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"unpainted" poems
"when my body was mine" a line read recently did i let my body slip out of my own skin before i noticed was i so oblivious as it dripped between their fingers so far from my skin when i was told i was old enough to need to shave, my hair wasn't mine anymore. when my rough and wild behavior was no longer considered ladylike enough, and i had to tame my wild skin to sit and dance in proper ways, my posture wasn't mine anymore. when my toes were deemed to callous for society my innocent beautiful little toes were strapped into shoes and forgot their freedom for a time, my feet were no longer mine. when they called out at my body when it possessively dripped between their fingers i realized that i had let my body belong to other people and so i let my hair grow thick everywhere and i carry myself with the joy i feel and i sit and dance from the inside out trying to forget how much i may stand out vulnerability is strength vulnerability is strength i tell myself as i dance barefoot with hairy underarms in out-of-style clothes and an unpainted face come dance, please come dance, so we may taste the flavor of life together
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Dec 10, 2017
Dec 10, 2017 at 9:30 AM UTC
"when my body was mine"
It seems simple, like all used to be It might be normal, like everyone's daydream We would run in endless circles— In fields of autumn cling, wading ogles— When this used to be about you and me The sky was glowing like your cotton cheeks Marks passionately from kisses of your lips We would scratch out scars Avast From every unpainted fence that pass In moments it was me hoping— will it ever last As we drift up to that very hill— I envisioned The grass was as different— different, Different and effervescent than I ever known And we'd lay blind feelings, forever in making But it was you who decided to let it go We only saw one tree, maybe one dotted line Not knowing all is going to be— a doleful red One horizon, everything used to be fine When time stops you to be— And someone took you from this arms of mine Never it was the same or even has it been? It would even stench fake perfumes I was pushing to believe on what to be unseen And where I stood, Died— of barren thirst My sense, which was all left but never heard And as I broke from your crimson goodbyes I thought of every promise— A perfection, And every commitment— An exaltation But a solitary torment, only to know I'm trap Oblivion, still my feeling keeps pulling you back
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Oct 20, 2017
Oct 20, 2017 at 10:10 AM UTC
◦ Crimson Goodbyes
Leather brown, bomber down, hit the bottom, rise again.  The resounding sounds bounce around.  It helps to misunderstand the plan, so follow these directives if you can. Green amygdala your orange eyes create suspense. Hipster blue, the denim, black boots, and those paperback books. He walks with attitude, reads for romance. Magnetic the charm bringing them in.  Stood in the centre as the hurricane spins.  Tethered to nothing, not even a creed.  A miracle in the making, an empty street, a canvas unpainted, a jewellery box recieved.
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Sep 20, 2018
Sep 20, 2018 at 6:07 AM UTC
Tyler
I leave my nails unpainted and cover them with pulled-down sleeves and put on my glasses so I can count all the leaves because all the nights I couldn’t sleep your best advice was either to count or to pretend
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Nov 28, 2014
Nov 28, 2014 at 5:09 PM UTC
counting sheep
Music of the street Reverberates loudly Out the dumpster, From the tiny mouth Of a screaming Baby Wrought in the wombs Of filth, injustice, Foggy rage. Tongues ripped out, On the floor, tastebuds that Know the pang of blue blood. Rusty nails and overused syringes ***** the fingers, Softly. The people yell, maniacally, Yet remain unheard. Pain becomes evident, Written on the faces Of the unwholesome. A wafting scent of Their rotten morals, Forgotten dreams, Floats, as hot steam, from the pavement. Unable now To decompose. Across the road, A pregnant woman holds Her cigarette, which Smells of cookies And cream soda. Jesus was enlightened, Not too pious For the poor. Yet more than pain Was written On their faces, Missing tongues, missing eyes. Laid together On the piss-stained mattress, Feet to head and head To feet. Nonsense was confused As words, that danced into Non-platonic humps. She kissed him, because She wanted to feel The texture of his brain. Pick her up with Golden hand, though She may see you. And the sad image of Dollar bills Inspires the mind, Making it immobile. Here, where the ********** Stands, more holy Than the monastery. Crawling, as they do, Through unpainted, Rented walls, like Hungry little cockroaches, Creeping for a bite. The small infant still Lays on metal, each Moment crying softer For warmth. Though you will not Hear her tomorrow, As she’s carted off by Garbage men Who, each week, remove The undesired Remnants of yesterday. Hope for sweet Needles to sooner bring her A different relief. Life is so simple When struggles Are never-ending. Mi amor pequeña, no llores más. El fin está cerca, aunque no entiende mis palabras. Though the buildings Surrender with Decay and the sun decides He doesn’t want To keep on caring The music still plays mournfully, And only the baby can hear.
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May 13, 2013
May 13, 2013 at 7:24 AM UTC
Neighborhood
Music of the street Reverberates loudly Out the dumpster, From the tiny mouth Of a screaming Baby Wrought in the wombs Of filth, injustice, Foggy rage. Tongues ripped out, On the floor, tastebuds that Know the pang of blue blood. Rusty nails and overused syringes ***** the fingers, Softly. The people yell, maniacally, Yet remain unheard. Pain becomes evident, Written on the faces Of the unwholesome. A wafting scent of Their rotten morals, Forgotten dreams, Floats, as hot steam, from the pavement. Unable now To decompose. Across the road, A pregnant woman holds Her cigarette, which Smells of cookies And cream soda. Jesus was enlightened, Not too pious For the poor. Yet more than pain Was written On their faces, Missing tongues, missing eyes. Laid together On the piss-stained mattress, Feet to head and head To feet. Nonsense was confused As words, that danced into Non-platonic humps. She kissed him, because She wanted to feel The texture of his brain. Pick her up with Golden hand, though She may see you. And the sad image of Dollar bills Inspires the mind, Making it immobile. Here, where the ********** Stands, more holy Than the monastery. Crawling, as they do, Through unpainted, Rented walls, like Hungry little cockroaches, Creeping for a bite. The small infant still Lays on metal, each Moment crying softer For warmth. Though you will not Hear her tomorrow, As she’s carted off by Garbage men Who, each week, remove The undesired Remnants of yesterday. Hope for sweet Needles to sooner bring her A different relief. Life is so simple When struggles Are never-ending. Mi amor pequeña, no llores más. El fin está cerca, aunque no entiende mis palabras. Though the buildings Surrender with Decay and the sun decides He doesn’t want To keep on caring The music still plays mournfully, And only the baby can hear.
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93
a pale malvolent hand shines as brightly in the dark a body moves quietly slightly **** to stark mechanically watching waiting in the dark and the games still have yet to start eyes of blue crystal and far from expression jewels shored in the owners head without them they'd surely be dead should it be non living human not quite but slightly an android moves with a grace that is someone paranoid a voice cuts into the ears like razor blades not quite hot but yet it blazes nails long but unpainted fingers long like broken sticks one cuts off still leaving six..
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Jul 19, 2010
Jul 19, 2010 at 8:57 AM UTC
Non Living Human
at two years old, your curious hands happened upon a bottle of flea medicine that lay waiting on the counter. your mother was absent as usual, off on an errand, or walking the dog. unwatched, your enterprising fingers eased the lid from the container, and you poured the sweet-smelling liquid down your throat. the world was still so new to you, and it seemed to be made for tasting. who could blame a child with a thirst for more than mushy peas and applesauce? two days later they released you from the hospital, your stomach pumped dry. when you were six, idly exploring the woods of your mother’s sprawling estate, you paused a moment from imagining faerie queens flitting about in the greenery to take rest on a log, your undiscerning eye not betraying its secret: within it was a nest of wasps, and thinking they were faeries you dared not move as they rose in a cloud above your head and overtook you, leaving your body peppered with painful angry sores. you fell to the ground. a hired man, strong and tall as the oak trees, saw your quick descent and ventured after you, made a hammock of his arms to bear you like a fallen soldier back to your mother’s house, his tough sun-leathered skin immune to the assaults of the faerie battalion. at eight, playing in the small child-sized house in your aunt’s garden, you sought to make stained glass from the broken shards of the playhouse window. having no tool at hand, what better way to shatter the clear, flat plane than with your fist? before reason could take hold of you, you drove your hand through the glass, and the raw edges cut deep into your veins. blood flowed in rivers from your wrist. your aunt, ever watchful, rushed from the house to stop your body’s catharsis with a dishcloth. the jagged unpainted shards lay forgotten on the ground.
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Feb 16, 2011
Feb 16, 2011 at 10:05 PM UTC
The Many Near-Death Experiences of My Mother
at two years old, your curious hands happened upon a bottle of flea medicine that lay waiting on the counter. your mother was absent as usual, off on an errand, or walking the dog. unwatched, your enterprising fingers eased the lid from the container, and you poured the sweet-smelling liquid down your throat. the world was still so new to you, and it seemed to be made for tasting. who could blame a child with a thirst for more than mushy peas and applesauce? two days later they released you from the hospital, your stomach pumped dry. when you were six, idly exploring the woods of your mother’s sprawling estate, you paused a moment from imagining faerie queens flitting about in the greenery to take rest on a log, your undiscerning eye not betraying its secret: within it was a nest of wasps, and thinking they were faeries you dared not move as they rose in a cloud above your head and overtook you, leaving your body peppered with painful angry sores. you fell to the ground. a hired man, strong and tall as the oak trees, saw your quick descent and ventured after you, made a hammock of his arms to bear you like a fallen soldier back to your mother’s house, his tough sun-leathered skin immune to the assaults of the faerie battalion. at eight, playing in the small child-sized house in your aunt’s garden, you sought to make stained glass from the broken shards of the playhouse window. having no tool at hand, what better way to shatter the clear, flat plane than with your fist? before reason could take hold of you, you drove your hand through the glass, and the raw edges cut deep into your veins. blood flowed in rivers from your wrist. your aunt, ever watchful, rushed from the house to stop your body’s catharsis with a dishcloth. the jagged unpainted shards lay forgotten on the ground.
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68
Some one has destroyed the robin’s nest and stolen the eggs Jane said she leaned into the hedgerow beneath the streamlet and parted the branches her voice choked as her fingers poked about the damaged nest you stood watching behind her over her shoulder watching her fingers move who’d do such a thing? you asked all gone not an egg left she said in saddened tone you leaned near her smelt lavender water she wore her dark hair pinned back with metal grips why destroy? she said why steal? you sensed her sadness felt her ache and how it would feel she withdrew her hands and wiped them on her dull grey dress and looked along the lane and back at you again who would do such things? you asked she looked at the hedgerow that now concealed the damaged nest and said father says such are humankind that seek and take and leave all fouled and lost and leave to nature or to God to mend and count the cost I saw the nest and eggs last time we came you said the beauty of the eggs and nest made neat Jane walked on along the lane and you walked beside her her dull grey dress swaying as he walked her hand reached out for yours her fingers slim unpainted nails her thumb rubbed against your hand’s skin the sky watercolour blue with puffs of white just the countryside sans eggs and nest and Jane and you.
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Dec 26, 2012
Dec 26, 2012 at 4:05 PM UTC
JANE AND YOU AND THE STOLEN EGGS.
They've stopped burning churches and Ramming knives into one another. Now they visit the woods without corpse Paint and disposable cameras, Eating Norwegian mushrooms around Fires, boomblasters blasting 'De Mysteriis dom Sathanas' out into Pinetree forests. Media turned Black Metal into "satanism". Inspired the weak. One scratched the back of the other as newspapers Sold more than ever, and Small egos acted beyond their sizes, trying and Dying for coverage. Sometimes I feel the remains of vikings, Battle worn and anti-christian still, after death, Moaning: *No. It was never just for Show.* They've stopped burning churches now. Perform with unpainted faces. One final Protest. The devil is ink on cheap paper. Money and newspapers are barely wood. Some say they burn like old Norwegian churches. Others just like their music raw and real.
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Oct 24, 2015
Oct 24, 2015 at 8:12 AM UTC
Mayhem
Halloween is a night when all the Ghost come out, Some come from right here that live among us Some only make the trip on Halloween night They even come from the grave yards, The Ghost from here never made it to the other side All the Ghost are spirits some were feathered and tared. Only on Halloween night do they all coincide Some walk among us all the time leaving no foot prints The feeling some one is there but when you turn to look there's no one, Halloween can mix among the living and the dead, they come out freely walking along side us unnoticed when we are having fun. Dressed up in disguised as ghost and goblins and pumpkin heads Its all in fun for earthly people but one never know the trickery of a real Ghost. They move in space among us and play trickery games because their among the dead. We wait for the door bell to ring for all the children yelling trick or treat for their candy But one never knows on calm Halloween night why the door keeps slamming on the\old wood shed. Locked it was but not tonight, as the Ghost are so busy, but I keep on the table the bottle of Brandy, I pour a shot to calm down my fear realizing it's a very busy night among the dead.. Even tho it's a calm night you can hear the ghostly haunted wind and dyed leafs blowing over your head, Yes I am scared on this Halloween night and every year at this time it excites my fright, Who would really know their among us but what they can not say their not living but dead. Walking on the rickrack porch every step that creeks, lit Pumpkins carved on the old unpainted chair on the right, on the left are tall corn stalks and a bail of hay as the tall scare crow sits so still with no life. I will always remember this Halloween night for the dead rises as the living play.
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Oct 25, 2013
Oct 25, 2013 at 1:30 PM UTC
The fierce and force of Night of Halloween
Halloween is a night when all the Ghost come out, Some come from right here that live among us Some only make the trip on Halloween night They even come from the grave yards, The Ghost from here never made it to the other side All the Ghost are spirits some were feathered and tared. Only on Halloween night do they all coincide Some walk among us all the time leaving no foot prints The feeling some one is there but when you turn to look there's no one, Halloween can mix among the living and the dead, they come out freely walking along side us unnoticed when we are having fun. Dressed up in disguised as ghost and goblins and pumpkin heads Its all in fun for earthly people but one never know the trickery of a real Ghost. They move in space among us and play trickery games because their among the dead. We wait for the door bell to ring for all the children yelling trick or treat for their candy But one never knows on calm Halloween night why the door keeps slamming on the\old wood shed. Locked it was but not tonight, as the Ghost are so busy, but I keep on the table the bottle of Brandy, I pour a shot to calm down my fear realizing it's a very busy night among the dead.. Even tho it's a calm night you can hear the ghostly haunted wind and dyed leafs blowing over your head, Yes I am scared on this Halloween night and every year at this time it excites my fright, Who would really know their among us but what they can not say their not living but dead. Walking on the rickrack porch every step that creeks, lit Pumpkins carved on the old unpainted chair on the right, on the left are tall corn stalks and a bail of hay as the tall scare crow sits so still with no life. I will always remember this Halloween night for the dead rises as the living play.
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25
If I were firece and bald and short of breath I'd be the headmaster of a secondary school. A spotted face boy cries "fight, fight, fight!" A scrap has begun outside the school. Greasy adolescents hurry to the scene To find a boy - bloodied - face down in the gravel. Instead of showing sympathy, they portray their callous nature. The mob-mentality reigns supreme As he is mocked and jeered by ***** fingers Of adolescent monkeys. Meanwhile, in the corridors of the school A sea of gray sways, as agitated 6th years Barge their way through piles and piles Of nervous first years. Sweaty fingers clutch chewed-on pens, Taking down their futures from the board. The vacant stare of the class fool is aimed toward The blank, unpainted walls. Were they ever painted? Or did god create them bland? The footworn halls of our totalitarian dictatorship Are kept active only by the zealous actions of our 'noble' teachers. Every morning they arrive at a job they resent, And see teachers whose eyes mirror their despair, Then they feign a smile and proceed With the monotonous task of teaching Brain-dead, narcissistic, trogleydtes. Exciting. "All in all we're all just bricks in the wall."
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Feb 25, 2014
Feb 25, 2014 at 4:58 PM UTC
Ode to teachers.
she is no longer human writhing, shouting, feeling human past i look at her and i see paint windswept hair sticking to muddied lips flushed cheeks over pale skin gilded lids blink she is canvas heavy and sagging brushstrokes this way and that covered i listen to her and i hear nothing swirling silence surrounding stereo sound breathing into doubting ears hidden she is no longer awake swimming, sighing through cold water rough, splintered waves of memory slap her briefly before the current pulls her under again and the rocks onshore call out faintly to her floating body as she lies beneath a blue sky and lets the water move her downstream life waves weakly from the bridge ignored the mirror tells me i am human unpainted loud and awake but she recognizes the lies she has learned to ignore them
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Nov 4, 2014
Nov 4, 2014 at 8:34 PM UTC
painted
Rinsing over porcelain skin Skin still too pale for the end of summer Washing, cleansing, every curve, every bend Water droplets gather in pools around my unpainted toes Parachuting raindrops released from freshly-trimmed ends Of hair that will soon disappear Naked green eyes clear of disoperation Gaze at the foreignness of this summer waterfall. I part my lips to taste the mountain air Condensed into a life source Icy in July, fresher than filtered A German Shepard gazes at my silhouette Caramel and black, fur bristling with excitement With kind brown eyes Sparked with curiosity, Lapping the water with his pink tongue.
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Feb 3, 2012
Feb 3, 2012 at 12:03 PM UTC
Looking Glass Falls
This was once a construction site. Unpainted concrete walls, skeleton of A building exposed. Now most floors are inhabited; Offices in use as if they'd always Been this clean and complete. Some sections are still unfinished, and The few of us still working here are Alien shadows in filthy workwear, Ghosts from the slow birth of a Fraction of the Oslo cityscape. Rugged midwives Not fitting in with the suits and Dresses we sometimes pass in the Corridors. So strange, the scent of perfume and Female products. No more diesel and Dust here these days. My colleague flips his cigarette **** on The pavement outside the entrance, Stealing a gaze at a passing skirt. *I love the sound of High heels in the Morning.*
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Oct 16, 2015
Oct 16, 2015 at 3:24 AM UTC
Diesel and Dust (This was Once a Construction Site)
Through a vision in my dream, I see her there standing a smile, unpainted, authentic and real, hopeful opening the door, I feel a smile emerge, and the butterflies oh they kick within me, like a life is growing there a baby in sight, with no bump or pulse, just a gathering of fluttering wings, that should I rip my chest open out they would fly, a mélange of colours and shapes purple swallowtails, adonis blues, lacewings, painted ladies and finally, my favourite, the Menelaus Blue Morpho escorted by the Duke of Burgundy, my springtime hero each flutter, each movement, a collection from the continents my self, my soul, my body has travelled, wanderlust keepsakes of beauty and bliss, bordering on extinction safe within me in a heartbeat they cover my whole self, they move around my body my legs tremble, barely able to hold, this grown woman upright a gulp, a gasp, a stare in wonder, speechless, tongue tied, dazed, dumb, silent my head empties, no thought passes, the parietal lobe vanishes adrenaline is racing through my body faster than the light hitting my eyes moments later I find vocal sound waves breezing past my ears they are in slow motion, her voice mumbled, incoherent she touches me and I jump in fright, my eyes adjust, my heartbeat slows down, my legs steady "Rachel!" "Rachel!" I wake up alone. © Sia Jane --- *"In through the window a moonbeam comes,— Little gold moonbeam with misty wings; All silently creeping, it asks, "Is he sleeping— Sleeping and dreaming while mother sings?"* Eugene Field
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Dec 28, 2013
Dec 28, 2013 at 7:02 PM UTC
Dreamscape
Through a vision in my dream, I see her there standing a smile, unpainted, authentic and real, hopeful opening the door, I feel a smile emerge, and the butterflies oh they kick within me, like a life is growing there a baby in sight, with no bump or pulse, just a gathering of fluttering wings, that should I rip my chest open out they would fly, a mélange of colours and shapes purple swallowtails, adonis blues, lacewings, painted ladies and finally, my favourite, the Menelaus Blue Morpho escorted by the Duke of Burgundy, my springtime hero each flutter, each movement, a collection from the continents my self, my soul, my body has travelled, wanderlust keepsakes of beauty and bliss, bordering on extinction safe within me in a heartbeat they cover my whole self, they move around my body my legs tremble, barely able to hold, this grown woman upright a gulp, a gasp, a stare in wonder, speechless, tongue tied, dazed, dumb, silent my head empties, no thought passes, the parietal lobe vanishes adrenaline is racing through my body faster than the light hitting my eyes moments later I find vocal sound waves breezing past my ears they are in slow motion, her voice mumbled, incoherent she touches me and I jump in fright, my eyes adjust, my heartbeat slows down, my legs steady "Rachel!" "Rachel!" I wake up alone. © Sia Jane --- *"In through the window a moonbeam comes,— Little gold moonbeam with misty wings; All silently creeping, it asks, "Is he sleeping— Sleeping and dreaming while mother sings?"* Eugene Field
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33
i love your imperfection dry, split ends, rosacea cheeks, dry skin the real things, the unique things, that make you i love you most, in the morning when you are just waking up the natural, the real, unvarnished look unpainted, i can see, you, in all your beauty the acne on your chin, the scab on your lip like a diamond with its countless flaws you look, are vulnerable, approachable i want to touch, caress your face kiss your dry, chapped lips rough hands, warm heart, i kiss your fingertips nails natural, unpainted, coated in potter’s clay i press my face into your hand, feel their strength weekends, wearing comfortable torn jeans baggy shirt, draping, but non concealing i hug you like a dear, loved teddy bear dollar store flip flops with a dandelion tops the bottom of your feet dried, a bit cracked from walking, bonding barefoot with gaia you are the feminine, i am the masculine you are the woman, i am the man you are the girl, i am the boy my love for you is endless, boundless, eternal..., Minou
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Dec 28, 2018
Dec 28, 2018 at 11:23 AM UTC
imperfect you i love
The prisoner, he is losing his precious eyesight, and he is quite glad For years now, never had the chance to intrude, The world he never knew. To him, nothing left to see other than his crummy cell. In rhyme, he prays every night He asks for guidance and asked for peace On unpainted walls he sees his reflection, dull and disturbing feats In his flesh, there's a certain feeling he won't figure. He is empty, lacks the soul, the will to go out side. The prisoner is actually a freeman. The prisoner is me.
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Jan 8, 2019
Jan 8, 2019 at 9:18 AM UTC
Prisoner's Point of View.
_You ask of which I am most afeart, the rumbling tumblings of the troll beneath the bridge or the tinkering favours of an eccentric fairy godmother. Alas, it is the marzipan crumbs of inspiration leading me down the brambled garden path which most unsettle me; the ink that does not write; the unpainted page with not a gingerbread house...in sight._
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Sep 5, 2020
Sep 5, 2020 at 3:33 AM UTC
Once Upon A Story
Dear potential lover                  When you fall in love with me Make sure to love the way,                             my face dulls on gloomy days;                       like a rose in autumn.                                       And fall for my muddy brown eyes,               that take you to worlds with distant skies;     eyes like fields of adventure.                            My stretch marks, scattered simultaneously, like strokes of a brush set wild and free;         their colour of clouds with silver lining.        Fall for my unpainted nails, the plain sort     stubby, and cut almost too short;                     nails made for playing in the soil.                       Love my tummy, un-flat and not so lean,       the kind you don’t see in magazines;               a tummy with gentle hills.                                               Admire the way I look,                                       lost, snuggled up in a book;                               the way I stare at the trees,                                 my fine hair playing with the breeze;               love my excessive day-dreaming                       and my serenity on afternoon walks.               Dear potential lover: Love all of me;           My perfections                           and my imperfections               and my perfect imperfections.                    Shayma.                                                  .
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Dec 18, 2015
Dec 18, 2015 at 6:27 AM UTC
Dear Potential Lover
Dear potential lover                  When you fall in love with me Make sure to love the way,                             my face dulls on gloomy days;                       like a rose in autumn.                                       And fall for my muddy brown eyes,               that take you to worlds with distant skies;     eyes like fields of adventure.                            My stretch marks, scattered simultaneously, like strokes of a brush set wild and free;         their colour of clouds with silver lining.        Fall for my unpainted nails, the plain sort     stubby, and cut almost too short;                     nails made for playing in the soil.                       Love my tummy, un-flat and not so lean,       the kind you don’t see in magazines;               a tummy with gentle hills.                                               Admire the way I look,                                       lost, snuggled up in a book;                               the way I stare at the trees,                                 my fine hair playing with the breeze;               love my excessive day-dreaming                       and my serenity on afternoon walks.               Dear potential lover: Love all of me;           My perfections                           and my imperfections               and my perfect imperfections.                    Shayma.                                                  .
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29
inspired by a short story from the man from Snake River <> no alarm clocks heard expiring, unrequired and unrequited, we, those, self-employed by the nocturnal repetitive recounting of sins of omission and worse, those commissioned in anger and haste, that breed only more anger and lay further waste from humans to  humans, awaken with an irregular precision and bad disorder, demanding chances, expiation, restitution, amendment, but time erodes possibilities for the impossible, foreign forgiveness knock-you-down rushing currents of water erodes Snake River boulders, them oldsters just like the litany of our malfeasances, indestructible in nature geologic, and in human nature illogic, terms, such as time measurements, irreverent and irredeemable, for our sins live far longer than our owned memories, in those harmed, who cannot in the unlimited timeless quantity of ever ever, understand your wry smile, your why cries, audibles you’ve play called, go unheard, unseen, even and odd Bach Orchestral Suites, Beethoven Sonatas more mock than soothe trapped between industrial carpet and flat unpainted Armstrong ceiling tiles, you in a hell of your own creation, forgot to include, a Sabbath day extant, of rest for weary creators, ever ever, or planned in a world you’ve  designed, so the best you can do is write another and another confession ever ever watching and listening to the alarm clock that neither requires setting, for it’s audible ticking is alarm-ing curse enough ever ever that always never rings
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Dec 5, 2023
Dec 5, 2023 at 8:50 AM UTC
At 4:00 AM in the City
inspired by a short story from the man from Snake River <> no alarm clocks heard expiring, unrequired and unrequited, we, those, self-employed by the nocturnal repetitive recounting of sins of omission and worse, those commissioned in anger and haste, that breed only more anger and lay further waste from humans to  humans, awaken with an irregular precision and bad disorder, demanding chances, expiation, restitution, amendment, but time erodes possibilities for the impossible, foreign forgiveness knock-you-down rushing currents of water erodes Snake River boulders, them oldsters just like the litany of our malfeasances, indestructible in nature geologic, and in human nature illogic, terms, such as time measurements, irreverent and irredeemable, for our sins live far longer than our owned memories, in those harmed, who cannot in the unlimited timeless quantity of ever ever, understand your wry smile, your why cries, audibles you’ve play called, go unheard, unseen, even and odd Bach Orchestral Suites, Beethoven Sonatas more mock than soothe trapped between industrial carpet and flat unpainted Armstrong ceiling tiles, you in a hell of your own creation, forgot to include, a Sabbath day extant, of rest for weary creators, ever ever, or planned in a world you’ve  designed, so the best you can do is write another and another confession ever ever watching and listening to the alarm clock that neither requires setting, for it’s audible ticking is alarm-ing curse enough ever ever that always never rings
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68
Stavanger Communist Party The local communist party of my youth was a fun place they had frequent parties with music and dance and illegal ***** in the bushes, in the dark unpainted years after the war when entertainment was tambourine and bible thumping. My uncle spoke at meetings he painted a picture of utopia for the workers a short working week and jobs for the wheelchair bound, like other members he lived in a naïve cocoon that had little to do with real life. As the country shook off the grimness of the gloomy years there was work for all, and the party shrank in a short time disappeared; there were so many places to dance. I can still hear my uncle's voice talks of “the dictatorship of the masses” equal pay for all; we are getting nearer but there are those who try to take it away from us.
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Jan 21, 2017
Jan 21, 2017 at 1:16 PM UTC
stavanger communist party
i never meant to weave you together i feel nothing as my cloud sags wet below my tree of sweets and good things i am infatuated violets with snapping jaws fluttering tree houses and good-looking deaths i awaken only as my cloud brushes past my head mesmerizing me with blazed droplets speak to me, my violet do not abandon me in this worldly solitude my tree house crashes with satisfaction my deaths leave me with unpainted termination i pretend to drown when will the sun of my mind arise from the west returning me my popped corn shine leaking out from my half transparent cheeks?
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Oct 30, 2013
Oct 30, 2013 at 9:21 AM UTC
i
Your lovely face yielding my mirror; two bluish eyes, Waiting for my kiss Your elegant neck, framed within soft hair. Your unpainted lips, responsive to my breathe You’re bursting ******* sinfully for an embrace each ****** thirsting to my loving touch. By Williamsji Maveli www.williamsji.com www.williamsgeorge.com www.microthemes.com www.mavelinadu.com
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Sep 23, 2012
Sep 23, 2012 at 8:31 AM UTC
Thirsty.........
She asked me to paint her an angel before she died But she died a week later She was surprised in your liking for Reggae and Garfunkel and the tiniest sparrow that had not a friend in the world except for the Earth that birthed him.
0
Dec 2, 2012
Dec 2, 2012 at 12:52 AM UTC
Diane, your angels go unpainted