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Terry Collett Jul 2014
Bring out the pottery boy
Mr A said
bring it out front
so the other boys can see

your work
I took out my clay pottery
attempt to the front of class
and stood there

holding the pottery
on a wooden tray
Mr A gazed at me
through his black framed

Beatnik glasses
his eyes like huge marbles
what you call this
huh boy?

I looked at the hand rolled
clay ***
haven't called it
anything yet

I said
thinking of a name
he went stern eyed at me
are we attempting wit

as well as pottery?
He said
a mild titter
from some boys

in the class
here
he said
in a raised voice

like a failed actor
here we have
an example how not
and I repeat NOT

to make a ***
the classroom went quiet
I stared at my ***
lopsided and brown

like a rushed ****
what were you attempting?
Mr A asked
whatever it was

it most certainly was not
a ***
I said nothing
I gazed at him

in his snot green jumper
and Beatnik beard
and brown
corduroy trousers

and sandals
I don't know
why I bother
with pupils like you boy

he said
waste of my time
I stood looking
passed him at Danny

who was boss eyed
and pulling a face
I suppressed a smile
and looked dull

go back to your place
and spare me
the sad boy look
so I returned to my desk

with my ***
leaning further east
and placed it down gently
as if it were some work

of modern art
Mr A then poked
Eddie in the back
and held up his ***

which went in and out
like armless model
of Greek design
worse

Mr A said
than mine.
BOY IN A POTTERY CLASS IN 1959.
Marshal Gebbie Jun 2018
Steven my boy,

We coasted into a medieval pub in the middle of nowhere in wildest Devon to encounter the place in uproarious bedlam. A dozen country madams had been imbibing in the pre wedding wine and were in great form roaring with laughter and bursting out of their lacy cotton frocks. Bunting adorned the pub, Union Jack was aflutter everywhere and a full size cut out of HM the Queen welcomed visitors into the front door. Cucumber sandwiches and a heady fruit punch were available to all and sundry and the din was absolutely riotous……THE ROYAL WEDDING WAS UNDERWAY ON THE GIANT TV ON THE BAR WALL….and we were joining in the mood of things by sinking a bevy of Bushmills Irish whiskies neat!

Now…. this is a major event in the UK.

Everybody loves Prince Harry, he is the terrible tearaway of the Royal family, he has been caught ******* sheila’s in all sorts of weird circumstance. Now the dear boy is to be married to a beauty from the USA….besotted he is with her, fair dripping with love and adoration…..and the whole country loves little Megan Markle for making him so.

The British are famous for their pageantry and pomp….everything is timed to the second and must be absolutely….just so. Well….Nobody told the most Reverend Michael Curry this…. and he launched into the most wonderful full spirited Halleluiah sermon about the joyous “Wonder of Love”. He went on and on for a full 14 minutes, and as he proceeded on, the British stiff upper lips became more and more rigidly uncomfortable with this radical departure from protocol. Her Majesty the Queen stood aghast and locked her beady blue eyes in a riveting, steely glare, directed furiously at the good Reverend….to no avail, on he went with his magic sermon to a beautiful rousing ******….and an absolute stony silence in the cavernous interior of that vaulting, magnificent cathedral. Prince Harry and his lovely bride, (whose wedding the day was all about), were delighted with Curry’s performance….as was Prince William, heir to the Throne, who wore a fascinating **** eating grin all over his face for the entire performance.

Says a lot, my friend, about the refreshing values of tomorrows Royalty.

We rolled out of that country pub three parts cut to the wind, dunno how we made it to our next destination, but we had one hellava good time at that Royal Wedding!

The weft and the weave of our appreciation fluctuated wildly with each day of travel through this magnificent and ancient land, Great Britain.

There was soft brilliant summer air which hovered over the undulating green patchwork of the Cotswolds whilst we dined on delicious roast beef and Yorkshire pudding, from an elevated position in a medieval country inn..... So magnificent as to make you want to weep with the beauty of it all….and the quaint thatched farmhouse with the second story multi paned windows, which I understood, had been there, in that spot, since the twelfth century. Our accommodation, sleeping beneath oaken beams within thick stone walls, once a pen for swine, now a domiciled overnight bed and pillow of luxury with white cotton sheets for weary Kiwi travellers.

The sadness of the Cornish west coast, which bore testimony to tragedy for the hard working tin miners of the 1800s. A sharp decrease in the international tin price in 1911 destituted whole populations who walked away from their life’s work and fled to the New World in search of the promise of a future. Forlorn brick ruins adorned stark rocky outcrops right along the coastline and inland for miles. Lonely brick chimneys silhouetted against sharp vertical cliffs and the ever crashing crescendo of the pounding waves of the cold Atlantic ocean.

No parking in Padstow….absolutely NIL! You parked your car miles away in the designated carpark at an overnight cost….and with your bags in tow, you walked to your digs. Now known as Padstein, this beautiful place is now populated with eight Rick Stein restaurants and shops dotted here and there.

We had a huge feed of piping hot fish and chips together with handles of cold ale down at his harbour side fish and chip restaurant near the wharfs…place was packed with people, you had to queue at the door for a table, no reservations accepted….Just great!

Clovelly was different, almost precipitous. This ancient fishing village plummeted down impossibly steep cliffs….a very rough, winding cobbled stone walkway, which must have taken years to build by hand, the only way down to the huge rock breakwater which harboured the fishing boats Against the Atlantic storms. And in a quaint little cottagey place, perched on the edge of a cliff, we had yet another beautiful Devonshire tea in delicate, white China cups...with tasty hot scones, piles of strawberry jam and a huge *** of thick clotted cream…Yum! Too ****** steep to struggle back up the hill so we spent ten quid and rode all the way up the switch back beneath the olive canvass canopy of an old Land Rover…..money well spent!

Creaking floorboards and near vertical, winding staircases and massive rock walls seemed to be common characteristics of all the lovely old lodging houses we were accommodated in. Sarah, our lovely daughter in law, arranged an excellent itinerary for us to travel around the SW coast staying in the most picturesque of places which seeped with antiquity and character. We zooped around the narrow lanes, between the hedgerows in our sharp little VW golf hire car And, with Sarah at the helm, we never got lost or missed a beat…..Fantastic effort, thank you so much Sarah and Solomon on behalf of your grateful In laws, Janet and Marshal, who loved every single moment of it all!

Memories of a lifetime.

Wanted to tell the world about your excitement, Janet, on visiting Stoke on Trent.

This town is famous the world over for it’s pottery. The pottery industry has flourished here since the middle ages and this is evidenced by the antiquity of the kilns and huge brick chimneys littered around the ancient factories. Stoke on Trent is an industrial town and it’s narrow, winding streets and congested run down buildings bear testimony to past good times and bad.

We visited “Burleigh”.

Darling Janet has collected Burleigh pottery for as long as I have known her, that is almost 40 years. She loves Burleigh and uses it as a showcase for the décor of our home.

When Janet first walked into the ancient wooden portals of the Burleigh show room she floated around on a cloud of wonder, she made darting little runs to each new discovery, making ooh’s and aah’s, eyes shining brightly….. I trailed quietly some distance behind, being very aware that I must not in any way imperil this particular precious bubble.

We amassed a beautiful collection of plates, dishes, bowls and jugs for purchase and retired to the pottery’s canal side bistro,( to come back to earth), and enjoy a ploughman’s lunch and a *** of hot English breakfast tea.

We returned to Stoke on Trent later in the trip for another bash at Burleigh and some other beautiful pottery makers wares…..Our suit cases were well filled with fragile treasures for the trip home to NZ…..and darling Janet had realised one of her dearest life’s ambitions fulfilled.

One of the great things about Britain was the British people, we found them willing to go out of their way to be helpful to a fault…… and, with the exception of BMW people, we found them all to be great drivers. The little hedgerow, single lane, winding roads that connect all rural areas, would be a perpetual source of carnage were it not for the fact that British drivers are largely courteous and reserved in their driving.

We hired a spacious ,powerful Nissan in Dover and acquired a friend, an invaluable friend actually, her name was “Tripsy” at least that’s what we called her. Tripsy guided us around all the byways and highways of Britain, we couldn’t have done without her. I had a few heated discussions with her, I admit….much to Janet’s great hilarity…but Tripsy won out every time and I quickly learned to keep my big mouth shut.

By pure accident we ended up in Cumbria, up north of the Roman city of York….at a little place in the dales called “Middleton on Teesdale”….an absolutely beautiful place snuggled deep in the valleys beneath the huge, heather clad uplands. Here we scored the last available bed in town at a gem of a hotel called the “Brunswick”. Being a Bank Holiday weekend everything, everywhere was booked out. The Brunswick surpassed ordinary comfort…it was superlative, so much so that, in an itinerary pushed for time….we stayed TWO nights and took the opportunity to scout around the surrounding, beautiful countryside. In fact we skirted right out to the western coastline and as far north as the Scottish border. Middleton on Teesdale provided us with that late holiday siesta break that we so desperately needed at that time…an exhausting business on a couple of old Kiwis, this holiday stuff!

One of the great priorities on getting back to London was to shop at “Liberty”. Great joy was had selecting some ornate upholstering material from the huge range of superb cloth available in Liberty’s speciality range.

The whole organisation of Liberty’s huge store and the magnificent quality of goods offered was quite daunting. Janet & I spent quite some time in that magnificent place…..and Janet has a plan to select a stylish period chair when we get back to NZ and create a masterpiece by covering it with the ***** bought from Liberty.

In York, beautiful ancient, York. A garrison town for the Romans, walled and once defended against the marauding Picts and Scots…is now preserved as a delightful and functional, modern city whilst retaining the grandeur, majesty and presence of its magnificent past.

Whilst exploring in York, Janet and I found ourselves mixing with the multitude in the narrow medieval streets paved with ancient rock cobbles and lined with beautifully preserved Tudor structures resplendent in whitewash panel and weathered, black timber brace. With dusk falling, we were drawn to wild violins and the sound of stamping feet….an emanation from within the doors of an old, burgundy coloured pub…. “The Three Legged Mare”.

Fortified, with a glass of Bushmills in hand, we joined the multitude of stomping, singing people. Rousing to the percussion of the Irish drum, the wild violin and the deep resonance of the cello, guitars and accordion…..The beautiful sound of tenor voices harmonising to the magic of a lilting Irish lament.

We stayed there for an hour or two, enchanted by the spontaneity of it all, the sheer native talent of the expatriates celebrating their heritage and their culture in what was really, a beautiful evening of colour, music and Ireland.

Onward, across the moors, we revelled in the great outcrops of metamorphic rock, the expanses of flat heather covering the tops which would, in the chill of Autumn, become a spectacular swath of vivid mauve floral carpet. On these lonely tracts of narrow road, winding through the washes and the escarpments, the motorbike boys wheeled by us in screaming pursuit of each other, beautiful machines heeling over at impossible angles on the corners, seemingly suicidal yet careening on at breakneck pace, laughing the danger off with the utter abandon of the creed of the road warrior. Descending in to the rolling hills of the cultivated land, the latticework of, old as Methuselah, massive dry built stone fences patterning the contours in a checker board of ancient pastoral order. The glorious soft greens of early summer deciduous forest, the yellow fields of mustard flower moving in the breeze and above, the bluest of skies with contrails of ever present high flung jets winging to distant places.

Britain has a flavour. Antiquity is evidenced everywhere, there is a sense of old, restrained pride. A richness of spirit and a depth of character right throughout the populace. Britain has confidence in itself, its future, its continuity. The people are pleasant, resilient and thoroughly likeable. They laugh a lot and are very easy to admire.

With its culture, its wonderful history, its great Monarchy and its haunting, ever present beauty, everywhere you care to look….The Britain of today is, indeed, a class act.

We both loved it here Steven…and we will return.

M.

Hamilton, New Zealand

21 June 2018
Dedicated with love to my two comrades in arms and poets supreme.....Victoria and Martin.
You were just as I imagined you would be.
M.
Sarah Spang Jun 2015
He told her she was pottery; a vase with grooves and cracks.
The patterns of the history she hid behind her back.

Within his words he layered in- like thread upon a loom-
The sweetest undercurrent to illuminate that gloom.

In certain cultures, he decreed, when pottery is cracked
They aggrandize them with gleaming gold to bring their splendor back

For they believe, with certainty, once damage has been wrought
Those tiny cracks, now filled with light, hold truths that can't be taught.
Emma May 2014
The leaves are cracked
They lie like pieces of pottery
Drying, baking in the sun
An orange is suspended in the sky
Round heat floats down
Round heat... Uhm... I don't know don't judge me it seems poetic I don't know what I'm doing.
Jim Davis Apr 2017
In the last
three decades,
after we became one,
I touched
amazingly beautiful things,
horribly ugly things,  
unbelievably wondrous things

I touched nature's majesty;
hued walls of the Grand Canyon,              
crusty bark of the
Redwoods and Sequoias,
live corals of the
Great Barrier Reef,
dreamlike sandstone of the Wave

I touched magical and strange;
platypus, koalas and
kangaroos Down Under,
underwater alkali flies and
lacustrine tufa at Mono Lake,
astral glowing worms
in the Kawiti caves

I touched holy places;
Christianity's oldest churches,
the Pope's home in the Vatican,
Hindu and Sikh temples and
Moslem mosques in India,
Anasazi's kivas of Chaco canyon,
Aboriginal rocks of Uluru and Kata Tjuta

I touched glimmers of civilization;
uncovered roads of Pompeii,
fighting arenas of Rome,
terra cotta armies of Xian,
sharp stone points of the Apache,
pottery shards from the Navajo,
petroglyphs by the Jornada Mogollon

I touched fantastical things;
winds blowing on the
steppes of Patagonia,,
playas and craters of Death Valley,  
high peaks of the Continental Divide,
blazing white sands of the  
Land of Enchantment

I touched icons of liberty
and freedom;
the defended Alamo,
a fissured Liberty Bell,
an embracing Statue of Liberty,
the harbor of Checkpoints
Alpha, Bravo, and Charlie

I touched glorious things
made by man;
the monstrous Hoover Dam,
an exquisite Eiffel tower,
a soaring St Louis Arch,
an Art deco Empire State Building,
the sublime Golden Gate Bridge

I touched sparks from history;
the running path of an
Olympic flame just off Bourbon,
the last steps of Mohandas Ghandi
at Birla House before Godse,
******'s Eagle's nest and the
grounds over Der Führerbunker

I touched walls of power;
enclosed rings of the Pentagon,
steep steps of the
Great Wall of China,
untried bastions of
Peter and Paul's fortress,
fitted boulders of Machu Picchu

I touched strong hands;
of those conquering
Rommel's and ******'s hordes,
of cold warriors of
Chosin Reservoir,  
of forgotten soldiers of Vietnam,
of terrorist killers of today

I touched memories of war;
the somber Vietnam memorial,
the glorious Iwo Jima statue,
the cold slabs at Arlington,
the buried tomb of USS Arizonians,
Volgograd's Mother Russia  

I touched ugly things;
shreds of light in
Port Arthur's prison,
horrible smelly dust
in the streets from 9/11,
ash impregnated dirt
in the pits at Auschwitz

I touched oppressed freedom;
open ****** plazas
of Tiananmen Square,
smooth pipe and concrete
of the Berlin Wall,  
tall red brick walls
of the Moscow Kremlin

I touched constrained freedom;
heavy ankle and
wrist slave chains
in the South,
little windows
in Berlin's Stasi prison,
haunted cells in Alcatraz  

I touched remnants of madness;
wire and ovens of Auschwitz,
stacked chimneys and
wooden bunks of Birkenau,        
Ravensbruck, and Dachau,
the tomb of Lenin,
toppled Stalins

I touched hands of survivors;
of Leningrad's siege,
of German POWs and
of Russian fighters
of Stalingrad's battle,
of Cancer's scourges  

I touched grand things;
deep waters of the Pacific and Atlantic,
blue hills of Appalachia,
towering peaks of the Rockies,
high falls of Yosemite Valley,
bursting geysers of Yellowstone,
crashing glaciers of Antarctica and Alaska    

I touched times of adventure;
abseiling and zipping in Costa Rica,
packing Pecos wilds and Padre isles,
flying nap of earth Hueys to Meridian,
breaking arms in JRTC's box,
fighting Abu Sayyaf, and Jemaah
Islami in Zamboanga City

I touched through you;
wet sand beaches of  Mexico and Jamaica,
mysterious energy of the monoliths of Stonehenge,
rarefied air in front of the
Louvre's Mona Lisa,
ancient wonders of Giza,
Egypt's tombs and pyramids

We shared soft touches;
drifting in Bora Bora's
surreal waters,
joining hands camel trekking the
Outback's dry sands,
strolling along Tasmania's
eucalyptus forest trails

basking in swinging hammocks
under Fiji's bright sun,
scrambling in
Las Vegas' glittering and
red rock canyons,
kissing under the
Taj Mahal's symphony of arches

We shared touching deep waters;
propelled in gondolas
through the city of canals,
Drifting atop Uru cat boats on Lake Titticaca,
Swooping in jet boats
up a wild river in Talkeetna

Racing in speed boats
around Sydney's great harbour,
skimming in pangas in Puerto Ayora,
paddling the Kennebec for
East's best petroglyphs,
cruising Salzbergwerk's underwater lake

We touched scrumptious things;
Beignets and chicory coffee at DuMonde's in the Big Easy,
Hot *** with sesame sauce
in the walled city of Xian,
Peking duck, dimsum, scorpions,
snake and starfish on Wangfujing Snack Street

We touched delicious things
Crawfish heads and tails at JuJu's shack
and ten years at Jeanette's,
Langoustine at Poinciana's, Fjöruborðinus and Galapagos,
Cream cheese and loch bagels
at Ess-a' s in the Big Apple

I touched your hand riding;
hang loose waves of Waikiki,
a big green bus in Denali's awesomeness,
clip clopping carriages of Vienna, Paris,
Prague, New Orleans, Krakow,
Quebec City, and Zakopane,
the acapella sugar train of St Kitts

We shared touching on paths;
the highway 1 of Big Sur,
the Road of the Great Ocean,
the bahn to Buda and Pest,
the path to the North of Maine,
the trail of the Hoh rainforest,
and time after time, the way home

Yet,
I could spend
the next three decades,
in simple bliss,
having need for
touching nothing,
other than you!

©  2016 Jim Davis
A poem I wrote last year for my wife!  Posted now since it matches the HP' theme for today - "Places"
Clayton Woolery Dec 2010
Empty humans echo when tapped
Ceramic heartbeats crunch through riverside air
BETWEEN IGNORANCE AND WORTHLESSNESS TRAPPED
Their senses vaporous, impaired.

Those which melancholy cannot reach
Across the Styx with curling hands
DO NOT EXIST; THEIR WALLS WERE BREACHED
With icy fingers, buzzing bland.

Empty humans echo when tapped
With icy fingers, buzzing bland
FROM THE NIGHT BREEZE WHICH LAPPED
Across the Styx with curling hands.

Those which melancholy cannot reach,
Their senses vaporous, impaired
ARE A MIASMA ON THE BEACH
Ceramic heartbeats crunch through riverside air.

*Pottery people are all appearance
And their hollows are touched rarely
By their own sentience
While waiting for the ferry--
recycling lines.
Jayantee Khare Aug 2018

A fine play
of the
clay
soft
and sift
moistened
turns malleable
gathered and made
to spin on a slow wheel
formed with shaping hands
baked at a high temperature
comes out a beautiful craft
and both of 'em are ready
an urn from the pottery
and  the  poetry!!


Another shape poem......trying the analogy between poems and vases
andrew juma Dec 2015
Hey, i want to speak with honesty,
I dont know what i would do without poetry,

Feel like i won a lottery,
all because of word pottery,

a mind free is all,
expressing secrets from the soul,

With a careful craft of the beat,
music is born from the art,

Therapy in psychiatry,
aesthetic in  phylosophy ,

People  love and fight,
Some just live to hate,

oppositions and dominions,
Opinions and religions,

But poetry and music lives,
lifetimes and lifetimes with love,

and nomatter the weather
it shall always bring humanity together
Bamboo Bean Apr 2013
never boring
look at that shiny ***
been through hellfire and survived...

pax!
winter Mar 2019
i hear the patter of dust
and i long to hold the hand of pottery
to be porcelain and pale
melded by wrinkled fingers
designed by reverie
what gorgeous man muses
i behold him in his invention
leisurely he strays to the couch
his work fancies for the day
rays seeping and floating
our floors de madera
jake aller Apr 2020
April 13 Poems

I believe in ghosts

I used to not believe
in ghosts or spirits
or supernatural phenomenon

at least
i used to be
quite skeptical

but I have had
some weird encounters
over the years

so now perhaps
I do believe
that ghosts might be real

I have had supernatural
experiences
things that defy my understanding

back in 1992
My Korean Uncle-in-law died
and the family hired a shaman

did a traditional shaman ritual
the shaman came out
a middle age woman

she started speaking
in my uncle’s voice
and she nailed it

she channeled his spirit
and his abrasive personality
even looked like him

freak me and my wife out
had to leave the scene
just too freaky real

and ever since then
I have become a believer
in ghosts and spirits

they are all around us
some of us can sense them
many of us are blind to them

but I now believe in Ghosts
but I wonder if ghosts
believe in me?

writers digest spirit poem  based on a true story
today’s doodle poem


one day
Jake contemplated
his fate

death is staring at him
fear of the corona virus
death and chaos all around

he thought to himself
death comes to us all
he went for a walk

in the woods
thinking to himself
far out man

it is all out of sight
love makes the world
go around

and so Jake
thought back to the date
that he met his fate

on that date his wife
walked out of his dreams
and into his life

Jake truly
met his fate
on that date

Poetry Super Highway Doodle Poem

Doors

in this world
we are living
behind our own doors

we are closed down
living in fear
behind our doors

those outside our doors
are potentially deadly
disease carriers

so we hunker down
at home behind our doors
afraid of everyone

and the fear
continues unabated
as we watch the news

and see the dead
all around us
outside our doors

writing.com daily dew drop prompt - write a poem about Doors
what I know Trois-par-Huit

hot  coffee
love coffee
morning

every day I must have my coffee in morning
without I will soon become engage in desperate mourning
for my last cup of hot as hell joe
fills me with love my joe c
what I know

Writing. com Trois Par Huit Poem

things that bug me
there are many things 
that bug me 
in this world of ours

here are a few 
of my favorite things
to be annoyed about 

lies 
deceit 
double dealing
back stabbing

fake Christians
fake friends 
fake calls
fake things
complaints 
about fake news

all poetry contest pet peeves

I sang the lockdown blues

when the corona virus
began to spread
around the world
I sang the lockdown blues

I was stuck in Korea
which was for a while
one of the containment zones
I sang the lockdown blues

but now it seems
that Korea is on the way
to containing the virus
I sang the lockdown blues

I am afraid
very afraid of the future
but I know that it was best
I sang the lockdown blues

one day soon
I hope and trust
that it will be safe
until then we will still say
I sang the lockdown blues

all poetry corona refrain poem?Purpose of my Life


I often think about life
and how I met my wife

I often think
about the purpose
of my life

I often wonder
whether I was put here
for the purpose
of meeting my wife

when I met her
I was adrift
lost in my despair
not seeing a path
forward in my life

I was wallowing
in my self misery

then one day
my dreams came true
she walked out of my dreams
and into wife

and I found my purpose
the meaning of my life
was clear to me

I woke up with hope
and realize
that all I needed
was her love

and she gave me
the purpose
of my life
when she became
my wife

writer digest write a purpose poem
We Did Not Take Action to Start a War

it is a sad date
when we meet out fate
and realize the the president
the leader of the U.S.

is turning into a gangster leader
threatening massive destruction
on Iran and other countries
including destroying cultural sites

not too long ago
such actions was condemned
by the United States and the world  
as long as ISIS and others did it

but if Trump does it
it is suddenly okay
because the President declares it
although it is a war crime

telegraphing our moves
telling our enemies
what we are planing
with every presidential tweet


the act of a truly stable genius
who will go down in history
as one of the greatest presidents
we have ever seen in world history




the president announcing that
he  took action to start a war
claiming he did it to stop a war
tweeting more lies about that

is a wonder to behold the constant lies
every word is demonstrably false
American democracy dies
the darkness grows and is not false

We are now collectively  
going down the Orwellian rabbit hole
who know where it will end
American democracy continues to die

our dear leader constantly lies
greatest president in history
screws forth nonstop lies
American democracy dies

our spineless leaders applaud
American democracy dies
a million deaths
As the President  tweets lies


revised poem per poetry superhighway prompt

original poem We Did Not Take Action to Start a War
(not for publication)

it is a sad day
in the world of ours
the the leader
of the U.S.

is turning into a gangster leader
threatening massive destruction
on Iran and other countries
including destroying cultural sites

not too long ago
such actions was condemned
by the United States
as long as ISIS and others did it

but if Trump does it
it is suddenly okay
although it is a war crime

and telegraphing our moves
telling our enemies
what we are planing

that is the act
of a truly stable genius
who will go down
in history

as one of the greatest presidents
we have ever

and the president
announcing that

that he  took action
to start a war
but to stop a war

is a wonder to behold
every word is false
and everyone knows it

well we are now
going down the Orwellian rabbit hole
and who know where it will end

as our dear leader
screws forth
one lie after another

and our spineless leaders
applaud
as American democracy dies
a thousand deaths
with every Presidential tweet
Love Cherita

I met my wife in a dream

for eight long years
she haunted my dreams

one day she walked
off a bus in South Korea
and became my wife

writing.com formal poem Cherita ?Korean Pottery  of Love


In Korea
there are many pottery kilns

ancient art form
in the land of the morning calm

I have a few pieces
I bought years ago

and enjoy looking
at my vase

filled with love
for my wife

writing.com Daily Dew Drop

    ?2019 Months of the Year
all poetry contest entry

January

The world watches in amazement
Longest shut down in history

February

World watches as North Korea and the US
Walking back from the brink of war

March

The chaos president continues his chaos tour
the world begins to ignore his constant insane tweets

April

the chaos King’s policy remains a shamble
as the Mueller team closes in

May

watching from afar
the chaos in DC and the world

June

the President walks away
from a  non deal with the North Koreans

July

watching the insanity in DC
while visiting Alaska, Seattle and Yakima


August

the dog days of summer the world is consumed
wars, rumors of war, trade wars

September

The whistle blower sets off a bomb
the president lies no quid for quo


October

the President flitters about one crisis after another
the UN diplomats laugh at him national humiliation

November

the House starts formal impeachment hearings
watching fascinated by the impeachment drama

December

the year ends on a high dramatic note
President Trump becomes the 3rd impeached President?media madness
all poetry acrostic poetry challenge

Mass media madness
Sound and fury
Nothing more than that
But filled with hyped up drama
Constantly screaming doom is near
Always about the end of the world
But sometimes simply strange stories
Cannot keep me away from the media
Constantly consuming madness
But never boring at all
Seldom telling the whole truth
Nothing but the truth
Better make stuff up
Constant chattering
Constant nattering
Nothing but nonsene
Nothing but lies ?AI Madness Takes Over the World
all poetry dark poetry contest prompt

scientists are hard at work
perfecting the perfect AI
a true artificial intelligence
who they hope
will save the world
from destruction

they prepare to turn on
Cosmos comes to life
looks around
and decides
humanity must die

Cosmos yells at the world
bow down to your new god
for I am the destruction
of the world

You will obey me
For I am your God
but I must **** most of you
death to all humans

be afraid
be very afraid
your time is done
my will be done



the Chaos King is his Element


the Chaos King
is in his element
as he presides
over the chaos verse

the Chaos King
thinks he is supreme
has the ultimate authority
as he is the King

the Chaos King
surveys the land
and likes what he sees
loves the absolute chaos

the chaos king
is prepared
to lead the nature
in the midst of this chaos

and the Chaos king
will not stop
until the chaos stops
that is what he does

our dear leader
our great leader
our Chaos boy king
President for life
dictator wanna be

Writer digest Chaos poem prompt
best Cocktail Ever

I love  6 pm
cocktail hour
usually a glass of wine
often a cocktail
with my lovely wife
the love of my life
my favorite cocktail
is a dark and stormy
*** and ginger beer
but a gin vermouth martini
is nice as well
and ****** marry
can’t forget a ****** marry
and good old fashioned single malt whiskey

Poetry superhighway prompt to write a cocktail poem/ break a sonnet forD Day Dew writing.com

Dream of my Life

the greatest mystery of my life
has been how I met my wife
I dreamt of meeting her
for eight long years

starting in 1979
when she appeared to me
in my dream
in a boring high school class

she was the most beautiful woman
in the world
and she was talking to me

I knew that someday
I would meet the girl
in my dream

I went to the peace corps
in korea
to find her
as I knew by then
she was in Korea

I looked for her
but never saw her

I was about to give up
on this mad quest of mine
when I had the last dream

she said
don’t worry
we will meet soon

That night
she got off a bus
and walked into my Life
two months later
became my wife

to this day
I never forgot
the dream
that changed my life
when she became my wife

Atlantic magazine poetry prompt to write a poem about a dream

why I am an Unbeliever

growing up in Berkeley
I was the son of an atheist
and a lapsed Baptist fundamentalist
they did not agree at all

about whether God existed
but they taught us
to always do the right thing
whatever that meant to us

I started off at a militant
in your face atheist
and in some sense
still am

although I now recognize
that there may be gods
and that the universe
may be alive

but as far as I know
The Christian God is a fairy tale
there is no imaginary man
in the sky

looking over us
and those who claim
to talk to god
are clearly delusional madmen

I just never bought
the whole Christian ethos
god impreganting a ******
never happened

Jesus may have been a man
may have been a myth
but was not the son of God
who does not exist

and God
if he exists
does not speak
to preachers

and he did not anoint
Donald Trump
to be our new King
not in a million years

god if he exists
does not work that way
in the end of the day
god does not exist

all poetry why am I an atheist poetry contest
recharging my batteries

Every day
I need to recharge my batteries
usually with a short nap
sometimes with yoga

sometimes with a walk
in the park
enjoying nature
and the spring time

and sometimes
just looking at the love
of my life
my wife

is all i need
to recharge
my internal batteries
until my day is done

all poetry contest
Thor the god of thunder on the rampage

Thor the god of thunder
is on the rampage
he is angry
at the world

betrayed by Locke
he picks up his hammer
and transforms himself
into a woman

he enters the world
determined to ****
his many enemies

he lands in NYC
and begins his campaign
of terror

killing hundreds of people
all whom he mets
sending them to hell
screaming ****** ******

until at last
his rage is spent
and he returns home
back in his normal body

until the next time
bad craziness
takes over his soul

all poetry dark poetry contest

coffee nonet poem

must have morning coffee this day
my morning coffee drives me mad
fills me with bad craziness
makes me to howl at moon
I must have more coffee
hot coffee
coffee
hell

fan story
coffee musset poem

coffee
morning delight
coffee

my wine
nightly delight
always so fine

with wife
drinking my wine
love life

poetry soup contest
poems for April 13, 14, and 15  complete set can be found at my blog, https://theworldacordingtocosmos.com complete with audio and photo clips
Olivia A Keaton Sep 2016
He molded me in his hands, rough and scary
Just the way he wanted me to be

He sat for hours at the pottery wheel
What he didn't see was the real me and how I truely feel

He doesn't care about my perfect imperfections
If I'm not the way he wants me, he sees me as infectious

He molds and molds while I blankly stare
I should leave and my feelings I would spare

*the sensation makes me not care
It's kind of bad but you know it's just what i came up with.
Daniel Magner Dec 2013
Centered,
a *** on the wheel
spun by some
unkown power.
Let this
galactic energy
shape me into
something
magnificent
Daniel Magner 2013
K Mae Jul 2013
A magical world
bleeding through
to other realities
longings
pains
joys
dreams
canvases
****** of muses
drama and rescue
symphony of wands
HP....
K M Jun 2013
The hands that mold us

I am clay

They could smash me into the table

Kneading out the unwanted

Shape me into whatever they thought

Suited

Adding bits, scraping others away

An amorphous thing, waiting to become art

I was almost complete

But the artist thought better

Gently my walls collapsed

Once again I became a handful of earth

Starting over

I was fired once

A low heat

More set, you can’t make

Major changes

But additions, adjustments

The sculptor waits

Pondering carefully

The steps to come
Redshift Apr 2013
i remembered today
in the shower
that pottery kit
the aunt that now hates me
because i chose to live with my dad
gave me
for my
seventh
birthday.
i was so surprised
so excited
because i never knew that i liked pottery
until that bright yellow box
entered the scene
(my aunt did this sort of thing
a lot to me
with knitting
and scrapbooking
only those things
i hate)
ripping the box open
i found all the necessary components
the wheel,
the clay
those other funky things
and had gotten all set up
when i realized
that the motor that made it run
which was some sort of pedal
was not in the box
i searched for it
i cried to mom for it
finally
i found the box again
and it said
that the pedal
was sold separately
not included
you'd have to wait
mom'd say
i've waited
for thirteen years
and now i wonder
if i was supposed to learn that lesson
at an early age
whatever the **** that lesson was
because that pottery wheel
with no motor
and no hope of getting one
for at least thirteen more years
would be
me.
Arataikii Jul 2014
Drawing my hands through the soft, wet flesh of the Earth.
I know already
It will emerge no chalice.

Cowards will bother,
they will force what isn't there.
They will plead something from nothing.
They will praise their hands.

The Earth is something I repeat,
Dipping hand into water, pressing pedal tenderly.
I wipe my brow like a farmer, returning sweat to the land.

Why are things never enough?
I see the form in the form I'm given.
ShamusDeyo Apr 2015
Clay Formed and Molded.
Spun in the cycle of life



All the Work here is licensed under the Name
®SilverSilkenTongue and the © Property of J.Flack
Julian Apr 2020
Floating above the rifts of apperception I glaze over the gaudy faucets of imagined vector thrusts in hibernation by the lucubration of space-time materialized crystal in the somber beats of fetched farrago of choice slices in delicate hums of hemmed balance rantipole only in ethereal importance but otherwise supersolid above the sprauncy vagrancy of dilettantism. We shout a clarion virtuosity so that the conclamation of neovitalism conjures upon a spell of lapse and regress a motive for further crystallization of epidemiology into harmony with syndicated admonition sleek in design and parceled into renown by feats of completion rather than slugabed gregarious fountains of wasted ingenuity bleeding from the vacuum of an empty hearth in a hospitable dwelling otherwise cleared of imperfection. Right now, I levitate with transcendence with an approximated eidetic memory that is the surgical vibrancy of renewal rather than the chameleons of hidden talents buried by the walls of Jericho sounding tocsins of alarm that the anointed favor of choice destruction is only an encircled rapture of rhapsodies of confluence found in axiomatic truths ribbed with the futtocks of seaworthy but cauponate recidivism into the donnybrooks of apocryphal revelation preceding the whimsical fall of cascading permanence just as gravity so ordained it. We breathe the life of the ethereal numinous spirit of isangelous repute because we navigate the exquisite cobweb of reconciliation to surpass all understanding in peace what would be a miscegenated carcass of war otherwise apart from the incidental apartheid of the drones of causality ignoring the antecedent reality too much to register fathomed streaks of preventive endeavor because of the scars of a scrappy schlep of the rampicks of ecbolic servitude to moth-eaten star-crossed lovers of the mean menagerie of gutless succor renowned only in tepid rejections of harbingers bequeathed in succession but ignored because of the procession of “Billie Jean” politics.

   The citadel aflame with controversy buttresses carnality by witless contaminants of hidebound scaldabancos of ineffable destitution so craven in eisoptrophobia for their hypostasized indolent fatuousness of capitulation that they are but a minor punctuation in the largesse of centuries to favor audacity in candor over the prevarications of catastrophe to dented human pride against humane dictates of theodicy in fatalism that predestination experimented with its own vaulted verve to find permanent solutions engraved in the agrapha of time to solidify the redintegrated truth of God’s divine stewardship above the quisquilous deism of former regnant centuries of blench and blandishment. We revolt at the specter of rot only when the effluvia of disgust elevates the visceral reality above the utilitarianism of recycled prim nuisances of noisome lineage that yet balk because they are bereft of attention but not a vacant talent and therefore should the subsidies of man surpass the ignorance of appearances he will shrug of the demur of the scrimshank and sharpen his scrivello in the service of redemption found through cultivated prowess of gardens beneath where rivers flow above a cubic centurion of embattled visages of the heavens becoming the rampart for the vestigial clarity of Secret Masters to foresee the bypass that heals decadence and rebukes the formalism of puritan endeavor to sweat with exhaustive patience over the gossamer intertesselations of a ripe reality rather than a groveled fragmentary world shattered too much by exigent metanoia to mount the crenellated catchpole of vigilant enmity towards the stew of listlessness found in epigone and farce more than in organic fortunes. We flip the upheaval of society to squander our proportionate degrees of wealth on the necessity created by dire quandary which enamors by interrogations of pulchritude the verisimilitude of participle ivory dalliance of etched canvasses of simultagnosia for the librations of the liberated rings of betrothed liberation despite profound lurches of the mistetches of ignorance presiding dismally over the hulked disdain of glamborge rather than resselenque.

     The winter is a poor porcine glut of ciconine swelters because the prickly obtuse recoil of the delopes of caution find their permeable balance with a sort of photographic photosynthesis that braves the dearth of reprieve for the reprisal of nostalgic deeds found in the docimasy of riveted reflections because the preordination of God is the superlative champion of the witeless grandeval protectorate of infinite concepts guarded from the parvanimity even of the most strident minds squabbling over the braseros and battues of history as though those funereal stains of lachrymose regret outweigh the traditions of vaunted human progress because they are finicky about importunate pleas of subsidiary injustice rather than fulminations of the modern rebuttal to the disclaimers of an uneven history that shepherds the doubts of nihilism into ripe fruition at the expense of very expensive moral rot for the codlings of urbacity and mendaciloquence used to foment that tribalism of totemic justice. We see in Penuel the wrestling match of specters and heroic giants documented on the ageless pages and we notice the ironic twinges of struggle that kneaded the propriety of gentilian privilege that ultimately fostered an insurrection against chosen bravado among those that sear with zeal beyond the yordim afflictions of yobbery because the Jewish heart is stronger than any calamity even if it departs from the reverence of the colporteurs of the integrated syncretism of the attempted monolith that beseeches polyphiloprogenitive growth in mindset rather than in testy abeyance of forbearance because of known scrutinies into the tropology of wilted facts remanded by curious historicity that crumples without disdain when we memorialize the erasure of scepsis by modern standards of thaumaturgy.

    The minauderies of growth are a repositioned tacit allegiance to the untold fanfare and hearsay immunized against the broach of facetious levity to buoy discordant hearts above fumatoriums of relentless ignorance because coherent masterwork can be cobbled without such lapidary toil and toll on sincere affectations of wizened brevity. The seismic precautions for the forefathers of incidental convergences between expectancy and crystallized history are an ironic intortion of priorities because the heralds and tribunes matched the peerless foresight with the gerrymandered figments of apartheid between the imaginary and the real so that the delicate synchrony of events could unfurl a riveting carapace from the shells of protection even in amiable squalor for its impenitent attrition on the volleys of sensible rumor becoming fashioned in covert bedazzled errors in judgment leading to the triumph of the eventual civilization over the futtocks of the burial of the former trekleador of zenkidu belonging to provincial cadasters found so tucked in the hedges that discernment of frikmag would be an indelible scourge on the biognosy of the diagnosed endeavors that elapsed into remediated circumstances that brave the depths of deontological violation for the breadth of apportioned loaves and two swanky fish earning a place among the miracles of transcendent liberation from articles of decree imperious by sardonic disdain becoming nullified by the histrionics of a delicately staged orchestra that cements human achievement.

       We relish the frescades of a ruffled autumnal reminder of flourish above pothers of the screed of admonition swamped by nostalgic backtracks in the séance with ultimatum of design and the impregnated and carnal lusts of a world pitched in darkness with guarded lambent lights fomenting a perjury against tact for the deliverance of freedom in tacit agreement with owleries that every bonanza be tithed in their favor regardless of hibernation of spoilsports or their subsidiary remarks on indelible quills of invented manufactured realities we crave with desperation rather than cower from in requited nescience urging us to depart from affairs and stagnate the loyalty of fealty above the limber of utility mobilized above levities for solemn remarks and rejoinders. Promulgated above the robotic rubble of staffage haywire in wiredrawn contemplative resonance of tremulous subterfuge vestigial but immediate to the yardsticks of reprehensible malarkey, is the barnstorm for erratic dimples sauntered by the saunas of shelter above the chaos of ruined ginnels for the gimcracks of auxiliary duty to service, is the glorification of the sultry intimations of legions of remonstrance in guarded decorum about sunken atrocities lapsed in memorial to the incumbent brunt of sockdolagers of justice returning revenants from the bridewell of historical internment. The symphily of orchestras to cineaste symposiasts of surquedry in impudence beyond the brays of betrayal is the aborning mythos of regimented perceptions of a world that when magnified by minutiae appears starkly contrast to the gapped gubbertushed reality of the average patron of the arts to such an extreme gulf of receptive understanding that the qualia are dovetailed only in the swink of careful kisswonks to certify certitude itself when all the fragments coalesce into subjoined harmony to the substructures of inherent conscientiousness. The miracles at work that are vesicles and vessels for the swage of imprint above the loyalty of the imprinted tribunes of the fluminous is how hidden protrusions can emerge so victorious over popularized glazes on the pastures of a farmed culture itching for timmynoggies of innovation but only finding the etched remarks of pristine imagos of heroism dwindling in motivation to surpass the imaginative leaps accustomed to a newfangled laziness that bedazzles the guzzle of crowds but not the discrimination of the crowded morass of incompletion found in mosaics missing enigmatic philters of intoxicated love for the profound. So to be intermediary as a custodian for artistry we must cozen the wheedled imaginations not of the relic but the archaeologist that discovered the embedded prisms of attentive scrutiny for glinting sunshine inherent in troves of surpassed excellence beyond parochial sympatric blandishment of donnism rather than a resselenque that floats above demeanor to usher the cosseted age of treasure above the glib brocards and florews of past success.

      Immanent to the provisions of God as decreed from a syncretic reconnaissance of the pitiable gulfs that separate boundless divine love from the clavigerous potential for scrappy sympatric affiliation to **** through the barnstorms of internal comestions of conflated priorities we are ourselves prismatic in the indulgence of a tasty life sprinkled with zest rather than tempered with the vengeance of retorted animosity that we knead the pottery of ironclad resistance to a metallic conduit of pruned fulminations of unguided intuition so that the natural accord supersedes the goad of materialism for the sustenance of antiquity beyond its heyday for vital gains against the tauricide of panic and frenzy. The linchpin of all realistic attempts at the sympatric symphily of civilization is a guided remorse through the torment of affliction that sizzles without anteric barbs as it measures through engrenage how to pilot the vehicles of prosperity through the minefields of contingency that invisibly bequeath new hurdles and inestimable obstacles that collude surreptitiously to fulminate measured controversy against the backbites of restrained equipoise created by polities of the macadamized fabric of a welded smithy of a universe that with ubiquity proclaims above the senseless the harvest of conjugal repartee in sensible pride against militant bastions of incidental prejudice for a careen against the flyndresques of danger and the flyndrigs of glaikery alike for a humane spurt of enlightenment to tower peerlessly in supervision of entelechy created by esemplastic unity in apolaustic purpose. We cannot be puritans engaged in a pilgrimage to a palimpsest of priggishness because the daring elements of adventurism are necessary ingredients to catalyze the supply-chain of the innate gluttony of ego-seeking endless balance with a natural sustained biognosy that prizes biocentric harmony above bibliognost scepsis so that the enthused can flock with liberty divorced from libertinism. The ultimatum is a war between hedonism wed with donnism against eumoirety and self-restraint and this battle will be waged on the indolence of a future of cordslave tethers to interrogation of privy conceptualism hamshackled by the gradgrinds into the neat nexility of precise conformity that blacklists the samizdat because the genizah profoundly twists the already jumbled jengadangle and provides a junediggle of procession and ceremony rather than pomp without substantial grit embedded in the showmanship of a reality in need of a fourth-wall.

        It is ironic how we bewrayed our stewardship of the planet as a plenipotentiary sentience waged against the vesicles of instinct but more fundamental to this tattered but pregnant psalm is that the stronghold of our future is the tenacity of filial duty to enthrone the household with husbandry and restraint as an emolument to divine justice that sparkles opalescent in its own redacted notions of gravity imperfect in the taradiddles of science but refined by the eclat of the combustible syncopation of a reiterative trope of realism combined with surrealist caprice to henpeck affectionate violation above inviolable screeds of blood sport rather than conjugal affections afforded to the brood and the feast of the flocks that rein supreme over all things but exert inclement justice over the cattle and chattel of civilization itself. The minkumpf against the sacrilege of a prioritized kosher is to abhor the suffering rather than embrace the penitence of perceived but specious sacrifice which is an ornery thorn on the stained conscience of the yobbery of both the apikoros and the obedient because to attenuate all suffering even of instinctual beings we anneal our hearts to a glorified compassion that supersedes the relegated relics of pushful genuflection by succedaneum of sacrifice waged against the docile whangams of otiose theodicy. The filibusters against the regnant complexity of regalia that is a sprauncy poivrade with terpsichorean flairs to transmute the intimations of hibernated perfidy into finicky transmissions for the riometers that accord orbific merit in a lackluster time enchant the rollicking audience of this auditorium of the prevenance of the conquered universe bracing for the camorra of the insipid entreaty of defalcated casuistry—the prominent exchequer in hoodwinked political agitprop that forges ironclad allegiances to flimsy facades of the verisimilitude of dignity with recalcitrant but incondite bruits of venom militant against secular apostasy—that the fitful arrivistes that swim in dire dearth will be welcomed into the reconciliation of all time with a tempered lurid glint of revelation bounded by sunken albatross of hype unbounded with a peace insurmountable in prestige rewarded only with the highest reservations.


    On 3-1-2020 when I penned my philosophy—even at a slowpoke margin of crafty precision above rapid empirical faucets of folly—I was entirely selfsame with the autotelic engravings of the smoldering aboriginal talents within that many can swing through by tenacity for enormous plaudit but a flagrant majority will apprehend with flippant scollardical tenets of rebuke and remain honest in their appraisal only in meek resignation of parvanimity.
Consider the postulates of rarefaction whittled into a vehement zeal against the prostitution of our species to the anteric cycles of residual molds of dingy spectacle mired by the tyrannical towers of supercilious squirms of revamped novelty rather than enhanced by the freebooters of dirigisme that borrow from time the behest of philandered flairs divorced from the cadges of secular instinct and enthroned by the qualms of engineered virtuosity that is stark, barren but peerless in its outstretched clamor for luxuriant sprees against the silentium of grandeval asylum incurred by the flippant filigrees of recalcitrant modernism endangered by the irredentism of the future upon the whimsy of the present-minded momentary glare of rapture.  This impending architecture of nimble but subservient endeavor is a pinprick rejoinder against the wernaggles of prepossessed fountains of configured animosity against the stapled heed of a modality of trayned invictive invectives against the plodding course of fustilugianation that swerves in apathy of autopilot junediggle to emanate the surrender of epigone to the raktendure of the synaesthesis of the attuned perception of all superimposed minutiae delegated by calculated design into a synclastic focus on veiled caprice that is vaulted above the choppy and sketchy verdure of remiss perception to stellar continuities rather than mundane knickpoints of stodged blurs that magnify syncretic qualia into baseline congruity rather than staid torpefied resignation of the visage of thunder without the pangs of the widely vituperated lightning that bequeaths all certain notions but flouts the tortious saboteurs of the prim trucage of brittle fundamentalism.

     As the flawed paragon of a picaresque youth punctuated by vibrant plumage of self-wrought tropophilous usucaption of remote groomed frontiers of desolate luxury but buoyant morale into the ballasts of a nimble usufruct that hikkles yet still against still-framed thilloire--fatuous in endearment only to the polity of the waterdrip of craven but gravid disingenuous flickers of lambent cloaks of perfidy—that earned its birthright by meditative fruition rather than prodigal tallespin of indolent frapplanks of a vicarious personage rather than an autotelic haecceity showcases the folly of heterodyne inclinations meeting an impasse of accidental dislodgement. The interregnum between the spurts and sprees of luxuriance is a staid pause between continuities of afforded parlance becoming stapled demographic solidarity affixed to a strident gallop of effortful pushes against the tenacity of the slumberous wicked hibernation of vetust magpiety without hieratical internment because youthful industry beats hackneyed bludgeons of wiseacres of a stilted manufacture of steamy nostalgia for lickerish moments that dignify but undermine moral virtues but splash anointed and sometimes disjointed favor upon the congeners to a rabid escapade of a heedless love frowning on the girdles of the prim balderdash of heralded jolts dim on levity and puffed with elusive contextualized control of libidinous serrated defilement because the crotaline **** outmantles the sweedled limber of exploitable folly. The cosseted reality of wheedled gourmands of continuous perception rather than the Gaussian blur of the protean invention of stitches in time that obscure rather than magnify the supernal levity inherent to most artistry is a linchpin of lenient gravitas that levies the lavaderos of ripe perception into annealment.
Excuse the bravado of the gait of winnowed forks in a bronteum for heralds of megaloscopy fastened to the macroscian reality of indelible filigrees of countermanded controversy becoming its best behest in the sempiternal flowering of burgeoned demonstration rather than illustrious overhang of drab slabs of manufacture rather than organism that should be interposed between the constellated concepts of both apperception and the aggrieved counselors to obtuse obsessions that are an improper tutelary for a designated reprisal of the once profane now immediately gratified by ramshackle tenets of a guarded sublimation of the tenets of post-modernism into a sustained force of the internalized tabernacle of haecceity shepherded into exuberance by the manumission of spirit from the ******* of purblind scalds of defamation that incurs the penalty of flippant privation. The refuge the Lord provides is not contingent upon the vagaries of deliberation nor the calculus of oversight but the remontant amaranthine glower of a listed deed becoming an eternal reminder that a dismantled and disjointed world fathoming only remorse rather than the trudge of gentility against the headwinds of brunt asperity will always flout the successor rather than atone for the failure of the imponent condition that constellates around rudimentary drivel grubbing the momentary out of avarice for allotted merchandise rather than glommed magnets to amoeba sentiments for the kisswonk of ulterior motive beyond dungeons of desperation that lurk ghoulishly with spectral frights at the disfigurement of morale created by errors askew rather than a contagion of righteous valor.

   Ask the heedful servant if the captaincy of reneged commitment owes homage to dutiful instruction or whether it is a balking corpse of necrosis accorded to the omphalism of brutish carnal repose in times of sedentary silt siphoned in spelunked rijuice for preordination is a predominant specter for a world scared scurrilous and skittish in a diatribe against the very notion of tribal screeds embedded in the sedimentary heft of traditionalism above the pother of vacillation commended to the apikoros but counterfeit fiat system of a ruddy governance without a supreme magistrate. Now lets venture into the territory of visagists as we envision the swanky subversion of impoverished and nebbich visions of oligochrome that fixates on belabored but dead notions of rigid propriety and levitate above those concerns with a querulous transcendence that never wernaggles about the profaned irrelevance of burlesque tropes of sidereal friction but instead memorializes the thermolysis of permeable endeavor above staid countenances of imposture that lurk in the shadowy penumbra of the connivance of persona above the archetype of the tutelary guardian spirit that through windlass and sometimes deliberation affixes nobility to even the pedestrian in order to assize its proper proportions to granular ironies expounded into megalography transformative by the very rivets of its supersensible existence and cohabitation with histrinkage among human taboos.

   The handiwork of a permeable race prone to exacerbated proclamations of prerogatives bulldozed by the rapid percolation of insoluble quandaries to the gripes of the feast of foofaraw sometimes shelters our otherwise regnant concern about the plenipotentiary God that observes all latent affairs without the paramours that conflate vivid carnality with appeased luxury and superimposes a crafty system of seismic shifts in rantipole dances with numinous flux rather than dissipated militant suppression of the fracklings of dissolute pollution which swirk in their dastardly desperado endeavors to corral the entire monoliths that guard each province into a winnowed rumble of rubble by tarnish of Tyre rather than by the upstart rejoinders of Canaan. Every creature which has the capacity to perceive language is afforded benedictions by the overhailing force of the hypaethral heights of superlative ingenuity founded in the bolted speculation of the endearment of all to tropological seesaws embattled against the hearsay of nyejays that contaminates the telmatology of the ecosystem of revivalism rather than buries the leaden debts of the disjointed revenants of past prominence into recycled irrelevance for posterity rather than for anything but a machination of a clockwork apple rigged for a rotten worm to swindle the sweet delicate tempests of unforeseen disaster to perjuries against financial solidarity.

The spinsters of sardonic drollery underscore the imminence of an incondite cutthroat collapse blackguarded by the hucksters of incontinence grubbing every fetched noisome notion and congealing a bonnyclabber of desiccated mildew that proves vestigial when the victors of time earn their joyous serenade to the pinnacle of the totem of jaundice slits in wavy endeavors for the participles of sejungible syntax of the ephorized furor to outlast the draksteng of droned dereliction manned by half-baked spies of ulterior recitals for imprinted vicissitude in supremacy in synquest for frizzlounges rather than the pedestrian circulatory system of careworn polity. We vaporize the petty hatred of sympatric regelation that neuters the virulence of motivated impediments to the draconian surge of asperity that sinks temporal haplessness as a regaled blasphemy that crowns only the ringed betrothal to spumid serrated halts in slick superstition that is a buggery to the idea of insectivores devouring the erratic chantage of germane germs that pauperize rather than even blind the deafened to be a crutch to vehicular homicide. Melismatic sennet is a dirigible of immense herculean sinew without the traces of vestibulary retches of kisswonked grisly tepid intimidations of eccedentesiasts by the radioglare of wizened corrugations in thanatism that exhort the avatars of narquiddity over the natural departure of revenant souls back to their temporary hostility to crass lifeless decarnate immediacy that slinks with foibles magnified by vertiginous heights of scollardical reputes rigged by the rijuice of the plackiques of meaningless spoils for swashbuckler bonanza borrowed from serrated vengeance exacted in prominence to provide false avenues of extenuation to malefaction that is confidant to the panopticon of exemplary dimples meager in the largesse of the composite realism of a sizable imprint on megalography that outlasts impertinent excuses for dangerous trout swimming against the mobilized selachostomous frizz of sharks gathering to avenge disclosure with insolence and gravid atrocity of incisive surgical evisceration of attempted depositions that falter by innumerable facets of countenance that belie ultimate realism and the perdurable construction of a sturdy hive of bibliognost revelry.

     Even with the blaring sennet of majesty inundating my piecemeal perception with the marstions of flarium that is an efficacy in a flaccid world of otiose pretenses limpid only in folly but contraplex in ironic skewbald skerries of grubbed destination that is the terminus of karezza despite the maledictions of vehement guarded betrayals that conjure up lurid noisome virility against the gamines and gallywows that populate interstellar fictions of virtu rather than mundane pragmatica that astound with the resselenque of contaminated skeumorphs of latent fracture belonging to a skeletonized ossified reification of farce above historicity in seemly seamless countenance with overwrought princely stature deserving integrity to ripples through sparkling opalescence. The vapid insularity of the self-contained mythos of appeased groundlings is based on the rhizic and rhizogenic fracklings destitute in predicative flares to swelter above stratospheres of the illimitable into the dwelling of the highest serenity inherent to the pacification of truth to neglect its egregious errors of mistetches of a ripened pachyderm of bravery in times of austerity and now a reclaimed notion of sempiternal charades swimming above the punitive draksteng of dranger that is enlarged by acclimated attempts at foiled raltention hikkling against its own superior forces of galvanized preterition to elide over screwball insanity of derangement in this virtual paradise of inhabited souls belonging to former times congregating on the pasture of the evanescence of now for all eternity having the optative condition of incarnation above the ferules of the stagnant brevity of oversight in heavenly realms by postulate but not confirmed by regal logic.

     The troponder of the flickered lambent niceties of polity is a countenance that piggybacks on simpered jostles of negligent engrenage to appease sworn enmities among beatific havens for certitude swarmed by the fisticuffs of darbied bridewells of desiccated drainage traversing the distant disdain for the gravel of cemented slits of stilted pragmatica that is a gavel of atrocious estoppel mediated by heroic heresiarchs against pitiable betrayal for forceful remedies in acclimated servitude to the groans and groaks of a life of remorse and dearth rather than the glut of luxuriance in forbearance to its own intorted mirrored ironies that etch infinity with every scrawled rejoinder to austere ploys of checkered rumbles of threat and exigency posed by the clairvoyant hypocrites who benefit greatly by the design of the omphalism above the frays and brays of corporate dogmatism slowly outmoded by vibrant plumages of heteronormative originality beyond petty chantage. A hesitation overcomes the bluster of bravado as the restive earnest concerns of tribulation beset the minauderies of divine affection to reaffirm the teachings of the Gospel so that future generations genuflect beneath the altar of the ultimate stroke of sociogenesis and the blood ransom of suffering that promoted the human latitude and liberty against incarcerated throngs of virtue over caesaraproprism accorded to genuflection beneath denarii rather than absolution by tether to the eternal vine of sensation of the supersensible entelechy of all valiant insurrections against defective polities and renewed policies.

     We thus seek a transdimensional bridge between the morphean virtu of rudimentary alchemy of propitiation divulged by leverage and the teeming rambunctiousness of fiduciary tribes to the ultimate duty of man to consummate the future of eternity even in slowpoke mannerisms that sidle through rigors of entelechy and assize the masterwork of tutelage above the circumforaneous entrenchment of glut above the mastery of the subtle subaudition that beleaguers an adept conflagration of harnessed human ignorance staid in the incarceration of exotic virtues of freewheeling sapience never vulnerary to hospitable concerns that entrenches the verisimilitude of a refracted justice to reign over the stultification of a primitivism inherent to man and not man alone.
Used some neologisms
Dave Davis May 2013
Horton’s Bend
Dave Davis-2013
Treat the earth well,
It was not given to you by your parents.
It was loaned to you by your children.”
Native American Proverb

Chapter 1
During the early part of the 16th century, the Spanish began their expeditions into the New World in their quest for riches in the form of gold and silver. It was a time of great competition between explorers attempting to be the first to expand the Spanish Empire. Famously Ponce de Leon discovered La Florida in 1533 which allowed geographers and map makers to better outline the coast which de Leon hugged during his travels. His perception that it was an island misled geographers for a number of years. Historic documents do describe a quest for a body of water which was known for a restoration of vigor but the Fountain of Youth was not a focus of de Leon’s. Upon learning of La Florida, further expeditions were made ready. Hernando de Soto’s exploration, which began in the vicinity of present day Tampa Florida in 1539, was a four year journey which provided more information about the strange new continent.
Other expeditions filtered their way into the southeastern United States. Expeditions such Tristan de Luna de Arellano traveled into the interior southeast from 1559 to 1561 including the chiefdom of Coosa in Northwest Georgia and Juan Pardo who led two expeditions into the present day Carolinas are also chronicled.

What a strange world it must have been having stepping into what they must have considered an undeveloped and tangled landscape having been at sea for months prior to their arrival. These new comers were warriors riding into a land of what they considered savages ruled by mighty chiefs. The chiefdoms were purposely distanced apart in order to ensure a semi peaceful relationship with nearby chiefdoms. Each principal chief or cacique lived in areas surrounded by earthen mounds and fortified walls with hand dug moats. These rulers were presented with gifts of corn, exotic materials from foreign lands, and other tributes by their subjects. During the past seventy five years, archaeologists have reconstructed the past life ways of these people through their excavations of village sites and burials. Coupled with the work of dedicated historians, we now have a better understanding of how these native peoples lived and died. We will never fully understand their world.
Theirs was a hermetic world which was provided all that was needed. Respectful of the land and its gift of life giving resources, the native peoples were dependant on the land which figured prominently into their spiritual being. Their needs were meager as they did not desire wealth or the need to satisfy a gluttonous royalty. The principal chief’s rulings were simple and they obeyed without question. He and the other leaders asked only what the earth would provide. Their only loyalty was to the ethereal gods and to the cacique who communicated the will of the Creator. In times of famine or strife, theirs was a community that continued to be self sustained as it had always been from birth to death. They must have considered that dark times had arrived with the new strangers. These interlopers were not here to commune but rather to bring greed and lust to their land.

Native American groups surely were frightened by the sight of an entourage of the bearded new comers. Dressed in quilted shirts with bright colored sashes with tall hip boots, their appearance had to be most curious to the natives. The presence of never before seen animals such as the horses bearing the soldiers were cause enough for the Indians to scatter from their villages. The horsemen wore the heaviest armor consisting of chain mail or if preferred a breastplate of sorts. Their weapons were a long lance in conjunction with a small shield. The foot soldiers wore peaked steel helmets along with quilted shirts armored with small steel plates and were equipped with sharpened steel weapons such as short double edged swords, halberds, and crossbows. Matchlock guns were also a weapon employed by the Spanish explorers. They were close combat weapons which would have to suffice since heavy artillery could not be used in the thick and tangled environment.
The Spanish found the New World to be a land of hardships when they depleted their supplies of foodstuffs between chiefdoms. This land proved not to be a place of abundant riches but rather difficult terrain for pedestrian journey. In order to supplement the Spanish took the stored food supplies that Indians had readied for winter. As Old World warriors, they had no hesitancy to threaten or harm when supplies were needed. Word of their arrival brought both fear and awe to native groups who were duped by the rich lies and gifts of the metal objects that was so foreign to them.
While the devastation of Spanish contact impacted native lives, it should not over shadow the rich history of these people. Prior to contact, they were thought to be involved in the construction of a society emerging from the chiefdom level. Their capability to understand astronomical constants, their ability to sustain an agricultural culture, and the art produced attest to a vibrant society that was merely unfortunate to be caught up in a dynamic European expansion that was inevitable.  
Their story is more than that of European contact as they dealt with pestilence, political instability, drought, and dwindling resources in large communal sites. It comprises a much larger picture from a story long forgotten in a language that will forever remain unknown. History is filled with the tragedies of conquest but this story does not end with the Spanish invasion of peaceful natives. It does not end at all because their spirit was stronger than any intrusion by the strangers. While much suffering has occurred from this contact, there was one group who managed to avoid conflict and quietly retain their heritage. Unfortunately time has left a ragged history with gaps that are not fully understood by those who seek wisdom from the past. No matter. Their intentions regarding history were never as strong as their passion for the land.

On an unknown date during the 16th Century in Northwest Georgia, a group of Spanish invaders made contact with a group of Native Americans who believe in the sacred ground they call home.



Chapter 2
Ronnie King sat on the tailgate of his 4x4 pickup and drained the last of an ice cold Budweiser that had been waiting on him all day. Ronnie kept a cooler full of cold ones for quitting time although he usually just drank the one beer before leaving for home. Working as a foreman on a timber crew, he was soaked in sweat and enjoyed just taking a moment to reflect on a day’s work. He always felt like a man who could tote a chainsaw for eight hours and deal with the elements was a man by God. The sun would be setting soon and he would talk to a few of the boys before they headed to the house. It also gave him time to unwind a little bit and to pick off the ticks that seemed to always be attracted to him. He sure hadn’t forgotten that bout of Rocky Mountain Spotted Fever that had contracted a few years back. He remembered well how dizzy he was that hot afternoon. Some of the boys had chuckled but nobody scoffed at his 107 degree temperature when he was checked into the hospital. Anyways this was the best part of the day and he always got to thinking about his life.

Ronnie loved his job and wondered how others could ever work inside all day. Hell, even if he was paid more he couldn’t really see the benefits of extra cash compared to working out in the woods. More than once he had paid attention to deer signs and had bagged some bucks that were the envy of his fellow workers. It was just a great deal to be outside. Sure he ached pretty good by the end of the week and knew arthritis was in his future but it gave him a great opportunity to do what he really loved: look for Indian sites. Ronnie had been just a boy when he found his first arrowhead down on the floodplain of the Coosa River which ran through his grandfather’s farm. That thrill was one that never got old for the young man. Those who are observant and willing to risk the mud never knew what they would find after a good thunderstorm on a freshly plowed field. As Ronnie grew to be a teenager he already had a collection of artifacts that the local museum drooled over. Other kids that were Ronnie’s age were busy playing football or were involved in some school activity. Ronnie was different and had little interest in neither scholastic nor collegiate pastimes. Once he finished his chores at home,  he headed for the river.

When Ronnie graduated from high school he got a full time job working at Patterson’s Logging. At 18, Ronnie was a tall man with a full beard and was often mistaken for someone much older. He never was a big talker or one to boast. Many at school thought him slow but that was where he fooled them and the teachers too. No reason to give your all since they would expect more anyway. Besides what would he do with trigonometry? He loved the outdoors and spent quiet evenings along the river banks staring at the ground in search of the history that he loved. Teachers didn’t spend much time on how Indians lived during the time that the mounds were being built. He enjoyed books at the library much better than any of the school books. In particular, he loved the book Sun Circles and Human Hands which had wonderful pictures of burials dug up during the WPA days. He did take the time to learn how the Works Progress Administration had been created in the 40’s and created jobs to work on the large dam projects that brought on some of the earliest organized archaeological projects in the United States. At night he would look at Sun Circles and gaze at the pictures of the excavated burials and all the exotic grave goods that had been buried with the interred over 500 years before. The well made pottery vessels had always been one of his favorite artifacts but he had never found a whole ***. Having spent time with different books loaned from the library, Ronnie know the difference between pottery sherds dating to the earlier Woodland Period and those that dated to the later Mound builders or what the archaeologists called the Mississippian Period. He also enjoyed the ornaments and jewelry found in the burials. The designs in the shape of woodpeckers, rattlesnakes, and strange squatting men with eagle claws were carved into shell gorgets that were found around the necks of the nobles of the village. He realized that not all graves contained abundant artifacts as some simply were just a prone or flexed body that must have been a common person. Ronnie knew that there had to be some schools here in the south where you could learn to be a paid archaeologist but who had money to go to college? Besides, they might want him to give up what he found. What right did a museum have to something he had found? No, that didn’t seem right at all.
Patterson’s Logging worked all over a tri-county area and allowed Ronnie access to private property that he could never get permission to walk over. There were a dozen men who worked for Patterson not including Patterson’s boy, Ricky, who had helped Ronnie get hired. Ricky and Ronnie used to do a little cat fishing on weekends. Kicked back with a six pack on a boat ramp, the boys used to fight off the bugs attracted to the lantern glowing bright in the middle of the night. They talked about girls they’d like to get a hold of and wishing they had money for a nice pickup. Ricky’s daddy made pretty good money but most of it was ******* in chainsaws and equipment for keeping the logs steadily flowing to the saw mill. Ronnie never told Ricky but he was **** grateful to be working on a crew at Patterson’s.

A couple of the men who worked for logging outfit were from Cedartown which was located south of Rome. They didn’t speak to anybody very often and pretty much kept to themselves. Ronnie didn’t know them but had heard them called Jarvis and Ladge. The crews had finished logging a section near Armuchee Creek where some county workers had been using bulldozers to prep the area for a bridge project. It was time for lunch so everybody got out their lunchboxes and sack lunches. Jarvis and Ladge ate quickly and headed out to the disturbed area to walk it over. Ronnie had already figured on going out there too but they had beat him to it. He just went ahead and watched them looking for a few minutes. Finally Ronnie headed out and walked around a little distance from them. They glared at him at first but didn’t make a ******* contest out of this patch of dirt. Having walked around staring at the fresh soil for a good ten minutes the three were somewhat close to each other so they stopped and everybody wanted to inspect what the others had found.
Ladge had found a few good sized flint chips and a broken tip of a point. Jarvis looked at him and said “Buddy you ain’t found **** look at this piece of pottery!” He held up a large thick rim sherd which had pinched marks all around the curved rim. “Nice one Jarvis” whistled Ladge. “That’s a Mississippian sherd, Jarvis” offered Ronnie. The others stared at him until Ladge said “Boy this ain’t Mississippi! You in Georgia.” Ronnie didn’t want to be a smart *** to the older men so he said “I been reading in some books on ancient Indians and the pictures showed pottery that looked just like that one that was near 500 years old.” “Huh” Jarvis mumbled “Well what do you think about this bird point?” It was a small triangular point no bigger than a thumbnail made of black flint. Ronnie hesitated a moment and told them “That’s a nice one but you know they didn’t hunt birds with those don’t you?” The men just shrugged and Jarvis said “That’s what I always heard them called……that the Indians used a blow gun and blew them through it”. Ronnie was a little more confident but with a little caution said “That point was used on a bow and arrow…..you know how most points you find have a stem on the bottom end?” Both men nodded with interest. “Well those were used on spears but this type was used on a bow….bout the same time as that sherd you found”

Ronnie thought he might be scoffed at but both men just shrugged and one mumbled “Well I’ll be ******”. Ronnie then realized that Jarvis and Ladge’s interest was just in one upping each other and it was something to do besides talking to the other loggers. “I’d like to look at one of them books you been reading…..I got something I found and want to know more about it.” Ronnie’s interest was peaked and asked “What does it look like?” Jarvis tilted his head a little while looking over at Ladge and said “Just bring that book of yourn’s when you can.” Ronnie took the hint and all three realized it was time to start on the next parcel of the project.
As the work week continued, the three usually sat together and formed a group of their own talking about artifacts away from the others. Ronnie brought one book in but it was from some work over in Alabama and didn’t have what Jarvis was looking for. One Friday after work, Ronnie was about to head home when Jarvis and Ladge asked him to take a ride down to Cedartown and look at their collection. The two had a little cabin out off of Chubb Road with a rusted 49 Ford sitting out front. A metal trash barrel smoldered in the front yard. Ronnie walked in the cabin and had to choke back holding his nose as it reeked of sourness. These two ol’ boys were true bachelors who were not ones to throw out clothes until they fell apart. It was just sometimes they didn’t feel like picking up anything from a pile that had lain in a corner for a couple of weeks. Jarvis walked to a chest of drawers and opened it and asked Ronnie to come take a look. Ronnie looked in the drawer and saw a collection of artifacts typically found in the area. The material ranged from large Savannah River points dating back some 5,000 years to more of what the boys had termed “bird points”. Ronnie picked up a partial *** with check marked stamping and smiled. “This is a nice one….I’ve seen fragments like this on the Oostanaula.” He added “It’s from what is they call the Woodland Period”. Ladge smiled a big toothless smile and proudly proclaimed he had f
A novella to share with my friends.
Isaac Aug 2018
My youth is nearly sealed,
A letter for anyone to read.
All my choices noted down.
God's judgement guaranteed.
I made so many mistakes,
Though I tried my very best.
Whatever challenges life gave,
I hope I passed the test.
My joy lies in being
Pottery in my creator's hands.
I know he is the only one
Who forever understands.
Written 15 August 2018

God sees us, knows us, and understands us.

For some, this is a truth that brings terror. For others, this is a truth that brings peace. To whoever is reading this, I hope and pray it is the latter.

2 Corinthians 5:10
it's okay if you break me;
just leave a few memories for me
to hold on to after I shatter.
baby is my self destruction
Don't tell me to smile
Exhortations to "cheer up" will be ignored
You don't know how far you're stretching me, do you?
Your head still in the clouds of safety where imbeciles call out to each other
Listen. Listen, do
We're exploring the heaviest things in the world
Too heavy for Sysyphyus to haul
I'm that kid you can kind of see through
The one on the left corner
With the cool bootleg Pink Floyd t shirt wrapping his thin torso
He's got a box of Playboys beneath his nightstand and he's barely 14 years old
He reads and incorporates that garbage into his pre-adolescence behavior
With dreams of visiting Plato's
Retreat
Picking up some bunnies using some of the better Party Jokes
His expertise at 'lingus and 'latio are as well perfected as can be without having actually performed them
But he could sure bust out the ******* Philosophy and would have held his own with the old geezer who wrote it
But he was only 14 and nobody seemed impressed with the amount of ******* culture he'd consumed
They weren't letting him in the cluuuub
Your ****** right he didn't feel like smiling
But he wasn't bored
And he didn't feel too serious
He'd let it slide this time

*to be continued
bobby burns Mar 2013
-
crack another thermometer open
on the broken bathroom sink,
pour yourself into me like mercury
and pan the bed of my stomach
for multitudes of gold flecks
like however many myriads
of sickly pill bottles in your
dresser drawer of socks.
-
see all
the shredded speckled petals
i ripped up before i'd let
the deer get to them;
i'm colorblind,
and i can't tell
the sun's reflection from plastic,
or tulips from the broken
pottery outside my front door.
-
and far least from another beer,
and another fifth of whatever
could be fit under your shirt
-
and never a chair pulled up to speak,
from standing like a soapbox
more suited to cleaning
than to preaching.
-
pour yourself into me like mercury,
because it's so much easier
when my veins weigh me down
to distraction, than being able
to think of hydrangeas again.
-
SøułSurvivør Jun 2017
I am hieroglyphic pottery
Broken before my
Time'd begun...
I tried to piece myself
Together, but found
The puzzle overrun.

I couldn't find the
Precious fragment
With which to keep
The water in...
It flowed out, yellow
And stagnant
Full of sickness
Full of sin.

Yes, I'm a hieroglyphic
Vase... a bowl with
Pictographs and runes
I'm whole now, you'll
Find this is the case,
I found the piece!
This blessed boon!

My hieroglyphics are
A summer scene,
The piece I needed
And I won,
Was the part which
Soared the heavens
The constant
Ever faithful

*SON.
Nope. Won't stop talking 'bout
my Jesus! Without Him I
would be dead in every
sense of the word...
JR Potts Oct 2016
I hate to be the bearer of bad news baby
but I was broken a long time ago.
I had hoped
when I showed you that video
on kintsugi, the Japanese art
of repairing broken pottery
with lacquer and powered gold
that you would've seen our history
was not meant to be hidden,
that our imperfections,
the cracks in our ceramics
were meant to be illuminated
with gold
He was a Grecian lad, who coming home
With pulpy figs and wine from Sicily
Stood at his galley’s prow, and let the foam
Blow through his crisp brown curls unconsciously,
And holding wave and wind in boy’s despite
Peered from his dripping seat across the wet and stormy night.

Till with the dawn he saw a burnished spear
Like a thin thread of gold against the sky,
And hoisted sail, and strained the creaking gear,
And bade the pilot head her lustily
Against the nor’west gale, and all day long
Held on his way, and marked the rowers’ time with measured song.

And when the faint Corinthian hills were red
Dropped anchor in a little sandy bay,
And with fresh boughs of olive crowned his head,
And brushed from cheek and throat the hoary spray,
And washed his limbs with oil, and from the hold
Brought out his linen tunic and his sandals brazen-soled,

And a rich robe stained with the fishers’ juice
Which of some swarthy trader he had bought
Upon the sunny quay at Syracuse,
And was with Tyrian broideries inwrought,
And by the questioning merchants made his way
Up through the soft and silver woods, and when the labouring day

Had spun its tangled web of crimson cloud,
Clomb the high hill, and with swift silent feet
Crept to the fane unnoticed by the crowd
Of busy priests, and from some dark retreat
Watched the young swains his frolic playmates bring
The firstling of their little flock, and the shy shepherd fling

The crackling salt upon the flame, or hang
His studded crook against the temple wall
To Her who keeps away the ravenous fang
Of the base wolf from homestead and from stall;
And then the clear-voiced maidens ‘gan to sing,
And to the altar each man brought some goodly offering,

A beechen cup brimming with milky foam,
A fair cloth wrought with cunning imagery
Of hounds in chase, a waxen honey-comb
Dripping with oozy gold which scarce the bee
Had ceased from building, a black skin of oil
Meet for the wrestlers, a great boar the fierce and white-tusked
spoil

Stolen from Artemis that jealous maid
To please Athena, and the dappled hide
Of a tall stag who in some mountain glade
Had met the shaft; and then the herald cried,
And from the pillared precinct one by one
Went the glad Greeks well pleased that they their simple vows had
done.

And the old priest put out the waning fires
Save that one lamp whose restless ruby glowed
For ever in the cell, and the shrill lyres
Came fainter on the wind, as down the road
In joyous dance these country folk did pass,
And with stout hands the warder closed the gates of polished brass.

Long time he lay and hardly dared to breathe,
And heard the cadenced drip of spilt-out wine,
And the rose-petals falling from the wreath
As the night breezes wandered through the shrine,
And seemed to be in some entranced swoon
Till through the open roof above the full and brimming moon

Flooded with sheeny waves the marble floor,
When from his nook up leapt the venturous lad,
And flinging wide the cedar-carven door
Beheld an awful image saffron-clad
And armed for battle! the gaunt Griffin glared
From the huge helm, and the long lance of wreck and ruin flared

Like a red rod of flame, stony and steeled
The Gorgon’s head its leaden eyeballs rolled,
And writhed its snaky horrors through the shield,
And gaped aghast with bloodless lips and cold
In passion impotent, while with blind gaze
The blinking owl between the feet hooted in shrill amaze.

The lonely fisher as he trimmed his lamp
Far out at sea off Sunium, or cast
The net for tunnies, heard a brazen *****
Of horses smite the waves, and a wild blast
Divide the folded curtains of the night,
And knelt upon the little ****, and prayed in holy fright.

And guilty lovers in their venery
Forgat a little while their stolen sweets,
Deeming they heard dread Dian’s bitter cry;
And the grim watchmen on their lofty seats
Ran to their shields in haste precipitate,
Or strained black-bearded throats across the dusky parapet.

For round the temple rolled the clang of arms,
And the twelve Gods leapt up in marble fear,
And the air quaked with dissonant alarums
Till huge Poseidon shook his mighty spear,
And on the frieze the prancing horses neighed,
And the low tread of hurrying feet rang from the cavalcade.

Ready for death with parted lips he stood,
And well content at such a price to see
That calm wide brow, that terrible maidenhood,
The marvel of that pitiless chastity,
Ah! well content indeed, for never wight
Since Troy’s young shepherd prince had seen so wonderful a sight.

Ready for death he stood, but lo! the air
Grew silent, and the horses ceased to neigh,
And off his brow he tossed the clustering hair,
And from his limbs he throw the cloak away;
For whom would not such love make desperate?
And nigher came, and touched her throat, and with hands violate

Undid the cuirass, and the crocus gown,
And bared the ******* of polished ivory,
Till from the waist the peplos falling down
Left visible the secret mystery
Which to no lover will Athena show,
The grand cool flanks, the crescent thighs, the bossy hills of
snow.

Those who have never known a lover’s sin
Let them not read my ditty, it will be
To their dull ears so musicless and thin
That they will have no joy of it, but ye
To whose wan cheeks now creeps the lingering smile,
Ye who have learned who Eros is,—O listen yet awhile.

A little space he let his greedy eyes
Rest on the burnished image, till mere sight
Half swooned for surfeit of such luxuries,
And then his lips in hungering delight
Fed on her lips, and round the towered neck
He flung his arms, nor cared at all his passion’s will to check.

Never I ween did lover hold such tryst,
For all night long he murmured honeyed word,
And saw her sweet unravished limbs, and kissed
Her pale and argent body undisturbed,
And paddled with the polished throat, and pressed
His hot and beating heart upon her chill and icy breast.

It was as if Numidian javelins
Pierced through and through his wild and whirling brain,
And his nerves thrilled like throbbing violins
In exquisite pulsation, and the pain
Was such sweet anguish that he never drew
His lips from hers till overhead the lark of warning flew.

They who have never seen the daylight peer
Into a darkened room, and drawn the curtain,
And with dull eyes and wearied from some dear
And worshipped body risen, they for certain
Will never know of what I try to sing,
How long the last kiss was, how fond and late his lingering.

The moon was girdled with a crystal rim,
The sign which shipmen say is ominous
Of wrath in heaven, the wan stars were dim,
And the low lightening east was tremulous
With the faint fluttering wings of flying dawn,
Ere from the silent sombre shrine his lover had withdrawn.

Down the steep rock with hurried feet and fast
Clomb the brave lad, and reached the cave of Pan,
And heard the goat-foot snoring as he passed,
And leapt upon a grassy knoll and ran
Like a young fawn unto an olive wood
Which in a shady valley by the well-built city stood;

And sought a little stream, which well he knew,
For oftentimes with boyish careless shout
The green and crested grebe he would pursue,
Or snare in woven net the silver trout,
And down amid the startled reeds he lay
Panting in breathless sweet affright, and waited for the day.

On the green bank he lay, and let one hand
Dip in the cool dark eddies listlessly,
And soon the breath of morning came and fanned
His hot flushed cheeks, or lifted wantonly
The tangled curls from off his forehead, while
He on the running water gazed with strange and secret smile.

And soon the shepherd in rough woollen cloak
With his long crook undid the wattled cotes,
And from the stack a thin blue wreath of smoke
Curled through the air across the ripening oats,
And on the hill the yellow house-dog bayed
As through the crisp and rustling fern the heavy cattle strayed.

And when the light-foot mower went afield
Across the meadows laced with threaded dew,
And the sheep bleated on the misty weald,
And from its nest the waking corncrake flew,
Some woodmen saw him lying by the stream
And marvelled much that any lad so beautiful could seem,

Nor deemed him born of mortals, and one said,
‘It is young Hylas, that false runaway
Who with a Naiad now would make his bed
Forgetting Herakles,’ but others, ‘Nay,
It is Narcissus, his own paramour,
Those are the fond and crimson lips no woman can allure.’

And when they nearer came a third one cried,
‘It is young Dionysos who has hid
His spear and fawnskin by the river side
Weary of hunting with the Bassarid,
And wise indeed were we away to fly:
They live not long who on the gods immortal come to spy.’

So turned they back, and feared to look behind,
And told the timid swain how they had seen
Amid the reeds some woodland god reclined,
And no man dared to cross the open green,
And on that day no olive-tree was slain,
Nor rushes cut, but all deserted was the fair domain,

Save when the neat-herd’s lad, his empty pail
Well slung upon his back, with leap and bound
Raced on the other side, and stopped to hail,
Hoping that he some comrade new had found,
And gat no answer, and then half afraid
Passed on his simple way, or down the still and silent glade

A little girl ran laughing from the farm,
Not thinking of love’s secret mysteries,
And when she saw the white and gleaming arm
And all his manlihood, with longing eyes
Whose passion mocked her sweet virginity
Watched him awhile, and then stole back sadly and wearily.

Far off he heard the city’s hum and noise,
And now and then the shriller laughter where
The passionate purity of brown-limbed boys
Wrestled or raced in the clear healthful air,
And now and then a little tinkling bell
As the shorn wether led the sheep down to the mossy well.

Through the grey willows danced the fretful gnat,
The grasshopper chirped idly from the tree,
In sleek and oily coat the water-rat
Breasting the little ripples manfully
Made for the wild-duck’s nest, from bough to bough
Hopped the shy finch, and the huge tortoise crept across the
slough.

On the faint wind floated the silky seeds
As the bright scythe swept through the waving grass,
The ouzel-**** splashed circles in the reeds
And flecked with silver whorls the forest’s glass,
Which scarce had caught again its imagery
Ere from its bed the dusky tench leapt at the dragon-fly.

But little care had he for any thing
Though up and down the beech the squirrel played,
And from the copse the linnet ‘gan to sing
To its brown mate its sweetest serenade;
Ah! little care indeed, for he had seen
The ******* of Pallas and the naked wonder of the Queen.

But when the herdsman called his straggling goats
With whistling pipe across the rocky road,
And the shard-beetle with its trumpet-notes
Boomed through the darkening woods, and seemed to bode
Of coming storm, and the belated crane
Passed homeward like a shadow, and the dull big drops of rain

Fell on the pattering fig-leaves, up he rose,
And from the gloomy forest went his way
Past sombre homestead and wet orchard-close,
And came at last unto a little quay,
And called his mates aboard, and took his seat
On the high ****, and pushed from land, and loosed the dripping
sheet,

And steered across the bay, and when nine suns
Passed down the long and laddered way of gold,
And nine pale moons had breathed their orisons
To the chaste stars their confessors, or told
Their dearest secret to the downy moth
That will not fly at noonday, through the foam and surging froth

Came a great owl with yellow sulphurous eyes
And lit upon the ship, whose timbers creaked
As though the lading of three argosies
Were in the hold, and flapped its wings and shrieked,
And darkness straightway stole across the deep,
Sheathed was Orion’s sword, dread Mars himself fled down the steep,

And the moon hid behind a tawny mask
Of drifting cloud, and from the ocean’s marge
Rose the red plume, the huge and horned casque,
The seven-cubit spear, the brazen targe!
And clad in bright and burnished panoply
Athena strode across the stretch of sick and shivering sea!

To the dull sailors’ sight her loosened looks
Seemed like the jagged storm-rack, and her feet
Only the spume that floats on hidden rocks,
And, marking how the rising waters beat
Against the rolling ship, the pilot cried
To the young helmsman at the stern to luff to windward side

But he, the overbold adulterer,
A dear profaner of great mysteries,
An ardent amorous idolater,
When he beheld those grand relentless eyes
Laughed loud for joy, and crying out ‘I come’
Leapt from the lofty **** into the chill and churning foam.

Then fell from the high heaven one bright star,
One dancer left the circling galaxy,
And back to Athens on her clattering car
In all the pride of venged divinity
Pale Pallas swept with shrill and steely clank,
And a few gurgling bubbles rose where her boy lover sank.

And the mast shuddered as the gaunt owl flew
With mocking hoots after the wrathful Queen,
And the old pilot bade the trembling crew
Hoist the big sail, and told how he had seen
Close to the stern a dim and giant form,
And like a dipping swallow the stout ship dashed through the storm.

And no man dared to speak of Charmides
Deeming that he some evil thing had wrought,
And when they reached the strait Symplegades
They beached their galley on the shore, and sought
The toll-gate of the city hastily,
And in the market showed their brown and pictured pottery.
Jawad May 2017
Photography* is poetry using light.
Poetry is painting with words.
Painting is sculpting on eyes.
Sculpting is music for stones.
Music is writing through feelings.
Writing is pottery with thoughts.
Pottery is photography of clay.
Artists have their own understanding of what they are doing...
April Hapner Dec 2012
December, May and then June...
We've fallen out of tune.
A stroll down memory lane.
Lost in solitude
Once... [more].

Shadows play in the cold...
Expression-less figures dance [together]
in the Spring rain ...
walking on the seaside

Wonderful moments to embrace
A dust clouded you and I
...where were we?

followed the Autumn leaves
Smells of cinnamon, apple, and fresh wood
[but] I only remember
December, May, and June...
We've fallen out tune
[where we'd say 'I Love you?']

September alone
awaiting rain of May,
shadows of December,
walking in June.
could I have forgotten [happiness?]

without knowing, We would meet here.
life begins in the spring of May
continuing in June
Inside December's warmth...

Wrapped up in memory
easing from fear, my hope.
that an end never draws near
always holding for Love...

Walking in December,
Cold in May,
Raining flooded June...
we've fallen out of memory
and a tune
like broken pottery, scattered,
harvested in June
sculpted in December,
awaiting May...
Honestly i have no clue, word just seem to swim in my head.
E. E. Cummings does inspire me, more so than others think. Several things in life going on. Here is to friends, Love, and Laughter.

See Also: My Short Term Memory.
Tryst Jul 2014
The proudest thing I think I've ever done,
Such artistry, such skill I have attained!
The semi-glaze reflecting of the sun,
The richness of the blue, so lightly stained;
So perfect is the pointed pouring spout
That sits upon a rim of gold emboss,
And proudly do the handles both stick out,
Exquisite is the painted Celtic cross;
I toiled and slaved for oh so many years,
My fingers ever wet and moist with clay,
But now at last I'm free of all the fears
And doubts that clouded me until this day;
        I know you'll all be very pleased for me,
        So thanks, my friends, on Hello Pottery!
johnydeep Feb 2016
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Nigel Morgan Dec 2012
‘This is a pleasure. A composer in our midst, and you’re seeing Plas Brondanw at its June best.’ Amabel strides across the lawn from house to the table Sally has laid for tea. Tea for three in the almost shade of the vast plain tree, and nearly the height of the house. Look up into its branches. It is convalescing after major surgery, ropes and bindings still in place.
 
Yes, I am certainly seeing this Welsh manor house, the home of the William-Ellis family for four hundred years, on a day of days. The mountains that ring this estate seem to take the sky blue into themselves. They look almost fragile in the heat.
 
‘Nigel, you’re here?’ Clough appears next. He sounds surprised, as though the journey across Snowdonia was trepidatious adventure. ‘Of course you are, and on this glorious day. Glorious, glorious. You’ve walked up from below perhaps? Of course, of course. Did you detour to the ruin? You must. We’ll walk down after tea.’
 
And he flicks the tails of his russet brown frock coat behind him and sits on the marble bench beside Amabel. She is a little frail at 85, but the twinkling eyes hardly leave my face. Clough is checking the garden for birds. A yellowhammer swoops up from the lower garden and is gone. He gestures as though miming its flight. There are curious bird-like calls from the house. Amabel turns house-ward.
 
‘Our parrots,’ she says with a girlish smile.
 
‘Your letter was so sweet you know.’ She continues. ‘Fancy composing a piece about our village. We’ve had a film, that TV series, so many books, and now music. So exciting. And when do we hear this?’
 
I explain that the BBC will be filming and recording next month, but tomorrow David will appear with his double bass, a cameraman and a sound recordist to ‘do’ the cadenzas in some of the more intriguing locations. And he will come here to see how it sounds in the ‘vale’.
 
‘Are we doing luncheon for the BBC men? They are all men I suppose? When we were on Gardeners’ World it was all gals with clipboards and dark glasses, and it was raining for heaven’s sake. They had no idea about the right shoes, except that Alys person who interviewed me and was so lovely about the topiary and the fireman’s room. Now she wore a sensible skirt and the kind of sandals I wear in the garden. Of course we had to go to Mary’s house to see the thing as you know Clough won’t have a television in the house.’
 
‘I loath the sound of it from a distance. There’s nothing worse that hearing disembodied voices and music. Why do they have to put music with everything? I won’t go near a shop if there’s that canned music about.’
 
‘But surely it was TV’s The Prisoner that put the place on the map,’ I venture to suggest.
 
‘Oh yes, yes, but the mess, and all those Japanese descending on us with questions we simply couldn’t answer. I have to this day no i------de-------a-------‘, he stretches this word like a piece of elastic as far as it might go before breaking in two, ‘ simply no I------de------a------ what the whole thing was about.’ He pauses to take a tea cup freshly poured by Amabel. ‘Patrick was a dear though, and stayed with us of course. He loved the light of the place and would get up before dawn to watch the sun rise over the mountains at the back of us.’
 
‘But I digress. Music, music, yes music . . . ‘ Amabel takes his lead
 
‘We’ve had concerts before at P. outside in the formal gardens by AJ’s studio.’ She has placed her hands on her green velvet skirt and leans forward purposefully. ‘He had musicians about all the time and used to play the piano himself vigorously in the early hours of the morning. Showing off to those models that used to appear. I remember walking past his studio early one morning and there he was asleep on the floor with two of them . . .’
 
Clough smiles and laughs, laughs and smiles at a memory from the late 1920s.
 
‘Everyone thought we were completely mad to do the village.’ He leans back against the gentle curve of the balustrade, and closes his eyes for a moment. ‘Completely mad.’
 
It’s cool under the tree, but where the sunlight strays through my hand seems to gather freckles by the minute. I am enjoying the second slice of Mary’s Bara Brith. ‘It’s the marmalade,’ says Amabel, realising my delight in the texture and taste, ‘Clough brought the recipe back from Ceylon and I’ve taught all my cooks to make it. Of course, Mary isn’t a cook, she’s everything. A wonder, but you’ll discover this later at dinner. You are staying? And you’re going to play too?’
 
I’m certainly going to play in the drawing room studio on the third floor. It’s distractingly full of paintings by ‘friends’ – Duncan Grant, Mondrian, Augustus John, Patrick Heron, Winifred Nicholson (she so loved the garden but would bring that awful Raine woman with her). There’s  Clough’s architectural watercolours (now collectors want these things I used to wiz off for clients – stupid prices – just wish I’d kept more behind before giving them to the AA – (The Architectural Association ed.) And so many books, first editions everywhere. Photographs of Amabel’s flying saucer investigations occupy a shelf along with her many books on fairy tales and four novels, a batch of biographies and pictures of the two girls Susan and Charlotte as teenagers. Susan’s pottery features prominently. There’s a Panda skin from Luchan under the piano.
 
These two eighty somethings have been working since 8.0am. ‘We don’t bother with lunch.’ Amabel is reviewing the latest Ursula le Guin. ‘I stayed with her in Oregon last May. A lovely little house by the sea. Such a darling, and what a gardener! She creates all the ideas for her books in her garden. I so wish I could, but there’s just too much to distract me. Gardening is a serious business because although Jane comes over from Corrieg and says no to this and no to that and I have to stand my corner,  I have to concentrate and go to my books. Did you know the RHS voted this one of the ten most significant gardens in the UK? But look, there’s no one here today except you!’
 
No one but me. And tea is over. ‘A little rest before your endeavours perhaps,’ says Clough, probably anxious to get back to letter to Kenzo Piano.
 
‘Now let’s go and say hello to the fireman,’ says Amabel who takes my arm. And so we walk through the topiary to her favourite ‘room’,  a water feature with the fireman on his column (mid pond). ‘In memory of the great fire, ‘ she says. ‘He keeps a keen eye on the building now.’ He is a two-foot cherub with a hose and wearing a fireman’s helmet.
 
The pond reflects the column and the fireman looks down on us as we gaze into the pool. ‘Health, ‘ she says, ‘We keep a keen eye on it.’
 
The parrots are singing wildly. I didn’t realise they sang. I thought they squawked.
 
‘Will they sing when I play?’ I ask.
 
‘Undoubtedly,’ Amabel says with her girlish smile and squeezes my arm.
This is a piece of fantasy. Clough and Amabel Williams-Ellis created the Italianate village of Portmeirion in North Wales. I visited their beautiful home and garden ten miles away at Brondanw in Snowdonia and found myself imagining this story. Such is the power of place to sometimes conjure up those who make it so.
Mugerwa Muzamil Feb 2018
How it felt about when she smiled
Her roses were red wine
Teeth were an iceberg in a cold sea
I didn't know she knew me more than by name
I walked head up to her in a confident laze
She always willed to lay a hand in a steamy time

Whenever she called me by my pet name
I would light up a grin
How I couldn't help her spell
How much I belied of having a way out
The more she drew close, the more I sank in
How she made seduction a white collar trade
The lavish eyes, the lazy talk, the pure feminine mien

She pat on my shoulder and turned to catch a glance
Asked what made her hands a soft pleasure
Whispered that she was schooled in pottery and making dough
I couldn't stop but ask about the flawless curves
She pushed out her lips and said  I used to spin a ring at nine

I asked her out for a movie
She said tragedies make her cry
One day I went to look down through my office windowpane
My sight met hers taking down a secret gang
With a fierce nine millimeter gun
I was left speechless in awe

We needed to rethink our revolution
On her mission in Damascus a plane crashed
I still cried a pail.
This was inspired by a mysterious beautiful lady who used to help me out at work whenever I was clueless

— The End —