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ConnectHook Sep 2015


A signifying monkey grunted
(keyboard-clever, morals stunted)

from his perch in a digital tree.
And next, did text (quite rapidly):

“Courtship rituals won’t suffice.
Face-to-face can’t break the ice.

Instagram me! Tweet me up . . .
friend me, like me, buttercup.

Sentences are so outmoded—
take too long to get decoded;

primate sexting hits me faster,
steers me towards your hot disaster.

Female monkeys: send an image.
(Ain’t got time for useless verbiage…)

if your snout just might unseat me
tweet me, greet me—don’t delete me.”

Then, unpeeling fresh banana,
searched his screen for Vox Humana. . .
https://connecthook.wordpress.com/mine/various/

Hunter J Nov 2012
Im cold
no one knows me
not even myself
Im tired of living with no self-help

Oh hell
Oh well
Guess this fights over
i hear the ringing of a bell

In time
in my own eyes im blind
cant seem to find
my way out of this mess
so much stress
just to impress

Impress who you ask
Matter fact
i dont know that
but all these suicidal tendencies
Someone put an end to me

I feel like i should be quoting Macbeth's final solilquoy
Life is but a wandering shadow
Goes nowhere
like i care

And all our yesterdays have lighted
fools the way to dusty death
Now stop it for a minute
let me catch my breath
Foe his final line
so i may go in depth

Life is told by an idiot
full of events
signifying nothing
so why repent
and now i truly question
can time be well spent?

Just let me lament
Few good times
adn many bad
all sad
i start to get mad

I start thinking
even if i did look
on the brightside id probably go blind
no lie
i bought a suit to meet god
so let me straighten the tie
my final words to you
goodbye
SELFISH EDUCATION MINUS POETICAL WISDOM
MAKES THE WORLD LAME

Alexander K Opicho
(Eldoret, Kenya; aopicho@yahoo.com)

Nothing is wrong with selfish education;
Career is an important part of a good life
Much of human life over the years
Is devoted to career acquisition
In oblivion of poetical wisdom
Philosophy does not make it any easier,ok
For apothecaries to remove a prostate gland;
Apothecarical education is long, arduous and dear in cost
Never temper it with apparent irrelevance
But poetical wisdom soothes the tools
Helps apothecaries to volite in dilemma
Poetical wisdom is essential for apothecary’s work
Without it; apothecary tells a mother-to-be
Your baby will be a dwarf dwarfishly
The apothecary explains the mother’s options yet in fault
Since it takes more than just knowledge of genetics
Since it requires an understanding of suffering,
Of disappointment and puerperal attachment
Apothecary tell a daughter but in sham; that
Your mother’s life support needs to be removed
It takes more than just knowledge of physiology
It too requires an understanding of emotional loss
A casualty room apothecary goofs to avoid despair
When faced with a baby battered nearly to death
By its own zinjathropus father
Such horror requires a faith in humanity
That cannot be learned in the selfish education
It’s not just apothecaries absolute
To benefit from a broader learning
It is but entire humanity
Studying drama would no help financiers
Devise capricious financial parasites
That doomed the world into financial mire
But, if they were familiar with Faust,
They may have thought twice about
The consequences of their vice,
Being able to sing from Shelley’s poems
Will not help politicians get elected
Carousing Ozymandias might make them more humble
And thoughtful about their accomplishments
Rupert Murdoch might not now be shaking his head
And whining; how I wish I new
Instead, he were to echo Shakespeare’s words
About how easy it is to be; done to death by a slanderous tongue,
I sing this poem in a crouch in the twilight
Around the world as my audience
Behold poetic eyebrows of my comrades,

A generation of humanity familiar poetical kingdoms
Of history, philosophy and literature is a wonderful vision
Doubts not that reading Goethe
And Shelley and Shakespeare guarantees wisdom
You are correct, kudos to you,

Reading, by itself, won’t make anyone a sage
Experience is a pertinent Florence
As Odysseus learns on his journey back to Ithaca,
Important lessons can only be learned the hard way
Through bitter experience, perhaps has a change,

Youth start out with ***, drugs, rock and roll
With experience they eventually emotions decadence
In calm appreciation that; nothing to excess,

Tragic exceptions like poor Amy Wine house;
Only serve to prove the rule, there is a problem,

Ergo, Experience alone cannot guarantee wisdom
Any more than reading books can
The lessons of life are only available
To those who are ready to learn them
If wisdom is the goal, then humanity must walk 10,000 miles,
To read 10,000 books
Said 17th century Chinese philosopher, GU Yanwu
Becoming wise requires more than set of adventures
But a cultured mind that is open and liberal
Readily able to absorb the lessons that experience teaches
Pasteur famously said that; Chance favours the prepared mind
Our job as learning humanity is to take his words seriously
Prepare mankind to learn from experience,

Humanity is to go beyond selfish education
To learn colours of hope in the poetical wisdom;
Life, death, tragedy, love, beauty, courage, loyalty
All of these are omitted from selfish education
yet, when it comes time to sum up our lives,
They are the only things that ever go places,

Catholic priesthood ever admonishes the flocks;
Thou art dust, and to dust thou shalt return
A salutary reminder of what we all have in waiting f
Like the Preacher in the Ecclesiastes;
We spend our years trying to find some meaning in our lives
It is easy to fall into the bottomless pit
Life is tale told by an idiot full of sound and fury signifying nothing
But before humanity reaches Macbeth’s conclusion,
We must provide with the poetical glory
Musing fortunately as all humanities is anxious
There is a thirsty for poetical wisdom
Which parochial selfish education cannot quench,

There ought to be a list of great poetical works
From east, west, north and south of the world
Globalectically Nursing poetic urge of the earth
With which every piece of humanity should suckle
In wisdom that Books have the power to convey wisdom,

From these poetical sources that humanity learn about love
And loss, about memory and desire,
About loyalty and duty,
About our world and love-bound universe
And about what it means to be a human being
Mitchell Jun 2012
The night rested in a humid Spring night as the cable cars
And taxi cabs lazily made their way around the
Soft and silent streets of the city. Stray cats and dogs
Picked away at half-eaten lunch meat and
three day old bread as the moon slowly began to rise.
The restaurants that lined the alley ways and
Side streets were filled with the Saturday evening crowd. The
Clinking echoes of wine glasses and dinner plates spilled
Out onto the sidewalk and into the street. The passerby's would
Occasionally turn their heads to look inside, some envious that they
Were not smiling and drinking and eating that night. Across the
Street and throughout the town, lonely men drank from half empty
Beer mugs, wondering where their passion had gone.

On the corner of Barry and 3rd stood a man alone with
A suitcase in his hand. He wore tattered brown dress
Shoes - two years too old - a black neck tie with a half
Button-up T-shirt and a pair of dark brown slacks he had
Bought from Goodwill for $3. His free hand hung open,
Letting the night breeze snake around his fingers. There
Were the stars above him that shone down onto the street
And the sidewalk and a few spotted puddles that had
Built up from an earlier rain. On the corner of Barry and 3rd
There was only one thing to do with one's time, and that
Was to stand around and think of where to go to next.

Up on 17th, there was a bar the man had heard of
From a woman who had tried to pick him up at the bus
Station, some kind of ******* that was really only looking
For a couple of free drinks and a packet of cigarettes. The man
Thought of this place, and weighed back and forth if it would
Be advantageous to wander up there and see if he couldn't
Find someone to shack up with for the night.
He decided it would be.

As he passed the busy restaurants, listening to the insides
Of the building and its occupants churn like silverware
In a blender, he remembered he had placed a half-loaf
Of bread inside of his suitcase.
He stopped on a rough concrete stoop of a Catholic
Church, where above him, stood a large wooden cross.
Around the cross were plaster sculptures of baby angels and
Gargoyles and a snaking vine made of black stone that made
Its way around the cross, tying itself around the center
Where the horizontal met the vertical, and continued
To spin around and around until it reached the top.
At first, the man thought it was some
Kind of snake signifying Adam and Eve, which was all
He really knew about religion, the basic kid stories, but
When looking closer, realized that it was only an innocent
Plant seeking a spot of sun.

The man placed his suitcase on the 3rd step of 8, where he
Then sat on the 4th. He leaned his weathered, bent back against
The hard stone concrete and listened to the faint cracks
Of his spine inside his body. He realized that he hadn't sat d
Down and relaxed since he had gotten off the train. He threw
His head back in a exaggerated and child-like yawn, and felt the warm tears
Of bashful exhaustion fill the sockets of his heavy eyes. The night was
Warm and he unbuttoned the top two buttons of his shirt
To let the air blow over his sweat drenched chest.

"There are certain times to be alone in life," He mused
To himself, "And I do believe that I have
Found one of them."

In a room above him the window was wide open
And the curtains danced outside with the wind. A head
Poked out from the window sill and peered down to
Look at the man musing, but did not say anything. The man
knew nothing of the stranger's eyes above him and felt
No other presence around him, other than the passing taxi
Cabs and street walker's and - if you counted the one's inside
The church - the saints and the angel's and God that lived
In holy silence enshrined behind him.

"There are things in life that are never meant to be
Solved," he philosophized, "And maybe I am
One of those things. When I think of my life, my entire
Life here on Earth, I don't think I ever found
A straight line to follow that I was ever comfortable
With...not one straight line I could follow that would
Bring me true happiness or a sense of accomplishment.
Now, am I bad in feeling this way? Am I no good
For never feeling that the good ain't ever good enough?
I do my laundry like everybody else and I walk the
Street just the same, but, there is something else that
Smells and feels and can taste the eternity in all things
That makes me restless so I can't sleep sometimes, forces
Me to stare into black infinity with only a mind I feel
That I will never truly meet. There has got to be a word
For whatever feeling this is, but I can't seem to think of it now."

The head above that had poked out before ******
A dark object out the window. It wavered for a moment
In the still warm air of the night, then, whooshing and
Splashing down, a full bucket of water cascaded down
on the man's head and suitcase. The man sat frozen, unsure
Whether it was from the Heaven's itself and paused before
He began to swear and curse at the tenant above him.

"You rat **** eating vanilla ice cream eating convict!" he
Screamed up towards the apartment complex, "I'm going
To come back with a gallon of gasoline, 10,000 tooth-picks, and
Find out your favorite magazine subscription and bring 1,000
Those by, and burn this place down - gifts and all!"

His voice
Echoed in the street
And down the darkened alley-way,
Where the bums of the city
Slumbered, not hearing a sound
Of the rant the man in the now wet
Two year old dress shoes rambled
On with; for bums sleep with
Absolute peace with their lack of
Care or fear of time.

"At last," he muttered underneath his dripping hair,
"I am released unto the Earth for what I truly am: A hung
Sheet - fresh out of the washer - meant only to be
Basking in the moonlight so to be dried by
Morning for the house-guests in the evening."

The man snapped his fingers,
Clicked his tongue, and looked up,
Once more trying to spot the culprit, until
Another bucket of water came crashing
Down upon him.

"QUIET DOWN THERE,"
The voice from above hollered,
"THERE AIN'T A SINGLE WORD ANYONE
IN THIS BUILDING WANTS TO HEAR
RIGHT NOW! CHILDREN ARE SLEEPING AND
THE OLD ONE'S ARE WATCHING THIER PROGRAMS!"

The man ran his hands through his dripping wet hair
And flicked the droplets of water out onto the street. His
Suitcase, which sat to the right of him, was soaked as well and
The man worried about the single baguette he had stored
In there in case he had gotten hungry. He knew it was ruined
Now, but was happy that there was only an extra pair
Of 50 cent socks and an undershirt he had found underneath
A bridge on the way into the city. He cocked his head up to the open window.

"You speak for everyone here in this building?" He
Asked the black and blotchy figure above him.

"I speak for everyone that doesn't have the nerve or
The cajones or the energy to holler down at you at
This Un-Godly hour, if that's what your asking."

"They vote you into that position?" He asked, prodding them.

"No vote. I'm a volunteer," they defended.

"Ha. Always going to be some kind of
Volunteer when there's power involved."

"Isn't power, it's responsibility."

"Responsibility," the man repeated, chewing the
Word in his mouth, seeing it spelled out in his mind.
"Responsibility is quite a subjective thing: some people
Take a liking to it and never want to stop being responsible and
In charge, and some just don't want none of it and
Would rather lay back in the sun and act
Like their in charge, while whoever believes
Their power works under'em and for'em; which one are you?"

"Neither. I'm just here trying to ward off some
Rambling *** with what looks like nothing but a
Suitcase and some old clothes and shoes."

"Well," he said, "You must have some pretty good
Eye-sight in this setting dark, because that's
All I got at the moment."

"Where you hail from?" the voice asked.

"Originally I hail from here, but where I was
Before I hailed from as well. To tell you the truth, I don't
Truly know - that's a good question."

The man tilted his chin up slightly and
Rolled over his response. The question had
Dropped an icy fire into the pit of his stomach and filled it
With hundreds of gnawing, fluttering butterflies; he
Hadn't thought about home in a long time and
Had forgotten why he had even chose to show-up in the first place.

"I'm here for reasons I can't seem to remember at the moment,"
The man admitted to the voice above and to himself.

"Can't remember?" the voice laughed, "How
You gonna' forget why you came home?"

"Don't know," he said, shaking his head," Just
Can't seem to recollect it."

"Scary thing."

"Yes, indeed."

They both paused as a taxi cab passed slowly by. It stopped
And honked its horn trying to signal the man to see
If he needed a ride. The man waved his hand to send the
Cabby off and looked down at his wet clothes and suitcase. The
Chill of the night had gotten its way into his skin and
He noticed that his teeth were chattering and his feet were
Beginning to shake. He worried about getting sick because he
Wouldn't be able to buy any medicine if he did. He looked up
To see the figure still looking down at him in silence. Suddenly,
An object fell, back and forth in the air like a feather,
Down towards the man and onto the stoop where he stood.
It was a blanket and wrapped inside was a tattered pillow.

"Bring it back if you want," the voice called out to him, "Don't
Even care if you sleep on the stoop, but, it's a little wet, as you know."

"There a park around here?"

"Down two blocks and a left. You'll see it."

"Thanks for your kindness," he said looking up at the window.

"Thanks for your silence," the voice said stubbornly.

The man brushed off the remaining water on his clothes
And suitcase and tried to squeeze the water out his hair.
He picked up his suitcase and wrapped the blanket around
His body and fitted the pillow underneath his arm. He walked
Two blocks up from where the figure had told him and took a
Left, illuminated by the stark orange and white street lights. He looked
Around after he took the left and spotted a small children's park
With a few benches spotted along the sidewalk that snaked through it.
He picked a bench near a water fountain, unbuckled his belt and took
Off his wet pants and laid down, wrapping the thick wool blanket
Around his body. He placed his suitcase underneath the bench and
Positioned the pillow so it fitted gently under his head. After he
Closed his eyes and rested for five minutes, he reached down to
Touch his suitcase. He felt the cool, damp leather of it, and
Quickly wrapped himself back up into the blanket,
Eagerly awaiting for dawn to rise and bring warmth back to his body.

At dawn, the sun painted the man's body with dark yellow streaks
of sunlight, heating his body up so much that when he woke, his
Clothes were close to dry again. The small patch of grass and
Weeds underneath him rustled with the wind and the sounds
Of the street a few blocks away drifted into his ear. He stirred
Inside of his blanket but did not rise. The pillow had fallen
To the ground throughout the night, but the man was too tired
To reach for it and kept his head on the hard wooden surface of the bench.
While lying there, half awake, the man thought of the figure that
Had been speaking to him from their window the night before. He
Knew he must return the blanket and pillow, but he was unsure
Whether he should bring something else. He had no money -
No money to spare at least - so he chose to bring only the
The things that were leant to him back, hoping that would suffice.

He shifted his position on the bench and saw through a crack of
The bench, that there were children already playing on the playground
Behind him, their parents leaning over their porches watching them; they
Didn't even seem to notice or care about the man sleeping on the bench.
The man felt embarrassed about this and rolled over to avoid the
Gaze of the parents and any of the children that may have spotted him. He
Laid on his back, his head atop the worn but comfortable pillow, and
Gazed up into the blue sky that was clear save a few passing milky
White clouds, that hovered above him like colossal globs of marshmallows.
He hoped in his mind that he remembered where the house the was that
Had been kind enough to give him the blanket and pillow and he wished
That he had paid more attention to the street signs and physical objects
Surrounding the building. All the man could recall were the bright neon
Orange light posts, a long line of thinly pruned circular bushes, a few
Mailboxes that stood as if attention on the sidewalk of the street, and
Numerous houses that all looked the same when he passed them in the night.
He knew he needed to find the house but was too comfortable to rise and
Too scared of the failure of ever finding the house and the thought
Of carrying around the blanket and pillow made his face flush a deep red.

The man rose cooly, as if rising from a nap spent on a couch in his
Summer cottage that rested on the bank of some far off river somewhere.
He looked over to the children and the parents up on their porches, but
Still, none of them paid him any mind. This relieved him. He was allowed
To be a shadow and embraced the idea of being anonymous rather
Than feeling the helplessness one feels when no one sees you. He folded
The blanket neatly like his mother had taught him to do ever since
He was a little boy, and instinctively fluffed the ***** pillow, even though
It was far beyond repair already. The sun was just peaking over the tops of
The ramshackle apartment buildings and he noticed that he had been
Sleeping in what looked like a very poor part of town; in the night, it
Looked like every other park corner where the elderly would to
Think about their past and the children would play with their present.

"Night and day are two different worlds," the man muttered
To himself, "Some people belong in one and some
The other; I wonder...which one am I?"

He looked up towards the sun and squinted, feeling a
Small droplet of sweat make its way down his right cheek. He
Wiped it away with his fingertip and brought it to his mouth -
He was terribly thirsty and his stomach rumbled within him. He
Had noticed the night before on the way to the park, a sign
For a bakery, but was not sure whether it was open or not because
The night was too dark to reveal any signs of it. The man had 10 dollars to
His name and knew he could buy two loaves of bread for at least 50 cents
If he haggled with whoever was running the place. They would be sure
To see his condition and help him if he showed them a little of the money he had.
There was also a childish charm to the man that he would bring out whenever
He truly was in need - he never liked abusing this gift, if one could call it that -
But in times of desperation and starvation and dehydration, he was
Forced to use it and mustered as much courage up to do so.

He walked through the path that had brought him to the park and
Made a right down the street towards the bakery and possibly the
House where he had been given the blanket and pillow. There was
No one on the street save a few alley cats and dogs and all the window
Blinds were down to block out the intense shining sun rising in the sky. There
Was a light breeze passing through the trees that cooled the man off. He
Had begun to sweat from holding the pillow and blanket so close
To his body, and wished he could have the nerve just to throw it in a
Garbage can and make his way to the neighborhood where he had been told
About the bar, but his conscious weighed him down, so he carried on.

He walked a block down the street and found the bakery on the other side
Of the street. He crossed and saw there was an old woman inside.
He checked his pockets for any spare change and opened his wallet
To make sure the 10 dollars was still there. He needed water and something
To put in his belly and he whispered a prayer before he went inside of the bakery.
When he pushed the door to enter though, it wouldn't budge - it was locked. The
Woman behind the counter turned her head and looked at the man, who
shook her head and waved him off. The man knocked gently on the glass
Door, but the old woman just kept waving and shooing him off like an animal. The
Man checked the clock inside and saw that
Mateuš Conrad Sep 2015
once rastafarianism entered language ploys with wittgenstein's language games in mind it misplaced pronouns, existentialists just dittoed the signifying moral singular with the un-signifying immoral plural; like i was partly holocaust bound, ha ha (example); cherub and a scotch bonnet of my opinion tingling a contest of: chilli v. pepper v. horseradish. let's just say i'm a plasterer rather than i.q. me as a drinker. slaps in chequers on a bench to sober up momentarily.*

trust the saxon, trust the saxon to speak worse german
than the bavarian, and entrust german to the turk
above the saxon; trust the audacious saxon to leave the alphabet's
diacritic out, to spell like a roman would, from the celtic netherlands of gloom
in scotch egg on a couch, the potato of them all,
trust them with audacity and vocabulary  to conquer the world:  
relieving us norse with ****** never mind
the geese of brazil; exact roman care for all dwindles and fibrous excesses,
conquer the world what have you,
at least you have black skin and opera sunsets
while i have white skin and grey clots of 7pm in september,
or as the censors announced:
rather my vanity than the proof of god,
rather me than you in the minotaur's prison of winding zigzag vocabulary;
you're left politico correct i have three thousand
longboats waiting, you're right i have the same number
awaiting wind and sail. trust the saxons among bavarians to do the following:
but you have the caribbean and that's worth more than kenya
in a 100m sprint. you have the caribbean and i'm african,
nuance the scandinavian proust waging war with
a burnt toothpick not giving enough warmth. each me of the lost tribe walks asking:
blondish in the sea i dare you to walk and reason
the heraclitean suburbia of the river of emptied housed-in arsons worth a life.
come alaskan winters come!
trust the saxons to conquer the world without a holy implied for empires
and lost tracts in order that the romans might utilise proper a and proper o
while the saxons in **** with normans and celts said:
we'll roman-speak about the amazon girlies while our girls party out
a craft of whitened cotton for champagne ship-sailed virginity!
trust the saxons to speak worse german thank turks in order to bind by migration
an island as a ship, and sail away sail away wondering
why the roots of other european nations used the goggles to speak
as much microscope as microphone when accenting
and, in so doing accepted dialectics rather than a pompous excess of fibrous ginger plastic
known as dialects: in england dialectics is known as dialects - caged owls elsewhere
didn't coo coo but mooed with gags in nostrils sneezing when snorkelling:
we say error in sussex and say wok cumin seed sizzle in essex;
close enough to be a cockney in hackney rhymes up a mango.
The name Theodore has its Greek anthropologies, Jewish anthropologies and also Germany anthropologies. The Greek anthropological perspective of The name Theodore indeed has something to do with the gods.However, the Greek way of looking at life was a frustrated thinking.To them everything was a god. They had  a plethora of gods; utopia,cacotopia, Thespis, muse, clio, calypso, and Theodore was a half a god like Gabriel who impregnanted Mary on behalf of God as Joseph the cuckold carpenter patiently looked musing the ballad of a cuckold peasant . So Theodore and Gabriel were godsend.I  have not delved to know what it means among the Jews, But am aware of the the cultural and anthropological surroundings of the name Theodore in Germany . It is a name of a male person  signifying extra-masculine behavior. I also write poetry in Deutsch, so i know  substantial cultural values of the people of Germany.  Like in this case the modern  social  naming systems . I am aware of the anthropology of this Deutsch nomenclatural position.Why would link this name to Greeks but not Germany may due to  some silent social and emotional  disposition in Europe  that the  English speaking Europeans have a soft spot for  the Greek culture.While at the same time they become victims of high adrenaline level when exposed to anything Germany. they always get repulsed when the word Germany is mentioned.So one's  thesis on nomenclatural values of the name Theodore depends on which side of European  consciousness one is found; is it Germany friendly consciousness or Germany threatened consciousness? The dystopic component of the name Theodore is purely cacotopic with zero element of utopia , as extra-masculinity is a swine of  engendered civilization  all the times.


Yours

Alexander  k  Opicho

NB/ i kindly  invite Theodore to come to  Kenya so that we do a joint research on the Swahili perspectives of the name Theodore, in Kiswahili the name Theodore  is subverted to bwana tadayo
Lucky Queue Oct 2012
Red is the color of passion, but the passion of love
A firey burning sensation, heating and fueling lover's desire
Orange is the color of energy, blinding, and fast
Zipping through space and recharging the multiverse
Yellow is the color of friendship, sunshine and bright
Lifting frowns and bringing joy to all
Green is the color of life, growth, expansion
Of Gaia and the vibrant vivacity of Mother Earth
Blue is the color of sadness and melancholy and despair
Of the salty water of both tear and sea
Indigo is the color of calm and surging stillness, contemplation
And intellect, the color of knowledge
Violet is the color of passion also, the passion of music and art
Powerful and strong, mellowed and smooth
And octamarine is the color of magic, the eighth color of the rainbow, falling off the edge of the world into space
White and black, not contained within a rainbow, but both contain the rainbow themselves, they intertwine, yin and yang
White signifying good, pureness, gaiety, life
Black symbolising evil, taint, gloominess, death
EC Pollick Jan 2013
It may sound harsh
But it’s true.
I can’t divorce the word
“Disappointing”
Anytime I hear your name.

When my phone t9’s what I really want to say
into your name
It’s like a slap in the face
And I can still feel the sting
hours later.

When I run into you
On the streets
I wish It would be
like how I imagine it:
Where the empowered heroine
(that’s me)
Gives a look so piercing
It makes him shiver
And wallow in rebuke and despair.

Instead
I freeze up
Deer in headlights
Shocked and bewildered and delighted and horrified
All at the same time.

After all the **** you put me through
You can still do that to me.
It’s like magnetism or The Force
Or magical forces unexplained
And I stumble awkwardly
To get away.

My life is not a movie
And I am no heroine.
But at least
my name
Isn’t synonymous
with disappointment.
Medusa Oct 2018
"She should have died hereafter.
There would have been a time for such a word.
Tomorrow, and tomorrow, and tomorrow,
Creeps in this petty pace from day to day
To the last syllable of recorded time,
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life’s but a walking shadow, a poor player
That struts and frets his hour upon the stage
And then is heard no more. It is a tale
Told by an idiot, full of sound and fury,
Signifying nothing."

~Shakespeare, from 'Macbeth'
Nat Lipstadt May 2014
~ ~ ~
Adieu!
My Crew, My Crew!


this, our first trip,
our longest voyage,
nears completion

eighteenth of May,
a terminal date,
date of destination,
upon it commenced,
upon it,
our commencement

a terminus nearing,
a degree of latitude given,
a degree of longitude observed,
by you
mes méridiens,
witnesses to my zenith,
a degree of gratitude granted
and lovingly recv'd

adieu, adieu!
this sole~full rhyme
beats upon my lips
repeats and repeats,
endlessly looped,
Adieu, my crew!

sailor, voyageur,
scribe and travel guide
for four seasons,
a composition of one long
anno sabbatico,
muy simpatico

in the spring of '13
I sprung up here,
a Mayflower,,
a May flower,
a floral ship,
annual for a single year,
annual for a single circumnavigation

hearing now once again,
refreshing sounds,
hinting noises,
here comes his paul simonizing summery spring again,
rhyming timing reminding dylan style,
it's all over now, my babies blue

t'is season to move forward,
back to old acquaintances renewed,
sand, water and salty sun,
three lifelong friends who,
Auld Lang Syne,
never ever forget me

we get drunk on their eternity,
their celestial beauty,
and they,
upon my tarnished earthly being,
unreservedly and never judgingly,
give inspiration unstintingly,
we share,
never measuring a captain's humanity
by mystical formulae of reads or hearts

for
grains of sand, water wave droplets and sun rays,
all
only know one measure,
immeasurable

respect the
never-ending new combinations
of an old nature,
even the impoverished words he speaks,
words as they exit the
brain's grand birth canal,
whimsically announcing their poetic arrival with a:

"been here, done that,
but happy to do it,
one more time,
just ever so differently"


the only counting
that satisfies them and me,
the clicking sound be,
the sound of a
a pointer-finger tablet-clicking,
heartbeats a metering,
individual letters being stork-delivered,
and

yellow lightening
when it comes,
signifying family completion,
a poem,
a family,
comes
crackling real!

here comes spring again!
happily to shackle me,
shuckling me back to and fro,
to whence I came,
and from
whence I once
and always belonged

memorial weekend,
memorializing me,
orchestrating a prodigal son's
two edged tune,
a contrapuntal contrapposto,
a "fare-thee-well, man"
and a
"hello son, welcome home!"

that empty Adirondack chair,
by my name,
with your names
in tears inscribed upon it,
awaits

the breezes take note,
singing a duopoly:

this ole chair
needs refilling,
Rest & Recreation for your Rhythm & Blues,
your busted body boy
healing with our natural scents,
calming with common sense

with it,
will and refill,
the cracked breaches,
by phonetic letters frenetic,
drinking, then purge-spilling,
a speckled spackling paste of comfort food words
given of and given by,
given back to,
the bay's tide
and beaches
and

you, crew,

let this soul captain briefly lead,
spilling too oft his new seed,
he,
selected but unelected by a
raucous silent voice-vote...
of an unknown,
impressed-into-service crew

some of you
impressed upon
the skin of this captain man's sou!,
a cherishment so complete,
yet has he to fully comprehend,
its miracality,
the golden epaulettes upon his shoulder,
worn ever proudly

the nearest ending,
one of many.
a course of waterfall and rapids survived,
yet invisible shoals fast approaching,
a single bell tolling, warning,
here was, here comes,
yet another,
close calling

sirens shriek
forewarning,
can't abide a moment longer thus,
desperate longing
for a refuge of language loved,
not lost in lands and a sea of
ranted bittersweet journaled cant
and hashtags of sad despair

can't lengthen this sway,
grant a governor's stay,
cannot

heaven schedules our lives,
completed a time out
in a day,
twenty four hours of fabulous, fabled
and of late,
a shopworn, forlorn existence,
three hundred and sixty five times,
circularized on these pages

now
no forevermore, no forestalling,
only the truth,
a grizzled, unprimped,
mirror'd recognition

flutes,
sad low whistle,
trumpets,
wild maimed moan,
violins,
jenny jilted wailing tears, groan,
and harps and guitars,
each pluck single notes plaintive,
long and slow their disappearing reverberation,
but end it must

none can deny or fail to ascertain,
port of our joint destination,
pinpointed on maps as
"the last curtain call,"
just over the nearby horizon line,
demarcating the finality
of the days of glorious,
and the quietude of
a storied ending

my crew, my crew,
forever besided,
forever insided,
bussed, bedded, and bathed,
with me,

wherever I write most,
wherever I write eyes moist,
my crew
of all captains,
whose fealty I adore
and to whom,
my loyalty unquestioned sworn,
upon righteous English oak
an oath unstained,
an American bible, an American chest,
blood sworn here forever to
my
brothers, sisters and children
many who by title me addressed
this man as,
grandfather,
yet friends
from foreign-no-more-lands

this is only a poem,
this is only the best I have

This to me given,
and now to you returned,
encrusted with trust

for
we together,
were
a new combination
all our own

my crew, my crew,
for you:
my seasonal Yule log-life burns
every day,
all years of my life shiny shiny
copper-burnished teapot whistling
you, your names
a tune of the past,
and the yet to come

I care,
burdened more
than than you ere known,
dare I bear
to bare-confess

for and by you was I,
my restlessness lessened
my unrest less,
so comforted by an out-louded,
deep-welcome-throated reception
let it end thus,
no whimpers or cries,
no misunderstanding

in a Wilderness of Words,
sought you out,
your name and lands,
yours, purposely hidden,
disguised and unknown,

while I placed before you,
my name
my birthplace,
the poetry of my truths,
the jagged laughing,
the cryptic crying,
at myself,
foibles, pimples and the
the insights inside,
mine own book of revelations
all clear in the
drippings of my clarifying
cloudy tears

stranger to friends to chance,
all by chance,
sharing nodules, capsules,
even tumors and ill humors

your affection and simple heroism,
left me both gasping,
and leaves me now,
grasping

your hearts sustain
and are sustainable,
in ways the word,
organic,
not even remotely
adequate, sufficient

in ways
that can be secreted here,
in sharing,
private messages,
snippet exchanges,
that are valored above the rubies of
public hearts that
claim attention
but are gold bonded hand cuffs,
nonetheless!

my left, what is left,
to your strong right,
by rings married we are,
you and I,
a secretion on our kissing lips,
a perfumed essence called
No.365
"secrets of us..."

Wit I were a man
who could advance
his essay further,
but this voyage,
closed and done,
but a steamer approaches
where they need a third mate,
no questions asked,
no names exchanged,
no counting the change in his heart and the,
holes in his heart pocket

asking not,
are you friend long term true,
or just a fly by night,
short-winded trend

so onto
ports that are nameless,
needy for discovery,
perhaps,
they will have a fruitfulness
unripened,
awaiting verbal germination
so yet again,
when he wipes away
with back of a hand,
his fresh fears,
moistening those dried,
those crack'd lips

underneath will be yet found
a perhaps,
a
fully formed, yet to be shared,
new poem,
that gives value
standing on its own,
and perhaps, rewarming, reawakening,
his gone cold and pale,
yet quivering moving,
his almost stilled silenced spring,
but not quite,
lips...


--------------------------------

My Captain does not answer, his lips are pale and still,
My father does not feel my arm, he has no pulse nor will,
The ship is anchor’d safe and sound, its voyage closed and done,
From fearful trip the victor ship comes in with object won;
                         Exult O shores, and ring O bells!
                            But I with mournful tread,
                               Walk the deck my Captain lies,
                                  Fallen cold and dead.


                    
Walt Whitman
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
And the words that are used
For to get the ship confused
Will not be understood as they’re spoken
For the chains of the sea
Will have busted in the night
And will be buried at the bottom of the ocean

A song will lift
As the mainsail shifts
And the boat drifts on to the shoreline
And the sun will respect
Every face on the deck
The hour that the ship comes in

Then the sands will roll
Out a carpet of gold
For your weary toes to be a-touchin’
And the ship’s wise men
Will remind you once again
That the whole wide world is watchin’

bob dylan

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

We'll meet beyond the shore
We'll kiss just as before
Happy we'll be beyond the sea
And never again I'll go sailing

I know beyond a doubt
My heart will lead me there soon
We'll meet (I know we'll meet) beyond the shore
We'll kiss just as before
Happy we'll be beyond the sea
And never again I'll go sailing

No more sailing
So long sailing
Bye, bye sailing...

Jack Lawerence
looking for me in other names, other places
an explanation someday writ, not yet complete....but my poetry no longer gives
no satisfaction...
Hibernating in the summer, not merely resting my voice, but more than that, much more...will repost older stuff only...
take care of the newbies
~~~~~
Should old acquaintance be forgot,
and never brought to mind?
Should old acquaintance be forgot,
and old lang syne?

For auld lang syne, my dear,
for auld lang syne,
we'll take a cup of kindness yet,
for auld lang syne.
And surely you’ll buy your pint cup!
and surely I’ll buy mine!
And we'll take a cup o’ kindness yet,
for auld lang syne.

We two have run about the slopes,
and picked the daisies fine;
But we’ve wandered many a weary foot,
since auld lang syne.

We two have paddled in the stream,
from morning sun till dine†;
But seas between us broad have roared
since auld lang syne.

And there’s a hand my trusty friend!
And give me a hand o’ thine!
And we’ll take a right good-will draught,
for auld lang syne.
ryn Sep 2014
Partly darkened and part in light
A time when the stars and sun shared the sky
Bear witness to two behemoths wielding might
Impending clash foreseen to go awry

Two trains of thoughts charging from opposite ends
Each bearing their own solid ideals
Their flags that flew with conflicting brands
Convictions they carry on beaten, weary wheels

Almost an eternity, the time is soon
Seconds lasted before they finally would meet
Feeling of dread like the cloud covered moon
With war cries of whistles, they would greet

No possible way that they could miss
War waged in steeled wills and forged metals
Anticipate the moment, their couplings would kiss
Unleashing a barrage of predestined reprisals

Sheer destruction as they ate into each other
All in tow haphazardly derailed
A clash made of brute strength and power
A result of when decisiveness had failed

All was motionless save for the light of day
The two lay dead; spent currencies in coal
Fire and smoke had emerged from the fray
Signifying that the two have met their goal

Their cargo now freed, engaging in petty skirmish
Lunging and wrestling as they fought for dominance
Determination to overwhelm; never to languish
Jousting fists fueled by pent-up vengeance

Almost at end this long drawn battle
Much like a storm to be patiently ridden out
When the last of the debris should settle
Then would be lifted the dusty veil of doubt

The sun has now risen revealing the aftermath
Shedding light on the devastation incurred
Dark thoughts possess the most potent of wraths
But nothing could beat the muscle of the written word

Looking back I've realised the harm I've caused
Found great solace in the dark words I've governed
Life still hurls; it can never be paused
Just dust yourself off for you're better off enlightened
I'm back! (Well at least until the next train arrives... :))
Thank you everyone for your support throughout...

See "Doom Train"
See "Light Train"
shåi Apr 2014
the mirror
divides where
the partition begins
between broken and free

i touch the glass
it imitates me
copies my every move
i must be confused

i touch the glass again
it still imitates me
showing the contour lines
of my every ****** expression
but then its gone
i must be very confused

i look hard into the glass
i see my face
i look harder
but this time its different

i first see my flaws
my imperfect perfections
what makes me whole
why should i look like a brainless doll?

i look harder once more
into the glass
and i see something
far more different

i see the girl
with the piercing
dark grey eyes
who has everything in
her life just sorted out

but then i see
the girl
with dark black
holes in her sockets
instead of eyes

this girl has
many marks on her body
signifying how many times
she has been hurting

i see a marking
on her forehead
it says LOST
it then begins to
cut a wound
into her scull

i try to forget
all these disturbing images
i have seen in this mirror
forgive and forget

hasn't it always been about forgiving and forgetting?

i'm not sure i want to forget anymore.

i want to remember.

i turn back
and look at the girl
with the deep dark eyes
i then see her mouth move

who are you?

(b.d.s.)
suggestions are always appreciated! :)
btw the title is is the word reflection backwards

chapter 1 of the reflection writing prompt.. chapter 2: Spiritual Death is out now
WS Warner Sep 2011
The pierced ego sees
through an opaque lens;
a vestige of hope,
humor and  
intellectual solidarity.
Effigies of forgotten ethos,
the culmination of a
fated dream;
unrequited ardor, abandons
identity to an irreducible
fervor,                      
subtext of tension,                    
enduring ****** privation;
etude of a paramour
ending torture,
tasting mystical polarity.

The wounded heart
once intruded,
bleeds effusive;
the ornament of humility.
Flattened collateral
damage,
primal search,
proves illusive;
portals of hurt, slivers
of pride,
assembled fragments of
thereness
absorb the loss
of my English muse.

Poetry and devotion
punctuated murmurs
of piety,  
depth perception
virtue unfound;
expectation - access
to suffering;  
disinterested love
present,  
desultory carnage
of rescission,   
absurdity personified;
euphemism
of adieu,
the sound of no sound.

The discarded image
finds no favor,
the salt lost it's savor
unquenched thirst;
desire of
diminished purview,
the saporus stream
deferred;
vision eclipsed;
saturated self
hidden in the text.

Poverty asks the
question,
absence summons
ethereal substance
merged into
the immanent frame;
integrating,
in solitude signifying,
mediating - logos
contested
the humiliation of
the word.

Lyrical enigma,
where did I go?
provisional
personality
scorned,
renouncing nostrums
of the prosaic,
surrenders to the
the realm interior
sovereignty
assumed in
provenience,
native
horizon of the next.

©2008 & 2011 W.S. Warner
Emma May 2011
speaks the sepia soldier, what say you-
the grass no longer greens
nor is greener blurred through waters-
temperatures rising tasting compromising flavors
savors sun-kissed fables
staples followed Mable
Mayflower, spring strings with color
streaming ribbons gleaming
glass against fingertips
and breath- like a tiger, or a rat
frantic like the dying man's last rap
prayers echoed like-
air.
falls from the precipice to another peak,
"we never speak"
precious, precious, pretentious
quote us phrases, lay we down like concrete,
in concrete
surrounded by concrete where we'll dance and it won't matter that
we aren't dancing
Ruthie Aug 2014
I never really put much thought into love.
I figured it was something imaginary.
Parents say I love you.
But then they scream at each other behind slammed doors.
Boys tell you they love you to get in your pants.
Girls seem to love everything whether it's fluffy, pretty or just **** attractive.

I've never been one to believe in it all.
It never made much sense.
Always a meaningless word.
Signifying as little as four simple letters.

But then I met you.
And it may have been a sunny day.
And everyone may have been in high spirits.
But we walked.
And we talked.
And I think I felt our souls bounce off each other.
Like they were old friends reconnecting.
Catching up.
Yet you were totally new.

And two days.
Two days is all it took for my soul to understand that it found its long lost friend.
But then we were separated again.
And our souls are struggling to stay in touch.

But I feel deep down that you're not gonna be gone long.
We'll see each other again.
And we'll be Soulmates.
And I know for a fact I will run anywhere with you.

Because the feeling I get when I'm with you.
It's as if those four empty letters are full at last.
And they're full to capacity.
I know it's not lust.
I feel it in my soul.
This is love.
Emanuel Martinez May 2013
Teasing the beast
Looking for a feast

Hounds barking at our ears
Vultures flying up ahead
Circling a bald eagle's fresh corpse

Compartmentalizing symptom after symptom
To hide the great systematic sickness
Labeling the suffering, outcome from desire

We, wholeheartedly accepting being
Appropriated, labeled, discarded
As construing our own oppression and sadness

Enduring the **** of our minds
Being castrated of our consciousness
Before we reap the products
Of its bold liberation and grandness

Its the belly of the beast
And its hungry
Insatiable, amoral entrails
Hoping to salvage a feast
From the casualties of d(e)moc(ratic) wars

Hoping we feed our monstrous fear
Thirsting for the greed
Dripping off of accumulating wealths
Impatiently waiting, we keep parceling out grudges

Disfiguring our minds, our souls, and our bodies
Its misanthropic nature lashes out without conscience
Knowing we'll never realize we are masses

Disappearing the individuals who realize their suffering
Ensuring there's no collective opposition or action
Trying to reassure we are weak

Knowing at some point or another
We all act mute, deaf, and blind when anyone experiences:
Oppression
Pain
Silencing
****
Hunger
Fear
Violence
­Repression
Retaliation
Discrimination
Torture
Negation
Alienation­
All forms of mental, psychological, physical, and spiritual mutilation
Fearing death more than fighting for necessary abolishment
Preferring to live out our veiled miseries
Endorsing their continuance
Instead of risking our lives for everyone's liberation
Always ensuring the feast of the beast

By its very efforts trying to decree our very human nature
Ingraining greed, fear, animosity, and weakness as if inherent of us
All parts of its most damaging weapon:  the seed of discord
Its implantation, a socialized deep desire for self-preservation

Sheep bleating painfully toward our ears
Vultures flying up ahead
Circling a bald eagle's fresh corpse
Signifying the impending recapturing
Of our true transformative desires
May 4, 2013
chichee Oct 2018
Once upon a time, Oh but that’s such a boring way to start-
                                                          ­                       Once upon a time.
I was little red riding hood that knowingly stepped
                              onto the wrong side of the path,
Hoping that a monster in the woods
                                              would come and get me, but you-
A hurricane,
           car crashes in slow motion,
                              personified heartbreak-
                                                     ­                    Too much.
Too much applesauce madam? The waiter asked, clean-shaven face bathed
            In the New York skyline, ignorant to the gunfire explosions
                          inside me as I waited for you.
                                                            ­                No thank you, sir.


     “Meet me at the station”,
                                scrawled in messy, love- stained letters
In between the railway roars and the clatters of foreign accent, you've flaked again, like the struck chord of a bass
                        Signifying disappointment like a punch line
                                    Reverberating through my skull.
             Okay, repeat the mantra, one-two-steady-
                                                 ­                                     Okay. It's Okay.

Four weeks later
                                   I had your body pushed up flush against bricks and-
No shut up you don’t get to say anything after you go and shatter me like that
You’re sick do you know that? Lips snarling, heart breaking.  

You’re sick.
So maybe I was the big bad wolf after all.
                   Stairwell bricks glinted off iridescence and
                                                       your mouth in that sad, sad laugh
Studying me like a dream brought
                                                         ­                  to the ground,
Puffy lipped and eyes blown wide like I was on some psychedelic high-
            And you said
                               “You’re still a child with fanciful ideas of love, and the way you cling onto them-
                            Quite frankly, it’s terrifying.”

                                                   ­  Please darling, let me redefine myself
Skip the pleasantries and small talk,
                     scrap the story of little red riding hood-

Once upon a time, I was apology and you were forgiveness
I can imagine inside you, of alarm bells and sunken souls
                 as you listen to the static white noise of
                                                              ­            A dying heart
Hello darling, are you there? Can you hear me? Is this mic working?
          I hate to sound like those magazine cut outs-
                                                           ­         I hate to sound like,
Just another lover, just another cliché-
                                       But you were the matchstick to my dynamite
                                                                ­            and nothing feels better
Than my own self- destruction, so won’t you please
                     Another chance? No?
                                Even Lucifer sometimes longs to be let
                                                      Into the gates of heaven again
I’ve cooked some apology,
          I saved a plate for you

So for the love of god come inside and have some before it goes cold.
A remix of Richard Siken's "Litany In Which Certain Things Are Crossed Out", it's a really beautiful poem.
I

In my beginning is my end. In succession
Houses rise and fall, crumble, are extended,
Are removed, destroyed, restored, or in their place
Is an open field, or a factory, or a by-pass.
Old stone to new building, old timber to new fires,
Old fires to ashes, and ashes to the earth
Which is already flesh, fur and faeces,
Bone of man and beast, cornstalk and leaf.
Houses live and die: there is a time for building
And a time for living and for generation
And a time for the wind to break the loosened pane
And to shake the wainscot where the field-mouse trots
And to shake the tattered arras woven with a silent motto.

In my beginning is my end. Now the light falls
Across the open field, leaving the deep lane
Shuttered with branches, dark in the afternoon,
Where you lean against a bank while a van passes,
And the deep lane insists on the direction
Into the village, in the electric heat
Hypnotised. In a warm haze the sultry light
Is absorbed, not refracted, by grey stone.
The dahlias sleep in the empty silence.
Wait for the early owl.

                                    In that open field
If you do not come too close, if you do not come too close,
On a summer midnight, you can hear the music
Of the weak pipe and the little drum
And see them dancing around the bonfire
The association of man and woman
In daunsinge, signifying matrimonie—
A dignified and commodiois sacrament.
Two and two, necessarye coniunction,
Holding eche other by the hand or the arm
Whiche betokeneth concorde. Round and round the fire
Leaping through the flames, or joined in circles,
Rustically solemn or in rustic laughter
Lifting heavy feet in clumsy shoes,
Earth feet, loam feet, lifted in country mirth
Mirth of those long since under earth
Nourishing the corn. Keeping time,
Keeping the rhythm in their dancing
As in their living in the living seasons
The time of the seasons and the constellations
The time of milking and the time of harvest
The time of the coupling of man and woman
And that of beasts. Feet rising and falling.
Eating and drinking. Dung and death.

Dawn points, and another day
Prepares for heat and silence. Out at sea the dawn wind
Wrinkles and slides. I am here
Or there, or elsewhere. In my beginning.

II

What is the late November doing
With the disturbance of the spring
And creatures of the summer heat,
And snowdrops writhing under feet
And hollyhocks that aim too high
Red into grey and tumble down
Late roses filled with early snow?
Thunder rolled by the rolling stars
Simulates triumphal cars
Deployed in constellated wars
Scorpion fights against the Sun
Until the Sun and Moon go down
Comets weep and Leonids fly
Hunt the heavens and the plains
Whirled in a vortex that shall bring
The world to that destructive fire
Which burns before the ice-cap reigns.

That was a way of putting it—not very satisfactory:
A periphrastic study in a worn-out poetical fashion,
Leaving one still with the intolerable wrestle
With words and meanings. The poetry does not matter.
It was not (to start again) what one had expected.
What was to be the value of the long looked forward to,
Long hoped for calm, the autumnal serenity
And the wisdom of age? Had they deceived us
Or deceived themselves, the quiet-voiced elders,
Bequeathing us merely a receipt for deceit?
The serenity only a deliberate hebetude,
The wisdom only the knowledge of dead secrets
Useless in the darkness into which they peered
Or from which they turned their eyes. There is, it seems to us,
At best, only a limited value
In the knowledge derived from experience.
The knowledge imposes a pattern, and falsifies,
For the pattern is new in every moment
And every moment is a new and shocking
Valuation of all we have been. We are only undeceived
Of that which, deceiving, could no longer harm.
In the middle, not only in the middle of the way
But all the way, in a dark wood, in a bramble,
On the edge of a grimpen, where is no secure foothold,
And menaced by monsters, fancy lights,
Risking enchantment. Do not let me hear
Of the wisdom of old men, but rather of their folly,
Their fear of fear and frenzy, their fear of possession,
Of belonging to another, or to others, or to God.
The only wisdom we can hope to acquire
Is the wisdom of humility: humility is endless.

The houses are all gone under the sea.

The dancers are all gone under the hill.

III

O dark dark dark. They all go into the dark,
The vacant interstellar spaces, the vacant into the vacant,
The captains, merchant bankers, eminent men of letters,
The generous patrons of art, the statesmen and the rulers,
Distinguished civil servants, chairmen of many committees,
Industrial lords and petty contractors, all go into the dark,
And dark the Sun and Moon, and the Almanach de Gotha
And the Stock Exchange Gazette, the Directory of Directors,
And cold the sense and lost the motive of action.
And we all go with them, into the silent funeral,
Nobody’s funeral, for there is no one to bury.
I said to my soul, be still, and let the dark come upon you
Which shall be the darkness of God. As, in a theatre,
The lights are extinguished, for the scene to be changed
With a hollow rumble of wings, with a movement of darkness on darkness,
And we know that the hills and the trees, the distant panorama
And the bold imposing façade are all being rolled away—
Or as, when an underground train, in the tube, stops too long between stations
And the conversation rises and slowly fades into silence
And you see behind every face the mental emptiness deepen
Leaving only the growing terror of nothing to think about;
Or when, under ether, the mind is conscious but conscious of nothing—
I said to my soul, be still, and wait without hope
For hope would be hope for the wrong thing; wait without love,
For love would be love of the wrong thing; there is yet faith
But the faith and the love and the hope are all in the waiting.
Wait without thought, for you are not ready for thought:
So the darkness shall be the light, and the stillness the dancing.
Whisper of running streams, and winter lightning.
The wild thyme unseen and the wild strawberry,
The laughter in the garden, echoed ecstasy
Not lost, but requiring, pointing to the agony
Of death and birth.

                              You say I am repeating
Something I have said before. I shall say it again.
Shall I say it again? In order to arrive there,
To arrive where you are, to get from where you are not,
    You must go by a way wherein there is no ecstasy.
In order to arrive at what you do not know
    You must go by a way which is the way of ignorance.
In order to possess what you do not possess
    You must go by the way of dispossession.
In order to arrive at what you are not
    You must go through the way in which you are not.
And what you do not know is the only thing you know
And what you own is what you do not own
And where you are is where you are not.

IV

The wounded surgeon plies the steel
That questions the distempered part;
Beneath the bleeding hands we feel
The sharp compassion of the healer’s art
Resolving the enigma of the fever chart.

Our only health is the disease
If we obey the dying nurse
Whose constant care is not to please
But to remind of our, and Adam’s curse,
And that, to be restored, our sickness must grow worse.

The whole earth is our hospital
Endowed by the ruined millionaire,
Wherein, if we do well, we shall
Die of the absolute paternal care
That will not leave us, but prevents us everywhere.

The chill ascends from feet to knees,
The fever sings in mental wires.
If to be warmed, then I must freeze
And quake in frigid purgatorial fires
Of which the flame is roses, and the smoke is briars.

The dripping blood our only drink,
The ****** flesh our only food:
In spite of which we like to think
That we are sound, substantial flesh and blood—
Again, in spite of that, we call this Friday good.

V

So here I am, in the middle way, having had twenty years—
Twenty years largely wasted, the years of l’entre deux guerres
Trying to use words, and every attempt
Is a wholly new start, and a different kind of failure
Because one has only learnt to get the better of words
For the thing one no longer has to say, or the way in which
One is no longer disposed to say it. And so each venture
Is a new beginning, a raid on the inarticulate
With shabby equipment always deteriorating
In the general mess of imprecision of feeling,
Undisciplined squads of emotion. And what there is to conquer
By strength and submission, has already been discovered
Once or twice, or several times, by men whom one cannot hope
To emulate—but there is no competition—
There is only the fight to recover what has been lost
And found and lost again and again: and now, under conditions
That seem unpropitious. But perhaps neither gain nor loss.
For us, there is only the trying. The rest is not our business.

    Home is where one starts from. As we grow older
The world becomes stranger, the pattern more complicated
Of dead and living. Not the intense moment
Isolated, with no before and after,
But a lifetime burning in every moment
And not the lifetime of one man only
But of old stones that cannot be deciphered.
There is a time for the evening under starlight,
A time for the evening under lamplight
(The evening with the photograph album).
Love is most nearly itself
When here and now cease to matter.
Old men ought to be explorers
Here or there does not matter
We must be still and still moving
Into another intensity
For a further union, a deeper communion
Through the dark cold and the empty desolation,
The wave cry, the wind cry, the vast waters
Of the petrel and the porpoise. In my end is my beginning.
The needle falls down on the record, a thump deep in the bass, the speaker cone shakes and the sound ocean floods from my Serwin-Vegas...That alien who stepped out of the saucer in Close Encounters of the Third Kind decides to speak to Dreyfuss, and this is what it sounds like. This is the language of his planet, on the other side of a black hole in the Gamma region.

A ****** of crows, cold in the snow, muttering low, squeaking and squealing. Love taking on flesh and blood, suffocated by skin, now let's let the service begin. They sing their gut-hungry praises then flitter away.

Signifying nothing.

The priest places the wafer on the infidel's tongue. He lifts the cup to the liar's lips. A subtle glow emitted from a place slightly behind his head. He intones the Mass and tries to empty himself to allow the Holy Spirit to work through him as he ministers in the name of Jesus Christ to his congregation. The Spirit lifts up his voice to the sky and intercedes for my weak soul.

These chants are ancient, as old as the book of Genesis. These are the languages of the Mishraites or the Zareathites or the Eshtaulites. These are the tongues spoken by Zimran, Jokshan, Medan, Midian, Ishbak and Shuah. A language taught to them by their slave ancestors, excommunicated from the clans of Sarah, mother of the promised. A language used by Abraham himself, when he beckoned Isaac to the land of Moriah, making him carry the sacrificial knife soon held to his throat.

The procession moves forward, each recieving the body and blood in turn, enriched and better for recieving it. They walk like slaves submitting to a kind master they love to serve back to their seats in the cathedral, to wait, to get lost in the sacred relics and the sacred art scattered throughout this beautiful sanctuary.

And surely the Lord is in this place, for all that is good is from the Lord and this music is exceptionally good.

The chanting continues, now sung in the language of Baal-Zephon, where the king went after the Israelites, translated: "Wasn't there enough room in Egypt to bury us? Is that why you brought us out here to die in the desert? Why did you bring us out of Egypt, anyway? While we were there didn't we tell you to leave us alone? We had rather be slaves in Egypt than die in this desert!..."

These tone poems, written in the days of the Exodus, have a modern sound to them that is uncanny. Aliens who landed on earth in 897 BC bestowed gifts of prophecy and tongues to the individual members of the head's charge, and they are merely tools at the disposal of the leader of the aliens in their attempts to express themselves to the earthlings. No, there's no way any of us not from their planet could ever understand their language, borrowed as it was from the priests, Zadok and Abiathar in a meeting held on Mount Calvary the last time they landed on earth. The chord progressions are subliminally tainted with commands to relax, encourage a sense of floating, drift off with the thoughts that interest you most.

A looping tribal dance, recorded on site at a Buddhist monastary where the monks would mumble polyphonic OMs and the tourists would catapult their spirits through a needle's eye just to show that it can be done... Are they praying for rain? Or is it a rich harvest they petition the Great Spirit for today, their knees to the ground? The dance turns into an ****, bodies tangled up misplaced pieces of a jigsaw puzzle.

They **** the whale, and so we mourn.

They fester hate like a sore that won't go away, so we sing this lamentation. Translation: "The Son wants you...Hear things in the music that aren't there, only in your hammer struck head. Ring the living bell, ring the living bell, shine the living light, shine the living light...

They incite aggression, so we back off.

They treat the blind man with scorn and contempt, so we judge them.

They are good for nothing but fighting your wars, their stone hardened hearts too far gone to notice each life snuffed out under orders from ground patrol. So we pray for conflict. We petition the Lord for strife and dischord. Exterminate these burned-out husks of men before their 4 years are up.

They lay hands upon the genius and lock him in institutions with people who pull steak knives on strangers. They are afraid of him, so they put him away, in sweat-stinking padded cells or wrapped up nice and tight in a straight, mornings woke and hustled to the breakfast line. They extricate his confidence, thought pattern by thought pattern, and curb the flow of his intellect. They leave us to sing a funeral song for the postmodern society on the day when common sense is evenly distributed amongst individuals and Moral Law is accepted as fact by each and all. A dirge for each time you've ever been hurt by someone's words or actions. Our common denominator of heartache and sorrow. Divided about all other things, by necessity united by tears, wailing, howling at the moon, primal scream therapy and insomnia.

And now the church is empty. Angels lingering to usher the Spirit from the echoing halls. Silence and stillness brutal proof of God. Music from the other side of this life. Welcoming songs played at St. Peter's Gate. Stubborn prayers from those passed over, coaxing us through, waiting with scissors at the ready to slice the mortal coil. Believers bellys full of the body and blood of the Lord, digesting it at this very moment, letting the body do it's digestive work, preparing it for re-birth.
Helen Murray May 2014
STOP CREEPING

(Road signs in Australia thus remind us to keep to the speed limit)

Tomorrow, and tomorrow, and tomorrow,
Creeps in this petty pace from day to day
To the last syllable of recorded time,
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life’s but a walking shadow, a poor player
That struts and frets his hour upon the stage
And then is heard no more. It is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.
William Shakespeare:  MacBeth, Act 5 Scene 5.

Creeping, seeping, peeping, sleeping,
What’s the common factor through these ‘eep’ words deeming?
Shakespeare calls them dusty and aligns them up with death.
Our world calls it shadow but it chokes you out of breath.
Churches cannot see them so they flout invisible.
Jesus calls them idols yet they sound so plausible.
Christians follow teachers in a roundabout way.
Teachers crave disciples which determines what they say.

But these are all poor players on a poorly structured stage.
Their stage gives way.  They tumble. They rise up in a rage.
“Life has not been fair,” they say, and “Where is God in that?”
Did they ask Him in the first place?  Did they call God up to chat?
The churches have no answers.  Now where do I go from here?
Go right back to the Bible, Friend.  The truth is written there.
Check it yourself. It’s relevant to eras far and near.
Like natural laws it cannot change with fashion year to year.

So do not mix the fashion in philosophies of life
With Truth that stands forever among raging seas of strife.
Counselling in modern terms can get you sympathy,
But will it give you backbone for the next antipathy?
Feminism needed to support the weaker staff,
But now of our humanity it rejects one whole half!
And money is too much an issue when it must be said
That what is not of love is valueless to Christ our Head.

Of all the thousands who are found in church each seventh day,
How many can indeed discern the right and faithful way?
How many put their lives on hold for truth and nothing less?
How many first set out their plan and build their faith round this?
Is there not one who will apply to God for his blueprint
So s/he can play the part of power for treasure in Heaven’s mint?
The Spirit of Truth cannot be found where ideas pull such weight.
He’s somewhere else you don’t suspect.  Chase Him, and don’t be late!
Tomorrow, and tomorrow, and tomorrow,
Creeps in this petty pace from day to day
To the last syllable of recorded time,
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life’s but a walking shadow, a poor player
That struts and frets his hour upon the stage
And then is heard no more. It is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.
William Shakespeare:  MacBeth, Act 5 Scene 5.
CRIMSON
Colors explode
As the sumac stands sentinel over the ebbing rays of the sun
Shepherding away *Niibin
to make room for Dagwaagin
Standing, alone, in a sea of green
Sumac heralds the changing season
And like an artistic wild fire
Is the first in what will become a palette of chromatic vibrancy

Sensing the subtle change
Mother deer, her two fawns and yearling
Meandering through the sumac grove
Make haste of the fading green buffet
Mother Bear and her cubs, now a year stronger and wiser
Gorge on honey and berries as they ready for their winter's sleep
Red-Winged Blackbirds, Robins and Sandhill Cranes congregate en masse
Hummingbird drinks the final drops of nectar
In anticipation of their journey south
In advance...of the returning white Biboon blanket

The clock of Mother Earth is precise
And the natural world follows her timely rhythms
As southerly and westerly winds shift to the north
Eagle soars high above...the yet unfrozen river
Vivid foliage slowly falls to the forest floor
Creating an intricate insulating tapestry for those below
In the meadow, swaying in the wind, stands a solitary Daisy
It's single yellow petal defying the departure of longer days

Harvest moon shimmers through bare branches
Dancing, tapping in rhythmic fashion, upon a quiet window
Stirring *Misigami
from her reverie
Outside her window, a lone black figure, a Lobo, like her
Acknowledges her presence, blurring the lines of consciousness
Signifying that dreams do come true
And that through the change of seasons
We grow
We become stronger
Wiser
And are given the true gift...of forever being...

...Hopeful

(c) 2013 Shawn White Eagle
The fourth, and final installment, of my seasonal poems, that I hope U have enjoyed.  Most of what has been written can be seen from the window as I write, while other parts, and imagery, have been personal in nature.  One thing I have kept in mind with these pieces is that as the seasons change, the cycle of life never abates, and that we really are just along for the ride.  Even though we cannot control how Mother Earth operates...one thing is a constant with each season...is that each, in it's own way, always provides that bright ray of hope. :-)

Live 4 Love
Shawn
Mateuš Conrad Jan 2017
and i'm watching this spectacle... and i agree:
  female tennis is probably more
enjoyable than
  male tennis... there's so much
dialogue involved...
   and oh god, i am but a simple man,
i like my klinik, and my wumpscut
and my other fringe altars
of culture...
but i really like watching the 7 rectangles...
isn't a tennis court a case of 7 rectangles?
no? i thought it was...
  1 at the beginning, 2 are the side,
2 either side, and 2 for the served into "square"
across the net, service, 1st serve, net-first-service...
15 - love...
                then i watch a video by
black pigeon speaks and i'm fired up...
not that i have anything planned
in a year to come,
i'm too wrapped up in the bewilderment of
being able to **** out a bottle of wine,
but seem to never be able to **** out a bottle
of whiskey...
  dunno: it just happens...
i spent the past few hours cleaning the slates
of the bathroom from feline diarrhoea...
    so you know: i'd love to reach the summits
of gucci perfumes, if you'd care to
         allow me...
i really should wait for my ego to turn into
a phallus of slumbering pride,
but given the current situation in Sweden
    and me reading history of the deluge of Poland
by the Swedes, i'm sort of: hands in the air
with four thumbs signifying: i don't care.
   i like watching tennis,
it's the one sport where watching women is more
entertaining than watching men,
and it's not that you're even forced into it...
             women make more rallies in a match...
women tend to play with a double-handed forehand...
      but it really is a game based about 7 rectangles...
i'd love to see it as: Dali, dictates the rhombus
  at the Australian Open!
             i'd love to see it,
and i'd also love to see Oslo...
             but i'm not that bothered,
for all the media frenzy concerning western Europe,
i see Poland as a buffer zone smokescreen...
      the happenings at Ełk proved a point...
the dream of community translated into western
europe came so pronounced...
   people actually botehred to create a lynch mob...
the good "samaritan" had to die...
  and yes, the moroccan yielding the knife
was taken to a prison cell...
   but i guess knowing the polish language
i should feel more nationalistic pride in sweden being
gang-*****... it's an actual shame that i know
english and can't ingest the full potency of seeing
Sweden as it is... as i already said:
the deluge... by henry sienkiewicz...
    and later the recount by an incompetent king
in the works of kraszewski...
             but my: the tennis! it's spell-binding...
and the wine i made? it's digesting my brain to a proper
dehydration... and i love it!
              7 rectangles... and if the 7 rectangles
     were a circle, i'd be yearning for sumo!
           but no no, no... i'm, looking at these rabbits
represent a π radius squared movement,
given the matchsticks...
      i love tennis... it makes more sense watching
a female tennis match than it does a male one:
where it's always all about a fast serve and
           a quicker return... 7 rectangles, and these
fleshy vectors moving about the parameters...
           if i din't know a germanic language
i'd be gleeful, actually applauding the demise of
Sweden, having learned of the devestation
done to Poland by the Swedes in the deluge and
partition of the country, due to the House of Vasa...
it's a joke and i know it's a joke:
say i moved back to Poland and stirred up
    the national ghost?
                                     ha... ha ha... that would be
something...
          i'm a disciple of wine these days,
and i like watching tennis...
                         human history always meant
too much a case of: getting out of bed...
and hence my addiction: sleep...
as odd as it might sound, i'm actually addicted to it...
i'm a lion that pets two bonsai tigers...
    i have enough mane to laugh out a bellowing
word: lion! ha ha...
              but i sometimes like to retreat into
origins, and given i am highly volatile in my use of
english as an acquired tongue, i sometimes love to
re-acquire my ethnicity, and read a little bit of it...
how the Swedes desecrated Poland once upon a time...
how the Germans malnurished her with world war ii
and i... and i sort of love how Islam (for me), is
nothing but a chisel, a hammer... a useful idiot
that speaks more testicles and western female uninhibition
than anything... of boy... do i come across of grossly
nationalistic? i might have... oh gee!
   what a terrible plight!
                         but there's a secret theatre being staged
in Europe, most Americans don't know of it,
unless they managed to ask Joyce to **** his way
around a good translation of Finnegans Wake and
a whiskey bar in Krakow...  or ów... however you speak it...
     depends how you hide or don't hide
or expose the consonants...
                    and that's funny, most people find
the works of Kraszewski boring... to me they're the one
source of sanity having spent 3 weeks in Poland
over the holidays...
and why i invested my person in being bilingual...
   odd scare tactic: the usual typo of ****...
                        if you find the culture you're assimilating
into folding (in a poker sense), remain true to
the culture of your birth, keep the language...
you never know, you might have to move back
to the country of your birth... but only when you
see the host culture as *****-whipped... as England
is... or wait... antagonise the situation,
wait until they give up their capital,
and on the preiphery turn ultra-nationalistic in vox...
   i kept my native tongue, now i'm playing truant...
i have no symphany for the Swedes,
  and sympathy for England? well... if even events
in 1997 didn't happen... i might have more than
enough...
                   a Pole looks at the influx of Muslims to
Germany... and quiet frankly laughs...
                       it's not even a debate...
like the muslims talking about post-colonial
deconstructionalism...
                                     no wonder Russia has
come from the shadows to be the pawn-broker
of at least remaining true to the hunger
of media outlets... it just has to be there...
        so yeah, if you read kraszewski
and sienkiewicz, you might know a thing or two
about the Swedish deluge, that hit Poland
when John Casimir, of the house of Vasa
     "ruled" Poland at the time of the Cossack
uprising, magnified by the leadership of
      Khmelnytsky -
                but then again, all you hear in England
is the fate of the harem of the house of Tudor...
and how Charlie got shaved from owning a head,
and how Charlie Seconds had that
bad-*** poet in his pocket... john wilmot...
who i vaguely remember having cited
made epigram more noteworthy than an epitaph:
     we have a pretty witty king,
     and whose word no man relies on,
     he never said a foolish thing,
     and never did a wise one...

    great words demand the most despicable people
to invoke them... fortunately i live in a time
when great words can't be said,
because there are no great people to be surrounded with
in order that they might be despised...
   well, that is said in where i find solace,
exietential philosophy, for i do say: "fortunately",
as if i am borrowing something...
how can you write a poem, about a monarch,
when the monarch, as has happened with the english
crown, bid more toward philanthropy
than lechery? give me something i might want to esteem
in seeking out the basis for the basic human
depravity! you give me a monarch worth a penny's
toss into a hand of a pauper, you give me
a philanthropic king, and not a lecherous king...
you have sealed your existency,
by gauging out my eyes and giving them to worms,
and cut off my tongue, and lodged it, in the mosque
of a donkey's gob!
Nigel Morgan Aug 2013
In the night it had been so dark he had been unable to see across the room. The uncurtained window was a thought, a remembrance. He had to feel his way across the room from the warm bed, and across the wooden floor his feet felt one of the two small rugs he knew were there. Finding the windowsill he looked out into sheer darkness, but then a glimmer of light flashed far away across the valley, and yes there was just the faintest trace of dawn, and it was so still. He opened the window and could hear a faint breath of wind moving the trees surrounding this estate house, a house empty but for him. Somewhere quiet, unpopulated by this pulsing, vibrant, unreal community he had joined the previous afternoon.

There was an owl distant, and he immediately thought of the poem Owl written just a few hundred yards away by a poet who had once lived on the estate. He imagined her writing it in a half hour captured from being a mother of small children, and of being a gardener and wife. Maybe she had her worktable in her bedroom, a small space wholly hers where she could form her thoughts into these jewels of words.

Owl

Last night at the joint of dawn,
an owl’s call opened the darkness

miles away, more than a world beyond this room
and immediately I was in the woods again,

poised, seeing my eyes seen,
hearing my listening heard
under a huge tree improvised by fear

dead brush falling then a star
straight through to God
founded and fixed the wood

then out, until it touched the town’s lights,
an owl elsewhere swelled and questioned
twice, like you light lean and strike
two matches in the wind.


He returned to bed and as he lay down to gather a little sleep before the early morning light summoned him to his desk, he thought about ‘the joint of dawn’. Only a poet could have found that word ‘joint’, the exactness and rightness of it. It gave him a sudden and prolonged moment of joy. That’s what the creative mind sought, the right word, a word that summoned up not just images – he knew exactly what the joint of dawn was as an image – but also a very particular emotional and experiential state, for him a whole history of early mornings sitting quietly with a cup of tea between his hands, looking out; or sometimes being out, in winter before dawn, walking to his studio, the old walk through the industrial estate, over the river, into that vast silent building, up the three flights of stairs by feel and long practice – the metal rims on each stair step a guard against a long fall – then to his room, and before turning on the light at his drawing board he would stand by the long windows whose sills held his shells and stones, a vase of flowers, a small collection of old (and blue) bottles, a framed photograph of his children, he would stand and see the joint of dawn begin as a crack in the sky and then open like a lid on a box, a box that held a faint morning light, a pre sun, a grey glimmering.

As he lay awake, but with eyes closed, he thought of a conversation they had had recently, he and the woman he loved, the woman who warmed his heart and whose image in so many different forms floated continually in his consciousness. The feel of her under his body pulling herself to the compass points of his passion, and in such a moment when time had become suspended, had found this release, this overflowingness that gave him now, alone in this dark bedroom, a joy he could barely contain, that it could be so and to which his own body now expressed in its own vivid and physical way.

This conversation – he sought to remember the circumstances. Maybe it was over the telephone. Many of their conversations had to be so. They lived apart, and even when they lived together for short periods they were not truly together. There was often the intervention of work, of present children, of heads full of lists of things to do.  This conversation was about a short story he had written and sent to her to read – she had supplied the title, curiously, and he had accepted it, the title, as a challenge. She said ‘I’m often unsettled by your stories, by not knowing what is ‘real’ and what is invented. I find it difficult to read what you write as fiction because I’m aware that some of what you write is based on memory, people you have known perhaps, and I have not’. He could tell from the examples she gave (that were really questions) that there was, perhaps, a particular unease when it came to women he had portrayed. He felt a little sad and uncomfortable that his answers did not seem to help, and he thought quietly for some time after about this problem. Of course, authors did this, they trawled their memories, and often and usually ‘characters’ (he had read) were composites. The character in question, a poet in her sixties called Sally, was one such, a composite. He had invented her he thought, but to her, his questioner, his loved one, she had assumed a reality. It was those intimate details he had supplied, those small things that (he felt) drew a fictional character to a reader. Had he known a Sally? How intimately had he known a Sally? Was this the sort of woman he would like to know, perhaps even fantasied about knowing? A woman who handled words well, poetically, that was plain, but unmarked by her age, though had large feet and moved without grace.

He loved to write letters to her, his loved one. He wanted, this morning, to write to her, but he didn’t want his letter to be another list of ‘I did this, then this, and I saw this, and this made me think of this poem (and here it is), or this picture, and I heard this music (and there attempt a description). He was selfish really. He didn’t want the letter skimmed through and discarded. He has written, he loves me, he is thinking about me so he writes knowing I like letters, but that’s it, and his letter, because they come so frequently, is just another mark on the drawing that will be the day; it carries little permanence with it. And sadly, he will occasionally (although he is improving) allow these little intimacies to fall into words, and that I find difficult, embarrassing. I suppose I want letters anyone could read, that I could leave about on the kitchen table.

So, just occasionally he would place himself in a story, and this is what he began to prepare as he lay in bed and the dawn lit this bare room, so minimally furnished, in this quiet and beautiful place where a ten-minute walk would bring him to the bank one of Tarka’s rivers, where from the kitchen window, looking north, he could see the Moor and even one of its signifying and majestic Tors.'
The poem Owl is by Alice Oswald
J Christmas Aug 2011
I shall love diners after Death
                 Famished from a million mile trek
                           Soft dances, whimsical, flowing
                                    All in time and in step
                                             Effervescent  in its antiquity
          Light penetrates the vociferate soul
                    A blinding silhouette Reveals the true physique
                             casting no shadows
                                  back, at last, back to the harmony &
                                 surrealism of our sacrarium, our home
                                   no more hours to waste away
                            nothing to signifying  
                                            night from day
                 no need to search for words to convey
                  As we began we return just as we should
                   our recrudescence revivifies our sainthood
                                            with No judgment charged upon us
                                         with no reward for the good
                                     neither condemned are the noxious
                                 immoral nor the many many absurd
               For those deleterious malignant calamities
                    must remain incarcerated on Earth
                              from whence it came
                               As we Return once again
                                         soul cleansed in beatific death
                                                The physical abandoned with sin
                        The dead left unknown,
un birthed
Shut in
John Deryck Christmas copyright 2011
MsAmendable Jun 2015
I look for twilight,
The dim purplish light
Signifying neither day or night
But merely time,
held in lofty suspension
For precious few moments,
Not so blinding as day
Nor as smothering as night
But a momentary lapse
In the gaps between heaven and here,
Wherever here might be.
Poetic Artiste Jul 2014
It was not my first intention
Courting, that is
Never my strongest of suits
Known to closest my true emotions
I let my colors speak for me

The crispness of my whites
Radiating pure innocence
The warmth and joy of my yellows
Welcoming
My orange hints
Full of desire and energy
The subtleness of my pinks
Portraying my delicacy and grace

Be around a bouquet of me
The sweetest thoughts of the most gentle sentiments
Will arise alone from my aroma

After having met my thorny stems
You are rewarded by my silky texture
My mesmerizing fragrance
The spectrum of my colors entice
I spread my own rainbow across the skies

I tease, I flirt
All to my liking
However seducing
Although said to be a natural
I prefer to be picked
Coat smooth as the most delicate of flowers
Queen of the Garden
Rosa is my name.

Different needs call for different hues
I am divine.
I am romantic.
The presence of me, pleasant
The perfume I emit, calming

Creative minds put me to good use
A trail lines the hall
Crimson flutters leave a path to your bedroom
Delicately placed aloft the best of Egyptian cotton
What better sight of affection to see?
The flush of color to my cheeks when we meet
The thumping of my hearts beat?
Rose petals on the sheets?
From sponge baths to massages
Chocolate dipped scarlet strawberries
Each affair we have is the most superb of quality

My red appearance not the deepest of color
But its beautiful elegance is the most sought after of shades
A symbol of deep burning undying passion
Signifying the most immortal dramatic love
The Red Rose is The Rose of all roses.
Rosa is my name.
He raised up his head,
Trying to speak,
Yet speaking nothing.

She opened her mouth,
Trying to mutter words,
Yet nothing coming out.

I can't breathe
Words never to be forgotten

I can't breathe
Words we carry on placards

I can't breathe
Words kicking down whiteness

I can't breathe
Words doing-away with racism

I can't breathe
Words demanding equality

I can't breathe
Words bridging the white and black gap

I can't breathe
Words changing the times

I can't breathe
Words destroying white supremacy

I can't breathe
Words uniting colors

I can't breathe
Words uniting races

I can't breathe
Words signifying unity

I can't breathe
Words causing race inequality uproar

I can't breathe
Words knocking down white brutality

I can't breathe
Words ending police brutality

I can't breathe
Words
Great words
Creating equality for all race
Ending police brutality
Doing-away white supremacy
Uniting all race
Uniting all colors
A must for all nations

Written by Tosan Oluwakemi Thompson
This poem is in honor of George Floyd, Breonna Taylor and Rayshard Brooks. It also tackles racism and race inequality as well as the right for black to be at the table of colours.
irinia Jan 2015
A sign we are, without meaning
Without pain we are and have nearly
Lost our language in foreign lands,
For when the heavens quarrel
Over humans and moons proceed
In force, the sea
Speaks out and rivers must find
Their way. But there is One,
Without doubt, who
Can change this any day. He needs
No law. The rustle of leaf and then the sway of oaks
Besides glaciers. Not everything
Is in the power of the gods. Mortals would sooner
Reach toward the abyss. With them
The echo turns. Though the time
Be long, truth
Will come to pass.

But what we love?  We see sunshine
On the floor and motes of dust
And the shadows of our native woods and smoke
Blooms from rooftops, at peace beside
Turrets' ancient crowns; for the signs
Of day are good if a god has scarred
The  soul in response.
Snow like lilies of the valley,
Signifying a site
Of nobility, half gleams
With the green of the Alpine meadow
Where, talking of a wayside cross
Commemorating the dead,
A traveler climbs in a rage,
Sharing distant premonitions with
The other, but what is this?

By the figtree
My Achilles died
And Ajax lies
By the grottoes of the sea,
By streams, with Scamandros as neighbor.
In the persisting tradition of Salamis,
Great Ajax died
Of the roar in his temples
And on foreign soil, unlike
Patroclos, dead in king's armor. And many
Others also died. On Kithairon
Lay Eleutherai, city of Mnemosyne. And when
God cast off his cloak, the darkness came to cut
Her lock of hair. For the gods grow
Indignant if a man
Not gather himself to save
His soul, yet he has no choice; like-
Wise, mourning is in error.

Friedrich Holderlin
translated by Richard Sieburth
Out of the poisonous East,
Over a continent of blight,
Like a maleficent Influence released
From the most squalid cellarage of hell,
The Wind-Fiend, the abominable--
The Hangman Wind that tortures temper and light--
Comes slouching, sullen and obscene,
******* the skirts of the embittered night;
And in a cloud unclean
Of excremental humours, roused to strife
By the operation of some ruinous change,
Wherever his evil mandate run and range,
Into a dire intensity of life,
A craftsman at his bench, he settles down
To the grim job of throttling London Town.

So, by a jealous lightlessness beset
That might have oppressed the dragons of old time
Crunching and groping in the abysmal slime,
A cave of cut-throat thoughts and villainous dreams,
Hag-rid and crying with cold and dirt and wet,
The afflicted City, prone from mark to mark
In shameful occultation, seems
A nightmare labyrinthine, dim and drifting,
With wavering gulfs and antic heights, and shifting,
Rent in the stuff of a material dark,
Wherein the lamplight, scattered and sick and pale,
Shows like the *****'s living blotch of bale:
Uncoiling monstrous into street on street
Paven with perils, teeming with mischance,
Where man and beast go blindfold and in dread,
Working with oaths and threats and faltering feet
Somewhither in the hideousness ahead;
Working through wicked airs and deadly dews
That make the laden robber grin askance
At the good places in his black romance,
And the poor, loitering harlot rather choose
Go pinched and pined to bed
Than lurk and shiver and curse her wretched way
From arch to arch, scouting some threepenny prey.

Forgot his dawns and far-flushed afterglows,
His green garlands and windy eyots forgot,
The old Father-River flows,
His watchfires cores of menace in the gloom,
As he came oozing from the Pit, and bore,
Sunk in his filthily transfigured sides,
Shoals of dishonoured dead to tumble and rot
In the squalor of the universal shore:
His voices sounding through the gruesome air
As from the Ferry where the Boat of Doom
With her blaspheming cargo reels and rides:
The while his children, the brave ships,
No more adventurous and fair,
Nor tripping it light of heel as home-bound brides,
But infamously enchanted,
Huddle together in the foul eclipse,
Or feel their course by inches desperately,
As through a tangle of alleys ******-haunted,
From sinister reach to reach out--out--to sea.

And Death the while--
Death with his well-worn, lean, professional smile,
Death in his threadbare working trim--
Comes to your bedside, unannounced and bland,
And with expert, inevitable hand
Feels at your windpipe, fingers you in the lung,
Or flicks the clot well into the labouring heart:
Thus signifying unto old and young,
However hard of mouth or wild of whim,
'Tis time--'tis time by his ancient watch--to part
From books and women and talk and drink and art.
And you go humbly after him
To a mean suburban lodging:  on the way
To what or where
Not Death, who is old and very wise, can say:
And you--how should you care
So long as, unreclaimed of hell,
The Wind-Fiend, the insufferable,
Thus vicious and thus patient, sits him down
To the black job of burking London Town?
RAJ NANDY Dec 2018
Dedicated to all my Poet Friend, as I wish them a Merry Christmas & a Happy New Year - 2019 ! Kindly read the footnotes too. If you like it, do re-post this poem for wider circulation please! Thank You, - Raj

A BRIGHT STAR OVER BETHLEHEM !
             * By Raj Nandy
“We three kings of Orient are,
  Bearing gifts we travel afar;
  Field and fountain, moor and mountain, -
  Following the yonder star ! “
                               - A Christmas Carol.

Named Casper, Melchior, and Balthasar, - @
The Three Wise Men came from the East,
Travelling west guided by a Bright Star,
To seek out the child born under this lucky
Star ;
And to pay their homage and before him kneel,
For He was to become the Savior and King !
They brought Him precious gifts of Gold,
Frankincense, and Myrrh, -
Which were also symbolic gifts by far!
Precious Gold has been a gift for royalty always,
For the baby Jesus was to become the 'uncrowned
King' one day!
Frankincense as a soothing perfume was really
good ,
Which also symbolised His future priesthood !
Myrrh as an embalming ointment was being used,
By the ancient Egyptians as a preserving perfume ! #
This gift of Myrrh was like a breath of new life -
in the prevailing gloom;
While symbolising His sorrowing, suffering
and crucifixion;
And leading to His final resurrection, -
To save mankind from their sinful affliction!

So Friends, when you celebrate Christmas this
year,
Let us with love bring hope and good cheer!
And help to wipe out those sorrowing tears, -
By giving gifts to those destitute children
and bless,
Since we generally tend to forget them always!
And let our gifts become a true symbol, -
Of His kindness and love let them reflect and
resemble!
……………………………………………………………….......................
NOT­ES : - @ = One 8th Century AD Manuscript says that these Three Wise Men were also astrologers, who had known about the Prophecy of the birth of Jesus who was to be the King of the Jews! They were guided by a Bright Star which had shone over the town of Bethlehem in Judea, ruled by the mad King Herod! Their three symbolic Gifts signified the King, the Priest, and the Savior of Mankind respectively! From the ‘Gospel of Matthews’ we learn that King Herod had told them to inform him about the Baby’s location! But since they had been forewarned by a dream, they returned by a different route! So Herod gave orders to **** all children 2 years and below, fearing this ‘King of the Jews’ will one day take over his throne !!
#MYRRH = was being used by the Egyptians during the 5th century BC, which they had obtained from Africa. It was used in incense, in perfumes, & in holy ointments; mostly for embalming , - signifying Jesus was to die for mankind ! Thanks for reading, – Raj.
           *ALL COPY RIGHTS WITH THE AUTHOR ONLY

,
RAJ NANDY Dec 2016
Dedicated to Ms Valsa George & my Poet Friend, as I wish them a Merry Christmas & a Happy New Year - 2017 !

A BRIGHT STAR OVER BETHLEHEM !
             * By Raj Nandy*
“We three kings of Orient are,
  Bearing gifts we travel afar;
  Field and fountain, moor and mountain, -
  Following the yonder star ! “
                               - A Christmas Carol.

Named Casper, Melchior, and Balthasar, - @
The Three Wise Men came from the East,
Traveling west guided by a Bright Star,
To seek out the child born under this lucky
Star ;
And to pay their homage and before him kneel,
For He was to become the Savior and King !
They brought Him precious gifts of Gold,
Frankincense, and Myrrh, -
Which were also symbolic gifts by far!
Precious Gold has been a gift for royalty always,
For the baby Jesus was to become the uncrowned
King one day!
Frankincense as a soothing perfume was really
good ,
Which also symbolized His future priesthood !
Myrrh as an embalming ointment was being used,
By the ancient Egyptians as a preserving perfume ! #
This gift of Myrrh was like a breath of new life -
in the prevailing gloom;
While symbolising His sorrowing, suffering
and crucifixion;
And leading to His final resurrection, -
To save mankind from their sinful affliction!

So Friends, when you celebrate Christmas this
year,
Let us with love bring hope and good cheer!
And help to wipe out those sorrowing tears, -
By giving gifts to those destitute children
and bless,
Since we generally tend to forget them always!
And let our gifts become a true symbol, -
HIS kindness and love let them reflect and
resemble!
………………………………………………………………...........................­¬..
NOTES : - @ = One 8th Century AD Manuscript says that these Three Wise Men were also astrologers, who had known about the Prophecy of the birth of Jesus who was to be the King of the Jews! They were guided by a Bright Star which had shone over the town of Bethlehem in Judea, ruled by the mad King Herod! Their three symbolic Gifts signified the King, the Priest, and the Savior of Mankind respectively! From the ‘Gospel of Matthews’ we learn that King Herod had told them to inform him about the Baby’s location! But since they had been forewarned by a dream, they returned by a different route! So Herod gave orders to **** all children 2 years and below, fearing this ‘King of the Jews’ will one day take over his throne !!
#MYRRH = was being used by the Egyptians during the 5th century BC,
which they had obtained from Africa. It was used in incense, in perfumes, & in holy ointments; mostly for embalming , - signifying Jesus was to die for mankind ! Thanks for reading, – Raj.
,
Edit poem
brandon nagley Apr 2016
Around two weeks ago, part of a three-part dream,
I hadst seen Christ as he is; and always wilt be.
I wont speaketh of the other sections-
Just the part of the Savior,
Get thou to the right direction.

I sawest mineself, what looked to be in a hospital bed,
Fear and anguish wrapped mine mind, was I living-
Was I dead?

The two women I thought, originally to be nurses,
Saidst to me Brandon art thou ready for thine
Shot, I felt the rush and high they gave was
Perfect.

They stuck the needle in, pain medication's rush,
I calmed, de-stressed, mine spirit un-bunched.
After a few minutes, of this reality's vivid way,
The two I thought to be nurses spoke to me-
"Brandon art thou ready to meet God",
Mine high started floating away.

They saidst to me, come on " follow us", twill be ok-
I argued " I'm not ready " not ready today;  yet they
Hadst a tranquility about them, as I noticed these
Weren't thy average nurses, I followed them out
Of curiosity, as the shot faded from working.

They led me to a gigantic tree, not the norm you'd see,
It was like an oak, but it's height spoke, from heaven's
Reach. The tree hadst a door, they opened it for me-
Again they saidst " Brandon art thou ready "?
I stepped into the tree, getting first view,
Their was a stairway leading up, the path
Narrow, darkened, with handrails on the
Sides, as an abode, or earthly view.

As soon as I looked up the stairway, to the unknown,
I sawest a face observing downward to me; mine eye-sight
Hadst froze. I couldn't seeith the ****** features, just the glowing
White thick glorious beard, and thickened wool-set hair, I didint look at the body, because his countenance shone- as a million sun's, I got ****** into the light, from his face I felt one.


Beams were rapturous, as if a halo around his head, though
Twas not a halo, just the way he glow's tear's wilt be shed; then the man I sawest, disappeared as if mist, it hit me it was Yeshua ha'mashiach, Jesus Christ in mine midst.

The two women saidst again, ready to meet God? Fear built inside me, I wasn't ready because the sin I've got; though the man I sawest, didint cause me any fear, he was waiting for me, ready-
As tis I followed these two nurses up into the tree's care.

Getting up inside this tree, I stepped mine feet on hard ground,
It looked as if I walked into a new York flat, if in luxury Earthly
Bound. The room was big, with a brick wall in the back setting;
The two women took a right, into a wall they disappeared.
Again I thought, " Lord I'm surely not ready ".

I kneweth where they went, into the realm where God's throne-room was, I cowered behind them, I ran back down the step's for mine own good. I ran all the way back down the tree, closed the top door, ran out the bottom, shut the other one behind me, coming out of the trunk, not needing to know more.

At the end of the dream, switching to the last part, I took mine parent's to the scene, as mine story touched their heart's. I showed them the wooden giant I was taken up into, I told them of the two women I thought to be hospital worker's; though in reality being Angel's of God's truth. I spoke to them of the face I sawest up the stairs in the tree, how it shone like the star's all together for thou and me. In the tree there was a shelf, mine parents walked in, saw it for themselves. The shelf hadst huge tomatoes, and fresh vegetables I've never discovered, this was a tree of life with Christ, it's signifying mean's soon a death for me, as Christ awaits me; or like all the rest having rapture dream's- Yeshua is telling me his coming is soon, I'm just warning one another.


©Brandon Nagley
©Lonesome poet's poetry
©My dream 2 seeks ago,
Saidst- said.
Twill- it will.
Hadst- had.
Twas- it was.

This poem is based on a ( real vivid dream I had meaning more real then real can be) I'm not only one having these type of dreams. As a Christian I know Christ will soon be calling up his people when he raptures ( calls up) saying as in Revelation ( come up hither, come up here) taking his chosen off the earth before the coming 7 years of tribulation. I speak truth and many by the thousands are having rapture dreams by the thousands now. And seeing prophecy tribulation dreams by thousands to. I've had three prophetic fireball dreams along with seeing a huge mothership ( what mainstream news calls aliens is not alien as Hollywood pushes...) Pastors now agree there is coming a GREAT alien deception as what many Christian scholars that mainstream hides is what the watchers were.. The ones that corrupted gods man by the watchers in Enoch ( meaning fallen angels, demonic beings) coming down sleeping with women putting their seed into women... Creating giants also known as nephilim, though mainstream alien theorists don't believe in a good or what really happened as even scientists know the ( great flood from Noah happened) though will try to deny the fact why all these giant beings were swept away... As genesis spoke. ( 1And it came to pass, when men began to multiply on the face of the earth, and daughters were born unto them, 2That the sons of God saw the daughters of men that they were fair; and they took them wives of all which they chose. 3And the LORD said, My spirit shall not always strive with man, for that he also is flesh: yet his days shall be an hundred and twenty years. 4There were giants in the earth in those days; and also after that, when the sons of God came in unto the daughters of men, and they bare children to them, the same became mighty men which were of old, men of renown.

5And GOD saw that the wickedness of man was great in the earth, and that every imagination of the thoughts of his heart was only evil continually. 6And it repented the LORD that he had made man on the earth, and it grieved him at his heart. 7And the LORD said, I will destroy man whom I have created from the face of the earth; both man, and beast, and the creeping thing, and the fowls of the air; for it repenteth me that I have made them.

Noah's Favor with God
8But Noah found grace in the eyes of the LORD.

The watchers ( fallen angels) By mating with women tried to stop christs perfect line of blood which connects to Noah and other generations... God found favor with Noah and destroyed the corrupted bloodline here on earth that the watchers ( sons of God also known as, and demons in reality) tried to create... The men of renown and old were nephillim and called giants same thing that were around before and after the flood. Mainstream knows that and hides it.. Thus why schools leave anything out with God . and your history books dont teach you on nephilim or giants... Anyways back to story had three fireball dreams plummeting the earth last dream saw a huge ship ( not of alien kind as Hollywood preaches, the watchers returning during tribulation... Meaning demonic beings.... So I'm very aware what's coming... If you see what's happening in your world right now Quakes of huge magnitude have Hit daily from equador Japan Mexico 5-7.0 plus sizes... Volcanoes from Mexico to Alaska to now Russia to by where Jane lives in Philippines to other places are all popping tops off at once!! Scientists are shaking their heads who know not Christ and God but deny him saying this is all happening at once? What's going on?? They are scratching heads they know California is way over due for a major quake... Fish, animals whales species of all sorts are washing up worldwide dead matching prophecy Hosea 4:3( 3Therefore shall the land mourn, and every one that dwelleth therein shall languish, with the beasts of the field, and with the fowls of heaven; yea, the fishes of the sea also shall be taken away.) The seas are in perplexity as bible spoke would happen right before Christ calls his people up in the catching away, harpazzo, rapture ...( The Greek word from this term “rapture” is derived appears in 1 Thessalonians 4:17, translated “caught up.” The Latin translation of this verse used the word rapturo. The Greek word it translates is harpazo, which means to ****** or take away. Elsewhere it is used to describe how the Spirit caught up Philip near Gaza and brought him to Caesarea (Acts 8:39) and to describe Paul’s experience of being caught up into the third heaven (2 Cor. 12:2-4). Thus there can be no doubt that the word is used in 1 Thessalonians 4:17 to indicate the actual removal of people from earth to heaven. Quakes are happening globally huge now and everyone's worried. What did Christ say before he calls his people up??? He said( Luke 21:11
“And great earthquakes shall be in divers places, and famines, and pestilences; and fearful sights and great signs shall there be from heaven. Divers also meaning diverse meaning ( many) places shall quakes be hitting and in mass form which is happening now more then ever... Pay attn why all the Islamic people are coming to Christ converting in the middle East... Why? Because Christ is coming to them by dreams and visions and in death for these people to return and tell you same... Also he's showing himself to Hindus Buddhists monks, atheists agnostics in dreams visions and deaths... Many are seeing like me fireball dreams visions, quakes opening up California and seeing souls coming up into the heavens from the cracks...many are seeing global side tsunamis, seeing rapture dreams of actually being caught up into the air with many others with Christ and his angels right before the calamity hits planet earth!!! By the thousands friends!! Thousands!!!! In my dream... I saw two nurses I thought to be nurses... They gave me a pain shot. Looked like I was in the hospital, I felt high and good after they shot me up.. They said you ready to meet God? I wasn't ready because sins I must overcome in my life I'm not perfect, bible tells us to be perfected in Christ I'm still perfecting myself working on things I need to wipe from my life and need prayer for that ...anyways two women who I didint reallt see their features what they looked like I just knew they were good brought me a peace... They took me to a tree huge one. I looked walked into it door at bottom. Look up a staircase looked up in narrow dark way looking up with another door you must pass at top...  First thing I see looking up Jesus Christ!! Which fun facts... Mother got in a car accident  about two weeks ago little after I had my dream ...before she got in car accident she had dream of people taking her van( that crashed ) parts away. My mother chased the people and a man stopped her... A man she now knows was Christ as she was picked up into him arms as if christ was saying stop worrying it's gonna be OK....she got ****** into Jesus Christs turquoise blue like eyes... She said looking in there are pools of water... Guess what people say same thing in death??! They say his eyes are bluish green..and there are pools of water or oceans of water in his eyes and safety is there and peace... As all describe my mother saw that!! She saw his brown hair and how he was...how was on earth before transfiguration.. I saw him like others do see people can see him two ways in death or visions or dreams... seeing him how he was human on earth. Or seeing like me when he will come back after Armageddon with white hair and beard with white robes and purple sash at bottom as people have seen him like that in death and the fiery eyes because he was transfigured .. Spoke of in Revelation....Revelation chapter one John the revelator speaks... ( 2And I turned to see the voice that spake with me. And being turned, I saw seven golden candlesticks; 13And in the midst of the seven candlesticks one like unto the Son of man, clothed with a garment down to the foot, and girt about the paps with a golden girdle. 14His head and his hairs were white like wool, as white as snow; and his eyes were as a flame of fire; 15And his feet like unto fine brass, as if they burned in a furnace; and his voice as the sound of many waters. 16And he had in his right hand seven stars: and out of his mouth went a sharp twoedged sword: and his countenance was as the sun shineth in his strength.

This is reality!!! I just don't know if it signifies coming death for me having death experience coming back to tell everyone or just dying? Or if it means like all the thousands of others having rapture dreams signifying he will be calling me up soon and to get ready. But yes told parents of this dream like my other prophecy dreams to Jane and parents and others... So I tell you now if you know not Christ a loving merciful Savior forgiving of all sins and wrongs...if you know him not as Lord an Savior won't you accept him while their is still time? Because I like many know reality... Time is short... Not mentioning your last breath could be today.... Please accept Christ as Lord and Savior.. Please don't be fooled because an Antichrist and false prophet are already on the earth and alot is happening prophecy wise I could tell you of for hours matching all biblical gospel ad christs words are coming true now.... Are you saved in Christ? Where is your eternal souls destination? Heaven? Or hell?? Not sure?? You can be sure in Christ... Christ said ( I am the way truth and the life , no man comes to the father ( God) but by and through me... Not works will get you to heaven ... Christians are saved by what christ did for us on the cross proven true... If we accept him as Lord and Savior... He died for you and me. This isn't mythical. All prophecy is being unfolded and has unfolded and mores happening as I write you this... Bible sais whosoever shall call upon the name of the Lord shall be saved... Will you accept him and say prayer of salvation accepting Christ into your heart soul and life as Lord Savior? If want to please write me this is reality... Time to wake up poets!!!! I am sending you a message... Heed the prophecy listen to my warnings. Don't be caught up and left behind when everything takes off... Find Christ please.... Reason I dont write here much anymore I'm busy paying attn to prophecy happening around me I'm preparing myself or trying to. Praying more... Telling others more truth waking others up...been busy busy paying attn to prophecy and letting others know what's happening... So I'll continue to like poems as much as can also my dad had heart attack March 31st and mulitple ones April nineteenth which I had been given signs by God through numbers something was gonna happen to my mother ( her car crash) and dads ( heart attacks) dad had dream of his father who died years ago months ago speaking to him .. Dad couldn't remember what my dead grandpa Nagley told him in dream. I knew was warning when loved one comes to you usually... As dad had dream the day before his first attack seeing me whispering to him two men are at the door... His dream came to life... When the first two men to walk in our home March 31 was two emts...thanks for reading.....!!!

BTW when the nurses ( angels I knew to be) said are you ready Brandon to meet God? I know God and christ are one!! Yet both separate. There is father yaweh Jehovah God, the son ( Jesus Christ who came in the flesh to die for mankind's sin. And the HOLY spirit a literal holy spirit that God will give you in times of trouble and when needing peace that flows from gods throne said by tons who have died and come back.. So when they said God .. Remember Christ and his father are one!! Facts fun for you.

As Joel 2;28 spoke
“And afterward,
I will pour out my Spirit on all people.
Your sons and daughters will prophesy,
your old men will dream dreams,
your young men will see visions...
It's happening now
And by thousands!!!
Awake!!!

Last part of the dream taking my parents into the tree, showing them gigantic size veggies in that heavenly tree .. Signified to me everything in gods kingdom isn't touched by man it's perfect..  Things there that mankind can't fathom..... Though I can .. The apartment looking place I landed my feet into up into the tree with the ( brick wall) signified to me I am blocking myself with fear.   And need to not worry as mother said.   Because with Christ I have peace.  . such truth!!!
RAJ NANDY Dec 2014
A BRIGHT STAR OVER BETHLEHEM!
* By Raj Nandy*

“We three kings of Orient are,
Bearing gifts we travel afar;
Field and fountain, moor and mountain, -
Following the yonder star ! “
- A Christmas Carol.

Named Casper, Melchior, and Balthasar, - @
The Three Wise Men came from the East,
Traveling west guided by a bright Star,
To seek out the child born under this lucky
Star ;
And to pay their homage and before him kneel,
For He was to become the Savior and King !
They brought Him precious gifts of Gold,
Frankincense, and Myrrh, -
Which were also symbolic gifts by far!
Precious Gold has been a gift for royalty always,
For the baby Jesus was to become the uncrowned
King one day!
Frankincense as a soothing perfume was really
good ,
Which also symbolized His future priesthood !
Myrrh as an embalming ointment was being used,
By the ancient Egyptians as a preserving perfume! #
This gift of Myrrh was like a breath of new life
in the prevailing gloom;
While symbolizing His sorrowing, suffering, and
crucifixion;
And leading to His final resurrection, -
To save mankind from their sinful affliction!

So Friends, when you celebrate Christmas this
year,
Let us with love bring hope and good cheer!
And help to wipe out those sorrowing tears, -
By giving gifts to those destitute children and
bless,
Since we generally tend to forget them always!
And let our gifts become a true symbol, -
HIS kindness and love let them reflect and
resemble!
………………………………………………………………...........................­...............

A Very Happy Christmas To All My Reader!
NOTES : - @ = One 8th Century AD manuscript says that these three Wise Men were also astrologers, who had known about the Prophecy of the birth of Jesus who was to be the King of the Jews! They were guided by a Bright Star which had shone over the town of Bethlehem in Judea, ruled by the mad King Herod! Their three symbolic Gifts signified the King, the Priest, and the Savior of Mankind respectively! From the ‘Gospel of Matthews’ we learn that
King Herod had told them to inform him about the Baby’s location! But since they had been forewarned by a dream, they returned by a different route! So Herod gave orders to **** all children 2 years and below, fearing this ‘King of the Jews’ will one day take over his throne!
#MYRRH = was being used by the Egyptians during the 5th century BC,
which they had obtained from Africa. It was used in incense, in perfumes , & in holy ointments; mostly for embalming ; - signifying Jesus was to die for mankind ! Thanks for reading, – Raj.
,
Claire Bircher Dec 2010
In the days when dry ******* was as far as it went
I just fancied you more.
Strange I should think of this, after the one positive stick
in an ammonia scented carrier bag of negatives, or not.
Like a car salesman in a too often dry cleaned suit,
I enticed you with lurid banners offering years of hetro milage.
"££££££££££££££s of savings, no contraception needed,
this one wants a bun in it's **** loving oven",
and as I ***** down my eyes at the sound of rustling sheets,
signifying an imagined eroticism,
a rub down with an ******* my friends would squeal for,
I'm wishing you were a chick with a *******.
Emeka Mokeme Aug 2018
The universe and
the cosmic system
is always renewed daily
with the divine helpful
ability to heal and refresh
our bodies and all that
concerns us.
Absolutely nothing is ever
stagnant in nature.
The cloud changes itself to
beautiful sequences,
even the winds twirling and
turning in complex moves gives
freshness to change the weather
to sooth and calm our nerves.
A new door just opened up,
though old in nature.
Signifying a new way,
a new beginning unexplored,
untouched, untapped by man.
The beginning of a new dawn,
another phase of the day,
with a new law in place.
Subtly efficiently and effectively,
unshakable in its chores
and in synergy exacts its influence
powerfully in order to help our life
function without interruption.
You don't need any key but just a push.
A new door is here,but it's ever so old,
the door to your heart
with a new law on love engraved deeply
within it,
though so ancient but ever so modern.
Find it urgently please.
Would you?
©2018,Emeka Mokeme. All Rights Reserved.
Michael Hunter Dec 2012
Barren halls, devoid of children
echo with the ghostly staccato of gunfire
and the mockingly musical tinkling of spent brass.

Specters of children set free through violence
mutely stand vigil over stained tile and carpet,
shocked by their sudden transition.

Parents, siblings, grandparents and family reel
from the sudden void caused by the senseless
and cowardly actions of a 2nd Amendment zealot’s son.

Christmas presents without recipients sit untouched
in secret places – never to light up the eyes
and faces of eager and happy children.

Flags fly in solemn respect at half-staff
signifying a nation in mourning, yet a nation
so reluctant to address the core of these issues
which have made these crimes so common-place.

Bumbling and incompetent politicians – securely
in the NRA’s and gun-lobby’s pocket are quick to *****
the party lines: “Guns don’t **** people.” “My fork and knife made me fat.”

All the while the mentally tormented and dangerous
continue to take up arms and slaughter innocents –
as apparently their constitutional rights are more sacred
than the life of a first-grader.

How long America, will you dip your pens in the blood of children
and write the laws that take their lives?

How long America, will you wrap yourself in a blood-stained flag
and spew the toxic and hateful lie that guns don’t **** people?

How many more must bleed your ink and feed your mill
before we cry, “enough is enough!!”?

© 2012 Michael Hunter
Written in response to the shootings in Connecticut.
Danger White Feb 2014
If Emily Dickinson was writing a suicide letter:

Dear Soft Reality,
Your presence brings me grief and your absence leaves me emptily blissful. You leave my heart to suffer under your cold dagger of truth. I see no purpose to further seek you, only to face my murderer in the bitter realms of my heart that have been so tortured by your harsh precision. To go on would be madness, but perhaps that is what I have become. A madwoman, trapped by lies of true love and wishful thinking. My heart was so filled with the falsity that has become love, and compassion. To completely give yourself to somebody, to find out that their heart already belongs to another fortunate soul, has by far been the down  fall of my sanity. I cannot cry any more, what good would it do. I cannot deny the truth that my love has been poured into an bottomless pitcher…but oh how beautiful that pitcher was. It promised me everything I could dream of, so pristine and clean, signifying all that is good. It was decorated with ornate blossoms that told of new beginnings and hope and it’s spout was graced with delicate greenery that promised fortitude and protection from all that could bring harm. Now all I see is despair. As I took a closer look at its intricate detail, I began to nice the rotting leaves that lay beneath the blossoms, and the tiny thorns that lay prominently on the vinery across the spout. It has been a trap from the beginning, and I am in love with it.
            However, I have poured my soul into that pitcher, and I have nothing left. My heart is parched and crackling, and my love has dried up on the shores of desperation. All that I have loved is gone, and my hope of release lies in a steel barrel of pain that lies in my left hand. It is beautifully real. I can wrap all of my loathing fingers around its cold trigger; it shows me the only truth that has been made clear to me. Death.  I have been yet a tall drink, chilled on ice, numbed to reality, sipped on by the devil himself. Well the devil has had his share and is drunk on my love, leaving me an empty glass, with melted ice. I can feel every pang of you. There is nothing more for me here.
I shall introduce this truth to my mouth, and it will be sweet, like the first time I met his lips, so gentle and unassuming. Only this time, when death is promised, it will not be masked with love and tenderness. My tongue will make love to its silver bullet, as my mind slips into peace and silence from the wolves of my torment.

— The End —