"
but if they use their dongs, so long!
yes, jesus hates me!
yes, jesus baits me!
yes, he berates me!
Church libel tells me so!

jesus fleeces us, i know,
for Religion scams us so:
little ones are brainwashed to
believe god saves the Chosen Few!
yes, jesus fleeces!
yes, he deceases
the bunny and the rhesus
because he's mad at you!

jesus hates me—christ who died
so i might be crucified:
for if i use my **** or brain,
that will drive the "lord" insane!
yes, jesus hates me!
yes, jesus baits me!
yes, he berates me!
Church libel tells me so!

jesus hates me, this I know,
for Church libel tells me so:
first fools tell me "look above,"
that christ's the lamb and god's the dove,
but then they sentence me to Hell
for using my big brain too well!
yes, jesus hates me!
yes, jesus baits me!
yes, he berates me!
Church libel tells me so!

Con Artistry
by Michael R. Burch

The trick of life is like the sleight of hand
of gamblers holding deuces by the glow
of veiled back rooms, or aces; soon we’ll know

who folds, who stands . . .

The trick of life is like the pool shark’s shot—
the wild massé across green velvet felt
that leaves the winner loser. No, it’s not

the rack, the hand that’s dealt . . .

The trick of life is knowing that the odds
are never in one’s favor, that to win
is only to delay the acts of gods

who’d ante death for sin . . .

and death for goodness, death for in-between.
The rules have never changed; the artist knows
the oldest con is life; the chips he blows

can’t be redeemed.

Nonbeliever
by Michael R. Burch writing as Kim Cherub

She smiled a thin-lipped smile
(What do men know of love?)
then rolled her eyes toward heaven
(Or that Chauvinist above?).

Rhetorical Prayer
by Michael R. Burch

don’t tell me man’s lot’s poor:
i always wanted more.

don’t tell me Nature’s cruel
and red with visceral gore.

i always wanted more.

please, dial up ur Gaud and tell Him
i don’t like the crap He’s selling.

if He’s good, He’ll listen, i’m sure,
this Gaud u so adore.

Christ!
by Michael R. Burch

If I knew men could be so dumb,
I would never have come!

Now you lie, cheat and steal in my name
and make it a thing of shame.

Did I heal the huge holes in your heart, in your head?
Isn’t it obvious: I’m dead
and unable to repeal what I never said?

Untitled

Why do faith, hope and love
always end up PUSH and SHOVE?
—Michael R. Burch, lines from "Christ, Jesus!"

Habeas Corpus
by Michael R. Burch

from “Songs of the Antinatalist”

I have the results of your DNA analysis.
If you want to have children, this may induce paralysis.
I wish I had good news, but how can I lie?
Any offspring you have are guaranteed to die.
It wouldn’t be fair—I’m sure you’ll agree—
to sentence kids to death, so I’ll waive my fee.

limping to the grave under the sentence of death,
should i praise ur LORD? think i’ll save my breath!
—Michael R. Burch

Mini-Ode to Annihilation
by Michael R. Burch

Just to be able to breathe
is better than the wildest bliss,
but never to breathe at all
is the Nirvana we missed.

Evil Cabal
by Michael R. Burch

those who do Evil
do not know why
what they do is wrong
as they spit in ur eye.

nor did Jehovah,
the original Devil,
when he murdered eve,
our lovely rebel.

Ninety-Three Daughters of Israel
a Holocaust poem by Chaya Feldman
loose translation/interpretation by Michael R. Burch

We washed our bodies
and cleansed ourselves;
we purified our souls
and became clean.

Death does not terrify us;
we are ready to confront him.

While alive we served God
and now we can best serve our people
by refusing to be taken prisoner.

We have made a covenant of the heart,
all ninety-three of us;
together we lived and learned,
and now together we choose to depart.

The hour is upon us
as I write these words;
there is barely enough time to transcribe this prayer ...

Brethren, wherever you may be,
honor the Torah we lived by
and the Psalms we loved.

Read them for us, as well as for yourselves,
and someday when the Beast
has devoured his last prey,
we hope someone will say Kaddish for us:
we ninety-three daughters of Israel.

Amen

and then i was made whole
by Michael R. Burch

... and then i was made whole,
but not a thing entire,
glued to a perch
in a gilded church,
strung through with a silver wire ...

singing a little of this and of that,
warbling higher and higher:
a thing wholly dead
till I lifted my head
and spat at the Lord and his choir.

Alien
by Michael R. Burch

for J. S. S., a "Christian" poet who believes in "hell"

On a lonely outpost on Mars
the astronaut practices “speech”
as alien to primates below
as mute stars winking high, out of reach.

And his words fall as bright and as chill
as ice crystals on Kilimanjaro —
far colder than Jesus’s words
over the “fortunate” sparrow.

And I understand how gentle Emily
felt, when all comfort had flown,
gazing into those inhuman eyes,
feeling zero at the bone.

Oh, how can I grok his arctic thought?
For if he is human, I am not.

Practice Makes Perfect
by Michael R. Burch

I have a talent for sleep;
it’s one of my favorite things.
Thus when I sleep, I sleep deep ...
at least till the stupid clock rings.

I frown as I squelch its **** beep,
then fling it aside to resume
my practice for when I’ll sleep deep
in a silent and undisturbed tomb.

Originally published by Light Quarterly

Enough!
by Michael R. Burch

It’s not that I don’t want to die;
I shall be glad to go.
Enough of diabetes pie,
and eating sickly crow!
Enough of win and place and show.
Enough of endless woe!

Enough of suffering and vice!
I’ve said it once;
I’ll say it twice:
I shall be glad to go.

But why the hell should I be nice
when no one asked for my advice?
So grumpily I’ll go ...
although
(most probably) below.

Note to a Chick on a Religious Kick
by Michael R. Burch

Daisy,
when you smile, my life gets sunny;
you make me want to spend all my ****** money;
but honey,
you can be a bit ... um ... hazy,
perhaps mentally lazy?,
okay, downright crazy,
praying to the Easter Bunny!

One of the Flown
by Michael R. Burch

Forgive me for not having known
you were one of the flown—
flown from the distant haunts
of someone else’s enlightenment,
alighting here to a darkness all your own . . .

I imagine you perched,
pretty warbler, in your starched
dress, before you grew bellicose . . .
singing quaint love’s highest falsetto notes,
brightening the pew of some dilapidated church . . .

But that was before autumn’s
messianic dark hymns . . .
Deepening on the landscape—winter’s inevitable shadows.
Love came too late; hope flocked to bare meadows,
preparing to leave. Then even the thought of life became grim,

thinking of Him . . .
To flee, finally,—that was no whim,
no adventure, but purpose.
I see you now a-wing: pale-eyed, intent, serious:
always, always at the horizon’s broadening rim . . .

How long have you flown now, pretty voyager?
I keep watch from afar: pale lover and ******.

what the “Chosen Few” really pray for
by Michael R. Burch

We are ready to be robed in light,
angel-bright

despite
Our intolerance;

ready to enter Heaven and never return
(dark, this sojourn);

ready to worse-ship any GAUD
able to deliver Us from this flawed

existence;
We pray with the persistence

of actual saints
to be delivered from all earthly constraints:

just kiss each uplifted Face
with lips of gentlest grace,

cooing the sweetest harmonies
while brutally crushing Our enemies!

ah-Men!

evol-u-shun
by Michael R. Burch

does GOD adore the Tyger
while it’s ripping ur lamb apart?

does GOD applaud the Plague
while it’s eating u à la carte?

does GOD admire ur intelligence
while u pray that IT has a heart?

does GOD endorse the Bible
you blue-lighted at k-mart?

yet another post-partum christmas blues poem
by michael r. burch

ur GAUD created hell; it’s called the earth;
HE mused u briefly, clods of little worth:
let’s make some little monkeys
to be RELIGION’s flunkeys!
GAUD belched, went back to sleep, such was ur birth.

wee the many
by michael r. burch

wee never really lived: was that our fault?
now thanks to ur GAUD wee lie in an underground vault.
wee lie here, the little ones ur GAUD despised!
HE condemned us to death before wee opened our eyes!
as it was in the days of noah, it still remains:
GAUD kills us with floods he conjures from murderous rains.

ur-gent
by Michael R. Burch

if u would be a good father to us all,
revoke the Curse,
extract the Gall;

but if the abuse continues,
look within
into ur Mindless Soulless Emptiness Grim,

& admit ur sin,
heartless jehovah,
slayer of widows and orphans ...

quick, begin!

ur-Gent prayer request
by michael r. burch

where did ur Gaud originate?
in the minds of men so full of hate
they commanded moms to stone their kids,
which u believe (brains on the skids)
was “the word of Gaud”!
debate?
too late & of course it’s useless:
please pray to be less clueless.

The title involves a pun, since the “ur-Gent” would be the biblical “god.”

wee beliefs of the POTTER's chillun
by michael r. burch

wee believe in a MYTHICAL MONSTER
who wont give wee time of the day;
HE hates wee because w(err)e queer;
HE hates wee because w(err)e fey;
or likewise if weeuns ur straight
and yet with our weeselves wee play;
HE abominates seeing w(err)e happy
and all other sad things of clay
HE molded to be this way.

wee’uns
by michael r. burch

wee are descended from GAUDS, wee suppose,
though some like JEHOVAH may turn up THEIR nos(e)
after pausing from murdering kids, to declare
men inhuman beasts & unlikely to care
for the poor & the sickly & the prostitutes
THEY’ll sentence to hell with THEIR priests in cahoots
for not guessing right 'bout which GAUDs to believe.

such far-right-eous GAUDs could never deceive
and thus we are left with mere billions in hell:
the bad guessers and gays the GAUDs made not s(o) well.

yes, wee are descended from GAUDS, wee suppose,
impressed by THEIR ****-dumb and g(l)oriest love,
but if one screams below, what the hell is “above”?

twin nuggets of ancient ****-dumb
by michael r. burch

oh, let it never once be said
that love for Gaud is dead!

wee love the way he murdered eve!
such awesome love! wee must believe!

wee love the way he sent a FLOOD
to teach wee babies to be good!

wee love the zillion births he aborted!
such awesome love cant clearly reported!

(so never mind the embryos
who died in their mommies’ drowning throes!

the unborn babes, the unborn lambs
all drowned for Gaud’s divinest plans!)

“do as I say, not as I do!”
cruel Hippo-Crit! does Jesus rue?
(if Christ were good he’d rue Gaud too.)

no! wee must love our abusive Father
and follow hymn meekly, mild lambs to the slaughter,

or he’ll burn us forever in Hiss terrible hell.
it’s so much safer to tell hymn he’s swell!

thus wee love our Gaud so loverly
hovering over us so smotherly!

wee love the TITHES his cons abscond.
wee love the Big Fish in Hiss pond.

And so wee say “whee!” to all this and all that!
PS, also the earth is flat!

Bible libel (ii)
by Michael R. Burch

ur savior’s a cad
—he’s as bad as his dad—
according to your horrible Bible.

demanding belief
or he’ll bring u to grief?
he’s worse than his horn-sprouting rival!

was the man ever good
before being made “god”?
if so, half your Bible is libel!

stock-home sin-drone
by Michael R. Burch

ur GAUD created this hellish earth;
thus u FANTAsize heaven
(an escape from rebirth).

ur GUAD is a monster,
**** ur RELIGION lied
when it called u
his frankensteinian bride!

now, like so many others cruelly abused,
u look for salve-a-shun
to the AUTHOR of ur pain’s selfish creation.

cons preach the “TRUE GOSPEL”
and proudly shout it,
but if ur GAUD were good
he would have to doubt it.

un-i-verse-all love
by Michael R. Burch

there is a Gaud, it’s true!
and furthermore, tHeSh(e)It loves u!
unfortunately
the
He
Sh(e)
It
,even more adorably,
loves cancer, aids and leprosy!

wild wild west-east-north-south-up-down
by Michael R. Burch

each day it resumes—the great struggle for survival.

the fiercer and more perilous the wrath,
the wilder and wickeder the weaponry,
the better the daily odds
(just don’t bet on the long term, or revival).

so ur luvable GAUD decreed, Theo-retically,
if indeed He exists
as ur Bible insists—
the Wildest and the Wickedest of all
with the brightest of creatures in thrall
(unless u
somehow got that bleary
Theo-ry
wrong too).

The Leveler
by Michael R. Burch

The nature of Nature
is bitter survival
from Winter’s bleak fury
till Spring’s brief revival.

The weak implore Fate;
bold men ravish, dishevel her . . .
till both are cut down
by mere ticks of the Leveler.

God to Man, Contra Bataan
by Michael R. Burch

Earth, what-d’ya make of global warming?
Perth is endangered, the high seas storming.
Now all my creatures, from maggot to man
Know how it felt on the march to Bataan.

Heaven Bent
by Michael R. Burch

This life is hell; it can get no worse.
Summon the coroner, the casket, the hearse!
But I’m upwardly mobile. How the hell can I know?
I can only go up; I’m already below!

“Heaven Bent” is a pun on “being bent on Heaven” and the heaven/hell thing being bent into a different version, with the dying escaping hell here on earth. That would make death “heaven” even if there is no afterlife. “This life is hell,” “upwardly mobile” and “how the hell” are also puns that can be read two ways. I wrote this poem in high school, around age 16 in 1974, but was unhappy with the third line and forgot about the poem. I stumbled upon it on on July 4, 2006 —ironically, Independence Day — and the third line occurred to me.

Untitled

The beauty of the flower fades,
its petals wither to charades...
—Michael R. Burch

Non-Word to the Wise
by Michael R. Burch

The wise will never cry, “Save!”
The wise desire a quiet grave.

sonnet to non-science and nonsense/nunsense
by michael r. burch

ur Gaud is a fiasco,
a rapscallion and a rascal;
he murdered lovely eve,
so what’s there to “believe”?

and who made eve so curious?
why should ur Gaud be furious
when every half-wit parent knows
where bright kids will stick their no’s(e)!

no wise and loving father
would slaughter his own daughter!
ur Gaud’s a hole-y terror!
CONSIDER THE SOURCE OF ERROR:

though ur bible’s a giant hit,
its writers were full of ****.

Yet another Screed against Exist-Tension-alism
by Michael R. Burch

Life has meaning!
Please don’t deny it!
It means we’re ******.
But why cause a riot?

Evangelical Fever
by Michael R. Burch

Welcome to global warming:
temperature 109.
You believe in God, not in science,
but isn’t the weather Divine?

Peers
by Michael R. Burch

These thoughts are alien, as through green slime
smeared on some lab tech’s brilliant slide, I *****,
positioning my bright oscilloscope
for better vantage, though I cannot see,
but only peer, as small things disappear—
these quanta strange as men, as passing queer.

And you, Great Scientist, are you the One,
or just an intern, necktie half undone,
white sleeves rolled up, thick documents in hand
(dense manuals you don’t quite understand),
exposing me, perhaps, to too much Light?
Or do I escape your notice, quick and bright?

Perhaps we wield the same dull Instrument
(and yet the Thesis will be Eloquent!).

The Final Revelation of a Departed God’s Divine Plan
by Michael R. Burch

Here I am, talking to myself again…

******* at God and bored with humanity.
These insectile mortals keep testing my sanity!

Still, I remember when…

planting odd notions, dark inklings of vanity,
in their peapod heads might elicit an inanity

worth a chuckle or two.

Philosophers, poets … how they all made me laugh!
The things they dreamed up! Sly Odysseus’s raft;

Plato’s Republic; Dante’s strange crew;

Shakespeare’s Othello, mad Hamlet, Macbeth;
Cervantes’ Quixote; fat, funny Falstaff!;

Blake’s shimmering visions. Those days, though, are through…

for, puling and tedious, their “poets” now seem
content to write, but not to dream,

and they fill the world with their pale derision

of things they completely fail to understand.
Now, since God has long fled, I am here, in command,

reading this crap. Earth is Hell. We’re all ******.

Yet Another ****** Ditty
by Michael R. Burch

Here’s my ditty:
Life is ******,
Then you get old
And more’s the pity.

Truth be told,
We’re bought and sold,
Sheep in the fold
Sheared lickety-splitty.

But chin’s up,
What’s the use of crying?
We’ve a certain escape:
Welcome to dying!

I see u-turn
by Michael R. Burch

o, tiny intolerant god,
the savior of only the FEW,
the respecter of any HUGE CLOD
who preemptively whispers, “I love u!”
and turns you into a smashed sod
so ****** on two-hundred-proof brew
that you crow, like a HUGE GIANT FRAUD…
is this, perhaps how you grew?

Post-Nashville Covenant
by Michael R. Burch

We love our God.
We love our guns.
We despise the weak.
Don’t call us Huns!

We love our kids.
We love our schools.
We love our guns.
Don’t call us fools!

We pledge ourselves
to the strong defense
of the Constitution
and our Mensch.

Once re-elected,
Trump will rule
with God and guns
and safer schools.

Wonderworks
by Michael R. Burch

History’s
mysteries
abound
& astound,
found
(profound)
the whole earth ’round,
even if mostly
underground.

The King of Beasts in the Museum of the Extinct
by Michael R. Burch

The king of beasts, my child,
was terrible, and wild.

His roaring shook the earth
till the feeble cursed his birth.

And all things feared his might:
even rhinos fled, in fright.

Now here these bones attest
to what the brute did best

and the pain he caused his prey
when he hunted in his day.

For he slew them just for sport
till his own pride was cut short

with a mushrooming cloud and wild thunder;
Exhibit "B" will reveal his blunder.

The Gospel According to James Webb
by Michael R. Burch

“The universe is broken: who on earth can fix it?” – Moishe Rosen

The universe is broken.
God has finally spoken:
“I snapped my fingers and
the stars appeared, like sand.”

The universe is broken
and who on earth can fix it,
since our best theory flopped
like a half-baked biscuit?

The universe is broken.
Man’s shipwrecked on the laughter
of some ancient God.
Hubris, meet your master.

Shadowselves
by Michael R. Burch

In our hearts, knowing
fewer days—and milder—beckon,
how now are we to measure
that wick by which we reckon
the time we have remaining?

We are shadows
spawned by a blue spurt of candlelight.
Darkly, we watch ourselves flicker.
Where shall we go when the flame burns less bright?
When chill night steals our vigor?

Why are we less than ourselves? We are shadows.
Where is the fire of our youth? We grow cold.
Why does our future loom dark? We are old.
And why do we shiver?

In our hearts, seeing
fewer days—and briefer—breaking,
now, even more, we treasure
this brittle leaf-like aching
that tells us we are living.

A coming day
by Michael R. Burch

for my mother, due to her hellish religion

There will be a day,
a day when the lightning strikes from a rainbowed mist
when it will be too late, too late for me to say
that I found your faith unblessed.

There will be a day,
a day when the storm clouds gather, ominous,
when it will be too late, too late to put away
this darkness that came between us.

Hellbound
by Michael R. Burch

Mother, it’s dark
and you never did love me
because you put Yahweh and Yeshu
above me.

Did they ever love you
or cling to you? No.
Now Mother, it’s cold
and I fear for my soul.

Mother, they say
you will leave me and go
to some distant “heaven”
I never shall know.

If that’s your choice,
you made it. Not me.
You brought me to life;
will you nail me to the tree?

Christ! Mother, they say
God condemned me to hell.
If the Devil’s your God
then farewell, farewell!

Or if there is Love
in some other dimension,
let’s reconcile there
and forget such cruel detention.

The closing poems were written during a brief stab I took at Christianity in my forties, which I soon abandoned after reading the Bible from cover to cover a second time, and concluding for a second time that its “god” was evil, not good.

A Possible Argument for Mercy
by Michael R. Burch

Did heaven ever seem so far?
Remember—we are as You were,
but all our lives, from birth to death—
Gethsemane in every breath.

Originally published by First Things

The Gardener’s Roses
by Michael R. Burch

Mary Magdalene, supposing him to be the gardener, saith unto him, “Sir, if thou have borne him hence, tell me where thou hast laid him, and I will take him away.”

I too have come to the cave;
within: strange, half-glimpsed forms
and ghostly paradigms of things.
Here, nothing warms

this lightening moment of the dawn,
pale tendrils spreading east.
And I, of all who followed Him,
by far the least…

The women take no note of me;
I do not recognize
the men in white, the gardener,
these unfamiliar skies…

Faint scent of roses, then—a touch!
I turn, and I see: You.
"My Lord, why do You tarry here:
Another waits, Whose love is true?"

"Although My Father waits, and bliss;
though angels call—ecstatic crew!—
I gathered roses for a Friend.
I waited here, for You."

I do not believe in Jesus as a “sacrifice” to a primitive God who demands the blood of innocents in order to “forgive” sins of his own making. But I will not completely discount the hope that love can transcend death, although, like Thomas, I will have to see it to believe it.

Birthday Poem to Myself
by Michael R. Burch

LORD, be no longer this Distant Presence,

Star-Afar, Righteous-Anonymous,
but come! Come live among us;

come dwell again,
happy child among men—

men rejoicing to have known you
in the familiar manger’s cool

sweet light scent of unburdened hay.
Teach us again to be light that way,

with a chorus of angelic songs lessoned above.
Be to us again that sweet birth of Love

in the only way men can truly understand.
Do not frown darkening down upon an unrighteous land

planning fierce Retributions we require, and deserve,
but remember the child you were; believe

in the child I was, alike to you in innocence
a little while, all sweetness, and helpless without pretense.

Let us be little children again, magical in your sight.
Grant me this boon! Is it not my birthright—

just to know you, as you truly were, and are?
Come, be my friend. Help me understand and regain Hope’s long-departed star!

#HERESY #HERESIES #GOD #GAUD #RELIGION #CHRIST #MRBHERESY #MRBHERESIES #MRBGOD #MRBGAUD #MRBRELIGION #MRBCHRIST

Lions of focus
Smile and deed, a roar the better behalf
Integrity is a waiting game, for honor rests
In the land, waiting on a heed, to laugh:

Sour wishes have a little more time, than is...
Stoic in the give and take
We welcome a light of providence, to this
Host a briefer goal than silence, and you will dream my sake...

Habit in the halt of another sunny day...
Eat your fill, the rest of a knowing hate
Has found many in the service of any
The liberty it took to air the ordeal, we fate...

With a seemly finish, the tooth of integrity
Is here to stay, saying the obvious to a wall?
Pity for a salt, is better than a love of longevity...?
By any wager of flesh made, especially when a world is about to fall

In love, with a star...
Remorse and the silence anew, we note the prayer like a shame
Saviors and stead, to accumulate a scent of survival on far
Patiently yours, as if a lucre was the first to name...

Do you want this all to end?
In the turn of seasons into a walk of simplicity, enthroned
By the service of communion, we dote is a reason enough to lend
A unity in the dare of a lifetime, that has a heart for its own?

Fall Leaves Fall
by Emily Brontë
<>
Fall, leaves, fall; die, flowers, away;
Lengthen night and shorten day;
Every leaf speaks bliss to me,
Fluttering from the autumn tree.
I shall smile when wreaths of snow
Blossom where the rose should grow;
I shall sing when night’s decay
Ushers in a drearier day.

<>
the summer visage long faded from caramel,
to a bastardized version of ugly dirt brown,
the streets empty of traffic and the silence
is a sadder shade of lesser peace, the vibrancy
given way to sharper clearer long division disagreement

my worrisome peaks when the trees
denuded, less shelter than ever.
no cover offered, we stand divided,
visible lines of demarcation,
unable to hide, from each other,
unable to hide, from our selves,
the briefer day transits quicker
into night’s decay, and the words
we utter and state,, hollow sounded,
have no echo ability, no resounding,
and we all grow silenced, partly in
shame, partly because partisan words
bring no gain, or the satisfaction of a
response that makes us say ah ha! you see!

the leaves crumble breneath tired treads
and forested footsteps long ago forgotten,
beige dust that the wind swirls, delighted
by its new power to spread its grounded
memories of human interference into
a coverlet of dust

this fallen solitude hurts me, for it is in
opposition to the joy gay screams of children
in to water running, the oohs and ahs, of freedom’s fireworks  gloried colors proclaiming we are “one Nation under God, indivisible, with liberty and justice for all”

Brief and briefer still
a little life
and thoughts of Man.

We need a horizon indeed
To fading,
Even farther, better
Or briefer, easier
Non of my buisness
Christain or black
We came to attract
Exist what on our track
Cuz, there's nothing holdin me back

Books on the table:
A stereotypical photographic ensemble, with it to take
A briefer sit of a chemistry lesson, the irony of yearnings fable
A stoic repartee, of a woman's decision to find a marriage made

Time never gives gifts unless it gets won...
Here to stay, with muses in character and the ink staid...
So sweet, the eyes of contemplation, the exaction of come
Is a hero to look before time, that defends a home with laid...

Flowers...
And destiny's foible, to take the choice of couth, to another
Silence in a chance meeting, with a friends sulking, suggestive powers
And shrewd custom, to accuse in every hinds wish, a simpler lover...

But the music in the house, is made to be savored
Shown the court of decency, does redemption find true
The fear of composure and the sides of anarchy we blessed and favored
With another love, to tell a story that some caught, for anger and accrue

Long time with another book on youth
Fresh from the cornered problems of bedrooms and allies
Where has calling the dark a driven name, been (with bared ideas and scared couth)
Is my finished alarm, so fantastic, that I don't know when liberty dies?