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Caleb Reeves May 2014
Turn the corner
Hand tenses
Looking down the iron sights I see an object fall
"Tango down" I call over the radio
what was his name? Tango, Threat, Terrorist, doesn't matter.
Explosion
Mud brick wall vaporized into dust
Keep going
Out of breathe
Keep going
Hand tenses
"Tango down"
Does it have kids? A Family? Threat eliminated
Round the corner
Hand tenses
"Three tangos on west building roof top"
Bullets from my brothers **** by my helmet
Return fire
"Take Cover!"
Sweat drenched face fogs up my goggles
Explosion
Brick pieces pummel my back
Ears ringing, faintly hearing
"Alpha down, Medic!"
Blurred vision, equilibrium thrown off
Raise my rifle
Hand tenses
Silhouette falls
"Medic!" heard faintly
Hand tenses
"Are you okay?" sounds distant
Hand tenses
"babe?" getting louder
Hand tenses

Hand tenses

Wake up
Sheets heavy with sweat
"Babe, are you ok?"
Throwing the blankets I jump back to the edge of the bed
Her frightened face
I've seen before
I look down
Hands tense
Same look, no tangos
No threats
Just Ghosts
Maggie Emmett Jul 2015
PROLOGUE
               Hyde Park weekend of politics and pop,
Geldof’s gang of divas and mad hatters;
Sergeant Pepper only one heart beating,
resurrected by a once dead Beatle.
The ******, Queen and Irish juggernauts;
The Entertainer and dead bands
re-jigged for the sake of humanity.
   The almighty single named entities
all out for Africa and people power.
Olympics in the bag, a Waterloo
of celebrations in the street that night
Leaping and whooping in sheer delight
Nelson rocking in Trafalgar Square
The promised computer wonderlands
rising from the poisoned dead heart wasteland;
derelict, deserted, still festering.
The Brave Tomorrow in a world of hate.
The flame will be lit, magic rings aloft
and harmony will be our middle name.

On the seventh day of the seventh month,
Festival of the skilful Weaving girl;
the ‘war on terror’ just a tattered trope
drained and exhausted and put out of sight
in a dark corner of a darker shelf.
A power surge the first lie of the day.
Savagely woken from our pleasant dream
al Qa’ida opens up a new franchise
and a new frontier for terror to prowl.

               Howling sirens shatter morning’s progress
Hysterical screech of ambulances
and police cars trying to grip the road.
The oppressive drone of helicopters
gathering like the Furies in the sky;
Blair’s hubris is acknowledged by the gods.
Without warning the deadly game begins.

The Leviathan state machinery,
certain of its strength and authority,
with sheer balletic co-ordination,
steadies itself for a fine performance.
The new citizen army in ‘day glow’
take up their ‘Support Official’ roles,
like air raid wardens in the last big show;
feisty  yet firm, delivering every line
deep voiced and clearly to the whole theatre.
On cue, the Police fan out through Bloomsbury
clearing every emergency exit,
arresting and handcuffing surly streets,
locking down this ancient river city.
Fetching in fluorescent green costuming,
the old Bill nimbly Tangos and Foxtrots
the airways, Oscar, Charlie and Yankee
quickly reply with grid reference Echo;
Whiskey, Sierra, Quebec, November,
beam out from New Scotland Yard,
staccato, nearly lost in static space.
      
              LIVERPOOL STREET STATION
8.51 a.m. Circle Line

Shehezad Tanweer was born in England.
A migrant’s child of hope and better life,
dreaming of his future from his birth.
Only twenty two short years on this earth.
In a madrassah, Lahore, Pakistan,
he spent twelve weeks reading and rote learning
verses chosen from the sacred text.
Chanting the syllables, hour after hour,
swaying back and forth with the word rhythm,
like an underground train rocking the rails,
as it weaves its way beneath the world,
in turning tunnels in the dead of night.

Teve Talevski had a meeting
across the river, he knew he’d be late.
**** trains they do it to you every time.
But something odd happened while he waited
A taut-limbed young woman sashayed past him
in a forget-me-not blue dress of silk.
She rustled on the platform as she turned.
She turned to him and smiled, and he smiled back.
Stale tunnel air pushed along in the rush
of the train arriving in the station.
He found a seat and watched her from afar.
Opened his paper for distraction’s sake
Olympic win exciting like the smile.

Train heading southwest under Whitechapel.
Deafening blast, rushing sound blast, bright flash
of golden light, flying glass and debris
Twisted people thrown to ground, darkness;
the dreadful silent second in blackness.
The stench of human flesh and gunpowder,
burning rubber and fiery acrid smoke.
Screaming bone bare pain, blood-drenched tearing pain.
Pitiful weeping, begging for a god
to come, someone to come, and help them out.

Teve pushes off a dead weighted man.
He stands unsteady trying to balance.
Railway staff with torches, moving spotlights
**** and jolt, catching still life scenery,
lighting the exit in gloomy dimness.
They file down the track to Aldgate Station,
Teve passes the sardine can carriage
torn apart by a fierce hungry giant.
Through the dust, four lifeless bodies take shape
and disappear again in drifting smoke.
It’s only later, when safe above ground,
Teve looks around and starts to wonder
where his blue epiphany girl has gone.

                 KINGS CROSS STATION
8.56 a.m. Piccadilly Line

Many named Lyndsey Germaine, Jamaican,
living with his wife and child in Aylesbury,
laying low, never visited the Mosque.   
                Buckinghamshire bomber known as Jamal,
clean shaven, wearing normal western clothes,
annoyed his neighbours with loud music.
Samantha-wife converted and renamed,
Sherafiyah and took to wearing black.
Devout in that jet black shalmar kameez.
Loving father cradled close his daughter
Caressed her cheek and held her tiny hand
He wondered what the future held for her.

Station of the lost and homeless people,
where you can buy anything at a price.
A place where a face can be lost forever;
where the future’s as real as faded dreams.
Below the mainline trains, deep underground
Piccadilly lines cross the River Thames
Cram-packed, shoulder to shoulder and standing,
the train heading southward for Russell Square,
barely pulls away from Kings Cross Station,
when Arash Kazerouni hears the bang,
‘Almighty bang’ before everything stopped.
Twenty six hearts stopped beating that moment.
But glass flew apart in a shattering wave,
followed by a  huge whoosh of smoky soot.
Panic raced down the line with ice fingers
touching and tagging the living with fear.
Spine chiller blanching faces white with shock.

Gracia Hormigos, a housekeeper,
thought, I am being electrocuted.
Her body was shaking, it seemed her mind
was in free fall, no safety cord to pull,
just disconnected, so she looked around,
saw the man next to her had no right leg,
a shattered shard of bone and gouts of  blood,
Where was the rest of his leg and his foot ?

Level headed ones with serious voices
spoke over the screaming and the sobbing;
Titanic lifeboat voices giving orders;
Iceberg cool voices of reassurance;
We’re stoical British bulldog voices
that organize the mayhem and chaos
into meaty chunks of jobs to be done.
Clear air required - break the windows now;
Lines could be live - so we stay where we are;
Help will be here shortly - try to stay calm.

John, Mark and Emma introduce themselves
They never usually speak underground,
averting your gaze, tube train etiquette.
Disaster has its opportunities;
Try the new mobile, take a photograph;
Ring your Mum and Dad, ****** battery’s flat;
My network’s down; my phone light’s still working
Useful to see the way, step carefully.

   Fiona asks, ‘Am I dreaming all this?’
A shrieking man answers her, “I’m dying!”
Hammered glass finally breaks, fresher air;
too late for the man in the front carriage.
London Transport staff in yellow jackets
start an orderly evacuation
The mobile phones held up to light the way.
Only nineteen minutes in a lifetime.
  
EDGEWARE ROAD STATION
9.17 a.m. Circle Line

               Mohammed Sadique Khan, the oldest one.
Perhaps the leader, at least a mentor.
Yorkshire man born, married with a daughter
Gently spoken man, endlessly patient,
worked in the Hamara, Lodge Lane, Leeds,
Council-funded, multi-faith youth Centre;
and the local Primary school, in Beeston.
No-one could believe this of  Mr Khan;
well educated, caring and very kind
Where did he hide his secret other life  ?

Wise enough to wait for the second train.
Two for the price of one, a real bargain.
Westbound second carriage is blown away,
a commuter blasted from the platform,
hurled under the wheels of the east bound train.
Moon Crater holes, the walls pitted and pocked;
a sparse dark-side landscape with black, black air.
The ripped and shredded metal bursts free
like a surprising party popper;
Steel curlicues corkscrew through wood and glass.
Mass is made atomic in the closed space.
Roasting meat and Auschwitzed cremation stench
saturates the already murky air.              
Our human kindling feeds the greedy fire;
Heads alight like medieval torches;
Fiery liquid skin drops from the faceless;
Punk afro hair is cauterised and singed.  
Heat intensity, like a wayward iron,
scorches clothes, fuses fibres together.
Seven people escape this inferno;
many die in later days, badly burned,
and everyone there will live a scarred life.

               TAVISTOCK ROAD
9.47 a.m. Number 30 Bus  

Hasib Hussain migrant son, English born
barely an adult, loved by his mother;
reported him missing later that night.
Police typed his description in the file
and matched his clothes to fragments from the scene.
A hapless victim or vicious bomber ?
Child of the ‘Ummah’ waging deadly war.
Seventy two black eyed virgins waiting
in jihadist paradise just for you.

Red double-decker bus, number thirty,
going from Hackney Wick to Marble Arch;
stuck in traffic, diversions everywhere.
Driver pulls up next to a tree lined square;
the Parking Inspector, Ade Soji,
tells the driver he’s in Tavistock Road,
British Museum nearby and the Square.
A place of peace and quiet reflection;
the sad history of war is remembered;
symbols to make us never forget death;
Cherry Tree from Hiroshima, Japan;
Holocaust Memorial for Jewish dead;
sturdy statue of  Mahatma Gandhi.
Peaceful resistance that drove the Lion out.
Freedom for India but death for him.

Sudden sonic boom, bus roof tears apart,
seats erupt with volcanic force upward,
hot larva of blood and tissue rains down.
Bloodied road becomes a charnel-house scene;
disembodied limbs among the wreckage,
headless corpses; sinews, muscles and bone.
Buildings spattered and smeared with human paint
Impressionist daubs, blood red like the bus.

Jasmine Gardiner, running late for work;
all trains were cancelled from Euston Station;  
she headed for the square, to catch the bus.
It drove straight past her standing at the stop;
before she could curse aloud - Kaboom !
Instinctively she ran, ran for her life.
Umbrella shield from the shower of gore.

On the lower deck, two Aussies squeezed in;
Catherine Klestov was standing in the aisle,
floored by the bomb, suffered cuts and bruises
She limped to Islington two days later.
Louise Barry was reading the paper,
she was ‘****-scared’ by the explosion;
she crawled out of the remnants of the bus,
broken and burned, she lay flat on the road,
the world of sound had gone, ear drums had burst;
she lay there drowsy, quiet, looking up
and amazingly the sky was still there.

Sam Ly, Vietnamese Australian,
One of the boat people once welcomed here.
A refugee, held in his mother’s arms,
she died of cancer, before he was three.
Hi Ly struggled to raise his son alone;
a tough life, inner city high rise flats.
Education the smart migrant’s revenge,
Monash Uni and an IT degree.
Lucky Sam, perfect job of a lifetime;
in London, with his one love, Mandy Ha,
Life going great until that fateful day;
on the seventh day of the seventh month,
Festival of the skilful Weaving girl.

Three other Aussies on that ****** bus;
no serious physical injuries,
Sam’s luck ran out, in choosing where to sit.
His neck was broken, could not breath alone;
his head smashed and crushed, fractured bones and burns
Wrapped in a cocoon of coma safe
This broken figure lying on white sheets
in an English Intensive Care Unit
did not seem like Hi Ly’s beloved son;
but he sat by Sam’s bed in disbelief,
seven days and seven nights of struggle,
until the final hour, when it was done.

In the pit of our stomach we all knew,
but we kept on deep breathing and hoping
this nauseous reality would pass.
The weary inevitability
of horrific disasters such as these.
Strangely familiar like an old newsreel
Black and white, it happened long ago.
But its happening now right before our eyes
satellite pictures beam and bounce the globe.
Twelve thousand miles we watch the story
Plot unfolds rapidly, chapters emerge
We know the places names of this narrative.
  
It is all subterranean, hidden
from the curious, voyeuristic gaze,
Until the icon bus, we are hopeful
This public spectacle is above ground
We can see the force that mangled the bus,
fury that tore people apart limb by limb
Now we can imagine a bomb below,
far below, people trapped, fiery hell;
fighting to breathe each breath in tunnelled tombs.

Herded from the blast they are strangely calm,
obedient, shuffling this way and that.
Blood-streaked, sooty and dishevelled they come.
Out from the choking darkness far below
Dazzled by the brightness of the morning
of a day they feared might be their last.
They have breathed deeply of Kurtz’s horror.
Sights and sounds unimaginable before
will haunt their waking hours for many years;
a lifetime of nightmares in the making.
They trudge like weary soldiers from the Somme
already see the world with older eyes.

On the surface, they find a world where life
simply goes on as before, unmindful.
Cyclist couriers still defy road laws,
sprint racing again in Le Tour de France;
beer-gutted, real men are loading lorries;
lunch time sandwiches are made as usual,
sold and eaten at desks and in the street.
Roadside cafes sell lots of hot sweet tea.
The Umbrella stand soon does brisk business.
Sign writers' hands, still steady, paint the sign.
The summer blooms are watered in the park.
A ***** stretches on the bench and wakes up,
he folds and stows his newspaper blankets;
mouth dry,  he sips water at the fountain.
A lady scoops up her black poodle’s ****.
A young couple argues over nothing.
Betting shops are full of people losing
money and dreaming of a trifecta.
Martin’s still smoking despite the patches.
There’s a rush on Brandy in nearby pubs
Retired gardener dead heads his flowers
and picks a lettuce for the evening meal

Fifty six minutes from start to finish.
Perfectly orchestrated performance.
Rush hour co-ordination excellent.
Maximum devastation was ensured.
Cruel, merciless killing so coldly done.
Fine detail in the maiming and damage.

A REVIEW

Well activated practical response.
Rehearsals really paid off on the day.
Brilliant touch with bus transport for victims;
Space blankets well deployed for shock effect;
Dramatic improv by Paramedics;
Nurses, medicos and casualty staff
showed great technical E.R. Skills - Bravo !
Plenty of pizzazz and dash as always
from the nifty, London Ambo drivers;
Old fashioned know-how from the Fire fighters
in hosing down the fireworks underground.
Dangerous rescues were undertaken,
accomplished with buckets of common sense.
And what can one say about those Bobbies,
jolly good show, the lips unquivering
and universally stiff, no mean feat
in this Premiere season tear-jerker.
Nail-bitingly brittle, but a smash-hit
Poignant misery and stoic suffering,
fortitude, forbearance and lots of grit
Altogether was quite tickety boo.



NOTES ON THE POEM

Liverpool Street Station

A Circle Line train from Moorgate with six carriages and a capacity of 1272 passengers [ 192 seated; 1080 standing]. 7 dead on the first day.

Southbound, destination Aldgate. Explosion occurs midway between Liverpool Street and Aldgate.

Shehezad Tanweer was reported to have ‘never been political’ by a friend who played cricket with him 10 days before the bombing

Teve Talevski is a real person and I have elaborated a little on reports in the press. He runs a coffee shop in North London.

At the time of writing the fate of the blue dress lady is not known

Kings Cross Station

A Piccadilly Line train with six carriages and a capacity of 1238 passengers [272 seated; 966 standing]. 21 dead on first day.

Southbound, destination Russell Square. Explosion occurs mi
This poem is part of a longer poem called Seasons of Terror. This poem was performed at the University of Adelaide, Bonython Hall as a community event. The poem was read by local poets, broadcasters, personalities and politicians from the South Australia Parliament and a Federal MP & Senator. The State Premier was represented by the Hon. Michael Atkinson, who spoke about the role of the Emergency services in our society. The Chiefs of Police, Fire and Ambulence; all religious and community organisations' senior reprasentatives; the First Secretary of the British High Commission and the general public were present. It was recorded by Radio Adelaide and broadcast live as well as coverage from Channel 7 TV News. The Queen,Tony Blair, Australian Governor General and many other public dignitaries sent messages of support for the work being read. A string quartet and a solo flautist also played at this event.
Soeka laborde Sep 2016
The ghost of you lingers on my mind
The echo of your words tangos across my heart
The feeling of excitement of falling in love in cyberspace
Sexting without remorse or grace
A friendship that hits below the waist
Intelligent conversations that strokes your passion and ignites your fire
I wonder if I'll have anything left to offer
Or would the sight of you take me higher up the ladder of my sinful desire

Your words drive my imagination wild
The touch on my skin, your fingers, lightly caressing my spine
This image in my head is so divine
Seriously hoping that one day, this feeling will be mine.
Pictures and thoughts exchanged on a whim
Something strange grows from within

Intellectually stimulating every part of me
Zeros and ones creates a digital reality
Here I am, imagining being in your arms
The sweetest words you whisper in my ear
My soul yarns for you to be here
Feelings your warm body against mines under the cover
I long for you, my WhatsApp lover


                         *©La Vida Love
Jessica Hughes Mar 2011
The brass trumpet sounds
In the dark, where weeps aloud
And hearts are made of silver
To match her necklace that slithers

As a snake which tangos
When their bracelets dangle
No one seems  much surprised
For  her dance, the cobra rise

To greet the man on the street
As he is poisoned head to feet
Shake the jeepers, I'm telling you
If not, may your spirit be cool

She is definitely a piece of work
And drunken whispers offer jerks
But, they do not have a clue
This woman moves to voodoo

Wiggle... Jiggle.. Lady Dancer
You  eat them like a malice cancer
Wiggle... Jiggle... Lady Dancer
Tomorrow,  you will have to answer.
By Jessica Hughes ©2010-2011
All Rights Reserved by Author

http://facebook.com/pages/JH_Poetry/148116215215662
http://thegapingsky.blogspot.com
After the first astounding rush,
after the weeks at the lake,
the crystal, the clouds, the water lapping the rocks,
the snow breaking under our boots like skin,
& the long mornings in bed. . .

After the tangos in the kitchen,
& our eyes fixed on each other at dinner,
as if we would eat with our lids,
as if we would swallow each other. . .

I find you still
here beside me in bed,
(while my pen scratches the pad
& your skin glows as you read)
& my whole life so mellowed & changed

that at times I cannot remember
the crimp in my heart that brought me to you,
the pain of a marriage like an old ache,
a husband like an arthritic knuckle.

Here, living with you,
love is still the only subject that matters.
I open to you like a flowering wound,
or a trough in the sea filled with dreaming fish,
or a steaming chasm of earth
split by a major quake.

You changed the topography.
Where valleys were,
there are now mountains.
Where deserts were,
there now are seas.

We rub each other,
but we do not wear away.

The sand gets finer
& our skins turn silk.
Cuando me confiscaron la palabra
y me quitaron hasta el horizonte
cuando salí silvando despacito
y hasta hice bromas con el funcionario
de emigración o desintegración
y hubo el adiós de siempre con la mano
a la familia firme en la baranda
a los amigos que sobrevivían
y un motor el derecho tosió fuerte
y movió la azafata sus pestañas
como diciendo a vos yo te conozco
yo tenía estudiada una teoría
del exilio mis pozos del exilio
pero el cursillo no sirvió de nada

cómo saber que las ciudades reservaban
una cuota de su amor más austero
para los que llegábamos
con el odio pisándonos la huella
cómo saber que nos harían sitio
entre sus escaseces más henchidas
y sin averiguarnos los fervores
ni mucho menos el grupo sanguíneo
abrirían de par en par sus gozos
y también sus catástrofes
para que nos sintiéramos
igualito que en casa

cómo saber que yo mismo iba a hallar
sábanas limpias desayunos abrazos
en pueyrredón y french
en canning y las heras
y en lince
y en barranco
y en arequipa al tres mil seiscientos
y en el vedado
y dondequiera

siempre hay calles que olvidan sus balazos
sus silencios de pizarra lunar
y eligen festejarnos recibirnos llorarnos
con sus tiernas ventanas que lo comprenden todo
e inesperados pájaros entre flores y hollines
también plazas con pinos discretísimos
que preguntan señor cómo quedaron
sus acacias sus álamos
y los ojos se nos llenan de láminas
en rigor nuestros árboles están sufriendo como
por otra parte sufren los caballos la gente
los gorriones los paraguas las nubes
en un país que ya no tiene simulacros

es increíble pero no estoy solo
a menudo me trenzo con manos o con voces
o encuentro una muchacha para ir lluvia adentro
y alfabetizarme en su áspera hermosura
quién no sabe a esta altura que el dolor
es también un ilustre apellido

con éste o con aquélla nos miramos de lejos
y nos reconocemos por el rictus paterno
o la herida materna en el espejo
el llanto o la risa como nombres de guerra
ya que el llanto o la risa legales y cabales
son apenas blasones coberturas

estamos desarmados como sueño en andrajos
pero los anfitriones nos rearman de apuro
nos quieren como aliados y no como reliquias
aunque a veces nos pidan la derrota en hilachas
para no repetirla

inermes como sueños así vamos
pero los anfitriones nos formulan preguntas
que incluyen su semilla de respuesta
y ponen sus palomas mensajeras y lemas
a nuestra tímida disposición
y claro sudamos los mismos pánicos
temblamos las mismas preocupaciones

a medida que entramos en el miedo
vamos perdiendo nuestra extranjería
ei enemigo es una niebla espesa
es el común denominador o
denominador plenipotenciario

es bueno reanudar el enemigo
de lo contrario puede acontecer
que uno se ablande al verlo tan odioso
el enemigo es siempre el mismo cráte
todavía no hay volcanes apagados

cuando nos escondemos a regar
la maceta con tréboles venéreos
aceitamos bisagras filosóficas
le ponemos candado a los ex domicilios
y juntamos las viudas militancias
y desobedecemos a los meteorólogos
soñamos con axilas y grupas y caricias
despertamos oliendo a naftalina
todos los campanarios nos conmueven
aunque tan solo duren en la tarde plomiza
y estemos abollados de trabajo

el recuerdo del mar cuando no hay mar
nos desventura la insolencia y la sangre
y cuando hay mar de un verde despiadado
la ola rompe en múltiples agüeros

uno de los problemas de esta vida accesoria
es que en cada noticia emigramos
siempre los pies alados livianísirnos
del que espera la señal de largada
y claro a medida que la señal no llega
nos aplacamos y nos convertimos
en herines apiñados y reumáticos

y bien esa maciza ingravidez
alza sus espirales de huelo en el lenguaje
hablamos ele botijas o gurises
y nos traducen pibe riñe guagua
suena ta o taluego
y es como si cantáramos desvergonzadamente
do jamás se pone el sol se pone el sol

y nos aceptan siempre
nos inventan a veces
nos lustran la morriña majadera
con la nostalgia que hubieran tenido
o que tuvieron o que van a tener
pero además nos muestran ayeres y anteayeres
la película entera a fin de que aprendamos
que la tragedia es ave migratoria
que los pueblos irán a contramuerte
y el destino se labra con las uñas

habrá que agradecerlo de por vida
acaso más que el pan y la cama y el techo
y los poros alertas del amo
r habrá que recordar con un exvoto
esa pedagogía solidaria y tangible

por lo pronto se sienten orgullosos
de entender que no vamos a quedarnos
porque claro hay un cielo
que nos gusta tener sobre la crisma
así uno va fundando las patrias interinas
segundas patrias siempre fueron buenas
cuando no nos padecen y no nos compadecen
simplemente nos hacen un lugar junto al fuego
y nos ayudan a mirar las llamas
porque saben que en ellas vemos nombres y bocas

es dulce y prodigiosa esta patria interina
con manos tibias que reciben dando
se aprende todo menos las ausencias
hay certidumbres y caminos rotos
besos rendidos y provisionales
brumas con barcos que parecen barcos
y lunas que reciben nuestra noche
con tangos marineras sones rumbas
y lo importante es que nos acompañan
con su futuro a cuestas y sus huesos

esta patria interina es dulce y honda
tiene la gracia de rememorarnos
de alcanzarnos noticias y dolores
como si recogiera cachorros de añoranza
y los diera a la suerte de los niños

de a poco percibimos los signos del paisaje
y nos vamos midiendo primero con sus nubes
y luego con sus rabias y sus glorias
primero con sus nubes
que unas veces son fibras filamentos
y otras veces tan redondas y plenas
como tetas de madre treinteañera
y luego con sus rabias y sus glorias
que nunca son ambiguas

acostumbrándonos a sus costumbres
llegamos a sentir sus ráfagas de historia
y aunque siempre habrá un nudo inaccesible
un útero de glorias que es propiedad privada
igual nuestra confianza izará sus pendones
y creeremos que un día que también que ojalá

aquí no me segrego
tampoco me segregan
hago de centinela de sus sueños
podemos ir a escote en el error
o nutrirnos de otras melancolías

algunos provenimos del durazno y la uva
otros vienen del mango y el mamey
y sin embargo vamos a encontrarnos
en la indócil naranja universal

el enemigo nos vigila acérrimo
él y sus corruptólogos husmean
nos aprenden milímetro a milímetro
estudian las estelas que deja el corazón
pero no pueden descifrar el rumbo
se les ve la soberbia desde lejos
sus llamas vuelven a lamer el cielo
chamuscando los talones de dios

su averno monopólico ha acabado
con el infierno artesanal de leviatán

es fuerte el enemigo y sin embargo
mientras la bomba eleva sus hipótesis
y todo se asimila al holocausto
una chiva tranquila una chiva de veras
prosigue masticando en el islote

ella solita derrotó al imperio
todos tendríamos que haber volado
a abrazar a esa hermana
ella sí demostró lo indemostrable
y fue excepción y regla todo junto
y gracias a esa chiva de los pueblos
ay nos quedamos sin apocalipsis

cuando sentimos el escalofrío
y los malos olores de la ruina
siempre es bueno saber que en algún meridiano
hay una chiva a lo mejor un puma
un ñandú una jutía una lombriz
un espermatozoide un feto una criatura
un hombre o dos un pueblo
una isla un archipiélago
un continente un mundo
tan firmes y tan dignos de seguir masticando
y destruir al destructor y acaso
desapocalipsarnos para siempre

es germinal y aguda esta patria interina
y nuestro desconsuelo integra su paisaje
pero también lo integra nuestro bálsamo

por supuesto sabemos desenrollar la risa
y madrugar y andar descalzos por la arena
narrar blancos prodigios a los niños
inventar minuciosos borradores de amor
y pasarlos en limpio en la alta noche
juntar pedazos de canciones viejas
decir cuentos de loros y gallegos
y de alemanes y de cocodrilos
y jugar al pingpong y a los actores
bailar el pericón y la milonga
traducir un bolero al alemán
y dos tangos a un vesre casi quechua
claro no somos una pompa fúnebre
usamos el derecho a la alegría

pero cómo ocultarnos los derrumbes
el canto se nos queda en estupor
hasta el amor es de pronto una culpa
nadie se ríe de los basiliscos
he visto a mis hermanos en mis patrias suplentes
postergar su alegría cuando muere la nuestra
y ese sí es un tributo inolvidable

por eso cuando vuelva
                                      y algún día será
a mis tierras mis gentes y mi cielo
ojaló que el ladrillo que a puro riesgo traje
para mostrar al mundo cómo era mi casa
dure como mis duras devociones
a mis patrias suplentes compañeras
viva como un pedazo de mi vida
quede como un ladrillo en otra casa.
Olivia Kent Aug 2013
Blush!

The blush of pinkish,
As flamingo fandangos,
In rhythmic tangos,
Long legs centrally bent as she stands,
Flamingo masquerades as delicate swan!
Sort of strutting,
Elegant,
Thought not!
Woman masked as flaming flamingo.
Lady tall in height,
Wistfully wishes on starlight night, bright,
Clear eyes sparkle,
A tint of mystery's mystique,
No teardrops,
He fed her fire with touch of love,
As if were both sent from above,
Two strange birds can only tell,
If love will grow or tears well!
Passion kissed her on her cheek,
Left her blushing scarlet,
Jesus wept and cried out loud,
'This woman,
She's no harlot,'
Both dangling suspended in ether clouds ,
Dozy as hell,
These two dreamy birds are two of a kind,
No similar creatures will you ever find,
He struts peacock feathers glory.
She blushes,
Escaped from love story!
Eccentricity,
Idiosyncrasies,
Rule the day,
Hurry up,
Bring him back my way!


By ladylivvi1
© 2013 ladylivvi1 (All rights reserved)
Es tan fácil nacer en sitios que no existen
y sin embargo fueron brumosos y reales
por ejemplo m¡ sitio mi marmita de vida
mi suelta de palomas conservaba
una niebla capaz de confundir las brújulas
y atravesar de tarde los postigos
todo en el territorio de aquella infancia breve
con la casa en la loma cuyo dueño
cara un tal valentín del escobar
y el nombre era sonoro me atraían
las paredes tan blancas y rugosas
ahí descubrí el lápiz como colón su américa
sin saber que era lápiz y mientras lo empuñaba
alguien hacía muecas al costado de un biombo
para que yo comiera pero yo no comía

después es la estación y es el ferrocarril
me envuelven en la manta de viaje y de calor
y había unas mangueras largas ágiles
que lavaban la noche en los andenes

las imágenes quedan como en un incunable
que sólo yo podría descifrar
puesto que soy el único especialista en mí
y sin embargo cuando regresé
apenas treinta y dos años más tarde
no había andén ni manta ni paredes rugosas
ya nadie recordaba la casa en la lomita
tampoco a valentín del escobar
quizá sea por eso que no puedo creer
en pueblo tan ceñido tan variable
sin bruma que atraviese los postigos
y confunda las brújulas
un paso de los toros enmendado
que no tiene ni biombo ni mangueras

el espejo tampoco sabe nada
con torpeza y herrumbre ese necio repite
mi pescuezo mi nuez y mis arrugas
debe haber pocas cosas en el mundo
con menos osadía que un espejo

en mis ojos amén de cataratas
y lentes de contacto con su neblina propia
hay rehenes y brujas
espesas telarañas sin arañas
hay fiscales y jueces
disculpen me quedé sin defensores
hay fiscales que tiemblan frente a los acusados
y jueces majaderos como tías
o deshumanizados como atentos verdugos
hay rostros arduos y fugaces
otros triviales pero permanentes
hay criaturas y perros y gorriones
que van garúa arriba ensimismados
y un sosías de dios que pone cielos
sobre nuestra mejor abolladura
y tampoco el espejo sabe nada
de por qué lo contemplo sin rencor y aburrido

y así de noche en noche
así de nacimiento en nacimiento
de espanto en espantajo
van o vamos o voy con las uñas partidas
de arañar y arañar la infiníta corteza

más allá del orgullo los árboles quedaron
quedaron los presagios las fogatas
allá atrás allá atrás
quién es tan memorioso
ah pero la inocencia ese búfalo herido
interrumpe o reanuda
la fuga o cacería
de oscuro desenlace

todos mis domicilios me abandonan
y el botín que he ganado con esas deserciones
es un largo monólogo en hiladas
turbado peregrino garrafal
contrito y al final desmesurado
para mi humilde aguante

Me desquito clavándole mi agüero
me vengo espolvoreándolo de culpas
pero la soledad
                            esa guitarra
esa botella al mar
esa pancarta sin muchedumbrita
esa efemérides para el olvido
oasis que ha perdido su desierto
flojo tormento en espiral
cúpula rota y que se llueve
ese engendro del prójimo que soy
tierno rebuzno de la angustia
farola miope

tímpano
ceniza
nido de águila para torcazas
escobajo sin uvas
borde de algo importante que se ignora
esa insignificante libertad de gemir
ese carnal vacío
ese naipe sin mazo
ese adiós a ninguna
esa espiga de suerte
ese hueco en la almohada
esa impericia
ese sabor grisáceo
esa tapa sin libro
ese ombligo inservible
la soledad en fin
                              esa guitarra
de pronto un día suena repentina y llamante
inventa prójimas de mi costilla
y hasta asombra la sombra
qué me cuentan

en verdad en verdad os digo que
nada existe en el mundo como la soledad
para buscarnos tierna compañía
cohorte escolta gente caravana

y el espejo ese apático supone
que uno está solo sólo porque rumia
en cambio una mujer cuando nos mira sabe
que uno nunca está solo aunque lo crea
ah por eso hijos míos si debéis elegir
entre una muchacha y un espejo
elegid la muchacha

cómo cambian los tiempos y el azogue
los espejos ahora vienen antinarcisos
hace cuarenta años la gente los compraba
para sentirse hermosa para saberse joven
eran lindos testigos ovalados
hoy en cambio son duros enemigos
cuadrados de rencor bruñidos por la inquina
nos agravian mortifican zahieren
y como si tal cosa pronuncian su chispazo
mencionan lustros y colesterol
pero no las silvestres bondades de estraperlo
la lenta madurez esa sabiduría
la colección completa de delirios
nada de eso         solamente
exhuman
las averías del pellejo añejo
el desconsuelo y sus ojeras verde
la calvicie que empieza o que concluye
los párpados vencidos siniestrados
las orejas mollejas la chatura nasal
las vacantes molares las islas del eczema

pero no hay que huir despavorido
ni llevarle el apunte a ese reflejo
nadie mejor que yo
para saber que miente

no caben en su estanque vertical
los que fui los que soy los que seré
siempre soy varios en parejos rumbos
el que quiere asomarse al precipicio
el que quiere vibrar inmóvil como un trompo
el que quiere respirar simplemente

será que nada de eso está en mis ojos
nadie sale a pedir el vistobueno
de los otros que acaso y sin acaso
también son otros y en diversos rumbos
el que aspira a encontrarse con su euforia
el que intenta ser flecha sin el arco
el que quiere respirar simplemente
será que nada de eso está en mi ceño
en mis hombros mi boca mis orejas
será que ya no exporto dudas ni minerales
no genera divisas mi conducta
tiene desequilibrios mi balanza de pagos
la caridad me cobra intereses leoninos
y acaparo dolor para el mercado interno

será que nada de eso llega al prójimo
pero yo estoy hablando del y con el espejo
y en su Iuna no hay prójima y si hay
será tina entrometida que mira sobre mi hombro

los prójimos y prójimas no están el el luciente
sencillamente son habitantes de mi
y bueno se establecen en mi como pamperos
como arroyos o como burbujas

por ejemplo las dudas no están en el espejo
las dudas que son meras preconfianzas
por ejemplo los miércoles no están
ya que el espejo es un profesional
de noches sabatinas y tardes domingueras
los miércoles de miércoles quien se le va a arrimar
pedestre o jadeante
inhumano y cansado
con la semana a medio resolver
las tardes gordas de preocupaciones
el ómnibus oliendo a axila de campeón

los insomnios no caben por ejemplo
no son frecuentes pero si poblados
de canciones a trozos
de miradas que no eran para uno
y alguna que otra bronco no del todo prevista
de ésas clue consumen la bilis del trimestre

tampoco aquellos tangos en Ios que uno sujeta
en suave diagonal la humanidad contigua
y un magnetismo cálido y a la vez transitorio
consterna los gametos sus ene cromosomas
y entre corte y cortina se esparcen monosílabos
y tanto las pavadas aleluya
como las intuiciones aleluya aleluya
derriban las fronteras ideológicas

verbigracia qué puede rescatar el espejo
de una ausencia tajante
una de esas ausencias que concurren
que numeran sus cartas
y escriben besos ay de amor remoto

qué puede qué podría reconocer carajo
de las vidas y vidas que ya se me murieron
esos acribillados esos acriborrados
del abrazo y el mapa y los boliches
o los que obedecieron a su corazonada
hasta que el corazón les explotó en la mano
sea en el supermarket de la mala noticia
o en algún pobre rancho de un paisaje sin chau

poco puede conocer de los rostros
que no fueron mi rostro y sin embargo
siguen estando en mí
y menos todavía
de los desesperantes terraplenes
que traté de subir o de bajar
esos riesgos minúsculos que parecen montañas
y los otros los graves que salvé como un sordo
así hasta que la vida quedó sin intervalos
y la muerte quedó sin vacaciones
y mi piel se quedó sin otras pieles
y mis brazos vacíos como mangas
declamaron socorro para el mundo

en la esquina del triste no hay espejo
y lo que es
                  más
austero
                                        no
hay auxilio
por qué será que cunden fas alarmas
y no huy manera ya de descundirlas

el país tiene heridas grandes como provincias
y hay que aprender a andar sobre sus bordes
sin vomitar en ellas ni caer como bolos
ni volverse suicida u miserable
ni decir no va más
porque está yendo
y exportamos los huérfanos y viudas
como antes la lana o el tasajo

en el muelle del pobre no hay espejo
y lo que es
                   más
sencillo
                                        no
hay adioses

los tratemos que estaban en el límite
las muchachas que estaban en los poemas
asaltaron de pronto el minuto perdido
y se desparramaron como tinta escarlata
sobre las ínfulas y los sobornos
metieron sus urgencias que eran gatos
en bolsas de arpillera
y cuando las abrieron aquello fue un escándalo
la fiesta prematura
igual que si se abre una alcancía

hacía tanto que éramos comedidos y cuerdos
que no nos vino mal este asedio a la suerte

los obreros en cambio no estaban en los poemas
estaban en sus manos nada más
que animan estructuras telas fibras
y cuidan de su máquina oh madre inoxidable
y velan su garganta buje a buje
y le toman el pulso
y le vigilan la temperatura
y le controlan la respiración
y aquí atornillan y desatornillan
y allí mitigan ayes y chirridos y ecos
o escuchar sus maltrechas confidencias
y por fin cuando suena el pito de las cinco
la atienden la consuelan y la apagan

los obreros no estaban en los poemas
pero a menudo estaban en las calles
eon su rojo proyecto y eon su puño
sus alpargatas y su humor de lija
y su beligerancia su paz y su paciencia
sus cojones de clase
qué clase de cojones
sus olas populares
su modestia y su orgullo
que son casi lo mismo

las muchachas que estaban en los poemas
los obreros que estaban en las mulos
hoy están duros en la cárcel firmes
como las cuatro barras que interrumpen el cielo

pero habrá otro tiempo
es claro que habrá otro
habrá otro ticnlpo porque el tiempo vuela
no importa que ellas y ellos no estén en el espejo
el tiempo volará
                             no
como el cóndor
ni como el buitre ni como el albatros
ni como el churrinche ni como el venteveo
el tiempo volara como la historia
esa ave migratoria de atlas fuertes
que cuando Ilega es para quedarse

y por fin las muchachas estarán en las mulos
y por fin los obreros estarán en los poemas
ay espejo ignorás tanta vida posible
tenés mi soledad
vaya conquista
en qué mago atolón te obligaste a varar
hay un mundo de amor que te es ajeno
así chic no te. quedes mirando má mirada
la modorra no escucha campanas ni promesas
tras de mi sigue habiendo un pedazo do historia
y yo tengo la llave de ese cobre barato
pero atrás más atrás
o adelante mucho más adelante
hay una historia plena
una patria en andamios con banderas posibles
y todo sin oráculo y sin ritos
y sin cofre y sin llave
simplemente una patria

ay espejo las sombras que te cruzan
son mucho más corpóreas que mi cuerpo depósito
el tiempo inagotable hace sus propios cálculos
y yo tengo pulmones y recuerdos y nuca
y otras abreviaturas de lo frágil
quizá una vez, te quiebres
dicen que es mala suerte
pero ningún espejo pudo con el destino
o yo mismo me rompa sin que vos te destruyas
y sea así otra sombra que te cruce

pero espejo ya tuve como dieciocho camas
en los tres años últimos de este gran desparramo
como todas las sombras pasadas o futuras
soy nómada y testigo y mirasol
dentro de tres semanas tal vez me vaya y duerma
en ml cama vacía número diecinueve
no estarás para verlo
no estaré para verte

en otro cuarto neutro mengano y transitorio
también habrá un espejo que empezará a
   escrutarme
tan desprolijamente como vos
y aquí en este rincón duramente tranquilo
se instalará otro huesped temporal como yo
o acaso dos amantes recién homologados
absortos en su canje de verguenzas
con fragores de anule e isócronos vaivenes

no podrás ignorarlos
egos le ignorarán
no lograrás desprestigiar su piel
porque será de estreno y maravilla
ni siquiera podr á vituperar mi rostro
porque ya estaré fuera de tu alcance
diciéndole a otra luna de impersonal herrumbre
lo que una vez te dije con jactancia y recelo

he venido con toldos mis enigmas
he venido con todos mis fantasmas
he venido con lerdees mis amores

y antes de que me mire
como vos me miraste
con ojos que eran sello parodia de mis ojos
soltaré de una vez el desafío

ay espejo cuadrado
nuevo espejo de hotel y lejanía
aquí estoy
                  ya podés
empezar a ignorarme.
Yam Kaplan Feb 2014
She is raving and unfaithful,
judged to die of insomnia
but
I love her.

She dances four tangos
with demons in her mind
but the fifth dance is mine tonight.

Instead of singing her love songs
I scream in agony
"Baby, your blood tastes like Tequila",
but she pours me a cold Jager
hissing.

She was never a person of tender touch,
rolled up her sleeves and showed her scars
and bruises
like a warrior.

She is ******* and restless,
a street cat fearing strangers
yet chasing cars
and
I love her.
Después de todo qué complicado es el amor breve
y en cambio qué sencillo el largo amor
digamos que éste no precisa barricadas
contra el tiempo ni contra el destiempo
ni se enreda en fervores a plazo fijo

el amor breve aún en aquellos tramos
en que ignora su proverbial urgencia
siempre guarda o esconde o disimula
semiadioses que anuncian la invasión del olvido
en cambio el largo amor no tiene cismas
ni soluciones de continuidad
más bien continuidad de soluciones

esto viene ligado a una historia la nuestra
quiero decir de mi mujer y mía
historia que hizo escala en treinta marzos
que a esta altura son como treinta puentes
como treinta provincias de la misma memoria
porque cada época de un largo amor
cada capítulo de una consecuente pareja
es una región con sus propios árboles y ecos
sus propios descampados sus tibias contraseñas

he aquí que mi mujer y yo somos lo que se llama
una pareja corriente y por tanto despareja
treinta años incluidos los ocho bisiestos
de vida en común y en extraordinario

alguien me informa que son bodas de perlas
y acaso lo sean ya que perla es secreto
y es brillo llanto fiesta hondura
y otras alegorías que aquí vienen de perlas

cuando la conocí
tenía apenas doce años y negras trenzas
y un perro atorrante
que a todos nos servía de felpudo
yo tenía catorce y ni siquiera perro
calculé mentalmente futuro y arrecifes
y supe que me estaba destinada
mejor dicho que yo era el destinado
todavía no se cuál es la diferencia

así y todo tardé seis años en decírselo
y ella un minuto y medio en aceptarlo

pasé una temporada en buenos aires
y le escribía poemas o pancartas de amor
que ella ni siquiera comentaba en contra
y yo sin advertir la grave situación
cada vez escribía más poemas más pancartas
realmente fue una época difícil

menos mal que decidí regresar
como un novio pródigo cualquiera
el hermano tenía bicicleta
claro me la prestó y en rapto de coraje
salí en bajada por la calle almería
ah lamentablemente el regreso era en repecho

ella me estaba esperando muy atenta
cansado como un perro aunque enhiesto y altivo
bajé de aquel siniestro rodado y de pronto
me desmayé en sus brazos providenciales
y aunque no se ha repuesto aún de la sorpresa
juro que no lo hice con premeditación

por entonces su madre nos vigilaba
desde las más increíbles atalayas
yo me sentía cancerbado y miserable
delincuente casi delicuescente

claro eran otros tiempos y montevideo
era una linda ciudad provinciana
sin capital a la que referirse
y con ese trauma no hay terapia posible
eso deja huellas en las plazoletas

era tan provinciana que el presidente
andaba sin capangas y hasta sin ministros

uno podía encontrarlo en un café
o comprándose corbatas en una tienda
la prensa extranjera destacaba ese rasgo
comparándonos con suiza y costa rica

siempre estábamos llenos de exilados
así se escribía en tiempos suaves
ahora en cambio somos exiliados
pero la diferencia no reside en la i

eran bolivianos paraguayos cariocas
y sobre todo eran porteños
a nosotros nos daba mucha pena
verlos en la calle nostalgiosos y pobres
vendiéndonos recuerdos y empanadas

es claro son antiguas coyunturas
sin embargo señalo a lectores muy jóvenes
que graham bell ya había inventado el teléfono
de aquí que yo me instalara puntualmente a las seis
en la cervecería de la calle yatay
y desde allí hacía mi llamada de novio
que me llevaba como media hora

a tal punto era insólito mi lungo metraje
que ciertos parroquianos rompebolas
me gritaban cachádome al unísono
dale anclao en parís

como ven el amor era dura faena
y en algunas vergüenzas
casi insdustria insalubre

para colmo comí abundantísima lechuga
que nadie había desinfectado con carrel
en resumidas cuentas contraje el tifus
no exactamente el exantemático
pero igual de alarmante y podrido
me daban agua de apio y jugo de sandía
yo por las dudas me dejé la barba
e impresionaba mucho a las visitas

una tarde ella vino hasta mi casa
y tuvo un proceder no tradicional
casi diría prohibido y antihigiénico
que a mi me pareció conmovedor
besó mis labios tíficos y cuarteados
conquistándome entonces para siempre
ya que hasta ese momento no creía
que ella fuese tierna inconsciente y osada

de modo que no bien logré recuperar
los catorce kilos perdidos en la fiebre
me afeité la barba que no era de apóstol
sino de bichicome o de ciruja
me dediqué a ahorrar y junté dos mil mangos
cuando el dólar estaba me parece a uno ochenta

además decidimos nuestras vocaciones
quiero decir vocaciones rentables
ella se hizo aduanera y yo taquígrafo

íbamos a casarnos por la iglesia
y no tanto por dios padre y mayúsculo
como por el minúsculo jesús entre ladrones
con quien siempre me sentí solidario
pero el cura además de católico apostólico
era también romano y algo tronco
de ahí que exigiera no sé qué boleta
de bautismo o tal vez de nacimiento

si de algo estoy seguro es que he nacido
por lo tanto nos mudamos a otra iglesia
donde un simpático pastor luterano
que no jodía con los documentos
sucintamente nos casó y nosotros
dijimos sí como dándonos ánimo
y en la foto salimos espantosos

nuestra luna y su miel se llevaron a cabo
con una praxis semejante a la de hoy
ya que la humanidad ha innovado poco
en este punto realmente cardinal

fue allá por marzo del cuarenta y seis
meses después que daddy truman
conmovido generoso sensible expeditivo
convirtiera a hiroshima en ciudad cadáver
en inmóvil guiñapo en no ciudad

muy poco antes o muy poco después
en brasil adolphe berk embajador de usa
apoyaba qué raro el golpe contra vargas
en honduras las inversiones yanquis
ascendían a trescientos millones de dólares
paraguay y uruguay en intrépido ay
declaraban la guerra a alemania
sin provocar por cierto grandes conmociones
en chile allende era elegido senador
y en haití los estudiantes iban a la huelga
en martinica aimé cesaire el poeta
pasaba a ser alcalde en fort de france
en santo domingo el PCD
se transformaba en PSP
y en méxico el PRM
se transformaba en PRI
en bolivia no hubo cambios de siglas
pero faltaban tres meses solamente
para que lo colgaran a villarroel
argentina empezaba a generalizar
y casi de inmediato a coronelizar

nosotros dos nos fuimos a colonia suiza
ajenos al destino que se incubaba
ella con un chaleco verde que siempre me gustó
y yo con tres camisas blancas

en fin después hubo que trabajar
y trabajamos treinta años
al principio éramos jóvenes pero no lo sabíamos
cuando nos dimos cuenta ya no éramos jóvenes
si ahora todo parece tan remoto será
porque allí una familia era algo importante
y hoy es de una importancia reventada

cuando quisimos acordar el paisito
que había vivido una paz no ganada
empezó lentamente a trepidar
pero antes anduvimos muy campantes
por otras paces y trepidaciones
combinábamos las idas y las vueltas
la rutina nacional con la morriña allá lejos
viajamos tanto y con tantos rumbos
que nos cruzábamos con nosotros mismos
unos eran viajes de imaginación qué baratos
y otros qué lata con pasaporte y vacuna

miro nuestras fotos de venecia de innsbruck
y también de malvín
del balneario solís o el philosophenweg
estábamos estamos estaremos juntos
pero cómo ha cambiado el alrededor
no me refiero al fondo con mugrientos canales
ni al de dunas limpias y solitarias
ni al hotel chajá ni al balcón de goethe
ni al contorno de muros y enredaderas
sino a los ojos crueles que nos miran ahora

algo ocurrió en nuestra partícula de mundo
que hizo de algunos hombres maquinarias de horror
estábamos estamos estaremos juntos
pero qué rodeados de ausencias y mutaciones
qué malheridos de sangre hermana
qué enceguecidos por la hoguera maldita

ahora nuestro amor tiene como el de todos
inevitables zonas de tristeza y presagios
paréntesis de miedo incorregibles lejanías
culpas que quisiéramos inventar de una vez
para liquidarlas definitivamente

la conocida sombra de nuestros cuerpos
ya no acaba en nosotros
sigue por cualquier suelo cualquier orilla
hasta alcanzar lo real escandaloso
y lamer con lealtad los restos de silencio
que también integran nuestro largo amor

hasta las menudencias cotidianas
se vuelven gigantescos promontorios
la suma de corazón y corazón
es una suasoria paz que quema
los labios empiezan a moverse
detrás del doble cristal sordomudo
por eso estoy obligado a imaginar
lo que ella imagina y viceversa

estábamos estamos estaremos juntos
a pedazos a ratos a párpados a sueños
soledad norte más soledad sur
para tomarle una mano nada más
ese primario gesto de la pareja
debí extender mi brazo por encima
de un continente intrincado y vastísimo
y es difícil no sólo porque mi brazo es corto
siempre tienen que ajustarme las mangas
sino porque debo pasar estirándome
sobre las torres de petróleo en maracaibo
los inocentes cocodrilos del amazonas
los tiras orientales de livramento

es cierto que treinta años de oleaje
nos dan un inconfundible aire salitroso
y gracias a él nos reconocemos
por encima de acechanzas y destrucciones

la vida íntima de dos
esa historia mundial en livre de poche
es tal vez un cantar de los cantares
más el eclesiastés y sin apocalipsis
una extraña geografía con torrentes
ensenadas praderas y calmas chichas

no podemos quejarnos
en treinta años la vida
nos ha llevado recio y traído suave
nos ha tenido tan pero tan ocupados
que siempre nos deja algo para descubrirnos
a veces nos separa y nos necesitamos
cuando uno necesita se siente vivo
entonces nos acerca y nos necesitamos

es bueno tener a mi mujer aquí
aunque estemos silenciosos y sin mirarnos
ella leyendo su séptimo círculo
y adivinando siempre quién es el asesino
yo escuchando noticias de onda corta
con el auricular para no molestarla
y sabiendo también quién es el asesino

la vida de pareja en treinta años
es una colección inimitable
de tangos diccionarios angustias mejorías
aeropuertos camas recompensas condenas
pero siempre hay un llanto finísimo
casi un hilo que nos atraviesa
y va enhebrando una estación con otra
borda aplazamientos y triunfos
le cose los botones al desorden
y hasta remienda melancolías

siempre hay un finísimo llanto un placer
que a veces ni siquiera tiene lágrimas
y es la parábola de esta historia mixta
la vida a cuatro manos el desvelo
o la alegría en que nos apoyamos
cada vez más seguros casi como
dos equilibristas sobre su alambre
de otro modo no habríamos llegado a saber
qué significa el brindis que ahora sigue
y que lógicamente no vamos a hacer público
The snowflakes fell
Like talcum, softly, from a rusted tube.
Pure and silently, the
Pine trees shrugged
Against the blanket they were forced to hug-
Evergreen arms
Cut the blue sky and
The white clouds became gray,
And they cried.

As a mirror thrown against
A brick wall in the dark,
The wind blew harshly,
Demeaning,
Unforgiving,
Like tiny knives, tiny shards
Of broken glass, fast and hard.

Drops of dew looked up to the sky-
And now it is springtime;
Spring is the temple,
Love is a new day
To open your eyes and
Count the
Births,
And blooms,
And beginnings
And things.

The raindrops fell in a gentle mist,
Fat and slow,
Onto blades of dark green grass
And when they landed,
They kissed.

Light
Tangos on the tops of heads,
Perches in the hair like
Crown jewels,
Liquid like gold
Above faces of lovers-
Lovely, bright, and bold.
Births,
And blooms,
And beginnings,
And things.
And now it is springtime,
Stuck inside a blissful moment,
Snapping vintage photographs in
Hues of yellow and green,
Chartreuse, something in between-
Light falls down though eyelashes,
Dancing upon toes of shoes,
Hoping this moment doesn’t
End too soon.
as a butterfly
fleets the cocoon
vivaciously flying
towards never land
I love, love

don't let time
turn silent
the answer I find
forever in your eyes
I love, love

dive in with my fate
as an infinity
speaking softly
from what you feel…
when you're with me,
and when you are alone in flight
looking for your journeys
end

I love, to love

I sit in meadows
fresh, vibrantly green
creating shapes of
the cotton ***** above
I love, to love

breeze tangos with
my hair gently
sun illuminates you
while fluttering by
I love, to love

my heart twinkles
at the thought
never to cease
blissfully fulfilled
boundlessly intertwined
confidently whispering I love
you

*I love, love...love, to love...love you
Shay Ruth Sep 2013
How long will you sit there?
Cavities, your type of trophies from wilder days, the forgettable kind
Rutting between hills of lifeless grey flesh
Moist as the dust that stood to search (unsuccessfully) for fresh light

Nothing moves anymore
Even the 41, Guyanese invertebrates
Learned you long ago
They wait, tire

Sometimes before the hours tip, I hear you, or try to
You play the dances in your head
Just like swallowed tangos and serenades for mama
She always said you could sing

I fought for the top of your feet
My place, where my toes gripped wrinkles in your smile
Pulling me down, down past moonless flights
Yet no such pedestal stood

Mid-yawn, we breathed in springtime
I left a piece for you, buried deep in an injection
I lost my crown that day
My heart anticipated the warmth of melting snow

I'd cover furrowed brows in blue ink, sometimes black
Grinning under the blotting
Recipes for tomorrow
Words I beg to forget
Muhammad Usama Feb 2019
Gentle winter sun,
Peeking through the hazy window,
Fiddling with your hair as your head rested on my shoulder,
While, to Florence we journeyed,
Away from the Sicilian soil,
Whose Olives kept us captives for so long.

Oh! And remember how-
The Florentine pavements answered our footsteps,
And picturesque italian figures smiled at our liberty,
And how-
The sound of mandolin, and of accordion;
The carefree ramblings,the mindless tangos in the Italian streets,
And the sheer aura of it all,
Moved me-
And how it moved you!

But it was later in Vatican,
Ah! it was then,
When God became Michelangelo for me,
And you,the ceiling of Sistine Chapel.
Nikola Kaberline Jun 2014
They hang limply from the walls as
Old friend DECAY settles
Suburbia Mexicana neons and
Obscene jabs in raspberry
Demonizing the scalp of an 18th cake
The lipstick is not dark enough to
Carry a meaning here

No scent lingers as the calendar turns
Another year burnt to death as
We move further away from coincidence
And desperately memorize the lines of a
Modern work, every brushstroke an intellectual
Marvel so if we stare enough it will enfold on
Itself to glass

Guten morgen, Herr Schicksal!
Would you be so kind as to
Dissolve the peppermint stench
And leave the shower on?
I may see a reflection through the
Steam and like it more than yours
I never much liked chloroform or
Frosted roses

Settle on with
Delusions of Poland
And lazy eye tangos
With naked melodies re-vamped
By a 21st century greaser
Please don’t leave
Hail to Canon, brute of mine!
Caosín Dec 2021
she jumps from table to table, dances with me like no other.
dips me, lifts me, whips me round in the most passionate of tangos.
She traces her legs, every movement, with care,
a fall from grace, so perfect and so rare.
she catches me as I leap. And leap I do but still I am there, in her arms, wrapped so tightly and held so dear.
"Do you like that?" she whispers into my ear
I do not. But I cannot seem to drag myself from her, a swirling twister of silver and red, though to be with her is my downfall, and she knows it.
she sees the fear in my eyes and she relishes in it. she sees my inhibitions and she dances all the more, shocking my soul and pleasing my heart. she is a heatwave, frostbite, a tragic death and the first breath. she is my ending and my beginning, killing me softly. and yet I do not stray. try as I might to escape she drags me back screaming and kicking, spinning me round till I cannot see, cannot walk and cannot think. she is ingrained in me, patterns on my skin that burn desperately through my clothes, itching red-hot. they remind me that I am hers.
and what if i liked it?
#emo #wristcheck #L #LMAOOOOSOFUNNYYYY
sofia ortiz Aug 2012
Praying for a minute more
as I stare at my watch.
Maybe if I look harder,
I can hinder time.

1.
At night, with my hand behind my head,
its whispering metronome
lulls me to sleep,
continuous like the white noise of some undiscovered beach.

2.
In the apartment, as I pass by the stairs,
the bourdon note of the hour's routine chime
hides in the corner
like a child meeting a stranger for the first time,
clinging to its mother.

3.
In the classroom, on the wall,
it lingers like a ******.
Everywhere, I am followed
by its piercing gaze.

4.
In the room, on the bed stand,
assertive in the light of the rising sun,
as reliable as a royal guard.
Cold and unfeeling.
I am obligated to obey.

5.
In my body, behind the gilded cage of my ribs,
it tangos in step
with my pulsating heart.
Every second winds the battery down.
Tangible,
yet why can't I feel it?

6.
In the train station,
it keeps a record of our coming and going,
sees us float like specters across spotless tile.
How many wanderers will it see before it breaks?
Perhaps it is our guardian angel,
silently waiting for us to be late.

7.
On the sundial, in the crumbling heat of mid-afternoon,
it remains unreliable.
The sky makes its own hours.
With clouds come the pause of time.
Seán Mac Falls Mar 2017
.
Ravens scatter outside my pain.
A throw of die against the winters

First snow and the window needs cleaning,
Maybe later.  The running glass

Is watery and after I make love
With you, I wake to the severing light

That is always silent.  The phone
Does not ring, as my cat has told me

Many times, let us play she says,
The way it used to be under

The red wood beams on the hard wood
Floors, you would cry in that vacancy.

Though we lived in a one bedroom
Unfurnished, I called it a dance hall

And we danced silly tangos.  I tried
To lift you then, but now outside

My window, ravens dervish and never
Fly in formation, under blue mountain.
Shannon Jan 2015
Temper-
now, now, there. He is
man of raging waters-
ease flees  his body
Like birds spooked by passing train.
Time and truths drag down his shoulders as
He walks his well-worn path to
Earn his well-worn dollar.
His arms limp to pick the tempest bottle
That fill his flaccid faith with the warmth of a hundred singing choirs.
Temper, now - hallelujah, hallelujah
He fills his cup - king of kings-
and pours it down the funnel of his spine,
And like the clown that blows up balloon animals
He blows up a lion
blows up a fighting ****-
He blows himself up into hope-into happy.
Temper man, mine,
I am branches of his trees
Snapping in the sudden gale
The storm that brews beneath his feet.
I am what he preserves -
what he destroys
Makes me like one of his castles
That
drip-drop
drip -drop
rise in the sand
I rise, towers blossom fragile
Queen of Drip-drop Land
- temper man watches it all wash away
I am sullen and silent and stirring
His madness alive
as he tangos with electrified demons on the beach where I puddle.
Oh how tiring it all is,
And he'll wake to drag his medal with him
As he walks the dusty road to clutch his dusty dollar
So he may do it all again.


Shan 01/05/15
Thank you for sharing any thoughts or suggestions.
ConnectHook Sep 2015
We live in times of innovation.
Winds of change affront the nation;
wind most welcome – by a few
(the masses know not what to do
with engineered progressive change,
their morals slow to rearrange).
And thus, in ornithology
we find an apt analogy…

Phoenix-like the vulture rose
in rainbow raiment, from repose
Its plumage all askew – a freak:
a mutant with a painted beak
borne of winds but lately blown.
This strange new hybrid (yet unflown)
did twitter forth an avian boon.
It preened its plumes and croaked a tune:

“I represent that rarest fowl,
far wiser than outmoded owl…
A dazzling swan of change am I
brought forth to liberate the sky!”

(Yet more appeared a fractured emu;
fair is fowl post-op… they tried to
cross said emu with an ostrich!
(What the hell – the surgeon got rich
changing apples into – mangos;
altering the twos to tangos…)

Fresh from gender suicide
he moulted into she. Beside
herself (itself?) with grief, regarded
previous selves as false: discarded
Sir for Madam overnight;
fixed it, mixed it, made it right.
Since God was wrong the first time ‘round,
Man (or something) thus is bound
hormonally to tweak and mutate,
hastening rebirth’s freakish due-date.

A manly bass – and yet the face
was poorly paired in his/her case
Soprano ought to have resounded –
yet the voice left one confounded.

Rainbow bracelets notwithstanding
this was clearly modern branding
(on the forehead – like a beast?)
well, Jesus said the truth at least:
that angels are of neither gender
(hence no need to check the member.)

Lest we offend endangered species
I commend transgendered theses –
paired with warning and a fable
as they turn the feathered table:

We may nurture fair to foul
while nature shrieks a hideous howl
but foul to fair cannot return;
thus trapped, both Eve and Adam burn.
She is a miasma of regret and gin
My resurrection Mary bound by sin

We all have white mice and black dogs
We all have white mice and black dogs

We all have songs we cannot sing
Burdens to bare upon our wings
She is a gilded crown one cannot wear
A ghostly smile, a forbidden stare

Dancing graveyard tangos before mother lune
She swirls and cascades and flies up to the moon
Her smile the jagged blade that ripped her wrist


And yet her shadow still persists


A spectre of memory upon my pealing wall
A heartbeat echoing from beneath the floor
A happiness known only to be ******
Inundated by **** and sand


She comes to me with wailing moans
The intolerable moments I am alone
She comes to me with obscene plans


And how I long to take her hand
To take the claw, take the blade
Bid adieu to sweat and shade
Oh bells and flame and an absence of pain
That endless slumber, oblivion, peace
Where broken girls find sweet relief
To be judged by lord on high, to be saved
To find the comfort I forever crave
To hug once more that girl I loved
Who visits me from far above

But she is a spectre of my dreams
My ignoble suffering, my pain and though it seems
She offers paradise she offers nothing but
She is an absence, a fissure, an empty plot


Where does that ****** maiden dwell?
There is no heaven, there is no hell


There is but this moment now, this moment now


For she is gone, and take note how
She cannot suffer, but nor delight
In warm winds nor the sordid ballet of night
In songs that come from god’s own choir
Or the devils dance of deep desire


Where live your smiles, if not on my own lips?
What persistence have you, if I did not exist?


She is dead
She has ceased to be
While every moment moves in me
Her waters still, mine swarm and flow
Onwards and upwards with any dream to know


So yes I dream of death, for she is sweet
To remember why my life I keep
A toast, a cavalcade of praise and love
I send to thee up high above


But understand why, my darling friend, I cannot follow
For I still long to taste tomorrow
Kate Deter Jul 2014
She danced with death.
At times they would wait on opposite sides of the room,
Stealing glances of each other around the other guests.
At others, they would stand so close
Their breath intermingled like the winds in the trees.
They held each other gently,
Both afraid to hold too hard
And have the other shatter into scattered fragments.
They would twirl and sidestep gracefully,
Making others yearn to watch
Yet afraid to do so, for doing so
Might upset the magical balance they’d set up.
And so the two dance on—
Waltzes, tangos, ballets,
Separating briefly to catch their breath
And to let the tension build from across the room.
nicholas ripley May 2010
It is in this space
Where thoughts can dance unconstrained
Of the concessions
To jealousy and stricture
Where tangos are passionate
N Ripley  (C) 2010
Sombro Dec 2015
You're across
An ocean swell
You're across
A boat's plough crushing
Waves down down

You're beyond
An island crowned in orange cloud
Seagulls busy dancing tangos
On the greasy wind.

You're way past
The strokes of spits of sand saliva
Of palm trees clapping coconuts
Making feigned horsehoove beats
To bring the waves a shouting match.
Roars clean the salty, dry air.

You've passed,
The shallow castles
Of whale dens,
Keeping ships in new homes
Wooden kin with keels and ribs
Flies and jibs.

You're not here, that's for sure,
But,
I feel you,
Maybe somehow.
I do.
I miss a friend
Sarah Villaluz Feb 2013
The cold breeze stirs to give way
to sweltering exotic heat
Leaves start to flutter softly
as if floating on tranquil seas
Time passes in subtle shifts
And I, daughter of earth
yearn for the wild, lush
forests of my childhood
in this sterile, distant, concrete labyrinth
Cut off from the seas and mountains.

You were the son of the ocean,
still and quiet on some days
ferocious and relentless on most nights
And when We met
All I heard was a deafening roar
    of waves upon rocks
        upon sand
            upon me.

You stole my breath
with your liquid dark eyes
twin stars reflected on the waters of midnight
You taught me to dance
underwater tangos
naked in the moonlight
to run under the rain
holding hands and laughing
You tasted like hot caramel
on my soft, sweet tongue
     and salt
         and sunshine
Everything that is ever good in this world.

You have bewitched me completely
And each day I spend
away from your arms
burns me
that I fear
that your touch
could send me up in a puff of smoke
and I would disappear.
Nothing
but the memory
of your words, your laughter
your kisses and your skin on mine
are left to inflame me
on idle days such as this.

Take me home to my vast green forests
the feel of dew grass and earth
beneath my bare feet
walk with me
back to the dark sandy beaches
where we first made love
Stay with me until the sun rises
      on the next day
           of the next day
               of the next
Hold me in your arms
until the stars look big
And never let me go.
Mateuš Conrad Jun 2016
eh, you wake up in the morning,
you hear the work-bell ring,
n' i march you to the table!
to see the same ol' thing.

ain' no food upon the table,
n' no... something something...
cos' you better not complain boy,
you'll get in trouble with the man...

let the midnight special,
     shine a light on me...
let the midnight special,
           shine a de Wallen red light on me -

cos Soho turned amber to all things queer,
and with queer turned all the stoppage
lights gearing you up to marriage a full
ahead go -
                              or in alt. castrated pop of
the Vatican **** charts - some sang some
other traffic coordination -

cos Soho sang of the green pristine ironed shirts
and the 9 and 5 daily tortoise and
birds - once it was the bees and the birds -
now it was all about birds and worms -
Soho my man, is all queer to mind you,
extortion on real estate and ****** -
but what if i paid with a diamond clad ****?
or cut my organic one off and used a *****,
half price?
                        i'd vote in solely for de wallen
section of Amsterdam, **** those little hubs
of quasi-hippies toking the cool off a joint...
i didn't go there for the cafes, i went for the brothel
cubicles...
                  ha                         ­     ha.

now, please understand me, i can understand a date
being a walk in a park, a promenade,
i understand the French concept of dating - coordinating,
walking and talk, an Islamic calendar month of binge eating
at sunset without recitation
from the book- but all this cinema,
this restaurant and drinks?
how about just a walk and talk session girl?
because, boy, you're so ******* outdated - i'd prefer
watching horror movies in a thunderstorm with lightning,
at least i'd be part of the Addam's family of Scottish Economy...

promenade! promenade with me! the airy bit of it all,
i'll have your oyster platter if i'm "sulking" an empty
stomach, and your words bouncing off inanimate things
while we seem to be walking parallel tangos,
but end up in the crypt of Caduceus.

i never finished the Soho song about the area being that
of privileged queers, and de Wallen known to the English
being shame alley - well... you should have heard the laugh
of that bubbly Puerto Rican girl... 'you know how
many i have had in me?'
what? tongues, i'm guessing the first.

i still don't know how to vote this out -
if i'd vote out, Soho couldn't compensate me,
if i'd vote in, at least de Wallen would -
well, given the statistics, i rather walk and talk
like some Aristotle tutorial -
rather than sit on my **** in a suburban semi-detached
before a television waiting for dementia.
PrttyBrd Nov 2014
I can feel you, restless, in my dreams, or mind, or heart.   tortured by thoughts of nothing in blackness in the noise of a crowded room.  There is no peace tonight, in my very being I feel it,  There are no meds to remove the screams, no drugs to escape the torture.  The numbness of self medication keeps your sanity hanging by the strongest of all threads.  Can't think too much, or ponder on what ifs.  But music looks beautiful dancing in the air, and time is a concept of man that serves no purpose other than to **** joy and draw boxes of conformity in thick black lines.

the color of sound
permeates cracks in the void
tolerable life


Existence without reason,  alone in an ever-present crowd, there are no rainbows in nighttime storms, I can feel your quick breaths as you are dragged into sleep unwillingly, though in desperate need. the trepidation runs deep, silenced by normality, fear of separation of mind tethered to others by soul alone.  Pretense in surface honesty, which is perceived as truth.  But the core of it, the fear of it, the whole of it cannot be hidden, for I feel you to the depths of who you are afraid to be.  There is no loss of sanity in being who you are,  Those colors sound beautiful as they dance in the smokey air, and the math is art incarnate, science is the symphony around which all things are born and oh the music.  Yes the music that dances through it all is the very air in all it's swirling hues of blissful perfection

two halves of self dance
tangos of darkness and light
beauty in all things


                    *in wait of nightmares
                    there need not be loneliness
                    joy in one who knows
111714
Mateuš Conrad Jan 2020
standing on the hellbender periphery...
something happens in
the anglo-lingual world...
something correlating injustice...
"whiteness" - the babylon circus...
you name it... and somehow...
this doesn't explode to other areas
of the world, but merely implodes...

perhaps it's the same in france and germany...
how scandinavia (notably sweden)
succumbed to this: i will not or rather:
i don't want to know...

i actually miss not having made
myself available to my grandparents
for this past month...
i'm pretty sure i would have read
and read and stayed sober...

4 years outside of the confines of both
england and december teasing january...
a hip-replacement surgery of
a very demanding mother...
turns out... her worries were unjustified...
if the surgeon was happy...
the nurses were happy...
it required almost a month of passing...
her vampirism draining me...
until some physiotherapist explained
it to her...

but that's not enough...
to vacuum each day to better keep her
impulsive-compulsive ticks in check...
as much as i like the joke of owning
two bonsai tigers...
and i haven't minded the cooking,
the ironing, the whole Cindarella shabang...
but when there's all that...
and there's the father loitering
around waiting for a new contract...

all the great things i ended up doing
with a degree in chemistry...
this is my last outlet...
get busy scribbling,
drinking and... over-rating my ambitions...
but all these anglo-lingual problems
just invite themselves in...
i listen to them and...

on the doorsteps of Russia...
can you imagine what sort tangos this
multi-cultural experiment would dance
in Russia?
that's practically an Asian entity...
or in the Balkans with its still preserved
Turkic presence of Islam...
anywhere where...

- i really can't see the problems...
other than this: this is a very terrible piece
of writing... look at it...
flabby, disjointed...
different problems in Russia...
or... ha... written in the vicinity of London...
with a mind-set still bound up
to having Belarus and Ukraine as neighbours...
and Russia too...

on the hellbender periphery of "whiteness"...
this whole: we were colonial powers once
argument... is sort of dead on my ears...
even i can attest: the darker skinned Kenyans
and the lighter skinned Nigerians...

i'm actually tired of the whites
who are pushing their transcendental *******...
never more free if they didn't push their
ideas and instead learned a new language...
apparently england fares the worst
when it comes to bilingualism...
circa 30% of its 15 - 35 year olds speak
a second language...
compared with Denmark: circa 90+%...
germany circa 80%... Poland thereabouts...

for some reason i was never taught
to "love" my fellow-countrymen... being an émigré...
how much of it was an automated: self-exile
and how much of it: we did this for you
to have a better life...
better life - as i now ask...
it's a life... i don't have comparative literature
to call it any better or any worse...
it is what it is...

i'm tired and i'm drinking:
which usually implies that i will be more honest
than usual...

the better parts of me i've left with other people,
what i have accumulated is,
the worst part of them... mostly their: sanctimonious
appeal... or the bigmouth strikes: yet again...

even Russia is a multicultral societ...
but there's no prancing beyond the better part
of the trough of Moscow's snippet piglets...
moss-co... opt in or opt-out...

the lost ability to consecrate one's life
in postcard snippers of photographs:
that once upon a time other people would take...
but now you take yourself...

imagine a man that masturbates once...
every "blue moon"... on / off...
what door is opened most frequently
in the house? the fridge is opened more times
than even the front door...
and then there's the selfie barrage...
because... looking into a mirror is no longer
enough...
if photography can be an art-work...
what the hell is the photograph
when one can focus in on something in a mirror?
are people who take these photographs
are afraid of looking in the mirror?

to have to stand completely stark naked...
mollusk-esque...
and the world's not quiet an oyster...
and all that: one punch sucker and it's
not so much a one punch k.o.,
and a one punch k.o. and a postmortem...
i've seen one of these examples:
"i.r.l.": i even hovered over the body
with a bunch of bystanders and said
out-loud...
'well... this sweet ******* is
not seeing next spring' - i.e. getting up
and having life-support machines
attached to him...

evolutionary: to begin with...
it's norman normie normansky...

oh yeah, i've seen a one punch post-mortem,
i've been to a brothel,
and i've been to a strip-club...
but still in Russia...
and esp. in Poland...
on the periphery of "whiteness"...
and there was no "cipher" to follow-suit....
what's expected is...
not expected...

because the button of cleavage...
which... let's face it...
one can't distinguish it from the peach
of an ***...
i wonder: would i, ever be bound...
to the grand canyon; "exemplification"?
please, stress any "further"...
two croissants doing the rub-rub
in an imitation game for two mollusks *******...
as ever: looking for
a tomahawk and a... scalp...

but in Russia: you would never see
this pseudo!
pseudo is a cuss-word reserved for petting
hunting dogs...
when you want them to aport! in reverse....
not in Russia, not in Poland...
good cuck-luck taming Ukraine...
perhaps all these ******* ever knew...
was how to seem: mouthy...
appropriate... and what better place to start...
than some obscrucity equivalent
to Rotherham!

oh i see it... when the THETA becomes the V...
rover nor rho-f-f rho-f-f...
******* r and am!
or simply quartz... and spam canned ham!

i was never expected to be the thief among
prostitutes...
kissing and the dosage of the reprimand
buther... cut always below the bulk
of a knee... survived the thinning
of the shins...
in psychiatric terms my "codition" is alluded
to as: the crude soup...
never was a more sane man demanded
to feel inadequacy...

but i salvaged for better complaints...
this is not even, remotely assertive of...
when i want and i will not
disparage from sound savegery
and... "that thing in the back of my mind"...
the sane people call it:
the hallucination of morality...
they're all hush hush about it...
they don't want to be prescribed:
shock-treatment of... being dropped into
an ice bath... to hell with their bowties!

jesus mary and joseph...
i could never become a jack the ol' ripper
though... i became a tapeworm of kissing
when it came to the canvas of
prostitutes...
parasitical lips... bite-down tooth envy
of my great-grandfather...
what i could never kiss...
i always wanted to bite to tease with...

now my libido is satisfied...
i can claim not being the hyperbolic outlier....
i don't need a wife,
a mother in law... a child...
a shadow life of a Chikatilo...
to lend myself to Cain...
i can absolve myself with the rites of Abel...
how... oh how this most pristine how...
i only supposed i'd be dead...
and not playing both "victim"...
prosecutor... and inspector columbus to boot!

conventional language scares me...
there's so much hiding behind
immovable objects...
that in turn the moon or the table become
quasi-deities in a world
littered with demigod *****!
of the polytheistic gods...
which one... didn't chance a common semblance
to a *******?
perhaps i've earned this rigid tongue...
rattle and sawdust itching from it...
first bound...

last resort: this is not about to become
a conventionality of language...
this is not going to become...
an aud lang syne...
this is not going to become: tea-party
forget me: forget me or taste the forget-me-not!

revised lent topic: on the hellbender periphery...
how these post-colonial former subjects...
well unless you're in Poland,
Belarus, Ukraine, Russia...
mein gott! i really should start knocking
on Russian's door, more often...
this sort of ******* that's allowed
in England would be... most likely...
quickly suppressed...
for the good of the people:
it's always: for the good of the people...
oops... " "...
yeah yeah... "for the good of the people"...

the colonial ambitions...
and the guilt of being white in eastern europe...
which is why i can never master
the english conundrum...
while kenyans are darker than the nigerians...
but in their dark-choc...
seem to be basked in coconut oil
that oozes from the Indian ocean...
Kenyans who import timber from Ghana?
and the Nigerians...

oh sure sure sweetheart!
we can revive the Balkan enterprise...
you just say when!
we'll have the christian serbs run amok...
over the islam minorities...
sure sure...
it's almost akin to: teasing Russia
to climb out of its Caucasian bed-root...
when it ****** with the Turkic peoples...

and of course... coming across the
Afro-Europeans of the colonial present, past,
and future... there was only one history
of / for the Europeans...
origins in Africa...
sorry... what about the Indo- prefix?

here we have the sanskrit...
here we have the hierogylphs...
but... what of the writing of ancient
Kenyans?
i'm no better... came st. cyrill and his greek
contra the glagolitic...
which is... probably southern slavic...
and... there were the runes
and the ancient romans fighting
the tribes of Danube... but never as far north
as the Baltic did they come...

but in mind: i'm always going to be bound
to the periphery knocking on the doors
of Kiev and Novgorod...
with the Mongol also citing:
he too knocked...
something happened... had his hand cut off
at the wrist with the remnant budding
leftover of the Crimean Tartars...

so... this passover former colonial...
"grief" is now running former colonial society's
mischief?
am i white, or am i asian?
i will never know...
Islam and what? the crusades of the baltic states
by the teutonic knights?
and Europe and Europe and Europe
without the english, the myth of troy revived
in Italy... and the proud yet backward
greeks...
i too thought: if it's not feral enough...
it's feral enougn where english is not spoken!

after all... england is a far far away place...
even if i'm currently "living" in it...
it wasn't invaded and all it had to propose was...
its own ******* to the external world...
pristine england...
pristine p.s. england...

this anglo-phile... ahem... "problem"?
in ukraine or in russia?
it's a problem and a problem of this sort
is treated with a sort of amnesia...
equivalent to:
today's Monday, yes?
oh... today's not a Monday?
will i still you if you mind calling it a Tuesday?!

the body intact bound to a vicinity of London...
the mind... detached... elsewhere...
perhaps it was the over-rationalisation
of the darwinistic approach...
again: even copernicus didn't or wouldn't
have entertained such an over-reach
of his heliocentrism become dogmatic...
copernicus who?
exactly! only someone like wittgenstein
would celebrate copernicus...
the west only celebrates galileo:
because of the trial...

i can attest though... mendeleev is secure!
is it perhaps odd...
that some ****- would not find
differences between a croat
and a moldavian?
a kashubian and a silesian?
a scot an a welshman?

imagine my ah! gasp!
the tribes within a tribe...
the "home" team consisting of liverpudlians!
and the "away" team consisting of scousers!
liverpool f.c. supporters of the former...
everton supporters for the latter...
but we're all white!
i'm "white white" because i've acquired
this tongue and i can...
somehow... forget mein: wurzeln...

mind you... elsewhere?
that word... root? in deutschezunge?

wurzeln: decipher: nurse! scalpel!
wur-zeln...
no no... this will not do...
wü-ř-eln
alternatively...
wü-ž-eln...

and that's not "woo"... it's a V-not-U...
voor-zeln!
alternatively there's the ż (rz)...
which is equivalent to either ř or ž...
ř = r(z) and ž = (r)z...
"when" and "where" you know that's
an orthographic distinction to begin with...
i.e. ř = r(z) and ž = (r)z
when rz = ż...

i really have "real" problems to mind
of my own, on the periphery of:
the "western lands"... st. cyril is biting at my toes...
as ancient roman bites back...
the alphabet intact...
you either learn some greek...
or you don't gloat about being lazy about
not having acquired some passable "knowledge"
of cyrilic...

so? here's to taking another selfie from the perspective
of fearing to look into a mirror...
and here's to some new obscure modern hieroglyphic
take on the "thumbs-up"... and: shmiley :)!

better i stick to the diacritical markers...
niche point of interest...
niche to the point of claustrophobia...
but of all these anglo- problems?
these "racial" problems?
yes, yes, racial problems in "eastern" europe...
of real concern...
the russian empire and the kazakh people...
mongol remains...
ottoman remains...
western europe now being nothing but
shame for the rest of us...

"the rest of us"... "us"...
"we" could have said... before they had a chance
to gloat... to buffer gloating...
to pride themselves beside pride per se...
to mistake pride for gloating...
before "we" came and learned their language...
and found the leashes of their starved
dobermann hounds...
the mediocre liberal elites of the dutch...
the belgians and their... swiss ambitions...
hell: did they really have to invite
the swedes into this "problem"?!

perhaps this is written in english...
sure as **** it's not written by a native...
i'm no more an englishman than
a parsley root is a ******* carrot!
although i dare say...
that essex hue of being: toasted...
coming from a lazy afternoon at a snippet
of a Brighton beach?
the well-tanned look?
no... even i don't want to fake being
Thai in December...

i thought i'd ease the "tension"...
who can say: i'm piglet pink with a dash of
cranberry... cosmopolitan cocktail whenever i
pretend to "feel like it"...
otherwise porky leather...
and then... the layers and hues of...
copper and chocolate *******...
then there's that amnesia rust...
and there's always that porcelain japanese...
the albino iranian and we can have
a ******* **** contrastic hues...
copper over there, some cinnamon over here...
some chocolate in between
and some porky leather 'ere...
personally i think i'm more sepia than white...
there's still that visible blood in my veins
that allowed me to conjure up:
the blue-bloods...
better in german: der blaugeblüt...

perhaps: when in rome...
well... the vandals and the rest of the evil brood
had to, at some point...
tell the romans... you're not being yourselves...
there's no longer a social cordiality in place...
there's no more: when in rome...
because i'm not native of these lands
and of this tongue...
but i will not be... smothered by some
*******-worth-a-roasting debility mongers
and mongrels of: subversion!

you should visit Russia from time to time...
if you get a chance to **** a siberian
******...
hell: don a ******, she'll tell you she's
on contraceptive pills...
then "all of a sudden" you'll find yourself
wondering: matt! i think i'm pregnant...
months after the relationship ended...
and she's on her next pair of gloves;
but she's calling you... for you to pick up
the pieces...

diese englischprobleme ar nicht mein "sache"!
and if there's a heaven...
i pray to god i speak some obscure dialect
of german... bohemian german...
silesian german...
i'll even settle for gothic german!
not for some love of the people...
i just want to imagine myself as having
died a: lebkuchenbäcker...

a gingerbreadbaker...
since *** didn't cut it...
and ******* became a yawn...
there's only this...
the remains of exploring language
without having those stiff, polite...
practical, teasing an escape from solipsism,
formal... samples of language use...
this is the best i can offer...
to use language for the sort of reasons...
that with the language thus used...
i will not have familiar ground to stand /
walk on... since this language does not
exist in the dignified everyday:
lick-the-envelope... seal it... send.
¿Y fue por este río de sueñera y de barro
que las proas vinieron a fundarme la patria?
Irían a los tumbos los barquitos pintados
entre los camalotes de la corriente zaina.
Pensando bien la cosa, supondremos que el río
era azulejo entonces como oriundo del cielo
con su estrellita roja para marcar el sitio
en que ayunó Juan Díaz y los indios comieron.
Lo cierto es que mil hombres y otros mil arribaron
por un mar que tenía cinco lunas de anchura
y aún estaba poblado de sirenas y endriagos
y de piedras imanes que enloquecen la brújula.
Prendieron unos ranchos trémulos en la costa,
durmieron extrañados. Dicen que en el Riachuelo,
pero son embelecos fraguados en la Boca.
Fue una manzana entera y en mi barrio: en Palermo.
Una manzana entera pero en mitá del campo
expuesta a las auroras y lluvias y suestadas.
La manzana pareja que persiste en mi barrio:
Guatemala, Serrano, Paraguay, Gurruchaga.
Un almacén rosado como revés de naipe
brilló y en la trastienda conversaron un truco;
el almacén rosado floreció en un compadre,
ya patrón de la esquina, ya resentido y duro.
El primer organito salvaba el horizonte
con su achacoso porte, su habanera y su ******.
El corralón seguro ya opinaba YRIGOYEN,
algún piano mandaba tangos de Saborido.
Una cigarrería sahumó como una rosa
el desierto. La tarde se había ahondado en ayeres,
los hombres compartieron un pasado ilusorio.
Sólo faltó una cosa: la vereda de enfrente.
A mí se me hace cuento que empezó Buenos Aires:
La juzgo tan eterna como el agua y el aire.
Cuando estoy en Madrid,
las cucarachas de mi casa protestan porque leo por las
    noches.
La luz no las anima a salir de sus escondrijos,
y pierden de ese modo la oportunidad de pasearse por
    mi dormitorio,
lugar hacia el que
                              -por oscuras razones-
se sienten irresistiblemente atraídas.
Ahora hablan de presentar un escrito de queja al
    presidente de la república,
y yo me pregunto:
¿en qué país se creerán que viven?;
estas cucarachas no leen los periódicos.

Lo que a ellas les gusta es que yo me emborrache
y baile tangos hasta la madrugada,
para así practicar sin riesgo alguno
su merodeo incesante y sin sentido, a ciegas
por las anchas baldosas de mi alcoba.

A veces las complazco,
no porque tenga en cuenta sus deseos,
sino porque me siento irresistiblemente atraído,
por oscuras razones,
hacia ciertos lugares muy mal iluminados
en los que me demoro sin plan preconcebido
hasta que el sol naciente anuncia un nuevo día.

Ya de regreso en casa,
cuando me cruzo por el pasillo con sus pequeños cuerpos
    que se evaden
con torpeza y con miedo
hacia las grietas sombrías donde moran,
les deseo buenas noches a destiempo
-pero de corazón, sinceramente-,
reconociendo en mí su incertidumbre,
su inoportunidad,
su fotofobia,
y otras muchas tendencias y actitudes
que -lamento decirlo-
hablan poco en favor de esos ortópteros.
Johnnie Rae Jan 2016
Hangs noose.
Loads gun.
Turns on car,
shuts garage door.
Sticks head in oven
Sylvia Plath style.
Leaps off of unforgiving bridge
and meets water with a smack.
Tangos with oncoming traffic
transfixed by headlights
like once frolicking dear.
Sticks tongue into outlet
to see what electricity tastes like.
Attempts to cuddle with hungry
bear after it emerges from hibernation.
Gets thrown to wolves,
and fails to return leading the pack.

Suicide by irony.
Gun backfires in robbery and attacker gets a brain bleed
in the form of a gaping hole.
Seán Mac Falls Dec 2012
Ravens scatter outside my pain.
A throw of die against the winters

First snow and the window needs cleaning,
Maybe later.  The running glass

Is watery and after I make love
With you, I wake to the severing light

That is always silent.  The phone
Does not ring, as my cat has told me

Many times, let us play she says,
The way it used to be under

The red wood beams on the hard wood
Floors, you would cry in that vacancy.

Though we lived in a one bedroom
Unfurnished, I called it a dance hall

And we danced silly tangos.  I tried
To lift you then, but now outside

My window, ravens dervish and never
Fly in formation, under blue mountain.
Seán Mac Falls Jul 2013
Ravens scatter outside my pain.
A throw of die against the winters

First snow and the window needs cleaning,
Maybe later.  The running glass

Is watery and after I make love
With you, I wake to the severing light

That is always silent.  The phone
Does not ring, as my cat has told me

Many times, let us play she says,
The way it used to be under

The red wood beams on the hard wood
Floors, you would cry in that vacancy.

Though we lived in a one bedroom
Unfurnished, I called it a dance hall

And we danced silly tangos.  I tried
To lift you then, but now outside

My window, ravens dervish and never
Fly in formation, under blue mountain.
Fah Sep 2013
Alone on a hill stood a tree.


The wind blew in times of change and the heart felt light.
from yonder over there, grew the cherry blossom tree, so wise , so old it’s roots stretched not only down but up , outwards towards the sky. Feeling and receiving the light from the cosmos. It’s wisdom blossomed in each flower and a universe grew nestled amongst the petals. Some touched and shared stories others died before they could even begin and some lay solitary on an outstretched limb. As the flowers fell they mingled with the earth and were consumed again by the tree. This time to be a leaf or some bark. In it’s place grew new flowers , new universes, new worlds , new life , new minds!
And sometimes when the winds were right and the stars and planets aligned the cherry tree would bloom a flower that was a new color. One that was yet to grace these realms. Yet so beautiful and so vibrant is shook the very air around it. This flower was destined to be the seed for a new tree that would in turn produce flowers of such beauty that they too would create universes. The new flower has bloomed and it tangos with the breeze and flutters to the earth. Making music from it’s sighs. A new tree is about to be born. Ready?

Alone on a hill stood a tree.
Marina Gomez Jun 2011
I understand, I see how it starts
I've experienced the feeling
I know how hard it is to stop
I believe in addiction

No one can give the same comfort
No one will give me that rush
No one tries as hard to make it go away
No one, no one

It promises things will get better
It says you just need a little more
It tangos with the blood in my veins
It whispers ideas in my ears

Drugs don't say no
Drugs don't lie
Drugs don't forget
Drugs don't leave

More, all I want is more
More time to do them
More moments alone with them
More, More, More
Shay Ruth Feb 2015
Papa, how long will you sit there?
Cavities, or trophies of wilder days. Keep kids off drugs, right?
Remnants of teeth rot between hills of lifeless grey flesh
Moist as the dust that stood to search (unsuccessfully) for fresh light

Nothing moves anymore
Except for the 41, Guyanese invertebrates scuttering around unfinished floors
All dirt, more like home than yours. They learned you long ago.
They wait for your chair to lift and continuously tire

Sometimes before the hours tip I hear you, or try to
You play the dances in your head
Just like swallowed tangos and serenades for mama
She always said you could sing

I fought for the top of your feet
My place, where my toes hold on tightly so I’d never slip away
Just like I gripped wrinkles in your smile, pulling me down
Down past moonless flights. No such pedestal stood.

Mid-yawn, we breathed in springtime
I left a piece for you, buried in an injection
I lost my crown that day. Pads of my hands warmed as I sunk my
Head lower into the crook of my elbow, waiting for melted snow.

I'd cover furrowed brows in blue ink, sometimes black
Grinning under the blotting recipes for tomorrow.
“I’ll love you always, princess! Love, Papa”
Later, words I’d beg to forget

— The End —