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Mateuš Conrad Mar 2020
.perhaps in my company we wouldn't be... opening a bottle of red wine... to let it breathe... or pouring it into a bowl to give it more air to breathe with: otherwise on life-support machine through the bottle-neck... right here, right now, we have... a glass bottle of beer (13, guinness hop lager) and 4 cans of stella artois (the wife beater's lager, so they say)... yes... beer in cans... for all intesive purposes - a good way to transport beer... in aluminium cans... but we're not bums... we don't drink beer straight from cans... we pour our beer into a tall glass and wait... so the beer can exfoliate like aladdin's jinn in the glass... away from the confines of the can... we don't drink beer from a can... we can drink it straight from a bottle... but if it comes in a can... we pour it into a tall glass... just so... so there's some head on top... we're not english in that respect either... of cutting the head (of foam) off the beer... which is probably why i always order a stout in a pub... you can't pull one without the creme de la creme on top... a head on a beer is what makes it look less like carbonated **** or concentrated lemonade... we're not bums... we drink beer from glasses... never directly from cans - the metal gets in the way... a beer like a wine needs to breathe too.

i found that there are only two types of music styles
that are suitable for drinking -
that's... drinking and not going out -
playing a cat with an imaginary fireplace...
the less imaginary fireplace being:
a stare confined to... watching a pillow...
and the general schematic of a bed...
and sitting hunched in imitation: all crow because
no crow doesn't get you far
on golgotha of daydreams: if only i...
humble servant of dusty feet - the tourist,
the pilgrim - would set off...
         on an amphetamine riddled skew into
a messiah complex adventure...

                     but not me...
                once upon a time the only music
worth drinking to was the blues...
            a long, long time ago...
                hell: once upon a time any music
would do if we all decided to go dancing...
or at least waited for the dance to come of its own
volition and not mine: i.e. the me in i would
just be dragged under the teasing waves
and slurped out to sea...

                   a thousand waves are all but the single
tongue of some swindling kraken...
drinking and random shamanic interludes in
the youth of the night-club...
when there wasn't a tally for score or...
the ones shot down by manfred...
good thing he was called manfred...
   and not some swabian helmut! oi oi!
                                             von Richthofen!
and that was when...
           until came the five beers and on
the 4th it became apparent...
                                  the red garland quintet...
soul junction...

   and it's not... a gerry mulligan's night lights...
piano sentimentality and the ode
to all things urban, cosmopolitan...
                        yes... it's not grenadine in that
sulk of yours... it's cranberry juice...
the city and... the sewers and...
                                 jazz for the urban scenes
of: anywhere but the park...
the graveyard... a choo-choo slowing into
a station... and billy joel come:
mid-life crisis and a new york state of mind...
while over 'ere we have...
     teasing the woods: where concrete ends
and mud begins... thus we can have our Adam...
and...

only today i was walking past his bride...
doing my odd citizen duty of recycling glass...
and buying the amber sedatives (carbonated)
for an evening with some cannonball adderley
or some donnie byrd... or a horace silver...
that's the beauty of jazz...
the music is all there is... the names come and go...
sonny rollins and the story behind
the bridge... and how he would pretend to
but not pretend to... retire and go off and practice
on the bridge so as to not disturb his neighbours...
all the details are there: on the vinyl sleeve
from 1963...

now that's jazz... i don't even want to mind
how pretentious this might sound...
but... it doesn't in that: jazz is jazz in that there
might come some great improv. -
after all: it's all somewhat improv. -
   but you can't really make such basic
generalißations...
        speedy-shoom-of-a-choo-choo whizzing past...
schematic!
   classical music is all a priori...
                              jazz... it's all a posteriori...
how? when people phone in between
1pm and 5pm to classic.fm and they make requests...
they sometimes ask for something specific...
but usually... they vaguely allude to... a feeling...
something "uplifting" - play something "uplifting"...
ergo... there's this... a priori "item"(?)
in the music that's... an expectation...

          i do know what jazz sounds like
a quintent: drums, bass, piano, trumpet, sax...
yes... the guitar... asking the algorithm:
a quintet is five - what is six?
        sixtet - d'uh... sextet... well that's the basic
"i know what jazz sounds like"...
but with jazz there's always this lag...
it's this lagging behind:
    i don't exactly know what i'll feel until
only after i've heard it and in the meantime too...
jazz is all a posteriori -

while classical music for me is all a priori...
given that... it's not exactly improvised:
there's the orchestra, the movie, the script...
   and it's such a music that doesn't worship
itchy fingers of improv. - the stale or rather:
the head-about-to-explode of scoring the music like
a dissected **** of beef...
the cuts for the violins the cuts for the woodwinds...
more so: the almost shy drumming...
the wet-drumming... like rain playing
rattle fingers on tin (roofs)... or what rain would
sound like... if it was made from sand...
either way... jazz is a baggage...

hardly any sort of envisioning a journey from
(a) priori through to (b) posteriori -
and at least with jazz... you never have to really
cite who's playing... in a passing gesture
for all necessary bookmark purposes
of: where i am in the library of jazz...
unlike in classical music... where...
it's either Mozart, Beethoven or then again...
some obscure composer... perhaps ola glejlo...
but it's less about the music per se:
it's about the music of THE composer...
bonus marks for keeping to a rigid diet of one
and completing the herculean task of digesting
his entire oeuvre...

-       so i was walking past the most usual scene...
a car stopped... and she got out...
she must have been no more than 16 pushing 18...
the heavy make-up hid her otherwise boyish
contorts... a short black dress...
and as she got out of the cab...
she had her high-heel shoes in her hands...
   she was walking the cement barefoot...
i peered into her eyes... the lights were out...
perhaps her soul was screaming - perhaps this was
her first disappointment - and it was only... what...
not even 10pm on a saturday night...
my nights of youthful regret usually came after 3am
having to wrestle a berserker...
or how a dog looks like when it takes
to beer with a fond heart and only three legs...
god forbid but "they" would also cut my tail off
to further throw me off balance...
the walked passed and i looked into the cab...
a very, very nervous asian was looking at me
and then her... this didn't exactly look like...
she was ***** or was fighting to escape...
           aren't those scenarios usually stage in and around
woods - without any pedestrians walking past?
call it a trainwreck a carwreck...
                      or just running mascara...
that bad, eh?
at this point... society is a cruise ship...
and i'm stuck with ottis and none of that sentimentality
of the dock: running away with a bag of
chips wrapped in newspaper away from
seagulls... who... are apparently prone
to kleptoparasitism - a real thing... i swear to god...
the animals that want to eat in the realm
of trans-species... dogs have had their
kleptoparasistism repressed: crumbs from the table...
the chicken bones with hopes for
cartilege and someone who... is bad at
cleaning the flesh off the bone: pucker up...
move aside leech... watch this slurp...
ol' hank mobley and wayne shorter...
        one cascade after another...
5th beer in and...

yeah... so that's what a carwreck looks like...
for a girl in her late teens...
the cute black dress...
   getting out of the cab holding her high heels...
walking home barefoot...
she wasn't crying just yet...
but i could see puffy tender demon baron
of the soft cheeks readying to turn into
medussa's stare-grip... but not there yet...
this must have been her first time at "life"
and the night life and saturday...
         the cab driver looked scared shitless...
as if frozen in time... about to have his photograph
taken by a more sensible shadow of his...
i did think she just escaped a bad
session of prostitution...
but not even prostitutes look so ******* gloomy
as she did...

the ******* ***** it up -
the pundit ***** it up - the show goes on...
stage or no stage... an audience or no audience...
those eyes though... not yet crying...
but they felt... like wheeping oysters nonetheless...
you know when eyes are like that...
teasing bulging out... they appear dimmed
at first... but that's a dimming before
the sparkle of tears...
it's the 29th of febuary - yes...
mr. zodiac wasn't kind to those who still believe
in the horoscope but never tried
gambling on a winning team or horse...
it's still winter and those poor feet of hers...
she must have told the cab driver to stop...
hell... half a mile before she would get home...
a 6ft2 115kg sore thumb up with a beard
up ahead: stop! let me walk past him...
that's why i gave an inquisitive stare at the cab driver...
the cab driver was looking at me...
aren't the **** victims the ones jumping
out of the cab as it speeds off or whatnot?
so this was... staged?
              i read the "situation" wrong...
well no... i didn't find a lancelot in me...
there was no door to be held open...
           not tonight...
                                           i was in a mood for
beer and jazz... and luckily for me...
marvel of all marvels...
     haig club (1627) was sold at a bargain...
                        down from 25 quid to 16 quid...
goodbye excessive drinking the cheap *****...
hello: clubman haig... is it whiskey...
is it ms. amber... or is it chanel no. 5 -
                   is it whiskey or is it a perfume?
a snapper of a dinner standing-up...
   the scent of the last bite still on my moustache
even though i had washed my teeth...
the beer bottle opened - a drizzle on the hand
and then the hand smearing the liquid all over
the stinking hairs from an unwelcome scent...
i don't mind stinking like hops...
                  but hops is better than smelly food...

- regrets? ah yes... the "what if" universe at large...
that "whaf if" this and "what if" not...
"what if" yes and... when a man takes to walk
the street at night... he's only looking for empty
streets and... the hope of not seeing his reflection:
which is never about abruptly stopping
a cab and taking your shoes off
and walking in a tight-knit black dress
having met the world and...
                     was it heartbreak or just...
disappointment that... there are no unicorns
and she isn't daddy's precious?

any of the rudy van gelder editions...
                      "what if" i had more than just these
words... a barren wasteland of a flat
with no furnishings, not a book to call it a genesis
of a private library... not a single record
to play... no bed no curtains...
and she was the: honey-catch and snare and...
what if i were still in my late teens and
didn't have these invisible tattoos of historical
dates and the tattoos that riddle bones
that are... "habits of hygiene"...
      by hygiene i imply: ontological fixtures...
immoveable objects of accumulating my mortal
years for this formal circumstance of
the worst magic trick of all...
                   transient and... packaged elsewhere...
apparently going nowhere...

if this was a truly urban scenario...
but we're talking essex...
the outskirts of greater london...
if i bothered myself tonight i might go
to a place where i'd sit on a throne of a stump
of oak and listen to owls...
spot a rabbit, spot a badger... the foxes would
come of their own accord...
and perhaps even a deer or two... or three...
there's no glit of a picaddily circus romance:
when a girl decides to get out of a cab early
and put her porcelain toes on the wintry cement...
as if: supposing she be enticing me...
as i was thinking about the scared-shitless
cab driver...        

to have once upon a time believe in love:
the sort of love you'd see in movies...
but that's of course...
before you'd get a chance to see love...
in opera...
blue pill red pill... spiderweb of fiction...
blah blah...
watch the sort of love in movies...
then go and see an opera...
most notably verdi's la traviata...
  the movies fizzle out and you don't really
need to read this to begin with...
        i was in love once...
it was a love that was in love with itself...
          a mirage a carrot on a stick...
probably something akin to this sort of impromptu...
rescuing a girl walking barefoot home...
oh sure... happens almost every other saturday...

- the beer is for these musings, for the jazz
and for... cleaning the kidneys and a work-out
for the bladder... the shot-at-a-crescendo
will come with the haig club whiskey...
is 70cl really worth 25 quid?

- there's a difference between food with a USE BY date
and food with a BEST BEFORE date...
most notably goat's cheese...
once the best before date expires...
which is way way down the line from
the use by date... the cheese starts to taste
like... ash...

i should know since i know of the alternative
to doing shots of tequilla...
the salt is replaced with licking some cigarette
ash...
the tequilla is replaced with *****...
and the slice of lemon is replaced with
black peppercorns...

so i do know what ash tastes like...
piquant tastes: this omelette of an octopus and
of tongue...

- society is a cruise ship and i'm waving it goodbye...
welcoming a sunset of a sea as calm
as a mirror... telling my feet to take root
and stand... inaccessible...
otherwise... i am barren when it comes to having
some (h. p.) lovecraftian sensibilities from
maine... aloof and anemic... anemic with bloodshot
eyes...

- of course she isn't a mystery...
the narrative would run: the little match girl...
hans... hans! hans?! hans andersen is drilling
a hole into my head about... a woman walking
home barefoot...
yes... but she is walkig home...
unlike the little match girl...
and unlike the little match girl...
this girl was carrying a pair of shoes with her...
it's not my problem whether
i'm the sore thumb that "got in the way"...
a fork in the road: like any other fork...
like any other road...

do you have to reach being 34 to see these
teenage break-ups and regrets come and bump into
you after you've done...
that most spectacular feat of towing a backpack
full of glass for recycling?
where is one to recycle bones?!

- right not all the ***** in the world is...
something of an adhesive... a hitchhiker pollen...
a hard-on of: ****** yourself for a hard-on
just because even flapping a pancake will do right now...
to ease constipation whenever necessary...

- it's a torilla... but it's wrapped like a burrito...
well... it's a torilla... kultur shock -
sarajevo - the entry level shock-awe and
blitzkrieg of drinking from the fountain
of the Haig...

- second tier... to treat pornographic movies
like... early cinema... silent...
otherwise a return to the magazine form...
and the ripe imagination readied for:
improv... or... when was the last time
my left hand didn't feel like an oyster...
and an oyster didn't feel like a leash...
and a woman's ****** stopped being
an hour worth 120 quid? -

             - third tier... the haig club whiskey
is not worth 25 quid... it's over-rated...
you're basically paying for the bottle...
i'll stick to my guns...
only the irish know how to make whiskey
on these isles... bushmills: mellow, tame...
the picts have decided to lodge
a smoking salmon into their barrels to die...
i'm supposed to have an aftertaste of vanilla...
with all that smoke... i'd be happy to taste
hungary and smoked paprika! that would
be a bonus to boot! -

- i can appreciate the picts for trying...
but let's just leave brewing whiskey to the irish...
and let's keep the english away from hops...
they'll make an undrinkable ale from it...
never the lager...

   - armed with balkan rock... standing before
the h'american monolith of tongue and culture...
or... just before what's filtered for the export...

- no... of course i don't think h'americans are dumb...
i just think there's only a naive majority...
i'm going to find the vermin and huddle among
them...

- sooner or later we'll be calling the germans
come spring... for winter provisions...
"keeshond" or: hund... i much prefer the latter...
from under the iron curtain forged from
a broken jaw when biting the curb of:
under the silicon veil... nowhere else to go...
beside Ishrael...
                        
          remains of the ottoman - which is hardly
me put into an iron maiden of akimbo...
where's the geisha and the samurai?!

- is your beard long enough?
      like mine... i tease it... catch it with braille
cardinals: the thumb the index and middle fingers...
twirl it... wait for some thread to tie it together
into a hanging ******* of a bundle...
while at the same time:
          before you... a throng of vermin...
this beard... a magic flute!
the zenith of my thinking...
and ultimately: the nadir of any narrative
that might be inclined to escape and
not become 3D...

- i listen to songs in german...
i put on airs of pride - my chin starts to contort into
the moon's scythe and sickle...
even if the night is overcast with beard,
or cloud...

- then i put on a record that's 20 years old...
deftones' white pony...
and i remember being a teen...
hungry for hormonal diet...
a diet to stop the bones from aching
as they grew extra sprouts:
adverse to the skin and photosynthesis...
bones that were expected to grow
entombed... not in flesh...

- sketches from the gasoline additive when
it comes to a beer, starter...
otherwise: elite... gonna breed on top
of the general... pucker up the tremor for a vibrato
kiss and leech her lips off...
to expose her most pristine:
todlächeln -
                           not a chelsea grin...
the joker lapse... i mean... extending the shaving
lines and just, completely, forgetting there's
any botox involved to grow a peach
from a duck of the reinvention of
the deflating balloon...

   leave no selfie without it...
                   herr grinsen: die / das / die / das...
i keep forgetting the definite plural and
the definite singular... feelz... feels...
maximum impromptu: das bösartigwimmern...
anything in german at this point...
sounds better than...
wenigbruder englisch...
                       dies, mein krawatte beste...
alle schwarz alle weiß:
      say to me... nein pinguine willkommen...

anything to keep these mosquitos these
zeppelins away... alt vater großartig Schwab
from this... herd of minor dicta
of the children of the house of ßaß...
translated nomad from the high pressure
***** basin of:
later, trajectory... later... the yawn and canyon...
and the sky above...

- beer first... whiskey after...
shrapnel... and gasoline... no car... no speeding...
fast but otherwise still walking...

            - a hurrah and the cohort of a hum...
to match the echo of the centipede...
         the silence and otherwise the simplified
complications of a conversation...
the bed torn between *** and sleep...
between saturday sunday and monday through
to friday...
   and the need to drink with someone else...
"the need"...
          
the skulls breaks at the sight of sea-riddled-and-*****
cliffs... daggers persuaded to be forever sharpened...
the fiddly parts of ***** as accountants when
it came to the pennies, copper, and granules
of sand... seized: the rivers of time...
constipated shock value elevated...
                            
                                am i to find a lover when
the orchestra tells me...
these words will never find a dear sir / madam
or circle round for a yours sincerely...
                godzilla... the theme i remember from
the days when the japanese still had control over the beast...
otherwise... an overweight t-rex with...
arm extensions... the lotus feet of the chinese...
which also includes...
the savory diet of... tendering dog meat...
i.e. beating the dog to a plum softening...
which is: then again... not curing the already dead
curated meat...
life aware needs to be involved...
brick by brick brick on brick...
the status quo: made in china...

         cheap whiskey... although in an expensive bottle...
that is the haig club whiskey...
        so much for ezra pound admiring
the ******* ideograms...
what's to admire... when...
it ends up being a crude...
current latin emoji-infiltrated grafitti
equivalent to: CUL8R...
               chow-chuckle-mein-hong-shui-chew?
all that intricacy into the ideogram...
and all that remains is...
bat soup... and an advantage at playing
poker... omnivores...
you'd think that Islam would be...
more geared to break ranks among the omnivores...
like all the fickle gods... a good joke...
they abhor / are told to herd sheep
because: what sort of pig would survive the desert
and not become crispy bacon...
camels are fine too... as are their testicles...
never mind the pork leather shoes and pork
leather belts...
but the chinese omnivores are fine by
Allah: Muhammad & Co....

                               khadijah **** khuwaylid..
wrote the first surahs of the quran...
she was the literate:
the stephen vizinczey epitome:
                          in praise of older women...
last time i heard... muhammad was illiterate...
pray! that i've exhausted sympathy on
him being an orphan...
but not a ******* oliver twist thrown into
an orphanage! b'ooh h'oo...

                     the end... the whiskey isn't going
to drink itself;
as i have exhausted the patience of my bladder...
while there's the remaining concern
for a bewildering and a simultaneously
bewildered peacock... on the hunt for coy;
which is not exactly the darwinian daydream
of the short-hand greek alphabet...
the α-β male thermodynamic...
          the Σ-Δ female harem...
salmon swimming up-stream to spawn...
                             and... Ω-man / unicorn...
                     sha! schtil!
Maggie Emmett Jul 2015
PROLOGUE
               Hyde Park weekend of politics and pop,
Geldof’s gang of divas and mad hatters;
Sergeant Pepper only one heart beating,
resurrected by a once dead Beatle.
The ******, Queen and Irish juggernauts;
The Entertainer and dead bands
re-jigged for the sake of humanity.
   The almighty single named entities
all out for Africa and people power.
Olympics in the bag, a Waterloo
of celebrations in the street that night
Leaping and whooping in sheer delight
Nelson rocking in Trafalgar Square
The promised computer wonderlands
rising from the poisoned dead heart wasteland;
derelict, deserted, still festering.
The Brave Tomorrow in a world of hate.
The flame will be lit, magic rings aloft
and harmony will be our middle name.

On the seventh day of the seventh month,
Festival of the skilful Weaving girl;
the ‘war on terror’ just a tattered trope
drained and exhausted and put out of sight
in a dark corner of a darker shelf.
A power surge the first lie of the day.
Savagely woken from our pleasant dream
al Qa’ida opens up a new franchise
and a new frontier for terror to prowl.

               Howling sirens shatter morning’s progress
Hysterical screech of ambulances
and police cars trying to grip the road.
The oppressive drone of helicopters
gathering like the Furies in the sky;
Blair’s hubris is acknowledged by the gods.
Without warning the deadly game begins.

The Leviathan state machinery,
certain of its strength and authority,
with sheer balletic co-ordination,
steadies itself for a fine performance.
The new citizen army in ‘day glow’
take up their ‘Support Official’ roles,
like air raid wardens in the last big show;
feisty  yet firm, delivering every line
deep voiced and clearly to the whole theatre.
On cue, the Police fan out through Bloomsbury
clearing every emergency exit,
arresting and handcuffing surly streets,
locking down this ancient river city.
Fetching in fluorescent green costuming,
the old Bill nimbly Tangos and Foxtrots
the airways, Oscar, Charlie and Yankee
quickly reply with grid reference Echo;
Whiskey, Sierra, Quebec, November,
beam out from New Scotland Yard,
staccato, nearly lost in static space.
      
              LIVERPOOL STREET STATION
8.51 a.m. Circle Line

Shehezad Tanweer was born in England.
A migrant’s child of hope and better life,
dreaming of his future from his birth.
Only twenty two short years on this earth.
In a madrassah, Lahore, Pakistan,
he spent twelve weeks reading and rote learning
verses chosen from the sacred text.
Chanting the syllables, hour after hour,
swaying back and forth with the word rhythm,
like an underground train rocking the rails,
as it weaves its way beneath the world,
in turning tunnels in the dead of night.

Teve Talevski had a meeting
across the river, he knew he’d be late.
**** trains they do it to you every time.
But something odd happened while he waited
A taut-limbed young woman sashayed past him
in a forget-me-not blue dress of silk.
She rustled on the platform as she turned.
She turned to him and smiled, and he smiled back.
Stale tunnel air pushed along in the rush
of the train arriving in the station.
He found a seat and watched her from afar.
Opened his paper for distraction’s sake
Olympic win exciting like the smile.

Train heading southwest under Whitechapel.
Deafening blast, rushing sound blast, bright flash
of golden light, flying glass and debris
Twisted people thrown to ground, darkness;
the dreadful silent second in blackness.
The stench of human flesh and gunpowder,
burning rubber and fiery acrid smoke.
Screaming bone bare pain, blood-drenched tearing pain.
Pitiful weeping, begging for a god
to come, someone to come, and help them out.

Teve pushes off a dead weighted man.
He stands unsteady trying to balance.
Railway staff with torches, moving spotlights
**** and jolt, catching still life scenery,
lighting the exit in gloomy dimness.
They file down the track to Aldgate Station,
Teve passes the sardine can carriage
torn apart by a fierce hungry giant.
Through the dust, four lifeless bodies take shape
and disappear again in drifting smoke.
It’s only later, when safe above ground,
Teve looks around and starts to wonder
where his blue epiphany girl has gone.

                 KINGS CROSS STATION
8.56 a.m. Piccadilly Line

Many named Lyndsey Germaine, Jamaican,
living with his wife and child in Aylesbury,
laying low, never visited the Mosque.   
                Buckinghamshire bomber known as Jamal,
clean shaven, wearing normal western clothes,
annoyed his neighbours with loud music.
Samantha-wife converted and renamed,
Sherafiyah and took to wearing black.
Devout in that jet black shalmar kameez.
Loving father cradled close his daughter
Caressed her cheek and held her tiny hand
He wondered what the future held for her.

Station of the lost and homeless people,
where you can buy anything at a price.
A place where a face can be lost forever;
where the future’s as real as faded dreams.
Below the mainline trains, deep underground
Piccadilly lines cross the River Thames
Cram-packed, shoulder to shoulder and standing,
the train heading southward for Russell Square,
barely pulls away from Kings Cross Station,
when Arash Kazerouni hears the bang,
‘Almighty bang’ before everything stopped.
Twenty six hearts stopped beating that moment.
But glass flew apart in a shattering wave,
followed by a  huge whoosh of smoky soot.
Panic raced down the line with ice fingers
touching and tagging the living with fear.
Spine chiller blanching faces white with shock.

Gracia Hormigos, a housekeeper,
thought, I am being electrocuted.
Her body was shaking, it seemed her mind
was in free fall, no safety cord to pull,
just disconnected, so she looked around,
saw the man next to her had no right leg,
a shattered shard of bone and gouts of  blood,
Where was the rest of his leg and his foot ?

Level headed ones with serious voices
spoke over the screaming and the sobbing;
Titanic lifeboat voices giving orders;
Iceberg cool voices of reassurance;
We’re stoical British bulldog voices
that organize the mayhem and chaos
into meaty chunks of jobs to be done.
Clear air required - break the windows now;
Lines could be live - so we stay where we are;
Help will be here shortly - try to stay calm.

John, Mark and Emma introduce themselves
They never usually speak underground,
averting your gaze, tube train etiquette.
Disaster has its opportunities;
Try the new mobile, take a photograph;
Ring your Mum and Dad, ****** battery’s flat;
My network’s down; my phone light’s still working
Useful to see the way, step carefully.

   Fiona asks, ‘Am I dreaming all this?’
A shrieking man answers her, “I’m dying!”
Hammered glass finally breaks, fresher air;
too late for the man in the front carriage.
London Transport staff in yellow jackets
start an orderly evacuation
The mobile phones held up to light the way.
Only nineteen minutes in a lifetime.
  
EDGEWARE ROAD STATION
9.17 a.m. Circle Line

               Mohammed Sadique Khan, the oldest one.
Perhaps the leader, at least a mentor.
Yorkshire man born, married with a daughter
Gently spoken man, endlessly patient,
worked in the Hamara, Lodge Lane, Leeds,
Council-funded, multi-faith youth Centre;
and the local Primary school, in Beeston.
No-one could believe this of  Mr Khan;
well educated, caring and very kind
Where did he hide his secret other life  ?

Wise enough to wait for the second train.
Two for the price of one, a real bargain.
Westbound second carriage is blown away,
a commuter blasted from the platform,
hurled under the wheels of the east bound train.
Moon Crater holes, the walls pitted and pocked;
a sparse dark-side landscape with black, black air.
The ripped and shredded metal bursts free
like a surprising party popper;
Steel curlicues corkscrew through wood and glass.
Mass is made atomic in the closed space.
Roasting meat and Auschwitzed cremation stench
saturates the already murky air.              
Our human kindling feeds the greedy fire;
Heads alight like medieval torches;
Fiery liquid skin drops from the faceless;
Punk afro hair is cauterised and singed.  
Heat intensity, like a wayward iron,
scorches clothes, fuses fibres together.
Seven people escape this inferno;
many die in later days, badly burned,
and everyone there will live a scarred life.

               TAVISTOCK ROAD
9.47 a.m. Number 30 Bus  

Hasib Hussain migrant son, English born
barely an adult, loved by his mother;
reported him missing later that night.
Police typed his description in the file
and matched his clothes to fragments from the scene.
A hapless victim or vicious bomber ?
Child of the ‘Ummah’ waging deadly war.
Seventy two black eyed virgins waiting
in jihadist paradise just for you.

Red double-decker bus, number thirty,
going from Hackney Wick to Marble Arch;
stuck in traffic, diversions everywhere.
Driver pulls up next to a tree lined square;
the Parking Inspector, Ade Soji,
tells the driver he’s in Tavistock Road,
British Museum nearby and the Square.
A place of peace and quiet reflection;
the sad history of war is remembered;
symbols to make us never forget death;
Cherry Tree from Hiroshima, Japan;
Holocaust Memorial for Jewish dead;
sturdy statue of  Mahatma Gandhi.
Peaceful resistance that drove the Lion out.
Freedom for India but death for him.

Sudden sonic boom, bus roof tears apart,
seats erupt with volcanic force upward,
hot larva of blood and tissue rains down.
Bloodied road becomes a charnel-house scene;
disembodied limbs among the wreckage,
headless corpses; sinews, muscles and bone.
Buildings spattered and smeared with human paint
Impressionist daubs, blood red like the bus.

Jasmine Gardiner, running late for work;
all trains were cancelled from Euston Station;  
she headed for the square, to catch the bus.
It drove straight past her standing at the stop;
before she could curse aloud - Kaboom !
Instinctively she ran, ran for her life.
Umbrella shield from the shower of gore.

On the lower deck, two Aussies squeezed in;
Catherine Klestov was standing in the aisle,
floored by the bomb, suffered cuts and bruises
She limped to Islington two days later.
Louise Barry was reading the paper,
she was ‘****-scared’ by the explosion;
she crawled out of the remnants of the bus,
broken and burned, she lay flat on the road,
the world of sound had gone, ear drums had burst;
she lay there drowsy, quiet, looking up
and amazingly the sky was still there.

Sam Ly, Vietnamese Australian,
One of the boat people once welcomed here.
A refugee, held in his mother’s arms,
she died of cancer, before he was three.
Hi Ly struggled to raise his son alone;
a tough life, inner city high rise flats.
Education the smart migrant’s revenge,
Monash Uni and an IT degree.
Lucky Sam, perfect job of a lifetime;
in London, with his one love, Mandy Ha,
Life going great until that fateful day;
on the seventh day of the seventh month,
Festival of the skilful Weaving girl.

Three other Aussies on that ****** bus;
no serious physical injuries,
Sam’s luck ran out, in choosing where to sit.
His neck was broken, could not breath alone;
his head smashed and crushed, fractured bones and burns
Wrapped in a cocoon of coma safe
This broken figure lying on white sheets
in an English Intensive Care Unit
did not seem like Hi Ly’s beloved son;
but he sat by Sam’s bed in disbelief,
seven days and seven nights of struggle,
until the final hour, when it was done.

In the pit of our stomach we all knew,
but we kept on deep breathing and hoping
this nauseous reality would pass.
The weary inevitability
of horrific disasters such as these.
Strangely familiar like an old newsreel
Black and white, it happened long ago.
But its happening now right before our eyes
satellite pictures beam and bounce the globe.
Twelve thousand miles we watch the story
Plot unfolds rapidly, chapters emerge
We know the places names of this narrative.
  
It is all subterranean, hidden
from the curious, voyeuristic gaze,
Until the icon bus, we are hopeful
This public spectacle is above ground
We can see the force that mangled the bus,
fury that tore people apart limb by limb
Now we can imagine a bomb below,
far below, people trapped, fiery hell;
fighting to breathe each breath in tunnelled tombs.

Herded from the blast they are strangely calm,
obedient, shuffling this way and that.
Blood-streaked, sooty and dishevelled they come.
Out from the choking darkness far below
Dazzled by the brightness of the morning
of a day they feared might be their last.
They have breathed deeply of Kurtz’s horror.
Sights and sounds unimaginable before
will haunt their waking hours for many years;
a lifetime of nightmares in the making.
They trudge like weary soldiers from the Somme
already see the world with older eyes.

On the surface, they find a world where life
simply goes on as before, unmindful.
Cyclist couriers still defy road laws,
sprint racing again in Le Tour de France;
beer-gutted, real men are loading lorries;
lunch time sandwiches are made as usual,
sold and eaten at desks and in the street.
Roadside cafes sell lots of hot sweet tea.
The Umbrella stand soon does brisk business.
Sign writers' hands, still steady, paint the sign.
The summer blooms are watered in the park.
A ***** stretches on the bench and wakes up,
he folds and stows his newspaper blankets;
mouth dry,  he sips water at the fountain.
A lady scoops up her black poodle’s ****.
A young couple argues over nothing.
Betting shops are full of people losing
money and dreaming of a trifecta.
Martin’s still smoking despite the patches.
There’s a rush on Brandy in nearby pubs
Retired gardener dead heads his flowers
and picks a lettuce for the evening meal

Fifty six minutes from start to finish.
Perfectly orchestrated performance.
Rush hour co-ordination excellent.
Maximum devastation was ensured.
Cruel, merciless killing so coldly done.
Fine detail in the maiming and damage.

A REVIEW

Well activated practical response.
Rehearsals really paid off on the day.
Brilliant touch with bus transport for victims;
Space blankets well deployed for shock effect;
Dramatic improv by Paramedics;
Nurses, medicos and casualty staff
showed great technical E.R. Skills - Bravo !
Plenty of pizzazz and dash as always
from the nifty, London Ambo drivers;
Old fashioned know-how from the Fire fighters
in hosing down the fireworks underground.
Dangerous rescues were undertaken,
accomplished with buckets of common sense.
And what can one say about those Bobbies,
jolly good show, the lips unquivering
and universally stiff, no mean feat
in this Premiere season tear-jerker.
Nail-bitingly brittle, but a smash-hit
Poignant misery and stoic suffering,
fortitude, forbearance and lots of grit
Altogether was quite tickety boo.



NOTES ON THE POEM

Liverpool Street Station

A Circle Line train from Moorgate with six carriages and a capacity of 1272 passengers [ 192 seated; 1080 standing]. 7 dead on the first day.

Southbound, destination Aldgate. Explosion occurs midway between Liverpool Street and Aldgate.

Shehezad Tanweer was reported to have ‘never been political’ by a friend who played cricket with him 10 days before the bombing

Teve Talevski is a real person and I have elaborated a little on reports in the press. He runs a coffee shop in North London.

At the time of writing the fate of the blue dress lady is not known

Kings Cross Station

A Piccadilly Line train with six carriages and a capacity of 1238 passengers [272 seated; 966 standing]. 21 dead on first day.

Southbound, destination Russell Square. Explosion occurs mi
This poem is part of a longer poem called Seasons of Terror. This poem was performed at the University of Adelaide, Bonython Hall as a community event. The poem was read by local poets, broadcasters, personalities and politicians from the South Australia Parliament and a Federal MP & Senator. The State Premier was represented by the Hon. Michael Atkinson, who spoke about the role of the Emergency services in our society. The Chiefs of Police, Fire and Ambulence; all religious and community organisations' senior reprasentatives; the First Secretary of the British High Commission and the general public were present. It was recorded by Radio Adelaide and broadcast live as well as coverage from Channel 7 TV News. The Queen,Tony Blair, Australian Governor General and many other public dignitaries sent messages of support for the work being read. A string quartet and a solo flautist also played at this event.
betterdays Sep 2014
bright ....butterfly.......talent.....
flicking tongues of
allitrative illustratation unsure
of present
improv packaging
puckers lips
to pout
and preen
..
grunge moth
in hoodie comes
to sauce the play
tounge twister fandango
...
paperlace lizards ...dreaming...
days streamin by
.
all the mouths
of ritual making
fourth wall breaking
....
accummulate the method
scribe to the write
formulate the figure
linguate the lyrical
....left.....
to the pintered flighted .....sighs.....
shake the speare
this night
.
with finger drumming colour rhythms
reveal the reasoned might
of the fledgling dramaturg
......
foot stomping
posse blighted  brainstorms 
...
 burn limelight
burn, bright, burn
..
...throw your fleeting... searing glow
on these little
dramatic vacations
from life's realities
freeze frame moments
of luducrosity
and
humming,
allocentricity
.
egos pay homage
to floor door
and wall
drink
the life
the love
the moments glorious
of it
all.
........

the fear
pin *****
and bucket dance it
......come one......
come all.
learn the art of
the comic pratfall

here at the home
of drama 171 improv. .
by
the pants
of
your seat
and other
mellowed
dramatic
complexities and pratfalls
thoughts on a residential drama/ theatre studies school i taught.
although an
oldee piece
i thought
it fit Joe's latest
prompt
creative nature
Brandon Conway Aug 2018
A person goes out to town to cure
Boredom or loneliness
Often looking to conquer both

Even an introvert wants company
It’s taken six years to go search

I found a coffee shop
With a black box room

I took a seat
And waited for the host
To start the show
Improv comedy
Never been to one of those

The host asked
What’s inside this invisible box
Answers came out from the audience

I said a can of worms
Not loud
I hate attention
But the host heard
And chose that can of worms

Someone listened to me
And now they are making
Me my own personal joke

I got to admit
I was jealous
Each member has conquered
The fear of people
Of being in front of people
Of speaking to people
Acting crazy in front of people

The show was great
We all had a laugh
One day I will thank them
And maybe one day
I’ll join on that stage

Just one foot in front of the other
Next week is a poetry reading
And that’s where I’ll be
This is a improv poem
As vibrant and vivacious as a brand new totem
My luck feels like a bad game of Texas Hold 'Em
Instead of picking up the cards I fold them
The moon is covered in clouds when I walk out on the porch
Letting my presence sink like a dying torch
I'm not the one who rides on self pity
But I'm the lonely beggar drowning in the city
Barely making it
I can swear to you I'm not faking it
Everything that happens in my life
Should not contuine in my offspring
For they only know unity and peace
Until I send them off into this world
Where people are hanged and ******
For being the ones who want to live freely
As I know times are tough
I must not get my hands too rough
I must make sure the water is just right and my tone is prestine
So they can comprehend why I'm intently serene
So they can remember my words
So that they can swing the sword
With only thier words
For that they can become much more ambitious than other kids in their generation
And seize the hearts of a nation
They could become beloved sensations
That would be my greatest iteration
God bless me for that I've loved
Will bless me with the most beautiful people the Earth could possibly have standing
Taking after their mother
Who is my queen of the kingdom I so want to return to
As life is the opposing men capturing me and keeping me in their cold, lonely, prison.
This poem was done by improv. I really honed my skills at coming up with poems out of the whim. It's a beautiful skill.
No more of talk where God or Angel guest
With Man, as with his friend, familiar us’d,
To sit indulgent, and with him partake
Rural repast; permitting him the while
Venial discourse unblam’d. I now must change
Those notes to tragick; foul distrust, and breach
Disloyal on the part of Man, revolt,
And disobedience: on the part of Heaven
Now alienated, distance and distaste,
Anger and just rebuke, and judgement given,
That brought into this world a world of woe,
Sin and her shadow Death, and Misery
Death’s harbinger: Sad talk!yet argument
Not less but more heroick than the wrath
Of stern Achilles on his foe pursued
Thrice fugitive about Troy wall; or rage
Of Turnus for Lavinia disespous’d;
Or Neptune’s ire, or Juno’s, that so long
Perplexed the Greek, and Cytherea’s son:                        

If answerable style I can obtain
Of my celestial patroness, who deigns
Her nightly visitation unimplor’d,
And dictates to me slumbering; or inspires
Easy my unpremeditated verse:
Since first this subject for heroick song
Pleas’d me long choosing, and beginning late;
Not sedulous by nature to indite
Wars, hitherto the only argument
Heroick deem’d chief mastery to dissect
With long and tedious havock fabled knights
In battles feign’d; the better fortitude
Of patience and heroick martyrdom
Unsung; or to describe races and games,
Or tilting furniture, imblazon’d shields,
Impresses quaint, caparisons and steeds,
Bases and tinsel trappings, gorgeous knights
At joust and tournament; then marshall’d feast
Serv’d up in hall with sewers and seneshals;
The skill of artifice or office mean,
Not that which justly gives heroick name
To person, or to poem.  Me, of these
Nor skill’d nor studious, higher argument
Remains; sufficient of itself to raise
That name, unless an age too late, or cold
Climate, or years, damp my intended wing
Depress’d; and much they may, if all be mine,
Not hers, who brings it nightly to my ear.
The sun was sunk, and after him the star
Of Hesperus, whose office is to bring
Twilight upon the earth, short arbiter
“twixt day and night, and now from end to end
Night’s hemisphere had veil’d the horizon round:
When satan, who late fled before the threats
Of Gabriel out of Eden, now improv’d
In meditated fraud and malice, bent
On Man’s destruction, maugre what might hap
Of heavier on himself, fearless returned
From compassing the earth; cautious of day,
Since Uriel, regent of the sun, descried
His entrance, and foreworned the Cherubim
That kept their watch; thence full of anguish driven,
The space of seven continued nights he rode
With darkness; thrice the equinoctial line
He circled; four times crossed the car of night
From pole to pole, traversing each colure;
On the eighth returned; and, on the coast averse
From entrance or Cherubick watch, by stealth
Found unsuspected way.  There was a place,
Now not, though sin, not time, first wrought the change,
Where Tigris, at the foot of Paradise,
Into a gulf shot under ground, till part
Rose up a fountain by the tree of life:
In with the river sunk, and with it rose
Satan, involved in rising mist; then sought
Where to lie hid; sea he had searched, and land,
From Eden over Pontus and the pool
Maeotis, up beyond the river Ob;
Downward as far antarctick; and in length,
West from Orontes to the ocean barred
At Darien ; thence to the land where flows
Ganges and Indus: Thus the orb he roamed
With narrow search; and with inspection deep
Considered every creature, which of all
Most opportune might serve his wiles; and found
The Serpent subtlest beast of all the field.
Him after long debate, irresolute
Of thoughts revolved, his final sentence chose
Fit vessel, fittest imp of fraud, in whom
To enter, and his dark suggestions hide
From sharpest sight: for, in the wily snake
Whatever sleights, none would suspicious mark,
As from his wit and native subtlety
Proceeding; which, in other beasts observed,
Doubt might beget of diabolick power
Active within, beyond the sense of brute.
Thus he resolved, but first from inward grief
His bursting passion into plaints thus poured.
More justly, seat worthier of Gods, as built
With second thoughts, reforming what was old!
O Earth, how like to Heaven, if not preferred
For what God, after better, worse would build?
Terrestrial Heaven, danced round by other Heavens
That shine, yet bear their bright officious lamps,
Light above light, for thee alone, as seems,
In thee concentring all their precious beams
Of sacred influence!  As God in Heaven
Is center, yet extends to all; so thou,
Centring, receivest from all those orbs: in thee,
Not in themselves, all their known virtue appears
Productive in herb, plant, and nobler birth
Of creatures animate with gradual life
Of growth, sense, reason, all summed up in Man.
With what delight could I have walked thee round,
If I could joy in aught, sweet interchange
Of hill, and valley, rivers, woods, and plains,
Now land, now sea and shores with forest crowned,
Rocks, dens, and caves!  But I in none of these
Find place or refuge; and the more I see
Pleasures about me, so much more I feel
Torment within me, as from the hateful siege
Of contraries: all good to me becomes
Bane, and in Heaven much worse would be my state.
But neither here seek I, no nor in Heaven
To dwell, unless by mastering Heaven’s Supreme;
Nor hope to be myself less miserable
By what I seek, but others to make such
As I, though thereby worse to me redound:
For only in destroying I find ease
To my relentless thoughts; and, him destroyed,
Or won to what may work his utter loss,
For whom all this was made, all this will soon
Follow, as to him linked in weal or woe;
In woe then; that destruction wide may range:
To me shall be the glory sole among
The infernal Powers, in one day to have marred
What he, Almighty styled, six nights and days
Continued making; and who knows how long
Before had been contriving? though perhaps
Not longer than since I, in one night, freed
From servitude inglorious well nigh half
The angelick name, and thinner left the throng
Of his adorers: He, to be avenged,
And to repair his numbers thus impaired,
Whether such virtue spent of old now failed
More Angels to create, if they at least
Are his created, or, to spite us more,
Determined to advance into our room
A creature formed of earth, and him endow,
Exalted from so base original,
With heavenly spoils, our spoils: What he decreed,
He effected; Man he made, and for him built
Magnificent this world, and earth his seat,
Him lord pronounced; and, O indignity!
Subjected to his service angel-wings,
And flaming ministers to watch and tend
Their earthly charge: Of these the vigilance
I dread; and, to elude, thus wrapt in mist
Of midnight vapour glide obscure, and pry
In every bush and brake, where hap may find
The serpent sleeping; in whose mazy folds
To hide me, and the dark intent I bring.
O foul descent! that I, who erst contended
With Gods to sit the highest, am now constrained
Into a beast; and, mixed with ******* slime,
This essence to incarnate and imbrute,
That to the highth of Deity aspired!
But what will not ambition and revenge
Descend to?  Who aspires, must down as low
As high he soared; obnoxious, first or last,
To basest things.  Revenge, at first though sweet,
Bitter ere long, back on itself recoils:
Let it; I reck not, so it light well aimed,
Since higher I fall short, on him who next
Provokes my envy, this new favourite
Of Heaven, this man of clay, son of despite,
Whom, us the more to spite, his Maker raised
From dust: Spite then with spite is best repaid.
So saying, through each thicket dank or dry,
Like a black mist low-creeping, he held on
His midnight-search, where soonest he might find
The serpent; him fast-sleeping soon he found
In labyrinth of many a round self-rolled,
His head the midst, well stored with subtile wiles:
Not yet in horrid shade or dismal den,
Nor nocent yet; but, on the grassy herb,
Fearless unfeared he slept: in at his mouth
The Devil entered; and his brutal sense,
In heart or head, possessing, soon inspired
With act intelligential; but his sleep
Disturbed not, waiting close the approach of morn.
Now, when as sacred light began to dawn
In Eden on the humid flowers, that breathed
Their morning incense, when all things, that breathe,
From the Earth’s great altar send up silent praise
To the Creator, and his nostrils fill
With grateful smell, forth came the human pair,
And joined their vocal worship to the quire
Of creatures wanting voice; that done, partake
The season prime for sweetest scents and airs:
Then commune, how that day they best may ply
Their growing work: for much their work out-grew
The hands’ dispatch of two gardening so wide,
And Eve first to her husband thus began.
Adam, well may we labour still to dress
This garden, still to tend plant, herb, and flower,
Our pleasant task enjoined; but, till more hands
Aid us, the work under our labour grows,
Luxurious by restraint; what we by day
Lop overgrown, or prune, or prop, or bind,
One night or two with wanton growth derides
Tending to wild.  Thou therefore now advise,
Or bear what to my mind first thoughts present:
Let us divide our labours; thou, where choice
Leads thee, or where most needs, whether to wind
The woodbine round this arbour, or direct
The clasping ivy where to climb; while I,
In yonder spring of roses intermixed
With myrtle, find what to redress till noon:
For, while so near each other thus all day
Our task we choose, what wonder if so near
Looks intervene and smiles, or object new
Casual discourse draw on; which intermits
Our day’s work, brought to little, though begun
Early, and the hour of supper comes unearned?
To whom mild answer Adam thus returned.
Sole Eve, associate sole, to me beyond
Compare above all living creatures dear!
Well hast thou motioned, well thy thoughts employed,
How we might best fulfil the work which here
God hath assigned us; nor of me shalt pass
Unpraised: for nothing lovelier can be found
In woman, than to study houshold good,
And good works in her husband to promote.
Yet not so strictly hath our Lord imposed
Labour, as to debar us when we need
Refreshment, whether food, or talk between,
Food of the mind, or this sweet *******
Of looks and smiles; for smiles from reason flow,
To brute denied, and are of love the food;
Love, not the lowest end of human life.
For not to irksome toil, but to delight,
He made us, and delight to reason joined.
These paths and bowers doubt not but our joint hands
Will keep from wilderness with ease, as wide
As we need walk, till younger hands ere long
Assist us; But, if much converse perhaps
Thee satiate, to short absence I could yield:
For solitude sometimes is best society,
And short retirement urges sweet return.
But other doubt possesses me, lest harm
Befall thee severed from me; for thou knowest
What hath been warned us, what malicious foe
Envying our happiness, and of his own
Despairing, seeks to work us woe and shame
By sly assault; and somewhere nigh at hand
Watches, no doubt, with greedy hope to find
His wish and best advantage, us asunder;
Hopeless to circumvent us joined, where each
To other speedy aid might lend at need:
Whether his first design be to withdraw
Our fealty from God, or to disturb
Conjugal love, than which perhaps no bliss
Enjoyed by us excites his envy more;
Or this, or worse, leave not the faithful side
That gave thee being, still shades thee, and protects.
The wife, where danger or dishonour lurks,
Safest and seemliest by her husband stays,
Who guards her, or with her the worst endures.
To whom the ****** majesty of Eve,
As one who loves, and some unkindness meets,
With sweet austere composure thus replied.
Offspring of Heaven and Earth, and all Earth’s Lord!
That such an enemy we have, who seeks
Our ruin, both by thee informed I learn,
And from the parting Angel over-heard,
As in a shady nook I stood behind,
Just then returned at shut of evening flowers.
But, that thou shouldst my firmness therefore doubt
To God or thee, because we have a foe
May tempt it, I expected not to hear.
His violence thou fearest not, being such
As we, not capable of death or pain,
Can either not receive, or can repel.
His fraud is then thy fear; which plain infers
Thy equal fear, that my firm faith and love
Can by his fraud be shaken or seduced;
Thoughts, which how found they harbour in thy breast,
Adam, mis-thought of her to thee so dear?
To whom with healing words Adam replied.
Daughter of God and Man, immortal Eve!
For such thou art; from sin and blame entire:
Not diffident of thee do I dissuade
Thy absence from my sight, but to avoid
The attempt itself, intended by our foe.
For he who tempts, though in vain, at least asperses
The tempted with dishonour foul; supposed
Not incorruptible of faith, not proof
Against temptation: Thou thyself with scorn
And anger wouldst resent the offered wrong,
Though ineffectual found: misdeem not then,
If such affront I labour to avert
From thee alone, which on us both at once
The enemy, though bold, will hardly dare;
Or daring, first on me the assault shall light.
Nor thou his malice and false guile contemn;
Subtle he needs must be, who could ******
Angels; nor think superfluous other’s aid.
I, from the influence of thy looks, receive
Access in every virtue; in thy sight
More wise, more watchful, stronger, if need were
Of outward strength; while shame, thou looking on,
Shame to be overcome or over-reached,
Would utmost vigour raise, and raised unite.
Why shouldst not thou like sense within thee feel
When I am present, and thy trial choose
With me, best witness of thy virtue tried?
So spake domestick Adam in his care
And matrimonial love; but Eve, who thought
Less attributed to her faith sincere,
Thus her reply with accent sweet renewed.
If this be our condition, thus to dwell
In narrow circuit straitened by a foe,
Subtle or violent, we not endued
Single with like defence, wherever met;
How are we happy, still in fear of harm?
But harm precedes not sin: only our foe,
Tempting, affronts us with his foul esteem
Of our integrity: his foul esteem
Sticks no dishonour on our front, but turns
Foul on himself; then wherefore shunned or feared
By us? who rather double honour gain
From his surmise proved false; find peace within,
Favour from Heaven, our witness, from the event.
And what is faith, love, virtue, unassayed
Alone, without exteriour help sustained?
Let us not then suspect our happy state
Left so imperfect by the Maker wise,
As not secure to single or combined.
Frail is our happiness, if this be so,
And Eden were no Eden, thus exposed.
To whom thus Adam fervently replied.
O Woman, best are all things as the will
Of God ordained them: His creating hand
Nothing imperfect or deficient left
Of all that he created, much less Man,
Or aught that might his happy state secure,
Secure from outward force; within himself
The danger lies, yet lies within his power:
Against his will he can receive no harm.
But God left free the will; for what obeys
Reason, is free; and Reason he made right,
But bid her well be ware, and still *****;
Lest, by some fair-appearing good surprised,
She dictate false; and mis-inform the will
To do what God expressly hath forbid.
Not then mistrust, but tender love, enjoins,
That I should mind thee oft; and mind thou me.
Firm we subsist, yet possible to swerve;
Since Reason not impossibly may meet
Some specious object by the foe suborned,
And fall into deception unaware,
Not keeping strictest watch, as she was warned.
Seek not temptation then, which to avoid
Were better, and most likely if from me
Thou sever not: Trial will come unsought.
Wouldst thou approve thy constancy, approve
First thy obedience; the other who can know,
Not seeing thee attempted, who attest?
But, if thou think, trial unsought may find
Us both securer than thus warned thou seemest,
Go; for thy stay, not fre
Timothy Brown Aug 2014
People always show their true intentions
if you pay attention.
Two performers debating on a quirky time capsule stage

Evaporating the barriers of time with their improv

As the spectators breathe life into their routine with no turmoil
Inspired by two hilarious costumed actors I met at the Preston Hall Museum today.

This also happens to be one of my first few sijo poems thanks to Tees Achieve's Creative Writing course.

---

© Jordan Dean "Mystery" Ezekude
M Clement Nov 2012
Staring at a blank page
Why won’t my brain fit into you?
Poetry’s my new ****
I hope the cleanup’s easy

Jazzy enterprises
It’s time for some improv.
Do I look like a **** to you?
I say to my stepmom

If I wanted my comeback
I’d get it off your mom’s chin.
I love it now,
That faded, stupid grin.

Go **** your high horse,
I bet it’ll reach you.
Horses have big *****
Like the people who win web arguments

Congrats to you,
Oh ye fake SOB
Shakespeare, rather queer
Bites his thumb at thee

I can’t say I enjoy this
Painting on paper
Words being the brush
To which I’m engaged by

I’m doing this for you
You better know
I find no joy in this
Like war on veteran’s day.
I spent years of my life in a fantasy world.

waters inhabited with murlocs
Forests with centuars and unicorns
I had badass armor
Spellbooks, Abilities, Charisma modifiers!

When you live in Dungeons and dragons you finish quests, unlock gods,
Slay Monsters

When my DnD group broke up

I didn't lose a group of friends.
I lost a party of adventurers

Their eulogies pronounced at the end of that final nat one
Will never be forgotten.

Portaits carved like improv comedy routines.
Characatures of our ideal selves
Bound, sealed, stuck on a book shelf
We deserved another sequel.

When the party healer crumpled her car against a Concrete wall at 70 miles an hour
It made sense nobody else knew how to cast raise dead.

In a world that is supposed to play out our ideal realities
it was no question her charecter lived eternal. the way she would have wanted.
The way we wanted so badly to be true.
Nobody felt right taking over her charecter.
And nobody wanted to **** her off.
So we wrote her story.
Every die she had tossed this whole adventure. Each murloc she ran from, each unicorn she rode, etched into a leather bound tome.
Placed Right on the same shelve we kept our pathfinder books.
Her headstone.
We never played after that.
But she did.
When we placed the novel next to the flowers her mother left.
We felt her cast healing song
one last time
And that night
We got a full rest
Andrew Shoemaker Mar 2014
hello poetry,
you've been good to me
a musical harmony
that must be meant to be

cause and effect
from the clause of neglect
and we reflect

with skin cells standing
a hobby so demanding
things coming out of my brain and into my finger tips
Mateuš Conrad Jun 2020
.some sort of variation: the written and therefore... read... past and present making case... not so... easily... digested... and / or... marketed... when... encapsulated in a video... format... the written and the... much later... read... almost a colour... a pristine relief to masquerade... some sort of purple in a deepening plum of cherry... and giving it a name: burgundy... then again: that's also inquiring to ***** the "matter" with some plum... since when burgundy arrives... it's no maroon... hell no: concerning... fuchsia... burgundy and maroon are not... colour-statements... less... fluorescence... less... all that... otherwise... bothersome... haze and "jazz"...

i tried to sit through: mozart's magic flute...
being broadcast...
locktown: down down down...
          and somehow not out...
what's the half-terrible song
by falco...

   best known when cited by:
bloodhound gang....

i tried sitting through...
this... when genius meets "genius"...
this... one-time when german
took up... concerns for...
their expression of humour...
  the opera: singspiel... opéra comique...
the gods were somehow...
laughing: then... but fickle as they are...
i don't buy into either the joke
or... that... there's a somehow...
or this being... the classical:
           best kept: ortiface...
               rock me amadeus:
                 - 1782: marries constance...
     - 1784: mozart becomes a freemason
      - 1791: mozart composes the magic flute...

when did mozart compose the marriage of
figaro?                1786...
   the hidden depth of elevating
laughter...
        it's the magic flute... though...
but then... all this...
    verb-with-a-past-participle...
    to speak with a "future-past" presence
of a continuum:
              
  i tried sitting through mozart's magic
flute...
           but knowing the history...
this... wasn't... an ode to... the freemasons?
the magic flute is supposedly
magical than... first come first served...

papageno and the glockenspiel...
don quixote and the arrived at...
conquistador windmills...
                  
   i tried to sit through it...
i had to nip off to the bathroom
to play a game of "chess"
and *******...
because... as one has to...
check one's blood pressure...
check one's blood sugar level...
one just has to... *******...
whether there's a lover to be minded...
or... the taboo of *******...
or: inverted choc burning
the yeast buns via the oven
of ****!
                     this solo project:
this dodo project:
was always going to be...
an... irritating foundation stone
of: this is all modern...
the critique too...
hardly anticipating the norms
to be... antiquated and victorian...

          perhaps i couldn't sit through...
mozart's magic flute...
because... i just couldn't...
sit through... that sort of german best kept
secret: humour...
            
opera and the staging of humour...
i can somehow understand the...
solipsistic... autistic focus for stand-up...
comedy...
        singspiel... whenever that was
important...
           stand-up monologue humour
contra: the swizz cabaret...
        some variation of uncle voltaire...
and opera is her...
              loot...
   and all those... teasing at opera:
within the confines of: the suffix:
the opera-and-the-tics!
              
                kommen (sie) die stunde,
     die tag... die jetzt...
          eine jahreszeit...
                       besser gekleidet...

even when not living up to...
lye-v...
              canned laughter...
it's so vell Under's'tOOd...
          the jokes comes with a zeppelin...
and truance...
irritating sound...
the sound of a shattering of mirrors...
an irritating sound...
the sound of... biting fingernails...
an irritating sound...
    eating a ripe fruit like
it does resound...
performing oral *** on a ******...

            company on a tube...
relic of a journey...
  steppenwolf...
                 hessian bride... my most...
lacklustre improv. of retaining...
privy...
           commentary for...
thoese yet to be woken by...
           the... awaiting lost appetite for...
soap opera...
   clinging toward a kept...
routine... like brushing one's teeth...
which... opera per se...
isn't even... remotely... part of;

high-brow injustices of...
                          how will that make
you: yuppy-up...
leverage... a plateau... once more...
for me?
Arise, my soul, on wings enraptur’d, rise
To praise the monarch of the earth and skies,
Whose goodness and benificence appear
As round its centre moves the rolling year,
Or when the morning glows with rosy charms,
Or the sun slumbers in the ocean’s arms:
Of light divine be a rich portion lent
To guide my soul, and favour my intend.
Celestial muse, my arduous flight sustain
And raise my mind to a seraphic strain!
  Ador’d for ever be the God unseen,
Which round the sun revolves this vast machine,
Though to his eye its mass a point appears:
Ador’d the God that whirls surrounding spheres,
Which first ordain’d that mighty Sol should reign
The peerless monarch of th’ ethereal train:
Of miles twice forty millions is his height,
And yet his radiance dazzles mortal sight
So far beneath—from him th’ extended earth
Vigour derives, and ev’ry flow’ry birth:
Vast through her orb she moves with easy grace
Around her Phoebus in unbounded space;
True to her course th’ impetuous storm derides,
Triumphant o’er the winds, and surging tides.
  Almighty, in these wond’rous works of thine,
What Pow’r, what Wisdom, and what Goodness shine!
And are thy wonders, Lord, by men explor’d,
And yet creating glory unador’d!
  Creation smiles in various beauty gay,
While day to night, and night succeeds to day:
That Wisdom, which attends Jehovah’s ways,
Shines most conspicuous in the solar rays:
Without them, destitute of heat and light,
This world would be the reign of endless night:
In their excess how would our race complain,
Abhorring life! how hate its length’ned chain!
From air adust what num’rous ills would rise?
What dire contagion taint the burning skies?
What pestilential vapours, fraught with death,
Would rise, and overspread the lands beneath?
  Hail, smiling morn, that from the orient main
Ascending dost adorn the heav’nly plain!
So rich, so various are thy beauteous dies,
That spread through all the circuit of the skies,
That, full of thee, my soul in rapture soars,
And thy great God, the cause of all adores.
  O’er beings infinite his love extends,
His Wisdom rules them, and his Pow’r defends.
When tasks diurnal tire the human frame,
The spirits faint, and dim the vital flame,
Then too that ever active bounty shines,
Which not infinity of space confines.
The sable veil, that Night in silence draws,
Conceals effects, but shows th’ Almighty Cause,
Night seals in sleep the wide creation fair,
And all is peaceful but the brow of care.
Again, gay Phoebus, as the day before,
Wakes ev’ry eye, but what shall wake no more;
Again the face of nature is renew’d,
Which still appears harmonious, fair, and good.
May grateful strains salute the smiling morn,
Before its beams the eastern hills adorn!
  Shall day to day, and night to night conspire
To show the goodness of the Almighty Sire?
This mental voice shall man regardless hear,
And never, never raise the filial pray’r?
To-day, O hearken, nor your folly mourn
For time mispent, that never will return.
     But see the sons of vegetation rise,
And spread their leafy banners to the skies.
All-wise Almighty Providence we trace
In trees, and plants, and all the flow’ry race;
As clear as in the nobler frame of man,
All lovely copies of the Maker’s plan.
The pow’r the same that forms a ray of light,
That call d creation from eternal night.
“Let there be light,” he said: from his profound
Old Chaos heard, and trembled at the sound:
Swift as the word, inspir’d by pow’r divine,
Behold the light around its Maker shine,
The first fair product of th’ omnific God,
And now through all his works diffus’d abroad.
     As reason’s pow’rs by day our God disclose,
So we may trace him in the night’s repose:
Say what is sleep? and dreams how passing strange!
When action ceases, and ideas range
Licentious and unbounded o’er the plains,
Where Fancy’s queen in giddy triumph reigns.
Hear in soft strains the dreaming lover sigh
To a kind fair, or rave in jealousy;
On pleasure now, and now on vengeance bent,
The lab’ring passions struggle for a vent.
What pow’r, O man! thy reason then restores,
So long suspended in nocturnal hours?
What secret hand returns the mental train,
And gives improv’d thine active pow’rs again?
From thee, O man, what gratitude should rise!
And, when from balmy sleep thou op’st thine eyes,
Let thy first thoughts be praises to the skies.
How merciful our God who thus imparts
O’erflowing tides of joy to human hearts,
When wants and woes might be our righteous lot,
Our God forgetting, by our God forgot!
  Among the mental pow’rs a question rose,
“What most the image of th’ Eternal shows?”
When thus to Reason (so let Fancy rove)
Her great companion spoke immortal Love.
  “Say, mighty pow’r, how long shall strife prevail,
“And with its murmurs load the whisp’ring gale?
“Refer the cause to Recollection’s shrine,
“Who loud proclaims my origin divine,
“The cause whence heav’n and earth began to be,
“And is not man immortaliz’d by me?
“Reason let this most causeless strife subside.”
Thus Love pronounc’d, and Reason thus reply’d.
  “Thy birth, coelestial queen! ’tis mine to own,
“In thee resplendent is the Godhead shown;
“Thy words persuade, my soul enraptur’d feels
“Resistless beauty which thy smile reveals.”
Ardent she spoke, and, kindling at her charms,
She clasp’d the blooming goddess in her arms.
  Infinite Love where’er we turn our eyes
Appears: this ev’ry creature’s wants supplies;
This most is heard in Nature’s constant voice,
This makes the morn, and this the eve rejoice;
This bids the fost’ring rains and dews descend
To nourish all, to serve one gen’ral end,
The good of man: yet man ungrateful pays
But little homage, and but little praise.
To him, whose works arry’d with mercy shine,
What songs should rise, how constant, how divine!
Thomas Sage Nov 2013
I push a heavy stone over my head and I am still here,
When will I love lifting this stone?
When will I admire this heavy burden?
My muscles will adapt,
over time,
My mind will see the commonality,
over time...
Time
are you the one pulling these strings?
Are you this one they call God?
Are you the one who holds me,
Tells me
Controls me?
Yet when I hear,
When I see your family,
It almost seems like you dont exist
Your brother with his colorful bright eyes that can perceive all color,
Your sister with her ears that pick up all frequencies listening to all your problems,
Your father with his consciousness making up brilliant ideas that are not fathomable by our perception,
and your mother,
Creating,
touching,
feeling
hearing,
Time,
your silly smile,
your silly mask,
Time you cannot control my mind
Thomas Sage Nov 2013
Do it,
I have thought for most of my life,
I love it,
But in its dreamy smoke of passion and imagination it becomes.....
I picture me being someone,
Important,
Have all the money in the world,
wait...
Not moral enough,
so then I envision a deeper meaning of what I want to be,
I want to be creating art I love,
Art I am proud of,
Art that will restore my spiritual faith in the world......
Fake,
It all becomes fake until my hands feel the process,
A new way to see this is,
Be real,
Think Do,
Maybe don't think,
I will trust my self to respond accordingly,
Without the hindrance of my younger brother,
But maybe with his guidance,
Mind is not me,
To free me,
I must free my mind,
To free my mind I must not make every decision from it,
Trust me
Be me
Just do it
The mind
Nadia Sep 2019
Rhyming Review - Sorry I'm Late, I Didn't Want to Come by Jessica Pan

Introverts unite
(separately, of course),
This book is for you,
Jessica Pan is your force

For a year she denied
Her introverted tendencies
She e-dated for friends
Gave up shy dependencies

She tried stand up comedy
She spoke at the Moth
She signed up for improv
Things that make shy ppl froth

Her anxieties could have come
Straight out of my own head
You could try extroverting
Or watch Jessica try it instead

You will learn new tricks
While you frown and cringe
Or snicker sympathetically
Through your reading binge
This book was awesome!!! I listened to it while my podcast app was glitching and I am so glad I did.
Baylee Oct 2015
A lot of people seem to think
that I would be great at
stand-up.
But improvisation
gives me bad
anxiety.

He also thought that stand-up
was in my best interest;
it isn't.
That must be why he
stood me up last night-
how's that for improv?

So there I was, downtown,
waiting alone, for a guy
that would never show up.
Put on the spot to entertain,
improvisation, you could say,
*but I'm not too good at stand-up.
Thomas Sage Nov 2013
What is it,
That keeps me here breathing,
Loving.. and hating?
I walk down the Sidewalk and look down,
a leaf is floating threw the air,
Time has stopped around its curved figure,
yet it still moves,
gracefully,
floating down,
down,
down,
I am the leaf,
What is it that keeps me here,
is it going down?
or is the leaf going home,
RyanMJenkins Jul 2013
The night started slow, riddled with excitement.
Soon everything came together to light the way like lightning.
Simple plants, changed the nature of everything around us.
Everything had life, and was there to astound us.
Posters became 3-dimensional works that played with imagination.
Upon closing eyes, we were gone, lost in fascination.
Never was there fear, and everything had proper circulation
To show us that everything is intertwined.
Two souls that night were able to effortlessly unwind.
Sometimes I would giggle as I examined my own mind.
But it helped me see that I'm now powerfully redefined.
Little crystals on green bulbs of beauty disappeared into our chests.
Blow it out slow with control and let go of any stress.
Winds of change were growing, and our tree danced for us.
A milestone in our friendship these happenings were a must.

Everything had elegance, from the way the world would sway
To the way, I knew exactly what to say.  
Punch lines and good times had us laughing.
Such raw, pure energy, creating moments everlasting.
Philosophically speaking, we were retreating into places of higher power.
Once the caps and stems were gone we had bloomed into majestic flowers.
Melted in our environments, in harmony with each other,
As our solo melodies played and were soaked into each brother.
Stimulating conversations about the universal energy matrix,
Elevated on magic, we got our wondrous fix.
An influx of synapse firing sparked a rewiring of who we are.
Bodies completely relaxed, mesmerized by stars.
The moon was a goddess looking over us,
As we gazed in awe of her aura.
Faces changing constantly, but with eye-contact we had a God moment.
Spectacles morphed so fast there was no way to really hold it.

Confidence was off the page as the scenes I was conducting,
Switched from stage to stage.  
Every line by us improv actors was perfect as if predetermined.
I knew the right time, I never in my life have been so absolutely certain.
Fields of energy drew us in as our experience fluctuated between scenes.
Though sometimes I was enjoying what was going on internally so much so,
That we both had periods where we wouldn't speak.
The levels of creativity increased as I was realizing inner potential climbing to our peaks.
Outwardly, we may've seemed goofy
But we experienced something mystical, all by our own choosing.
My rhymes of the mind came out on time
And fit in with every line of conversation.
Whether we wanted to move or not was the only contemplation.
A loving memory was shared across the span of many hours, complete with soul restoration.
I never before, cherished the reflection of myself more.
In the bathroom with eye eclipses, the rain that is bliss, poured.
Hallucinations were fully engaged, and roared
Across my landscape, where my wildlife continued to grow.
So much information to process, we could vaguely share the overflow.
Sometimes words were not needed, the symbols needn't be portrayed.
Feeling near complete with psilocybin inside, as the compounds together played.
Dancing on a rollercoaster in the depths of my heart,
For awhile Daft Punk was playing as we jived in the dark
We were in absolute sync with every happening.
With kaleidoscopic visions and topics flowing,
Higher frequencies within us were amassing.

One long song, a perfectly scripted movie.
Special effects so intricate, deep and moving.
All wounds felt healed, both deep scars and minor bruising.
I was beyond myself, tasted a touch of cosmos drip in me.
Perfectly placed with perspective overlapping like sacred geometry.
Chemistry changes were made as we meshed with biology.
On the brief, forever journey, I believe I could see all of me.
Within realms within realms, the sea of consciousness is where we delved.
To realize all we ever needed, was ourselves.
Thomas Sage Nov 2013
Greed,
You pitiful soul,
I love what I do,
That is enough,
I would rather suffer at the foot of society,
Then sacrifice my beloved,
My love for you,
For me,
I love you please understand,
I love me too,
whats the difference?
The point to life is to be,
to be with you,
Me,
Do what you love,
In the face of opposition,
DO what you love and throw away greed,
Replace it with empathy,
I Do what I love,
always,
I will always love you,
No matter what you do to me,
I am an artist I will better this world,
I will give to it something great that will benefit all Humanity,
Even if I am beatup and crushed by My Family,
Even if I am loved and Nourished by My family,
YOU are my family
Thank you
Laurie Fisher Jun 2012
Discern fantasy from fact
Its difficult enough
To stay intact

Your dreams and desires
Are as equal to mine
But the difference between us
Is the truth that is underline

How I wish it to be true
But the information I am repeating
Is soon to misconstrue

Miles apart
Distance kills my heart
I reach for you
But your too far
And what it leaves is
A scar
Hank Helman Nov 2015
No
It got to the point where we just ******.
No snake oil arguments,
No cookie batter eating binges, no street corner improv,
No cold, crazy, middle of the day, psychopath silence,
No clink, clank sulking,
No cuckoldry tears over the kitchen sink.

It was as if we secretly decided,
To pound each other to death,
Or die trying.
Why is this so enjoyable.
Ghenwa Apr 2018
The first rule of improv, is to say YES
Don’t block the flow or rythm

Don’t say no to the opportunity
To make something out of nothing
To create something beautiful

Look at it this way,
If you say no,
You’re closing the door
To a new friendship
To a new flame
To a new job
A new adventure

Don’t close the door,
To what may become
Something great,
Something bad,
A new experience,
A new lesson

Give yourself a chance
Scott T Oct 2013
If you miss a beat
You create a new one
**** metre
Mateuš Conrad Mar 2020
no other - a windowsill and an open window -
sitting on a folded leg and slouched
like a crow - i would be begging for it to rain -
no other music can capture rain -
safety net of all that sporadic improv. -
                      other other music - except jazz...
whether it be rain nibbling on the countryside
or the full-on cosmopolitan havoc of grey,
dust, grease, cement and rats and glass...
                 never mind: because i never thought
i'd say this...
                of the moderns... closely ruling out
wojciech kilar - for no particular reason other than
he's probably more known -
christopher young - since his hellraiser stint...
what's new - the revamped pet cemetary?
well... if christopher young was primo...
      soon to follow him... graham... plowman...
work on h. p. lovecraft adaptations...
                     horror as a genre...
                                the music wins me over...
however spectacular the visuals are...
                               if the music isn't bone grinding -
unsettling the nerves -
well... that's like pop music when it's raining...
i guess: oh i guess jazz can capture more feelz
when it comes: when it's raining...
when it's lazily sun-dazzling with the impression
of an "underneath" sizzling sensation -
or melting butter - or for that matter melting chocolate...
or adding splashes of cornflour made in water
to a sauce and watching it thicken...
this recipe i will remember by heart...
i will have to at someone point...
but this dhal was quite sublime...

   scrap book recipe...
          a man in a kitchen...
               and in hell... the devil's mastery...
almost like a chemistry experiment...

       half and half: masoor and mung dal... lentils...
kabuli chana (chickpeas)...
    a bay leaf...
              3 cloves...
  a tsp of cumin coriander turmeric
                     chilly powder and another of kashmiri
   chilly powder
                chopped tomatoes
  coconut milk...
            onion ginger garlic
                spinach
      gochugaru flakes coriander for garnish...
veg and chicken stock...
                          ghee...
butternut squash...
                    cayenne pepper (1 tsp)...
    i was looking for a pinch of asafoetida...
i knew it was in the kitchen...
    alas... also know as a substitute for those
vegan cults that don't include eating onions
and garlic... or perhaps just onions...
    cinnamon stick? no...
but three decent pinches of a homemade
garam masala...
  and yes...

   https://ministryofcurry.com/moms-garam-masala/
is the only spice blend...
   the russians can have their nukes...
the americans can have their nukes...
i have an arsenal of the following spices and...
i'm feeling... like i just had a manicure done...
the only garam masala:
asafetida, bay leaves, black peppercorns,
black cardamom, cardamom, cumin seeds,
(sorry, no black cumin seeds),
      cinnamon, cloves, cordiander seeds,
dried chillies, fennel seeds, fenugreek seeds,
(mace? no mace)...
         nutmeg, poppy seeds, star anise...
turmeric...
          again: no stone flower...
well... that's almost covered it...
                it's not the recipe asks for black
mustard seeds... those i do have...

                   cult recipe and it says: who needs...
meat?! even i'm convinced...
god i do love a good steak tartar...
    anything ****** and oozing wriggly bits
of life - as tender and gelatin grizzly as a...
even the names: bleu... ooh... saignant...
  haha... medium: demi-anglais... what else?

the butchers rolling in their graves
when someone orders a steak: fini-bien...
                          or some other frankenstein of the kitchen...

coleman hawkins - the high and mighty hawk...
some guys were putting up a fence
for me and my neighbour - it only took 15 years
but who's counting - they were told to
cut out all the bushes and foliage in my garden...
so that they could get a straight line
and so the fence would be put up...
unlucky for my rosemary bush...

r.i.p. my rosemary bush...
        today i started to salvage the poor thing...
the newer shoots i placed in water for
a drink and hopefully 2 weeks from today
i might think about planting them back in
the ground... for the rest of the bush?
i had to freeze the rosemary...
all afternoon my fingers were scented with rosemary...
which is fine... when you're working
with a raw piece of lamb...
but i'm no walking and breathing and aching
lamb of god about to be hanging
on the cross...
                even through the soap...
an afternoon of my hands being heavily scented
with rosemary...

vivaldi can have spring and the other three
faces of "god"...
holst can have his mars and the other circle of hell...
but thank the high-flying-****
that jazz can capture a rainy day better
than that song: i'm only happy when it rains
by garbage...
            
  guess i'm not letting go...
         an active rebellion against classical music...
one jazz record after another and i can gravitate
to...ward... the entire e.p. being played...
none of that new wave harakiri diat l.p. scene -
much appreciated... but i always need to move
beyond the half-an-hour mark...

         then again: i can't see how jazz could
compensate for snow - snow on the exit format -
jazz doesn't - then again...
no, categorically...
                           if there's only a sly insert of drum...
no horns - the piano and some guitar -
  
   otherwise you can't go wrong with
joshua redman - back east...
         a modern classic - notably with zarafah...

speed-conversations - none clinging
to a cameo of a date...
                 fickle minded - always changing
the course of events that... nonetheless remain
intact on binding themselves to a blind will -
        
music and all these interpretations are my own -
too bad to see and have to work with
a cipher - what's behind this image -
what's behind that image -
at least music stands stark and shivering naked...
less chances to abide by some propaganda...

unless of course mathematics is to be given
the crown - i hardly think: one shouldn't really
think about music -
                one can never really fathom
the constraints and the escapees from these
constraints... these constant revisionary scribbling
over and skimming the orthodox:
brick-on-brick intricacies of: immoveable objects
being: nonetheless moved...

- i too am waiting for my libido to die off -
anytime soon... like right now...
no harem therefore "jazz hands" and the algebra
of "magic fingers"...
idle man and all that *** that could have been...
until that magnetism is steered off a cliff
of: not another tomorrow -
                    at least no ***** or *** doll upon
the horizon -
            no point getting intimate or personal...
only a few days back i found a weakness in
this exoskeleton -
standing in a shower... pouring running water
onto the back of my head...
i almost knelt and said my prayers from
the exhaustion of succumbing to this multiple-******
of nuance...
       right on the spot where
a higher evolution of a more, protruding occipital
bone: as i've heard it once before: being noted...
i'm waiting for my libido to **** itself off...
in the meantime no harem...
imagine my luck when it comes to
the wisdom served up by men like king solomon...
even by then:
this most exhausted man had
to settle for a swan's dignity in monogamy
with the queen of Sheba...

                 but it's hard to translate wisdom
when you have all the basic forebodings
already at your disposal... the harem will discover
***-toys and you will be...
the limp **** in the whole affair...

                 such hard-on feats of fear when it comes
to... two cakes too many
when all you've been asking for is, merely a slice...
jazz... i can't find
a clint eastwood in alcatraz...
or steve mcqueen in sagan...
               or witold pilecki in auschwitz...      
but i can find myself in jazz...
hummingbird or some, other, champagne flute
and that bothersome fly...
nothing against flies: everything against
mosquitos... i would **** those buggers with
the same joy of donning wool having
just sheered a sheep or two...

jazz and: the wriggling fish...
jazz and all the fish out of water...
i'd call them constipated ***** and lobsters
but... jazz and the wriggling fish...
jazz and smoking a cigarette to appreciate
the deaf centre point of night's culminations...
living close by to central london...
"walking in" and not feeling like
anybody important: or a tourist...

       if i wasn't a billy joel: i would most certainly
not want to be a bob dylan -
hard to be living the obscure with a cross
made up of iconography...

the applauded and the: billy joels' piano man meets
neil young's old man...
they shake hands and subsequently depart
where the crossroads begin, and end...

believe me when: i'm the last to be believed...
usher in a dozen penguins attired
to be... fizzy kosher dosh...
in all their napkins and bowtie-neck strangle 'em
into a hush of a bamboozle...

such the life the music the mathematics
of living in shackles - wriggly ol' ****** with
those improv. would-be-turns and...

how many words will it take for it to be clear...
i have nothing but rejoice at clinging
to my obscurity... primo amigo:
alea iacta est: too bad for me...
or too bad for my shadow...
                       faking being a gemini
in the horoscopes of fate and superstition...
shadow: mime out of the confines...

      these is my second chance at retaining
the crown of obscurity? is it?! is it?!

   to have to burden oneself with love...
akin to... well... if i were about to spoon her...
but no... i wanted to catch the 8 hour kipper....
but every time i would fall
to sleep... i'd fall asleep with a tarantula bite...
numb all over to one side...
because i was oh too willing to fall asleep
when clinging to her...
like a bracket fungus to trunk and core...
one side of me complete in numb...
which had a rubric of recitations
should all else not be true...

but *****! that slap in the face...
                             come to think of it...
i'd like something to eat...
less **** with... that could pinch me...
i'm starting to think that
being ganged up by a group of hyennas
is not such a bad way to go...
perhaps being mistaken for a tuna
when a shark attack is being
noted...
            hard to imagine
sharks or bears or lions as having
sadistic undercurrents to their day-in-day-out
beats...
  even sharks nibble but never gorge
and feast on... this cranium solid first and only
hope when it comes to god
not making mistakes when gambling...
the ******* roulette or a black jacks' "choice"
of cards...

i can't exactly "think" this out to appease
a gravitating en masse...
                       pour me another shot and
debackle! all in the faith and hope
of un-thinking thinking...
trying out this suction tenticle of the void...
replacing descartes' res cogitans with
res vanus... what is due: is due...

no more wisdom from me aged 34
as me aged 73... there's only rain and jazz...
i'm buying time...
concerning whether it would be even
remotely likely to appreciate jazz
when it's snowing... unlikely...
very much hell-bent unlikely...

      - who would have thought that peering
into an aquarium would have to,
become more entertaining that zombie-clad
watching a t.v....
what ever happened to the watching
a klepsydra... or the tick-toe-tightening
of seconds into minutes into hours...
dying from the skeleton diet of time
whenever catching-up: unaware with
the clock in the confines of:
old people not really...
no, not really, listening to coleman hawkins'
much of anything...

                     because this doesn't tease
the affections of the young...
like a trainspotting revamp might....
because there's, clearly no new dracula...
and there's no new: new....
                     i wait patiently like a salamander....
no easy picking no low hanging fruit...
no fatty boy'oh to matter...
         no leeching off the three-quarters
of                               the better part of the engineering
cohort that were behind
the manhattan bridge... or Malbork Castle...
and hands on hands: do touch...
the event horizon of a dead star...
                    in that: pulling fabric...
basic genesis... talking fire "misanthrope": "god"...
bushes outgrowing fungus when
it came to 1970s ***** flicks:
notably in fwench and italian...
                   prune the perm hair...
                             keep that afro on a leash!

these days ***** is half of the cure's nostalgia
and more...
onomatopoeia and...
    refining the contorts with painting...
and keeping the act on a hush...
               the lazy hands speaking
dozen **** cracks being discovered but
none being experienced...
bone the hand...
it's called a ****** just because
of oysters... it's called a ******
because of the clams and of the irises...
and because the tongue:
god... ever time i wanted it to exfoliate...
it's forever that timid tulip!

         what came of a ****** became a hand
and the cusp... and what would never
become a San Francisco needle hinge epidemic...

was anyone praying that
one direction would become the next rolling stones...
cougar: meow...
that **** jagger was going to be
the "reincarnated" harry styles?

           knock-knock... who's there?
a premonition... i.e. touch-wood...
base: i will require the wood to be touched
by bone - notably a crunch of the knuckle in how
the fist is formed / fathomed...

        otherwise known as the lap-lapping-dance-off
with a tongue wriggling in imitation
closure of a worm...
or a fighter for a boxing champ. contender...
belt-up... knot and noose down....
the new news is no: good skit...
i **** myself to fickle my shadow
whenever i see a hoopla or a trance inducing
recoil of the swinging dancing spare
of a: rope that's not leftover for
the dangling first come first served...

daydreaming zeppelins...
the day the elevated english man will fall...
and bring down the bowler hat with him...
touch the philosopher's stone and turn
that attache of good taste into an umbrella...
the same day i stop daydreaming
about zepplins...
will see me think of the anglo-saxon
as whittle brother... the younger Swabian...
and all part of the infuriated minor
Germany that found inkling to behave
like the nomad Yids...
and move... and move... and...
never the sort of people to conceive of a ship...
without also being receptive of carrying
an anchor!

then again...
                   monkey man albino and...
forever the one to follow the white rabbit back home.
betterdays Mar 2014
bright ....butterfly.......talent
.....flicking tongues
of ......allitrative illustratation
unsure..... of present improv
packaging.....puckers lips to pout and preen....
........grunge moth in hoodie
comes to sauce the play....
tounge twister fandango
...... paperlace lizards ...dreaming...days streamin by....
all the mouths....... of ritual making.......
fourth wall breaking. ..
.....accummulate the method
scribe..... to the write
........formulate the figure...
linguate the lyrical....
left..... to the pintered flighted sighs.....
.....shake the speare this night
with finger drumming colour rhythms..... reveal the reasoned might ........of the fledgling dramaturg.....
foot stomping . ...posse blighted ....... brainstorms
.  .burn limelight bright burn...
throw your fleeting..... searing glow....on these little dramatic vacations from lifes realities.....
freezeframe ......moments.....
......of luducrosity..... and. . humming allocentricity ......
....egos pay homage to floor
door and wall...
drink..... the life ....the love ........the fear
pinprick and bucket dance it ......come one ..... come all.
learn the art of the comic pratfall ...... here at the home
of drama 171 improv
. ....by the pants of your seat
and other mellowed..... dramatic.......completes
thoughts on a residential drama/ theatre studies school i taught.
Ariana Robinson Apr 2015
She is able to portray the character she is meant to be on screen and in front of a camera.
She can deliver lines learned from a script or improv.
She can feign different emotions based on the scene she is in.
She can take on the life and personality of her character(s).
However, she can separate who she is in reality from the characters she portrays...
And that is a good actress.
I’m singing this song,
Don’t know what to expect,
But the words, they keep flowing,
And the music, it keeps going,
And I reach my highs when I sing and think,
    of you,
And I reach my low when I say something,
    I really didn’t want to,


‘Cause I want you,
    So. ****. Bad.
I wanna live up to,
    Every expectation you have.
I wanna sing the problems in your life away,
I wanna make sure the notes I hit stay,


I want you to hear me say,
That every day,
    I need you,
And that way,
    You make me,
Makes the next day worth living.


‘Cause I want you,
    So. ****. Bad.
I wanna live up to,
    Every expectation you have.
I wanna sing the problems in your life away,
I wanna make sure the notes I hit stay,


'Cause every time I wake up,
    I smile,
And every breath I take up,
    Is great,
When I hear you say,
    “I love you,”
And the feeling you give me stays,
    It’s true.

-July 14th 2013 (Lol the sun is rising right now)
CM Vazquez Jun 2013
Some say the Earth is where the demons lay.
Some say beneath the ground is where you'll hear the cries.

And I doubt it still.
Just out of hope that she might rise.

Even upon our highest hill is below what we can surmise.

Some say the skies is where we'll sigh after we die.
Forgive my baptized mind, but I read your book.
It denies lies.

So wise, and still
my will, bearing this skill, is shrilled
behind
this jive disguise.

Standing on what we could fulfill, we'll see the others improvise.
samasati Apr 2013
there are vanilla scented candles
and plaid scarves,
acrylic paints of every ******* colour
and wool socks,
a closet full of pretty dresses
and a bookshelf full of good reads
but I’m not happy

there is laughing
there is smiling
there is feeling good
sometimes
but I’m so unsatisfied
with what I’ve got
though I seem to have just about
everything

I have a good mother
I have friends that care
I have blankets
I have good teeth
I have rubber boots
some people say I have nice legs
I have compassion
I have the drive to create
I have trees
I have long hair
some people say I have kindness
I have a bus pass
I have a new job
I have flexibility
I have enough money
some people say I have talent
but I’m unappreciative
and ******* myself  
still

there are booked gigs
and improv shows,
interesting conversations
and instruments,
trees and leaves and twigs
and pinecones,
the sky,
the zoo,
the cafes
but I get insecure most of the time

there are long hot baths
and biting nails,
then painting nails,
then repainting nails
and biding time,
then hating time,
then being okay with time,
there are long stares in the mirror
sometimes glares
sometimes there are puffy eyes
there is frustration
in my fingers
in my head
in my voice
at the piano
on stage
being vulnerable in a crowd of cool actors and musicians
fear of being seen
fear of being unseen
fear of doing it WRONG
fear of looking stupid
looking ugly
looking pathetic
sounding stupid
sounding ugly
sounding pathetic

there are dreams of leaving
this city
this head
these people I have known
for what seems like forever
there are dreams of healing
and loving my skin
and the natural amount of fat
that is underneath it
there are dreams out there
there are so many of them
that I’m afraid to wish
that I’m afraid to think of
from caution of them not happening
from caution of disappointment
and loneliness
and neediness,
then purposelessness

there is wanting
and wanting
and wanting
something better
I don’t know what
just something better
but waiting
and waiting
and waiting
for it to come to me
instead of
trying
and going
and getting
it myself
Calling Dreamers rest your watchful eyes...
Burning images with an improv mind...
Through waves we are one, A new life has begun
Through waves we are one, A new web has been spun
We Move Through The Universe....
It's killin' me,

the way you always
heed my silent becks
to the cat's cradle
for the dim-dusked
shimmyings we do,

for the middle of the courts
hopscotchin' we improv
in the
catacorner criss-crosses
we continue to let
splash
in the middle of our
bashing pool.

stakes are
brimstoned
high
this time-

higher than the dizzy chicks
with flower magic
stick-on things
not really covering their ******* -

their faith's got them
grinning down
proudly
to the matrix hubbub below,
from the drooping shoulders
of their guy bits
in matching flowers

('cause we're all one here
yeah? - yeah!).

tonka tricks
litterin' my walkway -
slinkin' around,
tryna play on with
the big cats -

instead,

just trippin' up my
flutter game -

chill out.

i mean,

i'm not complainin'
'bout the mess your
charcoal lashes keep
leavin'
after payin their
naughty boy dues
to them round things
just one step down -
makin' love to
the apples bobbin'
in cheeky
conversation.

i've kinda got this
cheshire thing goin' on -
the way my smile swells
too slowly for you -
showin' off whiffs of
those secret things

the ones i only hold onto to
to keep rattlin' your cage
with the big toys
i keep tellin' you
you can't have.

but
you keep
swimmin' in that pool
of excessive *****
traps
thinkin' there's a way
to ****** the magic
carpet from beneath my
bottom,

believing some dumbly
that your charcoal
is the only fire starter i'll ever want
markin' up my agenda.

you're screamin' a bit too loud
now, Cubby -
readin' to me the words
i can't see written across
my face.

I can't see 'em
without a mirror,
though i can feel the letters
being etched into my skin
with every flipped card
i wasn't
necessarily
tryin' to flip.

but, honey
i got cosmic dust
stored in my fingertips

a special
spunky mix
i like to throw down on
in the kitchen with
the sandman's concoctions -

plan A and plan B
it's a fight just to see in -
need to be prepared
for whatever is comin'.

though you ain't snatched
the rug yet,
i'm lollygaggin' on the
tip of the edge

my carpet's doin this
rufflin' thing -
and i'm slippin'.

you got me
colonizin' your corduroys
draggin' my stirred and ragged heart
behind me -
too sturdy and ambitious
in its wild-hearted
persistence.

gonna bust open
this fruit bloom, here
if it takes me all day
and all night.

I am
an ant,
looking for salvation
in big places.
© 2011 Elephants & Coyotes
“Nil ego contulerim jucundo sanus amico.”—HORACE.


Dear LONG, in this sequester’d scene,
  While all around in slumber lie,
The joyous days, which ours have been
  Come rolling fresh on Fancy’s eye;
Thus, if, amidst the gathering storm,
While clouds the darken’d noon deform,
Yon heaven assumes a varied glow,
I hail the sky’s celestial bow,
Which spreads the sign of future peace,
And bids the war of tempests cease.
Ah! though the present brings but pain,
I think those days may come again;
Or if, in melancholy mood,
Some lurking envious fear intrude,
To check my *****’s fondest thought,
  And interrupt the golden dream,
I crush the fiend with malice fraught,
  And, still, indulge my wonted theme.
Although we ne’er again can trace,
  In Granta’s vale, the pedant’s lore,
Nor through the groves of Ida chase
  Our raptured visions, as before;
Though Youth has flown on rosy pinion,
And Manhood claims his stern dominion,
Age will not every hope destroy,
But yield some hours of sober joy.

  Yes, I will hope that Time’s broad wing
Will shed around some dews of spring:
But, if his scythe must sweep the flowers
Which bloom among the fairy bowers,
Where smiling Youth delights to dwell,
And hearts with early rapture swell;
If frowning Age, with cold controul,
Confines the current of the soul,
Congeals the tear of Pity’s eye,
Or checks the sympathetic sigh,
Or hears, unmov’d, Misfortune’s groan
And bids me feel for self alone;
Oh! may my ***** never learn
  To soothe its wonted heedless flow;
Still, still, despise the censor stern,
  But ne’er forget another’s woe.
Yes, as you knew me in the days,
  O’er which Remembrance yet delays,
Still may I rove untutor’d, wild,
  And even in age, at heart a child.

Though, now, on airy visions borne,
  To you my soul is still the same.
Oft has it been my fate to mourn,
  And all my former joys are tame:
But, hence! ye hours of sable hue!
  Your frowns are gone, my sorrows o’er:
By every bliss my childhood knew,
  I’ll think upon your shade no more.
Thus, when the whirlwind’s rage is past,
  And caves their sullen roar enclose
We heed no more the wintry blast,
  When lull’d by zephyr to repose.
Full often has my infant Muse,
  Attun’d to love her languid lyre;
But, now, without a theme to choose,
  The strains in stolen sighs expire.
My youthful nymphs, alas! are flown;
  E——is a wife, and C——a mother,
And Carolina sighs alone,
  And Mary’s given to another;
And Cora’s eye, which roll’d on me,
  Can now no more my love recall—
In truth, dear LONG, ’twas time to flee—
  For Cora’s eye will shine on all.
And though the Sun, with genial rays,
His beams alike to all displays,
And every lady’s eye’s a sun,
These last should be confin’d to one.
The soul’s meridian don’t become her,
Whose Sun displays a general summer!
Thus faint is every former flame,
And Passion’s self is now a name;
As, when the ebbing flames are low,
  The aid which once improv’d their light,
And bade them burn with fiercer glow,
  Now quenches all their sparks in night;
Thus has it been with Passion’s fires,
  As many a boy and girl remembers,
While all the force of love expires,
  Extinguish’d with the dying embers.

  But now, dear LONG, ’tis midnight’s noon,
And clouds obscure the watery moon,
Whose beauties I shall not rehearse,
Describ’d in every stripling’s verse;
For why should I the path go o’er
Which every bard has trod before?
Yet ere yon silver lamp of night
  Has thrice perform’d her stated round,
Has thrice retrac’d her path of light,
  And chas’d away the gloom profound,
I trust, that we, my gentle Friend,
Shall see her rolling orbit wend,
Above the dear-lov’d peaceful seat,
Which once contain’d our youth’s retreat;
And, then, with those our childhood knew,
We’ll mingle in the festive crew;
While many a tale of former day
Shall wing the laughing hours away;
And all the flow of souls shall pour
The sacred intellectual shower,
Nor cease, till Luna’s waning horn,
Scarce glimmers through the mist of Morn.
Vivian Elise Jun 2015
My hands are deep in the soil
As the dawn breaks
I remember surreal sunset days
When you would wake me up by work
By calling me pet names
I remember better days.

I'm burying your pictures, sacred artifacts.
Blips of moments tied to memory that I can't take back.
I saw you in my sleep last night, you are as haunting as a heart attack
No longer do I wish to see your face in my dreams so abstract
In which you smile
As the world burns around us
In which you take my hand
And say that you never stopped loving me
My hands are deep in the soil
I've stained my knees
Burying these memories
6 feet deep
Sitting packed in the back
of a semi-decrepit white Subaru
belonging to the Swedish Harpist
driven by the Romanian Drummer
with a literal car-full
of perfectly tetrised musical instruments,
including:

Four cymbals, two toms, a hi-hat, and a stool,
a Celtic double-Harp,
an electric Piano,
and two guitars
(an acoustic-electric twelve-string and an electric six-string)
with a few days' clothing
and, not knowing where we're sleeping, a sleeping bag,
all the while
devouring Matza and pumpkin seeds
(that we bought at Trader Joe's)
as we barrel moderately safely
down various back roads and Highways
in this car weighted as a truck and driven as a motorcycle
towards enigmatic San Francisco
to play a couple shows,
two days in a row:

one, at a literally underground Theatre
(in which improv comedy is, apparently, king of kings)
smack-dab 'pon the border of Union Square,
and another, for a private birthday party
typified by oh so many avid Burners.

Surely, our Psychedelic Jazz Funk-Rock
will find some empathic ears!

Y'know, last summer,
when I said I wanted
to be in a Gypsy Band,
I sure didn't see this coming:
this is pretty ******* Gypsy,
in my observational opinion.

Well,
here I am,
and I even asked for it.

For us three,
this will certainly be
an interesting few days,
down in the Bay,
on our way to play
wherever it is we may,
and all I can say
is: "Okay,
this is the stuff
books are made of,"
and, "Well,
time to live
one hell of a story!"
And it was so;
life is best lived
and so often is wasted
on the living.
I'm so glad I set aside the time to type this up.
I uploaded this when I got home,
but the notion was conceived of in said circumstance.
Revisions may yet occur, but I feel most of them are over.

Both shows were great.
We were very well received.
We made $50 in tips in the first hour we played the Theatre:
three cheers for drunk old ladies!
Wow, that sounds incriminating.
Oh well.
I even made a few friends along the way!  

Discussed on the trip were such topics as:
Philosophy, Taoism, Buddhism, Hinduism, Islam, Judaism, Christianity, Carl Jung, paganism, shamanism, botany, intoxication, Terrance McKenna, sobriety, authority, subversion, art, technology, music,  musicology, anthropology, ethnomusicology, acoustics, physics, calculus, geometry, numerology, symbology, language, etymology, linguistics, magic, the Occult, Tarot, I Ching, psychology, mythology, geology, astrology, astronomy, ethics, economics, death, life, love, lust, enlightenment, transcendence, bliss, hope, fear, pain, illusion, religion, politics, acting,  and how glorious Western culture is.

Interesting people,
to say the least.
-Our leaders turn into colorful parrots

-Rainbows everywhere (double, triple, etc.)
with pots of chocolate gold coins

-Fish learn to fly and talk,
go on to start a prominent political party

-Aliens are real and they are the
original inhabitants of Earth, we are aliens

-Canada is a spaceship,
moon is deathstar

-We are the dream of a sleeping giant
which will soon wake up

-Superpowers for everyone

-Real life is actually an ambitious
indie film w/ lots of improv

-I'm Jesus!

-Nothing happens

-Everything happens

-A mixture of everything & nothing happens
Falen Jul 2011
I've been having these...

Audacious ideas lately.
Ideas better left contracepted by reason
before taking root in my mind;
I've been playing hopscotch with What If
so long that I forgot he was just
and imaginary friend.

I've been thinking about you.

They're just thoughts but see,
These feelings I have for you
are so very contradictory
because the very reason I like you
is the reason you keep your distance.

You pray to a god I don't believe in
and according to my church,
you might be called a heathen
Yet I couldn't imagine anyone else in heaven
with more ease.

I've been having these...

Audacious ideas lately.
Ideas that took root and
for the life of me, won't scoot
for things like logic.

These here ideas are utterly tragic.

We share the same basic morals
but you stick to the script,
and I'm a little more improv;
with my Saturday Nights Live,
while you're at home praying
prayer number five.

Trust me when I say
I didn't mean to
think about you
dream about you
pray for you
constantly.

It wasn't until I heard you.
Every word was poetry,
and all I could ever do was stutter.
When I think of these audacious thoughts,
I begin to shutter.

Mainly because I'm walking
down the plank into heartbreak,
and those nudges at my back
pushing me forward are
the smiles you beam like
lighthouses in this dark world.

It's as if they start at the ground floor
of your soul, take an elevator
to the corners of your lips and
Spread.

I don't beleive in the prophet Mohammed
but am I a horrible Christian if I thank him
for inspiring someone to be so angelic?
Not only are you peaceful,
you're revolutionary.

You could change the world
with two hands behind your back
and still have prayer time in tact.

MSA President,
captain of the school team,
superlative for the biggest dream.
I like you for who you were, are,
and who you will become.
And it seems as though
every
one
of your actions
is rhythmic to my hearts drum.

I've been having these...
Audacious ideas lately,
Ideas better left unsaid,
Ideas better left dead.

— The End —