Mnemonic...

Over my mug of steaming coffee,
...i see cookies and a fruit...sliced,
to freshen my breath after my coffee break....

one glance...

one unexpected glance, took me back... to
when i decided to do something for myself,
to be happy.....and to be somebody....but,
finally....i fought the desire, to be defiant...
those awakenings, and newfound feelings,
still haunt my evenings...the hurting, somewhat
changed me, and my beliefs.......i realized that,

at some point in one's life, a chance moment
unfolds on a landing...clear to the eyes...on a mission,
to change attitudes...to erase wrong impressions,
triggered by unpleasant experiences....i have also
discovered....at the right time, somebody comes,
......like an angel with hidden wings...to soften
our hardened minds....to melt our frozen hearts,
ease our tensed opinions...offer us a healing balm.
sometimes, a place, or a face, becomes a kind of paper
that can't be crumpled, or destroyed...so hard to forget.
anyone...anything, that strikes the heart hard,
easily comes back, with the slightest reminder,
catches you..........unprepared....

this fruit on the table, in silence, it just sits there,
...unaware of its being mnemonic...doesn't matter,
if it's fresh, rotten, or candied...a plum, apple or pear
....................would prompt me, to remember,
over my mug of steaming coffee...


Sally


Copyright July 27, 2016
Rosalia Rosario A. Bayan

This is a poem of a girl. A girl who is so cliché, that she needs to write angst-filled poetry to keep herself conscious and her thoughts free, but is too hipster to believe it. A girl who is too freckled to be fair, too fleshy to be flirty, too conspicuous to be classy, too prominent to be petite, but too small to be seen. A girl who’s piercing blue eyes absorbs everything and regurgitates emotions like a tampered slots machine—excessi vely and noisily. This is a poem of a girl who is so over-stimulated with color, texture, love, and life that the numbness in her head is a pink eraser. A girl who was brought up to have opinions and dreams as long as they kept her on the path to perfection, poise, and parenting. A girl who is experienced enough to know the difference between sorrow and guilt, manipulation and cowardice, hysteria and hyperventilation but is too naïve to know why certain boys are a bluish green, why math is a bafflement, and why ground up chili peppers in dark chocolate ice cream isn’t everyone’s favorite food. This is a poem of a girl who salivates at the mere thought of classical music, couture fashion, and feminine heels. A girl who breathes in culture like a caterpillar inhales hookah smoke. A girl who Alis volat propriis (flies with her own wings) but ultimately plummets to nosus decipio (Let’s just cheat) because her humanity held down her Heredity. A girl who thrives on music of every variety: as long as it can paint out her emotions in front of her. This is a poem of a girl who is so acerbically witty and harsh that she could unarm Napoleon but is so vehemently protecting that Mother Theresa herself would be awed. A girl with an attention span of a fish, short-term memory like sea foam, thoughts that outnumber armadas, and a bad habit of dehydration. This is a poem of a girl who talks but shouldn’t, speaks but doesn’t, and who is so badly burnt by the enticement of affection that her wallflower camouflage is now charred ashes around her stubby toes. A girl who has such infatuation that she could pin Lust against the wall and make Passion jealous. A girl who wears red lipstick because she knows it will keep a man’s gaze for 8.2 more seconds than with chapstick and the 50’s will never grow old. A girl too nervous and traditional to make the first move, but too strategic and over-analytical to lie back and forget. A girl who loathes the word mamihlapinatapai because it describes her every circumstance since the day she befriended the purple-brown boy who thought her personality tasted of Raspberry ice cream and to this day she still can’t pronounce it. This is a poem of a girl who needs a bed so crowded and protected with blankets and pillows that her monsters can’t penetrate her mazed-up mind. A girl who drinks tea with her lips, and philosophy with her soul. A girl who can’t spell the alphabet backwards but can make great mnemonic devices. A girl who can’t tie ends together because she doesn’t want to leave anything unsaid but whose tangents are kite-strings. A girl whose sentences are distracting fences in front of her literal eyes but doors for her mind’s eyes. A girl who has Synesthesia but keeps it quiet because of the condescending kids in kindergarten who called her a freak, and a liar. This is a poem of a girl who thinks about Death and whether he is a snatching thief or just the ferryman. A girl who dances with her eyes shut, her heart open and her toe-socks on. A girl who will clean her room at 2 am because she can’t handle the sight and the night is too lively for sleeping anyways. A girl who wears her heart not only on her sleeve, but on her chest, open as a blushing book playing poker with hockey players and still winning a game. A girl who’s emotions are kept in a Tupperware box and left in the refrigerator but if you shake it hard enough the lid just might pop open

He stood fifty times his height,
his palms pressed against the glass
separating him from the road in their glamour;
blurred images of car in their splendor –
and there isn’t the
familiar scent of coffee –
I call this pandemonium.

Nothing beats a day in a café
redolent of the finest Arabica,
he’d inhale deeply and recall :
unroasted gives the sweetest scents
of blueberries –
roasted’s entirely different:
fruit, sugar, perfume –
They call this addiction.

Mnemonic – a wind chime
lost in the array of winds.
“You used to be my cup of tea –
I drink coffee now.”
These words slip out of his dry lips,
and a lone tear trickles down a milky cheek;

They all say if they’ve got love,
they don’t need money –

And he’d say if he’s got coffee,
he doesn’t need love –
He calls this heaven.

Drinking to forget;
Mnemonic gin and tonic
hasn't helped me yet

Zeus had plastic surgery,
his fingertips shaved off
so he would not leave prints
when he committed
his archetypal crimes.

He changed his name to Saturn
then to Cronos
then to Albatross Von Mariner,
all this subterfuge
just to disquise the fact
that he goes borderline ballistic
when he doesn't get his way.

He pulled Icarus out of the sky,
wounded Prometheus’ side,
left Sisyphus on a steep lonely mountain,
dared Demeter to save her daughter,
yet these souls persist
in mnemonic literary defiance
of a single fact…

No god is greater than you,
the karma jury has come in
and Zeus is sentenced
to five years of community service
on Interstate Highway 5.

He will wear a yellow clown suit
with a red rubber nose
and floppy green shoes
with a fast food tray hanging from his neck
and he will walk in traffic snarls
stopping at every car
to clean the windows
to sell hotdogs
with purple relish and black mustard
wrapped in grey buns
as unappetizing and pathetic
as the lies
he has told us about ourselves
for so long.

For those among us who lived by the rules,
Lived frugal lives of *****-scratching desperation;
For those who sustained a zombie-like state for 30 or 40 years,
For these few, our lucky few—
We bequeath an interactive Life-Alert emergency dog tag,
Or better still a dog, a colossal pet beast,
A humongous Harlequin Dane to feed,
For that matter, why not buy a few new cars before you die?
Your home mortgage is, after all, dead and buried.
We gave you senior-citizen rates for water, gas & electricity—
“The Big 3,” as they are known in certain Gasoline Alley-retro
Neighborhoods among us,
Our parishes and boroughs.
All this and more, had you lived small,
Had you played by the rules for Smurfs & Serfs.

We leave you the chance to treat your grandkids
Like Santa’s A-List clientele,
“Good ‘ol Grampa,” they’ll recollect fondly,
“Sweet Grammy Strunzo, they will sigh.
What more could you want in retirement?

You’ve enabled another generation of deadbeat grandparents,
And now you’re next in line for the ice floe,
To be taken away while still alive,
Still hunched over and wheezing,
On a midnight sleigh ride,
Your son, pulling the proverbial Eskimo sled,
Down to some random Arctic shore,
Placing you gently on the ice floe.
Your son; your boy--
A true chip off the igloo, so to speak.
He leaves you on the ice floe,
Remembering not to leave the sled,
The proverbial Sled of Abbandono,
The one never left behind,
As it would be needed again,
Why not a home in storage while we wait?
The family will surely need it sometime down the line.

A dignified death?
Who can afford one these days?
The question answers itself:
You are John Goodman in “The Big Lebowski.”
You opt for an empty 2-lb can of Folgers.
You know: "The best part of waking up, is Folger's in your cup!"
That useless mnemonic taught us by “Mad Men.”
Slogans and theme songs imbibe us.

Zombie accouterments,
Provided by America’s Ruling Class.
Thank you Lewis H. Lapham for giving it to us straight.
Why not go with the aluminum Folgers can?
Rather than spend the $300.00 that mook funeral director
Tries to shame you into coughing up,
For the economy-class “Legacy Urn.”
An old seduction:  Madison Avenue’s Gift of Shame.
Does your **** smell?” asks a sultry voice,
Igniting a carpet bomb across the 20-45 female cohort,
2 billion pathetically insecure women,
Spending collectively $10 billion each year—
Still a lot of money, unless it’s a 2013
Variation on an early 1930s Germany theme;
The future we’ve created;
The future we deserve.

Now a wheelbarrow load of paper currency,
Scarcely buy a loaf of bread.
Even if you’re lucky enough to make it,
Back to your cave alive,
After shopping to survive.
Women spend $10 billion a year for worry-free *****.
I don’t read The Wall Street Journal either,
But I’m pretty **** sure,
That “The Feminine Hygiene Division”
Continues to hold a corner office, at
Fear of Shame Corporate Headquarters.
Eventually, FDS will go the way of the weekly ******.
Meanwhile, in God & vaginal deodorant we trust,
Something you buy just to make sure,
Just in case the *** Gods send you a gift.
Some 30-year old **** buddy,
Some linguistically gifted man or woman,
Some he or she who actually enjoys eating your junk:
“Oh Woman, thy name is frailty.”
“Oh Man, thou art a Woman.”
“Oh Art is for Carney in “Harry & Tonto,”
Popping the question: “Dignity in Old Age?”
Will it too, go the way of the weekly ******?
It is pointless to speculate.
Mouthwash--Roll-on antiperspirants--Depends.
Things our primitive ancestors did without,
Playing it safe on the dry savannah,
Where the last 3 drops evaporate in an instant,
Rather than go down your pants,
No matter how much you wiggle & dance.
Think about it!

Think cemeteries, my Geezer friends.
Of course, your first thought is
How nice it would be, laid to rest
In the Poets’ Corner at Westminster Abbey.
Born a ******. Died a ******. Laid in the grave?
Or Père Lachaise,
Within a stone’s throw of Jim Morrison--
Lying impudently,
Embraced, held close by loving soil,
Caressed, held close by a Jack Daniels-laced mud pie.
Or, with Ulysses S. Grant, giving new life to the quandary:
Who else is buried in the freaking tomb?
Bury my heart with Abraham in Springfield.
Enshrine my body in the Taj Mahal,
Build for me a pyramid, says Busta Cheops.

Something simple, perhaps, like yourself.
Or, like our old partner in crime:
Lee Harvey, in death, achieving the soul of brevity,
Like Cher and Madonna a one-name celebrity,
A simple yet obscure grave stone carving:  OSWALD.
Perhaps a burial at sea? All the old salts like to go there.
Your corpse wrapped in white duct/duck tape,
Still frozen after months of West Pac naval maneuvers,
The CO complying with the Department of the Navy Operations Manual,
Offering this service on « An operations-permitting basis, »
About as much latitude given any would-be Ahab,
Shortlisted for Command-at-sea.
So your body is literally frozen stiff,
Frozen solid for six months packed,
Spooned between 50-lb sacks of green beans & carrots.
Deep down in the deep freeze,
Within the Deep Freeze :
The ship’s storekeeper has a cryogenic *******
Deep down in his private sanctuary,
Privacy in the bowels of the ship.
While up on deck you slide smoothly down the pine plank,
Old Glory billowing in the sea breeze,
Emptying you out into the great abyss of
Some random forlorn ocean.

Perhaps you are a ******* lunatic?
Maybe you likee—Shut the **** up, Queequeg !
Perhaps you want a variation on the burial-at-sea option ?
Here’s mine, as presently set down in print,
Lawyer-prepared, notarized and filed at the Court of the Grand Vizier,
Copies of same in safe deposit boxes,
One of many benefits Chase offers free to disabled Vets,
Demonstrating, again, my zombie-like allegiance to the rules.
But I digress.
« The true measure of one’s life »
Said most often by those we leave behind,
Is the wealth—if any—we leave behind.
The fact that we cling to bank accounts,
Bank safe deposit boxes,
Legal aide & real estate,
Insurance, and/or cash . . .
Just emphasizes the foregone conclusion,
For those who followed the rules.
Those of us living frugally,
Sustaining the zombie trance all these years.
You can jazz it up—go ahead, call it your « Work Ethic. »
But you might want to hesitate before you celebrate
Your unimpeachable character & patriotism.

What is the root of Max Weber’s WORK ETHIC concept?
‘Tis one’s grossly misplaced, misguided, & misspent neurosis.
Unmasked, shown vulnerably pink & naked, at last.
Truth is: The harder we work, the more we lay bare
The Third World Hunger in our souls.
But again, I digress.  Variation on a Theme :
At death my body is quick-frozen.
Then dismembered, then ground down
To the consistency of water-injected hamburger,
Meat further frozen and Fedex-ed to San Diego,
Home of our beloved Pacific Fleet.
Stowed in a floating Deep Freeze where glazed storekeepers
Sate the lecherous Commissary Officer,
Aboard some soon-to-be underway—
Underway: The Only Way
Echo the Old Salts, a moribund Greek Chorus
Goofing still on the burial-at-sea concept.

Underway to that sacred specific spot,
Let's call it The Golden Shellback,
Where the Equator intersects,
Crosses perpendicular,
The International Dateline,
Where my defrosted corpse nuggets,
Are now sprinkled over the sea,
While Ray Charles sings his snarky
Child Support & Alimony
His voice blasting out the 1MC,
She’s eating steak.  I’m eating baloney.
Ray is the voice of disgruntlement,
Palpable and snide in the trade winds,
Perhaps the lost chord everyone has been looking for:
Laughing till we cry at ourselves,
Our small corpse kernels, chum for sharks.

In a nutshell—being the crazy *******’ve come to love-
Chop me up and feed me to the Orcas,
Just do it ! NIKE!
That’s right, a $commercial right in the middle of a ******* poem!
Do it where the Equator crosses the Dateline :
A sailors’ sacred vortex: isn’t it ?
Wouldn’t you say, Shipmates, one and all?
I’m talking Conrad’s Marlow, here, man!
Call me Ishmael or Queequeg.
Thor Heyerdahl or Tristan Jones,
Bogart’s Queeq & Ensign Pulver,
Wayward sailors, one and all.
And me, of course, aboard the one ride I could not miss,
Even if it means my Amusement Park pass expires.
Ceremony at sea ?
Absolutely vital, I suppose,
Given the monotony and routine,
Of the ship’s relentlessly vacant seascape.
« There is nothing so desperately monotonous as the sea,
And I no longer wonder at the cruelty of pirates. «
So said James Russell Lowell,
One of the so-called Fireside Poets,
With Longfellow and Bryant,
Whittier, the Quaker and Oliver Wendell Holmes, Sr.,
19th Century American hipsters, one and all.

Then there’s CREMATION,
A low-cost option unavailable to practicing Jews.
« Ashes to ashes »  remains its simplest definition.
LOW-COST remains its operant phrase & universal appeal.
No Deed to a 2by6by6 foot plot of real estate,
Paid for in advance for perpetuity—
Although I suggest reading the fine print—
Our grass--once maintained by Japanese gardeners--
Now a lost art in Southern California,
Now that little Tokyo's finest no longer
Cut, edge & manicure, transform our lawns
Into a Bonsai ornamental wonderland.
Today illegal/legal Mexicans employing
More of a subtropical slash & burn technique.

Cremation : no chunk of marble,
No sandstone, wood or cardboard marker,
Plus the cost of engraving and site installation.
Quoth the children: "****, you’re talking $30K to
Put the old ****** in the ground? Cheap **** never
Gave me $30K for college, let alone a house down payment.
What’s my low-cost, legitimate disposal going to run me?"

CREMATION : they burn your corpse in Auschwitz ovens.
You are reduced to a few pounds of cigar ash.
Now the funeral industry catches you with your **** out.
You must (1) pay to have your ashes stored,
Or (2) take them away in a gilded crate that,
Again, you must pay for.
So you slide into Walter Sobjak,
The Dude’s principal amigo,
And bowling partner in the
Brothers Coen masterpiece: The Big Lebowski.
You head to the nearest Safeway for a 2-lb can of Folgers.
And while we’re on the subject of cremation & the Jews,
Think for a moment on the horror of The Holocaust:
Dispossessed & utterly destroyed, one last indignity:
Corpses disposed of by cremation,
For Jews, an utterly unacceptable burial rite.
Now before we leave Mr. Sobjak,
Who is, as you know, a deeply disturbed Vietnam vet,
Who settles bowling alley protocol disputations,
By brandishing, by threatening the weak-minded,
With a loaded piece, the same piece John Turturro—
Stealing the movie as usual, this time as Jesus Quintana—
Bragging how he will stick it up Walter’s culo,
Pulling the trigger until it goes: Click-Click-Click!
Terrestrial burial or cremation?
For me:  Burial at Sea:
Slice me, dice me into shark food.

Or maybe something a la Werner von Braun:
Your dead meat shot out into space;
A personal space probe & voyager,
A trajectory of one’s own choosing?

Oh hell, why not skip right down to the nitty gritty bottom line?
Current technology: to wit, your entire life record,
Your body and history digitized & downloaded
To a Zip Drive the size of the average *******,
A data disc then Fedex-ed anywhere in the galaxy,
Including exotic burial alternatives,
Like some Martian Kilimanjaro,
Where the tiger stalks above the clouds,
Nary a one with a freaking clue that can explain
Just what the cat was doing up so high in the first place.
Or, better still, inside a Sherpa’s ***** pack,
A pocket imbued with the same Yak dung,
Tenzing Norgay massages daily into his *******,
Defending the Free World against Communism & crotch rot.
(Forgive me: I am a child of the Cold War.)
Why not? Your life & death moments
Zapped into a Zip Drive, bytes and bits,
Submicroscopic and sublime.
So easy to delete, should your genetic subgroup
Be targeted for elimination.
About now you begin to realize that
A two-pound aluminum Folgers can
Is not such a bad idea.
No matter; the future is unpersons,
The Ministry of Information will in charge.
The People of Fort Meade--those wacky surveillance folks--
Cloistered in the rolling hills of Anne Arundel County.
That’s who will be calling the shots,
Picking the spots from now on.
Welcome to Cyber Command.
Say hello to Big Brother.
Say “GOOD-BYE PRIVACY.”

Meanwhile, you’re spending most of your time
Fretting ‘bout your last rites--if any—
Burial plots on land and sea, & other options,
Such as whether or not to go with the
Concrete outer casket,
Whether or not you prefer a Joe Cocker,
Leon Russell or Ray Charles 3-D hologram
Singing at your memorial service.
While I am fish food for the Golden Shellbacks,
I am a fine young son of Neptune,
We are Old Salts, one and all,
Buried or burned or shot into space odysseys,
Or digitized on a data disc the size of
An average human *******.
Snap outta it, Einstein!
Like everyone else,
You’ve been fooled again.

it was a strange and fragile Kombination--
a desperate, lonely Hunger,
frenetic Thrill to sate--
we didn't speak each other's native Tongues
but Tongues we shared
in what we found, of random Meals,
and Pocket Lexika to taste
hidden Idioms we strove to understand..
our Bodies splashing Wasser
in the murky Spree, ******* Fountain by Berliner Dom
licking Lips of Bier und Eis a ways away from Reichstag Bullet Holes
below the steel Spirale encased in Glas
transparent Government--a Show for Tourist Stroll..
our Smiles glinting, coated international, that Week agreed

"eine schwester-bruder liebe.."
temptation--and propriety--preserved--
pale lotion, paler skin to honey in the sun
aloft in hostel bunks we shared--
a cush historic castle, touristische nook
of maps and candy pockets, so geil..
gleeful us, to melt from moscau and new york
we shared the deutsch between us,
ein bisschen englisch,
a bit of russisch too for fun...
our soulwise checkpoint charlie held the lust at bay
despite lustgarten romps
and walks beneath the lindens, lane of sighs..
an awkward bridge of question-words we built to muse about the stars
and what we see with only strangers never seen again.
we named ourselves an instant familie...so you could snore on me,
and let me stroke your hair
without the guilt of infidelity
the freedom from, we traded in our blatant,
goodbye tears you shed, i kept inside to craft mnemonic gems
i share and savor in again












'

No...more...bickerin,
your eyes flickering you're nickering
your nit pickin' lost it quick as the Dickens
My tracks a hell of a kickin'
you're just the next feckin victim,
of the flow bound Hurricane of sense and rhythm,
The Sensemilla Sensei Kempei of verbal Kempo's home,
Like Alladin and Saladin mixed with a Party Boobytrap a Paladin of Palindrome...
The Storm rider glider blasts you through the  other side of the Thunderdome
My - Spitfire drips Ire as ******* ***** fire Surprise in your eyes quick blast from the past from a .50 Cal Microphone-
Fiend in me soul under control you failed your roll,
will check failed-I check wills,its a Checkmate mate you-best quill your will and will to build some soul
Its a dill of pickle you're in - you're a nickle worth of Nickleback stickleback sticklebricking best Lego
I let go last, I'm the Legolas of the fast pass in the underpass stick you fast now you're stuck fast I buck fast at your glass of Buckfast
the Truculent, ever vigilant-words are Succulent got you diggin' in
diggin' out a liddle bit of Lidl in a stolen digger,move quicker stop the friggin' in the riggin' little Pigpen Pigeons time to drop the bridge in...

eventually, I was asked to write about a dog.
there was a letter, and a man above it.
in my own letter, I asked for the woman behind him.
she arrived with the very little I came to know.
I could’ve been a room she sat sewing in.  
her one hand nibbling the other, the foster door
of her back.  my whole life in front of me
on another’s fours.

Wisps of a
fragile memory
swirl around me
fragrant, like petrichore.

Struggling out
like a tree out of a seed
breaking free from the clutches of time.

Not all at once
but in bits and pieces

Broken embers of
a once raging fire
searching for something
to set alight again.

Like life stirring
At the break of dawn
Shaking off the comforting night.

Like the shifting of the tide-
So gentle,
Hardly noticed.

Like a lost child
remembering a path
once forgotten.

-Vijayalakshmi Harish
16/11/2010
Copyright © Vijayalakshmi Harish

~
The disruptor,
whether digital or analog,
strikes the bell,

bioengineered automaton
—a manufactured life form
given little agency or dimension,

mnemonic to the finitude of life,
and subtle muddling of humankind's
supposed moral transcendence.
~

A contest twixt reasons to be

Con test ants take your po
si shun

push sush slow n stedya

There's a being, I once thought fellow who needs this test
to pass,
he has studied with masters and knows near as muchas Faustus
but he is scared there could be hell to pay,
some day.
(Catholic maybe, but he believes some lies about what he doesn't
believe for a good reason, maybe boomers with non-hero dads,
them and priests imagined some hellish **** make Loyola nuts.)

just breathe and be wit
be wit me
meinthee'n'theeinme and this ain't ***, kid.

This ain't ceasing for a moment to be me meditation, this
is Sisyphus being happy out loud

in a crowd, you know how that feels everybody
shouting hallelujah like it means everything

and it does again and not everybody, but many bits
of everybody, knows that I don't know what. I don't

know what Hallelujah is supposed
as meaning,
you ax me glory must first be defined,
compared to what
Hallelu?

Jah, right tuff won, the Name, Ha Shem

but glory, what is glory?
What's it weigh?
Worth-y or light?
Air or stone, or iron, or silver, or allah those and gold?

Time,
value that. Why?
Navigation needs a clock, for the test,
minus the lag as the rock rolls free from time to time
        Looky
        here, the alchemy guy say:
Uranium to lead for a clock to find, or
the missing helium that implies, to the wise.

A word's enough,

fu'few,

Loser vibe. Phone rings. It's a robotic femaivoice saying
power may be cut to me due to high fire danger

Are hopes prayers? I hope so,
and wishes could be I think, if they were in this realm

no evil imagined here makes it past the third and final
in sane un sane in cip I sent sentient cons eee ince

test. So, know, dear reader, we mere words,
weal build worlds witcha
but we won't lie.

Book of Life, first chapter, look it up.

The Jails burn around my kind,
minstrels in the woods still sing of men like me.
mistrals, the winds, wrap the world
and, listen,
you know
mistral whispers to sirocco as they

send swirls of spirational science-eance to form

ideal angels dancing
pirouette on the point of my pen.
2 per angstrom.

----
Those winds are in a mind I manage mine,
I make right use of them by
responding to the signals,
the prods, needles'n'pins, now

Rock and roll saved my rubber sole,
my mnemonic savior rescued me

Sisyphus, ah, we all think you happy and

hallelujah, too. To you, Mr. Cohen,
thank you. You got me through a few...

Contention only comes from pride,

and momma don'low no pride in heeyah

Stick that in yer ear, and smoke it.
Here we get along
or we ain't,
see.

Crazy guy with the dog collar, remember him?
He's gone. Outa here.

Don't fret, he is one of the first in every cycle to recall
Nietzsche thought God dead and Sisyphus happy.

Was he mad or sad?
Sad I say. Sad to say he never knew a great
god almighty that he liked enough to get caught
up in a joy explosion of hallelujahs and such,
he never dared

e=motions you know where those go.

I do.
They go to the fuzzy edge of everything ever realized yet.

But no one, so far, has realized that all at once, in time

the rock stops rolling and we, if you imagine
happy ever after is re-alivable,

spiritually, you know, in your dreams or such,
not religion
bad word,
whoa puppy, did somebody beat you for your own good?
Poor idle word, abuse of such a strong idea
a bandaid on reality,
who could hate
your idea?
re-connect, better, okeh?
not religion.
Just made a connection. Okeh.

we live here, feel at home

Well, jus as well we rest and see if we agree with what we just,
just always means everything it ever does now,
tis ne're an idle word here nomo. Nor discouragin' ones.

Just now. Perfect oh, that which

concerns you. How would that be if it were perfected?

Say, you know? no, me neither. true, rest. smunchemup= trust
trust me. You lost? Hell?

Every body sing with the Kachinas

Nobody knows the trouble I seen,
nobody knows but jee ee ee sus

as they fade…
so there. amen. and the sunshine's in and we are seeing
novel mercies never thought,
new in every detail,
no lie. Life wins.
Death is in on it.

It's fixed, it can go on as long as you may imagine you can.

Wandering paths ask for a dying cloud-drought
One black with the heart of darkness, devout.
A blooming earthly sunrise follows a fountain
and walks with her vices, talking to a mountain
Hope of finding you there, with bitter mnemonic
standing restless, alone in uncommon bucolic.

She proceeds to see with a call for rain
as fog blankets us, sunlight slowly wanes.
Lost in haze, could of sworn water fell genuine,
closing eyes swallow you whole, the medicine.

Fertile earth’s seductive sorcery
Like ephemeral effulgence’s effluent effusion
Can lead you to believe that it’s not a travesty
Like life’s visceral intuitive eternal is not lost in subtle evasive confusion

Life’s virile translucence reflects this glow
Like an aorist ensemble of interludes transposition
Can lead you to believe that you’re in the know
Like omnipresence presages omniscience’s ubiquity is existential exigency’s peroration’s exposition

Corporeally preternatural metaphysical mystique
Like a mirador bartizan tableau panorama
Can inspire us to rise above its critique
Like spatiotemporal’s telemetry incarnate is creation’s vivid intrepid cyclorama

Spectral verve’s liaison’s consortium
Like eclectic synectic’s conclave’s fatidic
Can leave you lost in germane compendium
Like terminus thrall’s apriori inclination is transcendental accession’s endemic mnemonic

Monad’s transitional majestic splendor
Like residual harmonic vibration’s resilience
Can autonomously evoke and vicariously render
Like rubato’s actuator’s prospectus revealed is orchestration rendition’s intriguing brilliance

Eidetic preterit’s aesthetic amendments
Like protractive analyses’ dimensional delineation
Can lead to cogent salacious enticements
Like phantasmagoria’s fantasia fantastication’s magniloquence is sultry solace’s ostentatious ideation

"Memory is more indelible than ink."
—Anita Loos

~
Europe, after the rain,
the sun lending warmth and comfort.
fringes come into focus.
shadow journal,
fiscal dreams,
becoming ****** lines on a page;
procession bells
for young brides,
veiled in lace.
a touch from her
outstretched hands,
this honeymoon phase
running up the thigh,
the holding quite still until
she smiles for pendulum.
at first light, breakfast in bed,
granting pastel wishes on
boxing night,
then a letting go of the kite string.

new fingers in the medicine bottle,
tiny geometries
inside a house of reciprocal numbers.
paradise in mnemonic children:
cartwheels and handstands,
coloring books of
neglected spaces,
future ruins.
one hundred violins
play to isles of ignorance,
stray embers settle
along the solemn Chemin De Fer (railway).
a catalogue of afternoons
on the bike path
thru propeller seeds and dragonflies.

arriving in the haloed flesh:
skin dive,
the place of couloir descent;
**** beach,
the place of odd glances;
gun chamber,
the room of secondary light;
all horizon variations.
an algebra of darkness,
this dense Roman twilight,
their exiles unreflected
in blind lanterns.
our brightness will become
refracting silhouettes,
a broken yolk in the incendiary sky.
~

'Thirty days has September,
Now it's easy to remember.'
'How do you do it, my good chap?'
'I simply use my iPhone app. '

If, as they say, the cells
of the body are replaced every seven
years, then I'm a new being
since my sons were newborn.
I have died and been reborn
neither better nor worse yet remembering
feeding them while dancing to Moment's
Notice, as they attended with new minds.

Having died, as such, I find I do not mind
quiet living with the purpose of a cell
unbound by minutes or moments
as men know them. There are seven
deadly sins, seven ways of remembering,
seven stages in which to have been or continue being.
None of them recur after one's reborn
and none are known to us from before we're born.

Of the two young people to whom I was born,
one has lately died. I do not so much mind.
Although I do not, he believed he'd be reborn
and who can say what happened to his soul or cells?
Perhaps in Christ we continue being,
or with some other deity, as the churches claim monotonously,
      momentously,
demonically and deviously. It seems about as relevant that
      seven
rhymes with heaven and rhyming's a mnemonic device (for
      remembering).

But remembering
what? To go to the daily discipline to which you were born?
I fought seven forest fires, took seven
lovers, my sons are seven, and my mind
is the sole owner and subsidiary of these memories and
      moments.
Unless I am to be reborn
they disappear with me. Masefield's poem continues to be
the most honest and chilling assessment of our souls' and cells'

disbursement. I can imagine stem cell
research may lead to a cure for dementia, loss of memory
about who you are and where you've been.
If one's not been born
this doesn't matter. But if you're being reborn,
in the sense of "he not busy being born is busy being reborn"
      (Dylan),
then it is best and most correct to consider your last moment
of a continuum with moments endless and entirely in your
      mind.

The mind is made of cells and moments, seven billion of them.
Remember to be born and reborn, early and often.

Do dust bunnies have consciousness?
Does instinct guide them?
Instructing their best chance of survival
Is to hunker down,
Go out of sight,
Hide under a piece of furniture?
Will they survive & thrive in Dust Land,
Dust Land Planet Earth
Where cat hair is
“A sizeable constituency,”
So would say some latter day Machiavel’.
When spring comes, at last,
Will the minority Party
The Politburo in absentia,
Pick up on,
Comprehend the fact?
The red-red boffin
Goes beaucoup mnemonic, again.
“Wake up, wake up you sleepy head!
Get up, get out o' bed!
Cheer up! Cheer up!
The sun is red.
Live, love, laugh and be happy!”
The red-red-Redbird comes
Hammer & Sickle cell, again.

A woman's just a padded cell, in situ:
With mirrored tile reflections, of former occupants
Reveals their once desires, like long past feast
That's been viewed only partially, through a narrow hall,
And though her cushions can't stop your fall
They soak up life's effluvium; for she's an island
In the lull; most co-morbidly, antediluvian:
And as it cradles the body's living estate,
Her rocking-horse frame can't navigate
The ground swell of presumptive grace.

Let's pretend, that the dizzy motion ride
Has provided real progress forward, in spite
Of strong waves, that coupled oceans bring;
Jump saddle, on her coiled and double-jointed springs.
Bright enameled eyes might rein you inside
For your brief spate, of the near total ingress:
Waving haloed hips of plastic'd flesh; her glide
Could stay stationary, until you confess.

Only she knows well, the secret of assuring you
You'll not drown, of her swirling vicissitudes;
And if once you abhorred your childhood name;
Now can use same call sign, for your idling engines
Of a certain procreatively inspired invasion
As she whispers it; says it loud, clenching need
Of the second's singlemost long duration.

When she finally unlocks your prow from docks
Post haste, of body's self-deceptive clocks
Inside her temples, rising incense of sweat
Mingled with undertows, of past vibrations; and her smell
Itself: a briny distillate, of a pheromone tonic; forensic clue
Of a decidedly amber hue; the body's cyclonic age of man
Keeps travelling it's way, down her plundered mnemonic.

You can feel the straight jacket's razored sleeves,
Beginning to loose your constricted lungs;
And your ***** overflowing; becoming a sieve:
If you could keep on riding, you'd be quite sure
That eventually, just a small band-aid could cure
The slight, though badly malformed scar;
From the still flowing toxins; to soon immure-
Hard to believe, how far gone you were.

Forget old self; a newfound confidence;
Makes you forestall the inevitable trip
Down to the corner, second-hand store,
As now is revealed, that her paint's become chipped;
And the horse's eyes are now rolling inward,
As if looking there, for some positive proof,
From the prying, irreverent eyes of the world-
But you know it too well: she's just a padded cell.

Like a speed limit,
Age 55 is a reminder,
A geriatric mnemonic,
Telling you to take it slowly.
Safe to say,
Most of us Baby-Boom geezers
Walk around half the time
Wondering how one gets laid,
“Hooks up”—
As our grandchildren say--
Gets laid behind & inside this
Asylum sanctuary?
Manning the ramparts,
Those Wackenhut stiffs
Are there for a reason.
Overt, direct ****** overtures
Strictly verboten (ver•bo•ten).
Yet, the silver-haired sireens
Crave company,
As in “keeping company,”
An ancient idiom for
“Let’s Hide the Pepperoni!”
But you’ve got to take it slow at
Del Webb Over-55 America,
A multi-state lunatic asylum,
Where a preponderance of
Single silver-tress foxes,
Having “lost their husband,”
Somewhere, at some point,
Some recent but forgotten,
Alzheimer’s moment along the trail,
They comb the daily obits,
Hunting prey, newly widowed men,
Fresh casserole recipients &
Crypto-pepperoni buddies.

I recalled the smell of junipers warming in the sun,
Or maybe mice nesting under the cupboard.
Or bleached linen hung out by Mum,
Reminds me of something about Dad from long ago,
You ask me…to say if it was gin;
There are things I can’t tell you, Son.
Some people think that it’s a sin;
So just use your imagination.

Another time I smelled crushed daisies of
The housemaids, I remember from Kleßheim.
Thunderstorms rolled down from the Alps at night,
Then turned at morning into clarified, buttered sun.
They remind me of someone’s blonde hair,
I just can’t tell you when or where,
So use your imagination.

Scent is the most potent mnemonic,
Triggering mystical cells inside,
Creating a stream of biophotonics,
Rapture returns in histrionics,
Tracking things from skin and hair,
To lips and eyes, to a groan, an intrigued stare.
Things we can never tell another, even if
He or she or they were there
What happened in those brilliant days?
Only imagination can say.

Crystal hanging in the window at nine o’clock,
Rays strike the glass, opening up the past.
Before me spreads a wide, green lawn,
Ladies and lords stroll with their finery on.
I sit and watch, while the procession advances,
Tricornes doffed and stays undone in dances.
Until the satin, silk and brocades lie on the ground,
Gavotte kisses become tender, sensual rounds
And naked, youth flees into woods.
And everything is happening;
Everything is good.

infinite beings
sitting in a room
sending visions from a distance
the listeners agree
we are free to try anything
as long as it doesnʼt alter
free will or destiny
if you let me show you
iʼll give you a taste of your own medicine
selected from feathers and falling leaves
breath agrees with bone
and form is hollow
mnemonic agents whisper agendas
into fields of green
lavender beings sweep the streets
and perform feats of beauty
that are rarely ever seen

The meaning of the trustees and the ablution of the signs respectively were based on the word ficare "in the proportion of providing signs and building", as a complement to the concept, in the case of Zefian's Virola, it is given to the ring that rotates in its elliptical as a virtual particle, similar to the Muon. But always in a semantic ring or circle look. Linguistics will attribute both the Virola and the Fero; in this case "leading or leading" The dissociation here is the semantics in the object not entrenched to be used as a common kind of language, but rather as "Virolifero", it is understood that this word will forge the Zefian Arrow into the amalgamation of the ring that leads, to abduct all energies towards a Central Whole. The product of all this energy will be called channeling of the mental representations of the "sign" of signifying, evoking independence in each terminology by itself and represented, rather in the theological physical elementality, associated with the Virolifera plane.

As the treatise of this codex suggests, a term between terms, to assign mnemonic and etymological chaining of meaning most of the appropriation of terminologies attached to a properly vernacular word. The horizon that is stipulated is of a Vernathian nature, where the average life-turning receptacle is of enormous proportions in its multi dynamics, especially in the moral, ethical and theological, especially in matters of emotional articulation associated with a significant meaning. Vernarthian dreams are of Speed of Quantum Physics, therefore they are pure metaphysical and meta-biological, appending to restricted spaces of stimulus and impulse speed, hiding in the residual mass of the unknown, to attribute to them chromatics that is settled in the Corpus Callosum of both hemispheres. Neuroscience yes, but that deposits physical values in the concentration of rest and active energy in areas of the cerebellum, to unleash a choice of names or anthroponyms. Where all the names with a certain alacrity of reason, meaning is attached according to their toponymy, in this case, Virolifero, could be a factor of canceling choices and adaptation of higher energies, on the universe, as a patronage of the Universe "called Rings of Zefian ”endowed with electron elliptical Muon particles.

The signifier of Virolifero will be its phoneme, perhaps more associated with the subject being the ring, associated with its mental representation. This force of Vernarthian thought indicates semantics and phonetics of speculative endowment, for becoming of building rings associated with an eco-physical and eco-environmental scheme. The entire philosophical Vernarthian range has a Sacred Geometry in its verbal and numeral composition, either in the connotation of concepts-ideas and of signs that represent the mental cultural heritage.  Literality will advocate the chronology of gap and verbal-linguistic space, contributing figurative, Greco-Latin barbarisms, such as Virolifero's verbal vigor if we place it in the reference of a building ring, being able to be figurative as a ring that makes or leads according to its practical verbal use dialectical. And in context, it would appear as something sacred in what will be referred to in this Codex of Nuraga Complexes, where each fold of lithosphere will be of the geological relationship between Stonehenge or Nuraga in Sardinia, each one appropriating age in what could be more or less an archaeological conflict of origins, or of comparative aspects of the referenced union, for the end of times, nations, civilizations, political states, and generations of socio-economic persistence. Making an archaeological contextual fact as in these terms, of such references of reception or political exile, but also cultural, adding the terminology of the intracultural contribution of the region. In the argument of Pythagoras and his self-exile in Italy, it is said that he had been condemned to exile from Samos because of his aversion to the tyranny of Polycrates. Around 530 BC settled in Crotona, a Greek colony in southern Italy, where he founded a movement with religious, political, and philosophical purposes, known as Pythagoreanism, and which generated duplicity of context in his sacred mathematical pilgrimage, towards a process of exercise contrary to his own Pythagorean School, expropriating a persona non grata in internal conflicts with personalities from Crotona itself, where he had to flee later. Here ipso facto the verbal exercise exemplifies his transliteration by an unfailing fact, in favor of what emerges from a coercive task, abandoning the same in what placidly sheltered him, and virtually ostracized as an immigrant from Samos.

Hosted the Pythagoreans in Sardinia, Italy.  Being in the colorimetry of the 6th century BC. He was peering into a universe that wasted infusion, clinging to the unknown roots themselves, with undulating harmonies in what we inhabit as an ethical and religious wave and vibrational entity. The prefix Vilori will indicate sacred mathematics, adapting to the numeral and algorithmic harmony of three plus three + 1, which would be the suffix, Fero. The external exaltation of numerical sensations will lie in human sensations already pre-established as a socio-environmental existential order, towards a divine-human being. What is strictly formative is a sacred legacy, since its equivalence is composed of mathematical formulas and figures that all point to the creation of an ambivalent whole, upward and downward proportionate. Focusing on originality of thought and work, embodying the prose, prophecies,  and intensely solid parables.

Vernarth and Etréstles began the attached Rituals in these megalithic complexes. On each Solstice, they arranged sectarians related to this phenomenology, in such a way as to incorporate them into this millenary civilization. They always attacked the archaeological area of Orroli, which is in the center of the soft plateau of Pran'e muru, in a strategic position to control the territory along the middle course of the Flumendosa River. Normally here they performed twilight liturgies similar to those perpetually held in La Mandragora, Sudpichi, Horcondising Region - Chile. Vernarth, always got all the provisions and utensils off the sailboat. Pyramid Torches, Oil Fuels, Sacred Drums, Proved Firewood, Stonework for Obsidian Workshops. Mapuche  wind instruments such as Trutruca, Cultrún and trompe. Buzzers to repel zoomorphic beings of the Bestiary, Alchemy, and Esotericism. Etréstles, coordinated content and other related duties by illuminating all the souls who once lived here. To which Vernarth masterfully adhered, filing them with impressive themes of the prehistoric world. To consider more than five volumes by concept before departure, to then break into the sacred space and meaning, limpid and originating from the session of totem animals and trance with Navajo drums. Each oar looked like a Karibu daunting a maple or a conifer that wanted to change its bark skin for those of the goring of the Karibu or the Moose him. While the eagle with its claws dropped crashing down on the Rehue line to Gnegechen, on the Cultrun, whose plural palpitations of the mandrake wanted to seem to be more than a hallucinogenic thrilling herb.

Describes Vernarth in Regression of him: Theater and Aeschylus, Dance and Athena, gifts from Stonehenge and Borrehaugene in Norway on Viking ships. They walked over the suspicious stones of the Nuragas.  In each ritual in these sets, they concelebrated next to the gorges, through which said river ran, being globally submerged in two artificial lakes until today. A territory deeply marked by man since prehistory, confirming the extraordinary concentration of remains found; from the Neolithic to the Bronze and Iron Ages, Roman times, and the Middle Ages. The Arrubiu was the main bastion, around it, satellite Nuragas gravitated, dominating strategic points and access roads. Near the complex is the tomb of Giants from the Sword, here they would consecrate their dynamics of the Xiphos Hoplite sword, to develop the bronze rites,  as a heritage from the linear insertion of Sardinia with Patmos,  to which they will go after the Solstice from the Nuraga complex. In his prehistoric speeches, he always had to stand out and go back to years prior to 1000 BC. Today it has become the symbol of Sardinia and its distinctive culture. The typical Nuraga is located in a panoramic place and has the shape of a tower with a geometric shape of a truncated cone or divided in half, some higher, others very low, reminiscent of a Tholos (Ancient Greek circular construction). Right here Vernarth, they poured milk and Pranayama, to delineate the points of the Sun to align them with the whims of Brahma and Xifos; swords that are gleaming over the eyes of a stingray. Vernarth, as post-frontal poetry, in treachery that decorated such a hendecasyllable, undertook to rescue the largest real estate fire, from where his own subsistence will hang. In the main protocol, in a drumming trance, he pierced the brains of all those present. Fragments remained everywhere ever imagined, on the timeless Nuragha ruins under the treetops and their Templum. Misleading beings that attacked the underworld of Persephone, and the Nuragic Gods who were elemented, by prevailing in this ceremony that they did not know if it was their own, not knowing that they were included.

Isaías sings (bis): “The presence in the corresponding versed folio makes it relative to the prophecy of the Immanuel born of a ******, which is associated with a similar Virgilian prophecy of Cumana, justifying its prophetic symbolism. Here is the warning that blackens the skies where the light retracts, thousands of attendants in the Nuragas are chained during the announcement of a thousandth that climbs abysses like the fateful Strigoi, and only tribulated pasture will have to transplant rebellions, which lie asleep for the wind of the ideal of incipient spiritual ******* dressed in execration. Has the conflagration of the heart that resists death and agonizes several times in the Templum ritual been unleashed ... The conditions await for the apostates when they refuse the water that does not make them optimal, and makes the radius of obedience of the Vernarthian heart elliptical, full of granules of lumpy Physconia, whose frequency will become embedded in bodies of treacherous, kingdoms and fungal lineages. The reign of the saints will judge diversity on the thrones with devastation in the fatuous beatifications in Pergamum, already admonished by me also in Sardinia”

12/10/2012:
A very mellow day,
A day that makes one’s golden years actually golden.
Happy in retirement?
There’s a joke:
You slave like Spartacus in the Libyan salt mines for 30 or 40 or even 50
years, and now you’re supposed to re-calibrate the machine, re-gauge
one’s anatomy and metabolism for a habitat so far and away grindstone
gone.
The muckrakers Studs Terkel and Barbara Ehrenreich remind us:
Work is the only thing we can do for 8 hours, other than sleep.
Perchance even to dream out that Roman **** or Bacchanal.
No, alas, 4 hours is the legal limit for an ******* lasting that long,
During all our joy-juiced carnal desires,
Be they under the elms or elsewhere.
Cialis! ******!
Names already living it up in infamy.

A simple truth about Retirement:

Stop working and die.
A most intense public service announcement,
A vast digital image out of Yeats,
A very special Spiritus Mundi P-S-A.
Targeting Baby Boomers, especially:
“You better find yourself something,
Or someone to occupy your mind.”
Brought to you by the good people at
OCCUPY BRAIN STREET,
First a national, then a veritable global movement,
However so short-lived;
Like all the others.
Oh, Boomers, your attention span is down to 8 minutes.
Your mnemonic links are frayed and tattered,
Your hard drive noodle fragmented,

Yet still whirring white noise jazz.
A New Orleans Dixieland funeral,
And Al-Zheim trumpet blast to go out on.

Well, I don’t know about the rest of you,
But I am relatively well adjusted in retirement.
And today—previously mentioned as a mellow day--
Today is one reason why.
As is medical marijuana and the sultry voice of Chrissie Hynde,
With or without her band of Pretenders.
And let’s throw in a lovely bottle of Temecula red wine--
Doffo, if you’re going to get fussy on me,
Another blithe distraction cultivated and custom-made for old age.
Indeed, a very mellow day.

Every pattern is a cudgel to pain
Every equation rings out your reign

Its on the whispers and tirades of the wind
Its in the ripple of water and crashing waves of the sea

Each sinew tugged at and tortured
Frayed nerves screeching and screaming at me

Begging for the holy oil,
the balm of relief
The anointing of peace

Yet even that hope lies shattered
in the broken pieces of usefulness  

Dis-ease
distorted harmonics resonating agony
where once was perfect and sound cohesion

Each moment now a taught tension
a pugnacious trap for excrutiation

Every device is a loaded trigger for wretched pangs all I want to to do is merely write
Of beauty and hope to soothe

What sabotage for a poet
Whose pain enscription was a grateful muse

I find nothing of comfort
Because, every idea breathes nothing but signals heralding yet more and more pain

Just like the photo of us dancing in the rain
I feel like it might never happen again

Memory is a Pain upon a pain
Mnemonics are the seat of my suffering again

And your mighty reign of anguish
An insanity that devours me

But I will not succumb
I will remain

I will come through this somewhat sane
And you'll be that forgotten memory
I refuse to let inside my brain

The rent will be sky high
And I WILL BE ME AGAIN!

Literary allusions: the curse of
Those who overdo—or, as some say--
Overdid the reading thing.
I speak of close associates,
Imaginary friends you’ve not met,
Let alone read (pronounced "RED") about.
Like this guy down at Moe’s Tavern,
An 8th Avenue writer’s bar I frequent.
Let's call him Paulie Muldoon,
A fat Irish slob who claims to be
Poetry Editor, "The New Yorker."
Paulie likes to give me tips on
HOW TO GET PUBLISHED!
Like me, he’s never
Been in print anywhere,
Other than his ***-encrusted laptop, &
A letter he once wrote to the editors of
"The National Kreplach Review,"
A radical Zionist quarterly
Funded by The Mel Brooks Foundation,
Harvey Weinstein & Condé Nast.
Nevertheless, Paulie seems to know
A lot about the publishing business,
Particularly after six stiff Jack & Cokes.
He says the thing is this:  
The best of the Ivy-League’s
English majors wind up in Manhattan,
Slaving away in cubicles,
Working for peanuts—literally,
The publishing industry has some sort of
Barter agreement with Planters.
(www.planterspeanuts.com)                                       ­            
They sit around on their ***** all day,
Getting their kishkes in a twist,
Eating peanuts, perusing manuscripts,
Like chimp Zoo valedictorians.
The manuscripts submitted by the hopeful
And--for the most part--delusional.
According to Paulie, these Yalie, Princeton,
Harvard, Columbiana WORDMEISTERS
Are more likely. . .
(Urban Dictionary: word-meister (www.urbandictionary.com/define.php? 1. Something yelled in place of a cuss word. 2. a rare species of humpback whales. 3. small children whose mother's name is Debbie.)
. . . More apt to be impressed with your scree
If you lay siege their psychic CPUs,
Pushing a few obscure,
Mnemonic function keys, remembrances
Of past Proustian peregrinations.
That's right, you get a much
Better shot at sidestepping that
First smug obstacle of arrogance,
If you slather them; go right
Ahead & flatter them with
Lotions, potions & emoluments,
Arcane passwords,
Vain secret satisfactions,
Tidbits of titillation,
Things that only some mook
That actually had read "The Crucible."
Or "The Scarlet Letter,"
Could possibly know,
Let alone, remember.
For a publisher’s water-boy,
A synaptic switch is keyed,
Tripping off an avalanche of
Marginally relevant,
Yet ultra-literate,
Cognitive highlights.
And, while we're on the subject,
Has anyone actually read Melville's "OMOO?"

echoplex
once obscurantist
now scrutinised in headlines
i'm beginning to feel ok
chaser after chaser to wash down sour sentiment
eviscerate the taste
turncoat
is there an origin?
split your infinities
shed your non-essential claws
embedded deep
broken umbrellas
my eyes look different
atlas falls in amongst the spectrum
lack of character
efavirenz, whitewater in apex
prophetic undertones
cold diffusables
soda left to evaporate
poured over CMYK
through tabloid idiocy
nonsense on stilts
into wormwoods faded muse
yellow collapse
there is a feeling
living game theory
a thought of paranoia
god send the dream
anechoic
salivate the ebb
neo-conservative laden draped production
phenobarbital
can't stretch for a smile
temporal need
bizarre cognition
i feel sorry for me
suffrage, occam's swollen belly
polish fear with a sum
the way of all flesh
shadowed contents entitled: from a to b
from point to point
you want to shift the position of power
there's no one there in the morning
at the foot of the bed
or in the mirror
believe your own fabrications
dial in doubt, dial out everything
we're exactly where we want to be
moulded in consumption
ivory and elephants
the right place
stark lines
compass to televise
triangulate our complacency
shower heads dripping with aspirin
floating corpse
burning ruins, stretched moans
agony suffice, burned out
stick to the skin
all i see is rebus
face bursts with allusion
ear full of maggots
a better tomorrow is a better today
talcum meditation
underhand rhetoric
you are an idiom to fundamentalist greed
partial differential
ignorant and flabby
you can catch me headfirst over a toilet seat
working for kowloon
red ties
men of lethargy, motivated voices
islet of langerhans, shock therapy
anosmia
niche downfall
an arc structure, waste product
halftone mnemonic
lick up my words
capsule, strict reflux
wretching on disappointment
i feel faded
my skin buzzes
tonguing a molar
push it apart
flashes of light
cramps
vestige of fragility
welcoming boredom with open forceps
i don't recognise myself
sponge fed schism
sleeping pills and ***** bath water
cotton tongued peristalsis
egg shells, nodding and a pint of clotted spit
verbal copulation
sprouting flowers from my dead body
feeling like a frayed knot
desolate compendium
shooting pains in my arms
no foresight
i can't get up
i'm busy
i just won't