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Francie Lynch Feb 2016
Brigid was born on a flax mill farm,
Near the Cavan border, in Monaghan,
At Lough Egish on the Carrick Road,
The last child of the Sheridans.
The sluice still runs near the water wheel,
With thistles thriving on rusted steel.

Little's known of Nellie's early years;
Da died before she knew grieving tears,
They'd turn her eyes in later years.

She's eleven posing with her class,
This photo shows an Irish lass.
Her look is distant,
Her face is blurred,
But recognizable
In an instant.

She was schooled six years
To last a life,
Some math, the Irish,
To read and write.

Her Mammy grew ill,
She lost a leg,
And bit by bit,
By age sixteen,
Nellie buried her first dead.
Too young to be alone,
Sisters and brother had left the home.
The cloistered convent took her in,
She taught urchins and orphans
About God and Grace and sin.
There were no vows for Nellie then.

At nineteen she met a Creamery man,
Jim Lynch of the Cavan clan;
He delivered dairy from his lorry,
Married Nellie,
Relieved their worry.

War flared, men were few,
There was work in Coventry.
Ireland's thistles were left to bloom.

Nellie soon was Michael's Mammy,
Then Maura, Sheila and Kevin followed,
When war floundered to its end,
They shipped back to Monaghan,
And brought the mill to life again.

The thistles and weeds
That surrounded the mill,
Were scythed and scattered
By Daddy's zeal.
He built himself
A generator,
Providing power
To lights and wheel.

Sean was born,
Gerald soon followed;
Then Michael died.
A nine year old,
His Daddy's angel.
Is this what turns
A father strange?

Francie arrived,
Then Eucheria,
But ten months later
Bold death took her.
Grief knows no borders
For brothers and sisters.

We left for Canada.

Mammy brought six kids along,
Leaving her dead behind,
Buried with Ireland.

Daddy was waiting for family,
Six months before Mammy got free
From death's inhumanity.
Her tears and griefs weren't yet over,
She birthed another son and daughter;
Jimmy and Marlene left us too,
Death is sure,
Death is cruel.

Grandchildren came, she was Granny,
Bridget, Nellie, but still our Mammy.
She lived this life eduring pain
That mothers bear,
Mothers sustain.
And yet, in times of personal strain,
I'll sometimes whisper her one name,
Mammy.
Bridget Ellen (Nellie) Lynch (nee Sheridan): January 20, 1920 - October 16, 1989. A loving Mammy to all her children, and a warm Granny to the rest.
DINNER TIME
TIME OF THOUGHT : 11:04PM
DATE OF THOUGHT: APRIL 2011
OGUNLABI OLAJIDE YUSUF-Nativepen

Oh mammy!
It's lunch time already
Debson's house are set
At the family table
For dinner is about to be served
Oh mammy, what took your time?
I thought the market is near
Mammy what kept you that long?
Thought your words never slipped
Why now?
Mammy should we fill the kettle for you?
Should we fetch the fire?
I can defroze the beef
If am permitted
Come quickly
Come quickly
Mammy, should we share the apples?
Cathe said we should go visit
To the Debson's house
Mammy should we?
Eeehn mammy?
Shouldn't we?
Because I know
You are almost home
Robinson, wont you go?
Wont you come along?
You know
Maybe she met a long time friend
At the market square
Who knows wether she lost her purse
Or missed the last train home.
Francie Lynch May 2016
Bridget was born on a flax mill farm,
Near the Cavan border, in Monaghan,
At Lough Egish on the Carrick Road,
The last child of the Sheridans.
The sluice still runs near the water wheel,
With thistles thriving on rusted steel.

Little's known of Nellie's early years;
Da died before she knew grieving tears,
They'd turn her eyes in later years.

She's eleven posing with her class,
This photo shows an Irish lass.
Her look is distant,
Her face is blurred,
But recognizable
In an instant.

She was schooled six years
To last a life,
Some math, the Irish,
To read and write.

Her Mammy grew ill,
She lost a leg,
And bit by bit,
By age sixteen,
Nellie buried her first dead.
Too young to be alone,
Sisters and brother had left the home.
The cloistered convent took her in,
She taught urchins and orphans
About God and Grace and sin.
There were no vows for Nellie then.

At nineteen she met a Creamery man,
Jim Lynch of the Cavan clan;
He delivered dairy from his lorry,
Married Nellie,
Relieved their worry.

War flared, men were few,
There was work in Coventry.
Ireland's thistles were left to bloom.

Nellie soon was Michael's Mammy,
Then Maura, Sheila and Kevin followed,
When war floundered to its end,
They shipped back to Monaghan,
And brought the mill to life again.

The thistles and weeds
That surrounded the mill,
Were scythed and scattered
By Daddy's zeal.
He built himself
A generator,
Providing power
To lights and wheel.

Sean was born,
Gerald soon followed;
Then Michael died.
A nine year old,
His Daddy's angel.
Is this what turns
A father strange?

Francie arrived,
Then Eucheria,
But ten months later
Bold death took her.
Grief knows no borders
For brothers and sisters.

We left for Canada.

Mammy brought six kids along,
Leaving her dead behind,
Buried with Ireland.

Daddy was waiting for family,
Six months before Mammy got free
From death's inhumanity.
Her tears and griefs weren't yet over,
She birthed another son and daughter;
Jimmy and Marlene left us too,
Death is sure,
Death is cruel.

Grandchildren came, she was Granny,
Bridget, Nellie, but still our Mammy.
She lived this life eduring pain
That mothers bear,
Mothers sustain.
And yet, in times of personal strain,
I'll sometimes whisper her one name,
Mammy.
Repost, in tribute to my mother: Bridget Ellen Lynch (nee Sheridan).
January 20, 1920 - October 16, 1989. Mammy is a term used in Ireland for Mother.
Donall Dempsey Nov 2016
GERRY SWEENEY'S MAMMY

Mrs. Sweeney
was Gerry Sweeney's mammy.

And even though I had my own
I had her on loan.

It was like having a spare
mammy.

And even when she was mad
with us

she just couldn't be mad
with us.

"Go on..." she'd grin "....go on!"

"Ya'd wear the heart out of a stone!"

And if ya fell and
ya were cryin'

your heart and knee
badly grazed

or badly bitten by a bee
she....

would hug you up
with all of her self

"Ahhh come here to me ya
poor little dote!"

Wrap you up in
so much love

it would last
for years.

For years.

Gerry Sweeney was my best
friend ever

way back in the way-back-then:
still is....nothing's changed

except us young fellas
have become auld fellas

who still think
they're young fellas.

And every time I see him
I could almost cry.

I can still see his mammy
smiling out of his eyes.
Francie Lynch Mar 2015
Mammy vacuumed
So the grandkids
Could play.
The kids have grown,
Mammy left,
Just the other day.
Mammy is an Irish term for Mother.
Francie Lynch Dec 2017
You've heard this tale
A thousand times,
Take one more spin,
This version's mine.
And this telling tale
Is its first time.
My theme is fitting,
The message sublime,
For the Season of giving,
And gifting one's time.

For my first Christmas
I was three,
But the warmth on that night
Never cooled,
And indeed,
It was
A cold Christmas Eve.

We stuck branches of pine
In a bucket of sand,
That's the snapshot I've got
Of our Christrmas tree then.
Here's the memory that Eve
Of a lad of three,
Yet this story is true,
It's a family heirloom.

We weren't many then,
There was Mammy and Daddy
And six children, soon seven.
Daddy was an Operator
Of cranes and loaders
Dirt packers and graders.
He was working North,
Far North,
Manning a dozer,
Distant from family
Near the Quebec border.
That's where he was
Days before,
When his pant-leg caught fire,
When the diesel was spilled.

We were only three months
In our chosen homeland,
It was 1958,
And fresh from Ireland.

No way to get to him,
Nor him to get home,
No car,  no friends yet,
Little money, no phone.
Yet somebody knew
We were out on our own.

And the snow started falling,
It was Christmas Eve,
I stood at the window,
Saw the snow fill the trees.
I was still and staring,
At what I don't know,
But I remember quite vividly
All that I saw.

Like a scene from a movie
Starring Barry or Bing,
A fire-engine red no-top
Stopped and parked with high beams,
Highlighting the snow,
On that Christmas Eve.

A big man in a red suit
Slid off of the trunk,
Literally carrying a sack,
And calling, **! **!
The family joined me
At the window to see
The big man's helpers
Carry a big Christmas Tree.

When they entered the house
Kevin, Sean, Gerald and I,
Cowered and crouched
Behind the second-hand couch.
We must have resembled
Three monkeys plus me;
I hadn't a clue,
I was dumb-founded and three.

In through the front door
They clattered and sang,
Unloading their boxes
Of food, clothes and toys,
*****, bats and dolls
For two girls and four boys;
And I'm sure there was something
For the coming bundle of joy.

I don't remember their departure,
Or where he went,
But they called Merry Christmas
And left all else unsaid.

Mammy understood
Some good persons had called,
Who'd heard of our plight
And couldn't be calmed
Til they knew for certain
We'd some peace in our storm.

So, that's my first Christmas,
Since then this my creed:
The gift of giving
Isn't under the Tree
.
THIS is the song I rested with:
The right shoulder of a strong man I leaned on.
The face of the rain that drizzled on the short neck of a canal boat.
The eyes of a child who slept while death went over and under.
The petals of peony pink that fluttered in a shot of wind come and gone.

This is the song I rested with:
Head, heels, and fingers rocked to the ****** mammy humming of it, to the mile-off steamboat landing whistle of it.

The murmurs run with bees' wings
            in a late summer sun.
They go and come with white surf
            slamming on a beach all day.

  Get this.
And then you may sleep with a late afternoon slumber sun.
Then you may slip your head in an elbow knowing nothing-only sleep.
If so you sleep in the house of our song,
If so you sleep under the apple trees of our song,
Then the face of sleep must be the one face you were looking for.
Sitting here trying to figure my thought process,

Trying to describe the only one I want to impress,

Thinking of ways to give you what you're due,

When all it ever takes is a simple ' I love you '.



The 9th of May 1978, a few years past,

Our 1st public introduction, yet it could've been our last,

You stopped breathing as things weren't going right,

I'm forever grateful, you turned back from that light.



I always had a reputation as a Mammys Boy,

No longer an insult, I am one with pride,

You thought me how to stand up for myself,

Most importantly, to search inside for my strenght.



Along with all of that, you gave me 4 sisters,

For my nieces & nephews, you gave 4 great mothers,

You take on our problems, like they're your own,

You always make sure, we are never alone.




They say all men search for one like their Mother,

Well, 'they' have no clue, for there is no other,

One with such skills, to attempt to name is unbelievablle,

Mammy, Ma... to the girls & I, to everyone else it is Carmel.
Francie Lynch Aug 2015
Mammy never owned a dryer,
She would always use the fire
To dry clean clothes for her eight kids,
Who played in pants as if on stilts,
Wore Goodwill shirts like cardboard fibre.
We'd no money for laundromats,
Immigrants don't waste like that;
We made the move from Ireland,
Turned our backs, washed our hands;
Chose Sarnia to make our home.

Yes, Mammy washed our clothes with stones;
She'd string lines from wall to wall,
And draped our patchwork overalls.
In autumn, winter and early spring,
Our house was strung with clothes line string;
Socks dropped on chairs near heating vents,
Every room had ***** like tents.

One  day Daddy stretched a line
From our back porch
To the farthest pine.
Looped the wire on a tubeless rim,
Secured the ends with linchpins.
Mammy was so pleased with him.

We four saw what he'd done,
He'd made a ride for his sons.
We were gliding like clothes drying,
Riding down the yard.
Flapping, laughing, having fun,
Like human clothes under the sun;
We , however, were burdensome,
The line gave up, and we fell hard.

On blustery days when sheets are snapping,
I recall the clothes line cracking,
Our fall from grace had nothing lacking.
Oh, I remember he chastised,
But I also remember
Daddy's eyes,
And how they smiled
When he told his friends
He hung his sons
Out to dry.
True story. As you may know, Lynch means to hang.
Francie Lynch May 2014
An unusual name in most places
For Mother.

Quite common
 In Ireland.

Unusual how all my friends
Became Irish
With Mammy.
Mammy (1920-1989)
Francie Lynch May 2014
Mammy knew the five second rule
Long ago:
"Don't worry. You'll
Eat a ton of dirt before you die."
Now I wonder on dirt's composite:
I swear I'll die talking *******.
Francie Lynch Jan 2015
Now Mammy dead
All these years,
The salt that mixes
With the tears
Drips on tender wounds.
This son, I'm not
The only one,
Deprived of so much more.
Time implored
By the adored,
Lead you to that room,
Left you
In that room.
Happy Birthday Mammy. Jan. 20, 1920 - Oct. 27, 1989.
Terry Jordan Dec 2016
The sirens blared that 4th of July
Officer Duncan gave Mammy a ride
An emergency dash to the hospital
He’s 2 months premature Mammy cried

Deaf, dumb and blind is what the doctors said
To our mother when Sammy was born
But none of us kids ever were told
Until Sammy was stable and grown

Pappy declared that they’d both be fine
Not believing dire news doctors gave
We happily named him Uncle Sam
Trusting in him to be strong and brave

His 1st 5 months in an incubator
Hooked up to every device
In Newton Wellesley Hospital, 1959
A miracle saved his life

Reaching gloved hands through holes in the side
Weighing just a bit over 2 pounds
Looking more like a spindly ET
I was amazed to be hearing breath sounds

Sam worked on doubling his weight by Christmas
Nothing seemed easy or fast
Still Mammy survived the eclampsia
And Sammy went home at last

Returning a few years later
Sammy’s doctor she would find
To show off to all the nurses
Her son NOT deaf, dumb and blind

I so love my brother Sammy
Always felt like a sister and mother
I’d give all I have for the time
Just a minute more with my dear brother

I’d speak to you of those 57 years
Of the great whirligig you carved with your hands
All the times you showed up for me
Through the good and the bad our love stands

You wasted no time hating anybody
Children and dogs always your friends
Quick for a laugh despite any lack
I draw comfort that all your pain ends

The sirens blared once again for you
The ambulance came, the paramedics tried
Racing you trying to save you
All in vain, in the OR you died


Like Tommy’s rock opera is over
Perhaps you paused to speak to a stray dog
While keeping your divine appointment
By reaching right into the hand of God
Just blew out my candle in vigil for Sam, my baby brother, 12 years younger than me.  He died on the OR table as they tried in vain to save him after a tragic accident.  He’s in God’s hands now.  He had a military burial yesterday, the saddest day of my life, in the National Alleghenies veteran's cemetery.  Freezing cold & windy in Pittsburgh.  I so wanted to jump in that hearse and drive him back to Florida, like in the 'Cremation of Sam McGee' poem that I love.  I realize that was just his Earthsuit, and see him smiling in Paradise.
Francie Lynch Jun 2023
One hundred years ago
My Mammy was just three,
The exact same age as me,
When she sailed us across the sea,
All those years ago.

Just lately,  just now,
I said Mammy's Mammy's name out loud.
What was that, I asked.
For sure her name's not been said
For many, many years.
Margaret Duffy
A dog barked.
So I said my mother's:
Mammy
A breeze furled the window sheers.

The dog continued to yelp,
So I said her other names louder:
Brigid...........Nellie

I will keep the wind inside me,
And allow the dogs their day;
Your names will still be called upon,
In stress or tranquility.
The Irish have called their mother "Mammy" since forever.
Francie Lynch Jul 2014
"Whist," is what Mammy said,
As she whisked us off to bed.
Usually we'd go quietly.

But a gypsy woman sat at our table,
Reading tea leaves,
Pouring prophecies.

Guests were few, and she I knew
To be a special one.
She saw dark clouds in a cup.

My sisters, past the tender age,
Stayed up longer to hear her say,
"Tall dark men are on their way."

I pricked my ears from upstairs,
Tried to put both on the vent,
Both of them were forward bent.

Just then my father
Climbed the stairs;
I saw the dark mop of his hair,
He was tall,
He wasn't humming;
No one else foresaw his coming,
But I vanished off to bed.
they always knew we were listening in.
Ken Pepiton Oct 2018
--- as a boy, I explored a hermit's lair
--- the hermit was not there, he'd left nothing but a tin box
--- of charcoal pills, a panacea for curiosity, I was told.

This old bearded fellow who lived at the foot o'thumb butte,
by the burro's water hole,
other side o'the hill from Doug McVicar's Jasper find

Tidal shorelines from my child hood
swirling through the softed rocks

Boulders on the bottom, roll on, crustal waves rise and fall

it all goes back to that 13,000 year mark
when Gobekli Tepi,
was in the building,
long long before
the Hopis were on the Pollen Way, leaving land marks on

Rocks risen above the desert floor

Some thing came from space, something very cold,
a snowball so big it tugged the ocean of magma
through the crust of the earth

nuclear glass, same time. nano diamonds

The younger dryas-

melt water pulse, fire from the sky, men could see that, with their own eyes.
and then they saw the clouds of witnesses

Rituals learned, the story heart seeps from mother to child,

at first touch some say.

Specialized touches were included in the 2.0s.
Holistic wuwu Randall Carlson laughs, why lie? Evidence, see.

What did you see when you passed through hell the first time?
Nothing, you kept your eyes shut.

Are you really
Experienced? That was the question. Ask the experts,
but some of them lie.
Never trust their clocks, that's wise. Time is too temporary to make
much difference
in the long run. Time, least of all powers in eternity. Chronos,
Chaos shattered him, and some story teller on a journey
saw the event
while his tongue was being tamed, a task no man can do.

Fire and Ice from heaven to earth,
whole peoples saw it,
with the eyes in their head

Hope is the key to the heart's lock on reality

The younger Dryad's oak burned,
Drought killed all the others, bugs killed the elms.

Ah spirit to spirit, compare. The heart of the world is weeping
for the ignorant eaters of poisoned poems and stagnant stories

speed kills when it comes to cosmic notes on rocks

patience, under stand the canopy of heaven can, filter
poison from those
stagnant stories's idle words, redemption draweth nigh,

count on it. Keep counting, patience finishes what she starts.

Sacred Geometry, scale invariance, I saw the Mississippi
Carve meandering ant canyons in the dirt
while watching the rain
Nothing's secret anymore, that's a reality that may be beyond

your thought. Textbook in stone. I know geometry Mr. P,

can I come in? She who builds, who destroys, who rebuilds, suggested
my bombs have a Nobel role,
in energizing

the ark
the earth is the ark, but you knew that already, right.

Acacia bush visions from a medium
of messaging the master builder,
who, you know, made this
happen, used to heal with ashes.

Healing war, study it no more, it is
possible man, alone, can imagine.

The Godhead? What's the big idea? You a heretic, Mr. P?

Come and see, leave the clock/phone.
---

This is big momma story, little clay doll with pointy feet
sticks in the dirt, stares at the fire,

the story mamma, shhh

Stands, and lifts her hands up high, pointing
all her fingers to the skies where ashes, glowing
rise,
like we can imagine the stars once scattered by God
and his sons's servants prepping

origins of human conflict taught
Tubalcain by fire light, while Jubal
Sang the very umph umph song from
Taj Mahal' 1970 with Jerry, Fillmore West,

A message to Garcia, from on high:
the imbecility of the average man—
the inability or unwillingness to concentrate on a thing and do it,
That, resist. It is evil.

Angels, imaginable, you know, mere messages, nothin more,

so great a cloud of witnesses
there was a times when  all
imaginations men were imagining heartily
were evil, altogether.

Enki left and went to the moon, or that's the story grandma's
sisters told me
when I was a little boy lost and found from time to time

The serpent on the staff, where's that story from?
Who says their mammy saw that happen.

Time, Hosts of Heaven, time is one of those.

Fan tasty taste, see, the truth is good.

Freedom, responsible freedom, take as granted,
intend good and go.
Seed of the Dream,
I planted that. It contained this fact,

we reap what we sow.

Ambi-Dios, ambit-ion with no hope for something just beyond
the best that I have ever done,
that'll make a child mean as hell, on the average,
according to the data Google smuggled into China
through those super phones,
unavailable in the USA, protected by the wielders
of destruction who eat the world up,
and drink its very blood.

the bread of shame, is fed to slaves to keep them in the queue,

BTW que-eee was the word I used for ****, when I was a child.
I took that word to school.
Nobody knew what it meant. I considered that cool
and kept my secret until just now.

I feel so free.

A builder sees a building and the builder in a single glance.
None may enter here lacking geometry, that's no secret now.
The cultivated Pythagorean mind, simple as pi.

'Cain't get to Romans eight, which is here, now, I think,
with out going beyond Hebrew six.

The measure of a man that is the angel. No comma,
just a jot, then this means that,
to the mind
listening for mystery in beauty found lying around.,
glistening in the sun.
The charcoal pills I found fifty three years ago, these wandering thoughts I found dancing the trail earlier this morning.
Francie Lynch Dec 2018
You've heard this tale
A thousand times,
Take one more spin,
This version's mine.
And this telling tale
Is its first time.
My theme is fitting,
The message sublime,
For the Season of giving,
And gifting one's time.

For my first Christmas
I was three,
But the warmth that night
Didn't freeze,
And indeed it was
A cold Christmas Eve.

We stuck pine branches
In a bucket of sand,
That's the snapshot I've got
Of our Christmas tree then.
Here's my memory that Eve
From a lad who's three;
Yet this story is true,
It's a family heirloom.

We weren't many then,
There was Mammy and Daddy
And six children, soon seven.
Daddy operated cranes and loaders,
Dirt packers, graders, and cable drovers.
He was working Far North,
Manning a DC10 dozer,
Distant from family
Near the French border.
That's where he was
When the diesel caught fire,
When his pant legs lit up,
But the flame grew no higher.

We were only three months
In our chosen homeland,
It was 1958,
And fresh from Ireland.

No way to get to him,
Nor him to get home,
No car,  no friends yet,
Little money, no phone.
Yet somebody knew
We were out on our own.

And the snow started falling,
It was Christmas Eve,
I stood at the window,
Saw the snow fill the trees.
I was still and staring,
At what I don't know,
But I remember quite vividly
All that I saw.

Like a scene from a movie
Starring Barry or Bing,
A fire-engine red no-top
Stopped and parked with high beams,
Highlighting the snow,
On that Christmas Eve.

A big man in a red suit
Slid off of the trunk,
Literally carrying a sack,
And calling, **! **!
The family joined me
At the window to see
The big man's helpers
Carry a big Christmas Tree.

When they entered the house
Kevin, Sean, Gerald and I,
Cowered and crouched
Behind the second-hand couch.
We must have resembled
Three monkeys plus me;
I hadn't a clue,
I was dumb-founded and three.

In through the front door
They clattered and sang,
Unloading their boxes
Of food, clothes and toys,
*****, bats and dolls
For two girls and four boys;
And I'm sure there was something
For the coming bundle of joy.

I don't remember their departure,
Or where he went,
But they called Merry Christmas
And left all else unsaid.

Mammy understood
Some good persons had called,
Who'd heard of our plight
And couldn't be calmed
Til they knew for certain
We'd some peace in our storm.

So, that's my first Christmas,
Since then this my creed:
The gift of giving
Isn't under the Tree.
Repost and a Merry Christmas to all my friends at HP.
Mark Ball Aug 2015
Sure, if all
Yer sorrows
Aren't fixed
Wit' a pill
Then fer
Jaysus' sake,
yer jus'
Not ill.
All year the flax-dam festered in the heart
Of the townland; green and heavy headed
Flax had rotted there, weighted down by huge sods.
Daily it sweltered in the punishing sun.
Bubbles gargled delicately, bluebottles
Wove a strong gauze of sound around the smell.
There were dragon-flies, spotted butterflies,
But best of all was the warm thick slobber
Of frogspawn that grew like clotted water
In the shade of the banks. Here, every spring
I would fill jampotfuls of the jellied
Specks to range on window-sills at home,
On shelves at school, and wait and watch until
The fattening dots burst into nimble-
Swimming tadpoles. Miss Walls would tell us how
The daddy frog was called a bullfrog
And how he croaked and how the mammy frog
Laid hundreds of little eggs and this was
Frogspawn. You could tell the weather by frogs too
For they were yellow in the sun and brown
In rain.
   Then one hot day when fields were rank
With cowdung in the grass the angry frogs
Invaded the flax-dam; I ducked through hedges
To a coarse croaking that I had not heard
Before. The air was thick with a bass chorus.
Right down the dam gross-bellied frogs were cocked
On sods; their loose necks pulsed like sails. Some hopped:
The slap and plop were obscene threats. Some sat
Poised like mud grenades, their blunt heads farting.
I sickened, turned, and ran. The great slime kings
Were gathered there for vengeance and I knew
That if I dipped my hand the spawn would clutch it.
Terry O'Leary Jan 2014
1.   Beginnings

Her babe was her joy, such a beautiful boy,
and he suckled her breast till the end.
The slaver sought cash, bestowed mammy a thrash,
sold her babe to a gentrified friend.
Yes, life flits like a flash, a lithe leathery lash,
yet another cruel link in their chain.

With mammy not there, Sammy dared not to dare
but to bide near the edge of the night.
Yet nevertheless one must always outguess
else absorb burning stings of the bite.
Yes, it flits like a flash, a lithe leathery lash,
yet another cruel link in their chain.

Though learning the rules in the shadows of fools
as he grew to a leery lean lad
he often defied but he never once cried
although whipped at the post whene’er bad.
Yes, it flits like a flash, a lithe leathery lash,
yet another cruel link in their chain.


2.   Youth

The cotton gin broke and nobody spoke,
so ol’ ***** said  “BENNY’S TO BLAME”.
But Sammy said ‘No...  *****, jus’ cain’t be so,
no ’tain’t Benny, ’tain’t Benny’s sore name’.
Yes, it flits like a flash, a lithe leathery lash,
yet another cruel link in their chain.

“LOOK, SEE IN HIS EYES HOW THAT NG** BOY LIES!”
- replied Sam ‘no I’s tellin da truth’.
But daring to speak earned him scars for his cheek
and thus blemished the bloom of his youth.
Yes, it flits like a flash, a lithe leathery lash,
yet another cruel link in their chain.

“THE COTTON GIN’S BROKE, AND THAT JUST AIN’T NO JOKE”
and he called upon Benny to pay:
“BENNY GOT NO EXCUSE, DRAPE HIS NECK WITH THE NOOSE”,
just as Sam feared ol’ ***** would say.
Yes, it flits like a flash, a lithe leathery lash,
yet another cruel link in their chain.

Black faces soon blanched as Ben bended a branch
near the base of a broken oak tree.
His body hung bare as it swung in the air
while the buzzards and crows shrieked with glee.
Yes, it flits like a flash, a lithe leathery lash,
yet another cruel link in their chain.


3.   Flight

Sam’s feet were unclad, as befitting the lad
(as alone as a stone in his path)
when  he started to run neath the sly sliding sun  
being followed and fearing God’s wrath.
Yes, it flits like a flash, a lithe leathery lash,
yet another cruel link in their chain.

Surrounded and caught brought his efforts to naught,
child in chains at the end of his trek;
winds wept as he went, with his spirit unbent,
a cold collar of steel ’round his neck.
Yes, it flits like a flash, a lithe leathery lash,
yet another cruel link in their chain.

“FLOG THE BOY FROM HIS TOES TO THE TIP OF HIS NOSE”
- only so could a lesson be taught -
for to set an example, Sam’s death might be ample
was what the ol’ ***** first thought.
Yes, it flits like a flash, a lithe leathery lash,
yet another cruel link in their chain.

But since boughten at birth, Sam had proven his worth
so his loss would be too much to bear
and as Sam was a child the ol’ ***** was mild,
said “ENOUGH” when Sam’s back was laid bare.      
Yes, it flits like a flash, a lithe leathery lash,
yet another cruel link in their chain.


4.   Life

Sam grew to a man, branded ‘boy’ by the clan,
as they spat on the trails that he tread;
should he dare raise his gaze with a gander that strays
they’d be certain to sever his head.
Yes, it flits like a flash, a lithe leathery lash,
yet another cruel link in their chain.

Once Sam found a wife whom they ripped from his life,
yes along with the babe at her breast
(was it simply their greed or by heaven decreed?).
Well, with hindsight you might guess the rest.
Yes, it flits like a flash, a lithe leathery lash,
yet another cruel link in their chain.


5.   Destiny

From phantoms of fright neath the frail foggy night
Sammy soared as he fled to escape
and he no longer crawled (lady liberty called!)
through the darkness, a black hole agape.
Yes, it flits like a flash, a lithe leathery lash,
yet another cruel link in their chain.

Unleashed! Frenzied dogs hounded Sam through the bogs,
(baying beasts neath the ****** red moon).
White fangs intermeshed as they mangled his flesh,
freedom flayed through the pale afternoon.
Yes, it flits like a flash, a lithe leathery lash,
yet another cruel link in their chain.

Sam’s body was torn leaving little to mourn
but there’s really no need to despair
and there’s no need to cry for his spirit can’t die,
being borne by bound men everywhere.
Yes, it flits like a flash, a lithe leathery lash,
yet another cruel link in their chain.



                          EPITAPH

                    SAM
Revolted and clashed ’gainst the cruel leather lash
and broke free from the choke of their chain.



                         EPILOGUE

Those parts of the past that we gaze at aghast
reveal harrowing questions quite plain –

Why people quite free, just like you, just like me,
were so happy inflicting such pain?

Why we bask in the throes of humanity’s woes
while the tyrants and tyrannies reign?

Why we sit back and watch, sometimes scratching our crotch,
as it happens again and again?

And I’m wondering too (’cause I don’t have a clue),
might we each be a link in their chain?
Terry Kay Jan 2019
In a tiny kitchen
A small 3 burner stove
My Mammy cooked for 8 kids
Her family in a tiny home

Little hands tightly gripping her apron
To sturdy a wobbly stand
Looking up to see the face I loved
My 4'9" Cherokee great-grandmother
Called Mammy to the whole clan

Old folks home was the plan
I saw her laying in that bed
Eyes closed never to open again
Lips blowing whistling a silent tune
Hands busy sewing nothing in the air
Broke my heart seeing her laying there

Mammy's gowns were given to me
Sleeping in them I felt her close it seemed
Occasionally I'd cry myself to sleep
I loved her the most I believe

Home movies of me at 9 years
Talking and braiding her hair
Rekindles the love
The whole family knew we were a pair

At Heaven's Gate
I expect to hear
A Whisling, whisling
Mammy calling, "Terry Kay"
I just know it

I know

Cause

"We love each other still"
Dedicated to my Mammy!
Francie Lynch Jul 2015
Mammy's accidents usually happened
Within a hundred foot radius of her stove.
Except the one time she had to work
Outside the home,
At the Aylmer Tomato Cannery.
     (Daddy was in his wet season,
      Being laid off was his reason)

The tip of her thumb was snipped,
And gone.
The joke never got old.
Someone looked inside
Every can we opened -
From that day on -
Truth is,
We always knew
A good bit of Mammy
Was in her stew.
Asa D Bruss Nov 2014
I've got a gravy train riding hefer
and she's ready to deliver
all the goods and the services that I never give her
cuz she's mother ****** queen absalom
in the directory's cut
of the film that won a grammy and a mammy
and made it all the way to flavortown
in the south bahaman outback of queens land
and ate all my chili beans so that I would be sad on a green day
cuz I got granades in my ******* about ready to be pulled,
and there aint no sunshine when she's gone, and there's only darkness every day, but she's never gone too long because I never learn to live without her anyway.
Tala Dec 2017
You instigate the rattlesnake
the storm within, under the bones

You feed on my fears then
under the rain your mouth you open
your thirst you quench

You smile when I cry. think about that
the guilt you hug away
in the pieces of my broken spirit, you search for her

I am not her
I am not her

Keep your scars at bay
it's time to love & headway
Katie Sep 2014
The pains so deep, it hurts so much
I try to smile but tears just flow,
I try & hide it & most dont no
I yern for a child.
Sickness, stretch marks, sleepless nights i'd take it all,
The pain would all be easier than it is right now.
I see people just complaining, they want a break, wishing things were easier & nights didn't go on so late.
Girls becoming mothers at a tender young age, not knowing what to do or to expect,
Others not caring not wanting things to change, just wanting life to continue as it did before,
Then there's those who feel angry that it happened to them, those giving up there children or hurting them in ways that i can't even bear to hear.
Whereas all i want is to be called mammy & feel that love so strong,
Id give them my all & teach them all the things to know, id play & laugh, teach & love & hold them in my arms.
I want to feel them kick inside,
I want to see that very first smile,
I want to feel their little hand grasp onto mine, hear their little laughs & hold them close when they cry.
Drity nappys im happy to change,
Getting up throughout the night would be a joy to see their face,
The expense dont matter, we'd pull though.
I long to be a mammy to a little boy or girl.
st64 Mar 2013
Gramophone records play
Scratch, play, scratch, play
Soft in the background, edging into me
Slow and easy, gentle waves.


Granny, play me La Wally again
Turning, spinning, round and round
Take me away on audio-pearls
Peace whirls me on a magic dance.


Pappa, hide the ugly monsters
Keep me safe in Noddy and Pat tales
I'd rather be caught in merry tune
Than in webs of yonder folk out there.


Momma, put on Golden Slumbers
"Sleep, pretty darling, do not cry,
And I will sing a lullaby"
Yes, I find my way homeward...


Gramps, sing me a Holliday song
The kind that lifts one so high
With Mammy and Pappy blessing all of me
Yes my happiness, I've got me own!


Dear Heaven, open windows and walls
Swirling, flowing its beautiful energy
Sore needed peace and beauty
That no eye can truly see.


Star Toucher, 02 March 2013
Francie Lynch May 2019
Mammy had a cauldron of stories,
And Mammy never lied;
Strange tales about the living,
Still touched by those who've died.

She spoke of a friend who read the leafs:
When babies died, she heard banshees;
She foresaw the cornice collapse,
Saved me when I was three.
She whispered these tales
Through pressed lips,
Would pause to sip her tea.

Seers told her of her one-legged mother
Standing guard at the foot of her bed,
Long after she was dead.

One prophet spoke of an open door,
A one-way trip to a foreign shore,
And agonies she'd bend to endure.

For me, these stories rang so true,
For mothers wouldn't lie to you;
Yet Father said she was a sinner,
Spinning yarns against God's will.
That's not the story in Bethany,
Or the fairy homes beneath the hills.

Are there ghosts under our beds,
In the closets in our heads;
Hovering over marked graveyards,
Abandoned houses and Tarot Cards?

When the unknown night tore at me,
I'd been told I could pray
To the Father, Son and Holy Ghost:
Now they're the ones I fear the most,
They're the stories she often chose.
And some would say, for this I'll roast.
Any good ghost stories out there?
Mammy: An Irish mother.
Father: the man in the collar.
Dylan Jones Oct 2016
Too many bottles of this wine we can't pronounce
Too many bowls of that green, no lucky charms
The maids come around too much
Parents ain't around enough
Too many joy rides in daddy's jaguar
Too many white lies and white lines
Super rich kids with nothing but loose ends
Super rich kids with nothing but fake friends

Start my day up on the roof
There's nothing like this type of view
Point the clicker at the tube
I prefer expensive news
New car, new girl
New ice, new glass
New watch, good times babe
It's good times, yeah
She wash my back three times a day
This shower head feels so amazing
We'll both be high, the help don't stare
They just walk by, they must don't care
A million one, a million two
A hundred more will never do

Real love, I'm searching for a real love
Real love, I'm searching for a real love
Oh, real love

Close your eyes for what you can't imagine, we are the xany gnashing
Caddy smashing, bratty ***, he mad, he snatched his daddy's Jag
And used the **** for batting practice, adamant and he thrashing
Purchasing ****** grams with half the hand of cash you handed
Panicking, patch me up, Pappy done latch keyed us
Toying with Raggy Anns and mammy done had enough
Brash as ****, breaching all these aqueducts; don't believe us
Treat us like we can't erupt, yup

We end our day up on the roof
I say I'll jump, I never do
But when I'm drunk I act a fool
Talking 'bout , do they sew wings on tailored suits
I'm on that ledge, she grabs my arm
She slaps my head
It's good times, yeah
Sleeve rips off, I slip, I fall
The market's down like 60 stories
And some don't end the way they should
My silver spoon has fed me good
A million one, a million cash
Close my eyes and feel the crash
Francie Lynch Mar 2015
O, Mammy if you'd met her
She'd take your breath away;
There's peace in her demeanor,
There's joy in her at play.
There's affection in her movements,
She's you in many ways.

Her eyes are lighthouse beacons,
Her skin is sculpted clay;
Her little hands seize my heart
With vice-like claws of love;
Oh, Mammy
Do watch over her
As you watched over us.
For Aine
Francie Lynch Jan 2019
That's me in the picture,
A collage of brothers and sisters;
I'm held high in my Mammy's arms,
Days before leaving Ireland.

Six months later, in our new home,
On a couch in our front room,
We pose again.
(See the console in our romper room?
It's testament to our boom and boons)

There's thousands of miles between those shoots,
And four million loved ones left behind
In a life and land we won't have again.
(That's the way life was back then)
No Face Time, #MeTime,
Sometimes a landline,
But always a letter in a card at the right time.

Brothers and sisters are missing.
In neglected churchyards,
And yet my mother smiles,
All the while.

Sixty years on, we pose again,
Sharing four hundred years here,
With seven hundred left behind:
Years of Famine and Hedge Schools,
Foreign invasions and Imperial Rule.

We stand *****, shoulders touching,
Between them loved ones missing;
Gone before the shutter opened,
A partial story as pictures go.

We're Irish proud,
Some of Canada's best;
An Irish-Canadian
When laid to rest.
Brothers and sisters died before we left Ireland, and brothers and sisters died after we arrived in Canada. But the six sibs that left Ireland are still alive and well.
Edit and re-post.
C Mahood Jun 2018
Time for school,
Get out of bed,
Come on now lazy,
I know your not dead.

Stop pretending,
don’t make a fuss,
You need to get dressed,
Or you miss the bus!

No time for a shower,
Get washed in the sink.
Remember your ears,
And you pits or you'll stink!

Get some toast and your shoes,
Then strait out the door,
No you cant pull a sickie,
So Get up off the floor!

You’ve eaten your breakfast,
Now your belly is full,
Now get out of my sight,
GET YOUR **** INTO SCHOOL!
Tee typical words of a Mother from Ulster.
James Rowley Sep 4
Mammy Jospehine,
Death lingers on your breath;
From every third sentence
The untimely demise of a friend
Is plucked from your alexandria
And laid to rest in the London air.

The engagement party became your wake;
Gratitude came first, some qualifications second
Since our celebrations reminded you of your reverend
Who possessed your heart in full
Until his tendons supporting you
Severed clean when he rode a bit too quick
Molding his Harley into the spine of bricks
Previously the boundaries of your new home.

Leaving the party in Cousin Jason's car
The joy on your face seeped into my arm
Revealing your age old scars.
Praising the jollof rice and the confetti
You stopped and realised you were indeed not ready
To forget old Aunty Eunice
Who welcomed her release from an unsteady mind.

Even though I saw how much joy hurt
I couldn't help but feel peaceful
Because I know that your true strength
Is your ability to know that persistence is evil.

Yet your persistence
Despite the toll its taken
Enshrines your Friends
In the Prism of your qualified lens.
Westley Barnes Jun 2015
So the lads decided to head down the town one day
(it bein' a great stretch of sun, especially for here,
and playin' Fifa tournaments and
actin' smart were losin' their charm)
Anyway,
Miles had his eye on this young one, and Giro and Hooper
bein' the friends they were riled him up no end about
what he was goin' to do once he got his chance with her, y'know, the usual stupid teenage macho lad crap.
But sure, poor auld Miles, as he was back then, was a sensitive sort
and although he was the handsomest of the chaps at that stage
-with the boyband cheekbones and
the butter-wouldn't melt bring-me-home-to-your-mammy-she'll-think-I'm-Lovely exterior-
he was just a bit too shy to get taking to her in the square that day,
the two of 'em were both awkwardly just sat on opposite benches
with their eyelashes flutterin' in the wind.
And sure didn't the boys make a holy show o'the chap by shoutin' "D'YOU WANT TO SHIFT HIS FRIENDS" at the young one's mates, and them visibly horrified,
with the precious stuck-up Loreto girls' mouths dropped in mortification.

They were somethin' else back then, alright.

But here's the thing,
He's marrying that girl next weekend. (-The same one?) (-Hardly?!)
Swear on me Granny's grave, got sent the invitation on Facebook and all!
Meself and Tracy are goin' to it, obviously, but I barely seen the chap since he moved up to Dublin that time, but the girl is friend's with Tracy's cousin.
Danielle is her name, she works as a graphic designer.

(-She designs games?) (-No, ads, posters and stuff, you ****)
(-Well, I extend my heartfelt apologies
to Mr. CAO himself over here)
(-G'way you, the last time you heard tell of the CAO
was when  you used it as a farewell greeting to
the sub-teacher you fancied when you
handed in your pass maths exam.)
(-What's he doin' again?) (-He works in KPMG)
(-...Sorry I asked)

Apparently they had lost track of each other, but then randomly met out one night and rekindled the old flame. (-what, the old premature pubescent horn?)
My point is, doucher, that you cant keep a good man down...not the greatest choice of words given the context, but, y'know,
fair ******' play to him anyway.

On the other hand, I saw Giro in Mooney's there last weekend,
back from Canada after only six months over there.
Hated it apparently, plasterin' walls in a city that was
only bein' built up for the first time, nothin' to do on the weekend
but drink **** beer and go fishin'.  I told him he should have gone
to Vancouver but he wanted to head where Hooper was goin'
-Those two were always the same, they'd manage to waste each others time if they got to the moon.

There Giro was, all he got to show for himself for goin' to Canada
was a flannel shirt, a snapback hat and a beard like one of those
grizzly lads from gay ****. (-What would you know about gay ****?) (It's an metaphor, genius, I don't need to know anythin' about it in order to make the connection.)
(-Sounds like the only expert piece of information you've given it all night) (-Here, your Da hates ya, go home)

But I suppose, at least a lad like Giro, totally directionless, still has the ability to laugh about himself.
He'd say worse things about himself that I would and laugh away at it, no bother.
But that's it, isn't it? Being able to laugh at the lads and at yourself when you deserve it, to own up to your flaws and forgive them.
That's what it's all about.
Fifa=Official Computer Game of the world Football association,
Giro=Bank giro, often synonymous with social welfare benefits in Ireland.
Shift=Irish slang to kiss passionately, in the casual sense. See also British Snog, US Necking.
Loreto=Loreto Convent, a network of Roman Catholic single-*** Girls' schools in Ireland founded by Loreto nuns. Regarded as instilling a high level of social propriety in their students.
CAO=College Application Form. Official form of entry into Irish Colleges and Universities, mirrors slightly the US SAT and British A-Level methods.
Francie Lynch May 2015
Following Friday's sins,
I'd usually sleep in.
That Saturday Mammy called up;
There was Daddy dripping blood,
Clinging to his thumb.
He was stubborn.
He sat back,
I drove fast,
And left him in emerg.
Hours later,
Back at home,
The phone.
The power switch
Was already off,
But on the floor,
Next to the saw,
I saw the thumb
Lying strangely alone,
The skin, the nail, the bone.
He died incomplete.
His stump was a talisman.
Grandkids got a kick from it
Asking him to count to ten.
If he'd told me he cut it off, I could have brought it with me for attachment. But he was a man of very few words.
Francie Lynch Dec 2016
You've heard this tale
A thousand times,
Take one more spin,
This version's mine.
And this telling tale
Is its first time.
My theme is fitting,
The message sublime,
For the Season of giving,
And gifting one's time.

For my first Christmas
I was three,
But the warmth on that night
Never cooled,
And indeed,
It was
A cold Christmas Eve.

We stuck branches of pine
In a bucket of sand,
That's the snapshot I've got
Of our Christrmas tree then.
Here's the memory that Eve
Of a lad of three,
Yet this story is true,
It's a family heirloom.

We weren't many then,
There was Mammy and Daddy
And six children, soon seven.
Daddy was an Operator
Of cranes and loaders
Dirt packers and graders.
He was working North,
Far North,
Manning a dozer,
Distant from family
Near the Quebec border.
That's where he was
Days before,
When his pant-leg caught fire,
When the diesel was spilled.

We were only three months
In our chosen homeland,
It was 1958,
And fresh from Ireland.

No way to get to him,
Nor him to get home,
No car,  no friends yet,
Little money, no phone.
Yet somebody knew
We were out on our own.

And the snow started falling,
It was Christmas Eve,
I stood at the window,
Saw the snow fill the trees.
I was still and staring,
At what I don't know,
But I remember quite vividly
All that I saw.

Like a scene from a movie
Starring Barry or Bing,
A fire-engine red no-top
Stopped and parked with high beams,
Highlighting the snow,
On that Christmas Eve.

A big man in a red suit
Slid off of the trunk,
Literally carrying a sack,
And calling, **! **!
The family joined me
At the window to see
The big man's helpers
Carry a big Christmas Tree.

When they entered the house
Kevin, Sean, Gerald and me,
Cowered and crouched
Behind the second-hand couch.
We must have resembled
Three monkeys plus me;
I hadn't a clue,
I was dumb-founded and three.

In through the front door
They clattered and sang,
Unloading their boxes
Of food, clothes and toys,
*****, bats and dolls
For two girls and four boys;
And I'm sure there was something
For the coming bundle of joy.

I don't remember their departure,
Or where he went,
But they called Merry Christmas
And left all else unsaid.

Mammy understood
Some good persons had called,
Who'd heard of our plight
And couldn't be calmed
Til they knew for certain
We'd some peace in our storm.

So, that's my first Christmas,
Since then this my creed:
*The gift of your giving
Isn't under the Tree.
The man in the red suit was the Mayor of my hometown, Sarnia. He was a successful businessman, a fine man, Mr. Ivan Walker.
Francie Lynch Apr 2019
I found a hole in my bucket list
Like an hourglass
My dream are slipping,
Dripping on my bare floor.

I should be really ******
Because I'll miss
Entering through unknown doors.

I haven't time to fix the hole,
The grains are moving,
And Mammy's calling her babes home.

My favourite just hit the ground,
Like a blood stain,
Or a sewer vein,
It  makes not a sound.

Two floats in the air,
Three's on the lip,
Four swirls near a hole,
The remaining dreams
Are caught in the eddy;
The final drop's precariously ready.

Eliza's fix would surely falter,
My bucket list can't hold water.
Francie Lynch Aug 2017
There was always a gathering that summer, usually in the North end of the city. Some nights, if we wandered from the Dairy Queen parking lot, we found ourselves at Canatara Beach or Lakeview Cemetery.  Never too far from the sand and water. There was a break between parents and their kids : a snap from parental control as the press saw it; a generation gap. I witnessed it firsthand the night I met her.
Her family was old money in Canadian terms.  Furniture and funeral homes. Her parents certainly had the pretenses of money, and so staged a good show. Members of the Riding Club, The Golf and Curling Club, bridge and poker foursomes, a cottage summer, and lots of property in the South end. Her paternal side was rich with the beach front, her maternal side was solid middle class. At fifteen, she despised her mother, her older sister and her life with them. I never saw what went on, but she'd leave the house slamming the door, red-faced and breathing how much she hated her mother. I couldn't understand. We loved our mothers. They stayed home, and their homes and families were their lives. I once tried to get her to see mothers the way I knew them, but it was futile. The generation gap was real. Relations didn't improve over the next two years, and I bore up well with it, being confused, but supportive.
Bob and I wandered with purpose from the Dairy Queen to Charlesworth St., so he could meet up with Lynn at a backyard gathering. It was 1970. A group our age was already there; Northend kids; their school, Northern. It was the summer of grade 10 at St. Pats, and a beautiful July evening with the last flares of light in the sky. That entire  summer Bob and I went to the beach every day. In the sun, under the clouds, in the rain and wind. It didn't matter. We met a regular group of Northern kids there, and became friends. They were cool... cool enough. The Northern kids were different. Their hair seemed blonder, their skin more tanned, their clothes more expensive. Some had Daddy's car, a few drove their own. They had beach towels. We arrived at the beach with our own assets, the cutest girls from our school. Both sides were interested in the other, friendships developed, and romances flickered. 
 Lynn was a small curvaceous girl, and Bob, a handsome, strawberry blonde, well-built boy of sixteen. Being from the south end and Catholic us interesting, but not freakish. The northern/Northern kids never snubbed  or derided us. They were genuinely friendly and inviting. Our two groups soon became one. And so, we were invited to the backyard gathering at Lynn's house.
About eight kids were standing around an open fire. There was Shelley, Cindy, Debbie, Lynn, Wendy, Ann, and a few boys. I hadn't seen her before, she was never on the beach. Frankly, I was more interested in Shelley and Cindy that night. The previous week I had something of a date with Shelley when we met at the Kenwick-on-the-Lake concert. We kissed. Cindy and I had some sessions at her house while Bob and Lynn occupied the other couch.  Shelley was two inches taller than me, and Cindy was experimenting with a different kind of rebellion, so my interest in them was quickly waning. My involvement never went any further than my introductory kisses, after years of yearning. Seeing her changed everything I knew about girls, or, wanted to know. It's still unusual and unexplainable. The attraction was instant, unavoidable and permanent. I wasn't even trying. At the risk of sounding trite, I caught her eyes, green as wet jade, in the firelight, and knew, really knew, I'd never be in love with another.
I stepped away, moved towards the back porch, and lit a cigarette. She followed and asked for a haul. She wasn't the prettiest girl I'd met that summer. I didn't like her hair, and, even for me, her nose was a little big. Her hair sun-bleached, her cheeks high and glossy, and she wasn't tall. It was still early, around 9:30, just deepening in the dark, but she had curfew. It was her own fault. Summer school!  After her morning classes she was commanded home for the afternoon to work on the day's lessons in English and Math. Her attendance at Lynn's was her brief window of opportunity to get away from her mother. Was I her method of rebellion? I'll never know her reasons. I walked her home that evening.
I was self-conscious around girls. I expected them to approach me. I never ventured for fear of rejection. I wasn't good-looking, and certainly not tall or moneyed.  And my nose...
So, when I say I expected girls to approach I mean they would have to make it obvious they were interested. That seldom happened, but when she asked for a haul, I knew we would be inseparable.
It was a brief ten minute walk to her house from Charlesworth to Cathcart. What I remember from that walk was her intense feelings towards her family, and her classes at summer school. English. How ironic. I wondered how anyone could fail a high school class, let alone English. She was an avid reader. By thirteen she read all of Agatha Christie and more. Because of her I began reading, and you know where that lead. All I ever did to pass school was the basics. She was truly an enigma. A northern/Northern ******* Cathcart Blvd. Who despised her mother and failed English. I was bewildered and hooked. A real blur. As I walked the distance back to Kathleen Ave., three Dobermans chased me up a brick pillar that was entrance to a suburb off Colborne Rd. Other than that, nothing but she crossed my mind.
She started going to the beach occasionally, but always in shorts and a top. She wasn't supposed to be there. Sometimes she'd change at Lynn's or Shelley's so her mother wouldn't find out. When summer school ended, she came every day. We became a couple. Every night we'd meet, alone or with friends. Whenever the occasion arrived we'd drink or smoke. Whenever the opportunity and money were in synch. Otherwise, there were house gatherings, the Dairy Queen, dances, movies and walks through the cemetery. My summer job at the Humane Society provided us with money, and she babysat and worked at a day care centre, at the top of Kathleen Ave., in the basement of a Lutheran Church – same as her family's leanings. Our togetherness continued til the end of summer. I was so confused about her. I certainly didn't bring her home to meet Mammy, and so I broke it off. I feel the same now about that as I did then. I loved her, but I didn't want to be with her. The day after our break-up, I talked things over with Mammy. Amazing that I could do that. I never, ever, spoke to my mother about such things, and yet I felt compelled to tell her all about “the girl,” her family, and her situation. Mammy suggested that I'd better go to the day-care and see her... NOW.
So I did.
She was working that day and I couldn't hurry up the street fast enough, worried she'd already be gone, but there she was working patiently with the children, and I stood in the doorway watching her every move, and listening to her voice. She turned, just like in the movies, and looked right at me.
Two weeks later, at a fall high school dance I broke-up with her again. We planned to meet there and we both went, but I ignored her, didn't speak to her, didn't approach her, didn't even acknowledge her presence. She was shunned. Nothing she did. It was me. I loved her, but I didn't want to be with her. She did the same, probably out of confusion. Several times during the night she would place herself in my line of vision. Once, while standing near the stage to watch the band, I turned around to scan the room and we looked at each other. She was standing one person behind me. That was the last time I saw her for eighteen months. Well, there was one other brief encounter between us in the meantime.
I was boarding the city bus at the library, arms full, and heading home. She was sitting on a bench with a red coat (that's what Bob and I called the hockey players from Corunna who always wore their red hockey jackets). I believe the two of them were on a date. We looked at each other briefly and I sat down near the front, with my back to them. From the curb at my stop I saw the back of her head through the window. How I loved her still. Years later that red coat told me she was impossible to date, as there were three of us present. I dated a number of girls during that eighteen months, but it was purely filler. I was enjoying my time with my friends, and I knew I needed to do just that. By the autumn of my grade twelve year I called her.
We were virgins still.
Prosetry: Something like poetry in prose.
We married, had three children, now separated.
Francie Lynch Aug 2014
Early September smells
Of the familiar.
Pungent socks on hissing rads;
Cuffed wellingtons
Strewn on cloak-room floors.
Mine have my initials
In bold red letters.
Peanut butter and oranges
Douse the old rooms,
And Quick swirls in fruit jars.

Home for lunch,
Mammy serves plates
Of beans and bread
To the middle of the table,
Where she'll sit, mug in hand,
After whisking us
Out the door.

I knew she sat there,
Thinking of her
Lost children,
Buried for eternity.
Never to revisit.
No desire to.
Her kettle clouds
The kitchen;
From the vapors she heard,
Bye, Mammy.

Tomorrow, the bells
Ring again.
I'll sit with the kettle
And school days' thoughts
And life's lessons
On history
And good-byes.
THE MILK drops on your chin, Helga,
Must not interfere with the cranberry red of your cheeks
Nor the sky winter blue of your eyes.
Let your mammy keep hands off the chin.
This is a high holy spatter of white on the reds and blues.
  
Before the bottle was taken away,
Before you so proudly began today
Drinking your milk from the rim of a cup
They did not splash this high holy white on your chin.
  
There are dreams in your eyes, Helga.
Tall reaches of wind sweep the clear blue.
The winter is young yet, so young.
Only a little cupful of winter has touched your lips.
Drink on ... milk with your lips ... dreams with your eyes.
ioan pearce Mar 2010
to see alonely child
no mother to confide
a mother once so close
bonded side by side

till illness claimed
left children maimed
stunned in solitude

no calming song
a mammy gone
that fed you love and food

but mother proud
from watching cloud
will guide and shepherd you

with loving arms
and all her charms
from smiling skies of blue
It's hard to sleep
knowing that one day soon
you'll be going for the long one,

I'm on the trackside waiting for the freight train ride with a pocketful of pennies and my thumb up like the *** that I am.

Mammy told me that as far as she could see I would get old,
mammy had the gift or curse of second sight,
she also had
eyes in the back of her head or so it seemed to me.

so here's the plan,
make out like I really am a man and wing it
sing in church on Sunday
bring my pay check home

not much to go on but more than it was
which wasn't a lot.

When your eyes are tired but your brain is not
and you've got time on your hands,
when the hands of the clock want to give you a slap
and the crap that you think when the inner eyes blink and that freight train rolls down on you,
do you hop on board?

I thought it was my ears but it's the station bell ringing.

Mammy was right
I might get old
ha
imagine me at ninety three
that'd be a sight for
tired eyes to see.

Sooner or later and
rather much later
uploading life data
into the cloud.

— The End —