Submit your work, meet writers and drop the ads. Become a member
IV. TO HERMES (582 lines)

(ll. 1-29) Muse, sing of Hermes, the son of Zeus and Maia, lord
of Cyllene and Arcadia rich in flocks, the luck-bringing
messenger of the immortals whom Maia bare, the rich-tressed
nymph, when she was joined in love with Zeus, -- a shy goddess,
for she avoided the company of the blessed gods, and lived within
a deep, shady cave.  There the son of Cronos used to lie with the
rich-tressed nymph, unseen by deathless gods and mortal men, at
dead of night while sweet sleep should hold white-armed Hera
fast.  And when the purpose of great Zeus was fixed in heaven,
she was delivered and a notable thing was come to pass.  For then
she bare a son, of many shifts, blandly cunning, a robber, a
cattle driver, a bringer of dreams, a watcher by night, a thief
at the gates, one who was soon to show forth wonderful deeds
among the deathless gods.  Born with the dawning, at mid-day he
played on the lyre, and in the evening he stole the cattle of
far-shooting Apollo on the fourth day of the month; for on that
day queenly Maia bare him.  So soon as he had leaped from his
mother's heavenly womb, he lay not long waiting in his holy
cradle, but he sprang up and sought the oxen of Apollo.  But as
he stepped over the threshold of the high-roofed cave, he found a
tortoise there and gained endless delight.  For it was Hermes who
first made the tortoise a singer.  The creature fell in his way
at the courtyard gate, where it was feeding on the rich grass
before the dwelling, waddling along.  When be saw it, the luck-
bringing son of Zeus laughed and said:

(ll. 30-38) 'An omen of great luck for me so soon!  I do not
slight it.  Hail, comrade of the feast, lovely in shape, sounding
at the dance!  With joy I meet you!  Where got you that rich gaud
for covering, that spangled shell -- a tortoise living in the
mountains?  But I will take and carry you within: you shall help
me and I will do you no disgrace, though first of all you must
profit me.  It is better to be at home: harm may come out of
doors.  Living, you shall be a spell against mischievous
witchcraft (13); but if you die, then you shall make sweetest
song.

(ll. 39-61) Thus speaking, he took up the tortoise in both hands
and went back into the house carrying his charming toy.  Then he
cut off its limbs and scooped out the marrow of the mountain-
tortoise with a scoop of grey iron.  As a swift thought darts
through the heart of a man when thronging cares haunt him, or as
bright glances flash from the eye, so glorious Hermes planned
both thought and deed at once.  He cut stalks of reed to measure
and fixed them, fastening their ends across the back and through
the shell of the tortoise, and then stretched ox hide all over it
by his skill.  Also he put in the horns and fitted a cross-piece
upon the two of them, and stretched seven strings of sheep-gut.
But when he had made it he proved each string in turn with the
key, as he held the lovely thing.  At the touch of his hand it
sounded marvellously; and, as he tried it, the god sang sweet
random snatches, even as youths bandy taunts at festivals.  He
sang of Zeus the son of Cronos and neat-shod Maia, the converse
which they had before in the comradeship of love, telling all the
glorious tale of his own begetting.  He celebrated, too, the
handmaids of the nymph, and her bright home, and the tripods all
about the house, and the abundant cauldrons.

(ll. 62-67) But while he was singing of all these, his heart was
bent on other matters.  And he took the hollow lyre and laid it
in his sacred cradle, and sprang from the sweet-smelling hall to
a watch-place, pondering sheet trickery in his heart -- deeds
such as knavish folk pursue in the dark night-time; for he longed
to taste flesh.

(ll. 68-86) The Sun was going down beneath the earth towards
Ocean with his horses and chariot when Hermes came hurrying to
the shadowy mountains of Pieria, where the divine cattle of the
blessed gods had their steads and grazed the pleasant, unmown
meadows.  Of these the Son of Maia, the sharp-eyed slayer of
Argus then cut off from the herd fifty loud-lowing kine, and
drove them straggling-wise across a sandy place, turning their
hoof-prints aside.  Also, he bethought him of a crafty ruse and
reversed the marks of their hoofs, making the front behind and
the hind before, while he himself walked the other way (14).
Then he wove sandals with wicker-work by the sand of the sea,
wonderful things, unthought of, unimagined; for he mixed together
tamarisk and myrtle-twigs, fastening together an armful of their
fresh, young wood, and tied them, leaves and all securely under
his feet as light sandals.  The brushwood the glorious Slayer of
Argus plucked in Pieria as he was preparing for his journey,
making shift (15) as one making haste for a long journey.

(ll. 87-89) But an old man tilling his flowering vineyard saw him
as he was hurrying down the plain through grassy Onchestus.  So
the Son of Maia began and said to him:

(ll. 90-93) 'Old man, digging about your vines with bowed
shoulders, surely you shall have much wine when all these bear
fruit, if you obey me and strictly remember not to have seen what
you have seen, and not to have heard what you have heard, and to
keep silent when nothing of your own is harmed.'

(ll. 94-114) When he had said this much, he hurried the strong
cattle on together: through many shadowy mountains and echoing
gorges and flowery plains glorious Hermes drove them.  And now
the divine night, his dark ally, was mostly passed, and dawn that
sets folk to work was quickly coming on, while bright Selene,
daughter of the lord Pallas, Megamedes' son, had just climbed her
watch-post, when the strong Son of Zeus drove the wide-browed
cattle of Phoebus Apollo to the river Alpheus.  And they came
unwearied to the high-roofed byres and the drinking-troughs that
were before the noble meadow.  Then, after he had well-fed the
loud-bellowing cattle with fodder and driven them into the byre,
close-packed and chewing lotus and began to seek the art of fire.

He chose a stout laurel branch and trimmed it with the knife....
((LACUNA)) (16)
....held firmly in his hand: and the hot smoke rose up.  For it
was Hermes who first invented fire-sticks and fire.  Next he took
many dried sticks and piled them thick and plenty in a sunken
trench: and flame began to glow, spreading afar the blast of
fierce-burning fire.

(ll. 115-137) And while the strength of glorious Hephaestus was
beginning to kindle the fire, he dragged out two lowing, horned
cows close to the fire; for great strength was with him.  He
threw them both panting upon their backs on the ground, and
rolled them on their sides, bending their necks over (17), and
pierced their vital chord.  Then he went on from task to task:
first he cut up the rich, fatted meat, and pierced it with wooden
spits, and roasted flesh and the honourable chine and the paunch
full of dark blood all together.  He laid them there upon the
ground, and spread out the hides on a rugged rock: and so they
are still there many ages afterwards, a long, long time after all
this, and are continually (18).  Next glad-hearted Hermes dragged
the rich meats he had prepared and put them on a smooth, flat
stone, and divided them into twelve portions distributed by lot,
making each portion wholly honourable.  Then glorious Hermes
longed for the sacrificial meat, for the sweet savour wearied
him, god though he was; nevertheless his proud heart was not
prevailed upon to devour the flesh, although he greatly desired
(19).  But he put away the fat and all the flesh in the high-
roofed byre, placing them high up to be a token of his youthful
theft.  And after that he gathered dry sticks and utterly
destroyed with fire all the hoofs and all the heads.

(ll. 138-154) And when the god had duly finished all, he threw
his sandals into deep-eddying Alpheus, and quenched the embers,
covering the black ashes with sand, and so spent the night while
Selene's soft light shone down.  Then the god went straight back
again at dawn to the bright crests of Cyllene, and no one met him
on the long journey either of the blessed gods or mortal men, nor
did any dog bark.  And luck-bringing Hermes, the son of Zeus,
passed edgeways through the key-hole of the hall like the autumn
breeze, even as mist: straight through the cave he went and came
to the rich inner chamber, walking softly, and making no noise as
one might upon the floor.  Then glorious Hermes went hurriedly to
his cradle, wrapping his swaddling clothes about his shoulders as
though he were a feeble babe, and lay playing with the covering
about his knees; but at his left hand he kept close his sweet
lyre.

(ll. 155-161) But the god did not pass unseen by the goddess his
mother; but she said to him: 'How now, you rogue!  Whence come
you back so at night-time, you that wear shamelessness as a
garment?  And now I surely believe the son of Leto will soon have
you forth out of doors with unbreakable cords about your ribs, or
you will live a rogue's life in the glens robbing by whiles.  Go
to, then; your father got you to be a great worry to mortal men
and deathless gods.'

(ll. 162-181) Then Hermes answered her with crafty words:
'Mother, why do you seek to frighten me like a feeble child whose
heart knows few words of blame, a fearful babe that fears its
mother's scolding?  Nay, but I will try whatever plan is best,
and so feed myself and you continually.  We will not be content
to remain here, as you bid, alone of all the gods unfee'd with
offerings and prayers.  Better to live in fellowship with the
deathless gods continually, rich, wealthy, and enjoying stories
of grain, than to sit always in a gloomy cave: and, as regards
honour, I too will enter upon the rite that Apollo has.  If my
father will not give it to me, I will seek -- and I am able -- to
be a prince of robbers.  And if Leto's most glorious son shall
seek me out, I think another and a greater loss will befall him.
For I will go to Pytho to break into his great house, and will
plunder therefrom splendid tripods, and cauldrons, and gold, and
plenty of bright iron, and much apparel; and you shall see it if
you will.'

(ll. 182-189) With such words they spoke together, the son of
Zeus who holds the aegis, and the lady Maia.  Now Eros the early
born was rising from deep-flowing Ocean, bringing light to men,
when Apollo, as he went, came to Onchestus, the lovely grove and
sacred place of the loud-roaring Holder of the Earth.  There he
found an old man grazing his beast along the pathway from his
court-yard fence, and the all-glorious Son of Leto began and said
to him.

(ll. 190-200) 'Old man, weeder (20) of grassy Onchestus, I am
come here from Pieria seeking cattle, cows all of them, all with
curving horns, from my herd.  The black bull was grazing alone
away from the rest, but fierce-eyed hounds followed the cows,
four of them, all of one mind, like men.  These were left behind,
the dogs and the bull -- which is great marvel; but the cows
strayed out of the soft meadow, away from the pasture when the
sun was just going down.  Now tell me this, old man born long
ago: have you seen one passing along behind those cows?'

(ll. 201-211) Then the old man answered him and said: 'My son, it
is hard to tell all that one's eyes see; for many wayfarers pass
to and fro this way, some bent on much evil, and some on good: it
is difficult to know each one.  However, I was digging about my
plot of vineyard all day long until the sun went down, and I
thought, good sir, but I do not know for certain, that I marked a
child, whoever the child was, that followed long-horned cattle --
an infant who had a staff and kept walking from side to side: he
was driving them backwards way, with their heads toward him.'

(ll. 212-218) So said the old man.  And when Apollo heard this
report, he went yet more quickly on his way, and presently,
seeing a long-winged bird, he knew at once by that omen that
thief was the child of Zeus the son of Cronos.  So the lord
Apollo, son of Zeus, hurried on to goodly Pylos seeking his
shambling oxen, and he had his broad shoulders covered with a
dark cloud.  But when the Far-Shooter perceived the tracks, he
cried:

(ll. 219-226) 'Oh, oh!  Truly this is a great marvel that my eyes
behold!  These are indeed the tracks of straight-horned oxen, but
they are turned backwards towards the flowery meadow.  But these
others are not the footprints of man or woman or grey wolves or
bears or lions, nor do I think they are the tracks of a rough-
maned Centaur -- whoever it be that with swift feet makes such
monstrous footprints; wonderful are the tracks on this side of
the way, but yet more wonderfully are those on that.'

(ll. 227-234) When he had so said, the lord Apollo, the Son of
Zeus hastened on and came to the forest-clad mountain of Cyllene
and the deep-shadowed cave in the rock where the divine nymph
brought forth the child of Zeus who is the son of Cronos.  A
sweet odour spread over the lovely hill, and many thin-shanked
sheep were grazing on the grass.  Then far-shooting Apollo
himself stepped down in haste over the stone threshold into the
dusky cave.

(ll. 235-253) Now when the Son of Zeus and Maia saw Apollo in a
rage about his cattle, he snuggled down in his fragrant
swaddling-clothes; and as wood-ash covers over the deep embers of
tree-stumps, so Hermes cuddled himself up when he saw the Far-
Shooter.  He squeezed head and hands and feet together in a small
space, like a new born child seeking sweet sleep, though in truth
he was wide awake, and he kept his lyre under his armpit.  But
the Son of Leto was aware and failed not to perceive the
beautiful mountain-nymph and her dear son, albeit a little child
and swathed so craftily.  He peered in ever corner of the great
dwelling and, taking a bright key, he opened three closets full
of nectar and lovely ambrosia.  And much gold and silver was
stored in them, and many garments of the nymph, some purple and
some silvery white, such as are kept in the sacred houses of the
blessed gods.  Then, after the Son of Leto had searched out the
recesses of the great house, he spake to glorious Hermes:

(ll. 254-259) 'Child, lying in the cradle, make haste and tell me
of my cattle, or we two will soon fall out angrily.  For I will
take and cast you into dusty Tartarus and awful hopeless
darkness, and neither your mother nor your father shall free you
or bring you up again to the light, but you will wander under the
earth and be the leader amongst little folk.' (21)

(ll. 260-277) Then Hermes answered him with crafty words: 'Son of
Leto, what harsh words are these you have spoken?  And is it
cattle of the field you are come here to seek?  I have not seen
them: I have not heard of them: no one has told me of them.  I
cannot give news of them, nor win the reward for news.  Am I like
a cattle-liter, a stalwart person?  This is no task for me:
rather I care for other things: I care for sleep, and milk of my
mother's breast, and wrappings round my shoulders, and warm
baths.  Let no one hear the cause of this dispute; for this would
be a great marvel indeed among the deathless gods, that a child
newly born should pass in through the forepart of the house with
cattle of the field: herein you speak extravagantly.  I was born
yesterday, and my feet are soft and the ground beneath is rough;
nevertheless, if you will have it so, I will swear a great oath
by my father's head and vow that neither am I guilty myself,
neither have I seen any other who stole your cows -- whatever
cows may be; for I
Chapter XXI
Hegira to Patmos

They dropped their moorings from Cala Cogone early, when the tide seemed to be separated from the waters like a head distanced from its body. On a lavish and romantic day they went to Genoa, to continue the logistics of the trip to Piacenza. During the trip Etréstles was stretched out in the bow under a Sun that seemed to be fearsome as it was a digestive task that would make him ingest his own dream, which perhaps he aspired to be more than a journey. While he slept, at the helm Etréstles dressed in a black robe and the comrades also sleeping with dreams that they painted with sign gestures on their faces.

Dream of Etréstles: "With the memory off-center ..., I was still in Izzana, dancing by the clouds on gray tulles of the layers of the sky that tried to stop being a Kingdom without a Crown and Sword". They glimpsed the stones melting and turning into gauze juxtaposed to the aerosolites that unfolded from the Sorcery, landing on the hands and heads of Vernarth and Himself. As he continued his dreamy journey, he dialogued with the auxiliary legate of his own dream. “He tells her that he sees them beyond where their liturgies collide. They cross eroding the vanished and itinerant reason”. He gets up and takes the moorings of the ship and ties them to his neck. Then everyone cooperates to walk along the edge of the ship, which all moved barefoot. This is how I would wake up!

Vernarth tries to wake him up, shakes him, but doesn't wake up. And when he tried to avoid him from sleep, he saw that he had the moorings around his neck, along with two Unicorns who were escorting him and were looking towards infinity, auspicious that Genoa was already coming in front of their horns. The others began to wake up and ate reclining, almost as if without any desire to get up from the deck full of self-sliding linen, which allowed everyone to pass their own meals, including those that were semi-consumed rolling on the deck. Etréstles,  transferred the dream to Vernarth, once he went to his bedroom to rest before they touched the roadstead at the foot of the homonymous promontory, 36 km from Genoa.  Portofino, close to the hydro form of the Portofino Regional Natural Park.  Being able to find different entrance doors through S. Rocco, Portofino Vetta and Nozaregoino  that led you to paths with different levels of accessibility and landscape. On the route of the path that traveled from Northwest to Southwest on the same promontory, he received the full beauty of the Mediterranean vegetation, with its beautiful pines, bluish and clean waters of the Mediterranean, which filled his lungs and especially his stem, which silenced of peace to those who accompany you through this interesting and beautiful Natural Park with deep blue eyes.
Vernarth is wrapped with two layers of linen and stands in between eclipsing each of the Unicorns. They pass her horn through her pectoral, as if wanting to insinuate affection. But her propitiated gesture was to crown her with the Power of her phalanx, the impetus in Gaugamela, an Onyx Crown, to lighten the burden of sleep and wake up before reaching the shores of Genoa.
Calling in Genoa, they all descend in a separate part and say goodbye from afar, gesturing with their hands. Their ramblings revealed multi-level radiographs of the resolved aura that invited them to an enclave hostel, to re-enter the world of their daily chores. The Unicorns who would return back to Sardinia stayed on the ship that was in the blue bay. They positioned themselves at the bow one and at the stern the other, to lighten the sails and return to Izzana.

Vernarth and Etréstles walked with their bags, letting go of their feet towards La Via ** Settembre, they travel in an east-west direction, next to Corso Italia, the promenade that runs along the promenade, which is one of the favorite places to reform the destination of Piacenza. From this road they moved near the adjacent carriage station to the Caruggio neighborhood in Sottoripa. Here they entered an inn to eat and drink liqueurs made from natural herbal recipes and sweet citrus, some fish with bread, sauce and Genovés sourdough. to satisfy their hunger.
They had dinner and opened the exit to the terminal. Before, they went to the Ponte Monumentale where the church dedicated to Santa Rita is, called Iglesia de la Consolación, whose entrance, at the level of the old streets, is slightly lower than the current street. They pass a porch and enter. "Almost like a grand cloister sensation they perceived during their stay, as if centuries had passed, but which never ended in the wanderings of any secular period. It was the impression once entered and soaked on this road, which still remains active. From this original cloister, the invocation of images on the sides placed towards the church towards Via ** Settembre, as well as the closed portal in the market access plaza on Via Galata, recur, while the other two sides are they completed attractions to admire when the eastern market in Genoa appeared before them ”.

When they entered, the masks were passed over the bones of their faces, indulgent towards both faces of the visitors, under a freshness of gravitational atmospheric fragrance, perhaps from the connected baptismal font or the lateral nave or the three naves separated by square pillars illuminating them. This is where Vernarth places his right hand on his forehead and his mouth, as a sign of catechesis detached from The Vault, the central nave and the counter-facade that were painted in fresco in 1874 by Giuseppe Isola, after reading about the intertextual verifying thus Vernarth. (Visioni dell'Apocalisse, Gloria di Nostra Signora della Consolazione and Giuditta rientra trionfante in Betulia), while Etréstles frenziedly admitted the frescoes through the side aisles that are the work of Giovanni Quinzio at an angle close to him. Observing everything, he was already indoctrinating to reprint new vigor to enter Piacenza triumphantly and head to the Region of Patmos. Giuseppe Isola's fresco was the great motive that struck his reason for being where he was to continue the threads upon threads of his lineage as the great Commander of the troops of Gaugamela and his Phalanges. Here is the church in its first tune with the duty of limitlessness before its steps to dominions that will make it recover their powers, from where they were first seen dressing in the clothes of an innocent child.


In the apse, there was the choir singing baroque pieces, and followed by elaborate wooden stalls from the 17th century. In the Altars on the left, on the Fifth Altar, Etréstles, captures a simultaneous vision. From that moment when it was the disappearance of this Santa Maria della Pace church, which could have been one structure on top of the other, perhaps in ruins but if the columns could go further from where their originals are born. Until then both had separated from each other, and they would meet again here in the apse, where they never lose sight of each other again, to turn towards the exit that required them to leave the sacred precinct. In the terminal, a grayish float awaited them, with silver trim on the edges of the structure, at the top of the front roof it said "Where you must never go and be". It was just the transport of an allegorical float. They were theatrical traveling artists, who had places available for travelers to Piacenza. The one that they just approached to move to the home, where they had to register at their own will and rejoin this excellent session "Parapsychological Regression".The Trebbia valley, a few kilometers from Piacenza. Vernarth noted that a shaft of the chariot made a strange sound. To which he notified the driver, telling him what he caught on the rear axle of the carriage. They go down to inspect all; not being able to detect anything that it would suppose would be an anomaly of filming of the instrumental east. Etréstles sees that some steeds were grazing on some meadows and he tells them all. Vernarth warns him and immediately heads to them. It reaches only a sorrel that was running its tongue over its hoof. The others flee. Vernarth approaches, and notices that he had a wound in his left hoof, noticing that in the center there was a strip of Green color, He takes his leg, and examines it. He takes out his dagger and begins to remove the stake that was inserted into his damaged leg. The others were gone, restarting the trip to Piacenza. Etréstles managed to climb a steed, and followed him - The float remained without them supposedly to arrive safely at Piacenza. But at 5 km, before reaching the city they are struck by a lightning bolt from a sudden storm. What misdirects his route - the passengers were left intact, only fatally suffered the loss of the driver. (It was verified by Vernarth when he arrived at his home in Piacenza).   As  Vernarth rode fast in the storm, trying to catch up with the carriage. Stress them towards the same to reach their brother. They rode propagating the pastures that passed near the forests of Val Trebbia. When the storm intensified instantly, it was wise to take refuge and wait for the flood to decrease. They were always close to each other. Etréstles about 18 km from Vernarth, they did not know it, but the horses sensed each other. They already distinguished, that they were close to each other, but it was necessary to take care of the horse, and have to check its hoof again. He checks it and notices that it had a green stripe in the four parts, like a pigment already placed concentrically in the middle of each hoof.


Ellipses Gaugamela - Final War
Vernarth bids farewells farewell. Once the Achaemenides are surrendered, he prepares to review them. Walk with Alikanto across the ****** plain. Reviewing his five hundred dead and three thousand wounded, he goes to recirculate in the footsteps of the attack, manages to see lead as a sentinel gathered wounded horses, but not serious. He approaches him and says Khaire; asking what unit they came from. He tells them of the Hosts of the command of Hefestion. The sentinel tells him, that he was enraptured by the fact before his eyes to see that all the horses of the line of Hefestion, Alexander the Great and Vernarth, to fascinate him that they had a green stripe on his left hoof. Wedge riders are formed, lining up the stable, towards the court of the guards and Macedonian monarchs. She dismounts from Alikanto and checks the chestnut trees, managing to insinuate that it could be Medea's ploy of the smiling charm towards her Hetairoi dancers, whose elite had bracelets on each leg on each chestnut. Also with the offensive weapon, they acted as the Macedonian's personal guard. Vernarth recalled that, before starting the offensive, with his blessed Xifos he inflicted light wounds on the left foot of his Phalanges in the act of "overtaking them before being stained by the enemy"

Vernarth says: Here is the cavalry that has received so much praise for «hammer» in the strategies, because it crushed the enemy units retained by the «anvil» or the «phalanx» that I had to command and lead the charge, intoning the riders. And even more the circumcisions that he gave them before entering combat. With the Hetairoi I was organizing squadrons of 200 to 300 soldiers, while they were checking the chestnut trees. In the campaign, they would ride the best horses, ******* or on the blanket, they were awarded the best weapons available. Each carried his long throwing spear Xyston, accompanied by a Kopis sword, for hand-to-hand combat, which in the interlude would defend his flax and bronze breastplate, with respective protective armbands and helmet, before lightly tackling his aggression . The horses were also partially protected, but not their hooves! I gave them the final instruction by decree to take them to the altarpieces and attend to them, so that they check their left hoof.Thus giving signs of great concern about the green stripe on each of its left hooves. Sentinel Hetairoi, with some of his servants, gather the animals and transport them where they have been ordered to tend and examine them. As the designs collapse over the night in gloomy litanies, Medea bursts into a great green outfit saying:

Medea: Vernarth, rancid are on my memory the potions and designs of those who want to talk about me or offer me in their lust.Where the zeal of anxiety deceives the wishful arms that welcome the victorious pleasure. Hooves are my skeptics and famous decisions, because I am weak in will but not in character. Green is the pouring of my converted powers into the veins of the horses. They were carriers in their eloquent ferocity. Instead of blood, I had sap from the magic vessels that I transferred to them so as not to doubt the doubts. Their object is that a green band was encased in their hooves as a sign of the Hipnos promontory through their Son Clovis, to plunge all the forests of the raging underworld, towards the heart of each "Valiant Hetairoi".


Outside ellipsis / near Piacenza
Vernarth and Etréstles in a post-storm clearing, a soft breeze greets them and they meet again, they greet Khaire! And together they reroute to the empty pastures, which would gradually begin to venture them through the farthest forests of the Val Trebbia. On some brown plains with poor colors that visited him falling as they faded on his mirage. From this unusual crossroads they will supremely perceive the closeness of Piacenza in their breathing.
Now they are in the vicinity of the Cimitero de Piaceza. Then they will have to go home on the Via Giovanni Codagnello, on the calendar of January 2020. The Parapsychological Regression continues.


Piacenza Cemetery, January 20, 2020
Vernarth and Etréstles entered the necropolis long before sunset. They were carrying a cake to celebrate Vernarth's birthday. Night Patrol joined the visit. In particular, they followed a night watch service that was active, trusting their guide Piacenza or the surrounding area, with 3 internal night patrol passages 365 days a year, for the rest of lives beyond all material life, perhaps turned into marble statues.
They hired a special service dedicated to the approved service for 2 people .; They were active during the caretaker's office opening hours (the same opening hours as the cemetery). With this service they overcame difficulties to walk after so much traveling. They leave the green-hoofed horses, now turned into statues. They request authorization from the entrance cemetery offices, to honor their belonging and to please those who visit them on their behalf. In Genoa, after having passed through the exterior without entering, they were ecstatic with the Staglieno Cemetery in Genoa (the most monumental in Italy).But if they enter the Piacenza, where the sanitary monumentality passed through the real function of such an enclosure in the contingency. It was commented by the neighboring offices that the migration of corpses from Bergamos were moved to Modena, Acqui Terme, Domodossola, Parma, Piacenza to carry out the respective ceremonies. Due to the great Viral Pandemic that decimated a great majority of Italian citizens in these areas. Vernarth became aware of the current reality, saw how a gravedigger conversed with the crowds, there was a nurse, a doctor and a prodigal man who concentrated on uploading moods to those who were there, almost like a caster, to relieve them of this transitory despite humanity.
They continue past the pyramidal pines, to the central pavilion. They sit on the edge of some flagstones, and take the cake to celebrate their birthday. They sing a hymn and they both enjoy it lovingly. Etréstles saw that he had a little cream left on his nose and cheekbone, running his hand to remove it. In the instant, the guard calls them; it was time to go because it was time to close the compound. They say goodbye with a monumental hug paying tribute to their brother!


Etréstles says: Honors Vernarth, for your immeasurable Valor! It is a great contribution that we divide our work and commitments. From here I go to the Messolonghi Cemetery. I will only wait for the crescent moon to meet the Charioteer, then leave with him and my beloved Drestnia. My Xifos Sword in my right hand and the head that I cut off in my left hand, in Gaugamela before that rugged fate! Khaire, My honors Commander Etréstles!. It remains in the shadow of some pyramidal pine trees of this sublime night, and then they distance themselves. Vernarth leaves the compound heading towards his house relatively close to the cemetery, on the Via Giovanni Codagnello.


Final session in Vía Codagnello, Piacenza:
Vernarth enters opens the door and everyone is waiting for him. Huge groups of friends, work colleagues, family, their pets, and especially the Parapsychologist, who had commanded this whole great session. They all approach her and in the instant, Vernarth awakes abruptly from the parapsychological session. They stabilize it and check your vital signs. There were many days of this odyssey. His awakening was mediatic, since they were attentive to him to question him and confess everything, but he was clear that his purpose would lead him to the confines of Patmos along with Raeder and Petrobus. It remained only to wait for the tenuity of a simple immortal warrior to assist in the services of John the Evangelist. The parapsychologist says you have to wake up, you can no longer be AND stay here in this temporary tube!
Once he has refused to wake up, he takes the itinerary to return to Macedonia. The visibly worn and stunned parapsychologist demands that he give up and obey his command. The effort was unproductive, only letting himself be carried by the grip of his right hand, taking his other with great vigor to remove it from shamelessness, from whom he does not suppress his pride to who still remains wounded by the swords that bleed his soul in Gaugamela. "Everyone is amazed and resigned !, pointing out that he must have always been in the surroundings of his beloved Macedonia, cutting the bursts of succulent insolence on the same temperate cliffs, where some variation of the sounds of the wind would make him saddle his Alikanto to acclaim the gods who came looking for him ”

Vernarth is engulfed in ambivalence, almost celebrating his birthday and waking up from his parapsychological journey. Both will take place, but the session will continue irrevocably. After a few days close to the first day of the crescent moon, he greeted him from a privileged place on his house Etréstles de Kalavrita who was with the Charioteer in his car and Drestnia, they went in that masterful car to join the chores of the Koumetrium Messolonghi (Editorial Palibrio - USA) .So returning to Messolonghi, to meet his disciples and essences of the foundation of his naturalness.


Hegira to Patmos
On a gray day in July 1820. Piacenza slept under the ambush of the revolution, in Italy there was a situation similar to that of another European nation. Vernarth was preparing his last details with the parapsychologist, to undertake his Hegira to Patmos, since he was a revolutionary and this was of great motivation to emigrate from this constant stage of Wars and sociopolitical processes. Manage to be a participant in this revolt in the Piedmont area. Its ideological axes were liberalism and nationalism. Given that the most affected countries were those of southern Europe (episodes from other areas, such as Germany or France, were much less important), with Spain as epicenter of a movement that extended to Italy and Portugal, and on the other hand Greece; It has been called the Mediterranean cycle as opposed to the Atlantic cycle that had preceded it in the previous generation (the first liberal revolutions or bourgeois revolutions, produced on both sides of the ocean: the Independence of the United States -1776- and the French Revolution -1789- ). As compromised great principalities of much of Europe were banned, it participates in great dissolution of collisions and invasions that involved it. In this way he would liberate his Homeland, especially his province of Piacenza.

Although the "Kingdom of Italy" as such did not exist, there were two great kingdoms that participated in the Revolutions of 1820: the Kingdom of Naples and the Kingdom of Piedmont. However, most of the revolutionary movements were driven by secret societies, such as coal. The Kingdom of Piedmont was also one of the most affected, since it was at the epicenter of Italian nationalism. It was controlled by Víctor Manuel I, member of the House of Savoy and defender of the Old Regime. The monarch had only been on the throne for 6 years, since he returned to Turin in 1814 due to the defeat of Napoleon. Since his return, various factions within the country advocated for a unification of all the Italian kingdoms. The unstable situation of its neighbor, the Kingdom of Naples, caused the carbonarians within Piedmont to revolt in March 1821.

Conclusive Hegira ellipsis to Patmos:
After this great conflict, he orders his parapsychologist to resume his final session in Patmos; he begins the procedure for the era that he had to trespass anachronistically, returning to the era of the Macedonian Empire. The parapsychologist asks him time, place, dates, clothing, customs, and manages to meet his request. He enters the portal, and in the backwaters of Messolonghi he meets Raeder and Petrobus. They were close to this heroic land, Messolonghi in the Gulf of Patras, the capital of Aetolia-Acarnania. Nothing less than in the land of his Brother Etréstles "Koumeterium Messolonghi".


"They all approach the vicinity, pray three times to heaven, and manage to be abducted to the underworld of Messolonghi. When they were snooping through the catacombs, they make out the surroundings of a luminous vault, thus distinguishing a woman passing by with others. It was the beautiful nymph Eurydice inaugurating The Constitution of a new Government”.
Eurydice and the gravediggers worked for the new government to be instituted. They were reviewing the last ground plans that converged on the tenth cemetery.
Eurydice ...: with the absence of Etréstles and Drestnia we will make her awakening continue, whose awakening phase closely relates to her wife.
Grave ...: Where do we start?
Eurydice ...: by the southwestern statue of Ashurbanipal, to pay tribute to Botsaris. Then, we will go up to receive the cordoned off tomb of Bramante and Ghiberti, so that the latter can advise us regarding the work to be erected.
They climb the northeast pavilion to the foundations of a mausoleum. They approach the slab of Ghiberti, who was loosening his fingers, sitting on the shore of a Pyramid-shaped cypress. Bramante vanished into the gray beams of light...

Ghiberti ...: I already know your mission. I am summoned to the Council on the day of the sailors' return. To start, they went to the mines to look for precious stones, stones to build Markos Botsaris.
Eurydice ...: Good! Well, in nine moons and nine suns they will return from the coasts of Morocco, the last docking point, so that they can then return. At the moment they are already warned.
Just back, there was a Lover with her right hand holding her chin.

Inamorada In Love ...: Five centuries ago I awaited my awakening, my lover promised to return ... with these verses...:
"I want to be different,
I want to take you my love...
and tell you that by missing you
there is no greater sadness than not seeing you ...
Forgive me for not coming back...
before my absence caused your death,
Wait for me ... I'm going to tell you ... how I miss you
Along with my immortality of feeling...!  How I miss you...!!

... He still tells me this, but from here, under the embankment of the cemetery I feel that he is far away and I can do nothing. Also, I have it in my memory and one day we will meet here. The Enamorada continues to sit and watch armies of soldiers being thrown into graves, their bodies severed. As she continues; ... there is more life here than on the surface, and the trenches replace the concave wombs, as vessels! As everything here lives, even the flowing and hallucinatory invocations are perceived from the Poets, Alchemists and Astronomers. They make the invisible go in a formidable adventure to the site of their magical hallucinations.
Eurydice ...: Stay on your stone, with your chiffon dress; here you will see the arrival of Etréstles. He will bring news from other lands to answer you. Now dispense if we delay, sadness will fall on the other beings who are being buried and transhumated. The Enamorada remained on the stone with her knees resting on her chest. Eurydice and her assistants went to their rooms. "
All this they manage to witness, and then go in search of Etréstles on the same tenth cemetery floor. Raeder and Petrobus were laughing and at the same time they were impressed, as if wanting to remember him when they have to leave directly from Messolonghi to Patmos, towards the Dodecanese region. In the meantime Vernarth was searching for his brother in all the nearby areas of the catacombs flashing penetrating light, unable to find him. He arrives at the ninth cemetery and is fascinated by a feminine image that would seem like a phantasmagorical chimera ..., it was Drestnia moistening some ferns on some crypts making gestures to see them already grown, even if they had just been planted...!

They approach her intimacy and ask her greetings, Drestnia answers them abstractedly that Etréstles traveled to Patmos to applaud the maiden ceremonies that would be wed in the spring in the nearby meadows. Being able to settle in The Monastery of Zoodochos Pigi, and who later went to the hills of Castelli, as it has been known that everything has been celebrated on a hill that many hundreds of years ago has sheltered our historical fragrances in the unity of the ethereal until the present. Such ruins among some works as well as the Temple of Apollo that will continue to survive with its prevailing mystery not revealed.
Etréstles gives them their congratulations and wraps his arms around Drestnia. They evacuate the cemetery, remaining abstracted in the internal darkness of the catacombs with fewer lights than a feasible twilight of darkness, as if immediately leaving Etréstles to be with him in the spring, shedding light on herself taking them to the Castelli hills, which they would figure in the sweetened exaltation of the pollinations of the nymphs on the maternal and ****** maidens.

They go out and spread their impulses over the promontory of the Koumeterium of Messolonghi with Raeder and Petrobus on Raeder's shoulders. Vernarth invoked the north with her staff where Alikanto would appear with her hooves with greenish stripes.

Raeder says:  Let's go. On those warm currents to follow we will not unite you Vernarth. Smiling, the fantastic boy danced, forming figures that enlivened him to hold on to the legs of Petrobus. They both stared at Vernarth and raised high above the warm clouds. Beneath the Messolonghi miniature, she had Vernarth's sights on them; she was putting reins and her Hoplite tunic, to mount Alikanto. He looks around and makes a big sign to Raeder to follow him to where he was, they suspend themselves and manage to go back to the highest mass of misty airs that would take them against the clock towards Patmos to meet Saint John and Etréstles.
HEGIRA TO PATMOS  /  COPYRIGHT
O, but needst I to listen to t'ese wishes, benign as t'ey are, but wild and inevitable-yet inaudible as dreams. Burnt by sophisticated passion, and whirring hells of torpid astonishment as my being at t'is moment, but smooth and glowing tenderly with affection-as thy love still I long for, woven so secretly ye' neatly alongst th' tangled paths of my mind! Yes, and its layers-turbulent patches of skin, yellow skin, crafted passionately by whose Creator, and imbued with unconquerable infatuation just like 'tis now. But no breathing soul canst I bestow it on-this overarching destiny, healthy and red as t'ose garden plums-impatient in t'eir wait for the shiny May summer-aside from thee, as 'tis but always thee, Kozarev! Uninvited as I am, by any other'ness' t'at might as well enrich my love story, as enough I feel, about t'at unrelenting history! Thou art th' sole man, th' only justified heart whom I adoreth, and want, so selfishly, to marry! As ripe as t'eir lips might be-but stifling, and immature in constitution, thinkable only when juxtaposed merrily with t'ose squirming nymphets about yon schoolyard; corrupted not as a newborn fern-with thighs carefully fastened to greedy-looking material, basked in immaculate sunlight, and so fresh to human sight, when all t'ese circumstances art but chaste no more, but beg, beg our hearts, and implore our worrying souls, to stay.

O Kozarev! Startled wasth I, to enter into thy proceedings, yester! Like an imbecile now my whole countenance-and its entire, ****** constitution-ah, but depleted, harmfully depleted, by laughter. What a raft of cynical conflagration! How grimly sadistic, ye' poetic in some ways! And t'ese remarks, and praises of love-begin but to dwelleth upon me all over again. Distracted is my firmness-by thy invincible power, guileless as thou hath always been, seeming not to hath heard my volatile heartbeat; and how doth I uttereth t'ose chuckles to my own mirrors upon flinging back into my bedchamber whenst our exchanges areth over. But indignant art thou not to my reddish blushes-which, like t'ose thorns of morning roses-enliven my soul up from within, after t'eir bleak winter!-and blanch darkly all my griefs away. In a thousand years and I shalt still miss thee, just like t'is, but 'tis just now t'at futility seemeth no more capable of wooing my calamity-and indulge it so adversely t'at it shalt turn towards me! Yes, how thou hath, with holiness, touched and entrapped my amorous passion, my love! In t'ese dreams-flourishing dreams, just like th' greenish pond and its superficial foliage outside, I but walk by thy moonlight and be blessed in thy fascination. Mighty and balmy shalt be th' sky overhead, hanging aloft with its mild arrogance, smelling like roofs of restrained rain-musty and soaking with glittering reproof; and wan abomination. But pure! Purity is but its sanctity, and protected by miraculous heavens, dwindling about like whitewashed statues being shoved around by a deadly lagoon of children-unknowing of what tomorrow shalt baffle us on, with faces of steel-like jubilance. And th' trees! Tropical wands be t'eir refuge-but horrifying as t'eir remorse-ah, in which souls shalt be brought about whirls of contemptuous winds, enslaved and stupefied all th' time-by mounds and havens of gruesome cruelty. But no care doth I fix on yon mortification-as thou art t'ere with me, Kozarev! Strolls shalt we take-t'ose encompassed by purplish and cheerful verdure, who admire us from t'eir gold-like stems afar-and into each other's cleavages shalt we retreat, by th' means of stories-yes, my love, stories of glee, pleasure, and yet-uneasiness, in order t'at t'ey shalt be wounded away and superseded by joy. Our love, rings of love, t'at is to come as immediate as nature might permit, and shalt allow us to admit-as yester hath unfolded, by bracing my feet for bouncing outside, across t'ese carpeted tiles-into th' very vicinity of thy chamber. Ah, thy handsome face! As white as pearls-yet frail as th' bulbous chirping snow. May I console 'em, my love, by my hands proffered-in th' most honourable marriage I desireth to come? But look, look afar, how t'ose stars-in t'is merciless universe, whispereth to one another, and talk gaily between t'eir wicked souls, of plans on bewildering our love-our bonds of vivid, mature fragrant compliments! How t'eir jealousy is mockery, and a swelling threat to us. And th' moon t'at is combing the hair, again, of t'at vicious ethereal princess-with a snooty swish of anot'er black hair-which is but a sea of anguished torment to me, should she descend the steps of her own ***** maidenhood-and carry herself off into our earth. Hark, how she doth it! How heathen, and indecent! But canst thou hear that-Kozarev? Canst thou be knowing of her shamelessness-and her counterfeit jewels? And her claws, her foster claws-ah, sharp as bullets, and notorious as her own evil heart! Luxury t'at is fake, ye' miserably auspicious! How I loathe her! Boil doth my temper at her genteel sight-and hostile auras, with t'at pair of necklaces t'at wasth born from falsehood, and ah! concealed deceit by portraits of clever contentment. How should thou hath seen her lips twitch over and over again, upon her setting t'at blackening imbecile gaze on me-me, who albeit from th' same brethren, but far from her flawless marches and stately refinement. And a creature, just a minuscule part of th' others, t'at she deems unworthy ye' deserving of torture! Silver and gold is she exclusively acquainted with, whenst torches in my garden art not even set alight. But look! How thou proudly saunter forward to welcome her, and salute her unforgiving cordiality with th' marks of thy lips, on her hand! And how t'is view scythes my chest, my heart, and tears it open just like th' blade of a sneaky knife shalt do. I am dying, dying from t'is tampered heart! And t'ese candles of my heart t'at hath been heartlessly watered-look how t'ey art brimming with sweat in cold demise. O Kozarev! Hath I been too late to seek thy love? Thy hands, my faultless prince, art but th' only mercy I canst pray for! Hath nature been so unfair as to savour all my dreams, ah, and even t'is single longing-and bequeath onto me a tragic life of undesired ghostlike mimes-in th' wholeness of my future? Thou art th' lost charm of t'at wholeness, my love, and should be I bereft of thee again, I shalt but be robbed of my entirety-and pride, womanly pride t'at I sadly out'ta hath. Ah, Kozarev, in thy movements doth I find bliss-a creaking blow to my wood-like stillness, and a cure for my sickly contrivances. I came here for thee, and always didst! Canst thou hear t'at-and satisfy this fierce longing with just a second of thy soundless touch? Lights flicker, and smile in t'eir subsequent death-but t'is is a token of subservient passion. And I shalt not give up like 'em-as t'is life greets us once only, before transporting us into regions of th' unknown-yes, it doth, my love, wherein eerieness is still questioned and overtly unfathomed. Ah, and before death I long to have you-Kozarev, and sit as we shalt-side by side, charmed by our generous yet moronic affection, until th' earth doth make us part, and shalt then we retreat into our most dimmed apertures.

Thou art my blissful paradise, Kozarev! Thy presence but bringst out my well of solemn cheers and proud, sun-like congeniality. And in t'is warm, gentle spring I shalt write but merely on thy vivacity! O imagination-blame, and curse her as thou might do, is in fact, my key, to my newborn triumph and infallible victory; th' marks of glimmering satisfaction-and visible restoration of my sin, my soul. T'is is because I believe, strongly, with all th' forlorn might of my heart, t'at sincerity shalt forever tower over every tweak of malevolent innocence and repressed wishes for destruction. 'Tis, Kozarev, is th' voice emanating towards me from within; and bracing t'ese lips, and *****, for facing her-t'at accursed rival of mine, with bravery and independence I hath never been brought to acknowledge. Ah, petrified as my customs let me be, conviction shalt stay within my hands; and t'at shadow-o, picture of our old days together, on th' veranda-yes, decorated with lights of our love, spur me on. Thy love is born as, and devoted to mine, my love! Crafted, shaped, and designated for me only-and to be mine, only mine-for evermore. We art but a chain of perfect concord, as God hath so sweetly decreed! And I shalt doth nothing else as remarkable as determine to retrieve it-with all th' charms and intellect t'at I possess-and my words as sugar sweet, as well as th' leaves of grace and my becoming, comely wit.
Every year without knowing it I have passed the day
When the last fires will wave to me
And the silence will set out
Tireless traveler
Like the beam of a lightless star

Then I will no longer
Find myself in life as in a strange garment
Surprised at the earth
And the love of one woman
And the shamelessness of men
As today writing after three days of rain
Hearing the wren sing. and the falling cease
And bowing not knowing to what
****** means "sheath".
Oh, how tiresomely sexist,
this utility.

"****" is a sharp word,
but it will only ***** you
if you so insist.

And "*******" means
"to stand in for the Goddess" --
both Mother and *****.

Fertility cults
of Babylon hailed Ishtar,
the young Sophia.

In Sumerian times
they did call Her Inanna,
who shed Her jewels.

Solomon the Wise
did wed Her in his temple,
and wrote Her a Song.

At Her temple gates
await the harlots, smiling:
yours for but a coin.

Sacred silver thrown,
a rite of passage. Some wait.
Some wait longer still.

Wisdom works through them.
The hierodules of Heaven
beckon, honeysweet.

"Come to the temple,
let us dance the timeless dance,
my Lord Dumuzi!"

Rosy cheeks and lips,
shamelessness in Her power.
Passion at its peak.

Too **** for words.
Men feared Her and wrought cages,
misdirected blame.

Mary, the chaste one,
is an abomination.
Half, and the lesser.

A neutered Mother
with a ****** for swords,
a scabbard for men.

The Grail was stolen
from between Her holy thighs.
Paul was such a ****.

A **** who feared Her,
Mystery of Death and Blood.
Much more than a sheath.
**** is a power word. Take it back! I support ***-positivity.
Zywa Jun 2022
Being silent was best
Ham is strong and he threatened me
with a fatal accident
Then there was a child

Oh, my dear husband
the tireless
naturalist of the fermented juice
of sweet grapes

His old age has been tarnished
by that made-up anecdote
which hid the rapes
under a moment of shamelessness

But the punishment betrays it
anyway, the eternal curse
from the first scream
of the baby, innocent

Canaan, my youngest son
His generations to generation
subjugated and squeezed to death
in the purple lowlands
Book of Jubilees 4:33
Genesis 9:22
Canaan = "low" (lands) / "subjugated" (land) / (land of) "purple"

Collection "From Sacred Scriptures [1]"
The Dedpoet Nov 2015
So Im alive,
But I died a little inside.
Because I am dead
And now alive and reborn
Into a thousand words never written,
I will become no one again.
Did you metaphorically cry?
Sad as thinking how well
You truly knew me?

" But we were poets!"

And so you live and die by the
Stroke of the passionate lie
That are the words that well
Up inside like a brutal indignity,
Outraged at my shamelessness
Did I ever truly puncture your heart?
I am Ded inside,
And I dont know you,
But I just love your poetry!

So we sever the ties from reality
And divorce the facts
In a hopeful serenade to the deaf,
See how I magnify the ignorance
With brazeness?
Such splendid grandoisity!
And a poem is just a word,
There is no poem without action.
I am me,
No metaphor needed,
Just who the hell do you think
You are?
Xander Duncan Jul 2014
(This is a group poetry slam. The bolded lines are said in unison. I was in charge of the "yellow" sections)

A technicolor finish tainting paint on hate drenched signs
Alex: picketing picking away bits of lips, slicing silence into arms and hips
rainbows were not always so black and blue
Brigitte: yanked from the sky by a brood of vipers, dragged through mud and fire, pummeled until we see double.
Nicole: Poison placed on children’s tongues, “******” never tasted as sour as when describing
Audrey: translucent half circles shamed into not showing their true colors
Allie: We hide the private parts of ourselves, but what if our sheer existence clouds some sets of eyes with rage?
Even the speed of light can’t escape lids clenched tight like fists.  

Red
Brigitte: First crush is a hot sweat and perpetual throat lump
Molten shame gurgling beneath the tender flesh of your candy apple cheeks
Stains memory like spilled red wine
She was intoxicating
Red flecked rosacea readily recalls
Her name a cherry aftertaste, berry sweet yet crimson thirsty
red is the color of metamorphosis. of hormones misbehaving. of flushed ******* and a wish dancing on another girl’s lips.
Of bullseyes tattooed on wrists
Red is a warning of children’s taunts and old, wary eyes. It is the hue of thought blind hatred

Orange
Allie: The shade of autumn leaves slowly passing on
Grim reminders of slowly approaching school hallways that sneer taunts
Orange the color of names thrown into aching ears
******
Thrown into breaking hearts
Queer
Thrown into minds full of orange flickering bonfires of shame
Orange
The color of beautiful things slowly dying

Yellow
Alex: Like the caution signs on winding roads
Barely illuminated when the sky is too dark
Seen too late before a crash
Twisted metal ringing in our ears like
Twisted thoughts ringing in our ears like
When we recognize a crush that sets us apart
That tells us we're
Not normal, not right
Like fading bruises as we tell ourselves
That we're just yellow bellied cowards
As we tell ourselves
That on straight roads we wouldn't crash
And with straight hearts we wouldn't bleed

Green
Nicole: I feel sick
“A little green around the gills”
as I swim away is that why I’m drowning
in these murky waters of
“What if”s and “i don’t know”s
I have always been certain of the leafy canopies and garden inside of me
but this vine of uncertainty sprouted
and is choking me
I should not feel afraid for what I am because
this life is green and sprouting but there are
forest fires of hate spreading
We see the smoke signals all around us
our magnificent green fading to ashes

Blue and Purple
Audrey: Blue curtains block out the world that lurks just outside
Waiting to hurt me.
8 pm.
Purple dusk is gathering outside my walls
The same way the bruises on my heart threaten to eclipse the sun.
I'm scared.
I don't look at the veins  beneath my skin because they
Remind me too much of the purple-red blood
That spills too often from my arms,
Reminds me of my father's face
Purple with rage
When I told him
9 pm. Navy skies I will not see again
Purple pen writing apologies
Heart pumping blood too fast,
No time,
Can't breathe, face purple,
Can't breathe, face blue
Can't breathe.


They took away our rainbow. Let’s take it back.

Purple and Blue
Audrey: I love the way the sky turns lavender before the sun rises
I love the way your long hair and pale curves look
Against the blue sheets
I love not hiding who we are.
We should get Purple Hearts for all the times
The missiles of queer and butch have landed in
The midst of our embrace,
Launched by an unknown enemy before we were able
To twine our hands and hearts on small-town sidewalks
Laying under the lilac bushes,
Watching the day slip into purple dusk with firefly stars.
I love not hiding who we are.

Green
Nicole: once a cowering seed deep underground
Sprouting up through a crack in the slab of
concrete hate concrete rejection
because fresh life will destroy hate
even if it is slowly, one seed at a time
we are not weeds in your garden
green
a safe place the sun shining
fresh sprouting buds anticipating something beautiful
the prelude to a symphony of colors
green
sprouting from the earth
we do not need to prove that we are not unnatural
but grown from the same soil

Yellow
Alex: Somewhere in the middle of the rainbow like I'm
Somewhere in the middle of the spectrum
Associated with the sun and the stars but
Not with day and night
Because things are never quite as black and white as we make them out to be
Yellow, in the middle of pink and blue on the pansexual flag
Acknowledging that there are people out there
Who could love people like me
And yellow like dandelions
Changing daily into pieces drifting away
To end up regrown in dirt
Just like anything else

Orange
Allie: The shade of sunrise
A beautiful dawn of hope and opportunity
Peeking over the horizon
The passage of time and hopefully some ******* laws
Orange the warmth of a new day pouring some happiness into what once was a seemingly endless night
Orange the color of change

Red
Brigitte: sunshine ray burn cozy in your proud heart
blood rush, fire burst, lovesick intensity smoldering in your eyes
Red is a love fusion ignited inward and radiating out like a star
illuminating the night regardless of how dark the nothing is around it
Red is grown up, a rubicund shamelessness sewn with time into the marrow of your bones
Roll out the red carpet, paint roses on the town
Blood is not only death, it’s also life

Audrey: Acceptance!
Nicole: Life!
Alex: Hope!
Allie: Change!
Brigitte: Love!

**Pride comes in ALL colors
Saloni Dec 2012
Cheers to the race that doesn’t have a heart,
No reasons, no morals, no souls, no scruples,
But piles of lies, tons of deeds, all perfectly unabashed and splendidly aghast.

Cheers to their courage to walk unhesitantly in the crowd,
To stand with a stride and to converse with a pride,
And just in case their secrets revealed, to their dignified admittance clear and loud.

Cheers to their score that keep augmenting every day,
To their pleasures, to their amusement emerging from despair,
To their delight, to their bliss, to their ability to rejoice every time one cries in pain and dismay.

Cheers to their shamelessness, cheers to their sins,
Cheers to their disrespect for fellow human beings,
Cheers to the vanished humanity in their souls,
To the way their conscience has drifted in black hole,
And cheers to their skill of turning hearts into stones,
To their abhorring thoughts and to the way they never atone,
Cheers to the way, in this world, they sustain,
Cheers to those monsters, cheers to those beasts, cheers to those incredible demons again.
copyright© Saloni prasad 2012
V Jul 2022
I was never the period to your story.                                
A pause, a storm before your glory.
                                  
Our part now history,                                                         ­   
the ifs to our theory.

You’re what a woman should be,                                      
No shamelessness, no indecency.                                      

But I couldn’t give up my religion.                                      
We knew the risk, ‘twas my decision.  
                              
I’ll forever cherish our time together.                                
The nights, days, drives I’ll remember.                              

Months felt like a lifetime with you.                                  
A life we both outgrew.

What a lucky guy he is.
Tying the knot is what you wished.

I’m happy for you.  
You deserve happiness, it is due.

You’ll never get to read this,
But if you somehow see this..

I want to say that I’m glad you’re happy.
Wish you the best, a life without worry.

This is the last poem for and about you.
Best wishes! Goodbye and thank you.
To my ideal woman who I had to let go. I wish you all the best, may he love you the way that I should've, may he never give up.
blushing prince Aug 2015
we are the insects trapped inside homemade fly traps
glued on at the roof of the mouth
underbelly, I run around looking for trouble
trailer park princess, bar-fights in every space between my teeth
I'm a child of a child

I beat my paper wings against the shamelessness
Dance like the cigarette breaks are forever
Swisher blunts for the forget-me-not flowers inside backseats of cars, cabs, stolen automobiles
Revenge, locked jaw police officers like the fathers that never let you hold a gun so you become one

Taste blood, tongues, beauty in chaos
loose lips, stolen drugstore mascara and no more bruised knees
Boys like soft but you're the ******* Armageddon, knuckle-ring gods and all
so the men want to be kings and you grow up a feral cat sleeping in twin sized beds with a mouthful of curse words

Lord of the flies, lot lizards and truck-stop races
gritty bathroom graffiti is the cathedral but prayers never stop
Taverns with your name and the angels that spit
The television static never ends here, cicadas  
Doors with mosquitoes held hostage, home for supper
wasted by dessert

Down in the dirt, grimy bathtub I unearth all the things I couldn't drink away; all the motel fantasies, ***-stained skirts and the neon lights waiting for the swarm
Angela Mary Pope Dec 2013
you are no one
darling i'm lost
you are the only one that has my back
and you are no one

I hear the echoes of all the laughter of these times i forgot to enjoy
in every half-step between breath and anxiousness.
I know you will remember that i loved you all until it hurt
and that helps to alleviate the guilt of making it my aim to miss.

I can't help felt, i crash standing up
between the spaces of my grace and shamelessness
I have left up to my haphazard luck
and you are no one

a howl in the night maybe
you are a ghost
that only whispers in my ear
when i've lost all sense of self-control

and i've become no one
you know I know you did it
darling i'm drunk
and i know you know i'll just forget it

because we are no one
Kittridge James Oct 2012
Hurtled through love,

Dark, robust, romantic

Violent memories

Tearing through a moonless night

Hooting and growling through a treatise

A spiritual rebirth, heaved into heartbreak

Ever revving metaphor

Shake it Out

I am done with my graceless heart,

So tonight I'm gonna cut it out and restart

Melodrama vastly inflated

Turbulent ballads, booming drums

The wind chorales howling melodies

Hopeless romantic separating rapture from disaster

Love is a vast and violent force

Overflow of iconoclastic shamelessness

Leave my Body

Midnight-on-the-moors

Oh my love don't forget me
jayant om Feb 2018
You were that devastating thunderstorm
which, was the most beautiful tragedy happened to me
we are not together now, as it was never on the cards.
nothing is fine and I am worst without you
I don't want you anymore (I say)
I need you, in every step (I know)
You were that endless joy
which is now endless pain
I tried to forget all the moments spent with you
and, ended up in, remembering you all the times
those also were tears which never came out from my eyes
the pain was also that which I never told.

I remember all those dreams
which, we wove together
they were lovely.

I remember the soft touch of your lips, that naïve shamelessness  
I remember everything
I remember all that happened
I remember all the things

I remember that rain in which,
we got drenched together
there was a flame inside us
while we were soaked (In the droplets of rain)
what was that carelessness,
In those moments spend together which passed, yet not passed

I remember such evenings (we spent together)  
when you slept by my side
I kept looking at you,
I remember everything
I remember all that happened
I remember all the things
I am that broken glass which never binds
Hamna Apr 2021
The Ummah is sweltering with the heat of sins and immodesty.
When will it transfer into an oasis of humanity?
When will there be a loving bond like one between the Ansaar and Muhajireen?
When shall shamelessness be shunned away?
Cailey Weaver Aug 2020
Your worth is not in other people.

It is not when you look most beautiful, or in the thank yous disguised as apologies.

Your worth is in the days you pick up the pieces even as they slice your fingers.

It is tucked away in poems you'll never share because they are too painful, and smuggled past the battles you win benownst to none.

It's in the tiny victories, and the small moments that mean ever so much.

Your worth is in the size of your heart whether or not others can expand enough to contain it.

It exists in the tears you choose to give the world, for they are gifts of the care you hold within you.

Your worth is in the sparkle your eyes hold when nothing can stop you.  

It shines in your shamelessness and in your effervescence.

For nothing can take away your worth when you are priceless.
tom krutilla Jan 2014
I always new this time would come
when we depart our lives as one
that smile you wear, is worn out by fear
and that says it all

but could it be your missing me
in all your wildest fantasys
and realize its not a dream
that i have forgotten you
I chose to refuse your memories

the residue of this love affair
lie strewn across  the floor
the shamelessness and greed
collects in the corners of this room

a restless heart will never rest
as it looks for new blood for it's life
and when the heart stops
there is peace
irinia Nov 2014
The curious paradox is that when I accept myself just as I am,
then I can change.*
Carl Rogers


my hands can be so prosaic
uninterrupted in the mechanism of gestures
mindless, blinded, tired
of polishing the edge of the world

your hands and their delicate shiver
are used to behaving
trying to learn how to grasp the meaning,
the contours of the void in daylight
or why haters hate
(was it your fault or theirs?)

you are an unfinished landscape
of breaking points and hopeless moans,
oases of quietness,  turning points and
electrical paths, buds of mystery
I know nothing about

still, there’s something  teasing
written in between
such is coherence:  a paradox
-two interlocking  unwittingly-
irrational at one level
imaginatively reasonable at another
-reality is framed by negotiation with a god of silence-
two singularities conversing,
filling the air with space  
: it is me⁢ is you
Like when you erase me perfectly
with a blink of an eye
tired or cynical
with yourself,
or when I crush you
like a manic avalanche in
midsummer day

-there is some madness in between-

after all
shame and shamelessness
cannot be understood
in binary codes
while humility and pride
are two faces of the same coin

it’s been written  since day one
this matching choreography of turmoil inside
or just the pursued birth pains of self
-switch, twist, push, turn,
run, hide, split,
break, slip, cut
repeat, repeat, repeat –
the vertigo of life
rhyming imaginary possibilities
new gestures,
new proportions of light
and darkness
in the power of my hands
in the clarity of your voice

we approximate the truth of our last breath
grow old in stories within stories within the story
we tell ourselves to survive the crack of dawn

and so it goes:
the hero decrypting sunset
deepens the story
looking for
some freedom
to be

and I cannot look at you
without
the sonorous light
bearing tenderness
within

I set you free
in my blood
without knowing
if you stay
for today
midnight prague Nov 2010
tinted poetry
poetic in my own utter for trying to
grasp something that is close
to reaching the sun with my shoulders

my heart touched the sun when It encountered
your reluctant fire.
Nights where I felt as if love would suffocate me
with madness that was to good to be true
and you held me with the veins of your mind
and tugged at me with the strings of your eyes

gripping onto you when we would walk
let it be that everyone knew that you belonged to my hands
and my hands ran over you body
just mine
you took my blue stones
blue stones
and set them on fire with your demonic lips
of shamelessness given to you by your manhood
a kind that was all too good to be true

skin full of color that wasn't there when you where born
a body composed of pure art and gesture
permanently scared
your neck sang
and your pelvis cracked against my hip
when the sand dunes went in too deep
the earth eroded
and our universe collapsed
between our two separate places

and after everything was gone
dead
we breathe
in and out so so
slowly

soft laughter sighs
what are you doing tomorrow like questions
float in the heavy air around us
and all I know for certain
is that
this will end
We all hide our shamelessness behind curtains,
hoping the curtains are never drawn.
Lying to passersby,
about its lack of importance,
but ultimately,
We lie to ourselves,
because it does matter,
the things we do,
the things we hide,
The lies we tell,
the truths we don't.
Mateuš Conrad Apr 2016
somewhere along the lines, a pre-script revelation by dumb'oh: because painting deals with nudes in all seriousness and soberness, music explains the coupling of violins etc. to an ******... writing, in its depth has to deal with the murk and muck of thoughts and emotions - poetry as such entices an anarchistic spontaneity against any categorisation and systematisation, who's chief proponents are the pillars of reason, psychology and philosophy systematise, tell you the plans of the house, tell you what the limits and excess are... poetry in its anarchism teaches you nothing but experience and how to exploit it - as nietzsche pointed out: a shamelessness towards experience.*

i could, i mean, technically make
poetry cut-clean and smartly dressed,
sigh O sighing and star gazing,
i could masquerade what i'm about
write, but then i sometimes do like
cleaving meat off a bone using a blunt
knife, for that lion's tooth feeling
of having to use the molars (yes,
the canines are all kosher, they stab you
and the lion waits for you to slowly
bleed out - no sadism on his part,
no industrial death syndicate with
iron maidens, racks, a blunt sword
that hacked a few times at ******
mary's head on the scaffold - they executed
the ones they loved with a sharp sword,
mary's head was chopped off using
something as sharp as a toothpick, terrible
scene) - where was i? ah yes, blunt things,
blunt knife cleaving off meat from the bone
(a hellish follow-up if you're dicing the
meat for a curry) -
so this lion is the kosher butcher, he doesn't
do insect digestion, no spider-web cocooning
(is that an anaesthetic aphrodisiac you're
injecting so you eat me while i sleep? grand) -
so he bleed the **** thing out,
he's not some inverse necrophiliac in want
of wanting to see the thing he's about to eat
watching itself get eaten - another time,
another place;
unlike painting and composing music, writing
doesn't really have ****** perks when it
comes to it - oddly enough writing is a
pseudo-celibacy - now this is where the bluntness
comes in - i mean bach ****** and fathered
about a dozen children, mozart too, picasso for sure,
but writing is hardly a form that allows
the healthiest *** lives of what painters enjoy,
there's no aeroplane or lightning-thunder mechanics,
you know when you see a plane and "think"
you see it 20 miles behind, when it fact it's the
gurgling lazy tentacle flapping about from the
engines lagging behind - first lightning, then
the thunder - well, writing is the thunder and
the 20 mile lag of the aeroplane - i don't know
why music fits in with painting in terms of
being classified in the former, but it does,
it's a passive excursion into the art - you don't
need to play an instrument these days,
the ****'s just there for you to be bothered enough
to listen to it - i know, i know, audio-books,
never listened to one - but such passive appreciation
i'd only recommend to the blind, unless proficient
in braille, more than two volumes of the work done...
so bluntness... well writing is comfortable with
that other form of ****** gratification, your own,
like today: i was on Onan's throne (a toilet),
wiped my *** after taking a **** and thought
about not utilising my imagination, rather,
using what i call the perfected debasement of
*******: gifs - i can't glorify *******,
but i need something to act like a plug-hole
for the imagination to be pristine - and .gifs
are the perfect way to use it (after all, it is there
for something): no fetish, no ***** leather,
gimps out the question, ****** mind you too,
no teen, not fatty boom boom, no she-male -
whatever, you know it's out there -
but then my neighbour started singing in the
bath... the walls are thin... yes... thin enough
to hear what's going on next door...
now that put me off altogether... couldn't do it...
not that it annoyed me, not even in the slightest,
i can't do those kind of robotics with my
neighbour's "soprano" washing herself in the bath...
just, couldn't, do, it - sulky mood? not really -
but the moral of the story:
               the debasement of *******
               given that feminism
               proposes that ******* is debasing...
hey, i'm not the rich ******* with a mansion
bored and working out a steady income.
midnight prague Nov 2010
tinted poetry
poetic in my own utter for trying to
grasp something that is close
to reaching the sun with my shoulders

my heart touched the sun when It encountered
your reluctant fire.
Nights where I felt as if love would suffocate me
with madness that was to good to be true
and you held me with the veins of your mind
and tugged at me with the strings of your eyes

gripping onto you when we would walk
let it be that everyone knew that you belonged to my hands
and my fingerprints ran over you body
just mine
you took my blue stones

blue stones

and set them on fire with your demonic lips
of shamelessness given to you by your manhood
a kind that was all too good to be true

skin full of color that wasnt there when you where born
a body composed of pure art and gesture
permanently scared
your neck sang
and your pelvis cracked against my hip
when the sand dunes went in too deep
the earth eroded
and our universe collapsed
between our two sepearte places

and after everything was gone
dead
we breathe
in and out so so
slowly

soft laughter sighs
what are you doing tommorow like questions
float in the heavy air around us
and all I know for certain
is that
this will end
Dorothy A Mar 2012
I want to be everybody's darling
Everybody's literary delight
I want to be America's sweetheart
Like a neon light

I want to be a lady
Who imprints you like a magnet
One in whom once you meet
You shall never forget

I don't want much, you know
But only constant applause
Forgive my bold shamelessness
For, perhaps, I am love starved
Those magnetic moments
leave me clammy with
guilt and yet
beading with the shame
of shamelessness.

Can we kiss out the heat between us?
as though passion
were a black plastic lighter
and each kiss burns
a "click" of butane, in hot
succession until just firefly sparks
remain.

No
this heat is doused with salt
water, inciting a satin catharthis.  
Unrelenting
these fat tears turn the flames
to smoke.
I am strangled, gasping for a hint
of sweet relief and
begging for the air I waved off, thinking it had
grown stale.
The grass is always greener
Mateuš Conrad Sep 2020
i sporadically entertain my uncle's ex-girlfriend
at the house from time to time:
don't ask me why...
    she dated him when i was...
8 through to 11...
                       donkey's years ago...
days when the st. valentine's park in ilford,
essex... was like: alice in wonderland...
it had tennis courts, it had a mini golf course,
it had an open air swimming pool...
   it had exotic bird cages...
                                it had row boats
on the pond...
                 i mean: if my ex-girlfriend was
still visiting me...
                  i don't know: rather... i don't want
to know... my uncle is rather estranged and
that's that... i saw her a year ago:
i made her a curry...
                         i saw her today: in between
the odd house job: flinging concrete etc.
i made...
         she could practically be a stranger...
but that's... exactly the point...
here's to extracting water from a stone...
   i'll write this and it will not really tickle my
fancy...
    once, perhaps, not so long ago -
                    i'm just fudge-packing myself
into a lullaby of lolz... from the "narrative"
prescribed to me, you, "us" by the...
ahem... philanthropists...
                    hell: better with the misanthropes...
at least they are not scheming
philanthropists...
        indeed a "polyphony" of tastes...
which is a curry...
                    nowhere in europe except in england
this demand for the blues and the Raj...
the compliment:
   'this tastes like a restaurant dish...'
  and she wasn't kidding... she did bring a bottle
of wine and a bottle of gin...
i did used about 6 chicken *******...
i hoped that with the coconut rice
and the naan breads i'd have enough for
4 people today and for 3 people tomorrow...
    em... yeah...
                i watched her like i might have
been a woman and cooked for a coal miner
in a 20th century Silesia...
              the sri lankan curry with apple cider
vinegar and the coconut milk blah blah...
but... hell... apparently i can save myself
for a night (once in a while) from
self-deprecating humour and take a word
of a stranger as: rigid dogma...
      that i can cook better than i can write...
            i felt sorry for... having read enough
of Knausgaard and know: fish-fingers...
   scandinavian food?
   oh, you mean like two days ago when
i figured: rödbetsallad - sure... if you have
the right meat... but it doesn't **** to know that...
raw beets with carrots an onion
   chilly and some greens with a....
balsamic vinegar, orange juice, olive oil
and dijon mustard is a **** good dressing...
i mean: hide the japanese sushi..
give me raw herrings in a creamy / tangy sauce...
baltic "sushi": suit you, sir... oooh...
fastest eaten dish in town...
    tow the town across the atlantic -
settle the score on the coast of maine...
or nova scotia: scou-shia...
         nova orbis...
                 i cook good food... that's so much
more comforting that scribble these little details...
after all... i pride myself on the arsenal of spices
i own... whoever has their nukes can keep 'em!
i drop one black cardamom grenade and we're
in for a proper party!
the kolhapuri masala - which is poetry -
a "polyphony" of sorts:

10 dried red chillies
2 tbsp sesame seeds
1 tbsp coriander seeds
1 tbsp cumin seeds
2 tsp fennel seeds
1 tsp black peppercorns
1 tsp fenugreek seeds
6 cloves
1 tbsp black mustard seeds
50 g unsweetened desiccated coconut
½ tsp ground nutmeg
1 tsp red chilli powder

i surprised star anise is not invoked -
surprise me less: i am not - no black cardamom?
it must have been a different masala -
obviously a textbook use of ginger / garlic pulp
and turmeric... and onions...
and tomatoes...
and how is it that the "west indies" survived
so intact: was it purely on the argument from
sanskrit - perhaps...
who am i... little ****** from a place
where haggis might have originated...
but most certainly a type of broth that
uses... cow intestines: honeycomb tripe...
well... that's just ******* spectacular!
we're also the people that will eat
a chicken heart goulash / chicken stomachs...
nothing is wasted but...
hell... to have the oil fields of arabia
or the spice garden of india?
              tough question!

what was or is leftover?
   the parsley revolution?
        the basil    "
                            coriander?
     what was haggis... is still haggis...
and neeps and tatties?!
        allspice - nutmeg and paprika...
bland (apple imports from "kazakhstan")
europe of old...
blushing spanish oranges...
        whale fat from the north...
chimichurri: give me curry for an oak
of beef: a stump of it... argentinian -
give me spices for a steam engine...
                   trade offs...
                 and that buddha soft-patch of
inquisitive philosophy spin-offs in
the western canon: feng shui pseudo-zen
or tao...
     unlike selling protestantism
when none arrived with the spanish toward
the west or the port-of-geese in hai!nippon!

followed up by listening to some iron maiden:
after all: they did release brave new world
at a time when their x-factor etc. days were
over so they could delve into hiring a new
army of listeners: they weren't going to
sit on their laurels like led zeppelin et al.,

- only prior i watched two woodland pigeons
battle on a pergola i erected and weaved
a wisteria into it... the female was perched looking
on... i never imagined woodland pigeons
to hold such ferocity in their slender guise -
they would jump on top of each other
in an imitation of mating and with their
feet as fangs rip into the manes of each other...
throats throbbing with a short-of-breath pulse...

i broke the battle by having to pass
under the pergola with bags of sand and cement...
as man and with dealings in imitating
nature:
    well... a history as an etymological affair of sorts:
hardly...
   pigeon: gołąb (******),
              holub (czech),
                         golub (croat),
               golob (slovenian),
                     porumbel (romanian),
        balandis (lithuanian),
               galamb (hungarian)...

   looks like... the closest etymological
cousins of a ******'s pigeon is:
the croat and the *** pigeon...
               but... uncle auntie here...
pidge-on: pij-off:
      the german           taube...
the french pigeonne...
               picciona (italian)...
                                paloma (spanish)...
   "hence" the romanian porumbel...
but not the alt-saxon taube...
     or the norwegian    due...
or the swedish: duva...
           estonian tuvi finnish kyyhkynen...

do i dare see what...
not to bother dear mater mortuus...
greek!  περιστέρι (well... sure looks like...
a future of pigeon... em...)
turkish!                   güvercin...

almost like the story of Islam is a story
that ended with Muhammad
and began with Ishmael ibin
     Hagar the housemaid for Abraham's
wife Sarah...
     almost that: "same ****, different cover"
scenario...
but with words...
   and words alone:  after all...
is there any relevant history outside of
etymology - given that... napoleon invade
russia ****** invaded russia:
i.e. that shamelessness of repetition?

it's so apparent: to be hung-up on the trifles
of "love":
more like... the barrage of youth and hormonal
cocktails of agonies that must end in defeat
and monasticism at best...
"defeat" is rather an open word...
becoming tamed with: retreat and introspection...
she asked me to get her shawl
as the sun was setting and
while bringing it to her i had a sniff of it...
no perfumes... just the scent of skin
and a woman in her 50s...
   the smell of: an old maid... not a ******...
an old maid...
but how refreshing: tame make-up...
nothing too protagonist or shock-circus!

second slurps from an uncle's engagement
of ***** in pigtails?
well... it's just nice to hear a stranger
compliment your food...
esp. since this wasn't some formal setting
for a restaurant...
if i could earn on the basis of peanuts
and compliments and...
               how michelangelo was...
           no not constipated...
no not conscripted...
        not contained...
                        pope julius II...
michelangelo was... COMMISSIONED...
   well... what a noble begotten proof of...
the truth of labour...
            so much for the derelict promise:
the ugly work - although still towing
a grand scheme of aesthetic with it:
akin to plumbing or electrical scrutiny -
or waterproofing -
   but as i have learned:
   the work less scene does gravitate toward
repaying a man with a sense
of ingratitude -
for the work itself -
   after all: there's no work of art to slobber over...
to guise oneself in a fetish for
sending postcards...
the work itself harbours an ingratitude
to the person who performs it...
that "minor detail" of something working
without fail...
hardly a bureaucratic competition:
grizi-piórek (a slang term for a bureaucrat)
literally: feather-nibbler...

    the bewildered youth of man and that
which comes of him in the later posit of life
as aging - for not enough has been
cited concerning old maids -
the crippling opportunism of girls
that turns us into comic atlasas with
only poses to a name -

     i have to hide my admiration for old men:
esp. those that write their little
jokes: praying on existential shot-hand
and their unshakeable rationale -

a brief interlude into a concept of a new
life: my uncle's ex-girlfriend:
i've been to the brothel:
the "joys" of flesh *** flesh are such
unwelcome avenues that i know
how desperately i ******* to smother
the solipsist in me but at the same time
nullify the ****** out of
respect for a caricature of conversation:

that the stars were mentioned and that
venus or mars was among them...
by the geographic posit of edinburgh:
and the firth of forth i held with a certainty
a more than concept of n.e.w.s.:
north east west and south...
but north east london: that gargantua is no
edinburgh...

only today i posited myself on mashisters' hill
and the mouth of the thames...
and where the dartford bridge is
and where canary wharf is...
it doesn't help much to travel into
central london and stand before Thames...
to finally flip out a compass...
this odd river that has no flow
but a tide...
a river with no mountains...
no Vistula no Danube...
this cruel passable detail:
  a river without mountains with
a tide but now flow...

decipher for me this grey murk of eels
wriggling hollow...
she asked me: is it difficult to go back
"home"...
burden by the tired toiling among
so many monolinguals:
can i tell apart the accents on these isles?
that i can tell a scot from an eire-fiction
that the welsh still: hope for god grant
them their same old future tongue...

veneti...
                  veneti...
                                         veneti:
it is that it has become more and more
difficult to leave "home" than arrive
at it... but from populist english so
thoroughly breeding into a stiffening sire
and clamour of pict sacrilege -
grand echoes of unused words...

old maid who graces the same existential
pangs as me: aimless hollow head spermatoid...
after all the hormonal whirlwinds pass
and there comes a second nakedness...
before trust and a spontaneous jumping
to conclusions that never arrive at anything
more than the generic cul de sac...

to have to disbelieve mothers...
             it is necessary to have to disbelieve mothers...
for no greater grandiosity incumbent...
a brief interlude and how i can:
simply peacock-strut... exfoliate like
i might... have forever succumbed to
the latin variation of bulimia and that old
variant of ****...
willingly running ****-naked into
a riddling throb of nettles...
with disembodiment and an aspect
of freely arrived at nerve extensions
clinging to an ancient eucharist of
tentacles that the tongue would only counter
having to bite and nibble and suckle
on a mint leaf: with the body's proposal
of immersion in nettles...

to make rous of numbing ****** details:
no ****** from taking  a ****...
no litany of broken words:
clinging to consonant prone onomatopoeias...
crude ascertaining archaic:
purity of vowels: mongrel heart and soul
whilst towing... a mongol or two...
pictures of fortress crimea... the grand sicz...

only because she was not a woman
in her prime: a new orientation that doesn't begin
with me in middle age having amounted
enough poison apples and **** frenzies
and all those lies spoken during ***...
at best: even in the brothel...
for the love of god i dared not speak...
so much for anything
when *** has to invoke words...
not the silence not the pulsating vowel
throttle...

                    i linger for the last linear concept
of unnerving details...
that last came with these words
and will last revel in them alone...
for the greater audience i...
i have no scheme to usurp the pop from
the better hidden...
that some things have to:

let "them" have their feast!
once i am wed to the mother over mothers:
when death finally tallies my shadow
as her ******-on from fear loitering
of shrapnel!
let the people have their feast!
once i am wed to the mother of all mothers:
- but given the inbetween leave
me to my cenobite affairs of a bedroom
i keep for a nursery of moths...
to ward off the spiders with my drunken
breath...
give me clarity in the depths of
a bottle's end met...
            
  - so this is what it feels like to arm-wrestle
with a hand strapped to the bone crushing
revelation of hanging on a crucifix -
so this is what nodding with approval
feels like when competing to the end scenario
when lying erratic and scared
on the tablature of the falling guillotine...

it must do! i feel a need to concern myself
with feeling than with thinking:
i despise this celebration of numbing
objectivity: as someone once said:
subjectivity is the only truth...
after all: i am subjected to...
i am firstly subjected to...
only later i object: i objectify:
i give me spatial pardons and awareness...

as a subject under the protection
of a queen i am: first come first served...
not last... in this secular objectification
policy of "what if" futures...
i answer to the queen:
i am subject of the queen:
i am subjected by the queen...
such a ****** party to attend with no
god and this object cranium per crown...
that it has to become so impersonal
that the h'american free verse poets:
that elizabeth II has so much more
than mere grandma edifice...

i am subjected to something prior:
only later can i object to it...
some variation of a "double negation":
a talk over more gin and tonic...
or bourbon...
how could subjectivity become
so defamed... like it was forever a lesser
variation of the res extensa /
thought attache...
that subjectivity is lesser has to come
from people who only regurgitate
a once fabled scientific positivism of
a new and glorious age of Eiffel...

objectively "speaking"...
the regurgitated "facts": it's not like
science is even the incessant harangue!
from voice and a well:
an echo and a re-:
                             by now: there are "concerns"
as to why the echo fades and is
not gravitating toward perpetual
momentum...

               by now to revel in tired bones,
sinew... in the perfumes of burning fat:
vegan protests... vegan wishy-washy...
that somehow in a future 2 years from now...
the cows will have the eyes
akin to petted critters like that of:
fortune of future:
demands of cats and dogs...
i stated today: big cats' eye do not
hollow out... there is no serpent-esque
"myopia" of the eyes...
cats are spies for the serpent kingdom...
disguised as fur-*****...
but intact the blistering choke
of the slither... eyes that ****...
eyes that could feed the most blue-bodied
extract from the speark-head
of mammalian hierarchy...

   what little dough for slaughter eyes me
in the fashioned cow..
i leave all honesty for the dogs:
among the tying with bones...
but never these bonsai tigers...
heavy shields of hipolites...

                             - is there a need to drink
and write... while marrying yourself
to the barrage of unnecessary bricks
that align themselves to the cuddle-cradles
of kcal-atoms?
     i thought that drinking was
synonymous with exfoliation...
hell begot peacock-strutting...
              old maid didn't have me leeching
for ****-practice tendencies to posit
proofs...
             at some point i am going
to have to leave people without a comfort
of a diatribe...
i'll extend my over-arching scrutiny and
tell you:
on this basic base prize...
i leave no selling of satellite...

come 2am and i'm still awake and drinking:
it doesn't matter...
what matters is...
being invested in a repetition
and the glorified emblem for all that's
the worth of tomorrow:
the conjunction barricade of english:
my queen's last ordeal...
well **** me... it has to be my queen's
last ordeal before i **** up to the h'arab
sheikhs...
n'est ce-pas?

oh... wait... like the french didn't look
glum and whatnot...
like the past wasn't a pass at rebirth...
like venice didn't pirate away details of
constantinople...
i am tired of guilt...
you... italian fuccofinickyfuckers
bless venice... now! now! have complaints
concerning the hagia sophia...
because who isn't to abandon the greeks:
because of greek pride...
which is all that little: pride...
designated to books:
greek schoolchildren... will not read...
some ancient anthem of
northern barbarians: perhaps the bulgars...
most certainly not the... island-bound
mongrel...

            the english will not be reminded:
yes... that much is true:
but they can be executed for a lineage
of inconsistency...
that poland can somehow be associated
with polar bears...
hell... "we" are associated with
bisons... and storks...
          no need to educate the new
or keeping an ordeal of the old...
let's call my mediocre
the no-mans'-land rupture...
it's not exactly dervish planned territory:
citing india as borrowing extension
with afghanistan, pakistan,
bangladesh, sri lanka...
            who am i buddha tow: juggle...
jumble wisconsin proto: or a collective:
pan-european...
mingling justices... arms told to be torn
off...
   romance from 18th century europe:
kissing the feet of Kiev...
while in the western: what if...
the sea affords us... no need teasing
a wait for a tide...
      this little scare and...
      my little future of cain that...
arrived at a blinding prospect of
nationhood that has to retain a presence
akin to Siberia...

belly-tow flipside an agony of
this fissure of gill and borrowed depths of
searching for the dolphin aided dive...
i have no befriending lefts...
had i the rights i'd make them
pronounced: enough to champion
diacritical scrutinies...
but no but now...

- how is that:
   -rhetoric          has reached a fever;
and a pitch to make
a ***** into a jerusalem
as a prefix towing exemplar...
before a noun
and a yankie akin to
pre-
          variation of pro-
               not withering into the anti-
cyst and some future be told...
                      chimes from haven:
and the pennies from ginger-root borrow
of lobotomy...
        
   gutting a pig: glorifying a monkey...
chanting: freed red sox...
                a somewhat: hives
of Boston... while we all have to retort
to a question...
not because we woz all hebrewz...
but coz whizz or: or else...
worst hinterland:
an estonia: that there's
more of new york than there's
of this.... hinterland...
of... convincing: this is not "asiatic"...
this is still DOS europa...
bulging to bug the bothersome
chastised bullock off a bull
and the silent churn tow charge...

some variation of a pre-
and a self- prefix:
          to compound this custard
nostalgia sweet-tooth jesus h'americana...
same old variation of how
estonia is about the sizing up
of new york: and...
              
                     my own sowing tow-tie
this little increment this little
wave this loiter masquerade...
   such privy to make a choice!
from the slaves toward a slam-dunk..
otherwise making rummanations
to towing a sanctity of old pauper
Warsaw...
                 my little little first and last idle
concern that's a Cairo agitated.
Gourab Banerjee Jul 2016
Oftenly a thought
Strikes my mind
Its better to be
A Pornstar
than a Poet
really by name or fame!
will excel a lot
What would I get?
Except criticisms & insults!
A l'll shamelessness
Can bring more prestige-Written on 13.07.2012,Friday
Mateuš Conrad Mar 2016
and they write confessional poems,
and they're scared
when it happens to be too authentic
and they never bother
personae poetry and a shamelessness
about it - as if imitating someone
and able to distance yourself
from the adequate metaphorical word
schizoid - the personae principle
of poetry - the poet disguised
within many people - and indeed
as poetry goes, the crude oiling not
represented by stiff-collar fictive
outputs of he said, she said, "quote",
and the out-of-body experiences -
but then, that wouldn't be poetry,
would it? what it would be would
be jane austen, or anna karenina.
Traveler Apr 2017
Obscure eyes of
Shameless sin

Subconscious
Evolution
Stalls again

Conjured myths
Bringing
Hopeless fears

Superstition
Fallen upon
Mindless ears

Love in a name
War in the same

Shamelessness
Cannot be
Contained

Next generation
looking for peace
Teach them well
Or feed the beast

....
Traveler Tim
PS
I'm not talking to any individual person...(-;
Ylzm Apr 2021
Death begins the day the newborn cries
Not its choice, grew up believing
Clinging to futility on death's bed
As if another life brings the dead to life

Affirmed as gods, life stroked, seduced
Painful dissonance yet believing
Chance is king but Will supreme
Striving to the death for one more chance

Failures chastised, pride conceals, boastfully
Offering ashes, gods obliged, believing
Truly only Money matters, Chance *******
Life ransomed too, not today, surely tomorrow

Love or transactional ***, legal or not
Life's answer or preachers' lies believing
Perhaps only masturbatory self love is true
Justified indulgence entirely in one's own hands

Meaninglessness, life’s honest and brave end
Else denial and delusion, make believing
This moment till death has despair to work
Alas many flail cowardly, ironic futility grasping

Will strong, flesh betrays, in hypocrisy
Peter wept, shamelessness hardens believing
Death discerns not its own stench
Life's fragrance repulsive and offends

Life imposed freely from the beginning
Conned and chose to pay for believing
A shadow of what will be but tempted to be
And the Accuser justified and God ******
Brent Kincaid Mar 2018
The Non-Subliminal Criminal
High Priest of Hypocrisy
The Diplomat of Draft Dodgery
The Great Example of Paying Test-Takers

The Loudmouth of Wealthy Fakery
The Main Proof of Miseducation
The Nanocrat of Non-Payment
Potentate of *******

Sultan of **** Patronage
The Grand Poobah of Poopoo
The Big Wheel of Blather
The Salesman of Bull-puckey

High Lama of Skullduggery
The Master Purveyor of Inaccuracies
The Pride of Misrepresentation
The Scion of Misdirection and Nepotism.

The Black Knight of Spite.
The Grand Lizard of Hate and Bigotry
The Fomenter of Torment.
The Master of Catastrophe

The Master of the Quick Disaster
The Worshipper of War by Proxy
The Lover of Lies and Liars
The Promiser of Pusillanimity

The Handmaiden of Bribery
The Worshipper of Massive Greed
The Purchaser of Fake News
The Dandy With Unseen Clothes.

The Undead Ghost of the Capitol
The Horrible Haunt of the Presidency
The Embodiment of Embarrassment.
The Shamelessness of Gross Shuckery.
You know who it is, make up your own names for him.
Dada Olowo Eyo Apr 2021
Darkness,
Inflation,
Bigotry,
Nepotism;

Unemployment,
Terrorism,­
Kidnapping,
Medical tourism;

Miseducation,
Ethnic cleansing,
Mediocrity,
Tribalism;

Unease of doing business,
Multiple taxation,
Weak currency,
Egotism;

The shamelessness in high places,
The sycophancy along those corridors of power,
The visible aloofness to pressing needs among the masses,
The sheer policy of deliberate regional disempowerment;

Everything points to worse times,
Only the dead need not worry,
For the living, deafening chimes,
A worrying state of statelessness.
The man returns to the troubles he left behind - did he think that they would have miraculously disappeared?
Nigerians chase their president back from 'deserved rest' in the United Kingdom.
MdAsadullah Nov 2014
Burn all these 'Old age homes.'
Standing like Satan's domes.
Shamelessness resides in them.
Helplessness resides in them.

Recall their childhood days.
When they were small and gay.
Whenever they puked or peed.
Parents fulfilled all their needs.

Now when parents are in need.
They show selfishness and greed.
Such off-springs are disgrace.
I want to spit, bring their face.
Kimberly Clemens Sep 2016
Ice cubes
melting on the floor
I love the way our feet move
stomping around one another
a tapping war
coming close but never touching

keep your distance from my limbs
I don't control the movements
once the night kisses my spirits
freedom feels like sweat
running over my lips

the same place where honey
sweetened the illusions we made
laughing into the crowd that held us
without really looking close
waves of notes rushed over the lights
a never ending vibration of cheers
showcased in radiant shamelessness

we are tied together with energy
fueled by glasses that the optimist enjoys
more empty than filled
we replace the mass with moments that matter
more in the moment than the future

looking back we wont remember
all the words that spilled out
in a honey flavored accent-
we speak in ways that numb our lips
smiling wider and wider
when we let the rhythm shake our inner rush out

our feet stumble kisses onto the ground
and our hands hug steadier fingers
we love the way our voices sound
mingling in nonsense with one another
honey sounds sweetest when heard together

shaking glasses steady with sloshing gambles
of who's eyes will rock the room first
but it doesn't matter when the light attracts you
and your feet guide pathways in circles
the night knows darkness brings out light from within
coaxed by accents we acquire
if only for a night we won't remember
Renee Aug 2014
who cares what we do
we are quick burning tinder
every new idea like a spark
they catch and set us alight.
set us off like firecrackers,
blue with shamelessness and
green with hopefulness,
red with anger that the fantasies were wrong.

who cares what we become
we are a gun ready to fire
like the fingers we point at our heads as a joke.
who shall we injure?
perhaps it will be the parents
with their never-ending echos of 'we only want the best'
or maybe ourselves
when the mirror starts cracking,
and our well-kept illusions cannot help but fade.

who cares what we think
we are still-sleeping dragons
young ones, not ready
to take on the world.
and they keep us this way
cause they know what will happen
once we figure life out,
they will wish they had cared.
David Ehrgott Dec 2014
The **** beaches do
expose the shamelessness of
polluted waters
Bob B Nov 2018
"Never again." We have said
“Never again!” too many times.
The hours advance, leaving us
With doleful reminders when the clock chimes.

“Never again” echoes through
The deep canyons of empty hearts
As irretrievable hopes remain
Buried by anguish that never departs.

"Never again" emerged through pain--
Through unspeakable affliction,
Horrified by the shamelessness
Of facts being smothered by fiction.

"Never again" for a moment
Rose from yearnings, deep and profound
Until woeful indifference
Muffled the once inspirited sound.

"Never again" filled a chasm
Of bleak despair with promising goals,
Without which we're on the cliffs of uncertainty,
Constantly asking for whom the bell tolls.

-by Bob B (11-11-18)
James M Vines Aug 2016
There are no more selfless ******'s only self centered people. Once self debasement was considered an act of courage, now it is a way to stardom. Posing in the ****, has become passé. When a great woman did, it was her form of protest. Now it is too common and piety has been lost. Our society is flooded with vulgarity and we must bear the cost. So to any woman who seeks to give up her self respect for the sake of vanity, remember that intent of ideals may come with a high cost, but shamelessness for gain has a cost all of it's own.

— The End —