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WS Warner Mar 2012
Secretly bending glimpses,  
When pine and survey align
In tortuous accord –
Reflections of you,
Are not enough
Drew Barrie;
To insulate my heart
From the cleft between us.
Perennials, the color of
Periwinkle,
The smell of rain
And crayons
Return you to me,
Lend presence, vestiges,
Invoke
The gift of you,
Fortify my resolve
To one day reunite.

Numbness and ache,
Lavish tears set
Against the
Unimpeachable light,
Held in the glint in your eyes
Unequivocally green,
Each blink evokes allure,
Found in
A blushing smile -
Little one,
I observe in quiet
Adoration, amid
Our segregation,
Ardor undiminished,
Prayers give permanence
Uttered in a pause
Each
Breath drawn;
Ephemeral visions, alive,
Ballads and rhyme
Memories aflame, occupy
A sacred canopy,
Internal; profoundly
Savored
Never to erase.

Searching for treasure,
Collecting prized sand
And stone,
Your pockets, heavy
With plunder.

Somber tones fill
Gaps in our history,
Find new contrast,
Certain hues
Oscillating shades of gray
Stirring cues
Dearth of winter blue.
Trees bare, secluded,
Known in the bones,
This crisp boreal air —
February.
Moisture absent,
Like a father's words
Laconic;
Your irreducible gaze,
In the
Opaque imagination.

Oddly arid season,
Aloof precipitation,
The will of the wind
Indefatigable,
Sonnets of euphony, leave me
Undone,
Permit me to grieve,
Another year - gone.
Nervous Squirrels, sedentary
And quiet,
As if to mourn with me,
I miss my daughter.

The spring equinox,
Poised pavilion blended
Unfolds in bloom,
Elucidating
The approaching day
Of your birth.

Stunning you were,
Your prominent
Entry into creation,
Tiny noises,
Nestled and snug.
Reach
My effusive heart.
You are here,
Equipped with an
Absorbing mind
Wrapped,  
Perfectly  
Designed, in a petite
Fashioned frame.

Emotions, elastic -
Diffuse and Compress,
In distance friction
Attenuates,
Time and eternity
Extend to the periphery,
Agony
Absorbed into Zoe.
Grace and peace wash
Ashore, rinsing
Poetry pure;
Cleansing, with surprise
And vigor
Recall the loftiest
Of tokens.

I too
Encountered
An esteemed rock,
Smooth and orbed,
Summoning  
Long thoughts,
My citadel made
Of three,
Uniquely ensconced
Inside -
Priceless gems,  
Sustain me.

Enclaves of privilege
Gratified each vacant
Mirror,
Until notes and
Words gather to form
Your story,
Emergent,
The world shifts,
Altered anew.
Resurrection,
Simile to
Our reconciliation
Visceral and singular,
Exuberant teardrops
Flood, fall deeply
Approximating mercy,
Severe, sudden as
The April freshet.

In the lavender garden.

©2012 & 2016 W.S. Warner
Nat Lipstadt Dec 2013
Photographs by Avedon

This was written in a friend's home in the Berkshire Mountains, on a Saturday morning, a few years ago.  Up early, I went exploring their bookshelves and found a book of Richard Avedon's photographs of average Americans out west.  Google "richard avedon photos of the american west" - then read the poem.  Please, for without seeing the faces, for this will make all the difference.  In the Berkshires, it is always chilly there, even in the summer sun.  This and other obscure references are better detailed in the notes.


Join my warmth and
my chill,
as the nine o'clock sun,
a 45 degree steeplechase
warms,
but still not
strong enough
to dispense
the lingering,
residual, remaindered,
breezy chill
of the prior eve,
that hides in,
emanates from,
the shadows
of the
deep wooded hillocks
of the
Berkshire Mountains.

Join my warmth
and my chill!

Upright jolted,
head kicked awake,
entranced and revolted,
excited and repelled,
emotive, yet, stilled.

For oh so casually,
this heroic city dweller,
brave and fearless
bookshelf explorer,
retrieves a book,
to find a new route
thru time and space
to the center of his brain.

Photographs by Avedon,
of my fellow Americans,
the Have Nots,
his "Havedons"
of the
American West.

These uncommon people
with whom I share
uncommonly little,
these drifters, the carneys,
the would-have-been cowboys,
busted blackjack dealers,
rattlesnake gut n' skinners,
coal and copper miners,
the hay truck drivers,
dirt so deep in
their pores ingrained,
colors and bloodies their souls,
browns their veins,
are the ones that
too oft,
go off first to
fight wars
in my name.

Photos untitled,
words unneeded.

In this far corner of our
shared contiguous space
called the
United States of America,
top of the line here
would be
insurance agents,
secretaries and maybe even,
the waitresses.

But their eyes,
oh their eyes!

Words I do not own
to fair share with you,
the clarifying gaze
of measured dignity and
immeasurable ache,
heritage pride,
heretical heartbreak,
that marks and unites
these disparate and dispirited
vessels of humankind.

Disjointed,
the noon suns finally,
raises my body temperature
browns my surface...

Yet, nothing eradicates
this ******* chill
in my soul
or calms my consternation,
as black and white
eyes discolor
my comfortable existence,
as I ponder
Avedon's words:

All photographs are accurate but none tell the truth

Pass over,
pass by,
The Evil Son at Passover
asks ever so sly,
what have they to do with me?

It is the Sabbath.
We luxuriate in our rest.
Rest is the greatest luxury

What is this Sabbath?
Heschel's cathedral -
existant both
in space and time,
and one enters
when and where
one can.

Do my distant,
(both in space and time)
American cousins
share my Sabbath?

Are they allowed
this luxury,
or is it endless exertion,
severity and deprivation,
all and every day
of their lives?

Constant risk every day.

Who cannot fail to see the
precipitousness of life
edged in the lines of their
hearts and minds?

Day to day hardens them
and teaches the
discipline of
severity unended.

Is the prudence of
self-forgetfulness,
their morning bitter pill
they must swallow
to carry on?

Among the resolutions
I need
to claim a
life fulfilled is this:

How to end this poem,
close this can of worms,
accidentally kicked open.

Will sunset end these
troubling questions
of which you have
your own,
more personal variations?
(what about the ...)

Perennials flower everywhere,
in Auschwitz,
along the Tigris,
even in Kabul and Somalia,
along the highways
that lead
to the mecca of
Las Vegas.

Perennials flower everywhere.

In warmth and cool,
in time and space,
they flower in my heart and
my brain and in
my prayerful tears.
flowing down my cheeks,
as I lay me down to sleep,
to dream these of
impoverished words

Havdalah^^ thoughts,
separations celebrated.

Distinctions noted,
even celebrated tween
holy and common,
light and dark,
Sabbath and
the six weekdays
of labor,
between sacred and secular
and
between me and
my American Brothers
of the American West.


I know
just one thing
to be true:

The Sabbath Cathedral is
open to all,
whatever day
you choose to
abide there

I await you,
my American cousins,
with wine and bread
and the
holy of holiest words
of comfort and sooth.

I will wash your feet and
lay you down to
restful sleep
in the
Sabbath Cathedral
in my heart.

Together,
at last,
we will be joined,
in warmth and chill.



August 29, 2010
Lanesboro, Mass.
----------------------
* "In The American West" by
Richard Avedon

** many of the phrases in this stanza were taken from an article "The Few, The Proud, The Chosen" in Commentary, September 2010

^ Abraham Joshua Heschel, a modern Jewish Philosopher.  Elegant, passionate, and filled with the love of God's creation, Abraham Joshua Heschel's The Sabbath has been hailed as a classic of Jewish spirituality ever since its original publication-and has been read by thousands of people seeking meaning in modern life. In this brief yet profound meditation on the meaning of the Seventh Day, Heschel introduced the idea of an "architecture of holiness" that appears not in space but in time Judaism, he argues, is a religion of time: it finds meaning not in space and the material things that fill it but in time and the eternity that imbues it, so that "the Sabbaths are our great cathedrals."

^^ Havdalah is the ceremony to celebrate the end of the Sabbath, and realize the distinctions between the holy day and the workweek, the day and the night, light and day...
Kameron Stout Sep 2018
Snow falling
the bear snoozing
sunflowers stalling
A Sunflower blooming

The Sun is blinding
Sunflowers blooming
Mating calls for fighting
a sunflower glooming

Perennials rebloom
as a sunflower tries to
Sunflowers rebloom
a sunflower dies too

The snowflakes fall
a Sunflower grows tall
sunflowers wilt
the dens are built

Snow falling
The bear snoozing
sunflowers stalling
A Sunflower glooming
Lyn-Purcell Aug 2018
'Oh, when will you return, my love?' wondered Kourê,
   as she lays on the daybed, in the cradle of                        
          Spring's clime; how the nights and days make                        
her so weary, as the yellowed flames sway idle              
So many flowers sent,                                            
each rich with memory.      
Violets coiling around the triumphal arch;              
His smile after their first kiss under
the flushing dawn.
Starlings who sing ever so sweet;                              
the song of him preaching of her being
                       a bright glory before others.
Crystal chandeliar that hangs from the ceiling;
                            Her on a small bench, his hands massaging
                              warm oils between her fae-sculpted
      feet and toes.
The roses; a rouge kiss in the light of the shade
          The harp; a white daybed draped
                            with a scarlet sheet.
She yearns for a hug from him, bathing ****
          in light, as their hearts beat in sync
                              and reach the sky.
All she wants is a sweet rest, his hand on her
fine head;                                                
            stroking, sighing, eyes shining,              
                  water that trembles between fingers,
happiness linger!
A feather drifts earnest, the glittering of stars,
And now she cools, recalling their sweet        
goodbye as he rides his mare,
            snow cloak shines eternally.
'Yours is a beauty that will never wilt,' he cooes,
placing a rose in her hair.                  
A rose.                      
A rose...        
Her eyes falls on the white rose in the vase,
              lonesome, thornless proud...                  
We marvel its beauty, its earthbound performance                       
 She holds the rose in her hand, staring at its                    
its crowning glory; petalled virtue
By her ivory velveteen fingers                                          
long finger,
               slim thumb-
She plucks petal by petal by petal by petal
as she looks to the day-sky
                      with a dreaming mind
And when the crown is gone,                            
                       her face is touched by a frown                        
                and the naked stem,
                                    marred by her sensitivity-
                                            ***** of its own beauty-
                                                    for her hand's sake,
her yearning for her lionesque lover,              
                                         and aurorian prayers?          
The stem falls, naked and bald on the ground
    as she closes her eyes, saddened...
She cannot bear the sight of snow-kissed            
flowered bays without the sun,
                   her hymn-
                                  her shield-
Know the true secret behind the red, red rose  
As none know of its venomous mantle    
this Rose lingered in the vase only to be
defiled.
Taken advantage of only to
                            be dumped-
A laughing stock as another more beautiful
                            flower will take its place
Boiling with vengeance, the stem is hale,
jade with envy-
                                               barbed with thorns, a poisoned desire
                      to shield its body,
Its pride, its crown stolen-
                                     From snow to blood-
                                                    its pain turned crimson,
No longer will tears of dew fall!
'It matters not,' Kourê thinks, 'another rose will bud.'
For they, like many perennials and sentient life,
                          are conscious of its limited beauty!
'Mine own beauty and his will last forever.'
From the light beyond,
she sees him.
                                       Her sun that rides the mare!
She runs into his embrace- a pair of happy doves
Her fingers in his gold curls
as he bends the knee,
The air lovingly cold at this display!                  
Ever so content!
                                          Blessings upon the lily in the snow!
Upon her hands, the blood of a rose,
that swears vengeance upon her
for it will be the catalyst!
Blood for blood!
                                  The rose will rise and curse
them with pain ten-fold...
Final part of the free-verse!
Hope you enjoyed it!
I came up with a little sad myth behind why the rose has thorns. Why the white roses are truly red. What did you think? I have roses in my garden but I don't pick the petals, they're too pretty!
What did you think of Kourê? Do let me know!
Love you guys! Thanks so much!
Lyn ***'
Gracie Anne Jan 2022
The urgent care is the nursery
Where I choose my seeds with thought.
The doctor is the gardener
Who knows how to fix what I’ve wrought.

She sows the seeds inside my skin,
Yet not with a trowel or ***.
She uses a needle and surgical thread,
With budding knots lined up in a row.

Then she leaves me with my tidy ground
And some knowledge on how I should care
For the lined up plot she’s left to me,
Whose potential I’m required to bear.

The deep rivet I slashed into my skin
Is where the seedlings take root.
The blood from my veins keeps them moist
As the new blossoms stand resolute.

But when the weather grows dark and dreary,
My sprouts need cover from the cold.
So I bundle them up with jeans and sweats
To protect them and let them take hold.

But despite the layers I pile atop,
The small spiny blooms poke through.
I run my fingers back and forth,
And marvel at how fast they grew.

Then after they’ve grown for fourteen days,
I return to the nursery at last.
The gardener plucks and prunes and picks
‘Til the wounds and the blooms come to pass.

So now the perennials have passed us by,
And the sprouts have been taken to bin.
The wound that watered my seedlings’ through,
Has left but a scar on my skin.
This poem was inspired through the stitches I received on my thigh due to self harm. When I wore leggings or sweats, the knotted string would poke through the material, reminding me of a garden.
Coral Estelle Apr 2011
Leaves of brown, petals unwound
I shrivel in your awkward shadow.
Had to pluck your roots, snap your stems.
Drown you out with dirt, and other seeds.

But somehow, you spring up again.
Desperately ugly and undead.
Even Earth had to regurgitate
That unsightly, darkened head.

Stubborn smog won't turn to vapor,
Not even seasons wilt your verdure.
Rivalries rage, with out any shame.
What has been done, remains.
Xander Duncan May 2014
I'd never cared for flowers
Symbols of affection that wilt
And forget memories
And fall apart in kitchens and bedrooms and strew their pieces on the floors
Dried and broken after only days of being lovely
Flowers with their alternating patterns of
Unreliable determinations
Claiming every other petal as an opposite declaration
Of a determination
Of love
And I never liked removing thorns from roses
Because they added something truthful and
Poetic

But when you gave me flowers
I held them to my heart and let my eyes dance across the kaleidoscope that they created in a glass vase
I let them live for longer than they did
Because they were still pretty even when no one else seemed to think so
And when they hang dried on a wall
Still colorful but slightly brittle
Maybe they'll stay like that if I just don't touch them
When you gave me flowers
I plucked off every other petal
Into a bouquet of He-Loves-Me
Because for once there was no doubt
For once I believed the sentiment in the flowers and the words from your lips as you handed them over
The lack of nots in the petals
Pulling apart the knots in my stomach
He loves me
He loves me
Truer than the dirt that holds
Wilting symbols of affection
Sweeter than the honey
Of their pollinators
He loves me
He loves me
A garden of something new and beautiful
Perennial and built on symbolism after all

Until you let me know that dead flowers were just dead flowers
That they were past their worth
And metaphors aren't worth the dirt they were grown in
That perennials can't return
When you've salted the soil
And brittle flowers on the wall should always be removed
But I always lived in metaphors anyway
And I had a new appreciation for flowers that I didn't want to lose
I was no longer a rose
But a thorn
I always thought smooth stems were so boring
Not to mention dishonest
But I didn't want to make you bleed
So painfully I dug an olive branch from my rib cage
Then realizing that a ****** token may not be so well received
I decorated it with a bouquet of blue Forget-Me-Nots
But you plucked off every other petal
And handed back an array of He-Loves-Me-Nots
He loves me not
And there was no doubt in the sentiment
The sentience of metaphors dying all around me
When all I know is metaphors
And flowers were never just flowers
And words were never just words
But both are found on gravestones and poems and apologies
And parallels have fallen into nice and even spacing
Reducing flowers to clichés
Of alternating promises
Of He loves me and
He loves me not
Of broken promises
He loves me
Not
Mary Gay Kearns Jun 2018
Take me to the Rookery with its many paths
A tea house selling refreshments in pretty glass
Three striped lollies covered in chocolate beads
Biscuits and sandwich are all that we need.

The garden was set out, in brick oblong beds
Raised from the ground and divided by hedge
Many bush roses, of the older kind, smelling of
Cold cream and sweet camomile.

There was a terrace with steps leading down
To a sunken garden where the roses reclined
Hanging over arbours, pink , white and cream
And other perennials added to the scene.

This place a haven at the top of Streatham hill
Does anybody know it, it might be there still?
My daddy took me often on a Sunday afternoon
To ramble in the sunshine, and play at my will.


Love Mary x
Sometimes I think myself clever,
a genius in horticulture,
harvesting perpetual fleeting moments.
A muted gardener.
Watering without promise or
sentiment.

When the air grows stale
I can disappear
(I always have),
like so many ghosts
or smoke
A nomadic farmer.

But today
I want to be
old and knotted roots.
stationary and permanent,
nourishing and timeless,
impervious to elements
so that she
might flourish.
I want to lean hard into the wind,
sway with it and
bend
while holding my
only purchase.

And when she opens up
it will be enough
and maybe for the first time
neither of us
will be
murderers of perennials.
Natalie Jan 2019
A paradox they are,
pleasure and pain.
interconnected;
one cannot exist
without the other.

Feelings, transient
you cannot feel love forever
you cannot feel anger
or sadness,
forever.

You cannot immortalize emotions
they'll fade away
but what won't is our memories
those will stay

But happiness is temporary
and temporary, is what I had with you.
Kurtis Cullen Nov 2013
Sleep among the sunflowers
Gaze at the felicity of raining stars
Ages & angels pass by you
Like perennials in the park
Joseph Valle Aug 2012
Lines of light
form our forms,
as shapes glance shyly
at spot-dotted stars.
They shape you, you know?
Framing your eyes
with lashes so dark,
petals,
against a backdrop of lime
clear, wide, citrus,
for me, the slicing sting
in open wound screams.
But for you?
My arms wide
to gaily catch green gaze
whole.

My gaze,
a lens sans focus,
light bends and blurs
to bokeh.
It’s lost.
It returns.
The sudden impact
of complete regression,
dynamically hastened exhales
in symphonies of near silence.

Faith in finding
new seedlings buried
below cold spring surface,
or, if-luck-might-root-hold,
flowering perennials
of Love without Lust
claw up through dirt.
Worn out and in,
like rugged denim blue,
spanning one lifetime,
two,
yours and mine.
Endless desire,
for wear,
for comfort without fear,
each year, new tears,
again.

Again, again,
sun me with your stare.
Sam Temple Jul 2014
soft-bodied succulents
dutifully separating the perennials
organization crisis, preservative induced
chemically altered worldview
shaped largely by food reconstructed
and the public’s inability to unite against imperialism –
daily newscasts give rise to propaganda
water-cooler hype fest
breaking information
leading with bleeding
enveloping the country in irrational fear
unsafe, even with children
constant threat from every direction
insanity has become the home
of Ward and June Cleaver –
glowing exhaust pipe
as all roads lead back
beginnings resemble endings
all things circular
revolving Revolutionary revolted
remembers regurgitating rancid raspberries
aluminum spray from the sky
coated pesticide residue from below
only the hate left is organic
and pure –
immeasurable, time slides away
plastic incorporated into new organisms
freshly evolved bacteria eat the remains
of humanity and its greatness
traceless epoch forever eroded
undiscovered pockets of micro cilium
dine on the fat reserves
stored in the soil
like oil –
returning gods survey creation version Earth
emotionless and stationary
the process is repeated
as it has been for billions of years
single manipulation
recoding the genetic structure
life begins this journey
one more time –
I am no gardener, but I do know this:
Perennials and orchards need the kiss
Of an early frost, a freezing deep,
To hold them whole through winter’s keep

A bloom in false spring, (winter’s hollow),
Before the heavy snows that follow,
Will have the cell walls bursting, cracking,
Freezing, thawing, expanding, contracting.

So too, must dreams lay dormant still,
Or else becoming Winterkill.
Much as I wish them to bloom, bloom now,
They must lay under the mulch and bough.

I tell myself, “Learn what you can from the season”
Patience, Myopia, Acceptance sans reason -
You are stuck in the wheel, right here and right now,
Hearing naught in the dark, muffled underground.

Yet I am no seedling! I am no tree!
Though my flesh warms and cools just as easily.
So why should I wait? Why be pinned by the cold?
Do I have a choice in the story that’s told?

Could I be a cold crocodile, nose above ice,
Or hibernate warm with the marmots and mice?
Why not come in from the outside to thaw,
And savor small tidbits of hope in my maw?

Could I choose to fly south, or to stay evergreen?
Must I really wait for the melt to be seen?
I wonder, though I’m sure from what seed I have come,
Is it winter that dictates what I will become?
KM Ramsey May 2015
i am not your blooming flower
i don't belong in your
garden kingdom populated
by perennials and ruled by
thorn stemmed rose bushes
where you go
to seek solace and discover
the bursting lightness of
that sensuous pain when
blood erupts from that
thin line where
the white fatty layer threatens
to spill out into the world
and stain your white carnations.

and i never promised you
that it would be pretty
and that one day you would be
able to look at those sensationless slices
and see more than just
an act of scarification
that i asked for
that i endured
but the physical embodiment of
that internal scream that
bounces off the sides of my chest
and shatters the crystalline lattice
that protects my dispassionate heart
from your touch
as soft as the downy feathers
of the spring's children
emerging from their
incubator eggs to
greet the world where they
will fall before they fly
and i will impale myself on
the pyre of their sacrifice.
i can't keep promises i never made
Silvarra Adastra Jan 2014
Serpent flails; shallow water.
Joker smiles; never speaks.
On top of the mountain,
Hands grasping each other,
One behind our backs.
Gazing into the jokers eyes
The serpent clenches the hand behind his back.
His last defense.

Pulsating blood; pushed through uneasy veins,
Sideways glances,
Grips tightening,
Eyes locking,Tongues melting.
Our goodbyes; easy.

One dagger.
One rose.
Covered in a single tear of crimson.

Perennials:
Never to be given away to a serpent.
Dagger concealed behind him.

Once a voluptuous rose,
Left now to die, decay.

Blade:
Rose,
Fell,
A tear from the only one left laughing
In death's dream kingdom
           These do not appear:



                     I

They're handing out maroon balloons
And saying they are free
But grasping children grip them fast
And the monks amidst them disagree
Dispassionately, but en masse
While they liberate the children
With obliterating oms.

A nearby Byron expiates
And mildly reiterates
The soporific broken ode
He bellows over holy oms
To the smitten women who approach
That "a rose is a rose is a rose is a rose"
Dispensing with disinterest
Crimson bliss amidst the women
Who ignore the sinful image he bestows.

He hands them out like red balloons
To grasping girls all afternoon
Imploring them to trust their nose
Insisting they are free
And so continues to propose
To the smitten women in the street
That "a rose is a rose is a rose is a rose"
As if the word could smell as sweet
As the perennials he grows.

And in the corner – Romeo
Who greenly mourning understands
The worth of poison in his hands
Imagining a life of night
Where roses wither without light
And only stars through windows break
Through all the countless nights of fate
and every breath's an endless wake...

Meanwhile Byron's distant yells
Prevail over the choral swell
And plant a seed in grasping ears:
Salvation can be engineered!
Which Romeo soon understands
As kissing death, he takes her hand
Thoughts germinating into schemes
If a rose is a rose is a rose is a rose
...then a dream is a dream is a dream.


                     II

A griffin, a hippogriff, and a wyvern
Admitting me and
Gripping crimson
Dripping strings
So none of them will fly away.

Inside, Cain is killing Abel  
(How few! yet how they creep)
killing Abel
(Through my fingers to the deep)
killing Abel
(While I weep — while I weep!)
killing Abel.
(O God! Can I not grasp)
It is the first story:
(Them with a tighter clasp?)
A samsara of carnage and drama.

Somewhere above
On a city street
Desire's handing out balloons
He clips their thorns
And trims them neat
He says they're free
And just as sweet
As the women he impugnes
He belies his guidance on repeat:
That love is the light is the sun is the moon.

A widower laments and moves the world
That has such people in it:
A snake, a guard, a god, a dog
A wife by no other name
A faltering of faith, a peek
A pillar of salt, a severed head
Adrift on a river
Singing:

I'd transcend five hundred miles
And I'd transcend five hundred more
Just to be the man who transcends trials
Sprawled out on your floor

(Thy drugs are quick.)
Searching for a souvenir
To prove to you our world was here


Isaac, bound, blank and free
Bleating, looking for meaning
(All that we see or seem)
In his father's violent eye,
And finding it.
(Thus with a kiss I die.)
Abraham swings his knife.
A son is a sin is a ram is a rose.

A man pushes the sun up a large hill
(LET THERE BE LIGHT)
Every day, and then it rolls down again
And then an eagle eats his liver.
(I am the resurrection and the life.)
One must imagine Prometheus happy
The alternative is dark

The moon, by any other name, would—
But do not swear by the moon!
For she changes constantly
(Then said Jesus unto them plainly:
Lazarus is dead.)

Everything changes
But nothing is truly lost.

(at times
the fact of her absence
will hit you like a blow to the chest
and you will weep.
but this will happen less and less
as time goes on.
she is dead.
you are alive.
so live.
)

A man pushes the sun up a large hill
A day is a year is a life is a death.

One must imagine Orpheus happy.


                     III

In dreams, the sun resumes her loving glow
I'm reunited with my silhouette
I glue myself with soap to my shadow
And find myself beside my Juliet

No longer a balloon without a hand
I'm rooted to the earth where she grips me
With purpose guiding us through life's demands
I push my boulders uphill happily

I build a world with Juliet my wife
Where roses are all roses and smell sweet
We live a loving happy magic life
Together til our journey is complete.

[Enter, at the other end of the churchyard,
FRIAR LAURENCE, with a lantern, crow, and *****.
]

In union Eve and Adam are redeemed,
Not in a rose but in a living dream.
Can a rose be just a rose?
Ubuntu says that a person cannot be just a person.
Romeo grieves for the light of his sun, Juliet,
and chooses to live a life with her in a dream
as the poison kills him.
Nat Lipstadt Jan 2015
that the trending tags,
for but a single day,
banished the perennials,
all celebrated the occasion
with a rousing wake and
an indecent burial

out **** spots,
sad, pain, heartbreak and depression,
in the closet, once a year, annual,
as for death,
it's ugly head,
cutoff, spiked and disliked,
in the tower displayed

for twenty four, de minimus,
on a day mutual selected,
we compose only
of the beauty, and the kindness
in each and all of us
In honor of Pradip
carefully I cradled the garden seeds
depositing them in the incubating
warmth of the earth's black womb
then buried my heavy heart there for a season
I thought of my cousin Roger who had just
relinquished the magical breath that animates
all living beings in this universe
it didn't matter that he had abused his body and
was an emotional wreck most of his brief life
more like a brother, fond memories of innocent play,
mischievous fun and a generous, loving persona
poked through fresh and green
like tender infant shoots
these were the perennials, the lasting bouquets
that could never be laid to rest
the fluffy double orange hoop skirts of the hibiscus
dancing in the corner
and the African daisies laughing purple faces
make me smile
I could feel my cousin's Spirit whispering in
the gentle Florida breeze
"hey, cuz, life goes on.......forever!"
John F McCullagh Jul 2012
The sun was just about to set
when I happened on the scene:
A small and well kept garden
scented with Magnolia trees.
Someone had placed a wooden bench
beside a whispering pond.
I never knew this gem was here
In New York, most green is gone.
There were seasonals and perennials
competing for my senses.
A most welcome distraction
from my dark and somber penses.
So little time remained before
the light would fade away
and their beauty and their brilliance
would be shadowed, dark ,and grey.

I thought about my childhood home
and the fruit trees that once grew there.
of the flowers and the vegetables
cultivated with my parents' care.

Concrete now covers every inch
of my remembered home.
They put a housing project
where, upon a time, I roamed.
I felt a sudden pang of loss,
fought back a foolish tear.
Here, in another's garden,
I had travelled back the years.
KD Miller Mar 2016
"I ate civilization. It poisoned me; I was defiled. And then I ate my own wickedness."*
- Aldous Huxley

i let my head hit the brachiaria.
cyan sky rolled past,
and it seemed to me as if

my past itself was dragged out of my body,
excorcised and pulled up
and traveled with the sky's current

the sky is moving,
impossible and slow.
the clouds jog with a rush.

sometimes i think i have never
felt at all
with my year ****** up,

on their way to Mongolia or
Philadelphia,
I tried to desperately recall

sullied at the thought i couldnt.
I thought about how i always embarrassed you
in public

how i'd turned into an embarrassment
at this point in time
my pure innocence

that flowed in the past gently
uncomfortably shifting and
wondering how certain things felt

i don't know
manhood devoured me like
an apple.

in the garden
i walked
tried to spot all the perennials

and i did
and i thanked mankind for taking up the
habit of finding wild plants

bringing them into our lives
i see a sign, the museum is holding an exhibit on
british pastorals and hellscapes

i tell her we should go.
she agrees
walks across the street to buy a wire.

my blood ran down my body
onto the linen
Egyptian cotton

like the princesses who
married at 14,
at 13 i laughed

when they asked me to go the square
and at 15 i felt it my responsibility.
the fetid collapse of my

sincerity and my serenity
flowed through my being
patrolled round

my purity like
a culpable
sentry

i closed my eyes
and i felt the sheets heavy with
plasma

i blinked and
everything turned to burgundy
the subway grates licked at my ankles

the poplar and elms
in firestone
laughed at me,

who had so eagerly
held on to a fray
consumed by mankind

gutted with
certain
toxicant.
rachel martin Mar 2016
What are you doing? I’ve been up all night listening to the earth moving,
I’ve toiled through the day without your light to illumine
And I wonder, what are you doing?

You’ve not known even half this night,
It only feels so because it's burned on so long
And the days only feel darker because of my tempest turning strong
And you’re right-
Preparing day and night,
embalming my body with every chemical I can find
Carving and crafting a crypt for my mind.
Ending this torture, heavy,
A man in his mortuary
ready to waste this winding sheet
And feel the earth beneath my feet.


Love, what do you mean?
You’re right in front of me, I could reach out and touch you
Or couldn’t I touch you, only a ghost of my dreams?

No, dearest.
Between this cold and you, it was the cold that was nearest.
Your love could not yet try to interfere it,
I could hear it.
A whisper calling me forth,
It's time I bury whats broken, redeem my worth,
And build myself new.
But to do so, is to do so without you.


So a ghost not yet, but a ghost to become.
Widowing beside your tomb
Wanting to exhume you
But the better part of me will let you rest
As long as the flowers held against your chest are perennials.
Janette Jul 2012
I am
Moon-drift, wreathed among shadowed shrouds,
Lain in grasses woven with scented perennials,
Scattered
To the winds of  rapture,
My sigh
Drifting in ephemeral mists, lost in the midnight silk....


I am
The hush of an everlasting kiss
Remembering;
Skin vulnerable to breeze cradling a fragile heart,
Wrapped
Melting into emerald realms....



I am
Flesh-touch, scorched in the blaze of wildness,
Trembling;
In the breath and lathe upon waiting skin,
Surrendered;
Burnt in the shimmer-gleam of crimson stain....


I am
Unabashed sensual delight,
Primal;
Shimmering in the haze of heat,
Enraptured
In the drown of his tether....


I am
The taste of your flesh on lips
Untamed;
Fevered, in veins that are lost,
Embraced,
As the moon dreams high in darkened silk....


I am
Each suckle of skin burgeoned and pliant,
Whimpering;
Curved, etched wanton,
Drifting
Salacious in sweet release....


I am
Your heart
Curled under my breast,
Immortalized
Adorned in glistening mists of tender-soft
The lover that never leaves.......
Find me, passion in the blackest of light...where I am enveloped in exhales and whispered secrets.....where I feel the deepest parts of YOU, and I awaken the songs you sing softly in my heart...where...with my hand threaded in strands of hair and your fingers searching my pulse we find....more than imagined....so much more...... when we tangled into.....US........ J
Alio Apr 2022
When I planted those flowers
And grew them for you
I never thought of what you’d do
Perennials they were, with gorgeous hues
But you took them and cut them out of the blue
Stuck them in a vase for everyone to see
Watered them lightly until they wilted
And want faded away

Those flowers
To me
We’re me and you
The love that we grew
Cherished and knew
And at the first sign of beauty
You snatched them right up
New blossoms could not bloom
For you came in on cue

Withered and wrinkled
Discarded and dry
Colors all lost
Beauty long squashed
We were flowers in bloom
And we will bloom again
But the ugly remainder
Of what was and will be
Will always lay there

In the trash
chasing the boulder.

having looked before,
i looked again on my way,
past the laundry cottage
on the bend.

low tide indeed, no
**** up with the tide, sand
showing.

back along, slow and glance,
see the thing, reverse return.
standing proud, the wooden boulder,
david nash sculpture. me in dancing shoes,
the river bank deep mud.

i had to photograph it.

quite badly from a distance.
i will go again.

i liked the montbretia.

sbm.

* notes ( i have not written notes a while )
Montbretia
Crocosmia is a small genus of flowering plants in the iris family, Iridaceae. It is native to the grasslands of the Cape Floristic Region, South Africa. They can be evergreen or deciduous perennials that grow from basal underground corms.

*extra note

David Nash is known for works in wood and shaping living trees. His large wood sculptures are sometimes carved or partially burned to produce blackening. His main tools for these sculptures are a chainsaw and an axe to carve the wood and a blowtorch to char the wood.
TERRY REEVES Mar 2016
ONE IS TO PICK UP THE OPEN PAPERS ON THE FLOOR,
SHOWING EVENTS WHICH HAPPENED ONCE BEFORE,
TWO IS TO LISTEN AND POINT OUT HERE AND THERE,
THE THINGS I MISSED WHEN I COULD ONLY STAND AND STARE,
THREE IS FOR COMPANY AND JUST TO MAKE ME LAUGH,
I CAN NOT STOP, YOUR FACE, ONE VOICE, MY PATH,
FOUR IS SPECIAL, UNRELENTING WITH RARE TALENT,
HOW I MISSED YOU GONE WHEN YOU FINALLY WENT,
FIVE IS QUIRKY JUST LIKE ME BUT THERE'S ONLY ONE
SPACE AND SOMEHOW WE BOTH WRIGGLE INTO IT TOGETHER,
SIX IS THE MECHANIC WHO USUALLY GETS THINGS DONE,
ONE OF THOSE PERENNIALS YOU CAN REALLY DEPEND ON,
SEVEN IS TO LOVE AND GUIDE ME ON MY WAY,
GIVE ME MAGIC JUST LIKE HONEY SO THEY SAY.
Breanna Apr 2020
Gentle rain storms heighten
the scent of lilac bushes lining the fence
anticipating perennials
lively from the dampness and the sun
when days stay dry
carrying a bucket of water in one hand
walking barefoot to hydrate them
meanwhile
sunshine fruits
are being morphed into juice
behind the silk curtains
I see the wrinkled hands
firmly holding fruit peels
covered in shiny liquid
rays focus on her hands just right
this view
dripping
in citrine shades.

— The End —