Application.                                        Audition.                                       Tryout.
Application.                                        Audition.                                       Tryout.
Application.                                        Audition.                                       Tryout.
Application.                                        Audition.                                       Tryout.
Application.                                        Audition.                                       Tryout.
Application.                                        Audition.                                       Tryout.
Application.                                        Audition.                                       Tryout.
Application.                                        Audition.                                       Tryout.
Application.                                        Audition.                                       Tryout.
Application.                                        Audition.                                       Tryout.
Interview.                                          Callback.                                       2nd Round Tryout  
Interview.                                           Callback.                                       3rd Round Tryout.
Interview.                                            Callback.                                      4th Round Tryout.
Interview.                                            Callback.                                      5th Round Tryout.
Interview.                                             Callback.                                     6th Round Tryout.
REJECTED.                                         REJECTED.                                 REJECTED.


No matter how hard I try to put myself out there
to get my foot in the door,
I always end up on the outside looking in.
I can’t seem to get out of this cycle.
I can’t take this anymore.
When will I get my big break?
Not anytime soon.
With all of this rejection that I am getting,
it’s tough to put myself out there.

Anak ng poocha naman o oh
Sa lahat naman ng ayaw ko...
Anigma pasubali...fliptopan ba'to
Pooja' una pa lang pinagsabihan na kita,
Pero ngayon... malamang magtanda ka na!!!

Unang banat.. wala akong ganang mag ingles
Nakakawalang galang ka! Hinde naman sa naiines
Hinde na lang talaga kasi ako makatiis
Sa pigura **** pagkakinis-kinis
Kahit tuwalya wala ka man lang tapis
Daig mo pa nakatihayang ipis
Pasalamat ka walang pambura dala kong lapis
Kundi aabutin ka sa 'kin ng walang humpay na daplis
Sa patuwad **** nakalilis
Landas ko'y nalilihis.

Pangalawa..hinde pa ito ang huli...
ayoko sanang maging arogante
Sa lubot **** mala elepante...
Ambot sa imo wag kang makampante
Sa postura **** naka bra lang at panti
Naturalmente 'pupusta pa ako ng mil bente
Magsusumbong ka...magagalit ang mga higante
mapapagbigkas ka sa iyong linguwahe
'lintek lang ang walang ganti
Hinde ako intelehente...
dati lang akong ahenteng galante.
anong gusto mo diamante o brilyante
hahaha!! nganga!,, parehas lang yun impertenente!!!

Pangatlong banat,
.... ito ang tutuo
Pinoy Ako!!!
Purong tagalog den ako...
Pero kung iinglisen mo ako..
Then go ahead..english-san na 'to...ehheemmh,,,
=Do you understand the word that coming out of my mouth
You're some kindda liberated there in the south
Don't sample me (huwag mo akong subukan)
...perhalps change me'''' (ibahin mo ako)
YOU CAN NOT EYES ME ANYMORE!!! (hindi mo na ako kayang mata-matahin)
i will "the rich zoo" you! ("diretso"-hin na kita)=
Hey What's up Pooja Sweety?
Nose bleed??? I don't care if i look scary
To you i'm not being pity'
Real talk''' ...i'm not heavy
But you won't be able to carry
This trash talk of my tongue full of messy
Even your closest bessy
In your ***..shall be freaky
Mabuti pang nag selfie ka ng wacky !!!!!
I'm sure .....you gonna be pretty!!!!
Garantisado.....Madlang b-side...tuwa pa nila so plenty
......TIME ;)

Saturday afternoon:  She came over for the audition. She was wearing a black leather mini, black blouse, black fish net stockings and black high heels. She was hot. So was I...She told me to get on my knees and look under her shirt.  Her perfectly ******* greeted me, followed by her flat stomach and bra-less breast. I couldn't resist -  I reached up, grabbed her, and throw her on the couch. I wanted to **** her right there but, she stopped me. She said that she wanted to touch it first. That, she loved touching her ***** after it's shaved- the friction of flesh rubbing against flesh, the sensation, made her *** harder. She said she wanted me to shave her the next time - so I can watch her ***, the help her wash everything off.  She says a lot of things... After all, its only an audition

I only have one request: Please ask the boys to “audition” in front of the two way mirror and read the phrase “All her nibbly bits. All of them.”

I will know which one is just right.

I’ll see them all at 5 o’clock, 6 if there is traffic.

Thanks!

S*kelly ’14

Could be I’m on a mission:
Convince the entire world
I am the World's Greatest Living
English Language poet;
Of course, genius such as mine
Goes generally unrecognized until
The posthumous crowd weighs in.
And yet, wouldn’t it be nice?

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Yes, wouldn’t it be nice?
(The Nobel Prize,
Tribute at the Kennedy Center,
A MacArthur Grant,
The Presidential Medal of Honor,
Reverent BJs from hipster groupies . . .
The Poet Laureate in his vicarage,
Enjoying my sweet twilight celebrity.)

(Cue “Guys & Dolls” soundtrack: “What's in the daily news?
I'll tell you what's in the daily news.”)
23: Beheaded at Nigerian Election Rally!
Amanda Knox Gets Away with ****** Again in Italy!
Kung Pow: Silicon Valley Penisocracy Crushes Ellen Pao
German Crash Dummy Co-pilot Flies Jet into the Alps!
Hilary’s Emails Are *****!
Sierra Leone Ebola Lockdown!
Iran: Kooks with Nukes!
Sri Lankan President’s Brother Dies from Ax Wounds!
Saudi Diplomats Evacuate Yemen!
Stampede at Hindu Bathing Ritual, Bangladesh Kills at Least 10!
Simply put:  THE WORLD IS IN A STATE OF ****.

Perhaps it’s time we turn again.
Seek solace in poetry—
“Yeah, chemistry,” insists my Sky Masterson,
My “Guys & Dolls” alter ago.
Surprised? You shouldn’t be.
All poets are gamblers & moonshiners.
We polish our chemical craft,
Sweet-talking the distillation apparatus,
Getting us, getting at linguistic essence.
Cunning linguists are we.
(Colonel Angus, are you back?)
Oyez! Oyez! The gavel raps:
“The Curious Case of Sam Hayakawa.”
We open this hearing to determine
Whether or not S.I. Hayakawa—guilty of
Numerous crimes against humanity & other
Professional Neo-Fascist “entrechats.”--
Whether or not he merits a kinder, gentler
Wikipedia BIO.
(Wikipedia ( i/ˌwɪkɨˈpiːdiə/ or  i/ˌwɪkiˈpiːdiə/ WIK-i-***-dee-ə) Wikipedia)
We open this forum, focusing on his
Courageous stand against the
SDS & Black Panthers, part of
An unlikely coalition: The Worker-Student Alliance
& It’s rival, Joe Hill Caucuses.
Da Name of the Place:
(“I like it like that!” Hot Chelle Rae-“I Like It Like That” lyrics| Metro Lyrics www.metrolyrics.com Lyrics to 'I Like It Like That' by Hot Chelle Rae. “Let's get it on, yeah, y'all can come along/Everybody drinks on me, buy out the bar /Just to feel like I'm.”)
The name of the place: San Francisco State,
1968-69, the longest student strike in U.S. history,
Led successfully to the creation of
Black & Other Ethnic studies programs
On campuses across the country,
And, one could argue,
Gave the green light to
Osama Hussein Obama,
Our first Uncle Tom President.
But I digress.

ACTING SFSU President, Dr. Hayakawa—
Perpetual audition, the pressure on,
Feisty, independent-minded & combative,
Screaming at that skeevy student mob:
(Skeevy as in “He bought the thing from
Some skeevy dude in an alley.")
Declaring “A State of Emergency,”
Calling in the SFPD, whose
Inexplicable slogan says”
“Oro en Paz,
Fierro en Guerra.”
Archaic Spanish for
Gold in peace,
Iron in war, by the by,
For you holdouts,
Those of you who still
Think the “English First Movement”
Breathes life still.
I’ve got more news for you:
That crusade died long ago,
Locked up, dark & shuttered,
Bank Repo thugs, their thick
Neck muscles flexing from side to side,
Sashaying across the parking lot,
Like John Wayne on steroids,
Right up to the front door.)
The SFPD: San Francisco city fuzz,
(As they were known at the time) &
The California National Guard, as well,
Obstreperously, generously catered by
Governor Ronald Wilson Reagan,
(Early stage, Alzheimer’s at the time.
But still very much “The Gypper,”
Still chipper in Sacramento.)
Ronnie--keenly interested in
The Eureka State’s congressional clout,
Lassoes a seat in the U.S. House of Lords:
AKA: The U.S. Senate, SPQR.
It’s still hard . . .

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Still hard to believe that California was once
Rock solid in the clutches of the GOP,
Gripped tightly in the Party’s
Desperate talons. But the grip slipped,
Slipped in the slip-sliding 1970s.
It got harder and harder . . .

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Harder and harder to remind
Leroy & the rest of his ebony posse,
That it was Abraham Lincoln—
“The Great Emancipator” himself—who was,
Our first Republican President.
The Emancipation Proclamation:
That toothless rhetorical flourish,
Based solely on Abe’s
Constitutional authority as
Commander-in-Chief,
Not on a law passed by Congress.
It was just Abe blowing smoke
Up their ***** again,
Just an egalitarian blast from
His Old Kentucky past,
A youth spent splitting rails,
Busting his *** just like
Any plantation ******,
A stark plebeian commonality,
Too deeply etched to be ignored.
Poor Abraham Lincoln:
Probably a **** Creek crypto-Jew,
Neutered by the opposition:
His very own Republican majority Congress,
Another example of the GOP
Shooting off its own foot, right up there
With Mitt Romney’s "47 percent of the people,”
The rhetorical gaffe which cost him his
Second & final shot at the White House.
But I digress.

Senator Sam S.I. Samuel Hayakawa:
That inscrutable Asian fixer, is now U.S. Senator,
Republican, California, 1976-83
Pulpit-bullying his Senate colleagues,
Fiercely opposed to transfer of the
Panama Canal & Panama Canal Zone to
Panama: a diplomatic no-brainer; Duh?
Their freaking name is on both of them.
Senator Sam, obstinate & blustering:
"We should keep the Panama Canal.
After all, we stole it fair and square.”
And Hayakawa, later the driving impetus
Behind the Far Right “English Only” movement.
His co-founding an "Official English"
Advocacy group, U.S. English;
Their party line summarizes their belief:
“The passage of English as the official language will help to expand opportunities for immigrants to learn and speak English, the single greatest empowering tool that immigrants must have to succeed."
That’s how they sold it, anyway.
In sooth: just old-fashioned nativist
Anti-immigration hysteria.

Hayakawa: always the high achiever.
Hayakawa: The Great Assimilator,
Preaching his xenophobic Gospel:
“Immigration Must Be Reduced!”
Aryan rhetoric, of course,
A bi-product of radical authoritarian nationalism,
A movement with deep American roots.
Senator Sam: a Japanese-Canadian-American,
Always tried too hard to fit in.
Sam, comfortable in Chicago during WWII,
Not personally subject to confinement,
Advocated that Japanese-Americans
Submit to FDR’s 1942, Executive Order 9066.
“Time in camp, will eventually work to Japanese advantage."
Later, during the Congressional debate over
The Civil Liberties Act of 1988 . . .
(Passed the House on September 17, 1987 (243–141)
Passed the Senate on April 20, 1988 (69–27, in lieu of S. 1009)
Reported by the joint conference committee on July 26, 1988,
Agreed to by the Senate on July 27, 1988 (voice vote) and
By the House on August 4, 1988 (257–156,
Signed into law by President Ronald Reagan 8/10/88.
He opposed $reparations for WWII internment:
“Japanese-Americans should not
Be paid for fulfilling their obligations."
Some guys, I guess, would say, or
Do anything for Bohemia Club membership.
Plagued by night terrors, nonetheless,
His Manzanar nightmares, his vivid
Imaginary experience at other Japanese
Internment Sites: Tule Lake & Camp Rohwer.
Stalag (German pronunciation: [ˈʃtalak])
Stalags, infamous still,
“Stalags ‘R Us,”
Still palpable memories for
Issei ("first generation")
& Nisei ("second generation").
See: 323 U.S. 214. Korematsu v. United States
(No. 22: Argued: October 11, 12, 1944.
Decided: December 18, 1944.140 F.2d 289.
The opinion, written by Hugo Black,
Chief Justice Harlan Stone, Presiding.)

Hayakawa: a strange duck, of course,
But we mustn’t ignore his strong credentials,
And I’d like to disabuse anyone here
Of the notion that it was anything
Other than his academic record
That got his case to this Forum.
Oyez! Oyez! The gavel raps:
“The Curious Case of Sam Hayakawa.”
So begins this fractured Pardoner’s Tale,
This petition for forgiveness,
The Capo di Tutti Capi,
Presiding: the original Italian mafioso,
His Eminence--the Vicar of Jesus Christ,
The Supreme Pontiff
Pope Paparazzi of Rome!
Roma: the only venue large enough to
Dispense dispensation of this magnitude.

Hayakawa: everyone says his C.V. is “impeccable.”
But did anyone ever freaking Google it?
Just where did Professor Sam go to school?
Undergrad? The University of Manitoba,
Truly, by any Third World Standard
A great bastion of intellectual rigor;
Grad school? McGill and U Wisconsin-Madison.
He was a Canadian by birth,
His academic discipline was Semantics.
(As in “That’s just semantics,”
That all-purpose rejoinder in any argument.)
Professor Hayakawa, The Semanticist,
He taught us: “All thought is sub-vocal speech.”

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Hmmm? We think in words.
The medium of thought is language.
If you grok this for the first time,
Let’s stop to celebrate our enlightenment,
With a cultural nod of respect,
We salute our Islamic brethren.
Radical Islam: the new bogeyman,
Responsible for keeping lights on in Alexandria,
Paying the defense & intelligence bills,
Sustaining that sinister
Military-Industrial complex
Ike warned us about.
Hang in there, Mustafa, old buddy.
Like the Cold War, this insanity
Will eventually blow over.
Orwell’s Oceania will reshuffle
Its deck of global grab-***, and a
New enemy will suddenly appear.
Big Brother, as always,
In the full-control mode,
Simply put: on top of the situation.
So Hurrah!
Allāhu Akbar. “God is Great!
The Takbīr (the term for the
Arabic phrase: usually translated as
"God is [the] greatest.")

“All thought is sub-vocal speech.”
What a simple, yet profound insight!
Just a short hop, skip & jump to the
Realization that, perhaps, the clarity
& Power of our minds can be groomed,
Improved upon by mastery of—
In Sam’s case, anyway--the English Language.
Was this, perhaps, the germ of U.S. English,
The political lobbying organization
He co-founded, dedicated to making
English, the official language of the United States.
Hayakawa: a wooly conservative of his own design;
No wonder Governor Reagan loved him.

Dr. S.I. Hayakawa, a colorful and polarizing
Figure in California politics during the 1960s and 70s.
Can we forgive his daily afternoon naps.
Asleep on the floor of the U.S. Senate,
Leaving California so pathetically,
So ostensibly under-represented.
Senator Sam’s comatose presence at
Washington-on Potomac; the
District of Columbia.
A long time ago,
In a distant galaxy . . .
Far, far away.

TEAR GAS.
Alas, long before he got to Washington,
Long before ever setting foot off campus,
He called for tear gas to
Disperse those pesky college kids.
I repeat myself for emphasis:
He authorized the use of tear gas at SF State.
Tear gas: a lachrymatory agent?
Actually, a potentially lethal
Chemical agent . . .
(Yeah, Chemistry!
To wit: Sgt. Sara Brown,
Referencing “Guys & Dolls” again.)
Outlawed for use during wartime,
Banned in international warfare
Under both the 1925 Geneva Protocol; & the
Chemical Weapons Convention;
“Tear gas:  a weapon of war against
The people. We believe that
Tear gas remains a chemical weapon
Whether used on a battlefield, or city streets.”

Thus, history will be your judge,
You unleashed tear gas on college kids,
So I wouldn’t expect a rep makeover
Any time soon, Ichiye-san, my ichiban friend.

Salt tears,
False smile,
Quivering cheeks,
In denial.

No control,
Twitching limbs,
Holding onto,
Unlikely dreams.

Boxed in room,
White walls,
Trees in hand,
Confidence falls.

Walk slow,
Hold breath,
Hold on,
Step by step.

Name said,
Swayed speech,
Judged more,
Heavy feet.

Pace out,
Confidence falls,
White walls,
Boxed inside.

Failed.

No pride.

Same again,
New day,
Nothing changed.

I dream.
Continue to dream.
I'm a machine.
I shall succeed.

You won't stop me.

She showed me her song,
Fresh voice like water to flower,
  .  .  .  My shut heart opened.

I walked in on shaking legs
Hurry away my mind begs

But I decide to leap
Wishing I was sound asleep

Like that last step in the dark
Go ahead do it from the heart

I quietly begin my song,
With luck it will not last too long

After a slow beginning I grow and grow
I smile and soon somehow I know

Their faces are warm like a hot cup of tea
I know they see the improvement in me

They applaud and they smile
Now it’s time to wait for a while

She showed me her song,
Fresh voice like water to flower,
  .  .  .  My shut heart opened.

grandeur

had brought the well outta ground the muscled men and she came upon them when they had split into teams and were rolling it and had not yet become competitive. the hands of her gone infant came back to her to see these men heave back and forth a vanishing. of her many fathers one had said ‘the deep train went even deeper and I could not wake’. he had said it to excuse his one day feat of linking unadorned toilet paper rolls to stretch a rat’s mile. her stomach had yet to go down and she was comforted by such literal remnants as thinking of the last place you had it.

libel

two white boys come outta shack each with a wrist one left one right being ****** at the mouth. their laughing I wouldn’t say manic but still not righted. like certain bible stories seem to tumble outta that book it’s the same with their eyes and ears. their heads each one shrunk so as to be united. I want to say here at least a ****** knows what it’s mocking. I only know one of’em and only as far as this thing being passed and told that he ain’t a foster but he was born in a pan and taken from the offices of the parent company his father got laid from. you think that’s the joke but had I not said white you’d have thought they were anyway. here come two girls grisly with month and I never seen two boys so quick to put down the shack they come from.

prayer

I like it best when my girl is pregnant because I get the sympathies. on her hand, she likes me drunk. at any one time, I can remember seven of our eight kids. this means of course one gets left home but also that not a one gets left grocery. I’d tell you their names but then I’d have to split this saying into parts. but I can tell you seven are boys. now and again they’ll slip on sister’s dress to **** up my math. a good joke I start with is that they take after their mother and if they take after me it’s with sticks. I change the batteries in the alarms for fire and carbon monoxide every two weeks mostly outta fear that I’ll lose them all and have to recount them to some fireman I went to school with. I don’t know if batteries are cheap or not, I don’t know anything about them, but I know I spend a healthy chunk of my portion to have. wife and I are keeping the ninth at bay the ways we know how. she don’t ask me and I don’t her. one kid a week goes with her to church and it’s up to me to remember who in my charge caught a fish the week previous. but I’m not wrong with god; no book is the bible, I believe that. at cemetery by which I am lack whelmed: I wish I had his memory.

nativity

wonder they ever told him grown, that black foster, how he'd been at three years dropped manger while crying for the congregates. straw in everything. back a throat, bottom a shoe. pop said he just about caught himself afire at work, straw sticking out his pocket. pop unable to split work clothes from churched. some wanted to resurrect a fuss about color; don’t go resurrecting a fuss and waved his hand he did that pastor ingénue. heard then I the word negress and after its saying the sayers looked about as if she would appear. this was our town after god and many were still making their own. this answers how the black foster needn’t audition. the gold I brought was soft on my thumbs and the flakes stayed in my nails weeks after. pop could tell for that time what I’d been touching so I’d cover when I could. we were quite a pair in our fooleries what with his straw and my gold. he stopped going on about the blacks and I was able to skip school with your sister the ****** mary. the town was never up for nightmares or for dreaming so I kept your share to myself until now how you seen mary fingered by a man with seven. heard him saying it's okay baby, this one's asleep.

holy ghost!

I will cut myself, Horror Film. will fidget my nethers a last time. maybe make the snow an angel with a third leg. which means I have gone outside. maybe my father will happen by you and put his beers together. but I will be gone. into the woods dragging my feet so some will think it took two to take me. I will whip branches about me and generally scuffle so the some will better convince the left. my poverty will be confirmed by your presence on videocassette. my father will hold you aloft and your tongue will droop above the depths of his hair. my father will claim a vengeance he owes on and the some and the left will follow him over the states of my angel and into the woods. when they find me I will say I had an in body experience; that the two men nearby sleep and it’s what we’re walking in.

haptics

little he knows that in holding them hoppers until they spit and before they go wing he is making hitch the upcome carriage of his *****. his future nudes are backtracking and the gravity of this has been diagnosed as your emphysema. he is your, nothing more, son. he will rub your back and worry his thumbs orphan. oh thumb; toe six. the way you deeply stand arms folded he sometimes thinks you have been replaced by a statue of his mother. it is then he remembers the fence his father built and the collective plank his father carried under his arm. you want life to be good again; your son’s low hand and the pups it could feed.

verbal abuse*

she has brought with her a shoplifted teddy bear. on a good night her age is seventeen. two days ago the voices in her head moved to her mouth. she has seven teeth that remain quiet. she fears so much how this third day will go. she has been told, and she believes, I am only in her mind. but there she is, at the sitting rock where we met, the rock I told her I could see things in. unprepared for her faith, I am unclothed. I am glad she has the bear and glad for my part in her having it.

spiders

we got some kind of plague in our toilets mama.*  that’s my dad calling her mama, my mom. that’s him declaring another plague. week don’t stop until a plague has been pieced together by this man so named Paff Snull on the subscription stubs of any number of unread magazines mom uses to swat dramatically at imaginary flies and wasps and locusts depending on the week. this time though I’m ******* because when dad cracks his knees and ***** himself to fetch mama from silence, I look in the toilet up and it’s true and in the toilet down and it’s more. spiders grey and black and off white. with our low water pressure, spiders having a ball. mom and dad they get tents and tell me twice to get inside mine once it’s on the front lawn. I get told things twice because I was born thick and I haven’t the heart to tell them that after the first saying the saying of it is diminished. I mumble to myself in corners, sure, but it’s the same mumbling. our dog gets a separate tent and I sneak into it when dog allows. seven nights so far outta three weeks I haven’t. mom says it’s because of my acne dog don’t recognize me sometimes. ******* bit the meatsy of my right hand a month ago and my handwriting got so neat I was sent from school for cheating. it’s most of my summer and the house is still spidery. the dog has gone to the river to drink and seems okay with it. mom, dad, and I **** in the backyard in shifts. mom ain’t swatting anything, she doesn’t have to on account of the spiders. when right now I mess up my shift I find myself next to dad and he’s just some guy telling me them glass-full people got the joke on them because the water is contaminated. he’s so happy it makes me think I’m the devil to be grinning so big. long wasn’t the reign of Paff Snull.

an ode to what I am not
convenient
or skinny
organized
or welcoming
an ode to what you beg of me
all of these things I cannot be,
I will not be not ever
forever is a long time
to spend bending
your image of me
into something
that fits in your wallet
an ode to what I am not
gentle, rose colored china
sunday mornings with herbal tea
your hope or step in your 12 to get up
a beam of light at the edge of blackness
an ode to what I do not possess
healing powers like some 2,000 year old man
you pray to every day and beg I do the same
patience for another human who whats to change
who and what I am not
so I can play the part
I did not even audition for
an ode to what I am taking
back, my life
all of me, front and center
of the floor

'Neath canopy of paradise
Super troupers' shafts of light
Illuminate his terpsichore;
***** he struts, the impresario
Gyrating on spindle shanks;
Needle thin and knock-kneed
He dances a samba
On stage of verdure;
Midst Elvis blue-black thrusts,
Steel rimmed amber orbs
Seek admiring and desirous glances
From the dour drab hen,
Mousy in her beige twin set
And mottled tweed skirt;
With nonchalant disinterest she exits
The arena; audition over.

Oh let’s sing
Church bells ring
Dingaling ling.

Sing out loud
Boldly and proud
Enormous crowd.

Hear those chants
You debutants
Some breathless pants.

Poetry starts here,
Perhaps with a beer
Ask Shakespeare.

Oral tradition
An ongoing mission
So start the audition.

A memorable rhyme
Lasts for all time
Let’s make it chime.

Free verse is still fine
Bring in the wine
And vary the line.

Who cares if it scans
You grammatical fans
We don’t need your plans.

So free up your souls
Whatever your goals
And loose those controls.

Yes let your heart sing
A bird on the wing
Tingaling ling.

If singing’s your thing
Think what you’ll bring
Tingaling ding.

Paul Butters

© PB 7\9\2018.

Today we shall have the naming of parts. How the opening of that poem by Henry Reed caught his present thoughts; that banal naming of parts of a soldier’s rifle set against the delicate colours and textures of the gardens outside the lecture room. *Japonica glistening like coral  . . . branches holding their silent eloquent gestures . . . bees fumbling the flowers. It was the wrong season for this so affecting poem – the spring was not being eased as here, in quite a different garden, summer was easing itself out towards autumn, but it caught him, as a poem sometimes would.

He had taken a detour through the gardens to the studio where in half an hour his students would gather. He intended to name the very parts of rhythm and help them become aware of their personal knowledge and relationship with this most fundamental of musical elements, the most connected with the body.

He had arranged to have a percussionist in on the class, a player he admired (he had to admit) for the way this musician had dealt with a once-witnessed on-stage accident that he’d brought it into his poem sequence Lemon on Pewter. They had been in Cambridge to celebrate her birthday and just off the train had hurried their way through the bicycled streets to the college where he had once taught, and to a lunchtime concert in a theatre where he had so often performed himself.

Smash! the percussionist wipes his hands and grabs another bottle before the music escapes checking his fingers for cuts and kicking the broken glass from his feet It was a brilliant though unplanned moment we all agreed and will remember this concert always for that particular accidental smile-inducing sharp intake of breath moment when with a Fanta bottle in each hand there was a joyful hit and scrape guiro-like on the serrated edges a no-holes barred full-on sounding out of glass on glass and you just loved it when he drank the juice and fluting blew across the bottle’s mouth

And having thought himself back to those twenty-four hours in Cambridge the delights of the morning garden aflame with colour and texture were as nothing beside his vivid memory of that so precious time with her. The images and the very physical moments of that interval away and together flooded over him, and he had to stop to close his eyes because the images and moments were so very real and he was trembling . . . what was it about their love that kept doing this to him? Just this morning he had sat on the edge of his bed, and in the still darkness his imagination seemed to bring her to him, the warmth and scent of her as she slept face down into a pillow, the touch of her hair in his face as he would bend over her to kiss her ear and move his hand across the contours of her body, but without touching, a kind of air-lovers movement, a kiss of no-touch. But today, he reminded himself, we have the naming of parts . . .

He was going to tackle not just rhythm but the role of percussion. There was a week’s work here. He had just one day. And the students had one day to create a short ‘poem for percussion’ to be performed and recorded at the end of the afternoon class. In his own music he considered the element of percussion as an ever-present challenge. He had only met it by adopting a very particular strategy. He regarded its presence in a score as a kind of continuo element and thus giving the player some freedom in the choice of instruments and execution. He wanted percussion to be ‘a part’ of equal stature with the rest of the musical texture and not a series of disparate accents, emphases and colours. In other words rhythm itself was his first consideration, and all the rest followed. He thought with amusement of his son playing Vaughan-Williams The Lark Ascending and the single stroke of a triangle that constituted his percussion part. For him, so few composers could ‘do it’ with percussion. He had assembled for today a booklet of extracts of those who could: Stravinsky’s Soldier’s Tale (inevitably), Berio’s Cummings songs, George Perle’s Sextet, Living Toys by Tom Ades, his own Flights for violin and percussionist. He felt diffident about the latter, but he had the video of those gliders and he’d play the second movement What is the Colour of the Wind?

In the studio the percussionist and a group of student helpers were assembling the ‘kits’ they’d agreed on. The loose-limbed movements of such players always fascinated him. It was as though whatever they might be doing they were still playing – driving a car? He suddenly thought he might not take a lift from a percussionist.

On the grand piano there was, thankfully, a large pile of the special manuscript paper he favoured when writing for percussion, an A3 sheet with wider stave lines. Standing at the piano he pulled a sheet from the pile and he got out his pen. He wrote on the shiny black lid with a fluency that surprised him: a toccata-like passage based on the binary rhythms he intended to introduce to his class. He’d thought about making this piece whilst lying in bed the previous night, before sleep had taken him into a series of comforting dreams. He knew he must be careful to avoid any awkward crossings of sticks.

The music was devoid of any accents or dynamics, indeed any performance instructions. It was solely rhythm. He then composed a passage that had no rhythm, only performance instructions, dynamics, articulations such as tremolo and trills and a play of accents, but no rhythmic symbols. He then went to the photocopier in the corridor and made a batch of copies of both scores. As the machine whirred away he thought he might call her before his class began, just to hear her soft voice say ‘hello’ in that dear way she so often said it, the way that seem to melt him, and had been his undoing . . .

When his class had assembled (and the percussionist and his students had disappeared pro tem) he began immediately, and without any formal introduction, to write the first four 4-bit binary rhythms on the chalkboard, and asked them to complete it. This mystified a few but most got the idea (and by now there was a generous sharing between members of the class), so soon each student had the sixteen rhythms in front of them.

‘Label these rhythms with symbols a to p’, he said, ‘and then write out the letters of your full name. If there’s a letter there that goes beyond p create another list from q to z. You can now generate a rhythmic sequence using what mathematicians call a function-machine. Nigel would be:

x x = x     x = = =      = x x =      = x x x      x = x x

Write your rhythm out and then score it for 4 drums – two congas, two bongos.’

His notion was always to keep his class relentlessly occupied. If a student finished a task ahead of others he or she would find further instructions had appeared on the flip chart board.  Audition –in your head - these rhythms at high speed, at a really quick tempo. Now slow them right down. Experiment with shifting tempos, download a metronome app on your smart phone, score the rhythms for three clapping performers, and so on.

And soon it was performance time and the difficulties and awkwardness of the following day were forgotten as nearly everyone made it out front to perform their binary rhythmic pieces, and perform them with much laughter, but with flair and élan also. The room rang with the clapping of hands.

The percussionist appeared and after a brief introduction – in which the Fanta bottle incident was mentioned - composer and performer played together *****’s Clapping Music before a welcome break was taken.

I remember walking up
to the Fiddler on the Roof audition
when I was fourteen years old
alone, feeling very unstoppable and confident
and then hiding behind the big trashcan
in the foyer of the auditorium
As they repeatedly called my name.

If you want something
throw it away.

I remember getting a *******
from a purring cat
in the dark
in a dumpster
behind a ***** bar.

If you love something
throw it away.

I remember buying you lingerie
and ripping it off of you
not even two hours later.

If you love someone
throw them away.

I remember seeing you
wear my shirts after ***
and how undescribably gorgeous
you looked then, glowing
and I thought about callling you
the other day to ask for them back
but then I realized:

If you loved in something
throw it away.

My school work has prevented
Me from being able to do
Any yoga lately
And I feel like crap

A long day of school over
Then volleyball. Piano lessons
Or voice lessons
Or a recital Or an audition or a festival
(Which I should be having fun with
But I don't because all I can think about
Is the work
I have afterwards.)
I finish late at night
Try to cram in some social medias
I go to bed wicked late.

Then no time to even be clean
Until today I swear I hadn't taken
A shower in at least 3 days

And in the morning
In so tired I can't even
Get ready on time and I'm late for school
Or miss the bus
Or have to Sprint to the bus

There's no time to do my yoga
Or anything else for that matter
Because of school
And it goes like this again
Everyday during the week...

i tried to assimilate, oh wait, i did, and i speak better native sprechen than the actual natives, and for that? you get the boot, because some camel jockey egyptian mongrel mixed with iranian blood gets the better of you... i guess the "natives" were fans of the eastern european *******, but not the eastern european males, **** it, i'm coming for the ride; can just see the ****** shouting: ooh ooh! their male counterparts are a'coming! and next thing you know, i'll be asking you to play the ******* banjo, with a toothpick!*

and it was always going to be torrential rain,
suspended in a prelude crescendo
of soulfly's song prophecy...
oh all the hoes come from eastern europe,
just like all didlo moulds come from africa,
gotta perfect that "pleasing of the white
******* honey cougar in plastic too, yo, bro..."
black people don't speak the current
lexicon, they are hyper-evolutionary
with their slang impromptus,
gets annoying after a while,
when you stop keeping track of their
ghettosprechen...
      ******* could have said custard,
meant margarine, but i'd still think of
jungle...
                     ghetto *****, get-a-go!
next time you mention all women of
eastern europe as ******, i'll mention
you in my charcoal wish-yo-were-edible
roasts... **** me... i'd prefer eating a leg
of lamb than a ******; shank.
oh, the word offends you,
but doesn't offend you in a rap limerick?
i.e. ***** ***** bab bab *****?
black people invent too much slang,
too much degenerate use of language,
      i try to keep it straight and universal,
off the orangutans go, talking orange is
the new black...
           i still find it hard to fathom
darwinism, who would be mad to begin
in africa, and end up in the arctic circle,
and no china?! common origins *******...
  tried looking for an eskimo in china,
all i found was, a ******* icecube!
      post-existentialism does exists,
it exists in the form of anglo-existentialism,
i.e. a darwinistic blackmailing...
    21st century existentialism is blackmail,
plain dumb & simple...
   and yes, i have a girlfriend, i call her...
sophia...
       and nietzsche was right:
the ugliest of the ugliest? atheists,
intellectually speaking.
       and why would you ever consider
the pristine sophia / ****** mary if not considering
aspasia, phryne, rahab, theodora,
   to counter philosophy,
   why not craft a:
    philospasy, a philophryny,
       a philorahabu, a philothedorum?
guess what, of the most famous prostitutes,
the contestants are philorahabu,
                     and philothedorum,
and all are famous prostitutes;
then the pristine sophia, my "girlfriend";
philosophy has a deity, that although
deemed pristine, has been touched by
many hands, and many strangleholds of ego,
time to turn this princess into a *****;
and the ones that visited a *******,
will look at those that haven't with curious
eyes.
let's not forget the siamese twin prostitutes
safa & marwa, and the matriarch
and true founder of islam ha-gar -
      the concubine of abraham,
  that ******* mother of islam.... hagar...
you really think men invented the islamic
attire for women?
              who's at the chanel catwalk,
straight men, or gays and women?
       you blame anyone, you blame: hagar...
running between the mounts safa & marwa...
islam, that totalitarian reinvention of
"repentant" / "revised" mode of prostitution...
and as i once overheard an englishman speak,
the niqab? satan's postbox.
- the craft began with treating the world as
solely inanimate, to make it as inanimate as
possible, and interact in it,
   as the sole animate agent, obviously with
the obvious hurdles of animate expressions,
nonetheless, these expressions being
outside the vicinity of integrated animate
actors, working around in inanimate surroundings,
conclusively,
  the "supposed" animate expression regain
their inanimate stratum by a repeatedly
predictable observation of
a prior re similis ad infinitum
  (prior to, again, similar toward infinity).
the point was always to make the world
as inanimate as possible,
    collecting books is a starter,
  collecting cooking utensils another,
the point being, to surround yourself with as
much inanimate reality, as to prove yourself
the animate, the "actor"...
             or more expressively: the puppeteer...
it still bothers me, grinding two prefixes...
the penta-      vs.        the tetra-...
   why? well, we are embodied with five sense,
but there are only four elements...

    vision
audition
gustation                       yes, but there's only
  olfaction
     somatosensation

                    air, fire, earth, water...
      this is almost gagging a schematic,
  we can see fire, earth and water,
  we can hear fire, air, water and earth,
      we can taste...
      we can smell fire, air, water, earth,
we can touch fire, water, earth...

this, by the way is crude...
   and is limited by not adding particular
observations...
   but the ratio 5:4 is in place, akin to
the mad hatter's 10/6 = 0.666...
         and that missing one is: ad infinitum,
might as well call it the lazy eight with 4:5...
since the elements came prior to the senses.

i'm guessing the "fifth element" to compliment
the five senses is a far greater posit than
a sixth sense, in that, this "fifth element"
is a plagiarism of kierkegaard,
  i.e. the "changelessness of god",
namely the eternally immovable object,
an object of constantly perpetuated friction,
so stationary that it moves all things,
which also precipitates into an eternally
recurrent subject matter,
immovable, ergo, inexhaustible.

- and i will die believing that anglo-existentialism
is an argument from the perspective
of blackmail, esp. since it's overtly-repetitive
and unoriginal,
  and if the english found continental
existentialism boring, a continental european
like myself, will find some hidden interest
in this "boring" artefact of time,
   but nothing can redeem repetition,
not even a boring artefact of writing,
   since when reading a boring "effort" of
writing, you can actually wake up,
and yawn...
  but when the same "effort" is repetitive,
you never get a chance to yawn,
you're still asleep, "apparently" enthralled.

- and to give a conclusion...
if an irishman thinks you write akin to
the psychiatric slang of "word salad",
ask him if he has read any james joyce,
if the answer is no, and he replies that he prefers
video game narratives, and has ambitions of
writing a book citing the cliche moonlight sonata
of beethoven... it's one of those times
you can't even laugh, internally, or externally.

- eventuality vs. actuality -
whereby actuality is a reactionary stance
that drags past events into present and future
events...
   whereby eventuality is a liberal stance
that drags past events into a wall,
   the present into a status quo,
  and the future into a snooze button phase
of a clockwork orange.

- no, i don't like this darwinistic blackmail of
continental existentialism,
  this monochromatic monolith...

- better start calling philosophy by its proper name,
philorahabu / philothedorum
(were not underlined on the pixel canvas,
thereby bypassing the oxford dictionary panel
for nuo-verbum acceptance) -
      keep that ****** of yours sophia
in a cage, because your thinking,
like your body, will become contaminated;
but one thing is for sure,
that concubine hagar running between
safa & marwa looking for water...
    can't imagine any other grander matriarch...
a reformed *** slave, who gave birth
to the niqab...
            i really can't imagine jannah
that way... i think it looks like:
1 man + 72 prostitutes,
              and 1 woman + 3 holes stuffed.

ok so here is what we are going to do
i'm going to get a bout de souffle
what was i gonna do..
one thing getting to nether still need you
are you all here
one thing getting getting to noter
288 guitars 
i've been hoping  don't get much dumber 
and getting to noter
this movie is not yet rated
i'm kind of trying to decide
i will send an email to your parents
so… just off the bat 
your parents are not ok with that 
kind of thing
she was out there interviewing her?
right there… have you seen that? ok good
movie theater to hide
c'est rare
reste avec moi
ciao petite fiiiille
elle est la bas je crois
vous parlez français? yes
attention ma petite fille on ne plaisante pas avec la police parisienne
you think i'm lying? you are
i didn't see you
you don't believe me
bonjour mignonne
qu'es ce qu'il dise
les flics me recherche
parle le moi quoi? ca alors
tu es marie
c'est trop **** maintenant d'avoir peur
bonsoir madame
il faut absolument que je trouve antonio
accelere minouche
il est alle a monpellier
why don't you smile
it would certainly surprise me
sourrrit sourrrit
je pense a quelque chose?
je ne sais pas
je voulais être seule
c'est finis
tu m'emmene au champs elysee
au revoir 
tentez votre chance
un cafe alors
moi je peux pas partir
et puisque je suis méchante avec toi c'est la preuve que je suis pas amoureuse de toi
ahh c'est trop complique
j'ai envie de dormir
c'est vraiment dégueulasse
how would you relate
destroy the rules
young actors
....sommes seuls, cette certitude de nous-mêmes dans la sérénité de la solitude ne sont rien en comparaison du laisser-aller, du laisser-venir et laisser-parler qui se vit avec l'autre...
audition for the leading character
interesting combination
the criminal
just the edge of his frame
she seems innocent at the beginning
looking at his notes
just fyi i throw out someone
loving and desirable
playing off of that very consciously
you just not be working
archival stuff is on Facebook
c'est l'heure du gouter
de la glace au chocolat
working on your transcripts/ paper edits
that's probably not a smart thing to do
t'y va
Not this sense
that I don't know what the hell
a human girl is...
where’s the coast guard? 
just a spotlight gimme something
ca commence a 6h 
t'es cool
quickly
i smells like **** did you ****?
you are the love de ma vie
he talks like that he is french
she is like ze morning sun in ze...morning 
beautiful
ze temps is in ze essence
muaaah
is our classroom
i can sense the connection
the connection? 
the connection entre nous
so madame alezraa give me this much
i heard boss
he is not doing anything
to give me a kiss 
it's in the 1st tab
it's still there
you don't have to click
i can't save it, just stay with me
there is no word on this ****
i need the inspiration
you are my muse
c'est pour ca qu'ils sont si petit
small
je vais m'occuper de
the whole point of life is to rearrange it in a coherent running story
people don't talk in stories
cut each section
some sort of a story
nice
tu veux que je mette
ouai ok attends
elle est l'autre feuille
permien tu veux que je colle recolle decolle coupe recoupe decoupe
how do you feel about solving…I mean it's an interesting way to solve it…
〜flowed〜 nicely
it was sort of an ingenious solution
she's in the airplane, she's in the sofa
try to transition between the two subjects….where does your friend come from?
what it was like landing in New York, looking out the window...
the process of arriving
not really fair to say that
in the future, if you're going to try to tell a story…in their minds….what's the story she's going to be telling me?…..coming home
fill in the blanks
don't go shoot blind, that's the biggest mistake
does that make sense?
great!
wubwubwububwubbbbbwubwb
gloving is......flowing lights in sync with the♩music ♫
flowing in gloving is broken…
liquid
finger rolls
tutting
figure eight ∞
wubwubwubBAMwubwubwoosh
wave-like movement…basic thing….wrist in a motion
tutting is like the angles…. not um 〜flowing〜….like tetris
you want to more, rather than following
solid ⸪lights, ⸫single⸭ solid lights⸬
pink to green to orange to yellow to blue
advanced strobe, solid line of color [...] streak of purple
electronic, dustup, elector, house, trance…
you’ll probably never see anyone gloving to like, classical music ♬♪
my name is Henri Geneste and I'm a glover WUBwubwubwubbbWUBWUBAHHHwubwubWUBWUBWUB[ONE][TWO]WUBwubwub[THREE­]
putain c’est magnifique
je me demande si il fait ca la nuit, quand il arrive pas a dormir...
window thing, kind of dumped
either the ours magna or the I equals me squared²
like language, like art, there are rules
go out and break them, just mucking around
fix it, wanna make one, totally your creative decision
how awkward
a bout de souflle
totally revolutionary
ainrr
radical, argue truer, but it's jarring, that's one way to do it!
aware that they're there but not ⑈jarring⑇
close to wide…..there's a cut there but the eye can follow it
um i have to go...
bye henri!!!
bye!
bye man.
see ya monday!
the hair!! im gonna shave it this weekend
I've been to raves
is he, like, a straight-edge?
there's drugs…do you guys ALL go to raves?
how the audio?
looked cool, the rain in the background
DUHDUHDUH that's hard to do
a huge amount, i'm sorry but gloving without the music?
if he does drugs OR NOT, how he's enjoying it OR NOT, if it interferes with his studies OR NOT..
just FYI we were all young yesterday
two bodies
he's here cause he's not going, right?
are you interested?
oh i would be very interested
yeah i see what u mean
you could come with me….i could always take the bus
it'd be cool
moi elle sera belle
here we go!
woah
their audio visuals are not very HOT
hours per day?
1…2 hours a day
sometimes 30mins
mostly people, sometimes like little animals
mostly people
i look at their art a lot
really interesting style
environments
if i want to…how I see them in my head
stuff like that
usually kinda random
i pretty much self taught
mostly from practice
everyone draws…but i got serious about it, like very…6th grade
i don't like the idea of competitions
and mum drawing is like, something that's kinda important
a passion
not sure i would want to go into it as an industry
more than just art
for now im not really sure
alright
so our usual questions
eyeline! thank you
on the couch….at the end it was really weird
who was…sitting where?
where were you?
she didn't really even really look, she was too far away, she just kind of….looked
much…she might not have ever looked
with the eyeline…it was pretty steady, no jerky-herkys, there were several edits
forgive it cause there's enough change
you could follow it, you could see that time had shifted
the content demanded it
WOAH okay now i'm really curious
we could see it, but then it was on the something else
process the image
now we're trying to look at the art, now we need more time
arc? did u feel like there was an ◜arc◝?
umm yeah…..
how many hours a day do u draw?
try to make sensible out of that
is that they use 2 3 four…
uh...cut..i did….cut
the cutting itself is like a commentary on her
since i was little. when i was little
when i was little
but my parents, my family don't
hands and arms
collages, magazines
photography
big part of photography
San Francisco Art institute
graphic animation, we only had like 3 weeks
still lives, models we would draw them
we had like an exposition
the person my mom works with's husband
wanna do an artistic career
alright so
not the greatest projector ever
too much head    space    
a lot of nothing
it makes it a lot more interesting
i think it was okay in the video cause
what she was saying and stuff like that
fair enough but I don't agree
lost in this big sea of wall
you're totally forgiven
no questions
power of a well-placed microphone
fantastic
the beans!
alright
you guys are the wrong audience cause you all know each other's stories
good feedback
movin' on, okay
very frustrating
and now.....surfing! woohoo!!!!
30 loooooong minutes, it's a nightmare!
7 minutes
3 minutes
it's a 10th
there's something fascinating about listening to people…you can do it yourself later
bolinas, del mar, sometimes surface, livermore, ocean beach
......riding the waves…....man….....it's the best feeling
you're walking on water you know? that feeling…….i love the ocean
i love the water, after you get that perfect wave you just feel accomplished
that feeling…..is awesome
surfing, it's all about having fun..
you surf once, and….you know?
if you're a surfer, you have a love for the ocean
my, my grandpa always loved the beach, we would go there at two in the morning and just….
my grandpa died and he asked to be cremated, he wanted his ashes to go in the ocean, so we took his ashes out to the ocean
I remember walking out to the ocean with my dad, we threw his ashes into the ༇wind༅ above the ocean, and we looked down….
we want to get the pain!! and the sorrow! because we're vultures you know? we just zoom in to get his expression
little bit weird
i do, i like it
it's black and white
it's just a surfer, it's not movin', it's there…it's not always the same
sort of echoey
…the ocean, and so i remember my dad taking the….
too much archival? too much? not long enough? both.
there was sort of a disconnect at times
her story, you have to cut
when she says "CAT" i want to see a CAT, when she says "FIRETRUCK" i want to see a FIRETRUCK!!! i was like, okay, i  just went to school…
and now this?
or you see a woman that looks like a cat
it's hard, it's complicated, it's not given
so they just kind of ended
you guys im trying to help them
oh okay
hey you know what no no no you know what don't take any of this personally just be like oh okay
he's got a funny manner of speech
any thing else?
arlo says no
"it would not go well"
what IS the really great ending?
amazing feeling one can have…..
you feel like you own the ocean, like it's heaven on earth
this technique it's called killing your babies…i love that
uh what
he says "uh no no no this is a 3 minute film"
sad but true
we all get attached to things, we don't want to cut them out
just play with it, if you decide
we can schloop
can we watch
not exactly…here's..uh okay a quick heads up
oh
for this summer
advanced lab, art advanced films, screen-writing, animation and more
field trip!! i need to contact your teachers
what day? a thursday
almost all day…nine to three
we would leave here
now im gonna erase this

Sell my fortune for this,
hedge my bets and trim the hedgerows,
turn the corner of my hearthstone
find myself neat and low.

Nice and steady, but ready.
For something broader,
something deeper and more meaningful
meaning I have to try harder
and not just idle out and auction off all of my clothes
I don't feel like washing at all.

I get that feeling often.

My attempts at causation may have caused concern,
but I've found you cannot have something to prove
without having something to learn,

that's why every day I die and come back to life.

breath new life, trifle with new strife.

keep kicking until I get kicked out myself.

isn't that what this life is all about?

Yesterday for my birthday,
I started off
with a bottle of wine...
I took the train
into town...
I had half a bitter
at the Cafe de Piaf
in Waterloo...
I went to work
for a couple of hours or so;
I had a pint after work;
I went for an audition;
after the audition,
I had another pint
and a half;
I had another half,
before meeting my mates,
for my b'day celebrations;
we had a pint together;
we went into
the night club,
where we had champagne
(I had three glasses);
I had a further
glass of vino,
by which time,
I was so gone
that I drew an audience
of about thirty
by performing a solo
dancing spot
in the middle
of the disco floor...
We all piled off to the pub
after that,
where I had another drink
(I can't remember
what it was)...
I then made my way home,
took the bus from Surbiton,
but ended up
in the wilds of Surrey;
I took another bus home,
and watched some telly,
and had something to eat
before crashing out...
I really, really enjoyed
the eve, but today,
I've been walking around
like a zomb;
I've had only one drink today,
an early morning
restorative effort;
I spent the day working,
then I went to a bookshop,
where, like a monk,
I go for a day's
drying out session...
Drying out is really awful;
you jump at every shadow;
you feel dizzy,
you notice everything;
very often,
I don't follow through.

All my life...
There has never been a shortage
Of people to tear me down.

I have never been without
Someone to throw the words that cut,
And leave me bleeding
Without a nurse to tend the wounds
Or the means to heal them.

It wasn't often that I went without
Hearing something to remind me
Of how little I was worth.

I was told that I was no good at this,
And shouldn't pursue that.
That, "if I were you, I would skip the audition."
And that I wasn't allowed to do certain things,
Because,
"You're not good at it. Get over it."
Still a ******, I was called a *****,
And was only bought clothes bigger
Than what I needed,
Because someone would rather
Convince me to hate my body,
Than change their own.

I was told that if I didn't do
Certain things,
That no man would want me.
And that he would go look elsewhere.

Though I had hands laid on me,
And not in love,
It was the words that held the most
Power.

The words that followed me.
That haunted me.
That poked at me and taunted me,
Making it impossible to ignore them.
The words that eventually,
Despite my greatest efforts,
Began to ring true to me.

And the mission whose missiles
Were these very words
Became a success,
Making me feel unlovable to the
Highest extent,
Packing me with baggage
That no one should ever bear.

The pain was indescribable.
The recovery, impossible.
The hope that I might prove it all wrong,
Harder to keep alive than
A butterfly who had already had its wings
Ripped from its body.

I had never wanted so much
For a kind heart,
A brief, flickering light
To draw me in
And keep me warm...

To nurse the cuts that always bled,
No matter how I wrapped them.
To offer gentle words
And a gentle touch.
Things that I ached for
Like food and water.

I struggled to hold on to the hope
That there was someone
Who might tell me differently.
That I was no *****,
But beautiful
And deserving of love.
That I was no terror to behold,
Or bane to their existence,
But someone that made it a little
Brighter.
That I was no problem to be solved,
But a person, a being with value
To be held
And loved
And looked after.
Someone who held purpose
And whose heart deserved
Healing
And someone to hold it,
Someone to look after it.
Someone to hold and
Look after me.

I strained to hold onto the possibility
That I could make someone happy,
Instead of only inspire their hateful words.
That I might hold some merit to someone,
And be a welcome part of their lives.

But then I realized...

No one would want all of that.

No one looks to nurse wounds
And fade scars.
No one aims to prove false
The insults and jabs and discouragement
Thrown at you.
No one wants to wait patiently
For the trust to grow while the
pain subsides.
No one wants to bear the patience
Of dealing with a broken person
Who every now and then,
Cracks a little bit.
People want shiny, new, and undented.
Not something that has been shattered
And clumsily pieced back together,
Never looking quite as pretty or worthwhile
As the perfectly intact,
Looking like it might break all over again.

I worked to fix myself,
Always trying to make better
Something I couldn't even identify.

I worked to become perfect,
To gloss myself over
And fill in the cracks,
Hoping to look like that
Lovely, intact counterpart
That I would never be.

I felt as though I waited
For something to happen
That never could be,
And for someone to come along
That would never show.
Like a constant replay
Of a jilting at the altar,
I waited for something
I dreamt about so often
I had nearly convinced myself
It was real.

I realized I could never undo
What had been done.
I could never take back
What had been said.
Because these actions
And these words
Were not my own.
And making up for someone else's
Mistakes
Is about as successful as taking
Medicine
To cure someone else's illness.

I could never fix it,
But I must always
Bear the results.

I deemed myself,
Again,
Unlovable.

I began to wonder
If this had been the purpose
Of those words all along.

To create someone unlovable
Because the speaker could not
Find love themselves.

Surely,
Only a monster would do such a thing.

But monsters are real.

And this one wasn't hiding under my bed.

Headless chickens running aimless toward the almighty dollar
Blindly staring at the knife"s stainless steel amidst all the squaller

My thirsty soul argues against my numb skull to hold a thorough audition
They lewdly feud about potential candidates accrued to search for recognition
They conclude on a suspicion they mutually feared as a result of blind ambition
Search preludes the admission, that I found my dream car with no keys for ignition

Don"t question authority especially when it's the majority
Everyone knows the world is flat and let's just leave it at that
I bought water from you now I have ice to sell
I have a great story but no one worthy to tell
Hindsight should really be at least twenty fifteen
Because to admit we just don"t know is too obscene?

Blissful ignorance"s repugnant scent wafting through the cave
Mindless sheople"s chainlinked brains all dancing at the rave
Fire flickering Shadow puppets tastefully riding the next wave
Puppeteer wizard behind the curtain telling them how to behave
Misaligned redcoated frontline soldiers falsely labeled as brave
Life"s ironic conundrum puzzle, choosing which children to save
Diseased cement steadily drying in a world ever ready to pave
Hungrier than I"ve ever been, yet sickly devoid of things to crave

When he was born his father was drunk,
his mother was doped up.
He was born three months early with double pneumonia,
but he lived.

Growing up, his father would put down the bottle
only to hit him and his mother.
For some reason, he wasn't sure, his sister and brother were spared.

His father died when he was eleven.
His father killed himself with the same pistol he killed two Japanese men with. His mother remarried, with no job, experience, or even a drivers license, she had to remarry quick.

His stepfather put down the bottle only long enough to hit him and his mother. This time, his sister and brother were not spared.

Two weeks after his seventeenth birthday, he learned to play while my guitar gently weeps on a third hand guitar his stepfather had spent a fifth of his monthly salary buying.

He made money playing guitar. He wasn't the best, no Eddie Van Halen, no Eric Clapton. He did without the flashy showmanship. He had something called dependability. He was never late for an audition, he never ****** up an audition, he never fought with his band mates.

Driving home from a gig thirteen days after his twenty second birthday, a drunk teenager in a pickup truck plowed into him at an intersection.
He spent 5 weeks in the hospital. Doped up the whole time. When they let him leave, he left with a plate in his head and a monkey on his back.

For three years he lived on the streets. He'd play his guitar on the corner by the CBGBs for change. He'd take that change and buy ******. After three years, exactly three years of this, he realized he could play guitar better sober. He stopped using.

He got an associates degree in English, a concentration in teaching.
He taught English and Beginning Guitar at the same high school he hid his bruises at years earlier. He had favorite students, how could he not? They were always hiding bruises.

Youth drifts towards the fire
Searing red hot heat hiccup farts
Filled to the brim of one another's stenches
The girl who said she hated neon green
Now wears
Neon green shoes
We are all hypocrites in the end
Nothing touches truer
Then a man who dies thankfully
As a brewer
Truth is a made up word
There is no truth
There is only
The act of the man behind the desk behind the shades behind the cubicle wall behind the pencil behind the pen behind the novel and the short story and the muscle tee and the audition that went well and the audition that went poorly and the sight of a man when their mother calls or doesn't call to tell them that their father is dead with no hint of sadness in her voice, she is more annoyed by her rose bushes which wilt in the un-sinking southern heat
Tonight
As the jackolope jack-offs roam the street for another skirt to chase
And the skirts float with the will of this summer wind
As the genie vendors hock their wares to freshmen too dumb to even care
And the liquor loser ******* on fast food restaurants and their walls
Tonight
These are the beings we dare to call human
Tonight
Daddy and mommy are sleeping and dreaming of a better future
As up-scale glitter demons girate parts they didn't even know they had
And bench pressing brothers continue on with their sadistic born again others
Tonight
I dare not dream
For fear of discovering
Myself
Without time

Heart and mind
Same setting
Same play
Same audition
Who wins the role?

I didn't find the time in the months I was around you
To ever say, "Hello,"
Or learn your name.
Angela S.
I didn't know it until today.

I didn't know that you were thirty-six until I read the articles about you.
I knew that you were late to choir sometimes,
And you wore shorts even when it was cold.
I didn't know you lived in those apartments until the police were investigating them.
My sister lived so close to there.

I didn't find the time to know you,
Angela S.
But I found the time to judge you.
You stood between seconds and you were a first.
You didn't know your parts very well.
I was annoyed.
It's concert choir, no audition.
I shouldn't have been so bothered.
I'm sorry.

That was the last time I saw you.
I didn't know you had a son until after he found your body.
I knew next to nothing about you until you were shot.
We sang the same music for months.

This isn't easy, putting pen to paper figuring out my thoughts, but alas, here we go again.
I don't want to say it's a crush, that's childish.
It's more of a lust, a desire, a fire burning in my heart wanting to pull you closer every time we hug.
My mind screaming, "say something! Make a move already, ******."
You flirt with me like crazy, making my emotions run wild.
You're in my head constantly reigning over my thoughts, haunting my dreams.
It's pretty crazy how this all works.
Everything you do is adorable and everything you are is cute.
I want to be a part of your life, just like you've made yourself a part of mine.
I want you to hold me in your arms.
I want to feel the warmth of your embrace.
I just want to feel loved, but more importantly, I want to feel loved by you.
Everyone says I'm crazy, they say I don't have a chance, but the way you act around me can't just be nothing.
It's quite cute actually.
You play with your hands, you waffle back and forth on your feet, just like I do when I'm nervous for an audition, you come to a loss for words, you play with your hair, and that smile.
You have a smile that makes my heart melt, my knees tremble.
I thought I was over it until that one summer day.
I guess you're just not that easy to get over, ay?

When I was eleven I joined the cast of the school play
Aladdin
And the genie was played by a girl
Three years older
With straight dark hair, and a nervously witty way with words
And the most captivatingly violent contempt for the world
That masked and mingled with a host of little insecurities,
And the largest jewel tone eyes I'd ever seen.
One was blue and one was green,
And she looked at me.
I think it was when I was peeking out from behind the curtain.
She just looked at me for a second and
I fell in love with her right there.
Six years later was the first day I forgot to think of her,
And I do believe I'll never go a solid month without the ghost of loving her pressing up against my back once or twice,
Quite unexpectedly.
I didn't speak to her for the first four years,
And when I did I became her best friend, sure that that was what I felt for her.
And two years after we met,
She disappeared and I was glad by then,
But loved her no less.
That was the first.

Then during my eighth grade summer,
Just before I started high school,
I walked into my summer camp
To the theatre to audition for the play
And there on the stage there was a girl
With freckles on her shoulders like cinnamon sprinkled.
She always wore a close fitting hat over her short hair
And her eyes were the deep, slate grey of the sky just before a rainstorm cracks through the clouds.
Her fingers looked like porcelain,
And I couldn't stop looking at them
Because I remembered the sculptures in the Museum of Fine Art
That I always wanted to touch as a child- smooth and white and delicate but with the suggestion of strength.
And when she spoke her voice was the lowest, richest one I'd ever heard
And everyone in the room bent toward her as if caught by gravity.
The way she uses words when she talks is the way a concert pianist uses the keys-
You have to stop and stand in awe, sometimes.
She can make you feel things.
I saw her on that stage, and I fell in love with her, right there,
And this time I think I knew it was love and not friendship.
Four, maybe five years later,
I know I'm not over it.
She was the first girl I ever thought about kissing.
That was the second.

Then my sophomore year, I suddenly looked at a good friend of mine
And saw her for what she was instead of passing by.
Chocolate brown eyes full of sweetness and vitality,
Long brown hair that fell in little curls about her face when it escaped its pinnings as she danced,
She was radiant, inside and out,
Full of this innocent joy, an ability to be... happy
That I had never imagined.
Her little beauties snuck up on you,
And then all of a sudden hit you hard and knocked you over.
It was her loveliness as a person that made her truly extraordinary-
She was nicer to me than anyone I'd ever loved.
By then I knew it was love, and I felt ashamed.
I gave her what gifts I could-
Perhaps too many-
To satisfy some need in me to thank her for existing.
And although I finally learned to keep myself from pining for her
I know that to this day I would fall for her again if I saw her.
She was like a balm for the hard cold brutality of everyday life;
Knowing her was like healing from being alive.
She's overseas now,
Lighting up some room somewhere,
And I hope that the people in it feel the warmth of her like the sun, like I did.
That was the third.

Then my junior year, quite unexpectedly,
I found that I loved no one and hurt over no one,
And I began to find a peace in that
Until on Halloween I walked into my friend's party
(My friend who has, since, sadly spoiled from the inside out over the years,
Or maybe he always was rather that way.)
And I saw what sunlight would look like if it were a person.
Dark hair, black eyes like whole galaxies, high cheekbones, full lips
And the softest, most radiant skin I'd ever seen or felt.
I thought I dreamed her that night,
And many, many times since then I've thought the same.
She kissed me and I felt it through every cell of me,
And although I slowly fell in love with her mind in the coming weeks,
I knew I loved her soul when I saw her eyes the moment she first looked at me.
The joy of being hers left such a glow upon my soul
That when she left I was blind, and fell to my knees.
For a long, long time, she was all there was-
First in love and perfection, and I shivered when she touched me,
Then in loss and devastation, and I shook without her near.
I worked harder and longer than I've ever worked for anything in my life this past year
To learn to love her and live through it even though she is gone
Instead of letting go of the memory of her and hence losing her for good.
Worth every second, I maintain.
She was the person who first loved me back-
The only one so far, honestly-
And I know I will be in love with her until the day I die.
That was the fourth.

And then when I had resigned myself to a life
Of loving someone who wouldn't touch me anymore,
I met somebody new.
She has dark hair that catches the light red,
Wild and curly and it dances in the breeze.
She has the bluest eyes I've ever seen, full of laughter and warmth-
Eyes like that are dangerous, they can make a whole room hot or cold
All on their own.
She saw me loving her, and drew my soul from me
With the touch of her fingers on my cheek
And took it with her when she pulled away and walked down the hall
At 3 am
And when she rounded the corner
She'll never know that I sat down and cried
Right there
Because I knew I'd never quite get it back.
I knew she wouldn't be so close ever again.
But I cried with a smile
Because everyone I meet who can make me feel so intensely that I lose control
Is the most important person I've ever met, all over again.
So now there is her
Her and all these ghosts that press cold against my back when I lay down to sleep
See-through arms around my waist,
Making sure that nothing warm quite touches me truly.
And if she fades with them-
For she is already blurring around the edges,
Starting to retreat into the part of my heart that can house the things that
Hurt
-If she fades with them
There will have been another lesson to go with this loss.
I never know what I'm being taught
So brutally
But hopefully someday I will figure it out.
Maybe then somebody will chase the ghosts away and put her arms around me
And I will know security for the first time in my entire life.
She is the fifth.
But heaven knows who will be
The last.

Disconnected linguistics leave a broken fragility
turning tongues tumbling to trite truths,
tales spun seeking refuge in imagined worlds,
realities left shattered in their wake
while the crumbling crust reveals
heart held, beating in its embrace.
Thoughts turned towards musing,
secondary perception detecting that creeping chill
sliding as ivy from toes
to engrossed mind constricted,
comprehension continuously catching
the cold of ancient rites,
a reoccurence of yesterdays',
it echoes on in such melodic disorder.

With sweet venom she sang my way,
understanding aural shortcomings
allots no egress of racing choruses
coordinated to keep pace on her tongue,
lacing time so delicately, a feat
of only passionate disdain
tastefully recounted in every syllable
crashing in with a vicious viscosity,
leaving life to buckling knees,
forcing haggard steps
while the mind abstains from physical obfuscation,
knowing contact lends focus
to the surrounding mists, draining away

these rains you called, in echoes
of cries once denied
harmonies gaining pitch in perfect paces
found once allowed to resound
in the dark halls of your eyes,
until tomorrow fell to
yesterday's reign of essence,
breaking escaping waters to essentials
encircling columns we've yet
to deem pedestals.

It is in your service
that's found purpose,
an audition of caution
refined to presence,
I step into those commons
you still hold.

In nightshade and baby's breath
your song still emanates,
guiding through corridors
while the ceiling fills with
observant eyes of those predating sorrow,
unwilling to be its end,
or allow a Freudian slip
in which to reveal
a true identity,
they hold our hope
just within reach
though grasping fingers do naught
but brush aside that shadow
cast overhead, if only for the moment.

In this maze I am flanked
by hedges of stone,
mortar,
a mixture of
one part water
to every action
allowed to cement itself
in habit.
Reformative shifts scaling
to emerge a new horizon,
walls become signposts
as you echo inwards,
or up,
directive differences
falling to disorientation
either is understood
your path.

Catching firefly notes,
we've lined our world
in an unaccustomed passion,
all requiem and maladroit,
It was ours.
In the center,

our masks sufficed,
not having the time
to trade selves after
skirting two terrains of lucidity,
this reflective core the only stage
for our melting embrace,
idyll frivolity now perceived reality
in which falling apart proves
a simple concepts,

it's marked, our time now conceding
to the allure of situational  gravity,
spiraling downwards is the start of
constant uphill struggles,
crawling when called upon,
yet refusing to take knees
to provisional tears,
and finding conceding timeline tears
commonality.

For now though
we'll sit beneath this eldar tree,
sinking to material dissociation,
as the wish of a lover's kiss
washes upon us,
left surfacing somewhere past
these leaves of fall
in time to release
the seas of change.

And as waves pervade
she wraps her palm 'round mine,
whispers collecting in tense tendons,
sketch a note between innocence's evidence
and dust's barefoot impressions.
Signed in years marking its begin,
we addressed it
to any that may return.