1
Though still within our infancy,
we strive to thrive, but woefully
we flash and flaunt our 'primacy',
display our trophies pridefully.

Our terra firma ecstasy
destroys survival's harmony,
lays waste to life on land and sea.
Mankind, thy name is vanity!

By doubting Nature's regnancy,
defying laws with levity,
we strain our spheroid's symmetry
(perhaps a fatal fallacy?)

for, swallowed in the 'world of we',
we feed on vain insanity
with thoughts beyond eternity -
so strange when looked at mortally.

No use to seek a remedy
ensconced in ancient prophecy
for if not handled skillfully,
as clay we'll pay the penalty.

                              2
The Moguls rule with cruel decree,
control the crowds like puppetry,
pursuing greed addictively
with no accountability.

The wind, it reeks of Royalty
(awash in waves of perfidy)
while blowing ’cross the peasantry
(eclipsed in clouds of treachery).

The Queen, well steeped in snobbery,
sits, preening proud Her pedigree,
on throne of sculpted ebony
while sipping Sect immodestly;

to sate Her Regal Majesty,
a caviar clad canapé
is served with golden cutlery
by maidens bent submissively.

The King is bailed from bankruptcy
by Knaves who hoodwink artfully
the down-and-outer evictee
who wallows in their lenity.

Forsooth, the Money Monarchy
exalts the dollar dynasty
engaged in highway robbery
by Peacocks plumed in finery.

Yes, Jesters and the Fools agree
to truckle to duplicity
and laugh about it witlessly.
Long live the peon's penury!

                          3
To champion an oddity
(like two times twelve is fifty three)  
one reaches to theology
through paths of circularity.

In bygone trials of travesty
the doubters, draped in blasphemy,
endured the pain and agony
inflicted by the papacy.

Inspired by the Trinity
fanatics bent cosmology
in geocentric fantasy
while Bruno burned for heresy;

and aged women, randomly
accused of wicked witchery
by justice framed in infamy,
were racked and shown no clemency

That epoch of credulity
(when savants fostered sorcery
and practiced ancient alchemy)
arose in dark age quackery

as clerics dripping piety
(while raging, raving rabidly)
pervaded thralled society
with callous inhumanity;

'repent', they bellowed, 'verily,
forsake the world's iniquity,
live lives of want and chastity,
and give your gelt to God through me'.

                    4
The Masters make a mockery
of freedom and democracy
by holding down the uppity,
released from shackled slavery,

now fettered in a factory
else strewn across the Bowery,
still chained in bonds of bigotry,
immersed in seas of poverty.

And colliers, tapping balefully
in sunken-mine solemnity,
yet thrum a mournful monody
some call the digger's elegy.

To children, pale and raggedy
(behind a day of drudgery),
the boss man, oh so gallantly,
bestows a penny, niggardly;

though some are fed (belatedly),
their eyes recede in apathy
while bellies bulge, inflatedly,
with mothers watching, wretchedly.

When met with health adversity
or broken bone infirmity,
the pauper dangles helplessly
with no insurance policy;

and those engulfed in lunacy
are ailing blobs left floating free
in ******-dream obscurity -
a mired madhouse odyssey.

Ignoring mankind's unity,
the rich and poor dichotomy
breeds dismal doomed finality,
eventual nihility.

                        5
Renewing days of chivalry,
wild warriors fighting valiantly
bring freedom neath the gallows tree
while blending blood and burgundy

to toast the slaughtered enemy,
and so convince the colony
to cede with smile on bended knee
and yield her diamonds, silk and tea.

At first they call the cavalry
and then again the infantry,
so proudly primped in panoply,
with arms from finest armory

(embraced in hands so tenderly
bestow benign atrocity) -
and soon atomic weaponry
will extirpate posterity.

                          6
Misusing high technology
(to feed the face of gluttony)
depletes our Rock of energy,
now slowly dying thermally.

Our gadgets breathing CFC
fuel ozone holes' immensity
while cloud bursts, raining acidly,
wilt woods in their entirety,

and rivers, tainted chemically,
polluted biologically,
refill our cups methodically
and drown our souls organically.

Adjusting genes mechanically
may well blot out the bumble bee
annulling fruits' fecundity,
but brings big bucks reliably.

We wager perpetuity
to revel momentarily
in shadow-like obscurity
ignoring the futility,

but if we bet unknowingly
on fickle fate's contingency
and thereby act haphazardly
we're doomed to lose the lottery.

                 7
The modern day bureaucracy
abuses trust egregiously ,
embeds itself in obloquy
and offers no apology.

It paints the past in reverie
to camouflage the tendency
to strip away our privacy
which paves the path to tyranny.

With earlobes lurking furtively
that listen surreptitiously,
and eyeballs peering piercingly
we've lost cerebral sovereignty,

and those who dare to disagree
must hide away in secrecy
else crowd a black facility
(with water board anxiety).

                  8
Yes, sans responsibility,
our marble in this galaxy
will crumble in catastrophe
ere ever reaching puberty…

Even though humans struggle to live and darkness is easier memorized than light..
Moments of bliss and happiness are still likely to occur,
Perhaps not today perhaps it will take a longer time,
That is what I find very beautiful,
The love of life which rarely is set ablaze by events,
Rejoicing, in the truest bliss alike spiders in their tiny dance,
Forgetting the heavy rain and feeling alive on the highest level,
Even though, it is likely to fade as if it was dust carried away by a gentle breeze of the coming spring, far away till the horizon,
A moment of love can change a persons view of the world,
Motivate them to keep on fighting to experience the sheer amount of joy and happiness carried to them by the purest state of the mind,
Until all the shrapnel of their hearts rejoin and shine beyond the scene, with light coming from above the heavens, golden, free of sin,
And when the sunset ends these cheerful moments, their memories live on, reminding, recalling and pointing out to fight furthermore,
Even though humans stuggle to live wretchedly,
Living,
Is what I find very beautiful.

~ Umi

Caint Complain
                       By Phyllis T.  Halle  February 26, 2006
Growing up in a tiny coal mining town in the hills of Eastern Kentucky,
I frequently heard a response out of the lips of stooped, arthritic miners, toothless women, old before their time,
wretchedly poor widows with six children to feed.
It was just a common reply to the courteous, "How are you?" -
"Caint complain."
The high pitched voices of those descendents of English, Scottish, German, Irish pioneers still echo in my ears and I wonder always at the tenacity, strength and wisdom which resounded firmly in those two words,
                                          "Caint Complain."
Very few people had indoor plumbing, telephones, cars or two pair of shoes. Health insurance, retirement plans, paid sick days, furnaces, pizzas, air conditioners, jet planes, paid vacations, job security, career planning were all unheard of unknowns.
When someone became ill, the ‘‘kindly old general practitioner would come to the house and dispense his little pills and words of encouragement and instruction, knowing the limitations of his skill and ability to heal.
Mothers and fathers still buried their little children who died from diphtheria, pneumonia, whooping cough, measles, diarrhea, croup ( a disorder known in later years as asthma).
Husbands buried wives who died in childbirth, at an alarming rate. "Caint Complain," they'd say gently, with a soft 'almost' smile and deeply troubled eyes.
Sanitation was fought for, vigorously, by hard muscled women, who scrubbed and washed, and swept and mopped.
They'd boiled the family’s clothes which had been worn for a week, in pots in the back yard, "to get ‘em clean."  
Killing germs was not in their vocabulary, but that is what they'd were doing. Ask that little old gal who was out in the yard, stirring the clothes around in boiling water, over an open fire, "How are you doin’?"  
                            "Caint Complain, " she would invariably say.
WHY couldn't they'd complain? Where did their tenacity come from?
Where did that philosophy of not complaining come from?
Where did they find the resolve to place dire, critical deprivation, hard labor and malnourishment behind them and place a smile on their faces and say
                                Caint Complain?

I knew some of those people when they had grown very old and faced birthdays in their late nineties. Without exception, they had the sweetest dispositions, most grateful hearts, kindest words and calmest old ages of any among the many I have known who reached that age!
When the pressures of their life had faded and they had nothing remaining that had to be done except to live out the final part of their life, they did not have a habit of complaint.
Some recent phone calls I have received were what prompted me to think about this. One right after another, friends called and for the first ten minutes of each call, I listened to a long list of complaints about the trials and travails my dear friend was suffering.
Each friend has: no financial worries, a wonderful primary care doctor, prescriptions to keep their heart pumping, eyes seeing, brain focusing, stomach digesting and body sleeping, each night.
They are protected from financial ruin, by medicare and/or HMO, social security checks, pensions, savings and inherited wealth. They have loving, devoted sons, daughters, nieces and nephews who keep in touch and are there for them.
They each one have lovely heated and cooled homes, apartments or condos with every convenience known to Americans; cars or taxi/bus services to get them out and around. More than that, each has beautiful memories which they can call upon to bring a smile to their face at any moment of the day or night. But somehow we find plenty to complain about.
Why haven't we formed the habit of Caint Complain?
Maybe the philosophy of always seeking more comfort, more possessions, more money, more- more- more- of everything, has driven us to achieve, accumulate and accomplish but it required us to never know what the word contentment means.
Contentment doesn't mean having everything at one’s fingertips. It doesn't mean lacking nothing. It certainly doesn't mean every dream and desire fulfilled.

Yet there are many who have enough of everything except the common sense to know when they really "Caint Complain."
Happiness is a fleeting moment of joy. Contentment is finding peace in what you have, what you are and what you have accomplished.
Having the serenity to know which one brings lasting goodness into your life is wisdom.
A SMILE IS THE KNIFE GOD GAVE US TO CUT THE SIZE OF OUR TROUBLES DOWN TO A BEARABLE LOAD.    
Lots of love and hugs, Phyllis

Tell your tale to the wind,
Be scattered across the sky, sing without ever being rewarded,
The falling of the leafs may be a sign of change, a warning of colder times crossing your path in this loitering darkness which takes over,
Allure is the thought of hope guiding, leading, escorting you through the misery of your own conscious, out to a far more pleasant world.
Wretched, you fight on as it slowly slips away, loses its strengh,
It is heartbreaking to watch them trying to get back, not flinching despite their wounds and scars they carry from the river of time,
Stained in crimson at last the flower petals of the falling season, reflect upon death repeatedly, with each one falling the soil cries out.
Take a dance with me in this distorted somber dark there is nothing to be sad about, the fate to be forgotten is the fate of every face, one day,
They wither over like the roses during autumn, fall from grace alike the petals of the sunflowers when their time to leave for the next generation has come, or alike the dandelions scattering their seeds,
But most importantly, is to not forget that whilst existing you can make a change, for yourself, for the better, for others,
Maybe you are their light their flower of a spring dream.
Even if humans continue to live wretchedly,
Living, is what I find very beautiful.

~ Umi

Antimatter mirroring our existance on the pathway of a reverse world
Imagine it, time stands still, halts without a will to  continue its flow if it were to possess one to begin with, and everything is but fragile,
Illusionary moon, shine on in this distorted realm in which not even gravity is reliable or even trustworthy at this point, up is down here,
An imperishable night caught under a spell of eternity, uninterrupted
Everlasting, permanently shining, the fake moons appearance is clear,
Unremitting, sweetly told as a if it was a lie, the rumours of this world spread more likely like a disease through the ancient, young earth,
A line parallel drawn to ours, a dimension coexisting without sense,
It appears to be fragile, like a newborn child, the smallest disturbance would mostlikely ruin it's balance, bring tremor upon it wretchedly,
But where that life sparkles as then fades, two dimensions surely would overlap, of course, maybe it will be the world you inhabit, no?
In the realm of the dead, a loitering, lingering darkness thins the borders of reality and illusion, causing them to exist as one, now with the same heart and soul, a fantasy heaven which became reality,
After all, that place is only temporary,one surely could even call it a;
Short living eternity,

~ Umi

Exhaustion,
Is what rings through my senses as I am about to pass out,
Quater past three, it has been me who wrote through the night until now, serene and clear was it's beginning which now only became a dark memory, recurring in my sleepy mind begging for slumber,
However, such are the thoughts of one who was too weak,
Knowledge was ****** into me, yet the chains of destiny remain bounding, almost tying me up to some sort, I cannot escape.
Oh how I cannot escape this dreamlike tale of misry and restlessnes,
Oh how I couldn't protect my heart in love from dying back then.
It all came to the point of no return until they were replaced.
But why not me ? What was it which I had left to do to go as well ?
Perhaps it was decided that it should have been so all along,
I shouldn't complain, even though humans live wretchedly,
Living and finding a new light to hang onto,
Is what I find very beautiful

~ Murasame

A Dramatic Poem

The deck of an ancient ship. At the right of the stage is the mast,
with a large square sail hiding a great deal of the sky and sea
on that side. The tiller is at the left of the stage; it is a long oar
coming through an opening in the bulwark. The deck rises in a
series of steps hehind the tiller, and the stern of the ship curves
overhead. When the play opens there are four persons upon the
deck. Aibric stands by the tiller. Forgael sleeps upon the raised
portion of the deck towards the front of the stage. Two Sailors
are standing near to the mast, on which a harp is hanging.

First Sailor. Has he not led us into these waste seas
For long enough?

Second Sailor. Aye, long and long enough.

First Sailor. We have not come upon a shore or ship
These dozen weeks.

Second Sailor. And I had thought to make
A good round Sum upon this cruise, and turn -
For I am getting on in life - to something
That has less ups and downs than robbery.

First Sailor. I am so tired of being bachelor
I could give all my heart to that Red Moll
That had but the one eye.

Second Sailor. Can no bewitchment
Transform these rascal billows into women
That I may drown myself?

First Sailor. Better steer home,
Whether he will or no; and better still
To take him while he sleeps and carry him
And drop him from the gunnel.

Second Sailor. I dare not do it.
Were't not that there is magic in his harp,
I would be of your mind; but when he plays it
Strange creatures flutter up before one's eyes,
Or cry about one's ears.

First Sailor. Nothing to fear.

Second Sailor. Do you remember when we sank that galley
At the full moon?

First Sailor. He played all through the night.

Second Sailor. Until the moon had set; and when I looked
Where the dead drifted, I could see a bird
Like a grey gull upon the breast of each.
While I was looking they rose hurriedly,
And after circling with strange cries awhile
Flew westward; and many a time since then
I've heard a rustling overhead in the wind.

First Sailor. I saw them on that night as well as you.
But when I had eaten and drunk myself asleep
My courage came again.

Second Sailor. But that's not all.
The other night, while he was playing it,
A beautiful young man and girl came up
In a white breaking wave; they had the look
Of those that are alive for ever and ever.

First Sailor. I saw them, too, one night. Forgael was playing,
And they were listening ther& beyond the sail.
He could not see them, but I held out my hands
To grasp the woman.

Second Sailor. You have dared to touch her?

First Sailor. O she was but a shadow, and slipped from me.

Second Sailor. But were you not afraid?

First Sailor. Why should I fear?

Second Sailor. "Twas Aengus and Edain, the wandering lovers,
To whom all lovers pray.

First Sailor. But what of that?
A shadow does not carry sword or spear.

Second Sailor. My mother told me that there is not one
Of the Ever-living half so dangerous
As that wild Aengus. Long before her day
He carried Edain off from a king's house,
And hid her among fruits of jewel-stone
And in a tower of glass, and from that day
Has hated every man that's not in love,
And has been dangerous to him.

First Sailor. I have heard
He does not hate seafarers as he hates
Peaceable men that shut the wind away,
And keep to the one weary marriage-bed.

Second Sailor. I think that he has Forgael in his net,
And drags him through the sea,

First Sailor. Well, net or none,
I'd drown him while we have the chance to do it.

Second Sailor. It's certain I'd sleep easier o' nights
If he were dead; but who will be our captain,
Judge of the stars, and find a course for us?

First Sailor. I've thought of that. We must have Aibric with us,
For he can judge the stars as well as Forgael.

[Going towards Aibric.]
Become our captain, Aibric. I am resolved
To make an end of Forgael while he sleeps.
There's not a man but will be glad of it
When it is over, nor one to grumble at us.

Aibric. You have taken pay and made your bargain for it.

First Sailor. What good is there in this hard way of living,
Unless we drain more flagons in a year
And kiss more lips than lasting peaceable men
In their long lives? Will you be of our troop
And take the captain's share of everything
And bring us into populous seas again?

Aibric. Be of your troop! Aibric be one of you
And Forgael in the other scale! **** Forgael,
And he my master from my childhood up!
If you will draw that sword out of its scabbard
I'll give my answer.

First Sailor. You have awakened him.
[To Second Sailor.]
We'd better go, for we have lost this chance.
[They go out.]

Forgael. Have the birds passed us? I could hear your voice,
But there were others.

Aibric. I have seen nothing pass.

Forgael. You're certain of it? I never wake from sleep
But that I am afraid they may have passed,
For they're my only pilots. If I lost them
Straying too far into the north or south,
I'd never come upon the happiness
That has been promised me. I have not seen them
These many days; and yet there must be many
Dying at every moment in the world,
And flying towards their peace.

Aibric. Put by these thoughts,
And listen to me for a while. The sailors
Are plotting for your death.

Forgael. Have I not given
More riches than they ever hoped to find?
And now they will not follow, while I seek
The only riches that have hit my fancy.

Aibric. What riches can you find in this waste sea
Where no ship sails, where nothing that's alive
Has ever come but those man-headed birds,
Knowing it for the world's end?

Forgael. Where the world ends
The mind is made unchanging, for it finds
Miracle, ecstasy, the impossible hope,
The flagstone under all, the fire of fires,
The roots of the world.

Aibric. Shadows before now
Have driven travellers mad for their own sport.

Forgael. Do you, too, doubt me? Have you joined their plot?

Aibric. No, no, do not say that. You know right well
That I will never lift a hand against you.

Forgael. Why should you be more faithful than the rest,
Being as doubtful?

Aibric. I have called you master
Too many years to lift a hand against you.

Forgael. Maybe it is but natural to doubt me.
You've never known, I'd lay a wager on it,
A melancholy that a cup of wine,
A lucky battle, or a woman's kiss
Could not amend.

Aibric. I have good spirits enough.

Forgael. If you will give me all your mind awhile -
All, all, the very bottom of the bowl -
I'll show you that I am made differently,
That nothing can amend it but these waters,
Where I am rid of life - the events of the world -
What do you call it? - that old promise-breaker,
The cozening fortune-teller that comes whispering,
"You will have all you have wished for when you have earned
Land for your children or money in a ***.-
And when we have it we are no happier,
Because of that old draught under the door,
Or creaky shoes. And at the end of all
How are we better off than Seaghan the fool,
That never did a hand's turn? Aibric! Aibric!
We have fallen in the dreams the Ever-living
Breathe on the burnished mirror of the world
And then smooth out with ivory hands and sigh,
And find their laughter sweeter to the taste
For that brief sighing.

Aibric. If you had loved some woman -

Forgael. You say that also? You have heard the voices,
For that is what they say - all, all the shadows -
Aengus and Edain, those passionate wanderers,
And all the others; but it must be love
As they have known it. Now the secret's out;
For it is love that I am seeking for,
But of a beautiful, unheard-of kind
That is not in the world.

Aibric. And yet the world
Has beautiful women to please every man.

Forgael. But he that gets their love after the fashion
"Loves in brief longing and deceiving hope
And ****** tenderness, and finds that even
The bed of love, that in the imagination
Had seemed to be the giver of all peace,
Is no more than a wine-cup in the tasting,
And as soon finished.

Aibric. All that ever loved
Have loved that way - there is no other way.

Forgael. Yet never have two lovers kissed but they believed there was some other near at hand,
And almost wept because they could not find it.

Aibric. When they have twenty years; in middle life
They take a kiss for what a kiss is worth,
And let the dream go by.

Forgael. It's not a dream,
But the reality that makes our passion
As a lamp shadow - no - no lamp, the sun.
What the world's million lips are thirsting for
Must be substantial somewhere.

Aibric. I have heard the Druids
Mutter such things as they awake from trance.
It may be that the Ever-living know it -
No mortal can.

Forgael. Yes; if they give us help.

Aibric. They are besotting you as they besot
The crazy herdsman that will tell his fellows
That he has been all night upon the hills,
Riding to hurley, or in the battle-host
With the Ever-living.

Forgael. What if he speak the truth,
And for a dozen hours have been a part
Of that more powerful life?

Aibric. His wife knows better.
Has she not seen him lying like a log,
Or fumbling in a dream about the house?
And if she hear him mutter of wild riders,
She knows that it was but the cart-horse coughing
That set him to the fancy.

Forgael. All would be well
Could we but give us wholly to the dreams,
And get into their world that to the sense
Is shadow, and not linger wretchedly
Among substantial things; for it is dreams
That lift us to the flowing, changing world
That the heart longs for. What is love itself,
Even though it be the lightest of light love,
But dreams that hurry from beyond the world
To make low laughter more than meat and drink,
Though it but set us sighing? Fellow-wanderer,
Could we but mix ourselves into a dream,
Not in its image on the mirror!

Aibric. While
We're in the body that's impossible.

Forgael. And yet I cannot think they're leading me
To death; for they that promised to me love
As those that can outlive the moon have known it, '
Had the world's total life gathered up, it seemed,
Into their shining limbs - I've had great teachers.
Aengus and Edain ran up out of the wave -
You'd never doubt that it was life they promised
Had you looked on them face to face as I did,
With so red lips, and running on such feet,
And having such wide-open, shining eyes.

Aibric. It's certain they are leading you to death.
None but the dead, or those that never lived,
Can know that ecstasy. Forgael! Forgael!
They have made you follow the man-headed birds,
And you have told me that their journey lies
Towards the country of the dead.

Forgael. What matter
If I am going to my death? - for there,
Or somewhere, I shall find the love they have promised.
That much is certain. I shall find a woman.
One of the Ever-living, as I think -
One of the Laughing People - and she and I
Shall light upon a place in the world's core,
Where passion grows to be a changeless thing,
Like charmed apples made of chrysoprase,
Or chrysoberyl, or beryl, or chrysclite;
And there, in juggleries of sight and sense,
Become one movement, energy, delight,
Until the overburthened moon is dead.

[A number of Sailors enter hurriedly.]

First Sailor. Look there! there in the mist! a ship of spice!
And we are almost on her!

Second Sailor. We had not known
But for the ambergris and sandalwood.

First Sailor. NO; but opoponax and cinnamon.

Forgael [taking the tiller from Aibric].
The Ever-living have kept my bargain for me,
And paid you on the nail.

Aibric. Take up that rope
To make her fast while we are plundering her.

First Sailor. There is a king and queen upon her deck,
And where there is one woman there'll be others.

Aibric. Speak lower, or they'll hear.

First Sailor. They cannot hear;
They are too busy with each other. Look!
He has stooped down and kissed her on the lips.

Second Sailor. When she finds out we have better men aboard
She may not be too sorry in the end.

First Sailor. She will be like a wild cat; for these queens
Care more about the kegs of silver and gold
And the high fame that come to them in marriage,
Than a strong body and a ready hand.

Second Sailor. There's nobody is natural but a robber,
And that is why the world totters about
Upon its bandy legs.

Aibric. Run at them now,
And overpower the crew while yet asleep!

[The Sailors go out.]

[Voices and thc clashing of swords are heard from the other ship, which cannot be seen because of the sail.]

A Voice. Armed men have come upon us! O I am slain!

Another Voice. Wake all below!

Another Voice. Why have you broken our sleep?

First Voice. Armed men have come upon us! O I am slain!

Forgael [who has remained at the tiller].
There! there they come! Gull, gannet, or diver,
But with a man's head, or a fair woman's,
They hover over the masthead awhile
To wait their Fiends; but when their friends have come
They'll fly upon that secret way of theirs.
One - and one - a couple - five together;
And I will hear them talking in a minute.
Yes, voices! but I do not catch the words.
Now I can hear. There's one of them that says,
"How light we are, now we are changed to birds!'
Another answers, "Maybe we shall find
Our heart's desire now that we are so light.'
And then one asks another how he died,
And says, "A sword-blade pierced me in my sleep.-
And now they all wheel suddenly and fly
To the other side, and higher in the air.
And now a laggard with a woman's head down crying, "I have run upon the sword.
I have fled to my beloved in the air,
In the waste of the high air, that we may wander
Among the windy meadows of the dawn.'
But why are they still waiting? why are they
Circling and circling over the masthead?
What power that is more mighty than desire
To hurry to their hidden happiness
Withholds them now? Have the Ever-living Ones
A meaning in that circling overhead?
But what's the meaning?

[He cries out.] Why do you linger there?
Why linger? Run to your desire,
Are you not happy winged bodies now?

[His voice sinks again.]

Being too busy in the air and the high air,
They cannot hear my voice; but what's the meaning?

[The Sailors have returned. Dectora is with them.]

Forgael [turning and seeing her]. Why are you standing
with your eyes upon me?
You are not the world's core. O no, no, no!
That cannot be the meaning of the birds.
You are not its core. My teeth are in the world,
But have not bitten yet.

Dectora. I am a queen,
And ask for satisfaction upon these
Who have slain my husband and laid hands upon me.
[Breaking loose from the Sailors who are holding her.]
Let go my hands!

Forgael. Why do you cast a shadow?
Where do you come from? Who brought you to this place?
They would not send me one that casts a shadow.

Dectora. Would that the storm that overthrew my ships,
And drowned the treasures of nine conquered nations,
And blew me hither to my lasting sorrow,
Had drowned me also. But, being yet alive,
I ask a fitting punishment for all
That raised their hands against him.

Forgael. There are some
That weigh and measure all in these waste seas -
They that have all the wisdom that's in life,
And all that prophesying images
Made of dim gold rave out in secret tombs;
They have it that the plans of kings and queens
But laughter and tears - laughter, laughter, and tears;
That every man should carry his own soul
Upon his shoulders.

Dectora. You've nothing but wild words,
And I would know if you will give me vengeance.

Forgael. When she finds out I will not let her go -
When she knows that.

Dectora. What is it that you are muttering -
That you'll not let me go? I am a queen.

Forgael. Although you are more beautiful than any,
I almost long that it were possible;
But if I were to put you on that ship,
With sailors that were sworn to do your will,
And you had spread a sail for home, a wind
Would rise of a sudden, or a wave so huge
It had washed among the stars and put them out,
And beat the bulwark of your ship on mine,
Until you stood before me on the deck -
As now.

Dectora. Does wandering in these desolate seas
And listening to the cry of wind and wave
Bring madness?

Forgael. Queen, I am not mad.

Dectora. Yet say
That unimaginable storms of wind and wave
Would rise against me.

Forgael. No, I am not mad -
If it be not that hearing messages
From lasting watchers, that outlive the moon,
At the most quiet midnight is to be stricken.

Dectora. And did those watchers bid you take me
captive?

Forgael. Both you and I are taken in the net.
It was their hands that plucked the winds awake
And blew you hither; and their mouth

In a wayward adventure in curiosity —
lured away from savvy of cooler judgment,  
he oversteps the bounds of reality 
into a state of altered awareness.

Overwhelmed by a rapid beginning
of a buzzing sensation — The Rush;
emanating from deep inside him, 
surging along the veins streaming 

euphoria through cells of his entire body:  
inside the body, with warm pleasure waves
flushing over the by now tingling skin
soughing off all unpleasant feelings.

Mouth numbed, limbs heavy, and eyeballs 
rolling back from hitherto an unimaginable
state of bliss, he savours the calm explosions
of the pulsating bubbles in his head.

A magical moment of sheer ******* 
rapture—that ends in a lasting sedation—
during which he's dazed with wonderment
while covered by a cozy blanket of content.

He falls in love with the insidious drug.
And he begins to relish its sweet fruition
in a seemly pattern of use that is put
in the shade to protect his best interests.

A stake in normalcy that seeks to confine
his usage of the opioid to a social occasion.
But soon enough he drifts towards a regular
recreational use; indulging on weekends,

floating, flying, and soaring in wonderful
ripples of pure delight, feeling very mellow
and satisfied, in an illusionary paradise of
forgetfulness where nothing hurts any more.

Bit by bit as time goes by his body builds up
a tolerance for the sedative, prompting his
intake of higher and more frequent doses
to feel as well as to sustain the desired effect.

This occurs because his body attempts to
adapt to the presence of the drug by quickly
breaking it up and purging it out of the system,
thus making it less potent as it was before.

At this stage of his drug abuse he's still able to
control whether to use the stuff or not, where
and when to use it, without stress. He could
also abstain from the opioid fairly responsibly.

But at the limits of his body's flexible response
to the dangerous substance, he begins to suffer
from its unpleasant side-effects that show up
a short period of time following his last use.

The pleasurable, but short-term, therapeutic
effects of the hard drug are now being
overshadowed by several of its undesirable
withdrawal symptoms that manifest as:

fatigue, irritability, cold chills/sweat, itchy skin,
muscle spasms and tremors, body ache, and
stomach cramps among others, with an
increase in his body's cravings for the opioid.

The onset of these torturous side-effects of
the stimulant marks the beginning of his body's
physical dependence on it, as he now relies
on the drug to fend off the terrible affliction.

He has bitten at the bait of pleasure oblivious
of the hook beneath it. The once casual user,
who had thought he could quit the habit at will
without stress, has advanced to problematic use.

The drug has become an integral part of a daily
routine that is gradually heading towards chaos.
Regardless, he's still able to go to work and
take care of his day to day responsibilities.

In time, a new sickness begins to fester inside
him: the opioid is tightening its grip on him,
as his body's physical dependence on it
is now generating his addiction to the drug.

This psychological dependence on the drug
has set in with anxiety disorder accompanied
by emotional and behavioural problems:
the duo classic signs of a progressive disorder.

The drug has become something he needs
to sleep or to fully wake up. His sleeping
pattern has also been altered; up at night
and intermittently dozing off during the day.

As dosage of the narcotic rises, so does
the torture of the painful lows and other
symptoms of addiction, making his cravings
for the sedative increasely more intense.

As it is, he's needs several hits of the drug to
make it through the day. All at once he wants
to use! He begins to look forward to using.
He would ingest the drug in risky situations

such as, while at the wheels of his car or
working at his job; always desperate to avoid
withdrawal symptoms as well as to revel in
the bliss of the drug's comforting warmth.

At times he'd skip work 'chasing the dragon':
pursuing the out-of-reach elation levels of
his initial euphoric high, swinging between
feelings of mediocrity and that of ecstasy.

Always, his body would afterwards crash
below baseline, barely able to cater for his
daily needs. The habit has long ceased
to be the fun that it was intended to be.

Like a vicious cycle the relief from the opioid,
which is not justified by external reality,
is being obtained at the cost of the
worsening addiction and a spike in distress

whenever his body is low on the drug.
The more he indulges on the sedative
to calm his racing mind, the more
its comfort zone seems to be desired.

Disoriented in the rigours of his vice,
he strays in the abyss of drug addiction:
a dark, weary place where priority disorder 
is dictated by events outside of his control.

It is this corrupted impulse control that
causes his sick obsession with the narcotic,
rendering him unfit to articulate rational
thoughts: a chronic brain disorder.

In this harmful shift away from reality,  
utmost in his mind is the insidious drug:
over and above his job, his goals, family,
love, friends, hobbies and personal hygiene.

Oddly enough the foremost essentials of life
like water, food, and sleep are also not spared.
He could be ill and he won't care.
No other thoughts can cohabit in his world.

Emotionally invested in his fantasy world,
the toxic substance has kindled in him
an inner turmoil — setting off an overriding
feeling of emptiness that aches in his heart.

The habit much harder to lose than it was
to find: an ongoing effort to wean himself off
the drug is being crushed by a dysphoric mood
and a sickly feeling that intensify in severity.

These horrifying withdrawal symptoms
are a result of the sedative's induced
alterations in the biochemistry of his
brain's system of reward and punishment.

Instead of a mild, blissful flow of the brain's
happy hormones, as is experienced while
one is indulging in a tasty food, on receiving
a great news, or while engaged in any other

kinds of novelty that fill us with a delicious
pleasure, the opioid whose chemical structure
is similar to that of the natural chemical
messengers of the brain, Happy Hormones,

by mimicking these primary drivers of the
brain's reward system the psychoactive 
drug sends a false signal of euphoria to
the complex *****, triggering an instant

and fast secretion of an abnormally large
amount of the 'feel-good hormones', that
begin to surge along its pleasure pathways
overwhelming the reward centre of the brain.

It is this huge outpouring of happy hormones
in the region that elicites in him a sudden
burst of energy, a pleasant state of mild
drowsiness, mental alertness, relaxation, ...

This already intense, euphoric effect of the
opioid is further amplified by the drug's
blocking of the pain partways of the reward
system, thus dulling his emotions and worries

by eliminating any feeling of sorrow, regret,
guilt, fear, or loneliness. Upon intake of the
mood-altering drug, he would feel warm when
cold, calm when angry, bright when grumpy,

filled when hungry and happy when irritable,
with almost a total refrain from the tendency
to view anything in bad light. This dramatic
result makes every normal thing look better

and brings forth a deep sense of satisfaction
as though all his needs have been met.
However, this almost perfectly desirable 
body and mind experience is an artificial

feeling that only lasts a few hours at most.
When the drug's effects wear off, because
the brain, which has come to rely on the steady
supply of happy hormones, cannot adjust

all at once, it gets stuck in overdrive which
results in the withdrawal symptoms. It is so
because his brain, whose system of reward
and punishment has been tampered with,

seeks to counteract and accomodate for
the sweet thrills of the drug's euphoric high,
by secreting much less happy hormones while
the foodgate of pain hormones is thrown open.

Just like a huge surge of happy hormones
elicits unnatural levels of euphorical pleasure,
a spike in flow of pain hormones produce
in him the torturous withdrawal symptoms.

These unwanted side-effects whose rise and
fall are subject to drug levels in the system,
is the debt he has to pay for the supreme
bliss that is relished during his opioid highs.

It is all about his brain seeking to maintain
Homeostasis: a normal, healthy body function.
Once he's able to amerce with penance due,
he'll feel good again with no need for the drug.

Another flip side of the illicit habit is that over
time, the regular surge in happy hormones
disrupts the resilience of the reward region
of the brain, causing physical changes that

have drastically reduced his brain's ability
to produce the 'pleasure juices', or respond
to any stimulus other than the one being
triggered by the psychoactive substance.

This is clearly seen in his lost of interest in
activities that he once enjoyed, since his brain
suffers from lack of happy hormones which
influence one's capacity to be in a good mood.

Because the narcotic has also disrupted
activities in the control region of the brain,
his whole thought pattern, perspective and
behaviour, all radically change along with it.

It is this reprogramming of his brain that has
altered the interior reality of his mind, in ways
that result in him going into 'survival mode'
in the absence of the drug during a withdrawal.

While in this irritable, aggressive and erratic
state, he would forego anything and everything
to obtain the narcotic because he's thinking
of his drug use the same way an individual 

who is parched with thirst thinks of water.
This desperation in seeking out the drug as
a vital lifeline is due to his compromised brain
'thinking' it needs it as a matter of survival.

A habit he had maintained at the outset
because it made him feel extremely good
has tuned against him, quite often, coercing
him to use for the avoidance of pain.

The sedative as dear and painful to him
as an imbecilic child is to its mother,  
he continues on the foreboding route 
for which he has no power of deviation.

Despairing in the clutches of addiction,
the drugs traumatize him, they infuse
toxins into his spine, and he wouldn't
know whether he's coming or going.

He's kept on saying to himself, 'I'm going
to quit for good after using one last time.'
But that remains to be seen as the drug
goes on dulling his inner light day by day.

In a downward spiral that stuns those 
acquainted with him, he loses his job,
his car is repoed, and he's evicted from
a nice home that had been stripped bare.

Drowning in unpaid bills and desperately
in debt having blown an entire life-savings
on the drug, the loss of everything and a few
remaining friends leaves him fatally devastated.

The dangerous drug has evoked a negative
ripple that is felt throughout all that he's
part of. An awful realization that settles in
with cold clarity, eliciting a lurch of dismay

over his dire ignorance about the drug
which has led to the ugly entrapment.
In deep, sorrowful thoughts consumed
with self-loathing he puts a curse upon

the day he first laid eyes on the hard drug.
With the best resolve he's able to muster,
driven by exasperation to kick the habit,
he strives to make his will like stone —

a facade that is soon razed by his urgent need
for the ****** to stave off withdrawal. With a
burden of guilt and shame that can't be faced
he retreats into the haze of his own misery.

With more problems and stresses than ever
he plunges from troubled life to no life,
completely losing touch with reality as the
disorder assumes a more dangerous form.

His fixation on the ****** has taken a turn for
the worst. Besides his strong cravings for it
to ward off withdrawal as well as to experience
its euphoric high again, it has become more

crucial than ever for him to keep his emotions
constantly desensitised to life, by numbing
the agony of living to ease the passage of
day with purchased relief from the sedative.

Locked in this highly destructive pattern
of drug use, he would stop at nothing
to feed the habit: he would cheat, steal,
lie or betray no matter who to get his 'fix'.

Like the spreading of cancer in the body,  
his affliction has metastasized way 
beyond him, chipping away at the sense
of wellbeing of everyone around him.

As frequent and ready targets for theft
his family have to always watch out for him,
in a resentful relations in which they never
could feel at easy with him around their home.

Wallets, jewellery, gadgets, or any other
easy to carry household valuables, that are
not safely locked away, will go missing.
For days at a time he, too, will vanish.

He'd eventually return like the 'prodigal son'.
Always, he's found the door open after
prolonged periods of avoiding home, even
on occasions when he'd been kicked out.

In the many months gone since losing his
source of livelihood, he's been pushed
into a number of rehabilitation facilities,
but as yet has failed to clean up his act.

He's also been in and out of rehab thrice
following hospital discharges for drug
overdose. On the last occasion, he was
found passed out in the family's bathtub.

Timely arrival of the paramedics had saved
his life. Notwithstanding, a nagging urge
to 'use' continues to feed and reinforce
the habit after each discharge from rehab.

It's been most upsetting to the parents
who have had to watch him visibly change
before their eyes: from a good, healthy
son, who had always had his act together,

to as it is, a thin, patchy-skinned loner with
a baffled demeanour — who buries his head
in low self-esteem to conceal the frequent
dilated and glassy pupils from mutual gaze.

Nothing points more to the helplessness 
of the family's plight than having to finally
admit to their little, or no influence, over
the ravages of the stigmatized disorder.

A harrowing experience for a household
whose life-savings, along with compassion
for him, have completely been exhausted
with no more tears remaining to shed.

The hurting family at the end of its tether
confronts him with an ultimatum:
to get his life in order or face the music.
Coldly, they all watch him leave home.

His descent into the final stages of rock-
bottom has been swift. He starts by crashing
on fellow addicts' couches and floors,
but soon his welcome quickly wears out.

Now among the ranks of the homeless the
hobo would wake up feeling sick, and his day
would consist of shoplifting, petty thefts,
begging, and struggling to find others ways

to obtain money in order to feed the habit.
At nights, even on stormy ones, the rough
sleeper would crash wherever there's shelter,
never worrying about waking up the next day.

A hellish existence on the street that has
provoked a string of run-ins with the law. 
Nabbed stealing on ill-fated occasions,
he's manhandled in a most indecent way.

Tired, hungry and sick, the erstwhile ray of
hope, who once had a strong sense of self,
is currently a nervous wreck who envisages
life through the lens of opioid stupor.

Much beyond his ability to ask for help, 
his hurting family proceed to rescue him.
Under the humbling load of drug addiction
he staggers into another rehab facility.

But the often slippery climb to recovery
is never easy. It's yet another chance for him
to submit to a slow and delicate therapy on
his brain, whose structure and functions are

badly impacted by years-long use of the drug.
The healing process is a labour of discipline
and commitment, coupled with patience
in order to allow the brain to adapt back

toward normalcy by gradually regenerating
and rebalancing itself. In a gruelling task he's
expected to learn to care for a body that
now must struggle to work in a different way.

Desiring to put their lives back together many
druggies have been able to crawl their way out
of the murky shadow — a big chunk of them
through the guiding light of structured help.

Amongst them were 'walking corpses' whom
possessed by their 'enough is enough', were
enabled to find the inner fire vitally needed
to rekindle the cold embers of self-image.

There's the fella cast adrift feeling wholly
disconnected from self and the world.
He's mourning the loss of a vital lifeline
that has always helped him cope with life.

He had been through it many times before,
the fatigue, stomach cramps, aches, itchy skin, ...
But, he's in the early stages of withdrawal when
cravings for the narcotic are at their worst.

This initial withdrawal agony is the biggest
hurdle any addict has to overcome in the often
stop-start journey to recovery. If he could
somehow find the courage to suffer through it,

the fierce and ceaseless cravings for the drug
would be considerably reduced, making
them easier for him to deal with. Eventually,
they will dissipate the longer he stays sober.

He's being offered a way out of his captivity,
but he's unable to embrace the opportunity
with open arms because the addiction,
which convinces him the only option available

is to indulge on the drug, is blocking him from
seeing the available escape route. It has shut
off his ability to get up on the inside to face
the seeming overwhelming barriers to sobriety.

Like one in the grip of Stockholm Syndrome,
he has developed a type of trauma bonding
with the treacherous drug: the more it hurts
him, the more his irrational affection for it.

With his consciousness constantly revolving
around the insidious substance, he just
can't imagine a chronic user like him
being sober and happy again without it.

That being the case, he fails to see any point
in struggling to remain sober when in such
times he's beset by an awful illness attended
by a serious depression that is no help.

Regardless of the wreckage of his past,
everything that is dear to him plus the very
essence of life on the line, he's left convinced
that giving up the destructive habit would

mean endless suffering and feeling deprived
for the rest of his already sad existence.
More than any other reasons, he just
won't quit because he's powerless to resist.

In default of any dreams of ever recouping
losses that are manifestly out of reach,
the drug with a firm grip on him serves 
as a buffer to keep his ugly reality at bay.

All that he wants is to return to the 'loving
arms' of the opioid, very much aware that
the feeling of the drug's high now that he's
in pain can be one of the best things ever.

But even so, as tempting as the desire to jump
the healing process may be, he's bitterly
mindful of the horrors of street life that
loom upon him with such frightening aspect.

Savagely trapped with no good choices he
slips into a real fear of relapse. In anguish
withdrawal and cravings plague him daily,
and they won't allow him a moment's peace.

Utterly incapable of rising from the ashes 
to hold it all together—no hope—
nothing to hope for—everything out 
of focus—mind spiraling out of control.

In a fit of extreme anxiety the now rampaging
urge to 'use' prods him, closer and closer,
to the brink of a nervous breakdown. Suddenly,
his need for a 'hit' becomes most vital as.

Sweating profusely and trembling all over
with fear clutching a pilfered smartphone,
forgetful of future suffering the rehab
jumper hurries along the forbidden path.

All alone with the merciless companion: 
nowhere to go and no one to turn to. 
Wretchedly wretched in additive agony
the ****** fades away into nothingness.








AUTHOR'S NOTE


The Abyss Of Drug Addiction is written in 112 non-rhyming quatrains.

The rendition is a poignant story depicting the sad existence of many drug users. The verse uncovers and illuminates, step by step, the different stages of drug addiction and the mental processes of the unable to function drug users.

The paramount aim of the work is to shed some light on the sinister shadow of drug addiction: to unveil to all and sundry, especially teenagers and the youths, the hazards of drug abuse and the vicious downward spiral that can be caused by it. 

Just as the euphoric experience of all kinds of hard drugs differ significantly, so are their withdrawal symptoms. Despite their seeming surface unrelatedness, whichever hard drug it may be, the creation of an illegal and dangerous dependency in users is a common denominator.

[The Rush is described as a feeling very much like a heightened and prolonged ****** ******. A great relieve of tension. It is mostly felt when ****** or any of it's derivatives opioids/opiates is administered intravenously].

In quite a disturbing hyperbole a ****** addict described the drug's EUPHORIC RUSH as follows:
"Take the best (******) ****** you've ever had, multipy it a billion and you're still no where near it... "

a babe
having a baby
thinking all is just rosy
cute lil nose
   wiggly toes
soft skin
   cute laugh
fashionable clothes
teeny, tiny shoes
in all colors...
little hands reaching
to capture your heart

then...


ear shattering screams
   dream stomping cries
wretchedly soiled diapers
   colic
chicken pox
   measles
mumps
   ear ache
tooth aches
   bruised knees
stitched cuts
school friends
   best friends
bullies
   first loves
soft crying from her room

but always
   always

little hands reaching
to capture your heart.

Wash it off!
The marks of a past as dim as a solar eclipse cast on your gaze.
Useless, it is already written in the depths of your face,
As black as ink, there lingers a truth within it, hidden behind feelings.
The endless pain is brushing with the wind through your hair,
Oh life what is the reason for you to always lead towards an inenvitable death, leaving what you once were proud of, behind ?
Since you seem not to understand it fully, I want to teach it to you in the realm of the dead, in the loitering darkness one day when it is already far too late to turn your back to the fate you are running from,
So please seek the answers now, don't ever turn away!
Even if you should continue this lonesome path wretchedly,
As long as you are living, you can still shine and illuminate anothers spirit, just like the moon does in the darkest of all nights,
Even still if your past has left your tortured, frightened soul...
As black as ink.

~ Umi

Disclaimer: I did this as a creative rewrite for one of my university lit courses, and all the inspiration and quotes belong to Robert Browning the original writer of "My Last Duchess"

HIS LAST DUCHESS
ARRIVEDERCI
“That’s my last Duchess painted on the wall,
Looking as if she were alive.” (I’m not)
Alas! Me, “a wonder.” He calls.
Now wretchedly refined and pasteurized.
To be consumed, now, for genteel eyes.
Pity! Should you ever see me roll mine.
Behind those curtains, you might have been surprised
To see my countenance whimpering
At you Sir; and seething, at Him.
Must you not be fooled by that sickly decorum
Upon which his manly pride resides.
The Duke—what rich talent in envy he has,
And of pithy idiosyncrasies! Pardon me now
As I speak of his infamies: Is it not,
Too preposterous of a Duke, to sulk
And take offense, over a blush?
(As if the blush was his to wield and shun.)
Am I not allowed to flush at all?
And must I be ashamed of being swooned
By the casual offers of life’s grandiosities?
Each and every, dropping of the daylight,
Ripen cherries in May and chivalrous gentlemen,
my dear white mule; must I then weep
at them all, only to prove my fancy for him.
And when does gracious gratitude itself
become in vain: a finite honour—
deemed excessive elsewhere?
Never had he plucked me out, for censure,
Before he gave commands, I knew he did
To pluck the smile out of my face.
Utterly clueless—he thought I was
To find myself throttled, for immodesty.
A wife, an appendage to a Duke,
Loosely felled, to stroke a green-eyed ego.
My fault it seems, is a mere generosity
Of affection: falsely opined, if not
Misread, to fare a defect of temperament,
A chronic malady, doth be cured by death.
To cement the farce he will, soon, bring you
Downstairs to meet a friend. (a fiend)
A prized possession: Neptune, taming a sea-horse.
His hubris incarnate, cast in bronze.
But you must know the truth, for the sea-horse
Did not perish for naught, she is freed from him
At last.

I swirled my fingertips on the surface of the water and sent a message across with shiny, glossy ripples that grew slowly, and gracefully. He kneeled on the other side of the moonlit pond and watched as the ripples from my fingertips reached him. He cupped the ripples of the water into his palm and drank the cold water, sighing happily.
“What does it taste like?” I whispered hoarsely, as loud as I dared to be while knowing we would be reprimanded fiercely for sneaking out of the huts at this time of night.
“Love” he called back.
I burst out laughing in panting breaths and tried to stifle the noise with my fists. I heard him bellow out, and the echoes rang freely through the woods before he quickly shoved his face into the water and laughed in there, the bubbles of his laughter surfacing violently.
“You idiot” I whispered joyfully when he brought his head up from the water, his dark hair curled against his forehead, “I didn’t even write anything to do with love. I wrote how foolish of a boy you are.”
“And you still stick with me so that’s love isn’t it?” he teased me. His finger tips swirled in the water for a minute. “Your turn to taste, Masra”
I waited till the ripples hit the side of the pond and quickly dipped my tongue in and lapped the water. I pursed my lips, pretending to debate what his message was. The surface of the black water was littered with reflection of the stars. It was so beautiful that I momentarily forgot the little game we were playing and gasped, “Oh stars!”
He took a quick intake of breath and stared up at me with wide eyes. “Really?” he asked in an unbelieving tone.
“What do you mean?”
“Stars?” he asked again, sounding like a sweet little confused child.
“Yes!” I laughed. “Stars!” and I splashed the surface of the water to show him.
He shook his head. “I can’t believe you could read, I mean, taste that... That’s incredible…”
It took me a second to realize what he was talking about. I decided to play along anyways and whispered dramatically, “Yeah, but I didn’t know what you were trying to say”
“A million stones on fire with wishes
Yet the brightest star is not up there” he recited his favorite lines from an old love poem.
“You are disgustingly soppy” I got up from kneeling by the pond and treaded softly on the dry leaves so that they wouldn’t crackle so loud. Reaching him, I kneeled down beside him and ran my fingers through his curly wet locks. His dark eyelashes were still wet with water and the chestnut eyes gleamed brightly.
I curled into his lap comfortably like a cat and he rolled over with me lying on top, while his strong arms held me. I buried my face into the skin of his beautiful brown neck and inhaled the sweet, musky smell. Reab smoothed my hair before murmuring huskily, “Why do you always do that?”
“It smells like you, the old Reab smell. It makes me feel safe and warm and happy.”
“I love you.”
“Do you think we’ll always be happy like this?” I asked, speaking of my deepest fear.
“I will never stop loving you, if that’s what you mean. And if we are caught sneaking out, I’m pretty sure no one would be too surprised. They all know from the way I look at you I intend to marry you when Chief thinks you’re old enough and finally say okay.”
I laughed at the thought of Chief being able to give me away.
With my parents both gone since I was a baby, Chief had adopted me as his daughter and he loved me tremendously for all his lecturing ways. Reab laughed a little too but without any fear of Chief rejecting him. Chief loved Reab too and approved of us most of the time.
“Do you remember when he caught us making ‘sheep-eyes’ at each other as he put it and he was furious?” We chuckled at the memory of Chief turning storm on us, declaring we were too young.
“What would he say now?” he turned my face to face his and kissed me for a while, with the wind blowing the tendrils of my hair on his face. He smiled mid-way through our kiss, for the soft strands of my hair on his face always tickled him.
I didn’t want to continue with my question after that happy moment. But I had to; he was the only man who would tell me the truth. “Our tribe has enemies. We have many men, many strong men… but I know we are in a constant threat. I have seen the midnight meetings you men hold when you think we are asleep and more weapons that normal are being made nowadays.”
He looked at me with sad eyes; with so much love and desire burning in them that my own eyes began to swell up with tears. I fluttered my lids to get rid of the wetness but he reached over and caught a tear on his pinky and licked it. Then he licked all the tears off my face and I giggled as his tongue flicked over the tearstains on my cheeks.
“The tribe is in some danger. You and I are not. I will love you forever.” I shook my head and was about to interrupt with another fearful question when he continued, “You know what Chief always says. We don’t live just one life. I loved you since we were babies. You know what I think?”
“What?” I asked, his voice slightly soothing my fears.
“I think I’ve known you before. There’s no way you can know someone the way I know you in the short life time we’ve lived. This is not the first time we’ve met.”
“You’re not worried if a battle comes we won’t be together?”
“No.” he answered and kissed my forehead.
“Why?” I couldn’t get rid off the idea of such a terrible fate.
“I think…” he struggled to get the words out, “I think we’ll always be together somehow. Masra, I’m… I’m just not afraid”
We lay there for a while until I fell asleep in his arms. I was awoken a little later with him shaking me softly for us to sneak back into our own huts.
There was a little advantage in having both my parents gone. Lela, my cousin who shared the hut with me, stirred only a little as I crept back in.



“I’ve been hearing from your sister that lately you have been waking very late. I don’t approve of this laziness.” Chief said to me as I sat on the floor of his hut, admiring the new spear he had just made. I sharpened the stone a little for him and smiled up brightly. His face softened. Chief was not usually an easy person to get around, but he always said he loved me more than was good for me. “I saw Reab today. He didn’t look so alert and awake.”
My mind clicked into place as I realized Chief had his suspicions. “Reab?” I inquired with an innocent expression. “Is he ill?”
“He just looked tired.” Chief replied with raised eyebrows, his eyes were a little puzzled. I had fooled him for now.
I balanced the spear in my hand. “You hold a spear too well for a woman” he grunted. “Spending too much time with me, I suppose. You should spend more time with your sister Lela. It would have been different if your mother was still alive. She would’ve taught you some womanly manners.”
“I think I’m feminine enough.”
“Look at you, blundering around after the men of the village, killing creatures and planning your attack even better than my men.”
“I don’t plan Chief; it just comes to me”
“Making it even worst!” he cried with a hidden pride.
I burst out laughing and bade him good night. He ruffled my hair fondly. “You go to sleep now Masra. Get some good sleep. Tell Reab that too” his eyes sparkled wickedly. Perhaps I hadn’t fooled him after all.
“You tell Reab, won’t you? I won’t see him till tomorrow morning.” I replied demurely.



And here passed, long uneventful days with the occasional nights that Reab and I would sneak out of the huts to spend the cool nights together and forcing ourselves out of bed at the crack of dawn along with the villagers, exhausted but happy. I suspected Chief still had his own wary thoughts, but with a denial somewhere in his mind, he did not seek to expose the truth or confine stricter rules on me through Lela. The few months that went by, I watched as Reab grew from a boy to a man.
A man I loved more than life itself.
One night, as I was lying in his arms I poked a thumb against his forehead and breathed out happily before nestling into his chest.
“What?” he asked me, amused at my random, loving behavior.
“I like to check that you’re real.”
He had no words in reply to that but tightened his hold on me, and swiftly kissed my dark hair with a sudden passion. His fingers caressed my head, and he inhaled the flowery perfume from the brown strands clutched in his hand.
“I wish you a long and happy life.” I whispered softly, afraid of the feelings that were surging through me.
“With you.” he replied back.
“No. Not just with me… anywhere… as long as you’re happy.”
“So with you then…”
Some days after that night, when it was pouring so furiously everyone had retreated back into their huts to cozy up, gossip, and flirt while warming their hands on hot wooden mugs we snuck off and climbed a special tree.
It was special because it was a giant, and very old with gnarled branches and knobs that made it easy to grip on with our toes, but the trunk itself was as smooth as a baby’s skin. It overlooked most of the village and the canopy was so thick it protected us from the rain except for the small wet drops that would escape through.
The tree stood apart from the woods and was very difficult to get to. One had to climb several other trees to reach it, ducking in and out of the tangle of branches up in the canopy like a maze. Only Reab and I had spent enough time up there to discover the path in reaching it. We were yet to discover how to reach it without getting scratches and bleeding scabs all over our skin.
Every time the thunder roared deafeningly Reab would yell, “I love you!” and no one could hear but Reab, the heavens, our special little tree and I.
He was so beautiful; like a lithe dangerous animal and his muscles were graceful and strong as he climbed around on the branches. I wished for the rest of our days to be like this and I remembered the lines he had recited to me only a little while ago,
““A million stones on fire with wishes
Yet the brightest star is not up there”

*

A distant roar erupted. The stars had not granted my wish, they had granted my deepest fear. The sound of drums rumbled steadily over the noise of screaming villagers, over the noise of animal fear in those I loved and lived with.
It was the sign that our enemies were finally in sight. We had been waiting for there attack all year long.
Lela grabbed me by the arm. “The chief says all women must flee!” she gasped and choked. Her eyes were leaking with tears. I stubbornly shook away her hand and I could see the desperateness growing in her eyes.
“There is no time to cry Lela”, I tried saying confidently but my voice shook. “Where is Reab?”
Even in her hysterical state she did not want to answer the question I already knew the answer to. “Where is Reab?” I repeated. When she did not reply I narrowed my eyes.
In the face of danger I had never been woman-like and cowered.
Chief had raised me stare any wild beast straight into its cold, predatory eyes before slaying it. I was not unfamiliar to thrusting a jagged dagger into the heart of danger.
I would not leave a man I loved behind like the running footsteps of women carrying their babies, pushing old people along, and dragging wailing children were doing.
I would not leave and I would fight when I could.
Lela stared at me as if she’d just read my mind.  “You may not fight Masra!” she cried. I pushed her aside.
“Help the women evacuate! Grab a baby, help a village elderly; just do it Lela!” I yelled violently and ran through the women who were running towards the woods.
I shoved women aside to get to the battle. My long legs tangled with the other woman, and I fell on my knees. They were both bleeding badly when I got up. Running with my knees stinging, a huge man suddenly grabbed me and swung me to face him. For one moment, I thought he was Reab and I clutched onto him; then I saw it was Chief, and I clutched to him even tighter.
“Chief, please don’t make me go away! Please let me fight with you!” I was screeching and begging with no sanity left in me.
He smiled weakly, “I wanted you to come without little Lela, I knew you would be headed this way. I have not much time Masra, my men need me. I have something I want to give you to make sure you will be safe enough to last through this war if I die,” he spoke softly.
I shook my head and hugged him. “But- but you- you wont!”
Chief gave me a sad smile. “I don’t know that.”
His brown hands reached to his neck and tugged a simple black leather string free. He shoved it into my hands. “Remember this, Masra. Just say to it, ‘Jack, Jack, shine the light’ when you feel there is nobody left in the world for you. Be ready for what happens. Goodbye Masra…”
He touched my cheek and warmth spread though me, momentarily making me feel safe.
“Why Jack?” I asked wretchedly, in a detached curiosity and trying to prolong the moment that Chief would be safe.
Jack was a commoner’s name; no one in our tribe was called Jack. We all had strong, powerful names that spoke of destiny, truth and purity.
“Chief Traben!” a man cried from the noises of surging mob of warriors.
“Go, Masra, go!” Chief said hurriedly, and pushed me away before whipping out of sight.
Chief had been like my best friend, my big brother and … my father. I wanted to fight with him, for him. But I knew in doing that, I would go against his wishes, and that was the last thing I would ever want to do.
A sudden thought made me realize I did not have to fight. I just had to be there or I would **** somebody in my own village for leaving behind loved ones. I knotted the black leather string determinedly on my neck.
I ran to the bottom of a slippery tree and climbed up to the canopy and began to duck in and out, swinging between and onto branches in the maze-like chaos of sticks and concentrated leaves to get to the special tree Reab and I shared.
I hid among the thick tangle; so thick no arrows would be able to pierce me and no enemy would see me. Growling and cursing myself, I remembered I carried no weapons with me and hastily patted my clothing to check again.
Then I remembered it would be useless to have any weapons unless I intended to go down there, for the abundant tangle worked both ways. A spear thrown from where I was would only get stuck in the dense branches below.
I could see the battle though, and that was enough: for now. I searched vainly for Reab, scampering along the top, trying to find where Reab was. I was wild with fury for him for coming.
He was just a boy, newly turned a man. He could still run and hide without shame. When I had him back in my arms again, I was sure to hit him and berate him for choosing to fight for me instead of being safe for me.
It never occurred to me once that Reab might be dead.
It still didn’t occur to me when I saw his body lying on the dirt below, with a man from a village - someone I couldn’t recognize from this height- dragging him. I shouted out, careless of the arrows of enemies.
For the first time in my life, I was terrified of blood: the blood that was seeping out of the wound on his stomach. I didn’t think he was dead; I believed he was injured and I thought of all the herbal concoctions I knew that I could paste over the wound to clean and heal it.
It still didn’t occur to me Reab was dead when the man left him by the bottom of a tree to return and fight. The men in our village did not leave those who could be healed. They stayed and helped them heal to the best of their ability before hiding their healing bodies’ safe in a bush. They only left behind those they could do no more for.
I trembled at anger in the neglect one of our men villagers had shown Reab; the disrespect in it. I would **** him if he were not killing our enemy. Somehow, in the wild pulsing of my body, I found myself climbing down and creeping stealthily to where Reab was and pulling him to safety in a bush.
When he was safe in the bushes, I held him and whispered to him that I was here. I said hold on Reab and I would go and make sure he was safe. I was sobbing. I could not comprehend what was happening for my mind had gone numb and blank.
How could a man who I loved so much bleed so much? All I knew was Reab was not moving in my arms and he must be terribly hurt.
I pressed my fingers to the blood on his stomach. I knew no man could have survived such a wound and so much lo

At a party [many people, dressed nice, cocktails
going round] someone I guess awoke to my presence
as if I’d just appeared out of nowhere or something
and asked me [totally circular eyes, spearing pupils]
like this: And what do you do? I looked at him, and I
don’t know what face I made, but what I wanted to
look like was something to this effect, matter-of-factly:
Well, what do you think I do? Obviously, I simply
try to avoid, day by day,
a wretchedly hopeless case of dismal ennui.
I try to endure, as stoically I can, the
inner doggerel convulsions
and mawkish throes educed by the
realization of transcendental insignificance
(or, otherwise: paradoxically substantial nothingness)
that imbues all hope of Elysian ecstasy and
reduces it to but the terrifyingly
ineluctable fact that we are essentially
impotent holograms functioning by the fixed fractal geometry
of a dynamic and chaotic, kaleidomosaic-like reality,
which, as eternally self-transforming and
forever utterly inconceivable,
is devoid of any certainty, absolute truth
and, most of all, compassion.
Furthermore, when I look at you, I see a deaf-mute
reflection of a reflection of myself, and
to be morbidly honest, I don’t
know what I can tell you that would
make any difference to the fact that, freely or
not, we are both, you and I, just passing
through our lonely, fathomless, patterned
deserts, blinded and lured by the Fata
Morgana of our sadly sublimated
consciousnesses, due to which, undulating up ahead
of us in a chimerical haze, we are
conditioned to think, fatuously, that we know,
or that it’s possible even to know, that
it means something to love or not to love, that it
matters at all whether we are alone or
not, and that, at the point of death, there will be
something, somewhere, that will condense
somehow out of this
nauseatingly numinous fog and, like a deserved,
blissful wash of our “souls”—like a salvation!—
will come to justify the inanities
and insanities of our mundane life as just the
confusing buildup to a final and triumphantly
epiphanic crystallization in which, at last,
we will truly understand, unquestionably, the meaning of I,
the meaning of you, the meaning of truth,
and the meaning of meaning—I mean, honestly sir.
What do you do?
That’s what I hope my face looked like, but I guess it
must’ve looked like something else, or maybe I said
something, because the man just raised both his brows
[his left one slightly more than his right] and stared
me down in mocked awe, on the verge of superciliousness.
His eyes slowly receded like a tide imperceptibly towards
the back of his skull, his lips pursed, parched, and pitying.
Then he nodded complaisantly, too energetically, saying:
Oh, how interesting! Did you always see yourself getting
into something like that? Mmhmm. Hmm! [and so forth]
And how do you like that? Mmhmm. [and so forth] And
the pay? Mmhmm [etcetera]. After I’d finished answering
some of his questions, I said: If you’ll excuse me, I just saw
a friend of mine, I really should go and say hi, but what a
pleasure it was to talk to you, sir. Take care!
And I excused myself.

When the child of morning, rosy-fingered Dawn, appeared,
Telemachus bound on his sandals and took a strong spear that suited
his hands, for he wanted to go into the city. “Old friend,” said he to
the swineherd, “I will now go to the town and show myself to my
mother, for she will never leave off grieving till she has seen me. As
for this unfortunate stranger, take him to the town and let him beg
there of any one who will give him a drink and a piece of bread. I
have trouble enough of my own, and cannot be burdened with other
people. If this makes him angry so much the worse for him, but I
like to say what I mean.”
  Then Ulysses said, “Sir, I do not want to stay here; a beggar can
always do better in town than country, for any one who likes can
give him something. I am too old to care about remaining here at the
beck and call of a master. Therefore let this man do as you have
just told him, and take me to the town as soon as I have had a warm by
the fire, and the day has got a little heat in it. My clothes are
wretchedly thin, and this frosty morning I shall be perished with
cold, for you say the city is some way off.”
  On this Telemachus strode off through the yards, brooding his
revenge upon the When he reached home he stood his spear against a
bearing-post of the cloister, crossed the stone floor of the
cloister itself, and went inside.
  Nurse Euryclea saw him long before any one else did. She was putting
the fleeces on to the seats, and she burst out crying as she ran up to
him; all the other maids came up too, and covered his head and
shoulders with their kisses. Penelope came out of her room looking
like Diana or Venus, and wept as she flung her arms about her son. She
kissed his forehead and both his beautiful eyes, “Light of my eyes,”
she cried as she spoke fondly to him, “so you are come home again; I
made sure I was never going to see you any more. To think of your
having gone off to Pylos without saying anything about it or obtaining
my consent. But come, tell me what you saw.”
  “Do not scold me, mother,’ answered Telemachus, “nor vex me,
seeing what a narrow escape I have had, but wash your face, change
your dress, go upstairs with your maids, and promise full and
sufficient hecatombs to all the gods if Jove will only grant us our
revenge upon the suitors. I must now go to the place of assembly to
invite a stranger who has come back with me from Pylos. I sent him
on with my crew, and told Piraeus to take him home and look after
him till I could come for him myself.”
  She heeded her son’s words, washed her face, changed her dress,
and vowed full and sufficient hecatombs to all the gods if they
would only vouchsafe her revenge upon the suitors.
  Telemachus went through, and out of, the cloisters spear in hand-
not alone, for his two fleet dogs went with him. Minerva endowed him
with a presence of such divine comeliness that all marvelled at him as
he went by, and the suitors gathered round him with fair words in
their mouths and malice in their hearts; but he avoided them, and went
to sit with Mentor, Antiphus, and Halitherses, old friends of his
father’s house, and they made him tell them all that had happened to
him. Then Piraeus came up with Theoclymenus, whom he had escorted
through the town to the place of assembly, whereon Telemachus at
once joined them. Piraeus was first to speak: “Telemachus,” said he,
“I wish you would send some of your women to my house to take awa
the presents Menelaus gave you.”
  “We do not know, Piraeus,” answered Telemachus, “what may happen. If
the suitors **** me in my own house and divide my property among them,
I would rather you had the presents than that any of those people
should get hold of them. If on the other hand I manage to **** them, I
shall be much obliged if you will kindly bring me my presents.”
  With these words he took Theoclymenus to his own house. When they
got there they laid their cloaks on the benches and seats, went into
the baths, and washed themselves. When the maids had washed and
anointed them, and had given them cloaks and shirts, they took their
seats at table. A maid servant then brought them water in a
beautiful golden ewer, and poured it into a silver basin for them to
wash their hands; and she drew a clean table beside them. An upper
servant brought them bread and offered them many good things of what
there was in the house. Opposite them sat Penelope, reclining on a
couch by one of the bearing-posts of the cloister, and spinning.
Then they laid their hands on the good things that were before them,
and as soon as they had had enough to eat and drink Penelope said:
  “Telemachus, I shall go upstairs and lie down on that sad couch,
which I have not ceased to water with my tears, from the day Ulysses
set out for Troy with the sons of Atreus. You failed, however, to make
it clear to me before the suitors came back to the house, whether or
no you had been able to hear anything about the return of your
father.”
  “I will tell you then truth,” replied her son. “We went to Pylos and
saw Nestor, who took me to his house and treated me as hospitably as
though I were a son of his own who had just returned after a long
absence; so also did his sons; but he said he had not heard a word
from any human being about Ulysses, whether he was alive or dead. He
sent me, therefore, with a chariot and horses to Menelaus. There I saw
Helen, for whose sake so many, both Argives and Trojans, were in
heaven’s wisdom doomed to suffer. Menelaus asked me what it was that
had brought me to Lacedaemon, and I told him the whole truth,
whereon he said, ‘So, then, these cowards would usurp a brave man’s
bed? A hind might as well lay her new-born young in the lair of a
lion, and then go off to feed in the forest or in some grassy dell.
The lion, when he comes back to his lair, will make short work with
the pair of them, and so will Ulysses with these suitors. By father
Jove, Minerva, and Apollo, if Ulysses is still the man that he was
when he wrestled with Philomeleides in ******, and threw him so
heavily that all the Greeks cheered him—if he is still such, and were
to come near these suitors, they would have a short shrift and a sorry
wedding. As regards your question, however, I will not prevaricate nor
deceive you, but what the old man of the sea told me, so much will I
tell you in full. He said he could see Ulysses on an island
sorrowing bitterly in the house of the nymph Calypso, who was
keeping him prisoner, and he could not reach his home, for he had no
ships nor sailors to take him over the sea.’ This was what Menelaus
told me, and when I had heard his story I came away; the gods then
gave me a fair wind and soon brought me safe home again.”
  With these words he moved the heart of Penelope. Then Theoclymenus
said to her:
  “Madam, wife of Ulysses, Telemachus does not understand these
things; listen therefore to me, for I can divine them surely, and will
hide nothing from you. May Jove the king of heaven be my witness,
and the rites of hospitality, with that hearth of Ulysses to which I
now come, that Ulysses himself is even now in Ithaca, and, either
going about the country or staying in one place, is enquiring into all
these evil deeds and preparing a day of reckoning for the suitors. I
saw an omen when I was on the ship which meant this, and I told
Telemachus about it.”
  “May it be even so,” answered Penelope; “if your words come true,
you shall have such gifts and such good will from me that all who
see you shall congratulate you.”
  Thus did they converse. Meanwhile the suitors were throwing discs,
or aiming with spears at a mark on the levelled ground in front of the
house, and behaving with all their old insolence. But when it was
now time for dinner, and the flock of sheep and goats had come into
the town from all the country round, with their shepherds as usual,
then Medon, who was their favourite servant, and who waited upon
them at table, said, “Now then, my young masters, you have had
enough sport, so come inside that we may get dinner ready. Dinner is
not a bad thing, at dinner time.”
  They left their sports as he told them, and when they were within
the house, they laid their cloaks on the benches and seats inside, and
then sacrificed some sheep, goats, pigs, and a heifer, all of them fat
and well grown. Thus they made ready for their meal. In the meantime
Ulysses and the swineherd were about starting for the town, and the
swineherd said, “Stranger, I suppose you still want to go to town
to-day, as my master said you were to do; for my own part I should
have liked you to stay here as a station hand, but I must do as my
master tells me, or he will scold me later on, and a scolding from
one’s master is a very serious thing. Let us then be off, for it is
now broad day; it will be night again directly and then you will
find it colder.”
  “I know, and understand you,” replied Ulysses; “you need say no
more. Let us be going, but if you have a stick ready cut, let me
have it to walk with, for you say the road is a very rough one.”
  As he spoke he threw his shabby old tattered wallet over his
shoulders, by the cord from which it hung, and Eumaeus gave him a
stick to his liking. The two then started, leaving the station in
charge of the dogs and herdsmen who remained behind; the swineherd led
the way and his master followed after, looking like some broken-down
old ***** as he leaned upon his staff, and his clothes were all in
rags. When they had got over the rough steep ground and were nearing
the city, they reached the fountain from which the citizens drew their
water. This had been made by Ithacus, Neritus, and Polyctor. There was
a grove of water-loving poplars planted in a circle all round it,
and the clear cold water came down to it from a rock high up, while
above the fountain there was an altar to the nymphs, at which all
wayfarers used to sacrifice. Here Melanthius son of Dolius overtook
them as he was driving down some goats, the best in his flock, for the
suitors’ dinner, and there were two shepherds with him. When he saw
Eumaeus and Ulysses he reviled them with outrageous and unseemly
language, which made Ulysses very angry.
  “There you go,” cried he, “and a precious pair you are. See how
heaven brings birds of the same feather to one another. Where, pray,
master swineherd, are you taking this poor miserable object? It
would make any one sick to see such a creature at table. A fellow like
this never won a prize for anything in his life, but will go about
rubbing his shoulders against every man’s door post, and begging,
not for swords and cauldrons like a man, but only for a few scraps not
worth begging for. If you would give him to me for a hand on my
station, he might do to clean out the folds, or bring a bit of sweet
feed to the kids, and he could fatten his thighs as much as he pleased
on whey; but he has taken to bad ways and will not go about any kind
of work; he will do nothing but beg victuals all the town over, to
feed his insatiable belly. I say, therefore and it shall surely be—if
he goes near Ulysses’ house he will get his head broken by the
stools they will fling at him, till they turn him out.”
  On this, as he passed, he gave Ulysses a kick on the hip out of pure
wantonness, but Ulysses stood firm, and did not budge from the path.
For a moment he doubted whether or no to fly at Melanthius and ****
him with his staff, or fling him to the ground and beat his brains
out; he resolved, however, to endure it and keep himself in check, but
the swineherd looked straight at Melanthius and rebuked him, lifting
up his hands and praying to heaven as he did so.
  “Fountain nymphs,” he cried, “children of Jove, if ever Ulysses
burned you thigh bones covered with fat whether of lambs or kids,
grant my prayer that heaven may send him home. He would soon put an
end to the swaggering threats with which such men as you go about
insulting people-gadding all over the town while your flocks are going
to ruin through bad shepherding.”
  Then Melanthius the goatherd answered, “You ill-conditioned cur,
what are you talking about? Some day or other I will put you on
board ship and take you to a foreign country, where I can sell you and
pocket the money you will fetch. I wish I were as sure that Apollo
would strike Telemachus dead this very day, or that the suitors
would **** him, as I am that Ulysses will never come home again.”
  With this he left them to come on at their leisure, while he went
quickly forward and soon reached the house of his master. When he
got there he went in and took his seat among the suitors opposite
Eurymachus, who liked him better than any of the others. The
servants brought him a portion of meat, and an upper woman servant set
bread before him that he might eat. Presently Ulysses and the
swineherd came up to the house and stood by it, amid a sound of music,
for Phemius was just beginning to sing to the suitors. Then Ulysses
took hold of the swineherd’s hand, and said:
  “Eumaeus, this house of Ulysses is a very fine place. No matter
how far you go you will find few like it. One building keeps following
on after another. The outer court has a wall with battlements all
round it; the doors are double folding, and of good workmanship; it
would be a hard matter to take it by force of arms. I perceive, too,
that there are many people banqueting within it, for there is a
smell of roast meat, and I hear a sound of music, which the gods
have made to go along with feasting.”
  Then Eumaeus said, “You have perceived aright, as indeed you
generally do; but let us think what will be our best course. Will
you go inside first and join the suitors, leaving me here behind
you, or will you wait here and let me go in first? But do not wait
long, or some one may you loitering about outside, and throw something
at you. Consider this matter I pray you.”
  And Ulysses answered, “I understand and heed. Go in first and
leave me here where I am. I am quite used to being beaten and having
things thrown at me. I have been so much buffeted about in war and
by sea that I am case-hardened, and this too may go with the rest. But
a man cannot hide away the cravings of a hungry belly; this is an
enemy which gives much trouble to all men; it is because of this
that ships are fitted out to sail the seas, and to make war upon other
people.”
  As they were thus talking, a dog that had been lying asleep raised
his head and pricked up his ears. This was Argos, whom Ulysses had
bred before setting out for Troy, but he had never had any work out of
him. In the old days he used to be taken out by the young men when
they went hunting wild goats, or deer, or hares, but now that his
master was gone he was lying neglected on the heaps of mule and cow
dung that lay in front of the stable doors till the men should come
and draw it away to manure the great close; and he was full of
fleas. As soon as he saw Ulysses standing there, he dropped his ears
and wagged his tail, but he could not get close up to his master. When
Ulysses saw the dog on the other side of the yard, dashed a tear
from his eyes without Eumaeus seeing it, and said:
  “Eumaeus, what a noble hound that is over yonder on the manure heap:
his build is splendid; is he as fine a fellow as he looks, or is he
only one of those dogs that come begging about a table, and are kept
merely for show?”
  “This hound,” answered Eumaeus, “belonged to him who has died in a
far country. If he were what he was when Ulysses left for Troy, he
would soon show you what he could do. There was not a wild beast in
the forest that could get away from him when he was once on its
tracks. But now he has fallen on evil times, for his master is dead
and gone, and the women take no care of him. Servants never do their
work when their master’s hand is no longer over them, for Jove takes
half the goodness out of a man when he makes a slave of him.”
  As he spoke he went inside the buildings to the cloister where the
suitors were, but Argos died as soon as he had recognized his master.
  Telemachus saw

Vegas heats up in these idle lungs
Summer weekends begin their urges / a dirge
like a roar of blood in the ears, no anticipation dwells so
not even those addictions we've reasoned to be just
or justified as youthful relief...

I sit as still as the neon blinking through drab curtains
can allow / without obsessing into a tick / a nervous twitch
The lumps on this bed, like ghosts
from forgotten trysts, seem to jab / to escape /
even when sleep attempts to drain itself from the body
due to the lack of it.

It smells vaguely familiar of 2000 flushes
and ashtrays with liquor stains
hurled from mouths overfed with parties and past
indiscretions / guilt / scattered
on the carpet, and in the corner
reminds me of our foolish frivolity / heavy with loss

hope, laughter / shapes and shadows
in that corner where you vomited
while tears and self realizations of mistakes
chuckle at the face of its absurd truths,
followed by a blank stare...

Your face in its tracks of saline depths
like a painting of twilight rites of passage
which we had to burden in bewitching hours
before the sun / sobering with early light
those times we diluted and ache for still

As I recollect in the hush of a motel 8
drunken neighbors with their sounds of *** / taboo /
echoes our lost twenties
learning to live by fine emotions - secret messages
from inner devils and Mormon Jesus

washing over us / growing up, by latter saints
losing days to nights / so doubtful and wretchedly alive
in the uncertainty of our pages yet to turn
searching for sage & celebration./
losing our true selves with every high...

I sit in this motel room
wretchedly alive / in and out of neon lights
trying to find a good emotion / some worth
staring at the corner shadows of you / vomiting
messages that I only now dematerialize
from sobs lost to the echoes

laughter still to tweet or fly / to the cloud
to oblivion and memory's burrow
I sit in the heat / still unfeeling / now
before dawn, the hours hollow
many a people inside / out there in this city

Still wretchedly in denial
not one will bother me to pity
a life like a motel room
by the hour / we abide by its tune

the hollow breathing of time
the real currency / their ivory tower.
my heaven seems malnourished without
looming over / where's the wonder?

In the distance, far from home,
I sense the arrival of falling skies
Father's angry thunder
even in the false safety of dark rooms,
while we hide
we all will shudder...


(It is not a home if lived in alone
and death occupies both my shoulders)

I work all day, and get half-drunk at night.
Waking at four to soundless dark, I stare.
In time the curtain-edges will grow light.
Till then I see what's really always there:
Unresting death, a whole day nearer now,
Making all thought impossible but how
And where and when I shall myself die.
Arid interrogation: yet the dread
Of dying, and being dead,
Flashes afresh to hold and horrify.
The mind blanks at the glare. Not in remorse
- The good not done, the love not given, time
Torn off unused - nor wretchedly because
An only life can take so long to climb
Clear of its wrong beginnings, and may never;
But at the total emptiness for ever,
The sure extinction that we travel to
And shall be lost in always. Not to be here,
Not to be anywhere,
And soon; nothing more terrible, nothing more true.

This is a special way of being afraid
No trick dispels. Religion used to try,
That vast, moth-eaten musical brocade
Created to pretend we never die,
And specious stuff that says No rational being
Can fear a thing it will not feel, not seeing
That this is what we fear - no sight, no sound,
No touch or taste or smell, nothing to think with,
Nothing to love or link with,
The anasthetic from which none come round.

And so it stays just on the edge of vision,
A small, unfocused blur, a standing chill
That slows each impulse down to indecision.
Most things may never happen: this one will,
And realisation of it rages out
In furnace-fear when we are caught without
People or drink. Courage is no good:
It means not scaring others. Being brave
Lets no one off the grave.
Death is no different whined at than withstood.

Slowly light strengthens, and the room takes shape.
It stands plain as a wardrobe, what we know,
Have always known, know that we can't escape,
Yet can't accept. One side will have to go.
Meanwhile telephones crouch, getting ready to ring
In locked-up offices, and all the uncaring
Intricate rented world begins to rouse.
The sky is white as clay, with no sun.
Work has to be done.
Postmen like doctors go from house to house.

Under a stagnant sky,
Gloom out of gloom uncoiling into gloom,
The River, jaded and forlorn,
Welters and wanders wearily--wretchedly--on;
Yet in and out among the ribs
Of the old skeleton bridge, as in the piles
Of some dead lake-built city, full of skulls,
Worm-worn, rat-riddled, mouldy with memories,
Lingers to babble to a broken tune
(Once, O, the unvoiced music of my heart!)
So melancholy a soliloquy
It sounds as it might tell
The secret of the unending grief-in-grain,
The terror of Time and Change and Death,
That wastes this floating, transitory world.

What of the incantation
That forced the huddled shapes on yonder shore
To take and wear the night
Like a material majesty?
That touched the shafts of wavering fire
About this miserable welter and wash--
(River, O River of Journeys, River of Dreams!)--
Into long, shining signals from the panes
Of an enchanted pleasure-house,
Where life and life might live life lost in life
For ever and evermore?

O Death!  O Change!  O Time!
Without you, O, the insuperable eyes
Of these poor Might-Have-Beens,
These fatuous, ineffectual Yesterdays!

Creased felines crossing lines,
Pressing claws into dust.
Western hemisphere,
Reviving the pilgrimage.

Bubbles and logs
Satiate their under garments.
Enhancing hair follicles
Resembling shards and spurs.

At a woodsy bar,
A tabby liberated the fangs
He rented last holiday.
The bartender shook with perplexity.

Reacting simultaneously-
A minor character, Little Leon.
The dusty town called him
Leon, for he was alone.

Little Leon got taller
In a basement full
Of water. The dusty town
Was an adjustment.

The tabby and Little Leon
Faced off for recognition.
Leon wretchedly charged
The floor boards with sopping ends.

Crayon versus colored pencil;
They chose their weapons
Anxiously.  It was
Bring your son to work day.

The bent bartender
Spared his child’s eyes.
“I’m not your little boy,”
The child shrilled at him.

“I don’t want trains,
Or fake guns meant for play.
I miss my mom,
And dresses on Sunday.”

Cats on a pilgrimage,
Rarely stop from
Slurping a drink. Pity refilled
Cups, as tails twitched in trial.

The tabby and Leon
Came to a halt, seeing as
Punishment was engraved atop
The bartender’s grungy mitts.

The clowder gathered,
As the Tabby scolded the man
Behind the bar. “Remember where
you leave your beverage.”

And that was that.

Leon’s internal complexity,
Being left with only himself,
Dissipated. There are others
Who feel more alone.

Tabby picked up his crayon.
His spurs clanked
And spun, as his guided
His feline friends out the front.

Tumbleweed skidded
Outside the bar.
The bartender finally saw
That his son was not a son.

not to get caught or crushed, that is the revolution.

not to get slowed or dissolved, that is the revolution.

not to get beautiful, that is the revolution.

not to accumulate a community of pride, that is the revolution.

to get what you say to be as fresh as the first for those second or last

the burning has stopped, the healing not started,

to fold inward on the observer, to disappear from the follower

survive the moment in a continuum of no lasting narrative,

it has everything you want, if you want it, some stranger wants you not to have that. and your ******* screaming that to yourself.

that is the revolution, the paranioa, and it makes energy for no reason.

it is refusal dropped into an infinite echoing well that few know how wretchedly it stinks

its a life inside that poisons the life around and proves we are a growth not growing

the revolution dogs with no name nor master nip for respect until shot

women abusing themselves in their own minds with acted voices , clawing the skin from how somebody loved them

we all cry at the same time, that is the revolution.

In the midst of nothingness
Searching through darkness
Embracing loneliness
Comprehending vagueness
Befriending uncertainties
Playing with vulnerabilities
Absorbing obscurities
Appreciating difficulties
Drudging malfunctions
Living with illusions
Addicted to intrusions
Slave of temptations

Colors of dark grey and black fill the world in which I live
No other feeling could possibly be worse than this
Where once was a room filled with laughter & Cheer
Now stands loneliness, emptiness and despair.
Memories of you seem to creep around the corners of my mind
Endless haunting images of your face that won't decline
An overwhelming of emotion that my body can't contain
Fills my soul with unbearable grief, sorrow, and pain
Oh, How I long to hold you in my arms just once more
And tell you that things will be again, as they were before
But, as reality sinks in, I know that will never be
For the choices that I've made in my life have sealed our destiny
No one could ever fathom how wretchedly my heart aches
And how I greatly regret that you've had to pay for my mistakes
If I could go back in time, and change only one wrong that I've done
I'd go back to the Hour, to the second, on the day I lost you.

My mind depletes every single day.
A constant weight of inferno tied to my hands.
Sinking to the bottom of my core, forever drowning.
Take one deep breathe.

It will be okay.

You unruly physical beings that choose to entrench me.
That choose to suffocate me and everyone around me.
It wretchedly disgusts me that you have to see this.
To see this on a daily basis.
I'm sorry.
I'll learn from this.

But most of all I'll remember.
I'll always remember...

...and that should haunt you.

Shape of figure;
strength, courage, love,
Curved into masterpiece; a fiery heart,
fiercely burns my eyes in the wake of desires.

A dream? I hope not, for angels don't
belong in such a place. I'd choose not to wake.
Wishful thinking. I wish to have that I cannot,
that perhaps all do not. That I can't truly love.

Anguished; underfed passion, yearning the taste of tears.
Beautifully falling like rain that has blessed the grounds.
I'm on the grounds under your weight, the weight of your
desire has to my heart.

Sigh! I'm tearful at night; pillows that hold oceans,
drowning. Drowning in my vivid imaginings spent
with you.

A paint brush,—wet as lips shaking from a kiss,
it must have outlined you with I in mind.
All things I like; to experience them into love.
A clutch pencil,—clutching my heart, piercing through
my paper thin weakness towards you.
A tablespoon,—sprinkled into a dish, baked in
a maturity's time in the oven of growth.

Funny how I've kissed a thousand times those
skins of savoury lips. But wailfully, woefully,
wretchedly, and painfully you don't exist.

Just an imaginary Miss.

It's not hunger for flesh to matter,
glucose and life.
It's a feasting pain for soul,
it's emptiness between ribs,
lungs torn in fold.
Christen me a black hole, 
cardiac's no response to a dead soul,
ghosts haven't a say.

please it's no compatibility

please me with fangs,
fashion thistles and ripping implements,
non-human descends always to the fiendish of gruesomeness,
bloodless and monstrous.

Haven't a prayer,
haven't a soul,
haven't got a vessel to scream 
wretchedly home.
It's best to let demons lie,
let spirits die,
burn out our dying phantom cries.
It's to feed the slaughtered
with platters of blades and bullet shrapnel,
ghosts give,
ghosts speak,
ghosts don't truly wish for a living peace.

Please may we take a taste of rifle barrel,
please just a second helping of buck shot
and spoiled brain splatter.
Bless what we become,
all ghosts eventually become undone.

Is it dawn or dusk
I can't tell
But I feel competent
I know what lies ahead

Cocktail parties
And bar-stool nights
It's no longer Main Street
It's the Nile

When the amulet of ringlets
From my eyeball glass
Makes me tumble evermore
Into the damp, dark streets

Another binge
Another ******
Another lavish fee
For yet another shoddy ghost

But it eases my loneliness
Boosts my confidence
Entices my fantasy bone
Relaxes my harried soul

Got to purge this moral anemia
Splurge on all academia
Just to feel the surge
That makes the brain waves flow

But this merry go round and round
Don't stop when the music does
My rock bottom is an ocean
Swirling to the siren's call

I've tried everything
Under the sun
But neuroses can't be cured
When you're under someone's thumb

I put it all on the shelf
Hid the corkscrew and the belt
Just to gnash it open with my fangs
Releasing all those hunger pangs

Cause I can't live for laundry lint
Or wait for the big accident
I know better than to read a tragedy
When my palette's clean

Spirits in this glass
Help me rid those in my life
I've got reasons of the flesh
But mostly of the mind

Took so many blows from the outside
I'm poor at heart
I'm dominated by
The lack of vine inside

I need to stimulate my senses
To simulate my defenses
Swimming with the sharks
Against these high tides

Don't want to be nobody's public charge
My reprieve came early
My sentence fastened like a bag of bricks
My caretaker's not waiting by the pearly gates

So just let me be insulated
Let me keep warm
Ignore those violet stains on my shirt
Ignore this violent strain in my voice

Undernourished an inhuman
They all want revelation with good endings
But when it's 4AM, every hour of every day
You start to hold tight to these newborn dreams

So easily familiar, so wretchedly out of reach
Praying for bonanza or ultimate decay
You can't settle for anything else
So you rather hold your breath and wait

The mouse and the bat
Protruding through that hole in the wall
It's always little animals
No dinosaurs

I keep snapping my fingers
Making signs of a deluded cross
Cause I ain't got no gravy train
And I ain't got no St. Helen

Guess I'll remain on the porch
Travel through the marshes of the storm
Asked for blood to transform my fears
But they gave me Mut's duped and heavy tears

They all want heaven on a stick
A cornucopia of tricks
I'm just trying to survive
The next twenty minutes

It's always
"Did she jump or was she pushed?"
But no one really cares
It's a cold case for the books

In the dark night of the soul
You're just a relic to behold
Stuck in the bell jar
Like an innocent monster

The world's on crack
And it's not all it's cracked up to be
So I'll wallow in my 96 proof blood
This straight Apple Jack's the only savior I see
(It's all a royal harem's conspiracy)

And I heard the words approaching,
So close, so fragrant beneath her pressed lips
I waited, I listened...

Encouraging the woman I thought I loved,
Please, baby pleading with all remaining hope...
It wasn't meant to hurt, it was foolish,..

Perfumed blissful ignorance in my waiting acceptance,
whisper the words love, no other may need hear them,
for they are for my hurt, my scarring heart...

In her beautiful green eyes,.. She wants to,
But there is only the longest pause...
then a tear, shed to roll easily away
and I am no longer the reason for the words

something did happen,
robbing the song they produce
in my heart, that in a breath, weakens...

Oh no, no, no, no don't give silence reign over our union.
Silence is nothing to my eardrums,
as it is...  Too loud,
and wretchedly painful to my heart.

So close, the words, the way to the way it was,
before,...
one last kiss will never come...

As she turns and lives forever part,
all that is left,
is the fragrance of a whisper
to remember, and words that never were never heard.

I'm sorry,... I do love you,
I will always, forever...

Words that never come.

To a Daughter More Precious than Gems
by Otomo no Sakanoue no Iratsume (c. 700-750)
loose translation/interpretation by Michael R. Burch

Heaven's cold dew has fallen
and thus another season arrives.
Oh, my child living so far away,
do you pine for me as I do for you?

I have trusted my jewel to the gem-guard;
now there's nothing to do, my pillow,
but for the two of us to sleep together!

I cherished you, my darling,
as the Sea God his treasury's pearls.
But you are pledged to your husband
(such is the way of the world)
and torn from me like a blossom.

I left you for faraway Koshi;
since then your lovely eyebrows
curving like distant waves
ever linger in my eyes.

My heart is as unsteady as a rocking boat;
besieged by such longing I weaken with age
and come close to breaking.

If I could have prophesied such longing,
I would have stayed with you,
gazing on you constantly
as into a shining mirror.

I gaze out over the fields of Tadaka
seeing the cranes that cry there incessantly:
such is my longing for you.

Oh my child,
who loved me so helplessly
like bird hovering over shallow river rapids!

Dear child, my daughter, who stood
sadly pensive by the gate,
even though I was leaving for a friendly estate,
I think of you day and night
and my body has become thin,
my sleeves tear-stained with weeping.

If I must long for you so wretchedly,
how can I remain these many months
here at this dismal old farm?

Because you ache for me so intently,
your sad thoughts all confused
like the disheveled tangles of your morning hair,
I see you, dear child, in my dreams.

Otomo no Sakanoue no Iratsume (c. 700-750) was an important ancient Japanese poet. She had 79 poems in Manyoshu ("Collection of Ten Thousand Leaves"), the first major anthology of classical Japanese poetry, mostly waka. The compiler of the anthology was Otomo no Yakamochi (c. 718-785). Otomo no Sakanoue no Iratsume was his aunt, tutor and poetic mentor. In the first stanza, Lady Otomo has left her children in Nara, possibly to visit her brother. In the second stanza, it is believed that the jewel is Lady Otomo's daughter and that she has been trusted to the care of her husband. As for the closing stanza, according to the notes of the Manyoshu, it was popularly believed that a person would appear in the dreams of the one for whom he/she yearned. Keywords/Tags: Otomo, Sakanoue, Iratsume, Japanese, translation, mother, daughter, precious, gems, gem, jewels, jewel, pearls, pearl, Koshi, Tadaka

The thunder boomed
and the rain poured.
The darkness loomed
the end of life's loving cord.

The old man walked alone
shivering cold far from home.
His feet like millstones
every moment an aching throb.
Every memory
like piercing shards,
every breath
choking and toiled.

His life spent
his youth wasted.
A life lived unfulfilled
a dream forgotten
and long decayed

The love he had
and the ones he held
now far gone.
The chances and opportunities
that came his way,
the mistakes and turns
that led him
to this wretched day.

What hope is there for him now?
This old Man of sorrow
what future lies ahead of his gray misery?
This wretched relic
of a long lost hope.

What will become of this man?
what does fate have in store.
Will he die slowly,
wretchedly alone?
Or will heaven
in it's tender mercies
take him quickly,
and take him swiftly?

Will God in heaven
forgive him for his wrongs?
Or will he suffer in agony
deep in eternity.

Will he ever repent?
Forsake his selfish ambitions
and return to the light?
Or will he sink even further into the pit?
For how can a man
with no strength nor love
With no hope nor anchor
survive the tempest?

How can he prevail
through the darkness?
When his light has been
snuffed out and his hope,
all but gone.
Like a ship with no rudder
his life flickered in between the pale.
Destruction has been his destination,
from the beginning
ruin his eternal hail.
He squandered and toyed
with the priceless gifts
he had been given.

The number of opportunity's
he had missed,
out weighed by far
the ones he made.

The love of others slowly
became cold towards him,
and slowly he began to fade.
Little by little
this old man of many sorrows sunk.
Deeper and deeper into despair.
He became dead inside
a dead man walking.

A walking man without life
his heart became hardened
and his dreams faded to gray.
His vision became blurred
and now here he is on this fateful day.






And now here he is
at the end of all things,
at the finish line of his life.
He is to be found alone and miserable.
His years of neglect
have at last caught up to him,
His tempered words
Fueled by the bottom of the bottomless bottle.

His foolish actions
and careless tongue,
some words had cut to deep
some hurts never again to heal.

Deep in thought
shivering cold.
Wasted by ruin and rot
life begins to release it's hold.
The cold deepens, his heart slows.

The darkness thickness
the reaper's eyes begin to glow.
The old man takes his last breath
of ragged air.
Which for so long
he had taken for granted.
Which for so long
he scorned upon and spat.

His time has now come
his days are at an end,
his life failing fast
his pitifully few memories now useless.

For what good are memories?
when they only remind you
of the chances you could of taken.
The hearts you could of known
the love you could have shared.
Now in the midst of the storm
in the hour of his blackest darkness
The rains came and the clouds covered the stars.

The light faded
like a burn out flame
it slowly whisked away.
And the thick blanket
of fear and uncertainty hovered close.

There upon his day of death
he laid his wretched head
upon the cold hard pillow.
And sank deep into darkness
and sank he did deep into everlasting despair
And that is how the story goes
The story of an old man  filled with deep regret
painful memory's and eternal burning sorrows

The old Man, who lived a life for himself.
The old Man who lived alone,
and who died alone.
Thus ends the tale of the lonely Man of Sorrows.

One day I was asked, “what is Happiness?”
Words could not make its way out of my lips,
Ideas could not be constructed inside my head,
There was pure silence apart from the heavy sighs I was emitting,
I was totally dumbfounded.

But being a disturbed thinker that I was,
I began to sail in the rivers of my mind
And flew across the freeways of my thoughts.
I searched for the answer desperately
And I wouldn’t stop until I meet him face to face.

I came across Money.
He said he could me give me anything and bring me to anywhere.
“That is what happiness is all about – having everything and being everywhere”,
he told me. And I nodded.
Money must be right; he must be my happiness!

“No!” Knowledge screamed in complete disgust,
“With me, you will find all the answers you wish to seek!”
I could be someone, she guaranteed
And I would see things that others could not see
I would be superior above all mankind and that must be what happiness is about!

Relationship then came like a devouring fire,
“How dare you listen to them!” he said with a sting.
“I have been with you from the moment you set your eyes upon the world
Families, friends, beloved – without me, you won’t know what joy is
I am your only happiness.”

To be fair, I made a company of them all,
But all failed to give me a satisfying answer.
Money blinded me about the importance of little things.
Knowledge consumed my heart and brought me so much pride it led to my downfall.
Relationship took all of me; didn’t leave anything for myself and run away.

Then He came knocking at my door,
As I was wretchedly crying my heart out.
He told me He knew the answer to my question,
I told Him, “No! I have searched for it
But there was no answer.”

“I am the answer”, He simply said.
“I won’t give you happiness,
But I will make you know and experience it.”
And He did by dying for me 2,000 years ago.

I’ve sewn together a thousand moments
of nothing (butifandorthis) Outis of
sorts and                              ends
                     depressed
         enough to make your head swim
         your wrist spit
         to drown in your own thinking

grasp breath drench and saturate
obsequious regurgitation
prolix asphyxiation
words worlds whirled
LOGOS
spew forth and I choke on
what I can never get out
the
emptiness                within
                                ­                   a
                                                   few
                                          
secondsleftoverste­psout     line
                                            of
             ­                                  curfews ensue
more or less and less is more
of the same (few cures for futures)
                                                  of late
a puddle reflecting and shallow
sole-stomped-n-splattered
I
         Can not help but mis  
s
     the piece( is ) of me that mattered
less than the least of my worries
and the old black boot
            with  a                hole
                    ­                             the one that is always waiting to.
                                                             ­                                             .
                  ­                                                                 ­                       .
                                        ­                                                                 ­  drop.  
                                                                                                             ­                                                                         ­                        I Am 
                                                             ­             still           
                                                           here           
                                       hoping                  
             inre           
   verse              
          
It all fits                                               the tailor-made addendum
but it doesn't                                      the sedentary splendor
change                                                 the worn out agenda


of yet another loop of the clock
fomenting
a grand sutuREDness rending a
torque of tendencies
to ward off the
subversive inertia
of idle thoughts—***—wishes

the edges of that
cloud grapple
with dissolution and
the shaping of my
                                         own                                                 periphery                                            sic
        [i]magination                                           ­                                       

The interior storm
has come and gone
replaced by a wretchedly anxious calm
I then wonder if these
tempests are what is…
or just a fallway of mirrors
I pass through in a tumble
down some hole
feeling it’s too late to know
if I will ever be whole

Alas, another looking glass
I have been
cut up too
to see the half emptiness
of ours
in the hour glass
timetumbling down
the singularity of
How are we?
Relatively bleeding
Speaking of

self
shred-
ding dingbats-in-the-belfry
A  f  r  a  y e d  address of questioning
covered with
s-t-i-t-c-h-e-s
in
this
                                              fourth           ­                             dimension
saves what? 9 lives? No rhyme--no reasoning
with me
                                 …I guess
my wounds are dressed
but only it will tell
                                                            ­                              (What is real?)
                                 (so obviously rhetorical)
it marches on
and it can’t be stopped
but it’s of the essence
and they say it will heal
All wounds
and I say when and how and isn’t now
all I have
to be?
wound up again I see...

And then be left
to the present
tense
out of it,
Up against it.
Who the **** knows?
said the Emperor I
(in third person disguise)
Wearing nothing
(He supposes)
Nothing
But being
                  but...
The scars
Uncovered
for the seeing
Being what scars are
Are they something...
Symbolic?  Systemic? Sympathetic?
That makes seeing is believing
Real for me,
Or, for us all?
Is Being
Beingness
Or is it
Meaningless in a...life…
S
P
A                                            
Not evolving as fast          
As semiotics                      
Or sentient
Robotics
For the rest
Of us
To be
Sure that we are
Individual
Beings at all?

What?
Time’s up?
                         At least for the
                                              Time being…
                                                          ­           Nothing to worry about...

Gone is he with flourished brush
Gone to ether, turned to dust,
Left are but his remnant strokes
On canvass old, congealed with must.
Gone the Masters touch in oil
Annointed with his maddened aire,
Wilding eyes of palest blue
Strawberry his touseled hair.
Pointilism's Prince no more
Adorns high Artesanian throne,
Wretchedly we mortals weep
Where giants, once, would boldly roam.
M.

Is it insomnia
when I don't care for sleep?

The sort of sleep that is belligerent
interruptions at each half past
in the middle of every hour,
intervals of interlopers
awoken by invisible passersby
floating enemies striking me
with the hatred of their kinesis
cerebral lightning at my heart
or attempts at my suffocation
as I wake to a coughing start,
intruders invading my dream mind
as well as its peace

anything that would hurt me
they revel in my breaking,
I can hear the clicking of laughter
of teeth...

Deserts and all our cities
should have crickets,
yet Vegas feels like its been dying
the quiet now replete
no chirp of the lucky bugs
nor busying of bees with their buzz
rather its the fizzle of neon panic
the beatitude of cheats
the machinations of gamblers' defeat

or sometimes mostly
this deep in the twilight
a swarm of Ninjas, Suzuki, Kawasaki roars
toward their kabuki foot rubs
a twenty gets you a dub
rub you long time
for an hour behind red doors

Try to spank myself to sleep
if not to exhaustion,
but I can still hear the distant piercing
screaming
of latter days & soilent green
the secret war as alien is to any sound
sleep.

They look like people
we look like meat,
the living dead
their sake's flesh
all torn away and beat
up like faithful lovers that creep
seduced by the sluice
of the street / symphonies,
of rocket ship Discovery

Can't turn the volume down
in the black of night
when my mind's eye
is behind a veil
in the dark of 2:22
(in recovery)
and still the aliens
wretchedly wail...

whilst i'm
slumming in attempts at slumbering,
the greys are watching
humans lumbering
               and *******
two twenty two
in the dim
twilight
morning...