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A Masque Presented At Ludlow Castle, 1634, Before

The Earl Of Bridgewater, Then President Of Wales.

The Persons

        The ATTENDANT SPIRIT, afterwards in the habit of THYRSIS.
COMUS, with his Crew.
The LADY.
FIRST BROTHER.
SECOND BROTHER.
SABRINA, the Nymph.

The Chief Persons which presented were:—

The Lord Brackley;
Mr. Thomas Egerton, his Brother;
The Lady Alice Egerton.


The first Scene discovers a wild wood.
The ATTENDANT SPIRIT descends or enters.


Before the starry threshold of Jove’s court
My mansion is, where those immortal shapes
Of bright aerial spirits live insphered
In regions mild of calm and serene air,
Above the smoke and stir of this dim spot
Which men call Earth, and, with low-thoughted care,
Confined and pestered in this pinfold here,
Strive to keep up a frail and feverish being,
Unmindful of the crown that Virtue gives,
After this mortal change, to her true servants
Amongst the enthroned gods on sainted seats.
Yet some there be that by due steps aspire
To lay their just hands on that golden key
That opes the palace of eternity.
To Such my errand is; and, but for such,
I would not soil these pure ambrosial weeds
With the rank vapours of this sin-worn mould.
         But to my task. Neptune, besides the sway
Of every salt flood and each ebbing stream,
Took in by lot, ‘twixt high and nether Jove,
Imperial rule of all the sea-girt isles
That, like to rich and various gems, inlay
The unadorned ***** of the deep;
Which he, to grace his tributary gods,
By course commits to several government,
And gives them leave to wear their sapphire crowns
And wield their little tridents. But this Isle,
The greatest and the best of all the main,
He quarters to his blue-haired deities;
And all this tract that fronts the falling sun
A noble Peer of mickle trust and power
Has in his charge, with tempered awe to guide
An old and haughty nation, proud in arms:
Where his fair offspring, nursed in princely lore,
Are coming to attend their father’s state,
And new-intrusted sceptre. But their way
Lies through the perplexed paths of this drear wood,
The nodding horror of whose shady brows
Threats the forlorn and wandering passenger;
And here their tender age might suffer peril,
But that, by quick command from sovran Jove,
I was despatched for their defence and guard:
And listen why; for I will tell you now
What never yet was heard in tale or song,
From old or modern bard, in hall or bower.
         Bacchus, that first from out the purple grape
Crushed the sweet poison of misused wine,
After the Tuscan mariners transformed,
Coasting the Tyrrhene shore, as the winds listed,
On Circe’s island fell. (Who knows not Circe,
The daughter of the Sun, whose charmed cup
Whoever tasted lost his upright shape,
And downward fell into a grovelling swine?)
This Nymph, that gazed upon his clustering locks,
With ivy berries wreathed, and his blithe youth,
Had by him, ere he parted thence, a son
Much like his father, but his mother more,
Whom therefore she brought up, and Comus named:
Who, ripe and frolic of his full-grown age,
Roving the Celtic and Iberian fields,
At last betakes him to this ominous wood,
And, in thick shelter of black shades imbowered,
Excels his mother at her mighty art;
Offering to every weary traveller
His orient liquor in a crystal glass,
To quench the drouth of Phoebus; which as they taste
(For most do taste through fond intemperate thirst),
Soon as the potion works, their human count’nance,
The express resemblance of the gods, is changed
Into some brutish form of wolf or bear,
Or ounce or tiger, hog, or bearded goat,
All other parts remaining as they were.
And they, so perfect is their misery,
Not once perceive their foul disfigurement,
But boast themselves more comely than before,
And all their friends and native home forget,
To roll with pleasure in a sensual sty.
Therefore, when any favoured of high Jove
Chances to pass through this adventurous glade,
Swift as the sparkle of a glancing star
I shoot from heaven, to give him safe convoy,
As now I do. But first I must put off
These my sky-robes, spun out of Iris’ woof,
And take the weeds and likeness of a swain
That to the service of this house belongs,
Who, with his soft pipe and smooth-dittied song,
Well knows to still the wild winds when they roar,
And hush the waving woods; nor of less faith
And in this office of his mountain watch
Likeliest, and nearest to the present aid
Of this occasion. But I hear the tread
Of hateful steps; I must be viewless now.


COMUS enters, with a charming-rod in one hand, his glass in the
other: with him a rout of monsters, headed like sundry sorts of
wild
beasts, but otherwise like men and women, their apparel
glistering.
They come in making a riotous and unruly noise, with torches in
their hands.


         COMUS. The star that bids the shepherd fold
Now the top of heaven doth hold;
And the gilded car of day
His glowing axle doth allay
In the steep Atlantic stream;
And the ***** sun his upward beam
Shoots against the dusky pole,
Pacing toward the other goal
Of his chamber in the east.
Meanwhile, welcome joy and feast,
Midnight shout and revelry,
Tipsy dance and jollity.
Braid your locks with rosy twine,
Dropping odours, dropping wine.
Rigour now is gone to bed;
And Advice with scrupulous head,
Strict Age, and sour Severity,
With their grave saws, in slumber lie.
We, that are of purer fire,
Imitate the starry quire,
Who, in their nightly watchful spheres,
Lead in swift round the months and years.
The sounds and seas, with all their finny drove,
Now to the moon in wavering morrice move;
And on the tawny sands and shelves
Trip the pert fairies and the dapper elves.
By dimpled brook and fountain-brim,
The wood-nymphs, decked with daisies trim,
Their merry wakes and pastimes keep:
What hath night to do with sleep?
Night hath better sweets to prove;
Venus now wakes, and wakens Love.
Come, let us our rights begin;
‘T is only daylight that makes sin,
Which these dun shades will ne’er report.
Hail, goddess of nocturnal sport,
Dark-veiled Cotytto, to whom the secret flame
Of midnight torches burns! mysterious dame,
That ne’er art called but when the dragon womb
Of Stygian darkness spets her thickest gloom,
And makes one blot of all the air!
Stay thy cloudy ebon chair,
Wherein thou ridest with Hecat’, and befriend
Us thy vowed priests, till utmost end
Of all thy dues be done, and none left out,
Ere the blabbing eastern scout,
The nice Morn on the Indian steep,
From her cabined loop-hole peep,
And to the tell-tale Sun descry
Our concealed solemnity.
Come, knit hands, and beat the ground
In a light fantastic round.

                              The Measure.

         Break off, break off! I feel the different pace
Of some chaste footing near about this ground.
Run to your shrouds within these brakes and trees;
Our number may affright. Some ****** sure
(For so I can distinguish by mine art)
Benighted in these woods! Now to my charms,
And to my wily trains: I shall ere long
Be well stocked with as fair a herd as grazed
About my mother Circe. Thus I hurl
My dazzling spells into the spongy air,
Of power to cheat the eye with blear illusion,
And give it false presentments, lest the place
And my quaint habits breed astonishment,
And put the damsel to suspicious flight;
Which must not be, for that’s against my course.
I, under fair pretence of friendly ends,
And well-placed words of glozing courtesy,
Baited with reasons not unplausible,
Wind me into the easy-hearted man,
And hug him into snares. When once her eye
Hath met the virtue of this magic dust,
I shall appear some harmless villager
Whom thrift keeps up about his country gear.
But here she comes; I fairly step aside,
And hearken, if I may her business hear.

The LADY enters.

         LADY. This way the noise was, if mine ear be true,
My best guide now. Methought it was the sound
Of riot and ill-managed merriment,
Such as the jocund flute or gamesome pipe
Stirs up among the loose unlettered hinds,
When, for their teeming flocks and granges full,
In wanton dance they praise the bounteous Pan,
And thank the gods amiss. I should be loth
To meet the rudeness and swilled insolence
Of such late wassailers; yet, oh! where else
Shall I inform my unacquainted feet
In the blind mazes of this tangled wood?
My brothers, when they saw me wearied out
With this long way, resolving here to lodge
Under the spreading favour of these pines,
Stepped, as they said, to the next thicket-side
To bring me berries, or such cooling fruit
As the kind hospitable woods provide.
They left me then when the grey-hooded Even,
Like a sad votarist in palmer’s ****,
Rose from the hindmost wheels of Phoebus’ wain.
But where they are, and why they came not back,
Is now the labour of my thoughts. TTis likeliest
They had engaged their wandering steps too far;
And envious darkness, ere they could return,
Had stole them from me. Else, O thievish Night,
Why shouldst thou, but for some felonious end,
In thy dark lantern thus close up the stars
That Nature hung in heaven, and filled their lamps
With everlasting oil to give due light
To the misled and lonely traveller?
This is the place, as well as I may guess,
Whence even now the tumult of loud mirth
Was rife, and perfect in my listening ear;
Yet nought but single darkness do I find.
What might this be ? A thousand fantasies
Begin to throng into my memory,
Of calling shapes, and beckoning shadows dire,
And airy tongues that syllable men’s names
On sands and shores and desert wildernesses.
These thoughts may startle well, but not astound
The virtuous mind, that ever walks attended
By a strong siding champion, Conscience.
O, welcome, pure-eyed Faith, white-handed Hope,
Thou hovering angel girt with golden wings,
And thou unblemished form of Chastity!
I see ye visibly, and now believe
That He, the Supreme Good, to whom all things ill
Are but as slavish officers of vengeance,
Would send a glistering guardian, if need were,
To keep my life and honour unassailed. . . .
Was I deceived, or did a sable cloud
Turn forth her silver lining on the night?
I did not err: there does a sable cloud
Turn forth her silver lining on the night,
And casts a gleam over this tufted grove.
I cannot hallo to my brothers, but
Such noise as I can make to be heard farthest
I’ll venture; for my new-enlivened spirits
Prompt me, and they perhaps are not far off.

Song.

Sweet Echo, sweetest nymph, that liv’st unseen
                 Within thy airy shell
         By slow Meander’s margent green,
And in the violet-embroidered vale
         Where the love-lorn nightingale
Nightly to thee her sad song mourneth well:
Canst thou not tell me of a gentle pair
         That likest thy Narcissus are?
                  O, if thou have
         Hid them in some flowery cave,
                  Tell me but where,
         Sweet Queen of Parley, Daughter of the Sphere!
         So may’st thou be translated to the skies,
And give resounding grace to all Heaven’s harmonies!


         COMUS. Can any mortal mixture of earthUs mould
Breathe such divine enchanting ravishment?
Sure something holy lodges in that breast,
And with these raptures moves the vocal air
To testify his hidden residence.
How sweetly did they float upon the wings
Of silence, through the empty-vaulted night,
At every fall smoothing the raven down
Of darkness till it smiled! I have oft heard
My mother Circe with the Sirens three,
Amidst the flowery-kirtled Naiades,
Culling their potent herbs and baleful drugs,
Who, as they sung, would take the prisoned soul,
And lap it in Elysium: Scylla wept,
And chid her barking waves into attention,
And fell Charybdis murmured soft applause.
Yet they in pleasing slumber lulled the sense,
And in sweet madness robbed it of itself;
But such a sacred and home-felt delight,
Such sober certainty of waking bliss,
I never heard till now. I’ll speak to her,
And she shall be my queen.QHail, foreign wonder!
Whom certain these rough shades did never breed,
Unless the goddess that in rural shrine
Dwell’st here with Pan or Sylvan, by blest song
Forbidding every bleak unkindly fog
To touch the prosperous growth of this tall wood.
         LADY. Nay, gentle shepherd, ill is lost that praise
That is addressed to unattending ears.
Not any boast of skill, but extreme shift
How to regain my severed company,
Compelled me to awake the courteous Echo
To give me answer from her mossy couch.
         COMUS: What chance, good lady, hath bereft you thus?
         LADY. Dim darkness and this leafy labyrinth.
         COMUS. Could that divide you from near-ushering guides?
         LADY. They left me weary on a grassy turf.
         COMUS. By falsehood, or discourtesy, or why?
         LADY. To seek i’ the valley some cool friendly spring.
         COMUS. And left your fair side all unguarded, Lady?
         LADY. They were but twain, and purposed quick return.
         COMUS. Perhaps forestalling night prevented them.
         LADY. How easy my misfortune is to hit!
         COMUS. Imports their loss, beside the present need?
         LADY. No less than if I should my brothers lose.
         COMUS. Were they of manly prime, or youthful bloom?
         LADY. As smooth as ****’s their unrazored lips.
         COMUS. Two such I saw, what time the laboured ox
In his loose traces from the furrow came,
And the swinked hedger at his supper sat.
I saw them under a green mantling vine,
That crawls along the side of yon small hill,
Plucking ripe clusters from the tender shoots;
Their port was more than human, as they stood.
I took it for a faery vision
Of some gay creatures of the element,
That in the colours of the rainbow live,
And play i’ the plighted clouds. I was awe-strook,
And, as I passed, I worshiped. If those you seek,
It were a journey like the path to Heaven
To help you find them.
         LADY.                          Gentle villager,
What readiest way would bring me to that place?
         COMUS. Due west it rises from this shrubby point.
         LADY. To find out that, good shepherd, I suppose,
In such a scant allowance of star-light,
Would overtask the best land-pilot’s art,
Without the sure guess of well-practised feet.
        COMUS. I know each lane, and every alley green,
******, or bushy dell, of this wild wood,
And every bosky bourn from side to side,
My daily walks and ancient neighbourhood;
And, if your stray attendance be yet lodged,
Or shroud within these limits, I shall know
Ere morrow wake, or the low-roosted lark
From her thatched pallet rouse. If otherwise,
I can c
Anthony Williams Oct 2014
You strayed independent across my unlaid path
impressing me with a hideaway around the thistles
where inlay thigh flints spark like butterfly wings
fused to outstretched but still flimsy present glinting
loose eyes a smoky incense close to gleam igniting
potent tinder sax on a beneficent Burns' night portent
whispering wick lit slivers of be live next to me glen scent
fluttering and roaming through saliva kissed gloaming
a light shaved window opening a misty eyed gap
opportune as a mysterious space between maps

crossed with aye formations and melted highlands
I slide into a bonnie loch when you return my glance
smooth as a swan stroking shallow into deep meeters
the swirl of bagpipes barely rippling the surface meters

a proud union betwixt us found expression
unflagging love notes ** streamed passion
red into sky blue twitchy nerves lend fingers
fondling unfurled clouds into catchy dance rings
retracing steps into tempestuous hearts I rose
so dryads can black watch temptation intertwine
painted inside as I woad your Pictish tartan

only now the pedestal wobbles a little
but you don't fall to my arms
brave destiny's turn is fickle
and straight on without being toppled
you hesitate but give no nod to lead
no quick look behind you as I hoped
shying awry to continue walking
the hot moment runs past cold
safe as before inhibitions land
like icicles on my fanciful back

upstanding Meissen men often talk
of perfection showing no cracks
and chuckled as they left their mark
in crossed swords kilned with clay ores
giving a porcelain lion soft pause
for thought about a heart out clause
and about lifting any kilt or unstuck thought
to keep established ruling embarrassment
but is that parley risking nought?
the mane's trimmed short
too correct to tip the hat
to a potential welcome
down falls harassment
south of the borderline
sad that no one can put
that man lass
yes
moment together again
but ever slow drifting apart
the dream mist
goes on
by Anthony Williams
Maggie Emmett Mar 2016
In the seventies
we brought back silks and saris
hot with colours
that shocked the nights
Punjabi embroidery
on cheesecloth kaftans
mirror glittered skirts
that were spun with light
Kashmiri shawls
and Afghani dancing dresses
arms full of bracelets
silver and brass
enameled and etched
and singing with ***
rings of Ivory, sapphire and jet
necklaces of jade and threaded apple seeds
rain forest timber bowls
white marble boxes from Agra
with precious inlay stones
our little Taj Mahals
we wandered the globe
like a magical village
of lovers and
and came back
with backpacks of dreaming
and hope.


© M.L.Emmett
E Sep 2015
Gemini, oh Gemini,
Build your bridge of trust,
Inlay the stones carefully
And I'll tear it down in lust

Gemini, sweet Gemini,
Set your fence up straight,
Smile at your progress,
While I burn it down irate

Gemini, dear Gemini,
Paint your dreams with bliss,
Beg me for asylum,
Scratch out of my abyss

Gemini, my Gemini,
Let's not skid too far,
Paradoxical dependence,
I still am who you are
The eye can hardly pick them out
From the cold shade they shelter in,
Till wind distresses tail and main;
Then one crops grass, and moves about
- The other seeming to look on -
And stands anonymous again

Yet fifteen years ago, perhaps
Two dozen distances surficed
To fable them : faint afternoons
Of Cups and Stakes and Handicaps,
Whereby their names were artificed
To inlay faded, classic Junes -

Silks at the start : against the sky
Numbers and parasols : outside,
Squadrons of empty cars, and heat,
And littered grass : then the long cry
Hanging unhushed till it subside
To stop-press columns on the street.

Do memories plague their ears like flies?
They shake their heads. Dusk brims the shadows.
Summer by summer all stole away,
The starting-gates, the crowd and cries -
All but the unmolesting meadows.
Almanacked, their names live; they

Have slipped their names, and stand at ease,
Or gallop for what must be joy,
And not a fieldglass sees them home,
Or curious stop-watch prophesies :
Only the grooms, and the grooms boy,
With bridles in the evening come.
judy smith Jul 2016
Veteran fashion designer Tarun Tahiliani believes that the Indian fashion industry has become more organised and a little more professional.

Best known for his ability to infuse Indian craftsmanship and textile heritage with European tailored silhouette, Tahiliani believes that the Indian fashion industry has become more strategised and cemented over the last 20 years.

"India's propensity to consume is gaining an international audience and this is changing the competitive landscape," Tahiliani told IANS in an email interview.

"It has certainly become more organised and a little more professional, and obviously the market has exploded, but I think that we still have a long way to go in terms of being more business oriented and there's still room to get more organised and professional," the designer added.

Eulogizing the new and younger crop of designers, Tahiliani, who has over two decades of experience in the industry, believes that they are doing well in terms of the handloom and textile industry.

"What's really heartening to see is that there are so many younger designers who are going places and are doing so well in terms of the handloom and textile industry... it has become more organised. I think handloom was very localised in terms of weavers with a certain look from a certain area sold through certain channels," said the Co-Founder of Ensemble -- a multi-designer boutique.

"There has been a lot more creative freedom and other regions are experimenting with textile alien to their region, especially if they are more lucrative. As long as people appreciate traditional craftsmanship and embroideries, machine work will never replace the richness of hand embroidery," he added.

Asked if the plus-size models are yet to move into the mainstream industry in India?

"Well, they should have moved into the mainstream long back. But are not normally associated with very expensive high fashion and couture," Tahiliani said.

Having draped most of the leading ladies of Bollywood like Priyanka Chopra, Aishwarya Rai Bachchan and Madhuri Dixit-Nene in his creations, Tahiliani says that fashion is his muse, not a Bollywood star.

"Art, architecture, interiors, history, travel and maharajas... My inspiration comes from many things. Sometimes it's from beautiful inlay work that I've seen in a fabulous monument; other times my inspiration can be something as simple as a beautiful kanjeevaram weave," he said.

"Ultimately, however, my inspiration comes from India's rich traditions of craftsmanship, particularly when it comes to things like embroideries that we have in India. Nothing is more amazing than beautifully executed, intricate and fine technique. I don't design clothes keeping a Bollywood star in mind, but rather for the new age contemporary woman," he added.

Tahiliani is all geared up to showcase his collection The Last Dance of the Courtesan at the FDCI India Couture Week 2016 on Thursday here. He has artistically blended fabrics like cotton jacquards, cotton silks, crepes and cutwork jamdanis with Swarovski crystals for the range.

That's not all. He will next participate in the Vogue Wedding Show and then the prestigious Lakme Fashion Week, to be held in Mumbai in August.

"I will present my Ready to Wear Autumn Winter 16-17 collection at Lakme Fashion Week. It has been inspired by the works of Mrinalini Mukherjee (late sculptor) and the journey only gets bigger and better from here," he said.Read more at:http://www.marieaustralia.com/formal-dresses-sydney | www.marieaustralia.com/pink-formal-dresses
(alternate title – A bona
er fide dog day afternoon delight).

A mere half dozen vowels
constitute the English language
    Ta-ra-ra Boom-de-ay
Consonants comprise majority
  
(sans remaining twenty)
     Ta Deum, whereby both
     in tandem allow, enable and provide
     avast combination

    donning brooks at bay
ample lettered permutations
offer opportunities, where methinks
mother tongue avails

     allows, enables and provides thyself
tubby spell as sigh arrange
     passions linkedin to create, evoke
and generate plenti

     of romantic expressions to convey
an amorous, bedazzling conception
describing ******, graphic,
     and iconic ****** propensities
  
this cobbler, dabbler,
     and fiddler (no,
     not on the roof) doth display
his penchant, lament bent infatuation

     with these twenty-six symbols
     that **** hen ewe to evolve,
     and breed vernacular words
     to reflect from an eBay

definitions apropos
     to the present, which
Uber state farm quixotic oeuvre,
and matchless kindling

     ******* serves as foreplay
for this heterosexual ma reed male
     caressing, finessing, and integrating
expressions of speech

     oft times spurs
     (what might seem as noun sense),
I ponder the peccadilloes
     being sixty nine shades of gray

yet quickly reroute
     ****** predilections
     albeit rolling in the hay
whence this dis straw t fellow
  
conjures affinity,
     comity and excitability
latent within the consanguinity
of bossy verbs assaying boisterously
  
an interjection tubby
     top dog capstone amidst kennel
of barking canines couching
     with another similar subject
  
each with their body electric
nestled upon a davenport faux pas inlay
in conjunction with another
     furry four legged friend,

     the direct object
particularly eye ying a ***** in heat,
     who **** okay
to buffer end an un

     pro noun sub bull underdog species,
     who feels passé
with ****** faw paw play
though averse to insult

     shaggy scoobie doo,
whose bark a role overture
     willingly doth goad her to doggy paddle
while she woofs down remnants

     of a picnic tourists left littered
while Lady and the *****
     head toward the quay
Pier ring for private sloop

     to **** per ****,
     then prematurely ******* hoo ray
afore slyly cagily approaching
     bag of cheap tricks see
     ****** exploits today.
barnoahMike Dec 2010
Glad to see you,  the ORANGE hatted man said to the YELLOW shirted Person seated in the FULL Reclining Chair,  WHICH By the *way,  was *ONLY in the Half Back Position.   Being in the Half-Back Position allowed the YELLOW  shirted Person to respond in Just a Slightly UPLIFTED EYE ANGLE !!    And,  the ORANGE Hatted man, Peering Down,  with Head *****,  Gave EACH of them an EQUAL Opposition Eye Angle of 22 Degrees EXACT ! !    Now,  to Verify the fact of Equal Opposition, the PROTRACTOR MAN arrived promptly on the scene to Evaluate the Situation..    He (protractor-man) Had , for the Very FIRST-TIME,  been especially Called for this HISTORIC Moment .   YES,,YES,,  For the very "FIRST-TIME"  Equal Opposition between an ORANGE hatted man and a YELLOW  shirted person,  USING the Measurement of "ALL-MEANING",  THAT IS::   "The Protractor of Life"...  This Historic moment would forever be Relished by Another Member of THE SOCIETY ,  BUT it was up to the Assigned Protractor Man to Assure all Interested Parties,  That the ANGLE of Exactness was * C O R R E C T ! !    OR....it wouldn't COUNT !   OH DEAR GOD,,"THOUGHT"  the assigned Protractor man,  Let my Measurements be CORRECT ! !   The ORANGE  Hatted man continued to Patiently Peer at the YELLOW shirted person seated in the :HALF-BACK  * Position in the Full Reclining Chair..  A Trumpet Blast form a BRONZE  Bassoon,, announced the arrival of  a  SPECIAL LADY ;Fully Gowned in STARTLING PINK  AND Glimmering WHITE PEARLS , adorning Her Neck and SUN-KISSED" DIAMONDS flashed from her Fingers.    In her Right hand  she firmly grasped an envelope.  She Careful in her opening  ,as if  it were a SEVEN-SEALED SCROLL *  Pulled out the  PURPLE with GOLD INLAY INSCRIPTION  ,"CERTIFICATE  OF APPROVAL "  FOR THE   Magnificent  level of ACHIEVEMENT  by the  ORANGE hatted  and YELLOW shirted man ,VERIFIED   BY AN  "UN-COLORED " PROTRACTOR-MAN"   "HEAVENLY" PRAISES AND ACCOLADES  FILLED THE AIR**          AND A "BOOMING-THUNDERING VOICED"  "NOT-EVERYTHING WILL BE IN......."B L A C K & W H I T E " ! !
copyright 2010    barnoahMike           Mike Ham
Erin Suurkoivu Oct 2016
War paint I always found unnecessary:
Gloss for manicured lipstick commercial princesses
Not of my kind.

And though I walk with shield, I am without armour:
Ramparts mere cheekbones,
Bare skin impressionable as snow.

Boot-print,
The mark I hated. My characters:
Frail tree rings, exposed to the chill night air.

Gold inlay frozen solid.
The fairly bound dream factory
Lies purple with melancholy.



It’s the world’s bruise. It colours sudden,
Shadowing the other side of the room
Where it paused, rare moth

Lighted upon my dark reflection,
A Mona Lisa dressed in black
And reminiscent of bobby sox.

Beauty without fanfare.
Stuff of woods: we do not glitter.
We don’t call out.

Our tongues are both dumbstruck bells.
Shy rabbits, we fold within ourselves
And sequester our secret pulp.
Dumbstruck is a poem featured in my first collection of poetry, "Blood for Honey", available at Lulu.com and Amazon.
C S Cizek Nov 2014
I suckled my mother's Bluetooth breast
while my father built me a bassinet
of series circuits with high, motherboard
bars.
I've got that artificial baby glow.
But Mom put my ****** on Facebook
at four weeks and I still haven't re-friended
(forgiven) her. My upgrade's in nine months,
but I want my downgrade now
'cause all I get are social invite excuses
from Facebook fuckfaces. We pack
our lives into little boxes that we're
not even allowed to open.
We drink to technology, keep our lazy
eyes on our news feeds, and recycle
ideas like their owners would even
want to see what we've done to them.
We misquote Confucius and credit ourselves
with mangled Robert Frost stanzas.

"Two roads diverged in a yellow wood, and I think
it's awesome that Pepsi used to be blue."

Reblog, revine,
retweet, FaceTime.
Folding chair fold-out on someone's lawn.
White-out Yeats, Keats, Byron, and Auden,
and write John ******* or Tom Whatever.
We're caught in the chicken wire of an LCD
fruit basket so neat, orderly, and brushed
aluminum. How can people write in Starbucks?
S
   B  
       U  
            X
B  
     S
The cooler's too ******, music's too shy,
and the sugar, no, not just the sugar.
THE PEOPLE are too artificial.
The carpet-suit inlay I'm standing
on has pencil lead, sock lint,
and receipt shred lapel pins.
Even corporations play dress-up.

But what happens when Y2K kicks
in tomorrow?
Lives will be lost even before
the missiles **** us.
And the planes that drop
from the sky won't even come close
to when the bough breaks your little
girl's heart, baby, because your phone
can't raise her anymore, so you have to.

And based on your search history,
tweets, and recorded dreams,
she's better off in the warm
embrace of a hard drive.
The poem for my Color & Design final.
Michael Anderson Sep 2011
Some see Life is a puzzle put together piece by piece. Each eventually fits together.
like snowflakes, many slot beside one another quickly, but some seem like they take forever.
With each new journey and new day, you add another piece to the puzzle.
By the end of each month or at the turn of the year you turn back to see the picture,
The painting on that canvas that we call life. With our back turned to the rest of the world
we work tirelessly to make sure the puzzle is completed in an effort to impress those impressionable.
We miss out on the leaves falling from the trees in the crisp air of the fall,
The fresh cut grass as the spring spawns from the dark dreary winter
Some fight tirelessly, to inlay the pieces as if they were creating a road by which to travel.
Relax. Step Aside. Let the pieces fall together as you simply tag along for the ride
Regardless of the moves you make, the pieces you choose, the path you take.
All of the pieces are already in the box, 500 or 1000 pieces of a pre-determined fate.
Gary Gibbens Oct 2011
Tooling down University Boulevard
The late afternoon sun in the trees
Gray man is satisfied
His hedge fund is overflowing
(But, oh the sting of the lash
the pain ripping across his eyes)
He enters the Parkade

Gray man adjusts his tie
Entering the glass monument
He rises to the high place
He is offered the world, the fullness thereof
And is nearly dashed to pieces
Saved by a giant crane, then
Lowered to his late model upscale sedan

Gray man returns to his cave
He watches the images of drinks
And necessary medications
Flash on the gray walls
Argues with his mate about her
Tile inlay classes
Until only hissing silence surrounds

He dreams of the glass temples
And the super gray priests
Walking among the numbers

Far away in the mountains
The night horses run towards dawn
The dark spider weaves below
And all is still.
When we come home at night and close the door,
Standing together in the shadowy room,
Safe in our own love and the gentle gloom,
Glad of familiar wall and chair and floor,

Glad to leave far below the clanging city;
Looking far downward to the glaring street
Gaudy with light, yet tired with many feet,
In both of us wells up a wordless pity;

Men have tried hard to put away the dark;
A million lighted windows brilliantly
    Inlay with squares of gold the winter night,
But to us standing here there comes the stark
    Sense of the lives behind each yellow light,
And not one wholly joyous, proud, or free.
JAM Apr 2015
There’s a harbor,
In which I‘m swimming
Sideways
With a neighbor.
We’re savoring a gray day,
Faintly misting inlay.

I looked to them to say,
“It’s such a drowsy day.”
To which, with weary,
They said,
“I think you mean dreary.”

At this I tilted my head,
And yawned,
“No.
I feel I mean drowsy.”

In opposites we
Watch hushed mist drops
Silently
Drift
down.
A bodice is twice alight
shape as earth brings forth tide
with nocturnal séance align
with splendid sight woven bare
that navel join where bona fide
trump her inlay again this year
round her aura so, rather she unwinds
though hers now pounds sound lure
in downtown bistro local bar none
this getaway always supreme nightly!
an immense garment intervene great séance
Jaymisun Kearney Nov 2013
Knock well on wood as you enter but
Know knuckles lend their skin for flood
Of the risk of entrapment eternal?
Well, few find their bodies stuck and
What's worth its weight in blood
Splays on the lit altar face

It can be warm
Only if you touch
If you touch first
You speak your secret
Farewell

Read through the words you spent sinner our
Real lines lie under thinner lace
Your constant wore hiding the venom crawl
Held below bidding inlay here
Half craving finger's trace
Specters bid sweet interlace

It can be warm
Only if you touch
If you touch first
You speak your secret
Farewell

Empty ones warn walls
Before little embraces
Creating lethal snares
Come
Catching worlds unaware
Come
"Empty ones," All say
(Come speak your secrets)
"I'm fine."
Donall Dempsey Apr 2015
the wind is reading
Aldous Huxley's ISLAND
dropped among the hollyhocks

the wind speed reads
skips entire sections
a fat fly walks over the title

an obese raindrop falls
upon the author's name then
another & another &. . .

ISLAND
turns to mulch
raindrops batter the book

it comes apart
at his touch
islands of words remain

"...two thirds of all sorrow
is homemade and so far
as the universe is concerned..."

the rest is lost
but he can fulfil the words
". . . unnecessary. . ."

now here at your grave
my fingertips trace
the curves of your name

as a lover might
trace the taut
muscles of a back

a ladybird pauses on
the H of Huxley
as if learning its letters

their metal inlay
glinting in the sun
"...it isn't a matter of forgetting..."

your words scattered
across the years
"...what one has to remember is..."

"...how to remember and yet
be free of

the past..."

I still grieve my lost book
eaten by the weather but
glowing in my mind

I laugh and tell your grave
"Give us this day our
Daily Faith but...

...deliver us
Dear God
from Belief."
Nat Lipstadt Jul 2016
<>


(for patty m)

"always love hearing from you,
it's like a kiss in the wind"



we are intimate
though never ever close,
but faithful closer

familiar,
though our convivial roads
are uncrossed, except and accept
in the delicate pearl inlay
of our poesy path

our common way station,
where can we exchange private confidentialities
publicly, above and beyond,
the plain and ordinary everyday
intimacies

from the balcony of the sixteenth floor,
I can see the horizons holding
our shared land together.

the wind blows by,
from the Atlantic crossing,
continuing on its
westward ** way

wind comes inquiring as is its wont,
as a faithful and familiar evening-tide messenger,
desirous, needy for its wantings fufillment,
to be a deliverer of
deliverances and
all kind of tidings,
sent by the
in absentia

I post a poem

the letters scatter heavenward,
no worries,
the amorphous wind,
will Oz like
reassemble them
in holy order and
brush them
across your face,
tickle the lips and eyelashes,
still moist from
missing a man who was
intimate different,
in a lifetime way

and that kiss,
that postage paid,
the meager cost
the wind receives,
for a mission well accomplished,
is transferred to you and yours
to enable you to decode
this implausibly but-all-to
plausible,
devoted message
June 12, 2016
an M31 bus composition
Meg Freeman Jul 2012
What a wretched thing,
Hollow mahogany and
Mother of pearl inlay
That houses your love for me.

We're in our twenties now,
But I remember seventeen,
October rising around our ankles
Like a flood.

I never minded being your muse,
But I didn't want your love.
That heavy, languid thing,
Too big a burden for my fragile frame.

We used to sit on playground swings.
You would strum that hollow thing
And I would sing about the day and
The night and the in between.

Then it was my turn for silence.
And I wished you wouldn't sweat,
Wished you wouldn't close your eyes
And contort your countenance with passion.

Such sweet words rolled off your tongue,
I felt guilty for hating every one.
Your talent was undeniable.
If only the words weren't about me, for me.

And those steel strings,
Those chords that broke the still night air
Made people wonder how I couldn't love you.
How could I deny such feeling?

But they weren't there the night you kissed me.
I stood solid, didn't even breathe,
As you pulled my hair and pressed your lips to mine,
Such desperation that only made me fear you.

They didn't feel the anger inside you
When you pulled away from me
And I couldn't meet your eye,
Turned to lick away the salt and iron on my lips.

For a moment I thought you might hit me,
But the wall took the blow instead.
"God ******, Megan."
Then you were gone.

Why did you have to ruin those easy nights?
Balancing on street curbs,
Sharing a fifth of gin,
Playing under orange streetlights.

I would tap the tambourine.
We'd nod our heads and let the melody
replace the marrow
in our bones.

That's all I wanted.
Just the music,
Just some easy company.
Never asked for that sickly love.

The day I made you hate me,
That old thing turned up outside my door.
I put it in the corner
Where it gathers dust each day I don't hear from you.

No one else hears the music like you did.
But you had to go and love me.
Now you're gone and all of seventeen sits silent in the corner.
What a wretched thing.
Chandra S Nov 2019
A crushed Shah Jahan said:
When you behold the memorial,
a sight so masterly, yet sorrowful;
you will inevitably admit
an aching little bisecting wish
that adorns your yearning lips....
parched,
barren,
effete......
And from the world's lid,
the luminaries too
would sob and drip.

#

He could well have been talking
about my beloved's words ;
......so utterly breathtaking
that a sigh poignantly quivers
in my dithering being.

Her words meander.
It is no wonder:
for all of us saunter
in thought and speech
one time or the other.

At times her words are poised and easy.....,
wonderfully jolly, sensationally starry:
They shimmer like the four minarets (1)
on the full moon night;
....brilliant......resplendent.

Then they taper from the dome
and stop halfway between the tomb
and the solemn reflecting pool:
They are calmer, sober,
and you know,
a little factual;
...what they call discriminating
intellectual, rational......

Soon the words leave charbagh (2)
and hit the red sandstone walls (3)
crenellated with flawless wisdom;
spotlessly beautiful
like the lifeless marble
that proudly commemorates
Mr. Shah Jahan's love
in grim, cold blooded grace.

We talk about
riders and scruples,
kith and kin,
restraints and constraints,
fidelity and modesty.......
....and I can not help
but to sadly agree
to the placid logic
in our impeccable scripts.

#

Logic is a wonderful remedy
for the radical and foolhardy
but for every cure,
there is a spin-off.
Deep somewhere,
a delicate,
two-cent sentiment
collapses into atrophy
and.......silently
another part of me
becomes a
meek monument
of disposable history.

----------

(1) The four minarets of the Taj Mahal

(2) The garden that starts from the end of the main gateway and ends near the squared base of the mausoleum is an integral part of the Taj Mahal structure.

(3) The building material used is brick-in-lime mortar veneered with red sandstone and marble and inlay work of precious/semi precious stones. The mosque and the guest house in the Taj Mahal complex are built of red sandstone in contrast to the marble tomb in the center.
Inspired by: The typical victory of logic and rationality over emotion and sentiment. A parallel is drawn between the irrefutable beauty, yet the apathy of logic and the Tajmahal, which is elegant and yet a symbol of sorrow and loss.
Elijah Corbeau Aug 2014
One summer day, as time wore on,
I found myself traversing a street.
It was unfamiliar, and led to a field,
At the end of which lay an old creek.

I stopped for a second, something in the air
Asked of me to take a look -
And, Behold! Astoundingly enough...
Tremendous beauty was ingrained in the brook!

The water performed it's marvelous play
In passionate hues of Azure.
A stark blue with a pastel inlay,
Shining with an unearthly allure.

But as if to add to the moment,
In one epiphanic display -
The evening sun deigned to glance down
And strike it in just the right way.

And the sight! It drew my breath
A slow mist inviting light within,
As if the entire scene was bathed in gold,
With tones of blue and green mixed in.

Then, seemingly, as fast as it had come,
The picture vanished - Gone in a flash!
Darkness now engulfed the world,
Tommorow perhaps the light will be back.
This was the first poem that I wrote in High School. It set me on the path I'm on today - It's an interesting comparison to my later works - but it's clear my ideas haven't changed too much!
tranquil Jun 2014
when tempting scores of breath
inlay the lips of clouds
as winds burn in through east
as ambitions grow loud

a touch of aimless sight
pressed so close to mine
i wait upon my muse
as mortals seek divine

to slip into your thought
in musings of your being
as pouting tulips grin
ensign a twilight's scene

with wishes etched in sky
when moon rides into dark
you land into my dreams
my breathing evening star
ponny jo Aug 2014
Rich smells of ash seep into mahogany
Spilled beer and sweat and tears,
Trembling hands rock grains and knots,
Anguish hammered in fist by fist,
Screams inlay throug varnish thick,
Smoke won't consume non-existent lungs,
Sadly.
Whiskey wont corrode a non-existent liver,
Sadly.
Non-existent hearts won't fail from grief known, sadly.

Fire may free you
alternate title – A bona er fide dog day afternoon delight.

A mere half dozen vowels
constitute the English language
Ta-ra-ra Boom-de-ay
Consonants comprise the majority
(sans remaining twenty) Ta Deum,
whereby both in tandem allow, enable
and provide avast combination donning brooks at bay
ample lettered permutations

offer opportunities, where methinks
mother tongue avails allows, enables
and provides thyself
tubby spell as sigh arrange passions linkedin to create, evoke
and generate plenti of romantic expressions to convey
an amorous, bedazzling conception

describing ******, graphic, and iconic ****** propensities
this cobbler, dabbler, and fiddler
(no, not on the roof) doth display
his penchant, lament and bent infatuation
with these twenty-six symbols
that **** hen ewe to evolve,
and breed vernacular words to reflect from an eBay
definitions apropos to the present, which
Uber state farm quixotic oeuvre,

and matchless kindling ******* serves as foreplay
for this heterosexual ma reed male caressing,
finessing, and integrating
expressions of speech oft times spurs
(what might seem as noun sense),
I ponder the peccadilloes of being gay
yet quickly reroute ****** predilections
albeit rolling in the hay,

whence this dis straw t fellow
conjures affinity, comity and excitability
latent within the consanguinity
of bossy verbs assaying boisterously
an interjection tubby top dog capstone amidst kennel
of barking canines couching with another similar subject
each with their body electric

nestled upon a davenport faux pas inlay
in conjunction with another
four legged friend, the direct object
particularly eyed iz a ***** in heat, who **** okay
to buffer end an un pro noun
sub bull underdog species, who feels passé
with ****** faw paw play

though averse to insult shaggy scoobie doo,
whose bark a role overture willingly
doth goad her to doggy paddle
while she woofs down remnants of  
picnic tourists left littered
while Lady and the ***** head toward the quay
Pier ring for private sloop to **** per ****,
then ******* hoo ray
afore slyly cagily approaching bag of tricks
see ****** exploits today.
xmxrgxncy Aug 2016
Maybe if you throw broken glass at me
I'll finally understand what it feels like
to be shattered. Right?

I want to feel the tiny stabbing pains inlay
themselves in my face like diamonds until
I can't feel my lashes.

And why, you ask, do I want to learn this
pain more than I want to live myself, and yet
you forget I am more.

I am more that you'll ever be because I wish
unlike one I've ever known to feel the pain
that comes with life.

Because I know
we are lost
without it.
Heart to heart we live as one inside this castle for two
soulmates for life we hoped, but we never really knew  
Hands interlocked, shoulder to shoulder , we toiled all day
only the bathe in the night by a moonlight's  inlay

Heart to heart we loved each other like never before
believing in each other no matter what God had in store
Lips to lips we kissed like children in the garden of love
seeded and homegrown we grew like flowers, beloved

Heart to heart we grew old together and lived as one
walking side by side we savored every moment in the sun
Face to face we watched each other grow and change
knowing that I love yous were always in our vocal range

Heart to heart we shall live until God takes us both away,  
to that Castle in the sky where we will live forever this way !  

Love,
Mystic Rose
Bhawna Nov 2018
Whenever I was sad and depressed
You were always along
You had a spell,
a magical tone

you made me rejuvenate
you told me there is life good and bad
but ending will be fortunate

you told me
“there will be obstacles your way ,
But remember! Something great
Will be waiting  someday”

You say you cannot,
That things don’t go your way
I could not believe my eyes
My soul’s supporter
Says this way

What happened you today?
I have no words to say
Like a dumb I ‘m writing my feelings
Coz' today you made negative thoughts inlay

You know you are elder to me
But I have an advice
Please don’t think this way
Coz' If you will lose faith in you
I will not be able to stand again on my foot
its really hard when you see your loving and supporting brother break, i really cant depict in words my state i am really **** hurt
Star BG Feb 2018
Your friendship is a gift to me.
So I will raise my needle-like pen
and weave a poem shawl for you.
With vision strong I weave delicately
Knit one with diamonds of light
Pearl two with rhinestones of love.
Knit one with gratitude pearls
Knit two with blessings
And with breath the universe gives a vision
of crystals to inlay on your cape.

Aegerine to energize your divine form.
Binghamite for good fortune.
Carnelian igniting courage.
Danburite for healing.
Elestial crystal to uncover secrets in calm.
Fire opal for vitality.
Galena to give harmony.
Heliodor for power.
Indigo Gabbro to promote expanded consciousness.
Jade for spiritual wholeness.
Katanganite to raise vibration for peace.
Larimar for freedom
Muscovite to give you angelic contact.
Nephrite Jade for love.
Opal to carry your creativity.
Papagoite to bring you optimism.
Fairy Quartz for meditation and calm
Rubellite to have abundance.
Saginite for protection.
Tektite to trigger your own wisdom.
Ulexite for balance.
Verneul to vibrate happiness.
Wavellite for energy flow.
Yang crystal for confidence.
Zoisite to trust without fears.

Once done with stitches all in place I am ready
to wisk it off to you inside my mind.
See it in your visions on a precious spring day.
A day I value our friendship.
Dedicated to a dear friend Nancy Joy Hefron
All these attributes go with the stones I mentioned so if you need some of the qualities buy a stone.
Davina E Solomon Mar 2021
The streets fidget at this intersection at gazes of stone men / sweeping birds in the gusts of a smug exhalation / The signs say they aren’t meant to feed the pigeons / falling onto the pavement like confetti /hoping for crumbs of compassion //

In the morning hid behind a mask / we exchange glances of belief / truths etched in our silhouettes as the eyes / paint vivid portraits of what must exist/ in the blue, green, grey, brown / hazel or amber inlay of the other //

The times when our smiles were obscured in sunlight and streetlight / people bled onto the path in a diaphanous glow / The invisible slipped past our eyes / but not of the stone men / They have always been solid / sentinels of our displaced pulse / as we erred in the manner of stone //
At the Dag Hammarskjold Plaza in Manhattan, in the company of stone men and pigeons ~ the idea for sculpture poetry grew out of the figures that haunt the plaza that is devoid of as many people as in the days before the pandemic.
Hadrian Veska Dec 2017
This place had met annihilation
How long ago none could say
But it's ruins yet stood
Among the hills and forest valleys

I walked among such ruins
Since I was young
Yearning for the sights and sounds
This walls held in their prime

The craftmanship was unparalleled
Gorgeous even in destruction
The inscriptions on pillars
Beckoned me as if alive

I could never read them
For I knew not that old language
The language of a lost empire
That rose in distant ages

In my latter years I now shudder
Having studied that ancient tongue
And recalling the passages
Engraved upon those marbled archways

They spoke not of great conquests
Or kings and heroes of old
No they served only as warnings
For the generations to come

The penultimate inscription
That lay upon the palace walls
So important it was inlayed
With obsidian and gold, read thusly;

"No Utopia may exist upon this Earth.
The perfection of man is a troubled one,
Doomed from its inception.
Man seeks to put forth into the world
What does not reside within him,
And so he corrupts the world
And himself in the process.

Oh how little you know,
Son of the Second Moon.
When..."

Beneath the etchings I remember
The bones of four men
About them lay rusted chisels
And other carving tools

I noticed as well, that the inscription
Appeared unfinished
As if the engraver was stopped
Forcibly before his work was done

I reached out to touch the groove
The final character never filled
With the obsidian and gold inlay
It was colder than stone should be

But that is all I remember
As I appeared to have passed out
And woken up with the gentle sun
The following morning
Tuesday, June twenty first
at 5:13 Ante Meridian
Eastern standard time
will find Earth's North Pole tilted
closest toward sun. This demarcates

most daylight hours of the year for
people living the northern hemisphere.
Just shy of high noon sun (less than
twelve hours from drafting these lines)
nearest star in solar system reaches
highest point in the sky.

Hence hasty intent to beat buzzer sound
dashing off riding figurative one seahorse
open sleigh madly awk cross cyber sea,
aye rudder sally forth (slogging thru
virtual flotsam and jetsam) with poetic

obeisance paid to average size ball of
Earth, wind and fire, my out of this
world quasi stellar benediction, since
Earthlings traveled thru space/time
continuum circa complimenting
summer solstice at Stonehenge
when the sky is clear, the sun rises
behind the Heel stone, the ancient entrance
to the circle, and rays of sunlight channelled
into the centre of the monument.

Perchance bajillion years ago, when predecessors
of present day primates (**** sitter terribly
less a bomb bin hubble), versus twenty first
century **** sapiens predilection for total
mortal kombat graphically spiraling downward

zeroing (kamikaze like), analogy drawn,
viz subjective mathematical roulette curves,
albeit hypotrochoids and epitrochoids staining
countless grains of sand, count them yourself,
yielding result (somewhere very loosely
approximating 7.5 x 1018, or seven quintillion,
five hundred quadrillion grains.

Such minutiae less significant within the realm
of present day **** sapiens, whose lives less
linkedin with phenomena affecting life on this
oblate spheroid, (which could come to a crashing
halt predicated on burgeoning human population
jeopardizing sustainable planet presuming
industrial paradigm prevails, thence man/
woman kind will unwittingly trumpet, and
or sound claxon (ex post facto), while
warming temperatures melt glaciers,

asper huge popsicles drowning
multitudinous habitats courtesy of
violent meteorologic cataclysms, where
Noah ark will be big enough to save majority

of creatures, and (wherein no art of the deal)
savvy enough to wall off sky high tidal
Katrina and the waves, then nature will (make
a killing) relishing tidying Atlas sized tureen

if necessary applying pledged finishing touches
repurposing third rock for another species slated
to inherit pseudo tabula rasa after Campbells,
and broth hers detox polluted primordial soup
i.e. once cleansed of poisons, thus...I condense
my Green New Deal spiel!

Midwinter night dream filled
with balm of June solstice rays
lackadaisical and carefree months ideal time
to while away pronounced illuminated days
outdoor sports a favorite choice
occupies athletic population
which venues witness frequent surge
and spill of overtime plays
another popular milieu
favorable climate awakens
constitutes habitués vacationers visit
ashore popular waterways
beachfront shoreline inundated
by mass exodus of sun worshippers
tidal seaboard awash
along every square inch
human species splashes to keep cool
within ocean and bays.

Six months ago bitter cold
and dark snow filled skies
wrought undeserved vengeance
viewed from these eyes
who after each and
every major winter storm
donned proper attire
to stay warm outside
while clearing walkway
with shovel in hand
executed repetitive motion
akin to how boater plies
similar (yet reversed)
****** swing of arms
now readily prepares for execution
of most difficult seasonal task
requires usage of most complex muscle
the source of poetry witty and wise.

Awake to the solar celestial sea chant
mourning regarding species no longer extant
thus upon figurative shoulders of youth
tasked with survival of humanity
a behemoth nearly impossible mission
younger generations unfairly saddled
with obligatory filched grant
courtesy when fossil fuels
broadcast onset of four Industrial Revolutions
spewing paradigm viz free market capitalist kant
now quashing, thrashing, wrestling against rant
long fostering **** sapiens dominance.

Starry-eyed dark matter
of infinite space
espied by countless eons
since original human race
became cognizant of her/
his terrestrial place
gilding the heavens with strings
of pearly hued lace
closer to earth charting
early skywatchers to notice moon face
held captive via gravitational brace
while zodiac archer aims
cocked bow, where knocked feathers
sans arrow complete an awesome
fantastic bullseye ace.

Mother nature’s ornery primates supreme display
said massive breastworks broadcast inlay
feat of awesome accomplishment
finds yours truly humbled okay
with his feeble limitations
engendering ample rocky tsuris oy vey.
Hadrian Veska Nov 2019
I fashioned it
From wood and clay
With gold and rubies
Did I inlay
That image crude
So I could pray
To something I could see

The tool I made
Did serve me well
And in return
I knelt and fell
Down to my knees
At sounded bell
That I might repay

Now in my age
I fashion again
A deeper image
Than that of men
Inlaid with gold
As it was back then
An image of myself

Though now no longer mute
My will is absolute

— The End —