With wings at rest longer than its tail
My hobby waits.  Great bird of creation,
Where do you come from?  As I sit and mull
You take flight to and from places I may
Never know,
                            Where are you taking me,
Great spirit on high, far, farther-ring with light
And the wind, which streams then to delirium
Heights?  I am bled and I am torn.  Must I
Suffer in my soaring?  Your clutch, tings
The sky, pierce the cloud, my hobby hovers,
I dream of coronations, talons to my head—
A crown of thorns.

In plain sight, the Peacocks ply their wearisome
Colours.  Awkwardly swaying, pompously preening,
They cry to be seen, their voices are gurgling  
And gawking.  The direction of wind is their vane.

Overhead, in the secret sky fleet wings are truth.
In the sun the searing Falcon is seeing all;
His talons turn and steal away, they are mad,  
Playful fingers— they will have their say.

I came to a courtyard of my own making,
To a cottage by the sea at the worlds edge.
I furnished it with my left over life, complete,
Barren and colorless and I wrote the newest
Book of psalms out of tinder and flame, a tome
Of grey and useless poems, unheard of songs
And reams of flesh.  There in the lightest dark,
By the Druid stone that was placed just for me,
I planted a creeping yew tree.  And the moon
Sang in celebration and silence like a fallen
Priest.  
                    Under the covering hazel trees,
That sprung to life after the longest winter,
Which taught me to forget my name, I now
Struggle with light and my body, warring, torn
Is fading slow, like the always arriving, down 
Turning solstice, the climates of the mind,
Where it is digging the never ending shallow 
Hole only the spreading eternal yew, that I 
Planted, will ever know and only the Lazarus 
Moon shall ever rise above.

I came to a courtyard of my own making,
Was it dream that led me there or my eyes?

Sweet flower, all the meadows creatures
Are dancing, giddy in their bustle ways
And even the wild cherry has petals laid.
How do they all know that we are in love?

I want to know—
What only lips can know,
I want to see—
What only Falcons vision,
When they stoop from the heavens,
I want to preen and lord—
As only Jaguars can, regal,
In the tangles of purple jungle sun,
I will climb these ancient steps
Holy and of forbidden stone,
If only, you would
Surrender,
Love.

Wings beat to overtake.
Now, above you like a fire shot
In a silent film the rush begins.
Wings fold inward, the air turrents,
Streams, as a ball swirling in a tube,
Grey bullet in the barrel,
The slide to the **** and the talons,
Make their mark before the hitch.
Soft plosives bearly sounding,
Crake, blood cupped in the claws,
From the breast and the rose  
Heart, now in a tail spin,   

Nostrils whine in the fall.   
No jury just but a sup of the faded  
Heart by one raging one.   
The wilted wings are stirring  
To the last as the pointed  
Wingman ferries, the wholly bred,
Quarry of perfection, jolts  
And jilts, and His scythe of feathers
Holds sway in the whirl.
As the God-made creature
From high heaven flies
The mourning dove must die.

Times tackle on the threads.
We beat the strand seahorse
Dashed, unfurl the curling
Toes, your body twists
In the boat, only ribs
From the spirit waters.  
Your fish fins from the net,
My rod pins on the pine
And the hooked meat, your barb,
Reels as it plays the swampy
Moan of the gutted bait.

Your face,
Tender, round and dimpled,
Framed with gilded, carved, tawny curled
Whirlpools of hair, long, lighted, and sparkling,
Your face is the face—
Of Ireland.

Your lips,
Full, moist and deathly deep,
Are wells, not well for me, not safe, taboo,
Tantric, tall told tales of brave Odysseus
Under Circe's alchemies
Of forgetfulness.

Your *****,
The zenith of blossom in fabled
Elysium, gateway to the forbidden gardens
Of sage and sinners, warrior-poets, Aphrodite's
Envy, Poseidon's drowning
And smoldering Zeus.

I, round the brae of Howth in chalky light,
Lamented my lot more spent in sport than play.
There, land appeared disinterested and sight
Was a teary well.  Cold was the shivering day,
And my frame, a ghost of shadow, was erased, 
It receded like the fog.  Just then, overhead
I saw brave birds engaged, a raptor traced
A mourning dove’s faltering flight, how it fed
Its own shining sense of purpose, for not
Wanton sport or lordly state do falcons
So hunt, nor did the bird in peril belabour
His reason, rather he tried avoiding those talons.
A question answered itself within my breadth,
Survival resides in a pageantry of death.

.
Little king of sun toasting petal,
Cups the air with swirling wings
Flashes, flurries of wetted trials,
How you drink of nectar singing,

With invisible wings let whirring,
So robed in arc of rainbows' sky,
Even lofted mist of morn stirring,
All the shaped air, a moving eye.

I remember that day on Mount Tamalpais.
We picnicked under the loving sky
On Bolinas ridge, atop Wicklow hill,
The maiden’s breast.  We found those apple trees,
Who’d gone wild and fell into their world.
A blossom on the way.

I took your picture and you developed into
A sea-horse, or was it a mermaid?  The ridge
Was foaming about you and birds were swimming
Like fish underneath.  We found a tree, an umbrella
Left at the beach.  The coral-grass became our bed
And wine turned into water.

A spiral dance in arms of anemone, it was
All embrace!  That reef was spawning heaven.
At the treasure chest under the sea maiden,
Like children on highland pap, we played
At the beach that day in a castle above the clouds,
Beneath the wave.

A wake in coma,
Dystopian dreams,
  .  .  .  Gilded America.

By the dawn's early light,
Casual ties of warring pride,
Who wear the fit of uniforms,
Creasing down the seamy streets,
Who once in his sights were called to order,
By arrow clutching eagles, sandbagged
By the rivers heart of darkness, *****-
Trapped by bootstraps pulled, torn apart
In tiger eyeing fields that lied
In wait while choppers dived, delivering
Payloads of giant dragon flied fire
And this unction was to be their balm
And the swordless Dons were spit out
Of skull hunting windmills, Jonah
Beached to thy kingdom cong.

And over their heads cried the phantom
Jets, bat out of helmet, to the straw
Pulling hairs and these heroes, we
Abandoned without bonds nor blindfold
And lashed them to the flagging pole
With guns saluting while the sirens
Wailed, no wonder they should crack,
Our green jaded Gods, our Greek
Journeymen, due south of lotus land,
No wonder they should break on the China
Seas in that cold, ******* land.
O say can you see, that it is we,
The people, in anger and in shame
Who have no mettle, to give, but tarnish
Foisted on the brave and they
Are worn, like trinkets to dishonor.

And over the deep non-ending sank
Our heroes, betrayed by ism's, discharged
By ghosts in the machining guns,
Unspirited by a corporeal world,
Bamboozled in the muddy thickets
And dropped to the fray on ****** wings,
To foreign soil, where children are lost
In the man eating groves and they
Were thus dutifully numbered by their own
****** arms and all were made
Guilty cold in that sliver of uncivil
And polar eyed land, O say can you see,
The burning of twilights last gleaming?
And, we sutured a wall for the trigger-
Happy dead, we dammed the bleeding,
But can there be no bridges?

And further from those chilling fields
They are casting us letters, address
Unknown and mid adrift are messages
In drowning bottles by the waysides,
They are swimming to our doors,
Where, we the people, have built a wall,
Made of stone, black and shiny, it will
Not smear— and we are polishing off
Our dead, say the cold blooded
Behind that face and in front runs a red
River running down the vane, glorious sun,
Yet, this humble partition, in stories and tears,
Is deconstructing grave white heads,
Quartered in pride and darts to the ground,
That warring bird, crowned to his vacant
Lots.  O— say can you see, the turning
Of twilight's last gleaming?

Aspen, stands by river,
Shouting out the noonday sun,
Dwarfed by foothill mountains.

.
I see myself in you—
With a spike we two spoke out,
Vagaries of wind, verisimilitudes
And the moon gives us her light.

Black bird, black robed Druid,
We both are spinning round
The hills draped in psalms
Of the oak and windy leaves.

Your words, I hear, go unsaid,
My utterings babble, ring in a rill,
Cold and cascading to mosses,
Bleeding from a lone escarpment.

Hardness, harsh breathing,
Sun silent— night in morning,
Cold, dry, empty bed.

Dressing the day,
Beaming purely, on bankers
Hours, spinning such fine, spine
Wheel ways, painting the stones
Of grey, never so faraway, showing
Mighty, mirth in maddest Midgard,
Bearing blooms dizzily, trailing
All the new, children who play,
Pick and count, humming with faces
Bright as the late bedding stars
Joyous in the offered cheers
Of the crowning sun, gifts
All, in endless amount.

Tired, I awoke upon a lonely island beach
And gazed on a Goddess above the shore,
With sea foam hair, coral skin, what dream,
My salt eyes, blinded, open, wanting more,

Conspiring with rays of summer she shone
So bright, this daughter of the sun, we stood
I and my castaway crew, to that siren prone
As she led us to her mansion in the woods.

Her potions tamed the forest wolf and lion,
Spellbinding warrior poets to liven feasts.
Why then must she turn ***** men to swine,
By what she most desired contented least?

Desert falcon, my moly held Pharaohs' breeze
And what nil escape above the wine dark seas.

Birdhouse under eaves,
Sparrows make their yearly nests,
Cat is on the roof.

Silent pond ripples—
She dips her toes in water,
Soft *******, stiffen.

She came for a visit,
And to cook with me—
Her special dish, one of many,
Brought her own spices, for me
And carefully showed how,
For when she was gone,
I could make it just like her,
Simple recipe we made together,
In no time at all, she left, then with care,
Cutting the proper ingredients for one,
I reconstruct each step all alone,
Dish never tastes the same—
House never warm enough.

When she touches me, I feel her touching
Herself, though she circles my shape into
Oneness, I sometimes feel— detached
Within those arms.  
                                   In her startled-fall
To sleep, imperceptibly, she gathers
The room from her vexing childhood.  
Drawing the air and curling in waves—
My hair, as if she were weaving some kind
Of shelter.

When I touch her, it is with desire.
My reach untangles the very dream
Which took thirty five years of dull
Existence to unmuddle— to imagine,
My soul's other.

                         Ten fingers envelop her body
Like splits of lightning— rippling skyward
From wholly, bone-dun-desert, floor and there,
In that rose-journey of unbridled touch,
The shock of thunder makes a mother
Of the sky.  
                     When she breaks her water
The blighted earth that was sung— given
My name, becomes her light, awakening
Child.

Lips, soft as petals, rarefied as undiscovered
Wild orchids.

Hair, threads of gold gathered, woven, mined
From secret caves.

Eyes, that fell from violet skies landing on new
Isles of azure.

Skin, so salmon flecked, subtle, delicate, solas,
Destination.

Your body is buried cask and gilded keeper
Of jewels and flame, whispers, searing cold,
Blue fires untamed—

Lush, fertile wanderings, colourful birds, sweeping
Moon, pools of sorrows and light, trees branching,
Pleasures keen, crushing delights without name.

River gift, flowing upstream and down
Cresting with the bumpy waters tow,
Slick as an eel, you move and fro to play,
Warm in the gleaming sun that rides
With you each day,

                              you have shone, great
Knowledge of salmon, found the pearl
In the dark mussel, bend as even light
Must, piercing the waters of the under-
World, lording the fey, riparian borders,
Like a God.

The Blue Falcon, cross the spire,
Waits in the gables of the white
House.  Wounded in youth by crush
Of air, spent, a wisp perched
In the aerie dark with a view of mountains
Blue as ice under glacier.  The wooden
Church from the other side clutches
The sky but the Falcon blue is lost
In a tuft of cloud that bobs but never
Kills.  On this strike he is sheathed in stealth
The dull talons slip as they dry
In the tented air, the songbirds at play
In the high-ground underneath warble
And chide but the Falcon cannot hear
The Falcon near.  His heart is soft
And muted in the breast, his ears
Are dumb to their tickling-songs.  

Before the Falcons time, over
The tilling fields, dropped his world
In the spoils where splendour burst in green,
Rain meant the feathers ran and the woods,
A banquet of game, were bounty's breach
Fording blue currents he was
A fisher in the sun, but the sun
Sank in his drowning sky no store
From plateau to quarry the drought of days
Moved a castle felled in the dancing
Dust, his wings broke in the shuttered
Eye of the sun and etched his form
Into grey silhouette.  

Now, the Blue Falcon, jeered
In the branches of the rooted air
Above the yellowed grass, under the pines
And a great blue mountain, stirs a Druid
Shape, vaporous, in the cauldron
Of the attic in the white house
A throw of stones crossways from
The sacred yews of the steeple spire.

Before we parted, on Shanganagh cliffs—
And crashed in sweet Éire, without word, all views
And burned down in the sun by a california rift,
We gleamed like new falcons in a wood-view mews.

Thunder roils the sky—
Under Olympus, bolts hail,
Angry cries of Zeus.

Things I Can Say About MFA Writing Programs Now That I No Longer Teach in One


"You’re going to need to spend a lot of time alone." - James Yamasaki


I recently left a teaching position in a master of fine arts creative-writing program. I had a handful of students whose work changed my life. The vast majority of my students were hardworking, thoughtful people devoted to improving their craft despite having nothing interesting to express and no interesting way to express it. My hope for them was that they would become better readers. And then there were students whose work was so awful that it literally put me to sleep. Here are some things I learned from these experiences.

Writers are born with talent.

Either you have a propensity for creative expression or you don't. Some people have more talent than others. That's not to say that someone with minimal talent can't work her *** off and maximize it and write something great, or that a writer born with great talent can't squander it. It's simply that writers are not all born equal. The MFA student who is the Real Deal is exceedingly rare, and nothing excites a faculty adviser more than discovering one. I can count my Real Deal students on one hand, with fingers to spare.

If you didn't decide to take writing seriously by the time you were a teenager, you're probably not going to make it.

There are notable exceptions to this rule, Haruki Murakami being one. But for most people, deciding to begin pursuing creative writing in one's 30s or 40s is probably too late. Being a writer means developing a lifelong intimacy with language. You have to be crazy about books as a kid to establish the neural architecture required to write one.

If you complain about not having time to write, please do us both a favor and drop out.

I went to a low-residency MFA program and, years later, taught at a low-residency MFA program. "Low-residency" basically means I met with my students two weeks out of the year and spent the rest of the semester critiquing their work by mail. My experience tells me this: Students who ask a lot of questions about time management, blow deadlines, and whine about how complicated their lives are should just give up and do something else. Their complaints are an insult to the writers who managed to produce great work under far more difficult conditions than the 21st-century MFA student. On a related note: Students who ask if they're "real writers," simply by asking that question, prove that they are not.

If you aren't a serious reader, don't expect anyone to read what you write.

Without exception, my best students were the ones who read the hardest books I could assign and asked for more. One student, having finished his assigned books early, asked me to assign him three big novels for the period between semesters. Infinite Jest, 2666, and Gravity's Rainbow, I told him, almost as a joke. He read all three and submitted an extra-credit essay, too. That guy was the Real Deal.

Conversely, I've had students ask if I could assign shorter books, or—without a trace of embarrassment—say they weren't into "the classics" as if "the classics" was some single, aesthetically consistent genre. Students who claimed to enjoy "all sorts" of books were invariably the ones with the most limited taste. One student, upon reading The Great Gatsby (for the first time! Yes, a graduate student!), told me she preferred to read books "that don't make me work so hard to understand the words." I almost quit my job on the spot.

No one cares about your problems if you're a ****** writer.

I worked with a number of students writing memoirs. One of my Real Deal students wrote a memoir that actually made me cry. He was a rare exception. For the most part, MFA students who choose to write memoirs are narcissists using the genre as therapy. They want someone to feel sorry for them, and they believe that the supposed candor of their reflective essay excuses its technical faults. Just because you were abused as a child does not make your inability to stick with the same verb tense for more than two sentences any more bearable. In fact, having to slog through 500 pages of your error-riddled student memoir makes me wish you had suffered more.

You don't need my help to get published.

When I was working on my MFA between 1997 and 1999, I understood that if I wanted any of the work I was doing to ever be published, I'd better listen to my faculty advisers. MFA programs of that era were useful from a professional development standpoint—I still think about a lecture the poet Jason Shinder gave at Bennington College that was full of tremendously helpful career advice I use to this day. But in today's Kindle/e-book/self-publishing environment, with New York publishing sliding into cultural irrelevance, I find questions about working with agents and editors increasingly old-fashioned. Anyone who claims to have useful information about the publishing industry is lying to you, because nobody knows what the hell is happening. My advice is for writers to reject the old models and take over the production of their own and each other's work as much as possible.

It's not important that people think you're smart.

After eight years of teaching at the graduate level, I grew increasingly intolerant of writing designed to make the writer look smart, clever, or edgy. I know this work when I see it; I've written a fair amount of it myself. But writing that's motivated by the desire to give the reader a pleasurable experience really is best. I told a few students over the years that their only job was to keep me entertained, and the ones who got it started to enjoy themselves, and the work got better. Those who didn't get it were stuck on the notion that their writing was a tool designed to procure my validation. The funny thing is, if you can put your ego on the back burner and focus on giving someone a wonderful reading experience, that's the cleverest writing.

It's important to woodshed.

Occasionally my students asked me about how I got published after I got my MFA, and the answer usually disappointed them. After I received my degree in 1999, I spent seven years writing work that no one has ever read—two novels and a book's worth of stories totaling about 1,500 final draft pages. These unread pages are my most important work because they're where I applied what I'd learned from my workshops and the books I read, one sentence at a time. Those seven years spent in obscurity, with no attempt to share my work with anyone, were my training, and they are what allowed me to eventually write books that got published.

We've been trained to turn to our phones to inform our followers of our somewhat witty observations. I think the instant validation of our apps is an enemy to producing the kind of writing that takes years to complete. That's why I advise anyone serious about writing books to spend at least a few years keeping it secret. If you're able to continue writing while embracing the assumption that no one will ever read your work, it will reward you in ways you never imagined. recommended

Ryan Boudinot is executive director of Seattle City of Literature.

Olympian flame—
What heights I climbed to know her,
Clouds in my blue eyes.

( a vision dream )

      1

Down in the shrouded wood a wanderer walks
And dreams the dreamers story he has lived.
Sidled by the stream that sheds blue waters
By the beds, trailing the rail of loves unknown
Kiss and a voice that conjures truest bliss,
Down in the drink where sweet Ophelia sleeps;
In the pool of the lost maiden song.

And the dreamer, he is dreaming . . .
Hair, that ropes the stoic man upon his mount.
Hair, making souls’ lost ending breath a shout,
And hair that weighs the wind, teaches it to sing;
Hair, wending whirlpools waving fools to dive in.


      2

Lost at land’s end the sea lions, washed-up, wail
And buzzards coast where eagles flail, rip tides
Assail and chop the collected bones they drop;
It is a chalky bone-yard break, golden escarpments
Wake and a ******’s salty sermons shake;
Where gathering ghosts glom and chide steeping,
In the pool of the lost maiden song.

And the seeker, he is seeking . . .
Eyes that turn the sands and are mirrors,
Eyes that taught the books of Alexandria,
Eyes that shook the flesh and are seers,
Eyes that lit the pyres, burned true believers.


      3

Deep in the dark wood the waters rush, hush,
Cramp, crew and creep, melodiously tread,
Trammel, and burn as furies in keeping true
The melting moon, the onerous owl, fluttering
Things, muttering wings, cones in darkness
Flings and filmy time flicks by the wayside;
In the pool of the lost maiden song.

And the lover, he is longing . . .
Love, lithe and lyric, he sees your sweeping shapes.
Peace, parsed and pained he hears the voicing gape.
Blind, bliss’d and shamed he wears the votive drapes.
Hungered, thirsted and gone; seeks your pearly gate.


      4

Out in the forest maze the jarring sun seeps
And swirls, only to roust the traveler onward
Where soon he must meet the faces in the grotto
Down in destroyed lands by the seas’ unreasoning
Chime, deep in the dark whine of the shining mermaids,
Where the doomed cry, round the navel of the world,
In the pool of the lost maiden song.

And the doomed, they are crying . . .
“****** beauty bade us, in a star crossed chrysalis,
Made us, choose a desert’s winter of loneliness.
Heed our fate and leave this valley torn of bliss;
The many millions of locust fall in ripest fields.”

Rua
Dearg,
Rua, roselet,
Gruaige na fíniúna agus scarlet
Fíonchaora, drown me i do deoch
As liopaí, fíona, Ruby, flesh an paisean
Torthaí agus adharc de neart,
Earthen meirge de pebbled cré
Tarraing mé mar uisce seeping
Isteach uiscígh ársa, ualaithe, i bhfolach
Faoi vastness Sahára
Sands. Tá mé scamall de aisling
Drifting, itching, edging chomh maith do chothromú
Hills. Do ******* sruthán mé mar gaile,
Tá do chluasa le haghaidh doves neadaithe
Agus do shúile, tá an spéir ag fanacht, cogaíochta
Le farraige, le haghaidh a dath,
Is é an ghrian wandering strainséir
Mar a thiteann sé, dar críoch gach lá, faded
Mar an fathach gásach de Antares faint,
Eclipsed ag do heavenly
Foirm, do lasair Vulcan
An tsolais.

I am alone with you. 
A fire burns in the distance,
It lights our faces 
As before in the empty cinema, 
Where we arrived, at some beginning, 
To watch a foreign film. Our eyes, 
In new utterance, murmuring subtitles,  
What words could never speak,
The tips of seats, rows of air 
And the moony screen, 
A tableau of feathers and cloud,
Two of us, alone, as one,
Rapt in the spread of wings. 

Later, alone we dine in the Café  
Campagne. Our conversation  
Deafens a burgeoning crowd, 
Coffee was nectar, our words  
Were whispering petals. 
Dearest Blodeuwedd, I saw the sweetest  
Sorrow on your face, the green ocean 
In your eyes, I was cleansed  
By your tears.  I have always 
Known you. 

Across the border on the far island, 
You stepped into the waters with me 
And when you disrobed you lit the stars 
And the stars and my eyes kissed your skin, 
Your slender legs, columns, tilting
Toward heaven, in the age of Helen,
Touched the water and the sky,
I saw the milky way that night. 

Síneánn, I am your Pablo, 
We are two white birds sailing 
Over the foam of the sea. 
Solvent to my stone, you are the hinge
To my casement world.  Rain petal 
Voice, lithe, alabaster woman, 
I am lost in your Sargasso eyes,
I hold your skin, my Selkie,
Sweet Niamh, I have lived  
One hundred years this week. 

It is warm in the distance,
In the country of the sun,
We end at the house in Umbria,
In the autumn, there is no word 
Siberia, my light Rosaleen. 
Now is harvest time.  
At the great table we feast  
With family and friends  
And I am not alone with you.

Beyond the massif peaks of Europa,
Above the ancient pillars of Heracles
Where rain and ocean are weaving,
Lays a fabled kingdom born of waves
And noble strands, my beaten hearts
Haunting, the lost, lush sylvan lands
Of Galicia.
                   Where Incomparable, dark
Haired women, mythic, of Amazonian
Fairness, side the valleys and moors
Of soon forgotten dreams and secretive
Wolves slide amongst warmed runnings
Of the ram and moans of ewe, where
Way bountiful seas are over spilling,
In octopus and pearly gemmed shells,
The scalloped pilgrimages unfolding,
Where incense burns with under stars
Encased, the lost Atlantean temples
Of Egyptian sands and storied Gaels,
The clad forests of wandering Titans,

Where snow white beaches end forever
Unmapped in told footsteps, castaway,
As was the magi gift of treasured yards,
Enlightenments, of old and golden isles
Pearling the coasts, sailing the sweet airs
Crossing Iberian gates, to Elysian, eternal,
Galicia.

.
I wanted to know the sighs
Of mercy.  On the bed she lied,
Laid bare in the shocking light
That twitches, as she rolls
I hover and cage her in question,
With moist eyes, abandoned
By loves interrogations,
I stab at the untruths and confusions.
I wanted to hear the supplicant
Murmur of indolence and shame.
With windy caresses I break
Her arms, she ropes me red
In tangled hair and I struggle
To let go.  I wanted to taste
The twin defeats of victory
And indifference, when in the light
Of darkest night there are cries of yes
And no and false accusations,
There is consuming pain and excruciating
Pleasure and as we squirm
And seethe, she teases,
Goading me and then,
I loose it.
.

Hopeful maiden,
Mistress of cotillions,
Depthless, devoid of culture,
Unquestioning, incurious,
Seeks her warrior-beast-of-burden,
A man's man, a sportsman of sorts,
Yet sensitive and without ego,
A staunch provider,
Seeking beauty for its own sake,
A coy, coltish fawn, un-artful,
Un-fawning, who cannot keep a house,
Hold her tongue nor navigate
Social gatherings, one whose passion
Is only on offer, never proffered,
She seeks an old fashioned man
Who appreciates her
Mannish manner and business
Acumen— artists, musicians,
And above all penurious poets
Need not apply, I wish
To learn to cook one fashionable
Day, I am working on
Being famous, it is such
A burden being lovely,
Beautiful.
Are all the good
Men Married?  Gay?
Professional athletes,
A-list actors, incarcerated
Felons wanted, perfect
Listeners needed,
Kryptonians preferred.

Lovers entered a forbidden forest bower,
And as they stalked that range, with eyes glazed,
She offered up her hind. Now, with doe eyes,
Deep as his, deep in arousal's sleep, heels fell,
As he knocked and pulled her dark honey hair
And whispered, surrender, into wanting ears,
Softly he drove his hunting command, homing
To his huntress.

Her body braced, yet bade, with heat and vibrance.
Ruthlessly, he ****** his arrow deeper and then
Once more and then again.  She bucked fiercely
And defiant, goading his prodding lance ever more
Ever longer, and parting the pink lines of her white
Rose, he was, and once again, Prince to the dark
Dominion of her quarters.

In the middle of this carnal match they paused.
And looking into the forest beyond they saw
A yearling fawn, a feral Goddess, grazing still,
Bathing in a vale, virginal, wholly unmoved
By their act of venery, lustfully playing, in the innocent
Leaves.  It was as if they were among her kin, a gentle
Doe and a noble stag. From that moment on
The human hunters did not speak.

Falling, again, rolling eyes were deep in arousal's sleep.
Her back was a crescent moon pocked and wet with dew.
He could feel her heart beating in time with his piercing
Prong, her arching back glistened in the suns spittle
As it broke through the dark and vernal ceiling wood.

In the final shot her quivering buck lowered and broke
And a sound not heard, made a scene, a sweet murmuring
Shuddered and sank onto the floor of the forest leaves
With her tale, taken and told, her breathless breath,
Her nostrils cold and her heated and lanced openings
Dripping, draining; here was a New World’s beginning.

Sated, solemn and softly quaking, his woman sweetly laid,
And now, doomed with her doe eyes, two lovers, fated, made;
She glowed, divine, like the rolling brook that mellowed
Slow, in the vine-dark and golden forest stable,
In Artemis’s wood.

River gift, flowing upstream and down
Cresting with the bumpy waters tow,
Slick as an eel, you move and fro to play,
Warm in the gleaming sun that rides
With you each day,

                              you have shone, great
Knowledge of salmon, found the pearl
In the dark mussel, bend as even light
Must, piercing the waters of the under-
World, lording the fey, riparian borders,
Like a God.

So seductive, she,
Never saw the coming stones,
Last cry— Lorelei.

I have seen her playing
With light, edging her hair,
In crescents so fair.

I have watched her fingers
Twirl and twine, beaming gold,
Threshing precious hold.

I have witnessed the taming
Of the sun's rays, captured,
Spinning in rapture.

And I feel for the pale moon
Who offers his frail, vestige light,
While she sleeps at night.

Her eyes, 
Sunken, blue
With edges of ruddy green,
Of olive, kelp, fatigue,
A certain muddy camouflage,
Bright with purpose,
Ambition and fierce urgency, 
Set their twin star sights
On me and I learned a new
Word that day—
Surrender.

I fell into formation,
Saluting her stars in the fullest light
Of the falling day.
I learned how to survive
Under such searing heat
And became intimate
With sneak attacks, 
Friendly fire, sudden blitzkrieg
And the nuclear winter,
The dark sheet,
Of sorrows unveiling.