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Mateuš Conrad Aug 2018
daj, do wynagrodzenia: reszty.
daj: to niby: siebie;
a... dam... dam...
ale pierw: powiem:             to!
(ich) nicht werden
                  geben (ihr) das nacht!
first... i'll punch myself
hard enough to give myself
a plum-eye: ******* pacifists...
and then?
    then i'll strap a trouser belt
to protect my knuckles...
and then... then...
                    then: we'll "talk":
who might find a translator
ready...
   god...
i'm gagging for a
knuckle exchange...
        almost... itching!
like i might await
a shaving... from a Turkish
barber... in Essex...
of all Danish palaces;
and why would i want to allow
consort with these women?
considering the fact that
the russian ones believe in trans-national
grievance taxation:
of someone... who hasn't...
actually died...
              you know what?
*******...
suffer...
       watch me wipe my ***
with a satanic smile
ennobled
by a coulrophobia...
excesses of vogue
                      atypical models...
how is it... that...
coulrophobia doesn't translate
in reverse?
  and what's up
with the black privilege of
jass music, akin to white mozart...
as...  
  sure as ****, the drum would be
the first, and only thing,
prior to the people learning
the ******* clarinet!

oh drop me your ****** ***
holocaust dead bomb
on a polish ***...
     i triple, quadruple dare you!
you *******... ivory coast
   centipede!
               i'm *******...
as watts: wild-eyed...
       unstrap me from this
"unreality" of conversation...
then undo the internet banking...
and the rest of it...

             not adam watts!
    glitter & doom....
who?      tom waits...
oh **** me... blue valentine?
if that's not a **** with me
album... what is?
                 live circus?
        
do i look like a ******* ****-
(see the hyphen?
it's a prefix... the english are
lazy sometimes: couldn't,
i.e. could not,
remnants of shakespearean
english...

       i'll always cite macbeth...

  time, thou anticipat'st my dread
exploits: the flighty purpose never
is o'eertook, unless the deed go with it.
from this moment, the very firstlings
of my heart shall be
  the very firstlings of my heart.
   and even now, to crown my thoughts
with acts, be it thought and done.


it's hardly a racial slur, ergo...
why so ******* sensitive akin to a french
footballer or a ballerina?
   ****- (hyphen! hyphen!) ergo a prefix...
as already mention:
no, no...
   it's not: no iraqi ever called me a pa-ki
      (pákí)... yeah...
and you never called an afghanistani an
afghan, ever, no?
   pure camaraderie in that part of
the world... all the way... yeah yeah... yeah...
-stani (suffix) is sometimes missing
because... the english like to shorten words...
e.g. why is daniel: dan,
why is matthew: matt?
  why is muhammad: mo (farrah)?
                                    ******* pansies...
police your circumcised penises fiddling
english teenager girl, first,
come after my vocab. justifications: after;
savvy?

or a gypsy?
   by now...
     i'm looking like any
traveler...
and the world...
       forever resembled
a world,
  in the confines of
      a claustrophobia...

but... if there's a bigger concern for
a world...
  and a freedom...
i want a bare knuckle fight...
a black eye...
namely...
you bring  BOXING GLOVE...
and i'll bring...
     a LEATHER BELT...
wrapped around my knuckles,
and the wrist...
    like i might care to give
a second attempt to smile...

ah... the men... who care
about minding, if not in the least,
keeping women...
      bye bye, bye bye...
       and i've allowed myself
to know my grandfather...
as i did the slap in the face...
and...
the key question:
in the unfathomability of counting
the 32 / 4 ratio...
alas... one fist... one smile...

and countless... dentistry encounters...
because?
   because the rest?
the cultural artifacts of a today?
  lost to h'americana...
            as i might have wished...
for my prior genes
to make an autobiography
in **** germany...
  
   what?
  
      well... obviously: the oops.

no, for the crescendo...
you know...
           i'm getting this funny vibe...
gott ist tot... it's not really spectacular...
nietzsche really believed in eternity,
to the point where he pointed:
what does science offer, only old age...
what does religion provide? eternity...
oh nietzsche was big on eternity...
   gott ist tot is as unspectular as:
is it: how to do you pronounce x,
or is it: how do you pronunciate y?
debate:
              everyone says around here
the former... since no one wants to be a *****...
pro-nun-ci-ate (pro-nun-cíate)...
   might as well replenish the vocab. bank
and replace the word with:
how do you elocute z? / recite)....

gott ist tot / gott ist tod...
    "same ****, different cover"...
you know why i believe in god?
    not the christian reference points...
salvation blah blah, saviour and hide & seek blah blah...
n'ah... where would i derive all my vocab.
hunger if not from him?
   some men derive their vocab. from
women or gambling...
            i am not in the position of their
luxury... so god it is...

            primarily though?
               god is metaphysics...
             ergo? his judgement is not clouded
by metaphysical questioning...
it's impossible to receive a metaphysical
answer from a metaphysical question
when engaging with a metaphysical
ontological paraphrase of one's own search
for meaning in this mortal frame...

oh sure sure, my belief in god is as juvenille
as anyone else's belief in humanity's
clarity when it comes to jurisprudence
and its application...
    i've experience "jurisprudence" once...
drive-by phone theft...
me and three fwends...
   i catch the number plate...
i tell one of my fwends to note it down,
police station, report, culprit found,
a sit in at a barkingside police station
looking at mug images,
spot the ****** (it was dark when the mugging
took place, photographic memory, **** happens)...
a court session, australia is playing england
at the ashes (****, i missed it)...
in court the defence lawyer shows me
another picture of the culprit...
back then photogrpahs had dates
attached to them...
the photograph? over 4 years old...
i tell him: but this photograph is 4 years old!
how can i identify if this is the same
person: i, myself, will probably
don a beard in four years time!
      a simple slip-up...
        now that i have a beard:
it's so much more fun than growing your
hair long... i hated the nickname
chewbacca back in high school when i was
growing mine for a french braid...
i walk out of the court,
come to terms with the detective...
and i see the same hunger in him as i see in me...
will justice be served?
highly unlikely... since the victim
didn't recognize the *** in the mug-shots...
justice was probably not served...

   and this is how god plays into all of this,
hell or heaven, blah blah...
man created the figure of domina Iustitia
as blind... god created death to be blind...
justice was never supposed to be blind,
death was: the unfortunate deaths
of teenagers in car accidents,
among all the other freak accidents...

clouded with so many metaphysical questions
i don't appreciate man's ability to adhere
to jurisprudence without being
subjectively contaminated...
i have more belief in an "imaginary"
god than belief that strains me to belief
in man's sense of justice...
          the nuremberg trials are a rare exception...
but only when the culprits are
unabashed and fathomable by a collective
sense of pride... a blidness...
i believe in god, because i'd love to experience
the judgement of a post scriptum of
metaphysics...
  personally? i have been wronged...
heavily...
            i will not name names....
i know when and how i was wronged,
and by whom...
                2007... Canterbury...
      i won't name names: i'm not a rat...
man is too clouded with metaphysical questions
to begin with, god isn't,
he's a metaphysical ontology "bias"...
which is why, he is primarily a jurisprudent
answer...
   i'd love to experience divine jurisprudence,
hell or heaven are not of my concern...
and i don't imply divine jurisprudence
associated with the polytheistic take of
jurisprudence via a solipsistic mechanism
of a minor god and the person in question
without the hurt party...
in monotheism the god is solipsism personified...
these days: also the personna non grata...
so no... gott ist nicht tot...
            he's a personna non grata...
i just don't appreciate the human *******
of law, law governance...
   come on, in england you can receive
an a.s.b.o.s. for your cockerel being too loud
in the morning, your dog barking...
           would you trust man with
jurisprudence?
  a woman was cleared of the ******
of her husband
       when she hammered his head into a pancake:
over an abusive relationship...
police, weren't, "there"?!
sure sure... the hammer will do...
i believe in god without a sense of reward...
i just don't think man is capable of
passing justifiable laws...
no man could ever pass the eternal laws,
gravity... 100°C for the boiling of water...
i need a being  who has groundwork
in eternal laws, in unshakeable laws...
the ten commandments aren't:
you shall not...
   more... maybe, you shouldn't...
they are the most pristine jurisprudent
laws available... the: maybe you shouldn't,
eh, chappy?

       i just don't like playing the thesaurus game
on the more tight-knit game
of "passing" the wink-wink of Solomon's
judgement...
please, **** me please,
i'll eat 20 raw herrings in a cream sauce,
slurp 30 oysters,
eat 40 strawberries on a hangpverl
eat out about 50 harem virgins
like a castrato if you ask me, nicely,
**** camel cockey:
lucly i landed on a black gold slurp
with plenty of bangladeshi slaves:
******* of riyadh...
     what did muhammed tell you?
you camel jockeys / sand *******
have clearly forgotten...
******* arabs: short attention span...
you need to remind
the retards...
the dajjal would come from the east...
a palace of gardens...
well obviously the prophet wasn't
thinking about genghis khan...
            
  hmm barbarians...
vikings, arabs: yet so inclined to like poetics...
funny, that...
the civilized peoples banished
the poets...
            the ruling class and their cushioned
people: sacrosanct sycophants...
wankers, basically.

    the hajr? muhammad spoke of the dajjal
coming from the east,
and the east being a city of gardens...
where isn't riyadh and where is mecca?
isn't riyadh east of mecca?
was the dajjal to come from the outside
of islam, or from wtihin?
      last time i checked...
sh'ite islam isn't friendly to sunni islam...
if islam was the one true religion...
would have a shcism have occurred?
i don't think so...
   a persian would never bow before
an arab... that much os true...

oh i believe in god...
given how man practices jurisprudence...
is it some sort of, a, thesaurus game
i wasn't told about?
to me the human quest for jusctice is
a thesaurus game...
man is incapable to pass but one,
eternal, law...
he's great at nuanced laws...
laws allocated to sports...
i mean, **** me, cricket?
the best vocab. you'll ever pick up...

even god isn't as pertinent
in making the sort of music associated
with the limited alpha-to-beta
of A, B, C, D, E, F, and G...
wow! seven... seven?!
how many heads does the beast
of revelation have? oh... 7!

i'll stop tolerating islam, and start respecting it,
when it, acknowledges its presence
as a character study in the book of revelations...
then i'll just move on,
having made my point...

until that time comes...
    it's 600 years shy of becoming what
degenerate christianity has become,
oh and it's ripe...
it's gagging to implode!
600 years and wait for it to become
the next secular vasal conglomorate...

the warning muhammad gave
about "the best from the east"
was in point of question:
   a reference ti gneghis khan...
more like ibn saud:
  thst fat diabetic one eyed ogre...
and the legacy of decadence he left
behind...

saudi men with slavuc girlfriends,
buying up pink cushions and *******
chihuahuas...
**** after ****...
  you know the three slavic proverbs?
1. better a sparrow in your
hand, than a dove on your rooftop?
explanation?
better the small joys at-hand,
than impossible possibilities out of reach....
2. a drunk can spot east,
past mecca, whenever honing
the safety of his own bed... even at night...
not much of a proverb...
3. i don't care to rememeber...

once toleration comes into play,
i will, respect... just a waiting game...
i'm pretty sure no iranian will
bow down to a sunni camel jockey...
i like proud *******,
it implies: there are absolutes,
un-moveable goal posts...

                      if you are ever to bind yourself
in supporting a "side" outside a sports' dynamic,
always the outsider...
always the outsider... in this case?
the ****'ite islam brigade...
       the persians...
the sunnis can shove it...
   *****, bones, whatever....

                   ****'ite islam i can
fathom, even respect,
sunni islam i just tolerate...
  as much as iran takes claims for the
big satan in ref. to h'america...
well... if h'america supports the infantile
saudi arabia, who's to blame them?

you know that polonaise joke about
about the pacifism of jews in
2nd world world war poland?
the joke ran along the words:
weren't the jews shooting the nazis
using crooked elbows (rifles)?
they always seemed to miss them,
taunted into walking into gas chambers,
the ******* hobbits...

          what? some bolshevik Brooklynian
jewish rada is to spare me
                 the pay-up diffrential
telling me, i was wrong?

  as i said before: the nazis lamented
when the warsaw uprising happened...
no, st. paul's doesn't stand proud
because, because...
   even with the blitz...
                 the luftwaffe were told:
you drop a bomb on st. paul's: firing squad...
and when notre-dame de paris -
last time i checked...
   the nazis didn't luftwaffe the **** out
of paris... did they?!

                  the nazis weren't mongols;
no people so well versed in chanel in terms
of their military being so well
   suited & booted could ever make such a
                              architectural sacrilege...

what?! people under the silicon curtain
are gagging, begging even: for nazis!
can i be the first?!
i just want to please the hungry!
if not punk then moving swiftly into ska...
am i the first?
   siliziumvorhang...
well, **** me... from under the eisenvorhang...
what's with these neo-communist pseudos?

and the hebrew god?
a jealous god... so a god with the knowledge
of the existence of other gods...
why wouldn't a jealous god have
no knowledge of other ("imagianry") gods?
to be jealous of only one's own existence?!

3 / 1: that's the ratio....
that's the only ratio... 3 times i experienced
love at first sight:

when i fell in love at first sight...
malina, samantha, janina,
priya....

equal measure: isabella of grenoble...

in reverse:
magda, promis, ilona, kot (i forget her name,
7 years old, first kiss, you can be forgiven
to forget, she had two twin sisters
and she was the senior,
her fasther drove a distribution truck,
milk, i think)...

****, i actually mismanaged
that ratio...

i believe in "a" god...
since i find too much of human jurisprudence
to be riddle with the thesaurus...
i don't think man can pass
law, he can "suppose so"...
but he will never pass the sort of law,
made forbidden,
or absolutely allowed....
i don't believe in a god akin
to the sort of a pontous pilate god
where i'll always find myself
outside of punk evolving into ska...

         mind you...
i'd hate to be trapped within
the confines of an atheistic exclusion zone
of intellect,
      to be trapped in nothing is one
thing, but to be trapped inside
the confines of an atheist's "nothing"
is quiet another....
i don't like being a hamster inside
a cognitive wheel of another...
   god is the jurisprudence spirit,
man the metaphysical spirit...
and i would very much like to stand
in the light of divine law being passed
to finally feel my shadow...

kult: brooklyńska rada żydów...
  not familiar?
  i forgot punk a long time ago...
esp. when californians came up with their
version, ergo? ska...

i'm currently taping a film
about the silesian vampire...
how strange, that the prussians came
back into the ***** of the polonaise...

growing a beard is so much fun!
fiddle after fiddle: and no violin!
atheists bore me
as much as the theistic hags
who's only ambition are
the thrill associated with Sunday
h'america and cinema...
               i can imagine only one
heaven...
where i am blind and given
               a large library of music.
mûre Jul 2012
I write my identity in gluestick and markers
I am a lamb raised by wolves
swaddled pulsing cosmos girl-child
My limbs are rebuilt like a 7 year old birdhouse
with garish colours and bubbling pride
I am pouring glitter onto my future
the kaleidoscope cannot exist inside

In the end I think there would be
no nobler cause than to
have a life worthy of taping on
the refrigerator that I can
swell with ever-young joy to know I
have created with
trial and forgiveness.
Suzanne Penn Sep 2013
I am softly treading...
on newly sown soil
where the seeds I've planted
are just starting to grow

I'm quietly listening...
to dreams that are awakening
letting me know
I have so much to do...

I'm carefully watching...
my intentions unfold
yesterday's hopes, desire, beliefs
are now
tomorrows realities...
I'm gleefully gathering...
all the tools That I will use
to build my life anew
and finally discover
my true self...

I'm whispering to myself...
affirmations and intents
re-taping my inner voice
finally becoming
my own best friend...
Kyle John Somer Oct 2012
We are all so very fragile.
Our sun kissed porcelain faces
are freckled with Achilles heel fault lines and chipped paint.
Shining through to our nervous nervous system and our tendency to over think things.
We hide so much inside of us.
Behind dance less masquerades
Our bodies held together only by cages of ivory bones
cages that cradle the thin winged heart beats of our chest
nervous moths stumbling around inside
knocking books off of shelves and
eating the sweaters that we use to keep our hearts from freezing over.

The autumn wind is cold like sad glaciers
and it's easy to break down at times like these.
Our bones ache and shriek like boiling tea kettles.
Making it hard not to shatter.

We are all so fragile.
Burnt out light bulb fragile.
Frozen lake fragile.
Defibrillated heartbeat fragile.
We are broken branch fragile
chronic alcoholics sobriety fragile.
The middles school girls reaction to the word “fat” fragile
We are the kind of fragile that set off big bangs.
We are, paranoid breakable.
And its got to the point where
we have begun taping up our light leak vulnerabilities
with perceptions of perfection and thoughts of rejection
spending our time in dark rooms as our minds just keep reeling
and trying to shut off feelings and unwind
but we have been over exposed to such ****.
To slides and slides of negative negatives

we used to burst apart with so much light.

but the sun isn't shining honest, the night sky is black
and its raining in all the wrong ways.
We're out of season.
sewing up the holes in our personality
with floods of insecurities and droughts of identity.
damning what matters.

****, its hard to know what matters.

But I am still trying to figure that one out
And the moths are still here
as the pendulum clocks keep ticking
eating the sweaters that we used
to keep our hearts from freezing over.

But we are freezing to the core.
The atoms inside of us splinting into half lives;
we haven't even lived half of our lives
yet we feel so ancient.
The dust piles growing on our slanted bookshelves shoulders
Our bright idea light bulbs flickering,
getting covered up by snowdrifts.

We are gas giants wrapping ourselves into open space darkness
hiding from the bright side of the moon.
Like a black cat superstition we are running from our own precondition
of lying about being ourselves
We pull dark black-hole hoods over our eyes
wincing at the light trails of shooting stars
though we, too, want to be brilliant.
We try to orbit the sun hoping that humanity is a symphony;
that being popular and having the most friends is what matters.
and we can be where the grass is always greener by fitting in and by being mirrors
Even though not being yourself is nauseating.

We can be nauseating, we can be mirrors.

Because we are scared that if we don't
hide who we really are
we may end up like Pluto.
Ostracized for existing.
floating around in space having stare downs with wormholes
A shivering rock entity with a complete loss of identity.

We already are so lost.
Our souls waning and waxing
Rocking back and forth
on wood beams and porches.
like an ADD moonbeam rocking chair.

But now its time to stop in one place and readjust our backbones.

Because I know that we are fragile, I know that.
I know that its hard filling in the cracks that have found their way down our back-stabbed spines
we all have our histories with being dropped and rejected.
But we weren't made to be cardboard box people,
packing tape and labels wrapped in all of the wrong places.
we are boxes full of wormholes into other dimensions
we are full of life and blood and bones,
full of oceans and stardust and daggers
There is so much more to us than our brown paper complexions.
So climb out of those kangaroo pouch caves that you have called home for the last few years
There's no need hiding anymore.
You can be safe in your own skin.
You can climb the Himalayas and scream out as many lightning rods as you want
we will all be listening as you burst apart into thunder claps.
As you bleed yourself into infinity

So, dim the lights

Throw your self at the world
and crash like waves into existence
you are perfect when you are yourself.
Grab that porcelain off of your face
and let your smile super nova fracture into a cosmic grin of constellations.

People will look up to you and be inspired.
A cardboard box rookie sprawled out in the stars.
Lighting up all of our faces with E.T. fingertips.
No longer hiding being reflective eclipses
There's only one person who can tell you who you are.
Only you can speak for yourself.

I know that your fragile
I know that.

We all are..,
King Panda Apr 2016
I try to cry
but I can’t
I mute my tv
so I can hear
the pain reverberating
from my nostrils
like I am being
clamped together
in the fetal position
until blood squirts
out my ears

I try to cry
but I can’t
I mute the dog by
giving her a bone
I mute the sun by
drawing the shades

I try to cry
but I can’t
this muted pain
it’s locked in the attic
deteriorating
I mute my neck by
taping it to the fan
I mute my breath
with my belt

roll down my eye
to my lips
I want to taste
this ******* stupid world
for myself
Mateuš Conrad Sep 2018
.oh yeah... chris isaak's: wiucked game - plenty of "facts" went into taping as many covers as the song spontaneously made replica... so many objective "facts"... too many to count... when will certain subjective taboos be recognized and other, objective "truths" be denied?! how long must humanity be obliged to secure the argument by "confusion" be deemed liberation as necessarily-arguing the case of confiscatory material? what?! my grammar is bad? if my grammar is so ******* bad... ask someone from Rotherham!

.i tend to forget that people have this, collective amnesia regarding subjectivity, somehow they only associate it with news spew... they vaguely recognize an old widow walking from a surgery to a bust stop, stopping my a lavender bush, to pick a few flowers off of it... like some quasi Notre Dame hunchback... joyous that she bypassed all the ghost souls on the "waiting list" of an English doctor, joyous... clearly innocent... there can never be a place in this world for objective truths... objectivity is limited in the realm of aesthetics... whereby objectivity is a truth: whereby two uncorrelated people say the same thing... but  when it comes to a taste in music? what is objectivity that focuses on the differentiated between the sound of Wagner with / without an orchestra... and a traffic jam? objectively? both are sounds... extreme comparisons... but you can't call one black and the other #A, can you? subjectivity is not a 1-dimensional propaganda machine, it is also a truth... and when it comes to aesthetics... within the confines of personal taste(s)... i can say Wagner works better without an orchestra than with one... but... you can't tell the two apart... subjectivity is not a bias... it is a profound truth... in comparison objectivity's claim for truth is a tirade, compensated by the mere excavation deposit of journalism, which is becoming ever more fractured in compensation; it was always the case that life, expired prior to the, death... but now? it appears? death expires prior to a, life. Wagner isn't anemic without the orchestra... Wagner merely hijacks an orchestra to overdo the purpose of the piano... to enrapture a concert hall; nothing more, and i wouldn't expect nothing less.

i'm drunk...

  you're sober...

good luck
reconciling either,

even if either:

invokes:

         none....

   who gave the reigns
to the internet,
under a sober guise?

****! quick!
catch me a moth in a lampshade
and send me off to
a CIA acid camp!

IVANA BELIEVE!
and congregate
like a ******* beehive!

or a termite mount...
whichever...
            what?
i'm drunk... you're sober...
    
unless you have some
fetish for Swedish pop music
akin to Roxette...
  we, have, seriously,
nothing, to, talk, about...

  savvy? is that privy enough
for you?

tell me the difference between:
i have no rank, no lābrador
to mind suite for an orchestra
worth a Wagner...

**** it... i just watched
Apocalypse Now...
   3 and a half hours of what i could
make of the heart of darkness...
prior to the ride of the valkyries...

but to be honest...
i'm with david...
             take of pure piano...
of Wagner's
     the entry of the gods into Valhalla...
sole, piano... it's not anemic...
it's justified interpretation,
it''s... the justified counter
to Chopin...
  a refined honesty...
                 i never liked
Chopin...
   unlike most Polacks...
i never like Jean-Paul II either...
like most Polacks...

i'd envision a Jean-Paul II emeritus...
like all old Polacks lay claim:
it you have been nice to see
an otherwise different,
process of dethroning...

no... the orchestra undermines
Wagner... the piano will do,
for now, for as long as it takes...
the piece doesn't require orchestration...
if the mere piano makes the pieces
anemic...
then the orchestra makes is
gluttonous...
  
people shouldn't expect their children
to be intelligent by merely
listening to classical music...
what they should expect...
is listening to classical music...
elaborating into jazz...
and then coming back into classical music...

why do i hear such horrors...
that the only classical music made pop...
is classical music underscoring
moving image...
why is the only classical music
"worth" listening to...
the music composed for movies,
or at least, incorporated
into them?

            no... Wagner is not anemic
on the sole basis of piano...
     das rheingold: is not anemic...
Chopin might be...
with his intricacies...
a bountiful butterfly in the age
of Bonaparte...
              
               but? listening to the piano?
of Wagner's exclusion of
orchestra?

   Handel is the new Bach...
and Wagner is the new Chopin...

you don't make toddlers listen to classical music
because they might be better
at arithmetic like some prized
monkey who later struggles
with economic biases -
or tax returns...

                     you need a classical
music appreciation,
to hit against jazz...
and if it doesn't return to classical
music?
then the original investment was
worth... zilch!

       orchestra ruins what perfects,
or rather allows Wagner
to stand-out from a Baroque tradition
of Germanic exfoliation...
   and hurts, hurts...
hurts the gentile spirit of a Schubert
or a Schumann...
      
the just Libra interlude hanging
within a composition,
the dangling in the air...
or a dire, interlude, a dire... note...

                   Wagner minus
orchestra...
                      what a fine affair to...
anticipate:

                                              ­    en oeuvre.
Sam Oct 2018
I'm putting tape over my ears so I don't hear cruelty,
I'm putting tape over my nose so I don't smell my own fear,
I'm putting tape over my eyes so I don't see a joke in the mirror,
I'm putting tape over my mouth so I don't say what people don't want to hear.

I'm taping my arms to my sides to avoid gesturing,
To articulate points that are certainly wrong,
I am taping my legs to avoid the shame
Of walking in the rain to the same sad song.

I am taping my body,
I am taping my mind,
I am through being honest,
Done with being kind.

It's selfish to die,
It's painful to live,
My solution is tape,
So I can't take or give.
Raquel E Mar 2017
tap my bones
tamper my temper
tempt me on Tuesday
love me on Thursday
shut my rusty trust
trap my soul
Debbie Ogenyi May 2016
You wonder why she loved you
Deceit lust and betrayal
But  she did,eyes blinded
Till truth unfolds with time
Love it fades in the face of reality
Bitter but real

Let her flyaway
Let her breakfree

Listen,the sound of drums
Toes taping in rejoicing
Hear  the the laughter of freedom
She is no longer your prisoner
Let her walk with her head held high
She is beauty,elegance and dignity

You wonder why she loved you
Toture disrespect and hate
But she did,Ignorance
She held on though her blistered palm
Knowing not her worth

But she knows today
See she smiles at her reflection
She is beautiful not because you say


Let her flyaway
Let her breakfree
Alex Hoffman Jun 2015
When you go camping,
and the world lifts itself from your shoulders
and the problems back home seem silly and irrelevant
human life, and
what you may have been trying to achieve
in your leather black ergonomic chair
and your dark polished wood desk
seems silly and irrelevant
The world is here, in the wood-pecker’s tap-tap-taping in the trees
the checkered calculated lines of the water being pulled to shore by the wind,
viewed from above
like the birds that push themselves into the tide and float
back to shore then push themselves out again.
the world is here, 
forgotten by the city, and the construction worker’s crack-crack-crack of the hammer
the calculated system of traffic guided by flashing lights, turning signs and abrasive horns
from behind the wheel 
where the man sits in a satin black suit and smooth leather car seat
sipping at his morning coffee, purchased for $2.25 and cradled by spring-loaded cupholders,
until he reaches for the silver handle of his glass office door, and stops
looking down at his brown-leather shoes that cut into the rounded bone on the side of his ankle
and decides,
time to go camping
Cedric McClester Apr 2015
By: Cedric McClester

You went undercover
Only to discover
That your big brother
Was watching you
There’s no escaping
Cos he was taping
Now you don’t know
What to do

You’re reaction
To this distraction
Has you packing
But they’ll be trackin
Where you are
Use your cell and they can tell
Whether you’re walkin
Or in a car

Nineteen eight-four
Came inside the door
And Orwell had it right
Like a doting mother
Your big brother
Is clockin you day and night

You feel trapped
Cos your phone is tapped
And your TV’s watchin you
The places you shop
At every store you stop
Has information too
The time and date
What you bought and ate

Nineteen eight-four
Is inside the door
And Orwell had it right
Like a doting mother
Your big brother
Is clockin you day and night

You feel trapped
Cos your phone is tapped
And your TV’s watchin you
The places you shop
At every store you stop
Has information too
The time and date
What you bought and ate

Nineteen eight-four
Is inside the door
And Orwell had it right
Like a doting mother
Your big brother
Is clockin you day and night

You’re reaction
To this distraction
Has you packing
But they’ll be trackin
Where you are
Use your cell and they can tell
Whether you’re walkin
Or in a car

Nineteen eight-four
Is inside the door
And Orwell had it right
Like a doting mother
Your big brother
Is clockin you day and night



(c) Copyright 2015, Cedric McClester.  All rights reserved.
Richard Riddle Jun 2016
I have had two opportunites to meet Muhammad Ali, once in Oklahoma City(1972) while working for KWTV Channel-9, and the second time in 1975,working for WAVE-TV Channel-3, Louisville, Kentucky, which is his hometown. On each occasion he was in town for some type of benefit appearance. At Channel 3, the sports director was Ed Kallay, who was to do the interview, and who just happened to be Ali's mentor when Ali was much younger and involved with "Golden Gloves", a youth boxing organization. I was a 'director' in the production dept. and it was my job to set up and direct the cameras, etc., during the taping.
He was a fascinating man, eloquent, extremely intelligent, charismatic, approachable, with a great sense of humor. When I introduced myself, he looked at me and said,"I've met you before, in Oklahoma City." Needless to say, "I was stunned!"
During the 'pre-taping' conversation, the three of us were having a cup of coffee. I made a comment on the size of his hands. I placed my right hand flat against his left, thumb to thumb, finger to finger.. He curled his fingers over mine, nearly hiding them. I sure wouldn't want to get hit by him.
He was, admittingly, also a 'bit' of a 'self-promoter.' During that conversation, he made the following comment: "A few weeks before a fight, I start shooting my mouth off, make a lot of people mad, but come fight night they really lay it down, (then took his thumb and swiped it across the open palm of his other hand, simulating the money bets being placed with the Vegas bookies.) let the 'show' begin!" And, did it ever!!

He was also a great humanitarian, donating to various charities, youth organizations, and never forgetting his roots.

A remarkable man! God Bless You, Muhammad Ali!

richard riddle: 06-05-2016
I know you can't talk to me because you're busy
Packing all your things into your boxes.
I have to know, though,
Are you packing us
And the memories we shared too?
Are you trying to forget them-
To restart completely?
I can feel you putting me in a tight box,
Taping it up,
Never to open again.
I know you want me to ship me off
Just like everything unwanted you ever had.
No wonder there's so much space between us.
Because you left me in a box, sent me away, without I even realizing it.
I guess I was too much to carry along with you.
It was best
To box me up.
JJ Hutton Jun 2014
I.

Up the stairs Suzann without an E went.
8" X 10" bright white rectangles dotted
the yellowing and dusty walls,
clean reminders of bad family photos.
Her parents, Bob and Theresa,
had picked out wallpaper. Lilacs
and vines and oranges. Why? She
didn't know.

She tossed her backpack on the floor
at the foot of her bed. Her senior book
was still on the night stand. Charity and
Faith, her sometimes friends, had spent
the last two weeks filling out every page
of theirs, printing hazy images on cheap
photo paper at their homes and sliding them
into the plastic holders or taping them to
the pages without.

They coerced boys they
had liked or still liked or would like if to
fill out pages. When the boys simply signed
their names or names and football numbers,
they guilted them into writing more. Give
me something to remember you by.

Suzann liked to look at only one boy,
Casey Stephen Fuchs, pronounced "Fox,"
though you know that's just what the family
said. She didn't want him to write in her
senior book. She enjoyed the space between
them. She knew what her peers didn't:
she was seventeen.
She knew she didn't know
the right words yet. She knew the heart-bursting
flutters she felt were temporary--enjoy them, she thought,
shut up and enjoy them.

Her parents set her curfew at 10:30. So
this Friday, like most Fridays, she stays
home.

She opens ****** in the City of Mystics,
a novel she's burned through. Fifty pages
or so left. She likes detectives. The methodical
stalking, the idiosyncratic theories and philosophies
that allow them to connect dot after dot.

She shuts her eyes and sends herself walking down
the streets of New York, where hot dog vendors
whistle and say, "Nice legs." She flags down a cab.
She sees Casey across the street. What are you doing
here, stranger? She waves the cab on.
The driver, a brown-skinned man from some vague
country, throws his arms up. "C'mon."

She cuts across the traffic, dodging a white stretch limo,
a black Hummer, a hearse.

Casey's straight hair hangs over his left eye. It's both
melodramatic and troubled. There's a small shift
at the corners of his lips, the corners of lips, this
is a detail she writes of often in her journal--why?

She can almost hear Casey ask her, "What brings you here?"

"Business."

"What kind?"

"None of yours."

He takes this as an entry for a kiss. Not yet, handsome. No no.

"Make whatever you want for dinner," her mom shouts up the stairs.
"There's stuff for nachos if you want nachos. Some luncheon meat too.
Only one piece of bread though."

"Okay."

"Alright. Just whenever. Dad and I are going to go ahead."

"Okay."

"Alright."

Get me out of here. Suzann's whole life is small: small town,
small family, small church, all packed with small brained, short-sighted people. She wants New York or Chicago. She wants a badge--no not a badge. She'll be a vigilante. "You're not a cop," they'll tell her.

"Thank God," she'll say. "If I were a cop then there'd be nobody protecting these streets."

II.

She's read mysteries set in the middle of nowhere, small towns like her own Kiev, Missouri. They always feel phony. Not enough churches.
Not enough bored dads hitting on cheerleaders.
No curses. Every small town has a curse. Kiev's?
Every year someone in the senior class dies.

As far back as anyone she knew could remember
anyways. Drunk driving, falling asleep at the wheel,
texting while driving, all that crap is what was usually
blamed.

This smelly boy named Todd Louden moved out of Kiev
in the fall semester of his senior year a couple years ago.
Suzann was a freshman.

A few months after he was gone, people started saying
he'd killed himself with a shotgun. First United Methodist
added his family to the prayer list. They had a little service out
by this free-standing wall by the library where he used
to play wall ball during lunch. People cried. Suzann didn't know
anyone that hung out with him. Maybe that's why
they cried, unreconcilable guilt--that's what her dad
said.

Then in the spring Todd moved back. The cross planted
by the wall with his name confused him.
He'd just been staying with his grandma. Nothing crazy.
The churches never said anything about that. He was
just the smelly kid again. Well until late-April when
he got ran over by a drunk or texting driver.
They hadn't even pulled up the cross by the wall ball site
yet.

III.

You call it the middle of nowhere, a place where the roads didn't have proper names until a couple years back, roads now marked with green signs and white numbers like 3500 and 1250, numbers the state mandated so the ambulances can find your dying ***--well if the signs haven't been rendered unreadable by .22 rounds.

The roads used to be known only to locals. They'd give them names like the Jogline or Wilzetta or Lake Road, reserved knowledge for the sake of identifying outsiders. But that day is fading.

What makes nowhere somewhere? What grants space a name?

The dangerous element. The drifter that hops a fence, carrying a shotgun in a tote bag. Violence gave us O.K. Corral. Violence gave us Waco. Historians get nostalgic for those last breaths of innocence. The quiet. The storm. The dead quiet.

IV.

It's March and not a single senior has died.
So when she hears the front door open
around 2 a.m., Suzann isn't surprised.
She doesn't think it's ego that's made
her believe it'd be her to die--but it is.

She hears the fridge door open.
Cabinets open.
Cabinets close.
She hears ice drop into
the glass. Liquid poured.

She clicks her tongue in
her dry mouth. She puts
a hand to her chest. Her
heart beats slow.
She rests her head on
the pillow. It's heavy
yet empty, yet full--
not of thoughts.

She can't remember the name
of any shooting victims.
She remembers the shooters.
Jared Lee Loughner, Seung-Hui Cho,
James Eagan Holmes, Adam Lanza.
No victims.

She hears the intruder set the glass on the counter.
He doesn't walk into the living room.
He starts up the stairs. His steps are
soft, deliberate. What does he want?
Her death. She knows this. He is only a vehicle.
Nameless until. Has he done this before?
Fast or slow?

He's just outside her room, and she doesn't
remember a single victim's name. She hears
a bag unzip. She hears a click.

If he shoots her, Suzann Dunken, there's
no way the newspaper will get her name
right. Her name may or may not scroll
across CNN's marquee for a day or two.
If it does, it won't be spelled correctly.
This makes her move. Wrapping
her comforter around her body, she
tip-toes to the wall next to her door.

She hears a doorknob turn.
It's not hers.

He's going into her parents' bedroom.
They're both heavy sleepers.
She opens her own door slowly.
She steps into the hall. She sees the man.
The man does not see her.
She see the man and grabs a family
portrait. The man does not see her,
and he creeps closer to her parents.
She sees the man standing then she
sees the man falling after she strikes him
with the corner of the family portrait.
The man sees her as he scrambles to get
his bearing. She strikes him, again with
the corner. This time she connects with his eye.
A light comes on. "Suzann," her mother says.
He tries to aim the gun. Again she strikes.
He screams. He reaches for his eyes with
his left hand. Now with the broad side she
swings. She connects. She connects again.
The man shoves her off, stumbles to his feet.
By this time, her dad reaches her side.
One strong push and the man crashes into
the wall outside the room, putting a hole
in the drywall.

He recovers and retreats down the stairs
and out the door into blackness.

Her mother phones the police.
She pants more than speaks
into the receiver.

"Suzann," her dad says. "Sweetheart."

Suzann looks at the portrait, taken at JC Penny when
she was in the sixth grade. The glass is cracked.
She removes the back. She pulls out the photo.

"Did you get a good look at him?"

This photo. Her mother let her do anything
she wanted to her hair before they took it.
So she, of course, dyed it purple.

"That's right," her mother says.
"It's about half a mile east of the
3500 and 1250 intersection. Uh-huh."

Her dad sits down next to her.

"How long do you think it'll take them
to find us?"

There's a shift at the corners of her mouth,
and she nods, just nods.
Mateuš Conrad Jan 2019
.whiskey on ice is hardly a profanity,
even if it is an orthodox scotch...
              who in their right
mind would sip amber?
  neck on the guillotine...
   but please: no lukewarm profanity
in what looks like a chip off
a chandelier...

                a minute's delay on
the ice and...
                neck on the guillotine...
so many stars! and the moon!
and: a sight of Antoinnete's lingerie!

******* it!
   who the hell sips sweaty-hands
whiskey?
                       whiskey on ice...
to take the bite off...
     esp. that -esque of Laphroaig;
takes the edge:
            but doesn't blunt the slice...
no profanity around here...
     lukewarm tea is bad:
but room-temp. whiskey is:
   this is not a game of
                 hare & hound
   with a chaser of beer to follow...

no... don't drink ***** in
England...
             whiskey on ice isn't
a profanity:
   there's no room for sipping
it: expecting what
becomes a kiss from a she-devil...
neck on the guillotine...


mind you...
   didn't some drunk once say:
FOMO no GOGO?
no... i'm pretty sure he said
something along the lines:
don't to it for the money,
and certainly don't do it
expecting to bed women
like a gladiator...
                              (on writing)...

that was in the 20th century...
imagine:
   that caravan on the beatnik
poets...
                         like
cabaret voltaire:
  but with more momentum
and... well...
    not diffused
   by the 4 official languages
of Switzerland...

that was the 20th century...
  hey... looks like i'm
  both qua pseudo &
                   circa -esque
   of Virgil:
                   and in the 21st
century i'd say:
   don't do it for Pavlov...
don't do it for the numbers...
don't do it for...
             whatever this
is, but isn't another person
and isn't your private
eyes communicating
to another pair of
private eyes...

               just today i discovered
medium.com...
     'become a member now for $5/month
to read this story and get unlimited access
to all of the best stories on Medium'...

but i also discovered
the builders and the butchers,
song, bringin' home
the rain
(7 545 192 views)...

and...
        that means what?
   the song was published on...
the 13th of Feb. 2013!
   what's 6 years late to 8 million views?
        
fun logo from the 1980s
on a vinyl record,
ozzy osbourne's bark at the moon:
cassette and bones:

             HOME TAPING IS
             KILLING MUSIC...

don't know about you:
but like a Nick Hornby novel
i remember making
a mix tape for a former girlfriend...
she said to me...

'you know, i was walking
down Oxford St. at 6am to work
at the Marks & Spencers
listening to your mix CD
and King Crimson's
Epitaph came on...
          and... the streets were
deserted...'
                           NON-VERBATIM...

but i remember that
pirated music back then for
a higher purpose...
we didn't stash it in MPʒ
    banks...

                     it was: flirting...
or whatever the case for
the cult of high fidelity
is about...

                 so why would i go
back to ol' papa vinyl?
the thing's ******* hypnotic...
and look, a magic trick:
no headphones...

                     plus a 2in1:
a vinyl & a frisbee...
     problem being:
   cats don't play frisbee...
****...
                  rather...
the art of the return...
to the concept of an album...
which isn't the same
as a concept album
(from the prog. rock days)...

               i can just imagine
one torture technique...
not with children
and sweets...

   i mean... adults...
or nearing adulthood children...
a psychology experiment:
not yet done...

   a gramaphone,
a vinyl...
   a mundane album...
and... one stand-out track...
not children and sweats
and delayed gratification...
what delayed gratification?
there's only one stand-out
track on the vinyl...
oh... you mean to get
a single version
of the vinyl?

                 drone strike:
repeat repeat...
     it's like:
they started calling it acid
jazz...
  how about:
     ACID POP...
the song just erodes
the brain like
  a highschool
algebra rubric or
a choreography (misnomer
& metaphor)
    of historical dates
to state: us, unison, today,
and some we
     and some them.
Mike Hauser Jan 2020
With the nickname glow worm
A jingle jangle jungle flunky
Experiment gone completely wrong
Radiation Monkey

Ran out of the backdoor
This monkey on the lamb
Glowing footprints across the floor
Running fast this lab rat

See him in the hills at night
Swinging wild amongst the trees
Don't get too close cause he might bite
Radiation Monkey

With the strength of 20 men
He started robbing grocery stores
They say he has the brightest grin
Banana smudges left on doors

Where they lift his fingerprints
Taping off of the crime scene
Geiger counters loudly tic
Radiation Monkey

A menace to society
This florescent ape that's escaped
A radiating personality
Waiting for you to make his day

Wanted posters all over town
Doubling up the bounty
They'll take him live or in the ground
Radiation Monkey

Lessons lived are lessons learned
Latch the windows, bolt the doors
Mistakes are made then hard earned
For stupidity there is no cure

In the lab behind those doors
Is where genius and crazy meet
They might lose a few but they'll make more
Radiation Monkey's
PhiWrit Nov 2015
Christ Rules Everything Around Me
C.R.E.A.M
Keep the Faith
Grace upon Grace falls

Let them fuccbois come
Ahem,
We call'em chicken where I'm from
Home of tha guerrillas because they the reallus
Goin harda than the Cannibal Holocaust thrilla
I'm a Jigga from the Van Isle Villa
Of Nanaimo, I give props to Hova, tho
When I say Jigga I mean a Jewish *****
Though you may say I'm whack
Because my skin ain't black
I ain't racist when His love be my basis
Life's quaint outside of time, hyperboelic stasis
See this wordplay is my forté go figure
These Psychedelic flows are my signature
I am Holy at One with the Inner Nature
Skin young drapping over a soul more mature
I hope that you're taping
This flow so yo' can be sho'
Of the Good Lo' Jesus' divinity
Drink of His waters and He might make a saint of thee
Gettin drunk off His waters and you might just see three of me
You know I pray to the Father you don't greet me as deity G
Do not mistake what you see as me for purity
Only the Christ is sinless amen that is my only surety
Lord forgive any vanity

Christ Rules Everything Around Me
C.R.E.A.M
Keep the Faith
Grace upon Grace falls
Hebrew-Tang Clan
Anya Dec 2021
The title is simply
a culmination of my whims
like the whim that keeps me
glued to my screen
tap taping away
tap
tap tap

While my room looks like some monster's den
And I engorge myself on those chocolate almonds

My eyes grow hazy
As my waistline grows larger
The yellow light pierces my eyeballs

As I be tap
tapping
away
If you're feeling like me right now, you're not alone. It's so easy to get swallowed up by our screens, fight it, fight it so you have no lasting regrets for the time will slip through your fingers like sand.
Eugene Melnyk Mar 2015
I spend all my time,
All my money,
And most of my remaining sanity
To stack together this perfect house.

Little pieces all fit together perfectly,
But there are thousands.
It feels like I could never, ever
Count that high.

I strain to hold it together.
I didn't think to get glue.
I'm about 1/4 of the way trough.

These matches break so easily.
I start to think I litarally brought the ******* matches available.
One wall falls.

I want to shout as loud as I can.
But I imagine what the finished product would be.
I'd probably have your name in books.
Multiple ******* books.

I rebuild the wall.
I push on, I don't stop until night fall.
I'm about half way through.

I take a cigarette break.
I look back on the hours.
I mainly remember the ****** parts.

A few cigarettes later I push on once more.
I build until late morning.
At this point I'm are about three quarters of the way there.

I again take a break,
Only this time to stay in what I have built, but not continue to build it.
I think back.

Why am I making this house of matches.

Why am I even here?

I remember your vision of the house.
I see you still have hours of work,
Easily stretching till dinner time.

The question is do I finish and stay at the house, or do I go home to make a nice meal for myself?

I went home.

When I came back the house was burnt away.
A frail, blackened frame remain.
No amount of good duct taping could fix it.
No amount of new matches could clean it up.

I still see the ash pile in my mind from time to time.

Next,
I tried a house made of fuses.
Do poems need to rhyme.
Turquoise Mist Jun 2014
I'm afraid too
I afraid that the only thing
Holding me together
Are all the broken pieces

I have spent so much time
Taping the smashed splinters
Into place
I have spent so many hours
Balancing all of the dust particles
On top of each other
Wedging them so carefully
So that each one supports another

I'm afraid that if I pull one out
And show you
They will all come
Tumbling down
Elise Oct 2013
If anyone told me when I was little that when I was older,
when the leaves fell down I would be so sad
I wouldn’t have watched them spiral down with such wonder.
I might have even taken the liberty of climbing to the tops of them
and
taping them to their own branches.
The younger version of myself loved me more than I do now.

There are a small collection of us fighting for our lives,
as extinguished lights all we look for is more darkness to hide with.
Among empty red seats of an all but abandoned theatre I found my reflection.
A mirror in the shape of a girl.
Cries of help can be only mere whispers if need be
and
I have many secrets I do not wish to shout.

She spoke to me more with her eyes than with her mouth,
in turn I found that we spoke the same language.
Maybe I was too afraid to ask her where home was
but
she did tell me that she went to bed early
“and not like 8 pm early, like 6 pm early”

I wondered if that was because she was in love with the darkness or her dreams.

You don’t ask questions like that unless you’re prepared to answer them yourself.

What I can tell her is what I know:

We are electric.
My lips aren’t quite frozen
and
my battery is not yet dead
and
if igniting one another saves both or neither at least we tried.
I will use my words as a defibrillator,
shocking you, shocking you, shocking you,
until I once again hear the sound of fire, keeping you alive.
I won’t give up on you so you better not give up on yourself.

I will bring you back to life.

*Illuminate the darkness for me darling
seasonal depression is kicking my *** (and also hers)
The excitement builds before the show
Appearance anticipated, let's go
Out comes 2llen with applause galore
Crowd won't quiet, stoked for what's in store

Must say Ellen is such a **** dude
Whoops, oh...she's a she, I'm extremely rude
Ellen dresses with such casual care
Not a piece out of line, her fancy hair

Ellen completely involves her crowd
The silly shenanigans make them loud
She dances to the music everywhere
Famous for her moves, she then heads for the chair

She straddles the table with practiced skill for her advanced age and without a pill
She moves on to a famous brilliant guest
Uncommon talent to bring out their best

Music for the show picked eloquently
Ellen and staff almost always agree
The gifts she gives, the audience adore
Generosity leaves them wanting more

Cute that her mom's at every taping
Even stays awake and keeps from gaping
Ellen is actually my favorite host
Please forgive me, this little roast

If  you're in the mood for a real good time
Tune to Ellen at three, on channel nine
You won't be disappointed, far from IT!
It's world wide known that Ellen's the "****"
matilda shaye Mar 2014
I am outside a high school party with a cigarette in my hand and my sweater trailing on the ground. I belong to the night; to the teenage desperation you find right through the front door inside every single one of those boys and girls eyes. It is dark outside but I can make out everyone's faces simply by the light of cigarettes. I close my eyes for a second and inhale. I can barely make out the silhouette of the person I wish was in front of me. My eyes open. You are not here. To my left there's an alley and a short boy is throwing up the 22 shots that are tallied on his forearm. His best friend is video taping it. I don't think I'm really here. Is this the alcohol speaking? I didn't feel this attached to you 3 hours ago. My mother thinks I am at work. I don't feel bad at all. After everything I have done, lying is simple. I've become accustomed to being a lie. A boy is trying to get two girls to make out and that offends me. I'm not here. I'm not anywhere. I'm with you. I matter to you. I matter to someone. I am something.
I open my eyes.
A guy is handing me a beer, so I take it. I should be going home but that girl looks like you. There are four boys to my right free styling. One of them is actually really good. I try to weave through the people to find a familiar face. I find one, and he's handing me a bottle. I don't know what it is, but I drink. It burns.
I'm outside again sitting on the curb. The streetlight that shines above me is a dark shade of yellow that glows off every wall. It reminds me of the night. The moon is looking at me with an intensity I've never seen before. I have a text from you on my phone but I don't want to open it. I don't want to be able to feel this much. I go to find the bottle again.
I'm laughing a lot now. I found the bottle. The familiar face is laughing too. Her boyfriend broke her heart last week.
Your silhouette is standing in the corner. It's beckoning me. I open your text:
do you need something?
I close your text. I close my phone and my eyes and my arms and my heart and I throw my empty beer can at that silhouette of yours.
I'm outside again. Familiar face is going to take me home.
The cigarette is glowing orange and I'm dancing to her car.
You don't love me. I don't care.
I found your letter today, and I went to the woods to read it.
Autumn robbed me of solitude in the tree-cover,
The wind eventually would chase me from the fire-pit.
That broke, then the snow fell accordingly, seasonally.
The solitude returned in the white and cold,
chased everyone else away, to drink and dance in their homes.
I bought my first overcoat before I caught my flight back,
a woolen grey to hide dirt I’d sit on to hide the tag.
In it the inner, right-breast pocket, I held you’re letter.
I remember its first reading in my room, on the coffee table,
taping the scissored quotes from the envelope to my mirror.
I have yet to do anything out of fear. That, I recall I laughed at.

You’d be the reason I move back west,
you’d be the reason I go backwoods,
go suspend myself between roadways.
Albeit, though, despite & regardless,
was my thrill for fear made me wanna talk,
***** the desk drawer for my metal box,
savage my skin on the lonely walk.
If fear is as atomical as you say,
a lie on the tongue of every cell,
then, I could, if you’ll say, meet
every mote as it falls—
put my hand out to see
my first snowflakes.
they are not like this,
they are not like this at all,
so crystalline, back west.

Was fear that hid me this summer from you—
true, I used to fear the way you’d kiss me.
On the dock of the lake drinking wine, I told
that I was terrified then, then retracted,
said I was discomforted by myself.
Back then, way back when, ha,
feelings came thence beyond me
like the King of Pointland dethroned—
“What It thinks, that It utters;
and what It utters, that It hears…”—
myself was suddenly not mine,
I moved unprovoked and unprovoking,
finding myself in my bed
then on the porch smoking,
later then, sitting in your café,
later still, giving you my poetry,
but then, the levees break
and I wake in bed alone and
you’re on the floor in a heap
or, worse, gone soundlessly.
And here I find myself full-suited
in the mess of snow storm,
your letter in hand.

Trip tip-toe step walk into snow; a depth unknown;
trying to light the dark spirit eagle cigarette.
I find a tent in the wilderness and pitch it.
I spend two hours in there, wet, watching snow
build up until the roof gently pushes me out.
I still don’t know if I can read it.
It is only a rereading, but it’s weighty, regardless.
I emerge from the woods to the hill overlooking my life,
embanked by a line of pine. I stop here, relight myself.
The ash blends with the snowflakes
and the snowflakes melt when they touch the paper.
Have you loved? God, it’s an assurance I want.
Really, though, could I doubt it? if it is
only my love that I deem insufficient
to recquit the typed affection before me.
I kneel and read further.

To my surprise a golden-furred dog ran up to me.
He licked me, he smelled your letter, he smiled
and asked me to pet him and to not despair.
Leave it to an animal, beast in the snow
to so recognize, too, significance.
“How do I feel?” The beast frowned,
nothing hurts more than being asked
what you mean.
I got up and left when the owner’s whistle
called him away from me.

Walking back I found that I was missing a glove.
I looked behind me and I saw –against, -down the hill
the left-hand black-leathered eyelash in my tracks.
It was the same hand that you dropped from the dock
into the water this Christmas which I fished out and
fought off your apologies with. How I loved you then.

Then I must re-emerge onto the surrounding fields
and am hit with the wind that I hid from so well
in tree-cover. Then I must grapple with the life
I only half-cherish. Must think in sentences
and hyphenated-words—and dashes! ****** them.
Then, then, then! What happens next! eh?
In the steam tunnels with Carter, smoking, I said,
“I am ruled by fear. Even now I’m palpitant.”
I wrote, in the movie theater, whiskey in the soda cup,
“I am addicted fear, or so I have surmised.”
Hush, hush, hush!

If I fear I cannot love, I know that much.
If I love, as I believe I do, then I am only in denial.
True, small enough to see pure perfection, molecular.
Like the snowflakes back home which, too, are crystalline.
But it’s not visible to the naked eye, thus inconceivable,
given you’ll probably forget it. So it is dead to me.
No, God's not dead he's just not that kind of guy.
Brr, the decisive breeze. Well, then.
Simon Obirek Oct 2015
Flames behind me
the smoke blinds me
the fall in front of me
don't wanna jump, not for the life of me.

We've all hit our expiration dates
Johnson dangling, entangled in a wire
he's 68, he was about to retire
a burnt child dreads the fire
and he's a lump of charcoal.

Up many storeys
the planes hit precisely.
News helicopters flying and taping
there's no escaping,
the fire's approaching.

I need to jump,
no slow death here.
Here we go,
Geronimo!

Fire caught me in my fall
God's doing his roll call
pain in my legs as the ground comes closer
I move quick, I cannot breathe, my lungs are squished
Did I tell my kids I love them?
No, but I wish.
Courtney Nov 2012
Flutter flatter flit flip flap
Clap chat chapped lips
Leaking secrets
Speaking softly
As the world whirls by
And faded faces blur together
On panes of plate-glass windows
Strolling silent streets and
Dreaming of anywhere but here

Pitter patter pretend
We’re on the
Tip top of everything
Taping together
Our own reality
Far removed from truths that
Could tear it tear us apart

Flash frame freeze forget
Flit flap free-bird fly away

Fast fly far from
Tick-tock towers
Click-clack-clocked lives
Empires encircling
Pretty-please prepackaged people
Dipper dapper dressed-up doves
With withered windless wings
Locked-up longing lost
And just
Looking for anywhere but here

And their

Haunted hollow heartbeats
Wind between our whispered words
Weaving these tangled tapestries
Tying together all the
Maybes memories melodies
That we carry
All the struggles and scars and
Shatter-glass shiny bits of
Hope-light heart-love

That we call a human soul
©2012 Courtney Perry
RJP Jan 2019
Tomorrow never comes.
Tomorrow morphs into today, growing tentacles of pressure and deadline slinking round precious time.
Tomorrow is the myth that keeps us going into the hazed purple dark, only to vanish in bleaching daybreak.
Tomorrow is the pipedream we search for in bedsheets, neglecting the canaries of impending doom, the warming abolition of plague civilisation.
Tomorrow seems detached, pushed into the outer orbit like the catastrophic bombs hailing and howling in Syria.
Tomorrow hates us today a mongrel race but yearns for yesterday, the tender embrace of tinted times, always better
Tomorrow feels the wound of every hour passing by and sets feet into erratic stuttered taping heart breaking out of caged chest, passive but untamed,
Tomorrow is sitting waiting for all of us, unsure when we're to    arrive, shaking stripped down in a naked hot mess seeing the damage we've done today, fearful of more pillage and ****.
Venus Rose Vibes Apr 2013
The feeling is never mutual. One person does while the other is responsible. A heart that is mendable because of its tenacity, knowledgeable of the fact that utopia is less than fantasy. Yet, to do it alone.. is nearly impossible. Finding that one is highly improbable. An explanation that will never be audible, so instead we listen to what is. **** the "norm" and **** people, I am tired of hearing mumbled curses. Ridiculous verses of what it truly is, and where it truly lies because it is so difficult to love without taping ones pride. My everything has already fallen, and I am without pity. **** the old and **** the needy. All individuals are entirely too greedy, having gratitude for barely bleeding. I am me; and if you do not see me, it may be for a shallow breathing. Heaving from hallows whilst gazing from clouds, so strung out but highly aroused. Questing for exchanged vows, told to be better off by myself. I have heard to listen to your brain for your heart will stray, though my heart is decisive when my mind is arrayed. Stay, go... Stay, go, stay is how the story goes. A beginning with no close betrayal by those never suspect of foes, yet a wolf in sheep clothes.. Always building up anticipating the blow. Continual drinking, refusal to grow since I would rather not remember the feeling at all.
Emily Pancoast Oct 2012
1.**     Plant yourself in his mind, the smallest, hidden seed,
        slowly growing roots, winding noiselessly round his arteries.
        Begin to sip from his water supply, soak up his minerals
        become another branch of his being.
        Eventually he will cling to your cancerous leaves like your roots cling to his soil.

2.     Send him on a scavenger hunt for the many shards of your heart.
        Forget to give him the map so he stumbles through the coils of your past,
        ankles sliced open by jealous thorns, neck gnawed to bits by unseen insects.
        Grant him a thank-you kiss for bringing them back to you;
        watch him as he’s taping them gently back together.
        Don’t tell him that he is nothing but an aspirin
        swallowed to aid in healing a gunshot wound.

3.     Keep him grasping at your vagueries.
        Withhold comforts of ‘yes’ or ‘no’ even as he shivers in the downpour of your cynicism
        instead slip in and out of his arms like silk sheets.
        As his weak trembling hands try to pin you to reality once more,
        remind him that you blew in like summer, and leaves have begun to rust.
Carlo C Gomez Jul 2022
He kinetically arrived
with 1973.

Night is the longest day,
here come the warm jets,
served on a cold plate.

Play it back at half-speed
and you've got auditory wallpaper,

it must be as ignorable
as it is interesting.

His own world spins within a device:
cacophony of sound
mixed in a blender
and xeroxed;
a little snake guitar,
a little Leslie piano

— music to resign you
to the possibility of death.

Then came 1983
and beyond just him.

Tamper tantrum hotline,
amplifiers on the balcony,
secretly taping Edge
and Adam Clayton
on a 4th of July.

The numbered streets
and desert rain
add soul to this heartland,
it's the gospel truth
he wiped the deck clean.
(sort of and maybe).

His device spins within its own world:
manageable hums,
danceable drones,
welded into night;
daytime variations
held together
no better (and no worse)
than a cloud.

Then there's sfumato:
music without lines or borders,
in the manner of smoke
— theatrical fog
— a different kind of blue.

Densely layered,
so impossible to track,
this being lost in
the magnetic hush
of airports and
  other strange kiosks,
it all falls into a creative lull.

Guess it's time for
Oblique Strategies...
Coyote Siren Oct 2010
That smell is almost as entrancing
as it is disgusting
and the roar of the freeway
that never seems to leave

Hearing a lot of things
that just aren’t there
and I sat in my seat
and felt the building
fall to its side

Hallucinations
are skipping outward
from our dreams
and quickly into our waking life
surely they’re quite friendly

I was once chasing a man
that I knew never existed
and he could run from one closet in my mind
and into the opposite corner of my eye

He dropped his hat,
confused, bewildered
(more or less psychotic)
tripping over it,
my sanity
falling through the
hole in the ground

Right, running:
I was sprinting, actually
my arms are red from the
fences I climbed
barbwire tangled on my ***

Never run through the
wilderness bleeding from
the hands:
mosquitoes
sharks
hungry bears
(agitated potheads)

I chased the man
through the woods
and onto the street
of his apartment

Tackling him
on the
stairs
and burning a large candle
over his feet
so he wouldn’t move

Duct taping pills to his mouth
and trying to keep his face
from getting *****

Jogging from his
body
and to the new stand
quickly grabbing a magazine
I was going to capture him in

Unfortunately
he left his legs
on the
stairs
and crawled into his
room

So I lit his hat
on fire and prayed to gods
that I was now freed
Samantha Carroll Jun 2016
We’re hanging on by a thread
Its fraying more and more each day
All we keep doing taping it back together
It fixes it for the time being
But keeps coming undone
Will we let it break
Will we keep taping it back together
Will we fix it permanently
Weave the thread until its whole again
Sydney Victoria Nov 2013
My Throat Red And Raw,
I Am Drinking From The Sea,
My Reflection Blurred,
Frigid Yet Soft Like The Stars,
My Eyes Dark And Vacant*

                         My Fists Are Clenching,
                      Trembling In Waning Light,
                           I'm Thinking Of You,
                  For I've Dreamed Of You Again;
                           A Pale,  Lonely Memory


You Are Small And Frail,
Wrapped In A Plaid Comforter,
Tears Roll Down Your Cheeks;
You Were Thinking Back To Me,
When Your Hell Had Just Began


                              I'm Biting My Lip,
              While Watching The Leaves Recoil,
                             I Am Fidgeting,
                  Taping My Pen Rhythmically,
                     Trying To Distract Myself


I Breathe In Deeply,
My Heart Is Beating Too Fast,
I Gently Touch You,
You Turned To Look In My Eye,
You Murmured,"Why Are You Here?"


                                I Rub My Forehead,
                        My Palm As Cold As The Air,
                               I Stare At The Ground,
                      My Thoughts Are Disorganized,
                      Strewn Around, Pictures Of You


I've Jumped In The Sea,
Your Sad Eyes Have Seen Me Off,
For Some Strange Reason,
I Don't Feel Satisfaction,
Only A Hint Of Pity


                                   I Do Feel Relieved,
                     Not Because You Have Crumbled,
                                 But Because I'm Free,
                    I Am Free From Your Strained Grasp,
                      For You Had Said That One Word


*Goodbye
Hmm, Take It How You Want.

All I Needed Was A Goodbye<3

Step 4 Towards Self Forgiveness:

I've Realized That My Past Actions Did
Not Only Affect Me.. And Those Actions
Had Pushed Someone Down A Path Which
Lead Them To Hell On Earth.. That Is What
I Had Wanted In The Beginning, I Was Bitter--But Now
That I've Seen That It's Actually Happened,
I Am Not Relieved--I'm Petrified

I Had Been Drinking The Darkness Of The Sea,
Dwelling On My Twisted Reflection,
When Really I Should've Been Swimming To
New And Better Prospects--Than Soaking
In The Ancient Waters Of Pain.
Frank Sterncrest Nov 2012
On my way to the attic,
each step creaks
protesting.
            I’ve worn this path smooth.
I reach the landing
and turn.
You sit there
on top of a stack of boxes
            easy-access
composed, legs swinging
insouciantly
I brush off the light
layer of dust,
open you up to the dark room
and take out a golden trophy.
After reminiscing, I return it.
You put your clothes back on;
I fold you shut and walk away.
You don’t bother taping your seams
you never did.

What we do isn’t pretty.
We aren’t two starlings
in our own murmuration;
we are a ****** of crows.
Our dance is getting away with felonies.
            Take it from a jail bird
                        a trophy is no occupation.
You watched as I was polished and shelved,
captive after a year
of looking for a champion.
She had me cast
at the start of that long year
well before she clinched her title.
I was touted around, then passed on.
She never dusts me off, dear.
That is why I smudge your sheen
I have no shimmer left myself.
That is why you stay
you seek the heft
of my cast-iron company,
the weight we have borne
six years without touch
sixty ****** crime dramas
six hundred batches of half-baked cookies
six thousand nights in.
You are my memorabilia.
I just don’t want your dust to settle as mine has.
I want you to dance, gilded, on the sky.

On my way to the basement,
each step squeaks
inviting.
            I’ve worn this path smooth.
I reach the foot.
Brothers greet, glasses clink,
plumes build, couches sink.
The ceiling dances with golden trophies
all with your composure
gleaming
legs swinging.
Samuel Hesed Feb 2016
I have seen the stars dance in the shadows.
I saw the world outside my window.

Screaming faces-
Telling time with countless voices.

Ticking clocks-
Counting the skipping of the rocks.

Brushing slacks.
Footsteps jumping the cracks.

Distance watching the sunset-
Remembering the first time they met.

The painter looking out to life;
Ready to embrace it as his wife.

Raindrops stuck in memory-
Of the children's agony.

White skies-
Baptizing the sinner's tie.

History holding creation's stories-
Telling future glories.

Courage finding the opportunity-
To fight insecurity
With His purity.

Sunday shoes-
Taping to the rhythm of Blues.

Heaven singing from above-
Waiting for its truelove.

How do we see life in our minds?
How do we wait for the counting of clocks?
How do we measure the depth of our walk?
How do we climb the mountain of time?
Copyright © 2016 Paul Forbes All Rights Reserved

— The End —