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Halynn Oquendo Sep 2016
"This girlchild was born as usual
and presented dolls that did ***-***
and miniature GE stoves and irons
and wee lipsticks the color of cherry candy.
Then in the magic of puberty, a classmate said:
You have a great big nose and fat legs.

She was healthy, tested intelligent,
possessed strong arms and back,
abundant ****** drive and manual dexterity.
She went to and fro apologizing.
Everyone saw a fat nose on thick legs.

She was advised to play coy,
exhorted to come on hearty,
exercise, diet, smile and wheedle.
Her good nature wore out
like a fan belt.
So she cut off her nose and her legs
and offered them up.

In the casket displayed on satin she lay
with the undertaker's cosmetics painted on,
a turned-up putty nose,
dressed in a pink and white nightie.
Doesn't she look pretty? everyone said.
Consummation at last.
To every woman a happy ending."
-Marge Piercy
Jaide Lynne Apr 2014
Dear Best friend,

You know who you are. You are the beautiful girl in the back of the class, who keeps to herself, but is still strangely likable. You are the girl with the piercing blue eyes and dark, dark sense of humor.

Dear Best Friend,

I know you literally are always willing to listen, whether it is talking about our mutual crush on that guy in our favourite class, or complaining about society, or my parents, or when I just need to talk about the weather to distract myself from the looming fear of everything going wrong.


Dear Best Friend,

I still remember when you first told me about your depression. I had always sort of known, but hearing you say it out loud, I honestly didn’t know what to do, because I don’t want you to end up like me, I don’t want you to feel like you have to turn to sharp inanimate objects, I don’t want your world to be dark, hopeless, I don’t want you to fall because depression is a slippery *****, trust me. I don’t want you to forever be broken. I don’t want you to be scared.

I just don’t want you to end up as ****** up as me.

Dear Best Friend,

I know I’m not perfect, I’m not even close, and I ***** up... A lot. But I will do what ever I can to ALWAYS be there for you. I will always be the dorky, idiotic, annoying sidekick.

Dear Best Friend,

You are beautiful, don’t let anyone, ever tell you otherwise. Especially not some 12 year old boy with a stupid haircut.

You are short, there is no denying that, but so is Billie Joe Armstrong and we still think he is the hottest thing since wood stoves.

You have blue eyes, that I know you think are weird, but they are like oceans only not as dark.

Your hair is almost as straight as the members in half the bands we listen to, but each curl falls in it’s own special place

You are beautiful, stunning, breath-taking, and every other synonym for that word.

Dear Best Friend,

I’m sorry you have to put up with me when I am like this. I know I should just bottle it up, but for whatever reason it always seems like I can’t stop the words from escaping. I’m sorry, I am so so sorry that you have to deal with me.

Dear Best Friend,

I really want to smack you upside the face with a brick sometimes. But I won’t, because I am more scared of you hitting back than I am of doctors (and that’s saying something)

Dear Best Friend,

I promise that I will always be there as long as you need me, whether it’s in the middle of the night or when I am thousands of miles away with timezone barriers between us, just call me. When you are scared, call me. When what you are scared of is yourself, call me. When you need a friend, call me. When you want to gush about your new boyfriend, call me. When you want to just chat, call me.

Dear Best Friend,

At this point I think of you more like a sister that a friend.

So, Dear Sister, I love you so much. Thank you for showing me that even the darkest nights have a sunrise, and that those sunrises are always the most spectacular.
So, I wrote this for my best friend...
Adam Latham Sep 2014
The twilight of the day draws near,
The blazing sun is laid to rest,
And dimming skies let stars appear
That twinkle in the bloodstained west.

The once warm air turns cold and still,
Long drawn out shadows gently fade,
While birdsong that before was shrill
Falls silent in a soft cascade.

The rooftops change from red to black,
So too the rising spiralled wisps
Of smoke churned up from chimney stacks
And stoves of wood burnt cinder crisp.

And everywhere nights velvet brush
Begins to daub the landscape whole,
Descending with a quiet hush
That calms the nerves and soothes the soul.

Until the end when all too soon
The final vestiges of day
Are bade farewell by the new moon
Who cannot help but smile away.
Lyn-Purcell Sep 2018
EᔕᔕᕼI
~ ⚪♫⚪ ~
The kitchen's air is redolent with spices,
peppers and cinnamon, all-spice and star
anise, thyme and curry. The cooks are
shouting orders; taking rose-silver pots
and copper pans; each having the print
of the Lily of Aurelinaea; from the wooden
shelves, plates and bowls from the cup-
boards; some are stirring soups over
coal-fire stoves; others are dicing carrots,
potatoes, fresh poultry and more.

~ ⚪♫⚪ ~
Esshi, in a light-green off-the-shoulder
dress of rose-silk with a triple ruffle trim,
lined with yellow ribbon, a thigh high slit and
white lilies beadery, is speaking to the head-chef
who nods. "Certainly, Lady Esshi." he says
and turns to his busy staff. "Bring out
the paella pans! We have orders for the
Queen Mother!"
"Yes, chef!" a woman says as she pulls
out a rose-silver paella pan and places
it on the stove. The head-chef turns to
Esshi. "You need not worry, Lady Esshi,"
he smiles. "I will make the dishes with
care."

~ ⚪♫⚪ ~
"You always do, Bael," Esshi chuckles as
he washes his hands and she walks to
the corner, sighing. 'My Lady...'
she thinks worried.
"Lady Esshi?" her thoughts are broken
by a woman's voice. She turns to see a  
florist behind her. 'So lost in thought,
that I did not hear the door open.'

She thinks as her eyes fall on the flower
vase.

~ ⚪♫⚪ ~
The vase is art noveau style; a deep emerald
green with a maiden in flowing silks, her
hair bejewelled with lilies. Esshi's eyes then
rise to look at the flower arrangement - white
lilies with lilac kisses, purple roses and
several stems of lavender.
"Lady Ainhara said I should bring this to you."
"It's lovely," Esshi sniffs the fresh flowers.
"Very beautiful! You certainly outdid yourself.
It's for our young Queen, I take it?"
"Yes. And Lady Ainhara said I should bring
you this also."
She sees her place some paper, quill and ink down
and Esshi smiles.
Hard to believe that this is my 800th poem! ^^
Wow!
Anyway, enjoy part 4! ^^
Lyn ***
Mateuš Conrad Aug 2018
.guess i must have hit the vein, nay, a ******* artery, must have gobbled down an oyster, muscle and brains altogether, simultaneously!

i have one, only one pet peeve...
that casual mainstream media
expression...

    but it's the 21st century!

i get the bollocking frizzle of
***** hair, translated into Janissary ******
attire... excited...

what the **** are you talking
about?

   21st century, what?
we're in our infancy!
            and what came prior?
you seem to forget the first half
of the 20th century,
and bulk in cultural
              expropriation of other
nations...

   us Poles had 100 years if liberty,
thank you very much...
we're not about to do the German
hip Berliner St. Vitus dance
magic, just yet...

******* hippies...

       Solidarity movement
pamphleteers, migrants of Florida,
bias, you name them...
yeah... "heroes"...

                    ******* usurpers,
Judases...
             and from the city i was born into...
where's the ******* metallurgy?
export of cheap labor,
originating in Spain!
      how's the youth unemployment
working for the Spaniards?
good? good good...
goof ******* *****!
   no say cheese in Swiss German
and show us the 42 teeth of over-perfecting
that schmile!

        Swiss guard, up & ****!
*******...

       i hate the sophistry,
loath it, baron over it...
this but it's the 21st century...
what sort of excuse is it?!
   there's not excuse!

                 reverting back to covert
popularization of prostitution?
even the Bulgar prostitutes lie,
about being Romanian,
i never tell them,
even though the word, dobrze...
   o.k,
    хорошо...
   is not a romanian word...
    you lie, you fry...
         i'm actually fond of making
chicken hearts, and pork liver sauces...
i can work the stoves...
             **** it... give me any meat,
i'll fry it... make a garlic onion sauce
out of it...
    nee bother...
   strawberries?
perfect fruit for smoothies...
tried it, just today,
with nein (nine) passiot fruits,
and an arithmetic for the one hand
including strawberries...
         crème fraîche replacing
yoghurt...
                          milk,
milk milk milk milk...

but...

what's the ******* excuse,
for making excuses of the 21st century
as the ******* pinnacle?
will the 22nd century look
fondly on us?
  
i'm only looking fondly for the death
of Lizzy II with much
anticipation, because of,
what i assume will not be the case
of Chuckles III,
rather, Georgie VII...

the 20th century passed...
what sort of excuse, in liberal terms...
is there to posit,
for keeping the Greenwich Mean Time?
frankly?
  the ******* excuse i've ever, ever,
heard!
         it's the 21st century...
whoop-tee-doo-daa
                        (H)    (H) -
told you... without the (YW) -
a god that's a vowel catcher...
or pivot for laughter...
can't get more hebrew-philic than i.

i ******* loath the: but it's the 21st century
argument...
    lost the italic lettering and the colon
from the use of bold -
monarchy?
  well, suit up & boot up
for the transgressive pomp & circumstance,
that alternative
to pride & prejudice...

  ha ha!
            god... laughing at oneself
is probably the only cure there ever will be...

but come on!
the: but it's the 21st century!
  
what sort of, argument, is that?
  it's not like ontology begot
an x-men algebraic variation,
an exponential derivative,
    a Holmes' hound of a bag of
necessary excuses!
      some ******-evolutionary leap
of benevolence
to excuse a connection of peer-to-peer
connectivity,
somehow erasing the 20th
century, and ennobling a... "fresh start"
with 21 as the fore!

i might be a peasant,
and i might drink to excesses some
people would wish they could
muster a stamina for...

  but please, leave the fairy tales to
the Danes,
  hans christian andersen and their
Grimm bro. counterparts...

but it's the 21st century...
**** me...
    you mean the ****-up century?!
Nigel Morgan Nov 2012
Sometimes poetry doesn’t happen. One needs more space to work things out, to play around with what you’ve got until you know it well, have felt its worth, weighed it up and reckoned it.

You go somewhere a little known. The location is not a complete surprise, but time and circumstance newly fashion its affect. Is it really eight years since last you were here? Then it was late autumn, now it’s summer’s end.

It’s sad my driving worries you. You drive with me, in a state of constant anticipation, making sure the speed is legal, the line of car to the road is straight. Often, your left hand reaches involuntarily for the door-handle restraint. The more I try to be steady, the worse it seems to become. But today I hand you the keys before you can ask: so that we may start this journey well. Since early morning the sun has shone, and as we head north the clouds assume great floating forms, magisterial, ermine-cloaked.

I like to watch you when you drive. I think it’s the pleasing proportion of your seated self, the body and limbs often motionless in their purposeful position. I look at your profile, the flow of your hair hiding your ears, the cleft and point of your chin, your nose I love to stroke with my nose, the wide mouth whose lips don’t fit my lips when we kiss, and this morning a warm glow on your left cheek.

We have become so careful you and I, with what we say and the way we say it. Politeness, attention to detail, purposeful decision-making, we both make allowances, keeping the conversation airborne, the tone steady, the content ‘of interest’.

After ninety miles it’s good to get out the car, good to get out in a village now bypassed by the main road, a quiet place. A church rises above the village and like a former coaching inn next to its gates faces down a wide street of 18C houses. Scattered variously there are a few unusual shops – wooden toys and metalled stoves. Here we prepare for the next stage of this journeying. On bicycles we’ll take minor roads to the coast.

At the top, after a steep climb out of the village, there it is: the sea. Since childhood that sighting moment has remained special. There’s a lifting of the spirit. The day remains fine, but a cool wind from the land is soon at our backs (you take care not to be cold and wear a scarf around your neck and ears). After just a few miles, we turn gratefully onto a very minor road where cycling becomes a pleasure. Passing vehicles are occasional and we are not continually pressed hard to the kerbside by speeding traffic. We could ride companionably side-by-side, but we don’t.

There is time to look about, to take in the dip and fold of fields and hedges, the punctuating farms and their ribbons of road. A fine manor house rises out of a forest of trees climbing in coniferous ranks to a limestone escarpment. On the breast of a hill we come upon a tapering stone tower that assumes the point from which the rolling landscape’s perspective flows. There’s a combine at the edge of a field and later its grain ‘tender’ heavy-laden meets us on a narrow bend. At a former mill a weir, where the greenest of green shade over water is too vivid not to photograph. Passing a row of cottages an elderly couple, sitting on their front porch, smile at our friendly wave. Above, swallows dart and spin.

A main road interrupts this idyll, and after a long straight ride with the sea a distant backdrop, we arrive at a coastal village overwhelmed by its recumbent castle. Lunch is eaten in a quiet corner of an ancient churchyard. Crows gather on the stubble in an adjacent field. We sit on a bench in the sunshine, though a cloudy afternoon beckons in the west. Later inside the church, where one of the northern saints is laid to rest, an unsteady light plays variously across the stone statues of the sanctuary.

Distance and a head wind begin to strain the calm confidence of the morning. Perhaps we have come too far and expect too much of ourselves? It is cheering though to beat the rain back to the car six miles hence.

Ten miles further up the coast the tide has retreated across a horizon-reaching expanse of sand and mud; it leaves a narrow causeway to an island beyond. It is a long way to its disappointing village full of car-borne visitors, attendant dogs and tired children. There, a little apart from these tourists, we sit to look out upon a further but tiny island where another northern saint found solitude. Wading into the cold sea he would face the setting sun as it fell into the folds of distant hills: to pray until dawn.

You are so tired when we reach the hotel. You are so tired. Our en suite room holds an enormous bed and a large long bath. From its window just a slice of sea can be seen in a gap between houses. I insist, for your sake, on immediate food and soon the strain on your pale, day-worn face begins to disappear and some colour returns as you eat. I catch your eyes smiling – for a brief moment. Oh, your green eyes, my undoing, so full of a sadness I have never fathomed. How often my memory returns to another room where one afternoon, newly married, we were the dearest lovers. In its strange half-light I caressed your long nakedness over and over, my hands and body visiting every part of you – and your dear face full of peace and joy.  

As dusk falls we walk down the village’s only street to view the sand and sea. Then to bed and hardly a page turned before you seek the sleep you need. I soak gratefully in the large bath. After engaging in a ‘difficult’ book for a few minutes, I soon turn off my light. But I am restless and the bed is hard. So I begin to reassemble the day moment-by-moment, later to dream strangely and sporadically until dawn breaks.
r Mar 2014
Water wives live sheltered lives
Amongst the coves where pirates rove

Daily catch is makers match
Where red hot stoves hide fresh baked loaves

Water men are thick and thin
So often strove where shipmates hove

Water child is often wild
The treasure trove where pirates roved

r ~ 19Mar14
All in fun, my village friends.
Marieta Maglas Jul 2015
Situated in the green Corfu and having thousands
Of olive trees and flower-strewn countryside, Prinylas is
A nice, Adriatic-style village; its square and narrow paths,
Mansions and alleys are far away from the rifle bullets' ****.


Its wealthy inhabitants had built it in a picturesque
Position at an altitude of two hundred and seventy
Meters above the cove of Agios Georgios, but picaresque
Adventures happened there; even so, the people have steadily



Prospered from one thousand and two hundred A.C. when
'Twas a Byzantine seat; in the Agios Nikolaos church,
People had the same name; they were regarded as of the same kin.
Fargo bought a Venetian house after a quick search.



'Twas situated on a panoramic hill; Geraldine
Was in front of the house and looked at the landscape of olive
And citrus groves; she told Carla, '' astonishing view! '' „Divine, ''
Carla replied, ''Did you hear some sounds last night? '' ''It's hard to live


In a new place, '' replied Geraldine, '' It was like someone
Was walking in the house.'' 'Do you think they've found us? '' „I don't know.
Let's search together. If someone was here, he was alone.''
Fargo said, '' I must be in Corfu Town in two hours. Let's go



To buy a horse; we must move quickly; any lost minute
Means losing a life on the ship; I know them very well.''
''Don't force your horse to run too fast, '' he said, „I know its limit.''
They followed the winding road to the ringing church bell



And to a cobbled street; down from the hill, some stone–built houses
Were arranged in a wide arc around the small valley.
Immediately after that, they entered the square; the horses
Were beautiful; the women cut through a new alley,



To go to the church; he started to negotiate a horse
''Look at that mansion, '' said Carla, 'it's enclosed in carved stone walls.''
A short winding hillside track took them to the Lord's House.
Geraldine said, ''I'm Muslim, ' ' Bewildering are the God's calls, ''



Carla continued, 'I'm catholic', „like Frederick, '
Said Geraldine, 'look, it is written-Agios Nikolaos, ''
While entering, she used a face cover for her mouth and cheeks.
„It’s the name of the Saint Nicholas; is this marble? ' To rouse



Some Christian feelings in Geraldine, Carla made an effort.
'It's constructed in the 14th century- a Holy jewel.''
''Do you want to buy this horse or not? '' said the merchant. „What sort
Is this horse? '' '' An Arabian one- look at him, he’s not a fool.'




''I want to be sure that this one fits my personality.
What is his average speed? '' ''It can run eight miles per hour.''
'' I buy him, '' he told Carla, ''let's go to our new reality.'
Fargo left the village; Geraldine said, '' he has power.''



(Fargo took the money, the precious stones, and the documents. He went to Corfu Town. Geraldine and Carla returned their new temporary home.)



They lived in a two-story house having eighty meters
Of stone walls; the former owner used it to store his olive
Oil; it had not been inhabited for ten months; wood heaters
Guarded the entrance leading to the ground floor- a space to live.




In a corner, it was a rest of oil equipment.
The entry had two transition points at the openings to
The hallways. Carla said, „stone and wood- it's all so different, ''
''The stone colors pick up the tones in the wood to make these two



Materials look good, '' said Erica; at the ground floor
They saw two halls, a dining room, a living room having
A seating with red cushions, the stairs, and the terrace's door.
Maya called them from the upper floor having an entrance facing



West; from there, they could see the view of the street; this floor
Consisted of ten bedrooms, two wood stoves, two indoor stoves,
A kitchen, and storage rooms; Geraldine said, ''Before
Eating, let's drink tea, '' ''A neighbor told me that this house



Is a haunted one and this is why the owner sold it, '
Said Erica, 'These ghosts can affect anybody in
Prinylas, ' said Maya, ' you can't convince them the house to quit.
People practice exorcism here.' „Look at that place we have been! ''


(Carla turned the index finger of her right hand towards the window overlooking the sea.)

(To be continued...)

Poem by Marieta Maglas
Alice Kay Jan 2013
Let's dance in style, let's dance for a while
Heaven can wait, we're only watching the skies
Hoping for the best, but expecting the worst
Are you gonna drop the bomb or not?

Let us die young or let us live forever
We don't have the power, but we never say never
Sitting in a sandpit, life is a short trip
The music's for the sad man

Forever young, I wanna be forever young
Do you really want to live forever, forever and ever?
Forever young, I wanna be forever young
Do you really want to live forever, forever, forever?

So we livin' life like a video where the sun is always out
And you never get old and the champagne's always cold
And the music's always good
And the pretty girls just happen to stop by in the hood

And they hop their pretty *** up on the hood of that pretty *** car
Without a wrinkle in today 'cause there's no tomorr'
Just a picture perfect day that lasts a whole lifetime
And it never ends 'cause all we have to do is hit rewind

So let's just stay in the moment, smoke some ****, drink some wine
Reminisce, talk some ****, forever young is in your mind
Leave a mark that can't erase neither space nor time
So when the director yells "cut," I'll be fine, I'm forever young

Forever young, I wanna be forever young
Do you really want to live forever, forever and ever?
Forever young, I wanna be forever young
Do you really want to live forever, forever, forever?

Fear not when, fear not why, fear not much while we're alive
Life is for living, not living uptight, see ya somewhere up in the sky
Fear not die, I'll be alive for a million years
Bye-byes are not for legends, I'm forever young, my name shall survive

Through the darkest blocks, over kitchen stoves, over Pyrex pots
My name shall be passed down to generations
While debating up in barber shops
Young Slung hung here, Shorty, the ***** from here
With a little ambition, just what we can become here

And as the father passed his story down to his son's ears
Younger kid, younger every year, yeah
So if you love me, baby, this is how you let me know
Don't ever let me go, that's how you let me know, baby

Forever young, I wanna be forever young
Do you really want to live forever, forever and ever?
Forever young, I wanna be forever young
Do you really want to live forever, forever, forever?

Slamming Bentley doors, hopping out of Porsches
Popping up on Forbes lists, gorgeous
Hold up, ****** thought I lost it, they be talking *******
I be talking more ****, they nauseous

Hold up, I'll be here forever you know I'm on my fall ****
And I ain't waiting for closure, I will never forfeit less than four bars
Guru bring the chorus in, did you get the picture yet?
I'm painting you a portrait of young

Forever young, I wanna be forever young
Do you really want to live forever, forever and ever?
Forever young, I wanna be forever young
Do you really want to live forever, forever, forever young?
****...I really don't want to get any older.

Song by Kay-Z and Mr. Hudson
Stephanie Keer Jun 2012
I lay in my bed with my pillows and blankets wrapped around me like a cocoon, the heater keeping the air at a warm-enough 66 degrees as this roof sits over my head and the walls circle around me keeping the snow out, and I say 'When is it my time?'. I lay in my bed with my light on and it illuminates the shadows and I see just outside my door, the kitchen, with a fridge full to the brim with food and drink and running water in the sink and an oven to cook out all the bacteria from my food so that I can eat, and I say 'When is it my time?'. I lay in my bed and outside my window I see a car, my link to the outside world, this pristine-filled with gas-driving machine that takes me to work and school so I can live my dream, and I say, 'When is it my time'?. I lay in my bed, and I forget for a moment, about every other living person out there, those that I know and those that I don't. Those without homes. Those without stoves, those without soles in their shoes. Those like me and those like you.

Those who were given a chance, those who were given a smack when they messed up daddy's dinner that they didn't even know how to make. Those who take from the stores what they need but can't afford cause they ain't had a job in a year cause no one wants a ***** off the street like you. Those who take from the poor. Those who are pumping your gas cause they couldn't pass a standardized test or make it to class. Those without a chance, and those without a choice or a voice of their own, who are given drugs and guns, and are told that 'man, if you wanna make it out here, you're gonna have to learn to ****'. Those who cry at night, cause even if they try with all their might, they're still given such a fright by their spouse that they can't just walk out. Those that are old. Those that are told 'you'll be doing a great service to your country son', and then they're given a gun and taught to **** against their will and have to come home ill cause they don't understand what they have done. Those with sons and daughters that they can't feed, that they beat cause 'that's what my daddy used to do to me, you see?'. Those with feet that aren't covered in shoes. Those who lose, and those with ***** filling the bottles they clutch in their hand cause they can’t stand the cold no more and the juice keeps them a little warm as the snow comes down on the bench where they’ll be sleeping tonight. Those who die, cause they were so desperate to fly away from here that they put a little too much in the needle this time. Those who lie just to try and get by. Those who were seeking affection but were lacking direction and therefore were lacking protection and then had those three choices and had to make a selection. Those who were striving for perfection but instead were driven to intravenous injection and every morning have to watch their own resurrection cause they’re sure a part of them died the night before. Those who are sore when they walk in the door after working 13 hours and they still have to cook dinner and put the kids to bed and there’s still that pile of laundry. Those who’ll smile cause they hope that things will be better, just in a little while. Those that are tired, and those who are trying. Those who are living. Those who are dying.

I lay in my bed and I forget about them, I ignore them till they go away and I say, as I look at my stuff and decide it's not enough and I say, with this dollar in my pocket and plastic in my wallet and I say, as I lay in my warm bed with no ache in my head and I say, 'When is it my time to finally have something go right?'.
This piece was written as a spoken-word poem, and has been presented so far in that fashion. Although I do enjoy it better when it's presented as spoken-word, when read I believe the message is still put across well. The poem was inspired by the novel "Last Exit to Brooklyn" by Hubert Selby Jr., as well as conversations involving privilege and oppression through a feminist lens. Some of the topics discussed in the piece can be difficult to read for some individuals.
Mohammad Skati Jan 2015
It's not just to rain or to snow anytime ...........                                                        Rains and snows are Winter's .............................                                                      Winter is consisting of special feelings and emotions                                              Around fireplaces ,stoves,and any kind of enjoy those                                               Wintry nights anytime,anywhere,and everywhere ..............                                  That pretty season is unique in everything it contains                                              Even those hard times we face during storms and blizzards ...                                Writing poems about Winter elevates any poet's                                                        Feelings and emotions anytime ....................                                                                To be in that wonderful Winter means                                                                     To be in a special beauty of nature itself ........................                                       Winter dances greatly and wonderfully with its tools                                            To tell us that it loves to hug and to embrace everyone of you ....                   _____________________Wi­nter's profile - عن الشتاء
a polar vortex
swirls eastward
on Siberian Tiger paws
bounding over
Appalachian Highlands
gobbling geography
gelling Great Lakes
spawning Erie blizzards
sculpting Wabash ice floes
clogging commerce all
along the Ohio River Valley

this voracious
juggernaut’s wide maw
bears icicle teeth
laughing as it swallows
Pittsburgh, Little Philly,
and a Big Apple, before
gorging itself on
generous portions
ladled into
simmering crocks
of steaming
Boston Baked Beans

growling
blue arctic
air blasts roar
bursts pipes
savages the heat
of blasting furnaces,
bubbling boilers, hot
belly stoves frantically
drinking oil, flaming gas
burning wood and
burping soot

the blistering
jet stream claws
screech a slashing
stratospheric hum
as Frigidaire blasts
swallows breath
brittles limbs
chafes cheeks
gnaws earlobes
crystallizes tears
nibbles nostrils
cubes snot
numbs toes
bites digits

diving sub zero
gradient subdues
batteries to
deaden states
delays buses
derails trains
cuts power
constricts veins
preys on
vagabonds
and animals

get the homeless
off the street!
bring the animals in
check on your
elderly neighbors
don’t get caught outside
and shut the **** door!
do you own stock
in the Public Service?

beware the polar vortex
and next months heating bill


Sonny Boy Williamson
& Otis Spann
Nine Below Zero

Oakland
1/6/14
jbm
r Apr 2017
When I come home at night
I lock my doors
and draw my shades
like an allegory of something
long forgotten that itches
six inches deep
I turn my old radio on
and a song is sung
like a toothache
from sometime in the past
I set another place at the table
don't ask me why
for the same reason there are
no longer any shotguns
or guitars in my house
but there is lotion for my hands
each blister another
bloodshot moon
my yawn a blessing in disguise
I search the bookshelves
I built from lumber
from the tumbled down barn
I read books the dead light
their stoves with
and some that howl
like a pine on a ridge
and all these maps
these photographs
I wasted nails on
when they hung on the wall
but I'm tired of mending
all the small holes
so I leave them there
open and empty
to remind me where
the heart goes.
Amtul Hajra Sep 2020
When you sit swinging at every blink of my eyes.
The dark circles under sing the setting moon lullabies.
Free shadows of spring sunlight, and whispers in the corridors.
” I wish to never be alone”, says the Gardener in his mother tongue.
He pulls up hope in a tin can pouring over new buds, his whistles add sweetness to my ears.
that Mynah that sits under the banyan tree, sits on it today.
And sparrows picking at raw berries, flutter as I near them.
Wet grass pins at my feet, random flowers that mysteriously grew; falling from the paradise.
Here’s to my very own forest of life & death.
For I have failed many friends, those which never came back.
Though I waited, and I wait.
The woman in my house, with rags for clothes, dead faith that lives in the cracks of her lips.
And when she walks, her bunch of keys rattle her bottle of liquor she considers hidden. Her hands that pet rotis and light stoves, escape destiny and destroy hope.
Olive shaded walls of my home, frequently fall short of peace.
The ringing of bells from the latest exhibit, the tv making up for all those who were once before.
I raise the volume from 45 to 80,
All sorts of sacred prayers surround my very being.
I devour my pancakes and drain down coffee like religion itself.
shattered chandeliers bring me patterns of floating aspirations.
Sofa’s hold me any way I Can sit, while I forge some sleep, and fool my mind.
Rested i am not.
Empty i am.
My walls are so high, i only feel free at the top.
And sometimes think I’d like to fall.
when the waters from the shore mumble to me, “don’t fall for the charades.”
I stay put and cherish all the beauty.
At least, that’s what I think it is.
A passing wind slips from my hands, parting from every inch of my spine.
I plead, “take my heart with you.”
And so,
my heart beats in my rib cage,
But never at peace or in one place.
Alex Podolski Oct 2012
People like to bother me because I am short.
They don't realize that though my physique may be small,
I'm short when I'm angry.
There is no use for flowery, flowing phrases.
I say what I mean, or at least what I mean for the moment.
I hope to hurt you, but only for a second.
I don't realize words are stoves,
                                                          though you touch them briefly, they leave burns.
Don't burn me.
Chris Voss Mar 2011
Mine is a generation of taboo.
We are tribal tattoos and cheap motel room honeymoons.
We are slander,
and slang,
and brittle teeth.
We are born-agains and suicides.
We are podium preachers and cracked-pavement prayers.
We are melted plastic and oxidized metal-
sometimes we gleam with the Liberty Green of corroded copper,
sometimes we crumble with rust and stain calloused hands.
We are the last stand of Art.
We are the manifestations of forbidden bloodlines
and insanity.
We are just as much our mothers
as we are our fathers,
and we are everything that they are not.

We are stigmata.
We are red paint on white canvas.
We are fast food coffee.

We were born to the sweet smell of formaldehyde
in rooms dressed in florescent white
that share plumbing with the morgues
beneath the linoleum floors.
We are the mix of ***** and innocence that lingers
in the kiss of a dimly lit basement.
We show and we tell but always only for the right price,
the wrong reasons,
or the promise of an exchange equaling to the feeling that
this is a mistake.
We are rosary beads counted between gnarled knuckles
and dragged across smooth palms that long
to sweep tear salt from flushed cheeks.

We are Heaven's lonely singles.

We are skin stretched out too thin over skeletons.
We are the complexities that machines can't calculate
much less imitate.
We are the futile cries that once tried to keep towers from falling
when the sky came crashing down.
We are the pardoned and the withered.
We are the hardened faces of those that have
worked too long
and been loved too little.
We have been told that the safest place for your soul
is in the hole of your chest,
but only if it's reinforced by
four inches of concrete and steel,
and strapped tight with a Kevlar vest,
because they said people,
at best,
are manslaughter.

But we have never been great listeners either;
when we were growing up
we pressed our hands to hot stoves
even though our mothers said not to,
because we couldn't just be told what it was to burn
we had to feel it for ourselves.
So every now and then we will crack open
our rib cages in the hopes that someone will come,
light a fire,
and decide to stay.

We hopelessly spray paint things like wings
On deserted brick buildings
So that, at the very lest, we can feed the
Hollow-eyed passerby the belief
That these streets still have guardians,
Even when we, ourselves,
Abandoned such ideologies in
backroad dumpsters
along with our deities’ infidelities.
  
We are the period at the end of the sentence.
(Or maybe we are the ellipses...)
We have redefined the American family
and proven that even Christianity knows how to hate.
We were raised by sixty-percent divorce rates,
yet we still believe that we are soul mates.
We are the jokers of the deck:
either smiling fools or wild cards.
We are cocked heads with smoke billowing from throats
coated with blisters and cough syrup.
We are back alley scavengers crawling on all fours.
We are the era of the Auto-Tuned voice,
proof that with a pretty enough face anyone can sing.
We are foggy mirrors with smiles drawn on them
by print-less fingertips.
We slip up the thighs of our lovers
and swirl down the drains of sinks with chipped paint.

We are the hearts in your hands-
Crush us into powder and brush us across your face like Indian war paint,
Give us up to the sky so that we can be revived by lightning,
Dance to the rhythm that we beat,
Squeeze us and watch as we seep through the cracks of your fist,
Conceal us in your pocket and only ever speak to us in a whisper,
Or,
with all your natural voice,
sing to us
songs about thunderstorms
to wet the dusty desert dirt around our rooted toes
in the hopes that we will blossom in the most vivid colors.

Just do something with us.

Don't sacrifice us to the tops of lost bookshelves
to collect dust
or rust in the rain with everything you once loved
but grew too old for.
C. Voss (2009)
Robert C Howard Aug 2013
In memoriam Asher and Franklin

Farmers flocked to Blossburg's mines
    willing their abandoned plows
    to perpetual dust and rain.

Burrowing into the Tioga hills
    with Keagle picks and sledges,
    they filled their trams with rough cut coal.

Black diamonds - carved for waiting boilers
    of New England mills and trains
    and Pennsylvania's winter stoves.

Brothers, Frank and Asher swung their picks
    in tunnels deep beneath the hills
    and brushed away the clouds of soot.

Their coughs at first seemed harmless
    enough as from nagging colds or flus -
    but deepened as their lungs turned black.

Pain and choking drove them to their beds
    where no medic's art could aid them.
    Then the coroner came to seal their eyes.

A stonecutter's chisel marks their brevity
    on an marble graveyard obelisk
    that pays no homage to their sacrifice.

September, 2007
Asher and Franklin Howard were my great grandfather Sam's brothers. Both died of black lung disease working the coal mines in Blossburg PA.  Ironically Sam was a railroad engineer who mainly delivered coal from the Blossburg mines to Elmira NY.
SLEEP is a maker of makers. Birds sleep. Feet cling to a perch. Look at the balance. Let the legs loosen, the backbone untwist, the head go heavy over, the whole works tumbles a done bird off the perch.
  
Fox cubs sleep. The pointed head curls round into hind legs and tail. It is a ball of red hair. It is a **** waiting. A wind might whisk it in the air across pastures and rivers, a cocoon, a pod of seeds. The snooze of the black nose is in a circle of red hair.
  
Old men sleep. In chimney corners, in rocking chairs, at wood stoves, steam radiators. They talk and forget and nod and are out of talk with closed eyes. Forgetting to live. Knowing the time has come useless for them to live. Old eagles and old dogs run and fly in the dreams.
  
Babies sleep. In flannels the papoose faces, the bambino noses, and dodo, dodo the song of many matushkas. Babies-a leaf on a tree in the spring sun. A nub of a new thing ***** the sap of a tree in the sun, yes a new thing, a what-is-it? A left hand stirs, an eyelid twitches, the milk in the belly bubbles and gets to be blood and a left hand and an eyelid. Sleep is a maker of makers.
mEb Dec 2010
Farouche people cast lethal ephemeralities, they are skittish howitzers' foreseeing
Tamper and muck around with us
Proceed please, gain potency
Address prowess, then once you've coward in a corner, strain to flee


Michka was languid sáwol (OE)
The bullied ******* not teeming by any means
Always a vexed mind, full of pillage grim
Every day the same prediction
Once the bruises turned healing yellow, they'd regain their blue gray
He walked the plank and served the steak
He dilapidated himself in vile rain
Gained no aplomb confidence
Only verbal abuse that strayed persistent
Only mental and physical wounds surfaced


Strolling down the broken sidewalk of crumbled concrete
A noticement of condemned buildings
6235 Mirnerva LN
Visions he had entering, visions he had slaying
Of the civil and socialble
Torture to the dependable
He walked inside to leaks and floor holes
Ancient 1920 furniture and stoves
More than one stove that could hold coal
To burn  bodies of evidence made him feel like gold
He had a place of his own
He mirrored himself as a transfixing carver
Despersing of the bully fools
No more drubbing routs' after school
Robert Ronnow Aug 2015
Aspen, ponderosa pine, blue spruce
pink glacier-cut rock, scree, ravens
gray jay, peregrine falcon, hawk.

We climb to 11,000 feet in three days,
camp at Lawn Lake for three days. Alpine
tundra. Elk, bighorn sheep, marmot.

Tileston Meadows, ticks in grass,
rock face of Mummy Mountain.
Binoculars show pink cracks in gray rock.

Stoke gas stoves, play cards.
Boil water, set up tarps, lay out
sleeping bags, hang bear bag.

Watch crescent moon slice into
Fairchild Mountain. Moonlight
makes a mosque of the rocks.

Yellow aspen splash in dark green
spruce and pine. Gullies where streams
slash during spring snowmelt.

One rock, feather or flower worth
more than money. Need no wallet,
keys. Just clothes for fur.

All day climb toward saddle to see
what's on other side. One hawk floating
among bare peaks and over valleys.

Wind at 13,000 feet
turns to sleet. Turn back from peak,
take boulders two at a time down.

Winter moves into mountains.
Then we fly from Denver to New York
where it's still summer.
www.ronnowpoetry.com
Jenny Dec 2013
“When I was younger my friends and I would all have bonfires every Friday night and we made up fake names for each other that related to our spirit animals and we spoke in a secret language where every word started with D. Dumb, dight? Dokay, de dan dave da decret danguage doo. Dut DI don’t dare do duch dor ‘D’. What letter do you like? V? V’s vinda vunny.”


“I have in this bag here every fingernail clipping of each of your exes. I have in this bag a 14 inch long braid of every hair you ever sleepily smoothed into submission, lying halfway underneath the moon and halfway in a pile of the aforementioned’s sweat. I have blue-tint pictures developed from a baking disposable camera that weren’t taken seriously  when Instagram wasn’t cool. Film clips of them getting ready for work in front of you, where there’s no film because it’s just your eyes and no real memories because your eyes were flickering between open and shut, blinds behind you that winked at them when you were too busy reveling to. I’m not saying that your eyes are blind, I’m saying that they’re blinds. Do you understand what I have in this bag? It’s like a never-ending stream of catharsis, like a rain puddle in November with streetlights swimming drunkenly in it, that reminds you too much of coming home to the smell of gas stoves even though you didn’t live there. A feeling that reminded you of a war you didn’t fight in and shoots through your bones because you never consciously had a skeleton until the magnet in your throat attracted another. All of the things in this bag are shaped like U’s, you know? Or shaped like You.”


“Actually, I like U. I like U a lot, but it seems impossible to speak that way.”
Joe Cottonwood Nov 2017
In my little town
dogs sleep on the street
and act affronted
when you drive on the bed.

My little town allocates resources
in proportion to priorities.
We have one school
two churches
and three bars.

The teenage boys in my little town
gather by the pond after dark
with big engines and little cans of beer.
They steal the Stop sign, stone the streetlight,
moon a passing car.
But at least
we know where they are.

In my little town some girls keep horses
in their back yards. Above the dogs and surly boys,
they cruise on saddles astride a big beast,
dropping opinions as they meet.

On the Fourth of July
the whole little town
has a big picnic.

The ducks on the pond in my little town
waddle across the road each afternoon
a milling, quackling crowd
round the door of the yellow house
where the lady gives them grain.
When it rains,
they swim on the road
or sleep there, like dogs.

On a cold morning
the woodsmoke of stoves
lingers like fog
in my little town.

We hold village meetings
where a hundred-odd cranks and dreamers
***** for a grudging consensus.

We cling to the side of our mountain
building homes, making babies
beneath trees of awesome height.
We work too hard, play too rough,
and sense daily something sweet about living
in our little town.
Winter wind makes it's way down this Virginia mountainside
creating the hum of bending trees
dogs bark at moving deer
light slowly leaves
as it nears closing time at this country store
wood burning stoves are stoked
and the small mountain town of Pine Grove
settles in for a cold night

One last visitor arrives
his quiet stride moves with the wind
I'm greeted with that childish grin
that never leaves the Birdman
he is James Dean cool
John Wayne tough
and Jimmy Stewart kind
his visits are like a good bottle of wine
always ending too soon

He winks and says; 'Goodnight brother'
then walks into the darkness
the Birdman left us this night
riding the wind to the kingdom he knew awaited him
The Birdman (Todd Torrey) died at age 53
he was a regular customer in my little country store
I sent this piece to 2 local papers and they each published it
one morning just after opening
his widow walked in my store and set about a dozen letters
she'd received from friends regarding the piece on the counter
they were all very positive and she said I had captured his spirit
if I never have a book published or have my work read beyond the friends
that stop by this site, those few words from her were all the reward I'll ever need
The girlchild was born as usual,
But detested dolls that did *** ***,
Made music with her miniature GE stoves and irons,
And crushed her wee lipsticks the color of cherry candy,
Then, in the rabble of puberty, a classmate said,
"You have a great big nose, and fat legs."

She was healthy, tested intelligent,
Possessed strong arms and back,
abundant ****** drive and manual dexterity,
She ran to and fro, not caring,
Who saw a fat nose on thick legs,

She was advised to play coy,
exhorted to come on hearty,
exercise, diet, smile and wheedle,
But her strength refused to wear out,
Did not run out on her,
Like some men did,
Who only saw a fat nose on thick legs,

She refused satin in her casket,
She would have no undertaker paint her silly,
With her strong nose and thick legs,
Dressed ever as plainly,
'She was beautiful,' those who knew her said,
Those who did not, could not understand,
That she was no Barbie Doll,
But a woman with a happy end.
I wrote this in response to Barbie Doll by Marge Piercy.
Don Bouchard Feb 2015
Between two wars, a blizzard,
Fifteen degrees below,
Wind howling shook the house,
Drove the dirt and snow
In snarling threads across the ground,
Separated farms from town.

My mother and her sister, little girls,
Up and chilled in the kitchen
Huddled by the iron stove,
Warmed to a mix of fuel:
Coal, wood, dried cow manure
Radiating steady heat,
Water starting to steam,
Sad irons warming slow,
Breakfast down,
Ironing to be done.

Wind howling and roads blocked,
Dad out milking cows,
Chopping ice on water tanks,
Pitching down a few forkfuls hay...
Not much else to do
In the howling wind.

No co-op telephone to say
School was closed;
Not that it mattered,
No one could have made their way
Over country roads blown shut,
Over snow-blown dunes  of snow.

Dad and the uncles had wired
A makeshift telephone along the fences,
Two miles to the home farm,
A haphazard affair, but still a marvel
On the eastern Montana prairie
To keep Grandpa and sister Anna close....
(Grandmother gone, and only Anna home),
A crank to send the  current along the line,
The hope that someone heard the bell,
Picked up to say, "Hello?"
A modern miracle
Between two farm houses in Montana.

The bell rang,
Mother answered,
Listened and then spoke low....
"Anna's gone," she told  her husband
As he stomped in, white with cold and driven snow.

"We'll try to go across the fields," he said.
But first they ate, and bundled up:
Long stockings, woolen dresses for the girls,
Blankets, coats and mittens,
Sad irons from the stove top,
Bricks warmed in the oven,
Wrapped in burlap for the floor
Of the old truck.

The journey was unsteady, slow,
Following the fence line,
A makeshift guide in the blowing snow,
Moving patch to patch of brown blown bare,
Avoiding rock hard drifts
Looking out for stones,
Seeking gates to find approaches
To the neighbor's fields.

Two hours later, the old house
Stood ghost-like in the swirling snow,
Bleak it seemed,
Windows staring dark,
Holding death within.

The quiet girls stayed in the kitchen,
Little mothers with their dolls;
The men carried sister Anna to the porch,
Laid her on the boot shelf, stiff and still,
And Momma washed her,
Dried and combed the soft brown hair,
Dressed her in her flannel gown,
Wrapped  her in a linen sheet,
Ready for her ride to town,
Said her good-byes out on the porch.

They left Grandpa standing
In the glooming cold,
Chores to do, stoves to tend,
Waiting for the storm to end....

"The undertaker told my mother
He'd never seen
Such a wonderfully prepared body,"
My Mother's voice crackles
through my cell phone.
She's sitting in a soft chair
A thousand miles away;
I am parked along a road
Reliving an event 80 years past.
Towers hurl our thoughts:  
The  past - the present,
The looming future
Frozen in a telephonic moment.

My mother recites a memory
Eighty years' past...
Her parents long gone;
Her life nearly through;
Her son grasping every word,
Blizzard whipped in the rush
Of time.
Trying to preserve these old family memories.... As we grow older, our family stories become more important. Go ask your folks for their memories. They tell us who we are....
Jon Tobias Aug 2012
Too much change
Is bad for your heart
Weighs heavy in your thin places
Like locking your throat
While the bags under your eyes
Pull their draw strings shut to keep all that trash in

No one wants to know what your ***** laundry smells like
Not even you

And so much this feels like stepping into yesterday
Wearing brand new shoes
Where no matter what
The only thing I could have done differently is walk away

You give yourself lists
Of I can leave after
I fix the car
And throw away all our old stuff
After mom comes home sober but still broken
There will always be something or someone
You forgot to fix

But you will walk away from this
It will feel like heaven
Leaving all the dirt behind

Only heaven is more or less a line of people
Wondering if they turned their stoves off or not
I never draft or even edit really my poems. Mostly what comes out of me gets posted the second I am done. I don't feel this is finished though. There are words that are hanging heavy on my heart, and I am currently speechless.
Bra-Tee Feb 2015
My family has been stuck in the same ***** old slum for decades now.

My father is a electrician. He fixes stoves, radio's, tv's and sells them for alcohol no wonder everytime I get home the house looks bigger.

I was only 9years old when I started picking up my fathers habitats: like the broken pieces of whiskey bottles he throws around the living room every time his favorite team loses.
I picked up my fathers habit to swear, hit and poke a woman if ever she doesn't give me what I want.
And every Monday my father loses his voice from shouting too much on previous weekend and I also picked up his habit to NOT think before I speak...
Last night I asked mother to help me out with mathematics. But all the answers she gave me started with: "Go away, I'm busy!"
I.
I know you do not want to be known
as the teary-eyed girl with an upside down smile
always your arms covered
like unhappy things resided beneath the bright coloured sleeves
like these vibrant distractions could hide the secrets
you feared so       that would come to light someday
and your sorrow so heavy they slowed your footsteps, making your thoughts an overweight baggage you have been forced to drag along, so suffocating you'd wake up with a tear streaked face while the faint ticking of the clock tells you that you
are nowhere near dawn
the house has long fallen asleep but you,
why are you awake
what kept you from sleeping
is the silence too overwhelming to bear
or your thoughts too deafening to ignore
the house has long fallen asleep but you,
you dont know whether to laugh
or to cry

II.
Mother never told you about things that were more dangerous than knives, that there were things that burned you more than stoves and matches, things that do not have sharp edges, like doe eyed boys with a laugh like the sound leaves you'd find at the pavement being rustled by the occasional breeze in June, both the breeze and his voice on top of your list of the unexpected. Mother never told you that the greater danger were the things that do not hold an absolute form, like the way your doe eyed boy kissed you, for the very first time one summer night in June. He held you so tightly. And every kiss never felt the same, and you loved every one of them nevertheless. He left eventually. And you were left with a mess of feelings and a pile of broken heart pieces you tried so hard to piece back into one but the fractured pieces didnt seem to fit back in properly. Those were the things that kept you up for nights, the things school never prepared you for. But I want you to know you are more than the girl with sad eyes standing in the corner of a washed up family photograph, and I know you will love again, you would fall to pieces and drink yourself senseless and scream at the stars, but I know you will love again.
EJ Aghassi Jan 2014
morse code
tapping
on
table tops & stoves

sore nose
more so
more sore
soul
Dexter Terzungwe Oct 2015
Since I was old enough to speak,
i promised to love you till the end of time;
and now i'm praying for the end of time to come quickly,
so i can stop loving you.
Why?
because i dont break my promises.


Some part of me got lost in your apron;
Where you hid your cigarettes.
No I’ll never forget, cigarettes lit,
pots blackened by the thick smoke from the stoves.
Your majestic pose over the cans as you churned your latest recipes to life.
I just wanted to be like you.

Now you're there,
as fragile as a worm in a brine pool.
Laying in that hospital bed,
the white sheets stained by your spews of black blood.
The doctor said your lungs have given way,
I still cant believe that you're leaving me.
We forgot to live... *The nanny tales*
Jimmy Solanki Mar 2014
Your memory lingers around
Like the soft smell of wet earth
Like the persistence of old parchment
Of burning rubber and gas stoves
Of cinnamon and crushed cloves

I can feel you
Even in the very air
I can breathe you in
So far
Yet so close

A cold star with a fiery heart
Words like flames that rip apart
all shields of this fallen heart
Your words hang around
Unsung sonnets and sounds

I can hear you
Even in the core of my being
I can touch you
So far
Yet so close
Erin Suurkoivu Sep 2016
Even the stars are doing yoga.
Nothing has always done it,
bending into space.
This evening found me stoking
the fire,
warming by breath alone.
People are such cold little stoves.

Above the sound,
**** and give of ocean,
I heard Ariel sing.
Jonathan Surname Aug 2018
I live a breath's away from the oldest river in the world.
While I don't take much of nature in it is awe inspiring,
to be sure.
I live within the crook of the oldest mountains in our history.
Not the tallest,
nor the proudest,
but for now these ranges are growing senile within their misery.

The riverrun through it and exposes rock perhaps a billion years old.
Our oral histories, passed on legends,
scary stories and mountaineer folklore accounts for
such a small passage of time.
We built a bridge once.
It was at one time the longest single-span arch in the world.
Now it's the fourth.
Top five, and that's something for which I am proud.
The oldest river, in the world.
The oldest mountains, in the world.
The highest fatal overdose rate, in the States.

There is a beauty to be had here. Somewhat backwards, but
growing up our water was clear.
It's now choked from coal slurry.
The brain drain of young adults leaving, in much hurry,
hurts us as the ones that remain become grey and blurry.
We are living in a permanent winter and we have high roads,
that wind and curve. Dangerous when icy. veins filled with
heavy loads and nodding verve.
I live a breath's away from the oldest river in the entire world.
I can't touch Roman ruins with my hands, or
sift through the Dead Sea and float on salt above sand.
I can't touch the hill where Jesus may have died,
I don't know what it feels like to hold history as pride.
But our trees even when green have a dusty coal darkened sheen.
Summer is overgrowth from the Springtime rains.
The highest fatal overdose rate in the entire United States.

Where once we built bridges to close in the gap of travel.
We unzip black bags with rigs and object with obvious cavil.
Our industry is old, the world is moving on from coal.
For better, to be sure, but in the meantime we grow cold.
Not from lack of heat, we can boil our spoons just fine.
But we need a replacement from shaft or the mountaintop mine.
Let us worry about beauty again,
let us treat addiction with correction instead of levying it as sin.
Remove the pantomiming politician speak
of addicts or the sick as being weak.

Let's find ourselves again, West Virginia. You're the only home I've known.
Childhood summertimes sat beneath canopies of caterpillar home,
the happy baby butterflies eating leaves so more sun could shone.
Walking sticks used to play with me in my yard,
and at nighttime I'd still be outside mouth agape at the stars.
Evening meant lightning bugs and I'd capture a few in the cup of my hands.
There was a whimsy to how nature responded to us,
how bees would bumble and land,
on the dandelions whose seeds I'd spread as I blew on their white
polyp heads.
Maybe it's nostalgia and my memories are tinted rosy.
The smell of wood stoves burning in winter,
the crispness of autumn breezes felt cozy.
There was a trust held in communities, or maybe I was naïve.
Some of my friends made a choice and moved.
Others among us took a more permanent leave.
My brother, too. He himself got in a lot of trouble.
Over the cotton swab boiled to a bubble.
He died when I was young so maybe everybody is right.
It's all sentimentality and a lot of lonely nights.
But does the past being ****** up make the worsening now fine?

I live a breath's away from the oldest river and mountain range.
I live with the highest fatal overdose rate in the United States.
there's much debate as to whether the New River or the Appalachian/Blue Ridge/Allegheny mountains are, in fact, the oldest.
there is, however, no debate as to whether or not West Virginia (WV) holds the highest fatal overdose rate in the US

In 2010 WV held one of the highest fatal overdose rates,
By 2017 much of the country's overdose rates increased
WV's 2010 numbers are higher than 60% of the country's 2017 numbers,
and WV's 2017 are higher than everybody else's.

This is not to meant to take away the pain that's transcended broadly throughout the country. This is not meant to be diminishing, not even remotely, but it is meant to shine a solemn light.

I'm sorry for those of you that may know somebody who has passed on from drugs, or that may be currently struggling with their addictions. Whether it's opiates, alcohol, or prescriptions.
But let's try to remove some of the stigma surrounding addiction.

Forgive some stolen money.
Avoid gossip and rumor.
Reach out to somebody who may have fallen away from the crowd.
I'd much rather live with an addict than haunted by a ghost.

thank you for reading
Paul Roberts Dec 2010
I see leaves from trees, winter wind just a blowing,
making an assualt like paratroopers on folks  lawns.
I hear the geese  gather up and form their formations,
quaking loudly that they are up and gone.
Morning rush to the work has to be coordinated,
that old truck needs time to warm up.
frost on the winshield, wind just a blowing,
time for one more coffee warm up.
Evening breeze brings the smell of wood stoves going,
holiday baking  and burning leaves from the yards.
Yes I do believe ... Winter is here!
Paul Roberts. The Journey
Miss Honey Aug 2013
All of the lines started to blur together
Summer, complicated passed without guidance
one twinge of a special river rushed inside,
breaking bones,
tearing up any sense of self I once knew packed in wood stoves and bird walks
There is no discovery in purpose.
Progress is made by going without knowing why
You are not found in schoolbooks
Your muscles were not built upon hopeful, “one day”
You build your own self in hazards and nimble choice
You’ll find a way to heal broken skin
And your terrified eyes will only build more muscles for smiling

— The End —