preliminary explanation

before i really begin the project i have a few scatterings
of thought that made me do this, without real planning,
a different sort of impromptu that poetry's good at,
less Dionysian spur-of-the-moment with an already
completed poem entwined to a perfect ensō,
as quick as the decapitation of Mary Boleyn with the
executioner fooling her which side the swing would
be cast by taking of his hard-soled-shoes -
i mean this in an Apollonian sense - i know, sharp contrasts
at first, but the need to fuse them - i said these are
preliminary explanations, the rest will not be as haphazardly
composed, after all, i see the triangle i'm interested it
but drawing a triangle without Pythagorean explanation
i'm just writing Δ - i'll unravel what my project is
about, just give me this opportunity to blah blah for a
while like someone from an existential novel;
what beckoned me was the dichotomy of styles,
i mean, **** me, you can read poetry while in an awkward
yoga position, you can read it standing up, sitting down,
eating or whatever you want - obviously on the throne
of thrones taking a **** is preferred - the point being
what's called serious literature is so condensed for
economic reasons, font small, never-ending paragraphs,
you need an easy-chair and a bottle of cognac to get
through a chapter sometimes - or at least freshly mowed
grass in a park in summer - it's really uncomfortable because
of that, and the fact that poets hardly wish upon you
to be myopic - just look at the spacing on the page,
constantly refreshing, open-plan condos, eye-to-eye -
but it's not about that... the different styles of writing,
prose and the novel, the historical essay / encyclopedia
or a work of philosophy - what style of writing can
be best evolutionary and undermine each? only poetry.
poetry is a ballerina mandible entity, plastic skeletons,
but that's beside the point, when journalism writes history
so vehemently... the study of history writes it nonchalantly,
it's the truth, journalism is bombastic, sensationalist
every but what courting history involves -
a journalist will write about the death of a 100 people
more vehemently than a historian writing about the Holocaust...
or am i missing something? i never understood this dichotomy
of prose - it's most apparent between journalism and history...
as far as i am concerned, the most pleasurable style of
prose is involved in the history of philosophy, or learning per se,
but i'll now reveal to you the project at hand -
it's a collage... the parameters?

the subject of the collage

it weighs 1614 grams, or 3 lb. and 8 7/8ths oz.,
it's a single volume edition, published by Pimlico,
it's slightly larger than an A5 format,
3/4 inches more in length, and ~1 centimetre in
width more, it has a depth of 1 and 3/4 inches in depth,
a bicep iron-pumping session with it in bed -
i was lying with this behemoth of a book
in bed soothing out a semi-delirium state
listening to Ola Gjeilo's *northern lights
and flicking through the appendix, and i started thinking,
no would read this giant fully, would they?
the reason it's a one volume edition is because
the only place you'd read such an edition would
be in a library, at a desk, and you'd be taking snippets
out from it, quotes, authentic references points
for an essay, esp. if you were a history student,
such books aren't exactly built for leisure, as my arms
could testify... after the appendix i started flicking
through as to what point of interest would spur me
onto this audacious (and perhaps auspicious)
act of renegading against writing a novel (in the moment,
in the moment, i can't imagine myself rereading plot-lines
after a day or two, adding to it - that's a collage too,
but of a different kind - and no, i won't be plagiarising
as such, after all i'll be citing parallel, but utilising
poetry as the driving revision dynamic compared
to the chronologically stale prose of history) - i'll be
extracting key points that are already referenced and not
using the style of the author - the book in question?
Europe: a history by Norman Davies prof. emeritus
at U.C.L. - the point of entry that made me mad enough
to condense this 1335 page book (excluding the index)?

point of incision

Voltaire (or the man suspected of Guy Fawkes-likes spreading
of volatility in others) -
un polonais - c'est un charmeur; deux polonais - une
bagarre; trois polonais, eh bien, c'est la question polonaise
(one pole - a charmer, two poles - a brawl, three poles -
the polish question) - mind you, the subtler and gentler
precursor of the Jewish question, because the Frenchman
mused, and not a German, or a Russian brute...
and i can testify, two Polish immigrants in a pub,
one senior, the other minor, one with 22 years under
his belt of the integration purpose, one with 12 years,
the minor says to the senior about how Poles bring
the village life to cities, brutish drunkards and what not,
it was almost a brawl, prior to the senior was charming
a Lithuanian girl, before the minor's emphasis on
such a choice of conversation turned into idiotic Lithuanian
nostalgia about the disintegration of the Polish-Lithuanian
commonwealth, primarily due to the Polish nobility.

10,000 b.c.

looking that far back i don't know why you even
bother to celebrate the weekend -
i mean, 10,000 years back Denmark was
still attached to Sweden,
England was attached to France,
and there was a weird looking Aquatic landmass
that would become a myth of Atlantis
in the Chronicles of Norwich,
speedy ******* Gonzales with the equivalent
of south america detaching itself from Africa...
mind you, i'm sure the Carpathian ranges are
mountains. they're noted here are hills or uplands,
by categorising them as such i'm surprised
the majority of Carpathian elevations as scolded
bald rocky faced, a hill i imagine to have some
vegetation on it, not mountain goats with rock and roof
for a blacksmith in a population of one hundred...
at this point Darwinism really becomes a disorientating
pinpoint of whatever history takes your fancy,
Europe - mother of Minos, lord of Crete,
progenitrix / ******* and the leather curtains
of Zeus's harem (jealous? no, just the sarcasm
dominates the immortal museum of attachable
****** to suit the perfect elephant **** of depth
the gods sided with, by choice, excusing the Suez
duct tightening of a prostate gland... to ease the pain
upon ******* rather than *******); mentioned by Homer
the Blind tooth-fairy, the Europe and the bull,
Europoeus and the swan, same father of wisdom to mind,
on the shores of Loch Lomond -
attributes a lover to the bull, Moschus of Syracuse,
who said earring Plato cured him of where the ****
should not enter even if it shines a welcome
in the disguise of Dionysius... revisionists bound to Pompeii
named Titian, Rembrandt, Rubens Veronese
and Claude Lorrain revived the bulging bull's *******
and her mm hmm mm, too gracious my kind, hehee...
Phonecians from Tyre and Io - so too the Sibyl of ****** -
and unlike the great river civilisations of the Nile,
the Ganges, soon to be the Danubian civilisations
and gorged-out-eyes-that-once-sore-colour-but-lost-sight-of-
colours-­after-seeing-the-murk-of-the-Thames...
soon the seas overcame civilisations of the rivers,
as Cadmus, brother of the thus stated harlot said:
i bring you orbe pererrato - hieroglyphics of the cage,
but not an owl or a hawk inside it -
so let's perfect speaking to an encoding by first
rummaging into learning how to procure the perfect
forms of counting - i say left, you say I, i say right
you say II, left right left right, what do you say?
VI. bravo! the Hellenic world just crossed the Aegean
and civilisation bore twins within the cult of a lunar-mother,
Islam of Romulus and Remus, a she-wolf
a canine of the night - according to another -
tremulae sinuantur flamine vestes - or so the myth goes -
a cherished phantom of what became the fabled story
of sole Odysseus with his ears open and the remnant
sailor's ears waxed shut - as if the bankers of this world,
revelling in culprit universal fancy than nonetheless
bred the particular oddities - lest we forget,
the once bountiful call of the sirens to the oceanic
is but a fraction of what today's sirens claim to be song,
a fraction of it remains in this world, the onomatopoeia
of the once maddening song, the crude *******
arrangement of vowels bound to the jealous god's
déjà vu of the compounding second H.

from myth to perpetuating a modern sentiment

you can jump from 10,000 b.c. to the Munich Crisis
of 1938 - 9 with a snap of the fingers,
imitating quantum phenomenons like gesticulating
a game of mime with Chinese whispers necessary,
if Europe is a nymph, Naples her azure eyes,
Warsaw her heart, Sebastopol and Azoff,
Petersburg, Mitau, Odessa - these the thorns
in her feet - Paris the head, London the starched collar,
and Rome - the sepulchre.
or... die handbuch der europaischen geschichte
notably from Charlemagne (the Illiterate)
to the Greek colonels (as apart from Constantine to
Thomas More in eight volumes, via Cambridge mid
1930s)... these and some other books of urgency
e.g. Eugene Weber's H. A. L. Fisher's, Sr. Walter Ralegh,
Jacob Bronowski... elsewhere excavated noun-obscurities
like gattopardo and konarmya had their
circas extended like shelved vegetables in modern
supermarket isles, for one reason or another...
prado, sonata sovkino also... some also mention
Thomas Carlyle (i'd make it sound like carried-away isle,
but never mind); so in this intro much theory,
how to sound politically correct, verifiable to suit
a coercion for a status quo... Europe as a modern idea,
replacing Imperum Romanun came Christendom,
ugly Venetian Pirates at Constantinople,
Barbarossa making it in pickled herring juice
in a barrel to Jerusalem... once called the pinkish-***-fluff
of Saxony, now called the pickled cucumber,
drowning in his armour in some river or Brosphorus...
alchemists, Luther and Copernicus were invited on
the same occasion as the bow-tie was invented,
apparently it was a marriage made for the Noir cinema,
beats me - hence the new concept of Europe,
reviving the idea of Imperium Romanun
meant, somehow including Judea in the Euro
championship of footie gladiator ***** whipped
narcissists, rejecting the already banished Carthage
(Libya / Tunisia by Cato's standards) and encouraging
the Huns, the Goths and the even more distant Slavs and
Vikings to accept not so much the crucifix as
the revised spine of the serpent but as the geometry of
human limbs, well, not so much that, but forgetting
Norse myths of the one-eyed and the runic alphabet
and settling for ah be'h c'eh d'ah.
dissident frenche stink abbe, charles castel de st pierre
(1658 - 1743) aand this work projet d'une paix perpetuelle
(1713) versus Питер Великий who just said:
never mind the city, the Winter Palace... i have aborted
fetus pickles in my bedroom, lava lamps i call them.
the last remaining reference to Christianity?
Nietzsche was late, the public was certain,
it was the Treaty of Utrecht, 1713, with public reference
to the republica christiana / commonwealth was last made.
to Edmund Burke: well, i too wish no exile
upon any European on his continent of birth,
but invigorate a Muslim to give birth on it
and you invigorate an exile nonetheless:
Ezra expatriate Pound / sorry, if born in eastern
europe a ***** Romanian immigrant, pristine
expatriate in western Europe, fascist radio has
my tongue and *****, so let's play a game:
Russian roulette for the Chinese cos there's
a billion of them, and no one would really mind
a missing Chow Mein... chu shoo'ah shaolin moo'n'kah!
or a cappuccino whenever you'd like to watch
classic Italian pornographic cinema with dubbing
with nuns involved... Willaim Blake and his
stark naked prophesy, pope pius II (treatise 1458)
even though Transylvania, Tharce and Hungary
shared the same phonetic encoding with diacritical
distinctions like any Frenchman, German,
or Pole at the Siege of Vienna (1683)
to counter the antagonising Ottoman - i swear historians
do this one purpose, juggle dates and head-of-state figures
prior to entering a chronology - they must first try out
a ******* carousel before playing with the toy-train...
broadcasting to a defeated Germany public, T. S. Eliot
(1945) ****** import to into Western Germany
and talk of the failing moral fabric, China laughing
after the ***** intricacies of warfare of trade,
what was once wool we wished to be silk...
instead of silk we received vegetarian wool, namely
hemp, and Amsterdam is to blame... nuke 'em!
that's how it sounds, how a historian approaches
writing a history from the annals, from circa and
circumstance and actual history, foremost the abbreviations,
the fishing hook standards, the parameters,
the limits, and then the mathematics of history,
one thing culminating into another... contra Lenin
N. S. Trubetskoy, P. N. Savitsky, G. Vernadsky
Russian at the perks of the Urals - steppe Tartar shamans
or salon pranced pretty **** boys? where to put
the intoxicant and where to put the mascara... hmm,
god knows, or by 21st calculations, a meteor;
they say the history of nations is a history of women,
then at least the history of individuation
and of men who succumb to its proliferation
is astoundingly misogynistic.
Seton-Watson, among the the tombstones too reminded
of remarkable esteem and accomplishment
with only one gravedigger to claim as father...
as many death ears as on two giraffe skeletons
stood Guizot, men of many letter and few fortunes,
or v. v., incubators of cousin ***** and none the kippah
before the arrogant saintly diminished to
a justly cause of recession, ha ha,
by nature's grace, and with true advent of her progression
as guard-worthy pre- to each pro-
and suggested courteous of the ****** fibre,
oh hey, the advent of masqueraded woofing,
a Venetian high-brow, and jealousy out of a forgotten
spirit of adventure that once was bound
to hunting and foraging... forever lost to write  history of
a king dubbed Louis the XIV...
crucibles and distastes for the state to be pleased,
once removed from Paris, forever to Angevin womb
accustomed once more, at Versailles released -
as cake be sown so too the aristocratic swan necks
for worth of mock and scorn - and the dampening rain
rattle the blood-thirst of the St. Bartholomew's Day
slaughter, to date, the rebirth of Burgundy,
of Anjou, and with the dead king presiding, to be
of no worth in judging himself a king before god or pauper...
saluer Antoine Quentin Fouquier-Tinville!
that i might too in stead rattle a few bones prior to burial
with the jaw that will laugh and chatter least
had it been to my kingly-stead a birth so lowly.
then at least in satisfactory temperament i procure a
judgement of the noble like of a *****
for an hour's worth of pistons and jarring tongues...
as if from a nobleman then indeed as if from a *****,
for who sold Europe and said: Arabia, if not the
Frenchman, the Englishman, the Spaniard?
the former colonial conquests served you not enough?
i imagine the reinstatement of Israel like
the Frankish states under Philippe-August...
precursors to a cathedral dubbed Urban the 2nd's..
there were only Norwegian motives in the Ukraine
and the black sea... Israel to me is like plagiarism
of the Frankish states of the middle-east, with Europe
slightly... oom'pah loom'pah mongolian harmonica.
some said Rudyard Kipling poems,
some said Mr. Kipling's afternoon tea cakes -
whichever made it first on Coronation St.
some also say the Teutonic barbecues -
it was a matter of example to feed them hog
and cannibalise the peasants for ourselves,
a Prussian standard worth an army standard of
rigour - Ave Maria - letztre abendessen nahrung -
mein besitzen, wenn in die Aden, i'd be the last
talking carcass...
gottes ist der orient!
gottes ist der okzident!
nord - und sudliches gelande
ruht im frieden seiner hande.
germany's lebensraum, inferiority and classification,
inferior slavs and jews, genetics and why my
hatred of Darwinism is persistent, you need
an explanatory noting to make it auto-suggestive
for Queen & Country? diseased elements,
Jewish Bolshevism, Polish patriotism,
Soviets, Teutons, the grand alliances of 1918
or 1945? Wilsonian testimony of national self-determi

Last night, while I lay thinking here,
some Whatifs crawled inside my ear
and pranced and partied all night long
and sang their same old Whatif song:
Whatif I'm dumb in school?
Whatif they've closed the swimming pool?
Whatif I get beat up?
Whatif there's poison in my cup?
Whatif I start to cry?
Whatif I get sick and die?
Whatif I flunk that test?
Whatif green hair grows on my chest?
Whatif nobody likes me?
Whatif a bolt of lightning strikes me?
Whatif I don't grow talle?
Whatif my head starts getting smaller?
Whatif the fish won't bite?
Whatif the wind tears up my kite?
Whatif they start a war?
Whatif my parents get divorced?
Whatif the bus is late?
Whatif my teeth don't grow in straight?
Whatif I tear my pants?
Whatif I never learn to dance?
Everything seems well, and then
the nighttime Whatifs strike again!

A cumulonimbus caused the gloom that day. It went shedding drops of rain that looked like bead of pearls glittering in the grey autumn sky, vanishing as they plunge on leafless laurel trees and solitary cypresses. He watched them dance to pitter-patter on every umbrella that opened towards the heavens, their colors of rich black calling out to such empathy. Finally, the drops kiss the graze of withered grasses and thirsty dandelions, reviving their foliage and greenness. Slowly, the rainfall collect to become one with soil and mud crawled down to the six feet depression where a coffin was laid. It was white like ivory and carved with elaborate insignias as a token of love and undying memories. Soon, it was all covered with crimson roses that carry the last parting words of the bereaved. The priest waved out his hands above with mournful eyes, lisping his beseeching of earnest favors while spades of loam filled up the burrow. He saw faces of despair around the pit, gasping for reprieve and sympathy. If only the rain could also bring back her life, he implored.

This, in his senses, was belongingness. This, in his heart, was death.

It had been two long weeks since Roxanne’s death and Vincent couldn’t get his feet back on the ground. He still couldn’t believe he had lost her and that their seemingly endless love has flown away from him for all eternity. He’d make believe that this was all just a dream and at some point of this nightmare he would finally be unchained and awakened. Days became niches of shackled memories that kept haunting his love-fletched soul and nights were nothing more than a requiem of lovelorn longings that still linger in his mind. He remembers it all, the feel of her name on his lips, the smell of her hair, and the sound of her laugh. Everything is still as fresh as the dewdrops of June and as vivid as the most cinematic imagery a mortal could immortalize. The ultimate fight of this melodramatic transition was to remain whole when all the strength Vincent has built up begins to crumble by a mere reminiscence of the tragedy that gets freeze-framed from beginning to end over and over again.

It was a rainy Friday evening on the 22nd of May and everyone’s feeling the smell of the weekend rush. Vincent was already at a friend's house party and called Roxanne that he’ll be waiting. Roxanne was driving the Lexus behind a small truck that seemed to plod toward the upcoming red light. She was a few minutes late on her way and watching these two people ahead of her jabber away in that truck was getting her out of her ecstatic  mood. The light turned green, but the truck too slowly moved forward. Roxanne became frustrated as the driver fixated to the right. He visibly gasped at what was just about to come into her view. A brand new grey-blue Chevy Silverado blazed through the opposing stop light to broadside his little truck. Roxanne tried to stop, but her car slid into the Chevy's rear side and went tossing down the highway to an explosion.

All these is what Vincent needs to drown himself to agony. It’s as if Atlas gave up the bearing of the world for him to endure. Wretched and perplexed was he, blaming the world for such a prejudiced conspiracy. How could an angel like Roxanne be bound to such an end? How could an invincible love become vulnerable on the visage of death? But then again, his heart starts to concoct a spell of phantasm, bringing back the most prized memories of him and her together, infiltrating his whole system and gaining power over the bitterness and pain. In this test of sensations, he himself wasn’t sure if this two-edged delusion is a boon or bane. But one thing was becoming clear to him-he cannot be like this for the rest of his life. If this nightmare must be proven real, he must find a way out. Whatever may lie ahead, he must keep going, recreate his own world and be able to break free from the fetters of this mishap that surely promises him nothing but living scars, frustrations and sorrow.

Two years have passed and the town of New Hope has undergone a lot of changes. New coffee shops and cafes run down a block away from the University premise as well as convenient stores and parlors. New establishments stood welcoming and billboards mushroomed the skyway. The streets are crowded with more and more busy people, indicative of a metropolitan evolution of lifestyle. Summer has ended and without a trace, the arid autumn and the frigid winter fluttered to oblivion.

The same is true for New Hope University which, in its current enrollment period, has its student population increased by two thousand. The institute’s remarkable performance rating in board examinations and national competitions attracted other towns to invest their education to the latter. It was nearly the start of class and everyone is busy catching up the enrollment pace. But not Vincent, who, in the first day of inception has already completed the enrollment process. He was ecstatic, more of curious how his life as a senior student could turn into this academic year. He met faces of different kinds-some familiar and some entirely strangers. Those he doesn’t recognize would just pause and pay a smile while others he knew jsut pass by and make him feel invisible. On a ledge in front of his course department’s office he sat. He in himself was New Hope town in human transfiguration- braver, brighter and better. He looked from afar, with eyes playing on the nimble of heads and shoulders of people passing through the corridor. He drenched himself to an illusion of how each head turns toward him with a infectious smile, that once in a while, happiness is sought even in the gallows of solitude. Solitude-it wasn’t a strange name to him anymore. It never was. He was entangled with it on that day the sickles of death took his love away. Somehow, through the passage of time, the wound that was scourged deep in his heart has mended and the thought of being alone became amusing that he has managed to laugh about it over the seasons. He is more human now, away from the devious portal of his mundane imagining.

The daydream was shattered when out of the blue a silhouette of a familiar figure took the stage. She was elegantly tall, with hair of pure ebony lolling on her shoulders. Each step enraptures, and each gentle sway of a hand is a compelling rhythm. She draws closer to where he was and he's left slack jawed. She entered the office and he was back to his senses. Maybe not. What he beheld was something farfetched, something that he cannot comprehend. Vincent saw it all coming back to him. A remnant of his long buried love has come to life. It was Roxanne and it is more certain than breathing. He couldn’t explain what he felt. It was a maelstrom of joy and surprise, of hope and fear. It was the face he yearned to see, so long that the yearning turned to hate and despair. But now that it came to pass, his humanity fell apart. Although he is a mere victim of his own circumstances, the serendipity took a shot straight to his heart and there is nothing he could do about it.

Perhaps there is, and he is now pretty preoccupied. He wanted to know her. He must unknot this puzzle that has challenged his whole conviction. He must find every answer and throw all of its questions behind. Whatever there is that the road has in store for him is not essential anymore. He couldn’t care less to fathom this enigma and once more, find something worth living. But now that he is hanging in midair, he planned to fall back. He jumped out of the ledge and headed out the campus, afraid that she might be at sight and all the strength in him shall subside. He was up all night, thinking of how he could get a chance to meet and talk to her. He had thoughts of crafting schemes, devising methods and inventing tricks.

And nothing of it worked.

The first day of class commenced. New Hope University is buzzing with ecstatic students. Vincent giggled with utmost excitement, carelessly bumping shoulders and brushing elbows with other students in the corridors.  He molested his tattered COR and skimmed for his first class. It is in room 101 scheduled 9:00. He reviewed through the digital clock and he hurried as it ticked to 8:58. Luckily, he is safe from prime tardiness, though he seemed to be the last comer. He seated at the back, knowing that after thirty minutes, he’d helplessly succumb to napping since it is his favorite subject-English 8, Technical Writing.

And so she happened.

It was her, Roxanne’s doppelganger who broke the charts. She was 15 minutes late and unforgivably beautiful with her sequined tee and skinny jeans. She realized what she has gotten into and apologized with the kindest gesture. The professor gave her a hand and led her to the seat beside Vincent. She felt awkward. He was worse. They both sat like lifeless puppets with the puppeteer gone until she broke the silence.

“I’m Katherine,” she muttered. “Katherine Evans, glad to be your block mate”. She took it off with a smile that sent Vincent to hyperventilation. He couldn’t shake her hands. They’re already shaking with butterflies. The poor guy mounted his strength. He could not afford to lose the chance. “Vincent, Vincent Smith”. That was all and a nod. It was rare for Vincent to survive the thirty-minute nap attack but he did this time, although the victory seemed unnoticed. They enjoyed the remaining hour sharing thoughts and ideas with Vincent succeeding in all his attempts to stint his best jokes. He has come to know who she is at the basics-a transferee from Dakota University, a cheerleader and an adventurist. He also looks forward to know more about her in the days to come- hoping that she likes cheese, watching live wrestling fights and attending Sunday mass.

Perhaps she doesn't.

Two weeks was enough a time for the two of them to get closer to each other. They were both open to let the affinity they share to grow and blossom. It was very apparent that the two knew where their relationship is going and they both seemed ready for it.

Months have passed and the two were no more than couples. But Vincent was too overwhelmed of what he had let enter his life. Katherine is no Roxanne. She doesn’t like cheese, wrestling or Sunday masses. She was more self-driven, conceited and unwelcoming. Sooner he realized that he isn’t in love with Katherine, nor will he ever be. He just created his Utopia by painting Roxanne’s memories on Katherine’s facade. He believed to have loved again and he believed in vain.

It was a candlelight dinner at Katherine's and it was all set. She suggested it herself. She would always do this, steering their affair on a one man tag and turning the tides whichever she likes it to be. She seemed obsessed about Vincent, about their friendship, about their bond. This was her biggest mistake: to let Vincent get drowned in her self-consumed devotion.

Vincent is on his way. To break her heart.

When he came, Katherine pranced in glee. She presented the menu. And the drinks too. She was on the midst of telling Vincent her summer getaway plans when he told her to stop and listen. He undid it to her gently by taking all the blames, that it was his butter fingered actions which led them both bruised and bleeding. It was a self-defeating battle preordained by the gods. A tear fell down from Katherine’s eyes, and she didn’t want to show him more. She fled her way out the dining room with a tormented soul, like Aphrodite torn by Adonis, and hurried to her room with the banging of the door. Vincent was left with only the deafening silence, keeping his severed heart together.

As he sat out there slowly losing substance, he began to notice a set of picture frames that showed two happy faces, one of them Vincent was able to recognize in just a matter of seconds. But what puzzled him most is the picture's relevance to Katherine. He thought of a reason to make his way out the riddle. He looked closer to the girl beside Roxanne and found a spot of mole that was identical to Katherine's.

Vincent stumbled to a discovery he wished he had never known.

On the night Roxanne met death, she was not alone. She was with company. The girl that happened to live is Vicky Duran, Roxanne’s best friend. She was secretly in love with Vincent. And she was prepared to change her entire life for a streak of a chance that she’ll have what she was living for.

And she almost succeeded.

Vincent, still staggered on how things turned out insane, went to Roxanne’s grave. He shattered from an implosion of mixed emotions and he cried out like a child who lost his treasured toy. He curled on the ground with so much pain and bearing contained inside him. He called out Roxanne’s name with pure longing, bringing back his old self and his memories of that grey autumn, of that unwanted Friday that took her life away.

Footsteps cracked from the ground and Vincent ceased his outburst of melancholy.

“Let me end your misery,” a trembling voice came from behind him. It was Vicky, whose face is neither Roxanne’s nor Katherine’s. It was a face of a hopeless woman, wretched and determined for something. She was wearing rugged clothes and she held a gun on her hand. To Vicky, living is no different from death. She has now understood why the very person she loves has turned away from her when she gave all that she never was. But the realization priced too much of her reality that she cannot anymore take back. She decided to **** him and then take her own life.

She pointed the gun towards Vincent. He jumped at her to take the gun away. They grappled on the ground, the weapon still on Vicky’s hands. Vincent managed to overpower her but she kicked him, tumbling back to the gravestone. A shot was heard from afar with a man’s cry.

It rained that day. Brown withered leaves of tall laurels hovered with the wind while branches of solitary Cypresses dance to every whirl. The breeze whispered to the clouds of grey, a mark of autumn’s return. Vincent crawled to Roxanne's grave. It was a weeping of a true love that echoed away. Raindrops keep descending from the heavens, washing away the blood that kept flowing to the ground of mud.  Perhaps, on the last moments of his life he found happiness, even from a love that was never his to keep.

 

- by Larry Potter

I've named him Peter or Paul
I can't pick
Purposefully picking pigeon names is preposterous
It's perfectly possible though
He's my pal
Peter or Paul
We met at the Pantheon
He prattled, pranced
Up toward my position
I wanted to pet my pigeon Peter or Paul
Put him in my pristine apartment
Perhaps Patrick?

In the absence of everything,
I felt a sheer yet painful bliss.
I longed for stimulation.
A soft breeze from a drafty window,
the whizzing of a broken furnace,
the shriek of the floor as it was pranced upon.
But all of these things would not be enough.
I am lonely because the hour is lonely.
But maybe we're not so lonely, because we're both here together.
The hour and I are not alone
because we both are lonely.

Nina pranced about
the lush green grove.
The pitter patter of her footsteps
like raindrops on the ground,
and her movements,
like a fog rolled through a valley.  
A white satin leotard
decorated with flowery lace patterns
A tutu that blossomed
from her slender waist.  
Hair elegantly tied back into a bun.
Face, filled with symmetry, lightly made up with powder.
Her cheeks flushed with a pinkish red blush,
but natural like her lips of pomegranate red.  

The grove,
short deep green ryegrass that rolls over the lumpy ground like moss.
Trees shade like many arms shielding many eyes.
The pure white light of the sun shone through the canopy in beams.
Nina danced furiously intent and
music box intricately
in and out of the beacons of light
as a ballerina should following a lifetime of training.

She was just another schoolgirl

Dreams of marriage and of kids

She had devoted parents

They loved everything she did

Nothing could deter her

from the choice that she had made

Turning seventeen, she left her home

in Forest Glade

Moving north to Epsilon

She chose another route

She would be a dancer

Taking money from the suits

She started slow in Epsilon

A club girl from the start

She had a phony i.d

But she sure could play the part

Was she a dancer or an actress

Seems she was one and the same

She chose to go as Crystal

Though that wasn't her real name

She danced a bit and moved around

The lifestyle she liked

She was dancing up in Buffalo

When she met a guy named Mike

They dated and got married

Soon a kid was on the way

When he found out she was pregnant

He packed up and moved away

She was nineteen and without a chance

To get a better life

Who would want a dancer

With a kid to be his wife?

Nobody that she knew

That would be for sure

And just like the little girl she was

She always wanted more

She had her son, named Ferguson

She then enrolled in school

She was gonna be a big thing

She would not be no ones fool

She chose to keep on dancing

Working late nights, dancing hard

Saving up her money

So she'd get her son a yard

She was still a little girl deep down

She still had real big dreams

She didn't want the normal life

She wanted the extremes

She was a dancer, mother, daughter and

A sutdent every day

She had to keep them separate

Had to keep her lives at bay

She'd many personalities

Depending on her place

She handled each role expertly

With poise and with such grace

By day she was a mother

And a student on the side

She did both of them expertly

And she showed off both with pride

At night she was a dancer

Schoolgirl, teacher, and much more

She would be a patrons fantasy

But she hid down in her core

The little girl she really was

Stayed deep and far from them

She was also now an actress

Dancing, doing things for men

At night when she was finished

She would go home to her boy

She would bend and kiss him as he slept

For he was her pride and joy

She'd then go hit the shower

Washing all their dreams away

She would wash away their kisses

She would make herself okay

Each night she'd play another role

To keep the men entranced

She would change her look up daily

As on the stage she pranced

They'd pay her for her company

And they'd worship all she did

But, all she ever thought about

Was something better for her kid

She finished school in record time

A manager she'd be

She took a four year course

And she finsihed it in three

She didn't have the money

To quite make her dreams come true

But, she now had a diploma

And inside, her pride just grew

She was now a feature dancer

She was the top of mens desires

But the job was getting weary

In fact, our girl was tired

She had her different roles to play

Still mother, daughter, and

At night a dancer actress

In an pornographic land

She'd go home every night and see

Her son there in his bed

She'd go and have her shower

And she'd kiss him on his head

She'd wash away the garbage

Wash away her hidden life

Once again she thought of

Being a mother and a wife

Normalcy, would not be hers

She'd have to move along

She'd done well for her young boy

She had not done too much wrong

A new life far from Buffalo

Would be the thing to do

She's now a mother and a daughter

And she might live next to you

She broke the chains that bound her

Used her dancing to improve

Made herself much stronger

And she then did up and move

Now she doesn't go home late at night

To wash away the grime

She can go home and go out to play

To give her son some time

The sad fact is there's lots of girls

But not as strong as her

They do not escape the dancing

When they end up, no one's sure

But Crystal, she's a hero

For she made herself move on

She's a mother, actress, daughter

with a super cool young son

Where she went I don't know where

But, she ended up on top

Ther rumours were she married

In fact they said that he's a cop

they say that she's still out working

In the clubs, out with the girls

But she's no longer a dancer

She's out showing them the world

She's helping them get into school

They confess to her their sins

She knows of what they talk about

For she's been just where they've been

She doesn't go by Crystal

She now goes by her real name

But, she might just live next door to you

And to tell would be a shame.

Beloved Country

To former days I can’t attest did a like occurrence happen before the fall of ancient Rome if so it is not
Recorded what is recorded is the words of Adam’s who spoke about the natural order of things including
The nations he said it is now our solemn duty to manage the decline of this great nation that has been
Birthed did this solitary figure that walked in the dark valley start from that premise or was it another
Form of truth the truth that was blatantly obvious was he like the prophet of old that was told to do
Things before the eyes of Israel each command from God was a man living out an example a living object
Lesson your actions are not without consequence your folly is the tolling of the bell of death this figure
Crisscrossed this nation it held the straining haunting memory of Woody Guthrie, Jack Kerouac but more
Tragic was it a man or not human at all a spirit an angel one thing to have him brush past you were
Drawn to study him intently there was an announcement brimming a pronounced knowing that was
Born upon brooding wings he wasn’t a chameleon but at times he was identifiable with our history as
The time in a suit the dust in his hair his whole being spoke simply twin towers 911 the word from he
Who keeps the nations in peace and safety said this never would have happened if America still prayed
And sought his inexhaustible favor the figure was heard to repeat over and over again Abilene a white
Headed five star General not much when you just say Ike but he was the one that was waiting in the
Wings ready to march onto the world stage in his hands the winds of war were tamed we entered a
Great time of prosperity we took the statement in God We Trust to the depth of our hearts and he
Responded as he always does to that kind of faith broke the grip of tyrants who threatened the world
We were benevolent even saved and rebuilt the lands destroyed by imbeciles who thought they could
Butcher innocent people and a righteous God would look the other way in their deaths justice shouted
The favored words of victory you don’t have to be strong just trust and I will fight your battles then the
Figure is seen in the Haight-Ashbury, San Francisco this is the dawning of the Age of Aquarius it’s also a
Nickel bag of marijuana Nam and a ****** revolution sets the country on a course that you wonder can it
Recover it was pinball on the big scale every thinker and crack *** was listened to you played the game
One brain trust put it that this all started centuries ago they said by looking back we can see how we got
Where we are and where were going they say our crisis today is from the foundation laid by the age of
Reason here are the writing of two essential groups the rationalists and the empiricists. In the 1600’s and 1700’s, strains of humanisistic, man-centered thought came together and flourished, producing a widespread change in assumptions about reality. A group of thinkers known as the Continental Rationalists, composed of Descartes, Leibniz, and Spinoza, assumed on faith the mind’s ability to function correctly, independent of any external guidelines for thought and independent of God’s revelations about his creation. The mind could build a sound, unshakable system of thought; they felt, by deductive reasoning from simple premises, reinforced by truths retained from the biblical worldview from which they could borrow for the sake of convenience.

Then another group of philosophers known as the British Empiricists took things a step further toward modernism. This group, composed of Locke, Berkeley, and Hume, denied the existence of the “innate ideas” held by the rationalists. All that man can know, they proposed, must originate in experience. All “abstract ideas” such as God or truth must derive from some sense impression in order to be intellectually valid.
You approach man in his mind you will find no guards to turn you back no resistance but the truly wise
That are built on this foundation it renders all that is false lifeless and harmless it says “See to it that no
One takes you captive through hollow and deceptive philosophy, which depends on human tradition
And the basic principles of this world rather than on Christ Colossians 2:8 false teaching respects not
Borders or fairness only the power of ruthless lies that seem light as feathers what harm can they do
Put the rest of the picture together feathers on a bird of prey will spread death and terror you walk
Unaware in a violent land you will soon be a victim without remedy and then the man that holds the
Highest office in the land says officially we are no longer a Christian nation but we are opening our arms
To all beliefs and systems of thought if that had been our history you wouldn’t know the world you and I
Live in first we would never had the blessing that enabled us to bless and build the weaker nations
Up where they could stand and make strides against ignorance and poverty I was at the store an old
Gentlemen was setting on a bench and he was shaking from a terrible ailment why didn’t I rush over and
Discuss Plato’s man cave I know in the right situation it has validity only to a point no I dropped my eyes
As my heart broke because of his situation he is my brother not one of a government but of a human
Fact I care because a real God a deity of love flows through my entire physical and spiritual life I don’t
Analyze create the perfect orderly answer I cry out in my lack of understanding please gentle one go
To him be his unshakable rock steady him on the inside the outside passes away that what our figure
Of this story knows we have such riches not in temporal realms but in those that will never falter they
Will only increase in coming days as glory is revealed my figure in this story shows we are being
Destroyed by forgetting who we are where we came from Abraham Lincoln said if we ever come to ruin
It will come from within I doubt if he ever dreamed it would come from the highest elected officials
Again this is all a bad dream if you make a personal and family altar he never has denied the cry of a
Humble and contrite heart this nation is yours not Washington’s fight for it on your knees or stand with
Tears in your eyes like the French when the devil incarnate ****** Pranced about in Paris tears of regret
Or tears that will usher in triumph

Poet do you recall when during days long done                      
Once when very young
You placed my scented kerchief beside
The small cross I always carried
On the wind we heard the clank of marching men
And the Tinkling of Bells
To my touch your armor was hot
Dust rose in great clouds and could be seen for miles
Unlike others your horse, fat from spring grass
Pranced and chaffed at the bit
So eager to leave, like you my Noble One
I rose to the promise of a kiss
But her lips were assaulted by your sweat and tears
You were violent
and that kiss
broke the strings and voice of my song
Now I no longer sing  
The Crusades are over the round table is empty   Women only sometimes dream of Gallant men                              
Weaving their fantasies through their poems and books
Funny thing though, the quest is very much alive and true
Recognized, known only to a few
And when meeting sometimes during that short passing
You can still hear Poet
The Tinkling of Bells
Enchantress speak to me and I will listen
Spin for me those golden words, so long departed, dark ages past
When truth was lost and light stopped burning
When reality was the sword and true love didn't matter
Birds were the only thing left singing and Camelot someones crazy dreaming
Stone tears, tolling of bells ringing in my ears
Left alone so many years and yet the vision
Is not lost nor the tears
What Cost?
Enchantress my heart was true what did I do?
Fingers falling on the frozen ground
His hair blood red, the face a frown, yet he's still allowed to see
He saw a door the light was shining as he sighed
As he moved alive into his dying
Deeds long spent flashed before his eyes of a lady in waiting
His lady of golden locks and of perfumed kerchief
His poet, spinner of words and song
Thoughts of two hearts beating yet as one
So far away he could not come
In a golden haze with divine grace the Goddess allows to see
To know at last a vision, no mercy, no innocent victim
A ribbon of moonlight covered the trees
He knelt by her alter
a knight on his knees
Pedals of roses crushed all around he remembers,  a promise broken
Of how he'd lost hope
A knowingness of what his life was and could have been
Again I remind you that truth had died, the Goddess she rested deep in slumber
Waiting the circle to complete
The knight knew then the Mothers name was nursed at her breast
And yet with no remorse betrayed her to follow the Quest
From his sword blood flowed in self righteous rage
And throughout all the land he cried, "the goddess is dead she died !"
Then as the vision fades with a jolt of pain so complete
He realises his true love, his  lady in waiting has died
Back on the frozen ground snow began to fall
He remembers how he'd hidden a locket deep in his pocket
Inside a trendle of golden hair plus an emrald so green
From the Isle of his dreams and the young maiden he'd left there

Still alive, alive with his dying to the goddess he screams
The locket still clenched tight in his hand
Now I know its heresy that men live only one life
One god one Christ guilt rides high a burden carried so long
Past all around, everyone can share, sin not someone else s duty to take away
Its our own responsibility, no innocence in the game we play
we write our own script
Earth a school house testing ground, We're actors in a play
Poet do you recall when during days long done
once when very young
Love is an open door listen to the whispering s of women
like we did before
The day the Goddess went to sleep all men died,
forgot how to embrace the Mother
Avalon lives I'll give you a clue there's nothing to do
,  you hold the key
It takes courage to be what you are. We've come so far, so many lifetimes
Traveling around passing each other on the wheel
Listen oh listen, can you hear the Tinkling of Bells

So my sweet Avalon
you who have the power to awaken in your dreams
Sing a new song you say
A tale not told, let the path create itself be bold
Now in this new day new age hearts are beginning to open
Twin Flames  together
Standing in their places of power
letting love in so it may flower
Following their own footsteps
not afraid of the fire
As a rule great power comes with dependence on each others fuel
Each receives a part of the other, that's
the golden rule
If you make Avalon your quest
I'll give you a clue
The magic of imagination is the surest tool
Use it wisely remember
that for every one who knocks the door will not open
Only Twin Flames hold the key
Love in it's purest form, the Token





www.thetinklingofbells.com

"ALTHOUGH I'd lie lapped up in linen
A deal I'd sweat and little earn
If I should live as live the neighbours,'
Cried the beggar, Billy Byrne;
"Stretch bones till the daylight come
On great-grandfather's battered tomb.'
Upon a grey old battered tombstone
In Glendalough beside the stream
Where the O'Byrnes and Byrnes are buried,
He stretched his bones and fell in a dream
Of sun and moon that a good hour
Bellowed and pranced in the round tower;
Of golden king and Silver lady,
Bellowing up and bellowing round,
Till toes mastered a sweet measure,
Mouth mastered a sweet sound,
Prancing round and prancing up
Until they pranced upon the top.
That golden king and that wild lady
Sang till stars began to fade,
Hands gripped in hands, toes close together,
Hair spread on the wind they made;
That lady and that golden king
Could like a brace of blackbirds sing.
"It's certain that my luck is broken,'
That rambling jailbird Billy said;
"Before nightfall I'll pick a pocket
And snug it in a feather bed.
I cannot find the peace of home
On great-grandfather's battered tomb.'

Socks that hide secrets
Socks that hide shame
Socks that contain
the shadows of pain

They once pranced in the dryer
They now slump in the drawer
They send little sock homing signals galore

Fermenting the anguish
Makes the smell much more tolerable

It was all part of the ineffable plan

This is not a ******* love story, but I was sure that I loved him.

I was mad at you for such a long time. That sounds so **** stupid and obvious. It's like, "Well no ****, I was angry." I wish I could be more poetic about us. I wanted to turn this ******* into something beautiful, but it just wasn't. It was ugly, brutal *******. But still, you swear we were perfect.

I honestly thought we were some June and Johnny Cash ****. You'd kiss my shoulders and ask to hear my poetry. I would read you something, and you'd just sigh, looking at me with those oceans. I wanted to swim in you, I didn't give a **** if the waves were choppy or the tide was coming in. I just wanted to be with you.

The night we drove up into the Hollywood Hills and just stopped the car. I'd seen that view before. It wasn't new, just some lights. A city. But the proximity of our bodies sent my head spinning. You leaned against the fence and told me about your family. I wanted to just kiss you and look at all those stupid, beautiful lights with you. I thought wow I bet no one has ever seen a view this beautiful before. But I wasn't talking about the city.

But, we were not June and Johnny. We were the movie version. You were some method actor and i was the poor girl you were running lines with. Only, I was unaware. You see, I thought we were falling in love.

You projected your love for another onto me, and when you realized I wasn't the girl you dreamed of, you let go. Put me out and stepped on me just like your ****** Newports. You pulled out the smoke and mirrors (yet again) and did your famous disappearing act, one i knew all too well. Our fingertips unlocked and you pranced away like it was nothing. Like I was nothing.

And i believed, falsely, that  I was nothing.

Maybe that is why you shut the door to my apartment and walked straight into her arms. I was not enough, or she was just more. I wasn't your June. I was a body and hands. A mouth. God, how you loved my mouth. Someone to hold all you skeletons in my closet, to stroke your back and ego when you needed love. That is all that i ever was. But she was more, and i fell to the ******* floor when i heard your footsteps stomping down my staircase.

I stayed there on the floor, looking up at the ceiling and making note of each crack and imperfection. I am so ******* stupid, I keep telling myself. I couldnt get up from that stupid floor. Everything was stupid. I hated myself. I hated you guys together. I hated that just a week before, you came to my hometown and ****** me in my childhood home. You ****** me in the house my dad died in. I ******* hated it all.

I was in some shell-shocked denial, the kind that took a hold of my legs and gave me some weird paralysis. I did not want to believe you were that kind of man. Or maybe, that i was that kind of woman. The kind of woman who could be destroyed by someone walking away. I had lost my dad. I had lost more important relationships. You shouldn't have meant that much.

I didn't want to admit how much I had invested in you. I didn't want to hear your words like surround sound. Your ******* ******* words. "I haven't felt like this in such a long time. Maybe ever." Stop. "Its ****** ******* insatiable, Kacie, I cant get enough of you." No. I couldnt use my legs to get back up.

A week later, i went home. I was so sick with everything that had happened. I was so terrified I'd run into you o camous, or worse, run into  you with her. I knew my legs would give out if that ever happened. I'd just be strolling along, headed to my screenwriting class, and there I would see you both.

Happy. Cute. Blonde. Together.

And i'd ******* want to die and my body would stop working. My legs would stop. I would fall over. I'd be on the floor in front of everyone saying, "No, I am fine! don't worry!" she she would look at me with some disgusting sympathy. Like, "Ohhh, you poor thing! I'm sorry! We didn't mean for this to happen!"

I just couldn't deal with it. I needed to go home.

I got home while my mom was still at work. I opened my door and dramatically flung my near-lifeless body on the couch. I was just so done. I wanted to hibernate for the next five months. And then, when i started to silently cry, a furry angel jumped up and joined me. Bo, the dog my dad adopted only a month before he left, nestled his giant head into the crook of my neck. I cried and he kissed me. I buried my head into his neck and just sobbed into this beautiful, loving creature.

He loved me in a way you never did, or could. And the sad truth? I'm not sure you know how to love anything deeply the way a dog loves.

But I do. And now I am twenty years old, giving all of myself to a man who saw what you did years too late.

And so, I awoke
Where no sorrows are awakened.
Distant galaxies sang, pranced, and danced in the glee of the night
Eon long, lost constellations realigned and with joyous relief
Whispered beneath the chill of the autumn air,
“Oh, sweet child o’ mine,
He has moved your soul to happiness.
He has given life a new understanding,
Love a new meaning.”

Undoubtedly, that was true;
For thine words are so sweet,
So kind,
And so pure.

And though the future is uncertain,
To awaken to your bliss…
I cannot imagine more heavenly than that
And in those moments of realization
My heart,
I promised to you.

i only noticed it today - from the wide opening spaces,
the scarce forests and horses grazing -
where everyone around here looks very much feral -
and even behaves feral - it's sometimes eye-opening
seeing the big city - the rat channels - the avoidance
of staring each other in the eyes -
the number of mobile phones in almost constant use -
a grant antopia that London and other cities have
become - behemoths in their own right -
but what's most eye-opening is the perfect skin
of the populace - i can almost claim a Joseph Merrick
appearance - relativity has nothing to do with it -
the 21st century and the Victorian era are completely
two different swarms of fish - Londoners' perfect skin,
with mine like fields of Ypres during world war two -
or quiet simply: mine the moon-face - littered with
tiny bullet incisions - even if i wanted, on this
basis i wouldn't land an executive job - an office job -
these people look for pampered - so docile even -
busy docile, but so docile - and once in a while you
see a glimmer of what it's all about - a public show
of affection - a couple lost in a moment between one
underground train and the next on the tube platform -
it's mesmerising seeing such moments, such is
their rarity - for you know judging by the overall
consensus - that so too is rare an old couple - as also
a family outing - the consensus speaks a different urbanity -
not such Edenic delights in the firestorm of concrete
and sweat and fast-food outlets, overpriced beer and overpriced
coffee - priced according to the postcode and the view.

but enough of that... the ballet! the first time i went
to a ballet it was to see *swan lake -
i was put off - a sour taste on my tongue, i thought
i'd give all future ballets a pass -
then Bolshoi came along out of the blue -
i had someone else's ticket, so i went for free -
i could be all hot-air ponce puffing that it's Bolshoi -
and as if by miracle... i fell in love -
the main reason? when i went to see the swan lake
it was like watching an enlarged centipede
stomping on the stage - it was staged in the Royal
Albert Hall... they also play tennis in the Royal Albert...
the ground is too hard... when the swan lake
ballerinas pranced en pointe the centipede was out...
it even managed to overpower the orchestra -
the great en pointe centipede of royal albert hall -
the difference! the difference! when ballet becomes
silent - effortless - as it was today at the royal opera
house with a softer stage - given the play, i was
expecting the ballet dancers to imitate a bull's hoof
hitting the ground before charging - that came,
since we had matadors on stage - Don Quixote was
there too (obviously), but more in a comic role
as sheer presence - if the character danced, the whole
adaptation would have been a complete failure -
ballet and romance - who would Don Quixote dance
with, a ******* windmill? he's cameo compared
to the dancers - and all the more effective, since the
opening scene is wholly dedicated to him,
when he decides to go on his quest - Sancho runs into
his house with stolen meat, three women are after him,
so Sancho decides to hide under Don Quixoté's table  
(yes, they pronounced it with an acute e, otherwise
tongue-waggling business-as-usual); but to be honest
act i through to half of act ii doesn't feel like ballet at
all - not like swan lake felt like by comparison,
there are accents of ballet - accents as in that soloists
performing with what would otherwise be a bubonic
plague of other ballerinas missing - not to mention
that some of the soloist feats are done with the legs
being kept a secret / i.e. hidden - we get flamenco
dancers, not ballerinas - i came here to see Bolshoi
flamenco? well that's the good part - then all the
Spanish allure vanishes - phoom! puff! it's gone -
Don Quixote is taken ill and collapses in a forest -
loses consciousness and wakes into a dream -
boom! 30 odd ballerinas on stage dressed in tutus
of light azure - out of nowhere in the middle of act ii
and all the way through to the end of act iii we have
pure ballet - all the techniques, from
a (pirouette) à la second - a brisé - a fouetté -
a male grand jeté - everything you can imagine basically.
thank god Don Quixote doesn't dance but is the cameo
vehicle moving things along - fighting with windmills
or dancing ballet with windmills? i'm not too sure now,
it's more fun i suppose having actually read the book -
in the ballet the windmills' debacle comes much later
than in the book - it's like this two part story -
just before Don Quixote collapses in the forest and
the ballet begins - we have three giants swirling on stage.
on a less gratifying note though - so many Russians
in the house - i guess paying to see Bolshoi in Moscow
must be expensive, cheaper to fly to London and
see it here - but then again... why am i surprised or remotely
bothered? i could have been as level headed in my
analysis as Kierkegaard at the theatre - but i can't -
the music is too intoxicating, the body language too
architecturally sound and impenetrable -
all i can say with an honest heart:
DON'T GO TO SEE BALLET AT THE ROYAL ALBERT HALL
(you'll be watching a centipede dance),
SEE IT AT THE ROYAL OPERA HOUSE -
can't get a better summary than that.

when i was little,
i used to read those books,
you know,
by shel silverstein?
where the sidewalk ends,
and
a light in the attic?
there was a poem in one,
and it went like this:
"Last night, while I lay thinking here,
some Whatifs crawled inside my ear
and pranced and partied all night long
and sang their same old Whatif song:
Whatif I'm dumb in school?
Whatif they've closed the swimming pool?
Whatif I get beat up?
Whatif there's poison in my cup?
Whatif I start to cry?
Whatif I get sick and die?
Whatif I flunk that test?
Whatif green hair grows on my chest?
Whatif nobody likes me?
Whatif a bolt of lightning strikes me?
Whatif I don't grow taller?
Whatif my head starts getting smaller?
Whatif the fish won't bite?
Whatif the wind tears up my kite?
Whatif they start a war?
Whatif my parents get divorced?
Whatif the bus is late?
Whatif my teeth don't grow in straight?
Whatif I tear my pants?
Whatif I never learn to dance?
Everything seems well, and then
the nighttime Whatifs strike again!"
and that poem sticks in my head,
a lot.
because,
really,
"whatif's" control my every thought.
my "whatif's" keep me,
all in check,
when they breathe their "whatif's",
on my neck.
they keep me waiting,
watching,
and wary,
"whatif" life, wasn't so scary?
"whatif" i could live,
and not be so afraid,
"whatif" i was sure,
of the choices i've made?
i guess i'll find out soon,
but "whatif" i don't.
to be honest i'm scared,
that maybe i won't.

Luke was such a dreadful fidget
He couldn't sit still for a minute
He'd toss and turn all lesson long
Like a caterpillar crawling on a cattle prong
He'd flick his rulers, click his pens
Cluck and fuss like a headless hen.
His tutor, a tall and sombre man
Was struggling with his teaching plan
He'd taken three days to prepare
But Luke was more than he could bare.
"Right! That's it! I've had enough!
If you don't stop I'll call your mum.
Unless you're really in fact quite ill
I'd advise you to stop it. Oh do keep still!
I'm just about to lose my mind, oh Luke
You're being quite unkind!"
But Luke was on a sugar high
"I can't stop!" He said, "I don't know why!"
And with that he jumped up, began to dance
He leaped and swung and swooped and pranced
Till all the neighbours gathered round
To gaze and gawk at this unsightly sound...

I've always been cold until I visited the Far East and you pranced into my life like a wild gazelle in the grasslands. I've always been cold until you laid your head on my chest while you fell asleep and the aroma of your cocoa brown hair intoxicated me to the point of snores and the most pleasant dreams I've ever had. I've always been cold until you wrapped your arm around my stomach and I could feel your veins circulating on the contours of my abdomen. I've always been cold until you looked at me with your macchiato eyes and my state of matter went from solid to liquid as I tried to construct myself back together like an artist sculpting an ice statue outside in the middle of May in Mexico. I've always been cold until your kiss electrified my lips like an underwater eel and I felt 12,000 watts circulate my body bringing to attention every cell that flows within my valves. I've always been cold like an iceberg near the Antarctic and nothing's ever changed that. Nothing except for you. Thank you for being my fireplace in the middle of an ice cold winter. Thank you for being my heat.

Someone's knocking at my door
In the middle of the night
From a warm be into the cold
I think I got my first frostbite

As I opened up my door
I saw a ghostly figure on my porch
A lady all dressed in white
With an unlit torch as her light

Her jet black hair was flying wide
She looked so feeble, oh so mild
Her dress was dancing everywhere
And on her face showed fright

She had such a perfect face
And she came from a mixed race
She said,"Please help me,
I'm being followed by a plight."

I led her into my home
She ran away from my statue gnomes
And when I held her hand
It was so cold and tight

Her lips were bleeding, so was her head
On her dress was drops of red
I let her sleep on my bed
And slept on the couch that night

We danced and we pranced
In my dreams
I was awoken
By the sunbeams

I ran to her
For I heard screams
And at her foot
I saw blood and shaving cream

She said that is wasn't what it seamed
It's cherry syrup and whip cream
I thought that she cut herself while taking a shave
I felt so ashamed and naive

Dreamt of a devilish woman
dressed in scarlet,
and dancing to her heart’s content

She twirled about,
her dress all a-twist,
coming to face me, as if terrified.

No eyes, no lips, no nose--
her hair was dark chocolate,
yet lacked the normal luster

Dainty feet pranced toward me
****** dress gently gracing about her frame,
Featureless face attempting to smile…

For a moment I was frozen;
To run, to hide, to make her mine.
She chose, rudely, without asking me.

Arms came ‘round my neck,
—Ice on death
Without a thought I ****** her away; disgusted.

Her mask split open
a thousand ugly, jagged teeth;
graveyards and dirt came to my nose

No more elegance in her steps,
She sprung at me—

There was a snail (named Dale)
with a very long tail
who ventured off into the world.
He said to himself
(Dale the snail)
I'd love to meet a bootiful goil.

So in a flash from space,
with mucus running down her face,
came an alien creature called Joan,
She saw a silver line
(it was a snail trail)
and followed it to see where it goes.

And far in ...the distance
she saw in an instance
at the end of the snail trail sparkling in the sun-
A slimy and sweet
creature she'd love to meet
with a shell on his back for a home.

She said:"I do declare,
you look dashing and fair"
as bubbles oozed from her eyes.
Dale just blushed,
as his face lit up,
and said: "aw you're just saying that you sassy young blob of an alien gawjus sweet thing with no hair :)"

She looked at this tiny dream of a slobber,
he was in awe at her globber.
But their hearts sank at their difference in size.
She was glandular large
like a bright yellow barge
and he was as small as a splarge.

A stick insect saw -
the tragedy of it all
and came up with a very cunning plan.
He knew a wizard once
who ate snails for lunch,
they could trick him to changing her small...

As he told them the tale,
their faces went pale
but their love was too strong for the fear.
So they  slithered and shlozzered
to Joan's flying saucer
to find the castle of Wizzy the ****.

The wizard was waiting
with his eyes full of hating
and a knife and a fork in each hand.
There was garlic and salt
that he took from his vault
and he drooled on his beard as he sang:

"Alien Shpeegle
with shnails in shmeegle,
a delightful shurprishe for a man!
Groggy my groach
with shome shlime on my toasht"
and he pranced and danced with his band.

The spacecraft landed,
unexpectant of ambush,
the couple wanderd on in.
Wizzy swung from a rafter
and trapped Dale in a corner,
and said: "My you'll go well with my Shtew!"

Joan got mad
and rolled on to her lad
and ****** the wizard into her goo.
She suddenly felt all tingly
as she turned into a twinky,
there was nothing more she could do.

The Wizard escaped
and poor Dale met his fate,
and was smeared on the twinky sliced in two.
Wizzy gobbled them up
with some glee in his cup,
and then succumbed to food poisoning goo.

So it seemed that it ended
on that dark cold September,
for the lovers who's loving was doomed...
But on a planet far away
at the early break of day
two souls bubbled in primordial stew.

An amoeba named Dale
and an amoeba named Joan
were floating in bubbles of gas,
So deep the attraction
-the magnetized action,
they could now be together at last. 

We’d all been out to the Carnival,
Had chilled and thrilled and cried,
And Patsy laughed that she’d wet her pants
On the killer Monster Ride,
While Orville’s face was covered in floss
In a pink and sticky goo,
And I limped past the Penny a Toss
With something stuck to my shoe.

I’d won a horrible Voodoo Doll
That I tried to pass to Kate,
She said, ‘No fear, if I took that home
I would just lie there, awake!’
We’d had our fun on the Octopus
Though the Mouse had made me sick,
And the Big Wheel stopped in a passing cloud
At the height of a laughing fit..

A spider deep in the Ghost Train came
Unstuck in Patsy’s hair,
And Kate had shrieked, for Patsy had
No clue that it was there.
We threw it one to the other, first
To Orville, then to Jack,
But then it landed on some old dear
And gave her a heart attack!

We laughed and pranced and we danced beside
The sideshows – ‘Way to go!’
But Orville fumbled the rifle and
He shot some guy in the toe,
We had to run but were laughing there
So hard, and fit to bust,
That Richard ruptured himself out there,
And now he’s wearing a truss!

The time it had come to wander home
So we wiped off Orville’s goo,
But I had trouble in walking with
That thing, still stuck to my shoe.
I slid and wiped and I scraped at it
But nothing would make it budge,
Said Jack, ‘Just what do you think it is?’
I replied, ‘some sort of sludge.’

We got to the edge of the fairground
And the others wandered home,
But I was stuck, I couldn’t move,
I was standing there, alone.
And then my foot had begun to turn
Back to the lights and sound,
I felt myself, being impelled
By my shoe across the ground.

I tried to twist and I tried to turn
But my shoe was saying, ‘No!’
I had to follow wherever it went,
Wherever it wanted to go.
It took me back through the alleyways
Still lit with a thousand globes,
I felt a bit like a Brahman Bull
With a steel ring through my nose.

It dragged my foot through the mud and slush
And the other followed too,
I didn’t have much of a choice, I thought
As long as I wore the shoe,
It led me in to a darkened tent
With a dais, up on high,
Where a shadow sat in an old top hat
With a single gleaming eye.

The shadow opened its mouth to speak
And its teeth were long and sharp,
‘What have you brought me now to eat,
Some dross you found in the park?’
The voice was deep, was a muffled growl
And it shook the earthen floor,
The shoe was dragging me forward as
I turned for the flap of a door.

I felt a wrench and the shoe came off
So I hopped and ran like mad,
The growl of the shadow had freaked me out,
It had to be more than bad!
My father gave me a hiding when
He found that I’d lost my shoe,
He wouldn’t listen when I exclaimed:
‘You would have lost it, too!’

Next day the shoe was sat at my door
Its prints deep pressed in the lawn,
I couldn’t have put that shoe back on
If the Devil had blown his horn.
I took a stick and I picked it up
And dropped it straight in the bin,
I couldn’t go near a Carnival now,
I’m too attached to my skin!

David Lewis Paget

If sleep is the cousin of death then all of your dreams must reside on your breath
But death is as constant as the rain
So Like a lions mane wear your dead dreams sewn together proudly like a grass skirt in a luau in Maui

I see, and i know that no one is perfect but was jeopardizing our entire way of life worth it? I know i just discussed dreams earlier on in this piece but please allow me to indulge and talk about this elephant in the room.

Why is it that you thought that a man who is of African descent and a woman would lead us to our doom?
See, like Kennedy a lot of us had dreams of going to the moon and making a difference in the world more impactful than taking off the rest of the day at high noon,
Soon he'll be in office and i can't change that but let's face facts
We stood by and allowed your ignorance an audience we built your hate filled echo chamber that is certain parts of the information superhighway internet

O-******? Classless? Slime? January 20th the end of an error?

We all saw the comments on all the news pages and while those despicable words enraged us we know free speech is a part of what made this country
We have to take the good with the bad but, i do have one request.

Don't expect me to give him a chance as he panned and pranced all over the people who built this country off of our ancestors backs...
Don't expect me to not take him to task lyrically because maybe it'll be all that i have.

He. Is not. A president.

So like i said, sleep is the cousin of death.
But wake up friends...wake up for the mistakes we have to correct...

The dog firmly placed his chin upon the old
man's knee, stirring him from sleep in his chair.
The only light in the room coming from the
television screen. The dog's gentle message
being, "Time we go to bed" dear friend.
A ritual event occurring more often now
and most likely tomorrow night again.

As the man slowly stood the dog pranced towards
the door, to go outside and do his required business.
The man also to the bathroom did retire, brushing of
teeth and to attend to his own urgent business.

Six years of twenty four seven companionship had
bonded them forever, each knowing the other as
only best friends or family can, both fully habituated
to the other's needs and routines.

The dog sat upon his own bed, close by to the man's
bed,  patiently waiting as he always did. The man leaned
down and took the dog's face and head into his hands,
forehead to forehead they paused while silent endearing
messages were, like every night, conveyed and mutually
affectionately received. Love as real as any.

The man climbed aboard his own bed, donning his CPAP
mask like a pilot before take off and arranged himself
in his fully-automatic-adjustable bed, then clapped his
hands twice to extinguish the lamp on the bedside table.

"Good night buddy, we'll have some more fun in the
morning." the man murmured, closing his eyes to sleep.

Another day ended as most now do, as will, all their
remaining shared tomorrow's.

Sadie was a doubtful one
Her mind was tightly shut
When faced with the fantastical
She’d fold her arms and tut
She pranced around her garden
With an playful evil aura
And dealt a merry flattening
To all that passed before her
Their bodies lay around her
And an imp of mischief found her

She loved to trap and poison
And wished she’d been a spider
When a fizzing overtook her
When a rumble grew inside her
When a shrinking and a shrivelling
Across her form did tickle
And soon did Sadie realise
That wishes can be fickle
Her legs and arms divided
Her eyeballs multiply did

So sorry Sadie scuttled
Alternating creep and crawl
She tippy-toe’d across the grass
And past her victims all
And sadness was upon her
And with mourning in her eyes
Her grief compounded hunger
And an appetite for flies
Her lengthy limbs belied her
Sorry Sadie was a spider

She loped along a lily
And her sorrow turned to guilt
Her carapace was aching
For the blood which she had spilt
She wept a web of anguish
With her sticky little tears
She wound a downward spiral
Like the falling of the years
Her malice had been stunted
Her fangs were dull and blunted

Sadie gained existence
On a web of worldly woes
She fed her tiny tummy
Where the buzz and flutter goes
And she learned the price of living
So she killed just what she ate
And she knew why killing needlessly
Was such an ugly trait
And with a human soul inside her
She chose to be a spider

If I want my gypsy life,
My solitary dream
It does require a sacrifice,
More than I can exprime.

Car dans ma vie bohémienne,
Je dois me tenir seule
Même si mes sentiments m’amènent
À vouloir être en deux.

Je sais que dans ce jeu de rime
Je râte ; quand-même, j’essais
Car sûr mon cœur tes yeux s’impriment :
La lumière that day.

The candlelight that twirled and danced
And lit up eyes and hair
As deep inside something woke, pranced
And breathed a fresh, new air.

This was something I'd never had:
Un sentiment profond
Regretfully I leave, though sad;
Mais l'route gitane, c'est longue !

It was getting dark when I exited the Port d’Orleans metro station. The cold air hit me instantaneously, seeping in between my clothes and skin. I tighten my long coat around me, readjusted my back pack, and pulled out my phone to confirm the address of Tango à Paris. It was only two blocks north of where I was standing.  

It was my first date with Séraphine. I had suggested dinner. She suggested something less formal, a bit more active, how about tango, explaining her studio gave a hour long introduction before the milonga. I agreed, as I had taken a year of tango, and felt confident I could keep up, maybe even impress her.

I’d wondered how she kept her 5 foot 8, 130 pound-ish physique, swimmer lean, and now I knew, she was a dancer.

I liked this part of Paris, the 14th arrondissement, L’Observatoire, clean, tidy, having the look and feel of a Nordic city like Olso or Stockholm. The sidewalks were full of interweaving professionals, eager to get out of the cold, the drizzle, and home to their loved ones.  

I walked up L’Avenue du Général Leclerc till I got to No 119. I pressed the buzzer and heard back, “oui.” “I am here for the milonga,” I said. The door buzzed, I pushed it open, entering a small foyer with sign pointing up a staircase to the first floor. I could hear the muffed sound of music and feel the movement of bodies dancing upstairs.

I climbed the curved wrought iron staircase, the old wooden stairs creaking softly with every step. I saw the studio immediately: two traditional French doors swung open, exposing a gymnasium like dance studio, with clean, golden yellow oak hardwood floor. Men and woman dancing, swinging and spinning about.

I entered the studio, paused, and looked around. At the far of the room was the DJ, sitting at table, with two loud speakers on stands pumping out music at just the right volume: loud enough to feel the music, low enough to talk your partner without having to scream in her ear.  

To my left, people gathered around a table. I walked over, they were writing their names with a felt tip pens on self adhesive name tags and placing it on their chest. A woman turned around and smiled at me. “Bienvenue,” she said, “I’m Jolene.” and extended her hand. “I am Damien”, I replied, shaking her hand politely. “Is this your first time here,” she asked. “Yes,” I replied, “I am waiting on a friend, Seraphine.”

“Mais oui,” she replied with a smile, “she is one of our best dancers, talented, if not gifted.” Her head turned slowly towards the doors, my eyes following.

In the door stood Seraphine, wearing a spaghetti strap, damask black on maroon tango midi dress, slit high up her right tigh. Her shoes, opened toe, black thin strap heels, showing off her matching blood red toe and finger nail polish and lipstick. Her eyelashes thick, black, eyelids smoked dark, giving her the stereotypical look of a femme fatale tango dancer.  She was gorgeous, seductive, awe inspiring, like Bouguereau's The Birth of Venus. How could a man resist such a siren. She was goddess among women.

She walked over to us, said, “Bonsoir Madame,” and kissed Jolene
twice on the cheeks (faire la bise) as is customary among Parisian friends, then  turned to me, touched her cheek to mine, making the mwah, kissing sound.

I was intrigued. The kiss implied no longer an acquaintance, but in her inner circle of intimacy. It had subtle implications that set my mind racing about the meaning; it was also maddening, like trying to see a completed jigsaw puzzle while only holding one of a thousand pieces.

“Ca va,” she asked, bypassing the formal “comment vas-tu” greeting. “Ca va bien,” I replied. “Your dress is stunning,” I said. “Thank you,” she replied, with confidence.

She sat down, ruffled through her bag, and pulled out ecru opened toe tango shoes. I couldn’t help notice her feet, delicate, feminine, absolutely exquisite. I also couldn’t help noticing her tigh, exposed through the slit of her dress.

Before she could get up from the chair, an older man approached, extended his hand, which she accepted. She stood up, looked me in the eyes, and said, “it is rude to refused a dance when asked.” They walked to middle of the floor and started to dance to a slow, sultry, Spanish guitar piece. I sat down and watched. She didn’t just dance, she pranced, shook, and swayed her hips as only an accomplished Latin dancer could. It was amazing to watch.

The music repeated, slowed, and concluded. They walked off the dance floor, to the beverage table, topped with a variety of multicolored bottles of wine. He poured two glasses, offered her one, as they talked, she smiled and occasionally laughed. He bowed his head slightly, touched her upper arm, and walked away, as a cortina started.

Seraphine poured more wine in her glass and poured another glass, walked to me, and offered it. I took it, deliberately touching her hand as I did. She sat down, crossed her legs, the dress sliding aside, exposing her tigh, and asked me, “do you dance monsieur.” “Yes, mademoiselle,” I replied, as a new tanda of spanish guitar played. She stood up, extended her hand. I took it, stood up, and lead her to the middle of the floor, dodging couples along the way.

“Tango”, I asked. “Yes,” she replied. I move in close, wrapped my right arm across her back, pressing her body tight against mine, extending my left arm out in position, palm open. She carefully placed her hand in mine, her forefinger on my thumb, her thumb on the radial artery on wrist, as if feeling my pulse. It struck me as odd and was curious as to why.  She’d done it in a such a methodical way.

Her hands were warm, soft, supple, dewy. She closed her grip and waited for me. I swayed gently to the beat of Tango D’Amor by Bellma Cesepedes, as she rhythmically matched my body. I stepped back on my right foot, holding her tight, bringing her with me, then left,  then forward. My chest pressing into hers. My leg brushed against her tigh as I moved, slow, slow, quick, quick, slow of the basic 8 count. I paused for a second, for her to cross then pushed forward, slowly turning to avoid couples.

I sensed her body heat, felt the wetness of perspiration on her back, smelled the earthiness of her scent. She radiated animal magnetism. I couldn’t, nor wanted to resist her. I knew I was a moth, she the flame.

New music started to play, Fuego Tango by Athos Bassissi, a traditional fast staccato accordion piece with a distinct beat for walking, turning, and swaying. I placed my my hand between her shoulders. I couldn’t feel a strap. She wasn’t wearing bra. It felt intimate, seductive, only a thin layer of cloth between us.

She pulled her head back, looked at me in the eyes, and said, “Tighter, I need to feel you, your body, your moves, so I can respond to your body.” I wrapped by arm completely around her, pulling her tight against my me. My primal urges welled up. I wanted her, to kiss her, to protect her,  to provide for her, have and raise kids with her. I felt stronger, more powerful, like a man. I wanted her in my life before she disappeared forever.

She placed her forehead on my temple. I rocked back and forth catching the beat, stepping backwards with my right, and we started to dance, slow, slow, quick, quick, slow, in a vertical expression of horizon desire.

Bending my knee, sliding forward, my chest pressing against hers, pushing, stopping, shifting, subtly twisting, I signaled a backward ocho. I waited for her, than slide to the left bring her with me, waited for her to pivot then slid right, bringing her with me, then waited for her to center. I walked forward, stopped, signalling for her to cross. I waited for the beat then finished my eight step basic.

I could feel her breath on my cheek, fast, hot; felt her breathing, her chest rising, falling sensuously. She felt good in my arms, as right as rain. I liked holding her, feeling her so close to me.

I started an eight step, stopping at the cross, signaling her to move right in preparation for a scada. As she moved, I stepped between her legs, pivoting her and me 180 degrees, repeating the step 3 times, bringing her back to cross, and finishing the step.

I heard her audibly exhale, relaxing in my arms. She was giving up control, learning to trust, surrendering to me. And I, was one with her, nothing else mattered, all else had disappeared. I was in a state of deep mediation. She was the now and forever.

The music stopped, I looked at her, noticed the glow in her cheeks, felt the warm moistness on her back. But most of all, I noticed her dilated pupils. The glowing sapphire blue of her eyes, replaced by a fathomless blackness, which I fell into.

She looked into my eyes with a gentleness, a knowing, and smiled. A new piece started, Rain, by Kantango, clean, crisp, staccato. I moved, walked, slid, in step with the beat, losing myself in the sensuality of the music and the movement of the dance.  I pressed her tight against my chest, sliding forward, rock stepping backward, holding her tighter as I did a single axis spin. I heard her sigh in my ear and felt her body relax. I slid forward to the staccato rhythm, dramatic, forceful, almost charging.

I stopped and lean to my left. She extended her right leg back, and planeo-ed as I walked her in a circle, side-by-side rock, then to neutral. She tighten her hold, pressing me into her chest, her touch telling me so much, screaming her arousal.

I slid forward, to the side, staring an 8 count to the cross, going into a backward ocho, I shifted my weight, taking her into a moulinette, twisting to the right then to the left, as she elegantly danced around me, back to 5 to complete our 8 count.

I was no longer thinking, just feeling, one with the music, lost in the sensuality, in a type of bliss. I walked forward then back, turning her to the right. To my surprise, she extended her left leg, whipping it across the floor, then back, wrapping it around my leg, slowly sliding her calf up my leg, then unwinding to neutral. I walked forward, she spun around, and slowed her walk. My body colliding, pressing into her’s as we slowly stopped. She turned her face towards mine, raising her hand, touching my face, my cheek, gently turning, bringing it towards her’s, towards her lips. Just as we were going to kiss, she turned her face, my face plunged into her hair, the back of her neck. I could smell, Poison by Dior. I kissed the back of her neck, squeezing her slightly, as she moaned ever so slightly.

"Once upon a midnight", ghostly,
Partied many, dead ones mostly.
Feasting in the graveyard, sprightly,
Black fanged werewolves gorged, engrossedly.

In the bone yard, drab and squalid,
Apparitions (staring stolid
Neath the veiled moon, clouded lightly),
Sought fresh bodies, lean but solid.

Fiendish eyes shone, light and sparkly,
Ghouls and demons danced, so darkly.
Maggots munching mush unsightly,
Black blood streamed like ink, quite starkly.

Fetid flesh oozed, flowing freely,
Through the crypt doors, cold and steely.
Shadows, ashen, pranced contritely,
Ebon serpents slithered eely.

As it happens, all too often,
Zombies dimly closed the coffin –
Ra, the sun god, rising slightly
Hunger pangs were soon to soften.

If you ask, I’ll tell you blankly,
When you’re feeling dark and dankly
Come to where this happens nightly.
They’ll enjoy the feast, quite frankly...

;-)

Apologies to EAP

There once was a young candy-striper

Who pranced about town in a diaper

When asked 'bout her fancy

And why she was dancey

She said, "Look out man, it's a ******!"

Blast it!
We've put our eggs
in the wrong basket,
and now Little Liberty has dropped them.

She's dropped them.
She's dropped them!
She certainly did,
She dropped them!

Each egg splits, cracks, breaks,
all despite Liberty's bleeding
colors. Faded, young
hatching prematurely;
before their time.

Liberty heard her love-
boyish ruckus in The Bush.
Hurriedly she did run;
giving all her aide.
Unfortunately, careless Liberty did not see:
All our eggs are handled irresponsibly.

Soon after little Liberty's Bush date,
she saw what she could only surmount to fate:
Poster slapped to said Holy Tree,
plastered with Allah's face.
Hating those jihadist anyway,
Ignorant Liberty unloaded her bounty-
upon the sacred man's face.  

It took a while
till Liberty thought,
looking down,
but by then,
we all thought it all too late.
But ,Little Liberty being supreme,
(totally Grade A,)
finally remembered to put the lid down.
Ah, now that should seal our fate,
her reasoning as she bounced and pranced away.

But just before she reached her people,
her sickness burst,
her pride was shook,
she couldn't show her face.
Afraid of what her people might say-
she reopened said lid, state of panic
flipped the basket promptly 'round.
All the little eggs crumbling to the ground.

Babies dispersed;
Children burnt and broken;
not to mention all the vital yolk;
nasty stuff and what a mess-
now onward to face my people.

But all is well;
she gives her spiel
about the alleged evil-doers.
People line-up,
hypnotized-
ready to give their last;
service, duty, and loyalty too
all for Little Miss Liberty.

Quite the siren, ain't she?

The incandescent lights, the crowded subways,
The penetrating fumes, the worried pace,
The ticking clocks and the rushed sweat,
The heavy breathing.
The city moans.

A man welded into a sea of bodies,
Sweat hanging from his frowned brow.
Shaky hands and an empty stare.
A quick pace walks unperceived.
He cannot be seen.

A cellular phone buzzes into his ear,
Vibrating inside his wealthy pockets.
A raggedy angry man shouts,
Like the constant bickering of his wife,
The commands of his boss.

Dark circles have replaced his eyes,
Moans have overcome his speech.
Leisure is an unobtainable dream,
Happiness is once again
An unknown deed.  

He stares from outside his window,
Confined within a wooden desk.
Stacked between a wave of duties,
He looks for an escape,
And a tempting distraction.

A thin-***** young woman, with
Child-like body, and undeveloped hips,
Walked without a pace,
Without rush, or march-like hurry.
She pranced, yes, she pranced.

Oh how her body danced,
Without worry, or clenching irk.
Her smile illuminated the beholder,
And her stubby figure, suddenly
Had become graceful.

She turned, her baby blue eyes,
And stared at him in return.
She extended her arm,
She bent her hand.
She beckoned, and he ran.

He took her hand and all
Was left behind.
The city lights, the buzzing screeches,
The never-desolate streets,
And the suffocating sweats.

The yanking automobiles,
The stumping feet, the irritable frowns,
The traffic lights, the ***** streets,
The helicopter roars,
And the rush hour jams.

The bickering wife,
The dictatorial administrator,
The dying parents, the crying children,
The mounting responsibilities,
And countless sleepless nights.

He welcomed her slender arms,
The quiet nights, and the countryside aroma.
The city fumes escaped his lungs,
And he could finally breathe,
Hear, see, taste, and feel.

Oh, how he longs such respite,
He whispers, as he stares down the window.
And slips the hand he had been holding.
She prances away,
And he stands, alone.

In between his desk, inhaling
The city fumes. Exhaling a tired breath.
Hearing the screeching wheels,
The angry drivers, and the busy tack
Of hurried standbyers.

It had only been a rush hour dream,
It seemed.

Cat-like she pranced across the allyes
her vibrations purred as she shied away from the street lights
On nights like these she always felt like an outsider
a different breed
hunting
so fragile yet so devious
she was surely a temptress with a hidden agenda
out to ****
for no reason
other than her own pleasure