"gutters" poems
when she was eight years old
she
asked her mother
have you seen the girl with
lashes like butterflies against sharp cheekbone branches?
a dandelion sprouting from sludge covered gutters and streets
streets, where you feel that bitter bland nothingness in your stomach
it feels buttery to stare at her:
see how snow outstretches arms and twirls tippy toes, envies her grace
see how balloon sized raindrops pop, target the freckles on her arm
see how her forehead crinkles when she concentrates, nothing more than a beacon
proclaiming she trickles with stars
when she was eight years old
her parent's violent protests slipped bruises under her skin like pennies in a coin slot
but they could not contain the celestial girl tucked under her ribcage.
she would still look at her like she was the breakfast sun on a saturday
whistling by the creak, catching glimpses of dresses from behind the legs of trees.
see how this is special love, sweet as strawberry fields under soft sun
they would never feel on their forked, sour tongues
Oct 15, 2017
Oct 15, 2017 at 2:35 AM UTC
It rains horizontal,
not vertical,
gutters of water,
windows of pain.
faces of humans
like cats on look out,
watching the bubbles
as life floats by.
A. J. Rain
Mar 14, 2015
Mar 14, 2015 at 8:36 PM UTC
I dream of Ruby
Bridges with diamond gutters
Demarcation flows
Oct 15, 2015
Oct 15, 2015 at 12:22 PM UTC
off the roof
like
rain
from
the
gutters
eaves
filling
with
blue
berry
ink
i
taste
the
sweetness
on
the
warm
tongue
of
pages
before
they
blow
away
with
my
breath
.
Jan 16, 2016
Jan 16, 2016 at 12:22 PM UTC
*I'm a black dog
with a torn heart
you
are carved out of light
heavier then rocks
my bowels
a crumbling fortress
dire
in my emptiness
you
make my blood run down dark gutters
to the city of your legs
pooling at your soft pink feet
i strain in prayer
for your love
a black dog in panic
i run seven miles a day
to **** you
my body lean and wire muscle wet
women look on dreaming
as i search for you in their faces
i run killing myself
till your dead
all curving sadness
and broken creel
a hallowed
crypt of desolation
you
a sword through me
farewell*
Mar 7, 2018
Mar 7, 2018 at 2:15 PM UTC
Check back soon to resume and consume
every tight-lipped, slack-jawed fool in the room.
See, it's all what you know
as the fires start to grow
and the future burns slow.
Keep your eyes on the ceiling,
and your antenna feelers feelin',
for when your senses stop reeling,
you will finally start believing.
Kick-back to the basics,
not too far from the basement,
and close enough to show
that **** really isn't basic.
It's another mid-west, ******
******** freak show.
Another evening drinking whiskey
with the seedling's peep-show.
So, it's time to relax and relapse
into acidified broken synapse.
The lights keep flickering
and the couples keep bickering:
***** I am not above homicidal snickering.”
I steer clear of these diversions,
and wander past the sermons,
just to chew up all the crooked talk
and spittle out inversions.
I shovel mockery to hypocrisy,
pin-prick the empty *****
whose passions lack predicates,
and in the background, I'll be complexifying my medic-kit:
ketamine, morphine, ecstasy;
marijuana, mushrooms, LSD.
Watch those ******* jitter-bug college *****
procreate while sloppy drunk,
but keep an honest eye
on the flies that will rise above –
then fall back down in existential angst, like:
“Dear God, why must I be free?
Oh, God! Why is every universal eye on me?
I'm just another acid war veteran,
sneakin' through these gutters
with pestilence and bitter sin.
When they reach the promised land
of golden clouds and holding hands,
I'll be underground with the slugs and the spider band.”
Yet here I sit, sick of sippin' poisons with illiterates.
So, let the skies fall and the buildings crash,
as you stand on the wall with a fist full of cash.
I'll be on the front lawn,
picketing for dawn,
while the night around me slowly ambles on.
Aug 21, 2012
Aug 21, 2012 at 12:23 AM UTC
Rugby town, of landlocked streets,
of wasted field and barefaced retreat;
I miss you now, in absence of a friend,
I miss you now, in the verse that I lend.
Suburb grove, of sleepy mist,
oh, battered housewife, oh blastocyst;
you will remain in place forevermore,
and forevermore, you'll become a bore.
Holding cell, of sporting fame,
you stole my dreams but gave me my name;
I think of you: a multi-storey view,
of happy faces, of which there is few.
Still, my town, in debt's nightgown,
the shop-fronts vacate, we're feeling down;
these streets are poisoned with names of the past,
each memoir to teach: nothing's built to last
Rugby town, of weary folk,
the private school is a private joke;
I miss you now, as I sleep through the day,
I miss the old walks, and all that you'd say.
Old market town, the aftermath,
of British summer, suicide bath;
of open mics and closing the shutters,
of waking graveyards, sleeping in gutters.
Hopeless climbs, of dreary times,
of childhood state and nursery rhymes;
each time that I come home, I know you less,
becoming a stranger in my redress.
Clock tower, chiming, chiming loud,
singing for history long and proud;
of Rupert Brooke and the question: “what if?”
What if I was born to some lover's tiff?
To some large and friendless town,
to some body of land, which I drown;
to some active place of pain unknown,
to some place that I'll not gauge that I've grown,
oh Rugby dear, stay with me,
let me live on the periphery;
and although this town seems terribly dull,
it could be worse – I could live in Hull.
Mar 14, 2014
Mar 14, 2014 at 7:18 PM UTC
cheap makeup covered
the purple marks of his "masculinity"
forced upon her in the hours of
coal, coldness and blame.
before it got too much,
I saw her stand on her tiptoes
and dissolve into the night sky,
into the night gutters,
into the night cries,
of pills, diets and mutters.
and right as the moon
swallowed her whole,
only to spit her out onto
guilt soaked mornings;
she survived.
Sep 2, 2014
Sep 2, 2014 at 11:06 AM UTC
I feel as if my head is sliding off my neck like ice cream melting down the cone. I am a witch melting, shrinking smaller as my spine stacks horizontally like shiplap. My body has been refurbished into a pinball machine. Something so tiny as a silver ball destroys so much. It bullets through my body, shooting off like Cuban missiles. I feel the turmoil and chaos seeping through the gutters of this old home of bones. It's like spilled oil sludging through my blood vessels or rats scattering through a sewer, nibbling and feasting away on these muscles of mine until they are frayed like gnawed-on cable wires. At odd hours of the night when time is propelled by the safe travels of breath (that weave in and out like Victorians at a ball) from sleepy children who have yet been touched by monsters or nymphs, whereas each of my breaths steer Odysseus's weather-beaten boat through ten years of treachery. My heavy, melting head slowly sloping like clay off a bust makes its home on my dingy pillow as I lay on a prison bed with cold shackles around my ankles that make my bones shatter into a mosaic as if that could shrink my ankles so I can slip out. I feel like a chained hawk at these hours of the night when I just want to fly until I screech to a halt and flail over the cliff that waterfalls into the ends of the universe. I'd be reluctant at first, perhaps, but what other escape does one have other than to make an autopsist's Y-incision on one's body, then slip out like a hermit crab freeing himself from his heavy shell? Embarking onto a new dimension where there's hope for a radical swap of atoms that don't shape a crippled, deteriorating human is the only choice when you want to live a life other than what you were cursed with. May we then find peace and live as naked souls bearing no heavy shells.
Jul 7, 2017
Jul 7, 2017 at 4:53 AM UTC
Fingers cut palms as hands turn to stone
And a catapult hurls the projectile home
Knuckles collapse from bone meeting bone
Down in the alleys where miscreants roam
Suggestions of violence fill gutters with blood
Fill heads with the sense of nefarious thrill
Their skin turns to ash and their brains into mud
Rage in the kingdom of eager to ****
The children are soldiers who train everyday
Cowboys and Indians, Robbers and Cops
****** is plot and the actors will play
Portraying the place life will come to a stop
Violence is cancer, and love is no more
Edge of our seats waiting for the next war
Dedicated to the deceased and forgotten, Love and Peace
Oct 5, 2013
Oct 5, 2013 at 11:34 PM UTC
We are protected from so much pain. For example: graves.
The earth’s roots and brown-black blood are busy
covering the soft, violated bodies of our loves.
Death is a secret, and the rain with its many hands
washes off the streets to the gutters death’s thick surprise.
The automatic shutter of the eye never fails,
the courtesies of the tongue. What goes on in the rooms of houses
is guarded from us by the hardwood doors,
the carefully closed windows. Whatever was said or done,
night will come, eagerly, to clean up.
And death will shield us, in time,
from the sun’s megalithic promise:
Tomorrow, the same day.
Tomorrow, the same day.
For example: A flower
is the most beautiful lie.
Jan 31, 2013
Jan 31, 2013 at 10:26 AM UTC
The squirrels played havoc around the house,
picking stuffing from the porch swing,
packing it into their cheeks, until they were swollen,
pregnant, to fluff their nests with synthetic cotton.
They bounded about the yard stopping to squeeze
fallen walnuts, like supermarket melons, to see
if they were ripe or rotten. Their neighbors,
the gopher and raccoon and rabbit
were overrun by the squirrels myriad brood.
Some (squirrels) sought refuge in refuse, chewing large
holes in the trash bins. This would feed many a raccoon’s
hungry mouth, but none of them would show thanks.
When the numbers began to spill over from the trees,
the squirrels began occupying the gutters, causing sheets
of ice to cataract, frozen down the sides of the house,
and then when the old man found stuffing from his swing
in the attic, enough had become enough. Something
had to be done. This blatant malfeasance must
be dealt with, and so he would devise a plan, a trap.
The old man stood watching the plump little devils
bounce and leap around his yard, when he saw the bin.
And wriggling the fingers on his upturned paw, a sinister
plan curled onto his face in a dark smile. He went out
to the trash bin and filled it with water, only halfway,
no more. He dropped a lightly pumped, bald
basketball into the bin, and smiled when the first
squirrel drowned in it. Everyday, the old man wriggled
his fingers and smiled his dark smile,
until he found synthetic swing stuffing
in his bed, and realized he had lost.
Oct 1, 2012
Oct 1, 2012 at 1:07 PM UTC
.
Watching the rise and the fall of a kingdom
Walls once rebuilt again tumble the ground
Allowing the beasties free reign in the village
Bellowing out o’er the wickedest sound
Pacing the streets, seeking out bits of garbage
Leaving their stains on the innocent few
Leering in windows where children are hiding
Tender young things and so easy to chew
Thieves in the night lurk about come the morning
Stealing the sun at the break of the dawn
Drinking of sewage a’ flow in the gutters
Checking off names as the many are gone
Peering ‘round corners, down alleys, in shadows
Seeking the favor of all who do grieve
Laughing in spite of the torment now growing
Licking their lips in the hope you believe
Roaming in groups so the followed outnumber
Say what you will for the king does not hear
Lost in his throne made of mirrors that flatter
Shivering, cowering, caving to fear
Deaf to the villagers asking for reason
Blind to the pillage befalling this land
Dumb, well I guess that just goes without saying
Nary a care what the people demand
Feasting on turkey, potatoes and gravy
Raising a glass to the enemy proud
Taking a stand against those who support him
Locking the front doors while yelling aloud
***“Carry your torches, your pitchforks, your honor
It matters not for this evil shall win
Even when gone there are echoes of anger
Lingering on till they come back again
Give them your all, what you’ve poured your heart into
Down on your knees, bow to them one and all
Step over rock and the piles of rubble
This castle will stand even when the walls fall
Shout all you like as no change is forthcoming
Accept it or flee, you think I give a ****
When you are gone many more will replace you
Now pass those peas and a slice of that ham”***
So roam the beasties, their teeth ever sharpened
Fanning the flames as so many are burned
Tearing apart what the people envisioned
Silly to think that they somehow had learned
Nothing so happy with no ever after
Always the same, it will happen again
But unlike some other long winded stories
Sadly in this I can not say “the end”
Watching the rise and the fall of a kingdom
Walls once rebuilt again tumble the ground
Thankfully I can peruse from a distance
Witnessing all without hanging around
Jul 8, 2016
Jul 8, 2016 at 9:25 AM UTC
Go to sleep—though of course you will not—
to tideless waves thundering slantwise against
strong embankments, rattle and swish of spray
dashed thirty feet high, caught by the lake wind,
scattered and strewn broadcast in over the steady
car rails! Sleep, sleep! Gulls’ cries in a wind-gust
broken by the wind; calculating wings set above
the field of waves breaking.
Go to sleep to the lunge between foam-crests,
refuse churned in the recoil. Food! Food!
Offal! Offal! that holds them in the air, wave-white
for the one purpose, feather upon feather, the wild
chill in their eyes, the hoarseness in their voices—
sleep, sleep . . .
Gentlefooted crowds are treading out your lullaby.
Their arms nudge, they brush shoulders,
hitch this way then that, mass and surge at the crossings—
lullaby, lullaby! The wild-fowl police whistles,
the enraged roar of the traffic, machine shrieks:
it is all to put you to sleep,
to soften your limbs in relaxed postures,
and that your head slip sidewise, and your hair loosen
and fall over your eyes and over your mouth,
brushing your lips wistfully that you may dream,
sleep and dream—
A black fungus springs out about the lonely church doors—
sleep, sleep. The Night, coming down upon
the wet boulevard, would start you awake with his
message, to have in at your window. Pay no
heed to him. He storms at your sill with
cooings, with gesticulations, curses!
You will not let him in. He would keep you from sleeping.
He would have you sit under your desk lamp
brooding, pondering; he would have you
slide out the drawer, take up the ornamented dagger
and handle it. It is late, it is nineteen-nineteen—
go to sleep, his cries are a lullaby;
his jabbering is a sleep-well-my-baby; he is
a crackbrained messenger.
The maid waking you in the morning
when you are up and dressing,
the rustle of your clothes as you raise them—
it is the same tune.
At table the cold, greeninsh, split grapefruit, its juice
on the tongue, the clink of the spoon in
your coffee, the toast odors say it over and over.
The open street-door lets in the breath of
the morning wind from over the lake.
The bus coming to a halt grinds from its sullen brakes—
lullaby, lullaby. The crackle of a newspaper,
the movement of the troubled coat beside you—
sleep, sleep, sleep, sleep . . .
It is the sting of snow, the burning liquor of
the moonlight, the rush of rain in the gutters packed
with dead leaves: go to sleep, go to sleep.
And the night passes—and never passes—
4k
My voice
Was the highest soprano in the choir
And I was well past puberty.
My chest may never be
As flat as yours,
My shoulders will always be
Slimmer and daintier,
My waist tucks in and allows for
Hips,
Hips that make me cringe with every ******* breath
Some days.
I will never have
That bulge between my legs
That you so wrongly call manhood.
I lack the things you tell me
Make someone a boy,
And sometimes I even lack the guts
To disagree with you;
But **** if that makes it alright to throw me in gutters,
Beat me up behind smokey dive bars,
Yell at me on the city bus,
Take away my ******* humanity.
Because I am a boy.
I am a ******* human.
Jun 1, 2015
Jun 1, 2015 at 9:40 PM UTC
Everywhere, on the sidewalks, in the gutters, right outside my door. Flourishing in the streets of Tegucigalpa, like leftover confetti from Mardi Gras. Lining the paths, nestled in the gravel, the broken concrete, and overgrown weeds. Coloring the landscape with orange and green.
Proliferating around garbage cans, discarded bottles, tires, and take out boxes, liberated to the acrid landscape around.
Men, cutting back the peels, devouring the tropical flesh, delectable, united to pits. Dark skin and eyes, their accents singing, so different from my own.
I stepped carefully, but always underneath, a sweet stickness, clinging to my soles. A bond to the red dirt, platanos fritos, and cattle roaming the street.
When I returned to the wide boulevards, pristine and meticulously clean, I stopped watching my feet, looking for mango peels underneath.
Jan 17, 2019
Jan 17, 2019 at 3:04 PM UTC
My eyes, python-like, swallow the sky,
greedy for the wrongs in me to go right
at the sight of your gleeful greenery
spilling over creek beds and hills.
The wind, combing out my worries,
blowing away the blockage built
by the fumes and filth collected in city gutters.
I want to be
let wild, made free.
But one wrong turn in your winding maze and I am gone,
a place like this will chew you up and spit you out.
You should leave, something tells me.
No one ever leaves fully intact,
the longer you stay, the more you will fall apart.
“On the contrary” I scoff.
“I am becoming more myself, not less.”
But this is what everyone says
just before they leap in joyful pursuit
to tumble headlong down hidden gullies.
But I am more careful, I assure myself.
I hunt the way crocodiles do,
watching patterns with keen intention,
offering my hands and eyes.
But what should I do if, when the time comes,
You resist?
Disregard me, like an unworthy suitor?
And what if that is what I am?
I see, I take note of
the way the wind blows and the shadows fall,
the way the trees twist clockwise
or counter-clockwise.
The way animals flee when I approach and
the way they keep perfectly still
hoping they are invisible.
And there are times when I see all this, and more.
Like heat distortions above a fire,
something peripheral or liminal,
almost outside the spectrum of what can be perceived
or communicated or defined.
All these trails, the ones seen and unseen
and the ones somewhat seen
lead me to a terrible suspicion:
that the likes of me lacks to tools
to understand the likes of you.
that in harmony with one another
we would both cease to be what we are.
that you will never regard me with love and worse—
you will never regard me at all.
Then I, in frustration, stop going with you.
Start to go against you.
And keep going, finally on my own.
Still myself, but less.
Sep 21, 2018
Sep 21, 2018 at 7:23 PM UTC
Thirteen roses in a row
Red rain falls,
Don't you know
Down the window
Pain it goes
In the gutters
Through the nose
Where's the thunder
When it flows...?
*(Chorus)
Wrapped around
The gauze that's stained
What difference snow?
The same as pain
When it melts
It's just rain.*
Withered flowers.
Falling leaves.
It's a howling in the eaves
It's the cult the
Maimed believe
No one cares.
No one grieves.
Cover up.
Long jeans & sleeves.
Razors are a water slide
On track like
A carny ride
Over arms & over thighs
Release all
The pain inside
(Chorus)
It's an ocean
Where we sail
A coin that can be
Heads or tails
A lover's letter,
Or junk mail
A piece of garbage.
Holy grail.
(Chorus)
SøułSurvivør
(C) 7/23/2017
Jul 23, 2017
Jul 23, 2017 at 12:07 PM UTC
I
I am in Cardiff
Where foams pummel the jetty
I am in Cardiff
Where crab skeletons blanch the beach
I am in Cardiff
Where the Pilot Star became a conch
I was in the ruse of age
Where the young kiss
I was in Joshua Tree
Where the mind is thoughtless
I am a grove's wilting
I will be an unbearable urge
And I am shivering in Santa Ana near Bristol and 1st
II
There is intent when the addict mutters --
Estranged in his unhappy gutters --
"Life is cheap and love is free."
Hopelessness's epitome
Sits naked beyond the wall.
There is derision in the dealer's call --
Osmium-heat in an unimpeded fall --
"You can't change who you are."
Greed could tear down a star
To sculpt into a Cardiff shell.
Warrant breeds within a child's yell.
III
I am in Cardiff
Where foams pummel the jetty
I am in Cardiff
Where crab skeletons blanch the beach
I am in Cardiff
Where the Pilot Star became a conch
I was in the ruse of age
Where the young kiss
I was in Joshua Tree
Where the mind is thoughtless
I am a grove's wilting
I will be an unbearable urge
And I am shivering in Santa Ana near Bristol and 1st
Dec 27, 2012
Dec 27, 2012 at 1:44 AM UTC
I
The winter evening settles down
With smell of steaks in passageways.
Six o’clock.
The burnt-out ends of smoky days.
And now a gusty shower wraps
The grimy scraps
Of withered leaves about your feet
And newspapers from vacant lots;
The showers beat
On broken blinds and chimney-pots,
And at the corner of the street
A lonely cab-horse steams and stamps.
And then the lighting of the lamps.
II
The morning comes to consciousness
Of faint stale smells of beer
From the sawdust-trampled street
With all its muddy feet that press
To early coffee-stands.
With the other masquerades
That time resumes,
One thinks of all the hands
That are raising dingy shades
In a thousand furnished rooms.
III
You tossed a blanket from the bed,
You lay upon your back, and waited;
You dozed, and watched the night revealing
The thousand sordid images
Of which your soul was constituted;
They flickered against the ceiling.
And when all the world came back
And the light crept up between the shutters,
And you heard the sparrows in the gutters,
You had such a vision of the street
As the street hardly understands;
Sitting along the bed’s edge, where
You curled the papers from your hair,
Or clasped the yellow soles of feet
In the palms of both soiled hands.
IV
His soul stretched tight across the skies
That fade behind a city block,
Or trampled by insistent feet
At four and five and six o’clock;
And short square fingers stuffing pipes,
And evening newspapers, and eyes
Assured of certain certainties,
The conscience of a blackened street
Impatient to assume the world.
I am moved by fancies that are curled
Around these images, and cling:
The notion of some infinitely gentle
Infinitely suffering thing.
Wipe your hand across your mouth, and laugh;
The worlds revolve like ancient women
Gathering fuel in vacant lots.
3.1k
Seldom doth man stop and stare
At the caste iron manhole cover there,
Seldom doth he analyze
The majesty, which beneath it lies.
The pipe work systems vast and long
Dark catacombs so precise and strong,
Buried deep beneath our feet
Extending forth from street to street,
Out across the breadth of town
Those secret fluids trickle down.
Laser levels carve the pathway
Through the walls of solid stone,
Shovels scrape and dig with effort
Forging hard trajectories home.
Digging, digging metal mountains
Sweat cascades upon the brow,
We lay the pipes in straight formation
Precision's satisfaction now.
An Artisan's great work is hidden
Lost beneath the earth's grey stone,
Appreciation camouflaged in that,
The cast iron manhole stands alone.
Magnificence unrealized
For deep beneath your feet,
A subterranean Michelangelo's
Sisteen Chapel, lays discreet.
Unsuspected rivers
Flowing darkly to the sea
In caverns of unwanted waste
Quite unbeknown to thee.
Vaulting brickwork chambers
Which are ancient works of art,
Carry oceans of excretement
Far from where their journey's start.
With thunder's crash and lightning flash
And torrents of cold rain,
The road's awash and gutters flow
Through roadside grates to drain.
Gushing torrents cascade down
In waves of flowing might
To the storm water system
Which promptly swallows it from sight.
Magic, you say ?
Nay, nay I say unto you
That the drain layers artistry
Is unappreciated, that's true !
That the Herculean effort wrought
In winning his great fights
Is largely lost to all and sundry
Who avoid construction sites.
They miss the planning and the layout
And meticulousness too
And the rubber seals which stop the leaks
Which really bother you.
The massive holes and danger
Of being buried in collapse
And the wondrous satisfaction
Of achieving downhill flows... Perhaps!
Marshalg
Apprentice drain layer
MHX Beachcroft site and Eastport
19 September 2009
Jan 22, 2010
Jan 22, 2010 at 3:08 PM UTC
The bartender a europa server leaves me a shot of liquid propane.
He moves past every silver dollar forgetting about the meaning
of whskey and bull dogs.
I watch cody a young university of washington student sneek In a can of raineer beer (if he really goes there) ill never ask him.
This is how lastcall always takes place: a drunken masqerader our friend johnny
Drops his wallet and kills a shot of jager. ( are we drunk enouph yet)
I order a taco and gain three hundread pounds tonight.
Master of the pitchers. He still dreams of being a physical thearpist ( he failed trying to take over for Dyrile). His new tall order of a job makes my anticipated buzz weaker.
Im tired of these long dresses opening up and spilling all over the dance floor ( the dj warned her not to)
Our ladies still mention bach. Inside of her purse hides a mystery knovel.
Tueday means a victory at home. Every player utters pride of being a regular.
We sink the black eight ball knowing the bouncer gets in the way of ourdrunk enemies ( a red head)
He charges like arhino. Hes a animal without areason to **** But the bouncer prevents his six year jail sentence from ever happening. Bexause were all forgiven like helpless bar rags trying to dry out before the mold and mildew
contaminate our bull **** stories. We all speak easily after the brooklyn dodgers turn every blue and white hat around the five head.
He wont show us how the airforce cut his hair. Every one of his is angry patrons drink until the switch flickers the message ( crawl home bfore the cops fish with dynamite) in the ruston pqarking lot. (Searching for fake DW'S) each of themshine a britemaglite until the last car disapears still swerving like a skunk ptetending to hide in the storm gutters.
Sep 15, 2013
Sep 15, 2013 at 6:05 AM UTC
*If I seem distant it's
because I am.
I abandon this city
like rain down gutters
trying to get back
to a home, a field, a shore,
no traffic, no smoke
where air is pure
& lungs breathe deep,
in a rhythm
untarnished by
tarmac & brick;
modernity's grip
that looks for life
& buries it, forgets
Earth has a pulse
a heart that beats
beneath us.*
Dec 8, 2015
Dec 8, 2015 at 11:24 AM UTC
I measure out my days in witticisms that fall
As freely and pointlessly as leaves in autumn,
My few amongst the countless that fall anonymously
Along streets, in parks, in gardens
Filling gutters, blocking drains, making homes
For hedgehogs, rats and beetles.
Things we **** with cars, poisons and heels.
Apr 7, 2017
Apr 7, 2017 at 3:26 AM UTC