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"taping" poems
I write my identity in gluestick and markers I am a lamb raised by wolves swaddled pulsing cosmos girl-child My limbs are rebuilt like a 7 year old birdhouse with garish colours and bubbling pride I am pouring glitter onto my future the kaleidoscope cannot exist inside In the end I think there would be no nobler cause than to have a life worthy of taping on the refrigerator that I can swell with ever-young joy to know I have created with trial and forgiveness.
0
Jul 10, 2012
Jul 10, 2012 at 2:26 PM UTC
Existential Elation (and the Art of Glitter)
I am softly treading... on newly sown soil where the seeds I've planted are just starting to grow I'm quietly listening... to dreams that are awakening letting me know I have so much to do... I'm carefully watching... my intentions unfold yesterday's hopes, desire, beliefs are now tomorrows realities... I'm gleefully gathering... all the tools That I will use to build my life anew and finally discover my true self... I'm whispering to myself... affirmations and intents re-taping my inner voice finally becoming my own best friend...
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Sep 21, 2013
Sep 21, 2013 at 7:06 AM UTC
Intended Transition...
I try to cry but I can’t I mute my tv so I can hear the pain reverberating from my nostrils like I am being clamped together in the fetal position until blood squirts out my ears I try to cry but I can’t I mute the dog by giving her a bone I mute the sun by drawing the shades I try to cry but I can’t this muted pain it’s locked in the attic deteriorating I mute my neck by taping it to the fan I mute my breath with my belt roll down my eye to my lips I want to taste this ******* stupid world for myself
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Apr 3, 2016
Apr 3, 2016 at 3:36 PM UTC
It’s 70 degrees outside. I think I’ll go for a bike ride.
When you go camping, and the world lifts itself from your shoulders and the problems back home seem silly and irrelevant human life, and what you may have been trying to achieve in your leather black ergonomic chair and your dark polished wood desk seems silly and irrelevant The world is here, in the wood-pecker’s tap-tap-taping in the trees the checkered calculated lines of the water being pulled to shore by the wind, viewed from above like the birds that push themselves into the tide and float back to shore then push themselves out again. the world is here, 
forgotten by the city, and the construction worker’s crack-crack-crack of the hammer the calculated system of traffic guided by flashing lights, turning signs and abrasive horns from behind the wheel 
where the man sits in a satin black suit and smooth leather car seat sipping at his morning coffee, purchased for $2.25 and cradled by spring-loaded cupholders, until he reaches for the silver handle of his glass office door, and stops looking down at his brown-leather shoes that cut into the rounded bone on the side of his ankle and decides, time to go camping
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Jun 8, 2015
Jun 8, 2015 at 6:30 PM UTC
When you go camping
You wonder why she loved you Deceit lust and betrayal But  she did,eyes blinded Till truth unfolds with time Love it fades in the face of reality Bitter but real Let her flyaway Let her breakfree Listen,the sound of drums Toes taping in rejoicing Hear  the the laughter of freedom She is no longer your prisoner Let her walk with her head held high She is beauty,elegance and dignity You wonder why she loved you Toture disrespect and hate But she did,Ignorance She held on though her blistered palm Knowing not her worth But she knows today See she smiles at her reflection She is beautiful not because you say Let her flyaway Let her breakfree
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May 11, 2016
May 11, 2016 at 12:22 AM UTC
let her Break free
By: Cedric McClester You went undercover Only to discover That your big brother Was watching you There’s no escaping Cos he was taping Now you don’t know What to do You’re reaction To this distraction Has you packing But they’ll be trackin Where you are Use your cell and they can tell Whether you’re walkin Or in a car Nineteen eight-four Came inside the door And Orwell had it right Like a doting mother Your big brother Is clockin you day and night You feel trapped Cos your phone is tapped And your TV’s watchin you The places you shop At every store you stop Has information too The time and date What you bought and ate Nineteen eight-four Is inside the door And Orwell had it right Like a doting mother Your big brother Is clockin you day and night You feel trapped Cos your phone is tapped And your TV’s watchin you The places you shop At every store you stop Has information too The time and date What you bought and ate Nineteen eight-four Is inside the door And Orwell had it right Like a doting mother Your big brother Is clockin you day and night You’re reaction To this distraction Has you packing But they’ll be trackin Where you are Use your cell and they can tell Whether you’re walkin Or in a car Nineteen eight-four Is inside the door And Orwell had it right Like a doting mother Your big brother Is clockin you day and night (c) Copyright 2015, Cedric McClester. All rights reserved.
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Apr 20, 2015
Apr 20, 2015 at 8:14 AM UTC
BIG BROTHER (1984)
I know you can't talk to me because you're busy Packing all your things into your boxes. I have to know, though, Are you packing us And the memories we shared too? Are you trying to forget them- To restart completely? I can feel you putting me in a tight box, Taping it up, Never to open again. I know you want me to ship me off Just like everything unwanted you ever had. No wonder there's so much space between us. Because you left me in a box, sent me away, without I even realizing it. I guess I was too much to carry along with you.
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Jun 2, 2016
Jun 2, 2016 at 2:43 PM UTC
Boxes
With the nickname glow worm A jingle jangle jungle flunky Experiment gone completely wrong Radiation Monkey Ran out of the backdoor This monkey on the lamb Glowing footprints across the floor Running fast this lab rat See him in the hills at night Swinging wild amongst the trees Don't get too close cause he might bite Radiation Monkey With the strength of 20 men He started robbing grocery stores They say he has the brightest grin Banana smudges left on doors Where they lift his fingerprints Taping off of the crime scene Geiger counters loudly tic Radiation Monkey A menace to society This florescent ape that's escaped A radiating personality Waiting for you to make his day Wanted posters all over town Doubling up the bounty They'll take him live or in the ground Radiation Monkey Lessons lived are lessons learned Latch the windows, bolt the doors Mistakes are made then hard earned For stupidity there is no cure In the lab behind those doors Is where genius and crazy meet They might lose a few but they'll make more Radiation Monkey's
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Jan 23, 2020
Jan 23, 2020 at 12:59 PM UTC
Radiation Monkey
I have had two opportunites to meet Muhammad Ali, once in Oklahoma City(1972) while working for KWTV Channel-9, and the second time in 1975,working for WAVE-TV Channel-3, Louisville, Kentucky, which is his hometown. On each occasion he was in town for some type of benefit appearance. At Channel 3, the sports director was Ed Kallay, who was to do the interview, and who just happened to be Ali's mentor when Ali was much younger and involved with "Golden Gloves", a youth boxing organization. I was a 'director' in the production dept. and it was my job to set up and direct the cameras, etc., during the taping. He was a fascinating man, eloquent, extremely intelligent, charismatic, approachable, with a great sense of humor. When I introduced myself, he looked at me and said,"I've met you before, in Oklahoma City." Needless to say, "I was stunned!" During the 'pre-taping' conversation, the three of us were having a cup of coffee. I made a comment on the size of his hands. I placed my right hand flat against his left, thumb to thumb, finger to finger.. He curled his fingers over mine, nearly hiding them. I sure wouldn't want to get hit by him. He was, admittingly, also a 'bit' of a 'self-promoter.' During that conversation, he made the following comment: "A few weeks before a fight, I start shooting my mouth off, make a lot of people mad, but come fight night they really lay it down, (then took his thumb and swiped it across the open palm of his other hand, simulating the money bets being placed with the Vegas bookies.) let the 'show' begin!" And, did it ever!! He was also a great humanitarian, donating to various charities, youth organizations, and never forgetting his roots. A remarkable man! God Bless You, Muhammad Ali! richard riddle: 06-05-2016
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Jun 5, 2016
Jun 5, 2016 at 12:17 PM UTC
A Remarkable Man
I have had two opportunites to meet Muhammad Ali, once in Oklahoma City(1972) while working for KWTV Channel-9, and the second time in 1975,working for WAVE-TV Channel-3, Louisville, Kentucky, which is his hometown. On each occasion he was in town for some type of benefit appearance. At Channel 3, the sports director was Ed Kallay, who was to do the interview, and who just happened to be Ali's mentor when Ali was much younger and involved with "Golden Gloves", a youth boxing organization. I was a 'director' in the production dept. and it was my job to set up and direct the cameras, etc., during the taping. He was a fascinating man, eloquent, extremely intelligent, charismatic, approachable, with a great sense of humor. When I introduced myself, he looked at me and said,"I've met you before, in Oklahoma City." Needless to say, "I was stunned!" During the 'pre-taping' conversation, the three of us were having a cup of coffee. I made a comment on the size of his hands. I placed my right hand flat against his left, thumb to thumb, finger to finger.. He curled his fingers over mine, nearly hiding them. I sure wouldn't want to get hit by him. He was, admittingly, also a 'bit' of a 'self-promoter.' During that conversation, he made the following comment: "A few weeks before a fight, I start shooting my mouth off, make a lot of people mad, but come fight night they really lay it down, (then took his thumb and swiped it across the open palm of his other hand, simulating the money bets being placed with the Vegas bookies.) let the 'show' begin!" And, did it ever!! He was also a great humanitarian, donating to various charities, youth organizations, and never forgetting his roots. A remarkable man! God Bless You, Muhammad Ali! richard riddle: 06-05-2016
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7
tap my bones tamper my temper tempt me on Tuesday love me on Thursday shut my rusty trust trap my soul
0
Mar 21, 2017
Mar 21, 2017 at 11:26 AM UTC
Tapping Taping Tempting
Christ Rules Everything Around Me C.R.E.A.M Keep the Faith Grace upon Grace falls Let them fuccbois come Ahem, We call'em chicken where I'm from Home of tha guerrillas because they the reallus Goin harda than the Cannibal Holocaust thrilla I'm a Jigga from the Van Isle Villa Of Nanaimo, I give props to Hova, tho When I say Jigga I mean a Jewish ***** Though you may say I'm whack Because my skin ain't black I ain't racist when His love be my basis Life's quaint outside of time, hyperboelic stasis See this wordplay is my forté go figure These Psychedelic flows are my signature I am Holy at One with the Inner Nature Skin young drapping over a soul more mature I hope that you're taping This flow so yo' can be sho' Of the Good Lo' Jesus' divinity Drink of His waters and He might make a saint of thee Gettin drunk off His waters and you might just see three of me You know I pray to the Father you don't greet me as deity G Do not mistake what you see as me for purity Only the Christ is sinless amen that is my only surety Lord forgive any vanity Christ Rules Everything Around Me C.R.E.A.M Keep the Faith Grace upon Grace falls
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Nov 8, 2015
Nov 8, 2015 at 6:47 PM UTC
C.R.E.A.M (Christ Rules Everything Around Me)
The title is simply a culmination of my whims like the whim that keeps me glued to my screen tap taping away tap tap tap While my room looks like some monster's den And I engorge myself on those chocolate almonds My eyes grow hazy As my waistline grows larger The yellow light pierces my eyeballs As I be tap tapping away
0
Dec 29, 2021
Dec 29, 2021 at 7:19 PM UTC
Purple
I spend all my time, All my money, And most of my remaining sanity To stack together this perfect house. Little pieces all fit together perfectly, But there are thousands. It feels like I could never, ever Count that high. I strain to hold it together. I didn't think to get glue. I'm about 1/4 of the way trough. These matches break so easily. I start to think I litarally brought the ********* matches available. One wall falls. I want to shout as loud as I can. But I imagine what the finished product would be. I'd probably have your name in books. Multiple ******* books. I rebuild the wall. I push on, I don't stop until night fall. I'm about half way through. I take a cigarette break. I look back on the hours. I mainly remember the ****** parts. A few cigarettes later I push on once more. I build until late morning. At this point I'm are about three quarters of the way there. I again take a break, Only this time to stay in what I have built, but not continue to build it. I think back. Why am I making this house of matches. Why am I even here? I remember your vision of the house. I see you still have hours of work, Easily stretching till dinner time. The question is do I finish and stay at the house, or do I go home to make a nice meal for myself? I went home. When I came back the house was burnt away. A frail, blackened frame remain. No amount of good duct taping could fix it. No amount of new matches could clean it up. I still see the ash pile in my mind from time to time. Next, I tried a house made of fuses.
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Mar 14, 2015
Mar 14, 2015 at 3:52 AM UTC
The Lighting of the House of Matches
I spend all my time, All my money, And most of my remaining sanity To stack together this perfect house. Little pieces all fit together perfectly, But there are thousands. It feels like I could never, ever Count that high. I strain to hold it together. I didn't think to get glue. I'm about 1/4 of the way trough. These matches break so easily. I start to think I litarally brought the ********* matches available. One wall falls. I want to shout as loud as I can. But I imagine what the finished product would be. I'd probably have your name in books. Multiple ******* books. I rebuild the wall. I push on, I don't stop until night fall. I'm about half way through. I take a cigarette break. I look back on the hours. I mainly remember the ****** parts. A few cigarettes later I push on once more. I build until late morning. At this point I'm are about three quarters of the way there. I again take a break, Only this time to stay in what I have built, but not continue to build it. I think back. Why am I making this house of matches. Why am I even here? I remember your vision of the house. I see you still have hours of work, Easily stretching till dinner time. The question is do I finish and stay at the house, or do I go home to make a nice meal for myself? I went home. When I came back the house was burnt away. A frail, blackened frame remain. No amount of good duct taping could fix it. No amount of new matches could clean it up. I still see the ash pile in my mind from time to time. Next, I tried a house made of fuses.
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44
He kinetically arrived with 1973. Night is the longest day, here come the warm jets, served on a cold plate. Play it back at half-speed and you've got auditory wallpaper, it must be as ignorable as it is interesting. His own world spins within a device: cacophony of sound mixed in a blender and xeroxed; a little snake guitar, a little Leslie piano — music to resign you to the possibility of death. Then came 1983 and beyond just him. Tamper tantrum hotline, amplifiers on the balcony, secretly taping Edge and Adam Clayton on a 4th of July. The numbered streets and desert rain add soul to this heartland, it's the gospel truth he wiped the deck clean. (sort of and maybe). His device spins within its own world: manageable hums, danceable drones, welded into night; daytime variations held together no better (and no worse) than a cloud. Then there's sfumato: music without lines or borders, in the manner of smoke — theatrical fog — a different kind of blue. Densely layered, so impossible to track, this being lost in the magnetic hush of airports and   other strange kiosks, it all falls into a creative lull. Guess it's time for Oblique Strategies...
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Jul 9, 2022
Jul 9, 2022 at 1:43 PM UTC
Brian Eno
I'm afraid too I afraid that the only thing Holding me together Are all the broken pieces I have spent so much time Taping the smashed splinters Into place I have spent so many hours Balancing all of the dust particles On top of each other Wedging them so carefully So that each one supports another I'm afraid that if I pull one out And show you They will all come Tumbling down
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Jun 7, 2014
Jun 7, 2014 at 1:29 AM UTC
Jenga
If anyone told me when I was little that when I was older, when the leaves fell down I would be so sad I wouldn’t have watched them spiral down with such wonder. I might have even taken the liberty of climbing to the tops of them and taping them to their own branches. The younger version of myself loved me more than I do now. There are a small collection of us fighting for our lives, as extinguished lights all we look for is more darkness to hide with. Among empty red seats of an all but abandoned theatre I found my reflection. A mirror in the shape of a girl. Cries of help can be only mere whispers if need be and I have many secrets I do not wish to shout. She spoke to me more with her eyes than with her mouth, in turn I found that we spoke the same language. Maybe I was too afraid to ask her where home was but she did tell me that she went to bed early “and not like 8 pm early, like 6 pm early” I wondered if that was because she was in love with the darkness or her dreams. You don’t ask questions like that unless you’re prepared to answer them yourself. What I can tell her is what I know: We are electric. My lips aren’t quite frozen and my battery is not yet dead and if igniting one another saves both or neither at least we tried. I will use my words as a defibrillator, shocking you, shocking you, shocking you, until I once again hear the sound of fire, keeping you alive. I won’t give up on you so you better not give up on yourself. I will bring you back to life. Illuminate the darkness for me darling
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Oct 27, 2013
Oct 27, 2013 at 5:52 PM UTC
Illuminate
If anyone told me when I was little that when I was older, when the leaves fell down I would be so sad I wouldn’t have watched them spiral down with such wonder. I might have even taken the liberty of climbing to the tops of them and taping them to their own branches. The younger version of myself loved me more than I do now. There are a small collection of us fighting for our lives, as extinguished lights all we look for is more darkness to hide with. Among empty red seats of an all but abandoned theatre I found my reflection. A mirror in the shape of a girl. Cries of help can be only mere whispers if need be and I have many secrets I do not wish to shout. She spoke to me more with her eyes than with her mouth, in turn I found that we spoke the same language. Maybe I was too afraid to ask her where home was but she did tell me that she went to bed early “and not like 8 pm early, like 6 pm early” I wondered if that was because she was in love with the darkness or her dreams. You don’t ask questions like that unless you’re prepared to answer them yourself. What I can tell her is what I know: We are electric. My lips aren’t quite frozen and my battery is not yet dead and if igniting one another saves both or neither at least we tried. I will use my words as a defibrillator, shocking you, shocking you, shocking you, until I once again hear the sound of fire, keeping you alive. I won’t give up on you so you better not give up on yourself. I will bring you back to life. Illuminate the darkness for me darling
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35
The excitement builds before the show Appearance anticipated, let's go Out comes 2llen with applause galore Crowd won't quiet, stoked for what's in store Must say Ellen is such a **** dude Whoops, oh...she's a she, I'm extremely rude Ellen dresses with such casual care Not a piece out of line, her fancy hair Ellen completely involves her crowd The silly shenanigans make them loud She dances to the music everywhere Famous for her moves, she then heads for the chair She straddles the table with practiced skill for her advanced age and without a pill She moves on to a famous brilliant guest Uncommon talent to bring out their best Music for the show picked eloquently Ellen and staff almost always agree The gifts she gives, the audience adore Generosity leaves them wanting more Cute that her mom's at every taping Even stays awake and keeps from gaping Ellen is actually my favorite host Please forgive me, this little roast If you're in the mood for a real good time Tune to Ellen at three, on channel nine You won't be disappointed, far from IT! It's world wide known that Ellen's the ****
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Nov 23, 2013
Nov 23, 2013 at 3:41 PM UTC
Ellen
I am outside a high school party with a cigarette in my hand and my sweater trailing on the ground. I belong to the night; to the teenage desperation you find right through the front door inside every single one of those boys and girls eyes. It is dark outside but I can make out everyone's faces simply by the light of cigarettes. I close my eyes for a second and inhale. I can barely make out the silhouette of the person I wish was in front of me. My eyes open. You are not here. To my left there's an alley and a short boy is throwing up the 22 shots that are tallied on his forearm. His best friend is video taping it. I don't think I'm really here. Is this the alcohol speaking? I didn't feel this attached to you 3 hours ago. My mother thinks I am at work. I don't feel bad at all. After everything I have done, lying is simple. I've become accustomed to being a lie. A boy is trying to get two girls to make out and that offends me. I'm not here. I'm not anywhere. I'm with you. I matter to you. I matter to someone. I am something. I open my eyes. A guy is handing me a beer, so I take it. I should be going home but that girl looks like you. There are four boys to my right free styling. One of them is actually really good. I try to weave through the people to find a familiar face. I find one, and he's handing me a bottle. I don't know what it is, but I drink. It burns. I'm outside again sitting on the curb. The streetlight that shines above me is a dark shade of yellow that glows off every wall. It reminds me of the night. The moon is looking at me with an intensity I've never seen before. I have a text from you on my phone but I don't want to open it. I don't want to be able to feel this much. I go to find the bottle again. I'm laughing a lot now. I found the bottle. The familiar face is laughing too. Her boyfriend broke her heart last week. Your silhouette is standing in the corner. It's beckoning me. I open your text: do you need something? I close your text. I close my phone and my eyes and my arms and my heart and I throw my empty beer can at that silhouette of yours. I'm outside again. Familiar face is going to take me home. The cigarette is glowing orange and I'm dancing to her car. You don't love me. I don't care.
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Mar 22, 2014
Mar 22, 2014 at 4:52 AM UTC
the orange street light told me i do care
I am outside a high school party with a cigarette in my hand and my sweater trailing on the ground. I belong to the night; to the teenage desperation you find right through the front door inside every single one of those boys and girls eyes. It is dark outside but I can make out everyone's faces simply by the light of cigarettes. I close my eyes for a second and inhale. I can barely make out the silhouette of the person I wish was in front of me. My eyes open. You are not here. To my left there's an alley and a short boy is throwing up the 22 shots that are tallied on his forearm. His best friend is video taping it. I don't think I'm really here. Is this the alcohol speaking? I didn't feel this attached to you 3 hours ago. My mother thinks I am at work. I don't feel bad at all. After everything I have done, lying is simple. I've become accustomed to being a lie. A boy is trying to get two girls to make out and that offends me. I'm not here. I'm not anywhere. I'm with you. I matter to you. I matter to someone. I am something. I open my eyes. A guy is handing me a beer, so I take it. I should be going home but that girl looks like you. There are four boys to my right free styling. One of them is actually really good. I try to weave through the people to find a familiar face. I find one, and he's handing me a bottle. I don't know what it is, but I drink. It burns. I'm outside again sitting on the curb. The streetlight that shines above me is a dark shade of yellow that glows off every wall. It reminds me of the night. The moon is looking at me with an intensity I've never seen before. I have a text from you on my phone but I don't want to open it. I don't want to be able to feel this much. I go to find the bottle again. I'm laughing a lot now. I found the bottle. The familiar face is laughing too. Her boyfriend broke her heart last week. Your silhouette is standing in the corner. It's beckoning me. I open your text: do you need something? I close your text. I close my phone and my eyes and my arms and my heart and I throw my empty beer can at that silhouette of yours. I'm outside again. Familiar face is going to take me home. The cigarette is glowing orange and I'm dancing to her car. You don't love me. I don't care.
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11
Flames behind me the smoke blinds me the fall in front of me don't wanna jump, not for the life of me. We've all hit our expiration dates Johnson dangling, entangled in a wire he's 68, he was about to retire a burnt child dreads the fire and he's a lump of charcoal. Up many storeys the planes hit precisely. News helicopters flying and taping there's no escaping, the fire's approaching. I need to jump, no slow death here. Here we go, Geronimo! Fire caught me in my fall God's doing his roll call pain in my legs as the ground comes closer I move quick, I cannot breathe, my lungs are squished Did I tell my kids I love them? No, but I wish.
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Oct 12, 2015
Oct 12, 2015 at 2:44 PM UTC
Cold Open
Tomorrow never comes. Tomorrow morphs into today, growing tentacles of pressure and deadline slinking round precious time. Tomorrow is the myth that keeps us going into the hazed purple dark, only to vanish in bleaching daybreak. Tomorrow is the pipedream we search for in bedsheets, neglecting the canaries of impending doom, the warming abolition of plague civilisation. Tomorrow seems detached, pushed into the outer orbit like the catastrophic bombs hailing and howling in Syria. Tomorrow hates us today a mongrel race but yearns for yesterday, the tender embrace of tinted times, always better Tomorrow feels the wound of every hour passing by and sets feet into erratic stuttered taping heart breaking out of caged chest, passive but untamed, Tomorrow is sitting waiting for all of us, unsure when we're to    arrive, shaking stripped down in a naked hot mess seeing the damage we've done today, fearful of more pillage and ****
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Jan 28, 2019
Jan 28, 2019 at 12:41 PM UTC
DOOM!
exhaustion drifting through our days taping eyes open shaking ourselves awake all this starvation and deprivation of today's nation yearning for another minute of shut-eye while staying up staring at screens late at night
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Nov 15, 2022
Nov 15, 2022 at 1:45 PM UTC
tired students
I’ve been struck down again, fully aware it’s my own doing. Do you have a heart you can lend? Mine’s drying from the taping and the glueing. Oh my darling, oh my darling, oh my sweet Clementine, are you smiling or are you snarling, more importantly are you mine? Outside the window seasons blend, the temperature holds no meaning. I notice the change and the trend, to ignore the withdrawals from weaning. Oh my darling, oh my darling, oh my sweet Clementine, you’ve been avoiding and been barring, but you can’t severe this line. The stronger the initial fear usually means the most is at stake, and trying to prevent a single tear can lead to the worst heartbreak. Those who leave the best memories usually leave us with the most hurt, you know we can’t just live life with ease, there needs to be some blood on a white shirt. You can try to completely forget someone, but putting that effort in means you’re actually fixated more, and after all is said and done, honestly who do you wish to be behind that door? Oh my darling, oh my darling, oh my sweet Clementine, is it cleansing or more harming, to live in denial all the time? Oh my darling, oh my darling, oh my sweet Clementine, when it’s finished it’ll be starting, and I’ll stand under the Montauk sign.
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Feb 19, 2019
Feb 19, 2019 at 7:07 AM UTC
Agent Orange
1.    Plant yourself in his mind, the smallest, hidden seed,         slowly growing roots, winding noiselessly round his arteries.         Begin to sip from his water supply, soak up his minerals         become another branch of his being.         Eventually he will cling to your cancerous leaves like your roots cling to his soil. 2.    Send him on a scavenger hunt for the many shards of your heart.         Forget to give him the map so he stumbles through the coils of your past,         ankles sliced open by jealous thorns, neck gnawed to bits by unseen insects.         Grant him a thank-you kiss for bringing them back to you;         watch him as he’s taping them gently back together.         Don’t tell him that he is nothing but an aspirin         swallowed to aid in healing a gunshot wound. 3.    Keep him grasping at your vagueries.         Withhold comforts of ‘yes’ or ‘no’ even as he shivers in the downpour of your cynicism         instead slip in and out of his arms like silk sheets.         As his weak trembling hands try to pin you to reality once more,         remind him that you blew in like summer, and leaves have begun to rust.
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Oct 16, 2012
Oct 16, 2012 at 12:33 PM UTC
How to Destroy a Man in Three Simple Steps
Flutter flatter flit flip flap Clap chat chapped lips Leaking secrets Speaking softly As the world whirls by And faded faces blur together On panes of plate-glass windows Strolling silent streets and Dreaming of anywhere but here Pitter patter pretend We’re on the Tip top of everything Taping together Our own reality Far removed from truths that Could tear it tear us apart Flash frame freeze forget Flit flap free-bird fly away Fast fly far from Tick-tock towers Click-clack-clocked lives Empires encircling Pretty-please prepackaged people Dipper dapper dressed-up doves With withered windless wings Locked-up longing lost And just Looking for anywhere but here And their Haunted hollow heartbeats Wind between our whispered words Weaving these tangled tapestries Tying together all the Maybes memories melodies That we carry All the struggles and scars and Shatter-glass shiny bits of Hope-light heart-love That we call a human soul
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Nov 21, 2012
Nov 21, 2012 at 3:54 PM UTC
Flit
The feeling is never mutual. One person does while the other is responsible. A heart that is mendable because of its tenacity, knowledgeable of the fact that utopia is less than fantasy. Yet, to do it alone.. is nearly impossible. Finding that one is highly improbable. An explanation that will never be audible, so instead we listen to what is. **** the "norm" and **** people, I am tired of hearing mumbled curses. Ridiculous verses of what it truly is, and where it truly lies because it is so difficult to love without taping ones pride. My everything has already fallen, and I am without pity. **** the old and **** the needy. All individuals are entirely too greedy, having gratitude for barely bleeding. I am me; and if you do not see me, it may be for a shallow breathing. Heaving from hallows whilst gazing from clouds, so strung out but highly aroused. Questing for exchanged vows, told to be better off by myself. I have heard to listen to your brain for your heart will stray, though my heart is decisive when my mind is arrayed. Stay, go... Stay, go, stay is how the story goes. A beginning with no close betrayal by those never suspect of foes, yet a wolf in sheep clothes.. Always building up anticipating the blow. Continual drinking, refusal to grow since I would rather not remember the feeling at all.
0
Apr 20, 2013
Apr 20, 2013 at 10:43 PM UTC
WUT ZE **** (VENT)