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I'm on a train.

One of those red ones with black trimmed windows you can imagine rolling through the suburbs on the way to NYC. Not a subway car but a classier vintage with proper rows of cushioned seats and a lever to pull if there is an emergency. There are sparse shrubberies on one side of the tracks and the ocean on the other. Young trees and bushes stroll by.  A little wind is pushing off the ocean, massaging the car ever so gently back and forth as we move along. A gentle click-clack is on the tips of our ears.

We got on together. I hadn't known you for very long but the connection was stronger than anything I had ever felt or have since. You practically sat on top of me for the first few miles. Couldn't keep your hands off me,  staring in my eyes like you were searching for something lost but you couldn't remember what. The edges of your lips turned upwards permanently as if you were always at the verge of a laugh. You interlaced my fingers with yours and held on like you would be ripped away if your grip loosened for even a second. Slender fingers holding so tightly that they were becoming red.

You were excited to to be riding with me, about where we were going and all the things we would do when we got there. I would see you peer out of the corner of your eye, then lean over to brush your soft cheek against my budding stubble. Kissing and gently biting my lips insatiably. The suns rays coming in at an angle and lighting up your perfect smile and dimple.

I had to remind you we were in public.

I was lost in your blonde curls and the incense of your neck. I had fallen incredibly hard and so fast that my face hurt from smiling and my heart beat with vibrations I had never known. Not even a whiff of anxiety or neurosis. Some of the best memories of my life, as fleeting as they turned out to be.

I yawned and you put your finger in my mouth. I bent over to tie my shoe and you would poke my **** and laugh with your own reflection in the window, like this was the first and best joke of all time. Maybe it was and maybe it is.

The waiter came and informed us that a thing called "the bar car" existed. We both jumped at the idea. I didn't exactly notice at the time, during our excitement, but that's when the train started going faster and everything out the windows began to blur.

The bar car was a wild ride and we took advantage of our lo'cal. All kinds of fine wine, liquors and illicit substances were available. We tried them all. You were beautiful, your laugh infecting everyone around you, I was charming and held a captive audience.   It was a dark, loud and glorious blur. We were the life of the party and it chugged on till dawn.

We woke up in our seats, disheveled and discombobulated. It was dark out already. Did we sleep through the entire day? The train was slowing down, maybe approaching a station. The party was amazing but we were certainly paying the price for the black out. You moved over to the seat across from me to have some more space and lay down. I saw myself in the reflection. My hat, charm and smile from the night before had vanished. I must have left them in the bar car the night before.
      You had changed, beauty uninterrupted but different somehow. I couldn't put my finger on it. Irritated maybe? I invited you to cuddle and battle the hangover together but you ignored me. Like you couldn't hear me or didn't want to. I decided to let you be.

I got up to use the bathroom and thought I would go look for my scattered belongings. Maybe I could find a scrap of leftover dignity while you rested. I inquired to the conductor who directed me to the bartender in the bar car. He hadn't changed a bit, somehow untouched and unaffected by last nights antics that had effected me so dramatically.  Same black suspenders and white pressed shirt with impeccably slicked hair. I asked him what happened and if I had an open tab. While slowly polishing a rocks glass he looked up and made eye contact for a split second before looking away.
He said:  "Oh the bar car takes its toll. In the end we all end up paying one way or another". I still don't know what he meant by that or if he knew.
      I asked him if he found my hat and he said he would check the camera. We walked in to a small back room, while he was reviewing the tape, over his shoulder I noticed a tragedy.

We were drunk. I was going on to a group of new friends on one side of the bar, they were hanging on my words and I was eagerly explaining whatever nonsense they were drooling over. You were in the corner wearing that red dress I love, with your hair up in a tight bun. A few curls had escaped and brushed your high cheekbones, a thin line of pearls dancing delicately across your perfectly symmetrical collar. You were stunning and inebriated, swaying with each bump and motion of the train. A man wearing my hat put his hand on your side to keep you from swaying over and then he left it there.
I took a sharp breath.

It looked like you put your hand on his hand to move it but then it stayed and you both swayed together. As the air left my lungs and the blood drained out of my face I watched your lips touch the strangers. A small piece of my soul slipped away forever. I couldn't watch any further. When I asked the bartender how long it went on he fidgeted for a moment and uncomfortably muttered "quite some time". I never found my hat or the other part of me that left that day.  

The train slowed. I walked to the back, as far away from you as I could get, in utter disbelief. How could you? I thought to myself.
I mourned the loss of the you as I knew you yesterday, quietly and to myself. A tear  escaped my eye and rolled down my now fully formed stubble as I fell in to a random seat in mild shock. There were a few passengers back there so I had to pull together relatively quickly. After gaining some composure I knew it was time to get off. I knew we could never get back to yesterday morning though I would have said or done anything to do so.

The train had stopped. I went back to my seat and you were sleeping. I took my coat and gathered my things. The conductor looked at me confused as to why I would leave something so magnificent, I assume he had no idea what had transpired.   

I walked to the rear of the car and slid the door open slower than required. I stepped to the stairs and put one foot down on the step and the other on the ground. I stopped, rooted with my hand on the railing, lingering between two very different paths.
     I knew that it was time to get off, I knew this was the sensible thing to do, that I couldn't get past this offense regardless of how I had felt earlier the day before. The whistle screamed from the locomotive. The conductor looked at me and shook his head, I'm not sure if he was trying to tell me to stay or go but a decision had to be made.

The train lurched forward and I watched as the station slip away slowly. I sat in between the cars for a while and watched the ocean and birds. With a heavy heart and shoes I walked back to my seat. You were waiting. Crying. You knew. The bartender had told you. You didn't mean do do it, didn't realize what you were doing and thought it was me. He was wearing my hat and the whole world was blurry and dark.

I believed you. Self anguish mixed with alcohol was dripping from your pores. I knew you didn't mean it and were drunk, but could I ever forgive you or trust you again?

I loved you still.

I caught a glimpse of my reflection, a weaker version of myself looked back. As if an invisible chip in my teeth had developed and my shoulders lowered. The charming, confident man from the bar car the day before had been replaced. Something was off but not enough for anyone else to notice, just enough to know a change has happened.
       The train started to pick up speed again as we distanced ourselves from the station.  I second guessed my decision to stay but I didn't look back.

I found the man with my hat and punished him with a few blows in the dark. He knew he ****** up, apologized and took the beating like a man. I never got the hat back.

The engineer announced that we would be going through a tunnel soon and to turn on our lights and keep our hands in the windows.

It would be dark.  

We stayed away from the bar car for a while but the draw was irresistible. After a few hours we were there again but you never left my side.  Then you did. I was looking for you but you would disappear and not answer me when I called you name. The tunnel went deeper and darker and I didn't know where you were and I suspected you liked it that way. The train began to slow down again as we exited the tunnel.

I finally found you back at our seat, you had moved one row away from me. I asked you to come back, tried to hold your hands but you pulled away with vehemence. When I came back from the bathroom you had moved another row farther.
I knew I was losing you.
I begged you to return but you told me calmly that it was time for you to get off. At some point in the tunnel you had decided that you didn't want to go anymore . Your mind was made. You were going to catch another train at the next station.

When the train stopped I thought for sure you would reconsider but you didn't. Didn't even give it a thought. You just grabbed your coat and hat with one big bag under your arm. You kissed me on the cheek like a french stranger and were off. Going somewhere else on a different train. Just like that.

I rode the rails for quite some time by myself , many people getting on and getting off, passing me by. Every once in a while I would think I saw you at a station or in a **** though the window of another train. I often thought I could smell you but when I breathed deeper it was always gone. A ghost dancing on the edge of my senses.

A young girl in a headband got on the train. She was listening to headphones and dancing to herself as she bobbed along. She sat down in the seat next to me flashing a smile. She had a wedding ring on and I dismissed her immediately.  She didn't move from the seat or stop glancing my way. Eventually she confessed that she wanted to talk. I told her I wasn't interested but she persisted.  I hadn't talked to anyone on the train for quite some time and after some more mild persistence, I gave in.

We had a lot in common. We were both riding alone, desperately wanted attention and were thrilled to receive some.  After a few laughs she slid her hand in to mine and interlaced her fingers. I left it there. It was warm, comforting and wrong. She was married but I had been riding alone so long it felt good to have some company. She stayed and we talked. She was broken and I had a knack for fixing things. After a few hours of dramatic conversation I fell asleep with her head on my shoulder.

When I woke up  the train was flying up the track on the side of a mountain. Trees and rocks were a blur of green and grey. The engineer must be trying to make up for lost time I thought to myself.

The girl was asleep with her head on my lap. I looked down at her hand and the rings were gone. I woke her briefly to ask where they went. She said she didn't need them anymore and had thrown  them out the window.  She could of sold them, I said, but she said she just wanted them gone so she could be mine and fell back to sleep.  All of a sudden I couldn't breath. This train was roaring down the tracks, the once gentle click clack had become a loud hum. Suddenly too loud. This girl in my lap who had just gotten on the train wanted to stay. I considered her for a while as she looked up at me with big blue eyes, shining and wet, like a puppy in the shelter, terrified of rejection and desperate to be adopted.

At the peak of the mountain, just when the train began to even out, you waltzed back in to the car with a champagne flute in one hand and your bag in the other.

I don't know when or where you got back on, must have been a few stations ago when I stopped looking for you. Maybe you were wearing a disguise, who knows what you had been up to while you were gone. I'm not sure how long you were away but it was quite some time. That you had been through something was obvious, a new wrinkle had formed on your brow and you're once confident stride had changed to a cautious stroll. What actually happened out there I don't know.  I never asked and I don't want answers.

You looked at me and smiled. It was good to see that smile, like sun on my face on a brisk day.  You took a step toward me and then I looked down in my lap at the girl at the same time you did. I looked up. You and your smile were gone.

Everything I had begun to feel for this broken, head banded girl in my lap dried up like a puddle in  the dessert.  I quietly and gently nudged her awake and told her I had to use the bathroom. She put her head down on my coat and fell back into what ever trance she had been in, eyelids gently fluttering, eyes searching beneath them for what I would never give her.

I dashed up the isle and threw open the door, almost shattering the glass. The conductor glared at me and rolled his eyes as I barged past to the space between the cars.

There you were. Standing on the stairs with your head out the opening. The wind was blowing your perfectly formed curls around your head like a blonde explosion of familiarity. I yelled your name and you dove in to me. My senses erupted, my mind went numb as the train was nearing another station and I inhaled your essence greedily.

We moved to another car. I abandoned my coat with the married girl and never looked back. I hope she found what she was looking for. I  never could have been the answer she was so desperately seeking but I know I  helped steer her towards it.

You told me you had encountered some other people out there on the rails and they had reminded you of what we had when we first left the station. I never forgot.  

The train started to rock and get going again. We were back in the bar car and starting to brown out. We had to get off of this train right ******* now. In a desperate moment we looked at each other and put our hands, together, on the emergency brake cord. I looked in your eyes with your hand on top of mine. You kissed me while yanking down on the cord. Time slowed, the breaks squealed and everything exploded throwing luggage, people and the entire contents of the bar car in to a nondiscriminatory chaos . We got up off the ground, ran to the end of the car, dove off the side in to a soft patch of grass and rolled down a small incline. We watched as the conductor sifted through  the mess and interrogated the passengers, trying to ferret out the party responsible for pulling the brake. He spotted us off the side of the tracks and shook his fist while shouting every conceivable obscenity combination.

We laughed, held each other in the grass and kissed deeply.

We watched the train pick up speed and disappear in to the hills as relief spread over me.

You interlaced your fingers in to mine and we both looked out to where the tracks disappeared into the horizon, wondering how far of a walk it was to the next station.
Savanna Mar 2014
We always know where our towels are so we can help each other out
‘Cause we protect each other without ever a doubt

Even when one swears the other has puddin’ in their head
We still trust each other, both with guiding and being led

Whenever you have a Hat-and-or-Wig Party, I’ll be there
Because while three’s company, us two is a constant pair

I’ll be the first to reward you with five minutes of uninterrupted eye contact
Because always supporting each other is our unwritten contract

I’ll sit and watch a movie with you, even if it’s Sweded
Because just hanging out with you is all that is needed

Even if all we did in a day was roll in ze hay
I know that we would still have fun anyway

Whether anyone says we were brought together by fate, destiny… or a horse
All that matters is that we are forever family on the same course

Even if there’s no meteoroid, severe loss of blood or death,
We’re there to help each other ‘til our last breath

We read one another’s thoughts and understand code words like oi
Which means we ‘get’ each other more than any girl or boy

I hope we both have enough shoes to last us a lifetime
So we have all the time we need to quote movies and rhyme

I’ll only ask you to hold my sweet potato pie; you’ll never have to wear it
We are always each other’s partner and we’ll never have to split

I would cross The Wall anytime if it could help somehow
Because I would do anything for you that possibility could allow

If you were eating junk and watching *******, I wouldn’t come out and pound you
I would sit down and join you, and just claim I had the flu
Movie quote sources in order: Hitchikers Guide to the Galaxy, Swan Princess, Yes Man, Baby Mama, Be Kind Rewind, Young Frankenstein, Tangled, Two Weeks Notice, The Italian Job, Mr. Magorium’s Wonder Emporium, I Robot, Stardust, Home Alone
howard brace Sep 2012
He'd been conceived in Flamborough, so his little sister assured him some eleven summers ago, which was a tad hard for Rocky to swallow, she was a whole eighteen months his junior and then some... and at that age, well... what did she know, she was only a kid, "on this very rock" River insisted, kicking her heels in delight, "next to this very rock pool" they were both sitting beside, "one sunny afternoon eleven years ago..." and that was how he came by the name of Rocky... she taunted as the rest of the colourful story unfolded... and that she had it all on the best possible authority... although the more she thought about it, had she meant concealed... she wasn't quite sure now, it was all so very confusing at her tender age but thought it sounded close enough not to matter too much and that she would just wait and see which way the wind blew.
        
     It was conceivably an ill wind that blew no one any good that day, especially if you were a boy and just happened to be sat by a rock pool next to your little sister...  Having just taken a well earned drink from a neighbouring rock pool, Sockeye the floppiest Springer Spaniel this side of the Pecos decided that he was going to dig a hole and that he would be digging it deep, then changed his mind mid-dig and decided to have a more down to earth back scratching wriggle instead... then promptly flopped over and slid into the hole... life was sweet.  Now covered from nose to tail with every species of deceased shore life usually found frequenting the high water mark Sockeye, in a blinding flash of canine inspiration judged it would be in everyone's best interest were he to have a really good shakedown which always appeared to go down well on these occasions... and give everyone a good peppering, just so they could see exactly what they'd been missing all their lives.  

     "A rock of all places, for goodness sakes..." and what's more, it was this rock, "Yuk..." he jumped up and wiped his palms on the back of his jeans in disgust, then onto his tee-shirt, then sat back down again and began exploring his left nostril in quiet contemplation before finally jambing his hands back into his pockets... what in Heaven's name had his parents been thinking of..? what on earth was his little sister talking about..? and more to the point, what in fact did conceived mean..?  these were the questions that were uppermost in Rocky's mind as he poked an exploratory stick into the rock pool...  a baby crab marooned by the tide scampered sideways beneath a large pebble and stuck one beady eye out at him... Rocky's sister, seemingly in a world of her own, much like the baby crab sat on the edge of the noteworthy rock kicking her heels, an innocent smile curled the corners of her mouth as she quietly hummed a little song of tuneful bliss to herself and considered what further mischief she could possibly pass her brother's way.

     Rocky tossed a piece of driftwood over his sisters shoulder at a nearby flock of seagulls, squabbling over what appeared to be a discarded bag of fish and chips... Sockeye, simply knowing that his little master wanted to play a game of fetch gambolled after the stick, his ears flying courageously in the still Summer air and burst, amid a melee of feathers into their midst, only to romp back moments later, the stick all but forgotten in the excitement but now proudly sporting the derelict bag of leftovers and the odd splash of guano, his tail lolloping magnificently from side to side... and for the moment at least, leaving the fratching seagulls wheeling noisily overhead and to go about their daily business without further interruption... as for Sockeye, it had been a no contest situation.

     After fourteen years of valiant endeavour his father... Red, so named for his vivid shock of wiry hair, was still engaged in man's eternal struggle to win his significant other half's approbation with the manful art of deck-chair assembly, beach barbeque and other significant gentlemanly pursuits, all while strutting his manly stuff, sporting top of the range beach wear in accordance with the social etiquette of the previous decade... his masculine paunch slumping gallantly atop his waistband...  

     After the same fourteen terms of domestic servitude and the same thirteen identically overlooked anniversary cards a certain someone had no intention of allowing another certain someone to forget so much as one of them... his better half, so she insisted would ride rough shod, administering her own brand of justice at every given opportunity, in much the same way you'd brandish a royal-flush on poker night... or better still, a loaded revolver... and that she personally carried the burden of every ill-fated card that Lady Luck had dealt strung about her neck like Adam's original sin on Judgement Day.  

     Red much preferred the shorter, more condensed name of Rock for his son, rather than the longer more protracted Rocky, as he struggled with the wood and canvas lounger badly trapping the mound of his thumb in the process, "Aaargh...!!!" plunging his throbbing hand deep into the cold, soothing rock-pool "aaah...!!!"   Still marooned by the tide, the baby crab stood poised and ready for action as it considered giving this latest intrusion a good offensive nip, then hang on spitefully as it gave Red the final withering once over with the same baleful eye it had successfully used earlier.

     Acknowledging her husbands misfortune with a perfunctory grunt as she rummaged in her beach-bag for the thermos, she refused to be drawn in where thumbs were concerned right now, after all with his DNA sequencing she was convinced he could probably grow a new one within the month... whilst Tina, well... she was just plain worn-out... but still rejoiced in telling anyone who cared to lend a sympathetic ear in her direction... and who in turn was more than happy to listen to the woes of others and went somewhere along the lines of... 'and had she heard any more of poor Mrs Dorey's lingering martyrdom recently..? you know, the downtrodden lady who lives in the next street but one... and how they would all miss her when she was gone... and how she couldn't wait...' and as rumour had it, neither could her husband...

      Feigning to be otherwise engaged, Tina... as her husband, now blowing frantically on his mangled thumb, stumbled backwards over the half erected lounger and with a spine jarring "Ooomph...!!!" landed squarely in Sockeye's subsiding earthworks... professed total disassociation with the entire fiasco as she plunged her nose even deeper into the overdue library book she'd purposely brought on holiday for just such an occasion, making it perfectly clear that she was a tourist and furthermore, planned to stick with the same itinerary once they returned home... and that while she was here, she did not under any circumstances wish to be disturbed, the notice was clearly displayed hanging from the door handle... but if anyone should, then whoever it was did so at their own peril... and she was keeping score... although a mangled thumb she luxuriated, with the same roguish smile curling the corners of her mouth as the one normally found playing around her daughter's... was equally as heart warming.

      All Tina wanted was one week of uninterrupted peace and quiet in Flamborough, preferably with a certain someone out from under her feet then spend what might pass for several undisturbed hours sitting quietly by the rock pool comparing notes on eye makeup and the feminine merits of pedicure with the little crab who, still marooned by the tide was now sat busily knitting four pairs of matching leg warmers in the cool, still water but that was only if that certain someone... a shrill  "AAaargh...!!!" somewhat more desperate than the first, ****** itself upon the as yet unaggressive afternoon as it gyrated across the warm Jurrasic rock and recoiled out to sea... "now where was I", twisting her book uppermost "oh yes..! someone was going to pay..." only now it was going to be sooner rather than later, but only if that certain someone didn't finish the seating arrangements before the Sun disappeared and drift into some backstreet tea-room before all the lemon cheesecake sold out, or was that she reflected, simply too much to ask.

     It was his Surname that Rock found so objectionable, or it had been right up until his little sister's enlightening disclosure, now it was both names Rocky disliked, it would have been far kinder had Rock Salmon been sandwiched between sliced bread and given to Sockeye... who's solemn duty, from the first mouthful to the very last, was to gaze up beseechingly from beneath the kitchen table  and devour anything that passed his way, even the postman had to be quick about his business or have his arm follow the mail through the letter box... then Sockeye would just smack his lips and help himself to seconds.  

     All Rocky's mum had thought about for the last fourteen years was seconds... every last solitary one of them since she'd suffered with an infection of matrimonial neurosis which had deprived her of common sense and her maiden name, from Chovey to that of Salmon and how with hindsight she should have taken an Aspirin instead, wedlock she asserted was everything the name claimed to be and was without doubt the worst move she'd ever made... and what's more was seen as a bad move in whoever's wedding album you just happened to be paying your condolences to.

     Rocky would never be so fortunate on that score, unlike his sister he was stuck with Salmon for good, his grandma-Ann by all accounts had been dead set against the union from word Go and saw his father as someone who would always be out of his depth in whatever rock pool he found himself in, swimming against the tide as it were, rather than going with the flow... and it appeared that Rocky, almost eleven years into a life sentence, was about to flounder in the same murky undertow as the rest of the Salmon family... only he couldn't swim.

     "There"! her husband exclaimed "all finished... better late than never eh', who fancies trying it"? his wife luxuriated over the words 'better late' and wondered whether her new earrings, her latest acquisition would complement formal mourning attire.  Red dusted off the palms of his hands with the certain knowledge of a job well done and cautiously took one step back, looking with justifiable pride at the outcome of his manly exertions of the last two hours, this was what holidays were all about he declared, one man pitted against insurmountable odds...  His wife meanwhile was getting to grips with more odds of her own than you could safely expect to shake a stick at... her husband being one of them.  

     Having gathered her offspring with the promise of verbal earache if they didn't... and finished packing the beach-bag, Tina finally located Sockeye peering out from the shade of an adjacent rock, wisps of feathers poked tellingly from the corners of his mouth, his tail beating mischievously on the shingle decided in one further blaze of canine brainstorming, as Tina attempted to slip his collar on that a game of tag would just about round the day off nicely... Tina then devoted the next ten minutes chasing him amid unrestrained salvo's of cheering from the rest of the family... then bid goodbye to the little crab who, still marooned by the tide waved a friendly pincer in return... and trusted that she wouldn't have too long to wait for the next rising tide back home, then she slid off the rock with a corrosive... "the deck-chair attendant would have shown you" she snapped "and don't forget the deposit when you take them back" then double checking that she landed squarely on his foot she marched past, her floral sun hat jammed resolutely on her head at what she considered a jaunty angle with her equally jaunty, angular children scrambling in hot pursuit, back in the direction of their lodgings.  

     "Woof "..? said a bewildered Sockeye, bringing everyone to an abrupt halt... and with paws the size of place-mats, he wasn't going anywhere he didn't want to... he hunkered down with a look of hurtful accusation on his face, "oh yes you are my lad"! said his mistress "I've met your sort before" and knew exactly where to place the toe of her dainty size-5 as Sockeye, digging his heals in even further created swathes of canine furrows up the beach, leaving her husband the unwitting holder and in sole possession of the overlooked guest-house keys... and somewhat resigned to clean up his own masculinity and dismantle the recently assembled, now redundant deck-chairs by himself... as for Tina, well... she'd had quite enough excitement for one day thank you very much.

     Morning register was always the worst he thought, as they trooped back along the shingle beach, Rocky making surprisingly good furrows of his own... but the rest of the class loved it and saw it as the highlight of each day... Rocky's form teacher, despite showing a brave face was always hard pressed to avoid bursting into hysterics every time she worked her way down the register to the letter 'S' and would attempt to bypass it altogether, jumping from 'R' to 'T' and just prayed that no one else had noticed, but it hadn't taken the class very long to point out her oversight and... "please Miss" they'd all chant "we haven't had Salmon all week" and while the rest of the class were having convulsive fits, Rocky would elbow the lad sat at the next desk in the ribs... and promptly get one hundred lines for his trouble... thank goodness it was school holidays.  Why couldn't they have been given respectable names like Seymour Legge, Rock wondered, who sat over by the window or perhaps the teachers pet, Anna Prentice or even, Robyn Banks at a pinch, but definitely not what they'd been given and certainly not Salmon, they were the most hilarious names he could imagine and if someone was looking down on them right now he thought... then they had a very unique sense of humour indeed and Rock said so... "why" his little sister asked sweetly, "what's wrong with River Salmon".

                                                      ­                         ...   ...   ...*

a work in progress*                                                        ­                                                              240­6
Lizabeth Apr 2013
Sometimes I find myself  wishing
my cell phone wasn't my alarm clock,
and that I didn't have a class
in the morning.
That the screen go black for a few,
uninterrupted, hours and
have the peace of mind that being
away from you would give me.
Nigel Morgan Nov 2012
She said, ‘You are funny, the way you set yourself up the moment we arrive. You look into every room to see if it’s suitable as a place to work. Is there a table? Where are the plugs? Is there a good chair at the right height? If there isn’t, are there cushions to make it so? You are funny.’
 
He countered this, but his excuse didn’t sound very convincing. He knew exactly what she meant, but it hurt him a little that she should think it ‘funny’. There’s nothing funny about trying to compose music, he thought. It’s not ‘radio in the head’ you know – this was a favourite expression he’d once heard an American composer use. You don’t just turn a switch and the music’s playing, waiting for you to write it down. You have to find it – though he believed it was usually there, somewhere, waiting to be found. But it’s elusive. You have to work hard to detect what might be there, there in the silence of your imagination.
 
Later over their first meal in this large cottage she said, ‘How do you stop hearing all those settings of the Mass that you must have heard or sung since childhood?’ She’d been rehearsing Verdi’s Requiem recently and was full of snippets of this stirring piece. He was a) writing a Mass to celebrate a cathedral’s reordering after a year as a building site, and b) he’d been a boy chorister and the form and order of the Mass was deeply engrained in his aural memory. He only had to hear the plainsong introduction Gloria in Excelsis Deo to be back in the Queen’s chapel singing Palestrina, or Byrd or Poulenc.
 
His ‘found’ corner was in the living room. The table wasn’t a table but a long cabinet she’d kindly covered with a tablecloth. You couldn’t get your feet under the thing, but with his little portable drawing board there was space to sit properly because the board jutted out beyond the cabinet’s top. It was the right length and its depth was OK, enough space for the board and, next to it, his laptop computer. On the floor beside his chair he placed a few of his reference scores and a box of necessary ‘bits’.
 
The room had two large sofas, an equally large television, some unexplainable and instantly dismissible items of decoration, a standard lamp, and a wood burning stove. The stove was wonderful, and on their second evening in the cottage, when clear skies and a stiff breeze promised a cold night, she’d lit it and, as the evening progressed, they basked in its warmth, she filling envelopes with her cards, he struggling with sleep over a book.
 
Despite and because this was a new, though temporary, location he had got up at 5.0am. This is a usual time for composers who need their daily fix of absolute quiet. And here, in this cottage set amidst autumn fields, within sight of a river estuary, under vast, panoramic uninterrupted skies, there was the distinct possibility of silence – all day. The double-glazing made doubly sure of that.
 
He had sat with a mug of tea at 5.10 and contemplated the silence, or rather what infiltrated the stillness of the cottage as sound. In the kitchen the clock ticked, the refrigerator seemed to need a period of machine noise once its door had been opened. At 6.0am the central heating fired up for a while. Outside, the small fruit trees in the garden moved vigorously in the wind, but he couldn’t hear either the wind or a rustle of leaves.  A car droned past on the nearby road. The clear sky began to lighten promising a fine day. This would certainly do for silence.
 
His thoughts returned to her question of the previous evening, and his answer. He was about to face up to his explanation. ‘I empty myself of all musical sound’, he’d said, ‘I imagine an empty space into which I might bring a single note, a long held drone of a note, a ‘d’ above middle ‘c’ on a chamber ***** (seeing it’s a Mass I’m writing).  Harrison Birtwistle always starts on an ‘e’. A ‘d’ to me seems older and kinder. An ‘e’ is too modern and progressive, slightly brash and noisy.’
 
He can see she is quizzical with this anecdotal stuff. Is he having me on? But no, he is not having her on. Such choices are important. Without them progress would be difficult when the thinking and planning has to stop and the composing has to begin. His notebook, sitting on his drawing board with some first sketches, plays testament to that. In this book glimpses of music appear in rhythmic abstracts, though rarely any pitches, and there are pages of written description. He likes to imagine what a new work is, and what it is not. This he writes down. Composer Paul Hindemith reckoned you had first to address the ‘conditions of performance’. That meant thinking about the performers, the location, above all the context. A Mass can be, for a composer, so many things. There were certainly requirements and constraints. The commission had to fulfil a number of criteria, some imposed by circumstance, some self-imposed by desire. All this goes into the melting ***, or rather the notebook. And after the notebook, he takes a large piece of A3 paper and clarifies this thinking and planning onto (if possible) a single sheet.
 
And so, to the task in hand. His objective, he had decided, is to focus on the whole rather than the particular. Don’t think about the Kyrie on its own, but consider how it lies with the Gloria. And so with the Sanctus & Benedictus. How do they connect to the Agnus Dei. He begins on the A3 sheet of plain paper ‘making a map of connections’. Kyrie to Gloria, Gloria to Credo and so on. Then what about Agnus Dei and the Gloria? Is there going to be any commonality – in rhythm, pace and tempo (we’ll leave melody and harmony for now)? Steady, he finds himself saying, aren’t we going back over old ground? His notebook has pages of attempts at rhythmizing the text. There are just so many ways to do this. Each rhythmic solution begets a different slant of meaning.
 
This is to be a congregational Mass, but one that has a role for a 4-part choir and ***** and a ‘jazz instrument’. Impatient to see notes on paper, he composes a new introduction to a Kyrie as a rhythmic sketch, then, experimentally, adds pitches. He scores it fully, just 10 bars or so, but it is barely finished before his critical inner voice says, ‘What’s this for? Do you all need this? This is showing off.’ So the filled-out sketch drops to the floor and he examines this element of ‘beginning’ the incipit.
 
He remembers how a meditation on that word inhabits the opening chapter of George Steiner’s great book Grammars of Creation. He sees in his mind’s eye the complex, colourful and ornate letter that begins the Lindesfarne Gospels. His beginnings for each movement, he decides, might be two chords, one overlaying the other: two ‘simple’ diatonic chords when sounded separately, but complex and with a measure of mystery when played together. The Mass is often described as a mystery. It is that ritual of a meal undertaken by a community of people who in the breaking of bread and wine wish to bring God’s presence amongst them. So it is a mystery. And so, he tells himself, his music will aim to hold something of mystery. It should not be a comment on that mystery, but be a mystery itself. It should not be homely and comfortable; it should be as minimal and sparing of musical commentary as possible.
 
When, as a teenager, he first began to set words to music he quickly experienced the need (it seemed) to fashion accompaniments that were commentaries on the text the voice was singing. These accompaniments did not underpin the words so much as add a commentary upon them. What lay beneath the words was his reaction, indeed imaginative extension of the words. He eschewed then both melisma and repetition. He sought an extreme independence between word and music, even though the word became the scenario of the music. Any musical setting was derived from the composition of the vocal line.  It was all about finding the ‘key’ to a song, what unlocked the door to the room of life it occupied. The music was the room where the poem’s utterance lived.
 
With a Mass you were in trouble for the outset. There was a poetry of sorts, but poetry that, in the countless versions of the vernacular, had lost (perhaps had never had) the resonance of the Latin. He thought suddenly of the supposed words of William Byrd, ‘He who sings prays twice’. Yes, such commonplace words are intercessional, but when sung become more than they are. But he knew he had to be careful here.
 
Why do we sing the words of the Mass he asks himself? Do we need to sing these words of the Mass? Are they the words that Christ spoke as he broke bread and poured wine to his friends and disciples at his last supper? The answer is no. Certainly these words of the Mass we usually sing surround the most intimate words of that final meal, words only the priest in Christ’s name may articulate.
 
Write out the words of the Mass that represent its collective worship and what do you have? Rather non-descript poetry? A kind of formula for collective incantation during worship? Can we read these words and not hear a surrounding music? He thinks for a moment of being asked to put new music to words of The Beatles. All you need is love. Yesterday all my troubles seemed so far away. Oh bla dee oh bla da life goes on. Now, now this is silliness, his Critical Voice complains. And yet it’s not. When you compose a popular song the gap between some words scribbled on the back of an envelope and the hook of chords and melody developed in an accidental moment (that becomes a way of clothing such words) is often minimal. Apart, words and music seem like orphans in a storm. Together they are home and dry.
 
He realises, and not for the first time, that he is seeking a total musical solution to the whole of the setting of those words collectively given voice to by those participating in the Mass.
 
And so: to the task in hand. His objective: to focus on the whole rather than the particular.  Where had he heard that thought before? - when he had sat down at his drawing board an hour and half previously. He’d gone in a circle of thought, and with his sketch on the floor at his feet, nothing to show for all that effort.
 
Meanwhile the sun had risen. He could hear her moving about in the bathroom. He went to the kitchen and laid out what they would need to breakfast together. As he poured milk into a jug, primed the toaster, filled the kettle, the business of what might constitute a whole solution to this setting of the Mass followed him around the kitchen and breakfast room like a demanding child. He knew all about demanding children. How often had he come home from his studio to prepare breakfast and see small people to school? - more often than he cared to remember. And when he remembered he became sad that it was no more.  His children had so often provided a welcome buffer from sessions of intense thought and activity. He loved the walk to school, the first quarter of a mile through the park, a long avenue of chestnut trees. It was always the end of April and pink and white blossoms were appearing, or it was September and there were conkers everywhere. It was under these trees his daughter would skip and even his sons would hold hands with him; he would feel their warmth, their livingness.
 
But now, preparing breakfast, his Critical Voice was that demanding child and he realised when she appeared in the kitchen he spoke to her with a voice of an artist in conversation with his critics, not the voice of the man who had the previous night lost himself to joy in her dear embrace. And he was ashamed it was so.
 
How he loved her gentle manner as she negotiated his ‘coming too’ after those two hours of concentration and inner dialogue. Gradually, by the second cup of coffee he felt a right person, and the hours ahead did not seem too impossible.
 
When she’d gone off to her work, silence reasserted itself. He played his viola for half an hour, just scales and exercises and a few folk songs he was learning by heart. This gathering habit was, he would say if asked, to reassert his musicianship, the link between his body and making sound musically. That the viola seemed to resonate throughout his whole body gave him pleasure. He liked the ****** movement required to produce a flowing sequence of bow strokes. The trick at the end of this daily practice was to put the instrument in its case and move immediately to his desk. No pause to check email – that blight on a morning’s work. No pause to look at today’s list. Back to the work in hand: the Mass.
 
But instead his mind and intention seemed to slip sideways and almost unconsciously he found himself sketching (on the few remaining staves of a vocal experiment) what appeared to be a piano piece. The rhythmic flow of it seemed to dance across the page to be halted only when the few empty staves were filled. He knew this was one of those pieces that addressed the pianist, not the listener. He sat back in his chair and imagined a scenario of a pianist opening this music and after a few minutes’ reflection and reading through allowing her hands to move very slowly and silently a few millimetres over the keys.  Such imagining led him to hear possible harmonic simultaneities, dynamics and articulations, though he knew such things would probably be lost or reinvented on a second imagined ‘performance’. No matter. Now his make-believe pianist sounded the first bar out. It had a depth and a richness that surprised him – it was a fine piano. He was touched by its affect. He felt the possibilities of extending what he’d written. So he did. And for the next half an hour lived in the pastures of good continuation, those rich luxuriant meadows reached by a rickerty rackerty bridge and guarded by a troll who today was nowhere to be seen.
 
It was a curious piece. It came to a halt on an enigmatic, go-nowhere / go-anywhere chord after what seemed a short declamatory coda (he later added the marking deliberamente). Then, after a few minutes reflection he wrote a rising arpeggio, a broken chord in which the consonant elements gradually acquired a rising sequence of dissonance pitches until halted by a repetition. As he wrote this ending he realised that the repeated note, an ‘a’ flat, was a kind of fulcrum around which the whole of the music moved. It held an enigmatic presence in the harmony, being sometimes a g# sometimes an ‘a’ flat, and its function often different. It made the music take on a wistful quality.
 
At that point he thought of her little artists’ book series she had titled Tide Marks. Many of these were made of a concertina of folded pages revealing - as your eyes moved through its pages - something akin to the tide’s longitudinal mark. This centred on the page and spread away both upwards and downwards, just like those mirror images of coloured glass seen in a child’s kaleidoscope. No moment of view was ever quite the same, but there were commonalities born of the conditions of a certain day and time.  His ‘Tide Mark’ was just like that. He’d followed a mark made in his imagination from one point to another point a little distant. The musical working out also had a reflection mechanism: what started in one hand became mirrored in the other. He had unexpectedly supplied an ending, this arpegiated gesture of finality that wasn’t properly final but faded away. When he thought further about the role of the ending, he added a few more notes to the arpeggio, but notes that were not be sounded but ghosted, the player miming a press of the keys.
 
He looked at the clock. Nearly five o’clock. The afternoon had all but disappeared. Time had retreated into glorious silence . There had been three whole hours of it. How wonderful that was after months of battling with the incessant and draining turbulence of sound that was ever present in his city life. To be here in this quiet cottage he could now get thoroughly lost – in silence. Even when she was here he could be a few rooms apart, and find silence.
 
A week more of this, a fortnight even . . . but he knew he might only manage a few days before visitors arrived and his long day would be squeezed into the early morning hours and occasional uncertain periods when people were out and about.
 
When she returned, very soon now, she would make tea and cut cake, and they’d sit (like old people they wer
Umi Apr 2018
The gentle tone of her teaching,
In wonderous melodies, orchestral knowledge from a sweet teacher,
Education set by the awareness of harmonizing, delicate instruments,
Wisdom and foresight, cast by no other judgement but of a conductor,
Whomst hand leads to the ups and downs of the intensity, recognised
Ensembling in the beauty of a sinfonietta, sounds flows uninterrupted
Let the singing pendulum to your mistress's pleasure fall to the bottom, attached to the chipped illusionists mask of anticipation!
To this dance the mascarade does not crack in the shadow of sound,
A wise scholar would not sacrifice one topic relevant to learn to the passing time, to her students unfortune that is, cast in pure grief,
A wise conductor does the same with musical notes, the story flows,
With the moon high in the sky, time stands in her way, questioning her to dance with the devil amongst a distorted, whicked dark,
But resillient to the end, tough and with no distraction taking her focus the director of this event finishes the creation of art, an orchestra
A craftwoman of tempo and elegance always stands out after all, bringing the musical score to life.

~ Umi
U Mims Feb 2018
L
            I
F
     E
Uninterrupted
Going about the day as you pray
Nothing goes
WRONG
As you
flash your smile that's contagious
TO CROWDS
As are moods that's outrageous to the
Contagious
    L
    E               I
        F    
    UNINTERRUPTED
YES THAT WHAT WE WISH THATS WHAT WE WANT
But at last life
Don't work like  that
We cry we dye we struggle
We ride we hurt get betrayed
& Still March in life's parade
Yea LIFE UNINTERRUPTED
Is we want but without them we couldn't enjoy the
TRIUMPHS


© PIRATE AIRWAYS
© KingandQueen Productions
Life's full of wonder don't b scare to dare dream & achieve
Asphyxiophilia Jul 2013
It's 3 am and you're restless again. Your thoughts wander briskly through the fields of memories of him and you find yourself picking each one and holding it delicately in your palm. The lights from the streetlamps outside your window peek through the blinds and illuminate synthetic stars onto your ceiling which you count like each kiss he ever placed on your cheek. Your legs are wrapped up in your sheets like the way they used to tangle around his ankles every evening. You roll onto your side and attempt to close your eyes once more, calling out to a peaceful slumber that has been evading you for weeks when suddenly, you hear a whistle in the distance. You open your eyes again to see the stars growing into spotlights that threaten to swallow you like black holes, but without the mystery. You immediately grab your wrists out of fear that you unconsciously took a blade to them but you are greeted by scars that have been forming for approximately three years (and eleven months). Your heart threatens to pound its fist through your chest as you slowly turn to see what the source of the light is. Just as your shoulders align with your mattress, a man steps from what appears to be a train engine and greets you with a nod of his head.
"Good evening, sleeping beauty," he begins sweetly, "I have come to extend an invitation to the night train."
You bring your hands to your eyes and attempt to wipe the hallucination away from your vision but when you open them again, you see the man gazing intently.
"It is my understanding that this is your first meeting with the night train," he states as he waits for you to supply an answer.
You nod your head.
"Well, my dear, the night train is here to offer a sweet elixir to cure this sleepless evening. You see, the night train's purpose is to supply the recipient ("that's you," he says behind his hand) exactly twenty minutes of time spent anywhere of their choosing. And then, once the time is up, the recipient must board the train once more, and will be met with approximately eight hours of uninterrupted slumber." He pauses as an assurance that you are following along, so you nod your head slightly. "However, the catch, you see, is that if the recipient does not board the train at the end of the twenty minutes, they will find themselves trapped in a restless oblivion with the promise of never again finding the comfort of sleep." A slight smile tugs at his lips as he tilts his head out of sympathy. "This may not seem to be much of a threat considering you are currently wrapped up tightly in your bed, but I assure you it will be tempting to remain within the place of your choosing, despite the whistle of the night train."
Unsure of what else to do, you nod your head once more.
"Alas, now we must be on our way, because the countdown begins in exactly three minutes! So I urge you to think quickly of where you would like to be taken!"
As though the train has suddenly run into your chest, the meaning of the opportunity that has been placed in front of you knocks the wind out of you. Before the conductor even finished his sentence, you knew exactly where you wanted to go, so you swing your legs to the side of the bed and push yourself upright.
"I would like to be taken to July 13th at precisely 2:32 in the morning," you say quickly as you flatten your restless hair to your head and straighten the t-shirt you are wearing.
"Very well, very well. Now board the train, my dear. And we'll be off to the morning of July 13th, but I urge you not to forget your time limit of twenty minutes!" He places his hand on your back and ushers you into the train, guiding you to a red velvet seat lined with golden stitching. Once you are comfortable, he disappears into the cabin and blows the whistle before pulling out of the station that is your bedroom.
With no warning at all, you feel a tightening in the pit of your stomach and before you even have time to clench, you are sitting on a rooftop overlooking a vibrant city.
"I just don't know anymore. It's like- It's like everything I once knew has been flipped upside-down and I'm just expected to be okay with it. But I'm not."
You blink a few times in an effort to adjust to the sudden deja-vu that causes your head to swim in the memory of an evening you have constantly waded in.
He is sitting with one leg tucked beneath him and the other dangling over the edge, as though even his limbs can't decide whether they want to take the fatal plunge or not. His hair was always absent of color, the kind of black that made you question the material of the universe because even the night sky couldn't compare to the degree of darkness; but it seemed to be doing just that as it laid haphazardly across his pale forehead. His bony fingers are clutching a nearly empty bottle of gin which he brings to his lips between sentences. He continues speaking as though you didn't just appear out of thin air beside him.
"My mum doesn't even pretend to understand anymore. I've heard her mention boarding school at least three times this week, despite my constant refusal to even speak of it. She knows the walls in the apartment are paper thin, so I know she brings it up because she knows I can hear it. But I don't want to hear it."
You notice the vacant look in his eyes as he stares into the horizon, like a hotel room that has been emptied of every belonging, including the light bulbs. He uses his free hand to adjust the collar of his leather jacket before taking another swig of the gin.
"I just can't stay there anymore, and she knows that. Deep down, she knows I can't stay there now that he's gone. I just can't."
His voice is as hollow as his chest as he uses his tongue to wet his lips before turning his head slightly to look at you.
"I wish you could come with me, I really do. It would be quite the adventure, the kind that we used to dream of having. But I can only afford one ticket out of town."
He places the bottle on the ledge, dangerously close to the edge, before resting his sweaty palm on your exposed thigh. His eyes travel from your legs to your forehead, and he leans forward to place a kiss on it, but he misses and falls into your lips. Just like before, your hands land on either side of his face, catching him before he falls completely, and you suddenly find yourself exploring the warm cavern of his vulnerability. His tongue swirls around your own and you taste the bite of the alcohol on his breath but this is the moment you have always craved so you soak up every bit of it. He pulls away just as your heart starts to tremble, and he wipes his mouth with his sleeve before picking the bottle up again and stealing a drink.
"I wish you could come with me," he says again, his eyes now focused on the street below. "But I fear I can only afford one ticket out of town."
Just then, you hear a whistle, but the timing isn't right. This is the moment you would have died to change, and now you've been given a second opportunity, but you can feel it slipping away.
You lean towards him, softly placing your hand on his arm.
"Come with me. We can go anywhere in the world that you please, and I promise it'll be better than here or there if we're together. Because I can't go where you're going, because I can't pay that price, but I want to go away with you, I do."
You search his empty expression, hoping to grab some string of familiarity that you can use to pull him back to reality, but his eyes are locked on the parallel lines beneath.
The whistle grows louder, this time stinging your eardrums, and you know that your time is running short, but you can't let him go.
"You don't have to go back to your apartment, you don't have to go back to your mum. We can runaway tonight, together. You and me, just the way it was always meant to be."
Your voice is shaking and desperate, getting louder with each word that you speak as the whistle blows from behind you, threatening to leave.
Just then, a hand falls upon your shoulder, and for a second you allow yourself to glance over, and it is in that second that the body before you tips over the rooftop's edge. Your heart falls like a weight in your stomach, just like on the evening this event first occurred, anchoring you to the cement and preventing you from going after him. The conductor who now stands behind you grabs your torso and pulls you backwards as you scream his name into the night sky. You kick against his hold as he drags you back onto the train and into the velvet seat again.
This time, you were unable to hear his body land on the pavement.
This time, you weren't able to look down and see his hands lying ten feet away from the rest of his body.
This time, you didn't get to perch on the edge and contemplate for hours joining him.
This time, you couldn't blame yourself for being speechless, for letting him be the star of his shining moment, because you attempted to be his Juliet.
You didn't realize you were still screaming until the conductor grabbed your shoulders with his hands and shook you quickly.
"Quiet my dear, I fear it is time to go. And I was unwilling to allow you to remain any longer, but I fear you will only be receiving six hours of peaceful slumber."
You look at him sternly, unsure how he can continue to speak of this ****** night train and its guidelines after you just watched the love of your life commit suicide for the second time.
You take a deep breath before speaking, "I don't understand the point of this, why bring me here if I couldn't change anything? Why allow me to relive this if it didn't make a difference?"
He smiles sympathetically before beginning, "oh but it did. You see, for three and a half years you have been tossing and turning, wondering what you would have done differently and if you would have been able to change it. But you see, the past isn't something that can be changed. It can only be relived again and again within the minds of those who continue to contain it, and the pain of the past and the memories that come along with it will feel just as real as the day they happened if you continue to dwell on them. Eventually you will see that tonight made a significant difference, because you were finally able to recreate the scenario that you always dreamed."
Your mind is running at a faster speed than the train as it makes its way back to your bedroom, and you can't seem to comprehend what the conductor is saying.
"So you're telling me that the whole reason behind this was to show me that he was going to die whether or not I tried to convince him otherwise?"
He places a gentle hand on your shaking shoulder and replies, "the reason behind this was to allow you to finally put the past behind you and grant yourself the pleasure of peaceful slumber. Because you see, my dear, there is no such thing as the night train. It is merely a figment of your imagination. Deep inside you, you realize that nothing you said could have changed that night, but you needed to dream another possibility in order to believe it. Now believe it."
"But I-" you begin to speak but in the blink of an eye, you're suddenly sitting on the side of your bed, your shoulders no longer shaking. You blink again, trying to make sense of everything. You bring your hands to your face and feel your cheeks, reassuring yourself that you still exist. You look around once more, noticing the stars upon your ceiling twinkling as though they are winking at you like the conductor of a mysterious night train. But you realize that you are in your bedroom, in your t-shirt, as though you never moved beyond that point. And you find that you're unsure whether it was all a dream, or whether you really did go for a ride on a night train, but you decide to lie back down and attempt to sleep anyways.
And six hours later, you find yourself awaking from a very peaceful slumber.
Umi Feb 2018
What might it be, that lets some just not give up when there is
absolutely no reason to continue fighting any longer ?
As I question this to myself, in a room filled with candle light,
I realise that it might be an ember of hope, of determination,
courage and the imagination to win what lets them carry through.
In this weaving melody of thoughts, breath flowing uninterrupted
I want to lose myself in this wandering fragrance just for this,
endless seeming, moment of unimaginable emotions.
As then I remember the countless times I had lift myself up,
Was it that I had abandoned hope until now or was it that my
means had become pointless so I decided to give up and let this
internal, inferno which let myself rise from the fires of the battlefield
go out and turn into an dying ember, flickering in it's last moments.


Yet I have come to understand what it really meant:


The emptiness you’ve carried and lost is but nothing!
Desiring the grand beauty of the heavens far above
From here we may never look up nor ever return!
This world shall not take even half of our spirits!


And so I rise from the fire once more, after having burned, been consumed and fed by it for such a long lasting while.
Because I wish to protect you, all I desire is to protect you.
Thus I return into the battlefield from which I have fallen.
To shine once again, illuminating your days so you may smile.


~ Umi
ConnectHook Sep 2015
♦   ♦   ♦

She was an earnest devotée.
Her ideals, birthed in Chardonnay
were globally diverse (read: white).
A liberal bark preceded bite.
Her crystal clearer than her vision;
she provoked bemused derision
as she breathed intolerance
toward all who would not dance her dance.
She swooned for distant pagan tribes,
attuned to their exotic vibes –
rapt in multi-culti piety
strangely deaf to her own society,
judged by her as abomination;
unredeemed. The background station
always stuck on N.P.R.
(the soundtrack of her culture war,
Pacifica News and Democracy Nows,
and other progressive holy cows)
Her motherland a shameful mystery:
guilty first, and void of history –
its origins defiled, corrupted…
while she enjoyed uninterrupted
freedom to pursue her whims:
misguided one-world global hymns.
The sisterhood of hu(man) kind
was foremost in her earnest mind –
even should that same sisterhood
be sealed by her well-meaning blood.
Out on a date with global death
she hoped to unify the earth
in solidarity with causes
led by killers, warlord bosses,
thugs she never knew existed
who, if she’d met she’d have resisted.
Her theory landed far from her praxis
spun, by default, on an evil axis.
Hot with zeal she fumed and stormed
quite certain she was well-informed,
at benefits, non-profit functions
rallies, boycotts, left-wing luncheons;
warm with righteous spite for Israel,
aiding and abetting Ishmael
with fellow-travelers, like-minded
similarly hateful, blinded,
rattling sabers, scimitars, axes…
(lunacy never wanes, but waxes
hotter with the passing years
as activists confront their fears).
She finally shilled for the Intifada
(stopping short of reciting Shahada),
reaching out to the terrorist
with righteous raised progressive fist…
offering thus her neck to blade:
collateral to be repaid
by murderers who couldn’t care less
about her open-mindedness.
https://connecthook.wordpress.com/2014/03/19/multicultural-suicide-an-epitaph/
Ellenah Jan 2015
When did you
start reminding
me of the
night sky?
The stars twinkling
peacefully
uninterrupted.
I look up
and I
smile.
And on the day when
He shall gather them all together:
O assembly of jinn!
you took away a great part of mankind.
And their friends from among the men shall say:
Our Lord! some of us profited by others
and we have reached our appointed term
which Thou didst appoint for us.
He shall say:
The fire is your abode,
to abide in it, except as Allah is pleased;
surely your Lord is Wise, Knowing.

Holy Quran
The Cattle
6:128

Do you build on every height a monument? Vain is it that you do:
And you make strong fortresses that perhaps you may
And when you lay hands (on men) you lay hands (like) tyrants;

Holy Quran
The Poets
26: 128-130


The desert Jinn of Cairo
flit and dance
upon the burning waters
of the Nile.

The midnight streets gasp
with the turgid fragrance
of tear gas and jasmine

The stink of the
ungrateful dead
riles the nostrils
of indifferent gods
laughing
at the litter of corpses
strewn along
torpid boulevards
in this city of lament

Unbounded crowds dash
amongst fleeting shadows
the agitated ghosts
of undead generations
refusing to stay buried
blink to life
in epileptic frenzy

The timeless city
civilizations
fertile floodplain
authored
western cultures
opening chapters
housed mythic libraries
erected mysterious
stone tributes
esteemed
monarchical opulence
now yields
frenetic outbursts
of Arab fury
writing
an epilogue
to a despots rule
the blessed end
to an imperial age

Rampant corruption
asphyxiating bureaucracy
malicious suppression
syphilitic exploitation
rabid oppression
enforced ignorance
human defilement
are the bitter
sediments
of degradation
layered in crushing piles
upon the lowly masses
on this delta of sorrows
breeding revolution
to unravel a tyrants
specious claim
to perpetual rule

The city
streets
flood with
militant
insistence.

Emboldening
a peoples will
to rise up
beating hearts
pounding
a sonic drum
resonating
through
this age
foretelling
a turn
in history's
creaking wheel.

Allah Allah
Allah Akbar!
bleats
from parsed lips
from underground
brotherhoods
the rising words
sharper then
Saladin's Sword

The Holy Quran
flows like boiling blood
in agitated hearts
dissidents pound
bloodied fists
against intractable walls
of monolithic power

Visions of liberation
a democratic paradise
an infinite harem
of compliant virgins
swim in the heads
of dissidents in motion
as baying throats
exhort comrades
shouting brave
seditious slogans
to engage
bullets
batons
water cannons
and unsure outcomes.

I heard a young woman say
"I have faith in my people
and faith in my country."
Never a more foolhardy sentiment been expressed,
nor braver words have I ever heard.

As the laughing Jinn of Cairo
flit and dance
atop the burning waters
of the Nile.

A city
self immolating
atop a pyre
of blood stained stones
dry constricting fables
passed down along
marching epochs
hieroglyphic puzzles
recorded on
crumbling papyrus
wrapped in
holy legends
of mystical pharaohs
receiving an exiled
Father Ibrahim
fresh from
the destruction
of *****
cedes to the
Lord of Fear
spawns a lie
and gives
Sister Sarai
over to the
unholy whims
of profane
magistrates

Abe's skin saved
soul preserved
the generations
multiply
more numerous
then the countable stars
in a known universe
not vast enough
to find room for
Hagar's cursed progeny
-call him Ishmael-
a wild ***
exiled to
Desert of Paran
siring many
lesser Semites
becoming
a strong archer
in the vast legions
in timeless
service to
an uninterrupted line
of deranged Pharaohs

This scorned land
grew the
grievous reeds
swaddling
Baby Mussa
who turned
the river of
his arrival
into a flood
of gushing blood
who split the waters
to consume
the raging armies
of marauding charioteers
bent on the annihilation
of their chosen
Semitic half brothers

The shame
agitates
the simmering
rage of ambivalence
gladly sacrificing
these historic
treasures
on angry
bonfires
tipping
the glories
of Alexandria
into the sea
once again

Up stairways
down dark alleys
the Jinn of Cairo
dance
haunting ruins
hurling stones
burning buildings
looting stores
smashing artifacts
cursing the bitter bread
of tyrants
chasing
the black echos
of deadly gunfire

Nasser's
dead soldiers
gather in corporeal legions
a proud nations
undead generation
mythic heroes
dashed in Six Days
rise from
shallow graves
of Sinai
shame is loosed
to stalk targets
heated enemies
setting aflame
the burning waters of
a very blue
unsettled Nile

The unholy platoons
Sadat's assassins
hurl grenades
like thunderbolts
from jealous Zeus
implores Mars
to join the fray
rousting the specter
of dead kings
and a terrorized
President
living in the black days
of his final nights

Tell Ole Pharaoh
to go back to the hell
from whence he came
as the laughing
Jinn of Cairo
dance on  the
burning waters
of the Nile.


Music Selection:
Randy Weston: Blue Moses
(WIP)
1/31/11
Mateuš Conrad Jan 2020
this is truly a welcome break from:
freeing all the drafts -
which i imagined to be equivalent, or rather:
the 2nd parallel of the original adjecent -

i imagined it would feel like:
releasing doves with laurel branches firmly
lodged in their beaks -
just as the waters of the flood would recede...

but it truly felt like:
the inversion of the diarrhoea-constipation
"paradox"... because it felt like both,
but never giving me a clue as to
what was more prominent -

the sharp edge of a knife -
or the horizon when the sky becomes
the sea far away....

i'm not ashamed to throw this onto the fore...
it happened to me once...
but on purpose...
i wanted to compensate marquis de sade's
antic in a brothel when he implored
the ******* to turn the crucifix into
a ***** into his decapitated precursor
of a mary antoinette... puppet...

profanity in images and all the other seances
of the senses...
i wouldn't go as far as to make the crucifix
profane... or do anything profane
with it...

only the words...
hic (est) mea corpus - hic (est) mea cruor...
this is my body - this is my blood...
and i am aware the mead is the gods' ****
when they're in a good mood - all... jolly...
and that beer is the gods' **** when
laughter hits a dry run...
and that ms. amber or whiskey is but:
the blood of the gods...

i had to corrupt it...
to prove to myself: that i am not a god...
it was quiet simple...
once upon a time i was drinking
a glass of wine...
and as you do... on a whim...
i decided to **** into it...
perhaps all that drinking prior would
give me something to elevate the palette
of exploration that was to come...

hmm... at least that sorts out
hic: mea cruor... *** urinae...
but back then i did that on purpose...
and if only this was a desert scenario...
and i would have to drink my own *****
to survive...
well... i just thought: here's to starving
from a lack of better imagery...

i will come unto some Horace in a minute...
i don't know how i managed to find
this citation - it's only very losely related...
and yes i will showcase another draft from
May of last year...

but today i was unsure...
did i leave yesterday's pepsi max bottle
with only the stale pepsi left...
or did i forget to do the lazy sly wee whizz
jumping out of bed in the middle of
the night...
but i already poured this "cocktail"
over two shots of whiskey...
and i'm hardly desperate but...
my original intention of alligning myself
to the profanity of the crucifix...
i had to somehow make profanity
of the wine...

since i am... thinking how to compensate
being satisfied with wine...
how the ancient world was always
satisfied with wine...
the story of the 3 ambers of the north...
the beer, the mead and the whiskey...
all in a varying degree...
but i will not bow before the blood of a god
that's so... diluted...
whiskey yes... that can be blood indeed...
otherwise it's down in the trench
with gods' **** - mead if they are in a good
mood... beer if they are in a talkative mood...

thank god i wasn't thinking:
better salvage those two shots of whiskey
and drink this cocktail of the "ultimate" surprise...
and apparently eating a woman's
placenta is good for you...
as was... apparently once... breastmilk...
funny... give me the milk of a cow or a goat
and i'll show you: one dislocated thumb...
one dislocated distal + intermediate phalange
from the index finger of the right hand's
proximal phalange... no broken bones...

knock-knock... who's there? touchwood superstition.

it's not as bad as it sounds...
stale, yes...
but i am also known for sometimes
performing the antithesis of drinking tequilla...
*****... i'll sprinkle some cigarette ash
onto my hand... lick it... take a shot of *****
then throw one or two black peppercorns into
my mouth for the crunch...
each drinker and his own myths... right?
i call that the black cracovite...
cracow being so close to aushwitz...
and once it snowed and they thought it was
snowing... sure... ash from the furnaces
of aushwitz... here's my ode to... the dead...
in a drink...

hell better a cracovite than a cracowite, white?
i mean: right? seriously: low hanging fruit,
the elephant's testicles...

i will never understand this whole veneration
of wine: in vino veritas...
these days wine is better drank by women
and castrated monarchs of the clergy...
i had to check... so i ****** in my holy grail...
and guess what didn't come out
the other end? gods' **** (beer and wine)
or gods' blood (whiskey and wine)...
just this stale, almost bland...
water with a pinch of grape that has been
left to sit in a puddle on some
industrial estate in dagenham enjoying
the ripe downpouring of chemicals
that leave it with a rainbow of diluted
petroleum...

akin to: try shoving that sort of doughnut
into this kind of pile of ****...
not that i would...
but i have also been prone to test
99.9% spirits... or 96% absinthe...
with a locust mummified in the bottle's neck...
from Amsterdam...

i had to rethink: why become engaged...
when chances are...
to the displeasure of someone who read:
but never bought my work...
the self-editorial process...
the self-publishing process could be...
guillotined on a whimsical constipation
of a "dear reader"...
as it might happen...

again... Horace and the perfect example
of poetry with conversational overtones...
poetry as prosaic...
my god... paper was expensive back in old
Horace's days... surely you would need
something spectacular to write:
like a psilocybin trip account word for word:
wrong!
a certain don juan said to a certain
carlos castaneda: don't bring back words from
such experiences...
but of course: they did...
upon once upon a time loving the beatniks...
i started to abhor them...
getting drunk and smoking "something"
is one thing... exposing the altars of solipsism
of such experiences: words intact...
is a profanity...
each dream is individually curated
to the dreamer... the introduction of words
to relate back... for some next be disciple...
the "drugs" / portals of escapism are already
contaminated...

why wouldn't i: even if these are only
objective recounts of an experience?
perhaps because... they are subjectivelly null...
there are only the comparable heights of Gideon...
such experiences are best: kept to each individual's
right to enjoy... a freedom of thought...
and of silence...
each keeps a secret...
but what secret is left?
when the objective parameters have already
been stated?
i see no point... better down and finding
it at the end of a bottle...
or... ******* into a glass of wine
and drinking it...

they have been contaminated by words that
have been retrieved from such experiences
that (a) no one should talk about...
(b) surprise! the objective reality already
being stated as altered...
am i going to a ******* cinema with my body...
or am i going to a surprise
gallery with my thought?
doesn't matter... word contamination...
bigmouth struck his final last time!
at least the remains is what gives me
the labyrinth... the blood the **** you name
it the three sisters amber... for all i care...
it's readily available: make do...
with what's already been given.

me? i drink for that very special date...
monday 9 march 2020...
when all the orthodox jews get drunk...
that's one of those celebrations i wouldn't mind
being a part of... purim, festival of Lots,
funny... that period of history...
the Persian aspect of the hebrews...
never made it to the big screen...
seeing modern day Iran as day-old Persia
in muslim garbs...
we're still only seeing the: African adventure...
perhaps once the dust has settled...
we will get the Persian installement...
and then... oh... **** it...
we're all in it for the long run...
then when christianity is no longer useful...
the Roman bit of history...
and how the hebrews conspired with the greeks...
2000 years later we'll probably see
some prince of egypt cartoon movie
of the pristine romance and a mention of germany...
not yet... ****'s still to ripe to entertain
the universal child and children...
no screen adaptation from "their" time in Persia...
songs... we have songs!
Verdi's Nabucco - the chorus...
perhaps only in song from Persia and always
with movies and hieroglyphs when from Egypt...

but the festivity... of course! i'll celebrate...
cf. though... Puccini's coro a bocca chiusa -
the humming chorus...
before the band enigma... i am pretty sure my mother
would crank up the volume to at least
one of these songs... should they come on the radio...
i'm still to hear christopher young's:
something to think about - to be on air...
and to also be treated as a piece of classical music...
if wojciech kilar's dracula soundtrack can be treated
as classical music... what's wrong with a little
bit of hellraiser?!

perhaps, "again" is this desecration of the sacred not,
simply hanging in the background,
all, the, ******, time?
who is to celebrate wine giving it a god's blood
status in sips? one is expected to somehow become
drunk on the passion!
no one is here for crumbs of sips!
first they came for the loaf of bread...
and said you should fast and eat only a crumb...
then they came for the bottle of wine...
and said you should abstain and drink only a sip...
then they came for *** and by then
vatican was a monaco with better tax protections...

it's an investement: having to **** into a glass
of wine you're about to drink...
worse... you accidently "forgot" about
******* into some left-over pepsi max
and you're making yourself a cocktail
with one of the graeae ambers - 2x -
and you wonder: is this the proper state
of carbonated water, stale?
but i'm hardly going to bash the crucifix...
i'm here for the words...

the... transfiguration of the wine into blood...
and i say of my gods:
and here is their **** - beer and mead...
and here's their blood: the three graeae ms. ambers...
see no: clearer? no... happier?

i will get onto ancient roman poetics
with its conversational overtones in a minute!
first we have to settle the sacraments!
the metaphors and the sacraments!
i have no ivar the boneless claim of god...
season 6? to be honest...
i'd rather watch an english soap opera...
at least the intricacy of the plot remains...
even though it has been recycled
so many times...

i can't **** out the gods' ***** even if it was
stale beer... or ideal mead...
as i can't leisure a Seneca's bath filled
with the blood of the immortals...
problem solved... "problem":
as if it ever was...

why, Horace? a very short rhetorical retort:
if Dante had his Virgil...
why can i have my Horace, as guide?
again... what Roman poet could venture for
ambitions among the myths -
or extend his "consciousness"
to devastate the land and become
the mad Xerxes wanting the waves
of a sea whipped into submission?
why, Horace? if Dante could have his Virgil...

poetry... at least among the roman poets
there's no boxed in a box "without" a "box"...
the conversational overtones are ripe...
the almost complete lack of
character dimensions... beside their dimensions
from anecdotes...

to difuse wine, to desecrate the hic mea cruor...
**** in it!
then drink it...
or have one of my antithesis of a tequilla surprise
with me...
smoke a cigarette... drop some ash on the lick-part
of the space between the thumb
and the index metacarpal... lick it...
follow it with a shot of *****...
then throw some black peppercorns
into the hades of your gob
and we've arrived at the black cracovite...

and also the day when the orthodox jews
recant their story of their time
in Persia... the festivity of Lots...
when they become blind drunk and pretend to
have the sort of alcohol intolerence as
the Japanese... 1 shot! just 1 shot:
and hey! they throw their kippahs in
the air and we can all dance the ukranian 'opak!

looks good to me!
but only looks good...
when there's this plump drunk playing the accordion:
i.e. me,
and there's the sort of adrew rieu directing
an upcoming crescendo of a poliushko polie...
and we can all leave the auditorium
feeling, less than russophobic...
and then i can be told...
you young to be old yet still
profane pan-siberian peasant root!
indo-european leftover!
well... at least then i have been allowed
the scrap i'm supposed to see
before i showcase my *****, frost riddled fangs!
of the lesser wolf that i am:
as a rabid dog!

since the crescendo will come...
what better fathom of it...
esp. just beside a cemetery... twirling to the music...
ear-plugs out seancing my time in a grand
orchestral hall... plucked from the ears...
the crescendo is coming...
but... plucked... the orchestra of buffalo-sized
snowflakes... and... the worst kind of ballet...
a male soloist... doing his crazy
ukranian folk... maestro! the music never ever
dies! even in the silence of the universe!
however micro- or macro- this theatre will take
form... the music remains playing: uninterrupted!

but the snow was there,
the "ballerina" was also there...
the night was there,
the music was there -
albeit no grand orchestral hall -
couldn't ask for a better canvas
than a cemetery -
and all the heart's content!
comparative "literature"
to love like a muslim...
or to love like a sparrow...
or to love with a grudge like a crow...
mind you; site note...
i have been many a pigeons attempt
fornication unabashed...
i've never seen two crows attempt it...
perhaps they do "it" in the night
and never in the open?

crows... pedantic priests of the kingdom...
and where the widower king
and the widow queen among the swans?
where i and you will have probably left them...
admiring a family of ducks...

as asked by the serpent of the swan...
you and me of the same birth in a Fabergé egg...
me with serpentine spine...
while you: with a crooked neck?
silly... it really is...
of a being.... that was once
a t-rex roar... now a pickled brain
in pickle jar... boasting about being...
pure spine and tingles and...
the better part of what... becomes the mammalian
hibernation...
hibernating "hibernating" upon the
impetus of digestion...
a serpent would ask a swan about
a crooked neck?

because what would a **** sapeins look toward,
as he is always prone to to look elsewhere?
if not to borrow the fixed, rigid ontology
of other animals?
i better from the birds, solely...
the swans and the crows...
perhaps the fox...
rarely something that has lent itself
to being curated by man's leash and grip...
collective the known herd...
otherwise the refined bonsai tigers...
perhaps the fish without a knowledge
of a tide or a wave...

i call a dog the noble friend,
the swan the sombre monogamist...
the crow the priest...
the furry spider one's own reflection
dealing with aracnophobia...
the snake the old "say-what?"
or that pickled spine with a brain
the worth of brine juices...
the extinguished remnant
of a dinosaur's toothache... or some
transcendental exploration
of the carpals of the wrist
extending into the length of a spine...

i'm not going to cry over this one...
skål!
i feel disinhibited from writing a memorandum!
slàinte!
gasoline to the peddle and... off... we, go!

i am bound to get this translaton right...
at some point of hinging-on... i.e. beginning with...
and most probably at the opposite end
of having to finish...
hence "open bracket"... prefix-
and -suffix allowance given the archeological
excavation began with:

-seu pila velox molliter austerum studio
fallente laborem, seu te discus agit, pete cedentem
aera disco: *** labor extuderit fastidia, siccus,
inanis sperne cibum vilem; nisi Hymettia mella
Falerno ne biberis diluta. foris est promus,
et atrum defendens piscis hiemat mare: *** sale
panis latrantem stomachum bene leniet. unde putas
aut qui partum? non in caro nidore voluptas summa,
sed in te ipso est. tu pulmentaria quaere
sudando: pinguem vitiis albumque neque ostrea
nec scarus aut poterit peregrina iuvare lagois.
vix tamen eripiam, posito pavone velis quin
hoc potius quam gallina tergere palatum,
corruptus vanis rerum, quia veneat auro
rara avis et picta pandat spectcula cauda:
tamquam ad rem attineat quidquam.
num vesceris ista, quam laudas, pluma?
cocto num adest honor idem?
carne tamen quamvis distat nil, hac magis illam
inparibus formis deceptum te petere esto:
unde datum sentis, lupus hic Tiberinus
an alto captus hiet? pontisne inter iactatus
an amnis ostia sub Tusci?
laudas, insane, trilibrem mullum,
in singula quem minuas pulmenta necesse est.
ducit te species, video: quo pertinet ergo proceros
odisse lupos? quia scilicet illis maiorem natura modum
dedit, his breve pondus: ieiunus raro stomachus volgaria
-temnit.

it's translated, isn't it? no
stefan gołębiewski or no 1980 warsaw...
is to know...

- nec meus hic sermo est, sed quae praecepit Ofellus:
these are not my words, this said the simpleton
Ofellus - neither of which of us is a laurel-leaf
adorned Orpheus...

that via a living "game": stoking up an appetite
with this entertainment the appetite increaes...
as does one health...

sorry... pagans... bloodthirty people...
trouble with the translation...
apparently the mud slinging
***** and bricks are nothing new...

or when you "minus" the disk,
litter the distance, head with the wind into
competition!
after hardships of the body is good and
the meal is simple -
(apparently all of this is still "connected",
scratch of the ol' 'ed and we're fine...
we're ******* sailing!)
Falern will not hurt "us"...
seasoned by honey from Hymettis,
before the entré. Safaz left,
the sea rumbles, the zephyr of fish it protects,
storm, fishing made unsafe;
stomach grumbles, bread with salt:
excuisite; you do not have any better! why?
taste does not reside in the scent of dishes,
but in your self alone.
toil merely increases appetite's presence.
he who over-eats, will not know the taste
of an oyster, nor a turbot, nor chickpeas,
the northern bird.
perceptions take the scalp of the mountain
above the actual taste of the dishes
(one might scalp... but never eat the scalp)...
you will not take a chicken onto a tooth,
when you are given a peacock,
you will trust your delusion:
a rare bird, worth its own weight of gold,
a most rarified tail, how it sparkles
with subtle hues!
as if the tail were to lead -
and there was no head to be found!
do you allow yourself to judge the hue
of the feathers as precursor for the adjecctive:
that's it's "also" tasty? the meat, of course?
the old - judge a book by its cover...
is the oven baked... also as delicious / beautiful?
chicken meat... or peacock meat?
almost without difference.
therefore: light... albeit...
although only vanity lures the peacock
(to be compared to a poultry)...
let's go further... i want to know: after what
do you recognise this, that a pike
with its gaping mouth was left:
from the sea... or from the Tiber fished?
somewhere among bridges... or from some
conrete estuary? idiot-kin of the surname whim...
you admire a three-pound mullet!
do you take size... for the gauge of all measure?
when you... cut the bell?
then why... why... with disgrace
do you demand in appreciation:
elongating pikes!
evidently nature: this greater gave the proper
measure... and with it: the lesser weight -
an empty stomach will rarely -
being fed a simple thing - despise -
what is...

an empty stomach - rarely despises -
simple matters.

how true... i was allowing myself the time
it would take to drink,
and translate into the vulgate...
but... from no better source...
and i am still to add to this one of my...
"freeing of the drafts"...

as promised...
"draft"...

- a most confiscated man -
no italics included...

.the original draft:

binges, worth the count
of a liter of whiskey
per night,
for a year, if not more...
become so...
so unspectular...

          the world either
screams, or yawns,
generally:
it exhaust a desire
to toss a coin,
agitate the vocab.,

a grand canyon
huddling
in the "depths" of
a glass of water...

baron science
comes with his rubric
of bore,
      and:
i find myself,
most idle:
while the world
orientates
itself in keeping
itself busy,
bothersome,
always the prime concern,

the ant-colony coup,
the:
i always find friends
in the orientations
of an empty glass,
but prior to:

i drink
before no altar,
no mirror,
no confidante...

     pure flesh revels itself
in a blank's worth
of prior to dictum's
  allowance of, a page...

bothersome
the knot of the pretentious
anti- in scold of
the passing fancy:
expression...

            poker charm
of a love's affair...

_

i sometimes entertain myself
with ancients proverbs,
one slavic proverb reads:
better a sparrow in your hand
than a dove on your roof...

what, could, possibly be,
the interpretation?
care for the small joys in
your possession,
than, for the peace of your household,
which is, on the roof,
but not in your hands...

if i were paid? would i be more
honest?
probably not...
        what i see, is what needs
to be seen...
  em... simple pleasures talk...
once upon a time,
donning long hair, implied
you were a mosher...
a metal-head...
    now? three days +,
long hair, and you're not a
grunge fanatic?
  trans-, etc.?

   a man of simple pleasures,
i know what long hair,
jealousy, associated with
putting it in a french braid,
does to a camel jockey ego...
ruins and ruins as far as the eyes
can see...
    he replicates...
he grows his hair long...
at the same time boasting about
haivng a premature beard...
then you grow a beard yourself...
you start fiddling with it...
****, ***** on my face...
and then...
the "question" of a girlfriend
flies out of the window...
i'm happy with a beard,
thank you, very much,
i don't, exactly want to wish upon
myself, a female, company...

*** protest all you want...
the *** differences between men
and women, to my sort of understanding,
are, unrepairable...
     they were, never,
bound, to being, repaired...
savvy?
            i take my route,
a woman took her route...
  we're even...
                
      since what can only frighten a freed
woman, beside a monarch,
a free man?
                   a man with...
a gamble...
         i am a man with a gamble...
i don't like being told what
to be, or what to think...
like any man,
and like any man:
i don't like being forced
ownership over a being:
that can share my sense of freedom...
so...
    i find myself,
thrilled with relief,
at now having to answer to
a woman's subjugation...
like a woman, and, i have learned
from women: i like being
my objective's self...
rather than a "self" made subject...

i like that: thank you...
i can start feedings the pigs and the peasant
the diatribe life, and lie,
of: there being an existential cricis,
a need to reproduce...
and i, and i am, being demeaning
in this, way, for a justified reason...

once the peasants attack you:
you attack, the peasants...
you demean them in the same way
they demeaned you...

once upon a time i thought:
greater good came from the number
of innocents being salvaged
than for the few great of grand bearing
being salvaged...
even if bound to an ill will:
an ill command,
of a will, predisposed to pretend
actions of the blind...
but now i see...

   the many: if beside fulfilling
their petty deeds,
having to stand outside of those,
petty deeds,
  have ambitions equivalent
to their emotions...
            akin to something worth,
pity, akin to something
worth: as little as a rat's heartbeat...
petty, primitive bull-*******...
and all the amount of sorrow,
or pity,
or mercy...
              that, these, ******* allow...
are worth the same response
Pontius Pilate gave...
       there isn't enough of water,
in this world,
to wash my hands, clean,
of these people...
   even if innocent blood plagues
them,
    not enough waters have run their
due course,
to... release me from the indentation
of memory upon my mind...
and i am plagued by an elephant's
memory...
        we've reached the conclusion
of: some people...
  just do not see an insult,
             past the insult's eloquence!

i am a most conflicted man,
i binge watched vikings
for a while now,
and right now, i'm ready for
an extraction of what i have learned...

believe me: i am not someone
who has the sort of ego-presence
to fate myself in the role
of the protagonist...
     i'm too pedantic to have to
market my body and deeds,
for the fates tio see,
and history to ascribe fame unto me...

even homer was off too war
with troy,
   and blessed he became...

because? time morphs,
the longer something is kept,
the more, "unreal" is becomes,
a fairy-tale...
esp. now, with the onslaught
of journalism...
two things in this world
are insomniac,
money never sleeps,
and, now, apparently,
journalism doesn't sleep either:
well, given its ******
bed-fellow of political liars...
why should it?

             Rolo... a semi-minor character...
but i feel his angst at the already
fervent dichotomy,
(dichotomy, modern variety variant
of schizoid-affective...
or bilingual in turn)...

            music...
                    all these modły...
gesticulations of prayer,
phantom conjuring,
               lunatics with candles
at high-noon...
                  i am fated by music,
i am perverted by music,
i am swayed by music...
who is the god, patron,
of music?
who is the angel (demi-god),
patron of music?
         i do not seek the highest
influencer...
the minor one...

   when Archangel Sandalphon
met St. Cecilia...
but as such, i am, conflicted...
even though, this is the first time
i have heard of Sandalphon...

Rome, never reached my peoples,
the Vikings did...
   weren't the ugly vikings the founders
of Kiev?
  so they must have passed via
the Polen (field) land, no?

feelings are not important,
facts don't care about your feelings...
granted...
but i'm not hear for facts,
contra, feelings,
i'm here for the rivers...
what i feel, what my heart yearns for,
needs to attain an equilibrium
with my mind...
for that: i need to clarify my feelings,
to hush my heart, silence it,
in order to listen to my mind,
and the mind, needs to feed into
heaving the heart: to do,
what, the heart, desires,
autonomous to what the heart
"thinks", is right...
                    that's how it was forver
going to work...
consolidated...
and yes, i much envy the punctuation
of king Ecgberht,
a man of cunning: much admired...
abstract thinker...
        and a reality...
        pun-ctu-a-tion...
the delivery of one's speech...
   much admired, as much as...
                the crude brawl possession...
the chief protagonist of the story?
as important as is: the required from
Atlas... burden upon burden...
a man burdened with the illusion
of freedom...

so why am i conflicted,
but becoming less and less so?
    it was always the music...

songs...

           chavelier, mult estes guariz...
wardruna - helvegen...
           da pacem domine...
             agni parthene...

you know... there's much more beside
being a jazz enthusiast or
a classical music snob...
         there's folk... there's religious and pagan
chants...
if there's one thing to benefit from,
in terms of the Byzantine context...
the chants...
        let the barbarians do the thinking
from now on: you do the sing-along...
no people ever reinvented themselves
from an ancient glory...
   new blood had to come to the fore...

like today...
       i spoke with my father and my mother...
about the names of apples...
we must have talked for an hour,
we named so many lost "breeds" of apple...
nouns i will not write,
nouns i wish death to write down,
i want Samael to have,
beside the book of my deeds in hand,
i want him to have
my dictionary in hand,
my knowledge of the sacred script,
i want to listen as he recites me the words
i've used,
notably today's conversation
            about the many types of apples...
e.g.: shogun apples...
             kox...
                    szare renety...
          papierówki...
                    marabella prunes...
that's all i ask of Samil.
Hail, holy Light, offspring of Heaven firstborn,
Or of the Eternal coeternal beam
May I express thee unblam’d?  since God is light,
And never but in unapproached light
Dwelt from eternity, dwelt then in thee
Bright effluence of bright essence increate.
Or hear”st thou rather pure ethereal stream,
Whose fountain who shall tell?  before the sun,
Before the Heavens thou wert, and at the voice
Of God, as with a mantle, didst invest
The rising world of waters dark and deep,
Won from the void and formless infinite.
Thee I re-visit now with bolder wing,
Escap’d the Stygian pool, though long detain’d
In that obscure sojourn, while in my flight
Through utter and through middle darkness borne,
With other notes than to the Orphean lyre
I sung of Chaos and eternal Night;
Taught by the heavenly Muse to venture down
The dark descent, and up to re-ascend,
Though hard and rare:  Thee I revisit safe,
And feel thy sovran vital lamp; but thou
Revisit’st not these eyes, that roll in vain
To find thy piercing ray, and find no dawn;
So  thick a drop serene hath quench’d their orbs,
Or dim suffusion veil’d.  Yet not the more
Cease I to wander, where the Muses haunt,
Clear spring, or shady grove, or sunny hill,
Smit with the love of sacred song; but chief
Thee, Sion, and the flowery brooks beneath,
That wash thy hallow’d feet, and warbling flow,
Nightly I visit:  nor sometimes forget
So were I equall’d with them in renown,
Thy sovran command, that Man should find grace;
Blind Thamyris, and blind Maeonides,
And Tiresias, and Phineus, prophets old:
Then feed on thoughts, that voluntary move
Harmonious numbers; as the wakeful bird
Sings darkling, and in shadiest covert hid
Tunes her nocturnal note.  Thus with the year
Seasons return; but not to me returns
Day, or the sweet approach of even or morn,
Or sight of vernal bloom, or summer’s rose,
Or flocks, or herds, or human face divine;
But cloud instead, and ever-during dark
Surrounds me, from the cheerful ways of men
Cut off, and for the book of knowledge fair
Presented with a universal blank
Of nature’s works to me expung’d and ras’d,
And wisdom at one entrance quite shut out.
So much the rather thou, celestial Light,
Shine inward, and the mind through all her powers
Irradiate; there plant eyes, all mist from thence
Purge and disperse, that I may see and tell
Of things invisible to mortal sight.
Now had the Almighty Father from above,
From the pure empyrean where he sits
High thron’d above all highth, bent down his eye
His own works and their works at once to view:
About him all the Sanctities of Heaven
Stood thick as stars, and from his sight receiv’d
Beatitude past utterance; on his right
The radiant image of his glory sat,
His only son; on earth he first beheld
Our two first parents, yet the only two
Of mankind in the happy garden plac’d
Reaping immortal fruits of joy and love,
Uninterrupted joy, unrivall’d love,
In blissful solitude; he then survey’d
Hell and the gulf between, and Satan there
Coasting the wall of Heaven on this side Night
In the dun air sublime, and ready now
To stoop with wearied wings, and willing feet,
On the bare outside of this world, that seem’d
Firm land imbosom’d, without firmament,
Uncertain which, in ocean or in air.
Him God beholding from his prospect high,
Wherein past, present, future, he beholds,
Thus to his only Son foreseeing spake.
Only begotten Son, seest thou what rage
Transports our Adversary?  whom no bounds
Prescrib’d no bars of Hell, nor all the chains
Heap’d on him there, nor yet the main abyss
Wide interrupt, can hold; so bent he seems
On desperate revenge, that shall redound
Upon his own rebellious head.  And now,
Through all restraint broke loose, he wings his way
Not far off Heaven, in the precincts of light,
Directly towards the new created world,
And man there plac’d, with purpose to assay
If him by force he can destroy, or, worse,
By some false guile pervert; and shall pervert;
For man will hearken to his glozing lies,
And easily transgress the sole command,
Sole pledge of his obedience:  So will fall
He and his faithless progeny:  Whose fault?
Whose but his own?  ingrate, he had of me
All he could have; I made him just and right,
Sufficient to have stood, though free to fall.
Such I created all the ethereal Powers
And Spirits, both them who stood, and them who fail’d;
Freely they stood who stood, and fell who fell.
Not free, what proof could they have given sincere
Of true allegiance, constant faith or love,
Where only what they needs must do appear’d,
Not what they would?  what praise could they receive?
What pleasure I from such obedience paid,
When will and reason (reason also is choice)
Useless and vain, of freedom both despoil’d,
Made passive both, had serv’d necessity,
Not me?  they therefore, as to right belong$ ‘d,
So were created, nor can justly accuse
Their Maker, or their making, or their fate,
As if predestination over-rul’d
Their will dispos’d by absolute decree
Or high foreknowledge they themselves decreed
Their own revolt, not I; if I foreknew,
Foreknowledge had no influence on their fault,
Which had no less proved certain unforeknown.
So without least impulse or shadow of fate,
Or aught by me immutably foreseen,
They trespass, authors to themselves in all
Both what they judge, and what they choose; for so
I form’d them free: and free they must remain,
Till they enthrall themselves; I else must change
Their nature, and revoke the high decree
Unchangeable, eternal, which ordain’d
$THeir freedom: they themselves ordain’d their fall.
The first sort by their own suggestion fell,
Self-tempted, self-deprav’d:  Man falls, deceiv’d
By the other first:  Man therefore shall find grace,
The other none:  In mercy and justice both,
Through Heaven and Earth, so shall my glory excel;
But Mercy, first and last, shall brightest shine.
Thus while God spake, ambrosial fragrance fill’d
All Heaven, and in the blessed Spirits elect
Sense of new joy ineffable diffus’d.
Beyond compare the Son of God was seen
Most glorious; in him all his Father shone
Substantially express’d; and in his face
Divine compassion visibly appear’d,
Love without end, and without measure grace,
Which uttering, thus he to his Father spake.
O Father, gracious was that word which clos’d
Thy sovran command, that Man should find grace;
, that Man should find grace;
For which both Heaven and earth shall high extol
Thy praises, with the innumerable sound
Of hymns and sacred songs, wherewith thy throne
Encompass’d shall resound thee ever blest.
For should Man finally be lost, should Man,
Thy creature late so lov’d, thy youngest son,
Fall circumvented thus by fraud, though join’d
With his own folly?  that be from thee far,
That far be from thee, Father, who art judge
Of all things made, and judgest only right.
Or shall the Adversary thus obtain
His end, and frustrate thine?  shall he fulfill
His malice, and thy goodness bring to nought,
Or proud return, though to his heavier doom,
Yet with revenge accomplish’d, and to Hell
Draw after him the whole race of mankind,
By him corrupted?  or wilt thou thyself
Abolish thy creation, and unmake
For him, what for thy glory thou hast made?
So should thy goodness and thy greatness both
Be question’d and blasphem’d without defence.
To whom the great Creator thus replied.
O son, in whom my soul hath chief delight,
Son of my *****, Son who art alone.
My word, my wisdom, and effectual might,
All hast thou spoken as my thoughts are, all
As my eternal purpose hath decreed;
Man shall not quite be lost, but sav’d who will;
Yet not of will in him, but grace in me
Freely vouchsaf’d; once more I will renew
His lapsed powers, though forfeit; and enthrall’d
By sin to foul exorbitant desires;
Upheld by me, yet once more he shall stand
On even ground against his mortal foe;
By me upheld, that he may know how frail
His fallen condition is, and to me owe
All his deliverance, and to none but me.
Some I have chosen of peculiar grace,
Elect above the rest; so is my will:
The rest shall hear me call, and oft be warn’d
Their sinful state, and to appease betimes
The incensed Deity, while offer’d grace
Invites; for I will clear their senses dark,
What may suffice, and soften stony hearts
To pray, repent, and bring obedience due.
To prayer, repentance, and obedience due,
Though but endeavour’d with sincere intent,
Mine ear shall not be slow, mine eye not shut.
And I will place within them as a guide,
My umpire Conscience; whom if they will hear,
Light after light, well us’d, they shall attain,
And to the end, persisting, safe arrive.
This my long sufferance, and my day of grace,
They who neglect and scorn, shall never taste;
But hard be harden’d, blind be blinded more,
That they may stumble on, and deeper fall;
And none but such from mercy I exclude.
But yet all is not done; Man disobeying,
Disloyal, breaks his fealty, and sins
Against the high supremacy of Heaven,
Affecting God-head, and, so losing all,
To expiate his treason hath nought left,
But to destruction sacred and devote,
He, with his whole posterity, must die,
Die he or justice must; unless for him
Some other able, and as willing, pay
The rigid satisfaction, death for death.
Say, heavenly Powers, where shall we find such love?
Which of you will be mortal, to redeem
Man’s mortal crime, and just the unjust to save?
Dwells in all Heaven charity so dear?
And silence was in Heaven: $ on Man’s behalf
He ask’d, but all the heavenly quire stood mute,
Patron or intercessour none appear’d,
Much less that durst upon his own head draw
The deadly forfeiture, and ransom set.
And now without redemption all mankind
Must have been lost, adjudg’d to Death and Hell
By doom severe, had not the Son of God,
In whom the fulness dwells of love divine,
His dearest mediation thus renew’d.
Father, thy word is past, Man shall find grace;
And shall grace not find means, that finds her way,
The speediest of thy winged messengers,
To visit all thy creatures, and to all
Comes unprevented, unimplor’d, unsought?
Happy for Man, so coming; he her aid
Can never seek, once dead in sins, and lost;
Atonement for himself, or offering meet,
Indebted and undone, hath none to bring;
Behold me then:  me for him, life for life
I offer: on me let thine anger fall;
Account me Man; I for his sake will leave
Thy *****, and this glory next to thee
Freely put off, and for him lastly die
Well pleased; on me let Death wreak all his rage.
Under his gloomy power I shall not long
Lie vanquished. Thou hast given me to possess
Life in myself for ever; by thee I live;
Though now to Death I yield, and am his due,
All that of me can die, yet, that debt paid,
$ thou wilt not leave me in the loathsome grave
His prey, nor suffer my unspotted soul
For ever with corruption there to dwell;
But I shall rise victorious, and subdue
My vanquisher, spoiled of his vaunted spoil.
Death his death’s wound shall then receive, and stoop
Inglorious, of his mortal sting disarmed;
I through the ample air in triumph high
Shall lead Hell captive maugre Hell, and show
The powers of darkness bound. Thou, at the sight
Pleased, out of Heaven shalt look down and smile,
While, by thee raised, I ruin all my foes;
Death last, and with his carcase glut the grave;
Then, with the multitude of my redeemed,
Shall enter Heaven, long absent, and return,
Father, to see thy face, wherein no cloud
Of anger shall remain, but peace assured
And reconcilement: wrath shall be no more
Thenceforth, but in thy presence joy entire.
His words here ended; but his meek aspect
Silent yet spake, and breathed immortal love
To mortal men, above which only shone
Filial obedience: as a sacrifice
Glad to be offered, he attends the will
Of his great Father. Admiration seized
All Heaven, what this might mean, and whither tend,
Wondering; but soon th’ Almighty thus replied.
O thou in Heaven and Earth the only peace
Found out for mankind under wrath, O thou
My sole complacence! Well thou know’st how dear
To me are all my works; nor Man the least,
Though last created, that for him I spare
Thee from my ***** and right hand, to save,
By losing thee a while, the whole race lost.

Thou, therefore, whom thou only canst redeem,
Their nature also to thy nature join;
And be thyself Man among men on Earth,
Made flesh, when time shall be, of ****** seed,
By wondrous birth; be thou in Adam’s room
The head of all mankind, though Adam’s son.
As in him perish all men, so in thee,
As from a second root, shall be restored
As many as are restored, without thee none.
His crime makes guilty all his sons; thy merit,
Imputed, shall absolve them who renounce
Their own both righteous and unrighteous deeds,
And live in thee transplanted, and from thee
Receive new life.  So Man, as is most just,
Shall satisfy for Man, be judged and die,
And dying rise, and rising with him raise
His brethren, ransomed with his own dear life.
So heavenly love shall outdo hellish hate,
Giving to death, and dying to redeem,
So dearly to redeem what hellish hate
So easily destroyed, and still destroys
In those who, when they may, accept not grace.
Nor shalt thou, by descending to assume
Man’s nature, lessen or degrade thine own.
Because thou hast, though throned in highest bliss
Equal to God, and equally enjoying
God-like fruition, quitted all, to save
A world from utter loss, and hast been found
By merit more than birthright Son of God,
Found worthiest to be so by being good,
Far more than great or high; because in thee
Love hath abounded more than glory abounds;
Therefore thy humiliation shall exalt
With thee thy manhood also to this throne:
Here shalt thou sit incarnate, here shalt reign
Both God and Man, Son both of God and Man,
Anointed universal King; all power
I give thee; reign for ever, and assume
Thy merits; under thee, as head supreme,
Thrones, Princedoms, Powers, Dominions, I reduce:
All knees to thee shall bow, of them that bide
In Heaven, or Earth, or under Earth in Hell.
When thou, attended gloriously from Heaven,
Shalt in the sky appear, and from thee send
The summoning Arch-Angels to proclaim
Thy dread tribunal; forthwith from all winds,
The living, and forthwith the cited dead
Of all past ages, to the general doom
Shall hasten; such a peal shall rouse their sleep.
Then, all thy saints assembled, thou shalt judge
Bad Men and Angels; they, arraigned, shall sink
Beneath thy sentence; Hell, her numbers full,
Thenceforth shall be for ever shut.  Mean while
The world shall burn, and from her ashes spring
New Heaven and Earth, wherein the just shall dwell,
And, after all their tribulations long,
See golden days, fruitful of golden deeds,
With joy and peace triumphing, and fair truth.
Then thou thy regal scepter shalt lay by,
For regal scepter then no more shall need,
God shall be all in all.  But, all ye Gods,
Adore him, who to compass all this dies;
Adore the Son, and honour him as me.
No sooner had the Almighty ceased, but all
The multitude of Angels, with a shout
Loud as from numbers without number, sweet
As from blest voices, uttering joy, Heaven rung
With jubilee, and loud Hosannas filled
The eternal regions:  Lowly reverent
Towards either throne they bow, and to the ground
With solemn adoration down they cast
Their crowns inwove with amarant and gold;
Immortal amarant, a flower which once
In Paradise, fast by the tree of life,
Began to bloom; but soon for man’s offence
To Heaven removed, where first it grew, there grows,
And flowers aloft shading the fount of life,
And where the river of bliss through midst of Heaven
Rolls o’er Elysian flowers her amber stream;
With these that never fade the Spirits elect
Bind their resplendent locks inwreathed with beams;
Now in loose garlands thick thrown off, the bright
Pavement, that like a sea of jasper shone,
Impurpled with celestial roses smiled.
Then, crowned again, their golden harps they took,
Harps ever tuned, that glittering by their side
Like quivers hung, and with preamble sweet
Of charming symphony they introduce
Their sacred song, and waken raptures high;
No voice exempt, no voice but well could join
Melodious part, such concord is in Heaven.
Thee, Father, first they sung
Its hard to not to forget
that they tortured our memory
motivated by pain
no
motivated by love
love for the living
we are trying to reach the living
those sensitive to nature still
not desensitized
by the construction of whiteness
trying to reach those uninterrupted
by the temporary dominance
desperation pretending to be evolution
hearts beating apathy to death
hysterical neglect of our trauma
native tint in our eyes
take our minds back
from the product
whose profits are imperialism
give them back to dancing
revolution starts in the movement of the hips
a cou de tat of sway
no one knows what you are
no matter how confident they seem
dance with your eyes closed
looking deep inside
do not get stuck in its reflection
the hysterical reflection
dance like every military just surrendered
into our hearts
the living are with you now
can you feel them in your sway
https://www.amazon.com/Escape-Liberty-Elan-Gregory/dp/0997491620/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1535026933&sr=8-1
Michael W Noland Sep 2012
I shaved away the edges until there was nothing left, but a dream of what could have been, and so with frustration i accepted the jagged.

A common law of common flaws, as my face morphs into mask.

I still wonder, when it all will collide, building up inside ...
So much.
Too much.
Electrified in the the allure of my ruthless retorts, as i struggle in futile resistance to the inevitable.

The feeling is incredible, when you let all just go.
As it gently flows from the empathy into ecstasy, learning to love thy enemy, even as they are metaphorically stabbing me in the back.

Euphorically to react to the sensations in my lap when shes next to me.
Hexing me in a shellacking smack to my mannerisms
Her summer dress to address my cynicism, as it flows back from whence it came.

Detained in her image.
Restrained, in questioned worth.
Worth a thousand words.
Words never heard but seen in synesthesia.
Synesthesia saving my amnesia from forgotten verbs that be-heave us, in forgetful stumbling of the loving mumblings before the kiss.

The kiss dismissing the winded blue lips from the fumbled wits of love.
Love drown the fires ablaze as it spirals away.
Away from the journey.
Journey of the uninterrupted.
Uninterrupted in the hunting of my comforts.
Comfort in the squiggled lines.
Lines that pack a little comfort.
Comfort in the blinds, as i sacrifice my obedience for a little bit of expedience on the smile that awaits, this toothless face.

Bludgeoned stupid, as i pace at half mass, blinded in the tall grass of empty lands amassed in colors unseen with tunneled eyes that refuse to defy gravity.
Gravity in your roads chosen.
Chosen in the glow of abodes ablaze.

Amazed in starlit eyes.
Eyes to dream.
Dream of better ways.
Ways to clean the bad away.
Away with my wayward words.
Words observed in zero.
Zeros the point in which i met her, blinded in the blur, as im pulled to her.
Sombro Sep 2015
The river valley was cleaved beneath the rushing horse’s hooves
As dragons beat against the sky, to roar, and so to prove
The might of beasts against the foe, this ‘mankind’ they oppose
But black the night was, truly so, Sir Crowshirron composed.

His lance flew banners, dark as jets, into the dragon’s keep
He split the fire with shield and steed in one almighty leap.
The castle stood of smelted glass as grey as stormy skies
Each tower stood as instrument to ring the dragon cries.

The sturdy gate split as a twig, weak to the black knight’s sword
And then the drawbridge split asunder, board by petty board.
Inside the court the black knight strode, cape flayed the dragon fire
Up marched the knight, dark steel alight up to its crooked spire.

There he saw the demon’s claw clutching ill-gained prize
A screaming child, from pastures wild, with terror in its eyes.
The Black Knight gave no motion and no outcry passed his helm
He stood up taller, prouder still and challenged the dragon’s realm.

They say that lightning split the sky about the battle field
And that after days of endless rage the knight refused to yield.
Down swooped the dragon, teeth and claws, to shower fire and rain
But still the knight would hold his sword and stand to fight again.

Until the moon propped up the sky and broke the dragon’s flight
The black beast  smashed into the keep, split by the black knight’s might
There it lay, curled in dismay, smote by mortal hand
He told the dragon, word and sword, to leave this fragile land.

But dying breaths of stricken foes stilled breathed their poisoned fire
The dragon’s head, eyes running red, made clear his cruel desire
‘Finish me whelp, lest you do, I’ll return and seek your defeat,
But if I die, know this, you shall not be thanked for this brave feat.

A black knight you are and so shall be until the end of days
For all will see a soulless husk, not worthy of their praise.
For dragonslayer you are within, a man with strength and might.

Yet your soul will know that they see only a Black Knight.
They’ll run you from their homes at dawn, they’ll make you see the light
For words from mouths as black as tar make weak the dragon’s bite.’


The Knight looked down upon the beast and ‘fore he stabbed his lance
He showed his smile unto the brute and broke the dragon trance
With floating heart he took the child back to her anxious town
He set her down in front of those who gave a blackened frown.

‘We cannot take this child again, her soul is sure corrupted
You and the beast, two monsters, have held her uninterrupted
For though we good folk try to live there are demons such as you
And now that you have seen her she is not the child we knew. ‘

The black knight took the child back to the shattered dragon’s keep
And seeing the slain corpse of the beast the child began to weep
‘He kept me here, with gifts and love and laughter for my heart
He told me he’d no family and now he had a start

‘Sweet daughter’ he would call to me, ‘I wish to see you please’
And still you slew him, seeing threat, not person, with great ease.
We are a kind, us three poor souls, not like the ‘normal’ men
we give ourselves to people who will ne’er love us again.’



There the knight stood, till the moon lit the sight
Of gentle dragon without his might
‘Family.’ He said softly, and shut his eyes tight,
‘I could have had a family.’ Wept the black, the broken knight.
A comment on prejudice and discrimination, not only based on physical attributes, but emotional as well.
Umi Mar 2018
Antimatter mirroring our existance on the pathway of a reverse world
Imagine it, time stands still, halts without a will to  continue its flow if it were to possess one to begin with, and everything is but fragile,
Illusionary moon, shine on in this distorted realm in which not even gravity is reliable or even trustworthy at this point, up is down here,
An imperishable night caught under a spell of eternity, uninterrupted
Everlasting, permanently shining, the fake moons appearance is clear,
Unremitting, sweetly told as a if it was a lie, the rumours of this world spread more likely like a disease through the ancient, young earth,
A line parallel drawn to ours, a dimension coexisting without sense,
It appears to be fragile, like a newborn child, the smallest disturbance would mostlikely ruin it's balance, bring tremor upon it wretchedly,
But where that life sparkles as then fades, two dimensions surely would overlap, of course, maybe it will be the world you inhabit, no?
In the realm of the dead, a loitering, lingering darkness thins the borders of reality and illusion, causing them to exist as one, now with the same heart and soul, a fantasy heaven which became reality,
After all, that place is only temporary,one surely could even call it a;
Short living eternity,

~ Umi
Michaela Feb 2015
He means very little to me-
on a regular, uninterrupted day.
But when he talks to me,
he is maliciously welcoming.
He's toxically enduring
and determinedly warm.

It's possible Stockholm Syndrome,
it's definite injustice.
Sweet, sweet injustice.
Sweet interruptions.
My sweet bitterness to his sweet nonchalance.
And then;
sweet realisation that I may not be alright,
but merely distracted.
I always thought I was doing okay.
Amelia Emmet Apr 2015
and then
   i
    began to
    f
  a
l
l
.
and it was slowly
so no one would notice.
a slow uninterrupted fall
into an ever darkening pit.
and because no one saw, no one was there
to catch me when i took that last step.
but space was still and peaceful.
i fell slowly and wasn't scared.
it became more and more black
but it was comforting.
the blackness, that became my friend,
was always there for me,
as i
f
  e
    l
      l
Lotus May 2012
The night’s quiet hold,
The tree’s uninterrupted shadows,
The moist breeze breathing,
All these things,
Act as my cloister,
To hide me away from the superficial world
Surrounding me in daylight.

Here,
In the night,
I take off the facade,
Of a happy, content child of society.

Here,
In the night,
I am myself;
A silent, dark ****,
Sullen and reserved,
Laconic in conversation,
Uninteresting.

The night’s quiet hold,
The tree’s uninterrupted shadows,
The moist breeze breathing,
All these things,
Act as my cloister.
PrttyBrd Nov 2013
Bad dreams fill the soul with a sadness all too real.
A soul searches through the darkness
A distant beacon beckons
Stretching through shadowed tears
Touching with such earnest longing
Guided peacefully to that place between dreams,
Where emotions leach into reality
That place where "never" does not exist
It is here, where true happiness its bred
Copyright©PrttyBrd 17\11\13
April Feb 2015
lulling comfort of uninterrupted sleep subsides
replaced with an involuntary state of sedation
the emergence of an all too familiar presence
paralyzed by the force of a lingering sensation
choking internalized fear
timeless inaudible cries for help
unknown visitor condemning you to an everlasting silence
physical horror encroached the night
a lone passenger aboard an eternal voyage
bound for relief from this crippling fear of uncontrollable stillness
remaining prisoner to this petrified state
concrete walls of stirring madness
hallucinations of strange alien formations
faceless entities strike infinite fear
in the core foundation of sleep tonight.
Dan DeVeronica Jul 2014
The car is frigid,
and so is my wife.
Her cramping bloated abdomen
Is ruining my life.
There are not enough tampons to soak up her rage.
On a never-ending drive to Florida,
Trapped In a silver four door cage.
Joahne Lee Mar 2014
Lets spend now,
intertwined by our uninterrupted love.
The sea awoke at midnight from its sleep,
And round the pebbly beaches far and wide
I heard the first wave of the rising tide
Rush onward with uninterrupted sweep;
A voice out of the silence of the deep,
A sound mysteriously multiplied
As of a cataract from the mountain’s side,
Or roar of winds upon a wooded steep.
So comes to us at times, from the unknown
And inaccessible solitudes of being,
The rushing of the sea-tides of the soul;
And inspirations, that we deem our own,
Are some divine foreshadowing and foreseeing
Of things beyond our reason or control.
right now
sacrifice is fueling opportunity
an opportunity to breathe
with an uninterrupted purpose
the corruption of our native soul
stop nourishing it
by constructing whiteness
sacrificing ethnicity
for the temporal indulgence
adrenaline *****
torturing
intensity of dissociation
hallucinating whiteness
the worst drug ever manufactured
forced upon our children
intricate delicate
vulnerable violence
tripping
stumbling
dissociating from an eternity
of survival of the most cooperative
deterring
forgetting
intoxicating
for a moment
momentum of ******
https://www.amazon.com/Escape-Liberty-Elan-Gregory-ebook/dp/B01MUCXUQ1/ref=tmm_kin_swatch_0?_encoding=UTF8&qid=1536442649&sr=8-1
Tatiana May 2020
I stumbled across a letter from an old friend,
its contents were long and wordy but they had their end.
It was just her way of saying she appreciated our friendship.
A friendship unanchored, blew away with the wind
with paper sails that have only thinned.

Birthdays used to be a grand affair; a day to celebrate
but each year the wishes dwindle down so I reciprocate.
Radio meets silence while we're both aware of the days
until it becomes a memory of the song that no longer plays.
Too busy trying to navigate channels that changed.

Then an invitation to a graduation came to me one year
a wedge of uninterrupted distance bridged by a, "Dear."
I don't know if olive branches can hold my weighted heart
but I sent my response to expect me there
before I decided to not care.

When the day came you said, "I didn't think you would come!"
I kept quiet how I cried in my car a block from
your home. I hid my face in your arms and squeezed you tight
because the wedge between us was five-years wide.
"I said I would," is all I replied.

And we asked each other questions that friends don't ask.
What did you study? Where do you live? What do you do?
We joke around but do not laugh as hard as we used to.
My past brought to my present like a nostalgic gift.
A chance to heal over our ocean-wide rift.

And there were no known reasons! I can't turn back the clock!
I just drifted like a small boat barely tethered to its dock
until a storm came and everyone forgot to tie me down.
Or maybe it was on purpose, or maybe I couldn't secure me.
I was the fourth in a unit of three, send me out to sea.

But there is a positive to all of this turmoil
there is a reason the invitation made it to my door.
I rowed myself through the five-year waves back to shore
and tethered my boat and checked the knots times ten.
When friends become strangers we get to meet again.
©Tatiana
I've been trying to vocalize these feelings for almost a year now. Facing down silence and distance is the hardest thing for me. I felt very alone, very lost, and like no one knew where I was or what I was doing or even cared. And then I got an invitation from an old friend to her graduation. It was terrifying, I almost didn't go even after I said I would. I was so close to just turning my car around and not showing my face. because this was my past. My old friends I hadn't spoken with in years, my own failure with college and dropping out early when for years graduating college was my goal. But I did it. And though I'm not best friends with my old friends again, I feel like I'm meeting them and I'm choosing to look at that as a good thing in this sea of turbulent emotions. I'm meeting my friends again and they won't be strangers anymore.
v V v Aug 2015
(In some semblance of order)

(1967 to 1975)

kittens
carpet burns
fear
WGN presents “One-Eyed Jacks” starring Marlon Brando
my grandmother’s basement
slaps from my mother
fear
kicks from my father
fear
Nerf basketball
10CC “I'm Not in Love”
fear

(1976 to 1980)

sunny, cool, fall days
the woods on Sundays
tall green grass
raised red seams on a baseball
fear
Tickle Pink wine
the smell of hashish
the buzz of high tension wires
Stroh's beer, pull tab tall boys
the woods at night
the breeze through the car window
her breath in my ear
fear

(1981 to 1988)

“Footloose” starring Kevin Bacon
Michelob Light in bottles
extra spicy guacamole
fear
“Members Only” black jacket
para mutual wagering
*******
4 seam fastball
fear
the garlic taste of Dimethyl Sulfoxide (DMSO)
a 91 mph fastball
Feldene dissolved in Dimethyl Sulfoxide and applied to my skin via a tongue depressor
my 93.5 mph fastball
the roar of the crowd
fear
October
the swirling light and sound of a west Texas freight train at night in fog
Jesus Christ
fear

(1989 to 1999)

the anticipation of child #1
the birth of child #2
6 hours of uninterrupted sleep after child #3
an 8mm obstructed kidney stone
fear
morphine
fear
Vicodin
fear
sunny, cool, fall days
“The Road Less Traveled” by M Scott Peck
hydrocodone
fear
the woods in fall
thunder
******
fear
the woods in winter
the rumble of Niagara Falls
******
fear
Oxycontin
shame
******
fear
“Ruthless Trust” by Brennan Manning
the woods in spring
The Stanley Cup
fear

(2000 to 2004)

detox
nostalgia of my youth
photos of my children as children
hydrocodone
detox
fear
Jose Cuervo silver tequila
sunny, cool, spring days
Major League Baseball opening day
Jose Cuervo Gold tequila
fear
Chinaco Reposado tequila
the stench of pavement
Gran Patron tequila
the heat of pavement
Herradura Anejo tequila
detox
hydrocodone
fear
Marca Negra Mezcal
detox
AA meetings
Oxycontin
fear
Alice in Chains “Down in a Hole”
detox
nostalgia for opiates
fear

(2005 to 2007)

AA meetings
Camel 99's
her infidelity
fear
photos of my children as children
Camel 99's
the sweet, sweet voice of Martin Sexton
AA meetings
shame
regret
fear
Suboxone
regret
shame
fear

(2008 to 2010)

the tenderness of your touch
a king size memory foam mattress
the tenderness of your touch
Amerique Verte Absinthe
fear
discussions with the dead
the tenderness of your touch
Ray Lamontagne “Winter Birds”
the tenderness of your touch
ablution by Amerique Verte Absinthe
fear
visions of the dead
fear
visits from the dead

(2011 to 2014)

their forgiveness
AA meetings
Camel 99's
my inability to sleep
fear
www.hellopoetry.com
the tenderness of your touch
the tenderness of your touch
the tenderness of your touch
the tenderness of your touch
fear
Centenario Reposado tequila
regret
Tramadol in large amounts
regret
thoughts of you leaving me
thoughts of me being left alone
thoughts of you being left alone
regret

nothing
nothing
nothing

the words I have just written

darkness

fear
I am excited to announce that this poem was recently published in print in "Storm Cycle 2014" The Best of Kind of a Hurricane Press, copyright 2015 A.J. Huffman and April Salzano, editors. The anthology is available online at both Amazon and Barnes and Noble.
murari sinha Sep 2010
if the sinking-of-boat …ice-cream by name
be deducted from the swept-off-in-flood … by name roll no 31
then would the wings of the comics
cease to exist

what says the uninterrupted sound of water-falling
from the stomach of the moon

what writes the pus and blood
what writes the fuming-hot rice

the creepers and the herbs grow continuously
in the insomniac bath-tub

the sounds of the horse-hoof floated by the river
used to change the velocity of its clothes
both in the morning and evening

the birds from the cornice go to school
by dip-swimming

it may come one day when the fishes
become very angry and in the tale of the sweet-meat
the potter will destroy the jointly-built bee-hive

then all hurricane would be habituated to dinner
sans saliva

then there would be no such morning-walk
in the body of the trees
from which such a bore could be found out
through which an elderly saral may fly
into the blue translation of a squirrel

the magnetic field of the orange-pulp
and the productivity of the open window
reside in the same locality

if their frequency be touched  

then the the antenna of the mermaids
speared with sleeping-oil
may be injured

by burnings their eyes
the crow-birds knocks at
in the soap-foams
produced by the afternoon

the pond with a jumping deer
wants to make bite  

it is not known by this way
when a white hyphen
sticks to the palate of the shirt

now put off all the whispers
and let it be talked on the will-paper of the bees

why the pages from the honourable ash-trays
be excluded

those bunch of waters
that come out from the churning of the anises
and the jumps born of their *****
also make friends with the group-photos

now let this other night sends its best wishes
to the future candles
through a cell-phone
cd Aug 2015
my favourite song is sail to the moon live by radiohead and when he replied that it was his as well I was overwhelmed
we layed together and let the haunting phonics echo through your room

uninterrupted

I pressed my head to your chest and let your heart beat sync with the sound

two days later you told me you loved me and I was astounded when I heard the same words fall from my lips

I fell asleep listening to radiohead my head on the pillow and my heart in your hands

everyone warns you about heartbreak
They say that young love never lasts
and while they may be right I ask
Myself why I was never warned of the danger of a different kind of fracture

You broke my taste in music you ****

Teenage relationships don't generally end in divorces but the forces were at play and it ended anyway

Nobody worries about who walks away with the songs you've loved since childhood

Like Bono was my dude but you loved Beautiful Day so now we're not on good terms

Like Real People Do was the jam but you ruined it man

Why did I have to talk to you about music,
Janis Joplin, was poppin and Bob Dylan was killin but I told you all about it and now I'm not about it

the opening bars of sail to the moon rip me in open

and while we didnt have children I'm the short amount of time that we were living
In each other's embrace

music was our offspring and someone should have warned me about this thing where you aren't supposed to overshare
and though I have many questions about why it ended, why it's still going on, the biggest are why I told you my favourite song
and after the pseudo divorce

Who the hell gets custody of radiohead??
Maggie Lane Oct 2012
Floating through the depths of a soulless wonderland.

Memories fast fading from my mind.

I try to catch them in my hands  but they  rush through my fingers like sand.

Searching behind clouds and under dreams for something I can never find.

I weave  new memories with strands of  admitted love.

With dirtied hands I feel my way out of the darkness, with unexpected twists and bends.

Tipping back my head to look at the light dripping in from above.

I continue to maneuver out of the uninterrupted nightmares until forever ends.
almat011 Mar 2019
Epic ****. You are bliss every millimeter of your body is perfect. You are the continuation of my soul. Your charming charm is a super **** mega power that is simply impossible to overcome. The sweetest gourmet, I adore your gorgeous body, when I see you, only one word sounds in my head: yum, I will completely give myself to you. I will always love only you unconsciously, unconsciously, your gently ****** image sat completely in the depths of my mind. From your amazingly contagious beauty, your mouth opens and you lose your voice. Dizzyingly, stunningly beautiful, you are like a giant tornado, from which everything attracts you. And the heart and soul yearn all the time only for you. It doesn't matter if you love me or not, the main thing is that I still love you, and in my subconscious mind, I will only love you forever. Your luxurious appearance of the highest quality, this is a workshop, the filigree work of Mother Nature, this is just a masterpiece that constitutes a unique example of true beauty, you have no equal, you are a girl of high caliber. You are absolutely beautiful to such a degree, so beautiful, so exotic, ******, and your image sounds poetic like very beautiful music of love, that I’m just afraid and shy to come to you, I’m afraid to talk to you, as if standing next to a goddess, or with a super mega star, a world scale model that even aliens probably know. My heart beats more often, I can’t speak normally, from excitement, goosebumps all over my body, and it just shakes. All these are symptoms of true love for you, well, just: oh), wow). To be your boyfriend and husband is the greatest honor in the world, he knelt in front of you with flowers in his hands. Your appearance is perfect just like Barbie. You are so beautiful that only you want to have *** forever, countless, infinite number of times. You are unattainable, you are like a star whose light of the soul, like a searchlight, illuminates me in the deep darkness of solitude. In love with you thorough. You are simply amazingly beautiful. You are the best of the best. Goddess of all goddesses, empress of all empresses, queen of all queens. More beautiful you just can not imagine a girl. Sexier than you just can not be anything. Beautiful soul just is not found. There was nothing more perfect than you and never will be, simply because I think so. Little paw, I am your faithful fan, you are my only idol, idol, icon of beauty. It doesn't matter who you are, I will accept you any. Because in any case I am eager to be only with you. You have a **** smile, and your sensual look is just awesome. And from your voice and look a pleasant shiver all over your body. You are special, the best that is in all worlds, universes and dimensions. You're just a sight for sore eyes. To you I feel the most powerful, love and ****** inclination. You're cooler than any ****** and afrodosiak. From your beauty just cling to the constraints and embarrassment.
**** Barbie. An example of how to compliment a girl: Wow. God, how beautiful you are, God, hell, let me see you, wow, this is just super, just super, my God, it’s necessary to what extent a girl can be beautiful, you're just awesome, just awesome, you're beautiful. My Goddess. About you, I will dream of all eternity, desire and crave only you alone. You're high, ecstasy. In your eyes there is some special fairytale beauty. Lady of my heart. You are the continuation of my soul.

Billions of suns of joy, happiness, and love explode in the soul and this every time they see you. Compliment to the girl: With you every second overflows, with warm, divine, sunshine of true love, happiness and joy. You are like hypnotic sitar music. I would kiss your hands and feet every day. I want to constantly have *** with only one you. You are the embodiment of ****** and ****** passion. Only your skin color is infinitely exciting and falling in love. Your **** voice excites and intonation falls in love. In you, literally everything excites. You are beautiful in any form, place, dress. If I see you, then the day is not in vain. Your image is powerfully falling in love. Oh meamor, goose bumps run through when you touch me, your breath stops when you look at me.

You are a **** lioness. Seductive temptation You are right the flame of sensual passion. You are a thermonuclear *** bomb. I admire your amazing beauty. You are amazing, perfect, you are perfect. I think so. Your flesh is sweeter than sweet. In bed, sultry lioness. The color of your skin is so ****, ******, and very attractive and beautiful. You have a rare and amazing beauty. You are the most beautiful in the universe, all universes, dimensions, all worlds. You are the supreme creation of nature and of God, the highest, perfect being. This is true because I think so.
It seems to me that you have an amazing beauty. You are the most beautiful in the entire universe of all dimensions of all worlds, you are the supreme being the highest creation, the crown of evolution.
You are so attractively ****. That you want to have *** countless times. You are super, extra class, you are luxury. You're gorgeous, gorgeous, beautiful, ****.
I only dream of just one of your kisses, which my soul will flourish. And from touching your hands on my body, and about your lustful touches for my private parts. I only dream to merge with you forever and ever, body and soul, I only dream of eternal, uninterrupted *** only with you alone. I understand only one thing, that I will forever be in love only with you
Only on your most beautiful, naked body, you want to look and look forever.
Author: Musin Almat Zhumabekovich
each moment
flows uninterrupted
the more I unclench
my grip
and
let go,
let it flow
Mateuš Conrad Nov 2018
.so there's this scene in the B.B.C. drama series, bodyguard, when the home secretary, with the help of the intelligence services, uncovers several cover-up stories, which include ****** assault and addiction to substances, namely? alcohol... the report reads: 50 units per week... hmm... ****... what's mine? 2 Heineken pints... that's 3.3 units x 2... oh... and that liter of whiskey... 40 units... but that's in a single day... what's that by week? (well... sometimes it's not 2 Heineken pints...) so we're talking ~326 units per week... and i haven't been to rehab... and however much i am, drunk like a skunk... i still have the literary decency to spell correctly... even though at that point, i'm sometimes seeing double, or find myself doing cross-eyed to even out the carousel; go figure.

ah the centenary, of sorts... all sorts...
in the west...
  the mourning, sombre sobering
about the pointless war... sorry...
the "great" / "war to end all wars" world war uno...
basically just a family feud...
between Queen Vic's grandson
and son...
               bravo! b'good day ol' sport...
*******... the whole lot of it...
on the world stage, very similar
to Vietnam...
         so i'm eating my Haribo
tang-tastic (yes yes, spastic fantastic,
ha ha)
             jellies while perusing
today's newspaper...
    i almost choke...
Poland made it into the western press...
extremist try to hijack polish parade...
the far right threatened...
oh for, ****'s, sake!
   in these post-colonial countries
everything right of *****-up-your-***
and a gag-ball-in-your-mouth
is "far" right...
you get you little poppy appeal...
your little Ypres moment...
      give these people their celebration
of something meaningful...
not everyone who goes to a metal
concert engages in a mosh-pit...
savvy?
(insert snigger):
        bet those wankers in H'america
with their tiki torches are scratching
their heads, right about now...
           wankers...
                FLARES! FLARES!
                              the red serpent...
200,000 majority...
             ****... i almost want to...
                  **** it... i wish i was there;
to celebrate what?
             the end of empire(s)...
       why is nationalism so bad all of a sudden...
the British had theirs,
uninterrupted for... how long?
  if the British waited with their media
coverage...
and figured out how it could possibly
be that they were enslaved by a foreign
power...
                    hmm...
how's that consolidation compensation
working out, with the mothers of Manchester?

p.s. well... if you watched more soccer
than the ******* interlude between
halves filled with cheerleaders,
you wouldn't have that ****** tiki torches
fiasco, would you now?
you'd have the 13th warrior wendol
fire-worm...
                       but then again i guess
you need all that padding...
to throw a miniature sized rugby ball...
hence the audacity...
the best defense is an attack...
   and i am part of the hive...
export...
            singled out...
          i'm exerting what is
the required pressure...
  so how's it going with compensating
the mothers of Manchester?
good? good good.
nivek Oct 2016
the best thing about being totally relaxed
and its true
is being comfortable in your own skin
uninterrupted nakedness day and night
The man was smart.  The animals,
watching, knew it.  The shattering
glass of the universe felt the opposition,
and the understanding was the result
of a fiendish ambition.  There was a
recording.  It time, there was a healing
record; it reached for the few left unwell.
They were floundering until it was
discovered to be the shape of things
drawn with ink.  The deception of empty
hands, which refused to let them drink
the clean water also offered to slay
the daughter.  This forced them all to
worry about forensic relics and lumps of
shattered trust.  Love was hidden away
for the sake of uninterrupted safety.
Mortecai Null Nov 2018
I was forced to sit upon a bench before a marbled statue in an art museum. Through patience and boredom, I traced over the figure before me. It was a woman. Her skin appeared so smooth, and her existence so intentional. She was draped with sheer fabric. How one carves sheer fabric from marble stone, I would never know. She looked so beautiful and at peace. Was I at peace? I mentally scanned over myself. I felt the nervous pumping of my heart and heard the carbonic shuffling of the toast I had eaten prior. I glanced, but not too obviously, at my fingers and the hands they were attached to. I could see the tangled roots of blue crawl between each other and the millions of cross hatched lines overlaying. I looked back up at the marble person. She had no pumping or shuffling. No crawling or cross hatching. She was silken and at rest. I tried to mimic her. I held in my place. Unmoving, unthinking, just being. But the more I tried, the worse I heard my heart and the worse I felt my stomach. I heard my thoughts and my chest rise and fall. I was cursed. I wanted to be like the woman. But my homeostatic existence forced me to continue. I held my mind as I stared at the statue with envy. What an existence to live. Pure, uninterrupted stasis. True stasis. She only moved when moved by others. And even then, she was at rest within herself. No knowledge outside of her oneness. I looked inward again. I was forced to be here. I was forced to be brought here and forced to be taken away from here someday. No one even thought to ask me about the matter. Time is so limited. And here I was. Forced to be here and forced to be here, looking at this woman with more than I could ever have. She was beautiful, spending everyday within a single place being praised by liberal art students and school children who pass through this atrium, even though she did not exist for them. She existed for herself. She stayed within herself, her own scope. Unbound by time or place in her mind. Yet, we all were lucky enough to have witnessed her within her unboundaries. After brushing over her several thousand times, I noticed a chip within her pedestal. I became silently aggravated at the prospect of some lazy dolt who was given the honor of moving her to only do so uncarefully, or an ungrateful adolescent bored amongst the halls of everlasting pieces of geniuses’ minds. But that was just it. They weren’t everlasting. Not really. Not even she, as her perfection captivated for millenia. For the first time, I felt I was her, and she was me. As she has been idolized for her beauty, such as I for the people who loved me. She had a history, as did I. We both have texture and features of difference, but we were to lie in the same bed someday. I would fall asleep much sooner than she, but all things must lay to rest. Even if she spent her entire worldly being in protection, she would still be brought to a close with the setting of the Universe. Two immaculate sisters saying farewell, both so vastly different yet frustratingly the same. Though for both, the daughter of mass and the daughter of time did not cross each other’s paths. They merely felt one another through the beings within and around them that occupy the other. Mass felt time around her, as time felt mass within her. And thus, were one, with no knowledge of the other. I took the first breath I had acknowledged since I first sat on this bench. My eyes attempted to adjust to farther focal points of the rest of the building once I finally pried my gaze from the woman. So many other beautiful beings existed in this singular space that I had no idea about until now. I wanted to spend my time with them, before they had no more time to spend with me. A woman came out of the door to my left. She asked me if I was here to interview for the security guard position. I nodded. She invited me to follow her into the room, and I did just that.
E G Fellenstein Jan 2013
the
bamboo shoot
sprouts and prospers.
the sun shines uninterrupted.
soothing rain softens silken soil.
fruitful days
pass into crisp nights
pass into weeks into months.
soon,
the first cold rains of winter
drip on leaves which have less strength.
winds weave, which are
laced with scents and
threads of a frosted siberia.
the bamboo looks left
looks right
at other bamboo shoots
which have grown too
and always remained close by.  
the bamboo looks up at the
now fogging sky
looks down
and realizes
it's newfound
fear of heights.

— The End —