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Toni Seychelle Feb 2013
The ground beneath the stiff leaves is frozen. The cold, brisk air invades my lungs, I exhale, my breath visible. I step over fallen branches and tugged by thorny vines. A red tail hawk screeches overhead, this is a sign of good luck. There is no path, no trail to mark our way, just an old, flat railroad bed surrounded by walls of shale, blown up for the path of the train so long ago. The only ties to remind of the rail are the rotting, moss covered ties that once were a part of a bridge that would have carried the train over a small creek between two steep hills. I see a fox burrow, and it's escape hatch is one of the hollowed railroad ties. I want to be a fox... The trek down this hill is not easy, thorny blackberry bushes and fallen trees impede progress. At the bottom, the small, bubbly creek is frozen at the edges, traveling under rocks and continuing its ancient path. I look up the hill that I just descended, and wonder how the return will go. Keep moving. The next hill will be easier, there are no thorny tangles, just treacherous leaf litter that will give under my feet if I don't find the right footing. The trick is to dig my boots into the ground as if I'm on steps. These hills are steep. Finally at the top, I look back at this little spring valley, I'm not that high up, but what view. Here, there is a dilapidated tree stand, falling apart from years of neglect and weather. Surrounded by deep leaf litter, there is a patch of rich dark earth, a buck has marked his spot, his round pellets are nearby. The saplings catch my hair as I walk by, and at these moments I am thankful for this cold snap that took care of the ticks. A creepy feeling takes over me, so thankful for this snap. A few feet further, as I watch where I am walking, another tussled bit of earth and I notice some interesting ****. It's furry and light grey; I poke it with my stick and find a small skull when I turn a piece over. Owl. I continue my walk, I didn't come here to play with poo. The last time I took this hike was three years ago, on a similar frigid day. It was a lot easier to make it through the shale valleys. Last summer, a wind storm felled trees and took out power for two weeks. The evidence of that derecho is clear here in this untouched forest. I remembered a tree, which now is a fallen giant, that had lost it's bark. The bark had separated and laid around this tree like a woman's skirt around her ankles. Now the tree lies with it's bark. I pass another tree I recognize whose branch extends out but zig zags up and down, as if it had three elbows. The tree signifies my next move, to descend from the flat railroad bed, down to a creek that flows through the tunnel that would have carried the train. The creek is considerably larger than the last creek I could step across. Descending towards the creek leads me over moss covered rocks and limbs, still bearing snow. Outside the tunnel, the hill walls are large stones, covered in a thick layer of moss, some of which has started to fall off due to heaviness. There's a sort of ice shelf in the creek, it's three layers thick and can support my one hundred and twenty pounds. Laying across the creek is another derecho-felled tree. Some sort of critter has crawled on this, using it to avoid the water below and as a short cut up the hill. His claw marks are covering the the limb, a few are more clear, it looks as if the creature almost slipped off. His claw marks show a desperate cling. I walk through the tunnel, in the mud and water; the creek echoes inside. I look above. There are drainage holes lining the ceiling, one is clogged by a giant icicle. I imagine the train that used to ride over this tunnel, I pretend to hear it and feel the rumbling. The last time we were here, we found cow skeletons. We placed a few heads on branches and one over the tunnel. We stuck a jaw, complete with herbivore teeth, into the mossy wall and a hip bone on a sapling. The hip bone reminded us of Predator's mask in the movie. All these bones are turning green. When I was here before, there was a bone half submerged in the creek; I had taken a picture of it but today, it isn't here. I'm sure it was washed away. After our exploration of the previous visit, we turned back. We are cold again, can't stay in one place too long. I climb through the deep leaf litter and over the rocks back to the railroad bed. Passing all the things I've already seen and spotting things I missed. I find two more fox burrows. They utilized the shale rock and burrowed underneath the jutting formations. Hidden coming from the south, the gaping openings seem welcoming from the north. My friends, the spelunkers and climber, want to descend into the darkness but I remind them, it is an hour to sundown, our trek is hard enough with overcast daylight. Wisdom prevails. We pass a tree, we didn't notice before, that was struck by lightening. The cedar tree was split in two and fell down the shale wall. I see the evidence of the burn and a smoldered residue at the base. Nature has a cruel way of recycling. The downed tree still has snow on it and the path of a raccoon is visible, I like the paws of *****. Though the way is flat, the walls of shale tower above us, limiting routes. At one point I can't see through the fallen trees I have to pass through. I have to crab walk under, crawl over, duck again and find my way around the thorny collections of bare black berry bushes. Finally into a clearing, still surrounded by sharp shale, there is another wall covered in inches of thick, healthy moss. I place my hand, taking time to stroke the furry wall. My hand leaves an imprint. I wonder how long that will last.. Back down the steep hill up and up the thorny tangle. I know I'm on the right path up, I see the fox's hole through the railroad tie, and his entrance burrow up the hill. Going down was definitely easier. The summit is literally overgrown with thorns, there is no clear path through. It is, again, impossible to see through the tangle of limbs and saplings and more thorns. Somehow we make it through. We are close to breaking off this path. We know this by the remains of a cow skeleton that more than likely fell from the top of the shale cliff. Femurs and ribs and jaws abound. On the last trip, we placed a hip bone in the "Y" of a sapling. The young tree has claimed it, growing around it. We add a piece of jaw to the tree's ornamentation and move on. We climb down from the railroad bed to our car - parked on the side of the road with a white towel in the window so that no one suspects a group of people walking through private property, past faded NO TRESPASSING signs.

When I undress for bed later, there are many small scratches up and down my legs from those ****** thorny vines. I'm okay with that, it's better than searching for ticks in my head.
I couldn't write a 'poem' about this hike. It was too full of nature.
devante moore May 2018
I’ve never received a flower
Or even a rose
But I’m a guy
So it’s acceptable I suppose
No kisses
Or sweets
No treats
That signifies ones feelings for me
No token of ones love
But I have gotten
Disappointment
Watered with hate
Planted in betrayal
Fertilized with lies
And maintained by fakes
Roses are Red
But my roses are dead
And crumble beneath my feet
Mateuš Conrad Aug 2018
. 'as for those poets, only the perverse follow them. do you not see that they go too far in every direction and say things, which they cannot do?' (ash-shu'ara / the poets 26:224-226).

call them what you like,
the Huguenots,
for all i care...

   you always side with
the "heretics"...
  
   given that, "said" heretics
retain some cultural value
relativism of other cultures,
namely in the form of
depiction -

    since why would, "the word"
be deemed holy,
    ****-naked,
                rather than donning
a bikini of "iconoclasm"...
         when words... are at
the meat-market of copyright -
what with © coca cola?

                 sunni islam would have
never allowed sufism...
  but Farsi does...
  and will continue...
since no Iranian will bow
before an Arab within the schematics
of history...

          Sunni Islam, it's Wahhabi sentimentality...
so why persist in signing
the Adhan?
   why not speak in a honing like
drone sentiment of plain speech?
i thought all music was banned?
the current Adhan is a form
of music... isn't it? BAN IT!

    you never side with these Sunni
muslims, exploiting Bangladeshi labor,
you side with the heretics of Iran...
these *******, i can at least respect...
  
      no fast cars, convenient ongoing
cultural insurrections -
   Sufism...
       Afghan women's poetry,
and all that much closer to Hindu mysticism...
    
yeah... "islamophobia":
but only against Sunni Islam...
   but Shia Islam?
   no problem...
   i could stomach these peoples
like i could stomach the in-between
of the Turkish variant -
no ideology - simply, pure, power throttle...

i could make a great Janissary -
with a Turkish barber...
         for a great trim of hair and beard...
i'd cast a shadow on some
obscure chocolatier of Brussels
who thinks himself a politician...

     but there are certain aspect of Islam
i am willing to tolerate...
   what happened to the son in law
of Muhammad, namely, Ali...
was raw ******* kicking...

               promises, promises...
no promises...
           Shia Islam, as an European,
i can tolerate, Turkish Islam, i can tolerate...
Turkey is incrementally shy
of being treated at the 2nd variant of Iran...
at least with Iran, we share a history
via the insurrection into the ancient
texts through Greece...

  come to think of it...
whenever i listen to
matta's song echo babylon...
i start feeding myself goosebumps,
reminding myself
of Cyrus... Nebuchadnezzar...
and the dim-wit that was
   Belshazzar...

always siding with the heretics...
if not on economic groundwork,
then at least motivating,
rather than monetizing an idea...

and the Shia muslims are...
    one way or another...
   unlike the gluttons of Dubai...
the barbie dolls of postage stamp
"proof" of progress,
in size, and worth...

   Sunni Islam would have
never allowed poetics to remain
a viable form of expression -
the Persian tradition that is,
far beyond the western concern
for a comment section...

         Shia Islam allows patronage
of the arts, notably poetry,
without concern for monetary
funding, it, at least, doesn't prohibit it...
given the pride of the Persians...
Sunnis and their continual quest
for finding water...
    sure... poetry is pointless within
such restrictions of
existential concerns...
    but... given the current, civilized
establishment?
   sky-scrapers in *******
sand dunes?

         the qu'ran should have
forbidden the architectural ambitions
equivalent to the tower of babel
being erected, in environments,
that could never sustain said projects...

    and who originally spewed the term
islamophobia?
Sunni Islam...
        i never liked this strand of belief...
i hate the Sunnis like
a Shia partisan...

p.s. it's called patriotism is America...
but nationalism in Europe...
    you sure that's not a synonym?
Europeans can't be patriotic,
and Americans are never nationalistic?

...

   well: how could i ever convert to islam,
i do enjoy the adhan from time to time,
"sorry", but i do...
  i can't help it:
if i'm a sucker for pop songs,
i'm also a sucker for the adhan...
   crusader songs, templar songs become
stuffy after a while...
and last time i checked:
     there were the northern crusades
against the baltic people:
notably prussians, lithuanians...
with that cushion of: mediating the
escalation of war by the polacks...
coming from the east:
  last time i checked the mongols
didn't reach leipzig...
               buffer zone people...
and what of the ottoman onsalught
of vienna 1529: the ****** winged hussars
won the charge...

so, coming back to heidegger... aphorism 26
ponderings IX... how am i to not be
the historical animal?
         perhaps in german, in germany
i might become a non-historical animal,
to begin: anew, but with a terrible
past to hide, to negate...
   i could do that: if i were a german,
speaking german, in germany...
but i'm in england:
            i might have some roots in
Silesia, but it's "hard" to not be a historical
animal, an "animal" with a sense of time,
i.e. a future a past a present...
esp. under the english conditions
of: the biological animal momentum narrative,
like a tsunami, like an earthquake...
ripples throughout...
              i can't move forward with
the english championing darwinism every
single ******* step of the way...
why can't they hide darwin like the polacks
hid copernicus...
given the motto: copernicus -
who moved the earth, and stopped the sun...
why wouldn't i escape into history
if the current biological reality is:
(a) a yawn... the cruel nature of per se?
   the courting of pigeons on a t.v. antenna...
pigeons get rejected all the time,
lesson learned, he bows and bows,
coos... expands his tail feathers upon
the bow then folds them... she flies away...
repeat...
    (b) i can't escape being a historical
animal in the way that what the current
facts are being repeated have encountered
a whiff of Chernobyll...
              history is inclided to answer reality...
biology? not so much... not from what i've
seen and heard...
             truly a schizophrenics disney dream:
to walk among the newly insane feeling
like the only sane among them...
beau-ti-ful!
                   well... given the current criteria
of being bilingual as being synonymous
with being a schizophrenic...
           magic!
                    
   now the crescendo...aphorism 24
ponderings X:

              the word designates, the word signifies,
the word says, the word is (heidegger)...

i found that you can only write
"philosophy" with a neat, fixed vocab. regime,
clarity of boundaries...
    quadratic events in vocab.:

i.e. the reflexive: yourself, himself, itself etc.
and the reflective: your, self....
                       his, self...
                                  it, and the self...
                    ergo? atheistic scissors,
  the two articles, indefinite and definite
                                 a / the "self"...

i'm not playing "identity politics",
when i say that only two peoples ever managed
to sack Moscau... the mongols and the polacks
with the help of lithuanians,
"identity politics" only happens in
post-colonial society, akin to the english,
i'll speak the english,
but i will not be a cucked indian of
the former raj: i will eat the fish & chips,
i will eat the sunday roast,
   i will eat the english breakfast with great
delight...
            but i will not do what these former
colonial masters expect of me:
integrate at the expense of making my
mutterzunge into hubris!
stubborness contra pride...
                hard to tell the difference...

and why do i like heidegger so much?
i'm not into the ad homine arguments...
my grandfather, was, a communist party member...
so?
       i like heidegger... because he appreciates
poetics, i like that poets can share the same
values as philosophers,
thanks to heidegger: we have been requested
back into the republic...
if plato and islam didn't like us, hanging around,
some offshoot german thinker / promenade
enthusiast like used enough to,
i suppose: ban the theatre puppeteers...

i am not playing identity politics...
biological reality is not enough...
but archeological reality?
       can you really advance to counter?
i was born near:
Krzemionki Opatowskie, a Neolithic and
early Bronze Age complex of flint mines
for the extraction of Upper Jurassic (Oxfordian)
banded flints...
  personally? i don't believe in
the African genesis conundrum...
i believe "my" people originated from
the Indian sub-continent,
as, associated with the complex:
Indo-European categorization of language;
i'm still to see an African phonetic
encoding system, beside the hieroglyphics...

i, was, born, there! i'm not a displaced
post-colonial debacle between former master
and former slave...
i have: roots... i'm not ******* up to the fish & chips
brigade with a friday night's worth of curry...
i cook my own curry,
and by god: it is the food of the gods...
i'll give the blue indians that counter...
but sure as **** not the worth of mead
or whiskey...

if they only tolerated themselves,
sure, learn the english language,
but know this much:
           english is the modern lingua franca...
it's the language of economics,
forget the natives, too ignorant to learn
either deutsche or française:
island-folk...
                what else, what other attitude?
even the russians are like:
that land of the weirdos? the idiosyncratics?
yes, we know that land...
the only "thing" that shelters the english
are the h'americans, the south africans,
the australians etc.,
  sure as **** the scots aren't sheltering them...
and, mind you?
   if the i.r.a. really wanted to plant
a bomb?
   a real bomb? they'd revert from speaking
any english to begin with... resorting
to revising their usage of gàidhlig:
ga-id-hlig... gaelic...
   like the welsh, stubborn people, proud people,
retaining their Çymraeg...
celt: said kelt...
the glaswegian football team?
       Çeltic... not: keltic...
  borrowed from the greek: sigma (ς: cedilla to ****)...
   wow! all the particulars in the english tongue!
guess it would take an ausländer to spot them!

U-21 european championships,
england versus romania:
                           a magnificent match...
the youngsters playing better football
than the oldies in their mid to late / early 30s...

i'm trying to tolerate Islam,
               it's not in my nature...
            hell... i enjoyed visiting a turkish barber
shop, i still have an unflinching opinion that,
the turks are the best barbers in the world...
but...

              this quote, is going to **** you:
same aphorism / pondering (24 / X) -


*** fight videos - count dankula...
you know what i'd love to do to these little
snarky *****?
the french revolution isn't enough...
n'ah, them hanging, is not enough....
ever heard of the butchers' hook?
                 it's also callled close-up fishing...
imitation hang-man...
   you insert a fishing hook...
and you let the sweeney todd ****** dangle...
on a hook, rather than a noose...
lords of salem come your way?
i'd rather the snarky teen hanging off
a fisherman's hook than dangle
like some lynched ******...
beside the suffocation,
i'd like them with a fisherman's hook entombed
in their hard palette...
         i don't want them hanging...
what am i? a sadist?
  i want them on the fisherman's hook!
when suffocating without a broken spine absorbed
by the neck isn't enough!
  fisherman's hook gallows is a
masterpiece... of suffering...
  most certain...
  when cheap comedy is being towed...
making fun of bums, or homeless people...
the current society is so welcome
to bypass all the "adventures" of Loki...
but akin to the lords of Salem...
burn!? such a limitated imagination!

ah... right... digressing...
        the reflexive / reflective quadratic...
language - only if speech  has acquired
the highest univocity of the word does it
become strong (enough) for the hidden
              play of its essential multivocity
(as withdrawn from all "logic"),
             of which poets and thinkers alone
are capable, in their own respective modes
and their own directions of sovreignty.

we do live in a time of a lost sense
of dialectic, since we do not live in a time
of etertaining dialogue,
perfectly sensible opinions,
that's all we have...

                       if one of these snarky *******
came up to me...
they'd get a chance to experience a rubric
of 4, knuckles...
what's 189 centimeters in empirical?
6ft2...      oh!
                   see where imagination takes you?
and here i was: thinking i was without it!
butcher's hangman...
oh, not so easy...
                  
                fame by no association to fame...
just the tears of parents who raised their children
to be nothing more than rugrats...
annoying gnat like bothersomes;
and nothing quiet special to be associated
with weimar berlin...
     just, these,
   h'american mall onlookers
with pwetty-guy-for-a-white-fly-mentality,
as borrowed from californian
1990s punk;

re-used ****** losers.

mad-hatter's fraction: 10/6....
      0.666...
      well: to the given extent:
1.666666(7)....
     1, 0, /6,
no number is divisible by 0,
every number, divisible by 1:
is the same number...
    mad hatter's 10/6...

   re-used ****** losers...
i like that phrase...
        7 for every 6, 7 for every 6...
until the 0. fraction comes
a 1.: exponential serf of 0...
0 being the multiplier...
          
         i really am growing a beard to less
don it, but rather to experience
a relief from patience...
war robots?
the first non n.p.c. game...
i like that, very much...
      and when i did:

you know my first experience of
love at first sight?
the younger sister of my then girlfriend...
****** up ****...

love at first sight is a terrible phenomenon...
i was nearing 18, she was barely 13...
i was dating her older sister...
but it was love at first sight,
the trouble with: love at first sight:
it doesn't lie...
it tries to lie...
          but it can't lie...

   paedophilia? a bit... untouched bodies
though... bodies of people who were
never supposed to touch...
i once said to a fwend:
well wouldn't it be ****** up if i touched
her?
   she's a muse, which doesn't translate
into vacating her as a busy body
worth of a touch, does it?
     if only my old friend samuel said
otherwise:
sylvester "contra" tweety:
my first girlfriend...
but her sister?
         i was nearing 18, she was about 13...
love at first sight...
untouched, cradled, unscathed...
and so she remained...
   until she did what every girl would
have done...thank god she remained
a figment of my imagination...
   rammstein: rosernrot...
    
           i have seen love at first...
such a load of ******* that it had to be
the younger sister of a girl i was dating...
and the **** that i had to be 18 and see
was just beginning her teenage transition...
the world unfair i grant
the most justifications... as being
the (just - unnecessary adjective) arbiter...

love at first sight becomes a forbidden love...
love at first sight was always a forbidden
love...
           and the sort of "love" that achieves
a perspctive of change that doesn't
translate into old age...
love at first sight is soon translated
into a love of affairs closely associated
with middle-age disenfranchised
state of affairs...
i.e. to love again...
            how else to feel relief from
having lost both one's inhibitions
               as well as one's ambitions?!
in the conundrum of the mortal
"question" of the continuum being
preserved?
Matt Feb 2015
Form is emptiness
Emptiness is form

1. Sunyata (Emptiness) is the profound meaning of the Mahayana Teaching.

Two thousand five hundred years ago, the Buddha was able to realise "emptiness" (s. sunyata). By doing so he freed himself from unsatisfactoriness (s. dukkha). From the standpoint of enlightenment, sunyata is the reality of all worldly existences (s. dharma). It is the realisation of Bodhi — Prajna. From the standpoint of liberation, sunyata is the skilful means that disentangle oneself from defilement and unsatisfactoriness. The realisation of sunyata leads one to no attachment and clinging. It is the skilful means towards enlightenment and also the fruit of enlightenment.

There are two ways for us to understand this concept of sunyata in the Mahayana context. One way is to try to understand the explanation about its true nature. The other way is the realisation through practice. What we are going to discuss now is about its true nature.

Mahayana teachings have always considered that the understanding of sunyata is an attainment which is extremely difficult and extraordinarily profound.

For example, in the Prajna Sutra it says "That which is profound, has sunyata and non-attachment as its significance. No form nor deeds, no rising nor falling, are its implications."

Again in the Dvadasanikaya Sastra (composed by Nagarjuna, translated to Chinese by Kumarajiva A.D. 408) it says: "The greatest wisdom is the so-called sunyata."

This sunyata, no creation, calmness and extinction (s. nirvana) is of a profound significance in the Mahayana teachings. Why do we see it as the most profound teaching? This is because there is no worldly knowledge, be it general studies, science or philosophy, that can lead to the attainment of the state of sunyata. The only path to its realisation is via the supreme wisdom of an impassionate and discriminating mind. It is beyond the common worldly understanding.

2. The Significance of Sunyata and Cessation

The Buddha always used the terms void, no rising and falling, calmness and extinction to explain the profound meaning of sunyata and cessation. The teachings of the Buddha that were described in words are generally common to worldly understandings. If one interprets the teachings superficially from the words and languages used, one will only gain worldly knowledge and not the deeper implication of the teachings. The teachings of the Buddha have their supra-mundane contexts that are beyond the worldly knowledge.

For example, sunyata and the state of nirvana where there is no rising nor falling, are interpreted by most people as a state of non-existence and gloom. They fail to realise that quite the opposite, sunyata is of substantial and positive significance.

The sutras often use the word "great void" to explain the significance of sunyata. In general, we understand the "great void" as something that contains absolutely nothing. However, from a Buddhist perspective, the nature of the "great void" implies something which does not obstruct other things, in which all matters perform their own functions. Materials are form, which by their nature, imply obstruction. The special characteristic of the "great void" is non-obstruction. The "great void" therefore, does not serve as an obstacle to them. Since the "great void" exhibits no obstructive tendencies, it serves as the foundation for matter to function. In other words, if there was no "great void" nor characteristic of non-obstruction, it would be impossible for the material world to exist and function.

The "great void" is not separated from the material world. The latter depends on the former. We can state that the profound significance of sunyata and the nature of sunyata in Buddhism highlights the "great void’s" non-obstructive nature.

Sunyata does not imply the "great void". Instead, it is the foundation of all phenomena (form and mind). It is the true nature of all phenomena, and it is the basic principle of all existence. In other words, if the universe’s existence was not empty nor impermanent, then all resulting phenomena could not have arisen due to the co-existence of various causes and there would be no rising nor falling. The nature of sunyata is of positive significance!

Calmness and extinction are the opposite of rising and falling. They are another way to express that there is no rising and falling. Rising and falling are the common characteristics of worldly existence. All phenomena are always in the cycle of rising and falling. However, most people concentrate on living (rising). They think that the universe and life are the reality of a continuous existence.

Buddhism on the other hand, promotes the value of a continuous cessation (falling). This cessation does not imply that it ceases to exist altogether. Instead, it is just a state in the continuous process of phenomena. In this material world, or what we may call this "state of existence", everything eventually ceases to exist. Cessation is definitely the home of all existences. Since cessation is the calm state of existence and the eventual refuge of all phenomena, it is also the foundation for all activities and functions.

The Amitabha Buddha who was, and is, revered and praised by Buddhists around the world, radiates indefinite light and life from this "state of cessation". This state is a continuous process of calmness. It will be the eventual refuge for us all. If we think carefully about the definitions of calmness and extinction, then we can deduce that they are the true natural end-points of rising and falling. The true nature of the cycle of rising and falling is calmness and extinction. Because of this nature, all chaos and conflicts in the state of rising and falling will eventually cease. This is attainable by the realisation of prajna.

3. Contemplating the Implications of Sunyata and Stillness (Nirvana) by Observing Worldly Phenomena

All existences exhibit void-nature and nirvana-nature. These natures are the reality of all existence. To realise the truth, we have to contemplate and observe our worldly existence. We cannot realise the former without observing the latter. Consider this Heart Sutra extract, "Only when Avalokitesvara Bodhisattva practised the deep course of wisdom of Prajna Paramita did he come to realise that the five skandhas (aggregates, and material and mental objects) were void."

Profound wisdom leads us to the realisation that all existences are of void-nature. The sutras demonstrate that the profound principle can be understood by contemplating and observing the five skandhas. We cannot realise the truth by seeking something beyond the material and mental world. The Buddha, using his perfect wisdom, observed worldly existence from various implications and aspects, and came to understand all existences.

In summary, there are three paths to this observation:

a) We should observe the preceding state and the current state of conditions. i.e., Observation according to the concept of time.

b) We should observe existences according to their interrelationships. i.e., Observation via the concept of space (either two or three-dimensions).

c) We should observe the true nature of all myriad beings. This is like observing the worldly existences of a point, a line and an area. Those with supreme wisdom understand the true nature of all worldly existences by observing vertically the relationships between the preceding and current conditions, and horizontally the interrelationships. Then we can understand the true meaning of void-nature and nirvana-nature.

3.1 By observing the preceding-stage and the current-stage conditions, we can verify the Law of Impermanence of all worldly existences. All existences, be they material or mental, be they the material world, or the physical or mental states of sentient beings, are subject to continuous change.

The world may have certain states of beings where they stay static or are in equilibrium on a temporary basis (for example hibernation). But when we observe them with supreme wisdom, we will find that not only do they keep changing on a yearly basis, but also that this change applies to even every briefest moment. After the current state of conditions have ceased to exist, the newly-formed state materialises. This is the state of rising and falling. The rising and falling of each small moment reveals that all existences are ever-moving and ever-changing.

Conventional scholars have a very good explanation of these ever-changing worldly conditions. However they, including the practitioners of dharma, try to make sense of the reality from the ever-changing worldly existences. That is, they are fooled by the material existences and are not able to understand the deeper truth of all existences.

Only those with the supreme wisdom of the Buddha and Mahabodhisattvas realise and understand that all existences are illusions. They understand that existences are not real from the observation of the flow of changing existences. The numerous illusionary existences may well be diverse and confusing, arising and decaying. But when we look into their true nature, we will find them void and of nirvana-nature.

On the other hand, since all existences are of nirvana-nature, they appear from the perspective of time, to be ever-changing. They never stay the same even for the briefest moment. Impermanence implies existences do not have a permanent entity. This is another implication of the nature of sunyata and stillness.

3.2 From observations of existence via inter-relationships, we can conclude that nothing is independent of the Law of Causation, and that everything is without ego. For example, the Buddha explains that the individual sentient being is composed of physical, physiological and psychological phenomena. The so called ego is a deluded illusion which does not exist in reality. Its existence depends on the combination of both physical and mental factors. It is a union of organic phenomena. Thus we call it the empirical ego. It is a mistake to cling to it as an infatuated ego.

The Indian concept of the supreme spirit implies someone who rules. The spirit is the ruler who is independent of is self-dependent and all causes. In other words, the spirit is the one who is free from all primary and secondary causes (for physical and mental aspects). The spirit is the one who has the soul of his own body and mind. This is the ego or supreme spirit that the theologists cling to. From their view point, the only way to avoid physical and mental decay is to be self-determined and self-sovereign. In this way, the supreme being can stay permanent in the cycle of reincarnation, and return to the absolute reality by liberating himself from life and death.

But from the profound contemplation and wisdom of the Buddha and Mahabodhisattvas, we know there is no such reality. Instead, egolessness (non-self) is the only path to understand the reality of the deluded life. All existences are subject to the Law of Causes and Conditions. These include the smallest particles, the relationship between the particles, the planets, and the relationship between them, up to and including the whole universe! From the smallest particles to the biggest matter, there exists no absolute independent identity.

Egolessness (non-self) implies the void characteristics of all existence. Egolessness (non-self) signifies the non-existence of permanent identity for self and existence (Dharma). Sunyata stresses the voidness characteristic of self and existence (Dharma). Sunyata and egolessness possess similar attributes. As we have discussed before, we can observe the profound significance of sunyata from the perspective of inter-dependent relationships. Considering dharma-nature and the condition of nirvana, all existences are immaterial and of a void-nature. Then we see each existence as independent of each other. But then we cannot find any material that does exist independent of everything else. So egolessness also implies void-nature!

3.3 From the observation of all existences, we can infer the theory of nirvana and the complete cessation of all phenomena. From the viewpoint of phenomena, all existences are so different from each other, that they may contradict each other. They are so chaotic. In reality, their existence is illusionary and arises from conditional causation. They seem to exist on one hand, and yet do not exist on the other. They seem to be united, but yet they are so different to one another. They seem to exist and yet they do cease! Ultimately everything will return to harmony and complete calmness. This is the nature of all existence. It is the final resting place for all. If we can understand this reality and remove our illusions, we can find this state of harmony and complete calmness.

All our contradictions, impediments and confusion will be converted to equanimity. Free from illusion, complete calmness will be the result of attaining nirvana. The Buddha emphasised the significance of this attainment and encouraged the direct and profound contemplation on void-nature. He said, "Since there is no absolute self-nature thus every existence exhibits void-nature. Because it is void, there is no rising nor falling. Since there is no rising nor falling, thus everything was originally in complete calmness. Its self-nature is nirvana."

From the viewpoint of time and space, we can surmise that all existences are impermanent, all existences have no permanent self, and nirvana is the result of the cessation of all existences - the Three Universal Characteristics. But there are not three different truths. Instead, they are the characteristics of the only absolute truth and the ultimate reality. This is the explanation of Dharma-nature and the condition of nirvana. The three characteristics are the one characteristic, and vice versa!

We may cultivate our meditation, contemplating the impersonality of all existences. This will lead us to enlightenment via the path of voidness. Contemplating nirvana and complete calmness leads to enlightenment by the path of immaterial form. Contemplating the impermanence of all existences, leads us to enlightenment by the path of inactivity (no desire).

The Three Universal Characteristics are the other implications of Dharma-nature and nirvana. The paths to enlightenment are also the same cause of absolute reality. All of them return to the Dharma-nature and the condition of nirvana. In short, the teachings of the Buddha start from the observation and contemplation of all worldly phenomena. They are like thousands of streams of water competing with each other, and flowing from the top of the mountains to the bottom. Eventually, all of them return to the ocean of voidness and nirvana.

4. Sunyata and Cessation is the Truth (Nature) of All Existences.

All existences that are recognised by worldly understanding, whether materially, spiritually or intellectually, have always been misunderstood by us. We cling to them as real, physically existing and permanent. Actually, they are only unreal names.

The more precise meaning of the term "unreal name" is "assumption" or "hypothesis". It is an empirical name. It is formed by the combination of various causes and effects. (These include the effects of mental consciousness.) It does not exist by itself. Everything exists relatively. Thus, what is the ultimate truth? If we investigate existence further, we realise that all existences are empty. This is the fundamental characteristic and reality of all existence. It is ultimate and absolute. But we should not think that empty means nothing. It implies the disentanglement from the worldly misunderstanding of the existence of self, identity, and the realisation of the absolute.

In the Sutras and Abhidharma, the worldly understandings are sometimes referred to as all phenomena (Dharma). Sunyata is referred to as "Dharma-nature", and hence there is a distinction between "phenomena" and "Dhamma-nature". However, this is only an expedient explanation that helps us to realise the truth of sunyata through the phenomena of all existences.

We should not think that "existence" and "nature"; or the "phenomena of Dharma" and "Dharma-nature" are something contradictory. They are just concepts needed to understand the implication of sunyata.

We may analyse the exp
Lysander Gray Nov 2011
Crawl to me on all fours, and fix me with those eyes.
Gleaming ivory in the pale darkness.
Suitored to alien mires, foreign environments of crawling dust and spires of simplistic grace.

That we move into.

That we move into as finger pads touch skin and lips and wet tongue tips that grace the very edge of taste itself.

The sonata of flesh has begun as we begin this symbiotic ballet that signifies the end, the start, but not the middle of our burning tryst.
which burns brightly in summer night heat, washing down the walls separating me from you and you from yourself.

Fix me with those eyes once more,
tilt the timer; make the moments slow
And the gas lit beam dance and grow
to our scaly sonata of flesh.

Played without violin
or cello
or trumpet noise
or flute.
But with arms,
and lips
and hair
and bust
and drums.

There are always drums; beating on through the night,
beating their primal rhythm as you crawl towards me,
on all fours, in that oroborus of lust;
symbiotic with itself,
reflecting off itself;
encased in itself.

Crawl to me on all fours
Crawl to me -
And taste of my being.
Big Virge Sep 2020
HEY... My Name AIN'T Jane... !!!

Big Virges' PERSONALITY...
Does NOT Embrace... CALAMITIES... !!!!!

YES Doris Had Her Day...
But Virge Is A Name...
Whose Character CAN Claim...

... The Type of...
Brain Thought Waves...
Worthy of... ANY STAGE... !!!

Because I Use Wordplay...
That's Smart And Edu-tains...
Due To My... PERSONALITY...
NOT Running From REALITY... !!!

So What's Yours Like... ?
Are You The Type...
Who... ALWAYS Smiles... ?

EVEN When Life...
Brings You TRIALS... ?!?

Like Those Now Known...
As... PAEDOPHILES... !?!?!?!

Whose Personality TRAITS...
Are... BEYOND A Disgrace... !!!

Personalities CHANGE...
From Person To Person...
And... Place to Place...

Some Now Seem LAME...
So Make A LOT of CLAIMS...
That... DON'T Hold Weight... !!!

Quite A FEW Now SWAY...
To... STRANGE Displays... !?!

From Road To STAGE...
And Of Course SCREENPLAYS...
NOW... INDICATE...
That Creative Personalities...
Are Quite Willing To Play...

The Lives of Those Who SADLY...
Have Been Victims of TRAGEDIES... !!!

... REAL Life CRIMES...
Of Course... DRAMATISED... !!!

But You Shouldn't Be Surprised...
When CERTAIN Personalities...
.... Within YOUR LIFE....
Give You... CLEAR SIGNS...
That Things AREN'T Right...
... Inside Their Minds... !!!

Cos' They Choose To DENY...
Their... " Internal Fights "... !!!!

Personalities Resigned...
To... unBalANced Lives... !!!

But What About THOSE...
Whose Vibes Incline...
To Give Off WARMTH...
Just Like SUNSHINE... ?!?

These Are The Types...
... I TRY To FIND... !!!

Girls And Guys of ALL Skin Types...
Because My Personality...
Now Lives It's Life With PARITY...

Because It Is HUMANITY...
That Signifies My Mind And Personality...
Does NOT Embrace DIVIDES...
That Make Personalities... DIE... !!!

Because of Their SKIN TYPE... !!!

Or Things Some CHOOSE To Like...
That DON'T Encourage My Mind...
To STAND Right By Their Side... !!!!!

What I'm Saying Is RECOGNISE...
Personalities NEED To Find...
Those That Are ALIKE....
So Connections DON'T Cross Lines... !!!

You See As I Age...
I See How GREAT...
It Is To Meet... Personalities...
Who Choose To Feed...
OFF REALITY And SANITY... !!!!!

Because I DON'T Deal In Fantasies...
Or Talk That Is... PURE FALLACY... !!!

Personalities To Me...
NEED To Be MORE FREE... !!!

FREE Through SPEECH and ARTISTRY... !!!

And FREE of...... Personalities...
Who Work In Teams Who Seem To FEED...
OFF Economies Where HYPOCRISY...
Makes Them DEAL Like Fiends Who Kneel...
For A Daily Meal Where DEMONS STEAL...
Their SOULS...... For REAL...... !!!!!

Personalities Designed...
To... HURT Mankind... !?!

WHY... WHO KNOWS... ?!?

Personalities Flow And Sometimes Roll...
With Those Who CLONE To RETAIN CONTROL... !!!
And USE Them Like CERTAIN Folks DO... " **'s "... !!!

Or YES... Rent Boys... !!!
Personas' DEVOID of MORE Than CHOICE... !!!!!

So YES SOME Personalities...
Have Been FORMED By The TRAGEDIES...
DEFINED BY Their Life's RIDE... !!!

So I'm THANKFUL That Mine...
Has Had... BOTH Sides... !!!

GOOD And... BAD Times... !!!
And Has Brought Me SMILES...
And TEARS... Sometimes... !!!!

Personalities Inclined...
To PLAY The TOUGH Guy...
Are Those I CHOOSE...
To Now Walk By............................ !!!!!

Because Personalities...
Who'll ABUSE or ****** GLADLY...
Do NOT Leave People Happy... !!!!

My Vibe is MORE...
About STOPPING Wars... !!!
And... THAT's For SURE... !!!!!

And My Name AIN'T...
... " Milton Bradley "...

Attempting To TAKE...
BLOOD From My Veins...
... WITHOUT My OKAY... !?!

INDEED Could End Up BADLY... !!!

Life's... NOT A Game...
I Choose To FORSAKE...
Or To... Throw Away... !!!?!!!

So YES I Have TENACITY...
But Now Live Life... ORGANICALLY... !!!

So When It Comes To BIG VIRGE...
That's The Word I... PREFER...
To Which People DEFER...

To DEFINE My...

.... " Personality "....
So many in this world to navigate around, or with, it's best to try to, quickly get to know, what type you're dealing with.....
Jessie Nov 2012
Let me tell you about myself.
I am a mosquito magnet.
I have little scars of itchy memories all over my scrawny legs.
But I think it means my blood is sacred.
I find my laugh unique and one of a kind.
My walk, resembling more of a bowlegged wobble, allows me to stand out against the crowd.
(My walk isn't that bad, by the way, I was merely exaggerating for stylistic purposes.)
What's more, the fact that I am prone to blushing at even the slightest glance my way is kldjaf;ldjfoiad;htija;ji;ajf.
I love it.
My clumsiness only adds meaning to the moments in which I am fleetingly graceful.
Yes, my posture is rough around the edges,
But it signifies that I have been around the world a few times.
At least I don't jut out my pretty decently sized *******.
You're welcome.
I find my lack of arguing skills in the moment cute.
My mistakes are adorable, and my obvious flaws are endearing.
The fact I can't **** an ant without showing sympathy is amiable.

If only somebody thought the same way about me.
If only people looked and analyzed others as closely as I do.
They would see.
That way I wouldn't be the only one loving myself. (Or trying to.)
July 4th is a Holiday filled with celebration,
Complete with BBQs and Fireworks
And exclamations of "Happy Independence day"
But people seem to fail to add the asterisk at the end
The hidden meaning, the fine print, the text between the lines if you will.
Because July 4th is not everyones's independence day.
July 4th only signifies the independence of a particular group of people
A group of people who fought for their freedom, but didn't allow it in their own back yards.
When these people were out celebrating their independence, my ancestors, my family, where in fields, working, in houses trying to stay alive
My women trying to stay away from their masters ****** them-
Whoops, sorry, I meant "Celebrating."
So what reason do I have to call July 4th my independence day?
If anything, my independence day is December 16th, the ratification of the 13th amendment
Or Juneteenth
Or January 1st, the day that the emancipation proclamation was ratified.
So while everyone else is celebrating the New Year, I think about what else that day has brought
Brought about the freedom of a people, my people.
Made them citizens, made them real, made them free.
Well, kinda free.
We've come so far.
And of course, I am not trying to blame white people today for what happened in the past, they should not be held accountable for the actions of the people from whom they've descended
But instead I want my black brothers and sisters to think, to remember, where we are coming from.
So yes, I hope everyone has a happy independence day*
Just keep in mind that it's not mine.
Morning signifies;
New day,
New hope,
New strength,
Another chance,
New thoughts,
New ideas,
New happenings,
New lessons,
New wisdom,
New knowledge,
A new day is there for betterment..
Ovi-Odiete Oct 2016
A SOCIETY WRITTEN IN FLAMES; SHROUDED IN DARKNESS

The tears flows in an endless way
Bemoaning the days of yore
Watching with eyes that sparks red,
Sunken and beaten from the tragedies of yore
Helpless and wishing for a relentless call
As tragedy hits her most sensitive part,
Bemoaning the tides,
All her days of glory,
Now a shadowy story


She had been ***** by her very own,
The children she yearned and bled for,
The men she fed and trained,
Where her rain fell full and vast, to soothe their hearts
Where she gave it all, and smiled, hoping that someday, they will realize her sacrifices and sleepless nights,
Her nights of terror and horrors
Where she stood in the midst of the stormy eerie night, shrouded in darkness


It was her ******* they ****** and clunged to,
It was her arms that shielded them from the shadows of the dark,
But when they grew and flew,
She waited still
Praying and wishing they would remember the days of yore


Then the dark hour rolled away,
And when morning came, it was harrowing.
It was harrowing how she waited abandoned and dejected,
As her sons and daughters peaked at the sky,
Trampling her down,
Relegating and belittling her
Painful it were, as she cried from the agonies of the days of yore,
Where she laid all her virtues down,
Giving it all to see her children smile,


It is this dejection that has brought her to tears,
It is this wickedness of a child to a mother, that has made her weep endlessly
It is this tragedy that have swallowed her glory,
As her children keeps flying above huddles, in peace and harmony,
Forgetting her,
It is this callousness, that pushed them to sapping her virtues and enriching themselves with it thereon


What is worse than a child abandoning his mother?
It is this penchant, that drives them
It is the love of greed,
It is the seed of corruption,
It is not an inherited trait,
It is a despicable decision
Like a monstrous shadow,
Twirling the back of the night.
It is the fire that burns within their heart,
The fire to ****, steal and destroy
To take what she can never give again
To live,
To live big at the expenses of others sorrow and agony
It is this evil that has perused Nigeria and has rendered her a roaming wretch
And now tragedy looms,
It booms and blooms,

A society written in flames
Who will save MOTHER NIGERIA?


Ovi Odiete©* 2016, Oct. 31
All rights reserved

Note
Children here signifies the evil politicians and men that has sapped our country dry with their evil penchant
A society written in flames
Ma Cherie Sep 2016
I had to go into the big city
well big for me anyway
a beautiful drive still dreaming I think
looks right down on the water that city
at Lake Champlain.

So what did you get?

Oh. You're seriously asking, alright.
Well, it's for a lovely couple this weekend getting married.

Oh I see, do tell Chef ?

I picked some beautiful ingredients
for pumpkin cheesecake
some candies...
I especially love the sunflower seed drops in magenta, violet, lime green, burnt orange, tangerine and dark  chocolate,
they look like little fall tears.

I also found some vinted
honeymoon wine
A voigner
with a lovely fragrant crisp taste

Hmmmm...interesting, go on?

It signifies the full moon in June after the flowers turn into young grapes some honeysuckle Aromas followed by luscious mango and nectar
Paired with roasting chicken
& beautifully seasonal fingerling potatoes
and this amazing rustic sweet potato bread
gorgeous heirloom vegetables in a few various choices
delicately cooking squash
all seasoned to perfection bringing
nutty joy to all
in an aromatic feathery plume of goodness
finally...
green goddess dressing and roasted nuts, berries among other toppings for a brilliant salad.

Oh...well any invitations still open?

I'm not sure, but you can be my guest in the kitchen come along

take your hat off what's the hurry?

Cherie Nolan© 2016
Overtired and overworked ugh...under the weather today. Hoping it passes soon
Hoping you are all well. Enjoy the season!
Mona Sep 2015
The Serenity in her eyes
Always make the Demons hide
The pouring honey from her orchid lips
Never   Signifies   the  Fiery  wrath  to  come
A dedication to Ayesha Sareen
Matt Mar 2015
Philosophically, Camus is known for his conception of the absurd. Perhaps we should clarify from the very beginning what the absurd is not. The absurd is not nihilism. For Camus the acceptance of the absurd does not lead to nihilism (according to Nietzsche nihilism denotes the state in which the highest values devalue themselves) or to inertia, but rather to their opposite: to action and participation. The notion of the absurd signifies the space which opens up between, on the one hand, man’s need for intelligibility and, on the other hand, 'the unreasonable silence of the world' as he beautifully puts it. In a world devoid of God, eternal truths or any other guiding principle, how could man bear the responsibility of a meaning-giving activity? The absurd man, like an astronaut looking at the earth from above, wonders whether a philosophical system, a religion or a political ideology is able to make the world respond to the questioning of man, or rather whether all human constructions are nothing but the excessive face-paint of a clown which is there to cover his sadness. This terrible suspicion haunts the absurd man. In one of the most memorable openings of a non-fictional book he states: “There is but one truly serious philosophical problem and that is suicide. Judging whether life is or is not worth living amounts to answering the fundamental question of philosophy. All the rest – whether or not the world has three dimensions, whether the mind has nine or twelve categories – comes afterwards. These are games; one must first answer” (Camus 2000:11). The problem of suicide (a deeply personal problem) manifests the exigency of a meaning-giving response. Indeed for Camus a suicidal response to the problem of meaning would be the confirmation that the absurd has taken over man’s inner life. It would mean that man is not any more an animal going after answers, in accordance with some inner drive that leads him to act in order to endow the world with meaning. The suicide has become but a passive recipient of the muteness of the world. “...The absurd ... is simultaneously awareness and rejection of death” (Camus 2000:54). One has to be aware of death – because it is precisely the realization of man’s mortality that pushes someone to strive for answers – and one has ultimately to reject death – that is, reject suicide as well as the living death of inertia and inaction. At the end one has to keep the absurd alive, as Camus says. But what does it that mean?

In The Myth of Sisyphus Camus tells the story of the mythical Sisyphus who was condemned by the Gods to ceaselessly roll a rock to the top of a mountain and then have to let it fall back again of its own weight. “Sisyphus, proletarian of the gods, powerless and rebellious, knows the whole extent of his wretched condition: it is what he thinks of during his descent. The lucidity that was to constitute his torture at the same time crowns his victory. There is no fate that cannot be surmounted by scorn” (Camus 2000:109). One must imagine then Sisyphus victorious: fate and absurdity have been overcome by a joyful contempt. Scorn is the appropriate response in the face of the absurd; another name for this 'scorn' though would be artistic creation. When Camus says: “One does not discover the absurd without being tempted to write a manual of happiness” (Camus 2000:110) he writes about a moment of exhilarated madness, which is the moment of the genesis of the artistic work. Madness, but nevertheless profound – think of the function of the Fool in Shakespeare’s King Lear as the one who reveals to the king the most profound truths through play, mimicry and songs. Such madness can overcome the absurd without cancelling it altogether.
www.iep.utm.edu/existent/#SH2c
A note of seeming truth and trust
                      Hid crafty observation;
                And secret hung, with poison’d crust,
                      The dirk of defamation:
                A mask that like the gorget show’d
                      Dye-varying, on the pigeon;
                And for a mantle large and broad,
              He wrapt him in Religion.
                   (Hypocrisy-à-la-Mode)


Upon a simmer Sunday morn,
     When Nature’s face is fair,
I walked forth to view the corn
     An’ ***** the caller air.
The risin’ sun owre Galston muirs
     Wi’ glorious light was glintin,
The hares were hirplin down the furrs,
     The lav’rocks they were chantin
          Fu’ sweet that day.

As lightsomely I glowr’d abroad
     To see a scene sae gay,
Three hizzies, early at the road,
     Cam skelpin up the way.
Twa had manteeles o’ dolefu’ black,
     But ane wi’ lyart linin;
The third, that gaed a wee a-back,
     Was in the fashion shining
          Fu’ gay that day.

The twa appear’d like sisters twin
     In feature, form, an’ claes;
Their visage wither’d, lang an’ thin,
     An’ sour as ony slaes.
The third cam up, hap-step-an’-lowp,
     As light as ony lambie,
An’ wi’ a curchie low did stoop,
     As soon as e’er she saw me,
          Fu’ kind that day.

Wi’ bonnet aff, quoth I, “Sweet lass,
     I think ye seem to ken me;
I’m sure I’ve seen that bonie face,
     But yet I canna name ye.”
Quo’ she, an’ laughin as she spak,
     An’ taks me by the han’s,
“Ye, for my sake, hae gien the ****
     Of a’ the ten comman’s
          A screed some day.

“My name is Fun—your cronie dear,
     The nearest friend ye hae;
An’ this is Superstition here,
     An’ that’s Hypocrisy.
I’m gaun to Mauchline Holy Fair,
     To spend an hour in daffin:
Gin ye’ll go there, you runkl’d pair,
     We will get famous laughin
          At them this day.”

Quoth I, “With a’ my heart, I’ll do’t:
     I’ll get my Sunday’s sark on,
An’ meet you on the holy spot;
     Faith, we’se hae fine remarkin!”
Then I gaed hame at crowdie-time
     An’ soon I made me ready;
For roads were clad frae side to side
     Wi’ monie a wearie body
          In droves that day.

Here, farmers ****, in ridin graith,
     Gaed hoddin by their cotters,
There swankies young, in braw braidclaith
     Are springin owre the gutters.
The lasses, skelpin barefit, thrang,
     In silks an’ scarlets glitter,
Wi’ sweet-milk cheese in mony a whang,
     An’ farls, bak’d wi’ butter,
          Fu’ crump that day.

When by the plate we set our nose,
     Weel heaped up wi’ ha’pence,
A greedy glowr Black Bonnet throws,
     An’ we maun draw our tippence.
Then in we go to see the show:
     On ev’ry side they’re gath’rin,
Some carryin dails, some chairs an’ stools,
     An’ some are busy bleth’rin
          Right loud that day.


Here some are thinkin on their sins,
     An’ some upo’ their claes;
Ane curses feet that fyl’d his shins,
     Anither sighs an’ prays:
On this hand sits a chosen swatch,
     Wi’ *****’d-up grace-proud faces;
On that a set o’ chaps at watch,
     Thrang winkin on the lasses
          To chairs that day.

O happy is that man and blest!
     Nae wonder that it pride him!
Whase ain dear lass that he likes best,
     Comes clinkin down beside him!
Wi’ arm repos’d on the chair back,
     He sweetly does compose him;
Which by degrees slips round her neck,
     An’s loof upon her *****,
          Unken’d that day.

Now a’ the congregation o’er
     Is silent expectation;
For Moodie speels the holy door,
     Wi’ tidings o’ salvation.
Should Hornie, as in ancient days,
     ‘Mang sons o’ God present him,
The vera sight o’ Moodie’s face
     To’s ain het hame had sent him
          Wi’ fright that day.

Hear how he clears the points o’ faith
     Wi’ rattlin an’ wi’ thumpin!
Now meekly calm, now wild in wrath
     He’s stampin, an’ he’s jumpin!
His lengthen’d chin, his turn’d-up snout,
     His eldritch squeal and gestures,
Oh, how they fire the heart devout
     Like cantharidian plaisters,
          On sic a day!

But hark! the tent has chang’d its voice:
     There’s peace and rest nae langer;
For a’ the real judges rise,
     They canna sit for anger.
Smith opens out his cauld harangues,
     On practice and on morals;
An’ aff the godly pour in thrangs,
     To gie the jars an’ barrels
          A lift that day.

What signifies his barren shine
     Of moral pow’rs and reason?
His English style an’ gesture fine
     Are a’ clean out o’ season.
Like Socrates or Antonine
     Or some auld pagan heathen,
The moral man he does define,
     But ne’er a word o’ faith in
          That’s right that day.

In guid time comes an antidote
     Against sic poison’d nostrum;
For Peebles, frae the water-fit,
     Ascends the holy rostrum:
See, up he’s got the word o’ God
     An’ meek an’ mim has view’d it,
While Common Sense has ta’en the road,
     An’s aff, an’ up the Cowgate
          Fast, fast that day.

Wee Miller niest the Guard relieves,
     An’ Orthodoxy raibles,
Tho’ in his heart he weel believes
     An’ thinks it auld wives’ fables:
But faith! the birkie wants a Manse,
     So cannilie he hums them;
Altho’ his carnal wit an’ sense
     Like hafflins-wise o’ercomes him
          At times that day.

Now **** an’ ben the change-house fills
     Wi’ yill-caup commentators:
Here’s cryin out for bakes an gills,
     An’ there the pint-stowp clatters;
While thick an’ thrang, an’ loud an’ lang,
     Wi’ logic an’ wi’ Scripture,
They raise a din, that in the end
     Is like to breed a rupture
          O’ wrath that day.

Leeze me on drink! it gies us mair
     Than either school or college
It kindles wit, it waukens lear,
     It pangs us fou o’ knowledge.
Be’t whisky-gill or penny-wheep,
     Or ony stronger potion,
It never fails, on drinkin deep,
     To kittle up our notion
          By night or day.

The lads an’ lasses, blythely bent
     To mind baith saul an’ body,
Sit round the table weel content,
     An’ steer about the toddy,
On this ane’s dress an’ that ane’s leuk
     They’re makin observations;
While some are cozie i’ the neuk,
     An’ forming assignations
          To meet some day.

But now the Lord’s ain trumpet touts,
     Till a’ the hills rae rairin,
An’ echoes back return the shouts—
     Black Russell is na sparin.
His piercing words, like highlan’ swords,
     Divide the joints an’ marrow;
His talk o’ hell, whare devils dwell,
     Our vera “sauls does harrow”
          Wi’ fright that day.

A vast, unbottom’d, boundless pit,
     Fill’d fou o’ lowin brunstane,
Whase ragin flame, an’ scorching heat
     *** melt the hardest whun-stane!
The half-asleep start up wi’ fear
     An’ think they hear it roarin,
When presently it does appear
     ’Twas but some neibor snorin,
          Asleep that day.

‘Twad be owre lang a tale to tell,
     How mony stories past,
An’ how they crouded to the yill,
     When they were a’ dismist:
How drink gaed round in cogs an’ caups
     Amang the furms an’ benches:
An’ cheese and bred frae women’s laps
     Was dealt about in lunches
          An’ dauds that day.

In comes a gausie, **** guidwife
     An’ sits down by the fire,
Syne draws her kebbuck an’ her knife;
     The lasses they are shyer:
The auld guidmen, about the grace
     Frae side to side they bother,
Till some ane by his bonnet lays,
     And gi’es them’t like a tether
          Fu’ lang that day.

Waesucks! for him that gets nae lass,
     Or lasses that hae naething!
Sma’ need has he to say a grace,
     Or melvie his braw clathing!
O wives, be mindfu’ ance yoursel
     How bonie lads ye wanted,
An’ dinna for a kebbuck-heel
     Let lasses be affronted
          On sic a day!

Now Clinkumbell, wi’ rattlin tow,
     Begins to jow an’ croon;
Some swagger hame the best they dow,
     Some wait the afternoon.
At slaps the billies halt a blink,
     Till lasses strip their shoon:
Wi’ faith an’ hope, an’ love an’ drink,
     They’re a’ in famous tune
          For crack that day.

How monie hearts this day converts
     O’ sinners and o’ lasses
Their hearts o’ stane, gin night, are gane
     As saft as ony flesh is.
There’s some are fou o’ love divine,
     There’s some are fou o’ brandy;
An’ monie jobs that day begin,
     May end in houghmagandie
          Some ither day.
Kelly Bitangcol Aug 2016
You had a lot of fears. From the day that I first met you, you told me you were afraid of many things. I thought you were overreacting since that was one of the things you usually do, but I had a glimpse of realization when we were in a room one night and I turned off the lights, you touched my arm and asked me to turn it on again. When one afternoon we were about to watch a movie and the only choices were a horror film and a sappy love story that was just 11% on rotten tomatoes, but you still begged for me to choose the bad one. When your cousin was rushed into the hospital then you saw a patient that had an accident being submitted into the emergency room, you suddenly walked away. And when we went to the cemetery and suddenly you told me you were sort of feeling uneasy. You said sorry to me because I will be loving a person who is a coward, and then you started explaining me your four phobias.

Nyctophobia.  A phobia characterized by a severe fear of the dark. You couldn’t sleep with the lights off that’s why you always had a lampshade by your side. I always preferred darkness, and you preferred the opposite. When we were sleeping and I was facing your back, I asked you why and when did it start, you just said with a cold voice, “Everybody hates darkness. People's darkness, all kinds of darkness, especially mine.” I told you, “Not me.”, only to found out you were already asleep. And yet I still did it, I looked into your darkness and explored it. I didn’t see pure darkness, what I saw were tears formed by solitude, your past that you were trying so hard to forget, your broken pieces that you abandoned for they could never be fixed, and stars. My love, I saw stars. You thought darkness consumed you so much that you didn’t have light in you anymore, but you still have. Your soul was the perfect combination of lightness and darkness, and I loved them both. Even in your darkest times. I loved it even more when I came home late at night and was surprised it was all dark, you didn’t have a lampshade beside you anymore.

Phasmophobia.  Fear of ghosts. The word originates from Greek word 'phasmos' which means 'supernatural being/phantom’.  That’s why we all had movies and books with all genres except horror, except the ones with ghosts. You had a nightmare back then, filled with ghosts, I held you and assured you they aren’t real. While crying, you said, “They are. And the worst are the ones you never expected.” I didn’t get you that time, but I did the moment I saw one too when we went back to your old neighbourhood. They were the ghosts of your past. The ones who left you and still visit you in your sleep. And the different thing here, is that you never treated them as ghosts, instead you treated them as angels. That’s why whenever they scare you at night you mistake ‘guiding’ from ‘haunting.’ But you see, I promise you, that I will never be a ghost of your past, because I am your present and your future. I will also not be your angel because I will never be one, but I will be your someone. Someone who will help you overcome your fear of them, someone who will hold you tight every time they come to you, someone who will make you forget that you even had ghosts in your life. I may be just a someone, but I will be that someone who is always there.

Hemophobia.  The extreme and irrational fear of blood.  You wounded yourself one day and when I was healing you, you kept your eyes closed, because you don’t want to see your blood. You hated white sheets with passion and refused to have them anymore, for blood becomes more visible when it drops on them. And when I was throwing away the sheets I started to realize, I am the girl who bleeds poetry but falls in love with someone who is afraid of blood. You hated red for it signifies pain, you hated blood for it is a reminder that somebody or something hurt you so bad. So I wounded myself, I bled with words that could save you, I didn’t care how many scars I will be getting as long as you know that this blood that is pouring is not caused by pain, but by love. And when my wounds became severe already, you were the one who healed me, the healing didn’t really help that much since you weren’t looking. However one morning, I woke up with my scars getting better and a new bed sheet, it was white.

And your last fear, necrophobia.  The fear of death.  That was the first fear that you have ever told me and I asked you, “Why? Everyone will go there at some of point of their lives. Even us. The thing is you should not think about it.” But you said it was hard, you said it was hard to not think that one day everything will be over soon, that you will be buried to the ground and after some time, people will forget about you and will only remember you when they see your tombstone. I never understood you. I never got to. And that was also the only fear that I didn’t help you overcome. You never did, instead, you accepted it. I knew it by the moment you asked me,

“What are we?”, while playing with my hair.

I sat straight and looked you in the eye,  “We’re in love. And that’s like dying, isn’t it?”

Your beautiful smile vanished from your face and I looked down, knowing that is your greatest fear. I was surprised when you said these words with the voice that I have never heard before,  “As long as I’m dying with you, everything is fine.”

You looked at me like I was the only one you have ever seen. The thing is, I don’t know a lot of things and I have no idea what to do.  But for now, baby,  let us just let love **** us both.

*(k.b)
THE PROLOGUE.

WHEN folk had laughed all at this nice case
Of Absolon and Hendy Nicholas,
Diverse folk diversely they said,
But for the more part they laugh'd and play'd;           *were diverted
And at this tale I saw no man him grieve,
But it were only Osewold the Reeve.
Because he was of carpenteres craft,
A little ire is in his hearte laft
;                               left
He gan to grudge
and blamed it a lite.              murmur *little.
"So the* I,"  quoth he, "full well could I him quite
   thrive match
With blearing
of a proude miller's eye,                    dimming
If that me list to speak of ribaldry.
But I am old; me list not play for age;
Grass time is done, my fodder is now forage.
This white top
writeth mine olde years;                           head
Mine heart is also moulded
as mine hairs;                 grown mouldy
And I do fare as doth an open-erse
;                         medlar
That ilke
fruit is ever longer werse,                             same
Till it be rotten *in mullok or in stre
.    on the ground or in straw
We olde men, I dread, so fare we;
Till we be rotten, can we not be ripe;
We hop* away, while that the world will pipe;                     dance
For in our will there sticketh aye a nail,
To have an hoary head and a green tail,
As hath a leek; for though our might be gone,
Our will desireth folly ever-in-one
:                       continually
For when we may not do, then will we speak,
Yet in our ashes cold does fire reek.
                         smoke
Four gledes
have we, which I shall devise
,         coals * describe
Vaunting, and lying, anger, covetise.                     *covetousness
These foure sparks belongen unto eld.
Our olde limbes well may be unweld
,                           unwieldy
But will shall never fail us, that is sooth.
And yet have I alway a coltes tooth,
As many a year as it is passed and gone
Since that my tap of life began to run;
For sickerly
, when I was born, anon                          certainly
Death drew the tap of life, and let it gon:
And ever since hath so the tap y-run,
Till that almost all empty is the tun.
The stream of life now droppeth on the chimb.
The silly tongue well may ring and chime
Of wretchedness, that passed is full yore
:                        long
With olde folk, save dotage, is no more.

When that our Host had heard this sermoning,
He gan to speak as lordly as a king,
And said; "To what amounteth all this wit?
What? shall we speak all day of holy writ?
The devil made a Reeve for to preach,
As of a souter
a shipman, or a leach.                    cobbler
Say forth thy tale, and tarry not the time:                
surgeon
Lo here is Deptford, and 'tis half past prime:
Lo Greenwich, where many a shrew is in.
It were high time thy tale to begin."

"Now, sirs," quoth then this Osewold the Reeve,
I pray you all that none of you do grieve,
Though I answer, and somewhat set his hove
,                  hood
For lawful is *force off with force to shove.
           to repel force
This drunken miller hath y-told us here                        by force

How that beguiled was a carpentere,
Paraventure* in scorn, for I am one:                            perhaps
And, by your leave, I shall him quite anon.
Right in his churlish termes will I speak,
I pray to God his necke might to-break.
He can well in mine eye see a stalk,
But in his own he cannot see a balk."

Notes to the Prologue to the Reeves Tale.

1. "With blearing of a proude miller's eye": dimming his eye;
playing off a joke on him.

2. "Me list not play for age": age takes away my zest for
drollery.

3. The medlar, the fruit of the mespilus tree, is only edible when
rotten.

4. Yet in our ashes cold does fire reek: "ev'n in our ashes live
their wonted fires."

5. A colt's tooth; a wanton humour, a relish for pleasure.

6. Chimb: The rim of a barrel where the staves project beyond
the head.

7. With olde folk, save dotage, is no more: Dotage is all that is
left them; that is, they can only dwell fondly, dote, on the past.

8. Souter: cobbler; Scottice, "sutor;"' from Latin, "suere," to
sew.

9. "Ex sutore medicus"  (a surgeon from a cobbler) and "ex
sutore nauclerus" (a  ****** or pilot from a cobbler) were both
proverbial expressions in the Middle Ages.

10. Half past prime: half-way between prime and tierce; about
half-past seven in the morning.

11. Set his hove; like "set their caps;" as in the description of
the Manciple in the Prologue, who "set their aller cap".  "Hove"
or "houfe," means "hood;" and the phrase signifies to be even
with, outwit.

12. The illustration of the mote and the beam, from Matthew.

THE TALE.

At Trompington, not far from Cantebrig,
                      Cambridge
There goes a brook, and over that a brig,
Upon the whiche brook there stands a mill:
And this is *very sooth
that I you tell.               complete truth
A miller was there dwelling many a day,
As any peacock he was proud and gay:
Pipen he could, and fish, and nettes bete,                     *prepare
And turne cups, and wrestle well, and shete
.                     shoot
Aye by his belt he bare a long pavade
,                         poniard
And of his sword full trenchant was the blade.
A jolly popper
bare he in his pouch;                            dagger
There was no man for peril durst him touch.
A Sheffield whittle
bare he in his hose.                   small knife
Round was his face, and camuse
was his nose.                  flat
As pilled
as an ape's was his skull.                     peeled, bald.
He was a market-beter
at the full.                             brawler
There durste no wight hand upon him legge
,                         lay
That he ne swore anon he should abegge
.             suffer the penalty

A thief he was, for sooth, of corn and meal,
And that a sly, and used well to steal.
His name was *hoten deinous Simekin
        called "Disdainful Simkin"
A wife he hadde, come of noble kin:
The parson of the town her father was.
With her he gave full many a pan of brass,
For that Simkin should in his blood ally.
She was y-foster'd in a nunnery:
For Simkin woulde no wife, as he said,
But she were well y-nourish'd, and a maid,
To saven his estate and yeomanry:
And she was proud, and pert as is a pie.                        magpie
A full fair sight it was to see them two;
On holy days before her would he go
With his tippet* y-bound about his head;                           hood
And she came after in a gite
of red,                          gown
And Simkin hadde hosen of the same.
There durste no wight call her aught but Dame:
None was so hardy, walking by that way,
That with her either durste *rage or play
,                use freedom
But if he would be slain by Simekin                            unless
With pavade, or with knife, or bodekin.
For jealous folk be per'lous evermo':
Algate
they would their wives wende so.           unless *so behave
And eke for she was somewhat smutterlich,                        *****
She was as dign* as water in a ditch,                             nasty
And all so full of hoker
, and bismare*.   *ill-nature *abusive speech
Her thoughte that a lady should her spare,        not judge her hardly
What for her kindred, and her nortelrie           *nurturing, education
That she had learned in the nunnery.

One daughter hadde they betwixt them two
Of twenty year, withouten any mo,
Saving a child that was of half year age,
In cradle it lay, and was a proper page.
                           boy
This wenche thick and well y-growen was,
With camuse
nose, and eyen gray as glass;                         flat
With buttocks broad, and breastes round and high;
But right fair was her hair, I will not lie.
The parson of the town, for she was fair,
In purpose was to make of her his heir
Both of his chattels and his messuage,
And *strange he made it
of her marriage.           he made it a matter
His purpose was for to bestow her high                    of difficulty

Into some worthy blood of ancestry.
For holy Church's good may be dispended                          spent
On holy Church's blood that is descended.
Therefore he would his holy blood honour
Though that he holy Churche should devour.

Great soken* hath this miller, out of doubt,    toll taken for grinding
With wheat and malt, of all the land about;
And namely
there was a great college                        especially
Men call the Soler Hall at Cantebrege,
There was their wheat and eke their malt y-ground.
And on a day it happed in a stound
,                           suddenly
Sick lay the manciple
of a malady,                         steward
Men *weened wisly
that he shoulde die.              thought certainly
For which this miller stole both meal and corn
An hundred times more than beforn.
For theretofore he stole but courteously,
But now he was a thief outrageously.
For which the warden chid and made fare,                          fuss
But thereof set the miller not a tare;           he cared not a rush
He crack'd his boast, and swore it was not so.            talked big

Then were there younge poore scholars two,
That dwelled in the hall of which I say;
Testif* they were, and ***** for to play;                headstrong
And only for their mirth and revelry
Upon the warden busily they cry,
To give them leave for but a *little stound
,               short time
To go to mill, and see their corn y-ground:
And hardily* they durste lay their neck,                         boldly
The miller should not steal them half a peck
Of corn by sleight, nor them by force bereave
                *take away
And at the last the warden give them leave:
John hight the one, and Alein hight the other,
Of one town were they born, that highte Strother,
Far in the North, I cannot tell you where.
This Alein he made ready all his gear,
And on a horse the sack he cast anon:
Forth went Alein the clerk, and also John,
With good sword and with buckler by their side.
John knew the way, him needed not no guide,
And at the mill the sack adown he lay'th.

Alein spake f
Kat Aug 2016
Commitment
I don't know how this works
This commitment thing is new for me
I went down in flames the first time
Who's to say it's not going to happen again?
Will I hurt you like I hurt the last?
Will I start over this never ending cycle?

Commitment
That word is both terrifying and beautiful
It signifies everything I want
But those are the things I fear
Can I give myself to someone so wholly that they are part of my being?
Can I trust someone with that?
Can I truly even love?

Commitment
Oh Lordy
That word incites fear once again, but I'm getting there
I'm coming to terms with it but that nagging won't stop
Will it actually work out?

Commitment
I will commit
At least that's what I'm going to tell myself
And I will not hurt them

Commitment
I'm ready for you
Vidur Khanna Nov 2015
Shattered Bowed
Clustered broken glass
Dark shadow engulfs
Laid on the grass

Stone piece signifies
People bid goodbyes
Death Lord besieged
Now a graveyard breed

Tested through times
Committing crimes
Resting, Evil Wrath will rise
Avenging my cries

People, friends betrayed
My Wrath, My Hatred
Declared self-destructing
At times exploding

My Wrath, My Friend
My Wrath, My Hatred
My Wrath, My Enemy
My Wrath, ME!!
Closure invents a reason to let go;
that hoped-for last **** is
anything but

Life is cataclysmic.

Seizing an imagined moment
in a now that ends
before its beginning

signifies a slavery to transience
so complete and pervasive
that words heave and shudder
in its withering folly

Timeless puzzles are incompletable
by artifice; rather, resignation
to disparate pieces,

and identification with neither
the pieces that didn't fit,
nor those that did

The period does not
complete the sentence.

The sentence ends
when it is finished.
Big Virge Mar 2015
These Days I MUST CONFESS …  
It's Hard To Deal With STRESS … !!!!!
Cos' MANY Try To … TEST …  
Because They LACK Good Sense … !!!
  
Like Knowing When They SHOULDN'T Speak … !!!
Because My Silence Means That I'm Counting To ... THREE ... !!!
  
Instead of … Reaching For A PIECE ... !!!
That Signifies THAT I Want To SEE …  
You Lying FLAT UNABLE To … "Breathe" … !!!!!
  
A Test That's … REAL … !!!!!
So How Would … YOU FEEL … ?!?
If You Were TOLD To … " Go Back Home " … !!!
  
When Your Home Is A Place Where Your Black Face ...
Is Taken For A THREAT … EVERY Single Day … !?!  
Or Taken For A Joke ... As Mine Was Today …  
  
Would You … " Play It Cool " … ?
Like The …... Uncle Toms' Do …... !?!
  
Or Would You Choose To Take Abuse … !?!?!
From Some White FOOL Whose Moves Are CRUDE … !!!
  
Like Selling Coc' To Mis-Guided Youth … !!!
The Type of White Bloke Who Thinks He's SMOOTH …
  
I Know A Few Brothers Who Showed THIS SUCKER … !!!
What It Is To Be STRESSED ...
And Face The TEST of Being DISTRESSED ... !!!!!  
  
He DIDN'T Fare Well Like MANY Nowadays … !!!
Cos' STRESS Now SWELLS In DIFFERENT Ways …  
  
From ... VIOLENT Crime To Financial Plights ...
That Leave Wise Guys Feeling NOT SO WISE … !!!
When Investments Made DON'T Make The Grade … !!!
  
That's A Test THEY FAILED Like The ... " HOLY GRAIL " ... !!!
Because … ONLY WISE Heads In The End PREVAIL … !!!!!
  
All That GLITTERS … May Mean JAIL … !!!
Gary NOW KNOWS That Going Gold …  
DOESN'T Save Your Soul Or Provide BAIL … !!!!
  
TOO MANY YOUNG BLACKS KNOW How That Goes … !!!!!
  
DNA Tests Are Causing STRESS … !!!
And Giving Some Heads ... Quite A COMPLEX … !!!!!!
  
... "It's for defence !" ...
  
Is What Is Said ...
Just Like The Wars On ... FOREIGN Shores … ?!?
  
Some Peeps Still Believe That Soldiers Fought …
For …. " Freedom of Speech " …. ?!?
  
Freedoms ORDAINED ...
For Peeps' Like … " ME " … !?!
  
To Feed Young Brains With Poetry ...  
That Speaks About … " REALITY " ...
  
Well REALITY TESTS Weak Hearted Men … !!!!!!
  
Like The One Mentioned ... In THIS Poem … !!!!!!!!!
Him And His Friends Are ALL … " Coc' Heads " ... !!!!!
  
Freedom For Them …  
Is Something SHOWERED In CHEMICAL Powder ... !!!!!  
  
Freedom For Me AIN'T So EASY ... !!!

Because My Speech Does NOT Agree With Coc' Head Sheep ...
Who Crawl And Creep Because They're WEAK ... !!!!!
  
They Try To CHEAT … REALITY  ... ?!?!?
  
But CHEATERS NEVER PASS …
They FAIL BEFORE They Start … !!!
  
Stress Has Marked The Card ...
of Those CLAIMING They're SMART …  
  
Cos' Smart Mouths Talk Before Their FALL ... !!!
... REAL HARD Fa Sure … !!!!!!!!!!
  
" So that's why they snort !?!?!? "
  
So That Their Nose Doesn't Feel The Blow …
When They Fall Short of … STANDING TALL ... !!!!!
  
Standing UP To The Test of Dealing With STRESS …  
These Days It's TOUGH Cos' Things Are ROUGH ...
  
So What Do You Use To Get You Through … ?!?
  
Well Some Resort As I Said Before …  
To Having A SNORT ...
Behind Toilet Doors To Ease Their Cause … ?!?
  
Others' CHOOSE To HURL ABUSE … !!!
Because Their Views Leave Them Confused … ?!?
  
Of Course There Are THOSE Who Resort To BLOWS …
Which ... Just Goes To Show ...
How STRESS Can Lead You Down DARK ROADS … !!!
  
These Days I Write To EASE My Mind …  
And EASE My Stress When I Get TENSE ... !!!!!
  
Because IGNORANT Heads Breed VIOLENCE ... !!!!!!!
Peace Is The Vibe With Which I Ride … !!!
  
But Let Me Just STRESS That Self Defence …  
Is Where My Calmness Meets It's END … !!!!!!!!
  
You See It Wouldn't Be Wise To Make Me FIGHT … !!!
Cos' I'm A Peaceful Guy But When You LOOK IN MY EYES …  
You Should REALISE … I'm NOT Scared To DIE … !!!!!
  
You See …  
STRESS Is A TEST That Is COMPLEX ... !!!  
And Can Be HARD ... For Us ALL To PASS … !!!!!
  
In Times Like These We NEED TO Feed ...
Our Minds With MORE ...
Than Talk of WAR And Crossing Swords ... !!!

... " Agree to Disagree " … !!!
  
Or Just … " DON'T SPEAK " … !!!!!
  
Use Violence LESS And KEEP A COOL HEAD … !!!
And You'll Have A …  " STRONG DEFENCE " … !!!
  
Against ….
  
...... " The Test of Stress " ......
Inspired by a conversation with, as the poem says, a coc' dealing, smart mouth, who thought he'd advise me of my right to leave the place of my birth, because I expressed my distaste for it's warmongering ways .....
Brycical Jul 2011
In one brief moment, everything changes.
For a split second, thought becomes something distant.
Sensation is full, yet innocence gone.

A feeling of nothing, but everything.
Paternal elders understand, yet shy away.
They know how everything works in their head.

Brief, pure bliss attained through primitive acts.
Maternal elders understand, but blush
like it is something to be ashamed of.

Higher powers tend to condemn this void,
but all show what this signifies, even though
they don’t like to speak of it. One pure word.

Unity.
I haven't touched this poem in many, MANY years. Any comments, concerns critiques are welcome.
Lolita Feb 2022
Us together was exemplary devastation and even in pieces, I yearned for more...  
Us together now is pure conservation even perpetual I want more...  
Can I compare you to my lovely day? But you are the art more lovely and more adumbrate...  
Your cherry blossom hue never gonna wash away by heavy showers of rain I'm not even gonna let ragged wind shake my darlings, Dovey...  
You can savour me... But only with your eyes...  And I will vow with mine.. then there will be no surprise...  
May our path be cohered forever and get entwined... We can epoch our kiss in a barrel then we not gonna need chardonnay wine...  
What signifies how intimate we shall be??
Not what you are but what you're to me...  
But you are so far away... And we are planning to make our stay...  we are staying under the blanket of starry nights...  
And it's a sight to behold because we gonna see two moons collide...  
As long as the sun shines we traverse and expands...  
May we reach the end of it all and may this never ends...
💅🍿
Bees may **** us one day...
RLF RN Nov 2015
For my craving, satisfy me
of this spicy, loathsome
inclination of my restless soul.
You, from the Caribbean Sea--
Santiago, let your
ambrosia signifies of how
your people colloquially
refers you, as "Rock".

Santiago, a refuge
you were once for the Jews.
As desirably firm as you are,
abolish me of these crisp desires
for they renders me with nothing,
but mere pertubation.

Oh Santiago, obscure me
inside your dry rain - shadow
areas, relatively.
For a while, conceal me
so I may somehow be
healed of this tempestuous outburst.

Sing me a lullaby, Santiago.
With such unique culture
of yours, infect me.
To be vibrant, and
to become Jamaican.
Owen Phillips Apr 2013
It's all gone out of me, the hammer falls and I'm not ready to answer
Trembling, weakness supporting a tub of jelly
The pollen-filled air flies past like the
Pelicans at the edge of the harbor
Taking us gliding for an unpleasant ride
Down the corridors of plastic colors
Through the one word answers that bubble forth from
10,000 years away in hyperspace
Where the mechanisms of language become so convoluted
That they disappear completely out at the vanishing point
Coming up behind you again to drag you into that smoky allure
You remember hating and pinching your nose from
And hiding in the car, but the new fear is of becoming addicted to it
Just like your addiction to ego games and
Intellect, just like your addiction to pleasure and constant validation

The validation's there in the eternal self, they say
But I'm an intellectual
Too impatient for meditation
And lost along the way to enlightenment
That I truly want,
But then I'll never have it if I continue to live this way

It's wilderness calling from a tame fool
Sticking up for you the overgrown horoscope signifies
The shapes of skydives,
He comes in and out of our dull lives
And there's an electric current that solidifies between
Him, Us, and his music
Iron rods jutting up from scorched earth
A broken paradise
Crumbling in a whisky tumbler
Blackened by fiber filters, creations
Unlocked by flowing ontological
Caricatures, open wounds gnashing
At attention-seeking osteopaths
Fortune seekers clamber down
Soccer field bleachers,
Somebody lost his sneakers in the woods
Once there was a set of barbells along the trail
We fell in line and started
Counting each other
One by one it seemed like the green apples would never fall
It was up to us to wait for the shower
It would feed our kin
We'd begin to rise up together
But it could never keep up with our pen
We wanted the ghosts to follow us and overtake our mortal foes
But we couldn't command the armies of the dead
We derive all our pleasures from films and campfire stories
We contrive our adventures but we wait for them to happen to us
We take a passive role in finding love
And it blinks lights at us across suburban streets through windows in the dark
The mind begins to writhe with new memories it composed of old
An idealized time of a child with the perverse mind
Of a hogtied adolescent
Guessing that the course of existence
Isn't determined by the speed of your calculations
Testing the warm water on a naked toe
We could dive in and forget to breathe
And the water could carry us forever
Alleviating gravity
All the obstacles we perceived in past lives
Remain with us like
Chimney swifts on the bottomless April days of a
Klu Klux **** telephone operator
Who believed in the spirit and the holy ghost
And burned a quiet altar to Satan's minions every Sunday night
Drinking nail polish and
Obscure references to the films of the
Ancient Greek philosophers, who
Saw the medium as a means to a message
And patronized the elitest filmmakers to study the ancient Runes
And reveal their findings to a power-hungry public
That would not outright reject it
But that would have to follow it down the rabbit hole
Through the wide mouth of the trumpet around brass fixtures
And into the tight hot moist mouth of the trumpeter
And the elemental warriors would strike oil beneath the whole affair
Ending the time we spent hoping for any entertainment to create itself before our barren psyches
Busying ourselves with incomprehensible tasks and letting our indolence take the reins until we found our heads again out there amid the vapors of
New car chem trails and old railroad bunkers where spruce and cedar grow through cement earth, they force apart the ground with just their roots

We weren't ready to keep watch the following weekend but we
Had no choice when the government bond expired
And we had only technological solutions left to hope for
And wrongly we abandoned our research posts to fight the enemies
With giant weapons and uncreative slogans
Our drummers played so fast we marched along and killed all that remained in record doubletime
Rendering the events of that victorious day immortal in the ingenious accounts of
Philosopher/poet/historian Michael Jackson
Who gave one final performance
To save himself from what must not be
She is as in a field a silken tent
At midday when the sunny summer breeze
Has dried the dew and all its ropes relent,
So that in guys it gently sways at ease,
And its supporting central cedar pole,
That is its pinnacle to heavenward
And signifies the sureness of the soul,
Seems to owe naught to any single cord,
But strictly held by none, is loosely bound
By countless silken ties of love and thought
To everything on earth the compass round,
And only by one’s going slightly taut
In the capriciousness of summer air
Is of the slightest ******* made aware.
anastasiad Dec 2016
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Sidney Nov 2014
I am that petite build, with that straight, black and shiny hair that every white girl envies.
I have those slanty eyes that turn into slivers when I laugh.
I love kimchee, rice and mandu.  There is never such a thing as too much garlic.  I put red pepper flakes/paste on everything.
I use chopsticks.
People think I'm "cute" and pat me on the head.  That drives me nuts.  It still happens and I'm 32.
I regularly tell people that I don't speak Korean, except for "Where's the bathroom?" and of course "Anyonghaseyo".
My skin turns a dark tan in the summer months and I wish I was more peachy or pale like the white girls whom I think are beautiful.
I wear glasses.
I love to read and research things and I'm a good, diligent student, but I'm terrible with math and science.
I'm musical.

****

I play the clarinet, not the piano, violin, or cello; like every "Asian" should play.
I'm a tom-boy; you will never find me in a tu-tu or frilly-like dress (in public).
I do not wear make-up.
I'm loud, boistrous and obnoxious at times.  I have a serious *****-mouth and I'm not reserved or "refined".
I ask the guy out; not the other way around.
My career is more important than "settling down"-- at least during this point in my life.
I choose to never have children -- EVER.
I bite my fingernails and I've never had a manicure.  I've never even been inside a manicure shop.
I am a fantastic driver.
I am the only person of color in my immediate and extended family.
Over 99.5% of my friends are white.
I have never been in a relationship with an Asian man.
I grew up in an all-white neighboorhood and when I saw the Vietnamese, Cantonese, and Hmong students at my elementary school, I always wondered what it must like to be "them".

In 2007 I lived in South Korea for 3 months.  I encountered complex questions concerning who I am.  Who am I, really?  Am I an adopted Korean?  Am I a "real" Korean? Am I a Korean-American?  Am I none of these?  Does it even matter?  I was left with a gaping hole in my chest of deeper questions, deeper insecurities, and a poignant feeling of loss.  I thought, back in the States that who I am there is who I really am.  But, here I am, in the country of my birth, surrounded by people who share my ethnicity.  This is who I really am, right?  I felt such a deep responsibility to be more Korean.  I felt that if I identified as "white" or even a Korean-adoptee, that I was betraying my culture, my People, my home.  But, while I was in my homeland of Korea, I was so homesick for Minnesota.

When I returned back to Minnesota around Thanksgiving time, a few months later, Eastern Social Welfare (adoption agency in Korea) found my birth mother, Yoon, Young-Hee.  They were able to confirm that she was indeed my mother.  They tried to tell her that I have begun a search and that I wrote a personal letter for her, waiting at the agency.  Once they mentioned me, Young-Hee hung up the phone and would not answer Eastern's calls over a course of a year.  Children's Home Society and Family Services in St. Paul, MN contacted me and said that Eastern Social Welfare suggested that I wait a few years and try again.  I waited 6 years.  Last Decemember I re-intitated the search with the hopes that Young-Hee had gained the courage to talk to the social worker.  I had prayed for this for so many years.  I visulized light and love surrounding her.  I asked God for help.  I have heard nothing from my social worker and it's been almost 10 months.

I am learning how to let go of this search and let go of Young-Hee.  I am learning how to take my healing and my identity into my own hands.  I have a million questions that I wish I knew -- questions about my birth family's medical history.  Questions about why she gave me up. Questions about her current family.  Endless questions.  Now, I have come to terms that my questions may never be answered.  I could always have a mystery around my birth and possibly the future cause of my death (until I am diagnosed with something).  Can I live with this ambiguity?  As of right now, barely.  I am barely able to keep myself from falling apart with the frantic wonderings of my mind.  But, this is something I have to live with every day.

The Adopted Korean Community often hears wonderful and inspiring stories of adoptees being re-united with their birth-families. This is not my story.  My story is the all-too-common story that is rarely heard.  No one wants to hear how your birth mother will not cooperate with the Korean social worker and even read a letter you wrote for her.  No one wants to face the fact that millions of adoptees around the world live with this reality, too.  No one wants to acknowledge the pain, the rejection, and the loss that prevails.  Why would anyone want to hear a story like that?  Well, people who do not find their birth families or are turned away by their birth families have a story to share too.  It may not be an "upper", but it's a pretty important story to hear, too.  It lets us remember how we've all felt this way at some point in our lives, as an adoptee.  Most importantly, hearing stories like this helps other adoptees cope and feel that it is okay if their birth families wish to not meet or communicate with them.  It's not the adoptee's fault.  Adoptees who do not have success stories need to hear that this happens to many others and that a giant rejection does not mean he or she is worthless and less "special" than an adoptee who has been fortunate enough to reunite.

Why is it that I so closely tie my identity and then my self-worth to my birth family?  Why can I not be sovereign unto myself?  I am Korean.  Yes, I am.  It doesn't mean I must do, be, act, believe, see, or think in a certain way.  I am human, too.  I choose to have little identities that I see myself as while in different situations, with different people.  Indentity is complex-  it often signifies one thing-- oh that, (points) THAT is a chair. But simultaneoulsy, identity can also be so fluid and flexible -- (points) THAT chair is a folding chair, but this one isn't. But they're both chairs.  Maybe in some situations I can be a folding chair.  I'd like to play around with identity and let the concept roll around in my mind.  The thinking error comes when we think we must be one, same thing at all times. That is when we become stagnant.  How refreshing it is that we get to have such fluid identities!

Like every person on Earth, I have many shades.  I have many identities, and I surrender the long, hard fight to conform to one identity or another. This is my life and this is who I am, so I reserve the right to identitfy with whatever and whomever I see fit to be ME! :-)
anastasiad Dec 2016
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In general

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Carrie Bradshaw May 2015
Different faces.
Different stories.
So many faces
with different beauty.

Barbie  face..
Smokey eyes..
Red kissable lips..
Skin color so white
Beautiful Famas face
  all girls
   would wish they have

Pink cheeks..
Tangerine lips..
Curly eyelashes
so fine
Beautiful bubbly face
    can melt a man's heart

Ashame ladies hid
their  faces
Shy having pimples
or any scars
Things  signifies hardwork
Tells you ,you're strong
Face that reminds you,
the true Beauty
is inside you're heart

Face that tells you a story  of
*beauty
We are all perfect even if we have flaws.. because I believe that flaws complete us no matter what ...don't be shy.. ♥♥♥
You're beautiful
Daniel James Feb 2011
(Earnestly)* This is the first time I address the House
From these back benches in twenty-odd years.
I must confess that I had forgotten
How much better the view is from up here.

It was frequently my necessity
As Leader of the House to talk my way
Out of accusations that a statement
Had been pre-empted by an interview.
On this occasion I can gladly say
That no such interview has taken place.

First I have chosen to address the House
On why I can't vote for a war without
Support at home or agreement abroad.
The present Prime Minister is the most
Successful Labour Party Leader of our times.
I hope that he will continue to be
Our Party Leader, and I hope that he
Will long continue as successfully.
I have no sympathy nor comfort for
Those who use this crisis to remove him.
I applaud the efforts that he, heroically, has made
Until today to secure a second resolution,
And nobody could outperform the Foreign Secretary
In trying to win the backing of the Security Council.
But the intensity of those attempts
Just shows us it was vital they succeed:
Now those attempts have failed we can not
Pretend they were of no import to us.
It is not France alone who wants more time.
Germany wants more time, and Russia too.
Indeed at no time have we ever had
The minimum support we would require
And it is mere delusion to imply
That this degree of fierce hostility
Can all be due to France's President.
The truth is that Britain is being asked
To go to war without any support
From any body to which we belong:
Not from NATO, not from the EU and
Now, not from the Security Council.
A year ago a coalition formed
Its cause: to wage and win a war on terror.
To end in diplomatic failure
Signifies a most obvious error.

History will be amazed surely at the
Miscalculations that led so quickly
To the fall of such a coalition.
The US can afford to go alone;
But Britain is no superpower now.

Our interests are not best protected by
Unilateral action, but by the wide
Agreement of a World governed by rules.

Tonight the partnerships we value most,
The EU and the Security Council,
Are those that sadly are the most weakened.
These indeed are heavy casualties when
A single bomb has yet to be released,
But since the US have already warned
Their strategy will be to "Shock and Awe"
It seems, of casualties, there will be more.

It's been a favourite theme of our critics
To say this House no longer occupies
A central role in British politics.
Nothing could better show that they are wrong
Than for this House to stop this Government
Committing troops to a war that's without
Support at home or agreement abroad.

I intend to join with those tomorrow
Who vote against this war now at this time.
It is for that reason, and that alone,
And with a heavy heart... that I resign.
From Robin Cook's Resignation Speech to Parliament in the UK on the eve of the invasion of Iraq. Tuesday 18 March 2003
http://news.bbc.co.uk/1/hi/uk_politics/2859431.stm
fleabag May 2019
What a lovely thing it is
Varied by its coldness
Differ in designs
It is distinct
Whereas every drop weighs
It has purity in nature
and cleanliness in color
Disastrous it may seem
It blinds living species
A fuss in human's eye
But a thing is certain,
The coldness within
signifies it's exterior
Turn the world upside down
It will always be cold
Can you feel its coldness my love?
Embracing every part of your body
Tracing each wrinkles in your skin
Fighting that fiery soul inside you
Yes you've felt it,
It was strong
But what I have is stronger
And how come you don't?
My pain shows
Colder than any snow
#pain
Brody Thompson Jan 2014
Is there a way to say what I feel without having to hide in strawberry fields.
I look for a way to disguise my cries, with clever language and creative lies.
Despise me if you really care about another mothers terrible heir.
Dare to spare me a little change, I need a sip of something strange.
The taste of nature smelling sweet now signifies I am complete.

I don't mean to say what manages to emerge.
When it comes to gluttony, we always tend to purge.
Scrambling through the dialogue I've logged within my cerebellum cell.
Heaven is a Neverland, this place, a kind of Hell.
Bruised Orange Mar 2015
"Can Poetry Matter?"
by
Stephen Dobyns

Heart feels the time has come to compose lyric poetry.
No more storytelling for him. Oh, Moon, Heart writes,
sad wafer of the heart's distress. and then: Oh, Moon,
bright ******* of the heart's pleasure. Which is it,
is the moon happy or sad, ******* or wafer? He looks
from the window but the night is overcast. Oh, Cloud,
he writes, moody veil of the Moon's distress. And then,
Oh, Cloud, sweet scarf of the Moon's repose. Once more
Heart asks, Are clouds kindly or a bother, is the moon sad
or at rest? He calls scientists who tell him that the moon
is a dead piece of rock. He calls astrologers. One says
the moon means water. Another that it signifies oblivion.
The girl next door says the Moon means love. The nut
up the block says it proves Satan has us under his thumb.
Heart goes back to his notebooks. Oh, Moon,, he writes,
confusing orb meaning one thing or another. Heart feels
that his words lack conviction. Then he hits on a solution.
Oh, Moon, immense hyena of introverted motorboat.
Oh, Moon, upside down lamppost of barbershop quartet.
Heart takes his lines to a critic who tells him that the poet
is recounting a time as a toddler when he saw his father
kissing the baby-sitter at the family's cottage on a lake.
Obviously, the poem explains the poet's fear of water.
Heart is ecstatic. He rushes home to continue writing.
Oh, Cloud, raccoon cadaver of colored crayon, angel spittle
recast as foggy euphoria. Heart is swept up by the passion
of composition. Freed from the responsibility of content,
no nuance of nonsense can be denied him. Soon his poems
appear everywhere, while the critic writes essays elucidating
Heart's meaning. Jointly they form a sausage factory of poetry:
Heart supplying the pig snouts and ****** tissue of language
which the critic encloses in a thin membrane of explication.
Lyric poetry means teamwork, thinks Heart: a hog farm,
corn field, and two old dobbins pulling a buckboard of song.

(from Pallbearers Envying the One Who Rides, 1999)
I laughed hard at this.  Thought I'd share here. :-)
Àŧùl Apr 2013
When an ***** is fertilized by a *****,
And is done in vivo,
Which means,
In nature,
A female is the receptor who receives *****,
An embryo then develops out of the *****,
And it usually signifies a symbol of love.

But here in Embryo Biotechnology Lab,
It is done in vitro,
Which means,
In glass,
Female germ cell receives ***** in a test tube,
An embryo is then developed with desired traits,
And then a clone - or a desired G.M.O. is created.
Written in Embryo Biotechnology Lab, Animal Biotechnology Center, National Dairy Research Institute
G.M.O.: Genetically Modified Organism used for various purposes favorable to human beings
National Dairy Research Institute or N.D.R.I. is located in India at Karnal, Haryana
My HP Poem #146
© Atul Kaushal
You're the true instance of virtuous human.

Your mind as pure as crystal,
your heart soft and sound like waters.

everythang about you signifies peace and harmony,
love and respect. Your feeling is so true.

Your life is a blessing, and you're such a special prize from the mother Earth to my soul.

And to the whole universe. Super human.


Human, crystal mind, love, harmony, peace, respect, blessing, Earth Universe 🌌
Super human behavior
Neil Ang Sep 2018
There,
out in the darkness,
a fugitive running.
Running from God.

Did I write that? I don't think so, Maybe it was me. Wait, maybe I heard it somewhere.  

I sigh in frustration and look to the skies but I see nothing.
Just darkness. Not the total black, the absence of light brought on by the spinning of the sun, the darkness that signifies rest, rejuvenation ,
No. no, just a faint black, a charcoal blackish grey brought on by a fog;

I glance around but I have no clue where I am. The fog is too thick. I know that there's something beyond the fog. Um, big ball of fire burning in the sky. Sun. That's what it's called.

After forever, I see a path, a meandering, twisting path. Its bricks not yellow like Dorothy walked on but red. Wait, I can see the colour. Maybe this is the path I walk.It's a long trek but that's what I'll do. Trek. Lugubriously down the path. Flashes of gold before me, of red, of blue, of orange, of purple, of a colour I cannot name but seems like a blue green thing.

Sometimes I can catch them, sometimes I can't. Sometimes they form a picture. A face in front of me. A voice. A flash of lightning in a cold dank world. Rain, falls. I know rain. Rain, will make the flowers? Grow. No! not my words as well. Where do they come from? The weather grows darker, the fog grows thicker. I wish I remember how it all started. I close my eyes to think.

When I open my eyes, two little faces appear in front of me.  I know them? no, I don't. Wait, I do know them. They chirp something at me, like two little birds in a pod. Peas, peas in a pod. Peas don't squeak. Peas posit, no, peas don't talk at all they're not sentient. **** it, the fog is back. I look at them and smile. That's what you do when you see people don't you?

Now I see some people coming into the room! Big men! They'll steal from me! **** me! I have to defend myself!  Oh wait, one of them wears a face. I've seen a million times; it's so... familiar. I look across to the mirror in the bathroom. Oh, he wears some version of my face. But younger. With... well with better hair.

He growls at me, his voice booms and brings the room to a stand still. I still don't know what he says. The smaller one echoes. His voice slightly smaller, less boom-y. Boom-y, that's not a word.

There's a word for it, I, The words are there, in my head, like rays of sun bright, no sunlight, coming through the darkness. I wince at the thought of the heat burning my skin. But there's no heat. Just fog. Just that blasted, ****** fog. It came one day, out of the darkness chasing me down like I was fugitive. It never sleeps, it never eats, it never leaves. Just there. Why can't I see the sky. I remember what the sky was like. It was, green? no blue. The sky was blue.

My dreams are interrupted by the boom-squeakers. That's not a word is it? I used to be good at words, I used to write them in a book, for others to read, for others to write

The four faces are in full speed now, booming and squeaking and squeaking and booming. I nod at what they say, I still don't understand them. Something about school and class, something about work and money.

Suddenly I see her,  there's a fine one across the room, I open my mouth but no words come out. She's wearing blue is coming with something. Oh I remember this! Sweets! she must be coming with sweets. She's young and pretty, she knows my name. Wait, why does she know my name. A little too well, wait are we related? that would be bad. Oh no, she doesn't look like any of those around. Her rosy red lips move but I can't hear the words she must be saying. The fog always prevents that. She's brought me candy I think. In a little bowl too! Oo! that's nice. I used to love candy. I think I still do now?

I let my guard down! Oh no! they've got me! (Pop!) they've forced me to swallow something! I better spit it out! Spit! Spit! Spit! Oh wait, the darkness is coming, it's better than it normally is. I see the void and know it's time to rest. Maybe when I get up tomorrow, the fog will finally... clear.

As I teeter on the edge, I hear it. the voices. They're saying something. They say....

"Is Grandpa Grandpa today, Dad?"

"He'll be fine, son. sniff He'll... maybe. be ok. Some day."

"Maybe tomorrow he'll remember us?"

"Maybe tomorrow, now put on the music. He loved Les Mis, it was always his favourite."

"Don't go yet, Dad. Please... don't."

The world goes dark but its finally happened. The fog has cleared and I see the sky, just before the sun turns and it goes dark a final time.

Now I rest.
The first introductory bit is from "Stars" sung by Javert in the musical version of Les Miserables. I'm using a tiny bit of it here for a) its relevance on how this man feels like he's been chased like a fugitive by the fog and b) to represent the fact that he has somewhat forgotten that these are not his words, that his memories are blurring.  

Many people out there have a friend, or a loved one who is suffering from dementia. It's probably the worst punishment to have especially for this man who I've imagined to be a word-smith, perhaps a writer, of novels, perhaps dictionaries.

If you have a relative who's like that. Maybe go visit them one day, Maybe you can be the wind that pushes away the fog and they'll be able to see the sun someday.

Just maybe.
ConnectHook Apr 2017
Six-armed things of Asiatic trances,
temple belles entwined in temple dances:
mantra in one hand, the other holds naan.
One holding chutney and the other, paan.
Two hands left (befitting of deity):
one offers curry, one incense.  Aseity
signifies self-contented wonderment.
(One wonders as well what that mantra meant...)

Note the third eye in the figure's forehead:
a spare one in case left or right go dead?
But really—how freakish these idols look:
a ******-pantheon from a nightmare book.
(Outdone only by the Aztecs for fright
along with demons born of tribal night.)

Cobra-crowned elephant-headed mutants
sickly-sweet incense, divine pollutants
mix in with the stench of bodies burning
alongside the filthy Ganges churning
flowing with ashes from funeral ghats
excrement, corpses of humans and rats
that swarmed humble hovels of Hindustan
where gods are mass-produced for fallen man.

Maidens in saris with red tinted lips;
glossy vulgarity, loose at the hips
now growing more arms; an insect vision
enough to make one gag on religion.
The ubiquitous trident looms, a sign:
the eternally present un-divine.
Instead, it ought to stick some sacred cow
in its bovine buttocks, and so allow
beef curry for a hungry avatar
craving fresh meat in his juggernaut car.

Turn from this antediluvian scene
in sincerity, ask: what does it mean?
Were you created in these gods' image?
Is anything real behind their visage?
Blue skin and sick smiles, anointed with ghee:
exotic... but wrong theologically.
Till lingams are yonis I'll spell it out;
these Aryan idols should merit your doubt.
Such weirdness deserves some analysis
(as did old Diana of Ephesus).

Would you tingle if such a god showed up
and offered to refill your soma cup,
sending siddhis up your spinal column
with you in full lotus, clueless, solemn.
Would you offer puja in their temple,
bedeck your soul in a robe to sample
veggie-masalas, chapatis and dal,
peruse the Upanishads, and enthrall
your mind with the mystic old Rig-Vedas
fall for idolatrous sin conveyed
as spiritual truth when it's just a big lie...
bow before a multi-armed freak?  Not I.
Not for all the visions in Satan's world.
Better to call B.S. than to be hurled
to hell for living and loving this lie
embracing monstrosities. By and by
the books will be opened. The Lord will judge.
Consider this your transcendental nudge
toward something less false, less fearfully fake
than the idols Antichrist nations make.
NaPoWriMo #15

TS Eliot
wrote highbrow literary
poetry (so-called)
Lawrence Hall Oct 2021
Lawrence Hall
Mhall46184@aol.com  
https://hellopoetry.com/lawrence-hall/
poeticdrivel.blogspot.com

                              What my Face Mask Signifies

     A reflection on an excellent essay by Rebecca Tuhus-Dubrow


My face mask signifies nothing at all
It is only a matter of good hygiene
Like washing my hands and brushing my teeth
And eating a balanced, nutritious diet

My mask is not an ideology
No more than my eyeglasses, hairbrush, or shoes
It is not a statement; it is paper on a string -
I simply want all of us to be safe and well

If you must find significance to construe -
Construe that my mask is to honor you
The American Scholar: What Masks Signify - Rebecca Tuhus-Dubrow

COVID death toll higher this year than last - New York Daily News (nydailynews.com)
Does every moment of pleasure,
Have to be reduced an equal amount of pain?
One can be lulled into this false notion
If they choose

Nature dictates no!
Pleasure exists as a reward
While pain signifies damage

I prefer
Seeking the elusive happy medium
A true balance

An unquantifiable flux,
Never equaling the same value
From one moment in time
To the next

Inner peace
Like a circle
It never ends

— The End —