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Maria Mitea Sep 2020
From malleable clay,
with his own hands
the potter made a bowl,

Only one day the bowl broke.

What would you do
if you were the potter?

Would you consider repairing it?

Would you throw it away?

Would you repair it,
but also elevate it to a
whole new level of appreciation?
Kintsukuroi is the Japanese art of
repaired pottery - The art of Appreciation
Norman Crane Sep 2020
The mountain grows much slower than your perception of the mountain growing taller, as the dynamics of the sea, which sculpts the earth beneath your feet, speaks—summoning the breeze: isn't it surreal, living on God's pottery wheel?
Betty Aug 2020
***
Clay is a dead thing
Brought to life by potters hands
It lives and it sings
Lily Priest Feb 2020
Eventually,
It all comes down to pieces,
Bits of people pottery
Left behind in flowerbeds
And dug up
When rough fingers
Work the soil.
Pastly and willowed
Water and war marked
How did you come to break?
What rough egdes met
To wear you to point the blame
Cut and quick to judge,
Vessel that filled with hate
And quickly spent its uselessness
Upon the slabs.

Or did aged shakes
Dislodge you from
Weakened fingers
And bitter tears wash you away
With all the memories
Centuries from the sky?

Perhaps, playfully
You were pinched
Sticky fingers
Stealing childish treaures
Carried from domestic shores
To mystic lands
Of imagination.
Were you blamefully broken
Innocence ending
For the journey back
Indoors?
Press ear to shard
And I can still hear the call

Eventually it all
Comes down to pieces.
Mark Toney Oct 2019
wheel thrown pottery
coils of clay willingly yield-
master potter's touch
12/4/2018 - Poetry form:  Haiku - Copyright © Mark Toney | Year Posted 2018
Giannina Randi Jul 2019
I witnessed your unraveling
as she tore you to bits.
Eating at your very core until
things seemed irreversible.

I saw how things changed
when I picked you up piece by piece.
You weren't the same but

It was like looking at shattered pottery
put back together, gleaming with gold
at the cracks.
The same, yet new at the same time.
Renewed.

Then I saw how you went back to her
as I scattered to the wind.
Bhill Jun 2019
Art is personal and has many forms
Paintings, pottery, and people who perform

Music, Photography, the making of bling
Finding new ways to dance on a string

Poetry, screen writes, and novels are there
Finding new expressions that you'll want to share

What is your flavor, how far do you go
To find your own art form, that shows off your glow?

Brian Hill - 2019 # 153
Just wondering
carbonrain Dec 2018
I can feel your heart ache under your soft, warm skin as I glide my fingers along your gold-mended pottery fractures. Skating on the glaze you've let me peer beneath to reveal your raw materials. We used to use air and clay and water to speak, now we communicate in a wordless language, born of naked otherworldly splendor.  — and  that planet, your body, I long to explore.
Juliana Jones Jan 2020
I'm broken.
Come brave friend sing to me
Your breath sweet on my break
Hands like flowers for gentleness warm on my shattered shape
You touch the soft edges of my soul
With rivers of gold
That run  
To fill the cracks
To make me whole
Each piece I heal I glisten I grow
Beautiful.
The Japanese art of mending broken pottery.
Emily Oct 2018
Beautiful form,
Color of cement,
Rough texture,
Heavy weight.

Thin brush,
Melted white wax,
Pattern applied,
10 minute wait.

Wide brush,
Turquoise and white glazes,
Alternating in bands,
Around the tall vase

Sitting on a plank,
Drying in the breeze,
Sunning itself,
Just another in a line-up.

Dark place,
Intense heat,
Wax burns,
Glaze melts and fuses.

Brief glimpse of sun,
Put out in the trash,
Newspapers below ignite,
Lid closed down tight.

Flames suffocate themselves,
Reducing environment,
No longer oxidizing,
Affects the final look.

Carbon floats, turning
What was covered by wax into shiny black,
Adding lines of black to the white glaze,
Covering the vessel with burnt debris.  

Exposed to the sun once more,
Cooled in the breeze,
Rinsed with water,
Scrubbed clean.

Admired by the crowds,
White vase with black cracks,
Copper bands with hints of turquoise,
Interspersed with black vertical leaves.

Each one different,
Results never predictable,
Never to be reproduced,
Variables too complex.

Raku-fired pottery, treasured for its unpredictable color variation
Why can’t nature’s palette of skin color,
be likewise prized,
instead of despised?
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