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Débijonne Aug 2018
Almost asleep when my phone ticked;
'A notification,' it says.
Your name was there, you liked my photo.
And my stomach drowned in butterflies—
Scratch that—moths, surely they're moths.
Stronger, buzzier, like your power
To occupy and stay in my brain
With that single heart emoji beside your name.
Thinking that the double tap
Is as if you love me just the same.
Dorothy A May 2012
Chad looked over at his sleeping son sitting next to him in the passenger seat. This little journey from the airport to his home still seemed so strange and uneasy to him. It astounded him that Ian was now twelve years old, nearly a teenager. To be honest, he still did not fully feel sure about this arrangement, this set-up for him to have his son for the summer. Nevertheless, he tried to project confidence to everyone involved, to his family and to Ian's mom. He kept reminding himself that it did not matter how he felt.

He needed to step up to the plate.

No, Chad Brewster never envisioned himself as a father, never dreamed of it, and certainly never once desired it or would have chosen it as his path. Though some of his close friends wanted or had a family, it was never a part of his plans to ever be a dad. He did not dislike children, but he just never expected he would ever settle down and have them.

He especially never expected to be a father at the mere age of sixteen years old.

The suburbs of Las Vegas were worlds away from the suburbs of Milwaukee. Driving down the desert surrounded streets and highways, sometimes homesickness tugged at his consciousness. At times, Chad’s craved the surroundings of his old existence—the shady pine trees, and spending time at Lake Michigan—and he would gladly trade some palm trees for the some of the pines he was so accustomed to. But this was the life he now chose to have, and he thought he should have no reason to complain or be too sentimental. Many people were not so lucky to experience any refreshing change in their lives, and he was able to have it.

While on the road, Chad reminded himself to give Ian's mom, Becca, a quick call to let her know that they were on their way to his home. He pulled out his cell phone before he got distracted. Ian already texted her a few times to let her know he was alive and breathing along the way.

Becca had her reservations about sending her son off to be with his dad. He had his visiting rights, though, and she couldn't lawfully deny him them. It was a tough decision to send him off alone on the plane to meet up with his father, but Ian had good sense, and he was taking a direct flight to Vegas. He loved to text, and his mother made sure he had his very own cell phone to keep in constant contact with her. It was so hard to let him go like this, for Becca cherished Ian. He had a much harder start in life than some other kids, and she felt partly to blame for it.

Chad got a hold of Ian’s mom. "No way in Hell! You are calling me now?" she angrily accused him, her tongue sharp with criticism. "You know **** well this is his very first plane trip by himself, and I thought you'd have the decency to tell me once he got off that plane! Please! Don't try to convince me that this whole thing is a huge mistake, some major lapse in my judgment. Can you do that for me? You could have at least had the decency! Put him on the phone! Let me talk to him!"

"Look, Becca, he's asleep. It was a long day for him. He's exhausted". Chad was trying his best to hold back any displeasure or to raise his voice, but he expected his calm wouldn’t last. "Don't ***** me out for not calling you the very second you are demanding. You know I would have called in a heartbeat if I felt Ian was in danger. You know I would".

"Oh, I'm really not so sure", she replied, sarcastically. "I'm tempted to fly over there and come get him! I've been sick about it all day!"

"Such a **** drama queen, Becca! Like it or not, the world doesn't revolve around you! You don't have all the control! “ The anger rising was rising up in his tone. Her judgment of him of was so tiring.

"Oh, really Chad?" she replied. "I've got my act together a long time ago, but you...".

"Look, he is my son, too!" Chad shouted loudly. He was fed up of her ****** attitude, ready to hang up in her face.

"You could have fooled me!"

His eyes were glaring as he drove down the arid Nevada highway, just as if Becca stood there right before him, her finger wagging in his face, her other hand on her hip. He pictured her now as if time and everything in it had stood still, and she was before his motionless car and in his face, still in step with time and letting him have it.

This little display was so typical of her. Only Becca Morgan thought she ever had any common sense when it came to their parental abilities. Sure, she was the one who really raised their son, but she never would have pulled it off without the huge intervention of her mother.

Without a doubt, Ian had to admit to himself that he had been avoidant and immature in the past, but Becca did not have the patent on good parenting or on maturity. In her eyes, Chad was never going to be a proper father, even if he proved it.

Chad vowed that he wasn't going to pay forever for his mistakes of being an absent father, far more absent than present in his young son's life.

He looked over at his son sitting beside him. Ian was sound asleep—thank God—for he heard his parents squabble about him far more than he should have. In fact, he never saw his parents talking in a friendly manner. No matter how they began talking to each other, their conversations always ended up with angry words.

Ian must have been dead tired to sleep through it all. He hardly stirred since he fell asleep. If Chad wasn’t driving, he would be studying his slumbering son in peculiar wonder, sitting there for quite some time and thinking how on earth he ever was able to produce such a child, a seemingly healthy and well-rounded boy. It was as if his child was an UFO alien, or something—someone to be discovered for who he really was, and someone to be fathomed with fear.  He felt that uncomfortable about being placed into the role of a father.

It gave Chad's stomach a funny, odd feeling to think he wasn't too much older than Ian when Becca—his loving girlfriend at the time—came up to him and told him the shocking news. It would be the news that would forever change his life, and hers.

She was pregnant. Chad was definitely the father.

It wasn't that Becca did not know what to do about her condition, for she knew what she wanted from almost the very start, and she had settled it in her mind without much inner conflict. There was no helplessness or hopelessness in her, not like some pregnant teenage girls that found themselves in such a predicament. She wanted to have her baby and keep it to raise as her very own, and not for a future adoption—with or without Chad's approval. She did love Chad, but in the long run, she did not care what he thought if he did not agree with her.

As far as she was concerned, this baby was hers.

Chad, on the other hand, was terrified, simply terrified. He did not want to believe the news, hoping that Becca would turn around and tell him it was a huge joke. He would be quite ticked at her if she did such a thing, but also very relieved. He would gladly kiss the ground for it not to be true.

If only it was a joke. Becca was quite serious, playing  no such prank on him, Next, she planned to tell her mother next about her unborn baby. But the first person she wanted to tell was her boyfriend, and she expected that he would be on her side—or at least be won over eventually.

As a dumbfounded Chad stared at her in disbelief and shock—like the classic deer in the headlights—Becca insisted that she was telling the truth, that she was even beginning to show. She could prove it.  Her periods had stopped, and three home pregnancy tests confirmed her suspicions.  Gently, she took Chad’s hand to place over her stomach. Freaked out of his mind, he ****** his hand away as quickly as it touched her belly. His knee **** reaction would always stick in Becca's mind of how Chad really felt about her. It was almost like she had a disease.

She suddenly felt dejected. It looked like Chad would not be on her side, after all.

Maybe it wasn't his? Chad knew that Becca would hate him if he ever implied such a thing. She was crazy about him. Chad knew that. But she had an equal amount of passion to go the other way if he betrayed her. The doubt on his face, and the hesitancy in his voice, did betray him and Becca’s heart slowly sank. She wanted Chad to care, to understand, certainly not to view her as the guilty partner who was ready to ruin his life.

Instead, it looked like the beginning of the end for them.

No way was Chad willing to break the news to his parents, especially his dad, Ed Brewster. He’d rather put a gun to his head than say anything about it. Chad really never saw eye to eye with his father.  Unlike his two older brothers, Michael and David, Chad always felt like he could never please the man. His mother, Nancy, had forever seen Chad as the role that life had given him—the baby of the family. He seemed to have more leeway with her, but not so much as an inch with his father.

Ed, a veteran police officer, wanted all three of his sons to do well in life, better than he had achieved. And as Michael and David were dreaming of such careers as doctors and lawyers, all Chad ever dreamed of was to be a drummer in a rock band. Playing the drums was fine for a hobby, but Chad's father wanted his son to see the garage band he played in as something temporary, something to grow out of.  His son saw otherwise, never seeing himself ever retiring his drumsticks for some job he was bored to death with, or that he hated. He didn’t care if he would never end up earning a dime from it, not playing the drums would be like not having arms or legs. Chad would never give up on his musical aspirations.

One of the first photos that his mother took of her youngest son was him as a baby, sitting on the floor in the kitchen and banging a ladle on the bottom of a pan. At that age, he would much rather play with kitchen utensils, using them like a drum, than any shiny, fascinating toy in his possession. His mom simply thought it was adorable. His father wasn't so impressed, especially since the racket he made was only the beginning in his musical journey of too much noise surfacing from the basement.  There would be plenty of times when Ed would warn his son to give the drums a rest, or he would throw them in the garbage, for Chad could practice for hours on end.

It seemed that music flowed in Chad's blood, was natural to him, but no one in the family had any such musical talents or ambitions.  While his father just didn't get it, his mother supported him with any help she could. When he was six, he was in his glory when his she bought him a child's drum set to bang on. When he turned eleven, she bought him a real set of drums, and encouraged his participation in school band. His brothers' interests were far more typical. They were heavy into sports, and they always had their father's blessings. When Chad kept on doing what he loved, he was seen by his dad as almost a delinquent.

Now that he was an adult, his love of music was paying off. Resettling in Vegas provided many opportunities, plenty of musical venues. With all the entertainment in Sin City, Chad could find enough work playing the drums. There has been a good flow of steady work for him to work in the casinos, and he also played in a local band that did such gigs as weddings, birthday parties and bar mitzvahs. They were a group of six talented musicians that got together to form their own band, and play just about anything—rock, rap, blues, jazz, country and swing. They soon voted with each other on what to call themselves. A good name had a lot to do with if someone got hired for gigs, and nothing they could think up sounded any good.  It seemed like all the great names were already taken, nothing new under the sun. The Sonic Waves sounded the coolest, but since that name was already used, Chad played around with the idea and suggested they call themselves Sonic Stream. That had good potential, and the others agreed with it. He was glad and honored to make such a contribution to his band.        

Chad could honestly say he was happy out here in Nevada. His mother felt like he was trying his best to distance himself from the reality of his problems, especially his strained relationship with his father. Chad disagreed. He just wanted to feel like he could accomplish something in his life, not proving anything to anybody—but to himself.

Would Ian be happy out here with him? It would only be for the summer, but would Chad make a good impression on him in his life out here? Ian glanced over at his son who still slept almost like a baby, seemingly wiped out, though the day was still young.

Several minutes later, Ian called out, "What time is it?"

Somehow awakened, he was rubbing his eyes, disoriented by the fact that he was in a different time zone and in an unfamiliar place. Chad smiled at him, trying to reassure the boy that he was glad to have him here.

“Almost two thirty", Chad returned. Ian moaned and tried to sit up straight, squinting from the glare of the strong Nevada sun. Quite groggy, his internal clock was not sure what time it was.

Your mom called”, Chad told Ian. “You know your mom, bud. She does worry about you”.

“I texted Mom. I said I made it OK”, he replied.

“But did you actually talk to her?” Chad asked. “You know how she is. Unless she talked to you herself, I am sure she was convinced some madman took control of your cell phone and pretended to be you”.

Chad laughed and Ian tried not to act like what he said was that funny, but he shyly grinned and tried to cover his mouth to conceal it. He did have a special bond with his mother, but he knew his dad was right. His mom worried way too much.

“I talked to her just before the plane took off”, Ian admitted.

They drove in silence for a while. Chad had to admit to himself that Ian was looking more and more like him the more he grew up, and Chad seemed to favor his mother's looks—of which he was grateful—for he never wanted to resemble his dad.  Lots of times, Chad and Ian were mistaken for brothers, Ian a much younger brother, but surely not imagined to be his son. Chad felt that Ian was already looking like a teenager, maturing fast for his age, and Chad often was perceived as younger than his twenty-eight years. Ian was growing up so much more than his father could envision, and Chad knew why. It wasn't like he saw his son so frequently that the change was not obvious. Every time he saw him, a big gap had been gapped by growth and change, and Chad was guilty of missing much of those experiences.

Was it that Chad did not really want to grow up? Becca surely accused him of that. His father did, too. Performing gigs in a local band seemed far from a man's job to Chad's father. When he still lived in Wisconsin, he knew he had better learn to have other work to fall back on, for band work did not always pay the bills in those days. That is why he trained to be an x-ray technician. It wasn't the job of his dreams, but it helped keep him afloat when making money from music did not meet his financial requirements. Even though Chad did achieve a fairly decent and respectable job, it did not seem to matter to his critical father.

At the mere age of sixteen, Chad had nothing to back him up against the anger his father would have towards him. He knew he would be knocked down for sure when his parents found out about Becca's pregnancy.

The words his furious father told him stung pretty harshly. "You don't have the sense to be a father! You don't seem lately to have the sense to be anything! You'd ruin that kid’s life, for sure!"

His father had to always play the street-smart cop, even at home, and Chad was fed up as looking like a criminal in his eyes. He almost wanted to cry, but refused to show his father any such weakness. Instead, he gave him the best stone cold, unemotional response that he could muster up. Replying in a monotone manner, though he really feared his father's anger, was the best way to stick it back to him.

"Sure, you're right. I take after you. Bad fathering runs in the family", he said back.

Ed looked like he wanted to punch his son, though he never laid a hand on any of his sons in such a way. Trying to repress his own sense of hurt, and remain with his anger, he replied, "If you were eighteen, I'd throw your *** out right now! Don't push your luck!"

Chad always aspire
Nigel Morgan Nov 2012
She said, ‘You are funny, the way you set yourself up the moment we arrive. You look into every room to see if it’s suitable as a place to work. Is there a table? Where are the plugs? Is there a good chair at the right height? If there isn’t, are there cushions to make it so? You are funny.’
 
He countered this, but his excuse didn’t sound very convincing. He knew exactly what she meant, but it hurt him a little that she should think it ‘funny’. There’s nothing funny about trying to compose music, he thought. It’s not ‘radio in the head’ you know – this was a favourite expression he’d once heard an American composer use. You don’t just turn a switch and the music’s playing, waiting for you to write it down. You have to find it – though he believed it was usually there, somewhere, waiting to be found. But it’s elusive. You have to work hard to detect what might be there, there in the silence of your imagination.
 
Later over their first meal in this large cottage she said, ‘How do you stop hearing all those settings of the Mass that you must have heard or sung since childhood?’ She’d been rehearsing Verdi’s Requiem recently and was full of snippets of this stirring piece. He was a) writing a Mass to celebrate a cathedral’s reordering after a year as a building site, and b) he’d been a boy chorister and the form and order of the Mass was deeply engrained in his aural memory. He only had to hear the plainsong introduction Gloria in Excelsis Deo to be back in the Queen’s chapel singing Palestrina, or Byrd or Poulenc.
 
His ‘found’ corner was in the living room. The table wasn’t a table but a long cabinet she’d kindly covered with a tablecloth. You couldn’t get your feet under the thing, but with his little portable drawing board there was space to sit properly because the board jutted out beyond the cabinet’s top. It was the right length and its depth was OK, enough space for the board and, next to it, his laptop computer. On the floor beside his chair he placed a few of his reference scores and a box of necessary ‘bits’.
 
The room had two large sofas, an equally large television, some unexplainable and instantly dismissible items of decoration, a standard lamp, and a wood burning stove. The stove was wonderful, and on their second evening in the cottage, when clear skies and a stiff breeze promised a cold night, she’d lit it and, as the evening progressed, they basked in its warmth, she filling envelopes with her cards, he struggling with sleep over a book.
 
Despite and because this was a new, though temporary, location he had got up at 5.0am. This is a usual time for composers who need their daily fix of absolute quiet. And here, in this cottage set amidst autumn fields, within sight of a river estuary, under vast, panoramic uninterrupted skies, there was the distinct possibility of silence – all day. The double-glazing made doubly sure of that.
 
He had sat with a mug of tea at 5.10 and contemplated the silence, or rather what infiltrated the stillness of the cottage as sound. In the kitchen the clock ticked, the refrigerator seemed to need a period of machine noise once its door had been opened. At 6.0am the central heating fired up for a while. Outside, the small fruit trees in the garden moved vigorously in the wind, but he couldn’t hear either the wind or a rustle of leaves.  A car droned past on the nearby road. The clear sky began to lighten promising a fine day. This would certainly do for silence.
 
His thoughts returned to her question of the previous evening, and his answer. He was about to face up to his explanation. ‘I empty myself of all musical sound’, he’d said, ‘I imagine an empty space into which I might bring a single note, a long held drone of a note, a ‘d’ above middle ‘c’ on a chamber ***** (seeing it’s a Mass I’m writing).  Harrison Birtwistle always starts on an ‘e’. A ‘d’ to me seems older and kinder. An ‘e’ is too modern and progressive, slightly brash and noisy.’
 
He can see she is quizzical with this anecdotal stuff. Is he having me on? But no, he is not having her on. Such choices are important. Without them progress would be difficult when the thinking and planning has to stop and the composing has to begin. His notebook, sitting on his drawing board with some first sketches, plays testament to that. In this book glimpses of music appear in rhythmic abstracts, though rarely any pitches, and there are pages of written description. He likes to imagine what a new work is, and what it is not. This he writes down. Composer Paul Hindemith reckoned you had first to address the ‘conditions of performance’. That meant thinking about the performers, the location, above all the context. A Mass can be, for a composer, so many things. There were certainly requirements and constraints. The commission had to fulfil a number of criteria, some imposed by circumstance, some self-imposed by desire. All this goes into the melting ***, or rather the notebook. And after the notebook, he takes a large piece of A3 paper and clarifies this thinking and planning onto (if possible) a single sheet.
 
And so, to the task in hand. His objective, he had decided, is to focus on the whole rather than the particular. Don’t think about the Kyrie on its own, but consider how it lies with the Gloria. And so with the Sanctus & Benedictus. How do they connect to the Agnus Dei. He begins on the A3 sheet of plain paper ‘making a map of connections’. Kyrie to Gloria, Gloria to Credo and so on. Then what about Agnus Dei and the Gloria? Is there going to be any commonality – in rhythm, pace and tempo (we’ll leave melody and harmony for now)? Steady, he finds himself saying, aren’t we going back over old ground? His notebook has pages of attempts at rhythmizing the text. There are just so many ways to do this. Each rhythmic solution begets a different slant of meaning.
 
This is to be a congregational Mass, but one that has a role for a 4-part choir and ***** and a ‘jazz instrument’. Impatient to see notes on paper, he composes a new introduction to a Kyrie as a rhythmic sketch, then, experimentally, adds pitches. He scores it fully, just 10 bars or so, but it is barely finished before his critical inner voice says, ‘What’s this for? Do you all need this? This is showing off.’ So the filled-out sketch drops to the floor and he examines this element of ‘beginning’ the incipit.
 
He remembers how a meditation on that word inhabits the opening chapter of George Steiner’s great book Grammars of Creation. He sees in his mind’s eye the complex, colourful and ornate letter that begins the Lindesfarne Gospels. His beginnings for each movement, he decides, might be two chords, one overlaying the other: two ‘simple’ diatonic chords when sounded separately, but complex and with a measure of mystery when played together. The Mass is often described as a mystery. It is that ritual of a meal undertaken by a community of people who in the breaking of bread and wine wish to bring God’s presence amongst them. So it is a mystery. And so, he tells himself, his music will aim to hold something of mystery. It should not be a comment on that mystery, but be a mystery itself. It should not be homely and comfortable; it should be as minimal and sparing of musical commentary as possible.
 
When, as a teenager, he first began to set words to music he quickly experienced the need (it seemed) to fashion accompaniments that were commentaries on the text the voice was singing. These accompaniments did not underpin the words so much as add a commentary upon them. What lay beneath the words was his reaction, indeed imaginative extension of the words. He eschewed then both melisma and repetition. He sought an extreme independence between word and music, even though the word became the scenario of the music. Any musical setting was derived from the composition of the vocal line.  It was all about finding the ‘key’ to a song, what unlocked the door to the room of life it occupied. The music was the room where the poem’s utterance lived.
 
With a Mass you were in trouble for the outset. There was a poetry of sorts, but poetry that, in the countless versions of the vernacular, had lost (perhaps had never had) the resonance of the Latin. He thought suddenly of the supposed words of William Byrd, ‘He who sings prays twice’. Yes, such commonplace words are intercessional, but when sung become more than they are. But he knew he had to be careful here.
 
Why do we sing the words of the Mass he asks himself? Do we need to sing these words of the Mass? Are they the words that Christ spoke as he broke bread and poured wine to his friends and disciples at his last supper? The answer is no. Certainly these words of the Mass we usually sing surround the most intimate words of that final meal, words only the priest in Christ’s name may articulate.
 
Write out the words of the Mass that represent its collective worship and what do you have? Rather non-descript poetry? A kind of formula for collective incantation during worship? Can we read these words and not hear a surrounding music? He thinks for a moment of being asked to put new music to words of The Beatles. All you need is love. Yesterday all my troubles seemed so far away. Oh bla dee oh bla da life goes on. Now, now this is silliness, his Critical Voice complains. And yet it’s not. When you compose a popular song the gap between some words scribbled on the back of an envelope and the hook of chords and melody developed in an accidental moment (that becomes a way of clothing such words) is often minimal. Apart, words and music seem like orphans in a storm. Together they are home and dry.
 
He realises, and not for the first time, that he is seeking a total musical solution to the whole of the setting of those words collectively given voice to by those participating in the Mass.
 
And so: to the task in hand. His objective: to focus on the whole rather than the particular.  Where had he heard that thought before? - when he had sat down at his drawing board an hour and half previously. He’d gone in a circle of thought, and with his sketch on the floor at his feet, nothing to show for all that effort.
 
Meanwhile the sun had risen. He could hear her moving about in the bathroom. He went to the kitchen and laid out what they would need to breakfast together. As he poured milk into a jug, primed the toaster, filled the kettle, the business of what might constitute a whole solution to this setting of the Mass followed him around the kitchen and breakfast room like a demanding child. He knew all about demanding children. How often had he come home from his studio to prepare breakfast and see small people to school? - more often than he cared to remember. And when he remembered he became sad that it was no more.  His children had so often provided a welcome buffer from sessions of intense thought and activity. He loved the walk to school, the first quarter of a mile through the park, a long avenue of chestnut trees. It was always the end of April and pink and white blossoms were appearing, or it was September and there were conkers everywhere. It was under these trees his daughter would skip and even his sons would hold hands with him; he would feel their warmth, their livingness.
 
But now, preparing breakfast, his Critical Voice was that demanding child and he realised when she appeared in the kitchen he spoke to her with a voice of an artist in conversation with his critics, not the voice of the man who had the previous night lost himself to joy in her dear embrace. And he was ashamed it was so.
 
How he loved her gentle manner as she negotiated his ‘coming too’ after those two hours of concentration and inner dialogue. Gradually, by the second cup of coffee he felt a right person, and the hours ahead did not seem too impossible.
 
When she’d gone off to her work, silence reasserted itself. He played his viola for half an hour, just scales and exercises and a few folk songs he was learning by heart. This gathering habit was, he would say if asked, to reassert his musicianship, the link between his body and making sound musically. That the viola seemed to resonate throughout his whole body gave him pleasure. He liked the ****** movement required to produce a flowing sequence of bow strokes. The trick at the end of this daily practice was to put the instrument in its case and move immediately to his desk. No pause to check email – that blight on a morning’s work. No pause to look at today’s list. Back to the work in hand: the Mass.
 
But instead his mind and intention seemed to slip sideways and almost unconsciously he found himself sketching (on the few remaining staves of a vocal experiment) what appeared to be a piano piece. The rhythmic flow of it seemed to dance across the page to be halted only when the few empty staves were filled. He knew this was one of those pieces that addressed the pianist, not the listener. He sat back in his chair and imagined a scenario of a pianist opening this music and after a few minutes’ reflection and reading through allowing her hands to move very slowly and silently a few millimetres over the keys.  Such imagining led him to hear possible harmonic simultaneities, dynamics and articulations, though he knew such things would probably be lost or reinvented on a second imagined ‘performance’. No matter. Now his make-believe pianist sounded the first bar out. It had a depth and a richness that surprised him – it was a fine piano. He was touched by its affect. He felt the possibilities of extending what he’d written. So he did. And for the next half an hour lived in the pastures of good continuation, those rich luxuriant meadows reached by a rickerty rackerty bridge and guarded by a troll who today was nowhere to be seen.
 
It was a curious piece. It came to a halt on an enigmatic, go-nowhere / go-anywhere chord after what seemed a short declamatory coda (he later added the marking deliberamente). Then, after a few minutes reflection he wrote a rising arpeggio, a broken chord in which the consonant elements gradually acquired a rising sequence of dissonance pitches until halted by a repetition. As he wrote this ending he realised that the repeated note, an ‘a’ flat, was a kind of fulcrum around which the whole of the music moved. It held an enigmatic presence in the harmony, being sometimes a g# sometimes an ‘a’ flat, and its function often different. It made the music take on a wistful quality.
 
At that point he thought of her little artists’ book series she had titled Tide Marks. Many of these were made of a concertina of folded pages revealing - as your eyes moved through its pages - something akin to the tide’s longitudinal mark. This centred on the page and spread away both upwards and downwards, just like those mirror images of coloured glass seen in a child’s kaleidoscope. No moment of view was ever quite the same, but there were commonalities born of the conditions of a certain day and time.  His ‘Tide Mark’ was just like that. He’d followed a mark made in his imagination from one point to another point a little distant. The musical working out also had a reflection mechanism: what started in one hand became mirrored in the other. He had unexpectedly supplied an ending, this arpegiated gesture of finality that wasn’t properly final but faded away. When he thought further about the role of the ending, he added a few more notes to the arpeggio, but notes that were not be sounded but ghosted, the player miming a press of the keys.
 
He looked at the clock. Nearly five o’clock. The afternoon had all but disappeared. Time had retreated into glorious silence . There had been three whole hours of it. How wonderful that was after months of battling with the incessant and draining turbulence of sound that was ever present in his city life. To be here in this quiet cottage he could now get thoroughly lost – in silence. Even when she was here he could be a few rooms apart, and find silence.
 
A week more of this, a fortnight even . . . but he knew he might only manage a few days before visitors arrived and his long day would be squeezed into the early morning hours and occasional uncertain periods when people were out and about.
 
When she returned, very soon now, she would make tea and cut cake, and they’d sit (like old people they wer
One Christmas was so much like another, in those years around the sea-town corner now and out of all sound
except the distant speaking of the voices I sometimes hear a moment before sleep, that I can never remember
whether it snowed for six days and six nights when I was twelve or whether it snowed for twelve days and twelve
nights when I was six.

All the Christmases roll down toward the two-tongued sea, like a cold and headlong moon bundling down the sky
that was our street; and they stop at the rim of the ice-edged fish-freezing waves, and I plunge my hands in
the snow and bring out whatever I can find. In goes my hand into that wool-white bell-tongued ball of holidays
resting at the rim of the carol-singing sea, and out come Mrs. Prothero and the firemen.

It was on the afternoon of the Christmas Eve, and I was in Mrs. Prothero's garden, waiting for cats, with her
son Jim. It was snowing. It was always snowing at Christmas. December, in my memory, is white as Lapland,
though there were no reindeers. But there were cats. Patient, cold and callous, our hands wrapped in socks, we
waited to snowball the cats. Sleek and long as jaguars and horrible-whiskered, spitting and snarling, they
would slink and sidle over the white back-garden walls, and the lynx-eyed hunters, Jim and I, fur-capped and
moccasined trappers from Hudson Bay, off Mumbles Road, would hurl our deadly snowballs at the green of their
eyes. The wise cats never appeared.

We were so still, Eskimo-footed arctic marksmen in the muffling silence of the eternal snows - eternal, ever
since Wednesday - that we never heard Mrs. Prothero's first cry from her igloo at the bottom of the garden. Or,
if we heard it at all, it was, to us, like the far-off challenge of our enemy and prey, the neighbor's polar
cat. But soon the voice grew louder.
"Fire!" cried Mrs. Prothero, and she beat the dinner-gong.

And we ran down the garden, with the snowballs in our arms, toward the house; and smoke, indeed, was pouring
out of the dining-room, and the gong was bombilating, and Mrs. Prothero was announcing ruin like a town crier
in Pompeii. This was better than all the cats in Wales standing on the wall in a row. We bounded into the
house, laden with snowballs, and stopped at the open door of the smoke-filled room.

Something was burning all right; perhaps it was Mr. Prothero, who always slept there after midday dinner with a
newspaper over his face. But he was standing in the middle of the room, saying, "A fine Christmas!" and
smacking at the smoke with a slipper.

"Call the fire brigade," cried Mrs. Prothero as she beat the gong.
"There won't be there," said Mr. Prothero, "it's Christmas."
There was no fire to be seen, only clouds of smoke and Mr. Prothero standing in the middle of them, waving his
slipper as though he were conducting.
"Do something," he said. And we threw all our snowballs into the smoke - I think we missed Mr. Prothero - and
ran out of the house to the telephone box.
"Let's call the police as well," Jim said. "And the ambulance." "And Ernie Jenkins, he likes fires."

But we only called the fire brigade, and soon the fire engine came and three tall men in helmets brought a hose
into the house and Mr. Prothero got out just in time before they turned it on. Nobody could have had a noisier
Christmas Eve. And when the firemen turned off the hose and were standing in the wet, smoky room, Jim's Aunt,
Miss. Prothero, came downstairs and peered in at them. Jim and I waited, very quietly, to hear what she would
say to them. She said the right thing, always. She looked at the three tall firemen in their shining helmets,
standing among the smoke and cinders and dissolving snowballs, and she said, "Would you like anything to read?"

Years and years ago, when I was a boy, when there were wolves in Wales, and birds the color of red-flannel
petticoats whisked past the harp-shaped hills, when we sang and wallowed all night and day in caves that smelt
like Sunday afternoons in damp front farmhouse parlors, and we chased, with the jawbones of deacons, the
English and the bears, before the motor car, before the wheel, before the duchess-faced horse, when we rode the
daft and happy hills *******, it snowed and it snowed. But here a small boy says: "It snowed last year, too. I
made a snowman and my brother knocked it down and I knocked my brother down and then we had tea."

"But that was not the same snow," I say. "Our snow was not only shaken from white wash buckets down the sky, it
came shawling out of the ground and swam and drifted out of the arms and hands and bodies of the trees; snow
grew overnight on the roofs of the houses like a pure and grandfather moss, minutely -ivied the walls and
settled on the postman, opening the gate, like a dumb, numb thunder-storm of white, torn Christmas cards."

"Were there postmen then, too?"
"With sprinkling eyes and wind-cherried noses, on spread, frozen feet they crunched up to the doors and
mittened on them manfully. But all that the children could hear was a ringing of bells."
"You mean that the postman went rat-a-tat-tat and the doors rang?"
"I mean that the bells the children could hear were inside them."
"I only hear thunder sometimes, never bells."
"There were church bells, too."
"Inside them?"
"No, no, no, in the bat-black, snow-white belfries, tugged by bishops and storks. And they rang their tidings
over the bandaged town, over the frozen foam of the powder and ice-cream hills, over the crackling sea. It
seemed that all the churches boomed for joy under my window; and the weathercocks crew for Christmas, on our
fence."

"Get back to the postmen"
"They were just ordinary postmen, found of walking and dogs and Christmas and the snow. They knocked on the
doors with blue knuckles ...."
"Ours has got a black knocker...."
"And then they stood on the white Welcome mat in the little, drifted porches and huffed and puffed, making
ghosts with their breath, and jogged from foot to foot like small boys wanting to go out."
"And then the presents?"
"And then the Presents, after the Christmas box. And the cold postman, with a rose on his button-nose, tingled
down the tea-tray-slithered run of the chilly glinting hill. He went in his ice-bound boots like a man on
fishmonger's slabs.
"He wagged his bag like a frozen camel's ****, dizzily turned the corner on one foot, and, by God, he was
gone."

"Get back to the Presents."
"There were the Useful Presents: engulfing mufflers of the old coach days, and mittens made for giant sloths;
zebra scarfs of a substance like silky gum that could be tug-o'-warred down to the galoshes; blinding tam-o'-
shanters like patchwork tea cozies and bunny-suited busbies and balaclavas for victims of head-shrinking
tribes; from aunts who always wore wool next to the skin there were mustached and rasping vests that made you
wonder why the aunts had any skin left at all; and once I had a little crocheted nose bag from an aunt now,
alas, no longer whinnying with us. And pictureless books in which small boys, though warned with quotations not
to, would skate on Farmer Giles' pond and did and drowned; and books that told me everything about the wasp,
except why."

"Go on the Useless Presents."
"Bags of moist and many-colored jelly babies and a folded flag and a false nose and a tram-conductor's cap and
a machine that punched tickets and rang a bell; never a catapult; once, by mistake that no one could explain, a
little hatchet; and a celluloid duck that made, when you pressed it, a most unducklike sound, a mewing moo that
an ambitious cat might make who wished to be a cow; and a painting book in which I could make the grass, the
trees, the sea and the animals any colour I pleased, and still the dazzling sky-blue sheep are grazing in the
red field under the rainbow-billed and pea-green birds. Hardboileds, toffee, fudge and allsorts, crunches,
cracknels, humbugs, glaciers, marzipan, and butterwelsh for the Welsh. And troops of bright tin soldiers who,
if they could not fight, could always run. And Snakes-and-Families and Happy Ladders. And Easy Hobbi-Games for
Little Engineers, complete with instructions. Oh, easy for Leonardo! And a whistle to make the dogs bark to
wake up the old man next door to make him beat on the wall with his stick to shake our picture off the wall.
And a packet of cigarettes: you put one in your mouth and you stood at the corner of the street and you waited
for hours, in vain, for an old lady to scold you for smoking a cigarette, and then with a smirk you ate it. And
then it was breakfast under the balloons."

"Were there Uncles like in our house?"
"There are always Uncles at Christmas. The same Uncles. And on Christmas morning, with dog-disturbing whistle
and sugar ****, I would scour the swatched town for the news of the little world, and find always a dead bird
by the Post Office or by the white deserted swings; perhaps a robin, all but one of his fires out. Men and
women wading or scooping back from chapel, with taproom noses and wind-bussed cheeks, all albinos, huddles
their stiff black jarring feathers against the irreligious snow. Mistletoe hung from the gas brackets in all
the front parlors; there was sherry and walnuts and bottled beer and crackers by the dessertspoons; and cats in
their fur-abouts watched the fires; and the high-heaped fire spat, all ready for the chestnuts and the mulling
pokers. Some few large men sat in the front parlors, without their collars, Uncles almost certainly, trying
their new cigars, holding them out judiciously at arms' length, returning them to their mouths, coughing, then
holding them out again as though waiting for the explosion; and some few small aunts, not wanted in the
kitchen, nor anywhere else for that matter, sat on the very edge of their chairs, poised and brittle, afraid to
break, like faded cups and saucers."

Not many those mornings trod the piling streets: an old man always, fawn-bowlered, yellow-gloved and, at this
time of year, with spats of snow, would take his constitutional to the white bowling green and back, as he
would take it wet or fire on Christmas Day or Doomsday; sometimes two hale young men, with big pipes blazing,
no overcoats and wind blown scarfs, would trudge, unspeaking, down to the forlorn sea, to work up an appetite,
to blow away the fumes, who knows, to walk into the waves until nothing of them was left but the two furling
smoke clouds of their inextinguishable briars. Then I would be slap-dashing home, the gravy smell of the
dinners of others, the bird smell, the brandy, the pudding and mince, coiling up to my nostrils, when out of a
snow-clogged side lane would come a boy the spit of myself, with a pink-tipped cigarette and the violet past of
a black eye, cocky as a bullfinch, leering all to himself.

I hated him on sight and sound, and would be about to put my dog whistle to my lips and blow him off the face
of Christmas when suddenly he, with a violet wink, put his whistle to his lips and blew so stridently, so high,
so exquisitely loud, that gobbling faces, their cheeks bulged with goose, would press against their tinsled
windows, the whole length of the white echoing street. For dinner we had turkey and blazing pudding, and after
dinner the Uncles sat in front of the fire, loosened all buttons, put their large moist hands over their watch
chains, groaned a little and slept. Mothers, aunts and sisters scuttled to and fro, bearing tureens. Auntie
Bessie, who had already been frightened, twice, by a clock-work mouse, whimpered at the sideboard and had some
elderberry wine. The dog was sick. Auntie Dosie had to have three aspirins, but Auntie Hannah, who liked port,
stood in the middle of the snowbound back yard, singing like a big-bosomed thrush. I would blow up balloons to
see how big they would blow up to; and, when they burst, which they all did, the Uncles jumped and rumbled. In
the rich and heavy afternoon, the Uncles breathing like dolphins and the snow descending, I would sit among
festoons and Chinese lanterns and nibble dates and try to make a model man-o'-war, following the Instructions
for Little Engineers, and produce what might be mistaken for a sea-going tramcar.

Or I would go out, my bright new boots squeaking, into the white world, on to the seaward hill, to call on Jim
and Dan and Jack and to pad through the still streets, leaving huge footprints on the hidden pavements.
"I bet people will think there's been hippos."
"What would you do if you saw a hippo coming down our street?"
"I'd go like this, bang! I'd throw him over the railings and roll him down the hill and then I'd tickle him
under the ear and he'd wag his tail."
"What would you do if you saw two hippos?"

Iron-flanked and bellowing he-hippos clanked and battered through the scudding snow toward us as we passed Mr.
Daniel's house.
"Let's post Mr. Daniel a snow-ball through his letter box."
"Let's write things in the snow."
"Let's write, 'Mr. Daniel looks like a spaniel' all over his lawn."
Or we walked on the white shore. "Can the fishes see it's snowing?"

The silent one-clouded heavens drifted on to the sea. Now we were snow-blind travelers lost on the north hills,
and vast dewlapped dogs, with flasks round their necks, ambled and shambled up to us, baying "Excelsior." We
returned home through the poor streets where only a few children fumbled with bare red fingers in the wheel-
rutted snow and cat-called after us, their voices fading away, as we trudged uphill, into the cries of the dock
birds and the hooting of ships out in the whirling bay. And then, at tea the recovered Uncles would be jolly;
and the ice cake loomed in the center of the table like a marble grave. Auntie Hannah laced her tea with ***,
because it was only once a year.

Bring out the tall tales now that we told by the fire as the gaslight bubbled like a diver. Ghosts whooed like
owls in the long nights when I dared not look over my shoulder; animals lurked in the cubbyhole under the
stairs and the gas meter ticked. And I remember that we went singing carols once, when there wasn't the shaving
of a moon to light the flying streets. At the end of a long road was a drive that led to a large house, and we
stumbled up the darkness of the drive that night, each one of us afraid, each one holding a stone in his hand
in case, and all of us too brave to say a word. The wind through the trees made noises as of old and unpleasant
and maybe webfooted men wheezing in caves. We reached the black bulk of the house. "What shall we give them?
Hark the Herald?"
"No," Jack said, "Good King Wencelas. I'll count three." One, two three, and we began to sing, our voices high
and seemingly distant in the snow-felted darkness round the house that was occupied by nobody we knew. We stood
close together, near the dark door. Good King Wencelas looked out On the Feast of Stephen ... And then a small,
dry voice, like the voice of someone who has not spoken for a long time, joined our singing: a small, dry,
eggshell voice from the other side of the door: a small dry voice through the keyhole. And when we stopped
running we were outside our house; the front room was lovely; balloons floated under the hot-water-bottle-
gulping gas; everything was good again and shone over the town.
"Perhaps it was a ghost," Jim said.
"Perhaps it was trolls," Dan said, who was always reading.
"Let's go in and see if there's any jelly left," Jack said. And we did that.

Always on Christmas night there was music. An uncle played the fiddle, a cousin sang "Cherry Ripe," and another
uncle sang "Drake's Drum." It was very warm in the little house. Auntie Hannah, who had got on to the parsnip
wine, sang a song about Bleeding Hearts and Death, and then another in which she said her heart was like a
Bird's Nest; and then everybody laughed again; and then I went to bed. Looking through my bedroom window, out
into the moonlight and the unending smoke-colored snow, I could see the lights in the windows of all the other
houses on our hill and hear the music rising from them up the long, steady falling night. I turned the gas
down, I got into bed. I said some words to the close and holy darkness, and then I slept.
Larry Potter Jul 2013
I was hungry enough to eat the **** end of a skunk.  I felt like gobbling the whole mound of concrete that is half an hour closer from becoming a part of my room.  Make that a quarter. I guess my tummy has had enough grumbling, like a seething network of volcanoes ready to devour Hawaii.  I am sure as exhausted as a zombie after a “battle of life and death” handling a plethora of carpentry tools which I have managed to rummage from our dismal basement.  I’m quite serious with the phrase “battle of life and death”.  I get to have this Obsessive Compulsive Syndrome which gulps a huge amount of my rhythm compelling me to put things in place especially in my chamber.  At times, a weltered pen could instigate an emotional havoc.  Or perhaps an inappropriate collaboration of curtain hues and mattresses would be ample to spin the color wheel concept out of my brain.  But now, my walls have done it.  Well, it was just a microscopic sight of a divine crevice, but how in the world could that escape my eyes?  Without a second thought, I approved an avid proposal from my subconscious – a full concrete room renovation.  And that’s how it brings me here, smothering the last square inch of the genius blueprint with this porridge of lime and clay, the hell with chemistry!  I have found out that my room has achieved the piquancy of a sizzling summer noon, thanks to the mist of dust and the precipitating drops of sweat that come tingling down my overheating body.  Ah! At least my system tells me that I’m not a promising patient of ****** dysfunction.  When the last patch has been perfectly planed in place, I drew my last ounce of pure strength and plunged into my most formidable bed, congratulating myself for a job well done. Alas! A thirty-minute nap and I’m ready for a superb coffee and doughnut delight.

I woke up from a cat’s screech. I peeped through the window. The nap breaker was a Cheshire, one with a dimmer fur, the stripes of gray suppressing the darker color.  Its tail enjoyed dancing around its rear, connoting either fear or excitement. It sure has a distinctive mischievous grin.  The feline was on the verge of climbing up the roof by jumping from a gutter about five feet away.  It seemed to have slipped but has managed to bring its **** next to the roof tiles. It stared at me with intent, giving me the macabre look from its glaring eyes.  It’s as if I’m being watched, stalked and examined in a way I couldn’t see, bringing me that feeling of guilt, of remorse.  Urgh! That’s why I hate cats.  Though I’m planning to keep one, I’ll reconsider it.  But what pains me more is to discover that my alarm was not able to do the job and so I slept three hours more than planned.  I looked down and saw the city lights flashing one by one, the beams glowing like a barrier of radiance diffusing into the gloom of the night. I guess this was the price I have to pay. I traded my snack with a peaceful hibernation, turning the coffee into a glass of iced tea and the doughnut into a great dinner with me, myself and I.

I have learned to cook since I was ten.  My mother believed that culinary prowess could be inherited from generation to generation.  And so, she put her trust on me and I haven’t failed her ever since.  This gourmet brilliance proves to be very useful at times of solitude when you got bored of ordering other’s recipes and decided to make your own buffet.  I remembered her telling me that all food would taste good if there is the chef’s heart flavored in it.  Cooking is an art, combining the loops and the whoops of seasonings and spices to the medley of meat and herbs.  Tonight, I decided that my dinner would equal breakfast, satisfying the grudge that I got from skipping my  diabetic snack attack.  A beef stew and a side of paella made my stomach die in joy, appeased at last that my gears are energized for my routinely nocturnal bookworming activity.

I normally hide under my sheets at nine but tonight, I shall break the rules. Don’t get me wrong, I’ll fix the rules next time. Just this time to spare for I have gained interest on this book entitled “100 Years of Solitude”, talking about how one could live happily even alone, just by creating the world you have ever dreamed of. Gabriel García Márquez is dumping the “no man is an island” concept which anyway sounds inspiring to me.  Finally, I jumped into bed thanking Him for letting me outrun another day living alone in a comfortable apartment, free from all sorts of vexation.  I wished for a better life at school, which gives me an imagery of dull monochromatic memories.  I am not that famous but I can be someday.

A heavy beam of sunlight pierced through my window, refracting on the ***** white floor and creeping up to the mahogany table just right at the corner.  It intercepted with the glass pyramid and created a beautiful prism that glittered all around my room.  It was a really majestic scenery, one that I luckily happen to see every morning, a good optic background, I guess. Two hours before class time – that’s where my pattern starts.  Take a bath, eat, brush teeth, groom, check the doors and power, then I’m off to go. Everybody follows a certain kind of pattern, that’s for sure. Whether you wear different types of clothes everyday or use competing brands of toothpaste, clothes are clothes and toothpastes are toothpastes.  As humanity finds more and more complexities in life, they become wired to doing the things and involving the events which they think would give happiness to them and simplify their equation of life.

As a proof, there’s Mrs. Lanny Honeycut from the house next door. She usually sprinkles her daisies every ten in the morning, wearing that friendly neighborhood smile. On their patio, you could never miss a day seeing her husband, Mr. Blake Honeycut reading the daily papers with a round of tea, jam and bread spread on his table.  On the busy intersection stands traffic enforcer, Red Mayer, waving his arms to and fro while wearing that aura of valor, never seem to get tired of doing the same thing over and over again. Thousands go out for work and go back to sleep everyday and that's the status quo we're talking about. Even inside the academic arena, you can still hold on to that thought; I mean the size of the population doing the same pattern at the same time – my schoolmates, enemies and… friends? Well, I’m not quite sure with the last one, but it’s this: they all make a fun of me.  They say I’m a dork, a nerd, a geek, a freak, and etc.  I wonder if they mean everything that they say or say everything that they mean.  Either way you put it, I’m not buying it. I am not what they say I am.  I just like being alone and that’s where I do best.

And as always, the school is crowded with busy people rushing through the corridors. Others are beating the deadlines while some are happy they could breathe for another break. But no matter how busy everybody could be, there is always a time spent for “information dissemination” or chitchats. But only this time, the topic discussed is the same.  I could hear it on the entire campus, everywhere in the perimeter. Another student in the university is missing leaving no trace of existence.  It’s been going on like this for over two months now and the university council has taken their best courses of action to unknot this mystery while campaigns have been running on TV’s and vigils were spent. Not that I don’t care but it seems that this is also happening to other places, I mean, this is not the only school where maniacs could exist and become professional serial rapists in the making. By the way, this is already the 12th case on the record. Weren’t people overreacting to the issue? Isn’t the case overrated? Did they reject the possibility that these people ran away because they got pregnant, messed up or something like that? Soon, the university area was covered with security troops roaming around like a swarm of bees, buzzing and sometimes boozing all the time.

I guess that’s what happens when you hang out too much with friends who are just jesters plotting your own jeopardy. I don’t think it would be good at all to be bothered with things like that because sometimes, it’s also useful not to have any use at all.  Like the king being admired by his kingdom amidst his sloth and compromises.  But that doesn’t mean I’m not friendly anymore. Actually, if it happens that I got company, I would magnanimously offer a treat at my place.  But the thing is, who would likely do that? I’d cross my fingers on it.

Wishes do come true even for a loner like me.  I think I have a fan. No, that would be too sublime. She’s hot and she’s hotter when you’ll know she’s so cool. Quite a paradox, but that’s just reality.  We came to know each other on our lab class. Her name’s Athena, fitting for her twisted logic and good humor. It makes me burn a lot of calories when I talk to her more than a 5-mile marathon could squirt. We were lab partners and we get along well. I just couldn’t figure out where she got the courage to befriend me. I do regard myself as unwelcoming species, but I might work on it when someone tries to knock the door. We juxtapose ideas. Yes, that’s what makes our conversations spin like a merry-go-round. But we enjoy it nevertheless, evident by the crescent smile we both generate out of the craziest topics in store. Once, she interrogated my way of settling wars with enemies. Well, I told her it was my habit of treating them to my house and giving them souvenirs to show how sorry I could be. She snickered and her eyes glowed like the Andromeda and her face shun the whole universe. Oh, I can do this all day long, if only I got hold of time and space.

Today, she asked me if it would be okay if she’ll stay at my place till nine when her dad could be home and she would be able to call her and ask to pick her up. She reasoned out that otherwise, the night would be scary because she’ll be alone in their house, no company, no security. I was puzzled how the thought of being alone could scare her. It is like freedom from any constraints, no ties, and no limits. But I couldn’t blame her. She’s too fragile, too vulnerable to handle it with herself.  With the speed of the light, I accepted the favor.  Well, that goes even without saying.

It was past six thirty when we arrived at my immaculate apartment. It’s great to be an“ OC” sometimes, I said to myself.  I thought of a winner dinner, one that would make her visit worth reminiscing. I preferred Italian.  I cooked her lasagna and drenched the dinner with sherry. We talked a lot until we run out of resorts. I guess she planned it, or I planned it, synergy perhaps.

The clock ticked nine and there’s no sight of her father’s getaway car. But there’s no sign of worry in her countenance either. I surmise it didn’t reach her inkling yet to phone her dad.  She was busy dissecting my kitchen and living room with her very playful eyes. That doesn’t trouble me though. That’s just as instinctive as any other first time guest could get. She grappled her attention on my antique collection of prehistoric movies, like the Scarlet Letter, The count of Monte Cristo and the likes. She happened to love them too. Well, that makes her more beautiful to me, other than the satin white dress she wears. Suddenly, she got the impulse of going to my room. She said there’s nothing more exciting to see than a gentleman’s bedroom. I startled from the request, but before I could say anything, she leaped straight to my chamber with the gestures of an imp. It’s weird to be in this kind of circumstance because I don’t often invite a lot of visitants to my room. I ain’t no hotel crew, bowing down and waving his hand to the chamber’s destination and leading the VIPs to their cabins. Yet this time, it’s the other way around: it’s my cabin.

But now it’s too late to stop her. She molested the **** and I giggled for some reason. Finally, the door opened a crack and a bend of light escaped from inside. She stepped in, and I followed. She was filled with awe not because my room is all made of gold nor did it resemble a royalty’s den. It was the exaggerated neatness and order that greeted her. In some unknown vortex of my deepest imagining, it made me feel like I’ve been through this instance before. The flashback is not so vivid as it appears, but something tells me this isn’t the first time. Deja vu could be working on it, I infer,although I don’t really believe in those forms of conceptualizations. Perhaps it’s the sherry’s spell infiltrating my mental prognosis. But something, I guess, isn’t really right.

I caught her opening a red box that was hidden behind my cabinet. I tried to steal it away from her but she fought back and it came tossing down the floor. Numerous items spilled from the case. A purple head band with the glittering initials ANNE, a ruby embedded bracelet, and a Nokia handy phone exposed the secrecy. This isn’t going to go along well and fine, I guess. A strong surge of desire came from my core. It tried to envelop my entirety and control me like a lifeless puppet. I felt the tip of the pyramid glass in my hand and I succumbed to lose my consciousness.

Morning came and it felt better than ever. It was a ***** Saturday. There she lies beautifully on the deck, like an immortal bud of red rose trapped in golden amber. The cellophane fits her well, and there’s no doubt she’ll be complaining anymore. I already prepared a cozy place for her deep sleep: A 5x2 feet wall engravement which I was busy molding last night. It wasn’t easy making her go to bed but still it ended up smooth and sound. I helped her get up and fitted her in place.I turned on the radio as I reached for my dear carpentry tools. The news was still nailed on it. But this time, the missing case struck for the 13th turn. Ahh, the hell with society! They never really get a way to deal with it.

I was busy patching the last mound of concrete that is half an hour closer from becoming a part of my room. Make that a quarter. I guess there’s no end to this divine crevice issue. It must be following a pattern too. But I can handle it, thanks to this vicarious personality. I wonder if I could get the chance to invite another visitor in my place. But if I do, I would certainly offer the best treatment they could ever have.
Wilkes Arnold Mar 2016
I was relaxed, and deep in thought
The type of talk that silence brought
When just in earshot it rocked,
tick tock
tick tock
"Must be a clock"
I told myself and resumed my thought

Though as the seconds passed I could not,
Despite the will with which I fought
Do to its incessant knock
Tick tock
Tick tock
I searched for the clock
Unable to find the train I sought

I grew more and more distraught
With each and every tick and tock
That find the clock, I could not
As the silence grew more fraught
With the knock,
Tick Tock
Tick Tock
I knew the pain of Lancelot

On and on it ticked and tocked
I cursed at the unseen dreadnought
It no longer merely mocked
But each and every tick and tock
Became an unseen onslaught
TICK TOCK
TICK TOCK
T'was 11 o'clock,
When my heart felt the gunshot

Though the shots I could not block
And on and on the bullets poured
Further into the fray I bored
Each foot a cinderblock
Weighed by war
I slowly walked
Tick Tock
Tick Tock
How I'd make it answer for

Alas
With little blood left to speak for Desperately I implored
"Restrain your hands that caused such gore;
We need not fight evermore!"
But when I heard the ceaseless knock
Tick tock
Tick tock
I new my words had been ignored
And slowly collapsed to the floor

****** and bludgeoned when I hit bed rock, I had still found no clock
But tick and tock it had forgot
The church bell rang t'was 12 o'clock,
Though mortal wounds the seconds wrought
I no longer was distraught
And as I lay in the hemlock
It occurred in my last thoughts
I would miss the beating knock
tick..., tock...
tick..., tock...
First poem looking for feed back critical and complimentary
Larry Potter Jul 2013
A cumulonimbus caused the gloom that day. It went shedding drops of rain that looked like bead of pearls glittering in the grey autumn sky, vanishing as they plunge on leafless laurel trees and solitary cypresses. He watched them dance to pitter-patter on every umbrella that opened towards the heavens, their colors of rich black calling out to such empathy. Finally, the drops kiss the graze of withered grasses and thirsty dandelions, reviving their foliage and greenness. Slowly, the rainfall collect to become one with soil and mud crawled down to the six feet depression where a coffin was laid. It was white like ivory and carved with elaborate insignias as a token of love and undying memories. Soon, it was all covered with crimson roses that carry the last parting words of the bereaved. The priest waved out his hands above with mournful eyes, lisping his beseeching of earnest favors while spades of loam filled up the burrow. He saw faces of despair around the pit, gasping for reprieve and sympathy. If only the rain could also bring back her life, he implored.

This, in his senses, was belongingness. This, in his heart, was death.

It had been two long weeks since Roxanne’s death and Vincent couldn’t get his feet back on the ground. He still couldn’t believe he had lost her and that their seemingly endless love has flown away from him for all eternity. He’d make believe that this was all just a dream and at some point of this nightmare he would finally be unchained and awakened. Days became niches of shackled memories that kept haunting his love-fletched soul and nights were nothing more than a requiem of lovelorn longings that still linger in his mind. He remembers it all, the feel of her name on his lips, the smell of her hair, and the sound of her laugh. Everything is still as fresh as the dewdrops of June and as vivid as the most cinematic imagery a mortal could immortalize. The ultimate fight of this melodramatic transition was to remain whole when all the strength Vincent has built up begins to crumble by a mere reminiscence of the tragedy that gets freeze-framed from beginning to end over and over again.

It was a rainy Friday evening on the 22nd of May and everyone’s feeling the smell of the weekend rush. Vincent was already at a friend's house party and called Roxanne that he’ll be waiting. Roxanne was driving the Lexus behind a small truck that seemed to plod toward the upcoming red light. She was a few minutes late on her way and watching these two people ahead of her jabber away in that truck was getting her out of her ecstatic  mood. The light turned green, but the truck too slowly moved forward. Roxanne became frustrated as the driver fixated to the right. He visibly gasped at what was just about to come into her view. A brand new grey-blue Chevy Silverado blazed through the opposing stop light to broadside his little truck. Roxanne tried to stop, but her car slid into the Chevy's rear side and went tossing down the highway to an explosion.

All these is what Vincent needs to drown himself to agony. It’s as if Atlas gave up the bearing of the world for him to endure. Wretched and perplexed was he, blaming the world for such a prejudiced conspiracy. How could an angel like Roxanne be bound to such an end? How could an invincible love become vulnerable on the visage of death? But then again, his heart starts to concoct a spell of phantasm, bringing back the most prized memories of him and her together, infiltrating his whole system and gaining power over the bitterness and pain. In this test of sensations, he himself wasn’t sure if this two-edged delusion is a boon or bane. But one thing was becoming clear to him-he cannot be like this for the rest of his life. If this nightmare must be proven real, he must find a way out. Whatever may lie ahead, he must keep going, recreate his own world and be able to break free from the fetters of this mishap that surely promises him nothing but living scars, frustrations and sorrow.

Two years have passed and the town of New Hope has undergone a lot of changes. New coffee shops and cafes run down a block away from the University premise as well as convenient stores and parlors. New establishments stood welcoming and billboards mushroomed the skyway. The streets are crowded with more and more busy people, indicative of a metropolitan evolution of lifestyle. Summer has ended and without a trace, the arid autumn and the frigid winter fluttered to oblivion.

The same is true for New Hope University which, in its current enrollment period, has its student population increased by two thousand. The institute’s remarkable performance rating in board examinations and national competitions attracted other towns to invest their education to the latter. It was nearly the start of class and everyone is busy catching up the enrollment pace. But not Vincent, who, in the first day of inception has already completed the enrollment process. He was ecstatic, more of curious how his life as a senior student could turn into this academic year. He met faces of different kinds-some familiar and some entirely strangers. Those he doesn’t recognize would just pause and pay a smile while others he knew jsut pass by and make him feel invisible. On a ledge in front of his course department’s office he sat. He in himself was New Hope town in human transfiguration- braver, brighter and better. He looked from afar, with eyes playing on the nimble of heads and shoulders of people passing through the corridor. He drenched himself to an illusion of how each head turns toward him with a infectious smile, that once in a while, happiness is sought even in the gallows of solitude. Solitude-it wasn’t a strange name to him anymore. It never was. He was entangled with it on that day the sickles of death took his love away. Somehow, through the passage of time, the wound that was scourged deep in his heart has mended and the thought of being alone became amusing that he has managed to laugh about it over the seasons. He is more human now, away from the devious portal of his mundane imagining.

The daydream was shattered when out of the blue a silhouette of a familiar figure took the stage. She was elegantly tall, with hair of pure ebony lolling on her shoulders. Each step enraptures, and each gentle sway of a hand is a compelling rhythm. She draws closer to where he was and he's left slack jawed. She entered the office and he was back to his senses. Maybe not. What he beheld was something farfetched, something that he cannot comprehend. Vincent saw it all coming back to him. A remnant of his long buried love has come to life. It was Roxanne and it is more certain than breathing. He couldn’t explain what he felt. It was a maelstrom of joy and surprise, of hope and fear. It was the face he yearned to see, so long that the yearning turned to hate and despair. But now that it came to pass, his humanity fell apart. Although he is a mere victim of his own circumstances, the serendipity took a shot straight to his heart and there is nothing he could do about it.

Perhaps there is, and he is now pretty preoccupied. He wanted to know her. He must unknot this puzzle that has challenged his whole conviction. He must find every answer and throw all of its questions behind. Whatever there is that the road has in store for him is not essential anymore. He couldn’t care less to fathom this enigma and once more, find something worth living. But now that he is hanging in midair, he planned to fall back. He jumped out of the ledge and headed out the campus, afraid that she might be at sight and all the strength in him shall subside. He was up all night, thinking of how he could get a chance to meet and talk to her. He had thoughts of crafting schemes, devising methods and inventing tricks.

And nothing of it worked.

The first day of class commenced. New Hope University is buzzing with ecstatic students. Vincent giggled with utmost excitement, carelessly bumping shoulders and brushing elbows with other students in the corridors.  He molested his tattered COR and skimmed for his first class. It is in room 101 scheduled 9:00. He reviewed through the digital clock and he hurried as it ticked to 8:58. Luckily, he is safe from prime tardiness, though he seemed to be the last comer. He seated at the back, knowing that after thirty minutes, he’d helplessly succumb to napping since it is his favorite subject-English 8, Technical Writing.

And so she happened.

It was her, Roxanne’s doppelganger who broke the charts. She was 15 minutes late and unforgivably beautiful with her sequined tee and skinny jeans. She realized what she has gotten into and apologized with the kindest gesture. The professor gave her a hand and led her to the seat beside Vincent. She felt awkward. He was worse. They both sat like lifeless puppets with the puppeteer gone until she broke the silence.

“I’m Katherine,” she muttered. “Katherine Evans, glad to be your block mate”. She took it off with a smile that sent Vincent to hyperventilation. He couldn’t shake her hands. They’re already shaking with butterflies. The poor guy mounted his strength. He could not afford to lose the chance. “Vincent, Vincent Smith”. That was all and a nod. It was rare for Vincent to survive the thirty-minute nap attack but he did this time, although the victory seemed unnoticed. They enjoyed the remaining hour sharing thoughts and ideas with Vincent succeeding in all his attempts to stint his best jokes. He has come to know who she is at the basics-a transferee from Dakota University, a cheerleader and an adventurist. He also looks forward to know more about her in the days to come- hoping that she likes cheese, watching live wrestling fights and attending Sunday mass.

Perhaps she doesn't.

Two weeks was enough a time for the two of them to get closer to each other. They were both open to let the affinity they share to grow and blossom. It was very apparent that the two knew where their relationship is going and they both seemed ready for it.

Months have passed and the two were no more than couples. But Vincent was too overwhelmed of what he had let enter his life. Katherine is no Roxanne. She doesn’t like cheese, wrestling or Sunday masses. She was more self-driven, conceited and unwelcoming. Sooner he realized that he isn’t in love with Katherine, nor will he ever be. He just created his Utopia by painting Roxanne’s memories on Katherine’s facade. He believed to have loved again and he believed in vain.

It was a candlelight dinner at Katherine's and it was all set. She suggested it herself. She would always do this, steering their affair on a one man tag and turning the tides whichever she likes it to be. She seemed obsessed about Vincent, about their friendship, about their bond. This was her biggest mistake: to let Vincent get drowned in her self-consumed devotion.

Vincent is on his way. To break her heart.

When he came, Katherine pranced in glee. She presented the menu. And the drinks too. She was on the midst of telling Vincent her summer getaway plans when he told her to stop and listen. He undid it to her gently by taking all the blames, that it was his butter fingered actions which led them both bruised and bleeding. It was a self-defeating battle preordained by the gods. A tear fell down from Katherine’s eyes, and she didn’t want to show him more. She fled her way out the dining room with a tormented soul, like Aphrodite torn by Adonis, and hurried to her room with the banging of the door. Vincent was left with only the deafening silence, keeping his severed heart together.

As he sat out there slowly losing substance, he began to notice a set of picture frames that showed two happy faces, one of them Vincent was able to recognize in just a matter of seconds. But what puzzled him most is the picture's relevance to Katherine. He thought of a reason to make his way out the riddle. He looked closer to the girl beside Roxanne and found a spot of mole that was identical to Katherine's.

Vincent stumbled to a discovery he wished he had never known.

On the night Roxanne met death, she was not alone. She was with company. The girl that happened to live is Vicky Duran, Roxanne’s best friend. She was secretly in love with Vincent. And she was prepared to change her entire life for a streak of a chance that she’ll have what she was living for.

And she almost succeeded.

Vincent, still staggered on how things turned out insane, went to Roxanne’s grave. He shattered from an implosion of mixed emotions and he cried out like a child who lost his treasured toy. He curled on the ground with so much pain and bearing contained inside him. He called out Roxanne’s name with pure longing, bringing back his old self and his memories of that grey autumn, of that unwanted Friday that took her life away.

Footsteps cracked from the ground and Vincent ceased his outburst of melancholy.

“Let me end your misery,” a trembling voice came from behind him. It was Vicky, whose face is neither Roxanne’s nor Katherine’s. It was a face of a hopeless woman, wretched and determined for something. She was wearing rugged clothes and she held a gun on her hand. To Vicky, living is no different from death. She has now understood why the very person she loves has turned away from her when she gave all that she never was. But the realization priced too much of her reality that she cannot anymore take back. She decided to **** him and then take her own life.

She pointed the gun towards Vincent. He jumped at her to take the gun away. They grappled on the ground, the weapon still on Vicky’s hands. Vincent managed to overpower her but she kicked him, tumbling back to the gravestone. A shot was heard from afar with a man’s cry.

It rained that day. Brown withered leaves of tall laurels hovered with the wind while branches of solitary Cypresses dance to every whirl. The breeze whispered to the clouds of grey, a mark of autumn’s return. Vincent crawled to Roxanne's grave. It was a weeping of a true love that echoed away. Raindrops keep descending from the heavens, washing away the blood that kept flowing to the ground of mud.  Perhaps, on the last moments of his life he found happiness, even from a love that was never his to keep.

 

- by Larry Potter
SassyJ Apr 2016
In tunnelled darks, pastes of reminisce
Outward disjoint points to irrelevance
Spooned and coned in cold mountaintops
The darks of sorrows and trails of struggles

Persistence patterns of self satire in gloom
Sunken in identity crisis of broad oceans
Stormy seas spotlighted by beatific stars
Trajectory of spilled ice in recurrent motions

A mere past cocooned by fears and tears
Clouded in thoughts that cruise and decline
Greyed white imprinted by sudden sadness
Madness echoes on arched ancient bricks

Checkered maniacs of fulfilled passions
Filed and iced in cased prolific memories
Cascades of sunshine tickles to warmth
Orchards of glow that bloom and grow

Picked, ticked and unpacked from boxes
Attacked, nurtured and stored in bliss
Eventful lessons unfolds in untold augury
A mission as the known permeates and fade

Windowed eyes all line up in parade
Mirrored lights digest the haunted haste
A stranger to self, an ally to another
A dance of bright entwine a twist of blur
Darks and lights ........
For audio follow:
https://soundcloud.com/user-367453778/checkereddarkslyricalpoetry
Piyush Gahlot Oct 2018
It's  nine in the morning,
can't open my eyes,
don't wanna come out of the dreamy world,
I wanna be asleep,
I wanna be static,
if sleep is a drug,
I am an addict.

Most comforting is the morning sleep,
my eyes won't open,
I struggled to sit up,
but crumbled back again.
Have to be in the office,
the clock ticked
If sleep is a drug,
I am an addict.

let me lay in the bed,
don't feel like picking up my phone,
Whatsapp texts are unknown.
the sun is up, I don't wanna be.
take a leave or be awake and go,
my mind is in total conflict.
Yes sleep is my drug,
And I am an addict.
struggling to wake up this morning. Devoted to all the lazy people.
Chris T Sep 2013
You took a ride
From a stranger
Driving a flower child van
And you never came back,
Lost in dead dreams,
Long gone ideals,
Wearing a
Psychedelic trip for a shirt
And dirt rubbed jeans teared knee to knee,
The wind blowing
And the radio playing some Dylan song,
Screaming and laughing,
The days were sand castles
On a beach being blown and
Losing shape, back to single grains,
And you promised that you'd never go back
But someplace in the back of your mind
You admitted to yourself that things
Like this, of smiles and bright eyes,
Never last, never last,
But that didn't stop you
And the highway stretched
And the clock ticked ticked
And the seconds were minutes
And the minutes hours,
A paper tablet for every normal thought
Worked like magic, medicine for the spirit,
Just like those that came before you,
All those people that smiled once,
Refusing to get behind a cubicle,
Refusing to wear a suit,
Refusing to get old,
You rode that van to the edge
(Of civilization) and watched the sun
Settle down up close, face to face,
And some time in between
It all stopped
And you were
Ancient history,
The psychedelic shirt lay in a chest,
The jeans in the back of a garbage truck,
The radio stopped playing Dylan,
The wind stopped blowing,
The castles were a hill of sand again,
Nobody screamed, nobody laughed,
you can try to run
But time always gets you,
No amount of pink and green tablets
Will save you
And peace will be but a teenage dream,
And the you that never came back
Did not come back,
But not because the van kept driving,
But because the van broke down forever,
Nothing lasts forever, nothing,
Especially you.
2013. New one. i liked it. It may have a few errors, i'm not sure, haven't edited yet.
Bartholomew Sep 2018
Every morning I would hear the metal wheels grind against the rails as the garage door opened
Leave for school as you were under the hood staring at horse power repairing every engine that was broken

Returned home and now you’re underneath a different car, your face blackened from the dirt, oil and debris
And at night sometimes I’d hold the flashlight for you, pointing the light at the wrong spots of the engine, I’d help to some degree

Rarely spoke but wrenches clanked, ratchets ticked, screws and bolts rattled and power tools revved
It’s the language that I never understood but it’s the language I know you’ve said

The garage doors would close, I’d smell the scent of Mary Jane coming from your room, swear the odor was limitless
Then I would hear the rifts and solos from the guitar strings that were plucked by your fingertips

Life as a grease monkey and a rockstar but you loved every second of it, you love everything you do
I wish one day I could find my own love and become something just like you

I see why my mother loves you

You called me your son though we’re not blood I swear I miss you in every way
You’ve alwayz told me to look out for my sister and to protect her everyday

Happy birthday
To my step father; rock in paradise

09/21/64 - 01/01/18
Gabriel Jan 2022
that night, i wore a polo shirt.
i thought hey, i'm going to a friend's
dorm, no need to dress up, right?

so i wore a polo shirt, a yellow and blue and pink
thing. i'd bought it from a charity shop
only weeks earlier, when i was still exploring
a new university town
and finding not-so-hidden gems;
and sure, it was three sizes too big
but it was comfortable, and made me feel safe.

turns out, you didn't care about polo shirts
or tank tops. you cared about what was underneath
and i was drunk enough to let you - or,
well, not really let you, but i didn't need to dress up
so i wore baggy clothes and a smile
so i had half a bottle of jack daniels
and i had a nineteen year old point to prove
and i had a pill that you gave me
and i had - sorry, have - a therapist's bill.

but this isn't about you. i don't write about you.
i make a point of not writing about you,
actually. which is to say that i write about you
in a way that doesn't let you hurt me anymore.
i write about what i was wearing
(did i deserve it? in my 1970s male t-shirt?)
or what i was drinking
(it was university)
or how i tried to throw myself into a river
in the aftermath
(but i didn't, because i got thirsty, and i didn't
want to die thirsty, so i went home).
no, i'm writing about the polo shirt i was wearing.

cotton, i think. polyester, probably.
the amazing technicolour haze of am i sober enough for this?
who knows how many iterations
of the same lancaster charity shop
it circled through, old men with families
and wives and kids -
it probably saw birthdays and christmases
and, safely tucked in the back of a closet,
shielded itself from the almost-crisis of cuban missiles.

and then, me. a nineteen year old
branching out into the world for the first time;
a lover of poetry, maker of music, naïve and beautiful.
then, it was just a polo shirt, and i wore it
as long as it was laundered, for a month or so,
until december. not that i stopped wearing it
because it was cold. it just reminded me of hands
and hands and hands and
****, how many hands can a man have?
how long will i have to feel them?

i didn't shower the day after, just slept.
a hangover, right? just a hangover.
and then, when the hot water in my dorm
daily ticked on, i washed every inch of myself
to get rid of you, and your foam banana shower gel
that your mother probably told you to buy.

so, what compensation do you owe me?
what price should i put on things?
you touch it, so you pay for it.
one charity shop shirt, three pounds please.
oh this is DARK my apologies <3 i'm fine <3
alone with the seconds tapped out by my feet, ticked out by the clock. i wonder if the hands get bored of circles? of turning gears? of being read? do they follow the expectations on them to give the correct time? do they crack under pressure, ticking a few seconds late or a few seconds early? are their poems about their life like poems about mine?
Out the window
(Speckled glass)
Lives being lived
(I'm sitting on my ***)

On the kitchen clock
(When will I paint these beige walls?)
Time being ticked.
(So it goes, after all)

And even on the street,
That kitchen clock does tick,
Madly, furiously ticking-too fast
As a life quickly fades
(But not mine this time)

We (and I) don't care
'Cause we weren't there
We(I)'ve no idea
How to feel.

One life's a tragedy
Two lives are jaw dropping.
A sports team is urban terror.
Fifty lives, a massacre,
And at one hundred it doesn't matter anymore

Rest in peace,
Dear lives seen
(On speckled glass)
I'm not afraid to die|
           Because humans are bad at counting.
Well this poem certainly grew a lot after finding it in my old notes.
Hal Loyd Denton Sep 2012
I need to finish the story for convenience I have the original Aftermath to be read first on the bottom
What was not stated in Aftermath was my concern for my writing you can’t write with two legs
Screaming when I got to the hospital my kidneys were of a concern eight alieve three times a day about
Thirty aspirins something like Tylenol didn’t count them no relief my mistake I would bang my ****** leg
Against the wood of the desk that would make it crazy for a few seconds so I finally had to stop for over
Two months well the devil won it seemed when I talked to my cousin I was at eighteen thousand reads a
Little while let me break in here for a second I know I’m talking about numbers it isn’t ego if I come in
Contact with any of you in any setting and I pass you by with just a glance I am your sworn Godless
Enemy I have just joined the cruelest damnable assassins Hell has ever released on the world I know
What awaits the lost even the Apostle Paul worked fervently because he knew the end cost of God’s
Holy severity can I do less I look but I take in all manner caring thoughts but without fail I am led to that
Future now no one even gives the last day a thought I will put this in as an excerpt this is the dream I
Had when I was seventeen or it starts this way your life began in the great head waters at Eden they will
End at the mouth of eternity. I was given a view into the celestial I was just a teenager while a sleep this
Dream came I looked into the heavens and saw two great wheels made of stars the hands of God started
To pull the wheels down as I continued I knew what was occurring God was stopping time. The wheels
Stopped then God turned to the seamless darkness grasped it and started to lift as he did it tore away
Reveling the bright true world of the spirit that was before hidden this was alarming since I hadn’t made
My peace with him Not long after this I was seventeen working at the refinery I just walked out of the
Boiler room into the section that was known as the flathead when a voice said time is finished all life and
Its concerns flowed out leaving me with the greatest sadness other men standing by laid down their
Tools and started milling about mindlessly on this wise in some manner this will happen all over the
World the great enterprises so important to man and society will halt government rule and authority
Abolished in an instant majesty and power will take the reins the river previously known will be
Empowered its first charge make the deserts bloom as a rose…

And I take the liberty to insert I am a person of deep feelings to make the case I wrote two pieces for
Roberta Merrifield’s birthday sorry your flowers are late then I forgot your card this was talking about
Her friends as flowers each of them need to go to their door and imagine nine hundred people standing
There reading about their lives that are filled with grace and beauty and earthen treasures that are in
Vessels of clay but to see them truly you will be speechless so I return to the numbers so it was
Eighteen thousand a little later when I couldn’t stand the pain any longer I called my retired preacher
Uncle and our pastor brother Russell I explained to them about being whipped and my writing had to be
Shut down it was thirty five thousand reads then so keys were stilled my lifeline to needy souls was at
A deadly stillness so then two months later I wrote fourteen pieces bringing the total to four hundred
And fourteen pieces and then Gods love demands the his heart be represented this is the one I am
Pleased about the most I wrote a piece called the mirrored pool over four hundred souls read this I’m
Sorry this is too important to excerpt it in you are not obligated to read I leave that to your discretion

Mirrored Pool
Wonder for all the hurts
First I knelt just to see my reflection then the depths started to reveal first the flowing thoughts were
Restrained and then a bubbling seemed to dislodge from greater depths hard truths churned with
Violent twisting but the motion made it impossible to turn away there were great large white clouds
From depths then even above the pool they rose fourteen stories high the sensation was you were
Standing outside clear air intoxicating views the pulse of many were throbbing in your ears their
Thoughts and dreams were known and their sorrows were weights that pulled you from the heights
It was a colossal game of tag and you were it first reaction fear then the appearance of bundled gifts
Broke down the fear it was promise in different sizes that met the required needs it was like a divine
Warehouse had just made a delivery there were cards with names and writing gave clarification tears
And smiles intermingled then the outer knowing postulated the difficulty the puzzle an enormous
Streaming that was now congested and it was beginning a vortex all was understood now human thought
With doubts was pulling the answer into this destructive hole where was one to find the lever to stop
This action that would disallow was the answer to touch the water bring the finger to my lips possibly
A blazing thought would occur that would strike the mind no all that brought was words that had the
Letters jumbled they made no sense unless there is a special book that is alive in it the letters and words
Are already set but they cover every act in the human condition the broken can pour over the pages
You won’t find thorns to repel your efforts there are thorns but they will speak and assuage your hurts
At the most basic and needed levels the points of your hurts will begin to dissolve from your eyes to
Your mind this inward rush and power will dislodge even spears driven deep by enemies carried for
Years you searched in vain over sad and lonely paths and days now you journey is at an end thorns of
Suffering for another produces profound power and mercy go in peace beloved one another bears your
Burden now maybe words cut you at depths you can’t even identify what if there is an antidote in a
Book you pick it up with trembling hands your body tingles from the knowledge that this is ancient texts
It will have a revival of appreciation in this world of texting but with gentle fingers and eyes that glow
With respect as you see the wisdom and the love cannot be denied you leave the world you know and
With total abandonment you swim in this sea of words until the your tears spill on this rich world of
Words those cruel barbed words that pierced tender skin and have bled internally all of these years
Begin to dissolve with stories and accounts of betrayals then the swells love and mercy you read about
Restoration not always found after apologies are given but the teaching of forgiveness strikes a cord
You have been made free from your prison the tangles of life are great as a great black cloud it hangs
Over head many are its troubles this isn’t mild but the disruptive made to strike and pierce deep the
Hidden that steals the morning blessing while other feast your hunger and unrest only enlarges a
Tormenting unquenchable fire a slow burn this is a forest being burned at the thermal level the hidden
Roots a slow process destructive but not so visible agony torture I have seen men crawl in war or fire
Fighting that where all else is lost you will know greater thrills than any other living soul with the
Desperate and those heavy burdened unable to stand a word will flow it puts out fires and gives
The luxurious buoyancy heaviness changed to joy the bouncy laughter every outward blast attack
The enemy launches is within its pages they are repelled overwhelmed by love you suffer unduly
If you don’t hold this fortress this informative book of stratagems that have made everyone a victor
Who has ever found themselves at their wits end no place on earth has a contingency plan though it
Will make the greatest claims all is just empty air when life as it too often does ***** the very air of life
Out we practically are unconscious but this help this rescue is activated by one name it’s not just a book
But the word is a person what a pool you will find what a reflection will engage you beyond your hope
To imagine just say Jesus all will be total peace your heart will know no more sorrow peace will surpass
Sorrow love will disallow the specter that was once a constant it will disappear it will return to the
Darkness from which it came stand in this newness totally free abide by still waters as the good
Sheppard stands by bless you

So the success against the evil one stands like this while he body slammed me the number of
Souls touched has risen to sixty three thousand five thousand while I was in Braidwood so I
Thank the father whose love and concern never wavers by Christmas I am hopeful I will reach
A hundred thousand if I make heaven I don’t want to see you at judgment and hear you say the
Words of that old song he knew I was lost but said nothing to me!!!!!!!!!!

The Aftermath
Please read this to see in my limited way I want to show you your true worth and value and you will see
what the devil never can get.
This is what I would stand and testify in church but what I have to say is lengthy here it can be read or
Not I would first say this to love souls is agonizing it comes with pain and great tears I went to the site
Where they started the church years ago on my Grandma Brown’s front porch as I set there I pleaded
With God to help me make a difference I turned and looked down the old street that held so many
Memories of course Tommy and Elise and Glena are the only ones that remain but I looked farther
That’s when God moved wave after wave of hard rocking sobs that lasted for thirty minutes or more
And after getting back home some will say this is foolish and I’m the first to know we can’t take the devil
On by ourselves but overcome with emotion I turned from the computer and spoke to evil its self that I
Was declaring total war for souls this is what it has cost me so far at the time I had one open wound on
My shin above the ankle two appeared directly above the first one then one to the side and then I knew
What was to come because I have sleep apnea I sleep in a recliner I knew the sores would ring my leg
And they did you can’t lay your leg out on the ledge with open wounds with nerve endings screaming
Then it jumped to my other leg so that was the first volley when I write I get lost time doesn’t exist many
A time daylight would surprise me coming through the window then the onslaught increases I go to the
Hospital I got there in early afternoon they got me in the room at ten thirty but just before a lady comes
In and takes my blood pressure it is close to perfect and then she comes back in five minutes and tells
Me take these three blood pressure pills trusting her I take them well about twelve or one they come
Into and take my blood pressure they had driven it down to seventy over thirty and plus my first
Experience with morphine I was sick and strangely loopy I wasn’t in the bed I couldn’t lay my legs
Down and no one else was in the room only one bed I did set at the end of the bed with it all the way up
In the back I put my head on it and slept comfortably one funny they have it posted call don’t fall I didn’t
Do this on purpose but when I was pulling the drawer out of the stand it came out with a wonderful
Crash Steve the male nurse made record time from down the hall at the nurse station he lunges in the
Room it wasn’t humpty dumpty just the drawer I couldn’t tell if he was relived or ticked off then it was
Their shot back over the net intravenous antibiotics five days needed a doctor from disease control to
Release me then there version of cons scarring kids with tales about prison to keep them messing with
Drugs scared straight now was scared healthy I walked out the same as I walked in I got a bill for thirty
Thousand well at least I didn’t have a bad heart then it was eleven weeks at the wound center this was
Where I met as I lovingly call them my healing angels they finally got all twelve open sores to close then
for the rest of the problem it was six weeks three times a week forty five miles to and from hundred
Degree heat every day you have to pay a hundred and seventy dollars yourself for the compress wrap
Material then you turn around a pay for compress socks that insurance doesn’t cover least the inside is
Pure silver so missed the Olympics but I got silver in fact every six months I will get silver again this is
Kind apropos I asked the compress wrap therapist where Lymph edema comes from and I will spare you
The pictures but the infection and lymph edema pictures even grossed me out but interestingly the
Therapist said an ancient king in Israel had the disease hello devil no cure just mange it from now on
This is the biggest cut of all someone else has to put them on I have always been called a free spirit
Try to take off on your own and what say hey stranger would you put these on my leg it’s like trying to
Put a baby squirrel skin on a full grown body the therapist does speeches internationally with a doctor
From India she asked permission after taking pictures to show the audience I wouldn’t want to see that
Show give the devil his due he is good at being bad I crossed swords with him he rampaged all over me
I didn’t include everything I have gone through and that doesn’t include my poor wife but I am profane
Corrupt undone should I speak to you of such great things as eternal verities matters that involve where
You will spend eternity there is the cleansing of the word the cleansing of changing my corrupt nature to
His by the spirit but know this no one will ever approach or in any way defile the very ones that as the
Finest gems will be placed in his Holy diadem this takes the cleansing of suffering and brokenness with
The heart Broken for souls and the most necessary of all this nature that is too much like the evil one
That’s what he doesn’t get the more he beats up on a person he is doing God’s work of purifying the
Most elemental evil that must be scourged if I touch you it has to be purist intentions of holy deign
We are awash in the lowest dregs dare I say quick sand only holiness can enable us to traverse this
Killing place of a dark and ever turning evil that compounds itself the devil will never lose the majority
On The Broad way that leads to destruction but there are the blessed few that stop and say oh no this is
Not for Me I was his child and I will be again thanks for the load you made me bear serving you devil now Only Love will be the weight I feel it comes by a great price of God Himself and His people

I need to finish the story for convenience I have the original Aftermath to be read first on the bottom
What was not stated in Aftermath was my concern for my writing you can’t write with two legs
Screaming when I got to the hospital my kidneys were of a concern eight alieve three times a day about
Thirty aspirins something like Tylenol didn’t count them no relief my mistake I would bang my ****** leg
Against the wood of the desk that would make it crazy for a few seconds so I finally had to stop for over
Two months well the devil won it seemed when I talked to my cousin I was at eighteen thousand reads a
Little while let me break in here for a second I know I’m talking about numbers it isn’t ego if I come in
Contact with any of you in any setting and I pass you by with just a glance I am your sworn Godless
Enemy I have just joined the cruelest damnable assassins Hell has ever released on the world I know
What awaits the lost even the Apostle Paul worked fervently because he knew the end cost of God’s
Holy severity can I do less I look but I take in all manner caring thoughts but without fail I am led to that
Future now no one even gives the last day a thought I will put this in as an excerpt this is the dream I
Had when I was seventeen or it starts this way your life began in the great head waters at Eden they will
End at the mouth of eternity. I was given a view into the celestial I was just a teenager while a sleep this
Dream came I looked into the heavens and saw two great wheels made of stars the hands of God started
To pull the wheels down as I continued I knew what was occurring God w
The hour was late, and
soon to be later.
The minutes devoured the seconds.
Leisure was my antidote to a long day's madness.
Then I found her, or she found me.
She cast a spell on me in the witching hour.
Her gaze was possessive of me.
Premonition was her touch.

I know not how she crossed the room.
What mattered is she was in my lap. Summoned.
Yet, was it I who lingered, nose at heel?
You can't question the magic.
We are the agents of fate;
we are deciding and directed.

I could never be a marksman.
I wanted her to kiss me: I talked about our parents.
I wanted to dance with her: I romanced the weather.
I wanted a way to reach her: I reach for her thighs.
Oh, how we all wish the target would welcome the bullet,
and to my surprise, she welcomes.
My defences evaporate into the smoke-filled air.
I take her hand. The edge of her lip curves.
That's all she wrote.

Sometimes, complexity is a burden, and simplicity is freedom.

A lifetime of unrequited passion was distilled in that night for us both.
We danced in controlled chaos: not knowing our bodies, yet fully aware.
Time ticked backwards and forgot to tock.
I lost my tie, she lost her sock.
Giggles, the sign of a fermented joy.
The joy of not knowing joy, true joy, and then having it.

It was love... wasn't it?
Yes, it was. It was not mature, sure, but it was. We knew it.
We sheltered ourselves from the world.
Time ticked forward and tocked with abandon.
I remember moments holding her, sharing in her warmth as she shared in mine. A communion for two.

I remember rings exchanged.
I remember the first fruit of her labor. Our labor.
A hand so small it felt like a stick shift.
Time ticked forward and, then

Silence.
I don't know when we stopped talking,
but she was gone.

My tears, some semblance of oceans forgotten, dotted the clothes of my baby rocking in my trembling arms.
It seemed pain was my daily meal.
I faced questions I never considered possible:
Will she ever come back?
Will I ever love again?
What if I can't love again?
What if I feel this pain forever?
...
What if she's dead?

Our life replayed like waves lapping the shore in my distant mind:
How the upbeat jazz descended to slow rock tunes.
"Oh babeh, your lipstick kiss is foreva, it's the red rose ova my grave!"
Our cyclical steps matching, lighting fires in our hearts.
Our arms coiled around one another, as if we were falling from some hallowed place... falling in love is scary.

We try to smile and remember the madness when we're sober.

We forget the things that are important sometimes... all the time.
We forget so much that we become these chewed up, gnarled bits of humanity, searching for our souls when they are right inside us. Incomplete, sure, but there all along.
We have that hollow wanting.
That grinding hunger, that hot thirst.
I don't know the cure for certain, but, the memories seem to know.

Let's stop searching for happiness. That's like searching for flight. What we need is the wings. It's not youth, it's not money. It's opportunity. It's innocence: the belief that things are simple, because they are.

Innocence led me to Rosie that night.
Compromise in the face of difficulty stole me away.

It was years later that I remembered the pain.
Laura got off the school bus angry.
"Boys."
When I got to the bottom of it, she was in the wrong.
She dumped him... for nothing. Because she could.

Waves of despair bubbled up from beneath my present: the calling of the past.
I almost strayed from my resolutions.

I was left with the thought, "She's just like her mother,"
but I left that thought forlorn,
because the truth is, I raised Laura,
and so,
maybe I'm the demon calling the angels sick.

Maybe we're all demons.
It makes sense. We all feel we've fallen from grace.
The devil you know smiles from the mirror,
it wears your face and crowns you king or crud...

Starve it to death, hang it on your sterling bow and
sail for the waking dawn.
Abandonment can happen even when a person is physically by your side, but it's never as final as when they are not.

Sometimes, we're content with allowing that person to be there: physically. We let the rift linger and propagate itself. They were gone before they were gone physically. It happens more than we are aware.
Count the people on your hand that you knew last year who you don't associate with this year or by year's end; are you running out of fingers?

I marvel at how careless we can be. Fascinating how dispensable some we've known have been and how indispensable our selfishness sometimes *is*.
The children reflect this idealism... through bullying. A prevalent symptom of a virulent disease. Because the idea that people are dispensable begs the question of whom to accept. Whom must we save from the rigors of our own prejudice and deception... and whom must we condemn?

We all have our reasons. We're guilty of nothing except being human and to be human is to be guilty.

I had pages worth of text here, but I decided not to burden you... LOL!

As always, enjoy!

DEW
ryn Feb 2015
He rubbed his weary eyes...
What trickery could this be?
Was it a signboard draped in disguise
Or the reflection of light off a tree?

Seconds ticked as he drew closer.
The lady materialised to rule out prior suspicions.
His fingers wrestled over the rusty brake lever,
Wheels squealed their futile objections.

The lady wore a face he could barely see...
She had long tresses that bore an alluring fragrance.
Her beauty tipped the scales allowing him bravery,
Unafraid he asked, "Miss, may I be of assistance?"

Her voice seemed to ride the subtle night breeze,
Coating his ears like sugar laden candy.
Soft and demure... Yet laced with a hint of tease,
She had said, "I'm stranded in the dark as you can see..."

"What luck!", he thought, seizing the opportunity
He removed his sack to make space for her.
His heart raced being in the damsel's good company,
The lady slid herself onto the rack before they both rode together.

As he pedalled hard, he felt a tap on his shoulder.
Her voice came again, a tender little whisper,
*"I live rather close... Not far off from here...
A little over the hill... Just over yonder..."
To be continued...

Based on a story I heard.
Santa's Lazy Elf

Five more days till Christmas,
Santa and his crew
were working overtime making
children's dreams come true .
Singing carols, whistling tunes,
as the hours ticked away,
except for little Edison
the elf that went astray.
Instead of making toys
in Santa's assembly line,
he was hanging out with Rudolph
beneath the snow capped pines.
As Mr. and Mrs. Santa Claus took
a look around,
they noticed lazy Edison
was nowhere to be found.
They decided they'd had enough
this elf will surely be fired,
scratched their heads and
realized another must be hired.
Dasher heard them talking
and thought this can't be so,
never in elf's history has
someone had to go.
He searched the winter wonderland
and under the Northern Lights
Edison and Rudolph were
frolicking in flight.
He said "Come down from there
your behavior's a disgrace,
Christmas Eve is almost here and
you're about to be replaced.
Edison soon realized his days
of slacking were done,
that there'd be consequences
for goofing off and having fun.
He knew he had no place to go
if Santa didn't let him stay
his heart began to pound,
as Rudolph ran way.
He hurried as fast as he could
to tell Santa he was wrong,
beg him for forgiveness
and show him he belonged.
As the other elves were caroling
he tried to sneak inside,
but Santa saw him coming out of the
corner of his eye.
He placed his hands upon his hips
and firmly shook his head,
"What shall I do with you
my elf," Santa firmly said.
"I see you when you're sleeping
I know when you're awake,
did you not read your history book
he said for goodness sake!"
Santa soon forgave him cause
his heart is made of gold,
and Edison became the
hardest worker I am told.
The moral of this story is
we all must do our part,
and jolly old St Nick has always
had a heart.
Merry Christmas to all of you
on this holiest of days,
may all your dreams come true
as you gather and celebrate!

Written By Kathy J Parenteau
Copyright © December 2013
All Rights Reserved
Maggie Lane Nov 2012
Looking back, I think I knew she wasn’t going to wake up that night. Maybe I thought she wouldn’t wake up ever.
CHAPTER 1: ENDLESS SLEEP
It seemed to me that the fact that movies and stories make it appear as if sad things can only and will only occur during rain and thunder was just stupid. The weather has no affect on the events, right? But I was wrong. On Tuesday, April 18th, I began to realize this apparently idiotic movie ploy might have an inkling of truth buried in it.
That day, the kids had teased me again, but to be totally honest, I didn’t mind it then and I don’t mind it now. It had begun to rain when I was halfway down 17th street. I had immediately removed my shoes and socks, and stuffed them into my bag, which was already overflowing with scraps of paper and books. Most of the books had been for free time reading, and are currently lying in a heap in my room at Dad's, where they will remain unread until I decide to forget that awful, horrible, tragic day.
I ran all the way to our apartment, but went the long way and danced and twirled as my un-zippered jacked flapped uselessly behind me. My lungs burned white-hot, but my body was freezing, a feeling I still to this day enjoy. By the time I had reached the alleyway behind the crumbling yet comforting building, I was soaked through, and I loved it. I decided to go around back so Martin would have no excuse to yell at me in that foul, ill-tempered way that made the skin underneath his chin jiggle. I had started towards the rusted door when I saw her. Of course, it hadn't been her. She had been inside, where she alway waited for me to get home. But I had felt on that day as protective of her as she always insisted upon being with me.
I grasped the icy handle and slipped inside, the warmth of the building suffocating rather than comforting me. To this day, I prefer being cold, because it clears the mind, and warmth clouds it, like the foul demon that lures you into the endless sleep that tried to take my mother that day. I climbed the steps; the sudden noise of my feet on the stairs was like a rock sliding under the water, breaking the calm.
I remember how the climb up the stairs that day had seemed especially long. But mostly, I remember how the apartment smelled when I finally reached the top and slid the key into the lock, turning it noisily. I remember the smell, and how the instant it hit my nose I knew that I wasn’t to expect the warm, gentle mother I came to expect most days, but that I was going to get the harsh, drunken version, when she had been smoking and on drugs.
Resignedly, I called, “MOM! I'm home from school!” only then I hadn't known that I would never get an answer. I dumped my soaking bag unceremoniously in the hall, and it hit the floor with a wet thump, splattering mud on the tiles. When she didn't respond, I had frowned; a face Andrew tells me makes me look somehow more mysterious.
The trip I had then taken to her room revealed only that she had passed out on the bed, and that she smelt of sadness. But at that time, sadness wasn't uncommon. I don't remember how long I stood there, but I know that when I finally awoke from my thoughts, I showered and got into my softest pajamas. I settled down to do my homework, but I hadn't been trying hard, so when the time had come to make dinner, I had only made the smallest of dents.
Simply because I had been tired and hadn't been up to making anything more complicated, I made tomato soup. Mom always used to make my soup with milk rather than water, so that was how I made it too. I poured the soup into mugs, because we always liked to drink it rather than eat it. I remember sipping from my mug, and I remember how the warmth burned the roof of my mouth. The heat of it brought tears to my eyes, which were every bit as salty as the soup. I walked to her room, and knocked on the door, the sound echoing through the apartment. She hadn’t answered though, so I entered with the intention of waking her up.
“Mom!” I had said. “Wake up, I made dinner!” and I set the mugs down on her bedside table. With my freed hands, I had shaken her shoulder softly. She didn't wake though, which had surprised me, for she always woke instantly as if her dreams were frail and easy to shatter.
“Mom!” I had raised my voice, and I shook her more vigorously. “MOM!” I think it was on the third time that I finally began to realize, but I still shook her.
On the fifth try I had begun to cry, and on the sixth the calm part of me told the hysterical part: *She is fine. She will wake in the morning, I promise. She will wake.
That was the first time I ever lied to myself.
I remember pulling the covers on the bed over her, and then gingerly lying down next to her. Mom. I kept thinking to myself, as if my mere thoughts might wake her. But I had known she wasn't gone, for I felt her breath next to me, soft, shallow, and hardly discernible from my own, yet still breathing. I had drunk the rest of my soup, but left hers, telling myself she would drink it when she woke. Now, looking back, I realize how stupid it was of me to have thought that she would wake up.
I don't even remember falling asleep that night, but I must have, for in the morning when I woke I looked quickly over at her, hoping, wishing that she might have risen. I remember shaking her again, pleading, “Mom, it's the morning, and you missed dinner but it's okay, I will make you more if you please wake up, please momma. Please,” But she didn't heed me. I remember sitting in bed with her all morning, watching the clock. I didn't get ready for school. My mom was more important, I told myself. When the clock had ticked from 8:29 to 8:30, I knew the bell had rung, and I was late. I guess to me that had been a signal: The rest of the world has continued without us. I remember standing up and padding to the kitchen, and grabbing the wireless phone. I remember how icy cold it had felt, as opposed to the warmth and comfort of the bed in Mom's room. For once I simply craved the innocent warmth from my mother's inert body. I walked back in and sat on the edge of the bed. I dialed 9-1-1 and hit the 'call' button.
“This is 9-1-1 what is your emergency?” a rough male voice had said.
“I-” I had to clear my throat from lack of use. “My mom was passed out last night when I got home from school. I thought she would wake up, like she always does, but she hasn't. She is still breathing. Please come,” I had said all that with a flat voice, refusing the awful feeling in my throat that warned of tears.
“What is your location?” he asked, his voice softer now.
“913 Alvarado,” I whisper. “Fourth floor, number 413. My name is Sierra Banks.”
“Paramedics are on their way, ok?”
“Ok,” I recall how loud the click was when he hung up, and I felt the cold, empty silence press down and around me until I couldn't stand it anymore. I wanted to talk to someone, anyone, except the police officers who sounded way too casual. My mom's life might be on the line, and all they do is talk in monotone. Like they don’t care about all those lives. I knew then that I was being unfair, and that they were simply used to losing lives, but...
I looked up at the soup mugs on the table and next to them...her cell. The last person she talked to. I scooped it up, went to last calls, and hit redial.
Ring...Ring...Ring... “Hello, Clemens residence.”
“Dad.” The pain of hearing his voice then was the same as when I hear it every day now. Regret had instatly clouded my heart with the cold wall I built four years ago. Tears began to pour down my cheeks, but I can't recall now if they were hot and scalding, or cold.
“Sierra?” his voice too had become thick, and I hated him for crying. He left us.
“Yes,” I had been unable to force any other meaningless words at him. I hadn't seen him in four years, when we visited him, his beautiful new wife, and worst of all, his new baby girl. He replaced me! My throat burns to think of it. I hadn't thought of Lila, my step sister, and my replacement since she was born. Fury built up inside me. Why did mom call them last? Why does she still hold his number in her phone even after he left? And most importantly, what did they talk about? I still haven't forgotten these questions, but I most certainly haven't got any answers.
“Dad, mom is in trouble. She hasn't woken up since yesterday. I thought she would wake up but she hasn't. The ambulance is on its way,” Instantaneously, I hated myself for telling him, pouring out how scared I was. He didn't deserve to know, to pretend to feel sorry.
“Oh Sierra. Oh my beautiful daug-” he began, but I had already ended the call. How dare he call me beautiful? He hadn't seen me in so many years. He didn't deserve to pretend he care. Maybe I loved him once, but not anymore. I didn’t, and still don’t, want his sympathy, his false words, dripping in I-told-you-so. But most importantly, I didn’t want him to hear me cry.
Now I find myself having to live with him, and have to be constantly aware of him walking in on me. Like the other day when he walked into my room to see how I was doing with homework and found me rocking and bawling on the bed. Gasps had escaped from me in rapid succession; my sobs had shaken the bed so that it creaked softly. My lips curled apart from my teeth as I convulsed. I sniffed loudly and, gradually, my sobs had died down. Eventually too, my ears had regained their sense, and their voices had drifted to me from outside my bubble of silence.
Most days I had control enough to save my tears for the night or not cry at all. A week ago my English teacher had made us write letters to our parents. I had asked if I could write mine to someone else, because I was still furious at my dad, and mom left me. I know that she was in a coma, and she can't help it now, but I remember all the times that I was strong through her rampages. It didn't matter anyways, because Mr. Steiner blatantly refused. I decided to write it to mom, since I refused those days to even to acknowledge that I had a father.
And to this day I remember every word, for I read that letter a hundred times that day, until I had it committed to memory, so that I could have it with me, where ever I might be.
The ambulance arrived about five minutes after I hung up on Richard. The memory of crying, and rocking endlessly in pitch blackness made me refuse even to call him my father. What I kind of father, I asked myself, leaves his daughter crying, without comforting her, when the only person who ever loved her, is a million miles away? 'Mine,' I had answered myself, bitterly.
Jayme M Yaroch Jul 2015
The ticking of clocks
has always ticked me off
the sound of life fading
drifting away
on the sea of time
racing hearts against it
useless like the broken shore
unable to receive a ship
a religion of adherence
to linear time-space
worshiping that clock
like the end all be all
of how our lives operate
when everyone knows
time is relative
especially if
you're on the wrong side
of the bathroom door.
Lucy Power Mar 2012
Clear, serene, crystal pool of collected calm
naked to the eye, deceiver of the deceived.
I see myself in you.
And so much i hate.

For you spectators are sport;
To be picked and plowed, ticked and crossed.
Making old wrongs new.
Fooling all.

You lie to my face, I see how you
bend and twist your shape.
Contorting my view. Calling me untrue.
Nothing is upfront.

My hands are tied behind, a foot above
hovers the dagger.
It hangs, yellow, brittle, jagged canine.
Reminds me of your smile.

Villains smile. One day I will rap a knuckle,
crack your rattling skull.
I will open that box and set evil upon the world.
All I have ever known.

Seven years bad luck;
better than a life time.
The veins in my heart,
rooted down to my stomach,
and from these roots began to grow a tree,
and on its branches caterpillars did roam
right there in my stomach,
they made their home.
yet I was alone.

Enter the lumberjack.
The caterpillars cocooned,
ready to begin the transformation
from girl to woman, oh, the sensation!

Time ticked on,
the lumberjack and I,
with that little spark in our eye,
from the tree, grew a garden, into woods
our love resounding above the forest canopy
the feral instincts, the cinders, the shade
until finally the Sun no longer shone
so the wall of qualms had to go,
in the form of trees,
one by one.
chopped.

Yet.
the wildfires had sparked
and the cocoons were now butterflies
and the forest we grew together was ablaze
what he didn't chop, my cinders singed,
ash by ash life was ceasing to be,
and then from the woods,
were we forced to flee.

and the butterflies flew free
the blossoms,
the trees,
burned

but the butterflies flew free,
in my stomach,
they are free

so now a bit of our dead forest lives in me.
well folks, this is what happens when you let your romance shade you from the light of the heavenly father.
I do not believe this is our final farewell,
but should it be,
at least we will still carry some of each other's ''good''
(France -- Ancient Regime.)

I.

Go away!
Go away; I will not confess to you!
His black biretta clings like a hangman's cap; under his twitching fingers the beads shiver and click,
As he mumbles in his corner, the shadow deepens upon him;
I will not confess! . . .

Is he there or is it intenser shadow?
Dark huddled coilings from the obscene depths,
Black, formless shadow,
Shadow.
Doors creak; from secret parts of the chateau come the scuffle and worry of rats.

Orange light drips from the guttering candles,
Eddying over the vast embroideries of the bed
Stirring the monstrous tapestries,
Retreating before the sable impending gloom of the canopy
With a swift ****** and sparkle of gold,
Lipping my hands,
Then
Rippling back abashed before the ominous silences
Like the swift turns and starts of an overpowered fencer
Who sees before him Horror
Behind him darkness,
Shadow.

The clock jars and strikes, a thin, sudden note like the sob of a child.
Clock, buhl clock that ticked out the tortuous hours of my birth,
Clock, evil, wizened dwarf of a clock, how many years of agony have you relentlessly measured,
Yardstick of my stifling shroud?

I am Aumaury de Montreuil; once quick, soon to be eaten of worms.
You hear, Father? Hsh, he is asleep in the night's cloak.

Over me too steals sleep.
Sleep like a white mist on the rotting paintings of cupids and gods on the ceiling;
Sleep on the carven shields and knots at the foot of the bed,
Oozing, blurring outlines, obliterating colors,
Death.

Father, Father, I must not sleep!
It does not hear -- that shadow crouched in the corner . . .
Is it a shadow?
One might think so indeed, save for the calm face, yellow as wax, that lifts like the face of a drowned man from the choking darkness.


II.

Out of the drowsy fog my body creeps back to me.
It is the white time before dawn.
Moonlight, watery, pellucid, lifeless, ripples over the world.
The grass beneath it is gray; the stars pale in the sky.
The night dew has fallen;
An infinity of little drops, crystals from which all light has been taken,
Glint on the sighing branches.
All is purity, without color, without stir, without passion.

Suddenly a peacock screams.

My heart shocks and stops;
Sweat, cold corpse-sweat
Covers my rigid body.
My hair stands on end. I cannot stir. I cannot speak.
It is terror, terror that is walking the pale sick gardens
And the eyeless face no man may see and live!
Ah-h-h-h-h!
Father, Father, wake! wake and save me!
In his corner all is shadow.

Dead things creep from the ground.
It is so long ago that she died, so long ago!
Dust crushes her, earth holds her, mold grips her.
Fiends, do you not know that she is dead? . . .
"Let us dance the pavon!" she said; the waxlights glittered like swords on the polished floor.
Twinkling on jewelled snuffboxes, beaming savagely from the crass gold of candelabra,
From the white shoulders of girls and the white powdered wigs of men . . .
All life was that dance.
The mocking, resistless current,
The beauty, the passion, the perilous madness --
As she took my hand, released it and spread her dresses like petals,
Turning, swaying in beauty,
A lily, bowed by the rain, --
Moonlight she was, and her body of moonlight and foam,
And her eyes stars.
Oh the dance has a pattern!
But the clear grace of her thrilled through the notes of the viols,
Tremulous, pleading, escaping, immortal, untamed,
And, as we ended,
She blew me a kiss from her hand like a drifting white blossom --
And the starshine was gone; and she fled like a bird up the stair.

Underneath the window a peacock screams,
And claws click, scrape
Like little lacquered boots on the rough stone.

Oh the long fantasy of the kiss; the ceaseless hunger, ceaselessly, divinely appeased!
The aching presence of the beloved's beauty!
The wisdom, the incense, the brightness!

Once more on the ice-bright floor they danced the pavon
But I turned to the garden and her from the lighted candles.
Softly I trod the lush grass between the black hedges of box.
Softly, for I should take her unawares and catch her arms,
And embrace her, dear and startled.

By the arbor all the moonlight flowed in silver
And her head was on his breast.
She did not scream or shudder
When my sword was where her head had lain
In the quiet moonlight;
But turned to me with one pale hand uplifted,
All her satins fiery with the starshine,
Nacreous, shimmering, weeping, iridescent,
Like the quivering plumage of a peacock . . .
Then her head drooped and I gripped her hair,
Oh soft, scented cloud across my fingers! --
Bending her white neck back. . . .

Blood writhed on my hands; I trod in blood. . . .
Stupidly agaze
At that crumpled heap of silk and moonlight,
Where like twitching pinions, an arm twisted,
Palely, and was still
As the face of chalk.

The buhl clock strikes.
Thirty years. Christ, thirty years!
Agony. Agony.

Something stirs in the window,
Shattering the moonlight.
White wings fan.
Father, Father!

All its plumage fiery with the starshine,
Nacreous, shimmering, weeping, iridescent,
It drifts across the floor and mounts the bed,
To the tap of little satin shoes.
Gazing with infernal eyes.
Its quick beak thrusting, rending, devil's crimson . . .
Screams, great tortured screams shake the dark canopy.
The light flickers, the shadow in the corner stirs;
The wax face lifts; the eyes open.

A thin trickle of blood worms darkly against the vast red coverlet and spreads to a pool on the floor.
Michael John Aug 2018
my grandfather from liverpool
and my father too
sat in the kitchen
and discussed nothing  new

tired from a long day on the busses
he fell into a trouble slumber in
his arm chair
he thrashed and fussed

we his family would quietly gather
cries of protest and stifled incredulity
cut the warm air
the great grandfather ticked..

(before television
or we listened to arther askey)
he was a proud man
with right of way..

he told the boss to f himself
if he were n´t a gentleman..
what he would make of this
world today..

so,he went through his day
and we tried not to laugh
the man who earned his wage
tired of this *******

i guffawed and he woke
he fixed us with his pale
beautiful eyes..
and later the next morning

in  the lovely little back
garden
in the hushed roar
he said we would be friends..
ryn Aug 2016
My teacher once asked
a short simple question.
She had asked,
"What do you want to be?"
Raised arms answered her query.
Open palms each belonging to excitable children.

Wide little eyes looked up at her.
Hands began to flail in the air...
Ever so hopeful of being chosen.
So that they could voice their aspirations.
So that they could begin to share.

One by one,
they each was given the opportunity.
Turn by turn,
boastful were some
while others spoke quiet and shyly.

Then the teacher stopped short.
Not before expressing her delight.
She was in awe of such young minds...
Having had such great wings
to eventually take flight.

Then she explained...
What she had initially meant.
Confused looks all around including me.
She rephrased the question,
"What kind of person...
Do you want to be?"


There was silence.
No arms shot up to meet the subject.
I don't recall having raised mine,
but I remember telling the teacher...
An answer (I was confident), she wouldn't expect.

I stood at my desk,
proud and tall...
And told the teacher
that I wished to be a person...
Well loved by all.

She smiled and I did too.
I felt it was a good answer.
She nodded to signal for me to take my seat again.
She paused before speaking,
and not a moment later.

She said,
"That would be nice.
To be loved by all.
But that's close to impossible.
A big wish for someone so small."


I had heard her words clearly...
However I didn't understand.
My brows furrowed...
And I was deep in thought...
Still I couldn't comprehend.

28 years later...
Here I sit,
looking back to that time in the past.
How time flies...
It simply ticked away...
All too fast.

Till just then I was still that boy...
Who tried hard to please.
I wanted to prove that it wasn't impossible.
You can be loved by everyone,
and you can do it with ease.

But now I have learnt.
Now I have found meaning
and understanding in my teacher's wisdom.
It took me a while but...
I know now...
That wishes and reality don't work in tandem.

You can choose to care and love,
everyone you see.
But to expect everyone to love you the same...
Is sheer
impossibility.
.
You can't please everyone in life.
When you work around people, you're bound to step on some toes...
Whether intentionally or not.

Dedicated to my primary school teacher
and all the teachers out there. A tad early but...
Happy Teachers Day.
.
Terry Collett Nov 2013
He was in hospital
for a short op
a one day event
and then home

the nurse said
if you could undress
Mr Hawkins

and put on that gown
on the bed
and so he looked around
and got to the bed

and she drew
the green curtains
around him

and he stood there
and began to undress
and folded his clothes
and put them on a chair

and put on the blue gown
which did up
at the back

and stood there
wondering what
to do next
how long would

he have to wait?
he lay on the bed
and opened the book

he'd brought to read
his back ached
his hips too
how long would he be?

a nurse drew back
the curtains
and said

I need to take
your temperature?
can you tell me
your name please?

he looked at her
in her blue two piece
like a motor mechanic

rather than a nurse
what happened to those
neat uniforms?

he wondered
name?
she asked again
Mr Benedict Hawkins

he said
she ticked her list
date of birth?

he told her
how much
do you weigh?
she asked

he told her
she ticked her list again
she put a thermometer

in his mouth
and took his wrist
and looked
at her watch

he looked at her hand
her fingers
holding his wrist

the thin white fingers
the pink nails
he looked
at her ears

not too small
or large
no earrings

no small holes
where they might
have been
he studied her lips

wondered who
kissed them
if any

she took out
the thermometer  
and shook it
with a lovely

wrist action
and gazed at it
then she put it

in her top pocket
just above
her left ***
or impression of such

and she looked at him
you're 3rd on the list
she said

OK
he said
and off she walked
her swaying behind

like some gay mechanic guy
going back
to the pits

no lovely
neat uniform
or black stockings
encasing cool legs

or black
sensible shoes
or tidy white

headdress
to set it all off
just a trained
nursing mechanic

in the blue two piece
nothing to inspire
another look

so he opened
the pages
of his child
psychology book.
Mateuš Conrad Jan 2017
it's not that i'm writing this: because i didn't have an analogy looking at me... it's not that i'm writing when it's too late... it's that the simplest answers always come too available over a period of time, and with that come too many vulnerable circumstances: because so much was invested in the supposed "truth" affair... maybe i needed a Heidegger or a Kant to complicate me enough, to write out the analogy? and that's putting it mildly: to avoid the Einstein bubble and a return to Newton... yes, big names, but am i to be apprehensive about using them, am i asking them to be my mules? it's when you hear too much that you begin to filter the well-wishers... and want to hear the bare minimum... i wrote what i wrote away from the umbrella of subjectivity, as a non-patriot... if you want objectivity, this is how it sounds... when everyone's damning subjectivity i can see nothing but patriotic demands... and when no one is asking for objectivity, i see lacklustre in teaching a carnation's worth of being a citizen... because i also think your dog ******* on my lawn is gagging for a shotgun's tongue should you not clean it up. that's the basics, my friend. it's not too late that i should i have said these words... it's that you didn't do anything prior to that, that shouldn't have delaid me saying such things as i have said, in the skeleton of analogy... i say them now, because all emotions have been numbed... from someone without any thought for a patriotism... i can express in the simplest way... because after the fact: i didn't see anything worth a noble maintenance to be made a standard for 21st living... disagreeing with me is a futile as telling me that a stone thrown will not sink, over a body of water when upon it it's thrown. you can write as much spaghetti as you want within the framework of quantum physics... but when simple physics comes your way... i'm bemused why you're startled at a punch, and the pouch-clot of blood smitten into your cheek to denotate a bruise... it's almost as if you were expecting deviation from being prone to gravity, endowed with wings... no wonder the event was sober... try repeating the bohemian liberation of the 1950s and 60s... impossible! i didn't do anything too late... the analogy comes when it so chooses... because too many ignoble demands were met and satiated... that this one noble simplification... is so painstakingly unsatisfying!

when i listen to the music of my
youth... dunno... just get stiff-*******...
winter air helps make this
phenomenon acute...
i mean music from the year 1997
through to 2001 -
   the years preceding American
undermining and the narrative
of paranoia...
call it what you like, i call it a
feeling of stiff-******* when i hear it
down the years...
it's not even a nostalgia...
    it's a sort of embarrassing clue...
i am actually embarrassed
at having such tastes...
    it's not the kind of music you'd
be happy about, nostalgic about
the 1980s...
              the embarrassment?
probably because i now realise i was
an incubator for so much delayed
teenage-angst in the artists who
reigned this period...
       the clue is in: mostly rock orientated.
i remember that chubby kid
donning his baggy jeans and black
t-shirts with bands' prints on them...
but i find unquestionable is
the indentation of representing
that call for vogue...
                i remember wearing
a t-shirt with the slogan: *******
is not a crime
          on non-uniform days in
a catholic school...
           and not being touched or told to
take it off...
             it's like i've become father:
or simply memory - to the person i
am today...
           because i can't imagine anything
beyond this day-to-day...
       but whenever i put on the mind
that was influenced by those bribes back then,
i remember the Ilford shopping centre,
and the colours of Gants Hill's park
with those bird cages...
           getting the bus to Ilford,
then a one-stop trip to Seven Kings
wearing the guilty-as-seen uniform...
   i can't see any nostalgia behind,
given my music taste: i get stiff-*******,
a feeling of cold shivers and
embarrassment...
      but it happened before the invulnerable
essence of america died...
      once upon a time people dreamed
of wanting to move to america...
   these days the narrative is a bit like:
and succumb to that paranoia narrative?
i think i'll pass...
       i can get the escapism of
conspiracy theorists... i too thought about
the later mentions of why those buildings
fell down as if someone ticked-off
a domino effect implosion...
    it really did slightly unnatural -
   those twins really did seem like a domino
effect...
       so you hear those stories of very sloppy
murderers...
who forget to shave off their fingerprints with
razors, and shave off their crop of hair
and eye-brows...
                           by writing this i can't
make the situation worse...
                      it just seems like even though
the plain did hit the buildings,
the actual downfall of the buildings seemed
too staccato... i mean that: a stacked tower...
but if you play a game of *jenga
,
doesn't the jenga tower fall to the side?
                           it doesn't fall-onto-itself, does it?
i'm sure the same physics principles has
to apply to that fateful event of 2001...
     you'd expect the upper half of the twins
to break-away and fall off...
rather than the whole building literally
cascading and imploding on itself...
folding...
                               you attack a jenga tower
in the middle, and the top bit falls off...
the tower doesn't implode vertically...
      a bit like chopping a tree in the middle
of the trunk... you'll still get a stump,
even if you chop at the root of the stump...
               satan in zeitgeist...
only then dawkin's the god delusion was
published years later, did i read that, apparently,
satan's face donned one of the burning towers...
   me thinks: spot satan and read the *******...
the easiest thing is to now claim that we
are insane... but it's still about the jenga tower
magnified... a jenga tower unravels and the top
bit falls to the side... a jenga tower doesn't fall apart
from top to bottom...
                it falls apart like a lumberjack hacked tree:
to the side...
              i really could write about some
other nieche topic... but it's hard not to write
about the abomination of physics...
     the fact that there was an implosion -
  and that the towers folded vertically,
means that even if a horizontal agitation occured,
the towers couldn't have behaved as they did:
(vertically) folding...
                                 but since the agitation came
from a horizontal perspective, and the fact
that the towers folded vertically,
      the agitation came on a horizontal perspective,
a jenga tower would fall off to the side...
                        yet the towers folded vertically...
   i don't know if that's really only about
writing a + b = c, given b + c = d,
  or whether it already is 1 + 1 = 2...
             **** me, if this isn't the opening bewilderment
we all feel about the 21st century,
no war in iraq or afghanistan can help us...
    attack a jenga tower in the middle:
it doesn't fold vertically! a jenga tower attacked
   horizontally will only ask for you to shout:
timber! who need the bewilderment of quantum
physics, when you have the physics of 2001
to look-up your *** at and muse.
A kilo of fish brinjal pumpkin
Cauliflower raisin and bean
Washing soap and eggs one crate
Need to buy bring from market!

Mustard oil some milk and rice
Cashew nut and a horde of spice
Gourd and potato spinach cabbage
The list is long fills a page!

Feel confused from where to start
How to pile and stack on a cart
Shoeshine cream to adhesive glue
All calculations and maths to do!

Ticked what’s got unticked what’s not
Cash dwindles with much unbought
Trudge back home in sweated daze
She checks items and fumes in rage!
ShyAnne Mar 2021
He was walking home
Ticked off with a broken nose
They stole his things
And with no shame
Left cuts and bruises
Head to toe covering him
No one gets his mind
No one really tries
He hides in the closet
When he gets home
In fear of his intoxicated father
His leather belt
Swinging from his fist
The boy cries in bitter isolation
He can't trust anyone
With no safty
He fears for his life
His mother was killed when he was five
Nine years later
He just wants to die
Multiple times he's tried
Every one of them
He survived
His wrists bleed for releaf
His skin pulls tight
Then it's released
He tiptoes out of his room
This for the last time
His father asleep in the chair
He looked pail
His chest barely moving
If you weren't paying attention
You might think he was dead
The boy got an idea
Such a melancholy idea
He went in to his father's quarters
Peaking under the bed
There lay a box full
Unsold meds
A knife in the kitchen would be his weapon
Nothing but a sigh let out
His father was soon to be no more
His heart pounded
His mind thundered
With anger and pride
"This is for Mom!"
He screamed with tears in his eyes
A knife to the chest
He fought the man
Pushing further and harder
He worked fast
The eyes glazed over
Both fear and joy filling his heart
Into the bathtub
Pills in hand
He turns on the water
He uncaps the bottle
Putting it to his lips
Up turned
He sinks down
Letting the drugs take their toll
Gone
******
Suicide
This was the price
For freedom
For justice
I know it's dark, but then again...
Kendall Mallon Jan 2014
§
Battle of New Britain

Lieutenant Jim G Paulos led elements
of G Company in a savage counterattack
that ousted the intruders supported
by Lieutenant James R Mallon’s improvised
platoon of H/11, which remained
to help man casualty-depleted line.

Improvise (OED):
One: to compose on spur
of the moment; to utter
or perform extempore

two: to bring about or get up
on the spur of the moment;
to provide for the occasion

Three: […] hence to do anything
On the spur of the moment

Improvised platoon
Df James R Mallon:

When most of your platoon
lies dead in the pumice sands
of the South Pacific-Japanese
bushido bullets tear flesh and spirit
out of the corporeal—husks of limp
limbs you fought to defend and they you
Japanese mortar fire, machine and small-gun fire
fifteen yards in advance of the wire
how do you bring about or get up
the courage to grab whoever—
the nearest marine
talk through ears drums burst by mortar succeeding shockwaves
forget for the time the men
you spent months training
sipping beers in Australia
laughing over bar stool drunken jokes
men you shared your dreams about after
away from the mosquitoes
away from the constant moisture
rain rain rain day and night
soaking through fatigues through skin through bone
never enough sun to dry out
air already saturated
sweat or seawater—it is all the same
now you must find new men—men you have seen,
but do not know the same as your own platoon
their life and yours in each others hands
alone in a group of stranger-brothers
always faithful
keep composure in the face
your buddy’s entrails pouring into the pumice sand
hence to do anything
on the spur kicked into your side
to block what no man should ever be asked to see
and do what you can in the moment
to save your division from enemy fire.

§
Cyclops Black Eyes

One summer e’ening drunk to hell
He stood there nearly lifeless
A gal sat in the corner
And it’s how are ye ma’am and what’s yer name
And would ye like a drink?
She looked at him, he at her
All she could do was accept one

And rovin’ a rovin’ a rovin’ she’ll go
Through his pair of blue eyes

She knew not the pumice beaches and streams
Sometimes walking sometime crawling
amongst blood and death ‘neath a screaming sky
Where Cyclops black eyes waited for him
Was it birds whistling in the trees?
Always the Cyclops black eyes waiting for them
So they give the wind a talkin’

And a rovin’ a rovin’ a rovin’ he’ll go
Away from those Cyclops black eyes

And the arms and legs of other men
Were scattered all around
Some cursed, some prayed, some prayed then cursed
Then prayed and bled some more
All he could see were Cyclops black eyes looking at him

No Cyclops black eyes waiting for her
And a rovin’ a rovin’ a rovin’ she’ll go
And never know what saw his pair of blue eyes

Could she forsee in that pair of blue eyes
Decades he’d spend drunk to hell?
Sometimes walking sometime crawling
Rovin’ and rovin’ away from those Cyclops black eyes

§
Colt 1911**

I was nineteen when I learned
my Dad his father’s Colt 1911 pistol

when Dad was young he
and his brother found
the gun—hidden in the rafters
of the cinderblock basement
their father built; magazine bullets and pistol
on one rafter—separate, except
the bullets lived in the magazine

my dad and uncle, like any
young boy, were fascinated
by the pistol; though too young
to feel and know the power
and danger in the cold blue metal

when their father and mother were
away—home alone they snuck
to the hand-laid basement
reached around the rafters
through years of dust and darkness
feeling for the colt and mag
scrape-click-pop—ca-chick
round in the chamber—“freeze!”

so played boyhood fantasies
cowboys & Indians
cops & robbers
with a lethal toy


so my dad kept it a secret
locked in a tarnished steel box
locked through the trigger guard
magazine separate
four silver, dimpled, bullets rolled round between
their queue and releaser

I was struck by the weight—heavier than I expected—I felt the years of use polished into the wood grips—thick hand grease sweat blood humidity sand saltwater gun oil mud tears life saved and taken.
At the bottom of the wood grips ticked notches deep in the grain—both sides—different numbers; “What are these?” I asked running my finger across the nocth-ticks feeling their depths their absence consciously carved with his next best tool—kabar: workhorse that can baton through five inch diameter logs, machete through two-finger branches, dig a hole to burrow while machinegun fire mows down jungle; easy to sharpen, keeps an edge; full tang to hammer temples or tent posts

“I don’t know; the only thing we have is the lore.”

fI counted seven
the number the magazine carries
eight total, if you have one in the chamber

You have to commit to fire
a 1911, the cliché: don’t pull
the trigger—squeeze
is how the 1911 fires—a button
fits the crotch of the thumb and index finger
opposite the trigger on the handle;
to unleash the hammer then
lead, squeeze the two—firm
tight at the target; no shot fired
by accident—no Marvins with the 1911.
I am trying a new form of poetry called 'documentary poetry'. This is the story of my grandfather who fought five campaigns in the Pacific Theatre of WWII for the United State Marine Corps. (This is a work in progress)
dana green Aug 2013
Breakup Letter to Route 34

Everyday you and me me and you we'd punch out for an hour, maybe two
Only separated by obsidian rubber our toes kissed as the clock ticked
Just a pair of bodies and the aqua sky
the clouds will be our blanket as we sleep through the ride
We didn’t even need the stars to be our guide, just the yellow line.
The string connecting the seams of my double life
Every year I watched your colors change I watched the buildings rearrange I watched people I loved become estranged
But you, good old road, you stayed the same.
Like an invisible diary I scratched my thoughts into your black skin, wrinkling with erosion
And I shed my tears into your core, watering the tufts of grass protruding through your cracks
And I whispered my secrets to you, to the barren bark lining your lanes.
I have always been holy to you! but it seems like soon we won’t be seeing each other every day at four and noon.
O, But don’t let your dam release too many drops from your lagoon
I have blazed your path for too long, I need sometime new
And just remember, good old road, its me- not you
R Saba Nov 2013
it was a day of sentences
snapped clean off at the root
and pulled from my mouth
like wisdom teeth
until i had none left
and i was out of words
out of breath

it was a day of stones
clinging tight to the walls of my throat
pebbles in my shoes
and boulders reduced to ash
slipping through my fingers
not enough to hurt anyone
but still stinging my eyes

it was a day of pink cheeks
not the tipsy, happy pink
but rather the wilted kind
inadvertently displaying
the red inside

it was a day of clenched fists
hands working overtime
dancing some twisted dance with no purpose
wringing, singing
an anxious song
as i stayed stubbornly in my seat
resisting the urge to dance along

it was a day of a need to run
into the bushes, through the woods of the crowd
and out to the other side
to the greener grass
and the cloudless sky
of a few minutes of alone time

it was a day of short poems
short fuses
all moments lived while the clock just ticked
and the bomb never went off
i'm still waiting

it was a day of waiting
but it's over now
208

The Rose did caper on her cheek—
Her Bodice rose and fell—
Her pretty speech—like drunken men—
Did stagger pitiful—

Her fingers fumbled at her work—
Her needle would not go—
What ailed so smart a little Maid—
It puzzled me to know—

Till opposite—I spied a cheek
That bore another Rose—
Just opposite—Another speech
That like the Drunkard goes—

A Vest that like her Bodice, danced—
To the immortal tune—
Till those two troubled—little Clocks
Ticked softly into one.
Jacob Sykes Oct 2013
The Wall Walker
and smooth talker
he, being a ticked off ****** with a knife,
is mostly mole faced
but with an incredible grasp on spacial relations
mysterious mister stalking the barfly's and time flys
endangering a species just for ***** and giggles
the great google hooligans pace rapidly
back and
frothy beer
drowned down by the river kawaii

— The End —