Rondels, Roundels and Rondeaux

These are poetic forms similar to villanelles, with refrains (repeated lines) and sometimes double refrains.



Rondel: Merciles Beaute ("Merciless Beauty")
by Geoffrey Chaucer
loose translation/interpretation Michael R. Burch

Your eyes slay me suddenly;
their beauty I cannot sustain,
they wound me so, through my heart keen.

Unless your words heal me hastily,
my heart's wound will remain green;
for your eyes slay me suddenly;
their beauty I cannot sustain.

By all truth, I tell you faithfully
that you are of life and death my queen;
for at my death this truth shall be seen:
your eyes slay me suddenly;
their beauty I cannot sustain,
they wound me so, through my heart keen.



Rondel: Rejection
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Your beauty from your heart has so erased
Pity, that it’s useless to complain;
For Pride now holds your mercy by a chain.

I'm guiltless, yet my sentence has been cast.
I tell you truly, needless now to feign,―
Your beauty from your heart has so erased
Pity, that it’s useless to complain.

Alas, that Nature in your face compassed
Such beauty, that no man may hope attain
To mercy, though he perish from the pain;
Your beauty from your heart has so erased
Pity, that it’s useless to complain;
For Pride now holds your mercy by a chain.



Rondel: Escape
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Since I’m escaped from Love and yet still fat,
I never plan to be in his prison lean;
Since I am free, I count it not a bean.

He may question me and counter this and that;
I care not: I will answer just as I mean.
Since I’m escaped from Love and yet still fat,
I never plan to be in his prison lean.

Love strikes me from his roster, short and flat,
And he is struck from my books, just as clean,
Forevermore; there is no other mean.
Since I’m escaped from Love and yet still fat,
I never plan to be in his prison lean;
Since I am free, I count it not a bean.



Rondel: Your Smiling Mouth
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/modernization Michael R. Burch

Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms’ twin chains,
Your hands so smooth, each finger straight and plain,
Your little feet―please, what more can I say?

It is my fetish when you’re far away
To muse on these and thus to soothe my pain―
Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms’ twin chains.

So would I beg you, if I only may,
To see such sights as I before have seen,
Because my fetish pleases me. Obscene?
I’ll be obsessed until my dying day
By your sweet smiling mouth and eyes, bright gray,
Your ample ******* and slender arms’ twin chains!



Oft in My Thought
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/modernization Michael R. Burch

So often in my busy mind I sought,
Around the advent of the fledgling year,
For something pretty that I really ought
To give my lady dear;
But that sweet thought's been wrested from me, clear,
Since death, alas, has sealed her under clay
And robbed the world of all that's precious here―
God keep her soul, I can no better say.

For me to keep my manner and my thought
Acceptable, as suits my age's hour?
While proving that I never once forgot
Her worth? It tests my power!
I serve her now with masses and with prayer;
For it would be a shame for me to stray
Far from my faith, when my time's drawing near―
God keep her soul, I can no better say.

Now earthly profits fail, since all is lost
And the cost of everything became so dear;
Therefore, O Lord, who rules the higher host,
Take my good deeds, as many as there are,
And crown her, Lord, above in your bright sphere,
As heaven's truest maid! And may I say:
Most good, most fair, most likely to bring cheer―
God keep her soul, I can no better say.

When I praise her, or hear her praises raised,
I recall how recently she brought me pleasure;
Then my heart floods like an overflowing bay
And makes me wish to dress for my own bier―
God keep her soul, I can no better say.



Villanelle: The Divide
by Michael R. Burch

The sea was not salt the first tide ...
was man born to sorrow that first day,
with the moon―a pale beacon across the Divide,
the brighter for longing, an object denied―
the tug at his heart's pink, bourgeoning clay?

The sea was not salt the first tide ...
but grew bitter, bitter―man's torrents supplied.
The bride of their longing―forever astray,
her shield a cold beacon across the Divide,
flashing pale signals: Decide. Decide.
Choose me, or His Brightness, I will not stay.

The sea was not salt the first tide ...
imploring her, ebbing: Abide, abide.
The silver fish flash there, the manatees gray.

The moon, a pale beacon across the Divide,
has taught us to seek Love's concealed side:
the dark face of longing, the poets say.
The sea was not salt the first tide ...
the moon a pale beacon across the Divide.

"The Divide" is essentially a formal villanelle despite the non-formal line breaks.



Villanelle: Ordinary Love
by Michael R. Burch

Indescribable―our love―and still we say
with eyes averted, turning out the light,
"I love you," in the ordinary way

and tug the coverlet where once we lay,
all suntanned limbs entangled, shivering, white ...
indescribably in love. Or so we say.

Your hair's blonde thicket now is tangle-gray;
you turn your back; you murmur to the night,
"I love you," in the ordinary way.

Beneath the sheets our hands and feet would stray
to warm ourselves. We do not touch despite
a love so indescribable. We say

we're older now, that "love" has had its day.
But that which Love once countenanced, delight,
still makes you indescribable. I say,
"I love you," in the ordinary way.

"Ordinary Love" was the winner of the 2001 Algernon Charles Swinburne poetry contest. It was originally published by Romantics Quarterly and nominated by the journal for the Pushcart Prize. It is missing a tercet but seemed complete enough without it.―MRB



Villanelle: Because Her Heart Is Tender
by Michael R. Burch

for Beth

She scrawled soft words in soap: "Never Forget,"
Dove-white on her car's window, and the wren,
because her heart is tender, might regret
it called the sun to wake her. As I slept,
she heard lost names recounted, one by one.

She wrote in sidewalk chalk: "Never Forget,"
and kept her heart's own counsel. No rain swept
away those words, no tear leaves them undone.

Because her heart is tender with regret,
bruised by razed towers' glass and steel and stone
that shatter on and on and on and on,
she stitches in wet linen: "NEVER FORGET,"
and listens to her heart's emphatic song.

The wren might tilt its head and sing along
because its heart once understood regret
when fledglings fell beyond, beyond, beyond ...
its reach, and still the boot-heeled world strode on.

She writes in adamant: "NEVER FORGET"
because her heart is tender with regret.



Double Trouble
by Michael R. Burch

The villanelle is trouble:
it’s like you’re on the bubble
of beginning to see double.

It’s like you’re on the Hubble
when the lens begins to wobble:
the villanelle is trouble.

It’s like you’re Barney Rubble
scratching itchy beer-stained stubble
because you’re seeing double.

Then your lines begin to gobble
up the good rhymes, and you hobble.
The villanelle is trouble,

just like getting sloshed in the pub’ll
begin to make you babble
because you’re seeing double.

Because the form is flubbable
and is really not that loveable,
the villanelle is trouble:
it’s like you’re seeing double.



Villanelle: Hangovers
by Michael R. Burch

We forget that, before we were born,
our parents had “lives” of their own,
ran drunk in the streets, or half-******.

Yes, our parents had lives of their own
until we were born; then, undone,
they were buying their parents gravestones

and finding gray hairs of their own
(because we were born lacking some
of their curious habits, but soon

would certainly get them). Half-******,
we watched them dig graves of their own.
Their lives would be over too soon

for their curious habits to bloom
in us (though our children were born
nine months from that night on the town

when, punch-drunk in the streets or half-******,
we first proved we had lives of our own).



Villanelle Sequence: Clandestine But Gentle
by Michael R. Burch

Variations on the villanelle. A play in four acts. The heroine wears a trench coat and her every action drips nonchalance. The “hero” is pallid, nerdish and nervous. But more than anything, he is palpably desperate with longing. Props are optional, but a streetlamp, a glowing cigarette and lots of eerie shadows should suffice.

I.

Clandestine but gentle, wrapped in night,
she eavesdropped on morose codes of my heart.
She was the secret agent of delight.

The blue spurt of her match, our signal light,
announced her presence in the shadowed court:
clandestine but gentle, cloaked in night.

Her cigarette was waved, a casual sleight,
to bid me “Come!” or tell me to depart.
She was the secret agent of delight,

like Ingrid Bergman in a trench coat, white
as death, and yet more fair and pale (but short
with me, whenever I grew wan with fright!).

II.

Clandestine but gentle, veiled in night,
she was the secret agent of delight;
she coaxed the tumblers in some cryptic rite

to make me spill my spirit.
Lovely ****!
Clandestine but gentle, veiled in night

―she waited till my tongue, untied, sang bright
but damning strange confessions in the dark . . .

III.

She was the secret agent of delight;
so I became her paramour. Tonight
I await her in my exile, worlds apart . . .

IV.

For clandestine but gentle, wrapped in night,
she is the secret agent of delight.



Villanelle: Hang Together, or Separately
by Michael R. Burch

“The first shall be last, and the last first.”

Be careful whom you don’t befriend
When hyenas mark their prey:
The odds will get even in the end.

Some “deplorables” may yet ascend
And since all dogs must have their day,
Be careful whom you don’t befriend.

When pallid elitists condescend
What does the Good Book say?
The odds will get even in the end.

Since the LORD advised us to attend
To each other along the way,
Be careful whom you don’t befriend.

But He was deserted. Friends, comprehend!
Though revilers mock and flay,
The odds will get even in the end.

Now infidels have loot to spend:
As ****** as Judas’s that day.
Be careful whom you don’t befriend:
The odds will get even in the end.

NOTE: This poem portrays a certain worldview. The poet does not share it and suspects from reading the gospels that the “real” Jesus would have sided with the infidel refugees, not Trump and his ilk.



Villanelle: The Sad Refrain
by Michael R. Burch

O, let us not repeat the sad refrain
that Christ is cruel because some innocent dies.
No, pain is good, for character comes from pain!

There’d be no growth without the hammering rain
that tests each petal’s worth. Omnipotent skies
peal, “Let us not repeat the sad refrain,

but separate burnt chaff from bountiful grain.
According to God’s plan, the weakling dies
and pain is good, for character comes from pain!

A God who’s perfect cannot bear the blame
of flawed creations, just because one dies!
So let us not repeat the sad refrain

or think to shame or stain His awesome name!
Let lightning strike the devious source of lies
that pain is bad, for character comes from pain!
Oh, let us not repeat the sad refrain!

NOTE: An eternal hell cannot be justified. Nothing can be learned from eternal suffering except that the creation of life was the ultimate act of evil. The creator of an eternal hell would be infinitely cruel and should never have created any creature that might possibly end up there. That so many Christians do not understand this suggests they lack the knowledge of good and evil and were rooked by their "god" in the Garden of Eden or have been bamboozled by heartless and mindless theologians.



If
by Michael R. Burch

If I regret
fire in the sunset
exploding on the horizon,
then let me regret loving you.

If I forget
even for a moment
that you are the only one,
then let me forget that the sky is blue.

If I should yearn
in a season of discontentment
for the vagabond light of a companionless moon,
let dawn remind me that you are my sun.

If I should burn―one moment less brightly,
one instant less true―
then with wild scorching kisses,
inflame me, inflame me, inflame me anew.

Originally published by The HyperTexts



Recursion
by Michael R. Burch

In a dream I saw boys lying
under banners gaily flying
and I heard their mothers sighing
from some dark distant shore.

For I saw their sons essaying
into fields―gleeful, braying―
their bright armaments displaying;
such manly oaths they swore!

From their playfields, boys returning
full of honor’s white-hot burning
and desire’s restless yearning
sired new kids for the corps.

In a dream I saw boys dying
under banners gaily lying
and I heard their mothers crying
from some dark distant shore.



I AM!
by Michael R. Burch

I am not one of ten billion―I―
sunblackened Icarus, chary fly,
staring at God with a quizzical eye.

I am not one of ten billion, I.

I am not one life has left unsquashed―
scarred as Ulysses, goddess-debauched,
pale glowworm agleam with a tale of panache.

I am not one life has left unsquashed.

I am not one without spots of disease,
laugh lines and tan lines and thick-callused knees
from begging and praying and girls sighing "Please!"

I am not one without spots of disease.

I am not one of ten billion―I―
scion of Daedalus, blackwinged fly
staring at God with a sedulous eye.

I am not one of ten billion, I
AM!



This World's Joy
(anonymous Middle English lyric)
loose translation by Michael R. Burch

Winter awakens all my care
as leafless trees grow bare.
For now my sighs are fraught
whenever it enters my thought:
regarding this world's joy,
how everything comes to naught.



Elegy for a little girl, lost
by Michael R. Burch

. . . qui laetificat juventutem meam . . .
She was the joy of my youth,
and now she is gone.
. . . requiescat in pace . . .
May she rest in peace.
. . . amen . . .
Amen.

I was touched by this Latin prayer, which I discovered in a novel I read as a teenager. I later decided to incorporate it into a poem. From what I now understand, “ad deum qui laetificat juventutem meam” means “to the God who gives joy to my youth,” but I am sticking with my original interpretation: a lament for a little girl at her funeral. The phrase can be traced back to Saint Jerome's translation of Psalm 42 in the Vulgate Latin Bible (circa 385 AD).



How Long the Night
anonymous Middle English lyric, circa early 13th century AD
loose translation/interpretation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song ...
but now I feel the northern wind's blast,
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.



Fowles in the Frith
anonymous Middle English lyric, circa 13th-14th century AD
loose translation/interpretation by Michael R. Burch

The fowls in the forest,
the fishes in the flood
and I must go mad:
such sorrow I've had
for beasts of bone and blood!

Sounds like an early animal rights activist! The use of "and" is intriguing ... is the poet saying that his walks in the wood drive him mad because he is also a "beast of bone and blood," facing a similar fate?



I am of Ireland
anonymous Medieval Irish lyric, circa 13th-14th century AD
loose translation/interpretation by Michael R. Burch

I am of Ireland,
and of the holy realm of Ireland.
Gentlefolk, I pray thee:
for the sake of saintly charity,
come dance with me
in Ireland!



Whan the turuf is thy tour
(anonymous Middle English lyric, circa the 13th century AD)
loose translation/interpretation by Michael R. Burch

1.
When the turf is your tower
and the pit is your bower,
your pale white skin and throat
shall be sullen worms’ to note.
What help to you, then,
was all your worldly hope?

2.
When the turf is your tower
and the grave is your bower,
your pale white throat and skin
worm-eaten from within ...
what hope of my help then?

NOTE: The second translation leans more to the "lover's complaint" and carpe diem genres, with the poet pointing out to his prospective lover that by denying him her favors she make take her virtue to the grave where worms will end her virginity in macabre fashion. This poem may be an ancient precursor of poems like Andrew Marvell's "To His Coy Mistress."



Ech day me comëth tydinges thre
anonymous Middle English lyric, circa the 13th to 14th century AD
loose translation/interpretation by Michael R. Burch

Each day I’m plagued by three doles,
These gargantuan weights on my soul:
First, that I must somehow exit this fen.
Second, that I cannot know when.
And yet it’s the third that torments me so,
Because I don't know where the hell I will go!



Ich have y-don al myn youth
anonymous Middle English lyric, circa the 13th to 14th century AD
loose translation/interpretation by Michael R. Burch

I have done it all my youth:
Often, often, and often!
I have loved long and yearned zealously ...
And oh what grief it has brought me!



I Sing of a Maiden
anonymous Medieval English Lyric, circa early 15th century AD
loose translation/interpretation by Michael R. Burch

I sing of a maiden
That is matchless.
The King of all Kings
For her son she chose.
He came also as still
To his mother's breast
As April dew
Falling on the grass.
He came also as still
To his mother's bower
As April dew
Falling on the flower.
He came also as still
To where his mother lay
As April dew
Falling on the spray.
Mother and maiden?
Never one, but she!
Well may such a lady
God's mother be!



Regret
by Michael R. Burch

Regret,
a bitter
ache to bear . . .

once starlight
languished
in your hair . . .

a shining there
as brief
as rare.

Regret . . .
a pain
I chose to bear . . .

unleash
the torrent
of your hair . . .

and show me
once again―
how rare.

Published by The HyperTexts and The Chained Muse



Enigma
by Michael R. Burch

O, terrible angel,
bright lover and avenger,
full of whimsical light
and vile anger;
wild stranger,
seeking the solace of night,
or the danger;
pale foreigner,
alien to man, or savior ...

Who are you,
seeking consolation and passion
in the same breath,
screaming for pleasure, bereft
of all articles of faith,
finding life
harsher than death?

Grieving angel,
giving more than taking,
how lucky the man
who has found in your love,
this, our reclamation;

fallen wren,
you must strive to fly
though your heart is shaken;

weary pilgrim,
you must not give up
though your feet are aching;

lonely child,
lie here still in my arms;
you must soon be waking.



Floating
by Michael R. Burch

Memories flood the sand’s unfolding scroll;
they pour in with the long, cursive tides of night.

Memories of revenant blue eyes and wild lips
moist and frantic against my own.

Memories of ghostly white limbs ...
of soft sighs
heard once again in the surf’s strangled moans.

We meet in the scarred, fissured caves of old dreams,
green waves of algae billowing about you,
becoming your hair.

Suspended there,
where pale sunset discolors the sea,
I see all that you are
and all that you have become to me.

Your love is a sea,
and I am its trawler ...
harbored in dreams,
I ride out night’s storms.

Unanchored, I drift through the hours before morning,
dreaming the solace of your warm *******,
pondering your riddles, savoring the feel
of the explosions of your hot, saline breath.

And I rise sometimes
from the tropical darkness
to gaze once again out over the sea ...
You watch in the moonlight
that brushes the water;

bright waves throw back your reflection at me.

This is one of my more surreal poems, as the sea and lover become one. I believe I wrote this one at age 19. It has been published by Penny Dreadful, Romantics Quarterly, Boston Poetry Magazine and Poetry Life & Times. The poem may have had a different title when it was originally published, but it escapes me ... ah, yes, "Entanglements."



Sonnet: Water and Gold
by Michael R. Burch

You came to me as rain breaks on the desert
when every flower springs to life at once,
but joy's a wan illusion to the expert:
the Bedouin has learned how not to want.

You came to me as riches to a miser
when all is gold, or so his heart believes,
until he dies much thinner and much wiser,
his gleaming bones hauled off by chortling thieves.

You gave your heart too soon, too dear, too vastly;
I could not take it in; it was too much.
I pledged to meet your price, but promised rashly.
I died of thirst, of your bright Midas touch.

I dreamed you gave me water of your lips,
then sealed my tomb with golden hieroglyphs.

Published by The Lyric, Black Medina, The Eclectic Muse, Kritya(India), Shabestaneh (Iran), Anthology of Contemporary American Poetry, Captivating Poetry (Anthology), Strange Road, Freshet, Shot Glass Journal, Better Than Starbucks, Famous Poets and Poems, Sonnetto Poesia, Poetry Life & Times



Righteous
by Michael R. Burch

Come to me tonight
in the twilight, O, and the full moon rising,
spectral and ancient, will mutter a prayer.

Gather your hair
and pin it up, knowing
that I will release it a moment anon.

We are not one,
nor is there a scripture
to sanctify nights you might spend in my arms,

but the swarms
of bright stars revolving above us
revel tonight, the most ardent of lovers.

Published in Writer’s Gazette and Tucumcari Literary Review



R.I.P.
by Michael R. Burch

When I am lain to rest
and my soul is no longer intact,
but dissolving, like a sunset
diminishing to the west ...

and when at last
before His throne my past
is put to test
and the demons and the Beast

await to feast
on any morsel downward cast,
while the vapors of impermanence
cling, smelling of damask ...

then let me go, and do not weep
if I am left to sleep,
to sleep and never dream, or dream, perhaps,
only a little longer and more deep.

Originally published by Romantics Quarterly



Burn, Ovid
by Michael R. Burch

“Burn Ovid” - Austin Clarke

Sunday School,
Faith Free Will Baptist, 1973:
I sat imaging watery folds
of pale silk encircling her waist.

Explicit *** was the day’s “hot” topic
(how breathlessly I imagined hers)
as she taught us the perils of lust
fraught with inhibition.

I found her unaccountably beautiful,
rolling implausible nouns off the edge of her tongue:
adultery, fornication, *******, ******.
Acts made suddenly plausible by the faint blush
of her unrouged cheeks,
by her pale lips
accented only by a slight quiver,
a trepidation.

What did those lustrous folds foretell
of our uncommon desire?
Why did she cross and uncross her legs
lovely and long in their taupe sheaths?
Why did her ******* rise pointedly,
as if indicating a direction?

“Come unto me,
(unto me),”
together, we sang,

cheek to breast,
lips on lips,
devout, afire,

my hands
up her skirt,
her pants at her knees:

all night long,
all night long,
in the heavenly choir.

This poem is set at Faith Christian Academy, which I attended for a year during the ninth grade, in 1972-1973. While the poem definitely had its genesis there, I believe I revised it more than once and didn't finish it till 2001, nearly 28 years later, according to my notes on the poem. Another poem, "*** 101," was also written about my experiences at FCA that year.



*** 101
by Michael R. Burch

That day the late spring heat
steamed through the windows of a Crayola-yellow schoolbus
crawling its way up the backwards slopes
of Nowheresville, North Carolina ...

Where we sat exhausted
from the day’s skulldrudgery
and the unexpected waves of muggy,
summer-like humidity ...

Giggly first graders sat two abreast
behind senior high students
sprouting their first sparse beards,
their implausible bosoms, their stranger affections ...

The most unlikely coupling:

Lambert, 18, the only college prospect
on the varsity basketball team,
the proverbial talldarkhandsome
swashbuckling cocksman, grinning ...

Beside him, Wanda, 13,
bespectacled, in her primproper attire
and pigtails, staring up at him,
fawneyed, disbelieving ...

And as the bus filled with the improbable musk of her,
as she twitched impaled on his finger
like a dead frog jarred to life by electrodes,
I knew ...

that love is a forlorn enterprise,
that I would never understand it.

This companion poem to "Burn, Ovid" is also set at Faith Christian Academy, in 1972-1973.



The Shape of Mourning
by Michael R. Burch

The shape of mourning
is an oiled creel
shining with unuse,

the bolt of cold steel
on a locker
shielding memory,

the monthly penance
of flowers,
the annual wake,

the face in the photograph
no longer dissolving under scrutiny,
becoming a keepsake,

the useless mower
lying forgotten
in weeds,

rings and crosses and
all the paraphernalia
the soul no longer needs.



The Stake
by Michael R. Burch

Love, the heart bets,
if not without regrets,
will still prove, in the end,
worth the light we expend
mining the dark
for an exquisite heart.

Originally published by The Lyric



The Effects of Memory
by Michael R. Burch

A black ringlet
curls to lie
at the nape of her neck,
glistening with sweat
in the evaporate moonlight ...
This is what I remember

now that I cannot forget.

And tonight,
if I have forgotten her name,
I remember:
rigid wire and white lace
half-impressed in her flesh ...

our soft cries, like regret,

... the enameled white clips
of her bra strap
still inscribe dimpled marks
that my kisses erase ...

now that I have forgotten her face.



in-flight convergence
by michael r. burch

serene, almost angelic,
the lights of the city ――― extend ―――

over lumbering behemoths
shrilly screeching displeasure;
they say
that nothing is certain,
that nothing man dreams or ordains
long endures his command

here the streetlights that flicker
and those blazing steadfast
seem one: from a distance;
descend,
they abruptly
part ――― ways,

so that nothing is one
which at times does not suddenly blend
into garish insignificance
in the familiar alleyways,
in the white neon flash
and the billboards of Convenience

and man seems the afterthought of his own Brilliance
as we thunder down the enlightened runways.

Originally published by The Aurorean and subsequently nominated for the Pushcart Prize



Absence
by Michael R. Burch

Christ, how I miss you!,
though your parting kiss is still warm on my lips.

Now the floor is not strewn with your stockings and slips
and the dishes are all stacked away.

You left me today ...
and each word left unspoken now whispers regrets.



The Quickening
by Michael R. Burch

for Beth

I never meant to love you
when I held you in my arms
promising you sagely
wise, noncommittal charms.

And I never meant to need you
when I touched your tender lips
with kisses that intrigued my own:
such kisses I had never known,
nor a heartbeat in my fingertips!



Ah! Sunflower
by Michael R. Burch
after William Blake

O little yellow flower
like a star ...
how beautiful,
how wonderful
we are!



Published as the collection "Rondels"

Keywords/Tags: rondel, roundel, rondeau, villanelle, refrain, repetition, poetic form, poetics, poetic expression, Chaucer, Orleans, love, art, beauty, mercy, merciless, words, heart, hearts, pity, pride, prison

It hits you, in the middle of a late night re-run.
And all of the sudden..
You listen to the scheduled bickering in pure optimism.

Your eyes grow heavy,
                   stories grow ridiculous and lengthly.

The scrubbed lady appears less frequent,
                         the mechanized beeps become dulled.

The scheduled hit of temporary relief
                            your head falls back into medicated sleep.

Thousands of glass pieces flew in the air
Loud thuds of furniture hitting the floor
A lady and a man shouting
Sally crouched in a corner, covering her ears

This wasn't how it was supposed to be
Was this her "happy family"?
She always heard about her friends and their perfect families

Sally wanted that
She loved her mummy
And she loved her daddy
But her heart was filled with uncertainty,
Of love in the family

She stared at the daisy
That she and Tom picked earlier that afternoon
In the serene park across the road
She wanted to go back
Back to the happy times
When she could forget her troubles
And live with the lie that she had a happy family

She ran out of the room
Dashing for the front door
The park was her refuge
"Sally!" Mummy called out
"Come back!"
It was too late
She couldn't come back
Not after that brown car rammed into her little body

'Young lady, why is your poetry so dark?'
I don't know good sir, it's probably because I have my insides at war.

sans regret full of hope
then sleep reigns peaceful and deep
I close eyes thinking of
those things we as a human
might dream of
be it real
be it sane
be it but
a dream.
For without
our imagination our
seeing things
that are not
and positing our faith
above our reasoning
life would dully be
a hell on here ,
I get not all of our dreams
come true, so far
very few, but,
I take the optimists  
view,
that without
dreaming
life would be useless,
so I close my eyes
with a fair thought of someone
I hope to know,
and one of the lady
that glows always
when my eyes are closed ,
my lady dream imaginative beautiful
like sunsets and
the best stars glow.

In a little roadhouse off the beaten tracks is where I did find her.

She was riding with the hells angels till they kicked her out for being to ruff.

And yet at seventeen the way she could down a budweiser and burb hello ******.


Was a site to be held and i thought to myself

as she broke a pool cue over a man's head who played a song she didnt

like I knew i had met the woman of my dreams.


Sure she drank like a fish cussed like a sailor and hit like a frieght train.

But aside from all thoose good qualitys I like in a woman she did have her hang up's.

Its kinda bad when your first date involves knocking over a seven eleven and leading on

the cops on a five state chase.


And Im not bitter she didnt slow down to let me off.

Im mean the road rash wasnt that bad and I needed to drop a couple of pounds

of course it gives a whole new meaning to burning off the pounds.


And when I saw her about two months later I could tell there was something

there as she held a knife to my throat and looked into my blood shot eye's

and said.

Im gonna cut out your tongue out if you dont buy me a beer.


Yes this beer drinking spitfire had me at hey what the ******* lookin at ****** ?

What a true lady indeed.

Yes when i finally came outta a coma after that first night togather i knew.


That i probaly shouldnt drink outta open containers.

Or carry cash or major credit cards.

When going out with a five foot three spifire named Skeeter.

Spent another weekend hanging with bros & others.
Intent for coming here this a.m. was writing you a love poem.
Read a few and know you've read your share of them.
I read your comments via a friend of your friend on facebook.
Added you to my circle on Google plus but you wont know my face.
No comments this a.m so I came here hoping you wrote a new poem.
I would never in a billion years harm a hair on your head.
Just a hard working Joe who wants to get to know the lady with the gorgeous voice  
In time you will come to know me and I hope you like me.
I'm a risk taker and believe nothing ventured, nothing gained.

He shuffles in snuffling
I see that the cold
has got to him.

Tea for to warm his bones and
a seat to complete his rest.

It's not so unusual these days
to see the luckless to whom
the Lady of Luck never pays.

Signs of the times?
if so
we corrupt them in couplets
and rhymes when it should be
doublet and hose
for the warriors
within

the man who shuffled in
goes
and another soul
takes his place

same look on her face
it could be his twin or
it might be a friend of
mine
shuffling in.

At the sharp end of the stick
it becomes harder to pick
yourself out of the gutter.

Thank God it's not me
sitting there
drinking tea
wondering where or how
never thinking blue sky
only wondering why

and why is the question we answer with
Why?

She wishes to know if I am oh-kay,
if I am doing well, smiling over the rim of a tea-cup like jackals with secrets.
Persephone gets caught in my teeth
every time I think of some answer.
Trapped in rows of off-white winter bone,
she wriggles around in my old lady gums,
cursing, shouting, kicking--
our mouths are epic ballads of lies in the name of not-worrying-anyone.
Then they worry us to death.

The Hades made out of all of our lies:
Everything's great! We're all great! Everyone is fine!
keeps pulling her back down into the earth of my heart.
Where no one knows I have eaten a seed of myself.

Demeter, howling for her lost child dies,
like doves crushed in cruel children's hands.

So I hear,
You think you can dance?
Well, I'll show you a dance you have never danced before.
It starts with no music, just my solo and that's about it.
My feet will jitter like the wings on a lady bug.
My knees will shake like the Great 1906 quake.
My hips will move like slow crashing waves. Back and forth, back and forth.
My heart will beat a steady beat like a metronome in band class.
My breath will hasten like a car on a free way.
And my eyes will smile like a dog welcoming his long lost master.



So I hear,
You think you can dance?
Well, I just showed you a dance never danced before

Dialect and The Legate flew together in the darkness, silence was the moment.
So how did you get out of Dahomeyia, Dialect asked, and The Legate said, Atonement.
I knew I had to crown Message with the new Dahomeyian Rulership, hubris was in my breath.
Because I thought she deserved it after all the pain I had brought her through this death.
I went through the Great Beyond looking, but I could not find her in her presence.
But I felt in my heart she was there, even though she was trapped in an angry essence.
As I was traveling I saw a load with her inside unconscious, I pierced a hole to free.
Then I left before she would wake up, and know that it was me.
What will Message do when she sees you Dialect asked, and The Legate said I don’t care.
I am done wandering from Realmic Span to Realmic Span, I will make my last stand there.

The Nova Knights prepared to leave, and Dragon-Man dreaded that soon was his trial.
Then Message said, The door is locked, and Breastplate-Bearer no longer had a smile.
Shark-Devil called out in the darkness, Message, this should bring back memories.
Breastplate-Bearer said, We have to get out and Dragon-Man grimaced and said My enemy.
Lady of the Night warned, The Isotrain Mechanism will not open as long as we are imprisoned.
Dragon-Man asked The Dragon-Power, How do we get out, and the Dragon Power said, **** him.
Dragon-Man ran down the stairs to the Holdment, and pressed his watch to the stand.
But it was no use, the Isotrain Mechanism refused to open or respond to his command.
Breastplate-Bearer called out, Hey if we will die, at least we died together strong.
Dragon-Man curtly replied, I don’t intend on dying, when my trial would prove me wrong.
Suddenly the Ararian Tower was opened, and the skies were filled with rain.
There is only one man that can do this, Drent said, and I thought I would never see him again.

The Legate touched down near the Tower, and Dialect ordered the Diablo Robots to assemble.
Message watched from the Tower unmoved, because her heart was hurting still.
Dragon-Man urged, Our fight is outside, now that we can go and leave the Tower.
Be careful with these Shark-Devil, called out the wise counsel of the Dragon-Power.
Dragon-Man said, Breastplate-Bearer, you will pilot the Isotrain Mechanism for fire.
Lady of the Night, take out the Paroah Chariot as a Battlefare Platform when things get dire.
Shark-Devil said, I will end you all, The Federation and the hopeless The Legate as well.
The Legate I hope you enjoyed your time at the Great Beyond, this time you are going to hell!
The Legate stepped down, and said, I would like to have a moment with my daughter.
Officer Thon noticed, Could not hurt for a family reunion, before we begin the slaughter.

The Legate went to Drent and Message, and they both looked on him displeased.
The Legate fell down to a Coronation Stance, with one hand down and forward knees.
What are you doing? Shrieked Message, and Drent coldly said, Father this is embarrassing.
The Legate replied, I am claiming the Dahomeyian Rulership as my own, so I can give it in.
You see, I kept the Coronation Verdict on me to give it to Message as Imperial Candidate promoted.
But Drozen interrupted the proceedings with his violence so I held on to it instead.
When I came back to where our home planet was, all of the inhabitants were dead.
Message I warned you about that mercenary fool, but you refused to take heed.
I was stripped of my Dahomeyian Rulership for unbecoming conduct of greed.

Message was speechless, and she did not know what to think or tell.
Shark-Devil mocked, I’ve always wanted to **** a king, and now one is available.
Father get up, Message pleaded, We would need you in this Battlefare to live.
I fear it is too late for me, The Legate intoned, and fell backwards over the cliff.
Message cried out No, as Drent had to be restrained from going after him.
Then Message took the Coronation Verdict and said, I am now the Federation Helmetchief.
As holder of the Dahomey Leadership, Shark-Devil I condemn you to death.
You and what army, Shark-Devil asked, and Dialect said, The Diablo-Robots of the Numberless Clans
And Drent said, the Patriot Knighthood Way stand by them to lend a fighting hand.
Shark Devil your transgressions are ended, said a voice that pierced the darkness.
Flying down from the skies with the Federation on Centaur-Raptors who shook the earth.
The Federation is assembled and now is the time to answer the cry for relief.
It was the Covenantal Project, who came by piercing the Presenceless Weave.
Shark-Devil yelled out Charge, and the Ongolic Horde stepped forward to Battlefare stand.
The Covenential Project told Message, All we wait for your Rulership is for you to say the command.

Blacked out with a pale face,
she can’t stop time but she did find space
to replace
the splinters and lies that filled up her mind.
She got tattoos of things she didn't understand,
and became an expert later.

We’re all better together,
but banana pancakes didn't make her pain go away.

Love Compared**

I do not resemble your other lovers, my lady
should another give you a cloud
I give you rain
Should he give you a lantern, I
will give you the moon
Should he give you a branch
I will give you the trees
And if another gives you a ship
I shall give you the journey.

Punctuation Is Such A Wonderful Invention, Except The Period, Which Defies Us On All Dimensions.

Logic Loses Out When It's That Time. Words Become Fodder In A Vicious Mind.

Dignity Disappears, Their Fangs Become Exposed. You Tease The Tiger Using That Word, I Suppose.

She may walk through crowds
unseen
An advantage of her age
poking through products  
at her own distracted speed
Feeling fruit or sniffing soap
Reading labels
fine print through two pair of glasses
turning slightly
hoping no one sees...
how gone it's getting....

She may lean on cart at check-out
just shy of your usual...
Old
who ask for double bags
Nope, she will not slow the line that way
Remembering work
assesses pain
shifting weight to other leg
to spare an aching knee

Not one for counting desperate change
Not arguing every item on receipt
Not fumbling coupons
nor writing checks

...will not slow the line...

reluctant to let go of youth
Remembering exhaustion's day
she will not slow the line that way--
Fiddles with smart phone
(Yes, she knows how!)
to pass the time
She fumbles through her purse--
God only knows
what “old folks” look for
Probably glasses, tissues, gum,
or
"Where the hell's my keys!"

Stopping by a news rack
on the way out
Is she waiting for a cab?
Who cares!
Outta way, she stops to read
The New York Times, WaPo, Journal
Thee chapters of a novel
Outside their pay-walls
The mind beneath the woolen cap
is at it
grazing once again, for free
Where she often likes to feed--
her curiosity
No one sees her watching
from the inside out
and the corner of her eye

But what to do about that cat litter?
or ½ and ½
on highest shelves?
she simply cannot reach....

Always some tall good-lookin' guy around
to flatter
his size
looking for dog kibble, “big game snacks” or beer

She plays
the old lady card so well
...and somehow
gets what she needs

Lady, they tell me not to see your face. Tell me
if I was not meant to see you, why does your smile
ride on the wind? Why would your laughter shine
in the pink flowers that creep along the front walk?

They find you in the grottoes of Lourdes, on the hills
of Fatima, and burned into the hallowed grilled cheese of Hollywood, Florida
but balk when I find you in the whisper of rain. They blanche
when I find you in the first heady sip of coffee at midnight.

Most holy event, where you show your visage in faded lights
to little Lucia or Bernadette – tell me, when did you lose
your ghostly form? Were you tired of the heavy robes
they dressed you in? Were you tired of the name Maria?
Were you happier as Arianrhod or Demeter, Sigyn or Xiwang Mu?

Do you wish we had never named you?

Wishing you the best of everything
of what life has to give.
As I send my love
looking after you, everywhere you go.

As you gazed at the galaxy
We go from place to place;
Wishing all the good
in all of your ways.

For this day is yours,
Stay happy and have your rest;
a toast to the people,
to your love one's, they're blessed.

My sweet beautiful lady,
I adore all of your ways.
another year of open windows,
I love you more than yesterday!

to the girl I love most.
what more can I say?
another blessed and great year added
Have a happy Birthday!

So what's it they have, what's it all about
Work for the bossman.
Use your brawn Earn your pittance,
Then eat, Pub, drink, **** and pay the bills
Go footie, shout and scream, at one with your tribe
then  go sit in front of the telly, play at family
Week is done
Till the morrow when you do it all again

How about a soap opera, you direct and act
Gotta a Royal down the road ripe for the taking
Lets go invade, see how the other halves lives
Come, lets all join and become Kingmakers
Under our ***** thumbs he goes, we pull the strings
Entertainment for the masses, beats our mundane cages

For once, we are the bosses and can pull the strings
Knowledge is Power and its all here in Mao's Red Book
Lies, fabrication, distortions and misinformation
Disinformation, half-truths, slander it ain't no matter
Everything he says will be taken down and used against him
This is control at our finger tips, this is power to play with
He's going through the Red mill, drilled and ground into dust

Look we've got him as the puppet, we destroy all his trappings
So gather round and join the fun, this is us like God
Lights, action, now you do this and this and watch us play him
what do you mean puppet ain't moving or re-acting
OK let's do this, you go there and you do this and do this now
Still no action, OK let's try this, if you go there and say ah
You drive here, you stand there, you watch here, you stand
Nothing still, OK you come here, you put this here
Still nothing, This puppet is NUMB, this puppetting is no fun

They had drawn up the master plan, written their ****** script
The puppet looked and laughed, what a bunch of prime morons
No substance, no value system, no morality or basic sense
Infantile, one track minded sociopaths full of flaws and manure
Go back to your drinking and ******* and your mundanity
The united pack of crooks, ****, racists and the vacuous coerced

Go look after the Leading Lady stuck with rehearsals and scripts
The imagined romantic interest paying debts for UK residency
Waiting for the Prince to come running and tomfoolery begins
The bit part actors are still playing, too stupid to realize
The control is on them, their time energy and effort all a sham
Our Directors are directing making it up as they go along
The supporting actress are still hopping and hoping
The new characters are still buying false scripts and playing
Playing with themselves as Puppet stands and watches it all

They wheel out their demented scribes and brain dead peoters
To write dirges, glooms, ******* and negativities galore
Casting their dark fantasies and the rancid spittles of their dregs
Muds from the festered pools of their putrid minds dresses up
Ready to visit nightmares of their making from their darknesses
Areas thankfully unknown to a mind and soul untainted, unsoiled
As is their bitter lives, valueless breeding and hate and prejudices One ignorance and neurotic existence, the depravities of depraves..

Poor, poor imbeciles, they really don't have much in their lives
Illusions and delusions by the bucket loads, anything would do
To remove them from their sad, miserable sorry realities
Hey its Clockwork orange, we are all stars in our *****
Diversions to their mundane, unrewarding and depressing realities
Their frustrations and powerlessness, their insignificance
At last a vent for their frustrated lives, miseries loves company
A release valve for pains of centuries being underdogs and serfs
A safe playground for psychos, control and pain in abundance
Let's call it Revolution and add Republic to make it more palatable

Down at the palace of Attrition, a blameless man sits and muses
Crazed dogs of war at the gates, salivating insanely, bloodthirsty
Watching Controllers tieing chains to masses and jerking them
Into frenzied hysteria, nothing beats permitted wickedness shared
Dropping poisons and acids into hungry jaws, patting heads
Shouting rallying calls, we got the Bastille of the blinds going on
Scientists please take notes, this is Herd mentality and Groupthink
This is how to manipulate the masses and incite Hate unawares
Majority wins here, this is Democracy, this is people power

Do, you are ******, don't, you are ******, Hate abides all.
Puppet sees injustices but better to play dumb and numb
They can't abide a black do well, hate spews from fear
Hate festered by the unique decency of a successful blackman
Who had all they wished for but could never have or be
Riddled with lust and envy they merely went on to steal his
But that wasn't enough, the bullies and cowards had to ruin.
Under the pretext of them and us, blue versus Red they lied
Rabid racists takes another black man down, green bottle falls

Man proposes, God disposes, UK, KKK now play god
Thy will will be done O'Lord, I am but your servant
It's rather flattering being The Real Deal in this production
Confirmation of differences betwixt Gifted and the Depraves
A Travesty full of sound, false images and fury by the loonies
A Red Racist Production by Idiots and psychos for fools and sociopaths.

Lights, camera, action
Yawn.......................

The photos were leaked today
They were of a **** woman with brown skin
Love making as she stared straight into the lenses
I was showed by a man who did not know how to react once I had been shown
My reaction was not shock
I merely stated "That's baad"
I did not know how to react to the staunch cyber-bully who was sure he was doing himself a justice by being so open about his anger at the naked, brown, humiliated, naked, shamed, beautiful
I am shamed by his shaming
I am naked by his *******
I am beautiful by myself sometimes
Sometimes I take the tape off my camera and position it near my bloom
I am not alone in this activity and yet I feel alone in an intimate situation, feel less alone, in a private situation.
Sometimes I work it so that every part of my dark lips are shadowed and my fingers seem to work for a living rather than play
My body is not a string
It is a temple of dark things
It is a ossuary filled with the dust of former lives
It is not to be dangled for cats for play
It has no puppet hands
Or puppet face
It smiles because it sees you smile
And she frowns when she sees you laugh
It is alive
The misfortune you hope her body will bring her is shame
I hope it will bring other people enlightenment
The fault is not in her
The fault is in the malicious, villainous, caricature of man who is hallow and made of maddening bells
Every time you disturb him he rings in announcement "This lady I had once an intimate relationship and she abused me. Here is her punishment."
We are all cavernous tunnels with lights to shoot out of the pins and needles sensational feelings we do not desire this but we must desire to be freed from being owned by this
We all think we're exempted from shame until we are ashamed
There are no exemptions, only more bells
They ring, until background noise renders them obsolete to us

To Tory, Lucinda and Brioche. The poem you deserve.*



She’s no good at being phoney
She never tells a good lie
She knows when I got to be alone
She tells me when I’m too high
She always walks beside me
Never too far too far behind
And whatever I seem to do
She stays in that good place all the time
Because no matter what I say
And no matter what I make out to believe
She will always be a special lady
Especially special to me
She’s got that heart of gold within her
She’s got the ability to keep the pace
She doesn’t take no crap from me
She’ll **** well put me in my place
And yet at the same time she’s gentle
She understands why I am like I am
And I know there will be soft words
Whenever I need a helping hand.
I think these women are one in a million
Richer than any gold or diamond ore
And I hope in the future that
Their boyfriends won’t want any more
Because they’re good women as they are
It’s quite plain to see
They invite me round to play cards
And let me watch Eurovision on TV
I’ve never been welcomed so much
I’ve never felt less alone
When these girls are around me
I don’t need to wander cos I’m home
And when I blow a fuse over something
That’s really been driving me round the bend
They just smile and shrug their shoulders
When it’s time to start over again.
She is so good to me, it’s true.
I know I have many faults as a man
But when I see those eyes, I’m not stupid
I know how lucky I am. X

After she drank his bitter wine of selfish, pathetic love
She slyly sang him her haunted chant
"The laughs on you", she crooned in her soft malicious tune

At times, she could act with chicane
She had many charms when treated well...
Deadly ones - when not
Oh yes...
She herself may at times have sinned
But he-had the stain of evil, paltry love

Now...Inside her gossamer labyrinth she lay
Carefully, diligently spinning her web
Revealing nothing-and everything
She'd weave her silky snare inside his heart
Laying her toxic eggs of betrayed despair
Spinning her poisonus venom of painful truth

Oh yes...
Her bite is deadly now
She could have been his 'Velvet Rose'
But, he crushed her petals rare
Ending her silken dreams
With his evil malicious schemes
Her spider's web became untethered
Attaching itself by a single thread
To his shoddy veil of evil, selfish love
    Now...She is the hunter
    And...He is the hunted
In the coming eve...
She'd deliver her poisonous, lethal sting
He'd be noones's lover now
Her threads would cut his miserable flesh
Her deadly venom would seal his fate
Remaining nothing more
Than an ancient, slithering shadow
All along the castle walls

For some time a deadly secret she doth keep
"Revenge”, she whispers, while he sleeps

She was once his only lady
With ivory skin and beauty fair
She fed him nectar from her raven hair
His betrayal seared her hemorrhaged heart
She'd warned him with many words and fiery stares

"Thou shalt not indulge in wicked fare
Be ever so watchful, do not betray
Beware, where thou heart doth leave
Take heed" said she, "Just who thy seed deceives".

In her chamber dark at night, this maiden fair
Planned his demise with scourged nectar, bitter sweet
Stirring her venomous, poisonous treat
Or would dagger to his heart she’d plant
Bid him die a dark and painful lingering death
Upon his sleeping body that she'd leave
As she crept silently into his chamber -
These words she bitterly but victoriously said...

"Thou shalt betray no more.
Thou has sinned against me...
Taken my love in shame
"Betray no more", she said".
     But now
Thou is thankfully, forever DEAD!"

Her silken threads had cut his miserable flesh
Her deadly venom had sealed his fate
    Now...he remained nothing more
Than an ancient, slithering shadow...
All along her castle walls

"I'm NOT going to tell you
this is NOT
JUST a test
like I tell ALL the rest

that it's ONLY
a test?
C'mon
you should know better"

I'm noticing this guy has a lot of ink
all over
and the darkest kind

"So it's NOT
Not an ordinary exam?
this ain't basketball tryouts?"
I ask...
"I just took a walk in the park
had a...
white
****** knuckle sandwich
I played pinochle
with the Old Man
rode in bear backed
like Lady Godiva...."

I heard
words &
Maniacal laughter
played by symphony  of demons
& smirking
violinists in the background

"I'll tell you it
is
in
FACT
a
TEST
****
a super difficult one..."
then

".....continue reading my contract...."

reading and absorbing
unfathomable amounts of learning
and yearning
with
excellent Earning Potential
requires a decent,
above average
genius IQ
i don't need anything
other than...
to
leave my heart behind
and any other angels
my set of wings
saved aside
this is just a ride
I tell myself
they cast him out you know
fallen Angel
and....no other Gods, Mommy, Daddy, deities....xcetera.

"logically it's been there all along
everyone hears me
not like you can IGNORE my voice
you've seen my ad...."

(a bony finger with a long sharp nail
points upward)...

"up there
you know where...
on the billboard in Times Square
i am 100% certain it was you"

and it is
here I am.
Okay, I'm in control...breathe
take a sip of moonshine first
shhhhh...
listen
a little chuckle

Lucifer continues....

"You can bring Conscience along
she has been cleared.. "
Loudspeaker coming on
"We repeat
this is NOT a Strong Storm warning
there won't be any arms waving
no lights like at the airport
telling you where to land
no hands outside the vehicle
or for holding"

A pause,
finally...in closing
he looks my way...saying

"You'll stop at the Crossroads
lose the shirt
see a
blinking Amber Alert
don't stop at the bar
no flirting....

look back
actually there's a poetic flood
it's coming
that 'deluge' of your
bloodstained Indigo ink"
filled paper
boats are
floating &
he is gloating
"you might refer to the Ark section
of your Manual
before it's time to go...."

I gather important
necessary documents
for example making sure my will is signed
on the dotted line
***** donor checked off
blood type
leaving all others behind
no certainty of any kind
may not return
from an
Unknown Destination
things tend to get worse
  before they get better
  grab a sweater
a bumpy ride
my friend
dragging those
    sharpened ink filled
       fingertips
       down a chalkboard...
       I  buckle up
   transportation provided
nausea subsided
here I go
down below
  "I thought
     I would
     always have to
      take you
       kicking......
        & screaming
        still saying the
        Lord's Prayer
        signed, sealed
          & delivered."
         I smile...
         nod ...
          I say
         "Yut...
           guess so"
            time to go
           getting up
            from a chair...
             & I swear
              I am
              walking
               out
                no
                room
                for
 ­                any
                 doubt.

Cherie Nolan © 2016

I enter the small town coffee shop
desperate for caffiene
                           and a moment's respite

and I find it is to another era
I have come, hot and flustered

I look at the menu,
scratched in chalk on dusty board.
No artistic rendering  here
just a list of good honest food,
humble, but a smidgen dear

I order coffee, latte,
with cold milk on the side,
to which the large lady server
looks at me her head cocked to askew
and states, in a flat australian drawl,
that brings billabongs and jumbucks to mind...

Darl, I can make it tepid if ya wants,
or I cans put ya cold milk on the side
but I gotta charge ya extra..
for ya mouthful of chilled moo juice
smiling, lips thin and wide

I replied I'll still take the milk on the side
and one of those little peach cakes
if you don't mind.

She gave me a price and I complied,
thinking unto myself,
the moojuice, must originate
up on heaven's side and
cure all ills, ward off chills
and give only ....
joyous thoughts whilst one imbibes.

I sat at some old farm wifes table
worn down and grooved.
Come to town to shine in this caffiene shrine
rubbing my finger agin the edge
awaiting the latte and cold milk...
on the side....

Watching me from the prized corner table
three old dears.....
With stacked mahjong tiles, and swivelling ears

and on the floor crawling with gay abandon
two small children, in tandem,
they wandered amid the tables
on uneven floors the colour of slate,
deep dark wood, tongue  and groove...
that had seen to much walking, to much talking,
the tongues have slipped and the groove all but broken

As I await the cow to moo, the beans to grow
my heart slows a beat..I let go..
and see the joy, of a fella and a good cuppa,
two old friends caught up in a natter.
and the mahjong queens, realease the tiles
old friend and foes, in an a company of smiles

The cake comes, presented with due grace.
Two  pink half moons of light sponge
in a thin jelly and coconut case,
caught in a lover's kiss of delectable cream

and I understand now,
the cow is an angel,
a veritable dream,
to be loved and cosseted,
the moojuice... of moojuices
the mother of creams...

And now for caffiene...
well go figure...they know their beans

Refreshed and renewed I arise and I leave
but not before buying more moojuice
                                                      an­d moocream...